steuben glass works
steuben glass works continued producing art nouveau glass until the advent of world war i .
corning glass works acquires steuben. frederick carder is kept on as managing director of the new
steuben division
of corning glass .
photograph is exterior of the four original steuben glass works buildings around 1907. formerly, these buildings were the payne foundry and machine shop; in 1903, they were converted to the steuben glass works. also in that year was the addition of the third story and cupola to the building on the far right bearing
steuben glass works
.
this elegant, antique, art nouveau art glass lily shade is attributed to steuben glass works. it is crafted in iridescent gold with optic ribs .
the world’ s largest glass museum features the frederick carder gallery, a display of early pieces made at the english firm of stevens & williams, many of the objects he designed when he managed steuben glass works between 1903 and 1933, and some works he created in his later years .
the steuben glass company of new york produced clear glass objects, often with engraved or incised designs. …
, new york. it was purchased by the corning glass works in 1918 but continued to be directed by carder until 1933. the
articles of incorporation filed for a new glass firm called steuben glass works by thomas g. hawkes, president of t. g. hawkes and company, a glass - engraving firm, and by frederick carder, an english glassmaker specializing in colorful, art nouveau art glass typical of the period .
a classic art glass producer hailing from corning, new york, steuben glass works enjoyed over a century as one of the most celebrated american glass creators. established by american glassmaker frederick carder and englishman thomas g. hawkes in 1903, steuben reflected the merger of old european craftsmanship and american innovation .
steuben is owned by corning incorporated and managed by the corning museum of glass .
for over a century, the name steuben has been synonymous with innovation and quality in american glass. established in 1903 in steuben county in upstate new york, steuben glass works was the dream of an englishman, frederick carder. carder had been urged by t. g. hawkes of a corning, new york, glass cutting firm to come to america to start a new company. in england, carder had worked for the stevens and williams company and had developed his own passion for working with glass. in 1903 he opened the steuben glass works, and its first products on the market became known as carder steuben .
steuben blue aurene art glass vase corning, new york, early 20th century iridescent glass, marked steuben, ht. 8 1 / 4 in. more ...
small steuben colorless glass nut dish, ht. 4 in. more ...
steuben, acid - etched white over celeste blue glass vase no. 8413 variant ,
corning incorporated licenses the corning museum of glass to oversee sales and production of steuben .
steuben glass was made at the steuben glass works of corning, new york. the factory, founded by frederick carder and t. g. hawkes, sr. , was purchased by the corning glass company. corning continued to make glass called steuben. many types of art glass were made at steuben. aurene is an iridescent glass. schottenstein stores inc. bought 80 percent of the business in 2008. the factory closed in 2011. in 2014 the corning museum of glass took over the factory and is producing some tableware, paperweights, and collectibles. additional pieces may be found in the cluthra and perfume bottle categories .
steuben glass: for contemporary pieces and company history visit urltoken or call 1 - 800 - steuben or write info @ urltoken .
arts and crafts iridescent art glass table lamp attributed to steuben, having a signed steuben iridescent gold shade above the blue ...
steuben glass works was founded by frederick carder (english, 1863 - 1963) and thomas g. hawkes (1846 - 1913) in corning, new york. carder previously worked for stevens and williams in england. the carder period at steuben spanned from 1903 until 1932, at which time following losses during the great depression, corning glass took over the steuben division and ceased production of colored glass .
eight steuben colorless glass finger bowls, boxed, ht. 3 in. more ...
steuben gold and blue aurene glass footed vases. auction feb, 8, 2017. lot 446
corning museum of glass opens in a building integrated into the steuben factory, allowing visitors a glimpse of the craftsmanship and artistry behind steuben .
the houghton period (1933 - 2012) of steuben glass was named for president arthur houghton jr. under his leadership steuben created more modern shapes and introduced a newly formulated, highly refractive clear glass .
steuben green jade handled art glass amphora form vase, 20th c. , with alabaster glass handles, shape # 2780, designed by frederick ca ...
pair of steuben colorless glass cornucopia vases, ht. 6 3 / 4 in. more ...
pair of steuben glass candlesticks, signed, ht. 10 1 / 2 in. more ...
steuben develops a glass with an exceptionally high refractive index that throws off an extraordinary rainbow of color. this proprietary formula makes steuben crystal stronger than ordinary glass, yet delicate to the touch. its brilliant finish becomes a hallmark of steuben and remains unrivalled today .
set of three steuben colorless glass urns, two marked
steuben ,
one unmarked, ht. 6 3 / 4 in. more ...
