revathy kalamandhir
revathy kalamandhir is an indian film producer, who has worked predominantly in malayalam movie industry. revathy kalamandhir' s previous film to hit the theatres was matchbox in the year 2017 .
producer suresh kumar will make his acting debut with malayalam film ram leela. the producer, known for financing films like rathi nirvedam and neelathamara through his revathy kalamandhir, will play a political activist in ram leela .
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hello, you can find me at the revathy kalamandir film academy interacting with students about direction & screenplay writing .
over the last three decades, revathy kalamandhir has evolved to become a vibrant and modern production unit embracing a variety of genres and themes covering humor and comedy, action and remakes. as a production house, we have endeavored continuously to nurture and promote fresh talents. if you strongly feel that you can make a mark for yourself in movies, revathy kalamandhir will always stand by you and back you in your career aspirations. persons who are keenly interested, passionately pursuing careers in the tinsel world are encouraged to upload their portfolio along with resume below .
in 1993, g. suresh kumar started a new production house called revathy kalaamandhir. following are the movies produced under the banner of revathy kalaamandhir. butterflies, kaashmeeram, thakshashila, aaraamthampuraan, pilots, coverstory, achchaneyaanenikkishtam, kuberan, shivam, kadha, vettom, mahaasamudram, seetha kalyaanam, pachchamaraththanalil etc .
menaka married film producer suresh kumar at the lord krishna temple, at guruvayur, on 27 october 1987. [ 6 ] she produces films under the banner revathy kalamandhir. she has two daughters: revathi and keerthi. [ 6 ] keerthi as a child actress acted in kuberan starring dileep, bijumenon starred achaneyanenikkishtam and pilots with suresh gopi. [ 8 ] she acted in priyadarshan' s movie geethaanjali as heroine. [ 9 ]
i’m a curator and art historian by profession besides having produced feature films. i studied art history at kalabhavan visvabharathi university, shantiniketan. looking forward to seeing you at revathy kalamandir film academy .
menaka married malayalam film producer suresh kumar at the lord krishna temple, at guruvayur, on 27 october 1987. [ 6 ] she produces films under the banner revathy kalamandhir. she has two daughters: revathi and keerthi. [ 6 ] keerthi, as a child actress, acted in kuberan, starring dileep and the bijumenon - starred achaneyanenikkishtam and pilots with suresh gopi. [ 8 ] she acted in priyadarshan' s movie geethaanjali as heroine. [ 9 ]
revathy suresh, the elder daughter of menaka - suresh couple, graduated from the international academy of design and technology (iadt) chicago in 2010 in film and animation. she then pursued a specialization course at digital animation and visual effects (dave) school in 2012. after working for 6 months in an animation studio called monkey chow, she is currently working in red chillies mumbai as a visual effects artist / compositor .
keerthy, the second daughter of suresh kumar and menaka, after her studies in india, is pursuing her masters in fashion technology in uk. when a window of opportunity presented itself, she took her first fledgling steps in acting, as heroine in the priyadarsan movie, “geethaanjali”. super star mohan lal is doing the key role in this film. keerthy had earlier done small roles in the movies “pilots”, “achchanaeyaanaenikkishtam”and “kuberan” – all films belong to revathy kalaamandhir .
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some sort of pressure must exist; the artist exists because the world is not perfect... art is born out of an ill - designed world .
- andrei tarkovsky
the act of storytelling and listening to stories were always a fundamental need of humanity. this quality had empowered humanity with culture and propelled the civilization to a higher realm. a story informs us as well as entertains us. a well narrated story reaches into the deepest zones of a person and invokes his or her emotions. a film director is also a storyteller. and it is through emotions a filmmaker communicates with the audience .
in the modern film making, the role of sound recordists and sound designers has become very important. today’s multitrack, multilayered sound recording and reproduction is a formidable task. the syllabus will give the students an insider’s view to equipments and its technology in terms of electronics and the art and science of acoustics. students will have many hours of practical sessions in sound recording and multitrack mixing. these hands - on assignments are intended to make the students capable of taking up independent job assignments .
the cinematographer is the visual translator of the script, enabling the director to narrate the story evocatively. technologies have gone through a quantum leap. modern digital cameras have evolved into fine instruments of image creation. .
