caroline records
caroline blue plate, caroline españa, caroline españa s. l. , g unit, gyroscope, primo scree, reggae lounge, rocks the world, scamp, sub meta, submeta records
list of caroline records artists, listed alphabetically with photos when available. this caroline records roster includes both past and present artists. popular caroline records bands and artists are all listed here with information such as what genre the bands fall under and what albums they' re known for. if you' re looking for any of these caroline records band' s full discographies then click on their name and you can find them here on ranker. the artists and bands on this list might be pop, rap, rock, electronic or any other genre, but what they all have in common is that they were signed by caroline records .
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if any musical artists are missing from this caroline records artists list, you can add them at the bottom of the list. (101 items )
beginning as a european mid - price offshoot of virgin from 1973 to 1976, caroline records was reborn in 1983 as a u. s. distributor and (in 1986) pseudo - indie label operated by virgin / emi until 2011. in 2013 the brand was relaunched by universal music via the capitol music group. this entity can be used as a label for releases bearing the caroline or caroline records brands (1973–1976 and 1986–present), as well as for distributor or other company roles, although caroline (3), caroline records, inc. , caroline distribution, caroline international, or another caroline entity may be more appropriate if printed on the release as such. caroline catalog number formats varied over the years. carol and car were common prefixes, sometimes appearing interchangeably on the same release. when submitting, please use the number exactly as it appears on the release to avoid confusion. if multiple numbers appear, add additional fields and use the notes to clarify what appears where. more recently, caroline adopted the standard emi numbering system in addition to the carol - prefix number much the same as island records, caroline was inconsistent about incorporating the word
records
into their logos and contact information over the years, so on discogs it is considered correct to always use one entity—caroline records—even if records is not present. in another similarity, the oldest logo was brought back for a number of new releases in the mid - 2010s. in hindsight, the canonical name would omit records, but there are too many releases to edit to do this now. labelcode: lc 03261
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search a broad listing of independent music titles at city hall records and see their impressive artist list .
from the national and st. vincent to morrissey and taylor swift, here’s a big list of records to look forward to in the coming months
apple' s itunes has added globe records to their music download sevice... you can even download an artists entire catalog! (these link will launch itunes). check out all of the
caroline is an avid electronic music enthusiast. born and raised in the boston area, caroline relocated to new york and then again to florida to complete her bachelors degree in social entrepreneurship & business. first attending wagner college in staten island, she transferred to rollins college in orlando. her passion for edm and music festivals has taken her up and down the east coast, and inspired her to pursue her dreams within the industry. electronic music truly has been a blessing in her life, and landed her on a path she is sure is her life calling .
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caroline international is an award winning global label services operation for artist and independent labels with dedicated personnel and offices around the world. caroline’s partners include glassnote, communion, wolf tone, fiction, loma vista (concord), fantasy (concord), dirty hit, future classic, arts & crafts, dine alone, pmr, amf, one little indian, spacebomb, deadbeats and artists including glass animals, van morrison, iggy pop, st. vincent, marilyn manson, peter gabriel, tame impala, underworld, prophets of rage, steven wilson, nine inch nails, nick mulvey, the amazons, nathaniel rateliff & the nightsweats and the horrors .
urltoken is the multimedia webfront for globe records, the independent record company and on - line / mailorder catalog offering cds and vinyl lps of the unusual or hard to find featuring san francisco bay area artists, and a searchable database of over 20, 000 mostly regional titles .
most rip - off releases came with picture sleeves. around 50% of these were made from brown paper bags with the artwork printed over the bag, because it was cheap and gave the releases a ‘punkier’ d. i. y look. hard to get hold of, even when they were first released, a lot of rip - offs singles are now virtually impossible to track down and fetch high prices on internet auction sites. in recent times sing sing records from nyc have plundered the vaults of hyde park studios in templepatrick and reissued some material from george doherty’s label, including previously unreleased material by the tinopeners, alleycats, minor classics and the faders. in 2007 tokyo based 1977 records issued two great cds of clive culbertson material, spanning his solo career and his bands no sweat / the sweat. some of these recordings include rip - off records recordings .
the recording features tony award winner alice ripley, a. j. holmes, drama desk award winner richard kind, caroline bowman and matt doyle. the cast also includes gerard canonico, kirsten scott, martin sola, nehal joshi, alex chester and anita welch. musical director matt hinkley leads a seven member band. a special concert production of bubble boy was presented at feinstein' s / 54 below .
well - known local producer george doherty formed this label back in 1978. doherty was responsible for the production on many of the earlier n. irish punk releases, including big time rudi’s classic debut 45 on the good vibes label and the outcasts first single frustration on it records. george had been working for emerald music, founded in 1964 by mervyn solomon who had been the first person to record both rory gallagher and van morrison. george recalls how the label came about “it all came about in 1978, i went up to the boss mervyn solomon and told him that i wanted to record a couple of new groups. he initially refused but i insisted and suggested that i form my own label. after some consideration he phoned me back, he gave me £500 and told me that when that was finished, i was finished, that’s how rip off records started” .