2003 marks the 100th anniversary of steuben. the museum of the city of new york mounts glass and glamour: steuben' s modern moment, an exhibition focusing on steuben work from 1930 - 1960 .
schottenstein announces they will end production of steuben. the steuben factory in corning, ny and the steuben store in new york city are closed .
set of three steuben aurene iridescent glass shades, ht. 4 1 / 4 in. more ...
steuben colorless glass
trillium
bowl, ht. 5, dia. 10 in. more ...
unfortunately, world war i caused the factory to be unable to acquire the raw materials necessary for producing the exceptional glass for which it had become known. the company was sold to corning glass works and became known as the “steuben division. & rdquor; before its purchase, steuben produced a variety of colored and iridescent art glasses. the sale to corning resulted in the company focusing on clear pieces of crystal art, with the last known sale of steuben colored glass occurring in 1943 .
named for the county in new york where the company was located, steuben glass works is widely recognized for producing a plethora of fine art glass in the early 1900s. the firm took shape in 1903 when thomas hawkes, president of t. g. hawkes and company, and frederick carder joined together in corning, new york .
in 1918, steuben became part of corning glass works, now corning inc. steuben continued production under corning in a building next to cmog until 2008. after a brief change in ownership, corning reacquired the brand and licensed cmog to produce and sell a limited selection of items that maintain the quality signified by the steuben brand. proceeds from steuben sales benefit the educational mission of the not - for - profit museum .
boxed set of twelve steuben teardrop wineglasses, 20th century, pattern 7890, each glass signed, in original hinged box from the
steuben glass room
at shreve, crump & low company, boston, each more ...
small steuben double - handled colorless glass candy dish, ht. 4 1 / 4 in. more ...
steuben produced many blanks decorated by hawkes & apos; firm until 1918 when it became part of corning glass company, as well as making decorative and colored glass in art nouveau styles. some of steuben & apos; s lines were completely innovative and others competed with iridescent wares made by louis comfort tiffany and the austrian glass company loetz. tiffany sued steuben after seeing aurene pieces believing his favrile glass was being copied .
engraver thomas g. hawkes and english glassmaker frederick carder founded steuben glass works in corning, n. y. , in 1903. carder was appointed artistic designer, production supervisor, and marketing director. throughout his career, he continually experimented with innovative colors and techniques, like layering, acid - etching, and acid - cutting his glass .
by the 1970s, with some key figures retiring, steuben transitioned again to “reaffirm the idealism of design, material, and craft with a view toward preserving the best of the past while clearly moving into the future. ” the company continued the design and production of functional glass devoid of added exterior decoration, as well as timeless sculptural pieces, until steuben glass works ceased production entirely in 2011 .
cmog displays the world’s largest collection of early steuben glass and important examples of the brand’s major works, and it houses steuben’s archival materials in the museum’s rakow research library. in addition, the historic ventilator building steuben once used, which is located on cmog’s campus, was recently renovated and repurposed as a 500 - seat amphitheater hot shop in the museum’s contemporary art + design wing .
steuben products are available in the museum shops at the corning museum of glass, on urltoken, and through select retailers .
18kt gold and glass heart pendant, steuben, 2 3 / 4 x 1 7 / 8 in. more ...
steuben colorless glass
trillium
bowl, ht. 5 1 / 2, dia. 10 in. more ...
aurene iridescent art glass compote, possibly steuben, ht. 3 3 / 4, dia. 6 in. more ...
tiffany favrile lamp base with steuben shade new york, early 20th century round ribbed iridescent art glass shade paired with lamp base with applied gold glass accents, both with maker' s mark, more ...
steuben, founded in 1903 and bought by corning glass works in 1918, made its first foray into modern design in 1932, shortly after it hired walter dorwin teague, one of america' s first home - grown modern industrial designers, to take it beyond its art nouveau roots. perhaps his most famous steuben pieces were the lens bowls, designs of stepped, concentric circles, inspired by the fresnel lenses produced by corning glass for use in lighthouses .
two pieces of clear steuben glass, a tall vase and a bowl, signed, ht. to 12 in. more ...
well, bb the next time you go thrift store shopping take me with you! i believe you are the proud owner of a carder steuben glass vase. made in the 1920s. it’s a part of the carder period (1903 - 1932). carder’s great love was colored glass and produced more than 7, 000 shapes and 140 colors. like so many geniuses, carder lost control of the management of the corning glass works due to wwi and changes in the public’s taste .
steuben glass, the american luxury crystal brand is renewing its tradition of collaborating with designers to develop the next generation of creations for the brand .
contemporary glass, which tends to be larger in scale, and space for the hot glass show. with this added gallery and show space, not only will more pieces be able to be displayed, but more people will be able to experience the art of glass blowing through live demonstrations. a new york city architecture firm has been hired to design a new contemporary glass gallery and new hot glass stage .
when collectors think of steuben glass, two distinct styles come to mind. the first was pioneered by steuben co - founder frederick carder in 1903. as steuben’s chief designer, carder created a new form of iridescent glass called aurene. unlike tiffany’s dense and dark favrile line of iridescent glass, which was introduced in 1894, carder’s aurene pieces were luminous and lustrous, seeming to radiate more light than they absorbed. so ...
in the 18th and 19th centuries, young ladies attending dances employed porcelain, marble, and glass eggs to cool hands, heated by the excitement of the evening. our line of crystal hand coolers modernized the design into exquisitely intricate works of art that nestle refreshingly in your palm .
it was hawkes desire to have a factory that could both design and cut glass and when he learned of carder’s skills, he asked him to come to new york and help open such a self - contained factory. carder had recently been passed over for a promotion at stevens and williams, and decided, why not! under carder’s leadership, steuben glass works prospered and developed several lines of very popular art glass. with hawke’s capital investment and carder’s unique sense of style, steuben crystal was on its way to becoming an american legend. carder was free to experiment with various glass making procedures and glassware colors, and he made the most of the opportunity .
