rocket pictures
elton john ’s rocket pictures is producing the film in association with really useful group .
exclusive: elton john ’s rocket pictures has acquired film rights to michael buckley’s bestselling series nerds, and will develop them as an animated family feature that buckley will script. rocket pictures principals steve hamilton shaw and david furnish will produce. john is exec producer .
rocket pictures is john' s film, tv and theatrical production company that focuses on family and music - related projects across multiple platforms .
but the art of surf filmography goes back to the very beginnings of motion pictures .
the company is headed up by david furnish and rocket stage producer, joseph smith .
the project comes as rocket pictures is coming off the 3d animated family film hit gnomeo & juliet and is developing will gallows and the snake bellied troll, a film that’s being written and directed by shrek 2 ’s kelly asbury .
elton john and david furnish formed rocket pictures in 1996 as a film production company, before being joined by steve hamilton shaw in 2005. under this guise the company produced tantrums & tiaras, women talking dirty and it’s a boy girl thing .
we live in a small world, usually defined by 30 seconds. but that’s plenty of time for a beginning, middle and an end, with plenty of storytelling in between… rocket house pictures is a denver based production company. we create, conceptualize and produce tailored videos and short films. we are dedicated to providing you with the highest quality cinematic experience through motion pictures .
motorcop motovlog ~ et - 94 ~ it' s not rocket science! no, wait. . it is. .
elton john' s rocket pictures has acquired the film rights to andrew lloyd webber and tim rice' s global hit play joseph and the amazing technicolor dreamcoat and will adapt it as an animated family feature in association with webber' s the really useful group .
rocket music entertainment group is co - founded by elton john. an international management company offering its clients support on a worldwide scale .
rocket stage is a theatre production company co - founded by elton john and david furnish in partnership with sally greene of greene light stage plc .
exclusive: elton john ’s rocket pictures has set up the 3d animated gnomeo & juliet: sherlock gnomes, a sequel to the 2011 disney hit that grossed $ 194 million worldwide. andy riley and kevin cecil, who wrote the original, are writing the sequel script. elton john is currently composing new songs for the film. rocket pictures’ principals steve hamilton shaw and david furnish are producing, and john is exec producer. the plan is to begin production in the fall, and they are talking to directors. gnomeo & juliet director kelly asbury will act as a creative consultant on the sequel .
rocket music entertainment group is a music company co - founded by elton john, with the core of the business being focused on artist management. it is an international management company offering its artist clients support on a worldwide scale. rocket combines its london office with integral recording studios available to its artists .
based on the
coat of many colors
story of joseph from the bible' s book of genesis, joseph and the amazing technicolor dreamcoat was the first lloyd webber - rice musical to be performed publicly. rocket pictures' steve hamilton shaw and david furnish will produce the film. webber, rice and john will executive produce .
katz’s television project spectacle: elvis costello with… is an award - winning series co - produced with rocket pictures. it features some of the most renowned musicians in the world in conversation and performance with costello, including bruce springsteen, bono, elton john, norah jones, james taylor, herbie hancock, lou reed and sting, among others .
become a rocket club member and exclusive news will make its way directly to your inbox. be the first to know where elton will perform next and get your hands on pre - sale tickets .
rocket sports represents several of britain’s most successful athletes, including laura kenny, jason kenny, geraint thomas, ben swift and evie richards – between them, they boast an impressive eleven gold olympic medals and countless world titles .
prospero pictures is a toronto - based film and television production company with more than 30 years of experience producing and financing international co - productions with partners in the uk, france, germany, italy, spain, south africa and the us .
although founded as a sports management business, in recent years rocket sport has begun working with teams, events, federations and brands to create iconic and memorable sponsorships by constructing marketing partnerships between rights holder and brands across a whole variety of sports .
sir elton john founded rocket sports with luke lloyd - davies in 2012. it was through a love of sport and underlying desire to nurture sporting talent that the business was launched and today, although the business has grown significantly, those principles remain at the heart of what we do .