globe records is an independent record label and mailorder catalog from the san francisco bay area in northern california, offering cds cassettes and vinyl lps of the unusual or hard to find featuring san francisco bay area artists, and a searchable database of over 15, 000 mostly regional titles. formed in 1985, this label features rock, rhythm & blues, jazz, blues, zydeco, cajun, folk, country, new orleans, christmas and other musical styles by the likes of rhythmtown - jive, johnnie johnson, annie sampson, anthony paule, paul rogers, the baxter brothers, bill kirchen, brenda boykin, eric swinderman, the charlatans, the christmas jug band, cole tate band, commander cody, the country all stars, dan hicks, michael peloquin, tri tip trio, sandi & the accents, the farlow - kirch band, caroline dahl, david landon, the edlos, freddie roulette, gator beat, jeff massanari, jill carole, jimmy dillon, alex baum, joe goldmark, the johnny nocturne band, kathy n. right, michael and pilar, mike weiner trio, mitch woods and his rocket 88s, the moonlighters, paris slim, rhythm sheiks, s. e. willis, solid air, steve gannon, steve gornall, the reptile brothers, those darn accordions, tommy castro, the swing session, frank biner, frederick nighthawk, transistor rodeo, vinyl, west coast mardi gras party, poor man' s whiskey, grootna, mad river and bodacious .
ghostlight records has become the leading independent force in original broadway cast recordings - building a library of over 150 records in the last 17 years, featuring some of the most successful broadway musicals and solo albums by broadway' s brightest stars. founded by grammy award winner kurt deutsch, sh - k - boom / ghostlight has won three grammy awards (for the book of mormon, in the heights and beautiful - the carole king musical) and is a frequent nominee, most recently for the obcr of the 2016
best musical
tony award nominee bright star by steve martin and edie brickell. other notable recent releases include the 2017
best musical revival
tony award nominee falsettos, the 2016
best musical revival
tony award nominee she loves me, the 2015
best musical
tony award nominee something rotten! anddisney' s newsies. the label has also released solo albums from patti lupone, billy porter, sutton foster, adam pascal, lea delaria, kelli o' hara, ben vereen, christine ebersole and more. the label continues to support the new generation of musical theatre composers with their extensive relationships with michael john lachiusa and michael friedman, as well as lin - manuel miranda, tom kitt, pasek & paul, joe iconis, ryan scott oliver, shaina taub, dave malloy, kerrigan & lowdermilk and adam gwon. the label recently created a new joint publishing venture with razor & tie to represent songwriters that fuse theatrical and pop music. sh - k - boom entertainment is a producer of the acclaimed film version of the last five years, written and directed by richard lagravenese and starring anna kendrick and jeremy jordan. urltoken .
the pumpkins formed in 1987, a couple of years after corgan moved back to chicago from florida, where he’d had a go at heavy - metal thunder in a band called the marked. he met iha first, and then got into an argument with a woman, d’arcy, outside of a club, in the course of which he found out that she played bass. the first few pumpkins gigs were played to drum machine accompaniment; a local club owner saw and liked the band, offering them a plum opening slot for jane’s addiction on condition that they hire a real drummer, which explains jimmy chamberlin. a few more high - profile opening slots and the release of a single on local label limited potential brought the band increased record company interest, which expanded exponentially when sub pop put out a seven - inch of “tristessa” in 1990. the pumpkins decided to ignore the major - label wolves in favor of pseudo - indie caroline, which released the butch vig - produced gish in 1991 to great critical acclaim and eventual sales in the neighborhood of 350, 000 .
rip - off never attained the credibility or critical acclaim enjoyed by the good vibrations label as a lot of their acts had only tenuous links with the punk scene. the label did however just miss out on a few fledgling acts such as the moondogs, george doherty takes up the tale “this guy thomas black, wanted me to record his band, they were called the moondogs. he talked me into bringing them down to play in the studio. the deal was if i liked them, then they would sign a contract on the day. the moondogs played two songs and i knew i wanted them”. the band laid down two backing tracks (no vocals), but never did sign the contract. the label were still responsible, however, for some notable releases including pretty boy floyd and the gems teen - sex anthem sharon (b - side of the instigator 7
), lenny & the lawbreakers suitably punked up version of the old country classic me and bobby mcghee, and a highly collectable single by the zipps. the first ever n. irish punk compilation album, belfast rock was released by rip off records in 1978 and is notable for the inclusion of two songs by one of northern ireland’s earliest punk outfits - the detonators (their only ever appearance on vinyl !). the album also features two songs by doherty’s own band - the jumpers. backing on the track was provided by various members of pretty boy floyd and the gems. other artists on the label’s roster included the d. a band. this band was in fact ‘the john anderson band’. the d stands for doherty and the a stands for anderson. george produced many of the labels recordings, ably assisted by clive culbertson as sound engineer. in fact clive would go on to produce some of the later singles on the label, such as the zipps, and the tinopener’s single which was released on logo records .
