ralph appelbaum associates
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ralph appelbaum associates also designed the exhibitions at bill clinton' s presidential library. [ courtesy of ralph appelbaum associates ]
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fifa world football museum, brazil 2014 revisited temporary exhibit planning and design by ralph appelbaum associates, inc .
site and artifact photography by dmitriy kurenev and mikhail kamensky / (c) ralph appelbaum associates, alexander chaplinsky, and askar kabzhan .
designed by ralph appelbaum associates / media development by potion design studio / fabricated by three dimensional services, inc. / brain sculpture by felice grodin
i applied in - person. the process took 2 weeks. i interviewed at ralph appelbaum associates (new york, ny) in may 2015 .
ralph appelbaum associates, the exhibition designer of the national museum of african american history and culture, will design the exhibits at the obama presidential library .
new york - based ralph appelbaum associates will head a team of several firms and individuals with expertise in media, lighting and acoustics in designing exhibits .
“you can really see this natural evolution of museums being essentially big boxes filled with educational stuff and collections to now–museums that are seamless with storytelling and seamless with the narrative that they offer, ” said ralph appelbaum, founder of ralph appelbaum associates .
i applied in - person. the process took 2 weeks. i interviewed at ralph appelbaum associates (new york, ny (us) ) in may 2015 .
ralph appelbaum associates will lead the exhibition design team for the opc, in partnership with civic projects and normal, and artists and educators amanda williams, andres hernandez, and norman teague .
ralph appelbaum associates new york focuses on museum exhibitions and you do not get much exposure to a variety of tasks, such like choosing materials and finishes, as you would get in hospitality - oriented firms .
founded in 1978 by ralph appelbaum, the firm has created over 500 projects that are visited by over 50 million people each year .
founded in 1978 by ralph appelbaum, the firm has created over 500 projects that are visited by over 50 million people each year .
ralph appelbaum associates will be in charge of a team that includes several chicago firms that will design how the exhibition spaces in obama’s library and museum will function and be laid out when it’s built in jackson park .
ralph appelbaum associates creates award - winning museum exhibitions, visitor centers, and educational environments that explore natural history, physical sciences, cultural, social, and corporate history, sports, brand heritage, and the fine arts .
philip hughes, creative director for the ikea museum project at ralph appelbaum associates, says that the designers worked with the architects to “insert a story into the building so that it was told in a logical and interesting way” .
ralph appelbaum associates inc. ralph appelbaum (principal in charge); james carthcart (project director); alex vlack (executive producer); lilly preston (senior producer); caitlin mennen - bobula (project manager); carlos rodriguez, andri klausen (3d designers); josh hartley, rosanna vitiello (graphic designers), ilona parkansky (content developer )
appelbaum associates are also planning a newseum exhibit that will allow visitors to use news wire reports from all 50 states to produce a newspaper front page .
ralph appelbaum associates will head a team of several firms and individuals with expertise in media, lighting and acoustics, including several chicago - based collaborators, according to the nonprofit that is developing the library and museum in historic jackson park .
, an exhibition about the complex relationships between technology and democracy. it marks the 100th anniversary of the norwegian museum of science and technology and was designed and produced by ralph appelbaum associates and tamschick media + space in cooperation with the museum .
the design team for the smithsonian’s national museum of african american history and culture is a collaboration of four architecture firms forming a single cohesive team—freelon adjaye bond / smithgroupjjr. gustafson guthrie nichol is the landscape architecture firm, and ralph appelbaum associates is the exhibit designer .
the first of this series of temporary exhibitions launched in september 2016 with the theme' brazil 2014 revisited’. hypsos executed this temporary exhibition, under the authority and to the design of ralph appelbaum associates, including steelworks, graphics, showcases and av - hardware .
national museums of scotland has confirmed the appointment of ralph appelbaum associates to design 16 new galleries at edinburgh’s royal museum, as revealed by dw (dw 1 december). the £7m project forms part of the £44. 5m royal museum masterplan, due for completion in 2011 .
ralph appelbaum associates is known for its work at the william j. clinton presidential library (2004), the museum of the portuguese language (2006), the national world war i museum (2006), the london transport museum (2007), and the newseum (2008) .
