victorian majolica
trilogy antiques reference books, retailers of antique majolica, victorian majolica, american majolica, english majolica .
trilogy antiques reference books, retailers of antique majolica, victorian majolica, american majolica, english majolica. | pinterest | reference book, victori…
victorian green majolica plate leaf pattern. 21. 5 cms across good condition .
antique victorian majolica pottery bread plate - motto' where reason rules...'
known today as victorian majolica it was launched in 1851 by mintons as ‘palissy ware’ .
english victorian and european earthenware ceramic majolica pottery from madelena antiques & collectables, specialist online dealer in majolica wares .
4. victorian majolica n. – majolica of sense 2. or sense 3. manufactured in england between 1850 and 1900
our madelena online store has in excess of 400 pieces of antique victorian english and european majolica for sale .
victorian majolica, italian maiolica, delftware? a. 3 b. 2 c. 1 a. all three
victorian majolica, italian maiolica, delftware? a. 3 b. 2 c. 1 b. only two
much victorian majolica appears in antique shops and auctions. it is popular with collectors and some old patterns have been reproduced .
set of 3 victorian era majolica corn on the cob pitchers. 19cm, 21. 5cm & 23. 5cm in height .
victorian majolica is lead - glazed earthenware pottery made in 19th century britain, europe and the usa with moulded surfaces and colourful translucent glazes .
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update dictionaries with a new sense, ‘victorian majolica’ n. meaning both lead glaze majolica, mass - produced, widely available (introduced by minton as ‘palissy’ ware) and tin glaze majolica, very rare, (introduced by minton as ‘majolica’) .
the majolica that truly excites us is that class of earthenware from the victorian era 1850 to 1900, of coloured lead glazes applied simultaneously direct to the unglazed ‘biscuit’ clay body, then fired. victorian majolica is celebrated by art historians, collectors, decorators, and museum curators for its leap in style from' so yesterday' to' so right now'. [ other names variously used for lead - glazed majolica are earthenware pottery, majolica pottery, maiolica, majolica ware and antique majolica. ]
the result was that all three meanings of the word majolica remained in use: the first, majolica meaning tin - glaze italian maiolica; the second majolica to describe what we now call lead - glaze victorian majolica; and the third the ‘majolica’ name minton gave to his own tin - glaze version of tin - glazed italian maiolica using local clays which arnoux sometimes calls ‘english majolica’ .
[ updated answer nov. 2016 – yes. the phrase ‘victorian majolica’ has to include not only the mass produced vibrant whimsical lead - glazed product we call ‘majolica’ but also the rare tin - glazed product in imitation of italian maiolica that minton annoyingly called ‘majolica’ also. ]
a very decorative luneville french pottery asparagus dish and stand which dates from circa 1880. a great example of victorian majolica for the discerning collector. cromwells antique centre is open from .
above, a ‘clever’ website looks for amazon books on a particular subject. the subject search is for ‘maiolica’. unfortunately the built - in online dictionary defines maiolica as majolica so victorian lead - glaze majolica is what it references !
known today as victorian majolica, an exciting new product with an extended range of brilliantly coloured lead glazes received its first major public airing at the 1851 exhibition of the industry of all nations .
the names minton and arnoux gave to what we now know as ‘maiolica’ and ‘victorian majolica’. he leaves no doubt as to what he is talking about. highlighting and comments in brackets are mine .
by 1875 lead - glaze victorian majolica pottery had become a commercial sensation. makers in europe and us re - invented arnoux’s glazes and kilns manufacturing a profusion of forms in slightly different palettes. today the magic of majolica enraptures decorators and collectors alike .
throughout the 1980' s, museum exhibitions of victorian majolica spurred collecting, which sent prices spiraling upward. the most notable presentation to date was the 1982 show'' english majolica'' at the cooper - hewitt museum in new york, the first such presentation in this country. the exhibition documented the diverse influences that shaped victorian majolica, including the interest a century ago in natural forms, technological innovation, the japanese esthetic and historical references from ancient egypt onward .
despite a similarity in name, victorian majolica is significantly different in subject matter and form from its italian forebear, renaissance maiolica. that earlier earthenware bore gaily painted religious and mythological scenes, and unlike majolica, with its lively contours, was not molded or three dimensional .
it is a special privilege to make this presentation to the new york ceramics fair at the national academy of design, and to present an overview of the history and the status of victorian majolica in the new millennium .
palissy majolica was produced in an ultra - naturalistic style made famous by the ‘figulines rustiques’ of bernard palissy working in the mid 1500’s. in the victorian era, palissy ware was produced most notably in france and portugal .
antique victorian majolica pottery bread plate. this lovely oval majolica bread plate dates from the second half of the nineteenth century. it is painted and glazed. it has no maker' s marks. the motto running around the edge reads:' where reason rules the appetite obeys' .
be aware that there are lots of 20th century copies of victorian majolica. * most are lighter and less skillfully colored than the originals and the price may be a giveaway. if in doubt, buy only from reputable dealers .
a good book to read is majolica: a complete history and illustrated survey, by karmason and stacke. the illustrations of rare pieces are enough to make you want to collect this fanciful colorful, quintessentially victorian ware. - barbara williams sackett
antique victorian majolica oval dish or bread plate in the style of george jones. charming item, soft yellows and greens. corn decoration, probably a harvest bread dish. colour good. piece to one side has been glued back in place .