billy corgan and the smashing pumpkins may be this year' s alternative success story, but' siamese dream' did not come easy. jim greer learns whether the pain and suffering were worth it .
billy corgan, rangy singer - guitarist - songwriter for chicago’s smashing pumpkins, is a lightweight. he makes that clear as he settles down in a midtown manhattan bar to talk: “i’m a lightweight, ” he forthrightly announces as we order our first drinks. “this is a good way to loosen my tongue. ” long black jacket hanging comfortable from his slouchy six - foot - three - inch frame, corgan appears far more relaxed than the last time we met, in a los angeles recording studio during the final stages of mixing, with producer butch vig, the band’s second lp and major - label debut, siamese dream. he seemed, then, like a man at the end of his tether, the tether in this case being the grueling five - month process of completing the record. even at that point, though, you could tell that big things were expected from the new album; stupid, meaningless phrases such as “the next nirvana” had been flitting through the industry ether for some time concerning the pumpkins. by all accounts, despite its arduous conception, siamese dream is a fit vehicle to deliver the band to rock godhead .
corgan, for his part, doesn’t really seem cut out for the role of rock god. he doesn’t swagger, doesn’t leer, hardly even drinks; instead, he speaks quietly and articulately and laughs, on occasion, in a high - pitched cackle. mad scientist might actually be a better occupational fit, which in a way is appropriate — these days, all the best mad scientists are in rock bands (kristin hersh, eddie vedder, mark robinson of unrest). he constructs intricate webs of sound and sense that alternately glisten and vibrate amid a thunderstorm of overamped guitar. its meticulous framework reflects its maker’s widely varied influences, from black sabbath to cheap trick and back again, yet the hold is remarkably organic: the other night in some club between sets the dj played all of the pumpkins’ first lp, gish, but the crowd was so loud you couldn’t tell where one song began and the another ended. it sounded like a goddamn symphony, and i mean that in the nicest way .
siamese dream, which boldly debuted on the billboard charts at no. 10, picks up where gish, and, before that, the band’s early singles, left off. it’s both more expansive musically (stealing the best bits from ’70s - style prog, without the nutty mythopoesis), and more introspective lyrically, diving headfirst into topics corgan had heretofore been “totally in denial” about, mostly concerning his childhood and relationship with his parents. “when i wrote the lyrics for this record, ” he explains. “i would just sit down at the typewriter and just type pages and pages, and then when when i came to a line that made me cringe with embarrassment, that’s the one i would use. ” corgan speaks his mind bluntly, with an almost confessional intensity. he rarely shies from difficult subjects — when asked about a particular song’s lyrics such as those of siamese dream’s moving “space boy, ” he replies without hesitation, “it’s partly about my brother. i have a younger brother who has a rare genetic chromosomal disorder. he’s not mongoloid, he’s not retarded, but he’s definitely different he’s like 17 now. and there’s a lot of things where i identify with him, ’cause i went through very similar things — not because of anything genetic, but my whole life i was told there was something wrong with me, that i was different. i mean, all i ever heard was, ‘you’re a freak, you’re different, you’re not like everybody else.' ”
corgan’s childhood, in general, provides ample emotional fuel for siamese dream’s volatile psychic broadsides. “i didn’t grow up with my mother, ” he relates, “and that’s really fucked me up. i grew up with my stepmother. my parents got divorced and i went to live with my great - grandmother, then i lived with my grandmother, then i went to live with my father and his new wife. my father was a musician, he was gone all the time, so she was in essence my mother. i consider her my mother, still. and around the time i was nine they split up for good and i stayed with her. so i grew up living an hour away from both my natural parents, but i didn’t grow up living with them. that has had a lot really harsh effects on my life — things that i’ve only figured out recently. ”
the result of all this soul - searching is at times obscured on siamese dream by the sheer force of the music, just as the directness and honesty of corgan’s sentiments are occasionally clouded by his slightly dippy self - absorption. “i can see the title of the article now, ” he jokes, after one particularly potent verbal sally. ” ‘billy corgan: asshole or genius? ’ ” well, no, actually i was thinking more along the lines of “crazy mixed - up guy with a heart of gold. ” clearly, corgan’s done a few too many interviews in his brief career, but it’s easy to forgive his solipsistic lapses, because (a) jeez, the guy’s obviously had a rough time of it, and (b) he’s so endearingly direct, and unafraid of making a fool of himself. besides, in his own opinion, “if you were to sit down with the lyrics in your hand and listen to [ siamese dream ], really listen, you could get a pretty good insight into me. i think that is a better insight into me than anything that i could ever say. if you really listen to the record, you would know that i’m a real wimp. and a hopeless romantic. ”
sitting around a table outside the band’s mixing studio in los angeles, under a typical curds - and - whey southern california sky, the four smashing pumpkins (it’s a stupid name, ” says corgan. “a minor joke. ”) take turns out - jading each other. “we’ve become extremely jaded as a band, ” corgan says. “and i think it’s really sad. i don’t think there’s anything cool about it. we’ve lost perspective about how lucky we are and how wonderful a position we’re in. ”
“all my friends kept telling me before we came out here, ‘great you’re going to l. a. ,' ” says guitarist james iha. “and i’m like, ‘what do you mean? i hate l. a.' ”
“we tried to make [ the band ] big, and then it happened, and it got bigger than we thought it would be, ” explains corgan. “you feed the machine, and the machine feeds back on you…”
in a lame attempt to make everyone feel better, i tell the band that, hell, i’ve interviewed bands a lot more jaded than them .