yes, the steuben factory was located in a section of the building housing the corning museum of glass. yes, there was a steuben shop selling the crystal in the museum' s glassmarket. yes, the museum even has a few pieces on display in the galleries. but no. the museum and steuben glass llc are not one in the same .
carder’s iridescent work in glass was similar to that of his contemporary louis comfort tiffany’s. however, carder steuben objects are characterized by symmetry of design. tiffany’s favrile glass, on the other hand, has an organic and spontaneous feel .
image included in the exhibition titled designing for a new century: works on paper by lalique and his contemporaries, held at the rakow research library, may 17, 2014 - january 4, 2015 .
works. it was not announced publicly until ten years later on june 1... ... later on june 1, 1947. it was officially patented in 1950 by stookey as u .
american art glass manufacturer, founded in the summer of 1903 by frederick carder and thomas g. hawkes in corning, new york who are they? hawkes - was the owner of the glass engraving firm then, (t. g. hawkes and company), operating in corning. carder - was an english glass maker specializing in colorful, art nouveau art glass typical of the period. cader period (1903 - 1932) houghton period (1933 - 2012) corning glass works appointed arthur houghton, jr. as president in 1933 under his leadership steuben changed artistic direction toward more modern forms. during this time steuden designers created a lot of beautiful and fluid designs such as the gazelle bowl the gazelle bowl the gazelle bowl was made by sculptor sidney waugh he developed a modern yet classical style for the new steuben colorless glass. the first gazelle bowls were engraved by the master engraver joseph libisch (1886–1964). elf and mushroom short history steuben glass steuben glass is... tattoo vase äôs centerpiece is a large mouth - blown vase adorned with a sinuous snake, bird and branch, moth, flowers, and stars. kiki smith james houston
coinciding with the new philosophy at steuben was a newly discovered glass formula. while phasing out colored glass, the company came to use exclusively a new brilliant 10 - m formula for glass, which had an extremely high refractive quality that permitted the whole spectrum of a light wave to pass through it. steuben was able to ride out the depression by providing colorless crystal to an elite audience .
steuben was founded in 1903 by english glass master frederick carder, who named it for the county in new york where the city of corning is located .
steuben gilt - metal and colorless cut and polished glass sculpture entitled thistle rock, designed by james houston. auction: feb 8, 2017. lot 324
carder steuben club web site: collector club site featuring guides to spot fake steuben pieces, want ads and audio recordings of carder himself .
two steuben lamps art glass, ceramic corning, new york, 20th century conical colorless form with trapped bubbles rest on box shaped under lights, one with chips to tip, glass ht. 7 1 / 2, box dia. more ...
large steuben presentation bowl, floriform base, inscribed
steuben ,
ht. dia. 12 5 / 8 in. more ...
sources: mary jean madigan, steuben glass: an american tradition in crystal (new york: harry n. abrams, inc. , 1982) orva heissenbuttel, steuben glass, rainbow review glass journal (1977), urltoken (accessed november 28, 2015) john stuart gordon, a modern world: american design from the yale university art gallery 1920 - 1950 (new haven, ct: yale university press, 2011 )
plan your visit to the corning museum of glass today! explore 3500 years of glassmaking. see glass come to life before your eyes. even make some yourself. and discover the beauty of steuben crystal - something that now belongs entirely to corning' s history .
aurene - style blue art glass vase, early 20th century, attributed to steuben, unmarked polished pontil, ht. 7 1 / 2 in. more ...
steuben opens a new flagship store in manhattan at 667 madison avenue (at 61st street). the move provides an opportunity to completely redefine the history of steuben glass with a retail experience in a state - of - the - art setting .
glassware, any decorative article made of glass, often designed for everyday use. from very early times glass has been used for various kinds of vessels, and in all countries where the industry has been developed glass has been produced in a great variety of forms and kinds of decoration, much…
flint glass, heavy and durable glass characterized by its brilliance, clarity, and highly refractive quality. developed by george ravenscroft (q. v .) in 1675, it ushered in a new style in glassmaking and eventually made england the leading glass producer of the world. ravenscroft’s experimentation was…
even after his retirement, he continued to experiment with glass production using the lost wax process in his studio office through 1959 creating a number of rare and desirable pieces of art glass. carder died in corning, new york in 1963 after a long and influential career in the glass crafting industry .
twelve designs in an ongoing series studies in crystal signify a change of design direction for steuben. by 1970 the collection will eventually grow to include over two hundred works. free from functional purpose, these pieces include both engravings on prismatic forms and free sculptural abstractions. while steuben continues to produce a large and varied line of tableware, vases, bowls and other utilitarian objects, these new, purely decorative pieces allow the company to exploit glass' potential as a medium for sculpture .
steuben' s modernist push got started in 1933, when arthur a. houghton jr. , a young member of the family that owned corning glass, decided that the unprofitable steuben division (now steuben glass) should go contemporary. he was prompted by the example of other factories, like the furniture manufacturer herman miller, which had seen modernism as the solution to falling sales. but he realized that while steuben had skilled craftsmen and a special crystal formula, it lacked design and marketing expertise .
three steuben colorless glass items and a pamphlet, two bowls and a candlestick, ht. to 9, dia. to 10 1 / 2 in. more ...
