transcopic records
glassnote records has slapped glover with a lawsuit over a $ 700, 000 streaming royalties dispute .
rare promotional only paper bag issued in limited quantities by parlophone records in 2003 to promote the album release .
small record label. appears to be affilated with graham coxon himself. director, a & r: jamie davis distribution: transcopic is distributed by vital distribution urltoken
the latest signings to ex - blur guitarist graham coxon' s transcopic label, madcap humorists mower have just released their second album,' people are cruel'. julia willis talks to the trio about their first eighteen months together
after a few shows in and around london, they sign with food records and change their name to blur, as suggested by food co - boss andy ross. debut release she' s so high enters uk top 50 .
official promo only condom issued in strictly limited quantities by domino records to selected individuals within the music industry to promote the' do you want to' single and' you could have it so much better' album releases in 2005 .
blur members branch off into personal pursuits - coxon releases a lo - fi solo album, the sky is too high, on his own label, transcopic; james joins forces with keith allen, damien hirst and joe strummer in fat les, scoring big novelty hits over the summer and again at christmas; rowntree learns to fly aeroplanes .
i first came across ooberman via the transcopic records website - bought their first single sugar bum because it was infectiously bouncy, dancey, wonderful. when i saw this album i bought it because i loved sugar bum so much - initially i was a little disappointed because the other tracks on the album weren' t as punky (and even the version of sugar bum on here has less of a raw edge), but very soon i got to love every single song on here. my wife and i even ended up leaving our wedding ceremony to the sound of ooberman singing
amazing in bed
. ooberman approach music - making and lyric writing in a way that it completely, uniquely their own, and the result is a magical emotion - laden world that will make you laugh and cry more than any other band i can think of .
the much anticipated fourth dragster album will finally be released via john robb' s louder than war records label. the coventry (uk) based five piece have gained a worldwide unique cult - like following thanks to their enigmatic b - movie inspired style of song - writing and adrenaline fuelled live performances led by the mesmerizing antics of their lead singer, fi .
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the moldy peaches were established in the mid - 90s by adam green and kimya dawson, after meeting in upstate new york. the duo helped spawn the “anti - folk” music genre movement, bringing a more quirky, lo - fi punk element into the indie music scene. after releasing their own music for a few years, they collected their best material for a proper album, and in 2001 shared “the moldy peaches” via rough trade records .
four years after releasing their merge debut, frozen letter, spider bags return with an lp that ascends to new levels of aural punch and perspective. the years that elapsed between records were crucial in enabling that progress to take place. recorded in memphis at bunker audio by andrew mccalla (who also engineered 2012’s shake my head), someday everything will be fine leverages the limitations and glory of the tascam 388, a vintage recording / mixing device that’s acquired a mythos via its association with legendary records by dinosaur jr. and others. unlike the error - erasing editing software spider bags frontman dan mcgee has favored in the past, the tascam’s charms are more immediate, and it has a visceral resonance all its own. someday everything will be fine, which is about the importance of saying f * * k it and dancing to a rock and roll record, is an album only spider bags could make .
fourth album from sunn 0) )), featuring a new expanded line - up with julian cope, joe preston (thrones, ex - earth, ex - melvins) and runhild gammels (thorr' s hammer vocalist). sunn 0) )) converged in august 2002 in magnetic park studios (curated by rex ritter of fontanelle / ex - jessamine) portland, oregon. the results of this diverse yet visionary collaboration are certainly sunn 0) ))' s most eclectic, pro / regressive birthing. julian cope guests on the incredible
my wall
. for fans of earth, jessamine, 70s miles davis, warp records and drugs !
when sarah records went down the pan, fey indie kids everywhere gasped with panic. where were they going to get their sweet little tunes from now? fortunately, ooberman are there to fill this gap with the magic treehouse' s tales of snogging, love, lsd, geeks at the physics' disco, bongo drums and blossoms. and they sing bits in french. this is lovely, melodious, sugary indie pop, with harmonious vocals and melodious tunes. stand out tracks include the opening, rousing toe - tapper
million suns
and the gentle, calming breakthrough
hit
shorley wall
. just make sure you brush your teeth after listening. - - helen marquis
a former writing student of central st martins and the faber academy, watson uses his own fiction writing as a spring board for his lyrics, a method he has also used for his previous records. the new album takes inspiration from the reoccurring themes and language of the jg ballard novel' hello america'. now that i’m a river was co - produced by watson with longtime collaborator david glover at tesla studios in sheffield and features a hand - picked band, including guillemot' s fyfe dangerfield and hot club de paris' paul rafferty. rozi plain and members of the deep throat choir and trashkit also make an appearance on the album title track' now that i' m a river' .