bradford a. mckee,' what' s a museum: what he says it is. how ralph appelbaum built a monopoly in the field of exhibition design. architecture magazine, 2002
ralph appelbaum associates (raa), an international planning and design firm with offices in lower manhattan, is currently undertaking a significant new history and cultural museum project and we are seeking candidates with degrees and / or professional experience in african american studies, history and / or culture for a position as content coordinator for the project .
designing exhibits for a museum whose purpose is to celebrate a language is a bit different from creating a shrine for artifacts. at the museum of the portuguese language, the world' s first museum of its kind, ralph appelbaum associates presents the language as a dynamic cultural heritage and uses technology to emphasize its permanent state of transformation .
at the same time, appelbaum associates tends to provide the equivalent of educational tracking for visitors, with such items as pictograms for children and those who don' t speak english, and complex scripts for the college - educated .
a roster of design teams has worked on the project. ralph appelbaum associates worked with ikea’s in - house creative team to create the narrative and interior design of the permanent exhibition spaces, and swedish consultancy from us with love, created the interior design for the temporary exhibition space. the museum also includes a restaurant and shop, designed by ikea’s in - house team .
appelbaum also helped to design the exhibition spaces in former president bill clinton’s library in little rock, ak .
“we are honored to lead this incredible exhibition design team and to collaborate with the obama foundation to help develop a presidential center that reflects the dynamism and openness of the obama presidency and encourages and supports civic engagement, ” founder ralph appelbaum said .
. after the interns toured our offices, ralph appelbaum spoke to the group about the evolution of museums and raa' s role in that development. having designed the clinton presidential center and library, we have a strong connection to the foundation .
on april 29, the united states holocaust memorial museum, in washington, d. c. , commemorated its twentieth anniversary. ralph appelbaum associates designed the museum’s permanent exhibition, a controlled emotional encounter in three acts. the exhibition, which includes architectural elements brought over from poland and germany, vividly conveys the magnitude of the holocaust. ushmm has attracted nearly 35 million visitors since its opening .
in 2002, the liberty memorial associated charged ralph appelbaum associates with creating a museum that, like the memorial itself, would honor those who served in world war i in defense of liberty and country. the new national world war i museum at liberty memorial in kansas city, mo, chronicles one of the nation' s central epics, one that brought the united states onto the world stage .
on 9 february 2016 at the polish ministry of culture and national heritage it was announced that the consortium of three companies: ralph appelbaum associates (raa), wxca sp. z o. o. , and platige image sa – who had won the design competition for the development of a visual - spatial concept for a permanent exhibition at the józef piłsudski museum in sulejówek – officially signed the agreement .
appelbaum' s firm, incorporated in 1978 and now with about 140 employees, rose to prominence after he designed the displays for the u. s. holocaust memorial museum in the early 1990s. last april, the newseum opened 70, 000 square feet of exhibition space designed by appelbaum and associates, and in december, another 16, 500 square feet of appelbaum - designed exhibition space opened at the u. s. capitol visitor center. if plans go forward for a vietnam veterans memorial visitors center - - an underground facility planned near the wall - - appelbaum is slated to design that as well .
just in time for the queen’s diamond jubilee and the olympic games, the redesigned crown jewels exhibition opened, on march 29, 2012, at the tower of london. ralph appelbaum associates' london office used improved lighting and mounts to highlight the collection’s 23, 578 gems. the show examines the crown jewels’ history and ongoing role in royal ceremonies. it also features newly restored footage of queen elizabeth ii’s coronation, in 1953 .
ralph appelbaum associates (raa) is the exhibit designer for 82, 000 square feet of the museum’s inaugural exhibitions, composed of 12 galleries spanning 400 years of history, community and culture. raa is a multidisciplinary firm specializing in the planning and design of museums, exhibits, educational environments and visitor attractions. a family - owned company founded in 1978, raa’s portfolio includes more than 700 completed commissions in more than 40 countries .
the man in charge of planning exhibits, ralph appelbaum, said there' ll be an augmented reality component to the vivarium — that way you can capture a photo of that butterfly without worrying it' ll fly away. think
pokémon go ,
but butterfly photos .
as appelbaum’s first major project, he is bringing in a team that knows both the city and the south side well .
ralph appelbaum sees it a little differently .
clearly there' s the story of berry gordy ,
he says .
but there' s also the story of detroit, which was a terminal of the underground railway and of the northern migration in the 20th century .
