lydia johnson dance
robert johnson may be reached at rjohnson @ starledger. com. lydia johnson dance
lydia johnson dance was founded in 2008. lydia johnson dance specializes in dance studios, schools, and halls. lydia johnson dance has 1 employees and estimated revenues of $ 268, 875. 00 .
members of lydia johnson dance in johnsonâs âdream sequence, â a dance with a retro look .
lydia johnson dance is located at 266 audley st, south orange, nj. this business specializes in dance .
lydia johnson presented three performances of her fifteen - member company, lydia johnson dance, at new york live arts, showing four of her works, two of them premieres .
lydia johnson dance continues through saturday at the ailey citigroup theater, 405 west 55th street, manhattan; lydiajohnsondance­. org .
lydia johnson dance is a modern dance company in new york city. the repertoire of ljd springs from ms. johnson' s ongoing exploration of pure dance movement and her belief that, unadorned by technological effects or elements of theater, dance can be evocative. 070050attr: jazz classdance companies
artistic director lydia johnson has received the prestigious individual artist fellowship award from the new jersey state council on the arts .
guest choreographers lydia johnson, yesid lopez, henning rubsam. special guests pianist sandro ruso and soprano mary ann stewart .
gemma bond, artistic director of gemma bond dance, lydia johnson, artistic director of lydia johnson dance and cherylyn lavagnino, artistic director of cherylyn lavagnino dance from new york city; dalia rawson, director of the new ballet in san jose; and kathryn roszak, artistic director of the san francisco bay area - based danse lumiere, are featured .
lydia johnson dance is strongly committed to increasing awareness of and involvement in contemporary dance. this belief in outreach is reflected in the company’s efforts to provide opportunities for underserved children. the company presents ongoing choreography and dance workshops at burgdorff performing arts center in nj and is the dance company in residence at sopac. lydia johnson dance has an established scholarship fund, which provides opportunities for children who would be otherwise unable to participate .
lydia johnson dance features dancers with great individuality and expressive ability. through the years lydia johnson dance company dancers have performed extensively with other highly acclaimed companies, among them: new york city ballet, the paul taylor dance company, lar lubovitch dance company, suzanne farrell, colorado ballet, odc / san francisco, american repertory ballet, sacramento ballet, ballet new york, chicago ballet and twyla tharp .
lydia johnson dance presented recent works for the company’s 10 dancers set to stunning music by franz schubert, osvaldo golijov, mozart and the innovative jazz trio bad plus .
lydia johnson dance laura di orio, aloft center, and other dancers with this company during a performance of “giving way, ” which had its premiere at ailey citigroup theater .
join us as acclaimed choreographer lydia johnson and ljd dancers share excerpts from recent works and thoughts on the process of generating a new work .
see ljd works in progress as lydia johnson and the dancers prepare for their june, 2014 new york season. check back for dates .
“in dance that challenges the mind as well as the heart, lydia johnson often isolates and reworks components of classical ballet technique to create a sense of life flowing unhurriedly over mysterious human stories. ”
lydia johnson is originally from massachusetts and founded lydia johnson dance in 1999. her distinctive choreography seamlessly fuses ballet and modern dance vocabularies and captures a sense of the depth and spirit of the human struggle. her work is profoundly linked to the music to which it is set. ms johnson has taught choreography in many new york venues and at arts centers in new jersey. ljd is funded by the geraldine r. dodge foundation and presents an annual new york season at the ailey citigroup theater. esteemed dance writer
lydia johnson dance is honored to have been awarded geraldine r. dodge foundation grants for the past four years and has been a recipient of garden state arts foundation grants as well as a harkness dance center space grant from the 92nd street y in new york .
the new york times: “in dance that challenges the mind as well as the heart, lydia johnson often isolates and reworks components of classical ballet technique to create a sense of life flowing unhurriedly over mysterious human stories. ”
lydia johnson dance was selected to appear at the historic jacob' s pillow dance festival in lee, massachusetts on july 25, 2009. performing as a part of the inside / out series at the pillow, ljd showed both collecting rain and lament on the stunning outdoor stage. the performance was free and was followed by a q and a period with lydia and company !
join lydia johnson dance for a winter themed dance class. holly evans performed for 10 years as a rockette and is excited to share her knowledge of theater dance with maplewood. students in this class will participate in a kick line as well as fun dance combinations to spark the joy of movement. students can wear ballet or jazz shoes. taught by holly evans, former radio city rockette .
join us for a wonderful evening to celebrate and support lydia johnson dance. dancers from the company and students from the school will perform. light fare and dessert will be served, as well as wine and beer. festive attire .
ljd' s dancers performed excerpts from lydia johnson' s works, broken down into their design elements and discussed, followed by a q & a with the choreographer and dancers .
high school of music & art and performing arts. she later received her bfa in dance from the hartt school, university of hartford, where she performed works by martha graham, pascal rioult, shannon gillen and steven pier, as well as works brought to the american college dance festival. she has apprenticed and performed with elisa monte dance. she has also worked with levydance and mazzini dance collective. this is ms. borres’ second season with lydia johnson dance .
