saddle shoe
, frank w. hoffmann; william g. bailey, “saddle shoes”, in
with the popularity of the saddle shoe other two - toned colors emerged, including black shoes with white saddles, white shoes with red, and tan shoes with brown. at one time or another it' s likely that nearly every conceivable color combination has found its way into the saddle shoe .
what made you want to look up saddle shoe? please tell us where you read or heard it (including the quote, if possible) .
q: lastly, what are saddle shoes again? a: saddle shoes are a casual form of oxfords where the centre section of leather (the “saddle”) is a different colour (typically black on white) – as is sometimes the heel spine .
i also will think of saddle shoes and poodle skirts going together, but i have also seen several saddle shoes for men. it is also interesting to see the different color combinations .
oxfords come in two styles – dress styles (sometimes referred to as balmorals) and casual styles (sometimes called saddle shoes). saddle shoes are distinctive because they have a layer of leather in the middle of the shoe that is often a different colour .
the classic saddle shoe is a dress - style shoe with a leather white toe box and back, and a black instep and vamp, which includes the throat, tongue and eyelets. the instep and vamp together form a shape much like a saddle in the center of the shoe, hence the name. a contrasting black strip also ran up the rear of the shoe at the back of the heel, often with a buckle at the top. the rubberized composite low - heeled sole was coral colored .
saddle shoes – two - tone, plain oxfords usually for more casualwear. commonly found in the us .
in the post - war era of jive, jitterbug and the king, elvis presley, a two - toned snappy shoe replaced the respectable penny loafer. that crazy new footwear was the saddle shoe and it bunny - hopped and bee - bopped its way into popular culture .
let’s be honest. shoe lingo isn’t always clear - cut. why are there so many names for everything anyway? surely a shoe either has laces or it doesn’t ?
it’s more commonly understood (especially in the us) that oxfords are plain shoes and any brogued shoe is a brogue. broguing can be applied to numerous shoe styles .
shortly after the outbreak of war i wrote to the english friends about clothing and raised the question as to whether we should send you
saddle shoes .
it seems i gave you busy people no end of trouble trying to discover what a saddle shoe is... it is originally white and has a brown or black saddle - shaped piece of leather across the instep. the american adolescent is properly shod for all except dress occasions in saddle shoes, but not clean ones! these shoes, for reasons that only a teen - ager can explain, must never be cleaned !
the official preppy handbook served as a joke - slash - bible to the preppy way of life, and in it, swedish tennis shoe brand tretorn was listed alongside sperry top - siders and saddle shoes as the preppiest styles to wear .
these example sentences are selected automatically from various online news sources to reflect current usage of the word' saddle shoe.' views expressed in the examples do not represent the opinion of merriam - webster or its editors. send us feedback .
a casual shoe, usually white, having a band of leather in a contrasting color across the instep .
traditional (or balmoral) oxfords – most common shoe for smart or professional occasions in black or brown .
in 1906 as an accessory for tennis and squash. the saddle was not initially conceived of with style in mind; it functioned as an orthopedic girdle that reinforced the instep and held the shoe together against the strain of fast starts and jolting steps .
in 1957 elvis presley thrilled a generation in jailhouse rock with his ultra - cool blue eyes, sexy gyrations and deep resonate voice - - and he did it in saddle shoes as well as in another up and coming shoe that would eventually replace the saddle shoe: the humble sneaker. james dean, who died in 1955 at the age of 24, was another icon and lightening rod for youth. one of the most famous photographs of james dean shows him standing in jeans and sneakers. with dean and presley both embracing this new trend it was just a matter of time before saddle shoes ended up at the back of the closet, and sneakers took their place up front .
oxford shoes are plain, low - heel lace - ups in which the tongue of the shoe is a separate piece to the vamp (that’s the upper part of the shoe). their ‘closed lacing’ style brings the eyelets completely together – making them different from derby shoes which they are often confused with (but more on that later). named after the iconic university, the oxford shoe became popular as students began to champion the ankle – rather than knee - high – shoe trend .
you saw many poodle skirts and saddle shoes and there was just something special about lacing up those shoes. anytime i see a pair of girls or womens saddle shoes, i am reminded of those fun times, and imagine that many people even have better memories than that when they put on a pair of those shoes .