martin katz is founder and president of prospero pictures. one of the most prolific feature film producers in canada, katz’s credits include hotel rwanda, which was nominated for three academy awards and three golden globe awards, and bronwen hughes’ stander, which the london observer called “the greatest heist film since reservoir dogs. ”
the next day, the daily pacific commercial advertiser, described a cheery spectacle at the famous beach: “everybody that could get in focus was ‘bonined’ at waikiki beach yesterday afternoon. that is, they were included in some rare pictures taken by robert bonine, the moving - picture man of the edison company of orange, n. j. ”
bonine’s film was shot about eight years later, and we have a reliable estimate for exactly when: august 12, 1906. according to an item in the honolulu advertiser that day: “moving pictures of canoes and surfboard riding are to be taken off the moana and seaside hotels, waikiki, this afternoon... . those who can ride surfboards standing up are wanted to be there in force. ”
when bottle rocket first came out, it felt so distinct – so laid back in its storytelling, so offbeat in its characterizations — that it seems odd to acknowledge now that it & apos; s the least characteristic feature film of anderson & apos; s career. the chocolate - box arrangements and perfectly - diagrammed plots of his later films are nowhere to be found here. but bottle rocket still has the most emotionally resonant relationship in all of anderson & apos; s films, thanks in part to the brilliant casting coup of getting the wilson brothers to portray best friends – both their affection and their dysfunction comes through in intangible, almost mystical ways. no less a luminary than martin scorsese named this one of the 10 best films of the 1990s; we & apos; re inclined to agree .
back in 1907, when bonine’s hawaii films were distributed on the mainland, many people had never seen surfers or motion pictures—let alone a film depicting surfing. humans have been surfing for hundreds of years, but the sport didn’t spread beyond polynesia until the twilight of the 19th century. in the early 20th century, the edison company’s surfing reels played in nickelodeons “as far east as new jersey, ” according to matt warshaw, author of the history of surfing .
since 2011 karen has been partnered with prospero pictures’ martin katz and together they have produced the feature films, man on the train (tribeca) starring donald sutherland and larry mullen jr. , as well as our house (xyz international), in partnership with resolute films & entertainment’s lee kim, directed by anthony scott burns and starring thomas mann and nicola peltz. they are also currently finishing season 11 of history channel’s long - running hit series, ice road truckers .
“ [ t ] he water was fairly live with people, and all were in a merry mood and that, of course, was best for the moving picture, ” the newspaper account continues. “hawaiian canoes, birch canoes, surf - boards and water wings were greatly in evidence. there were big rollers yesterday and it is believed that some good pictures were taken of surf riders standing erect on their boards as they were shot on the crest of waves toward the shore. these were taken from the end of the moana pier... . mr. bonine was satisfied and so was the crowd. ”
this is the short that started it all. it got the feature version of bottle rocket financed and began anderson & apos; s career, as well as the career of his childhood friends owen and luke wilson — so we have to give it loads of credit just for that alone. it & apos; s an engaging little film, and an interesting look at the director & apos; s style in embryonic fashion. it & apos; s rough, black and white, 16mm – at first glance, a far cry from the kind of maximalism that today cries out
wes anderson .
but peer closer and you & apos; ll catch the visual whimsy and the casual precision that would become his signature. yes, it & apos; s hard to look at this and predict, say, the royal tenenbaums. but it & apos; s clearly the work of a young man who is about to do great things .
rocketman will mark the second collaboration for john and hall. when hall adapted the 2000 feature billy elliot for the west end, john wrote the score for a production that moved to broadway and won the tony award for best musical. they’re planning an inventive way to cover john’s life and career: one device will be to feature choreographed sequences using john’s biggest hit songs. those tunes will be part of the movie package and will drive a story that will cover the rough spots in john’s journey of self - discovery .
“ rocketman will be a radically different kind of biopic, ” shaw said. “it will be as unique as elton’s life, told in a non - linear and hyper - visual manner that will transport people through the many intense experiences, some wonderful, some not, that helped define elton as an artist, musician and man. ”
uta is packaging the film, looking to set it up and sign a director as john and his cohorts try to figure out who should play him. there might well be different actors playing him at different ages. actors that pop into my mind are guy pearce and ewan mcgregor .
rocketman becomes the second big - screen biopic of an iconic rock singer penned by an a - list writer. gk films is moving forward with the peter morgan - scripted film about queen frontman freddie mercury, with sacha baron cohen attached to play the late singer .