“driving pop fuelled by simple, incessant guitar lines, combined with phillips’s facility for a hook - laden melody. ” the wire / / “the songwriter that helped kick off indie rock as we know it. ” npr / / “capable of rousing rock and breathtaking beauty. ” pitchfork / / “the group’s loose and energetic and its signature pop - rock is still potent and the melodies as catchy as ever. ” pop matters / / following on from ‘the bbc sessions’ on fire records, the chills released their first full length album in nearly two decades. ‘silver bullets' hailed the return of one of new zealand’s most respected exports; bursting with chiming dunedin - pop anthems, melodic rock and phillipps’ playful punk - rock tendencies, the thrilling new album brings them to the next chapter. recorded at albany street studios in dunedin (nz) the album instantly reaffirms phillipps’ aptitude for writing intelligent and timeless pop songs delivered with conviction .
these records where singers were making really eclectic and outward looking productions - writing * through * the process of recording, and literally * playing * with technologies tha t were totally new to them. all the gear that i gathered to make the album was basically discarded or devalued. i got a bunch of stuff from craigslist that interested me: a cheap fm synth, some hindustani electronics, and an old three - head tape deck to use as a
poor man' s space echo .
the icing on the cake is a one - of - a - kind homemade digital synthesizer called
the mutant
. i worked with my brother to design it. he built it and coded it. the concept of the synth is parallel to the concept of the album itself. it' s an electronic take on
folk
sounds (bends, drones, modal playing) and folk creative approaches (a cobbling together and reformatting of existing elements) .
yet so much lies in the shadows behind these tracks: other states, other lives, other dreams, other relationships—fogged over, perhaps, but there nonetheless. yes, baby grand has its share of breakup songs but this time, even as something is being mourned, something else is being worked through. listen as the heartbreak and yearning of “new amsterdam” come crashing down into the beautiful stasis of “southern doldrums” (the former was inspired by cyndi lauper and joy division, mclamb claims, while the latter draws upon john cale’s meditative solo records). “i’ve embraced the idea that getting murky is what the band is, ” says mclamb of the various assemblies of players and the various genre influences that have fuelled the love language at different points in time. “i love bands like the ramones that have one thing that really works, and i love a good restaurant that serves one really good dish. but i get bored… i want this album to showcase different types of pop songwriting and structures. ” the song “juiceboxx” is what you’d get if mick jagger crooned his “emotional rescue” falsetto over a backing track by the style council .
london band average sex have announced the release of their second ep ‘melodie’, released on tim burgess’ o genesis recordings. the ep was produced by tim burgess and james spencer and recorded in cheshire and is the follow - up to the acclaimed debut ep ‘ice cream’ that was released in december. with average sex it' s love at first sight and love at first listen - just depends whether you see them live or hear one of their records first. if you like girls, boys, guitars, melodies and something to dance to then laetitia, sam, louise, finn and jamie might well be your new bffs. finding love, falling out of love, slashing tyres, eating ice cream - all the major subjects are covered in classic three - minute pop gems that you will still be humming days later. their songs are gorgeous and their gigs are hectic. and now they have a new ep with four reasons to love them more: ‘ne m’oublie pas’, ‘u suck’, ‘melodie’ and ‘sociopath’ are future classics. average sex are like the band you' ve been matched with on a dating site, so be free and go meet them for a drink
this naidoc week, we' ll be celebrating the music of aboriginal and torres strait islander musicians on rage .
tune in to the rage naidoc week special next saturday july 14 from 10am and again from 11: 43pm on abc tv .
named after a character in the godfather, this week' s guests luca brasi are going to make you an offer you can' t refuse .
tune in to luca brasi on rage saturday july 7 from 10am and again from 12: 00pm on abc tv .
bringing his chilled out vibes to the red couch this saturday morning is didirri .
tune in to didirri on rage: 8: 30am saturday 7 july on abc .
this week' s guests, camp cope demand attention, for both their melodic songwriting and take no prisoners punk attitude .
tune in saturday june 30 from 10am and again from 11: 57pm on abc tv .
this clip was shot using a high - powered military thermal camera to create its stunning aesthetic .
an energetic new music video from funk and r & b legend, chaka khan .
he’s involved in some heavy shit. he’s talking to some pretty crazy people in the ufo area .
the fresh prince of arnhem land has taken home another three trophies for the cabinet .
abc me is a dedicated digital and broadcast service designed for primary - school age children which reflects and celebrates the lives, interests and diversity of young australians .
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triple j is the place for the best new music from around australia & the world. listen via radio or stream online .
the music show is about the creation and enjoyment of music, from handel to hip - hop, plainsong to punk .
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manchmal fragen wir uns, ob das, was wir sehen in den filmen tatsächlich wahr ist oder nur ein haufen von mortadella von hollywood löschte zu unterhalten. wenn sie jemals poker film aller zeiten gesehen haben, haben sie ihnen zu gehen nüsse gesehen „erzählt“ und viele male versucht, die herzfrequenz des gegners zu sehen. in einem kürzlich erschienenen dank heimspiel zu einer großzügigen frau, fand ich mich aus versehen den gegenstand eines experiments in die gültigkeit dieses stigma hollywood .
ich spiele poker monatlich zu einem festen heimspiel in meiner nachbarschaft. wir sind seit etwas mehr als ein jahr zusammen spielen jetzt und es ist eine große gruppe von jungs. ich genieße es immer, mit ihnen jede chance zu spielen, die ich bekomme .
