revolver entertainment
owler has collected 9 screenshots of red revolver entertainment' s website since jun 2015. the latest red revolver entertainment website design screenshot was captured in dec 2017 .
red revolver entertainment' s headquarters is located in nashville, tennessee. for every employee, red revolver entertainment generates $ 60k in revenue. as of may 2018, red revolver entertainment has 2. 4k fans on facebook and 14. 8k followers on twitter .
uk distributor revolver entertainment has seen at least 12 staff leave the firm in recent months .
red revolver entertainment currently has 14, 794 followers on twitter. as of may 2015 red revolver entertainment had 8, 963 followers. that' s a 65 percent increase in 2 years
red revolver entertainment currently has 2, 411 fans on facebook. as of april 2015 red revolver entertainment had 1, 776 fans. that' s a 35 percent increase in 3 years
red revolver entertainment' s headquarters is located in nashville, tennessee, usa 37214. red revolver entertainment has an estimated 31 employees and an estimated annual revenue of 1. 9m... .
revolver entertainment usa has acquired north america to genesis film sales thriller soulmate, due for a halloween release .
revolver entertainment limited has entered administration more than a month after the company closed its doors for business and told staff it could no longer guarantee their wages .
as of 10am monday morning, revolver entertainment’s the company behind british films anuvahood and ill manors large office in london’s holland park was unstaffed with the gates padlocked .
revolver entertainment releases include peter nicholson’s “dartmoor killing, ” quinn saunder’s “apparition, ” chris matthew’s “the krays: kill order” and kenneth branagh’s “the magic flute. ”
in a pre - american film market move, revolver entertainment has acquired the documentary “ the cara project, ” which explores cara delevingne’s transition from a model to actress .
in a pre - american film market move, revolver entertainment has acquired the documentary “the cara project, ” which explores cara delevingne’s transition from a model to actress. delevingne’s credits include suicide squad, ” “paper towns” and “pan. ” revolver will be selling “the cara project” at mipcom and afm to broadcasters and home entertainment publishers and intends to release [ … ]
revolver’s 2012 slate included ill manors, bafta - nominated the imposter and liberal arts (the latter were joint acquisitions with picturehouse entertainment). previous hits include anuvahood and french thriller tell no one .
revolver entertainment is an la - based feature film distribution company. we distribute unique, independently produced films in theaters, on tv, dvd and vod. revolver have the ability to release a film in over 100 million homes in north america and over 1 billion worldwide .
this week screen reported the news, being rumoured for weeks, that revolver entertainment has shut its doors (its office was empty, although the company is not in administration as of press time) .
as of 10am monday morning, revolver entertainment’s large office in london’s holland park was unstaffed with the gates padlocked. reports from a number of recent employees are that the remaining staff have been told not to return as the company wouldn’t be paying them .
the distributor has been nominated for several screen uk marketing & distribution awards over the years, and won the 2012 award for best dvd campaign for iron sky. revolver won a slew awards from home entertainment week, the british video association, summit international awards and social buzz .
delevingne’s credits include suicide squad, ” “paper towns” and “pan. ” revolver will be selling “the cara project” at mipcom and afm to broadcasters and home entertainment publishers and intends to release the film dvd and vod in the u. s. and canada within the next few months .
if revolver is indeed shuttered, this is bad news for the uk distribution sector. even most of revolver’s closest competitors have been saying how sad the news is, without any hint of schadenfreude .
screen understands that most roles are unlikely to be replaced, with eduardo panizzo now leading revolver’s acquisitions .
amid fluctuation, revolver’s “director’s remuneration” remained consistent at £240, 000 each year according to companies house .
the company listed as revolver entertainment limited has yet to submit its 2012 financial statement to companies house [ and does not need to until september of this year ]. but the 2011 and 2010 statements for that listing reveal an outfit in decline with significant overheads. financials for related and sister companies isn’t known .
yet we can’t ignore that revolver wasn’t perfect, and there are financial reasons it is now being shut down .
since its launch in 1997, revolver carved a niche in the production and innovative distribution of uk urban titles .