“an exhilarating afternoon for the many dance lovers who attended. watching the intimate creative process between lydia and her dancers left everyone wanting more. ” — oberon’s grove
downtown dance festival silesian dance theater was among the groups opening the festival on sunday at the battery park lawn .
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“for musicality and fine structuring, few people currently choreographing in the new york dance scene can compare with lydia johnson. there is thought, passion and tenderness in her work, and a depth of musical resonance that is very satisfying to behold. ”
“lydia johnson became overnight one of my favorite contemporary choreographers... her dancers took the floor and within seconds i knew i had found something i loved... for me one of the most moving dance experiences in the last decade. ”
lydia johnson became overnight one of my favorite contemporary choreographers... her dancers took the floor and within seconds i knew i had found something i loved... for me one of the most moving dance experiences in the last decade .
other music on this program celebrating the 10th anniversary of lydia johnson dance, a company based in south orange, includes dean martin ballads, in a dance called “dream sequence” that has a retro look and references tv variety shows. johnson uses similarly light - spirited music by the pop band cake for her piece “the end of the movie, ” a tongue - in - cheek look at female stereotypes .
join us for a wonderful evening to celebrate and support lydia johnson dance. dancers from the company and students from the school will perform. light fare and dessert will be served, as well as wine and beer. festive attire. reserve your tickets today !
ms. sand blonde has been a member of lydia johnson dance since 2004, where she has enjoyed originating major roles as well as serving as costume designer and rehearsal director for the company. much love to casey and simon, and gratitude to lydia and all of the ljd family for their abundant laughter, support and inspiration! ms. sand blonde is currently on maternity leave .
among the tasteful, finely wrought works that lydia johnson dance presented at ailey citigroup theater over the weekend was the premiere “what counts. ” what seems to count most for ms. johnson is music. the four pieces on the program all showed uncommon skill at matching ballet movement to music, both at the large scale of structure and in small, felicitous details .
lydia johnson dance offered excerpts of “zero hours, ” which transported six dancers to a harmonious world in which deliberate formations and pretty poses created an inoffensive whole. ballets with a twist, led by marilyn klaus, took a different approach to classical dance with two works from “cocktail hour, ” a suite of dances inspired by drinks .
lydia johnson became overnight one of my favorite contemporary choreographers... her dancers took the floor and within seconds i knew i had found something i loved.  — philip gardner, oberon' s grove blog
in earlier sections, these men had simply crossed paths. but once she had created their partnership, johnson felt this was where the dance was headed all along .
washington ballet and the baltimore school for the arts. he received his ba in dance from hofstra university in may 2010. while at hofstra, he had the opportunity to perform works by trisha brown, giada ferrone, nathan trice and maxine steinman. since then, he has showcased his work at dixon place and jersey city' s ,
your move
. mr. fenner - mcbride has performed for iyun harrison, tamara saari dance, robin becker dance and amy marshall dance company. this is his first season with lydia johnson dance .
choreography / music: j. johnson caledonian country dances 1733, reconstruction by bernard bentley (1977 )
capturing a sense of the depth and spirit of the human struggle, ms. johnson’s evocative work is noted for an underlying sense of drama, which resonates through the predominantly abstract qualities of her choreography. music is a powerful component of the lydia johnson dance experience and selections range from contemporary masters such as osvaldo golijov, philip glass, henryk gorecki, to jazz by oscar peterson, thelonious monk and albert ammons .
battery dance company’s downtown dance festival continues through saturday at various locations in lower manhattan; (212) 219 - 3910, batterydance. org .
founded in 1999, lydia johnson dance has been consistently praised for its distinctive choreography, which uses components of ballet woven seamlessly into a contemporary dance vocabulary. the company has received positive critical acclaim from the new york times, the new yorker and backstage magazine for its annual new york season. ljd is honored to be highlighted frequently in philip gardner’s oberon’s grove blog in a series titled “the creative process. ” ljd has performed recently at both jacob’s pillow dance festival and the downtown dance festival. ms. johnson is a guest artist faculty member at the peridance capezio center in new york where ljd presents repertory workshops for advanced and professional dancers .
ljd held the second in its popular salon series on wednesday, may 7. “stillness and motion” explored the artistic processes of choreography and photography. lydia johnson joined photographers brooke williams and torrance york to share the inspiration for their respective art forms .
d divas were there. male and female. i mean that in a very good way. ms. lydia abarca, ms. virginia johnson, ms. gail mckinney, ms. sheila rohan. ms. melba murry white (always complained
nice, good, attractive, pleasant, fine: those words come to mind when watching the work of lydia johnson, whose company returned to the ailey citigroup theater on thursday. ms. johnson makes unadorned, soundly structured, musically adept ballets for a lovely, unpretentious group of dancers. she seems to know exactly what she’s doing; nothing is out of her control .
giving the program more weight is a discordant score by henryk gorecki, which johnson applies in a ballet called “dusk. ”
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a constantly fascinating program of dance despite differences in styles, techniques and philosophies .