vor ein paar monaten, habe ich zufällig eine aktivität tracker zu tragen, die herzfrequenz zusammen mit schritten verfolgt usw. meine frau es mir vor kurzem als geschenk gegeben hatte, und ich hatte es für ein paar wochen getragen. ich trug es 24 / 7, da es auch schlaf verfolgt. als es zeit war, poker zu spielen, dachte ich nicht einmal zweimal über die tatsache, dass ich es trug. allerdings habe ich gelernt, eine wertvolle lektion aus den auf dem gerät an diesem abend erfassten daten .
erst am nächsten tag, dass ich erkennen ich etwas wirklich cool hatte. bei der überprüfung ein diagramm, das meine herzfrequenz für die letzten 24 stunden zeigte, bemerkte ich einige dinge aus der zeit des pokerspiels, dass mein auge gefangen. was ich sah, hat mich tiefer graben mehr zu erfahren .
auf meinem chart meine herzfrequenz für die letzten 24 stunden zeigt, fand ich zwei wichtige dinge. zuerst habe ich bemerkt, dass meine herzfrequenz für fast die gesamte poker - spiel erhöht wurde. zweitens fand ich große spitzen in meiner herzfrequenz an verschiedenen punkten .
ich habe eine normale ruheherzfrequenz von etwa 60 schlägen pro minute. ihre ruheherzfrequenz als die herzfrequenz definiert, dass ihr körper hat, wenn es in ruhe ist. es wird oft festgestellt, während sie für eine ganze weile entspannt worden sind (wie auf der couch einen film sehen) oder während sie schlafen. grundsätzlich ist ihre ruhe - herzfrequenz etwa dort, wo ihre herzfrequenz sein sollte, wenn sie nicht ausüben oder betonend, sich in irgendeiner form .
während ich poker in dieser nacht spielte, habe ich nicht bemerkt ein gefühl, übermäßig gestresst. ich erinnere mich, auf jeden fall einige höhen und tiefen (wie bei jedem pokerspiel), aber ich ging nicht dort aus gefühl, wie ich war gestresst. doch zu meiner herzfrequenz diagramm betrachten, würden sie anders gedacht haben. meine durchschnittliche herzfrequenz während des gesamten spiels war etwa 120 schläge pro minute, die mehr ist als meine ruhe - herzfrequenz verdoppeln .
ich war erstaunt zu sehen, dass meine herzfrequenz für das gesamte spiel, das hoch gehoben hatte. sie können den moment sehen das spiel gestartet und in dem moment, als ich am finaltisch ausgeschlagen. vor und nach dem war meine herzfrequenz in einem normalen bereich .
die andere sache, die ich aus dem datum auffiel, war, dass es auf ein paar punkte spikes waren. an seiner spitze, meine herzfrequenz erreicht kurz 151 schläge pro minute. mit blick auf die zeit, die aufgetreten sind, war es mir klar, dass spike fiel mit, wenn ich früh auf den nut flush floppte im spiel. innerlich war ich super aufgeregt und anscheinend so war mein körper. es gab ein paar anderen spikes als auch an diesem abend, was geschehen aussehen haben, als ich bluffen, erschrocken, oder aufgeregt. es war sehr cool, diese daten zu haben .
nach über diese daten kommen, habe ich einige mehr forschung auf eigene faust zu sehen, wie ich diese daten verwenden, könnte mein spiel zu verbessern. natürlich muss es etwas sein, das ich aus diesen daten nehmen kann. im folgenden werde ich ihnen helfen, zu verstehen, was ich gelernt, so dass auch sie ihr pokerspiel durch die vermeidung von diesem physischen tell verbessern können .
ein spieler herzfrequenz kann am pokertisch eine physische tell zu ihrem wettbewerb. spieler für dieses tell sucht, wird versuchen, den hals schauen des spielers puls zu messen. eine beschleunigte herzfrequenz könnte bedeuten, dass der spieler blufft oder dass er auf einer großen hand ist .
eine herzfrequenz des spielers erhöhen könnte, wenn er einen bluff gemacht hat und von einem drohenden anruf angst. auf der umkehrung, die herzfrequenz des spielers könnte beschleunigt werden, wenn er sich auf eine große hand ist und auf der innenseite angeregt. so oder so, wenn die herzfrequenz beschleunigt wird, wird es potenzielle informationen zu ihrer konkurrenz zu geben, und es ist daher wert zu verstehen, wie können sie beide spur und besser ihre herzfrequenz voran steuern .
sie können ihre herzfrequenz über einen tatsächlichen herzfrequenzgurt irgendeiner form einer vorrichtung entweder verfolgen, die herzfrequenz - tracking hinein gebaut hat. ich werde decken sowohl im folgenden näher .
wenn es um die riemen herzfrequenz, gibt es zwei formen zu diesem zeitpunkt. erstens ist die klassische herzfrequenzgurt ein, das vor allem von sportlern verwendet wird. es handelt sich um einen zoll breit, und es geht um ihre gesamte brust knapp unter deinem herzen sitzt. diese bänder können leicht unter ihrem hemd verborgen werden, ohne dass ihre wettbewerber jemals zu wissen, dass sie eine tragen .
