bossov ballet theatre
bossov ballet theatre' s 2017 summer... - bossov ballet theatre at mci
an introduction to bossov ballet theatre on the maine central institute campus in pittsfield, maine. bossov ballet: where classical ballet lives! part 1 of 2
bossov ballet theatre at maine central institute is both a performing company and an international pre - professional ballet school .
e i have seen with the bossov ballet theatre company have been amazing. tonight' s performanc
artistic director andrei petrovitch bossov warms up before teaching ballet classes at the bossov ballet theatre in pittsfield, maine, february 12, 2007. bossov danced with the kirov ballet company in russia for 20 years before founding ...
founder: bossov ballet theatre student dancers rehearse as founder michael wyly watches in 2008 at maine central institute in pittsfield .
the pittsfield - based bossov ballet theatre is undergoing changes with artistic director andrei bossov’s return to russia in august and the retirement of executive director michael wyly .
artistic director andrei petrovitch bossov gives instructions during class at the bossov ballet theatre in pittsfield, maine, february 12, 2007. bossov danced with the kirov ballet company in russia for 20 years before founding the ...
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bossov ballet: natalya getman, far right, rehearses with the bossov ballet cast of “the nutcracker” at maine central institute in pittsfield on thursday. getman is the new artistic director for bossov following the departure of andrei bossov .
artistic director andrei petrovitch bossov warms up before teaching ballet classes at the bossov ballet theatre in pittsfield, maine, february 12, 2007. bossov danced with the kirov ballet company in russia for 20 years before founding the ballet school in maine with michael d. wyly, retired u. s. marine colonel .
bossov ballet: natalya getman, center, instructs the ballerinas with the bossov ballet theatre during a rehearsal at maine central institute in pittsfield on thursday. mci now oversees the company since founders andrei bossov have returned to russia. getman, who has choreographed many bossov and opera house productions, is the company’s artistic director of bossov. the bossov ballet will be performing “the nutcracker” this month at the waterville opera house .
renée is a former principal dancer of bossov ballet theatre and a 2002 graduate of the bbt program at maine central institute where she studied under the direction of founding artistic director andrei bossov .
elena petrichenko and sergey chumakov are both graduates of the state academic choreography institute in perm, russia, where they majored in the classical choreography section. their early work included the moscow state ballet company at bolshoi theatre, the classic and modern choreography theatre in moscow, the russian classical ballet theatre, the classical and modern choreography theatre, and the russian ballet of the 21st century .
artistic director andrei petrovitch bossov gives instructions during class at the bossov ballet theatre in pittsfield, maine, february 12, 2007. bossov danced with the kirov ballet company in russia for 20 years before founding the ballet school in maine with michael d. wyly, retired u. s. marine colonel .
bossov ballet theatre' s summer program provides comprehensive russian training (vaganova method) with a strong emphasis on technique, pointe, partnering, variation and character .
bossov ballet: natalya getman, left, shares a moment with maine central institue sophomore diyun wang, 16, during a rehearsal for “the nutcracker” last week. the bossov ballet theatre is now a part of the pittsfield school. getman is the company’s new artistic director, succeeding andrei bossov .
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“the breadth and width and reach of ballet is large indeed, ” said col. michael wyly, a former u. s. marine who founded the bossov ballet theatre and serves as its charismatic executive director .
new direction: retired u. s. marine col. micheal wyly, founder of the bossov ballet theatre, in his office in pittsfield with mementoes of his two careers .
wyly spoke affectionately about the ballet and bossov, whom he counts as a close friend .
students with the esteemed bossov ballet, a ballet school based at maine central institute in pittsfield, performed early friday evening as part of the ballet' s 15th anniversary .
the hope is that eventually, the ballet school will develop enough talent for bossov to have his own professional, touring ballet company .
rising star: bossov ballet theatre artistic director andrei bossov shares a light moment with student gabby perkins in april 2013 during instruction at maine central institute in pittsfield. perkins was one of 15 foreigners to be accepted for enrollment at the vaganova ballet academy in russia earlier this year .
he described bossov as a very good school of classical ballet, producing dancers ready for professional work in top ballet companies around the world .
