holdsworth
contact professor robert holdsworth (email at r. e. holdsworth @ urltoken )
the holdsworth brand was established by sandy holdsworth in london in 1927, and began making steel frames in 1933 .
in 1880, the most common holdsworth occupation in the usa was farmer. 17% of holdsworth' s were farmers. a less common occupation for the holdsworth family was laborer. farmer, keeping house and carpenter were the top 3 reported jobs worked by holdsworth .
holdsworth greatly impressed jazz guitar giant george benson at a 1975 new york club date .
david gary holdsworth (b. 1968), english former footballer currently manager of goole
dean christopher holdsworth (b. 1968), english former professional football player and manager
glassdoor gives you an inside look at what it' s like to work at holdsworth fabrics, including salaries, reviews, office photos, and more. this is the holdsworth fabrics company profile. all content is posted anonymously by employees working at holdsworth fabrics .
mr. holdsworth was married and divorced twice. he is survived by a daughter from his first marriage, lynne holdsworth; two daughters from his second marriage, louise and emily holdsworth; a son, sam, also from his second marriage; and a granddaughter .
planet - x acquired the british brand holdsworth last year and will be launching a new holdsworth 2015 heritage range at l’eroica britannia vintage bike event in the peak district later this month .
the mistral is, according to holdsworth, “a very light and lively all round frame” .
allan holdsworth, revered fusion guitarist, dies at 70: the record holdsworth, who performed with soft machine in addition to recording several solo albums, died unexpectedly on april 16 .
the cause was a heart attack, said leonardo pavkovic, mr. holdsworth’s former manager .
he is the best in my book ,
eddie van halen once said of holdsworth .
allan holdsworth performing with the progressive rock group u. k. in central park in 1978 .
our 2017 annual report and financial reports are now available for download. holdsworth community annual report 2017…
according to holdsworth, the new 2015 heritage range is, “a range of handmade, lugged steel frames that honour holdsworth’s greatest achievements; the cyclone, the mistral, the zephyr, the professional .
holdsworth also had a major impact as a guitar designer. his signature holdsworth h2 semi - hollow electric guitar model has been a bestseller since carvin guitars of escondido first began marketing it in 1996 .
between 1944 and 2004, holdsworth life expectancy was at its lowest point in 1944, and highest in 1996. the average life expectancy for holdsworth in 1944 was 38, and 79 in 2004 .
allan holdsworth performs live on stage at the paradiso in amsterdam, netherlands on june 15, 1987 .
and former dream theater drummer mike portnoy tweeted :
rip allan holdsworth... one of the all - time greats and innovators... no holdsworth = no eddie van halen # uk # oneofakind
holdsworth is survived by his daughters, emily and louise; a son, sam; and a granddaughter .
personal management of your campaign will ensure that whatever your pr or marketing requirements, holdsworth pr has them covered .
names. as the form of the english language changed, even the spelling of literate people' s names evolved. holdsworth has been recorded under many different variations, including holdsworth, holesworth, houlsworth, holdworth, houldworth and many more .
we are a privately owned company founded in 1969 by chairman, michael holdsworth. since retiring from the day to day running of the business the company has been led by managing director, john marriott who joined holdsworth when it began 49 years ago .
holdsworth fabrics invites you to take a seat. originally founded in 1822 as john holdsworth & co. , the company has designed and manufactured upholstery used by the mass passenger transportation market for more than 185 years. its lineup ranges from wool ...
in the hours following holdsworth' s death, tributes came in from guitarists including steve lukather, vernon reid and joe satriani. but not just guitarists: pianist and keyboardist geoffrey keezer called holdsworth
one of my biggest musical heroes, and a true unsung genius of our time .
drummer vinnie colaiuta wrote that playing with holdsworth was
a major highlight of my musical life .
holdsworth' s unusual scale runs brought a whole new perspective to the fretboard; they were colored by rock distortion but had an almost flute - like beauty. jazz guitarist kurt rosenwinkel, in a 2005 interview with this writer for jazztimes magazine, said this of holdsworth :
allan holdsworth, a spellbinding guitarist who influenced generations of jazz and rock musicians with his innovative sound, has died unexpectedly at age 70 .
inspired by jazz greats charlie parker and john coltrane, holdsworth wanted to play saxophone as a youth but his family could not afford one .
frederick william
fred
holdsworth (b. 1952), american former major league baseball right - handed pitcher who played from 1972 to 1980
holdsworth was a name to be known, founded in 1933 by w. f .
sandy
holdsworth in kent, it rapidly expanded into a multi - shop enterprise. by 1960' s & 70' s, the main stores and factory were in london. holdsworth bought the claud butler brand name in 1958. they bought the freddie grubb name around 1952 after grubb had died. finally, the macleans name was bought around 1963 .
marketing graduate dan holdsworth discusses the support he received from lecturers at derby and how his degree helped him secure a job as a marketing manager. urltoken
allan holdsworth, colossus, gentle man, blazed a trail through the heights of musical invention. we can only look up & marvel. god speed rip
holdsworth, part of the camira group, is a manufacturer of high performance wool moquette, flat cloths and trim fabrics for the mass passenger transit market .