two steuben colorless glass tableware, a large trumpet vase and a footed bowl, both signed on base, ht. to 9 1 / 2 in. more ...
most steuben glass was marked in some way before leaving the factory, even if it was only a paper label affixed to the glass. these paper labels can be round, triangular, or octagonal in shape when found intact. there will usually be a polished pontil present (an indicator of blown glass) even if the paper label has worn or washed away over time .
during the war, however, a dearth of raw material and curtailed transportation caused production to fall considerably. when corning glass works acquired steuben in 1918, the company, hoping to increase profits, reorganized. carder, now appointed managing director of the corning’s “steuben division, ” continued, as before, to introduce products in hundreds of shades and thousands of shapes, many of which followed classical lines. these included pinkish rosaline, fragile acid - etched goblets, pieces frothing with “controlled” air bubbles and milky - white and pale green creations dubbed verre - de - soies, or silk glass .
steuben glass, now celebrating its 100th year in business, was a token of high - end new york modernity from about 1930 to 1960. its elegantly contemporary and flawlessly executed products - - cocktail shakers, drinking glasses, bowls, cigarette urns, olive dishes and the like - - made the perfect gift for the upscale bride and groom. and the company, an offshoot of corning glass works in corning, n. y. , promoted its wares, even during the depression, to an unabashed luxury market .
some called it the end of an era. some said its beauty simply wasn' t enough. everyone agrees it was a very sad day when steuben glass llc stopped producing the
all current areas of the museum are expected to remain open during the construction phase. the last major expansion to the museum was completed in 2001. the current contemporary glass gallery, hot glass stage, innovation center, glass market and auditorium were added and the rakow research library was relocated to a nearby building .
in 2008 steuben was sold and in 2011 the factory and store was closed .
since then, the artistic tradition established by steuben glass continues, as new designs are being developed by independent artisans in corning, new york, and in select production shops in europe .
you can sort by any title. click on any of the top titles to sort. if you want to see how it works, click on “year priced. ” all prices are reviewed by experts, but not every price has an image .
the glass of frederick carder / by paul v. gardner; introd. by paul n. perrot .
the steuben heritage series is introduced in celebration of steuben' s 75th anniversary, recognizing an unprecedented demand for classic crystal objects. the first heritage design is a faithful reissue of the popular thompsoncandlesticks offered in a limited edition to established steuben customers .
steuben glass is one of america’s most cherished producers of collectible crystal. whether it is a steuben vase, bowl, figurine, or sculpture, steuben pieces are always well received gifts and quickly earn their right as family heirlooms. the company was founded in 1903 by an enterprising englishman named fredrick c. carder and his partner thomas g. hawkes. carder had been designing and producing glass for sometime in england for the firm stevens and williams. hawkes owned a large glass cutting factory in corning, new york and the designs that were there came from many sources .
thomas s. beuchner, director of the corning museum of glass in 1957, observed that this caused the glass surface to crackle into millions of tiny lines “that reflect light like a layer of oil floating on water. ”
and there are, less felicitously, numerous examples of bowls and plates with engraved glass designs that for many - - myself included - - fuzz up the steuben line. these include a number of works from the'' 27 artists in crystal'' project. among the best on view are o' keeffe' s single blossom at the bottom of a shallow round bowl and noguchi' s simple plate with a linear drawing of a curled - up cat .
a steuben crystal egg achieves notoriety as the central focus of risky business starring tom cruise .
as the premier producer of exceptional american glass, steuben took an artistic turn in the 1930s. previously, the designers at steuben had followed styles that were popular at retailers like tiffany and co. beginning during the art deco movement, steuben became known for its unique work in modernist themes in clear glass. the company produced a number of prestigious pieces during the 20th century. u. s. president dwight eisenhower and wife mamie received an engraved steuben bowl as a gift from his cabinet in 1954. the city of atlanta gave martin luther king, jr. an engraved steuben bowl in 1965. president and mrs. johnson gave a steuben bowl to princess beatrix of the netherlands for her wedding to claus von amsberg. as chair of the lincoln center for the arts, john d. rockefeller iii received a steuben sculpture from david m kaiser, president of the new york philharmonic orchestra. these examples of the stature of steuben’s work pretty much speak for themselves .
the company introduced its first major engraved steuben crystal piece, gazelle bowl, in 1935. this elegant work of art, designed by sidney waugh, features 12 graceful gazelles leaping around a spherical bowl that is balanced on a solid glass base. this was the first steuben creation to reflect close artistic collaboration between glass designer and glassmaker. it was also the first to display all of steuben artists’ superior glassmaking techniques, blowing, cutting, polishing, and copper wheel engraving, in a single, collaborative, work .
steuben aurene jack - in - the - pulpit vase art glass new york, 1900 - 25 gold iridescent floriform vessel raised on circular base marked aurene, ht. 12 in. estate of claire stern more ...
this new firm would change the entire glassmaking industry, and etch frederick carder’s name forever in the annals of gifted glass masters .
donald albrecht, the show' s curator and an expert on modern american design and architecture, focused on this largely forgotten chapter in steuben' s history for two reasons. first, it offered a glimpse at the early days of american modern design, a progressive industrial aesthetic that steuben helped to cultivate. second, in promoting and marketing its glass at that time, steuben perfected a purely american style of corporate branding .