“from my point of view, we’re continuing our collaboration with bossov ballet theatre as usual, but it’s kind of added a nice piece to it. we’re working with mci as well. ”
bossov ballet theatre at maine central institute will perform “giselle” at 7 p. m. friday and saturday, july 28 and 29, at williamson performing arts center, 9 school st. , in fairfield .
pittsfield, maine — the bossov ballet theatre program has brought a lot to pittsfield in its 15 - year partnership with maine central institute, a semi - private boarding school in pittsfield. to count a few :
video audition dvds can be mailed to: bossov ballet theatre, maine central institute, 295 main street, pittsfield, me 04967. please send links to youtube and other online audition videos to: bossovballet @ urltoken .
bossov ballet theatre is part of maine central institute, a private high school serving grades 9 - 12 and post graduate. summer attendees will reside in one of the four dorms on campus, supervised by residential staff .
it looks like we don' t have a specific address for bossov ballet theatre, which makes giving directions tricky. this business might not have an official storefront, or it might move to multiple locations throughout the day .
andrei petrovitch bossov, the former soviet ballet star, looks into the wall - length mirror and barks french ballet terms in a thick, indecipherable russian accent .
key to continuing the high quality of bossov’s work is the appointment of natalya nikolaevna getman as the ballet’s new director, according to hopkins. getman was bossov’s assistant artistic director for 12 years .
gleason: but then, all at once, the school where bossov had been teaching ran out of money, and bossov returned to russia .
bossov ballet theatre at maine central institute brings the enchanting story of don quixote to life on the williamson center stage. this ballet, based on the novel “don quixote de la mancha” by miguel de cervantes, tells the story of the adventurer don quixote and his search for his beloved, dulcinea. with music by composer ludwig minkus, choreography by marius petipa and staging by bossov ballet artistic director natalya getman, this beautiful take on the iconic ballet will enthrall the whole family .
bossov, who started the ballet with founder wyly 18 years ago, said he plans to come back to maine regularly to visit and be an integral part of the ballet program .
bossov ballet theatre' s summer program provides comprehensive russian training (vaganova method) with a strong emphasis on technique, pointe, partnering, variation and character. the school will be holding a one - week program and a five - week program .
getman, an accomplished dancer, performed with the moscow ballet in more than 40 cities around the world before joining bossov in 2001 .
ms. cox has performed professionally with ballet companies throughout new england and california, such as new simsbury light opera, centennial theater, state street ballet company, robinson ballet company, bossov ballet theatre, nutmeg ballet and atlantic ballet company. her recent roles as principal dancer include cinderella, sugar plum fairy, dew drop fairy, snow queen, giselle, christmas angel, paper ballerina, queen ravenna and jasmine. she has also performed lead roles in raymonda, firebird, carmen, marzipan, voices of spring, holly and ivy and storybook princesses .
while attending simmons college in boston, renée traveled to maine to perform with portland ballet company and bossov ballet theare. after graduating in 2006, renée moved back to maine permanently and began her marketing career, and simultaneously, her career as a ballet instructor .
later in the same year, renée studied at american ballet theatre in new york city where she trained with renowned instructors and performed in an excerpt production of swan lake as staged by leslie browne .
in addition, they are principal dancers with the magdeburg opera and ballet theatre in germany and with the russian theatre in berlin. petrichenko and chumakov have traveled and worked in multiple countries including the united states, argentina, canada, england, germany, ireland, israel, jordan, malta, mexico, norway, qatar and spain .
but the nonprofit ballet company and school at maine central institute will continue to offer world - class instruction and performances, according to bossov officials .
mci headmaster chris hopkins also addressed the audience, which included about 20 bossov alumni .
bossov: because, again, you will touch the beauty just by your eyes .
over the years, both bossov and getman, who auditioned to work with bossov in 2001, got their u. s. citizenship. wyly, a retired 30 - year u. s. marine colonel with a master’s degree in russian history, taught russian history to the ballet students. in addition to ballet, bossov also taught freestyle dancing and acting, according to wyly .
bossov danced with the famed kirov ballet on world tours and shared the stage with mikhail baryshnikov, but today choreographs and teaches ballet in obscure pittsfield, a rural town of 4, 214 near bangor, maine .
