ajax films
ajax films limited. free business summary taken from official companies house information. free alerts. registered as 08403762
ajax films limited is an active company incorporated on 14 february 2013 with the registered office located in london, greater london. ajax films limited has been running for 5 years 4 months. there are currently 2 active directors and 1 active secretary according to the latest confirmation statement submitted on 31st january 2018 .
tom has made some notable films. he' s on the way up, fast .
in 2016, he starred in the x - men film deadpool 2016 as villain ajax, opposite ryan reynolds and morena baccarin .
robert flanagan is a filmmaker and visual artist. he has been making movies since childhood, starting with claymation in super - 8, continuing with feature films in 16mm and currently making documentaries on video. in 1990 robert founded ajax films in new york city and has been working in central america since 2000. all of his films and paintings are guided by his personal vision and his interest in bringing the mystical into the light of day .
maximón – santo o diablo is joel’s second project with ajax films. like his score for bird in the sky, joel was able to get inside the film, find the essence and translate it musically. his haunting melodies float in and out of the images like a lost spirit .
after several years working as a stage actor, mctavish began working in television and films during the 1980s. his television work before red dwarf included casualty, taggart and highlander. he also made the films erik the viking and the wind in the willows .
in the 1970s, john wyman played
the mighty ajax
in a series of uk television commercials for ajax cleaning products. the character would appear in a dirty kitchen and with a powerful slash of his arm, he cleaned it to a sparkle. he has also appeared in television series such as the onedin line, star maidens, blake' s 7, the fourth arm and tales of the unexpected .
miguel caroli, sound designer, graduated from escuela internacional de cine y tv, san antonio de los baños, cuba (2006 - 2009). he is a member of best picture system, developing soundtracks for feature films, short films and music videos. caroli designed the sound for the documentary ergonomics for diana and composed the soundtrack for the documentary chaos in the city .
there was a bit of holly - wood about the atmosphere at ajax that day, a certain tenseness in the air, a hint of temperament. there was only the one star - type dressing room, striped curtains, couch, big mirrors, and a fan as well as a radiator. jason was in possession .
he played cliff (based very loosely on nightclub bouncer cliff twemlow in the 1982 film tuxedo warrior, and in 1991 he appeared as donnor, the captain of the spaceship firestar, in the film' firestar - first contact' for ice international films directed by david kent - watson .
he then moved onto taking roles in films and television, appearing in the plan b film ill manors and originating the role of daario naharis in hbo' s hit fantasy series game of thrones, where he' d be succeeded by michiel huisman due to creative differences between himself and the producers .
suzan al - doghachi has lived in new york city, iraq, germany and is currently working in central america. she started her career as an editor for german public television. in 1993 she moved to new york city, producing, directing and editing feature films, shorts and documentaries. she also has been on the jury for the chicks with flicks film festival 2002 – 2006 .
amongst a wide selection of diamond’s work, his film scores include the believer, winner of the feature film competition for drama at sundance 2001, the suicide club (angelika films) and heart of the garden (pbs). he also has produced the scores for todd solonz’s welcome to the dollhouse (sony pictures and polygram records) and david mamet’s oleanna (hallmark). he was selected by variety as one of 20 ‘creatives to watch’ .
paul tickell paul tickell grew up in carlisle. he initially trained for the catholic priesthood but left the seminary to attend the university of east anglia followed by worcester college, oxford. in the 1970s he worked in music publishing and band management (the pack, theatre of hate). this led him to a career in freelance journalism, writing for melody maker, nme, the face, time out and elle, amongst others. in the 1980s paul joined lwt as a researcher and later became a producer / director on south of watford, the london programme, network 7 and the south bank show. from there he moved into his current freelance career, directing dramas and feature films as well as continuing to make documentaries. for bbc’s long - running arena series, he has made films on the sex pistols and the punk movement, what constitutes a relic, and the phenomenon of sanctity. his latest film, arena: 1966 – 50 years ago today went out on bbc four in july 2016 .