lord cultural resources’ role included leading the national public engagement process, the establishment of general museum and facility requirements, the development of a functional strategy, collections analysis, preparation for collections storage and operations planning. in 2011, lord cultural resources provided content development and communications services as part of the winning team of ralph appelbaum associates for the exhibition design for the new museum. in 2012, an additional contract was awarded for concept development for the resource library .
on june 5, 2013, ralph appelbaum associates launched a media - rich sneak preview of berlin’s humboldt forum. the installation, now on display at the humboldt box, features a video triptych, a table projection, and a 3 - d acrylic model. the humboldt forum, slated to open in 2019, will house three museums, two libraries, and humboldt university. featuring a vast collection of artifacts from around the world, the forum will emphasize cultural connections and encourage a global dialogue .
ralph appelbaum has 25 years of involvement in every facet of museum and exhibition design. his renowned work for the united states holocaust memorial museum and the american museum of natural history has won every major design award, and he has served as an advisor to foundations, philanthropies, and heads of state around the world .
madeline developed her interpretive planning approach during the sixteen years she spent with ralph appelbaum associates, where she was a senior writer and interpretive planner for major museum projects. these include, among others, the newseum, indiana state museum, innovation center at the corning museum of glass, and the american museum of natural history’s biodiversity hall. prior to entering the realm of exhibit interpretation, madeline worked in public broadcasting as a writer and documentary producer for science programming at new york’s wnet - 13 and boston’s wgbh .
phillip tefft, director of uk operations at ralph appelbaum associates, says: “the raa team was inspired the moment we received the brief for the south asia gallery at the manchester museum. we are honoured and privileged to have the opportunity to collaborate with both the british museum and manchester museum for this prestigious project, and we look forward to working with this team to showcase the british museum’s remarkable collections to south asian and broader audiences, to the community and to the world, in a celebration of ‘all things desi’! ”
but many newer museums are not based on collections at all. instead, they dramatize a historical event or trend, like the japanese migration to california, or trace the development and influence of an idea, like freedom of the press. these new - wave institutions are also known as single - subject museums, and appelbaum associates has emerged as the leading exhibit designer for them .
appelbaum associates is unusual in taking on only nonprofit work, usually for museums of history, ethnology or natural science. recent projects have included the american immigrant museum of honor at ellis island and the jewish museum in new york, several visitor centers for the national park service and the adler planetarium in chicago. recently, the company was named to design the museum of african - american history in detroit .
mr. appelbaum began with a provocative statement:'' we' re searching for a way to make the building seem different from the museum of modern art, which seems so generic.''
i remember him saying,' this is for streakers, strollers and studiers,'
daniel p. jordan, the director of the thomas jefferson memorial foundation, said of mr. appelbaum .
donald albrecht writes ,
positioning his design expertise within the context of fundraising, public relations and other forms of marketing, appelbaum acknowledges that today' s museums must compete with other forms of leisure entertainment .
his work is not without its detractors. some believe he has contributed to a diminution of the museum, from temple to forum. certainly, appelbaum has helped to bring the museum into open view in our society .
in the course of a five - hour conversation in his office on the 29th floor of a downtown new york high - rise, appelbaum, 66, throws out perhaps a dozen different definitions of what museums should do .
mr. appelbaum has some narrative decisions to make. then he will have to translate them into concrete, glass and steel for the motown museum, which will occupy the former motown studios in detroit. collections in second place
mr. appelbaum' s services do not come cheap. his fee is 20 to 30 percent of a project' s budget, which is double or triple the typical architect' s fee. theatrical, but not theater
for many families, the case of dr. bradley was life changing. even those who were not personally affected by dr. bradley could not fathom that something so awful occurred in their community. historical societies or museums hold onto collections that have a controversial history so that others can learn from it. as long as an exhibit is not opinionated, society has the right to all details of history as long as it is not confidential. joshua dudley, senior designer for ralph appelbaum associates, believes that the text in an exhibit should not have subtle points and should not avoid uncomfortable facts or ideas. if museums did not exhibit controversial topics, so much of vital history would be erased from people’s minds. one reason that historical facts have so much importance is so that others can be educated on its historical background .
we' re wary of the market - driven approach in which museums are afraid to act as smart as they are ,
said mr. appelbaum .