get your mini - me moving and grooving at one of these dance schools .
choreography / music: traditional; pub. in hamilton, efss comunity dance manual
experience an intimate working session in the studio with ljd as lydia coaches dancers learning the signature roles in her iconic ballet ,
what counts .
to locate a dance video or animation search either for videos by title, venue / date, collection (who posted it), leader / caller / performance group, musicians, or choreographer, or you browse by dance name. the header for each dance displays - when known – the choreographer and tune, dance formation, meter and key and a link a to - “dance instruction” - (generally, choreography, sheet music. and / or descriptions of dance variation) .
we offer a creative approach to dance technique and choreography for ages two through high school. learn more about the ljd school and register for classes or dance camp .
your support helps us cover dance in new york city and beyond! donate now .
your support helps us cover dance in new york city and beyond! donate now .
one of the smartest modern dance choreographers is inspired by three major twentieth century artists .
choreography / music: thompson 1765 (triple minor), reconstucted as 3 couple dance by w. s. porter (1931). see' dance instruction' above
choreography / music: gary roodman to country dance from handel' s water music .
bfa on scholarship from the university of utah. company credits include aspen santa fe ballet, ballet west and sacramento ballet. with these companies, she has enjoyed dancing swan lake, a midsummer night' s dream, agnes de mille' s rodeo and george balanchine' s concerto barocco, valse fantasie, western symphony, theme and variations, who cares? and the four temperaments. she participated in alonzo king' s professional workshop and the northwest professional dance project, where ms. shea had the honor of working with lucas crandall of the nederlands dans theatre and performing a solo crandall created on her. in 2011, she was filmed dancing the solo “l’esmeralda” and pas de deux “l’torrolene” for the ballet archives and a documentary titled “sensuality and nationalism in romantic ballet”. currently, ms. shea can be seen dancing in new york city with lydia johnson dance, brooklyn ballet, continuum contemporary / ballet and eglevsky ballet. this is her 10th season dancing for lydia johnson dance, where she has originated major roles and serves as associate artistic director. a special thank you to lydia johnson, ballet coaches caridad martinez and diana cartier and her husband, john farrier .
with dance theatre of harlem was back in 1975. i had been given a stipend scholarshi
choreography / music: playford 1657 and cecil sharp version. see' dance istruction
above
dance and a ba in business economics. originally from lake tahoe, nevada, he received his early training from ann peters. within the theatre / dance department at ucsb, he was awarded the matthew plaskett memorial scholarship (2003, 2005), the patricia sparrow scholarship (2005), as well as the drama and dance associates award (2006) for overall excellence in academic and artistic pursuits. mr. hennessy - york danced with santa barbara dance theatre under the direction of jerry pearson from 2007 to 2011, which included tours to china and south korea. he has also performed with nugent dance, montecito school of ballet and woodminster summer musicals, as well as performances in works by josé limón, nancy colahan, tonia shimin, christopher pilafian, valerie huston, sumi clements and marcos duran. in new york, mr. hennessy - york works at viacom inc. while pursuing his dance career. this is his fourth season with lydia johnson dance .
classes at the age of 13. the following year, he attended fiorello h. laguardia high school of music & art and the performing arts, where he found his niche in modern dance while studying graham and horton techniques. after graduation, mr. bocconi continued his dance training in the ailey / fordham bfa program under the direction of melanie person. he has performed works by milton myers, elisa monte, alvin ailey, hofesh schecter, didy veldman, ronald k. brown and nathan trice. mr. bocconi has spent summers at jacob’s pillow dance festival, hubbard street dance chicago, nederlands dans theatre and springboard dance montreal, learning the repertoire of annabelle lopez ochoa, hélène blackburn and jiri pokorny. he is also a member of lar lubovitch dance company in nyc and, most recently, performed as a dancer in the metropolitan opera’s production of prince igor during the 2013 - 14 season. this is mr. bocconi’s second season with lydia johnson dance .
choreographer lydia johnson thought she knew what she was doing when she set out to find music for her upcoming concerts in south orange and manhattan. not long into her search, however, the local artist learned what so many people are discovering in these days of online marketing: her computer knew better than she did .
in 1996, he won the silver medal at the seventh international dance competition in paris and in 2004 was awarded the les étoiles de ballet 2000 prize in cannes. as a guest artist, lópez has performed with the national ballet of georgia, national ballet of cuba, ash contemporary dance, ballet etudes of miami, capitol ballet, o. b. s ballet of japan, inoue ballet foundation of japan, lar lubovitch dance company, evansville ballet, wausau dance theater, montgomery ballet, ballet etudes of connecticut, avi scher and dancers and ballet concierto of puerto rico. mr. lópez is also an american ballet theatre certified teacher from primary through level 8 of the abt national training curriculum. this is the second season he has appeared as a guest artist with lydia johnson dance .