camira, formerly known as holdsworth, provides high - performance moquettes, flat cloths, vinyls, leathers and trim fabrics for the mass passenger transit market .
the direction holdsworth takes is beautiful. his chord work is so impressive here almost an ambient feel till the solos arrive which are a pleasure to hear .
amy holdsworth, marketing director at tetley, on why honesty really is the best policy, on a personal level and for the business as a whole .
i will not repeat all the excellent remarks about holdsworth' s playing, except to state the obvious: he is flawless, cerebral, and yet musical .
holdsworth say that the cyclone is designed for all - day comfort. they also say that you can add mudguards and a rack and use it as a tourer .
holdsworth' s family launched a gofundme campaign to help drive donations for funeral expenses. the fundraiser has amassed more than $ 80, 000 in just 24 hours .
healy, d, jones, r. r & holdsworth, r. e (2005). three - dimensional brittle shear fracturing by tensile crack interaction. nature
holdsworth, who did few interviews in recent years, appreciated the praise of his peers. he was also quick to deflect the kudos that so often came his way .
after having tackled jazz standards on his previous outing, allan holdsworth returns to original compositions, although the feel of his fusion this time is more jazz than ...
english (yorkshire): habitational name from either of two places in west yorkshire now called holdsworth, both probably originally named with an old english byname halda ‘bent’ + worð ‘enclosure’ .
census records can tell you a lot of little known facts about your holdsworth ancestors, such as occupation. occupation can tell you about your ancestor' s social and economic status .
allan holdsworth was born aug. 6, 1946, in bradford, a small town in yorkshire, england. he had lived in southern california since 1980, most recently in vista .
the result of his meeting with benson was the 1976 album
velvet darkness .
holdsworth quickly disowned it because the album consisted entirely of studio rehearsal sessions, not the final tracks .
but mr. holdsworth’s grandparents could not afford to buy him a horn, so at 17 he picked up an acoustic guitar that was lying around the house and taught himself to play .
on “atavachron” (1986) and “sand” (1987), mr. holdsworth introduced the synthaxe, which could be activated with a breath controller, bringing him closer to a hornlike inflection .
world famous transportation fabric specialist holdsworth is at the forefront of environmental design and can assist in ‘greening’ vehicle interiors through the choice of textile upholstery and the way in which fabrics are made .
another 183 words (13 lines of text) covering the years 127 and 1273 are included under the topic early holdsworth history in all our pdf extended history products and printed products wherever possible .
holdsworth supply a wide range of chilled, ambient and frozen goods to caterers. over the past 49 years we have grown to become one of the most respected independent food service distributors in the uk. we are proud to remain a family owned business which we feel helps to give holdsworth an advantage over some other similar businesses through an added sense of loyalty, commitment and collective values .
the first studio album credited to holdsworth is velvet darkness, a raw jazz - rock outing released on cti in 1976. holdsworth took pains to disavow it, maintaining that the session tapes were from a rehearsal, and released without his permission. he made his proper debut in 1982 with i. o. u. , and was soon winning ecstatic praise from eddie van halen, among others. in holdsworth' s liquid, legato line playing, van halen no doubt heard a combination of blinding speed and patient, highly musical phrasing, not to mention a harmonic language like no other .
in the mid - 1970s holdsworth joined the new tony williams lifetime, a jazz - rock fusion quartet led by former miles davis drummer williams. his first album with williams, 1975' s classic
believe it ,
introduced holdsworth to american listeners. he continued to play songs from that album throughout his career, including
fred ,
the opening song at his april 10 concert in san marcos .
allan was born in bradford, west yorkshire, the son of vera holdsworth and joshua hollins. joshua returned to his native canada a year after allan’s birth, and allan was raised by his grandparents, sam and elsie holdsworth. in his teens he wanted to play the saxophone, captivated by the sounds of charlie parker and john coltrane – but saxophones were expensive, and though as a 14 - year - old he was initially indifferent when sam, a pianist, acquired a guitar, it was a turning point. his grandfather taught him the rudiments of harmony and by his late teens holdsworth was playing professionally .
allan holdsworth, an innovative and influential electric guitarist who helped shape everything from progressive rock to jazz over the past half century, died sunday at his home in north san diego county. he was 70 .
census records can give you a fascinating window into the day - to - day lives of your holdsworth ancestors - like hours worked per week, level of education, veteran status, employers, and more .
his daughter louise holdsworth announced his death on sunday, prompting an outpouring of grief as well as high praise for an artist who not only changed the guitar, but also created a musical language entirely his own .
as news of his death spread, frampton remembered holdsworth as a “brilliant unique guitar master player, ” and satriani tweeted, “you remain an enormous inspiration to me. your beautiful music will live on forever. ”
allan holdsworth, a self - taught guitarist whose protean, virtuosic style was a source of amazement even to his more famous peers, died on saturday at his home in vista, calif. he was 70 .
alsop, g. i. & holdsworth, r. e. (2012). the three dimensional shape and localisation of deformation within multilayer sheath folds. journal of structural geology 44: 110 - 128 .