this time, fanning laced into a pair of black and white saddle shoes embellished with all - over studs, which gave the ’50s schoolgirl staple a distinctly punk - rock edge .
i have seen a mixture of many different colors - not just the usual white and black. maybe they aren' t authentic saddle shoes, but the are created to look very similar to them .
growing up catholic in america in the mid - century was a heady, paradoxical blend of excitement and repression, glamour and asceticism, mystery and cruelty, sensuality and sexism, beautiful lace mantillas and ugly saddle shoes .
still, despite the more casual dress of today' s fashions, saddle shoes continue to be widely available at most department stores, bearing testament to their enduring appeal. they bring to mind an era of innocence, naivety, youth and the sounds of a generation caught between the greasers of the' 50s and the hippies of the' 60' s. their classic look and styling has endured the changing times, and on those occasions when sneakers won' t due, saddle shoes remain a hip choice for eclectic shoe lovers everywhere. try a pair on and see if you don' t feel the magic !
oh yes - saddle shoes! i did not grow up in the 50' s, but during homecoming week at our high school we always had a 50' s day where we would wear our finest clothes from that era .
like many staples in prep style, you either love boat shoes or hate them. personally, i adore them. in fact, as i sit in my office writing this article, i am wearing a pair of boat shoes by brooks brothers. while many credit sperry topsider with the initial introduction, and most people consider them the quintessential boat shoe, there are many companies today that make them. boat shoes are pretty much exactly what they sound like. they were created as a non - slip shoe for sailing and are generally are made of leather and sometimes suede or other materials. they are worn exclusively without socks and as a casual shoe that is tied using leather boat shoe laces. for more information, check out this great primer on boat shoes by my colleague sven raphael schneider .
“i think it’s simple [ as to ] why the cortez became a staple for l. a. youth: the shoe was for the ’hood. it wasn’t mainstream fashion like it is now. accessibility and price point made that shoe what it is, ” says spanto, the co - owner of l. a. streetwear brand born x raised, who was raised in venice, california. “they sold it at every swap meet, every hood shoe store for $ 20 - $ 30. it fit the aesthetic of how we dressed in the ‘80s and ‘90s: classic american workwear, dickies, and ben davis. ”
best has quantities of the arnold type of buckled sports shoes, as well as the saddle shoes that have been popular on campuses for many years; lots of felt hats of the dunlap type, varied by odd crowns; and round - crowned hats with bound brims—stetson classics .
kiltie oxford – the kiltie oxford features a flap of leather over the laces which looks like a kilt. these became common on the golf course but as a style, the kiltie has become a fashion - forward shoe .
, ’ from the london - based shoe designer chrissie morris, who links the loafer’s appeal to its “understatement, ease, the associations with loafing around and relaxing. a loafer is meant to be a ‘land runner.' ”
[ … ] by lisa birnbach the boat shoe began to be identified as an essential and integral part of the preppy style. boat shoes however are not just restricted to preppies but have been adopted by a large [ … ]
loafers, like boat shoes, are synonymous with coastal culture. there are a variety of loafers on the market from the most casual forms to semi dress shoes. they are typically categorized as being a low, lace - less shoe that you slip on and wear out, rather than as a slipper indoors. traditionally, loafers are a casual shoe, but recently many preps have begun wearing them with lounge suits or to work at offices with a more relaxed dress code. they come in a variety of styles, colors and materials and occasionally will feature tassels or decorations on the front of the shoe. for a detailed discussion of loafers in all their varieties, read the ultimate loafer guide .
[ … ] by lisa birnbach the boat shoe began to be identified as an essential and integral part of the preppy style. boat shoes, however, are not just restricted to preppies but have been adopted by a large [ … ]
even though the cortez was readily available in los angeles and wasn’t expensive, it was still a status symbol for those who were brave enough to wear it. “everything has changed since then, but back then you didn’t wear that shoe unless you were about your shit, ” spanto says. “if you weren’t about your shit and you wore that shoe to school or the movies, best believe you were going to get pressed. your shoes were probably going to be revoked. ”
their black, white and red colour scheme prefigures the zigzag floors and red curtains of the infamous red room sequence, in which detective dale cooper dreams that the murdered laura palmer tells him the name of her killer. later in the series, a one - armed shoe salesman plays a significant role, while bobby and shelly find a tape of laura’s therapy sessions hidden in shelly’s husband leo’s shoe. in twin peaks, material objects take on inflated significance. everything and nothing is a clue .