despite having slogged it out for years on the local club circuit, smashing pumpkins, until gish’s success, found themselves outcasts in the local chicago scene, all but ignored in the press and accused by other bands and scenesters of being “sellouts” or “poseurs, ” whatever that means. the band’s seemingly meteoric rise provoked jealous hissy fits from the established cliques in the area: the touch and go art punks, the wax trax industrialists, the flannel - shirted pre - grungeaholics. their antagonism, especially in the very early days of the band, helped spur the pumpkins on to greater heights .
“at the time, chicago was such an oppressive musical community, ” says iha. “we didn’t represent anything from any of those scenes. ”
“the whole thing’s such a dead issue, ” interjects corgan. “it was an initial motivation for us, to prove ourselves, but as you grow beyond your local scene and become a more national band, then people start comparing you to bigger bands, with is equally ridiculous. ”
ironically, the pumpkins find themselves currently on the forefront of a scene billboard recently crowned “the new capital of the cutting edge. ” citing the success of such natives as urge overkill, liz phair, and the top ten debut of the pumpkins’ record, the article maps out a brave new world of chicago rock that has as little to do with the pumpkins now as the critics’ uninterested did then. that the band can now sell out three consecutive shows at chicago’s cabaret metro in 25 minutes says less about any sort of chi - town renaissance than it does about the band’s burgeoning national fame .
largely because of corgan’s dominating personality, it’s easy, at times, to forget smashing pumpkins is a band. from my short los angeles visit, i can say without hesitation that d’arcy (thumbnail sketch: likes to wear sunglasses and act cool), iha (shy, friendly, big fan of star trek: the next generation), and chamberlin (madman) are truly swell people. i just have trouble figuring out where they — especially iha and d’arcy — fit in, at least in the studio version of the pumpkins (live, of course, they’re a different, sloppier beast). it’s fairly common knowledge that neither played much on gish, and despite increased contributions on siamese dream, according to vig, corgan still ended up playing a vast majority of the guitar parts, as well as many of the bass lines. for the record, corgan will only say that “it has never been to my advantage to present myself as some sort of studio wunderkind. ” the magnetic pull of corgan’s egocentrism seems to draw in and motivate the other band members to keep them revolving around his sun .
“one of the reasons i like working with billy is that i think he really has a vision, ” says vig, who produced gish and co - produced siamese dream with corgan. “whether people are gonna love it or hate it, he’s not afraid to put his stamp on something, and chart out territory where he thinks the pumpkins should be. he’s very articulate, so when he’s talking about something, it makes sense to me. he can usually explain why he wants a part to be a certain way, or what he’s going for. and if he feels strongly about something he’s generally right .