the editing syllabus will take the students through the history, technical development and art of film editing. masterly works from pudovkin, eisenstien to walter murch will be analyzed and studied in detail. major editing softwares, post - production workflows and the responsibilities of the editor in the post digital - camera world will be covered in detail. rkfa gives you the definitive course to know the eternal question
why do cuts work
this course will also teach you the true fundamental principles of editing to make you a great editor .
the acting syllabus includes rigorous physical training and understanding of different acting traditions. the students will go through many modules of actual working situations specifically scripted for individual needs. each student' s strengths and drawbacks will be identified and moulded to become a capable actor who can handle the whole spectrum of emotions .
for humanity the art of storytelling was a tool to understand and tame the reality. in this digital era “storytelling” has become a new adventure with limitless possibilities. the advent of new technologies has empowered everyone to become a storyteller using audio - visual media. beyond the possibilities of technology it is the understanding of human emotions and relationships, which makes a great film maker. this course gives you the best of the both skills - digital imaging technology and handling emotions and relationships within the story you narrate .
the director of photography is the visual translator of the script, enabling the director to narrate the story evocatively. modern digital cameras have evolved into fine instruments of image creation. with a strong foundation of theory and in - depth practice in using available light and artificial lights, this course empowers the students to take up any cinematographic challenges to create a short film. guest faculty would also be invited to discuss and present topics related to cinematography and allied subjects .
when dreams are shaped through creativity, enduring and engaging art emerges. films have never ceased to fascinate us, rekindle the spirit and eventually lead to catharsis of emotions in what is essentially
human
within us. hearty welcome to this website, a quest to profile the life and times, and sterling contributions of malayalam cinema' s leading light in the film production realm, shri suresh kumar
chattakari, a dalliance across cultures was remade with shamna kasim playing the role, made memorable by lakshmi and hemanth doing mohan' s role. it was directed by santosh sethumadhavan, son of ks sethumadhavan who did the original. the movie which was completed in a record 25 days, was shot at koonnoor, thommankuthu and thiruvananthapuram. the movie received positive, rave reviews from audience and critics .
the movies that made us what we are. the movies, that earned us the tagline
for heads to think and hearts to laugh
.
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for humanity the art of storytelling was a tool to understand and tame the reality. in this digital era “storytelling” has become a new adventure with limitless possibilities. the advent of new technologies has empowered everyone to become a storyteller using audio - visual media. beyond the possibilities of technology it is the understanding of human emotions and relationships, which makes a great film maker. this course gives you the best of the both skills - digital imaging technology and handling emotions and relationships within the story you narrate
during the course each student writes and directs a 10 shot exercise, a sound story, a continuity film, an actuality film, a documentary film, and a 10 min. short film. the academy' s one - year program in digital film making gives students the all - around filmmaking experience with in - depth understanding of digital imaging technology, shot divisions, blocking the scene and handling of actors necessary to make their own visual stories. the year is divided into two semesters. students in the program receive over 600 hours of lecture and 600 hours of hands - on instruction and practice. the curriculum integrates intensive study in all the major filmmaking disciplines including cinematography, directing, screenwriting, producing, and editing .
students are also taken through a guided tour on the development and history of cinema. there will be regular screenings of all time classic films from india and abroad. getting accustomed to other art forms will be a priority in our academy. we will also encourage the students to re - invent the hobby of reading books. visits to art exhibitions, musical concerts, theatrical performances, etc. will be part of the curriculum. understanding and appreciation of music will be a major aspect of the course. in the first semester since day one, students participate in an array of classes imparting basic knowledge in film directing, screenwriting, digital camera technique, lighting, digital editing, directing actors and production design. supplementary classes in history of art, music appreciation, and film history and appreciation will be also conducted. they extend and deepen their in - class learning by producing their own short films using high end digital production platform .
in the first semester during the common course, working in crews of five or more, each student writes, produces, directs, and edits 3 - 5 minutes films with increasing complexity. in addition, beach student fulfills the essential roles of director of photography and gaffer (lighting technician) on the films of other students. thus, everyone has an extensive hands - on experience of working on many projects in the first six months .
during the second semester, students are given hands on in - depth experience to new digital video technology. the digital video cameras will allow the students to delve deeper into the director' s craft. each student directs two projects – a documentary film and a 10 minute short film. these projects and specialized workshops challenge students to explore the dramatic mechanics of motion picture storytelling and the critical collaboration between actors and directors .
