the social registry
at present, the single registry links programs in the social assistance component of social protection. going forward, linkage to other components of social protection will be sought such as social security and health insurances .
the goal of establishing the single registry mis is to provide accurate and analytical reports on the performance of the social protection sector. the objectives of the program are as follows :
as part of efforts to address this challenge, the social protection secretariat (sps) has developed a single registry system for the social protection programmes as part of the implementation of national social protection policy and the vision 2030. the objective of this system is to consolidate information from the different management information systems (mis) for the sp programmes that are currently operated independently by different departments and ministries .
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the registration, renewal and transfer of address for the commercial registry and for operators of gaming activities .
the registration, update, renewal and cancellation due to changes in address, of the unified offeror registry .
citizen oversight associations registry (applicable only when registering or signing - up) .
to provide a single platform where common and essential information across social protection programmes are stored, analyzed and reported for the benefit of the stakeholders .
provide the physical address of your studio or creative business only if wish to have it published on the creative registry .
vsa florida showcases artists with disabilities through our artist registry. all art forms are represented including visual art, performing art, and literary work. artist registry members receive :
provide the name of your studio or business as you would like it listed on the creative registry. artists' name is acceptable .
the single registry is a web portal that allows anyone with internet access to gather key statistics regarding the programs that are linked. authorized users, such as the implementing officers can gain access to the restricted area which provides more information on beneficiaries of the cash transfer programs that are linked. click here to access the single registry .
open to all hiv + artists. the artist + registry gives artists living with hiv an online venue to share their work and reach new audiences. artist members can apply for material grants. the artist + registry also honors the work of hiv + artists who are no longer with us .
you must fill out the single cover (2 pages) and annexes that are relevant to your type of request: natural person, legal entity, business establishment or proponent. download the instructions to fill out the rues form (spanish version) in order to fill out the rues form. expand information on the unified commercial and social registry (rues) by referring to resolution 60222 of 2012 .
helps in the elimination of fraud by ensuring that beneficiary details are verified electronically against the 30 million national population registry (iprs) database. this ensures that the programmes pay only genuine beneficiaries .
the artist + registry is the largest database of works by artists with hiv / aids. it offers a unique resource to inspire and educate the public. visual aids assists artists with hiv / aids, while preserving a visual record of their work and helping them reach new audiences. the artist + registry is open to all hiv + artists .
while the listing will be very basic, the registry will present a unified local arts community and offer a go - to resource for information about the area’s creative community. we will encourage you to provide information for your listing that will help steer aim’s website and social media users to you in ways you find most convenient or productive for your artwork or creative business. we will provide clickthrough links to artists’ websites, blogs, social media pages, etc. if you prefer more direct contact with the public through studio visits, emails, or calls, you will be able to specify that in your listing .
the registry is a free service. click here for an application. for more information, please contact sandra sroka, adult program coordinator, at srokas. vsafl @ urltoken or 813. 974. 0721 .
social protection in kenya has experienced significant growth in the past few years; this includes the exponential growth in the number of beneficiaries households covered to the current over 1. 5 million in 2018 from all the counties. this growth, however, has been plagued by a number of challenges. the main challenge has been fragmentation and lack of coherent coordination mechanisms, which results in missed opportunities for ensuring efficiency of the investments made. consequently, duplication of effort and parallel implementation structures do not optimize the limited capacity or support a coherent approach to capacity building across the sector .
the system currently has information from the following programmes: cash transfer for orphans and vulnerable children (ct - ovc), older persons cash transfer programme (opct), persons with severe disability cash transfer (pwsd - ct) – which are under the ministry of labour and east african affairs; hunger safety net programme (hsnp) – under the national drought management authority and the world food program (wfp) cash for assets program. the single registry joins key information from the five cash transfers on registration and enrollment, payments, complaints and grievances and change management for the beneficiaries as well as a link to the integrated registration service (iprs) to validate beneficiary national id details. figure 1 illustrates the current data sources of the single registry .
the goal of the arts in mcnairy creative registry is to establish a clearinghouse for information about the local creative sector in hopes of increasing the visibility of participating artists. artists in all creative disciplines will be invited to provide basic information about themselves and their work for a listing on this website. there is no fee for local artist listings .
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provide the individual artists' name of the primary contact for your business listing .