this survey of the majolica ceramic wares of victorian england, europe, and the united states presents over 550 color photographs with text and values. the brightly - glazed ceramics include tablewares, serving dishes, figurals, planters, jardinieres, andvases .
located in a victorian pottery factory, the museum offers a fascinating insight into the history of stoke - on - trent, famous the world over for the quality of its pottery .
antique wedgwood majolica strawberry jug c 1869. this little jug is by wedgwood which is classed as one of the best majolica makers in the world. english majolica was most sought after in usa .
an antique victorian majolica wall pocket produced by joseph roth of london. bird reglued to pocket. restoration to bird tail. chip to leaf in bottom left hand corner. auctiva' s free counter. j. r. l mark to base .
majolica international society provides an online forum for majolica lovers. conventions, symposiums, fellowship and fun are all part of the service .
antique majolica lion mask vases. 2 fine majolica slip glaze urns. approx 22. 5 cms tall. good condition display perfectly .
victorian majolica was the third part of a triad in the history of ceramics. in the 15th century, the first triad was the hispano - moresque pottery of spain, traveling to italy via the isle of majorca. in italy, the pottery grew to become “maiolica” the outstanding ceramic art of the italian renaissance. the 3rd and english phase took p1ace in stoke on trent in 1849. there the boldly sculpted & soft earthenware pottery with its gleaming polychrome glazes resulted in majolica. ” my talk is victorian majolica in 2000, the new millennium. ” it includes updated material on majolica’s role in the internet, in various auction houses, including ebay and there are many new and rare photographs of majolica .
life - size earthenware storks, fish - patterned platters, leaf - embellished tureens - all in the brilliantly colored majolica glazes popularized in the renaissance and revived in the victorian period - have been pursued increasingly over the last decade by collectors, dealers and museum curators .
imitated by 30 or more manufacturers including wedgwood and george jones, a huge commercial success. most victorian majolica is lead - glaze, a very few items are tin - glaze, and a very few are lead - glaze with a tin - glaze enamel decorated panel .
majolica is particularly well suited for bright summer blooms. dalias, zinnas and carolyne roehm' s majolica collection, from a passion for flowers .
we compiled a fun quiz to illuminate facts relevant to the definition of victorian majolica. the majolica international society published the quiz in the january 2016 issue of ‘majolica matters’, the quarterly newsletter circulated to members by regular mail. in this blog we detail evidence to support the answers. the difference between the coloured - lead - glazes process and the paint - on - tin - glaze process emerges as key to understanding .
victorian majolica was originated by mintons ltd, who exhibited it at the great exhibition of 1851 under the name palissy ware. the debt to the eccentric 16th century potter bernard palissy is obvious from its naturalistic plant and animal motifs molded in relief and splashed with vibrant coloured glazes .
a fascinating survey of the majolica ceramic wares produced in victorian england, europe, and america. over 550 color photographs of these popular, brightly - glazed ceramics demonstrate the various forms in tablewares, serving dishes, figurals, planters, jardinieres, and vases that colored victorian homes. brief explanations of majolica’s origins, manufacturing, and makers are included, and the items are organized into broad categories by ware type (jardinieres, plates, platters, etc .) for easy reference. also included are a bibliography, index, and values with the photo captions .
between 1849 and 1851 leon arnoux invented for minton not one, but two new products both soon to be known as ‘majolica’: ‘majolica’ and ‘palissy ware’ .
he uses the anglicized word ‘majolica’ in place of ‘maiolica’ throughout. his bibliography further illustrates the general use of ‘majolica’ for italian tin - glaze renaissance earthenware :
twenty - one majolica ceramic plates, (imperfections). more ...
four majolica ceramic jardinieres, ht. to 10 in. more ...
schneider, m. majolica. pennsylvania: schiffer publishing, ltd. 1999 .
reference process, materials, and appearance more frequently than referencing styles – which appear, not only minton’s tin - glaze majolica and minton’s coloured lead glazes majolica (‘lead - glaze majolica’), but also in ceramics, metal ware, etc. .
3. majolica n. earthenware decorated with colored lead glazes applied directly to an unglazed body, then fired. typically hard - wearing, richly sculpted, in classical or naturalistic styles often with an element of high victorian whimsy. named ‘palissy’ ware by minton; became known as ‘majolica’. introduced in 1851; widely copied and mass produced. also the technique of painting coloured lead glazes onto unglazed surfaces .
rare design, antique majolica green cabbage leaf? plate - 7. 5
diameter
pair of french majolica figural candlesticks, ht. 10 in. more ...
five small majolica vases decorated with images of african american women. more ...