“some sort of pressure must exist; the artist exists because the world is not perfect... art is born out of an ill - designed world. ” - andrei tarkovsky
at present sunny joseph is the president of cinematographer' s union of malayalam cinema { cumac } and managing trustee of indian society of cinematographers { isc }. as a cinematographer his works include vasthuhara [ dir. g aravindan ], nizhalkuthu [ dir. adoor gopalakrishnan ], piravi [ dir. shaji n karun ], sanabi [ dir. aribam shyam sharma ], janala [ dir. buddhadeb dasgupta ], yathrayude anthyam [ dir. kg george ], train to pakistan [ dir. pamela rooks ], kahini [ dir. malaya bhattacharya ], mangamma [ dir. tv chandran ], godesses [ dir. leena manimekalai ], oru cheru punchiri [ dir. mt vasudevan nair ], daya [ dir. venu ], rmanujan [ dir. gnana rajasekaran ], chintuji [ dir. ranjit kapoor ] and haat [ dir. seema kapoor ]
hello there! t. k. rajeev kumar here! first and foremost, welcome to rkfa. i am very pleased to be the head of the department of direction
i was fortunate to be from a family that produced outstanding musicians and perhaps that was graciously passed onto me a bit. my passion for arts took me through theater, percussion (mridangam), helped me co - found and lead the musical band “blue birds” in 1980 & super mimics, a comedy show in 1979. with all modesty let me also recall the time when i could as a student win the mono act at the kerala university festival and also the sangeetha nataka academy award for mono act in 1979, 1980 .
after graduating from the university college, thiruvananthapuram, my film career started off with navodaya, where i began working as an assistant director at the age of 21. my early lessons were from film maker jijo punnose, son of navodaya appachan. i subsequently assisted regunath paleri in his debut directorial venture
onnu muthal poogyam varae
. the hit kamal hasan thriller chanakyan was my debut film .
later, i was encouraged by the national award that came my way and consider it an honour to chair the kerala state chalachitra academy from 2003 to 2006 & to be entrusted with the directorship of iffk international film festival of kerala from 2003 to 2006. i could contribute to the industry as: jury chairman for kerala state film awards 2007, , member of federation of indian chambers of commerce & industry (ficci) and member general council, film & television institute, pune (2003–2008 )
i was the founder / artistic director of jtpac, kochi (jose thomas performing art centre). i currently hold the position of artistic director of blue mermaid events, kochi. moreover, i have conceived & directed more than 40 international shows, 4 plays and 80 national cultural events & state pageantry. i look forward to share and impart to you the past experiences in the film industry and assure you that in the dept of direction at the rkfa, you folks will have a great learning experience! see you there! 
hello there! welcome to the sound department of rkfa! i am harikumar, your honorary faculty in the department of sound design and recording. i have a diploma in sound engineering from m. g. r government film and television training institute. basically, i started my career as a sound recordist at delhi doordarshan kendra. later in 1979, i joined chitranjali studio as sound recordist under renowned sound engineer p. devadas
i have had the utmost pleasure of working many films with one of the great indian film makers, sri. adoor gopalakrishnan. some of them include anantaram, mathilukal, nizhalkuthu, naalu penningal, oru pennum randaanum, etc. i am quite happy to share that i was awarded the national award twice for my work in the film anantharam and mathilukal in 1987 and 1989 respectively. with blessings from all 8 more awards from kerala state film awards have come my way for audiography .
sound design is an incredibly imaginative, resourceful, very delicate and complex art form. if not mixed in right proportion, you probably have ruined the whole movie. most people jolt or scream at the pinnacle of a horror scene. however, have you watched a horror movie without sound? not too scary right? so, now you know what makes you jump on your seat, and the effect it has on people. it is the least noticed while mixing it right, but a tad more, you ruin the scene, and a tad less, the emotion of the scene doesn’t come out right. so i shall share amazing tricks of the trade for the specialization students. see you in my class then !
i’m a graduate from the satyajit ray film & television institute (srfti), kolkata. teaching direction and screenplay writing regularly from 2011. professional works include feature film vedivazhipadu (story, screenplay, dialogues and direction }, along the way (tv serial, script writer), snakegods and the 13th chapter (documentary commissioned by psbt }, vaithari - the mystic river (diploma film) and many corporate documentaries / films during 2007 - 2010. currently working on my second feature film. looking forward to meeting you at rkfa .