nowadays, there are lots of variations of the oxford (see below just a few !) traditionally a men’s shoe, over time oxfords have also crept into the women’s fashion scene, becoming an androgynous yet fashion - forward wardrobe staple for women .
clockwise, from top left: chrissie morris shoe, $ 770; urltoken. g. h. bass & co. penny loafer, $ 89; urltoken. marc jacobs loafer, $ 1, 295; urltoken. chloé loafer, $ 795; urltoken .
but once all of that wears away, there’s still going to be a great shoe, one that fadlon wore back in his days at fairfax high school in los angeles. “it has its moments. it comes and goes, but it will never go away, ” he says .
at 80, allen no longer is the bespectacled, saddle shoe - wearing comic genius who famously was too busy playing clarinet at michael' s pub to collect his oscar for annie hall (at least he doesn' t wear saddle shoes anymore). but on this april morning, the razor - sharp director invites thr inside his
bubble
for a conversation covering everything from his 20 - year marriage to soon - yi previn, now 45 (they have two daughters, 15 and 17; he also has three children with farrow), to his nonexistent relationship with technology. he doesn' t use a computer but, ironically, is now part of the amazon revolution. the internet giant not only bought cafe society for $ 15 million — marking the end of allen' s six - film run with sony pictures classics — but also is funding allen' s first streaming tv series, a limited - run comedy in which he will co - star with elaine may and miley cyrus .
never fear! we’re here to help. we’ll soon be bringing you a concise dictionary of all the shoe terms you need to know. in the meantime, we’ll take you on a thrilling journey through the world of oxford shoes (just kidding, but we hope this guide will help) .
the loafer’s rise to fashionableness follows on the heels, so to speak, of another seemingly trend - proof shoe that has been widely adopted by fashionable young women, the oxford, and can be classed as part of the men’s wear resurgence in women’s fashion that was set off again, and most recently, by phoebe philo when she took over as creative director of céline three years ago. but as morris rightly points out, the loafer, unlike the oxford, is a casual shoe. that’s how it was conceived of — indeed, in the days before sneakers became ubiquitous, it was the only permissible casual footwear choice .
the history of the loafer is really the history of two shoes: the bass weejun and its more upmarket spinoff, the gucci loafer; its from these two styles that all other loafers spring. the bass weejun was first made in 1936 and was intended to be a man’s shoe. but so many women were buying and wearing boys’ sizes that two years later bass launched a feminine version that was a line for line copy of the original. thanks to its mix of informality and comfiness, the weejun went on to become a staple on college campuses across the united states. it’s on display, along with white bucks and saddle shoes, at f. i. t. ’s excellent ivy style exhibit, which is up until the end of january. patricia mears, the exhibit’s curator, describes it as “the collegiate shoe” of the period that stretched from the 1940s through to the late 1960s, when, along with so many stalwarts of the preppy wardrobe, the loafer was largely abandoned in favor of more countercultural footwear .
despite the ivy league associations and moccasin construction, the loafer is neither american in origin nor named for a little known native american tribe. instead, weejun is a corruption of “norwegian. ” what does that scandinavian country have to do with the preppiest of american shoe styles? as it turns out, quite a bit: the loafer as we know it came about thanks to a combination of lost generation wanderlust and a growing and more general desire for comfort. though paris was the most famous destination for f. scott fitzgerald and his lesser - known cohorts, some of his peers journeyed further afield. those who went to norway noticed that norwegian fisherman made themselves comfortable shoes that consisted of leather sides joined by a strip of leather across the instep like moccasins — still the way true loafers are made today. “when these young men started wearing these shoes back home, ” explains g. bruce boyer, a fashion editor and author, “american and english shoemakers copied them and advertised them as being similar to the norwegian fisherman’s shoe. ” foremost among the brands making this new shoe was g. h. bass, which had been founded in 1876 by george henry bass .