we don' t want them to become infotainment attractions .
viewer assistance
mr. appelbaum sees a few other stories as well. there' s the story of black entrepreneurship, for example .
motown was the largest black - owned business in america, and created more black millionaires than any other company ,
he says .
everyone laughed, and then his visitors fell silent as mr. appelbaum outlined his plans for'' extending the language of domesticity'' throughout the building. he spoke about everything from benches and'' window coverings'' to the design of the inevitable cafe. the trustees appeared impressed when he mentioned his idea for a series of niches that would serve as showcases. after a half - hour, mr. appelbaum abruptly left the room, entrusting one of his staff designers to preside over the remainder of the meeting .
mr. appelbaum used the storytelling approach to spectacular effect in the holocaust memorial museum in washington, working historical artifacts, videotaped testimony by holocaust survivors and written texts into an interior design that takes visitors on a compelling historical journey that, in theory, few should be willing to make .
later that afternoon, i asked mr. appelbaum why he felt compelled to criticize the museum of modern art. if the museum' s building seems'' generic,'' as he said, it' s surely because its clean, no - nonsense, all - white galleries have been copied many times over. the building doesn' t try to make a statement, except by deferring to the art. as such, it differs from mr. appelbaum' s own designs, which, he says,'' mediate between the objects and the viewer.''
…appelbaum has demonstrated a rare ability to draw emotion from passersby. he knows, for instance, how to make people cry in public. he is perfectly capable of disarming viewers with displays of poignant beauty and promise, or overpowering them with graphic proof of tragedy and loss .
—barbara flanagan, 2000
ralph appelbaum has a lot of projects underway, but none has proved quite as daunting as the world religions museum in taiwan.'' it' s unbelievable,'' he said the other day.'' i give my presentation to a monastery in the mountains. here i am, plugging in my computer as the clouds are going out the door. do you know what it' s like working with buddhists? have you ever had a video conference with dharma masters and their nuns? they say there is no past and there is no future; there is only now. and i say,' what do you mean? we have to plan.'''
how, exactly, should the past be presented? that became the subject of discussion when my interview with mr. appelbaum was pleasantly interrupted by a group of his clients. six trustees and staff members of the museum of american folk art filed in for a meeting. the museum is constructing a six - story building on west 53d street, next door to the museum of modern art, and mr. appelbaum has been hired to design the exhibition space. the meeting was held in his conference room, around an oval table (gray, of course) with a tray of oversize strawberries in the center .
appelbaum' s influence is enormous in part because he has capitalized on a time in the museum world when the lines between entertainment and education have blurred, as museums feel competition from an ever wider array of distractions. there' s a trend toward museums wanting to be all things to all people, technologically seductive but educational; a place for scholarship and conservation, but also a family entertainment destination. museum directors worry about having a reputation for being old - fashioned, yet they don' t want to surrender their status as authoritative, even elite places. appelbaum is happy to help them sort things out .
in conversation, mr. appelbaum favors new - age language. he says, for instance, that'' sharing is at the heart of any museum' s mission.'' he thinks museums should be'' intergenerationally friendly.'' he contends that they'' don' t bring objects together, they bring people together.''
not all of mr. appelbaum' s projects are imbued with the same moral gravity. they include high - tech fun houses like the newseum, in arlington, va. , which tracks the history of journalism, going back to smoke signals. it' s the sort of place where visitors can pretend to be television anchors (and take home the broadcasts), or sip coffee at the news bite cafe while reading the latest headlines on the internet.'' people thought it couldn' t be done,'' mr. appelbaum said with more than a hint of pride.'' they thought,' why would anyone come to a museum to see newspapers they' ve already read?'''
mr. appelbaum, whose firm is the largest of its kind in the country, does not offer his services cheaply. his fee is generally 25 percent of a project' s budget, which is double or triple what most architects charge. although he declined to specify the budget of any of his projects ('' who can remember?'' he said), cheryl filsinger, the company' s marketing coordinator, offered a few examples. the holocaust museum, she said, had a'' fabrication budget'' of $ 13 million, while the fourth - floor fossil halls at the american museum of natural history, completed by mr. appelbaum in 1996, had a budget of $ 18 million .
we were getting away from the giant cabinet - of - curiosities approach to the idea of a good yarn, using literary and theatrical constructs ,
said mr. appelbaum .