for more than a century, steuben has been internationally recognized as the benchmark of excellence in glass. the flawless brilliance of our material, renowned craftsmanship, and timeless design are without compare. now, under the stewardship of the corning museum of glass, the story of steuben is once again available to be shared. produced in small quantities, each item is hand - crafted to reflect the time and care committed to the achievement of elegance and quality .
steuben glass compote crystal corning, new york, 20th century flared rim raised on four curved arms joined to circular base, signed, approx. ht. 4 5 / 8, dia. 10 in. more ...
although its factory has always been upstate, steuben has a close connection with manhattan. the company opened a retail shop at 748 fifth avenue in 1934 and then, as business grew, put up the corning - steuben building at fifth avenue and 56th street in 1937, with walls of corning pyrex glass blocks set in limestone .
the corning museum of glass - one museum way - corning, ny 14830 800. 732. 6845 or 607. 937. 5371
four steuben pieces including gazelle bowl are added to the permanent collection of the metropolitan museum of art .
the pieces produced by steuben during these years were, like the gazelle bowl, simple, clean and sophisticated, reflecting the modernist ethos that had swept europe a decade before. in just a few years the company had successfully cast off its edwardian granny glasses and become the sleek beauty on the block. by the 1950' s (with the help of the advertising firm then known as ogilvy, benson & mather), steuben had branded its glass as the ultimate luxury for the home. and steuben' s modern moment wasn' t confined to objects. its parent company commissioned two fifth avenue buildings - - one made largely of glass blocks, in 1937, and a sleek glass high - rise by wallace k. harrison, in 1959, that housed steuben' s flagship store for 40 years .
collector' s pieces, a collection of 31 new ornamental designs opens as the new store' s inaugural display. the exhibition includes moby dick by donald pollard and sidney waugh, which marks a watershed in the history of steuben glass with the use of engraving: no longer is the engraved decoration merely
an illustration on glass ,
but an integral component of the form .
small blue aurene dish, possibly steuben, dia. 5 1 / 2 in. more ...
during the depression, however, the public’s interest in colored art glass waned. therefore, when stocks began to pile up, corning glass marketed carder’s products deeply discounted, as factory leftovers. in 1932, the carder era came to a dramatic end. corning’s new management, to the chagrin of steuben aficionados past and present, destroyed volumes of old - fashioned, “unmarketable” carder - designed colored stock en masse. locals dubbed it “the smashing. ” that same year, corning researchers unveiled a new type of optical glass, 10m. unlike traditional glass, 10m features a very high refractive index that allows the full spectrum of light, including ultraviolet waves, to pass through it. the result is a brilliant, flawless, colorless lead glass known today as steuben crystal. while the company was transitioning to this remarkable new medium, it produced many engraved art deco bowls and vases using traditional, abrasive copper wheel techniques .
'' glass and glamour: steuben' s modern moment, 1930 - 1960'' remains at the museum of the city of new york, 1220 fifth avenue, at 103rd street, (212) 534 - 1672, through april 25 .
in 1959 the company built a tower, at the time new york' s tallest glass - clad building, just across the street from its glass - block building, at the southeast corner of fifth avenue and 56th street. the new building was enhanced by an outside crystal wall, designed by george thompson, made of nearly 300 glass flowers with metal stamens that were reflected in a pool of water. (that building was sold in 2000; steuben is now represented by a shop on madison avenue between 60th and 61st streets. )
steuben blue aurene bowl art glass new york, 1900 - 25 inverted rim on bulbous blue iridescent body, polished pontil, marked stueben aurene 2687, ht. 4, dia. 7 1 / 2 in. estate of claire stern more ...
following a reintroduction of the brand under the stewardship of the corning museum of glass, select steuben classics are being reintroduced and new products are being developed — some with contemporary designers, among the first of which is new york - based designer harry allen .
products of cut, engraved, and free - blown designs made almost exclusively of that type of crystal glass. in 2008 schottenstein stores corp. bought the company and sought to increase waning sales. however, steuben continued to struggle financially, and in september 2011 schottenstein announced that it was closing the glassworks. steuben’s only factory shut down in november of that year .
the masterworks series, one - of - a - kind objects in the tradition of fabergé, is begun. the series encompasses nine major works between 1966 and 1980 including the myth of adonis by donald pollard and jerry pfohl; four seasons, chinese pavilion, and sphere of the zodiac by donald pollard and alexander seidel, andinnerland by eric hilton .
allen will return to corning from friday through sunday to reimagine the steuben piggy bank and to work with cmog’s hot glass demo team to create a large - scale version during a public design session. the demonstration will take place in the museum’s new 500 - seat amphitheater hot shop, which sits in the footprint of the former steuben factory. to celebrate the collaboration, another piece allen designed for steuben in 2011 — a penny saved coin jar — will be made available for purchase for the first time .
steuben creates 20 individually autographed crystal bottles for the launch of mary j. blige' s perfume, my life .
arthur a. houghton, jr. (picture houghton, gates and waugh) is brought in to run steuben. enlisting the support of architect john m. gates and sculptor sidney waugh, houghton phases out the colored glass that had been the mainstay of frederick carder' s era and pours his energies into creating
the finest glass the world has ever seen .