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i' m a certified professional photographer, visual artist and licensed clinical social worker living in st. petersburg, florida. i live with several chronic illnesses that prevent me from working your typical 9 - 5, so i' ve used my wide array of skills to create a life for myself that prioritizes self care and allows me to be self employed. in my art, i am inspired by florida nature: the beach, the water, the wildlife and the plants. i work with mixed mediums such as resin, inks, acrylics and natural elements to create my pieces .
the registration, renewal and transfer of the place of business for the registration of non - profit organizations, solidary economy entities, citizen oversight associations and foreign ngos .
this new form will integrate the above information and will help reduce the proceedings carried out by public registries users .
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amber dipietra lived and worked as a disability advocate and service provider in the san francisco bay area for 10 years. she has recently moved back to her hometown of tampa, florida to be closer to family and to focus on her arts practice. she is a poet, performance artist and social practice artist (creating public happenings to build community, especially for folks with disabilities). she runs a series of workshops called write to connect: the body as poetry. you can find out more about these w2c experiences and read her artist cv at www. writetoconnect, urltoken. amber has been published in numerous literary journals and most notably, in the 2011 best - selling beauty is a verb: the new poetics of disability .
the collection is available to be used for research and education for artists, curators, students, teachers, researchers, designers, educational institutions and the general public. in 1978 the first catalogue of holdings within the women’s art register was published. an updated version of the women' s art register catalogue was printed in 1999. in 2018, the women' s art register will again update the full catalogue and make it available as an online, digital resource .
the earliest images seen in the collection date from the 1840s, and material is constantly updated. war' s written and visual collections offer a diversity of histories, stories and practices that are not captured elsewhere .
the very first fan of my fictions was my father. i was writing from the very young ages, probably the middle school. i was always a good storyteller. i remember, any time i had a chance to see a movie in a theater; i was going to my friends, and telling them the story of the movie, in more details than it was in the actual plot of the movie. my father who knew a little of literacy was always encouraging me to write the stories i was telling to him and to my friends. then, when i was claiming that a story is done, he and i were wearing our suits and ties, and catching the bus, and going to the city center of tehran, where i was born and raised until after high school, which by then i moved to the states. we were handing the stories to the clark of the children' s magazine which was widely distributed all over the schools in iran. i was too young to remember how many of my stories got published. i knew at least a few of them did. my father was keeping a copy of those magazines in his safe, as long as he was alive. i hadn’t had seen him for years when he died late in the 80s .
i completed a bachelor' s degree on theater art at the later age at the university of south florida, during which i became familiar with american and the world drama. my focus of study was mostly on teaching drama and directing theater plays .
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established in 1975 by women artists including lesley dumbrell and erica mcgilchrist, and the then directors of the ewing and george paton galleries at melbourne university, kiffy rubbo and meredith rogers, it began with one hundred women artists contributing slides of their work. the initial collection was housed and administered at the ewing gallery, university of melbourne until 1978 when the ever - expanding collection was moved to richmond library [ originally called carringbush library ] where it remains today .
since 1975 the women’s art register has provided an inclusive, independent platform for research, education, advocacy and support for its members and the arts and education sectors, enhancing the status of women artists and addressing issues of equity, professional practice and cultural heritage. since its inception
the women' s art register has also acted as a unique publishing house, producing its bi - annual magazine the bulletin since 1988. the bulletin initially kept members informed about art events and news and provided a platform for peer discussion and industry analysis of relevant issues. commencing with a new framework in 2017, the bulletin now acts as a contemporary, critical arts journal. in 2018 war will celebrate and acknowledge its 30 years of publishing with two special anniversary issues of the bulletin .
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clay wethal is a young visual artist in the ft. myers area of florida. he works with the goodwill pathways to opportunities creative expression art program. he enjoys using crayon and up cycling through the use of recycled materials to express himself artistically. he has recently started finding venues to exhibit his work .
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this unique archive is accessible to the public and our committee and volunteers are available for education and outreach opportunities .
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i completed my second screenplay; ‘delete and the horse’ before i was graduated from usf, and wrote several other short fictions .
war has compiled a number of educational kits for use in schools relating to specialist exhibitions and subjects, and undertaken research into the status of women artists in exhibitions and galleries. the women' s art register holds regular events including exhibitions, discussion forums, presentations to schools, galleries and universities, as well as responding to member and public enquiries about the collection and contemporary feminist art issues .
assessed as a ‘collection of national significance’ through the heritage collections council (now known as collections council of australia) in 2009, this unique archive houses the documentation of over 5000 australian and international artists over two centuries including images, catalogues, posters, books and ephemera .