we began thinking of an exhibition as a three - act play, or a five - chapter book. we started thinking in theatrical terms, like where does the love song belong ?
mr. appelbaum, by comparison, sees museums as a place to have a bonding experience; as such, he is in sync with the zeitgeist. we' re in an age when people want their own experiences, however personal, to be instantly historicized. they take endless photographs and make videotapes of evenings at home, amassing their own archives. when everything is a fit subject for documentation, museums can be devoted to any subject, golf included. the world golf hall of fame and museum, in st. augustine, fla. , is the work of mr. appelbaum and, like most of the 120 projects he has completed, it is a single - theme museum. these days, no topic is too recent or specialized to disqualify it from museum apotheosis .
mr. appelbaum is a celebrated museum designer, which may sound like a contradiction in terms. not long ago, exhibition design was mainly an afterthought, which architects grumpily took care of when they weren' t dreaming up signature buildings. to design a show meant little more than making sure that the tyrannosaurus rex wasn' t taller than the ceiling or that the rodin bronze wouldn' t crush its pedestal .
he oversees a staff of 60 architects, designers, engineers, model makers, researchers and writers who split off into teams for each project. on one floor of the company' s loft space on greene street, designers generate computer images of proposed installations. overhead, on a shop floor, the images are turned into tabletop models and finally large - scale models, which suggest stage sets, although not to mr. appelbaum .
the field of exhibition design embraces a wide variety of practitioners. it includes companies that produce jazzy commercial displays for trade shows or corporate offices and companies that create exhibits for small museums on a tight budget. at the top end are design studios that create ambitious exhibitions for major museums and corporations, like edwin schlossberg inc. , which is designing sony wonder, a technology museum in sony plaza in manhattan, or krent / paffett associates in boston, which is creating the first permanent exhibit for the national museum of the american indian in the former custom house in lower manhattan .
mr. appelbaum, who is 50, grew up in the williamsburg section of brooklyn. he designed his first major cultural exhibition in 1979, for the american museum of natural history when it accepted a traveling exhibit from colombia called
gold of el dorado .
south america was not new to him. after studying industrial design at pratt institute he served in the peace corps in peru, where he helped indians design crafts that they could market for the tourist industry .
at least one of mr. appelbaum' s projects was slammed by critics (myself included), though it drew crowds. in 1995, he designed an edward hopper exhibition for the whitney museum of american art. although hopper is known as america' s premier poet of loneliness, the whitney show was the sort of event where one couldn' t find a moment of quiet, not least because of the video that played continuously, smack in the middle of the galleries .
mr. appelbaum sees similar opportunities closer to home .
lots of institutions around new york haven' t blossomed into what they could be: the thomas edison labs, for instance ,
he said, pointing out that it was a matter of getting the story right and expanding the idea of what makes a museum .
i' m surprised new york doesn' t have a watch museum or an insect museum ,
he said .
if nothing else, we' ve got great roaches .
not that mr. appelbaum agrees with this point. he insists that there is not an object in existence, nor a museum, that cannot be enhanced by his showmanship. and he says this without apology.'' as long as our school systems are not teaching art education,'' he said,'' we need more context. we need to teach people to honor the past. and in a society where my son calls his sneakers awesome, how do you create a sense of awe?''
although mr. appelbaum earns his living packaging the past, he grows reserved when the subject turns to his own. born in 1942, the son of a supervisor for the subway system, he was raised in the williamsburg section of brooklyn. as a child, he liked to build models of boats and planes. asked how he acquired his interest in culture, he said:'' i never really think about that. i prefer to think about now and my opening dates. i know where i' ll be in dates four or five years from now.''
