gesellius , lindgren , and saarinen
class of 1893 at the polytechnical institute: armas lindgren, eliel saarinen, albertina östman and herman gesellius. photo: c. p. dyrendahl (d. nyblin). gesellius, lindgren, saarinen: office stamp, c. 1901 .
hvitträsk was built between 1901 - 1903 by architects herman gesellius, armas lindgren and eliel saarinen. the main building, designed in national romantic style, built of logs and natural stone, was both a common studio and a home for eliel saarinen and armas lindgren for some years after it was completed. during that time, gesellius lived in the courtyard building and later moved into the north - wing of the main building after lindgren relocated in helsinki .
saarinen: suomessa in finland - gesellius, lindgren, saarinen 1896 - 1907; saarinen 1907 - 1923 by hausen, marika; kirmo mikkola & anna - lisa amberg: museum finnish architecture, helsinki 9789519229423 softcover, 2nd ed. edition. - abacus bookshop
after the divorce from his first wife, mathilde (who then married herman gesellius), on march 6, 1904 saarinen married his second wife, louise (loja) gesellius, a sculptor in helsinki, and the younger sister of herman gesellius. they had a daughter eva - lisa (pipsan) born 31 - 03 - 1905 and a son eero saarinen born 20 - 08 - 1910 .
eliel saarinen died in michigan in 1950, and is buried at hvitträsk, finland .
buildings was evolved in collaboration with his second wife, louise (loja) gesellius (1879–1968), and is freely eclectic, incorporating expressionist, round - arched, and vernacular elements. he was president of the cranbrook academy of art from 1932 to 1942, and was joined by his son, eero, and by charles
although the elder eliel saarinen was tied to the romanticism of nineteenth - century arts - and - crafts ideas, and eliel saarinen was unable to incorporate modernism’s machine aesthetic into his work successfully, he remains an important and influential twentieth - century architect. the sensitivity of his architecture and the perceptiveness of his town planning ideas still provide excellent examples of how to make humane and memorable environments .
saarinen, gottlieb eliel .
a dictionary of architecture and landscape architecture. . retrieved july 09, 2018 from urltoken urltoken
from 1896 to 1905, and with gesellius only until 1907, when he worked on his own, emigrating to the usa in 1923. he established his first american office at evanston, il (1923–4), later (1924) moving to
at cranbrook, between 1925 and 1945, eliel saarinen executed the school for boys, the kingswood schools for girls, the academy of art, the institute of science, the museum and library, faculty housing, and the resident artist’s studios. these works ranged in style from the picturesque boys schools, to the frank lloyd wright - inspired kingswood school, to the more austerely classical museum and library complex (fig. 4). within this stylistic diversity, the cranbrook designs exhibit eliel saarinen’s arts - and - crafts desire for totally integrated environmental works, realized through their excellent siting, exquisite masonry detailing, interior surface treatments, and attendant furnishings and weaving. however, cranbrook is more than an enclave of eliel saarinen buildings; it is a resonant environment incorporating sculptures, artwork, furnishings, and decorative appointments designed and produced by the academy’s faculty and students, as well as by the eliel saarinen family .
saarinen, gottlieb eliel .
a dictionary of architecture and landscape architecture. . encyclopedia. com. (july 9, 2018). urltoken
gottlieb eliel saarinen (1873 - 1950) was a finnish architect known for his work with art nouveau buildings in the early years of the 20th century. he was the father of eero saarinen .
academy of art, bloomfield hills, mi. saarinen designed the cranbrook school for boys (1926–30) and the kingswood school for girls (1929–30) there, followed by the institute of science (1931–3), and museum and library (1940–3). this beautiful series of
in 1922, saarinen took second prize in a design competition for the chicago tribune tower. he and his family emigrated to the united states the following year .
cranbrook, in particular the academy of art, was the manifestation of a george booth’s vision of a midwestern institution that would facilitate the integration of the arts and crafts into contemporary culture. under eliel saarinen’s direction as president of the academy and program head of architecture, cranbrook became a nationally recognized school of design. the faculty included carl milles, maija grotel, and mariane strengell, in addition to the eliel saarinen family, while charles and ray eames, florence knoll, harry bertoia, harry weese, edmund bacon, and jack lenor larsen are among its more noteworthy students. at cranbrook, individuality and freedom were stressed and the sense of community was much like the atmosphere found in the earlier hvittrast atelier. eliel saarinen personally directed the graduate program in architecture, which focused city planning concerns. the studies done in the graduate studio became the structure for eliel saarinen’s book the city (1), his definitive statement on urbanism .
saarinen, eliel .
the columbia encyclopedia, 6th ed... retrieved july 09, 2018 from urltoken urltoken
the 50 - year career of eliel saarinen (1873 - 1950) can be divided into two parts. practicing in finland for 25 years, he first established an international reputation based on his “national romantic” and jugendstill - inspired architecture. the second phase of eliel saarinen’s career began when he emigrated to the united states in 1923, after placing second the 1922 chicago tribune tower competition. while practicing in the united states, eliel saarinen also assumed the role of educator, first at the university of michigan and then at the cranbrook academy of art. eliel saarinen not only designed the cranbrook complex but, under his stewardship, it became one of the most influential design schools in the nation .