the effusive colonel, a born raconteur, often draws parallels between the marine corps and the corps de ballet. on his battered, black steel desk sits a small bronze statue of the flag raising on iwo jima. bossov ballet theatre, he notes, was incorporated on feb. 23, 1996 – 51 years to the day after mt. suribachi was captured .
just so: andrei bossov during rehearsal at the maine central institute in pittsfield in 1999 .
andrei bossov: it' s very bad, i can tell you, right now .
though named for its virtuoso, the bossov ballet theatre is here – housed at maine central institute, a private high school – because of the sheer will of this man: col. michael duncan wyly. the retired commanding officer and balletomane started the children' s ballet school in 1996 in an effort to make his young daughter' s dream of becoming a ballerina come true .
“i called andre, transatlantic, and said, ‘we need to get you back, ’” wyly recalled. “i met him at boston’s logan airport in 1996. it was the 23rd of february, 1996, that i put my money down at the augusta state house and founded bossov ballet theatre as a nonprofit. ”
a marine brings international ballet to maine pittsfield, maine, is an unlikely place for world - class ballet, but then col. michael wyly is not the guy you would expect to start a ballet company. the retired marine commanding officer wanted to make his young daughter' s dreams come true, so he lured retired russian ballet star andrei bossov to rural maine .
bossov: they will go to the city and look at the performance. it change your life .
wyly’s wife, linda, sewed costumes for the company; and their daughter, summer, studied under bossov. wyly said he wanted the best teacher for her and knew they had found it in bossov .
gleason: bossov may not like talking, but wylie has plenty to say about ballet, which he often compares to combat. he says both require a similar kind of training .
pittsfield, maine, is an unlikely place for world - class ballet, but then col. michael wyly is not the guy you would expect to start a ballet company. the retired marine commanding officer wanted to make his young daughter' s dreams come true, so he lured retired russian ballet star andrei bossov to rural maine .
the bossov ballet was founded in 1996 by a pittsfield resident, retired u. s. marine colonel michael wyly, who recruited former mariinsky ballet star andrei petrovitch bossov as its first artistic director. getman, who taught in the school’s summer program, took over when bossov returned to russia. her teaching style is demanding and affectionate. “i teach, i choreograph, i scream at them, and i love them, ” she says. “they’re like my kids. ”
either a video or in - person audition is required as part of the application for bossov ballet theatre' s summer intensive program. in - person auditions take place on mci' s campus in our founders studio or during our summer audition tour. in - person auditions will not be scheduled after may 1. video auditions will be reviewed until may 15 .
“if you can learn classical ballet, you can learn anything in dance, ” he continued during a running commentary between numbers. bossov and his assistant, russian - born natalya getman, who also has devoted her life to ballet, stayed mostly behind the scenes .
in its 10 years, the non - profit bossov ballet, with a $ 316, 345 annual budget, has trained more than 2, 000 students from nine countries and 26 states. but wyly counts only 48 elite dancers as graduates. of those, 28 have gone on to dance with professional ballet companies (such as the joffrey ballet and bejart ballet), been accepted into competitive collegiate dance programs, or both .
bossov is a tough drill sergeant. students' holey pointe shoes and bruises showing through their opaque tights attest to their determination .
again
is bossov' s stock phrase ;
close
is high praise .
he hopes the mci - bossov merger will help it grow and gain more financial stability. his wishes for bossov are that the studios are improved and more teachers are hired to help to attract more students, he said .
“the time came that i cannot continue living away from my family, ” bossov said this week in an email .
their partnership started when he persuaded bossov to return to the u. s. from russia in 1996. bossov had been in the u. s. earlier and had worked with dancers at what was then the waterville performing arts center .
the choreographer and the combat veteran perform a unique pas de deux as artistic director and executive director. under their unlikely partnership, the bossov ballet carries on the art' s much - revered imperial russian tradition yet aspires to become america' s preeminent school for training dancers for the professional ballet .
a dozen families from eight states have relocated to pittsfield over the years so their teenagers could study under bossov. another 90 local youths and adults – ages 4 to 22 – take afternoon, evening, and saturday morning community classes, and a handful of them are also pre - professional dancers. in addition, the bossov ballet offers a rigorous, five - week summer intensive ballet camp that enrolls up to 80 .