“he also takes a certain amount of pride in being able to play pretty well, which i appreciate. i was pretty demanding in terms of performance, especially with drums and just like rhythmic kind of playing. more so in terms of how the band played rather than being metronomically perfect. when the band is totally on they play great together, but there were also certain points when they weren’t playing great, and it really took a lot of patience to get them to focus. and billy is more focused than james and d’arcy and jimmy would be sometimes. ”
corgan smiles ruefully when i gently broach the subject of internal band relations, especially in light of the difficulties surround the recording of siamese dream. “you know, i gave them a year and a half to prepare for this record, ” he says. “i’m surrounded by these people who i care about very much yet they continue to keep failing me. i say, ‘i need this, i need that, ’ and they don’t do the job, and what it does is it makes me feel the same abandonment i felt as a child. and then what it says to me is, ‘you’re not worth the trouble. ’ you to take it to a level where it’s very personal. if you really think about it, of course, someone doesn’t do the job because they’re lazy, or they don’t think it’s important. but i took it as, ‘you’re not worth going home and working on the song.' ”
still, corgan’s obvious (and reciprocated) affection for the other pumpkins has helped sort things out for the moment, but the smashing pumpkins’ world is a fragile and volatile thing, ruled at least in part by corgan’s battles with his own insecurity. he is enormously sensitive both to criticism from the outside and to his own relentless perfectionism. at times, this sensitivity has plunged corgan into the deepest of funks. “here i’m going along in life, gish comes out, is basically successful, people are telling me, ‘you’re gonna be on your way, everything’s gonna be great, ’ and here i am, i’m suicidal, completely depressed, i hate myself, i hate my band, ” he relates of the period just prior to recording siamese dream. (when we met in los angeles, a couple of months earlier, he referred to the period as “so horrible i don’t even want to think about it, much less talk about it. ” so i guess this is progress .) “if you had met me, or knew me, you’d think, ‘oh, this guy’s life is going along great, things are going great. ’ and in my mind it was like things were terrible. ”
his depression at that point apparently was such that prospects for recording the follow - up to gish anytime in the next decade or so looked decidedly dim — which is precisely when things started looking up. “i came off tour, we barely had any songs written, the record company’s going, ‘you go in the studio in two months, ’ and i’m going, ‘there’s no fucking way,' ” corgan remembers. “i reached such a point of depression that it was like, ‘okay, i give up. i’m gonna stop trying to be whatever i think i should be, whatever everybody wants me to be, ’ and when i did that, that’s when the songs started to come. when i finally let myself be what i am, then the music came to me, and it was a lot more powerful. ”
corgan, and by extension smashing pumpkins, is a potent mass of freely admitted contradictions. both in music and in conversation, corgan shoots first and wrings his hands later, managing to pull off any number of mutually exclusive extremes because he actually encompasses these extremes. which is why he can blurt out, on the one hand, “i’ve gone as far as saying that if the album came out and bombed, and it got horrible reviews and no one came to our shows, that’d be the end of the band, ” and on the other hand say, “for the first time in my life i feel like i’m finally on that road or whatever that i was meant to be on. and that’s why i feel, like, a different confidence about this record. because if you criticize me now, i feel like i’m being criticized pretty much at my best. ” he can say both these things, and mean them, because while contradictory, both statements are, for him, the truth. if he were more consistent, smashing pumpkins would doubtless be a less interesting band. as it is, contradictions intact, siamese dream expands the previously available vocabulary of rock music — not bad for a goddamn lightweight wimp .
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list artists include courtney love, the smashing pumpkins and many additional artists as well .
welcome back to the pitchfork guide to upcoming releases, our seasonal guide to new music. four times a year, we round up a list of albums, singles, eps, reissues, and more arriving in the coming months. this installment covers fall 2017, starting today and taking us to the end of the year. (please note that release dates may change .) to start things off, we’ve highlighted a few particularly notable releases, including albums by the national, alvvays, zola jesus, gucci mane, moses sumney, kamasi washington, morrissey, king krule, destroyer, st. vincent, and more .
it’s been four years since the national released their last full - length album, and they return this year with sleep well beast. “we recorded so much music: focusing in on what the album is, that gets more intense in the old way. but this time, we weren' t so interested in constructing a polished or elaborately tightly - knit kind of record, ” aaron dessner told pitchfork in may. “we allowed ourselves to have more sounds that are just hanging out there in the mist. ” although the album comes out on september 8, the band will perform it live in its entirety on september 5 .
antisocialites is the second album from canadian indie - pop band alvvays, following their 2014 self - titled debut. “this record is a fantasy breakup arc and my life nearly imitated art, ” frontwoman molly rankin said of the record. antisocialites features “ in undertow ” and “ dreams tonite. ”
love what survives follows mount kimbie ’s 2013 album cold spring fault less youth. the record features king krule (“ blue train line ”), james blake (“ we go home together ”), micachu (“ marilyn ”), and others .
zola jesus returns to sacred bones with her new release, okovi. she released her last album, 2014’s taiga, on mute. check out track reviews of “ exhumed, ” “ soak, ” and “ siphon, ” and read pitchfork’s new interview “ zola jesus turns tragedy into a torrential sound on her new album. ”
hundred waters ’ new lp, communicating, follows 2014’s the moon rang like a bell and a 2015 remix album. the new record includes the previously shared “ particle, ” “ blanket me, ” and “ fingers. ”
earlier this year, ariel pink teamed up with weyes blood to release their collaborative ep myths 002. now, he returns with his first solo lp since 2014’s pom pom. he’s previewed the album with several singles, including “ another weekend, “ “ feels like heaven, ” and “ time to live. ”
gucci mane: mr. davis (september 15, guwop enterprises / atlantic )
gucci mane continues his prolific output with a new album that features migos, nicki minaj, the weeknd, big sean, a $ ap rocky, schoolboy q, monica, slim jxmmi, and many others. mr. davis follows droptopwop and his numerous 2016 projects. revisit pitchfork’s “ driving into gucci mane’s 2014 vaults. ”
it hasn’t even been a full year since hiss golden messenger released his last lp, heart like a levee, but singer - songwriter m. c. taylor returns this year with his latest. he recorded his new project with megafaun’s brad cook, who also contributed bass. “love is the only way out, ” taylor said in a statement. “i’ve never been afraid of the darkness; it’s just a different kind of light. and if some days that belief comes harder than others, hallelujah anyhow. ”
following last year’s lamentations ep, moses sumney ’s debut full - length is on the way. so far, he’s shared two tracks from aromanticism: “ doomed ” and “ quarrel. ” for the former, he also released a haunting music video showing him submerged in a body of water. revisit pitchfork’s 2015 interview with sumney .