majolica on both sides of the atlantic by marilyn g. karmason march 29, 2000
19thc majolica type pottery 32. 3cm jug / ewer / pitcher with relief children playing
“meurer italienische majolika fliesen. berlin 1881; fortnum catalogue of majolica in south kensington museum. london, 1873; beckwith majolica and faience. new york, 1877; wallis the majolica pavements of the 15th century. 1902; falke majolika. berlin, 1896″
what was the attraction of majolica for the 19th - century collector? “imagine what it looked like in a victorian interior, with dark woods, heavy drapes and upholstered chairs and sofas, ” says susan weber, founder of the bard graduate center in new york. “majolica is robust and extremely tactile. with its naturalistic shapes, colorful glazes and often humorous themes, it appealed to the growing consumer society. ” (weber is now preparing a museum exhibition on majolica at bard for 2020. )
is like dickens, because it happens this way. real life is often something like books. ” or, rather, fictional life is often something like fictional life in other books: nesbit’s victorian london seems little different from tartt’s contemporary manhattan .
a rare and in superb condition, green majolica tazza, normally seen on plates c victorian era this is the 1st tazza i' ve seen and in such good condition it must have spent all it' s life in a cabinet, size is 225 mm, 9
in, 3
tall. diameter x approx 75 mm .
victorian majolica consists of earthenware, usually modeled with fruit, flowers or figures as an integral part. the piece was fired, then glazed with an opaque glaze containing tin or lead. when this glaze dried, bright glazes were applied to the design and the piece was fired. the result was a product unique to the 19th century .
majolica is a general term for pottery glazed with an opaque tin enamel that conceals the color of the clay body. it has been made since the fourteenth century. today' s collector is most likely to find victorian majolica. the heavy, colorful ware is rarely marked. some famous makers include minton (england); griffen, smith and hill (u. s. a .) (marked etruscan); and chesapeake pottery (u. s. a .) (marked avalon or clifton). majolica became popular in many countries. by the 1860s, gustavsberg (sweden) had abandoned transfer - printed creamware for majolica. majolica made by wedgwood is listed in the wedgwood category .
five small majolica vases decorated with images of african american women. estimate $ 150 - 250
marvelous majolica: an easy reference & price guide - $ 29. 95: schiffer publishing
see museums, auction houses, authors and academics using the words ‘lead - glaze majolica’ for minton’s lead glaze product, and ‘tin - glaze majolica’ for minton’s tin - glazed product .
mark - louis solon, 1907, “a history of italian majolica”. ignoring the south kensington museum’s initiative he uses the word ‘majolica’ for tin - glazed italian maiolica which is the sole content
antique majolica pottery angel wall sconce / pocket. usual signs of use as per the photographs .
lot 2 european faience majolica pottery tray & plate w / floral decor ca. 19th c .
lot of 10 majolica plates. at strawser on april 13th, estimate $ 100 - 150 .
this unusual and very attractive antique majolica inkwell dates from circa 1880. these flaws are quite typical with majolica which is a soft earthenware ceramic and do not detract from the beauty of this piece .
the public however came to call this ‘majolica’ also. now (1855) we have two distinct products being called by the same name. minton’s ‘palissy ware’ is today known as ‘victorian majolica pottery’. lead glazed molded earthenware objects for the growing merchant classes, both useful and decorative, in styles both classical and later more naturalistic. made between 1851 and 1900. characterised by rich vibrant colors, elegant, richly sculpted sometimes whimsical even humorous designs from conservatory tables to flower holders .
* you can find new, lesser quality majolica even sold in the tiffany & co. stores !
when we say ‘majolica’ we mean the whimsical, richly colored, intelligent pottery that makes you smile .
very rare antique portuguese palissy, majolica candlesticks. manufactured in caldas in the centre of the portuguese majolica region during the palissy pottery revival of (approx) 1890' s by augusto baptista de carvalho .
a majolica pitcher of rubeckia tribola (brown eyed susans), courtesy of a passion for flowers .
jeffrey b. snyder is an experienced author and editor. this is his second book on majolica .
the world would appreciate more clarity in the way the word ‘majolica, n. ’ is used .
the collectors explain that the word'' majolica'' is pronounced in two different ways by collectors of victorian examples. when referring to 19th - century earthenware, they suggest, one pronounces the'' j'' in the normal american fashion; when speaking of renaissance material, one sounds the'' j'' as if it were an'' i.''
in the first month of the millennium year 2000, the brits from london landed on the island of manhattan with a fantastic display of victorian majolica. the invasion took place at the national academy of design, housed in a 1902 fifth avenue building, itself in the best of french renaissance revival style. rita and ian smythe, of britannia, and nicolaus boston of the eponymous - named antiques shop, assembled an array of brilliantly glazed and dramatically sculpted majolica amidst curved walls and high ceilings .
minton exhibited his victorian majolica ware at the exposition universelle in paris in 1855 and caused a sensation, with every single exhibited piece sold by the end of the show. within a few years, wedgwood was making majolica, and several other manufacturers followed suit: george jones and sons (trent pottery), hanley and furnival, to name a few. several european manufacturers, including choisy le roi and boch freres became popular. majolica was produced in the united states as well, perhaps the most famous manufacturer being griffin, smith and hill of pennsylvania, which made etruscanware from 1880 - 1890 .
we need no proof of the success of minton’s 1851 ‘palissy ware’ known later as ‘majolica’. minton’s 1851 tin - glaze ‘majolica’, however, is virtually unknown, a commercial failure, despite its superb quality .