the professional is a road race bike with horizontal, adjustable rear dropouts, a 1in threaded headest, a bsa bottom bracket and clearance for 25mm tyres. you also get holdsworth and campagnolo handcut brass signatures / badges .
allan holdsworth has long been considered a
musician' s musician
. people rave about his technical ability, i. e. , his speed and the difficulty of his unique compositional style, which uses chords and intervals that require astonishing dexterity and control. there is no doubt holdsworth is a technical superstar. nevertheless, the aspects of holdsworth' s playing that move me most are his lyricism and his drop dead gorgeous sound and tone quality. his long and luscious lines sound deeply romantic and personal to me. he lets these qualities flourish in
sixteen men of tain
. allan holdsworth is one of my favorite musicians, and this amazing album ,
sixteen men of tain
, is one of my all - time most beloved albums. from the opening lush and exquisite guitar entrance in
san onofre
with its warm and glorious meanderings through symmetrical jazz patterns to the eternally striving sequences in
material unreal
, this music is truly beautiful and transports me to new heights every time i listen to it. i am grateful to allan holdsworth for triggering many deeply affecting and healing moments in my life. i can' t recommend
sixteen men of tain
( and the rest of holdsworth' s music) highly enough. give it a listen and hear for yourself .
whether playing a conventional electric guitar or a guitar synthesizer, holdsworth soared. he created wonderfully distinct music that drew from jazz, rock and contemporary classical music. at his best, he came close to transcending all three .
in the 1970s, holdsworth gained acclaim as a daring and fleet - fingered guitarist in such english bands as tempest and soft machine, and on albums with french violinist jean luc ponty and the anglo - french band gong .
he also attracted musicians of supremely high caliber, and they stuck with him — electric bassists jimmy johnson and the late dave carpenter, drummers gary husband and chad wackerman among them. husband, also a fine pianist, recorded a solo piano album in 2004 called the things i see: interpretations of the music of allan holdsworth. in its speculative abstraction, it shows how holdsworth' s compositional muse can transcend the guitar and form its own universe .
allan holdsworth, hailed by his peers as one of the most technically gifted guitarists of his time, has died at the age of 70. his passing was announced sunday (april 16) by family members on social media .
holdsworth, r. e. & mccaffrey, k. j. w. (2016). understanding the clair field basement and its associated fracture systems: implications for reservoir appraisal. confidential final report for the clair jvg .
holdsworth, who the late composer and musician frank zappa once said deserved credit for
single - handedly reinventing the electric guitar ,
played in a number of groups, from soft machine to the progressive rock band u. k .
born on aug. 6, 1946, in bradford, england, holdsworth didn' t pick up the guitar until he was 17, but he proved to be a quick learner. after moving to london, holdsworth kicked off his recording career in the late ‘60s with the band ‘ igginbottom and through the ‘70s honed his craft with the likes of tempest, soft machine, the tony williams lifetime project, french - english outfit gong, and u. k. .
his death brought immediate tributes from other musicians, including guitar star joe satriani, who tweeted :
r. i. p. allan holdsworth. you remain an enormous inspiration to me. your beautiful music will live on forever .
this article was amended on 28 april 2017, to correct details of allan holdsworth’s family. he was raised by his grandparents, not his parents, as originally stated, and he was twice married. we also omitted mention of his daughter lynne .
his late' 70s collaborations with drummer bill bruford (of yes and king crimson fame) proved especially strong: bruford' s albums feels good to me, one of a kind and the bruford tapes find holdsworth in wizardly form both as a soloist and a cog in a bracingly tight ensemble. holdsworth also joined bruford (and the late john wetton) in the supergroup u. k. , issuing one of the landmark guitar solos of his career on the track
in the dead of night .
when i was 14 my dad bought a guitar from an uncle. it sat around the house; i had no interest in it. i just picked it up in moments of sheer boredom ,
holdsworth recalled in a 1987 union - tribune interview .
holdsworth community supports children and adults living with intellectual disabilities; families with young children; older people who may be frail, ill, lacking mobility, experiencing social isolation or living with dementia; and their families and care givers throughout sydney and its eastern suburbs .
walker, r. j. , holdsworth, r. e. , armitage, p. j. & faulkner, d. r. (2013). fault zone permeability structure evolution in basalts. geology 41 (1): 59 - 62 .
collettini, c, de paola, n, holdsworth, r. e & barchi, m. r (2006). the development and behaviour of low - angle normal faults during cenozoic asymmetric extension in the northern apennines, italy. journal of structural geology
in the 1970s the british pro team, co - sponsored by campagnolo & holdsworth, was dominant on the domestic uk front... and the company was a prime agent for many important brands, both as retailer and wholesaler. thanks for additional info from hilary stone
he sure has made an impression on me; he does things i have not heard the guitar do ,
said benson, who subsequently got holdsworth his first solo record deal .
he' s not trying new things, he' s mastering them .
allan holdsworth was born on aug. 6, 1946, in bradford, england. he never knew his biological father, and he was raised by his maternal grandparents, whom he called his parents. his grandfather, a factory worker, was an amateur jazz pianist .