godspeed you! black emperor ’s latest album features only four tracks, and thus far, they’ve shared the first one: “ undoing a luciferian towers. ” “we aimed for wrong notes that explode, a quiet muttering amplified heavenward, ” the band said in a statement, adding, “we recorded it all in a burning motorboat. ”
kamasi washington ’s six - song suite, debuted at the whitney biennial, comprises his new harmony of difference ep. it follows his massive 2015 album the epic .
kaitlyn aurelia smith released two albums last year: her solo lp ears and the collaborative sunergy with suzanne ciani. her new album, the kid, features “ an intention ” and “ to follow and lead. ”b
kelela ’s debut studio album follows her 2015 ep hallucinogen. she recently shared a music video for her album’s first single “ lmk. ” in it, she dons several different personas. read pitchfork’s feature “ kelela’s philosophy of love. ”
canadian indie band wolf parade are releasing their first full - length album since going on hiatus seven years ago. cry cry cry follows their 2010 lp expo 86. last year, they released ep 4 —their first new music after reuniting. the band have premiered their first two singles “ valley boy ” and “ you’re dreaming. ”
beck ’s last album, 2014’s morning phase, won album of the year at the grammys. his next one includes “ up all night, ” “ dear life, ” “ wow, ” and “ dreams. ”
following kurt vile ’s and courtney barnett ’s acclaimed 2015 albums (b’lieve i’m goin down and sometimes i sit and think, and sometimes i just sit, respectively), they’ve joined forces for a new collaborative lp. it features the lead single “ over everything. ”
st. vincent said that the follow - up to her 2014 self - titled lp is “ all about sex and drugs and sadness. ” masseduction features her singles “ new york ” (which recently got an accompanying video) and “ los ageless. ” the album also includes appearances from kamasi washington, jenny lewis, doveman, and sounwave .
two years after poison season, dan bejar returns with a new destroyer album. ken was produced by black mountain’s josh wells, who’s drummed for destroyer since 2012. the album features the lead single “ sky’s grey. ”
it’s been since three years since morrissey ’s last album, world peace is none of your business, and he returns in november with low in high school. few details, including a concrete release date, are known about his next record. the lp was recorded in france’s la fabrique studios and ennio morricone’s forum studios in rome with producer joe chiccarelli. morrissey will play a one - off show at the hollywood bowl on november 10 (which is presumably why his name appeared over an l. a. freeway) .
converge ’s follow - up to 2012’s all we love we leave behind is out in november. vocalist jacob bannon said their new music was his “emotional reaction to the complex world in which we live. ” so far, the band have shared two singles: “ i can tell you about pain” ” and “ under duress. ”
taylor swift’s 1989 follow - up arrives in november. it features her lead single “ look what you made me do, ” which got an accompanying music video that premiered during the vmas. the clip, which appears to be a commentary in part about swift’s previous music video personas, broke the youtube record for the most views in a single day .
björk hasn’t officially announced her new album beyond the promise that it’s coming “ very soon, ” though she has described it as her “tinder record. ” whenever it arrives, the new album will follow 2015’s vulnicura. earlier this year, she announced a career - spanning songbook called 34 scores .
after sparking speculation about a new album with a series of mysterious posters, king krule shared a new song last month called “ czech one. ” the track will be available for purchase on a 7
( backed by another new track, “dum surfer”) on september 13 via true panther / xl. archy marshall’s last album as king krule, 6 feet beneath the moon, came out in 2013 .
death from above: outrage! is now [ warner bros. / last gang ]
deer tick: deer tick vol. 1 and deer tick vol. 2 [ partisan ]
harber brings feel - good remix of notd ft. bea miller “i wanna know”
felix jaehn debuts ‘cool’ new music video feat. marc e. bassy & gucci mane
dutch dj / producer willem rebergen, better known by his stage name headhunterz, is coming in hot with his new single. with over a decade behind him on his musical journey, headhunterz has established himself as a free - minded and open creator, unleashing work that is unlimited by expectations .