“ night of the flying horses is filled with sublime imagery, moments of the dance i can still see in my mindï¿½s eye. itï¿½s a beautiful and emotional work, a dance that stays with you long after you have seen it... ms. johnson reached in and pulled night of the flying horses from her heart .
night of the flying horses is filled with sublime imagery, moments of the dance i can still see in my mind�s eye. it�s a beautiful and emotional work, a dance that stays with you long after you have seen it... ms. johnson reached in and pulled night of the flying horses from her heart .
and modern dance fromtexas christian university and a ma in dance education from nyu steinhardt. in new york, she has performed with eglevsky ballet, tompricedance and von howard project, among others .
“lydia is a true master teacher in that she does not only weave brilliant instructional insight into everything she does, but she makes all the people around her better and smarter. ”
a picture caption on tuesday with a review of lydia johnson dance, at the ailey citigroup center in manhattan, misidentified two of the three dancers shown performing. audra edwards is at the left, not katie martin - lohiya. ms. martin - lohiya is at the right — not laura di orio, another member of the company. (the dancer in the center, min - seon kim, was correctly identified. )
balam dance theater, performing three works, definitely overstayed its welcome: here balinese dance met modern dance, ballet and karate to create a wince - inducing fusion. the group returned with “folia - visiones del antiguo españa, ” an awkward blend of baroque and spanish folk dance and bullfighting movement. where was ballet with a twist when you needed it? a summer cocktail was long overdue .
formal training at the harid conservatory. after his conferral, he continued his education at the university of south florida. after earning his bfa in modern dance performance, he migrated north to this fine city to pursue a career as a movement explorer, educator and performer. since then, he has had the pleasure of working with such artists as kyle abraham / ambraham. in. motion, jennifer muller / the works, cherylyn lavagnino, darcy naganuma, jung - li chen, continuum contemporary / ballet and lydia johnson dance .
lynette defazio at ballet arts. ms. pon graduated from the university of california, santa barbara with a bfa in dance. while at ucsb, she danced in works by christopher pilafian, tonia shimin, valerie huston, josé limon, and performed with nugent dance. ms. pon is a recipient of the patricia sparrow scholarship and the alice condodina performance award. upon graduation, she was invited to join santa barbara dance theater, under the direction of jerry pearson. she danced and toured internationally with sbdt for three seasons and was a part of the company’s 20th anniversary celebration in 2011. in new york, ms. pon has also danced with the nai - ni chen dance company. with ljd, she has taught repertory workshops in nyc and also serves as company manager. ms. pon joined lydia johnson dance in 2011 .
her new dance, still untitled, opens with a fast - paced ensemble section, then passes into a stately sarabande in which duets emerge. to heighten the effect of this partnering, johnson has placed some of her dancers on bench - high platforms .
a not - for - profit, fine arts dance school linked to our new york professional company .
a panel discussion afterward with the six choreographers plus oliver, schupp, and harkness center’s dance curator catherine tharin delves further into questions surrounding women in dance, as the choreographers speak about their artistic journeys .
this school has been training children from preschool through high school in a wide array of dance genres for almost 20 years. try a ballet, tap, jazz, modern dance or musical theater class .
jae man joo’s ‘into the light’. photo by cesar brodermann, courtesy of peridance contemporary dance company .
choreography / music: jacqueline schwab & charles hamond, 1974. tune: dance to your daddy .
jen hegner - jennifer grew up in annapolis and studied dance at dance explosion in glen burnie, maryland. in college, she was a member of the 15 times, top number one nationally ranked, towson university dance team and after four years she graduated with a degree in psychology. she continued with her education by earning her masters in social work from university of maryland baltimore. jennifer has also been a dance teacher for thirteen years. this is her seventh year as a member of common ground dance company .
and melissa roxey. she continued her studies in new york city at the joffrey ballet school. ms. di orio has performed with roxey ballet and albano ballet, among others. she received her ba in journalism from fordham university and has since been a contributing writer for several dance publications, including pointe, dance spirit and dance informa. she serves as a ballet class substitute for kat wildish at the alvin ailey extension. she also currently dances with the staten island ballet, continuum contemporary / ballet and david fernandez’s some dance company. most recently, she was executive director of some dance company – encore! , a performance to benefit career transition for dancers. ms. di orio became a member of lydia johnson dance in 2006 and has since learned and originated many roles and has also taught company repertory at workshops in nyc. she would like to thank her family, friends, ljd family and her fiancé, christopher, for their love, support and fun .
choreography / music: jenna simpson (2015) to' welcome home, my dearie' from david johnson' s scottish fiddle music in the 18th century .
if dance classes aren’t already part of your kid’s after - school repertoire, consider this: according to a 2013 national dance education organization (ndeo) study, kids who participate in dance are more likely to develop empathy and more likely to feel accepted than kids who don’t dance. plus, the benefits of dance last indefinitely: “young students can develop motor skills, coordination and a healthy self - respect that will stay with them throughout their lives, ” says susan mcgreevy - nichols, executive director of the ndeo .