“holdsworth pr’s understanding of and long experience in the equestrian industry means they know precisely where their clients’ advertising and marketing needs are best met. they are a friendly team with good insight and their clients are welcomed regularly in to the pages of horse & countryside magazine. ”
de paola, n, holdsworth, r. e, mccaffrey, k. j. w & barchi, m. r. (2005). partitioned transtension: an alternative to basin inversion models. journal of structural geology 27 (4): 607 - 625 .
holdsworth' s chordal language, in its sheer imagination and otherworldliness, set his music even further apart. unlike the solos, the chords were voiced with a clean, glass - like reverberating tone. they involved extreme finger stretches required in no other kind of music. they brought out strange intervallic combinations: on
looking glass ,
from atavachron, two notes on the lowest strings and two on the highest strings, with nothing in between. reaching for the uncommon chord was the title of a 1987 book of holdsworth transcriptions, and for good reason .
mr. holdsworth played in a number of seminal ensembles throughout the 1970s, including the tony williams lifetime, soft machine and u. k. but he never seemed to arrive at any band’s moment of peak popularity, or to stick around long enough to accrue a major following .
but he left after two years when the american drum virtuoso tony williams, renowned for his work in miles davis’s quintet, asked him to join lifetime, which had been one of the first jazz - rock fusion bands to emerge. mr. holdsworth stuck around for two albums .
in the early 1980s he moved to california, where mr. van halen heard him and persuaded warner bros. records to sign him. but mr. holdsworth chafed at the label’s dictates, and he was dropped after releasing just one 24 - minute record, “road games. ”
collettini, c. & holdsworth, r. e. (2004). fault zone weakening and character of slip along low - angle normal faults: insights from the zuccale fault, elba, italy. journal of the geological society 161 (6): 1039 - 1051 .
darlene pitman' s bike
.... . we bought (the holdsworth) in 1984 when my wife was still my girlfriend :). many of the zeus 2001 parts that were originally on the cuevas (crank, bb, brakes, hubs) found their way on to the holdsworth. recently, i suggested we restore it with all campy parts. man, i won' t do that again. she has a serious sentimental attachment to the bike as is. but maybe i can talk her into replacing those shimano shifters .
greg pitman
even greater attention came to holdsworth after he co - founded the jazzy progressive - rock band u. k. in 1977. it teamed him with former yes drummer bill bruford, former roxy music violinist and keyboardist eddie jobson, and the late king crimson singer and bassist john wetton .
collettini, c. , viti, c. , smith, s. a. f. & holdsworth, r. e. (2009). the development of interconnected talc networks and weakening of continental low - angle normal faults. geology 37 (6): 567 - 570 .
holdsworth' s astounding fluency was matched by the intense emotion he brought to his playing. he cleanly articulated every note, no matter how accelerated the tempo or deviously constructed the song structure. and, when playing ballads, he created gently swelling chords that made ingenious use of space and silence .
an unusually short lifespan might indicate that your holdsworth ancestors lived in harsh conditions. a short lifespan might also indicate health problems that were once prevalent in your family. the ssdi is a searchable database of more than 70 million names. you can find birthdates, death dates, addresses and more .
his last live performance, in san diego on 10 april, heralded the release of a 12 - cd box set of all his studio recordings, many long deleted, by manifesto records. in true holdsworth fashion, he hated the title they had given it – the man who changed guitar forever !
de paola, n. , holdsworth, r. e. , viti, c. , collettini, c. & bullock, r. (2015). can grain size sensitive flow lubricate faults during the initial stages of earthquake propagation? earth and planetary science letters 43: 48 - 58 .
holdsworth is survived by a daughter, lynne, from his first marriage, to angela slater, which ended in divorce; by two daughters, emily and louise, and a son, sam, from his second marriage to claire wallace, which also ended in divorce; and by his granddaughter, rori .
reviewing a performance by mr. holdsworth in 1983, the new york times’s jon pareles wrote: “he pours out notes in a liquid rush without slurring a single one. his sense of harmony reveals itself in daring melodic extrapolations and in chords that are complex and impressionistic yet as transparent as folk music. ”
bullock, r. j. , de paola, n. & holdsworth, r. e. (2015). an experimental investigation into the role of phyllosilicate content on earthquake propagation during seismic slip in carbonate faults. journal of geophysical research: solid earth 120 (5): 3187 - 3207 .
allan holdsworth, who has died aged 70, was a contrary kind of guitar hero – one given to implying that he would rather have played the saxophone, who disliked the sound of much of his own work and who chose anonymity for much of his long career over star status. but if holdsworth, a stern - faced, tentacle - fingered and all - but - motionless onstage performer, was a private and self - critical individual, some of the world’s leading guitarists in rock, pop and jazz held different opinions about him, and often expressed them in terms closer to declarations of devotion than simply technical admiration .
driving further afield, the company set out during the 90' s to broaden its horizons across the major economic territories of the world, and established local facilities or agents in the usa, south america, australasia, japan, singapore, the russian federation and turkey. holdsworth executives constantly visit their clients worldwide .