the cortez has also made the news recently because kendrick lamar, who vowed to only wear the sneaker in 2013, has left his sneaker deal with reebok and signed a new one with nike. and he’s back to wearing the cortez, which has helped energize the sneaker and its connection with his hometown of compton. “i think it’s dope that kendrick wears that shoe, because he’s from l. a. and gets it. it’s part of his growing up, ” spanto says. “things have changed, it’s more mellow now. some of the cultural appropriation stuff that’s going on right now? i think that’s kinda weird. but the shoe wasn’t just made for us, it was made for something else. so it gets complicated. i went to whole foods a few months ago, and i tweeted, ‘there are way too many cortez in here. ’”
the cortez became notorious in los angeles and the danger around wearing it was real. “you couldn’t wear those fucking things. i remember i had a pair in fourth grade. in fifth grade i went to get a pair, and my mom was like, ‘i’m not getting those shoes. ’ parents knew you couldn’t wear that shoe where we lived, ” spanto says. “shit’s not gonna end up well if i buy you those shoes. ”
although the cortez is affiliated with los angeles, and even california as a whole, it still is nike’s first sneaker for all intents and purposes, and the brand will continue to tell its story for years to come, for better or worse. “the cortez put nike on the map in an organic way, ” fadlon says. “now they’re trying to push and manufacture the excitement around the shoe, and it doesn’t feel as authentic as it once was. ”
part of the cult appeal of twin peaks is in the way it encourages its viewers to look for clues and to participate in the detective process, which gives rise to endless speculation. it is the original watercooler television. clothes are no exception to this process. why does the character of audrey horne change from sensible black and white saddle shoes to red kitten heels when she gets to school? the obvious answer is out of adolescent rebellion. however, the repeated close - ups on the shoes throughout the pilot episode draw attention to them and encourage the viewer to speculate on their meaning .
oxfords are one of the most timeless, classic and stylish shoes a man can own. traditionally, men would choose an oxford shoe for smart and formal occasions such as around the office, weddings and other ceremonial occasions where suits or eveningwear is advised. nowadays, oxfords are also worn during more casual occasions and can add a rock and roll edge to the right look. you can go classic with black or dark brown for formal occasions whereas a tan oxford can go well with dark jeans. don’t be afraid to mix it up though. experiment with tailored trousers with subtle patterns .
the sneaker’s gang affiliations also initially pushed away 23 - year - old cortez collector david navarro from the bay area, who runs the popular sneaker youtube channel, davidgotkicks, years after the sneaker’s heyday in los angeles. “it all started when my friends had them, but i found out they were gang - related and i wasn’t trying to get checked, ” he says. “but i noticed it wasn’t a gang shoe anymore and it’s evolved into lifestyle. it’s a dream to see the sneaker get popular now, because they’re finally getting the mainstream recognition that they didn’t have a few years ago. ”
in the 1950s, it didn’t matter if you were a bobby - sor in a long skirt or elvis presley onstage in shiny black trousers—you owned a pair of saddle shoes. they were the footwear of choice for good girls and bad boys alike. this summer they’re suddenly everywhere again, available from niche designers as well as big names, like this tri - tone, leather - soled version from cole haan. (and if you dig the old - school rubber - soled style, don’t worry—g. h. bass still makes great ones .) wear yours with a slim - cut lightweight cotton suit or go sockless in a pair of rolled - up selvage jeans or skinny chinos. and don’t be afraid of a smudge or two; you’re not on your way to a sock hop .
it all started in 1968 when nike co - founders phil knight and bill bowerman marketed the shoe under the “aztec” name with japanese footwear brand onitsuka tiger, which resulted in a cease and desist from adidas. they’d go on to change the name to “cortez, ” after spanish conquistador hernan cortes, who’d defeated the aztecs. then, in 1972, knight and bowerman would bring their cortez sneaker to their newly formed brand, nike, while onitsuka tiger continued to produce the same sneaker. it took a legal battle between the two companies before it was agreed upon that nike would make the cortez while onitsuka tiger would produce the corsair. and that was only the start of the cortez’s history and where its authenticity would first start to take place .
but that’s an aberration. for the most part, loafer has a spotless reputation. indeed, between the fitzgeraldian glamour of its roots and the patrician associations that ensued, it’s a shoe with its own quiet brand of glamour. moreover, it’s remarkably catholic in its appeal, swinging from one end of the style spectrum to the other, all the while appealing to men and women, young and old, the fashion conscious as well as the oblivious, in countries around the world. there’s something very freeing about wearing something so broadly accepted. timelessness is an overused adjective in fashion, but in this case it’s apt. which might not be the sort of comfort that the loafer was intended to address, but it’s just as compelling a reason .