'' i don' t know what the critics were complaining about,'' mr. appelbaum said, a bit testily.'' they' re a bunch of starched shirts. it was a record - breaking show. the whitney ended up with a piece of media that was super - popular. and bloomie' s had a mannequin display, with everyone reading their hopper booklets.'' he was hoping, he said, that the hopper show'' would be the start of something major,'' a series of shows that contextualized artists. yet that hasn' t happened .
mr. appelbaum is an affable man of 56, with a trim gray beard and an obliging manner. on a recent afternoon, he was dressed stylishly in a gray shirt, a gray suit and a matching polka dot tie. ('' gray is a safe color,'' he wryly explained .) we met at his office, which occupies two floors above a plant shop in a loft building on spring street in soho. his staff of 85 includes architects, designers, editors, model builders, historians, childhood specialists, one poet, one painter and one astrophysicist, and they split into teams for each project. asked where he lives, he replied with a straight face,'' on airplanes.''
in 1978, after working for the industrial designer raymond loewy, mr. appelbaum started his own company. his staff consisted entirely of his wife, madelynn gingold, a painter whom he had met at pratt. at the time, very few people were thinking about exhibition design, which was seen as a minor offshoot of architecture, as opposed to a field of its own. the only prominent name attached to it was that of charles eames, the architect and furniture designer; in the 1960' s, after his curvy eames chair became the hallmark of good - taste decor, he put together some jazzy exhibitions for i. b. m. and wowed the design world with a pavilion at the 1964 world' s fair .
raa has expertise in all aspects of planning, design, and media production. the firm offers comprehensive interpretive solutions, from a project' s concept phase to its realization .
the firm is composed of designers, writers, architects, scientists, historians, artists, educators, and filmmakers. they work collaboratively to produce authentic and compelling attractions rooted in a deep understanding of content, expert storytelling, and world - class design .
raa has realized commissions in thirty - three countries on five continents. whether one - room displays or encyclopedic presentations in palatial settings, raa' s exhibitions entertain and educate a global audience .
raa projects have been honored with the following 300 + awards in the fields of design and communication .
international architecture awards, winner, st. louis and the jefferson national expansion memorial
industrial designers society of america, silver industrial design excellence award for museum exhibits and set design, martin luther king, jr. , visitors center, national park service
i. d. annual design review, i. d. design distinction award in environments, american museum of natural history, dinosaur halls
i. d. annual design review, i. d. design distinction award in environments
we are always interested in hearing from talented individuals who are seeking positions in a multi - disciplinary environment. please email your letter of interest to humanresources @ urltoken, include the position that you are applying for and the office location in the subject line, and attach your cover letter, resume and portfolio or writing samples .
we offer summer and semester internships to under graduate and post - graduate students in design, writing and research. email your inquiry to humanresources @ urltoken. please include your resume and portfolio and / or writing samples .
raa is an affirmative action program / equal employment opportunity employer. we provide equal employment opportunity to all employees and do not discriminate against any member of its staff, or any applicant for employment, because of age, race, color, religion, sex, marital status, affectional preference, national origin, military service, disability, or any other characteristic protected by law .
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very friendly coworkers. people usually do not have to stay over time and you are not affected by the stress unless there is a deadline approaching .
i do not have clear understanding of what changes have been made regarding staff changes and neither do my coworkers. maybe people talk about it in secrecy but i would love to have more transparency .
we sit down and review our work samples or portfolios with the hiring team at a career night. later, we are contacted by the company for further discussion about our full portfolios, which was pretty much what we did for the meeting. after that, there was a question and answer session though everyone knows what they want and what will be offered. eventually, the company contacted me for an internship opportunity .
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incredible projects all over the world. work on meaningful cultural issues. high level of knowledge, expertise, with a focus on quality to achieve world class results. raa has a stellar reputation industry wide, especially in the past, for innovative work. the offices in new york are impressive and there is a lot of travel involved .
founder needs to retire, senior designers need to retire, a new management structure that removes control from the current father / son and delegates to experienced business managers. consider a board of independent directors. communication and transparency need to improve drastically. staff need to be allowed to advance and younger ideas need to be given attention. finances should be shored up so that project budgets are allocated realistically and time and resources controlled .
for the most part, the people here are smart, passionate, and easy to get along with. some of the projects are very interesting, and you have the opportunity to design and create spaces and exhibits that will be experienced by millions of people .
communication from management is nonexistent, which is especially troubling when people get laid off or have their time reduced. there' s zero transparency into management and financial decisions, which makes you feel like they' re just making it up as they go along. also, i began as a freelancer, and my invoices would be ignored until i got my project director involved, and he or she intervened with accounting .
right - size the org. close the satellite offices. communicate with staff. treat your freelancers fairly. retire people who have spent their entire lives at the firm and are out of touch. bring up smart, enthusiastic entry - and mid - level staff .
extremely interesting projects and intelligent coworkers. the work is very sophisticated, collaborative and undoubtedly some of the best in the field. good work - life balance and office culture. some nice perks like occasional catered lunches and work trips .
it is almost impossible to get a raise or move up the ladder. there is no transparency and it is hard to know what' s going on. upper management isn' t open to new ideas .
the company is run by architects. there is very little room to move up .
work on giving people titles. make an effort to structure the company so that senior designers get more support to increase productivity .