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kay fisker and c. f. møller, vestersøhus (1935 - 39 )
after 1923. in finland, saarinen' s most celebrated building was the railway station in helsinki. he took second prize in the chicago
saarinen, eliel .
the columbia encyclopedia, 6th ed... encyclopedia. com. (july 9, 2018). urltoken
in 1923 the eliel saarinen family emigrated to the united states where his career would focus on education as well as architectural practice. although his placing second in the chicago tribune tower competition (1922) is often cited as the reason for his immigration to the united states, the economic conditions in finland prompted his departure. in 1917 finland declared its autonomy from russia; in 1919 it became an independent nation after a year - and - a - half of civil war. these events resulted in an economic collapse, and construction slowed; it was for this reason eliel saarinen entered the tribune competition. after spending a brief period in evanston, illinois, eliel saarinen was invited to join the architecture faculty at the university of michigan in 1924. in that same year one of his students at michigan, harry s. booth, introduced eliel saarinen to his father, george gough booth, from whom eliel saarinen recieved the commission to design the cranbrook complex in bloomfield hills, michigan .
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© a dictionary of architecture and landscape architecture 2000, originally published by oxford university press 2000 .
beginning in 1936 saarinen was in partnership with his son, eero. his best known works from the latter years of his life include the tabernacle church of christ in columbus, indiana (1942), and the christ lutheran church in minneapolis (1949) .
in 1925, saarinen was asked by george g. booth to design buildings for the cranbrook educational center in bloomfield hills, michigan, a project booth intended to be similar to the bauhaus idea in germany. saarinen began teaching at the cranbrook academy of art in 1926, and taught at bloomfield hills (cranbrook) from 1929 to his death. he also served as president of the cranbrook academy of art from 1932 to 1948 .
from 1910 to 1915 he worked on the extensive city - planning project of munksnäs - haga and later published a book on the subject. in january 1911 he became a consultant in city planning for reval, estonia and was invited to budapest to advise in city development. in 1912, a brochure written by saarinen about the planning problems of budapest was published. in april 1913 he received the first place award in an international competition for his plan of reval. from 1917 to 1918 saarinen worked on the city - plan for greater helsinki. he also designed a series of postage stamps issued 1917 and the finnish markka banknotes introduced in 1922 .
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architecture, and contemporary work in the usa, notably the round - arched buildings of h. h .
after the partnership ended, saarinen expanded his practice to include city planning projects. he became internationally famous for his bold and simplified design for the helsinki railroad station, which was completed in 1914. the plans he submitted for the design competition also included suggestions for the urban development surrounding the station .
during the early decades, the main building served as both an architectural office and as a cultural home. it was visited by such esteemed figures as jean sibelius, gustav mahler, axel gallen - kallela and maksim gorki. the office' s staff also lived at hvitträsk, and this is where the plans were drawn up for the helsinki railway station, the national museum of finland and the monumental munkkiniemi - haaga project, among other grand works .
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tower competition in 1922. at the cranbrook foundation in bloomfield hills, mich. , he designed several buildings and also headed the academy of art. his other major works include the crow island elementary school, winnetka, ill. (1939); two churches in columbus, ind. (1941–42), and minneapolis, minn. (1949), and the music shed for the berkshire festival (now tanglewood music festival) at lenox and stockbridge, mass. his later designs were made in collaboration with his son, eero
“always design a thing by considering it in its next larger context – a chair in a room, a room in a house, a house in an environment, an environment in a city plan. ” (eliel saarinen )
, in 1937, and then by j. robert swanson (1900–81), who was a partner from 1941 to 1947. his early work in
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christ - janner (1979); gaidos (ed .) (1972); hausen et al. (1990); lampugnani (ed .) (1988); placzek (ed .) (1982); e. saarinen (1931, 1943, 1948); jane turner (1996 )
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gerhard munthe & ole sverre,' fairytale room', holmenkollen tourist hotel (c. 1896 - 8 )
gerhard munthe, furniture for the' fairytale room' at holmenkollen tourist hotel (c. 1896 - 8 )
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gesellius , lindgren , and saarinen was a finnish architecture firm in helsinki . the firm was formed in 1896 and consisted of herman gesellius , armas lindgren , and eliel saarinen . in 1905 lindgren became head of the architecture school at helsinki university of technology and withdrew from the firm . gesellius and saarinen continued as partners until 1907 . 
gesellius, lindgren, and saarinen was a finnish architecture firm in helsinki. the firm was formed in 1896 and consisted of herman gesellius, armas lindgren, and eliel saarinen. in 1905 lindgren became head of the architecture school at helsinki university of technology and withdrew from the firm. gesellius and saarinen continued as partners until 1907.
gesellius, lindgren, and saarinen was a finnish architecture firm in helsinki. the firm was formed in 1896 and consisted of herman gesellius, armas lindgren, and eliel saarinen. in 1905 lindgren became head of the architecture school at helsinki university of technology and withdrew from the firm. gesellius and saarinen continued as partners until 1907.