in the united states, the supremacy of the bass weejun was unchallenged — from james dean to j. f. k. , everyone wore them. on college campuses, they were de rigueur, and, says boyer, worn until they fell apart and had to be held together with duct tape (a prime example of the endurance contest that prepsters subject their clothes to). they were sometimes worn without socks, but while this is now a fashion statement, in the early 1960s, when boyer was an undergraduate, it was more a question of convenience. “guys who lived in the dorms wore them that way, ” boyer says. “if they were late for their first class they would put on their loafers without putting on their socks first. other guys would show up in their pajamas. ” pennies were often inserted in the cutout on the instep; theories abound as to why this was done — so girls who were out on less - than inspiring dates could call for a lift home (not that phone calls were ever cost a cent); for good luck; to commemorate the wearer’s birth year — but if there ever was a reason, it’s been lost. men of elegance wore tasseled loafers, which originated in england and were copied by american firms like alden. loafers were always brown, which is part of what made them a casual shoe — dress shoes of the era were black and were kept polished and in good repair. after graduation, loafers were worn only on informal occasions and black lace - ups (or, for coeds, pumps) became the norm .
with' cafe society' set to open the french festival, the director reflects on his unreflective stance on aging (
if you focus on mortality, the house always wins
), his movies (
i would erase all but a few
), saving wife soon - yi, working with miley cyrus, why tv is
harder
than he thought and his willful avoidance of his own press :
i scrupulously have avoided any self - preoccupation .
people often have said,' gee, you live in a bubble' — and maybe i do ,
admits woody allen as he settles into an armchair inside his private screening room on new york' s upper east side. a creature of habit, he has been watching movies (and taking meetings) in this somber little theater for the past 35 years .
i get up in the morning ,
he says ,
take the kids to school, then do the treadmill, then get into my room and work, have lunch, go back and work, practice the clarinet, see friends or go to a basketball game. it' s a bourgeois, middle - class worker' s life. but it' s enabled me to be productive over the years .
productive is putting it mildly. allen has churned out a movie a year — from classic new york comedies (manhattan, hannah and her sisters) to bergman - esque dramas (interiors) to stylish london - set crime capers (match point) — since the 1980s, with combined grosses of nearly $ 600 million. he barely missed a beat even during the tumultuous 1990s, when his split from mia farrow threatened to blow up his reputation (accusations that allen abused their then - 7 - year - old daughter dylan were not pursued by police after an investigation, but the battle still rages, with a grown - up dylan reasserting the claims two years ago in the new york times) .
right on schedule, allen is about to bring his 47th picture to cannes — cafe society, a coming - of - age tale set in the 1930s about a young man (jesse eisenberg) who moves from new york to hollywood, where he lands a job with a big - time agent (steve carell) and falls in love with a pretty assistant (kristen stewart) .
it was such a glamorous time in california ,
says allen .
you' d read about the mocambo and the cocoanut grove and ciro' s and all the movie stars going out at night. and then there was new york nightlife — socialites and politicians and gangsters .
you' re 80 now. mortality was always a theme in your early work. does it still worry you ?
well, yeah, sure it worries me. first of all, it did worry me when i was 5. and it' s worried me throughout my entire life. and yes, it does worry me, sure. the only thing you can do, i think, the best solution, is to try and push it out of your mind, not think about it and just focus on ,
gee, am i going to be able to get the right scene for jesse eisenberg and steve carell in this movie ?
to focus on problems that, if you strike out and they don' t succeed for you, you are still ok. if you focus on mortality, the house always wins .
i do think i evolved artistically. when i first started making movies, i was interested in just the jokes. then, over the years, i became more ambitious and wanted to do deeper works or better works. and this is either a good thing, depending on where you sit, or a bad thing. there are people that would say ,
i think this is great and very healthy and you went on to make some very good films ,
or they could say ,
you never should have done [ that ] .
i shot a few scenes in california with bruce willis, and bruce was going to do something on broadway [ misery ] and it was just too much for him. so we replaced him with steve carell .
you know, that was always a myth. i never hated l. a. it’s just not a place i could live in because i don’t like sunny weather. but i like cities like new york, where i can walk out of my house and i’m right in the middle of everything and there’s noise and traffic and we get gray, cloudy days and snow, ” says allen, photographed april 20 at manhattan film center in new york city .
