balaji motion pictures
balaji motion pictures: latest news, photos, videos on balaji motion pictures - ndtv. com
emraan hashmi on the poster of azhar produced by sony pictures networks and balaji motion pictures .
mobile video and media company vuclip has tied up with balaji motion pictures to help viewers watch balaji’s complete movie library on their mobile phones .
shraddha kapoor and tiger shroff in baaghi produced by sajid nadiadwala and utv motion pictures .
it has a subsidiary named balaji motion pictures, which is engaged in production of films and balaji telefilms fze, engaged in providing content to leading channels in sharajah .
directed by tony d' souza and produced by balaji motion pictures and msm motion pictures ,
azhar
will be on the life of mohammad azharuddin, who led the indian cricket team for most of the 1990s .
the dirty picture, which has been banned in pakistan, didn' t deserve such treatment, feels girish johar of balaji motion pictures .
the hindi film industry is in a crisis of sorts with news of studios like disney india and balaji motion pictures planning to stop production .
balaji motion pictures is based in mumbai in the balaji house on new link road, andheri west, mumbai. it operates from its head office in andheri west and has studios in film city and other locations in mumbai. in terms of studio facilities, balaji motion pictures is one of the largest film productions houses in mumbai .
new delhi - - tanuj garg will head balaji motion pictures as the banner' s ceo, moving from studio18 where he was head of international operations .
constant drive for growth and progression led us to venture into producing content on the silver screen through a subsidiary created in 2001, balaji motion pictures ltd. in a short period of time balaji motion pictures ltd. has established itself as one of the top movie studios in the country and has worked with most of the leading actors and actresses in the industry, today balaji motion pictures ltd. has etched itself in the industry as a provider of differentiated cinematic experience .
balaji telefilms shares surged as much as 14. 25 per cent to hit intraday high of rs 103 after its board approved demerger of its film production unit balaji motion pictures and amalgamation of bolt media .
alt balaji - the on - demand video content app launched by balaji telefilms in april 2017 .
in november 2014, its wholly owned subsidiary balaji motion pictures had tied up a deal with b4u, a bollywood film production company to co - produce bollywood films .
“ lipstick under my burkha ” (pictured), a film that initially ran afoul of indian censors but was subsequently cleared, is being distributed from friday by balaji’s films division, balaji motion pictures, alongside alt .
tickets for vishwaroopam are sold out for the weekend already and business is robust, says an official from balaji motion pictures, distributors of the film in the northern region .
saif ali khan has decided to opt for a different strategy while choosing films and has signed a three film deal with ekta kapoor’s balaji motion pictures is a step towards it .
tanuj garg, chief executive officer of balaji motion pictures, has decided to move on. garg, who joined the movie production arm of ekta kapoor' s balaji in october 2010, is currently serving his notice period at the company. he will leave in january 2015 .
balaji motion pictures: the person here started his career in acquisition / distribution and moved on to talent management. he personally produced a flop film directed by his brother. with no background in creative and development, he was still hired at junglee pictures as creative head and then later at balaji as ceo. this is baffling, to say the least .
in 2007, the company incorporated wholly owned subsidiary balaji motion pictures which creates bollywood movies. in 2010, the company incorporated alt entertainment limited a banner to produce and concentrate on niche and youth subjects in films and television .
garg will report to balaji telefilms group ceo punit kinra and replaces vikram malhotra, who recently quit balaji to join studio 18 as coo .
balaji was incorporated as a public limited company on 29 february 2000, and its name was changed to' balaji telefilms ltd' on 19 april 2000 .
the film stars tusshar kapoor, aftab shivdasani and mandana karimi, who is currently a participant of bigg boss 9 .
as always we at alt entertainment continue to push the boundaries of entertainment by presenting the first sex comedy of the year ,
said aman gill of balaji motion pictures
start counting – sony pictures (after saawariya) and later pvr pictures (after khelein hum jee jaan sey) went down while it was headed by uday singh. warner brothers (after chandni chowk to china) shut shop in india under blaise fernandes. percept pictures and sahara motion pictures closed shutters while headed by sandeep bhargava. he, along with priti shahni, were overseeing operations at studio18 when it hit heavy financial losses. sanjeev lamba was heading reliance big pictures when the hawaizaada debacle took place. apurva nagpal and madhu mantena were at the top when saregama’s movie division collapsed, post the disastrous jhootha hi sahi .