prices soared at auction beginning in december 1982, two months after the cooper - hewitt exhibition closed. an outsize 1867 minton vase, more than four feet tall, with the lid surmounted by the chained figure of prometheus and an eagle hovering above, was sold at sotheby' s in new york for $ 35, 200 - still the record at auction for an individual item of victorian majolica .
minton’s tin - glaze imitation ‘maiolica’ that he called ‘majolica’ was gorgeous pottery, but sadly a commercial flop .
pair of german majolica figures in baskets, wd. 10 3 / 4 in. more ...
fantastic antique majolica double face jug / pitcher made by sarreguemines france this is design no 2313. antique sarreguemines majolica pitcher. impressed no 2313 .
you laugh when you are full, when you are empty you .
description: · fine antique and estate jewelry consisting of gold, platinum and gold - filled items from the time periods of georgian, victorian, edwardian, art nouveau and art deco. · vintage purses of mesh, beaded and needlework····· including mandalian, whiting & davis, napier, french and german. · vintage perfume & cologne bottles including pairpoint, devilbiss, fostoria, cambridge glass co, us glass co. czech and us art metal. · ·antique china, porcelain & glass including adams, royal worcester, limoges, royal crown derby, george jones, victorian art glass, silver overlay and cut glass .
take sara, for example. president of a bank. radcliffe grad. reads the financial times .
sara still has lp' s ,
miss wasserstein said .
her record player is not a cd player. that marks her right away. sara believes cd' s belong in the bank. her candlesticks are asprey. she has majolica and gives you its date:' victorian, 1893.'
seven majolica ceramic items, one marked
wedgwood ,
lg. to 13 in. more ...
set of six majolica plates, including wedgwood. at strawser on april 13th, estimate $ 200 - 300 .
palissy - type majolica lobster charger. at dumouchelles in detroit on march 17th, estimate $ 400 - 600 .
minton tin - glaze ‘majolica’ plate, 1861, brush - painted decoration on opaque white tin - glaze enamel .
it is majolica (or maiolica), earthenware covered in a white slip, hand painted in bright colours and with a tin glaze overall. there was a revival of interest in italian renaissance majolica from the mid 19th century .
a further early development was applying a white tin glaze on top of traditional red or buff clay to provide a clean white background on to which to apply the colours. as the colours did not need to be so opaque or thick to mask the clay colour the colours were not as raised and the process was like hand painting on to white clay. a lead glaze was often applied as the last stage in the process to give the pottery a high gloss finish. now often called arts & crafts rather than majolica this process has more in common with early majolica than late victorian and edwardian majolica and was used by william de morgan and for dutch delft tiles .
pair of majolica ceramic jardinieres, ht. 13 1 / 2, dia. 13 in. more ...
a huge step ahead. now i know that i collect and sell pottery, specifically earthenware, mostly italian majolica .
french potters of this period produced remarkably delicate and well made majolica. some is well marked; others can be identified as french by the colors. interiors of french majolica of the period tend to be teal blue, deep red or occasionally brown. sarreguemines, luneville, and st. clement, well established factories, developed fine majolica rivaling minton and wedgwood. emile galle, renowned for his innovative carved cameo glass, worked for a time with st. clement to produce majolica .
nine majolica ceramic tableware items, (imperfections), ht. to 9 3 / 4 in. more ...
nowadays, in english the word majolica is used to refer to ceramic ware in the stylistic tradition of the italian renaissance .
edward steele of hanley manufactured jugs, flower vases, teapots, dessert services also made majolica and centrepieces with fine colouring .
collecting victorian majolica is fascinating. a single piece can highlight a corner; a large collection can be a spectacular display in a cabinet or on shelves. you can assemble a group by background color, or buy only oyster plates, figural pitchers or humidors. if your budget is unlimited, you can specialize in signed george jones pieces; if it’s tiny, you might start with an unmarked piece you like with a chip that could be turned to a wall .
some variations on the majolica of coloured lead glazes were produced, but none to equal the quantity or popularity of lead - glaze majolica. for example, decoration was sometimes added in the form of painted enamel scenes, or by adding gilt highlights .
an early - 20th - century pine department - store counter holds a selection of majolica in phillips’s home office. lowell nesbitt’s painting
christies’ 1859 auction of majolica ware (picture to the left) turns out to be entirely of tin - glaze italian maiolica .
the continent in europe, potteries in france and germany continued to produce majolica. most striking were the numerous designs of asparagus plates and serving pieces of the alsace - lorraine area, the 19th - century palissy works of french ceramic artists of paris and tours, and the majolica of choisy - le - roi, sarreguemines, luneville and saint clement, and onnaing among others. the massier family in vallauris in the south of france produced the link between traditional victorian majolica and art nouveau pottery. villeroy and boch of germany, wilhelm schiller and sons of czechoslovakia, mafra and sons of caldas de rainha, portugal, and rorstrand of sweden all contributed to the ceramic history of the latter half of the century. these factories are the subject of another article .
susan zises green, another new york decorator, is an avid collector of majolica and uses it liberally on her dining table when she entertains. “i’ve collected majolica since i was twenty - six, ” she says. “it makes me smile. ” the 19th - century portuguese ceramist manuel mafra gave his neo - palissy majolica compositions even more drama, with snakes choking frogs, for example. “majolica potters really went wild sometimes, ” says blatt, of black - eyed susan’s. “they had a sense of humor. ”
at this time both in england and in the us the word ‘majolica’ was the word normally used for tin - glaze italian maiolica .
minton majolica jardinière and stand circa 1861, coloured lead glazes applied directly to the biscuit, shape first introduced at the 1851 exhibition .
the majolica / maiolica names muddle existed well before 1848. but it got worse in the years that followed as we now explain .