walker, r. j. , holdsworth, r. e. , imber, j. , faulkner, d. r. & armitage, p. j. (2013). fault zone architecture and fluid flow in interlayered basaltic volcaniclastic crystalline sequences. journal of structural geology 51: 92 - 104 .
walker, r. j. , holdsworth, r. e. , imber, j. & ellis, d. (2011). onshore evidence for progressive changes in rifting directions during continental break - up in the ne atlantic. journal of the geological society 168 (1): 27 - 48 .
reginald holdsworth was born on the 21st march 1942 in wig street, weatherfield. he was the son of a docker. reg worked in the supermarket chain and became the boss of bettabuys in weatherfield. he met maureen grimes in the late 1960s and they dated but split up. reg married a woman called veronica .
mr. holdsworth started playing in local bands in the late 1960s. he later moved to london, where he first recorded with an experimental rock band, ’igginbottom, in 1969. by 1972 he had joined the fusion group tempest; the next year he was invited into soft machine, a seminal progressive - rock ensemble .
walker, r. j. , holdsworth, r. e. , imber, j. & ellis, d. (2011). the development of cavities and clastic infills along fault - related fractures in tertiary basalts on the ne atlantic margin. journal of structural geology 33 (2): 92 - 106 .
jones, r. imber, j. , holdsworth, r. e. & mccaffrey, k. (2007). outcrop data as an analogue to hex lewisian basement acreage: analysis of fracturing on lewis & harris, outer hebrides. consultancy report commissioned by hurricane exploration plc. consultancy report commissioned by hurricane exploration .
smith, s. a. f. , collettini, c. & holdsworth, r. e. (2008). recognizing the seismic cycle along ancient faults: co2 - induced fluidization of breccias in the footwall of sealing low - angle normal fault. journal of structural geology 30 (8): 1034 - 1046 .
daniels, s. ,, long, j. , tucker, m. , mawson, m. , holdsworth r. e. ,, wilkinson, m. , & gluyas, j. (2016). the integrated zechstein study: an overview. confidential multi - client report, geospatial research ltd, 16pp .
“what he gave me was complete freedom and liberation, ” the drummer gary husband, who played with mr. holdsworth for 35 years, wrote of him in an email. “he came forward having developed from the instrument what he wanted the guitar to give him, which was completely other than what anybody else was doing with it .
holdsworth never stopped touring and recording, and had been in the midst of a creative resurgence roughly since the release of his 2000 album the sixteen men of tain. earlier this month, manifesto records released a 12 - cd boxed set titled the man who changed guitar forever, as well as a new best - of collection, eidolon .
an april 10 performance in san marcos was the last of several southern california shows he did, performances timed to celebrate the release of his two new manifesto records releases :
eidolon: the allan holdsworth collection ,
a two - cd collection, and
the man who changed guitar forever ,
a 12 - cd box set .
pozzi, g. , de paola, n. , nielsen, s. b. , holdsworth, r. e. & bowen, l. (2018). a new interpretation for the nature and significance of mirror - like surfaces in experimental carbonate - hosted seismic faults. geology 46 (7): 583 - 586 .
intransigently committed to his own artistic vision, mr. holdsworth sometimes clashed with record labels. and though he was constantly self - critical and battled stage fright even into his later years, he drew breathless praise from many guitarists — including frank zappa and eddie van halen, both of whom considered him to be at the top of the class .
in 2001, holdsworth unveiled a torrent of labyrinthine guitar jams over hard funk undertows to a mesmerised crowd at ronnie scott’s club, london, while sometimes veering into bugged - guitar electronic tone - poetry and elegiac violin - like passages of an orchestral complexity and richness. but he issued no more recordings after 2003, preferring the immediacy of live performance .
as humble as he was talented, holdsworth recorded a dozen albums from 1982 - 1993, all of which are explored on a retrospective boxed set titled the man who changed guitar forever, which dropped earlier this month through manifesto records (he reportedly wasn' t taken with the album' s title, instead deferring that honor to other guitar heroes) .
daily air shipments of holdsworth fabric leave the factory. total shipping time, door to door, is measured in hours rather than weeks or months and there is constant contact via electronic means. the progress of shipments are tracked over the internet and no matter what the time of day - voice, data and image information is exchanged directly to the desk .
holdsworth, r. e. , mccaffrey, k. , jones, r. & imber, j. (2007). outcrop data as an analogue to hex lewisian basement acreage: characterisation of lewisian fracturing in scotland & the møre - trøndelag fault zone in norway. consultancy report commissioned by hurricane exploration plc. consultancy report commissioned by hurricane exploration plc .
mr. holdsworth forged a relentlessly exploratory approach to harmony, which he brought to bear on both the guitar and the synthaxe, a guitarlike synthesizer that allowed him added control over his tone and flow. he had his own vocabulary of unorthodox chords, often involving far reaches across the fretboard. as a soloist, he executed lightning - fast melodies with remarkable fluidity .