balaji motion pictures have made it compulsory for actors to sign a nuditory clause as part of its film contract. this is a regular practice in the west to prevent actors in going back on their commitments were bold scenes are concerned. follow us: youtube: urltoken twitter: urltoken facebook: urltoken
in 2017 reliance industries acquired 25% stake in balaji telefilms for rs413 crore. the deal gave ril access to balaji telefilms’ content for use by telecom unit reliance jio. [ 31 ]
directed by tony d' souza, azhar has been produced by ekta kapoor' s balaji motion pictures along with np singh and sneha rajani. emraan hashmi plays the lead role in azhar, which is based on the legendary cricketer mohammad azharuddin. in the first look shared by emraan, the actor is seen dressed in a white jersey
nikhil naik, director, global content and distribution for vuclip said, “there is nothing more important to us at vuclip than delivering amazing content to our users. this is why we are delighted to partner with the famed movie studio balaji motion pictures and enable millions of people to view on their mobile devices this exciting library of content. ”
balaji telefilms has produced top rated serials like hum paanch, kyunki saas bhi kabhi bahu thi, kahaani ghar ghar ki and kasamh se, amongst others. balaji has also diversified itself into all the 4 screens by bringing in new teams for the motion pictures, internet and mobile space. the company has also evolved with the times and significantly corporatized itself, bringing in a group ceo and experienced professional team for driving the future strategic direction of the company .
he had moved to balaji motion pictures from viacom18 media, which he joined in november 2006 and went on to become head of international business, before quitting in october 2010. prior to joining viacom18, he had also worked with utv and applause entertainment. garg holds an mba degree in marketing & strategy from university of strathclyde - strathclyde business school, uk .
the film were both commercially success thereby marking a step further of balaji. in 2010, the company sub - branded
balaji: it is a trailer! no, it is a tv show! no, it' s a ...
as part of the exercise, the film production undertaking of balaji motion pictures ltd (bmpl) will be demerged into btl. the move will enable btl to consolidate the content production business. after the demerger, bmpl will focus on the film distribution business. simultaneously, bolt media ltd will be amalgamated with btl. bolt is in a similar line of business as btl and its amalgamation with btl will help in focussed and effective utilisation of the production activities .
ketan gupta, chief operating officer (balaji telefilms ltd .): ketan gupta is the coo of balaji telefilms ltd, television group and has over 15 years of experience in the field of television production and lifecycle management of the entire production process. he is responsible for handling the entire production & operating process for all of balaji’s ongoing & upcoming tv shows (fiction & non - fiction). he has been an integral part of most of the shows launched by balaji and his strengths include cost management, extracting production efficiencies and handling multiple ongoing tv productions across numerous locations. as member of the core management team at balaji he works on all ongoing and new initiatives in the television space .
at balaji, garg was instrumental in driving the company' s movies business. he was overseeing development, production, marketing and distribution. in his stint with balaji, he worked on several movies from the motion pictures company including' ragini mms',' shor in the city',' shootout at wadala',' lootera',' the dirty picture',' kyaa super kool hain hum',' lootera',' ek thi daayan',' once upon a time in mumbai dobaara',' ragini mms - 2',' main tera hero' and' ek villain' .
after the humshakals debacle and the average performance of happy ending, saif ali khan has decided to become a little more experimental with genres. though he has often played the suave casanova in films, his other roles in films like ek hasina thi, being cyrus and omkara were highly appreciated. hence, saif ali khan has decided to opt for a different strategy while choosing films and has signed a three film deal with ekta kapoor ’s balaji motion pictures is a step towards it .
indian conglomerate reliance industries ltd. is acquiring a 24. 9% stake in leading content provider balaji telefilms for $ 64. 2 million, part of reliance’s push into the entertainment sector. balaji operates the digital content platform alt and will use the reliance investment to grow the business further .
balaji has produced over 15, 000 hours of television content since its inception, including content in hindi, tamil, telegu, kannada and malayalam .
balaji telefilms produces most of india’s top - rated hindi - language television content, including “naagin, ” “kum kum bhagya, ” and “ye hai mohabbatein. ” the balaji - produced “chandrakanta” is currently airing on the colors channel operated by network 18, the media group in which reliance owns a controlling stake .
balaji telefilms is an indian company which produces indian soap operas, reality tv, comedy, game shows, entertainment and factual programming in several indian languages .
some love stories never die, they get recreated – re imagined & retold on the big screen. one such epic love story is laila majnu which celebrates the madness of love! taking a leaf out of the classic folklore, imtiaz ali presents a modern retelling of laila majnu, directed by sajid ali. laila majnu hits screens on 24th august! directed by: sajid ali produced by: balaji motion pictures and pi films social media links twitter: urltoken facebook: urltoken... instagram: urltoken... show less
sonika bhasin, head of non - theatrical revenues, balaji motion pictures, said, “we want to connect with our ardent movie fans wherever they are and vuclip stands head and shoulders above its peers by offering the best unbuffered viewing experience on mobile. the appreciation and joy people associate with viewing our content is only going to be as good as this experience and that’s exactly why we are excited to partner with vuclip! vuclip also offers us tremendous reach that cuts across device types and great monetization with its unique approach to treating premium content as it should be. ”
as we look to further our growth and continued success, we are committed to enhance shareholders value and provide distinctive content that our audiences expect from us. we will continue to expand through our expertise in content creation across tv, motion pictures and digital and provide entertainment to our millions of consumers. in time, we wish to emerge as one of the most recognized and most influential entertainment providers globally .