hi there! i am aravind chandrasekhar, your sound design instructor at the rkfa. welcome to the sound department. if i should say a bit about myself, then i must say music is my passion! so, right after graduation in computer application from mg university trivandrum, i went to chennai to follow my passion. there, i did diploma in sound engineering from sae - school of audio engineering in 2010. i learnt the tools and ways of the trade from music director mariya manogar, when i used to assist him mixing for films, commercial films and albums after class hours, where i also got the opportunity to work with several artists .
in 2011, i started freelancing, which is when i worked with several students at the l. v prasad film and tv academy for their documentaries and shorts. later that year, i scored music for the film yashi faithfully yours. shortly after that, i did jingles for ads and music for shows on mathrubhumi news such as nalla vaartha, vaartha keralam, super prime time, and their election theme as well. some of my works include kerala consumer federation 2012, nassco tiles, medimix, arabian jewelry, asianet broadband, saudia group, etc .
sound design is an amazing art! the unique process of creating sounds is something that, like all creative process, can' t fully be taught in a class, but felt, explored, and discovered. thus, as a sound designer you carry a lot of responsibility of connecting to the audience through sound whether it is merry or sad. so, if you are enrolling for sound recording and design, then i assure you, you will be spending more time with me at the academy creating brilliant sound from the most ridiculous and unexpected sources you can ever imagine and learn along with me! hoping to meet and work with you soon !
hello! welcome to the acting department at rkfa. i am sreenivas, one of your acting instructors at the academy. my specialization is in voice training, helping you with modulation, expression through sound and voice acting. i have been working with abhinaya theatre research centre, thiruvananthapuram for the last eleven years as an actor, musician and administrator. i have acted in more than 15 plays and have also performed in various theatre festivals like festival ‘d avignon (france), world theatre festival, brisbane (australia), bharat rang mahotsav, new delhi etc. as there is no time barrier for learning, i took interest and have been learning the traditional sanskrit theatre of kerala – koodiyattam for the last couple of years. having trained in carnatic music, i include music sessions as part of my classes to enhance the voice of an actor .
i earned my diploma in film direction and screenplay writing, and started my career assisting, the late mr. ismail merchant and james ivory of merchant ivory productions (mip) in “cotton mary” and ‘mystic masseur’. in august 2001, i joined rajiv menon productions and worked with rajiv in over 100 commercials. during my tenure there, i worked on tvc’s for various consumer brands like asian paints, cadbury’s perk, tvs scooty etc. in the process i dealt with all the major advertising agencies in the country, like o & m, mc cann ericsson, rk swamy, jwt & contract .
in january 2006, i decided to pursue my passion and became an independent film maker. in the course of the year i wrote and directed a short film (6383 kollam express). i also produced & directed commercials for mr. bean coffee, deccan chronicle, malayala manorama, agsarcem paints and next shop. i completed three (a trilogy) short films on the cochin royal family history. after “all are but one” in 2005 and “continuum” in 2006 it was
renaissance” in 2007 .
hello, i look forward to seeing you here at the rkfa. i’m the associate in the department of editing .
prior to joining rkfa in 2014 i was with st. thomas college of arts & science, chennai, in the department of media studies as asst. professor. i will be glad to assist you and share my expertise with you folks in film & video editing and television production .
hello, i’m latha kurien rajeev and i will be discussing with you art appreciation .
t. krishnanunni is one of the most reputed sound designers in india. [ he has received multiple national film awards (india) and kerala state film awards. he has worked with almost all the eminent film makers in kerala, including adoor gopalakrishnan, g. aravindan and shaji n. karun .
he, joined the film and television institute of india, pune for the sound recording & sound engineering course. passed out from the ftii in 1976. he joined the space applications centre in ahmedabad as sound recordist in their khedda communications project in1977. left ahmedabad in1980 to join chitranjali studio under the kerala state film development corporation in trivandrum as sound recordist. worked for twenty eight years in chirtranjali studio and was the chief sound engineer. mr. krishnanunni is a four time national award winner for the best sound design and 10 times winner of the state award for best sound desgn. .
he is the winner of both national & state awards for screenplay, best film and also the winner of john abraham memorial award .
alumni of ftii pune and was the hod of editing at the ftii pune for over ten years. has won both national & state awards for film editing. .