“landslide” strays a bit from his typical headbanger style, but is a mellow synth - heavy tune to chill out to. rebergen shared his thoughts on the track, stating, “i just want to claim the freedom to make the music i love. ”
his classic hardstyle sound took his musical career off the ground after performing at defqon. 1 festival, his first major event, over 10 years ago. since then he has played every major hardstyle event, scaling his talent to a global level. headhunterz has distinguished himself further through his voice acting in various movies and tv series, which he continues to do today .
in the past, headhunterz has worked with notable industry heavyweights like hardwell, steve aoki, r3hab, krewella, w & w, and carnage. providing chart - topping remixes is also in his repertoire, including mixes for artists such as zedd, armin van buuren, kaskade, and avicii .
a man of many incredible talents, headhunterz has provided his worldwide fan base with an exceptionally creative sound, and taken them along with him on his musical journey. setting challenges and remaining true to himself is his core work. we can expect a lot more in that direction in the near future from this infectious dj and producer .
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seeming as if everything they touch turns to gold, american duo sevenn have taken the dance music industry by storm ...
originally oxford - based dj / producer laxx is hitting this summer hard and still riding the wave of excitement from his debut album ...
following our previous post, “the glitch mob: this is the year for electronic trio, ” we had the thrilling opportunity to ...
the almighty cvnt5 are back at it again, this time around with a wild and hilarious documentary series for your viewing ...
young danish dj / producer, refeci, has just released yet another vocal pop - dance masterpiece, along with full length choreographed music video. “talkin ...
listen to the world premiere of blvk jvck feat. jessie reyez “love me still (latmun remix) ” as heard exclusively on ...
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includes unlimited streaming via the free bandcamp app, plus high - quality download in mp3, flac and more .
via the free bandcamp app, plus high - quality download in mp3, flac and more .
by sarah kirkland snider (feat. shara worden and signal), lyrics by ellen mclaughlin
what an inspiring work. the whole cycle is worth hearing and feeling, but nausicaa is a brief moment of comfort amidst the long bittersweet journey .
very complex neo - classical music. this has lots of layers to it, and sounds at times discordant, but i like it more with each listen. this band requires some patience, but i think you get rewarded for that patience. found in ed buckley' s collection .
first thoughts on being introduced to the album were that it' s too intensely complicated for me to enjoy, with harsh strings demanding attention, but it' s slowly become a piece i can work to effectively .
darcy james argue and his 18 - piece band explore deception and conspiracy theories on this thrilling, fast - paced jazz album .
the unusual or hard - to - find featuring san francisco bay area artists .
the christmas jug band those darn accordions rhythmtown - jive west coast mardi gras party more ...
transistor rodeo :
truck & a radio
a long awaited and much anticipated new release by transistor rodeo... . marks a new approach... sets the songs on a bare bones, primitive palette; no elaborate arrangements, soloists, backing vocals or instrumentation. the pure sound of guitar, bass & drums leave only the heart of rock & roll to fuel the material, letting the songs stand on their own merit. this also allows the band to give the audience a true reflection of a live performance... . unique in the band' s catalog of releases, inspired by buddy holly and the clash bringing simplicity to the material. on sale
christmas jug band :
jugology - greatest near misses (best of... )
best of previously released titles including the perennial - hit
santa lost a ho ,
plus two bonus tracks of unreleased material. celebrating 38 years of holidays for the cjb, this release spans recordings from 1986 - 2009, from the albums ,
mistletoe jam ,
treeside hoot ,
rhythm on the roof ,
uncorked ,
( eng. by fred catero) and
on the holiday highway
. 1st ever
best of
release for the band .
the kings of 100% acoustic folk - skiffle - swing holiday highjinks ...
performed on washboard, drums, guitars, percussion, kazoos, slide whistles, jaw harp, washtub bass, jug, accordions, autoharp, harmonica, piano, sax, clarinet, recorder, trumpet, and mandolin... with many special guests. on sale
zydeco flames :
fire dance
showcases the recent live club performance in berkeley, california that provides fans with hot zydeco music they' ve come to expect from the flames, in the tradition of the great masters like clifton chenier, buckwheat zydeco, and queen ida. the zydeco flames' sizzling roots rhythms are timeless and the execution is relentless, with a stunningly powerful groove and playlist that includes originals and select covers in the genres of zydeco, cajun, new orleans r & b, rock and swamp - pop. on sale
country joe mcdonald :
time flies by
the first country joe album with a focus on a group sound since the fish broke up in' 71. joe takes an all - acoustic jug band / string band approach here, using christmas jug band personnel and their pool of musical pals, plus joe' s own circle of talent: harper simon, the persuasions, austin de lone, tim eschliman, gregory dewey, russ gauthier, ken
snakebite
jacobs, suzy thompson, chris & lorin rowan and bernie krause. all original material save one. decades in the making, time flies by incorporates instrumentals, ballads, protests, waltzes and rock and roll. on sale: $ 13. 25, $ 11. 93 with discount !