another example: junglee pictures reportedly paid excel entertainment rs 35 crore for acquiring their film bangistaan. this film starring riteish deshmukh and pulkit samrat, and directed by debutant karan anshuman, was cleverly clubbed with the more commercial dil dhadkne do, to the studio as a 2 - film deal. junglee pictures got no ip on both the films. bangistaan ended up making around just rs 5 crore at the box office. the film reportedly got large subsidies as it was shot in poland, giving excel a table profit already on the deal. but junglee pictures allegedly incurred a heavy loss on these two films .
in the same year,' nine network entertainment india pvt. ltd', a wholly owned subsidiary of nine broadcasting india pvt. ltd. , merged with balaji telefilms ltd .
balaji telefilms ltd (btl) on wednesday announced a streamlining exercise for its group structure to combine similar business interests, improve allocation of capital, enhance operational efficiencies and optimise cash flow .
indian conglomerate reliance industries ltd. is acquiring a 24. 9% stake in leading content provider balaji telefilms for $ 64. 2 million, part of reliance’s push into the entertainment sector. balaji operates the digital content platform alt and will use the reliance investment to grow the business further. led by billionaire mukesh ambani, reliance operates in the telecom, [ … ]
balaji telefilms ltd. was originally incorporated as a private limited company on november 10th 1994 and went public on february 28th 2000. today balaji telefilms ltd is amongst the largest content production houses in asia and middle east with regards to delivering hindi and regional content. we are listed on the bse with a bse code of 532382 and the nse with an nse code of balajitele .
junglee pictures: the studio head here is reportedly responsible for the one - sided deal with excel entertainment which caused losses for the company. again no creative background here, the head apparently worked in the hospitality industry before .
turning the concept of a superhero on its head, a flying jatt is a fantastic account of india' s youngest superhero. he also happens to be the one - of - a - kind reluctant superhero who is... scared of heights! funny and fierce in equal measure this jatt kicks butt as he rids the world of evil. until one day he meets the supervillain - raka and the face - off, of the century begins! balaji motion pictures presents a flying jatt. produced by shobha kapoor and ekta kapoor, the movie is directed by remo d' souza and stars tiger shroff, jacqueline fernandez and nathan jones .
what started out as a simple notion to provide content for the television broadcasters has today grown to become an entertainment powerhouse known as balaji telefilms ltd. under the hands on leadership of shobha kapoor (m. d) alongside the extraordinary vision and creative story telling of ekta kapoor (joint m. d .) balaji telefilms ltd. has far exceeded its potential of yesterday and has now set the industry standard for all .
bmp is the film arm of leading tv production house balaji telefilms, headed by ekta kapoor, which has produced some of india' s most successful tv soaps for top channels such as starplus and zee tv .
the evaluation would be imperfect without highlighting amit trivedi’s contribution to the motion picture. the soundtrack is seeped in melody and mirrors the era that the director illustrates on celluloid. true to the concept, trivedi takes you back to the long - gone period with his melodies .
in 2012, the company incorporated bolt media limited yet another a wholly owned subsidiary of balaji telefilms which has produced the shows love by chance, yeh jawani ta ra ri ri and dharmakshetra and has created and produced advertisements .
balaji motion pictures presents ‘half girlfriend – dost se zyada, girlfriend se kam’, an adaptation of chetan bhagat' s best selling novel ‘half girlfriend’. directed by mohit suri, the intense love story sets out to explore the ‘grey area’ in relationships today; the in - between space, between two people. starring arjun kapoor, as madhav jha & shraddha kapoor as riya somani, the film is set against the backdrop of three distinct worlds of delhi, patna & new york. madhav wanted a relationship. riya didn' t. so, she decided to be his ‘half girlfriend’. more than a friend, les than a girlfriend, the writer of 2 states, director of aashiqui 2 & producers of ek villain proudly present - half girlfriend dost se zyada, girlfriend se kam .
yeh kahan aa gaye hum is an indian musical soap opera that premiered on 26 october 2015, from monday to friday at 9: 30pm on & tv; . the show is produced by ekta kapoor of balaji telefilms. the show stars karan kundra and saanvi talwar as the protagonists .
the film industry is buzzing with the news of the walt disney company, one of the biggest studios in the world, shutting down their motion pictures division in india, and siddarth roy kapur, the current managing director, parting ways with the company –however, i am not surprised a single bit. reason? i expected this long back. not that i claim to be a visionary but i figured that the illogical ways in which studio heads function make no sense at all. i could see this coming in bollywood. i have been in touch with all my friends in the hindi film industry and am in the know about how the tide has turned for the worst. let me explain how, step by step .