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john will executive produce the animated musical with andrew lloyd webber and tim rice .
joseph and the amazing technicolor dreamcoat is one of the most popular musical experiences ever conceived ,
shaw said .
we are excited about the huge potential of a contemporary animated version, and we' re thrilled to bring this to the big screen in partnership with andrew lloyd webber and tim rice .
added barney wragg, managing director of the really useful group :
developing joseph as a new feature film marks the beginning of a new stage in the really useful group' s plans to co - produce and fund new films, television and stage productions from our theatrical shows, which play continuously worldwide .
originally created by webber and rice for performance in schools, joseph and the amazing technicolor dreamcoat is the most performed musical in history. today, it is performed thousands of times a year by schoolchildren across the globe, and the success of the piece in schools has given rise to an international theatrical phenomenon. joseph and the amazing technicolor dreamcoat has now been seen by an estimated 26 million people, earning more than $ 600 million at the box office. it premiered on broadway in 1982 at the royale theatre and became a critical and box - office hit, landing multiple tony award and drama desk nominations including best musical and best original score. the show has achieved a record 30 years of continuous professional touring around the u. k. , will tour the united states later in 2014 and is a regular in international markets including south africa and korea .
joseph and the amazing technicolor dreamcoat started in a school and was the first step on the path that led to my musicals with tim rice ,
webber said .
it is now being performed all over the world by a fourth generation of schoolkids, and a great movie can only help joseph being part of the lives of many more .
added rice :
i have always thought joseph was a strong contender for an animation production, and i' m delighted this is now going to happen .
the film won' t mark the first animated musical based on the joseph story. dreamworks made the 2000 direct - to - video movie joseph: king of dreams, with ben affleck as the voice lead .
the really useful group is webber' s theater producing and rights licensing company and controls the theatrical rights for all of webber’s works, including the phantom of the opera, cats, jesus christ superstar, evita and sunset boulevard .
adam fogelson, chairman of stx’s motion picture group, took to the stage tuesday at cinemacon in las vegas to unveil the new offering and said the pic is slated for the stx family banner. the film will also
joseph and the amazing technicolor dreamcoat is a musical from webber and rice that was conceived in the 1960s and has since been performed on stage many times, including on broadway. the story is based on the coat of many colors from the joseph story in the book of genesis from the bible .
it follows joseph, the favorite son of jacob, who is sold into slavery by his jealous siblings. while in exile, his knack for interpreting dreams gains him favor with pharaoh, and leads to an unexpected reunion with the family who abandoned him. the musical is actually known as the very first webber - rice musical that was performed in public .
john and rice huddled on the lion king for disney to great success. they won an oscar for best original song for “can you feel the love tonight, ” and from their collaboration several other songs rose to success such as “circle of life” and “hakuna matata. ”
also announced today as part of stx family: an untitled eddie murphy - voiced one about bo the bull, and ugly dolls with writer - director robert rodriguez on board .
when gnomes start disappearing from the suburban gardens of england, gnomeo, juliet and friends enlist the help of sherlock gnomes, “the greatest ornamental detective, ” to track the culprit. unfortunately, sherlock is neither as brilliant nor as insightful as his human counterpart, and as the crimes against gnomanity continue, the threat to their world becomes bigger than they ever imagined .
“action detective stories need some gnomes to liven them up, i’m sure arthur conan doyle would agree, ” said shaw. “it will be a fun, broad family film building on the popular foundation of the first. we believe the wide appeal of our world and characters combined with strong musical elements create a terrific franchise opportunity. ”
the company employs managers who come from various facets of the music industry, bringing with them an array of experience at major record labels, radio, talent booking and business affairs .
in 2014 elton john played an acclaimed concert in stoke park, the proceeds of which formed the elton john sports fund which is operated by the charity sportsaid. the fund provides grants to the next crop of promising sporting talent on an annual basis .
upcoming productions include sherlock gnomes, the sequel to gnomeo & juliet, and rocketman, a musical biopic movie based upon elton john’s life .
the business is focused on developing and bringing to the stage live theatre projects that are either driven by elton’s existing musical catalogue or by new compositions from elton and chosen collaborators .
currently, the company has several theatrical projects in development both in the us and the uk .