holdsworth recorded his second solo album ,
i. o. u. ,
in 1980. he made at least 13 more albums over the next two decades, including 1985' s
metal fatigue .
its title song has been credited by rage against the machine guitarist tom morello as the single most influential piece of music that shaped his own guitar style .
dempsey, e. d. , holdsworth, r. e. , imber, j. , bistacchi, a. & di toro, g. (2014). a geological explanation for intraplate earthquake clustering complexity: the zeolite - bearing fault / fracture networks in the adamello massif (southern italian alps). journal of structural geology 66: 58 - 74 .
holdsworth, r. e, tavarnelli, e clegg, p, pinheiro, r. v. l, jones, r. r & mccaffrey, k. j. w (2002). domainal deformation patterns and strain partitioning during transpression: an example from the southern uplands terrane, scotland. journal of the geological society 159 (4): 401 - 415 .
long, j. , daniels, s. , holdsworth r. e. ,, oxlade, d. , woods, c. , gilment, s. , roberts, a. , jarvis, z. , & jones, r. r. (2016). integrated zechstein study: fracture analysis report. confidential multi - client report, geospatial research ltd, 187pp .
wilson, p. i. r. , mccaffrey, k. j. w. , wilson, r. w. w. , jarvis, i. & holdsworth, r. e. (2016). deformation structures associated with the trachyte mesa intrusion, henry mountains, utah: implications for sill and laccolith emplacement mechanisms. journal of structural geology 87: 30 - 46 .
the showing journal has worked with holdsworth pr for several years on numerous editorial, advertsing and promotional tasks for various clients. each and every one of these projects has been a pleasure. racheal’s industry knowledge, professionalism and attention to detail is outstanding, her staff are effective, easy - to - work with and proactive. i would recommend the team highly from an editor’s or a client’s perspective .
smith, s. a. f. , holdsworth, r. e. , collettini, c. & pearce, m. a. (2011). the microstructural character, evolution and mechanical significance of fault rocks associated with a continental low - angle normal fault: the zuccale fault, elba island, italy. geological society, london, special publications 359 (1): 97 - 113 .
the seamless intensity of coltrane’s sax improvisations influenced holdsworth’s musical development more than other guitarists did, and his tastes were never sectarian. when he co - founded the genre - bending barnsley quartet igginbottom in 1969, the perspicacious ronnie scott wrote the liner notes for the group’s only album, igginbottom’s wrench, declaring that they had “completely naturally and unselfconsciously … evolved out of the ever converging directions of good pop and jazz” .
holdsworth embarked on a solo career which launched proper with the solo album i. o. u. , from 1982, and the following year earned a grammy nomination for his ep road games (for best rock instrumental performance). throughout the decade, he endorsed the synthaxe guitar synthesizer and dabbled with headless guitars, resulting in his own signature headless model, initially created by carvin and then under the kiesel moniker .
“i have worked with rachael holdsworth pr for many, many years and have always found rachael and her team to be incredibly professional, reliable and most importantly they are constantly presenting new ideas in a view to achieving more publicity for their clients within our publication; all material that is commissioned is received on time, is accurate, and follows the agreed brief entirely. the whole team are a pleasure to work with. ”
holdsworth emerged as a promising and original player in the late 1960s and early' 70s. but he hit his stride in the mid -' 70s, with sideman appearances in major groups on the jazz - fusion and prog - rock circuits. he succeeded john mclaughlin in a new incarnation of the tony williams lifetime, and also worked with soft machine, pierre moerlen' s gong, and fusion violinist jean - luc ponty .
daniels, s. ,, holdsworth r. e. ,, tucker, m. , oxlade, d. , vsemirnova, e. , roberts, a. , wilkinson, m. , woods, c. & jarvis, z. (2016). integrated zechstein study: observations of breccia and breccia pipes at marsden bay, tyne and wear. confidential multi - client report, geospatial research ltd, 90pp .
the holdsworthy empire was bought up in the middle / late 80s by the same group that owned falcon and they became part of the big townsend group of which the only survivor is now falcon with the claud butler brand name. the putney shop w f holdsworth has had nothing to do with the original company for many, many years and their frames were branded roy thame. these have not been built for at least 15 years .
jefferies, s. p, holdsworth, r. e, wibberley, c. a. j, shimamoto, t, spiers, c. j, niemeijer, a. r & lloyd, g. e (2006). the nature and importance of phyllonite development in crustal - scale fault cores: an example from the median tectonic line, japan. journal of structural geology 28 (2): 220 - 235 .
jones, r. r. , mccaffrey, k. j. w. , clegg, p. , wilson, r. w. , holliman, n. s. , holdsworth, r. e. , imber, j. & waggott, s. (2009). integration of regional to outcrop digital data: 3d visualisation of multi - scale geological models. computers & geosciences 35 (1): 4 - 18
jefferies, s. p. ,, holdsworth, r. e. ,, shimamoto, t. ,, takagi, h. ,, lloyd, g. e. , & spiers, c. j. (2006). origin and mechanical significance of foliated cataclastic rocks in the cores of crustal - scale faults: examples from the median tectonic line, japan. journal of geophysical research: solid earth 111: b12303 .