is a recent graduate from columbia university, majoring in biology and dance. dan trained at new haven ballet under the direction of noble barker, as well as fineline theatre arts under the direction of elizabeth parkinson. dan has attended summer programs at american ballet theatre in new york, harid conservatory, the juilliard school, orlando ballet and alonzo king’s lines ballet. mr. pahl has performed in works by sidra bell and ori flomin through the barnard project at new york live arts, in addition to works by andrea miller, francesca harper, jill johnson and twyla tharp through barnard dances at miller. in addition, he has performed in original works by emery lecrone, josh prince, alison cook beatty and caitlin trainor, among others, with the columbia ballet collaborative. in 2013, he performed with josh prince’s the broadway dance lab at the fire island dance festival. this is mr. pahl’s first season with lydia johnson dance .
high school of music & art and performing arts and at marymount manhattan college. she graduated cum laude from marymount with a bfa in dance and was an honorable mention for the gold key, a recognition award for excellence in dance. while at marymount, she performed works by alwin nikolais, benoit - swan pouffer, john butler, katie langan, maxine steinman, nancy lushington, pedro ruiz, shen wei and sophie maslow. in addition, ms. kim has also worked with choreographers adam barruch, sidra bell, milton myers, sean gannon, abigail levine and lauren hale biniaris. currently, she is a member of i love dance crew, a dance crew that specializes in hip - hop and various street styles to the tune of korean pop music, performing outside the realm of ballet and contemporary work. this is ms. kim’s third season with lydia johnson dance .
join us for a glass of wine and experience dance in the intimate setting in which it is created .
more on the fascinating history of jacob' s pillow, where major modern dance creators performed and worked .
i took my daughters to see
the dance theatre of harlem
last night. what an amazing performanc
in lydia johnson ’s trio sonatas, seven dancers in short black dresses progress along a diagonal from downstage left to upstage right, gesturing in canon. toying with levels, the septet goes from lying flat to being lifted — plus everything in between. as the complexity increases, the dancers explode into a canon of similar movements. the largish cast allows for many exciting groupings: three pairs against a soloist, five dancers against a duet. johnson keeps us guessing until the very end when just two dancers remain on stage .
originally from massachusetts, ms. johnson began her dance training in boston and moved to new york city to study on scholarship at the alvin ailey american dance center. she continued her studies in new york with finis jhung and sara rudner among others. she presented her early work in new york at numerous dance spaces and founded one night stand, a series of co - operative showcases, which allowed choreographers to present new work inexpensively. she has received a monticello foundation award sponsored by the national association of regional ballet as well as a recent harkness dance center space grant from the 92nd street y. ljd was founded in 1999 when ms. johnson returned to her choreography after taking several years to be home with her three children while working part time .
kidstock is being held on saturday june 2, 2012 from 1 - 3 pm at the clinton elementary school (27 berkshire road, maplewood). there will be live music and dancing, featuring sister sing sister string and stingray of starfish, among other local musicians and acts. a student dance troupe from lydia johnson dance will also be performing. there will be a bounce house and face painting. there will also have popcorn and cotton candy, as well as drinks. a few local businesses such as artistic laminations, other mothers, and macaroni kids will have tables .
a packed studio enjoyed an intimate dialogue with lydia johnson and ljd’s ballet mistress deborah wingert, watching their collaborative coaching in action as dancers performed excerpts of the company’s repertory. ljd is thrilled to be working with ms. wingert — a 15 - year principal and soloist with new york city ballet, chosen by george balanchine to join nycb at the age of 16 .
an exciting program of four contemporary dance works in ms. johnson’s unique vocabulary, which stems from a ballet base. the pieces are set to music including contemporary masters henryk górecki and philip glass, as well as to the trio sonatas of handel. read more ...
may 3 - - carolyn dorfman dance company, modern dance, 8 p. m. , $ 28 - $ 38. peter filichia may be reached at pfilichia @ urltoken or (973) 392 - 5995 .
a free presentation of several excerpts from lydia' s current works, followed by a discussion of the use of classical ballet line in the ljd repertory and the importance of studying ballet technique for contemporary dancers .
an exciting program of four contemporary dance works in ms. johnson' s unique vocabulary, which stems from a ballet base. the pieces are set to music including contemporary masters henryk górecki and philip glass, as well as to the trio sonatas of handel. read more ...
“simply from watching a few minutes of ensemble work from the new schubert, it’s evident this is going to be one of lydia' s most memorable works. ” —read more of philip gardener’s article at oberon’s grove
impressions: fridays at noon: women ballet choreographers east and west at the 92nd st. y | the dance enthusiast
choreography / music: peggy roe to a lancashire morris dance tune by the same name and a variant source unknown .
choreography / music: andrew shaw reconstruction; dance and tune by nathanal kynaston, pub. in walsh 24cd, 1718
choreographers gemma bond, lydia johnson, cherylyn lavagnino and kate thomas of new york, and dalia rawson and kathryn roszak of california present an hour of excerpted dances followed by a discussion with author wendy oliver on the unique place women ballet choreographers hold in the ballet, their future in the ballet, as well as on the recently formed women ballet choreographers institute at djerassi. oliver, author of dance and gender: an evidence - based approach reads from her ground - breaking and newly - published (2017) book. book sale and signing .