sony - msm pictures: the studio is headed by someone with a financial background who was handling sony’s television business. the studio head reportedly did not have much confidence in piku which was produced by msm last year. the film ended up being a commercial and critical success. the person, however, was very confident about azhar, which ended up being a dud .
sanjay dwivedi, group chief financial officer: sanjay dwivedi has over 20 years of experience in the field of finance & accounts. currently, he heads the finance & accounts and also the secretarial functions at the balaji group. a chartered accountant from the institute of chartered accountants of india, sanjay has vast experience in diverse finance operations across industries like steels, pharmaceuticals and media & entertainment. prior to balaji he has held senior management positions at nimbus communications ltd. , entertainment network india limited (radio mirchi), a leading private fm radio broadcasting company in india (a part of the times group). he has earlier worked with glaxosmithkline pharmaceuticals (india) limited and tata steels in various finance functions .
2009: after sanjay leela bhansali delivered a big flop with saawariya, sony pictures india was still considering him for his next film. but then utv came into the picture and offered him a director’s fee of rs 35 crore, an amount that was unheard of in bollywood. it made no sense at all as he had just delivered a huge flop with a big hollywood studio. sony shut shop in india after that .
every frame of lootera exudes sensuality, partly because the chemistry between the on - screen lovers — ranveer and sonakshi — is scorching. the fervor and passion the two actors emanate on screen, while living those characters, leaves you awe - struck. lootera is further embellished with dialogue that corresponds so delightfully with the premise. the lines are dreamy, romantic and acidic, as per the situation. the contribution by the dop is equally pertinent, with the frames appearing to be a painting in motion .
2015: reliance big pictures released vibhu puri’s hawaizaada, which turned out to be a colossal flop. made on a budget of rs 35 crore, it could not even make rs 10 crore at the box office. the film starred ayushmann khurana in the lead along with a new actress. this was the last nail in the coffin of reliance entertainment. sanjeev lamba, the ceo, was asked to step down along with the senior management team, and further movie production under the banner was stopped .
drumrolls... the veeres are here in style & grandeur! get ready to relive childhood friendships, everlasting bonds & soulmates for a lifetime! veere di wedding is slated to release on 1st june, 2018. the film stars kareena kapoor khan, sonam kapoor, swara bhasker & shikha talsania in pivotal roles. the film is directed by shashanka ghosh, produced by balaji telefilms, anil kapoor films & communication network and saffron broadcast & media ltd .
2008: pvr pictures green - lit ashutosh gowariker’s khelein hum jee jaan sey without reading the script, and at an unheard price of rs 46 crore for a film starring abhishek bachchan. they were just told what the story was. later, when the bijlis realised it’s too expensive, they went to gowariker during the shoot and tried to negotiate the price to rs 28 crore, the cost was finally settled at rs 35 crore. the film gave a return of only rs 5 crore and was one of the biggest flops of the year .
shobha kapoor, managing director shobha kapoor has been extremely instrumental in transforming the company from its small beginnings in 1994 to india’s largest tv content company. since inception, mrs. kapoor has been hands on in the company’s operational management and efficiency and in controlling ‘on set’ activity. her stellar work in building the balaji brand made her win several awards including ceo of the year (indian telly awards), businesswoman of the year (the economic times) and numerous best producer awards for their tv shows .
ekta kapoor, joint managing director ekta kapoor is credited with revamping india’s television landscape. she pioneered an entire genre of television content, heralding india’s satellite television boom. balaji’s shows have been and continue to be channel drivers for most general entertainment broadcasters. as the creative force behind the company’s success, she believes in a hands - on approach in day - to - day creative direction for all our content, routinely putting in 16 - 18 hours each day, she moves ahead with india’s rapidly metamorphosing tv climate .
under her creative guidance, balaji has won almost every major tv award. her stellar work in creating a large content conglomerate at a young age garnered her several distinguished awards, including the economic times (businesswoman of the year 2002), ernst & young (entrepreneur of the year 2001) and the american biographical institute (woman of the year 2001), among others. in 2016, she was placed at the no. 1 position among ’50 most influential women’ in the indian marketing, advertising and media ecosystems by impact magazine .
balaji telefilms, a media company, was incorporated in 1994. it has 32 state–of the–art studios. it is a leading content provider in the television segment. it started operations in 1995–96 with serials like mano ya na mano and hum paanch. the company occupies a dominant space in the television content creation space, with the no. 1 show on indian television to its credit and all of its shows among the top 50 on television. currently its producers of several leading serials on major channels like star plus, 9x, sony tv, zee tv and sun tv network .