holdsworth, r. e. , van diggelen, e. w. e. , spiers, c. j. , de bresser, j. h. p. , walker, r. j. & bowen, l. (2011). fault rocks from the safod core samples: implications for weakening at shallow depths along the san andreas fault, california. journal of structural geology 33 (2): 132 - 144 .
while holdsworth' s music could produce searing heat (hear
peril premonition
from secrets), it could also be disarmingly tender and intimate: his acoustic guitar solo on
home ,
a lyrical ballad from metal fatigue, is arguably one of his finest moments. he went after all kinds of sounds, famously experimenting with a guitar synthesizer called the synthaxe, now consigned to the' 80s dustbin but not without its wickedly surreal qualities .
born in bradford, england on aug. 6, 1946, holdsworth was schooled in the fundamentals of music theory by his father, an amateur musician. among his early jazz - guitar influences were joe pass, django reinhardt and charlie christian. he was working widely on the club circuit in england by his 20s, catching the ear of tenor saxophonist ray warleigh, who brought him into the jazz scene, at places like ronnie scott' s .
dichiarante, a. m. , holdsworth, r. e. , dempsey, e. d. , selby, d. , mccaffrey, k. j. w. , michie, u. , morgan, g. & bonniface, j. (2016). new structural and re–os geochronological evidence constraining the age of faulting and associated mineralization in the devonian orcadian basin, scotland. journal of the geological society 173 (3): 457 - 473 .
holdsworth played in some of the most original hybrid bands drawing on jazz, prog rock and early electronica in the 1970s. he preceded those achievements by devoting three years of his early 20s to the exhaustive personal reappraisal of scales, intervals and chords (he once said his notes from the process wound up “five phonebooks high”) that made his improvising sound so mysteriously different, and his unusually large hands and long fingers allowed him to bridge intervals more acrobatically than most guitarists could .
for many english families, the political and religious disarray that shrouded england made the far away new world an attractive prospect. on cramped disease - ridden ships, thousands migrated to those british colonies that would eventually become canada and the united states. those hardy settlers that survived the journey often went on to make important contributions to the emerging nations in which they landed. analysis of immigration records indicates that some of the first north american immigrants bore the name holdsworth or a variant listed above :
wilson, r. w. , holdsworth, r. e. , wild, l. e. , mccaffrey, k. j. w. , england, r. w. , imber, j. & strachan, r. a. (2010). basement - influenced rifting and basin development: a reappraisal of post - caledonian faulting patterns in the north coast transfer zone, scotland. geological society, london, special publications 335 (1): 795 - 826 .
mr. holdsworth never thought much of his reputation as a musician’s musician. “i don’t like playing to guitar players, actually. i’d rather just play to ordinary people, ” he said in a canadian television interview in the 1980s. “but obviously it’s difficult with this kind of music because no one ever really gets a chance to hear it, because radio won’t play it. because it’s not jazz, they don’t really know what to call it, so they don’t know where to put it. ”
i only recently discovered alan holdsworth although after some study discovered that he was a part of u. k. at one point - a band i enjoyed in my youth. i saw alan live in dallas recently and so purchased a number of his albums. this was one of my favorites (so far !) - a great blend of melody, improvisation and just plain amazing playing prowess. i would suggest this as one of your first purchases if you want to discover alan and his style .
holdsworth moved to london, rooming with the saxophonist ray warleigh, who introduced him both to new musical influences and useful contacts. he became a member of the trumpeter ian carr ’s jazz - rock band nucleus in 1972, then the drummer jon hiseman’s powerful sax - led band colosseum and its shortlived successor. tempest. he also became a key figure in the cult underground band soft machine’s shift from trippy avant - rock to a more edgily improvisational jazz sound during his period with the group from 1973 to 1975 .
this is the first new studio release from guitar legend allan holdsworth in four years. it features virtuosos dave carpenter, gary novak and former zappa drummer chad wackerman. this album was released in europe and japan two years earlier but was not released in the u. s. now globe music media arts has created a' special edition' release for the album' s u. s. debut, featuring more than nine minutes of additional music, 24 - bit remastering, and' special edition' repackaging .
“these are the names that stood the test of time. the 2015 heritage range honours these classics, remaining true to their identity and historical context. you will find historically accurate geometry, paint, lugs and tubing. and, of course, to complete the series, the iconic orange and blue holdsworth - campagnolo team frame. for years it was the dominant force on the uk race scene, winning numerous national and international events, national titles, and was even used to compete in the tour de france. ”
holdsworth, r. e. , dempsey, e. , selby, d. , darling, j. r. , feely, m. , costanzo, a. , strachan, r. a. , waters, p. , finlay, a. j. & porter, s. j. (2015). silurian–devonian magmatism, mineralization, regional exhumation and brittle strike - slip deformation along the loch shin line, nw scotland. journal of the geological society, london 172 (6): 748 - 762 .