screen first reported revolver’s troubles in january. a number of former staff have joined other companies with further announcements imminent .
revolver entertainment has acquired north american rights to the martin sheen starrer bhopal: a prayer for rain, the gfm films, sahara movie studios, and rising star entertainment film set against the backdrop of the devastating 1984 bhopal tragedy in india. more than 10, 000 people died in what’s known as the world’s biggest industrial disaster when the union carbide india limited pesticide plant overheated and released poisonous toxins into the air. sheen stars alongside kal penn and mischa barton in a story about those living in bhopal through the tragedy and its unresolved aftermath. the distributor has set a november 7 theatrical release preceded by a special september 18 screening at the united nations, timed ahead of the 30th anniversary of the disaster. said ravi walia of rising star entertainment, “it is our endeavor at rising star entertainment to tell stories that go beyond the call of the box office, and we sincerely hope that this film will inspire greater corporate social responsibility and empower individuals to act on compelling issues that drive our society. ”
award winning independent film company revolver entertainment releases the gritty crime thriller gbh on dvd from 1st october 2012. the film is a powerful, no - holds - barred british tale of criminality, morality, justice and vengeance set amidst the stark and violent backdrop of the 2011 london riots and we’ve got two copies of this great film to give away .
as vital as lennon, mccartney and harrison' s contributions were to revolver, there' s an unsung hero, too .
i play to the song ,
the characteristically humble starr says when asked about his remarkable contributions to revolver .
with the film distribution business constantly evolving, revolver continues to seek innovative avenues for distributing content both physically and digitally. revolver approaches each title creatively, using social media and guerrilla marketing tactics to connect each film with both its core and secondary audiences .
remembering revolver’s pioneering spirit and risk - taking marketing innovations, as well as wondering what went wrong at the beleaguered uk distributor .
former revolver acquisitions executive david bishop joined protagonist in october 2012, while pr manager and associate producer alex georgiou also left last year .
the legacy of revolver isn’t just a sad end with financial trouble, it’s also their creative and innovative work for more than 15 years .
most sales companies and producers who had films set to be released by revolver have now renegotiated deals or are in discussions with new distributors .
exclusive: several sources tell deadline that uk distributor revolver entertainment is on the verge of going out of business with the fate of films on its release slate uncertain at the moment. word making the rounds in berlin and london is that the company may not exist in as little as two weeks, and chances of a turnaround are slim. revolver has shed staff in recent months and key execs nick taussig and paul van carter left to form their own outfit, salon, last week. calls to the company’s ceo were not immediately returned .
screendaily first reported on revolver’s problems in january. all staff have since left the troubled london - based outfit, which no longer operates as a distributor .
revolver recently struck a smart buying partnership with picturehouse, and jointly worked on the successful release of the imposter, which went on to win a bafta .
yet nobody could say that people working at revolver were just phoning it in. they were working hard, they were passionate and they were writing their own rules .
fiercely protective of their studio creation, the beatles hit the road in the summer of 1966 on their last tour, without a single song from revolver in the set list .
leaving no stone unturned, revolver exploits its catalog on a variety of platforms including digital rentals and sales, subscription on - demand services, cable vod channels, and major retailers across north america. with this multi - tiered release strategy, revolver is equipped to maximize the exposure of its catalog, and bring fans of independent film exactly what they are looking for .
revolver’s biggest box office hit came in march 2011 with adam deacon comedy anuvahood, which grossed £2. 1m. however, the diversely - slated company struggled to replicate those numbers across releases .
for years,' revolver' was just another album in the band' s catalog, overshadowed by the album that followed it,' sgt. pepper' s lonely hearts club band' .
films on revolver’s upcoming release slate include citadel, crawlspace, john dies at the end and spike island. according to the website for revolver’s production arm, gunslinger, the company is in pre - production on three features: the london syndrome, bootnecks and electric. a fourth, a biopic of bare - knuckle boxer lenny mcclean, travelled with producers taussig and van carter to their new outfit .