i wanted to do kind of a novel on film, about a family and the relationships of the members toward one another, and the protagonist' s love relationship. i wanted it to have the structure of a novel, so i could move around and dwell on various members of the family. that' s why i narrated it because i was sort of the writer of the novel that you were experiencing when you saw the film .
yes and no. when i first started in the business, i was 16, 17, and i would go up to agents' offices. and these agents were very powerful figures to me. i remember going out to california once, going to william morris, and there was a very beautiful receptionist there. and i thought ,
my god, she' s as beautiful as any of the movie stars .
no, no. you know, that was always a myth. i never hated it. it' s just not a place that i could live in because i don' t like sunny weather and i don' t like being dependent on a car. i like cities like new york, where i can walk out of my house and i' m right in the middle of everything and there' s noise and traffic and we get gray, cloudy days and snow. but i have many friends in california. i enjoy going out there for short periods of time. i don' t like to drive. i can drive, but i don' t like to .
well, you read the [ old ] gossip columns, the hollywood columns, [ which ] were in new york as well. so much of what you knew from california, you knew from the columns that you got in new york — hedda hopper and sheilah graham. they would give you the hollywood news, and it sounded very exciting .
i never enjoyed reading. i was not a bookish guy. i read comic books till i was 18. i read over the decades because one has to read to survive in life. but it' s not what i do for pleasure. i' d always rather watch a baseball game or a basketball game or go to the movies or listen to music .
the [ new york ] times because it' s habitual since i was younger. and then somehow or another i catch up with the tabloids. my driver has them when i' m sitting in the car .
i never, ever, ever read anything about myself. not my interviews, not stories about me. i never, ever read any criticism of my films. i scrupulously have avoided any self - preoccupation. when i first started, that was not the case. [ but now i ] just pay attention to the work and don' t read about how great i am or what a fool i am. the enjoyment has got to come from doing the project. it' s fun to get up in the morning and have your script in front of you and to meet with your scenic designer and your cinematographer, to get out on the set and work with these charming men and beautiful women and put in this cole porter music and great costumes. when that' s over, and you' ve made your best movie, move on. i never look at the movie again — i never read anything about it again .
from left: allen, cinematographer vittorio storaro and eisenberg on the set of' cafe society.' “i always wanted to do a movie that had some of the nightlife [ of the 1930s ] in it, ” says allen. “it was such a glamorous time. ”
i was immune, yes i was. you can see i worked right through that, undiminished. made films all through those years and at the same rate i was making them. i' m good that way. i am very disciplined and very monomaniacal and compartmentalized .
no. i don' t think she lives in new york. i think she lives in connecticut. i' m not sure. or travels for unicef or something .
oh, well, one of the great experiences of my life has been my wife. she had a very, very difficult upbringing in korea: she was an orphan on the streets, living out of trash cans and starving as a 6 - year - old. and she was picked up and put in an orphanage. and so i' ve been able to really make her life better. i provided her with enormous opportunities, and she has sparked to them. she' s educated herself and has tons of friends and children and got a college degree and went to graduate school, and she has traveled all over with me now. she' s very sophisticated and has been to all the great capitals of europe. she has just become a different person. so the contributions i' ve made to her life have given me more pleasure than all my films .
you' re saying how you changed her. how has she changed you ?
( allen pauses .) well, she' s given me a lot of pleasure. i adore her, and she' s given me a wonderful life. we' ve been married 20 years. and we were together for a few years before that. and she has given me the great years of my life, personally. she' s a great companion and a great wife. she has given me a stable and wonderful home life and great companionship. i guess whenever you meet somebody and they' re the right person for you, there is a great emotional contribution they make to your life .