balaji telefilms is promoted by ekta kapoor and shobha kapoor and is a public company listed at bombay stock exchange and national stock exchange of india. its work includes, kyunki saas bhi kabhi bahu thi, [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] kahaani ghar ghar kii, kasautii zindagii kay, kaahin kissii roz, kahiin to hoga, kkusum, kutumb, kayamath, kasamh se, tere liye, pavitra rishta, [ 7 ] [ 8 ] [ 9 ] bade achhe lagte hain, [ 10 ] [ 11 ] [ 12 ] itna karo na mujhe pyaar, [ 13 ] pyaar kii ye ek kahaani, meri aashiqui tumse hi, pavitra bandhan', yeh hai mohabbatein, [ 14 ] [ 15 ] [ 16 ] kumkum bhagya, [ 17 ] [ 18 ] naagin, brahmarakshas, kasam tere pyaar ki, chandra nandni, [ 19 ] [ 20 ] pardes mein hai mera dil and kundali bhagya. [ 21 ] [ 22 ] [ 23 ]
big b is diljit' s new' admirer.' he' couldn' t have asked for more'
sanjay dutt responded to his best friend paresh ghelani' s post and said :
love you lots .
there remains some controversy over whether the character she' s playing identified as transgender. here' s what scarlett johansson' s said about the issue
neha kakkar willing to' take up acting.' but, there' s a condition
note: films are ranked according to their release dates. the thumbs ups and downs reflect rediff' s views .
govinda, manoj bajpai, aftab shivdasani, celina jaitley, upen patel, hansika motwani .
imraan khan, genelia d' souza, prateik babbar, ratna pathak shah .
rani looks jaded, the film seems to be inspired from quite a few hollywood movies .
kay kay menon, sonali kulkarni, vinay pathak, parvin dabbas, rajat kapoor, sandhya mridul, simone singh .
html public
- / / w3c / / dtd xhtml 1. 0 strict / / en
urltoken
lootera
released with much expectations and after exceptional reviews started pouring in, many thought it as next
barfi !
but that was not the case as film faltered big time at box office .
at the end of the day, film failed to bring audience in after all paid pr and weekend moolah settled. film collected 26 cr nett in week one and only 2 cr nett plus in 2nd weekend which speaks volume about the level of rejection .
film collected7 cr overseas and thus film'' s worldwide share is almost 18. 50 cr and satellite rights, music right and home video added further 12 cr to its kitty. film would had made some money with better biz after week one but film simply fell all over .
film thus lost 7% investment though there are reports that bala ji sold satellite rights of four films etd, saw, ouatimd and
lootera
for 100 cr but that is clearly linked to box office performance. what we got out of sources is that
lootera
would be paid for maximum 8 cr after such a dismal performance on ticket windows .
her fellow, varun, is a more street - smart sort, one who might not watch a film as soon as it releases but knows enough to cheekily make a reference to it later. when we first meet him, he' s calm, unhurried and mostly unflappable - - playing an art - teacher might be a stretch for him, however. nevertheless, he gamely calls drawing leaves easy, and confidently daubs at the canvas with green paint. the contrast between the two characters is delightful, and the actors conjure up a fierce, throbbing chemistry .
sonakshi sinha plays pakhi beautifully, creating a character who is immaculately wide - eyed and possesses casual, yet unmistakable, grace. it is a performance that starts off dreamily soft and turns harder, and she does well - etched dialogue justice like few actresses can. there' s a discernible vulnerability to pakhi throughout the film, and sinha brings out this fragility perfectly without ever overplaying it .
ranveer singh matches her step for step, using his lower lip to marvelous effect. he curls it when angry, juts it out when thoughtful and lets it hang loose (and, finally, frostbitten) when he has nothing to say. and again, he plays it close to the chest, never straying from the pitch of the film :
when he stammers on the word
landscape
, he lightly labours the l instead of actually repeating it. he looks good as a quiet pinup, a vintage hero in high - waisted trousers, but it is when he bedraggedly lets his seams show that singh is at his best. he even snarls like heathcliff .
and despite all this proficiency with dialogue - - which extends to the other great performers in the film, the veteran barun chanda (who uses words like
umartaraaz
with near - utpal dutt gravitas) and the very likable vikrant massey, who throws in a devsaab impression - - the very best moments in lootera are the entirely wordless ones .
this is largely due to the remarkable craft shown by cinematographer mahendra j shetty, who has composed a film where every frame melts into the other with a most lyrical ebb and flow .
lootera is a gorgeous, gorgeous film, one that uses its period setting affectionately, with loving detail, and not exploitatively, as our cinema is wont to do. shetty pores over it all - - from the lace curtains to the mosquito nets, from the checkerboard floors of the old mansion to the frozen - over remnants of a roadside shrine to a dashboard light surrounded by open - air darkness - - but the way he frames his actors' faces may be the greatest masterclass on offer .
both sinha and singh have distinctive noses, and rather than divert attention away from them the film embraces the contrast, highlighting it by a profile shot of the two in the same frame .
before we encounter sonakshi' s nose we see that of a durga effigy, and the uniqueness of the actress' nose is thrown automatically into sharp relief .