— stellar ballet performances by up - and - comers with worldwide tours in their futures .
russian ballet points technique. super piruettes and fuettes. 6 - 15 ages. виртуозы .
until august, bossov ballet was a separate entity from mci; but now it is a program of the school and continues to work closely with the waterville opera house, where many of its performances are held .
wyly said he imagined from the ballet’s inception that it eventually would be turned over to mci .
featuring some excerpts of classwork and choreography / rehearsals with former students of the ballet training centre .
calder taylor was born and raised in a small town in new hampshire. he began to pursue his dance career at the age of eleven. he attended main central institute, which has an intensive high school ballet program, bossov ballet theatre. after graduating, calder became a company member at ballet theatre of maryland. he has performed many roles including mr. brooks in little women, rothbart and siegfried in swan lake, arthur and mordred in excalibur, tybalt in romeo and juliet, ichabod and brom bones in the legend of sleepy hollow, dr. coppelius in coppélia, the prince in cinderella, the beast in beauty and the beast, le fontaine in an american southwest carmen, the mad hatter in alice in wonderland, major general robert ross in star spangled sketches, the djinn in aladdin, prince ivan in the firebird, the king in the dancing princesses, theseus in a midsummer night' s dream and the snow king, russian, spanish, merlitons, arabian, and drosselmeyer in the nutcracker. this is calder' s eleventh season with the company along with it being his second season as the technical director of ballet theatre of maryland .
the 16 hard - core ballet students under the tutelage of bossov and russian ballerina - instructor natalya getman – most of them boarding students at maine central institute – practice as much as five hours a day, six days a week. (tuition for full - time ballet students is $ 2, 650 a year. )
andrei bossov, 60, moved back to st. petersburg, russia, in august after 20 years in the u. s .
performances will take place on friday, july 29 at 7: 00 p. m. and saturday, july 30 at 2: 00 p. m. at the williamson performing arts center, 9 school street, fairfield, maine. tickets are $ 15 per adult and $ 12 per youth / senior. there is also a special family pack (2 adults, 2 youths) for $ 40. tickets are available through bossov ballet theatre’s website at urltoken
bossov is rehearsing for its annual performance of “the nutcracker” at waterville opera house. getman said audiences will see a full - length ballet dec. 13 to 15 with many changes from previous years aimed at enhancing the magical spirit of christmas .
as one of six americans selected to compete in the 4 th international ballet competition in helsinki, finland in 2001, renée was gifted the opportunity to train extensively with ballet masters from all over the world .
nroll for private or semi - private ballet lessons please scroll down and fill - in the online form .
like wyly, getman said one does not have to be educated in ballet to enjoy and appreciate it. if a ballet is well done, certain moments will be etched in the viewer’s mind, according to getman .
it' s bossov' s intensity that attracts students, though jacob admits :
i' m a little bit scared of him sometimes .
this ballet was like a big bomb in the middle of my whole family ,
colonel wyly says .
“she is a perfect mix of honoring the tradition of classical russian ballet — in particular, the vaganova technique — blended with an understanding of what today’s ballet dancers need to be successful in professional companies, ” hopkins said .
instructors at the ballet training centre are all former professional dancers, who have trained and learned to instruct students .
( most of the students, shown in these videos have had two - years of classical ballet training, or they found it necessary to significantly re - train, with ballet master jonathon levy, due to the level of insufficient and / or improper technique that they received and were taught prior to their taking lessons at the ballet training centre .
students in these videos have since received scholarships to attended both college dance - degree programs and / or professional - level training programs at professional (company) schools, including: ballet arizona, a. k. lines ballet / san francisco, modas / new mexico, oklahoma city ballet, hubbard street dance chicago / summer intensive, cincinnati university conservatory of music - dance department, the royal welsh school of performing arts (u. k), ballet west / salt lake city, and an' invitation to audition' for the professional - aspirant full - year academic residential program at canada' s national ballet school / l' école nationale de ballet du canada, in toronto .