( pauses .) changed me? i don' t know if you could say she changed me. i don' t know if i' ve changed. i might be the same person i was when i was 20. i' m not sure. i mean, i seem to have the same habits, the same work habits, the same phobias, the same enjoyments. i don' t think i have changed much over the years at all. when you mention it, i try and think about the ways [ i' ve changed ]. i don' t know if i' ve changed much .
there aren' t a lot of films that interest me. when i first had this screening room 30 years ago, 35 years ago, i used to be able to come here every saturday night and see something with my friends. but that doesn' t happen anymore .
i saw a picture called rams, which i liked, an icelandic film. but i don' t see many american films. i used to be able to. when i grew up, there were a dozen films to see every week. then we went through that period in the' 60s where the director emerged as a formative figure in american filmmaking, and there were a lot of terrific films. and then the industry realized they could make more money making big blockbuster films. but none of them have ever interested me .
from left: allen with misha, farrow, dylan (in farrow’s arms), fletcher and soon - yi in new york in 1986 .
no. never seen them again. i made take the money and run in 1968 or so; i' ve never seen it again. never seen any of them .
it could be. i don' t know. for years, i would send the film and not go. i don' t know [ why ]. i never liked to fly on an airplane for six hours and get the time change. it makes me crazy; it takes me six months to get [ over the time change ]. just from daylight saving time, i can' t recover. so then i started to go, and my wife likes to go, she enjoys the south of france. i mean, i like the south of france, too. it' s a film - oriented event, and so it' s enjoyable .
of mine? well, i would erase all but a few. (laughs .) there' s probably six or eight of my films that i would keep, and you could have all the rest. purple rose of cairo i would include, and match point and husbands and wives, probably zelig, probably midnight in paris. it' s starting to get harder …
i made them so long ago, i don' t even remember them well. i don' t have the same affectionate feeling for them as the public had. when i made manhattan and saw it, i was very disappointed at the time. and i spoke to arthur krim [ the head of united artists ] and said ,
if you don' t put this film out, i will make a film for you for nothing .
he said :
you' re crazy. we like the film and we have an investment. we borrowed money to make [ it ]. we can' t just spend a few million dollars and then not put a film out. it' s insane .
so they put it out, and it was a very big success. i have often said, it' s great luck, and we take credit for stuff that is out of our control .
by tomorrow i' ll have edited it and finished it. six half - hour episodes .
no, i do not have a title for it, but it' s six half - hour episodes. and it ends. it' s not the kind of thing that could go on in perpetuity. it' s one story. it' s a comedy that stars me, elaine may and miley cyrus primarily, a domestic comedy that takes place in the late 1960s. and hopefully people will find it amusing. it' s not going to start any new religions, i can tell you that .
i met her for this project. i noticed years ago that my kids would be watching hannah montana. and i would say :
who is that girl? she' s got such a good delivery. you know, she snaps those lines off so well. the show is a silly little show, but she' s very good at what she does .
and then she emerged as a singer, and someone showed me a little clip of hers from saturday night live, and i said ,
it confirms what i always thought about her: she is very good, she is really a talented girl .
she wanted to take some time off, but she [ agreed to do the series ] because the role interested her. so i met her right here .
from left: jodie markell, barney cheng, treat williams, tiffani thiessen, soon - yi, allen and debra messing at cannes in 2002 for allen’s' hollywood ending,' which opened the festival. says allen of going to the south of france: “i never liked to fly on an airplane for six hours and get the time change. it makes me crazy; it takes me six months to get [ over it ]. ”
right here, yeah. she came in here one day while the casting people were here. she came in and we chatted for a few minutes — a perfunctory chat, just getting to know the person. but i wanted to hire her. i didn' t need that five minutes of silly chat .
last year, you seemed to regret embarking on a tv show. do you still regret it ?
it was much harder to do than i thought. i thought ,
i' ll sandwich this in between two films and knock it off. what' s the big deal? it' s tele­vision .
but over the years, television has made enormous strides, and wonderful things are being done on television. and i found as soon as i started to get into the project, i couldn' t bring myself to slough it off because this is not television of 50 years ago, where every silly thing was acceptable. you' re working in a medium that has grown up and has got wonderful things being done in it, and, yes, you may prove to be an embarrassment, but you don' t want to be a total embarrassment .
i don' t watch them. i' m not home. i don' t have the incentive. i' m out having dinner with friends, and when i come home, i' m tired and i want to quickly see the last quarter of the knick game or the last couple of innings of the yankee game or the mets game. i' m just not interested enough .
i can' t work any of that stuff. my wife could work it, but i can' t .
no. i have none of that stuff. and i' m not good at that. i' m not good technically. i have a cellphone, but it' s very limited. i know this: i can make calls, and my assistant put all my jazz records on it. it used to be when i would go out of town and i' d practice the clarinet, i was always schlepping a lot of vinyl recordings from city to city .
when you turn 80, what are you looking forward to? becoming decrepit? the solution is to push it out of your mind .