later, when sinha' s angry, the lens is positioned to make her nose look like a menhir; it' s always intentional, and it' s always captivating. singh' s is a more angular nose, one that looks pointy as sweat drips off it during a dimly lit - scene, and the first time the two kiss, it is preceded by an eskimo - style rubbing of the noses. many cinematographers can conjure up moody shadows and beautiful frames, but what is on show here - - as sinha looks through a big magnifying glass to make her eyes appear huge, as the bengali - girl stereotype dictates - - is so much more special, and shetty is clearly a wizard .
all this while motwane plays the thieving magpie. and i don' t just mean the rossellini overture that automatically reminds me of the castafiore emerald .
lootera deftly pays tribute to guru dutt' s first film by way of song and name of the villain, and borrows a disease from ritwik ghatak' s heartwrenching meghe dhaka tara. all this while genius composer amit trivedi uncharacteristically steals his main theme from a bad english film, as if some pickpocketry was the price of entry. in light of what the titular protagonist does, perhaps this adaptation could be titled the last thief .
either way, this is a film worth the grandest of larceny. motwane' s direction is so assured and confident that this scarcely feels like his second feature. the script is clearly one he believes in, and the film is resultantly free of false - notes. even the few moments that feel like narrative missteps turn out to be masterstrokes. and, as exemplified by a breathtaking chase sequence that could result in any number of outcomes, motwane sides with his story, not with any one of his characters .
a film, then, about life, love and leaves. and in the end it comes down to the sort of snow - surrounded tree that you can draw even if you' ve always had trouble drawing leaves. magnificent .
what is a r rahman doing at a dubai mall? reader talib sends us a picture .
until sometime back, the masala film space was dominated by sanjay dutt, anil kapoor, salman khan, akshay kumar, ajay devgn and govinda. subsequently, shah rukh khan stepped in. just when you thought that the young brigade would look the other way, abstaining from non - stop entertainers, ranbir kapoor green - lit besharam, shahid kapoor gave his nod to r… rajkumar and ranveer singh and arjun kapoor gave the go ahead to gunday. now varun dhawan, a relative newcomer, opts for the tried and tested genre in his very second outing — main tera hero. interestingly, he teams up with his father, david dhawan, a veteran at masalathons, who has worked with the above - mentioned seniors [ except srk ] .
david dhawan’s filmography tilts heavily towards remakes and the veteran’s latest endeavor main tera hero is a remake as well — of the immensely successful telugu film kandireega [ 2011 ]. a lot is riding on main tera hero, since it teams up the father and son dhawan for the first time. will dhawan sr. ’s magic wand work again, like it did in the past ?
let’s enlighten you about the premise of main tera hero. seenu [ varun dhawan ] is terrible in studies. when his father [ manoj pahwa ] cites instances of seenu’s friends enrolling in various universities and emerging toppers, seenu decides that he too would enroll in a university and make his parents proud. seenu encounters sunaina [ ileana d’cruz ] in the university and it’s love at first sight for him. however, angad [ arunoday singh ], a cop, is also in love with sunaina and intends marrying her, much against her wishes .
seenu throws a challenge at angad that he will win sunaina’s heart and as luck would have it, he makes sunaina falls in love with him within three days. just when everything seems to be sailing smoothly for the couple, sunaina gets kidnapped by a don based in bangkok [ anupam kher ], whose daughter ayesha [ nargis fakhri ] — whom seenu had saved from eve teasers — is in love with seenu .
watching a david dhawan movie is akin to having your fav fast - food, which may not be high on nutrition [ read meaningful content ], but you relish it with glee since it whets your appetite. and main tera hero does that to you. packed with just about every mass - friendly ingredient available on the shelf, which the hoi polloi laps up with delight, david designs an entertainer that keeps you amused for most parts. sure, there’s nothing you haven’t watched before, but the trick is to keep the viewer completely absorbed in the proceedings and david has mastered the art since decades .
writer tushar hiranandani adapts kandireega for the hindi movie audience, making sure there’s no room for boredom for most parts. the twists in the tale, the aimed - at - masses humor, the witty and comical dialogue [ milap zaveri ], which are one of the highlights of this film, the assorted characters with over the top acts, the appropriate situations for songs and action pieces… the packaging of main tera hero is just precise — a formula that seldom goes wrong, if handled correctly .
in addition, david presents varun as the * young * mass - friendly hero. he makes varun do stuff that sends front - benchers into raptures, which includes varun flaunting his torso and flexing muscles. moreover, david, very smartly, makes varun slip into the shoes of his peers by making him do stuff that had worked big time with sanju, salman, akshay and govinda in the past. and varun carries off the antics adroitly .
the sole blemish i can point out is the excessive length towards the post - interval portions, with a few sequences appearing stretched without any reason. the entire episode involving shakti kapoor also appears forced, while the journey to the culmination could’ve been taut and crisp .