femi elufowoju, jr femi elufowoju, jr is a london born nigerian performer and director. he trained as an actor at bretton hall, leeds university and has been directed by luminary theatre directors including sir richard eyre, nicholas hytner, yvonne brewster, john retallack, annabel arden, jude kelly and the late annie castledine. his extensive stage work include seasons at the royal court, national theatre, west yorkshire playhouse, manchester’s royal exchange, theatre royal, stratford east and soho theatre. notable television appearances to date are the bbc comedy series little miss jocelyn, serial dramas moses jones and wire in the blood and scandinavian bafta award winner borgen. films includes the legend of 1900 for italian director giuseppe tornatore and recent hollywood franchise mechanic; resurrection .
marcello worked for the globe theatre, national theatre, shakespeare theatre company, clwyd theatre and shared experience. he has worked with his wife kathryn hunter since 1987 and more recently projects including the co - creation with kathryn hunter in fragments 2006 – 2015, the valley of astonishment 2014 – 2015 both directed by peter brook and arlecchino solo show directed by kathryn and jos houben. with peter brook he has also collaborated as a movement director in a magic flute by mozart and as a performer in the documentary the tightrope. further theatre includes: red demon and the bee (hideki noda), mother courage (nancy meckler), king lear and the rose tattoo (helena kaut housen), the game of love and chance (neil bartlett and mike alfred), les enfants du paradis (mike alfreds and david glass) the birds, comedy of errors, pericles and wise guy scapino (kathryn hunter). directing credits include: spoonface steinberg, pinocchio, tell them i am young and beautiful, everyman. films include: ‘mr. turner’, ‘nine’, ‘the adventures of pinocchio’ and ‘the lake’, and ‘pingu’ .
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left, marcia and roy with the children. scott, 11, louella ,
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scene in which jason, furious with his girlfriend (played by his new real - life wife, patricia connolly), slaps her face. he later knocks her down. jason is cast as a big - time black - market operator in uranium .
i some time later. then the if acting thing snowballed, i 1 got bigger parts. by this time
i thought immodestly, in fact
just when i thought i was right on top of it, and able to out - act anyone, the agent came back .
' there' s lots of money in it, ducks,' she said,' but don' t go to hollywood. go to new york, enrol yourself in a good acting school, and learn something about acting .
' when you' ve learned to act, they' ll come and get you.'
i worked and waited. it was four years until they came and got me. but they did .
the best known in aus - tralia is the famous otto preminger film
the cardi - nal .
tom loathed working for preminger, known as
prussian preminger ,
who believes he gets the best work out of his actors when he keeps them rattled and on edge .
rick jason, in his bright pink shirt and jewellery, is a tar cry from helmeted lieut. hanley of
combat .
note the wide, wide collar. jason is rather
flash
in his dress .
r ec on st ruction (left) of the pink panther strip club for
color me dead .
one hundred extras, with cigarettes provided, pro - duced a smoke - filled atmosphere as two
it as a prelate used to it would, so he bought himself one and wore it all the time at home .
it was quite amazing. it was just a small scene. the script called for him to leave his seat at the nightclub table, move across to the bar and order a drink, speak to a girl at the bar, then move out of camera range .
tom was the only one there who didn' t look as if he were acting. he looked real. he was definitely showing the result of that four years' study at the new york
it was quite a job. the strippers had to be at a certain stage of undress, the music had to be synchronised, the nightclub had to be smoke - filled to the right depth, the light had to be right before the cameras
i left about 3 p. m. the australian pictures were in the bag, and they were about
eddie davis had called for reinforcements of cigar - ettes, wanted heavier smoke clouds. there was more
smoking; people were drink - ing large quantities of black coffee; and i was tired .
some people on the set were getting frayed at the edges, but not tom. nothing seemed to fray him .
tom arrived, and he had to sit in a canvas chair with the mob on the edge of the set while somewhere was found for him. he under - stood and he didn' t care .