in the mid - 1860' s the holdsworth brothers erected new offices, a fine example of victorian architecture by sir charles barry, the british architect who designed halifax town hall (his last great work) and many other buildings including: cliveden house, buckinghamshire, the houses of parliament (1852), pentonville prison, the reform club in pall mall, and trafalgar square fountains. barry died in may 1860 before seeing the completed building, and his son edward middleton barry completed the building. by 1885 the company employed about 2, 000 people .
he was creative designer of original instruments for the california company kiesel guitars, issued a sparing but distinctive catalogue of self - written albums, and co - wrote a book of guitar masterclasses, transcriptions and anecdotes – some of them reveries on the subject of cask beer, for which he invented his own brewing system – with the apposite title reaching for the uncommon chord (1985, 1988). and although holdsworth was a talented composer of both pithy and graceful original themes, he never veered from the conviction that improvisation was the name of the game, and that the best bands he worked in understood it .
holdsworth may well have felt torn in his creative life between being an icon for prog - rock buffs and guitar - kit geeks, an entertainer for funk fans who wanted to groove, and a soaring improviser who could make sounds that seemed to belong to no form of prior musical knowledge. but his deepest beliefs were plain in his statement to the san diego union - tribune in 1987: “my music is written with one goal in mind: to improvise. it’s like explaining a great story in words, but without words, much faster than you could with words. it’s like a direct line of instantaneous communication where you don’t have to wait for the end. ”
stopped in a shop on battersea rise in south london to buy a bike for my 2, 300 mile ride through the u. k. , ireland, belgium and france. my eyes popped out over the orange and blue bikes on the rack in the front window, and popped even more when i saw the price, so i settled for the silver and blue holdsworth record, which rode beautifully for the entire trip .
that was in september of' 75, and that has been my one and only bike and dearest companion until recently, when i said to myself,' time to go back and get the orange and blue one
michael lebron
holdsworth reportedly died saturday (april 15), though the cause has not been announced. his daughter louise paid tribute to the guitar great. “it is with heavy hearts that we notify everyone of the passing of our beloved father, ” she posted on facebook. “we would appreciate privacy and time while we grieve the loss of our dad, grandad, friend and musical genius. we will update close friends and family when service arrangements have been made and will notify the public of an open memorial service, which all would be welcome. we are undeniably still in shock with his unexpected death and cannot begin to put into words the overwhelming sadness we are experiencing. he is missed tremendously. ”
this album is my favorite from allan of the ones i own (metal fatigue, atavachron, iou, hard hat area). the reason i like this so much is that he is less abstract and plays more in the groove. it is a bit more like traditional jazz and is more lyrical in quality. he keeps his holdsworth sound and interesting chords and solos, but he seems to use them more effectively to convey musical ideas. i think gary novak' s drumming really adds to this cd because it fits so well with allan' s style. some of the highlights: the opening song, san onofre, has some really cool solo runs that fluidly span a chord progression. the sixteen me of tain has a cool chord progression and the solo about 3 minutes into the song has some interesting bends and runs that caught my ear. the drums were yellow is basically a big solo. all in all, the songs flow together well and balance pure guitar playing with musicality .
a dvertisement for
la quelda
model, which was launched in 1936 and doug smith' s actual bike .
1972 team member gary crewe at speed on the cover of international cycle sport .
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- / / w3c / / dtd xhtml + rdfa 1. 0 / / en
urltoken
the new bikes are being developed by lorenzo altissimo, a 30 - year bike industry veteran who is an expert in steel tubing and steel frame production. he was the export manager at columbus, manufacturer of steel tubing, for 10 years. former us postal service pro rider jamie burrow has also been working on the project .
four of the five bikes are made from reynolds 531 steel, the exception being the professional italia .
there’s also a lady mistral with a mixte rather than a conventional diamond frame .
the zephyr is a fixed gear track / urban bike so it has rear facing horizontal dropouts and no mounting points for bottle cages, racks or mudguards (although there is clearance for mudguards) .
the professional italia is the top end model made with columbus sl main tubes and polished xcr stainless steel dropouts and chainstays. the fork is stainless too .
we don’t have prices yet although they could be around £799 apiece (to be confirmed) .
in bakewell, derbyshire, 20 - 22 june. as well as l’eroica britannia rides, there will be a free three - day bike festival .
mat has worked for loads of bike magazines over 20 + years, and been editor of 220 triathlon and cycling plus. he' s been urltoken technical editor for eight years, testing bikes, fettling the latest kit, and trying out the most up - to - the - minute clothing. we send him off around the world to get all the news from launches and shows too. he has won his category in ironman uk 70. 3 and finished on the podium in both marathons he has run. mat is a cambridge graduate who did a post - grad in magazine journalism, and he is a past winner of the cycling media award for specialist online writer.
holdsworth is a bicycle manufacturer in london , england . it was created by william frank holdsworth , known as " sandy " , and is now owned by planet x limited based in rotherham . 
holdsworth is a bicycle manufacturer in london, england. it was created by william frank holdsworth, known as " sandy ", and is now owned by planet x limited based in rotherham.
holdsworth is a bicycle manufacturer in london, england. it was created by william frank holdsworth, known as " sandy ", and is now owned by planet x limited based in rotherham.