markennamen wie garmin, polar und wahoo fitness alle machen diese traditionellen herzfrequenz riemen, die sie um die brust zu tragen. sie neigen dazu, für ungefähr $ 40 - $ 100, und sie werden paaren mit anwendungen auf ihrem handy für den einzelhandel, so dass sie die herzfrequenzdaten zu bekommen .
der neueste trend in herzfrequenzmonitor riemen ist die optische herzfrequenz. optisches herzfrequenz riemen müssen um die brust nicht gehen und können an orten wie der arm oder das handgelenk verwendet werden. statt des zuhörens für ihr herz schlug wie ein standard - herzfrequenz - messgerät, optische herzfrequenz - monitore verwenden licht ihre herzfrequenz durch die haut zu messen .
in unserem leitfaden für fußball - wetten verbringen wir viel zeit zu sagen, was sie tun sollen. wir bieten alle arten von tipps, was zu betrachten faktoren, wenn sie ihre auswahl getroffen, die art der einsätze sollten sie platzieren sein, und die strategien sollten sie verwenden. wenn sie all diese ratschläge befolgen, haben sie eine sehr gute chance, etwas geld zu verdienen .
erfolgreiche fußball - wetten sind nicht nur darum, wenn die richtigen dinge zu tun. es geht auch um nicht die falschen dinge zu tun. es sind die fehler, die sie, dass machen letztlich geld kostet, wenn wetten, so dass sie offensichtlich so wenig wie möglich machen wollen. du wirst immer expekt etwas machen, vor allem, wenn sie anfangen, aber sie auf ein minimum reduziert wird dazu beitragen, ihr guthaben zu schützen .
auf dieser seite stellen wir einige der häufigsten fehler fußball - wetten. wir bieten auch einige ratschläge, wie man sie vermeiden zu machen und im anschluss an diese wird ihnen helfen, auf dem richtigen weg zu halten .
einige leute könnten argumentieren, dass eine erfolgreiche fußball - wetten ist über die statistiken und daten zu analysieren. wir stimmen nicht zu. zu wissen, welche informationen zu suchen und diese informationen zu analysieren, in der lage sind sicherlich wichtige attribute für ein fußball bettor, aber sie sind weit von den einzigen, die materie .
aus unserer sicht ist die fähigkeit, ein fußballspiel zu sehen und die relativen stärken und schwächen beider teams zu beurteilen ist gleichermaßen wertvoll. in der tat ist es vielleicht sogar noch mehr. und doch viele wettern nehmen nicht alle vorteile der im fernsehen fußball im angebot und stattdessen ausschließlich auf spielberichte stützen und die relevanten veröffentlichten statistiken. das ist ein fehler .
fußball im fernsehen können sie wertvolle einblicke in team die stärken und schwächen geben .
es besteht kein zweifel, dass viele fußball beobachten kann ihnen helfen, fundiertere wettentscheidungen betway zu treffen. sie werden viel mehr über die arten und qualitäten der verschiedenen teams und spieler kennen lernen, und dies kann unglaublich nützlich sein, wenn sie versucht, vorherzusagen, wie ein spiel herausstellen wird .
mit fußball, solch ein beliebter sport, gibt es keinen mangel an menschen bereit sind, ihre meinung zu ihm bieten. einige dieser leute sind hörenswert auch, aber einige von ihnen sind es nicht. leider sind viele der menschen, die sie besser ignorieren die medien auf sie etwas gestoßen .
die medien geben eine enorme menge an aufmerksamkeit auf fußball, vor allem in den vereinigten staaten. es gibt praktisch permanente berichterstattung während der saison, von denen viele gehören so genannte experten geben ihre meinung über teams, spieler und kommenden spiele. zwar gibt es sicherlich einige bona - fide - experten sind, die wissen, was sie reden, es gibt viele, die als der durchschnittliche fußballfan nicht mehr auskennen .
viele wettern setzen viel vertrauen in dem, was die „experten“ zu sagen haben, und lassen diese ihre wetten entscheidung beeinflussen. wir glauben, dass dies ein fehler zu sein. es ist immer sinnvoll, zusätzliche einblicke und sichtweisen zu erhalten, die sie nicht 888sport bonus code in betracht gezogen haben, so dass die abdeckung der fußball - medien können sich in einem solchen ausmaß nützlich sein. allerdings ist es wichtig, nicht nur, dass alles übernehmen sie hören oder zu lesen ist richtig. sie können sicher, dass es an bord nehmen, aber sie sollen schließlich ihre eigene meinung sein bilden .
wenn sie alle ihre wetten entscheidungen über teams offensive fähigkeiten basieren zu machen, dann machst du einen großen fehler. leider ist dies etwas, das viele freizeit wettern tun. sie können für diese wirklich vergeben werden, da die medien in der offensive weit mehr als auf die verteidigung konzentrieren neigt. sehen sie jedes spiel im fernsehen und es ist fast immer die offensive bewegt, die hervorgehoben und diskutiert werden die meisten .
ein team für den erfolg oder mangel an, wird immer kommen, um die summe seiner teile nach unten. ein guter angriff geht offensichtlich ein team punkten zu helfen, und das ist, warum es dazu neigt, die meiste aufmerksamkeit zu ziehen. die opposition von scoring 10bet bonus 2018 zu verhindern, ist auch wenn von entscheidenden bedeutung. tatsächlich ist es oft verteidigung eines teams, das ein spiel bestimmt, wie gespielt wird .