jason would have per - formed properly about such a situation. as it was he was inclined to think the dressing room wasn' t grand enough ,
jason was suave, smooth, with a new wife on his arm, and completely unrecognis - able as the tv serial'
com - bat
character lieut. hanley .
the other thing that sur - prised me was that he was so like don lane, all 6ft. 4in. of him. he' s got something about him, the same kind of slickness, although he is 44 and gives don a good ten
jason, too, is a competent actor, and did a professional job. but he is what i' d call
put out when i said that, reading the cuttings about him, i had noticed he' d always been a
poor little rich boy .
he said with some choler that he had never thought of himself as a mike todd, but no one could ever say he' d been poor .
i explained that
a poor little rich boy
was merely an ironic description of someone who had been raised without the character building properties of having insufficient money, but he still went on .
poor
is evidently a dirty word to jason .
jason was born into a rich family, and early in the piece his dad set him up with a seat on the new york stock exchange, but jason wouldn' t play .
barkeep, a liquor salesman, sold magazine subscriptions, cooked hamburgers, washed dishes, waited on table - all to learn the value of a dollar .
he learned it, he said, so he went on to spend it. he has always had money in some quantity and
for me, money is something to spend .
he has simple taste - simply likes the best of every - thing. he has married four
jason reckons following his first three, aria, uta, and shirley, his present wife, patricia connolly, whom he married in a shinto ceremony in japan shortly before he came to australia, is the one he' ll stay with .
touching effect on me ,
he said .
it was a very beauti - ful ceremony in its simplicity .
now here i am in aus - tralia for' color me dead.'
in the scene you are going to watch i am being paid to beat up my wife. what a honeymoon job !
jason had contracted to do every scene he was engaged in in the movie in one day, for a fee of $ 3000, he said. the contract stated that even
if he raised a finger in front of the camera the next day, he had to be paid another full day' s pay .
everything was geared to get jason through his part in that day, and jason co - operated .
he played scenes over and over, he knocked down his beautiful wife, who was wear - ing a striking dress - a black and - white mini over long, skinny, black pants .
taurants and clubs in america where pants weren' t allowed. if it were necessary, you took the pants off in the ladies' and you were acceptable, dressed in a mini - skirt .
it was eye - opening to see the americans at work. they left our boys for dead with their ease and their compe - tence. they make everything look as if it' s really happen - ing, not being acted .
something to say or suggest, and, if necessary, jason would come up to scratch again, and run through the scene without a complaint .
i thought he might have bunged on some hollywood star temperament, but he didn' t. he was entirely tract - able, charming, co - operative .
rick was making a film in japan ,
she said .
we wanted to get married there and go off travelling to - gether. i wanted a religious ceremony - it' s my first marriage - but we are both jews, and one thing the japanese are short of is jewish rabbis .
we compromised with a civil ceremony, and a shinto one following it. we
she was emoting rout. with tony (
hunter
ward, who took over hon don lane when shooting schedules made it impostibl for him to take thc role .
jason was a villain, too but not a murdering 0
f he was a big - time operator in black - market uranium .
patricia played his g ^. friend, who was a ru0. timing, good - time gj, ^ partial to tony as well ls
my final hassle witt
color me dead
was or board the huge lloyd triestino liner galileo a; circular quay, sydney .
tom tryon and tom ward were doing one of th (final scenes in which tryon chases ward up and dowe and all round the ship finally cornering him in the engine - room .
i was only told about this because, as well as the cast, the cameramen, the movie - making crew, the directors, and prop men, there was me, staff photographer doj cameron, and, at a conser vative estimate, about 100 (italians chasing them to set the film stars and get their autographs .
was resting, getting fresh! or a renewed make - up. ii was certainly where every - one wanted to be .
other, all the passengers! well as the stars converged on the passageway. . 9
i saw many strange sights. tom tryon buyini lemon squash for a mob ol kids, autographing boola and menus furiously; rici jason, very conscious of hi long, lean look in a dinned jacket and ruffled shirt, on to make a tv appearance tony ward, mashing pat -
ricia connolly on cue for the cameras, in a secluded
i saw tony later fighting with tryon. he' s a good man in a fight .
ready to be interviewed and see a bit of the country, she was called back urgently on other commitments 1, 1 america .
color me dead
: the film that proves australian knowhow (1969, january 22) .