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koottil ninnum song | താളവട്ടം | k. j. yesudas | mohanlal, karthika | malayalam evergreen film song
arun gopi directs this film that has actor dileep in the lead. the investigative thriller also has the likes of mukesh, sai kumar, vijayaraghavan, suresh krishna, siddique, renji panicker, and radhika sarath kumar in supporting roles. sachi has written the script of this film that will be shot in and around palakkad .
suresh’s wife menaka, and daughter keerthy suresh, are also actors. keerthy last starred in bairavaa, the vijay starrer that released last week .
please help by adding reliable sources. contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful .
menaka was born as padmavathi on 27 august 1963 and belongs to a conservative nagercoil tamil brahmin iyengar family. [ 6 ] her father rajagopal is from tenkasi and mother saroja is from thickurichy. [ 7 ] she has three brothers: govinda, sundar, and balaji .
movies | nostalgia |. manorama online (23 december 2013). retrieved on 26 january 2014 .
malayalam actress menaka returns to acting – malayalam movie news. urltoken (9 march 2005). retrieved on 26 january 2014 .
സിനിമ എങ്ങനെ ഞാന്‍ മറക്കും – articles, infocus _ interview – mathrubhumi eves. mathrubhumi. com. retrieved on 26 january 2014 .
kerala news – menaka. urltoken (26 september 2005). retrieved on 26 january 2014 .
menaka is back in front of the camera. urltoken (29 october 2010). retrieved on 26 january 2014 .
menaka was treated like a queen. the new indian express. retrieved on 26 january 2014 .
ഞാന്‍ കീര്‍ത്തി; മേനകയുടെ മകള്‍. urltoken (16 august 2013). retrieved on 26 january 2014 .
this page was last modified on 17 may 2016, at 13: 45 .
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menaka is an indian film actress and producer. [ 1 ] in her short film career from 1980–86, menaka acted in 116 films, mostly in malayalam. she did a few films in tamil, kannada and telugu. she married malayalam producer suresh kumar. [ 2 ] [ 3 ] after 19 years, she made a comeback through the television serial kaliveedu. [ 4 ] again after six years, she made a comeback on the big screen through fazil' s 2011 film living together. [ 5 ]
menaka was born into a conservative tamil family. [ 6 ] her father rajagopal is from tenkasi and mother saroja is from thickurichy, kanyakumari district. [ 7 ]
malayalam actress menaka returns to acting – malayalam movie news archived 26 april 2009 at the wayback machine. . urltoken (9 march 2005). retrieved on 26 january 2014 .
സിനിമ എങ്ങനെ ഞാന്‍ മറക്കും – articles, infocus _ interview – mathrubhumi eves archived 26 october 2014 at the wayback machine. . mathrubhumi. com. retrieved on 26 january 2014 .
kerala news – menaka archived 18 february 2009 at the wayback machine. . urltoken (26 september 2005). retrieved on 26 january 2014 .
menaka is back in front of the camera archived 7 november 2014 at the wayback machine. . urltoken (29 october 2010). retrieved on 26 january 2014 .
shevlin sebastian (13 may 2013) menaka was treated like a queen archived 3 july 2013 at the wayback machine. . the new indian express. retrieved on 26 january 2014 .
a complete online malayalam cinema news portal archived 5 may 2015 at the wayback machine. . cinidiary. retrieved on 11 october 2016 .
ഞാന്‍ കീര്‍ത്തി; മേനകയുടെ മകള്‍ archived 6 december 2013 at the wayback machine. . urltoken (16 august 2013). retrieved on 2016 - 10 - 11 .
ഞാന്‍ കീര്‍ത്തി; മേനകയുടെ മകള്‍ archived 6 december 2013 at the wayback machine. . urltoken (16 august 2013). retrieved on 26 january 2014 .
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revathy kalamandhir is a malayalam movie production house , founded by malayalam producer g suresh kumar in 1993 . twenty five films had been produced under the banner . the latest release was the movie chattakaari , which was a remake of the 1974 movie chattakari . the film was shot in a record of 25 days
revathy kalamandhir is a malayalam movie production house, founded by malayalam producer g suresh kumar in 1993. twenty five films had been produced under the banner. the latest release was the movie chattakaari, which was a remake of the 1974 movie chattakari. the film was shot in a record of 25 days
revathy kalamandhir is a malayalam movie production house, founded by malayalam producer g suresh kumar in 1993. twenty five films had been produced under the banner. the latest release was the movie chattakaari, which was a remake of the 1974 movie chattakari. the film was shot in a record of 25 days