wenn die erstellung von prognosen über das, was ein team ist wahrscheinlich in einem kommenden spiel zu tun, müssen sie so viele faktoren wie möglich berücksichtigen. wenn ihre strategie ist einfach die teams mit der besten offensive zu unterstützen, dann werden sie wahrscheinlich geld auf lange sicht zu verlieren .
verletzungen können auf einem team der leistung einen großen einfluss haben, sowohl in der einmaligen spielen und während einer saison. jedes team verliert seinen star - quarterback, zum beispiel, wird deutlich betroffen. aus diesem grund ist man immer auf berichte über verletzungen jeder spielwoche aussehen sollte, bevor sie ihre wetten entscheidungen zu treffen .
es ist wichtig, dass sie die wirkung von verletzungen richtig obwohl interpretieren. viele wettern wird automatisch ein team abschreiben, wenn sie ohne einen ihrer großen namen spieler sind, aber nur sehr wenige teams sind auf einem einzelnen individuum allein angewiesen. sie sollten nicht ein team zum scheitern verurteilt übernehmen, nur weil sie einen ihrer sterne verloren haben .
dies funktioniert auch in beiden richtungen. es ist ein irrtum zu überschätzen die auswirkungen einer verletzung auf einen großen namen, aber es ist auch ein fehler unterschätzen die auswirkungen einer verletzung eines weniger bekannten spieler. manchmal relativ unbemerkt spieler sind integrale bestandteile eines teams .
es gibt keine festen regeln für die möglichen auswirkungen von verletzungen der beurteilung, wie es im wesentlichen darum geht, persönliche entscheidung. das wichtigste ist, eher eine richtige analyse zu tun, als nur annahmen getroffen werden .
viele, vielleicht die meisten, wettern konzentrieren sich ausschließlich auf der national football league, wenn wetten auf fußball. dies ist durchaus verständlich aufgrund der tatsache, dass es viel mehr berichterstattung über die nfl ist als jede andere liga, und vieles mehr in der art von daten und statistiken. es ist immer noch, obwohl ein fehler .
das grundlegende ziel, wenn wetten auf fußball ist es, möglichkeiten zu identifizieren, für einsätze platzieren, die gute wert. dies ist im grunde, wie sie geld verdienen. wenn sie nur wetten, wenn sie wert finden, dann sollten sie einen gewinn auf lange sicht machen. es ist selbstverständlich, identifiziert tatsächlich die richtigen möglichkeiten, die die herausforderung ist. begrenzen sie ihre beschränkte sich auf die nfl und college - football und canadian football league zu ignorieren, macht es noch eine herausforderung .
the new solr search is live on musicbrainz as of 12: 00 gmt, 30 june 2018. for more details see this blog post .
subsidiary of emi. roster includes graham coxon, bill childish and the buff medways, neon, mower, you am i .
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graham coxon has come a long way since leaving blur. anthony strutt examines his new dvd, which was filmed at an oxford gig and showcases all four of his four solo albums
the godfather of garage rock, billy childish has put 100 albums under various monikers. ben howarth watches his latest band, the buff medways, put on an electrifying performance at a free festival in kent
killer stretch (a. e. r. o. b. i. c. )
italian division of emi released on mid 80 the budget
talent
series. on this series were reissued a selection of successfull albums published by italian emi and related companies: pink floyd, kraftwerk, sex pistols and lots of others. there wasn' t any logo on sleeves, inner sleeves or labels to identify the album released on the series. just only the shrink - wrap had the
talent
logo (all albums were released sealed). anyway, most album have a new, different catalogue number from the original release and / or from previous reissues .
this group' s official name is wild billy childish & the friends of the buff medway fanciers association, but they generally shorten it to the buff medways .
show all genres indie avant. leftfield. post - rock. drone. experimental psych. krautrock. prog. rock folk. americana. blues. rock & roll; synth - pop. alt - r & b; . cold wave. industrial bass music. grime. jungle. future beats hip hop. r' n' b. trap house. techno. electronica. ambient. neo - classical disco. italo. cosmic. disco - not - disco. boogie balearic. yacht rock. new age. downbeat funk. soul. jazz. free jazz. broken beat soundtracks. library music. exotica. easy world. african. latin dub. reggae. dancehall. ska. rocksteady magazines. books bags. boxes slipmats. cleaners. dj equipment clothing miscellaneous piccadilly merchandise
the 1982 - cult - album
13. 13
remastered and containing previously unreleased live recordings. limited to 499 copies on red vinyl, including poster. no - wave / post - punk icon lydia lunch is renowned for her excessive live performances. the singer, spoken word artist and actress was an integral part of the burgeoning new york no wave scene in the late 1970s, founding teenage jesus and the jerks with james chance and later working with thurston moore, the birthday party, immigrant newborns, jim thirlwell / foetus, henry rollins and the experimental filmmaker richard kern. this classic dives into the dark side of early 80' s l. a. and the dark, shattering lyrics, supported by lunch' s fearful vocals, make you feel the breath of murder and desperation on your neck .