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in his third feature, bird in the sky, flanagan explored the relationship between good and evil, he has taken this theme even deeper in his current documentary maximón – devil or saint .
robert states, “because of a series of dreams and synchronistic events i felt i really had no choice but to make this film about maximón. it has been an incredible journey. ”
interested in different cultures, al - doghachi has been drawn to central america where she has collaborated with robert flanagan on several documentaries including the garifuna – an enduring spirit, the maya of toledo – ancient culture, modern lives, saving paradise, river to reef and currently maximón – santo o diablo .
“what i love about maximón is the sincerity and faith of the people. after spending so much time with the material in the editing room the situations are just as electrifying as the first time i experienced them, ” says al - doghachi .
professor mario galindo was born in quetzaltenango, guatemala in 1960; his parents were both teachers and he is a descendant of the archeologist juan galindo (1802 - 1840). he graduated as a teacher for primary education and worked in the rural area of mam, san marcos for more than ten years .
galindo returned to quetzaltenango where he taught spanish to foreign students and graduated from the san carlos university for spanish grammar and spanish as second language. at the same time, profoundly interested in anthropology, he worked many years with the anthropologist maury hutcheson (montclair state university, usa) for whom he deciphered paleographic writings .
during this time professor galindo began studying san simón. several reasons motivated him: the general lack of knowledge about this theme and the negative position of the christian - judaic church .
galindo saw this documentary as an opportunity to generate more respect for the indigenous beliefs and traditions. mario is our guide into the world of san simón. his knowledge, personal experience and enthusiasm about maximón play an indispensable role in this film .
abelardo pérez, born in spain, was ordained as a priest in 1972. he is now professor and spiritual director of “el seminario mayor del nuestra señora del camino” in sololá / chimaltenango, guatemala .
since 1991 he has also been working as an exorcist and is considered an expert in this field. he is the author of the book “me llaman maximón, satanás con corbata y sombrero” (they call me maximón, satan with tie and hat). the book documents his experiences with possessions in which maximón is used as a vehicle for the devil .
padre peréz contributes his expertise, experiences and remarkable personality to our movie, revealing the dangers of maximón and the fate of those that have been afflicted by the dark side of this enigmatic figure .
joel diamond is a grammy nominated composer, arranger, producer and performer based in new york city. his fusion of traditional orchestral and contemporary electronica creates a striking film - music style .
referring to his work on the maximón documentary joel says, “i chose the chirmia, a maya double reed flute (similar to the sound of an english horn or oboe), along with the marimba. the chirmia is an ancient instrument used by the maya, and the marimba is used in modern guatemalan music. to represent maximon’s power and awe, i orchestrated large boom drums along with an ancient frame drum” .
as music producer and musician of “el dinamita duo” he has, together with domingo lemus, composed and produced the soundtrack for the movie puro mula .
caroli was participant of the berlinale talent campus # 10 as a sound designer .
we were excited to join miguel in his berlin studio where he created the dynamic sound mix / design for maximón – santo o diablo .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
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mr mark david tucker and miss kok - yee jade yau are mutual people .
together with friend and compagnon danny hessing. the concept for the first season stands. now on the hunt for a production company .
the good neighbour | fiction, approx 15 minutes with p' tites madeleines productions pre - production stage .
in the beautiful city of sao paolo a couple' s romantic dinner is taking an unexpected turn .
dj geck - o is falling down his record case, drinks from a bottle and shrinks into a 7 year old kid who is guided through his trip by a 7 year old funky kitten .
in a deserted forrest two colleagues are debating changes in their organisation. putting their long lasting friendship to the test. selected 2016: shortfilm corner cannes. 2017: shortcutz amsterdam
a 2 days on film production starring gaite jansen & wieger windhorst selected at the courte métrage festival de cannes 2015' sometimes with the right person one night can last a lifetime.'
after meeting in a club daniel and liz wander through amsterdam discovering the city, each other and life itself .