the new shapes brought forward under the design influence of gates and waugh take on a different character, reflecting not only the characteristics of the new glass, but the sculptural and architectural backgrounds of the two men .
gazelle bowl by sidney waugh, steuben' s first major engraved design, is introduced. it reflects the influences of swedish simplicity and the massive geometry of art deco, and is the first steuben piece that utilizes all of steuben' s renowned glassmaking techniques: blowing, cutting, polishing, and copper - wheel engraving. for years to come, the hallmark of steuben pieces would be weighty objects, volumetric in character, with elements added to embellish or decorate the basic form .
the steuben glass company of corning was known for fancy glasses designed by frederick carder, until in 1933 the company was given a change of direction by arthur amory houghton, jr. , who, with the help of john monteith gates and the sculptor and designer sidney waugh, …
steuben began and discontinued lines frequently to satisfy the whims of consumers, so some were in production for a very short time. some of the many documented colors, styles and decorating techniques employed by steuben include beautifully iridescent aurene glass which was made in gold, blue, brown, red and green; bubbly, which is actually filled with tiny bubbles; threading and ​reeding; and verre de soie .
aurene pieces are also engraved with either
aurene
or
steuben aurene
with a rather amateurish look to it .
steuben' s the performing arts is given to john d. rockefeller as part of the opening ceremonies of lincoln center .
steuben creates a masterwork bowl in gold and crystal for the merchant ivory film the golden bowlstarring uma thurman and angelica huston .
major league baseball commissions steuben to design the ted william award given to the most valuable player of the all star game .
under carder, the company originated a multitude of hand - blown glass forms, colors and decorations, often focusing on special adaptations of classical and venetian forms. carder’s immense knowledge of glassmaking and chemical composition led to myriad decorative pieces and gave steuben a reputation for variety and technical achievement .
as steuben looks back, it also looks forward, bringing new designers to freshen the line, much as houghton jr. did in 1933. this year, it brought out stemware lines by dante marioni and gerald gulotta. next year, ted muehling will join steuben' s roster. steuben may once again make function synonymous with glamour in the buyer' s mind .
one museum way - corning, ny 14830 | 800 - 723 - 9156 or 607 - 937 - 5371 © 2018 corning museum of glass. all rights reserved .
published in the glass of frederick carder by paul v. gardner: 67595, p. [ 27 ], fig. 49 nk5198. c3. g22 2000 .
the most common mark is a matte acid fleur - de - lis with
steuben
written in block letters. this type of mark was used from 1903 to 1932. other pieces have an etched fleur - de - lis with either
calcite
or
steuben
along with it. around 1929, a matte acid mark of the word
steuben
in block letters or in script was used. after 1932, diamond - point etching is used to form the letter “s” or “steuben. ”
steuben is shown at the world of tomorrow exhibition at the new york city world' s. the modernist pieces steuben displays, including the olive dish, become icons of mid - century modern design and remain perennial best sellers more than seventy years later .
steuben' s mobius prism is presented by president clinton as a royal wedding gift to crown prince and princess hirohito of japan .
abc news commissions steuben to create an iconic piece as the symbol for its groundbreaking series
the century
with peter jennings .
in addition to introducing handmade, novel, art nouveau pieces, carder also invented a new type of iridescent glass which, combining the latin word for gold and part of a middle english word for sheen, he named aurene. aurene, by a much - abbreviated process, imitates the luminous patina that frequently gilds roman glass vessels exposed to centuries of contact with humidity or mineral matter. carder reproduced this iridescence by spraying clear, malleable glass with a metallic chloride, then heating it in a special manner .
to benefit the noguchi museum and sculpture garden in long island city, new york, steuben reintroduces the cat, a copper - wheel engraved plate originally created by sculptor and designer isamu noguchi in 1940 for steuben' s landmark 27 contemporary artists in crystal exhibition .
it & apos; s clear that carder was the mastermind behind the production of steuben & apos; s more revered work. his background included studying with french glass master emile gallé and designing for the english firm of stevens and williams prior to migrating to the united states. he served as steuben’s art director through 1933 when he retired. during his tenure, he contributed to the development of some of the firm’s most adored colors and surface décor techniques. steuben clearly would not have thrived as it did without carder & apos; s hand in the business .
moby dick, steuben crystal sculpture designed by donald pollard and sidney waugh, first piece made in 1959. length 28. 6 cm .
the citizens of atlanta present martin luther king, jr. with an engraved steuben bowl in honor of his winning the nobel peace prize .
its high lead content qualified it as crystal, and houghton eventually decided that the steuben line was to be made exclusively of this material .
not all carder’s pieces were ethereal, however. his stylized single and multi - branched thorny stump vases, for example, rise from rustic glass tree stumps. his fanciful “grotesques, ” handmade, freeform confections in opaque, iridescent, translucent, or transparent glass, blossom improbably into rippling, ruffled rims, often tipped in startling color. initially, sales boomed .