formed in the late 1970s as an art collective, the mekons are one of the longest - running and most prolific of the first - wave british punk rock bands. through the years, the band' s musical style has evolved, incorporating aspects of country music, folk music, alternative rock and even occasional experiments with dub. following the release of new single
still waiting
, and the success of mekonville - a weekend - long music festival organised and curated by the mekons themselves - the re - united 1977 line - up have continued to play live shows, and have now recorded their first album together since 1980 .
originally from sheffield, liverpool & the forest of dean, the three lovers met in the network of little mesters music studios on john street in sheffield .
initially engineering, producing and playing on each other' s projects, they subsequently teamed up to form speed for lovers in 2010 .
the past eight years have been spent wearing out rave trainers, building studios in their attics and sheds, geeking out with sound on sound articles and faffing with tech .
with two members who came and stayed and one who couldn' t leave,' hot yoga emoji' is the band' s ode to sheffield .
field recordings of late nights out and early stumblings home link tracks together and place their moments of creation in the city .
spurred on by sheffield' s kabal nights and trips to the electric chair in mcr,' hot yoga emoji' mixes live drums and bass guitar with pocket sound generators, old synths and vocals to create an album of irresistible live dance music. !
somebody pinch me! i' ve darted back through some sort of temporal twister and found myself carefree and keyed up, losing my shit to a dance punk masterpiece. recalling the best bits of golden era dfa, gramme or crazy p, this sheffield crew are here to make you move .
songwriter jack tatum makes music as wild nothing and sounds about as removed from his home of blacksburg, va. , as one could imagine. like a blend of cocteau twins and atlas sound, the songs on his breakthrough full - length debut, gemini, are willowy and ethereal, but tethered to a sturdy and sinewy backbone. “chinatown” waltzes through a timeless, misty tableaux of wispy vocals and plucky guitars, with a wonderfully faint verse / chorus / verse skeleton, while tracks like the fantastically sticky “summer holiday” and “our composition book” have a jangly melancholy the evokes johnny marr and the smiths. tatum uses his charmingly imperfect falsetto on “confirmation, ” darting in and out of hazy keyboards and shyly bubbling guitar and bass lines. his voice takes on a darker, flatter intonation on songs like the murky “pessimist” and the bittersweet “live in dreams. ” gemini is a beautiful, aural space that’s perfect for getting lost in .
the spitfires announce the release of their third album' year zero' on 27th july 2018. available on cd, standard 12
vinyl, limited edition coloured 12
vinyl and digital download .
unhinged aussie grunge captured just as the scientists were imploding / attempting to explode. recorded over three days in february 1986, weird love is the band’s last ditch effort to bring their bad vibes to bedrooms the world over, a colossal failure and brilliant mistake that sounds best when blasting out of 1982 corolla’s blown alpine tweeters .
cat number moshilp82 release date 18 may' 18 format info pink marble vinyl .
charles watson – the london based songwriter / producer and member of indie duo slow club and garage - rock super group the surfing magazines – announces the release of his debut solo record .
not only is this watson’s solo debut but it also marks his first foray into production. exploring his relationship with traditional harmony singing, watson worked with sampled versions of his own voice to create unusual vocal textures .
bona dish were a scratchy pop punk group from hertfordshire villages, brought together by their love of the velvets, supremes and each other. they were cool, handsome and gorgeous. the songs are simple, but at the same time complex. the dichotomy of a two female, two male line - up added a tension that was both sexual and musically fragile. you feel it might all fall apart any second, but it rarely does .
after their “cassette in a tube” ploy worked for a john peel play, the band released a cassette on in phaze and disbanded not long after. here, bona dish are a rediscovered gem with the zaragoza tapes, showcasing the zest and spontaneity that gripped the uk diy scene of the time; their music easily stands the test of time against contemporaries like television personalities, the homosexuals and marine girls .
texas’ genre - bending rock ‘n’ roller israel nash presents his latest long play, lifted. it is a modern day hippie - spiritual, a tonic for those needing to put aside the mess of the daily grind. with luscious beds of strings, horns and well adorned towering walls of sound, lifted finds nash continuing his tradition of creating a sonic experience of feeling that is at once both vast and intimate - soaring and untamed at times, placid and sincerely personal at others. inspired by methods pioneered by john cage, nash randomised sounds and music and rearranged them according to the i ching (the book of changes). utilising these recording and tracking techniques help create a sonic and very present picture of nash’s texas hill country home and his life. accompanied by his longtime band, with arrangements by jesse chandler (mercury rev, midlake), horns by members of austin’s cumbia / funk compadre’s grupo fantasma, and strings from kelsey wilson and sadie wolf of indie pop’s wild child, nash, alongside co - producer and engineer ted young (kurt vile, the rolling stones), presents an album that soars as a masterwork of american roots songs, meticulously crafted and gently sprinkled with life meaning and multi - hued rock and psychedelia .