- selected 2015: shortfilm corner cannes, honorable mention international film awards berlin. 2016: largo film awards, moving pictures. 2017: london monthly film festival
a 2 days on film production starring jim deddes & liza sips the illitrate librarian dieter falls inlove with regular visitor linde. in the attempts to impress her with stories he makes up on the spot she discovers his talent for storytelling .
- selected 2011: lsfa 2011 utrecht nl, 2016, move me productions belgium, international monthly film festival, bucharest shortcut cinefest, woodengate film festival rumania, short to the point belgium, moving pictures (finalist). 2017 london monthly film festival
lsfa utrecht 2011: best director, best actor, best film. 2016: woodengate film festival
an inner monoloque explains why he does everything in his power to piss his girlfriend off .
john wyman is a british actor probably best known for his role as erich kriegler in the james bond film for your eyes only .
this article is issued from wikipedia - version of the 7 / 13 / 2016. the text is available under the creative commons attribution / share alike but additional terms may apply for the media files .
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edward george
ed
skrein (born march 29, 1983) is an english actor and musician .
prior to acting, he performed as a rapper and released an album, the eat up, in 2007 .
in 2017, he was cast as ben daimio in the upcoming hellboy reboot; however, after learning that the character is originally japanese - american in the comics as a result of a whitewashing controversy, he stepped down from the role, hoping for a more appropriate replacement. daniel dae kim was ultimately chosen for the role .
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ed skrein grew up in north london, graduated with a degree in fine arts from central saint martins, and is one of the most highly versatile artists of his generation. he was selected by screen international as one of their
stars of tomorrow
in 2013, which showcases the next generation of talent from the uk. most recently, skrein starred as the ...
lakeith stanfield and his sorry to bother you crew reveal their most soul - crushing jobs in our freewheeling interview .
- adrift / action point / american animals / in darkness / peter pan (2018)... himself
- the transporter refueled / a walk in the woods / break point (2015)... himself
- ed skrein / stephanie sigman / goldroom (2015)... himself - guest
- men in blazers (august 31) (2015)... himself - guest
- episode dated 29 august 2017 (2017)... himself (uncredited )
i' m very passionate about the use of sports in young people' s lives to build self - esteem and self - discipline and self - confidence. it' s been a big thing for me .
his paternal grandparents were austrian jews who moved to the u. k. the skrein family traces back to ascher skrein, who was born, c. 1811, in holesov .
enjoy a night in with these popular movies available to stream now with prime video .
about riotous company founded in denmark and now based in the uk, riotous company create playful and unexpected performances blending theatre, storytelling, live music, poetry, pictures and dance. the company is run by former odin teatret actor and director mia theil have together with composer nikola kodjabashia, designer luis f. carvalho and a team of associates. riotous are an international collective of artists who have staged performances across the globe from cuba to palestine, macedonia to kathmandu. with deep roots to the odin teatret / nordisk teaterlaboratorium, where they are associate artists, riotous share a holistic approach to theatre - making as pioneered by eugenio barba, integrating theatre performance, practice and education. they are also associate artists of the third theatre network .
as a theatre director, femi trained under philip hedley at the theatre royal stratford east (regional theatre young director scheme, 1996). he formed and artistically led tiata fahodzi, uk’s first national touring african theatre company) between 1997 and 2010. the company toured internationally and was nominated for an olivier award (iya - ile, the first wife) before his departure in 2010. femi returned to stratford in 2016 to direct bonnie greer’s the hotel cerise and recently directed the british premiere of blues for an alabama sky by american playwright pearl cleage. in development is rotimi babatunde’s stage adaptation of lola shoneyin’s award - winning and popular novel the secret lives of baba segi’s wives scheduled for a 2018 national tour .