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clicking photos with running train... bad idea: karmali ac superfast express: konkan railway
series follows a group of unpopular and socially inept geeks who run a spy network from inside their elementary school. they battle the hyena, a former junior beauty pageant contestant - turned - assassin, and an array of james bond - style villains, each with an evil plan more diabolical and more ridiculous than the last. three books have been released in the past two years by the abrams imprint amulet books, and the next one comes in the fall .
wga west exec director david young got “significant bonus” to earn $ 1. 1 million last year
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we make better videos for better prices. larger production houses have lots of overhead costs and the client ends up paying for more than just the video services provided. we have low overhead and no unnecessary personnel. the guy who discusses your project with you will actually be the one shooting or editing it. nothing gets lost in translation because everyone involved with the video is on the same page every step of the way .
denzel washington, don cheadle and bruce greenwood in a scene from flight (2012) .
amy adams, justin timberlake and clint eastwood in trouble with the curve (2012) .
the thundering herd lifts head coach jack lengyel (matthew mcconaughey) on their shoulders in celebration in we are marshall (2006) .
welcome to georgia' s official tourism website & dash; a place for you to discover and plan your next georgia vacation. not sure where to start? try our georgia explorer .
maps to the stars starring julianne moore, mia wasikowska, john cusack and robert pattinson, represents katz’s fourth collaboration with celebrated director david cronenberg, following a dangerous method, starring keira knightley, viggo mortensen and michael fassbender, cosmopolis, starring robert pattinson, paul giamatti and juliette binoche, and spider, starring ralph fiennes .
katz holds degrees in law from the university of toronto and the université de paris i (panthéon - sorbonne), and has served as professor of law at the french - language université de moncton and as special lecturer in intellectual property law at the university of toronto. katz is a member of the law society of upper canada, a director of the institute for canadian citizenship and chair of the academy of canadian cinema and television .
karen wookey is an industry veteran, having produced feature films and over five hundred hours of series television, both scripted and unscripted. as supervising producer at fireworks international, wookey was responsible for three action - adventure series, gene rodenberry’s andromeda, (5 seasons), mutant x (4 seasons), and adventure inc. (2 seasons). in 2009, in partnership with original productions, she produced the first dramatic movie for discovery channel, deadliest sea, based on the tragic true story of a fishing vessel, which disappeared in a storm on the bering sea .
as a showrunner, wookey has created and produced a number of shows for television including crimes of passion, a doc series exploring intimate partner homicide, intervention canada, and vegas rat rods, for discovery channel and aetn .
nikki yee graduated from ryerson university with an honors degree in radio and television arts where she worked on her first feature length script, 7 deadly virtues, a western grindhouse extravaganza which went on to place as a finalist in the script pipeline student screenwriting contest in 2014. nikki yee has since gone on to work on several film and television productions in los angeles and toronto including after the dark, the art of the steal, and the golden globe nominated maps to the stars. she served as an associate producer on ice road truckers which will be airing its 11th season on history channel as well as on upcoming feature, the journey is the destination. in her spare time, nikki stays busy with performing standup comedy, playing ukulele, karaoke singing, and practicing krav maga .
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believe it or not, wes anderson has been making movies for two decades now: the director who once defined youthful, oddball outsiderism is now a veteran, a giant…an institution. but what’s most remarkable about his career — consisting of seven features, and a healthy number of shorts and commercials — has been its staggering consistency. over these twenty years, anderson has been meticulously building his own very unique world, and as his new film the grand budapest hotel opens today, we decided to look over anderson’s career and rank his major works. where do your favorites place ?
it has many eloquent defenders, but, sorry: this is the one outright disaster in anderson & apos; s body of work. somehow, the director & apos; s highly - controlled aesthetic doesn & apos; t quite survive the collision with location shooting, and the ironic tale of a trio of mourning brothers traveling the outer reaches of india is muddied – as if the director stepped out, saw the sun and breathed the air, and suddenly didn & apos; t know what to do with himself. it has its moments, to be sure – the opening scene is wondrous – but the darjeeling limited is, ultimately, a messy dirge, an admirably personal work undone by clunky symbolism and tonal incongruity .
designed primarily to be a tribute to italian cinema, this is one of the most visually striking of the director & apos; s works. an italian village at twilight finds itself playing host to a stranded american formula one racecar driver, blesed with the oh - so - wes - andersonian name of jed cavalcanti (jason schwartzman). as the outsider waits, he realizes that this where his people come from. mixing perfectly timed sight gags with a generosity that hearkens back to the glory days of fellini and pietro germi, it & apos; s a slight work, but very generous and warm .