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jackson park in the woodlawn neighborhood has been selected as the site for the barack obama presidential center .
the new york firm that helped shape the recently opened national museum of african american history and culture will lead the exhibition design for the obama presidential center' s museum on chicago' s south side, the obama foundation announced tuesday .
the local team members will include the firms civic projects and normal, and the artists and educators amanda williams, andres hernandez and norman teague .
almost half of the exhibition design work for the opc will be performed by minority - and women - owned businesses, the foundation said .
raa, which was not made available to comment, also worked on the william j. clinton presidential library, the rose center for earth and space at the american museum of natural history and the united states holocaust memorial museum .
presidents barack obama and george w. bush opened the smithsonian' s new museum focused on black history .
raa' s exhibit design for the national african - american museum, which opened in september, blends monumentality and minutiae. dramatic subterranean galleries showcase massive artifacts — a prison watch tower, a slave cabin, a train car — in an almost cathedral like setting .
leading into and out of these open spaces, the galleries are stuffed with the narrative, in word and object, of a people' s history .
overall, the design aims to be a metaphor: the history traces a path from the bottom of the structure upward, with the top floors becoming more celebratory, showcasing vibrant looks at the arts, sport and other culture .
the obama museum team' s civic projects specializes in bringing community participation to the design process, most recently working with the bronzeville retail initiative and the development of the englewood exchange, envisioned as an incubator for food industry start - ups .
normal has done design work for a number of local institutions, including the art institute of chicago, the chicago architecture foundation and the theaster gates studio .
williams, who grew up on the south side, is a visual artist and architect, creator of the color (ed) theory series. hernandez, an artist and educator, is working on a number local projects with the museum of contemporary art chicago and the chicago department of cultural affairs and special events .
teague is a designer and educator who examines the complexities and history of communities .
the selections were based on the firms' and individuals' track records on civic projects and
their collective mission to develop interactive, state - of - the art, and dynamic spaces that help visitors connect history to action ,
david simas, chief executive of the obama foundation, said in a written statement .
we are confident this team will contribute to our building a presidential center that is more than just a library or museum, but that will be an innovative center that inspires communities and individuals to take on our biggest challenges .
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hyde park — the designer behind the national museum of african - american history and culture will lead the planning of the exhibits at barack obama’s presidential library, the obama foundation announced tuesday .
the new york - based firm might not be familiar to many in chicago, but its work is among the most well - known in the country, including the new national museum of african - american history and culture and the united states holocaust memorial museum in washington, d. c. , and the rose center for earth and space at the american museum of natural history in new york city .
south side artist amanda williams, known for her “color (ed) theory” project that painted vacant houses in englewood vibrant colors, and andres hernandez and norman teague will help in the development of the library .
“obviously, it is a tremendous honor to participate in a project that will resonate locally and globally, ” williams said. “as someone who was raised on the south side, it brings my childhood aspirations for what is possible for my community full circle. ”
among the chicago design firms now slated to work on the obama library are civic projects. the firm has most recently worked on the bronzeville retail initiative and the englewood exchange .
chicago firm normal, which has worked on projects for the art institute of chicago, the chicago architecture foundation and theaster gates studio, will also work on the project .
obama foundation ceo david simas said the team has been charged with creating state - of - the - art interactive exhibits for the museum .
“we are confident this team will contribute to our building a presidential center that is more than just a library or museum, but that will be an innovative center that inspires communities and individuals to take on our biggest challenges, ” simas said .
obama himself returned to chicago last week to meet with community leaders and to start fundraising for the construction of the library .
the first of the materials that will be housed in the library also arrived last week .