3 days till dance camp 2018 starts! kids can come for 1, 2 or 3 weeks! burgdorf performing arts center in maplewood village. we are a not - for - profit offering a creative approach to dance classes! at our camp every child is a dance maker! performance of works in progress every friday! study with nyc dancers from our professional company. urltoken
choreography / music: playford 1702; diagonal hey variation; renovated by eugenia eremina - solenikovoy. see' dance instruction' above
choreography / music: playford 1651; cecil sharp 1911 inter, zesty variation, russian reconstruction. see' dance instruction' above
the afternoon opens with a reading by wendy oliver, author of “ dance and gender: an evidence - based approach, ” followed by a reading by karen schupp, author of “sassy girls and hard - hitting boys: dance competition culture and gender. ”
ljd presented excerpts from this year’s zero hours, set to piano blues by pete johnson and albert ammons. the piece featured ljd company members jessica sand, lisa iannacito, laura diorio, james hernandez, sarah pon, blake hennessy - york, and guest artist sean patrick mahoney, who appeared courtesy of the paul taylor dance company .
midori nonaka, craig dionne and company in charlotta ofverholm’s ‘after lazarus’. photo by cesar brodermann, courtesy of peridance contemporary dance company .
a graduate from towson university earning a bachelors of fine arts in dance performance, chelsea began dancing at the age of 2 1 / 2 first at bel air recreational council then at age 5 moving to dance dynamix which later became mid - atlantic center for the performing arts. chelsea has studied styles of dance from ballet, pointe, contemporary, jazz, hip hop and more. she has performed and competed in numerous venues including towson university company performances in towson and los angeles, ca, maryland classical dance academy nutcracker productions .
choreography / music: playford 1651. sharp reconstruction. the playford ball variant; sca and renfair reconstructions see' dance instruction' above
learning and originating roles with the company, she has served as rehearsal director and hastaught at lydia johnson’s school and at the companies repertory workshops. she earned her bfa from the conservatory of dance at purchase college andhas trained extensively in the limon technique with risa steinberg. ms. iannacito mcbride has danced with the albany berkshire ballet, kazuko hirabayashi dance theater, beth soll, dusan tynek dance theater, catherine miller and kathryn alter. in 2007, she was selected to participate in the patricia n. nanon residency at the yard on martha’s vineyard, where she taught company class. currently, she is a member and the associate artistic director of riedel dance theater. she was the managing director of dances patrelle from 2010 to 2011. she has been on faculty at the logrea dance academy, the new york state summer school for the arts, ballet academy east, the yard, the mark morris dance center and the school of the albany berkshire ballet. in 2012, she became an adjunct faculty member at pace university. ms. iannacito mcbride is a pilates instructor certified by the kane school of core integration and a yoga instructor certified by mang’oh yoga, for which she also serves as studio manager. ms. iannacito mcbride is currently on maternity leave .
again, because johnson relied on her usual formula of limited movements—here made only slightly more interesting by same sex partnering and the introduction of miss spangler—it was difficult to find any difference between the couples’ emotional states .
each day during the workshop, material from a different piece of the ljd repertory was presented and explored. ms. johnson and company dancers emphasized individual interpretations of each combination. ljd�s focus in performance is on the ability of each dancer to express the choreography with an individual voice. rather than working to attain a uniform quality, ljd dancers strive to bring their own personal vision into the phrases. ms. johnson choreographs .
what is there to do when a dance festival turns into an endurance test? when biting flies become so aggressive that your legs feel as if they have caught on fire? clearly, opening day of the downtown dance festival — three hours, no intermission — was a tester .
photo (top): leigh lijoi and company in charlotta ofverholm’s after lazarus. photo by cesar brodermann, courtesy of peridance contemporary dance company .
sandra zaicko - originally from a dance oriented family based in north carolina, sandra attended governor’s school of north carolina (a program for intellectually gifted students based on nomination and audition) for performing arts through dance. sandra attended elon university where she continued dancing and performing with the elon dancers. throughout college, sandra taught at two local dance studios where she was the technical director for their competitive teams. sandra graduated in 2008 with her b. a. in corporate communications. active member and certified to teach through dance masters of america, mid - atlantic chapter 17 .
california folk dance traditions instruction booklet and accompanying cd, with the alta california orchestra, recreating the fandango, an event to be celebrated .
the list is intended to include as many on - line ecd videos as can be found with the exception of those in which the images or music are substantially impaired, or the dance is displayed for less than 60 seconds. the quality of the dancing is generally not a factor as long as the dancers appear to be enjoying themselves. where a particular dance has been uploaded repeatedly in the same context - for example, repeat performances by a dance troupe or favorite dances at successive annual balls, repetitive videos may be omitted. the collection has been used largely by dancers as an aid to learning dances, by callers planning dance programs and musicians to see how a dance works at different tempos. those videos that are likely to be the most useful for learning a dance are marked with an asterisk in the listing. more than one video may be noted for a particular dance, especially for variant interpretations or reconstructions. when you are creating videos for instructional purposes consider the suggestions in this linked article
choreography / music: brook friendly and chris sackett (2008) to flaxley green dance (traditional english), published in impropriety vol. ii
the first premiere was “trio sonatas” to music by handel. here the deficiencies of johnson’s choreographic style became more obvious. the unfussy movement scheme was no match for handel’s sophisticated music. johnson missed virtually all the music’s undercurrents, choosing instead to attach movements to the obvious melodies and rhythms, making me wonder just how sensitive she is to the subtleties of this music. the slow movements were simply exact duplicates of the fast movements, just slower .