cat number bec5543602 release date expected 21 sep' 18 format info 2lp + cd french edition + 2lp + cd english edition limited numbered edition (10 000 copies worldwide. 3k in the uk) contains: french version: 2 black vinyls with discobag inner - sleeves in gatefold sleeve with exclusive alternate cover. 30x60cm french version poster. 1cd french version included english version: 2 black vinyls with discobag inner - sleeves in gatefold sleeve with exclusive alternate cover. 30x60 alternate english version poster. 1cd english version included .
christine and the queens announces her eagerly anticipated second album. titled chris, the record will be released by because music in digital and physical formats, including double cd and vinyl versions, as well as limited edition boxset, there are two versions of the album; one sung exclusively in english and one sung exclusively in french .
chris was written, arranged and performed by christine and the queens. it is the follow up to her already - iconic debut record chaleur humaine, released to near - universal acclaim in france in 2014 and the uk in 2016, and selling more than 1. 3 million copies to date .
contains: french version: 2 black vinyls with discobag inner - sleeves in gatefold sleeve with exclusive alternate cover .
english version: 2 black vinyls with discobag inner - sleeves in gatefold sleeve with exclusive alternate cover .
cat number bec5543600 release date expected 21 sep' 18 format info 2cd in 3 - panel softpack, 28 - page stapled booklet .
cat number bec5543599 release date expected 21 sep' 18 format info 2 black vinyls with discobag inner - sleeves in gatefold sleeve. 30x60cm french version poster. 1cd french version included .
cat number bec5543601 release date expected 21 sep' 18 format info 2 black vinyls with discobag inner - sleeves in gatefold sleeve. 30x60cm english version poster. 1cd english version included. vinyl comes with cd version of the album enclosed .
cat number firelp530x release date expected 14 sep' 18 format info clear with white splatter vinyl is for indie stores only .
the latest postcard from the chills’ epic journey is an album about “consolidation, re - grouping, acceptance and mortality, ” claims the chief chill. “hopefully a kind of carole king ‘tapestry’ for ageing punks. ”
wow! are rock bands allowed to grow old gracefully and assess the world’s and their shortcomings in the process? is it possible to swerve the obvious and make something that’s bittersweet in tone but harmonious on the ear? of course it is .
on ‘snow bound’ lost heroes are lamented, relationships are re - evaluated, atonement is sought, mortality is mulled over and fake news is undercut. it’s serious stuff, the thoughts of a dysfunctional 50 - something wrestling with maturity and discovering that their post - punk diy beliefs still have a real voice that resonates between the fans of their early years and which can now pass down to the next generation .
casting our minds back, we can recall that the guardian mused, “they sound almost like the musical embodiment of autumn, ” when confronted with ‘silver bullets’. three years on, ‘snow bound’ nestles heartily in its own winter of discontent. and all this with a humalong melodic verve, phillipps’ gift for the tempered dalliance of verse and chorus and those gorgeous euphoric organ fills. let the soul - searching commence…
cat number fbn84cd release date expected 7 sep' 18 format info the remastered 4xcd set is housed in a clamshell card box, with inner wallets and liner notes by reilly, wilson, mitchell, reininger and metcalfe .
factory benelux presents a deluxe 4xcd edition of without mercy, the fourth studio album by cult manchester group the durutti column, originally issued in 1984 and widely regarded as vini reilly’s most ambitious album .
in 1983 durutti column mentor / manager tony wilson asked vini reilly to abandon fleeting guitar miniatures in favour of a long - form modern classical piece. the result was an ambitious 20 minute instrumental suite, without mercy, performed by core durutti duo vini reilly and bruce mitchell along with blaine l. reininger and john metcalfe (violas), caroline lavelle (cello), tim kellett (trumpet) and maunagh fleming (cor anglais) .
explains vini: “tony had just come in for a conversation one day and said, ‘look, you keep making these albums that you want to make, and i’m quite happy with you doing that, but just give me this one album and do it my way. ’ he wanted it to have a narrative determined by a keats poem, la belle dame sans merci, which he said was the poet’s version of a pop song: boy meets girl, falls in love with girl, loses girl, blah blah blah. it was a very, very tony way of looking at it. he had aspirations that i should be taken seriously. ”
produced by reilly and wilson at strawberry studio and britannia row, without mercy was originally split into 19 separate stanzas, some of which have now been restored using digital cue points on the cd. bonus tracks include the original recordings of duet, estoril a noite and favourite descending intervals (all re - worked for inclusion on without mercy), as well as companion ep say what you mean, mean what you say, collaborations with john metcalfe, steven brown and benjamin lew, and two previously unreleased live sets across discs 3 and 4, recorded at london school of economics in december 1984 and oslo in december 1986 .
the remastered 4xcd set is housed in a clamshell card box, with inner wallets and liner notes by reilly, wilson, mitchell, reininger and metcalfe .
cat number count147 release date expected 17 aug' 18 includes mp3 download code .
nashville resident conner youngblood crafts melodies through a wide range of obscure instrumental arrangements. often centered around a specific place of natural landscape or human connection his songs embody delicate, nuanced moments in nature and the introspection of these moments .
where many musicians pick their instrument of choice and let it be their primary songwriting vessel, youngblood finds different instruments allow him to tap into varied parts of his songwriting brain. his debut album ‘cheyenne’ features no less than 30 different instruments – a harp, a bass clarinet, a tabla, etc – all of which are played by youngblood on a record featuring no guests. instead it’s simply him and an engineer he’s known and worked with since he first started releasing music back in high school. though he’ll be building up a band to play live, he has before now mimicked the sounds of certain instruments on stage and supported people such as janelle monae, sohn and angus & julia stone .