the women' s art register has for over forty years shown a deep commitment and belief in the artistic and cultural work by women and its value for all australians. it is entirely artist - run and volunteer based and welcomes new members, volunteers, interns and global relationships .
vsa florida - 4202 e. fowler avenue, edu105, tampa, fl 33620 | more info headquartered at the university of south florida, college of education
included in the collection is an array of media including ceramics, textiles, photography, new media, painting, performance, text, design, craft and sculpture. war has collected articles, catalogues and books about australian women artists and added these to the archive, as well as maintaining a collection of relevant journals .
christopher is a high school student currently playing at school and weekly at crossing church at the praise and worship service. he also plays with an alternative rock band .
early in 2009, by encouragements of my good friends, and a sincere and hard work of a professor of english literature; doctor alex bendazzi of starrier university, washington d. c. , i completed my first long story which doctor bendazzi named it; “the bear: an allegory. “initially, i was self - published it as a fiction book, however, later while at the university of south florida, i converted to a full feature film screenplay, and modified its name to ‘the bear’ .
i experienced working theater with young artists during the school year of 2013 – 2014 at orange grove middle magnet school of art as teacher - assistance, and i loved it .
damian k wildfong, a michigan native, wrote her first poem at 6 and started in the arts as a spoken word artist and has performed all over the country. she began painting as a way to
get out of her head
and after a major life change moved her to a little cottage on the river in tampa fl. she embraced life again through the arts dabbling in film, print making and pottery. she sees her cp as part of what makes her unique and able to view life through a different lens that has served to enrich it. here is some audio of damian' s poetry - urltoken electric poetry - damian wildfong: olive, 88. 1fm wyce, grand rapids community media center: free d
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after finishing her thesis on the visual impact of recreation sites along rivers in louisiana, she began her career as a landscape architect, working in louisiana and mississippi on urban planning and landscape beautification projects, including the interstate 10 landscaping program in new orleans, louisiana. she continued her professional career in houston, texas as a town planner for a community of 80, 000 people working for a major land developer .
brandon dawson is a 21 - year old deaf person that has been creating artwork all his life. his most recent art exhibit was held at the african american research library in ft. lauderdale, fl. brandon creates a variety of artwork in clay, pastels, acrylic and is now creating a series in 3 - d. he is a graduate of south plantation high school in plantation, fl and was a member of the solar car project .
the women' s art register is australia' s living archive of women' s art practice (non - binary and trans inclusive) and a national, artist - run and not - for - profit community and resource .
i live in south beach and moved here from maryland where i was born and grew up. i have been drawing since i was a young boy and most recently started using what i call
psychedelic colors
. my work is completely unplanned - as the colors and shapes come to me i use crayon or magic markers to put my thoughts on paper. my other love is music especially artists from the 50' s and 60' s
.
brandon is a florida native who was diagnosed with autism at age three, and was speech delayed until approximately five years old. he started drawing at two to communicate his ideas. his drawings and the storybooks he continues to create today are often the people he has met and places he has visited. he enjoys meeting new people and discovering new places every chance he can get. his hobbies include collecting foreign money, maps, writing lyrics, posting home videos on youtube, and studying and singing spanish as a second language. he is also an athlete with special olympics of broward county, competing in alpine skiing and member of the athlete leadership program that encourages public speaking and community involvement .
as a child, my autism prevented me from communicating through traditional means until my mother used her experience in art therapy to open my eyes to all the world has to offer. today i' m confident in my artistic abilities and have grown into an adult who uses his synesthesia, autism, and emotions to create unique and expressive pieces. my self - taught technique involves making many small paintings which i scan into the computer and combine in photoshop to create pieces that are truly unique. overall, i communicate my feelings through my color choices utilizing my synesthesia which involves a link between my emotions and colors. during difficult times in my life, art was always there for me and it has become a therapeutic means to express my inner voice. i frequently try to give back to the community through my artistic involvement in charities like jdrf and artists with autism as part of my mission statement which is that i intend to make a difference in the world by being an artist .
during her children' s early years she began facilitating art and gardening in their schools and within the chapel hill, nc community on a volunteer basis. as her children grew, she started a business called bright horse on their 30 acre family horse farm to foster experiential learning with horses, art and ceramics for local children after school and during summer and holiday breaks. she studied extensively with the equine assisted growth and learning association (eagala), achieving level 2 equine specialist status and working with individual and corporate clients on her farm .
since moving back to florida in 2014, she has worked as a groom and exercise rider on a large professional training farm in morriston and has been teaching art, founding riverland art and working with the rainbow springs artist cooperative, teaching art lessons and writing grants for funding .