the soundtrack [ sajid - wajid ], much like david’s earlier ventures, fits the genre of the film seamlessly. ‘palat’, ‘besharmi ki height’ and ‘shanivaar raati’ are foot - tapping compositions. action sequences are well orchestrated .
on the whole, main tera hero is a wild, wacky, madcap entertainer that has the unmistakable stamp of the master of entertainers — david dhawan. an over the top plot, humor quotient and performances are three aces the film stands on. the film should work well with admirers of typical bollywood masalathons, also because varun dhawan pulls off the act with flamboyance and bowls you over with an uproarious act in this zany entertainer. go, have fun and laugh out loud !
copyright © 2018 hungama digital media entertainment pvt. ltd. all rights reserved .
prabhu deva, sonakshi sinha and arunoday singh at the success bash of ragini mms 2, main tera hero organised by the producer of these films, ekta kapoor. sachin gokhale / firstpost
a very happy david dhawan attend the combined success bash of ragini mms 2 and main tera hero. the latter was directed by him and featured his son varun dhawan in the lead. sachin gokhale / firstpost
varun dhawan, tusshar kapoor and jackky bhagnani at the success bash of ragini mms 2 and main tera hero. sachin gokhale / firstpost
huma qureshi, ileana d' cruz and alia bhatt with arjun kapoor at the success bash of main tera hero and ragini mms 2. sachin gokhale / firstpost
sanjay gupta with his wife and neelam with her husband sameer soni. sachin gokhale / firstpost
sophie choudry, tigmanshu dhulia and udita goswami at the success party of ragini mms 2 and main tera hero. sachin gokhale / firstpost
karishma tanna, divya dutta and ekta kapoor at the success bash of main tera hero and ragini mms 2. sachin gokhale / firstpost
html public
- / / w3c / / dtd html 4. 01 transitional / / en
urltoken
daily box office (sun .) | weekend box office (jul. 6–8) | # 1 movie:' ant - man and the wasp' | showtimes
© urltoken, inc. or its affiliates. all rights reserved. box office mojo and imdb are trademarks or registered trademarks of urltoken, inc. or its affiliates. terms of use and privacy policy under which this service is provided to you .
did you ever anticipate vikramaditya motwane to put together a period film with mainstream actors, after attempting the brilliant slice - of - life drama udaan? nope, not me at least… but maverick film - makers, by and large, tend to drop a bombshell by opting for a contrasting theme in their ensuing movie. the question is, will motwane ship yet another dazzling nugget in his subsequent outing? let’s find out…
lootera is inspired by american author o. henry’s short story ‘the last leaf’. let’s set the record straight by stating that motwane hasn’t adapted the story in its entirety. he has made modifications, of course… the most vital one being injecting the protagonist’s character [ ranveer singh ] in the plot, which did not exist in the story. for those not acquainted with the story, it’s about this dying girl who watches the leaves fall from a plant outside the windowpane and believes that the day the last leaf falls, she too would pass away .
lootera is a captivating tale that reverberates with emotions and passion and encapsulates the highs and lows of a stormy relationship magnificently. penned with utmost sensitivity and crafted delicately and thoughtfully, the film is akin to a beautiful painting on celluloid !
1953. west bengal. varun [ ranveer singh ] arrives in manikpur. he impresses the zamindar and his family, especially his daughter pakhi [ sonakshi sinha ], who finds herself drawn towards him .
soon, varun and pakhi are involved in a passionate relationship, but varun does a volte face and disappears. when truth dawns upon pakhi’s father, he suffers a stroke and passes away. pakhi decides to move on, determined to forget varun. she arrives in dalhousie, but as destiny would have it, varun walks into her life again…
the premise of lootera may bring back memories of several films. but it’s the mood, the ambience, the treatment that lures you into the world of varun and pakhi. the old world charm of bengal and dalhousie only enhances the impact, while the varied twists in the tale catch you absolutely unaware, especially when one is guessing about what course the storyline would take after a major twist during the interval point .
lootera bears the look of a classic. the visuals, the shade palette, the objet d’art, the milieu, the apparel… even the way the characters communicate at an unhurried, easygoing pace and share emotions takes you back to the bygone era .
udaan gestured the initiation of an accomplished storyteller’s journey and lootera cements it. in years to come, motwane may emerge as the frontrunner thanks to the plot / s he chooses to narrate and most significantly, the brilliance with which he narrates it. the sparkling chemistry between the actors, the atmospherics, the storytelling… lootera is a demanding film to make, but the director warrants colossal admiration for jubilantly narrating a tale that settles in your heart… and moistens your eyes at varied junctures .
of course, the narrative unravels at an unhurried pace, but let’s not forget that this one has an old - world charm that cannot be rushed. the moments and pauses are to be enjoyed in a film like this !