“it’s an exciting new chapter in the extraordinary, pre - professional ballet program, ” mci headmaster christopher hopkins said .
gleason: what would you say to someone like me? i' ve never actually even seen a ballet performance .
wyly, now 73, hopes the ballet program will continue to send students to st. petersburg every other year, as it has in the past, he said. because of his status, bossov got students into places most people could not access in the city, he said .
gentry fielder, a maine central institute junior from texas, has studied ballet for 10 years, most of it in dallas, new york city and boston. though he’s the only male in the bossov program this year, he said he’s found more acceptance in pittsfield than anywhere else .
petrichenko and chumakov have been principal dancers with the crown of russia ballet since 2001. their repertoire includes leading roles in :
“what is most unique is the excellence of a pre - professional ballet school and a top - notch prep school education in the same place, ” said williams, who added that bossov students in general also excel in the classroom, including some who have been among the top - ranked graduates .
carl’s daughter elizabeth is a student at the lebanon ballet school and has recently participated in a few performances for city center ballet. carl and his wife jennifer are both educators and fervent advocates of arts education. he is grateful for the cultural and performance opportunities that city center ballet provides his family and the community, and wants to ensure the sustainability and continued growth of the company .
city center ballet, inc. • p. o. box 66 • lebanon, nh 03766 • 603 / 448 - 9710
getman is thrilled to be working with mci and the opera house in directing “the nutcracker, ” her first full - length ballet .
his students stare back. they try to move as he moves, to literally become his mirror image. their common language is ballet .
nancy was a founding member of the board of city center ballet in 1999 when her daughters danced with the company. she is actively involved in her community and is an occasional house manager at the lebanon opera house. she has volunteered in many capacities for city center ballet .
1. state the dancer' s name, age, school where currently studying ballet and length of time en pointe (if applicable) .
if a dancer participated in bossov' s summer intensive program last year, he / she can send a current picture in first arabesque position en pointe (if applicable) in lieu of a video .
gleason: so it' s only natural that when he had two girls, wylie enrolled them in ballet. and one of them, summer, really took to it. but then wylie retired from the service and moved his family to maine. his daughter couldn' t find the same quality of instruction - that is, until she found andrei bossov .
“it a private school where i can get a good education, ” she said. “but i’m really here to study ballet with andre and natalya. ”
— students from across maine, 16 states and 24 countries, who attend mci and study ballet more than two hours a day, six days a week .
al russian teacher natalia. from the point of view of a fan who saw ballet at the bolshoy and kremlin since youth, i think that bbt is progressin
the bossov ballet typically mounts five productions a year and, lacking a performing arts center, exports its $ 15 - a - ticket shows to average audiences of 300 devotees in far - flung maine venues. wyly' s wife, linda, hand - sews all the elaborate costumes of velvet, satin, and tulle with the help of two of the dancers' mothers .
bossov includes children ages 6 - 13, some of whom live in the school district towns of pittsfield, burnham and detroit, according to hopkins. high school students also are enrolled in the ballet, including those from mci, which is a private academy that accepts boarding students from around the world and also is contracted by the three - town district as its high school .
hollywood' s new line cinema and its partner, mandeville films, are developing the true story of a children' s ballet school run by battle - scarred marines into a feature film with the working title
brigg' s ballet .
no actors have been cast, but producers hope to begin shooting this fall .
“three of our students were accepted in vaganova ballet academy in st. petersburg, ” he said. “one (gabrielle perkins) is a student there now. ”
renée has extensively studied the vaganova teaching method, as developed by russian dancer and teacher agrippina vaganova, and largely uses this method in her classical ballet technique classes .
for mr. bossov, words do not communicate as well as dance itself .
because of this limitation, the spirit and the soul and the human mind can be visualized on the stage by the dancer' s body .
mci admissions director clint williams, who was in the audience, said mci is an easy sell for serious ballet students, even ones who are more used to the cities .
wylie: the ballet was a thing that said to me, without my ever figuring out why, the human race is actually, or can be, a pretty beautiful thing .
i’m a true fan of ballet, and i can totally say that this group does way more than just a great job. the bbt is a unique place to learn classical dance techniques
the ballet students gave a couple hundred students and community members a peek friday evening at what they’ve been working so hard on. their hourlong exhibition, in a gymnasium transformed convincingly into a stage with a brilliant red background, swept through dances from “sleeping beauty, ” “swan lake” and others, as well as some of bossov’s own choreography. in pairs, quartets and larger groups they spanned the sublime and the serious, garnering several standing ovations .