“listening to music there are certain ways you think are the right ways to create songs, then you realise you can write however you want. like, ‘oh, i can play bongos, accordion and a guitar’ – as long as it sounds good, ” youngblood explains of his writing process. though he initially started out learning clarinet, he’s been collecting instruments from a young age, often being gifted a new one for birthday and christmas or seeking out cheap and used rarities from local stores .
the result of this lifelong process of collecting and playing instruments means ‘cheyenne’ is a record that’s rich in atmospheric, organic sound. sitting somewhere between the more low - key elements of the band (who youngblood wrote a thesis on while studying at yale), the beautiful melodics of moses sumney and the grammy nominated songwriter justin vernon of bon iver, this latest collection of songs feel embedded in the fabric of life – youngblood examines what makes us human, the earth, translating his findings back into music .
for those who may not already be aware, the release of ‘cheyenne’ comes off the back of an already illustrative career for youngblood. born and raised in dallas – a city he describes as “a lot of concrete” – youngblood spent his formative years switching between skateboarding (he had built a half pipe in his backyard), wrestling and playing in local coffee houses. his first few releases – ‘monsters’, ‘australia’ and ‘a summer song’ – shot immediately to the top end of the hype machine chart and clocked up hundreds of thousands of plays and attracted offers from labels in the process .
though the opportunity was there, however, youngblood decided to pursue his studies before music. that youngblood continued his education in american studies at yale is an interesting point. his real name is kneeland conner youngblood, after his father, a former physician who participated in sit - ins at princeton university, while his grandfather was initially turned away from princeton for being black - making youngblood the next in a strong, essential american lineage .
though the 13 songs on ‘cheyenne’ all have their own story, they each centre around a familiar theme. the record was written over a two year period, during which youngblood travelled extensively. lead track, ‘the birds of finland’, is a perfect example of these expeditions, touching on the tonality of these places scattered across the globe. “travel might be a response to not feeling comfortable to stay in one place too long. i love meeting new people and seeing new terrains, ” he explains. “with that being said, i do feel like the idea of a home is very important. otherwise traveling ends up feeling more like drifting. ”
the response is a record that involves travel, but also the grounding aspects of the people youngblood has encountered along the way, in particular the women in his life. in essence, ‘cheyenne’ – which follows 2016’s ‘the generation of lift’ ep – is youngblood having introspective conversations with himself about the relationships he holds and tying them together with specific places. that doesn’t mean these songs are specifically focused around love stories, instead the tracks on this record are about people that “have come and gone, stayed; family and friends; exes; people i like and don’t like. ”
“i' ve never consciously written about women, but for some reason i felt inclined all of a sudden. and one song led to the next with this album. i usually enjoy writing about places, but this time it was nice to put different people into places, ” says youngblood of the writing process. since he has five siblings, all of whom are sisters, one of these tracks in particular stands out – ‘my brother’s brother’ – which was written by youngblood after a break - up and “wishing i had a brother to talk to about it. ”
“a lot of the times i’m writing down what i want to try out as combinations before i’ve even started a song, ” says youngblood, about the songs on the record, many of which have been laboured over often for weeks at a time; as a living entity that needs to be explored, played around with and worked out. . “for example… on ‘stockholm’, i specifically wanted to do a song with 808s and a harp, and see where it goes from there. i ended up using a vocoder too. i often think about what i haven’t used together, and use it in different ways. ”
transcopic was a record label created in 1998 by blur guitarist graham coxon for his solo releases , as well as those of other left field artists . along with coxon 's music , the label issued records by acts such as ooberman , the buff medways , you am i , and billy childish . it was co-owned by jamie davis , who subsequently co-founded ark recordings . coxon issued his first five solo albums and their associated singles on the label between 1998 and 2005 . after the closure of transcopic , coxon released his sixth album , love travels at illegal speeds ( 2006 ) , via parlophone . 
transcopic was a record label created in 1998 by blur guitarist graham coxon for his solo releases, as well as those of other left field artists. along with coxon's music, the label issued records by acts such as ooberman, the buff medways, you am i, and billy childish. it was co-owned by jamie davis, who subsequently co-founded ark recordings. coxon issued his first five solo albums and their associated singles on the label between 1998 and 2005. after the closure of transcopic, coxon released his sixth album, love travels at illegal speeds (2006), via parlophone.
transcopic was a record label created in 1998 by blur guitarist graham coxon for his solo releases, as well as those of other left field artists. along with coxon's music, the label issued records by acts such as ooberman, the buff medways, you am i, and billy childish. it was co-owned by jamie davis, who subsequently co-founded ark recordings. coxon issued his first five solo albums and their associated singles on the label between 1998 and 2005. after the closure of transcopic, coxon released his sixth album, love travels at illegal speeds (2006), via parlophone.