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raa is a diversified, creative practice offering its clients comprehensive planning, design and content services. the firm was established in 1978 to provide museums with professional communications and exhibit design services, with a staff of more than 130 specialists in various disciplines: architecture and interior design; exhibit and industrial design; graphic design and visual communication; content development and management; research, writing and editing; media design and technology, raa provides services to clients with challenging missions in the public, educational and cultural realms. the firm is best known for large - scale, permanent interpretive museum projects requiring a marriage of complex educational content with physical environments that are at once compelling and smoothly operational .
roles and responsibilities: the content coordinator plays a central role in the project team. working closely with and reporting to the project’s content developer, the content coordinator is responsible for organizing, maintaining, coordinating, tracking and communicating the project’s content. content may include artifacts, images, objects, artwork or text to be included in the project. to perform work, the content coordinator uses content management and content development formats, tools and systems such as artifact and image databases, exhibit matrices, content and script outlines, spreadsheets and tracking documents and schedules .
in addition to content coordination, the content coordinator supports the content developer with research, writing and content development tasks, and provides content management and administrative support for the project .
on a day - to - day basis, the content coordinator becomes familiar with nearly all aspects of the project’s content and along with the content developer, they effectively become the project’s “in - house experts” who work collaboratively with the design team to develop and realize the project .
the content coordinator may also liaise with the client; manage and / or facilitate interactions with content consultants, advisors or contractors; attend content related meetings, or perform research trips .
the position requires an immediate start date and candidate should be available to travel. the salary is commensurate with experience .
qualified candidates: please submit a letter of interest and resume via e - mail to jenniepocock @ urltoken .
by participating in an array of marketing events, the team was always able to make important new connections with unique individuals from the russian cultural scene .
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a defined contribution plan that allows employer discretionary contributions. these plans often contain a 401 (k) feature .
this plan, or any part of it is intended to meet the conditions of 29 cfr 2550. 404c - 1 .
participants have the opportunity to direct the investment of all the assets allocated to their individual accounts, regardless of whether 29 cfr 2550. 404c - 1 is intended to be met .
a cash or deferred arrangement described in code section 401 (k) that is part of a qualified defined contribution plan that provides for an election by employees to defer part of their compensation or receive these amounts in cash .
employee contributions are allocated to separate accounts under the plan or employer contributions are based, in whole or in part, on employee deferrals or contributions to the plan. not applicable if plan is 401 (k) plan with only qnecs and / or qmacs. also not applicable if code section 403 (b) (1), 403 (b) (7) or 408 arrangements / accounts / annuities .
total or partial participant - directed account plan - plan uses default investment account for participants who fail to direct assets in their account .
a pension plan that is made available by a sponsor for adoption by employers; that is the subject of a favorable opinion letter; and for which a single funding medium (for example, a trust or custodial account) is established for the joint use of all adopting employers .
during the plan year did the employer fail to transmit to the plan any participant contributions within the time period described in 29 cft 2510. 3 - 102 ?
were any loans by the plan or fixed income obligations due the plan in default as of the close of plan year or classified during the year as uncollectible? disregard participant loans secured by participant' s account balance .
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this article appears to be written like an advertisement. please help improve it by rewriting promotional content from a neutral point of view and removing any inappropriate external links. (december 2009 )
reported in 1999 that the firm was composed of
architects, designers, editors, model builders, historians, childhood specialists, one poet, one painter and one astrophysicist .
the holocaust museum is sheer brilliance, i don' t think i' ve seen anyone use the written word and videos to such advantage. when you look at the museum, there aren' t that many artifacts, but he has used them to advantage, putting them in settings and surrounding them with living history .
, raa
over the past three decades, [ has ] completed more than 250 commissions in the fields of social, cultural and natural history at a variety of museums, memorials and heritage projects in more than 50 cities worldwide .
albrecht, daniel (2000). design culture now. princeton university press. isbn 978 - 1 - 56898 - 215 - 1 .
flanagan, barbara (2000) .
interior magazine, designer of the year
.
this entry is from wikipedia, the leading user - contributed encyclopedia. it may not have been reviewed by professional editors (see full disclaimer )
ralph appelbaum associates ( raa ) is the world 's largest museum exhibition design firm . it has offices in new york city , london , beijing , berlin , moscow , and dubai . 
ralph appelbaum associates (raa) is the world's largest museum exhibition design firm. it has offices in new york city, london, beijing, berlin, moscow, and dubai.
ralph appelbaum associates (raa) is the world's largest museum exhibition design firm. it has offices in new york city, london, beijing, berlin, moscow, and dubai.