1. “minton exhibited two new products at the 1851 great exhibition and the 1855 paris exhibition. minton called these ‘palissy ware’ and ‘majolica’”
by the time queen victoria died in 1901, majolica had fallen out of favor, with the trend moving toward more streamlined art nouveau pieces. but everything old is new again. majolica is a popular collectible today, as is palissyware. the 16th century palissy pieces are out of reach for most of us, of course; look instead for victorian versions and portuguese palissy - - still expensive - - or even well - crafted contemporary versions. the first place i' d look? the strawser auction house (famous for its collectible auctions) is having a two day majolica auction on april 13th and 14th. but i' m warning you: the biggest challenge is deciding what to bid on! good luck... happy bidding... and most of all happy spring !
antique majolica green flower basket weave plate. see photos for condition. see chip no cracks or repair it has 3 stilt marks on the back from being fired in the kiln. it has light glaze ware on the high points from stacking which is normal with antique majolica .
majolica teapot / kettle by minton, circa 1877. the bamboo theme is an example of chinese and japanese influence on fashionable home décor .
for his part, boston began collecting majolica at 18 and has seen prices rise and drop dramatically over the years. “there are so many different factories, shapes, dynasties, ” he says. “every collection has its own personality. collecting majolica is the ultimate jigsaw puzzle. ”
in 1988 another such minton peacock was auctioned in london by christie' s for $ 30, 624. though lower than the sum paid at phillips, this price, according to rachel russell, one of christie' s ceramics specialists, was higher than the house estimate. ms. russell pointed out that the glaze had deteriorated on the base of the figure, and added that interest in victorian majolica may be on the wane. in london, she said, the material is less popular now than it was five years ago .
as technology progressed white clay bodies replaced the tin glazed coloured clay bodies and bright colours were added to translucent lead glazes so that pottery similar to majolica was made in a simpler two stage process, mould the white clay body and decorate with coloured glazes. the victorians adopted the widely known term' majolica' for these lead glazed wares even though the manufacturing process had little in common with original majolica. the term majolica is now generally used for any pottery with embossed relief and bright glaze so included on this page are tiles hand made by barbotine and stencilled processes .
almost no other makers copied it. today any item of minton’s tin - glaze imitation italian maiolica that they called ‘majolica’ is a rare find .
loved throughout history — except when it wasn' t — majolica is once again finding its way into the consciousness of style - savvy collectors .
“i’ve seen majolica creeping back. people want colorful, fanciful pieces for juxtaposition in their modern or minimal environments, ” says dealer linda horn .
in 1982, the cooper hewitt, smithsonian design museum, in new york, organized “english majolica, ” an exhibition featuring 75 examples from minton, wedgwood and george jones, among other makers. then, in 1984, manhattan collectors marilyn g. karmason and joan b. stacke founded the majolica international society and published the first comprehensive reference book, majolica: a complete history and illustrated survey. and in 1990, the decorative arts specialist nicholas m. dawes, who is now with heritage auctions, wrote majolica, a definitive guide to english, european and american manufacturers .
, to his factory because he wanted to produce the most artistic majolica in england. boston also explained how appealing rural themes (fruits, flowers, game and fowl) were to people caught in cities polluted by the booming industrial revolution. majolica brought the country — and summer — indoors .
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“the name of majolica is now applied indiscriminately to all fancy articles of coloured pottery. when, however, it is decorated by means of coloured glazes
having rejected the use of earthenware, because the word is by far too technical, i tested using the term italian majolica. only museum staff or experts understood what i meant, and many of them figured i was taking about istoriato renaissance ware, while i had in mind modern italian majolica pieces .
minton majolica strawberry server, england, 1881, the compartmented dish with a strawberry handle, impressed mark, dia. 12 in. more ...
. the name of majolica is now applied indiscriminately to all fancy articles of coloured pottery. when, however, it is decorated by means of coloured glazes
the word ‘majolica’, an anglicisation of the italian word ‘maiolica’, was already in general use in england to describe tin - glaze maiolica in the italian style .
approximately twenty - five wedgwood majolica dishes, including five with insects, a pair with portraits, and a set of six leaf saucers. more ...
karmason, marylin j. , and stacke, joan b. , majolica: a complete history and illustrated survey, , harry n. abrams, inc .
dr. karmason and ms. stacke disagreed. in their view, the revival is just beginning. they said they found increased awareness of majolica in their travels and experienced an enthusiastic response in april at the first meeting of the international majolica collectors' association, in fort wayne, ind. recently founded by michael strawser of wolcottville, ind. , an auctioneeer and realtor who collects majolica, the organization already has a membership of about 100 collectors from 16 states and from france .
fourteen majolica ceramic tableware items, including seven griffin, smith & hill: a teacup and saucer, a leaf dish, and four plates. more ...