“i mean i used to live in new york, and the kids here are more open to ballet than they were in those other places, ” said fielder, who is trying to finish high school a year early so he can study ballet at the college level as soon as possible. “for a small town in maine, it’s got some culture because of this program. ”
the colonel, who enlisted in the marine corps at 17 and served two tours in vietnam, retired in 1991 and moved his family to maine from virginia with the intent of writing a book on the art of war and becoming a vintner. but in 1995, the youngest of wyly' s two daughters, summer, then 13, was a bossov protégée at the waterville performing arts center when it abruptly closed. the ballet master retreated to mother russia .
i treat him like a three - star general because he needs to be treated that way ,
colonel wyly says of bossov .
and i respect him, you know, that much – as long as he remembers i' m the four - star .
the bossov troupe includes dancers of many ages and levels of experience. dancers who attend mci during the school day, and qualify for the program (after auditioning), are eligible to receive full academic credit for ballet training. all bbt students, regardless of whether or not they attend mci, train after school and with professional dancers who come to bbt to appear in guest roles. the experience of performing on stage with large casts of older and younger dancers is an invaluable opportunity for aspiring dancers .
the most important thing in ballet and war, wyly says, is training the troops. he explains performing this way :
d - day is opening night. and the curtains open at h - hour .
gleason: summer quit ballet a number of years ago. she' s now a banquet captain at a marriott in fort lauderdale. but that didn' t affect wylie' s interest in keeping the school going .
i had no notion of ever founding a ballet school ,
says wyly, an expert in maneuver warfare who has a stack of medals, including a purple heart .
i just wanted to get andrei back !
i just loved the idea of a hard - as - nails guy going into the world of ballet, then realizing it' s just as strenuous as the world he comes from ,
says mandeville president todd lieberman .
gleason: the ballet was
capelia ,
but wylie had no idea what he was going to see. and he went to the theater determined to be mad at the world. but then the music started ...
so much so that upon graduation, felicity had the choice of entering princeton university or joining the louisville ballet. she chose the latter and danced with the company for two years. she began her deferred studies at princeton in september .
with the recent bossov changes, the opera house this season is producing “the nutcracker, ” which will start dress rehearsals in waterville this week. hopkins is excited about mci’s new role, working in an arena that includes a newly - renovated opera house, expanded colby college museum of art and other cultural activities in and around waterville .
susan started ballet at age 3 and continued to study throughout her professional dance career. when she moved to the area, learned about city center ballet, and saw the training and performance opportunity the company offers (knowing how important both are), she decided to become involved on a deeper level. susan has also been involved with not - for - profit organizations and knows the support they need to stay alive and thriving. she hopes to open new doors and bring the company to more of the upper valley .
last chance to receive discount rate at hilton garden inn for patrons of bbt' s swan lake. book by july 12 online at urltoken using the group code
ballet
or call 207. 262. 0099. tickets urltoken pc katarina weissbach with hilton garden inn - bangor maine
tom had two daughters who were active as city center ballet dancers between 1998 and 2004. in that time, he came to appreciate the unbelievable opportunity the company offers to our community by offering performance opportunities to dancers and audiences alike. he serves on the board to help preserve this treasure .
rehearsing for the performances in russia, the tousled - haired ben, in black tights and a white t - shirt, observes :
ballet class is all a preparation for the stage. i see myself come out in my dancing. there' s me behind andrei' s choreography .
thank you for contacting us! we will be in contact with as soon as possible - usually within 24 to 48 hours, depending on when you sent us your request. so thank you for contacting rvca' s ballet training centre. where we are
training tomorrow' s performing artists - today !
natalya getman was born in russia. she was a gymnastics champion by the age of ten and studied dance at the leningrad academy choreographic school (kirov theater) under kovaleva. in 1993, getman graduated with honors from the uzbek choreographic school under inna kevorkova' s instruction. upon graduation from the uzbek school, she joined the turkmenistan state theater of ballet and opera where her repertoire included :
it' s tuesday night, and the students gather in front of the ballet master – and the mirror – in founders hall studio to hone their technique and rehearse
the four seasons ,
to be performed in may at the franco - american heritage center in lewiston, maine. the next production is
don quixote
at the waterville opera house, in waterville, maine, in august .