marcello magni marcello magni is a pioneer of the physical theatre. born in bergamo, italy, marcello graduated from the ecole jacques lecoq in 1980 - 82. he continued his studies with pierre byland, philippe gaulier and monica pagneux. he is an actor, director, movement director; he has taught at the ecole jacques lecoq and leads workshops internationally all over the world: this year in turkey, usa, london and china. marcello is co - founder of complicite in london in 1983, and has worked with the company for over twenty ﬁve years and performed in many shows including the visit, streets of crocodiles, a minute too late, the winter’s tale, out of a house walked a man, help i am alive, foe, a dog’s heart, more bigger snacks now and please please please .
in 2015 he created and performed the theatre show marcel at the bouffes du nord and in 2013 created and performed hearts directed by robert lepage for ex machina in quebec city .
nikola kodjabashia nikola kodjabashia is considered to be one of the most eminent representatives of the balkan and east european musical avant - garde and composer of four critically acclaimed albums. nikola has scored music for numerous internationally acclaimed and award winning theatre productions in the uk and internationally. theatre includes: bacchai (sir peter hall, national theatre), kafka’s monkey (young vic, world tour), c. a. t. s. awards 2011 multiple winner the three musketeers and the princess of spain (dominic hill, traverse theatre), c. a. t. s. 2014 awards multiple winners crime and punishment, hamlet, this restless house, a christmas carol and hansel and gretel (dominic hill, glasgow citizen’s theatre), death of a salesman (joe douglas, dundee rep), scorched (old vic), hecuba (jonathan kent, donmar warehouse). other commissions include scores for la biennale di venezia 2004, bbc singers 2010, numerous scores for bbc tv and radio 2005 / 10 as well as the national theatre 2002 / 3. his music is released by rer, described by the guardian as “one of the most adventurous and coherent of avant - rock labels. ”
luis f. carvalho luis f. carvalho attained ﬁrst class degrees with hons. in fashion design and technical arts design from central st martin’s college and wimbledon school of art respectively. luis has since worked extensively in theatre and opera throughout the world. most recent projects include collaborations with sophie gilpin – romeo & juliet, rose theatre kingston; mia theil have – penelope x national opera & ballet macedonia; the collaborators – i do g noc noc 2013; bruno ravella – giulio cesare, stand moutier; mia theil have – sarha guimaraes capital for culture europe 2012; robert carsen – turn of the screw, theater an der wien; mia theil have – john barber we are shadows spitalﬁelds music festival. associate collaborations with paul brown include: the phantom of the opera 2012 uk tour, don giovanni glyndebourne opera festival, the fairy queen glyndebourne opera festival, as you desire me the playhouse theatre; lucio silla santa fe opera. urltoken
international animated movies festival animocje is one of the most important cultural events dedicated to the art of animated cinema in poland. every year the main competition presents the most inetersting animated productions from dozens of countries all over the world. the competition screenings are complimented by workshops, meetings, special screenings and exhibitions. animocje festival also hosts events for children, computer games section and delivers a substantial dose of spectacular music performances. since 2014 the festival awards people with outstanding achievements in the art of dubbing. the 8th edition is going to take place between 8 and 15 of april 2018 .