thirteen majolica ceramic cake stands and plates, including a pair of mintons cake stands, a pair of gien plates, and a copeland plate. more ...
the famed designer alberto pinto lined the gilded leather walls of the petit salon fumoir in his paris apartment with bernard palissy majolica dishes mounted on brackets. photo by giorgio baroni
majolica monk pitcher, england, c. 1875, attributed to george jones, with molded goat mask handle, unmarked, ht. 12 in. more ...
collectors today credit the pioneering london dealer jeremy cooper with reviving interest in majolica through the many exhibitions he organized in the 1970s (one of his customers was linda horn) .
seventeen continental majolica ceramic tableware items, including two figural pitchers and a bamboo - form teapot, most french and czechoslovakian, ht. to 12 in. more ...
this is the first of a series of majolica blogs. in this blog we remind ourselves of a few definitions and the enormous scope for decorators, collectors and antique enthusiasts .
marvelous majolica: an easy reference and price guide (a schiffer book for collectors) by snyder, jeffrey b. : schiffer pub ltd 9780764312755 large softcover - the book women
wedgwood began to manufacture majolica about ten years after mintons. wedgwood' s glazes and modelling were denser and more formal than minton' s, but there were many pieces that displayed the naturalism and humour of minton shapes. wedgwood' s majolica included cachepots, jugs, candlesticks, cheese bells, umbrella stands, sardine boxes, plates in naturalistic patterns, bread trays, etc. in wedgwood' s
greenware
the green glaze emphasizes the low relief patterning, typically of basketwork and foliage. numerous smaller factories in the staffordshire potteries specialised in such green majolica wares in which the translucent glaze brought out the low relief of the cast body: some, like wedgwood, marked their majolica with impressed stamps .
a late nineteenth century green majolica plate with a moulded vine leaf pattern. unmarked but with an interesting rippled underside. auctiva' s free counter. size (approx .) .
nine pieces of majolica, including a teapot, three leaf - form trays and a figural motif tazza marked
wedgwood ,
ht. to 10 in. more ...
the majolica craze began in 1951 when herbert minton exhibited vases at the crystal palace, site of the great exhibition of 1851, noting that they were “colored after the style of the old majolica”. minton’s painstakingly sculpted and brilliantly glazed majolica pieces raged in size from dinnerware to large, elaborate garden fountains and contained three dimensional figures of feathered and furred animals, fish, shells and seaweed, as well as renaissance - inspired festoons of fruit and flowers. leaf shapes were popular for plates, shells for oyster plates and bees for honey pots .
present day dictionary compilers and online search engines’ primary definitions treat ‘maiolica’ and ‘majolica’ as interchangeable. fans of tin glazed maiolica (with an ‘i’) and fans of lead glazed majolica (with a ‘j’) both feel this is overdue for correction. we can see they are different. we know they are different. do they not deserve one clear sense each ?
1. majolica n. a spelling of maiolica n. used in us until the present time, and in england until early 1870’s, after which the spelling ‘maiolica’ was encouraged .
as long ago as 1875 the south kensington museum made a first attempt at persuading the public to use ‘maiolica’ only for tin - glaze and ‘majolica’ only for lead glaze. they published two booklets entitled maiolica (tin glaze) and majolica (coloured lead glazes) to make clear the distinction. further enquiry reveals that only ‘maiolica’ was published. the ‘majolica’ publication was a spelling error which the v & a museum (formerly the south kensington museum) will correct in due time. only when we asked to read it did they realise the error .
a stunning antique majolica vase of a sweetcorn. circa 1890 english majolica corn on the cob. a very collectable piece of english majolica hand painted sweetcorn design pitcher jug. height 22cm width 15cm (including handle and spout) condition - there is a decent chip to the base of the vase, please see photographs, but i feel it doesn’t spoil it, as it can’t been seen too easily when standing. it doesn’t effect its use. there is also slight crazing. please get in touch if you have any questions or require further images .
several american firms also made majolica, with the english born edwin bennett producing it in baltimore as early as the 1850s. [ 4 ] the best known are griffin, smith and hill of phoenixville, pennsylvania, whose etruscan majolica made from 1880 to 1890 includes compotes with dolphin supports and flower, shell, or jewel cups, a design of coral weed and seashells, and tableware with leaves and ferns. their mark was an impressed monogram ,
g. s. h. ,
sometimes circled and with the words
etruscan majolica
.
there are very valid reproductions, such as those by minton & co. and mottehedah. the function of the minton copy is to celebrate the minton bicentennial. each year since 1993, minton has manufactured almost exact copies of its victorian majolica tea pots. to date, these include the monkey tea pot, the chinese actor tea pot, the cat and mouse tea pot, the monkey and cockerel tea pot and the blowfish tea pot, with the turtle tea pot slowly ambling toward eager collectors. each tea pot undersurface is carefully marked with the year of production, the number of teapots in each series, the specific number of the particular tea pot, and the label of the body as “fine china” (not passing as majolica). the mottehedah co. has reproduced almost all forms of ceramics, including majolica, but has always labeled the undersurface appropriately. mottehedah copies also have a function: it is said that in places such as the white house, “souvenirs” may disappear, so it is necessary to guard against the greater loss of the original piece .