2. what is the teacher focused on? is every class spent learning the choreography for the competition of the week, or is the emphasis on developing technique and artistry? (you’re looking for the latter .) students shouldn’t just be learning a dance—they should be learning how to dance .
“i haven’t used music that’s this old for a while, ” johnson says. “ (yet) i heard this violin piece come on, and i was like, ‘wow, that is so amazing and new. ’ ”
“a creator of modest, handsome, ballet - based dances, johnson offers a slow - build première set to music by henryk górecki. for “in conversation (… like breathing … like flying), ” the score is by philip glass, whose sense of lucid form johnson shares. “dream sequence” is more playful, a period piece with a twyla tharp battle - of - the - sexes feel that floats on the crooning and inebriated swing of dean martin. ”
each day during this week - long repertory workshop, material from a different piece of the ljd repertory was presented and explored. ms. johnson’s vocabulary is ballet - based with modern, gestural and drop - and - release components .
choreography / music: playford 1690 reconstruction by cecil sharep (1916) / purcell; variation in claps; unattributed variations. see' dance instructions' above
niccoló was born and raised in turin italy. at the age of 20 years old he discovered his passion for the art of dance thanks to his first teacher and director valentina gallo. he has studied ballet with maestro joan bosioc etoile at ballet theatre francaise de nancy, ekaterina savina (vaganova), annagrazia d’antico and modern with annagrazia d’antico and matilde de marchi. niccoló graduated from teatro nuovo torino with 100% . he has danced with ammonia danza corrosiva, arké ensemble, jersey city ballet, among others, worked with regio theater torino and has appeared in the 90th gala of the martha graham dance company where he danced celebration reconstructed by tadeji brdnik. he also attendend the palm spring dance festival 2017 where he performed ad solo piece of his own creation. niccoló has been teaching dance in turin italy for asd “la polismile” and has been featured as a dance instructor for the palm spring dance festival (2017 and 2018) .
the work is set to music by the innovative and rhythmically challenging jazz ensemble the bad plus. the piece explores the nuances of jazz rhythms and textures while maintaining ms. johnson’s signature style of clear ballet lines and movements set within her contemporary phrases .
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for each dance with multiple videos entries appear in the order of 1) choreographer and then 2) the name of the person or entity posting the video. .
choreography / music: choreography / music: edm 1701 and a reconstruction into circular formation; reconstructions by cecil sharp and eugene solennikovoy. see' dance instruction
above
choreography / music: a simons (kentish hops) 1961. dance from noel park) voight 1809 / fentum 1810; music (knowles park) bishop 1788 .
in the case of “what counts, ” the choice of music — three tracks by the jazz trio the bad plus — was a departure for ms. johnson. the excerpts from violin partitas in “untitled bach” (2010) and the mozart fantasia of “barretts mill road: a remembrance” (2014) were more typical selections. but ms. johnson’s choreography was agilely attentive to the frequently shifting meters of the jazz. (the title, taken as a question, could be a comment on the tricky rhythms. )
in the four works she presented, including one premiere, what felt exciting at first — her sensitivity to music, in particular — grew less so throughout the evening. we saw what ms. johnson was good at, then saw it again and again .
92y’s fridays at noon presents programs cleverly designed around a single investigation or theme. women ballet choreographers east and west (as in the us coasts) showcases female dance - makers with readings and discussions based around women as choreographers. the program unpacks gender inequalities still present in the dance field and poses questions about why so few women choreograph .
leigh lijoi and jerard palazo, midori nonaka and craig dionne in igal perry’s ‘dia - mono - logues’. photo by cesar brodermann, courtesy of peridance contemporary dance company .
he currently resides in nyc and is studying at the martha graham dance school where he is a part - time member of the martha graham ii company (graham2) .
choreography / music: lise dyckman, jim saxe, nancy baugh and alan winston. (7 / 10 / 2012 at the woodshed dance) to megajig by larry unger
the bach creates yet another mood with its rhythmic intricacies and noble bearing (the form of the partitas derives from dances of a bygone era). after immersing herself in the music for three weeks, johnson selected three items from a recording by violinist ilya kaler .
since 2005, bernadette has studied hiphop and many other dance styles at broadway dance center, peridance, steps on broadway and american liberty ballet. she has performed in several productions with american liberty ballet, and in nyc showcases .
hip is the knowledge, hop is the movement .