those who seek vintage, pre - 1933 carder era glass need not despair either. many of his candlesticks, vases, tableware, and perfume bottles, safe in private hands, survived “the smashing. ” most are identifiable by the word ‘steuben’ either engraved or acid - etched alongside a signature fleur - de - lis on their bases. naturally, carder designs with limited runs like blue aurenes, or especially desirable gold aurenes, verre - de - soies, rosaline glass, and grotesques are highly collectible .
renowned venetian glassmaker lino tagliapietra spends two weeks on the steuben factory floor in a landmark
artist - in - residence
program, producing his designs in steuben crystal. more than 60 one - of - a - kind pieces are produced. the lino tagliapietra exhibition in the new york city store entitled clearly lino tagliapietra: masterworks in steuben crystal is hailed by the press both in the u. s. and abroad .
many other examples of glass engraved with artists' designs appear in the show, among them a set of 12 simple plates, each with a different sign of the zodiac, by don wier and - - inspired by the simplicity of orrefors - - waugh' s deep hemispheric glass bowl balanced on an angular art deco base and engraved with a design of gracefully leaping gazelles .
the archaic vessel collection by famed architect michael graves is introduced to great critical acclaim, resurrecting the concept of having renowned architects design for steuben .
the santa ornament is introduced. hand - blown in corning, ny, this is the first new steuben item to be introduced since 2011 .
after world war ii, steuben focused on design and technical innovation, while still utilizing colorless glass. one of the first improvements was the switch from pot furnaces to tank melting. the company continued to veer away from utilitarian objects, since the demands of a new affluent society created a market for collecting. new decorative objects of a sculptural nature became the norm. james houston and other designers created highly unique, and sometimes whimsical, sculptures that once again held steuben to high artistic standards .
in addition to its showy conversation pieces and sweet little crystal bunnies, steuben was known for three decades as a producer of sleekly beautiful yet functional objects - - vases, bowls and stemware, for instance - - that defined modern style. an exhibition,'' glass and glamour: steuben' s modern moment, 1930 - 1960,'' which opens on nov. 7 at the museum of the city of new york, will commemorate the company' s 100th anniversary (its parent, corning inc. , is sponsoring the show), and will make abundantly clear that steuben was once a serious player in american industrial design .
group of fifteen crystal paperweights, 20th c. , consisting of a baccarat razorback hog and a squirrel; together with a steuben large ...
steuben opens its first store in new york city. reviews of the store in the new york times describe its sense of
serene excellence .
president dwight d. eisenhower presents steuben' s genesis to his excellency, juscelino kubitschek, president of brazil, as part of his state visit .
when it came right down to it, the process of making the two was different, so the suit never made it to court. historians haven & apos; t really determined which of these companies inspired whom, according to art glass expert arlie sulka in an antiques roadshow online feature, but there’s no doubt they were all competing for the pool of art glass customers back in their day .
the group threw out the fussy, frosted, iridescent and colored glassware produced by the factory since its inception in 1903. and the division began to make objects, using the new formula, to appeal to a public willing to believe that glass was the material of tomorrow. under the direction of waugh, steuben' s wares emulated the simplicity of orrefors and took on new principles of balance, proportion and truth to materials. the final forms of many of the objects were dictated by the naturally curvaceous shapes they assumed at the molten - glass stage .
with soft, overlapping colour inlays. in the 1930s the firm began making glassware from a new colourless lead crystal developed by corning. steuben later manufactured fine
steuben: seventy years of american glassmaking, a major exhibition organized by the toledo museum of art opens at the museum. the exhibit tours eight american museums over a two - year period, including the smithsonian institution. the exhibition reaffirms steuben' s place as the foremost american crystal of the 20th century .
frederic carder patented a design that competed with tiffany, aurene, which was a translucent glass with an iridescent finish made by spraying heated glass with a solution of tin crystals dissolved in distilled water. aur comes from the latin word for gold, aurum, while ene derives from the middle english form of the word sheen. gold and blue aurene were the earliest and most common colors and were found on symmetrical forms .
steuben sold to the schottenstein stores corp. of columbus, ohio, as part of the newly formed schottenstein luxury group. corning incorporated retains 19% ownership .
colorless lead glass, sterling silver (?); cast, polished, sand - blasted. solid tetrahedron with a design of cut and polished concave circles on each facet; corners bevelled and sandblasted; mounted with one corner on a circular silver disc with protective black felt under base. stamped under metal base
steuben
( ?). design no. 8428 .
all color is gradually phased out, paving the way for exclusive use of the brilliant new clear crystal. although new styles are introduced, some forms from carder' s designs are carried over in the new clear glass formula. in the first years after 1933, almost all of the objects produced by steuben are stemware, bowls, drinking glasses, candlesticks, and urns .
but the best in the show are the unfussy, classically elegant steuben pieces that make their point as vessels and containers without unnecessary embellishment, asserting the crystalline transparency of glass with mass and fragility in the right places to give full expression to their design. alas, today the company produces only a very limited number of these classic pieces, so this retrospective view is welcome .
lot of four (4) crystal animal figurines. includes baccarat pelican, 6 - 1 / 2 inches; daum france sailboat; daum dolphin; steuben bunny .
although at the time louis comfort tiffany was also producing a similar iridescent glass called favrile, many consider carder’s to be more lustrous. aurene was so distinctive, in fact, that in 1904 its technology earned a patent .