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title brand easter blessing papst joh. xxiii, rome origin: incom easter events in jerusalem origin: basman studios pressekonf. d. gaulle such german question origin: eclair pressekonf. chrutschow z. dt. origin question: defa of first amphibious helicopter (united states) origin: metro ausbildg. german soldiers / fort bliss (united states) origin: us in shape. service v. d. stone ball up to the rocket origin: film section. hockey tournament, hamburg camera: stoll, seib ping - pong weltmstrsch. / dortm. i. ber. camera: luppa, basic boxes
golden glaes
, chicago origin: metro youth of polish police origin: polkronika final brand
chruschtschow, nikita; gaulle de, charles; johannes xxiii. ; luppa, wilhelm; köhler, dieter; kruse, jutta
title brand easter blessing papst joh. xxiii, rome origin: incom easter events in jerusalem origin: basman studios pressekonf. d. gaulle such german question origin: eclair pressekonf. chrutschow z. dt. origin question: defa of first amphibious helicopter (united states) origin: metro ausbildg. german soldiers / fort bliss (united states) origin: us in shape. service v. d. stone ball up to the rocket origin: film section. hockey tournament, hamburg camera: stoll, seib ping - pong weltmstrsch. / dortm. i. ber .
graham james mctavish (born 4th january 1961, glasgow, scotland) is a scottish actor. he played warden ackerman in series 8 of red dwarf .
his role as ackerman was his biggest television role at the time. since red dwarf he has starred in many big tv productions including lost, prison break, csi miami, sharpe and 24. his film roles have included ali g indahouse, rambo, king arthur, colombiana and the hobbit trilogy .
he has also made an extensive career as a voice artist. he has provided voices for several marvel villains, video game characters and cartoons .
mctavish invented an extensive history for the character of ackerman, in order to help with his performance. he suggested that ackerman had a strict upbringing, a wardrobe filled with strange uniforms and a sizable arsenal .
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ajax films was an australian production company and studio that operated in the 1960s and 1970s . it was crucial to the revival of the australian film and tv industry in the 1970s because it was involved in many of the early feature films from that era , either as a production partner or provider of facilities . ajax also produced a large number of documentaries , cartoons and advertisements . it was established by brian chirlian , primarily to make tv commercials for the british tobacco company in a studio at argyle street in sydney . they eventually expanded to another location at the old warringah hall at neutral bay , with a second studio at bondi junction . this studio had previously been used by cinesound productions and southern international productions and was where ajax became involved with feature films , providing facilities for they 're a weird mob ( 1966 ) , among others . tv commercials and documentaries would be shot at the neutral bay studio . among the personnel who worked there were jack lee ( film director ) , tony buckley ( editor ) and bryce courtney ( ad agency creative director who did much work at ajax ) . 
ajax films was an australian production company and studio that operated in the 1960s and 1970s. it was crucial to the revival of the australian film and tv industry in the 1970s because it was involved in many of the early feature films from that era, either as a production partner or provider of facilities. ajax also produced a large number of documentaries, cartoons and advertisements. it was established by brian chirlian, primarily to make tv commercials for the british tobacco company in a studio at argyle street in sydney. they eventually expanded to another location at the old warringah hall at neutral bay, with a second studio at bondi junction. this studio had previously been used by cinesound productions and southern international productions and was where ajax became involved with feature films, providing facilities for they're a weird mob (1966), among others. tv commercials and documentaries would be shot at the neutral bay studio. among the personnel who worked there were jack lee (film director), tony buckley (editor) and bryce courtney (ad agency creative director who did much work at ajax).
ajax films was an australian production company and studio that operated in the 1960s and 1970s. it was crucial to the revival of the australian film and tv industry in the 1970s because it was involved in many of the early feature films from that era, either as a production partner or provider of facilities. ajax also produced a large number of documentaries, cartoons and advertisements. it was established by brian chirlian, primarily to make tv commercials for the british tobacco company in a studio at argyle street in sydney. they eventually expanded to another location at the old warringah hall at neutral bay, with a second studio at bondi junction. this studio had previously been used by cinesound productions and southern international productions and was where ajax became involved with feature films, providing facilities for they're a weird mob (1966), among others. tv commercials and documentaries would be shot at the neutral bay studio. among the personnel who worked there were jack lee (film director), tony buckley (editor) and bryce courtney (ad agency creative director who did much work at ajax).