i wonder if he remembers me .
when a scene in which bill murray talks to a shark can make you cry, you know you & apos; re in the hands of a master. the life aquatic is half a masterpiece: as a tale of a man whose highly controlled life is upended by the son he never knew he had, it & apos; s an achingly sad meditation on mortality, manhood, and extinction. as a tale of adventure on the high seas (kidnapping! gunfights! pirates !), it & apos; s a bit awkward, with the ping - ponging plot points never quite working up to the dizzying heights of comic suspense the film so clearly wants to achieve. still, its accomplishments seem greater and greater with each passing year – a movie about aging and irrelevance, made by a young man exploring the boundaries of his style .
anderson’s breakthrough feature – not to mention the movie that introduced most of us to jason schwartzman and to bill murray, serious actor – is a coming - of - age movie in reverse: a young man has to learn not to grow up too quickly. but rushmore does suffer a bit from the fact that it seems to focus at times on the wrong character: schwartzman is great and all, but the problems of max fischer, precociously busy grade f student, don’t quite plumb our inner darkness the way herman blume’s midlife crisis does. we’re more interested in the vietnam vet, successful businessman, and divorced dad who’s reached his limits with the world. the film established anderson’s exacting style, but today, seen in the light of his later films, it feels downright neorealist. that’s not such a bad thing. the best, however, was yet to come .
of course wes anderson made an animated movie, and of course it was delightful. even the director & apos; s detractors admit that this is one instance where his style perfectly matched his material – in this case, roald dahl & apos; s beloved children & apos; s story about the mischievous mr. fox and his battles with the farmers whose crops and coops he regularly raids. but utilizing stop - motion animation, anderson didn & apos; t just make a kids & apos; movie; he made a wes anderson film, combining fable - like storytelling with demented wit and turning dahl & apos; s curious little tale into a charming heist flick .
for a guy who never acts in his own films, wes anderson makes for a surprisingly relaxed presence in front of his own camera. filmed as part of american express & apos; s program of hiring high - profile filmmakers to shoot credit card commercials, this is so meta it hurts. in a seemingly endless lateral tracking shot, anderson eats a sandwich and talks to the camera while also dealing with the many headaches and decisions that are part of a wes anderson movie set: stuffed tigers, impeccably burning cars, a crane dolly, a 357 magnum with a bayonet, a precocious young girl with a tennis racquet, jason schwartzman, and an ill - timed flock of birds. forget amex; as far as building brand awareness goes, this is a triumph of brand wes anderson .
probably the best of anderson & apos; s shorts – too bad it was paired with the darjeeling limited, the worst of his features – this lovely little concoction starring jason schwartzman and natalie portman is an elegant auto - critique, the tale of a hotelbound sad sack with an obsessive need for precision and an inability to say what he wants to the woman he clearly loves. are these characters tired of love, or hopelessly in love? and what, ultimately, is the difference? a mini - masterpiece of brevity and melancholy .
after the disappointment of darjeeling, some expected anderson to pull back on the andersonisms :
leave the color - coded artificial worlds to animation, as you did with mr. fox, wes, and come deal with the messy world of real humans !
but in this, his first honest - to - god feature - length romance, anderson doubled down on the stylization, presenting one of his most vibrant and beautiful works to date. a lovers - on - the - run movie, with overt references to badlands, thieves like us, and pierrot le fou, as well as a tale of unapologetic childhood romance, it feels at times like a manifesto .
rushmore might have been anderson’s breakthrough feature, but as the years pass, the royal tenenbaums has come to seem more and more like his most enduring masterpiece. observe how anderson juggles the large amount of characters and the sheer amount of story he has to get through in this diffuse, intricate tale of a wounded family of grown - up wiz kids and their adorably opportunistic father (gene hackman). for all the flamboyance of his cinematic style, anderson also has a minimalist streak as well: he likes the purity of an emotion expressed directly and simply. the sheer range of human drama here is astounding: it’s a movie that grows up with us. we’ll still be watching it when we’re seventy .