i am establishing my home. whilst trawling through sito web to find interesting pieces of form and function i came across majolica so i headed to google to try and find some information ,
2. majolica n. english earthenware made from 1850 in imitation of italian tin - glazed maiolica with opaque whitish glaze and brush painted decoration, introduced by minton in 1851. rare .
hb & cie' choisy le roi'. rare c. 1880 french majolica. cobalt blue, brown & gold gilded vase. height 12
x 7. 5
widest .
update dictionaries with the sense (dictionary definition), majolica n. a type of 19th - century earthenware of translucent coloured lead glazes applied simultaneously to the biscuit, then fired, typically
in 1907 mark - louis solon [ he married the daughter of leon arnoux ], makes no mention of lead - glazed earthenware in his publication ‘a history and description of italian majolica’ .
after 1900, people got swept up in the romanticism of art nouveau and ceased buying majolica. did they have enough oyster plates and pineapple jugs in their cabinets? no one knows, but majolica fell out of fashion and began to be denigrated. (about a majolica - clad room at the victoria & albert museum, building news wrote in 1870: “this is but a sham art, just as they are sham columns — a casing of crockery built up around a brick core. ”) by the 1920s, most of the old molds had been discarded .
george jones majolica leaf dish, england, c. 1880, floriform vase with twig support centering a three - compartment leaf dish, ht. 6 3 / 4 in. more ...
wedgwood, a giant in the ceramic world, did not begin producing majolica until 1860, nearly 10 years after minton. their pieces, nearly always marked, rank with minton and jones in desirability. other well - known british potters once producing majolica included s. fielding & co. , brownhill’s pottery co. , w. t. copeland & sons, and john adams & co .
the certificate reads: - number 7 in a series of reproduction minton majolica teapots from the 1870’s, the naturalistic ‘tortoise’ is a perfect subject for tea brewing, which like the tortoise cannot be hurried .
sixteen majolica ceramic tableware items, including a bird vase, an albino shell and seaweed pitcher, and a brown, westhead & moore grapevine pitcher, ht. to 7 in. more ...
eight mostly majolica ceramic dishes, including a brevet a. d. t. rubelles reticulated dish and a large charger with applied frogs, dia. 16 3 / 4 in. more ...
starting in the 1850s, people in the u. s. and the u. k. embraced these affordable housewares with unusual polychrome palettes (turquoise and pink) and whimsical forms (candlesticks shaped like dolphins). by the 1870s, majolica was being mass - produced for an ever - expanding middle class in countries like england, france, sweden, hungary and portugal. majolica was art for everyman. its popularity coincided with interest in exotic japonisme and scientific studies by the likes of carl linnaeus, charles darwin and john james audubon, explains nicolaus boston, a longtime majolica dealer, curator and author based in ireland .
despite this reminder, the public came to call minton' s palissy ware majolica ware; palissy ware dropped out of use and majolica stuck. in the 1880s, the curators of the south kensington museum (now the v & a) tried to clear up the confusion by reviving the italian spelling
maiolica
with an' i' instead of a' j' for italian tin - glaze. [ 3 ]
' majolica' (maiolica) was originally used to describe wares made in mediterranean europe and primarily exported through the port of maiorca. it was the first modern european pottery to achieve rich colours, opaque colours were applied over the usual red clay (terracotta) body, being opaque the glazes masked the colour of the underlying clay. the stiffness of the coloured glazes and the requirement to apply thickly so that the red clay body didn' t show through meant the wares had a three dimensional feel to the decoration. early victorian tile makers like minton & co. and maw & co. used similar techniques to produce brightly coloured tiles albeit usually with an embossed body, early minton majolica tiles are quite rare and sought after however they continued in production throughout the nineteenth century. sherwin & cotton' s and others barbotine tiles were similarly made with coloured slips applied by painting, earlier examples up until the late 1880s used buff plastic clay bodies, later examples are slip painted on top of embossed biscuit .
early development in the 13th century, tin - glazed hispano - moresque pottery, in such shapes as albarelli and platters, were transported from spain to italy. its name, maiolica, was derived from the spanish shipping port of majorca. in italy colorful tin glazes were applied over soft - earthenware shapes such as platters and pitchers. in the 17th century, this new pottery found its way to further development in england and stoke - on - trent. important in the 18th - century development of ceramics at stoke - on - trent were john astbury, thomas whieldon and his young partner, josiah wedgwood; ralph wood, and thomas minton. with thomas minton’s death in 1835, his son, herbert, became president of minton & co. , thereby leading to the production of victorian majolica .
eleven french majolica ceramic items, a set of four grape plates, four asparagus plates, a large duck - form covered serving dish, and a delphin massier rooster vase and duck sugar. more ...
many other continental factories (such as germany’s villeroy and boch) made majolica in its heyday. all is sought by collectors, although pieces signed minton, wedgwood, george jones and etrusca are most highly valued .
we love you too rich. your first purchase was the fish swallowing fish majolica teapot and it’s been fish and molluscs ever since apart from that sole pig! we greatly appreciate the business over so many years .
the word majolica has been used to describe several types of wares over the centuries which are similar in that the colours are strong and bright but the materials and processes to achieve the effect have progressed over time .