- krs - one. let' s go .
johnson’s choreographic ethic borders on the minimalistic, repeating some basic movements, particularly certain arm gestures, in all of the works. in two of the three ballets, it works, in one it fails terribly, and in the fourth, it merely comes up short .
on saturday afternoon battery dance company presented the first day of its summer event, now in its 30th year. while the program took place on a small white makeshift stage at the battery park lawn — it’s a pretty, intimate spot shaded by a canopy of trees — additional programs will be held at 1 new york plaza and at dance new amsterdam .
ms. johnson and company dancers emphasize individual interpretations of each combination and phrase with special focus on linking the movement to the music. ljd’s focus in performance is on the ability of each dancer to express the choreography with an individual, musically intelligent voice. read more ...
bww dance world’s barnett serchuk writes, “ its subtlety, its musicality, its ability to tell a story through dance without conjuring one up (that' s left up to you), puts her choreography near the top of what i have seen recently. in fact, now i' d like to see her entire oeuvre. ” read more ...
and bid on items in our online auction - - priceless dance experiences such as a vip night at the nycb, a private dinner with our dancers, a pas de deux choreographed for your special occasion or a nyc rehearsal experience for your young dance student; plus yoga sessions, design and career consults, kick boxing, art, theater, and weekend getaways .
dance animations, formerly displayed on a separate page, have been integrated into this list. (for a list of all animations, search venue / date for
animation
) .
johnson, who makes dances in a contemporary ballet style, was thinking along modern lines. she wanted a composer who, if not actually still breathing, would give a sense of the rush and excitement of 21st - century life. philip glass, she thought, would be perfect .
the premiere concludes with the “chaconne” from bach’s partita no. 2 in d minor, a work of celebrated virtuosity. here, johnson says, the creative process surprised her yet again, as a duet for two of the men in her 12 - member company emerged as the focus .
for the arts and the lou conte dance studio. she continued her dance education on scholarship at point park university, where she also studied abroad in paris, france. mrs. martin - lohiya then moved to nyc and completed her bfa, graduating magna cum laude, from marymount manhattan college, under the direction of katie langan. while at marymount, she had the opportunity to perform works by benoit - swan pouffer, may o’donnel, john butler, igal perry and erick hawkins. she has attended the hubbard street summer intensive, american dance festival and the professional training program at the merce cunningham school, where she was awarded a scholarship. mrs. martin - lohiya has danced with the long island dance project, the synthesis aesthetics project, fly by night dance theater and others. additionally, she teaches contemporary for the ljd school and is a certified personal trainer. this is mrs. martin - lohiya' s third season with ljd .
anne o' brien - anne magill o’brien grew up in bryan, tx and graduated from the university of texas in 1997 with a b. a. degree in history. while in college anne danced with and choreographed for the ut dance team, and was a member of third coast jazz dance company. ms. o' brien taught at art in motion dance studio in illinois, along with choreographing for their national award winning competitive performance groups. anne received a second bachelor’s degree in dance performance and education, with k - 12 certification from towson university, completed in 2005. anne has been the recepient of many top choreography awards during her time as director of dancemoves' nationally award winning performance groups. anne is also the proud mom of daniel and lucie and rosie.
lydia johnson dance is a contemporary dance company that performs the choreography of lydia johnson , primarily in new york city and new jersey . it is notable for combining ballet and modern dance , sometimes isolating and reworking " components of classical ballet technique . " the company was founded in 1999 by johnson , a choreographer . she has choreographed dance works to various composers including beethoven , the alternative rock band cake , philip glass , argentine composer osvaldo golijov , polish composer henryk górecki , and others . since 2008 the company has received annual support from the geraldine r. dodge foundation . performances tend to have six or seven to twelve dancers , and the company has performed in numerous venues in new jersey and new york city , and it is based in northern new jersey . in addition , lydia johnson dance runs a school to teach dance and choreography . 
lydia johnson dance is a contemporary dance company that performs the choreography of lydia johnson, primarily in new york city and new jersey. it is notable for combining ballet and modern dance, sometimes isolating and reworking " components of classical ballet technique. " the company was founded in 1999 by johnson, a choreographer. she has choreographed dance works to various composers including beethoven, the alternative rock band cake, philip glass, argentine composer osvaldo golijov, polish composer henryk górecki, and others. since 2008 the company has received annual support from the geraldine r. dodge foundation. performances tend to have six or seven to twelve dancers, and the company has performed in numerous venues in new jersey and new york city, and it is based in northern new jersey. in addition, lydia johnson dance runs a school to teach dance and choreography.
lydia johnson dance is a contemporary dance company that performs the choreography of lydia johnson, primarily in new york city and new jersey. it is notable for combining ballet and modern dance, sometimes isolating and reworking " components of classical ballet technique. " the company was founded in 1999 by johnson, a choreographer. she has choreographed dance works to various composers including beethoven, the alternative rock band cake, philip glass, argentine composer osvaldo golijov, polish composer henryk górecki, and others. since 2008 the company has received annual support from the geraldine r. dodge foundation. performances tend to have six or seven to twelve dancers, and the company has performed in numerous venues in new jersey and new york city, and it is based in northern new jersey. in addition, lydia johnson dance runs a school to teach dance and choreography.