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more than a century ago, a cameraman on waikiki beach captured something extraordinary—and ordinary .
searching for surfing videos will lead you into some of the gnarliest, most awe - inspiring rabbit holes on the internet—in part because there are so, so many of them out there .
you could spend days watching clips of surfers bumping across the monster wintertime waves at waimea bay, catching crisp lines at bells, dropping into bomb swells at jaws, and wiping out into the coral reef at teahupoʻo. (and then there’s the endless footage of wave riding at secret and lesser - known breaks. )
advances in camera technology—including waterproof lenses, gopros, and drones—have made it easy (and relatively affordable) to capture high - quality footage of modern surfing. and the internet, with platforms like youtube, has made it possible for people to share their videos far and wide .
did edison really travel all the way to honolulu to capture the sport for a silent film more than a century ago? well, not exactly .
“we have no evidence edison ever visited hawaii, ” said leonard degraaf, an archivist at thomas edison national historical park. “there’s tons of stuff about edison out there that’s bogus. ”
the thing is, the surfing footage actually is legitimate—only edison himself didn’t capture it. it was the work of robert bonine, a legendary cameraman for a production company owned by edison. bonine traveled to hawaii in 1906 at the invitation of the territory’s promotion committee, according to newspaper reports at the time. he stayed in the hawaiian islands for nearly three months and gathered a series of film actualities—little documentary vignettes—of various outdoor scenes. that included the surfers at waikiki and the first - known film of kilauea, the volcano on the big island, newspapers said .
this wasn’t the first time an edison crew visited hawaii, however. degraaf directed me to charles musser’s book, “before the nickelodeon, ” which describes an edison camera operator stopping in honolulu en route back to the united states from japan in 1898. one of the short films he made, titled “ kanakas diving for money, ” shows boys splashing in a harbor. (kanaka means person in hawaiian .) despite the film’s brevity—it’s under a minute long—it conveys a powerful metaphor about the cultural upheaval wrought by colonialism at the time it was shot: at one point, an outrigger canoe passes in front of a huge cargo ship in the background. “i think this is the earliest record of an edison film crew in hawaii, ” degraaf told me .
bonine’s surfing footage is arguably the most “historically significant” of early surf films, engle writes in his book, in part because of how surprisingly modern it appears: “with this rudimentary minute of film, bonine may be unwittingly illustrating a truth about the surf movie to come. when the subject is being filmed—human beings standing on collapsing walls of water, after all! —is so inherently riveting, perhaps little other technique is needed. ”
by that point, the tentative art of surfing filmography was nearly a decade old .
“presumably the oldest surfing footage was shot in 1897 or 1898 by burton holmes, a professional travel writer and lecturer, ” desoto brown, a historian and archivist at the bishop museum in honolulu, told me in an email. “however—and this is typical of old films—the footage is not known to exist anymore, so nobody can see what was shot .
there are records of other lost surfing films. the pathé brothers, a pair of french filmmakers, gathered nearly two hours of footage for “surfing, le sport national des illes hawaii, ” which has long since disappeared, according to engle’s book. it’s remarkable that bonine’s footage survived—it predated the first book about surfing, which is itself exceedingly rare—but perhaps more astonishing that it’s still so accessible today. the overwhelming majority of the movies made in the united states between 1912 and 1929—some 70 percent of them—are lost to history, the library of congress found in a 2014 study. the short clip is in the film collection of the library of congress. and you can watch it on youtube. but the film is accessible in the abstract, as well .
in this era of livestreams and nearly - real - time surf cams, if you go online and tune into waikiki’s gentlest surfbreaks —queens or canoes, where bonine took his film—you may well see the same thing bonine did: sky meeting ocean, a fresh set rolling in, and a human figure standing there on the water before diving into the froth of a distant wave .
adrienne lafrance is the editor of theatlantic. com. she was previously a senior editor and staff writer at the atlantic .
urltoken copyright (c) 2018 by the atlantic monthly group. all rights reserved .
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rocket pictures is a british film company founded in 1996 by elton john to produce family and music themed film and tv projects . the company launched in 1996 with a ten-year first-look deal with the walt disney company . 
rocket pictures is a british film company founded in 1996 by elton john to produce family and music themed film and tv projects. the company launched in 1996 with a ten-year first-look deal with the walt disney company.
rocket pictures is a british film company founded in 1996 by elton john to produce family and music themed film and tv projects. the company launched in 1996 with a ten-year first-look deal with the walt disney company.