gator beat :
stompin' at the bal de maison
evolved from a story from louisiana of house parties where so many folks showed up to dance, the floor broke and they spent sunday repairing it, this cd is that party, coming at you with relentless grooves designed to keep you stompin' in your own house or nearest dance hall, with new originals, classic cajun, hard core zydeco, new orleans r & b, blues ballads and a french waltz. on sale
joe goldmark :
the wham of that steel man !
joe goldmark blends an eclectic mix of tunes and styles into a truly americana, country rock shake. disc one features rocking vocals by keta bill, a san francisco veteran of the zasu pitts memorial orchestra, big bang beat, and many other local projects. disc two showcases joe' s playing and composing. on sale
paul rogers :
the cul - de - sac kids
paul rogers, 20 year front man for the san francisco rock accordion band, those darn accordions, fires off a solo cd of kid friendly tunes... a wonderful collection of 12 original witty, and heartfelt tunes that will delight kids and their parents alike... rogers' salute to the cul - de - sac where he grew up. on sale
the rhythmtown - jive :
on the main stem
this 3rd rj album brings the band' s diverse american roots into a solid blues focus with the addition of johnnie johnson on seven cuts and a cameo by east coast r & b diva, rahni raines, and the full three - man new orleans - style horn section with nine originals, an irma thomas classic, a new orleans brass band romp and a pinetop smith boogie woogie, a full pallette of top shelf rhythm & blues is delivered on this recording. on sale
the christmas jug band :
on the holiday highway
recorded live across 7 shows at 4 locations in northern california, between 2006 and 2008: nearly 73 minutes of live sheer cjb insanity... foremost purveyors of seasonal skiffle - swing and jugabilly - infused revelry. on sale
mike rinta :
eponymous
trombone virtuoso mike rinta made his name backing up scores of jazz and funk stars including sly & the family stone, herbie hancock, buddy guy, otis clay, carlos santana, legends jerry garcia and bob wier and the new orleans all stars. this debut cd is a lovingly rendered medley of moody organic jazz with new orleans - style compositions featuring rhythmtown - jive sidemen, kevin zuffi, jimmy sanchez & tim eschliman. on sale
caroline records is an american record label that started as a subsidiary of richard branson 's virgin records america during the early to mid-1970s . it specialized in inexpensive lps by mainly progressive rock and jazz artists that lacked commercial appeal . the first release was outside the dream syndicate by tony conrad and faust in 1973 . the logo was a photographic-style variation of virgin 's " twins " logo designed by roger dean . both the us and uk branches of caroline records are subsidiaries of caroline music , which includes caroline distribution and is in turn owned by universal music group . caroline has or had a number of subsidiary labels including astralwerks , gyroscope , caroline blue plate , rocks the world , scamp , and passenger . on february 20 , 2014 , it was revealed that american rapper 50 cent had signed with the label , and released his next album on it on june 3 , 2014 . steven wilson joined the label 's roster in april 2017 , ahead of the release of his fifth studio album . 
caroline records is an american record label that started as a subsidiary of richard branson's virgin records america during the early to mid-1970s. it specialized in inexpensive lps by mainly progressive rock and jazz artists that lacked commercial appeal. the first release was outside the dream syndicate by tony conrad and faust in 1973. the logo was a photographic-style variation of virgin's " twins " logo designed by roger dean. both the us and uk branches of caroline records are subsidiaries of caroline music, which includes caroline distribution and is in turn owned by universal music group. caroline has or had a number of subsidiary labels including astralwerks, gyroscope, caroline blue plate, rocks the world, scamp, and passenger. on february 20, 2014, it was revealed that american rapper 50 cent had signed with the label, and released his next album on it on june 3, 2014. steven wilson joined the label's roster in april 2017, ahead of the release of his fifth studio album.
caroline records is an american record label that started as a subsidiary of richard branson's virgin records america during the early to mid-1970s. it specialized in inexpensive lps by mainly progressive rock and jazz artists that lacked commercial appeal. the first release was outside the dream syndicate by tony conrad and faust in 1973. the logo was a photographic-style variation of virgin's " twins " logo designed by roger dean. both the us and uk branches of caroline records are subsidiaries of caroline music, which includes caroline distribution and is in turn owned by universal music group. caroline has or had a number of subsidiary labels including astralwerks, gyroscope, caroline blue plate, rocks the world, scamp, and passenger. on february 20, 2014, it was revealed that american rapper 50 cent had signed with the label, and released his next album on it on june 3, 2014. steven wilson joined the label's roster in april 2017, ahead of the release of his fifth studio album.