we' d be sitting in go noi island in vietnam – where there was not even a tree and it was 100 degrees every day – and mike, in the resupply, would get his copy of gourmet magazine ,
recalls us sen. james webb (d) of virginia, a bossov director who, in 1969, served with wyly in vietnam' s infamous an hoa basin, site of some of the heaviest fighting of the war .
it wasn' t terribly surprising he' d get his teeth into this .
based on a story by theophile gautier and jules henri vernoy de st. georges, “giselle” tells the tale of lost innocence and love’s eternal power to forgive, with a dash of gothic ghosts to keep the heart beat racing. with choreography after jean coralli, jules perrot, and marius petipa to adolphe adam’s soaring musical score, artistic director natalya getman’s staging of this iconic ballet will cast a spell on the entire family .
marc is a founding member of city center ballet (1999) and has been the company’s treasurer ever since. he is married to linda g. copp, the artistic director of the company. even after all this time, he is still awed and delighted by the dedication and hard work that she, her staff, volunteers, and especially her young adult dancers put into each and every production. marc is a computer consultant serving small law offices in the upper valley .
eleven teenaged ballerinas in black leotards and white tights glide and spin to piano music from giselle in the high - ceilinged studio at founders hall on the maine central institute campus. when the music stops, artistic director natalya nikolaevna getman tells them, “it looks like birds taking a bath. they’re the cutest things when they take a bath — have you seen them? ” getman, a russian native and former dancer with the moscow ballet, flutters her arms frantically, and the girls laugh. “i don’t want a bird. let’s try again. ”
the point of training is not
to make someone do or become something ,
yet training is the act of preparing someone properly, providing them the tools to seize the opportunities of becoming something - when that
something
presents itself... after all isn' t that why we send our children to academic school? it does not matter if your child desires to perform, or compete - what matters is the preparation that they receive on a daily / weekly basis, because when they stop dancing - for whatever reason - will they be satisfied? most talented dance students never achieve their dreams because of a lack of proper training... like talented athletes who never get beyond high - school or the college - level. there are standards that are required to
make - it
and then there are those intangibles, all of which require significant preparation and training. at the ballet training centre, our goal is to prepare your child, athlete or dancer, for their opportunity to become more than just a dream! thank you for trusting us and allowing us to educate and train your student dancer and / or athlete !
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fourteen - year - old johanna reuter executes pirouettes and pas de bourrées encircled by two boys – ben malone, 17, and jacob gambone, 16, – as they practice, over and over, a number called
the mist .
i know i have the body for it, so i think this is what i was meant to do ,
says johanna, a lithe and long - limbed blonde .
of course i love them, and i care about them ,
the taciturn danseur says of his young charges .
they belong to me .
watching the rehearsal, wyly sighs .
every girl who dares dream ,
he says ,
dreams of being picked up by handsome, young cavaliers and swept through the air .
four ex - marines – semper fidelis – served on the original board of directors. (though, wyly points out ,
there' s no such thing as an ex - marine .
) today, the all - male board consists of six former marines, a retired navy rear admiral, a retired army major, a retired air force reserve colonel, and the high school' s academic dean .
once that curtain opens, you don' t have any control over the situation anymore. just like when your troops cross the line of departure. now the battle is joined ,
wyly says .
what' s going to happen is what' s going to happen. god help us! we hope we taught them right .
next month, the russian danseur is taking a student troupe to perform a version of
the four seasons
in his hometown of st. petersburg – the third such trip since 2003 .
summer wyly, now 24, gave up her dream of becoming a ballerina and is a hotel banquet manager .
her father, however, is still spellbound by the arabesques and grand jetés that he first witnessed as a bachelor captain who, alone on his 27th birthday, spent combat - tour pay to see
coppélia .
i was already cold and wet and lonely and mad ,
wyly says .
but the music started – and the color of the costumes, and the story, and the dancing, and the beautiful girls, and all those things at once – and i felt better .
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new this year, bbt at mci will also be offering drop - in classes in addition to the full program. this option will allow students to take drop - in classes on a pay - as - you - go model. however, students choosing the drop - in option will not be eligible to participate in any performances. students will still need to register for the drop - in option and audition for placement .
the program is based in founders hall on the mci campus. with the recent changes, the six - week summer program will consist of two one - week sessions and one four - week session instead of the former one - week session and five - week session, according to hopkins .
opera house executive director diane bryan said getman’s moving into the artistic director’s role was a natural progression .