no, i don' t think so. the only other deal i made with them was to put out cafe society. but i didn' t want to put it out and then go stream it right away, so we said it would have to be a normal putting out of a picture. it would have to play for several months in the theaters, the way i normally put a picture out — in a few theaters and then a larger amount. depending on what the box office is, it either goes larger quickly or slower or whatever voodoo strategies those companies have. but that seemed fine with me .
every once in a while, i' ll have a nightmare, yes. not often. but i will occasionally be screaming in my sleep, and my wife will be shaking me. but not often. i sleep like a dead person .
my views on religion are the same. i feel it' s a pleasant fantasy for people to try and mollify the pain of the reality of existence .
i' m a hillary fan. i like bernie very much. i think what he espouses is wonderful. but i think hillary will get more done of what bernie would like than bernie could get done .
no. i' ve met trump because he was in one of my movies, celebrity. he' s very affable, and i run into him at basketball games and at lincoln center. and he is always very nice and pleasant — [ which is ] hard to put together with many of the things he has said in his campaign .
i did. i chatted with him for five minutes at i think it was les deux magots [ a cafe in paris ]. i was there having coffee, and someone said :
samuel beckett is over there. would you like to meet him ?
and i said ,
sure ,
and i went over and we chatted for a little while. he was very nice. i was never a great beckett fan. but i wanted to meet jean - paul sartre. i wanted to do that, and someone connected with him said ,
it can be arranged for a price .
no, no. i didn' t follow up on that because the whole thing was too sinister for my psyche .
editors note: corrected to reflect that in 1993 authorities did not dismiss charges against allen, but declined to pursue them after an investigation .
with a good jacket either a pleather biker jacket or even a good peacoat .
and went head - to - head with other classrooms in hula hooping, singing, and twist competitions .
, suit and string tie, has awesome hair that she styles with a toaster - like contraption designed by a hairbender friend .
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in germany, abundant renewable energy means that when supply exceeds demand, consumers can get paid for using power .
we called them dink shoes when i was a kid. i don' t know why .
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urltoken unabridged based on the random house unabridged dictionary, © random house, inc. 2018
1936, friends' intelligencer, volume 100, philadelphia, pa. : wm. w. moore, oclc 10359090, page 109, column 2 :
1936, the new yorker, volume 12, new york, n. y. : new yorker magazine, inc. , oclc 271677163, page 37 :
; republished new york, n. y. ; abingdon, oxon. :
finally caught on in the 1920s as a result of spalding' s decision to outfit the bottom with spikes and go after the golf market .
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the saddle shoe is a low-heeled casual oxford shoe ( hence the alternative name " saddle oxford " ) , characterized by a plain toe and distinctive , saddle-shaped decorative panel placed mid foot . saddle shoes are typically constructed of leather and are most frequently white with a black saddle , although any color combination is possible . saddle shoes are worn by both men and women in a variety of styles ranging from ultra-high platforms to golf cleats . some groups identify with this type of shoe irrespective of current fashion trends . those associated with ska , sometimes known as rudeboys , often wear them in some combinations since both the classic look and the black/white color scheme represent the genre as a whole . 
the saddle shoe is a low-heeled casual oxford shoe (hence the alternative name " saddle oxford "), characterized by a plain toe and distinctive, saddle-shaped decorative panel placed mid foot. saddle shoes are typically constructed of leather and are most frequently white with a black saddle, although any color combination is possible. saddle shoes are worn by both men and women in a variety of styles ranging from ultra-high platforms to golf cleats. some groups identify with this type of shoe irrespective of current fashion trends. those associated with ska, sometimes known as rudeboys, often wear them in some combinations since both the classic look and the black/white color scheme represent the genre as a whole.
the saddle shoe is a low-heeled casual oxford shoe (hence the alternative name " saddle oxford "), characterized by a plain toe and distinctive, saddle-shaped decorative panel placed mid foot. saddle shoes are typically constructed of leather and are most frequently white with a black saddle, although any color combination is possible. saddle shoes are worn by both men and women in a variety of styles ranging from ultra-high platforms to golf cleats. some groups identify with this type of shoe irrespective of current fashion trends. those associated with ska, sometimes known as rudeboys, often wear them in some combinations since both the classic look and the black/white color scheme represent the genre as a whole.