steuben opens a new store on 56th street and 5th avenue in new york city, done in a striking modernist international style. it is hailed as an architectural revelation .
an engraved steuben bowl, the crusades, is chosen as the gift of state from president and mrs. ronald reagan for the wedding of prince charles and princess diana .
one of the show' s signature pieces, well suited to new york, is the famous glass apple, a perfect pomme just the right size and topped by a bit of stem, an item so popular that it is still being produced by steuben (and knocked off by others). another is the massive ashtray, designed by george thompson, a gorgeous low bowl mounted with two curving handles that presumably served as butt - stubbers. and then there is the suave ship' s decanter, a flask flared toward the bottom, with a narrow neck adorned by four glass rings and topped by a pierced round stopper .
since the 1930s, celebrated artists and designers from georgia o’keefe and salvador dali to kiki smith and michele oka doner have collaborated on new steuben designs. allen — whose work is represented in the permanent collections of the museum of modern art; the brooklyn, denver and philadelphia museums of art; and cmog — designed his first steuben piece in 2011 .
after the introduction of the new formula, the company became a leader in american luxury glass. they began producing functional wares, such as drinking glasses, candlesticks, bowls and urns, and later refined diplomatic gifts and special exhibition pieces became common. steuben assembled a team of designers, including sidney waugh, to develop contemporary designs to highlight the new colorless crystal and production. a retail building on fifth avenue was designed to serve as the company’s new “first - class outlet in new york” that resembled a fine art gallery. to own steuben crystal meant that one had taste and means.
steuben glass works was an american art glass manufacturer , founded in the summer of 1903 by frederick carder and thomas g. hawkes in corning , new york , which is in steuben county , from which the company name was derived . hawkes was the owner of the largest cut glass firm then operating in corning . carder was an englishman ( born september 18 , 1863 ) who had many years ' experience designing glass for stevens and williams in england . hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself . hawkes convinced carder to come to corning and manage such a factory . carder , who had been passed over for promotion at stevens and williams , consented to do so . in 1918 , steuben was acquired by corning glass works and became the steuben division . in july 2008 , steuben was sold by corning incorporated for an undisclosed price to schottenstein stores , which also owns 51 % of retail ventures , a holding company for dsw , filene 's basement , and formerly value city department stores ; value city furniture , which changed its name to american signature furniture ; 15 % of american eagle outfitters , retail liquidator sb capital group , some 50 shopping centers , and 5 factories producing its shoes , furniture and crystal . on september 15 , 2011 , schottenstein announced it was shutting down steuben 's corning factory and manhattan store , ending the company 's 108-year history . in early 2014 , the corning museum of glass announced that it would work with independent contractors to reproduce steuben using a new , lead-free formula and their classic leaded crystal . an assortment of iconic designs will be available through the museum shops , their authorized retailers , and online , with profits benefiting the educational mission of the museum . 
steuben glass works was an american art glass manufacturer, founded in the summer of 1903 by frederick carder and thomas g. hawkes in corning, new york, which is in steuben county, from which the company name was derived. hawkes was the owner of the largest cut glass firm then operating in corning. carder was an englishman (born september 18, 1863) who had many years' experience designing glass for stevens and williams in england. hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. hawkes convinced carder to come to corning and manage such a factory. carder, who had been passed over for promotion at stevens and williams, consented to do so. in 1918, steuben was acquired by corning glass works and became the steuben division. in july 2008, steuben was sold by corning incorporated for an undisclosed price to schottenstein stores, which also owns 51% of retail ventures, a holding company for dsw, filene's basement, and formerly value city department stores; value city furniture, which changed its name to american signature furniture; 15% of american eagle outfitters, retail liquidator sb capital group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal. on september 15, 2011, schottenstein announced it was shutting down steuben's corning factory and manhattan store, ending the company's 108-year history. in early 2014, the corning museum of glass announced that it would work with independent contractors to reproduce steuben using a new, lead-free formula and their classic leaded crystal. an assortment of iconic designs will be available through the museum shops, their authorized retailers, and online, with profits benefiting the educational mission of the museum.
steuben glass works was an american art glass manufacturer, founded in the summer of 1903 by frederick carder and thomas g. hawkes in corning, new york, which is in steuben county, from which the company name was derived. hawkes was the owner of the largest cut glass firm then operating in corning. carder was an englishman (born september 18, 1863) who had many years' experience designing glass for stevens and williams in england. hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. hawkes convinced carder to come to corning and manage such a factory. carder, who had been passed over for promotion at stevens and williams, consented to do so. in 1918, steuben was acquired by corning glass works and became the steuben division. in july 2008, steuben was sold by corning incorporated for an undisclosed price to schottenstein stores, which also owns 51% of retail ventures, a holding company for dsw, filene's basement, and formerly value city department stores; value city furniture, which changed its name to american signature furniture; 15% of american eagle outfitters, retail liquidator sb capital group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal. on september 15, 2011, schottenstein announced it was shutting down steuben's corning factory and manhattan store, ending the company's 108-year history. in early 2014, the corning museum of glass announced that it would work with independent contractors to reproduce steuben using a new, lead-free formula and their classic leaded crystal. an assortment of iconic designs will be available through the museum shops, their authorized retailers, and online, with profits benefiting the educational mission of the museum.