my name is aj brockman and i am a professional artist who has a disability, or
different ability
as i like to think of it. i have gotten to know my local vsa (palm beach county) very well and even had the privilege of having a solo show at their facility .
i am 32 years old and have very youngful dna. most people think i' m 12. and a boy. but i don' t care i think its funny. i' m an autistic soldier. i fight the battle to be myself when no one understands me and most people wanna try to fix me. but i' m not supposed to be fixed the way they want. i am very non - verbal with most everyone. my mom says i' m full of god wisdom. i love taking pictures and drawing. my hero and inspiration is the mighty james durbin. my mom & my sister are always there for me and they are awesome. my mom is also my manager and keeps me supplied in ink. i have a white shamen cat named punk. he' s my soul cat. i use markers for my drawings. my style is abstract with elements of tangle .
crystle barrs is 26 and has lived in florida all of her life. she was born with nystagmus which has caused her to be legally blind. crystle has grown to understand that she can do anything she sets her mind to and feels that just because she has limited vision doesn' t mean she should stop living. crystle began experimenting with drawing and art while in school, but never thought too much of it. she has now been painting for 7 years. her medium is acrylic and she likes to experiment with pastels. she has not yet found her specialty, but loves to paint depending on her mood, whether it' s something floral or abstract. what crystle has worked on the most is being creative and taking an idea and expanding it to another level. she is still a student in the art world and thinks of art as a potential career and hopes to make that happen sometime in the near future .
seeking medical treatments, i arrived to washington d. c. area just a few months after an unfortunate vehicle accident in which i lost a good portion of my sight. by then, i had to adjust to the three major changes; missing my family and my hometown, language barrier, and the sight deficiency. for years, i was confused about in which language should i write my fictional stories. that didn’t stop me writing anyway. however, not having my father around to keep them in his antique wooden safe, i kept them in this shelf and that shelf, and lost them one at a time eventually .
his favorite style of drawing has always been with colored pencils and ink markers. as a founding member of artistswithautism, a south florida networking group for aspiring artists on the spectrum, brandon’s art is often exhibited at local events and galleries. his art is also made for greeting cards and giclees on an online gallery .
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strengthen monitoring & evaluation of national safety net programme by providing reports against indicators on a bi - monthly, bi - annually and annual basis based on established monitoring and evaluation framework .
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common regime (associations, foundations and corporations) and solidary economy institutions (cooperatives, precooperatives, employee funds and mutual associations) .
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folk art / fine craft (potter, quilter, glassblower, etc. )
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in one or two paragraphs describe your creative work and process. include what you would want a potential client, patron, agent, employer, gallery, etc. to know about your work .
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diagnosed with schizophrenia at an early age, bob was challenged to get back to what was important in life - his art, family, and dog brutus. for bob, schizophrenia was a blessing in disguise .
brandon’s art style spans from a collection of childhood drawings focusing on prehistoric type animals, to water colors and acrylics inspired from photos .
when asked “what does autism mean to you? ”, “it makes it difficult for me to learn, and i need a lot of lessons”. when asked, “would you change if you could? ” brandon, “well, not exactly. as long as i can read, that is what is important. ”
brenda is a national vsa teaching artist fellow living in sarasota, florida. she is a mixed - media artist who specializes in hand - building in clay and teaching collage techniques. please see her website for a wonderful waterfall, clay and mural project that can be brought to your school or community .
born into a large creative family, artistic expression of one kind or another has always played a central and defining role in my life' s journey. my current projects primarily consist of mixed media paintings, collages and assemblages. although legally blind secondary to retinitis pigmentosa, i have incorporated this skewed ability to see and not see into my work .
cynthia has had a love of art and nature all her life. growing up in south florida with a university of florida research scientist for a father gave her access to worlds of creative experiences in science, gardening and entomology, which fostered her love of nature and a desire to capture images in art. she began drawing her favorite subject - horses - at age 5 and took up oil painting at age 9, painting prolifically and with great joy. studying art in college led to her advanced studies in landscape architecture .
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the social registry is a record label based in brooklyn , new york that was started in 2003 . it was voted " best new record label " in the village voice 's best of new york issue in 2004 . 
the social registry is a record label based in brooklyn, new york that was started in 2003. it was voted " best new record label " in the village voice's best of new york issue in 2004.
the social registry is a record label based in brooklyn, new york that was started in 2003. it was voted " best new record label " in the village voice's best of new york issue in 2004.