while ranveer and sonakshi anchor the movie with supreme performances, even the ones in supporting parts leave an ineradicable impact. ranveer has been entrusted with a complicated character so early in his career. besides playing an intense lover, he plays a reticent and brooding character, something he hasn’t explored in his earlier films. and ranveer makes the most of it by making the character come alive. the character has disconcerting shades and it is imperative that he uses his eyes to leave a mark, which he does so at a variety of stages. he’s simply fantastic !
like ranveer, sonakshi too gets the most demanding role of her career thus far and what makes it even more complicated for the youngster is the fact that she has to shoulder the responsibility of hauling the film on her shoulders when ranveer makes a brief exit, only to re - emerge after a point. sonakshi is a revelation in lootera; her performance is, beyond doubt, top notch. she glides into her part with such effortlessness that it catches you by complete surprise. she’s magnificent !
divya dutta is super in a cameo. vikrant massey is first - rate. shirin guha is appropriate. arif zakaria is tremendous. adil hussain delivers a punch - packed performance. barun chanda, as sonakshi’s father, is brilliant .
on the whole, lootera is an intrinsically earnest and profoundly heartwarming story that stays in your heart. an absolute must for those who love romantic films or are romantic at heart. this one’s a cinematic gem !
the times of india, tnn, updated: feb 9, 2016, 02. 51 pm ist
in a village, a young archaeologist falls in love with a landlord' s daughter. their union seems doomed. but destiny brings them together a year later. will they live happily ever after ?
lootera is a love saga of yore. the plot is an amalgamation of a story written by vikramaditya motwane with o' henry' s short story, the last leaf. it begins in manikpur, west bengal, in 1953 .
a zamindar (barun chanda) dotes on his well - educated but impressionable girl, pakhi (sonakshi sinha). the landlord' s munim warns his master that courtesy the state acquisition and tenancy act of 1950, zamindars like himself (read loyal to the british empire) were losing their titles and prerogatives. but to no avail. the zamindar is visibly more concerned about his daughter' s well - being, more so because she suffers from asthma .
a suave archaeologist, varun (ranveer singh), enters the village seeking permission from the landlord to dig up a mysterious civilisation buried around his temple. as work progresses, love blossoms between pakhi and varun. the father of the bride agrees to their union but the young couple face other hurdles. from a simple love story the film assumes the shape of a thriller .
a year later, pakhi and varun (the lootera) find themselves under the same roof, in snow - capped dalhousie under extenuating circumstances. their relationship is volatile, vile and vulnerable. love him she does, but deep inside, she is nursing a grudge against him for stealing her heart, breaking her father' s heart and letting their trust down .
in his second outing, post - the critically acclaimed udaan (2010), motwane definitely shows an upward graph. he transports you to the' 50s effortlessly with his vintage cars, opulent havelis, authentic costumes and terrific performances from his lead cast. every frame is a picture postcard. sonakshi, barun chanda and ranveer need special mention. however, be suitably warned; the old - world aura and the languid pace are not for the young and restless .
refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. help us delete comments that do not follow these guidelines by marking them offensive. let' s work together to keep the conversation civil .
sonakshi sinha: unfair to say hindi films can' t achiev ...
etimes is an entertainment, tv & lifestyle industry' s promotional website and carries advertorials and native advertising .
copyright © 2018 bennett, coleman & co. ltd. all rights reserved .
a hero. a heroine. and a villain. that’s the standard template bollywood has been using for decades now. very infrequently do you come across a film that creates undeniable curiosity for the antagonist. mohit suri ‘s ek villain is one of those rare films .
the attention - grabbing trailers and the mesmerizing soundtrack have generated substantial curiosity for the film. so much so that the know - alls are drawing parallels with the korean thriller i saw the devil [ 2010 ]. the grapevine gains credibility because the two films — the korean as well as ek villain — focus on the serial killer and how the male protagonist, whose life has overturned due to a distressing occurrence, courtesy the serial killer, gets even with the antagonist. the resemblance ends there .
the similarities apart, ek villain charters a novel route completely. the characters, the reason that compel a simpleton to slip into the robes of a serial killer, the clash between the good versus evil factions are dissimilar when compared to the korean film. so, there!
balaji motion pictures is an indian film production and distribution company established by jeetendra . based in mumbai , it mainly produces and distributes hindi films . key people involved are jeetendra 's wife shobha kapoor and daughter ekta kapoor . 
balaji motion pictures is an indian film production and distribution company established by jeetendra. based in mumbai, it mainly produces and distributes hindi films. key people involved are jeetendra's wife shobha kapoor and daughter ekta kapoor.
balaji motion pictures is an indian film production and distribution company established by jeetendra. based in mumbai, it mainly produces and distributes hindi films. key people involved are jeetendra's wife shobha kapoor and daughter ekta kapoor.