“it’s such an experience. the dancers come back literally transformed, ” he said .
“he’s very proud of what he did here and of course was very affectionate toward his dancers, and they with him, ” he said .
“it is very special to me, very near and dear to my heart, ” she said .
“the nutcracker” is the story of clara, a little girl whose parents host a big party on christmas eve. the children receive toys as gifts; clara’s is a nutcracker. she eventually falls asleep, dreaming the toys and tree come to life and her nutcracker turns into a prince. she rides on a sleigh with the prince through a snowy forest before waking up to find it has all been a dream .
“to me, choreography is not just the movement, ” getman says. “it’s enhancing the music — because the music came first. the inspiration for me is the music. ”
“the professional level of their execution is very high, ” she said. “it makes me very pleased. ”
“i hope we succeed in this production to leave good memories, ” she said .
performances are scheduled for 7 p. m. dec. 13 and 14 and 2 p. m. dec. 14 and 15 .
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“i can’t tell you how proud i am to have you all here, ” he said. “it’s a reminder of how this program over the last 15 years has touched so many people. ”
katrina huckersby, a senior who is from the washington, d. c. , area, said she is enjoying her time in maine .
have feedback? want to know more? send us ideas for follow - up stories .
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g: retired marine colonel michael wylie. reporter josh gleason has his story .
joshua gleason: on his 27th birthday, michael wylie was serving a tour at marine headquarters in washington. it was 1967; he' d just come back from the frontlines at vietnam, and he knew he' d be returning soon .
michael wylie: i was down in the dumps that night, probably feeling sorry for myself .
gleason: wylie was new in town, and he didn' t have any friends. in fact, he felt like he couldn' t relate to anyone who hadn' t been in combat .
wylie: so i pick up the washington post and i see this ad and here' s this beautiful ballerina in a tutu, and i - shucks, i' m going to go to that - you know, i got to do something tonight .
gleason: the dancers came out in these bright, colorful costumes, reds and blues. it was cute, playful. and by the second act, his anger was gone .
wylie: i found myself just enjoying the evening in every way and coming back feeling very uplifted, and i thought, i' m going to do that more .
gleason: war had led wylie to believe that there was nothing more dangerous than a human being. but
capelia
changed that .
summer: he was just much more intense and expected a lot more from his students. you know, you could just see people get just rapidly better .
summer: and i just knew my teacher, who i' d really grown to respect, had to go back to russia. it was, like, he was just being taken away and that was that .
wylie: it was devastating. that was the end, and summer said, dad, i look forward to that summer program every year more than anything else in my life. i thought, then, it' s going to - you' re still going to have that, summer. don' t you worry, you know. you' re going to get it .
gleason: unidentified female: one, two. and (unintelligible). turn .
gleason: unidentified female: two, three, four, five, one. one, two, three, one, two three, one, two, three, four, five, to three, and move, two, three, four, five ...
wylie: there is a misguided notion that when the curtains open out on stage, i' m going to be giselle now because the audience is out there. no, you' re not. you' re going to revert to the habits you have formed in training, in peacetime, when you' re under fire. and as i said to the dancers, i have seen men who have thrown away their lives because they wouldn' t believe me when i told them that .
wylie: though i always wanted to be a marine - nothing would be more true, and i still am, you know, i think like a marine, i can' t help it - but i wanted to be able to depart this world having built something, not just destroy things .
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bossov ballet theatre ( bbt ) is a non-profit performing company and an international pre-professional ballet school , located in pittsfield , maine . founded in 1996 , it is now affiliated with maine central institute , under the direction of natalya nikolaevna getman . 
bossov ballet theatre (bbt) is a non-profit performing company and an international pre-professional ballet school, located in pittsfield, maine. founded in 1996, it is now affiliated with maine central institute, under the direction of natalya nikolaevna getman.
bossov ballet theatre (bbt) is a non-profit performing company and an international pre-professional ballet school, located in pittsfield, maine. founded in 1996, it is now affiliated with maine central institute, under the direction of natalya nikolaevna getman.