production had increased since 1875 but with fewer original examples and with less artistic enterprise. by the death of queen victoria in 1901, majolica production was at an end, superseded by art nouveau and art pottery .
wilhelm schiller & sons bohemian majolica vase. very fine twin handle vase in neutral colours. the body in floral & fauna relief work with 2 green man type mask faces to base. scrolling acanthus leaf handles .
america’s centennial exposition in philadelphia in 1976 provided the impetus for collecting majolica. by far the best know of the american manufacturers is griffen, smith, and hill, whose etruscan majolica designs depict plant and marine life. their shell and seaweed pattern, modeled after a wedgwood design, is delicately molded and glazed in opalescent shades of pink, grey, and blue, with green seaweed accents. dinner services, bowls, humidors, and even cuspidors were available, but relatively few have survived. because of its fragility, it is rare to find undamaged examples of griffen, smith, and hill’s marine majolica, making it even more desirable .
the majolica shared the exhibition with chinese export partridge tureens, 18 - century staffordshire figurals, plates and teapots, renaissance chargers majestic and tin - glazed, mottled whieldon plates, pale blue and white wedgwood table ornaments and potpourri urns, meissen birds, a bernard palissy 16th - century fecundity platter replicated in delft, and aesthetic movement japanesque pieces. all these were precursors of the humorous, whimsical, naturalistic 19th - century majolica .
majolica - makers’ marks are sure way to identify a manufacturer. some marks will also date an item. marks may be impressed, embossed or printed. or written in script over the glaze, or ‘in reserve’ .
interest in the world at large continued also to broaden. booming trade with the east brought everything ‘oriental’ suddenly back into fashion. a further flush of national pride following petrie’s excavations in egypt also found expression in majolica .
a choisy le roi french majolica glazed plate dating to the late 19th century (3rd republic). the center with raised decoration of leaves and flowers over a dark ground and the border with a greek key variant .
delete “or sometimes lead” and delete “typically used for large decorative items, tableware, tiles and figures” to arrive at a good definition of minton’s rare tin - glaze ‘english majolica’ product about which most people have never heard .
this attractive majolica pottery jug has a nice hexagonal shape. it has a blue outside with leaf and stylised wheatsheaf decoration and a green inside. the handle simulates a branch. the jug has no maker' s marks .
, the gaily colored, metallic - oxide - glazed earthenware, has ebbed and flowed for more than a century. right now it appears to be having a moment — again. “i’ve seen majolica creeping back, ” says
eight english majolica ceramic items, a large george jones serving dish, three geranium platters, a bread platter, and a set of three graduated pitchers, ht. to 7 1 / 4 in. more ...
wedgwood majolica jardiniere stand, england, c. 1860, raspberry and yellow / green decorated pedestal with elongated panels of flowers in pots alternating with rectangular panels of cells, ht. 24 1 / 4 more ...
let’s start with technicalities. here is a short review of the definition of the words ceramics, pottery and majolica. once we know exactly what we are talking about, we will define what they really mean to people .
wedgwood of all types including jasperware, queensware, majolica, transferware, rosso antico, basalt, pearlware, caneware, bone china, fairyland lustre, ·ordinary lustre as well as a large selection of wedgwood reference books. ··
two new york collectors of 19th - century majolica, marilyn g. karmason and joan b. stacke, began in 1976, shortly after they met and became friends, to amass comprehensive holdings. each now owns about 1, 500 pieces, and their collections - almost identical, due in part to the abundance of material available until now - are of mostly british and american majolica, but include portuguese and french pieces as well. dr. karmason, a psychiatrist, and ms. stacke, who manages a doctors' office in manhattan, said in a recent interview that their husbands, who are physicians, do not collect majolica but support their interest with enthusiasm.
victorian majolica includes two types of earthenware made in 19th century between 1848 and 1900 the mass-produced earthenware decorated with coloured lead glazes , made in britain , europe and the us ; typically hard-wearing , with moulded surfaces , vibrant translucent glazes , in classical or naturalistic styles often with an element of high victorian whimsy . the very rare tin-glazed earthenware made in britain only , primarily by mintons from 1848 to circa 1880 , typically flat surfaces , opaque white glaze with brush painted decoration somewhat in the style of italian renaissance maiolica . 
victorian majolica includes two types of earthenware made in 19th century between 1848 and 1900 the mass-produced earthenware decorated with coloured lead glazes, made in britain, europe and the us; typically hard-wearing, with moulded surfaces, vibrant translucent glazes, in classical or naturalistic styles often with an element of high victorian whimsy. the very rare tin-glazed earthenware made in britain only, primarily by mintons from 1848 to circa 1880, typically flat surfaces, opaque white glaze with brush painted decoration somewhat in the style of italian renaissance maiolica.
victorian majolica includes two types of earthenware made in 19th century between 1848 and 1900 the mass-produced earthenware decorated with coloured lead glazes, made in britain, europe and the us; typically hard-wearing, with moulded surfaces, vibrant translucent glazes, in classical or naturalistic styles often with an element of high victorian whimsy. the very rare tin-glazed earthenware made in britain only, primarily by mintons from 1848 to circa 1880, typically flat surfaces, opaque white glaze with brush painted decoration somewhat in the style of italian renaissance maiolica.