in september, screen reported that revolver had sold a “significant minority stake” in the company to hani farsi’s corniche pictures, the film division of corniche capital, which has also invested in jean labadie’s le pacte .
among producers, there is a different story. screen knows of at least two recent disputes between producers and revolver over unpaid mgs, one being film london on ben drew’s drama ill manors, starring riz ahmed .
but you never see the four of them pulling as hard in the same direction, on the same page, to make great beatles music again after revolver the way they did then ,
rodriguez says, summing it all up .
for me, it' s revolver. that' s where the change happens ,
ringo starr told me in 2014 when i asked him to single out his favorite beatles album .
that' s where we took off creatively .
though the beatles made no official announcement that they had stopped touring, as 1966 came to a close, with no christmas shows in the u. k. and no new beatles album in the shops, the press sharpened their collective knives once again. they were finished, they' d split up, the entertainment columns said. but then, in early 1967, came
strawberry fields forever
and
penny lane ,
with yet another new sound and, importantly, a new look, no doubt in some small part calculated to make sure that no one was going to ignore the beatles' next album the way they did revolver, and the rest, as they say, is history .
a shuttering of revolver, which has had big success with cult hits like shank and anuvahood as well as recent documentary the imposter, would put further strain on an already bleak picture for low - budget independent distribution in the uk. it would also create a hole in its specialized area — british fare with urban appeal — which is poorly represented in the local market. the collapse of retail giants hmv and blockbuster is thought to have caused leaks in revolver’s hull. an overrun of stock meant for the shelves of those stores, and matching promotional spends, created overhead challenges, one source said. another source stressed that revolver’s combination of talent and film selection is not at fault. they have been “hit by a series of unfortunate events. ”
i remember vividly the period of time when revolver suddenly became a venerated album ,
beatles biographer mark lewisohn says .
it was the 1980s. it was really something of a hidden gem until then. sgt. pepper had the effect of casting the other albums into shadow because it was so huge. but then suddenly it became a cool thing to say you thought revolver was their best album, and suddenly it picked up notice that it hadn' t had before the 1980s .
a spokesman for revolver - backer corniche, who took a significant minority stake in the company in september 2012, said there hadn’t been any contact between hani farsi’s outfit and the uk distributor for “weeks” and that it is “waiting to hear what is happening at the company” .
while revolver sold well, without the rock journalism that would become ascendant in the coming year, and would elevate 1967' s sgt. pepper' s lonely hearts club band via covers on time and life, it came and went like each beatles album that had come before it .
vod is also influencing distribution practices, with day - and - date dvd and vod releases now becoming the norm. embracing the changing market, revolver have streamlined their marketing efforts to get the most out of every release, bringing their films directly to audiences who prefer on demand viewing .
just recently, the outfit had celebrated its 15th anniversary and been publicly acclaimed — in october, winning the dvd campaign of the year award at the screen marketing and distribution awards for iron sky; and then revolver’s joint release with picturehouse, the imposter, won two bifas and a bafta .
just recently, the outfit had celebrated its 15th anniversary and been publicly acclaimed — in october, winning the dvd campaign of the year award at the screen marketing and distribution awards for iron sky; and then revolver’s joint release with picturehouse, the imposter, won two bifas and a bafta .
according to senior staff formerly at revolver, there are also other company - specific financial reasons for the company’s demise, not just the general dvd downturn. one internal email between executives from late last year seen by screen describes the company’s “cash flow problems” and income being “significantly below that forecast. ”
it had obviously affected their creative output, however .
john lennon' s songs on revolver reflect precisely where he was at that point, which was someone who was doing a lot of reading and a lot of acid and was looking at life through a different prism ,
explains lewisohn .
revolver was always a break - the - mould company. justin marciano started the business in 1997 with just £1, 000 of his own money, producing motorcycle videos before moving into other types of profitable video deals (darrin’s dance grooves sold more than 120, 000 units in 2002, for instance) .
former md nick taussig, who headed revolver’s in - house production arm gunslinger, departed last month to launch london - based production outfit salon pictures. the fate of most of the films on the gunslinger slate isn’t known although salon is working on a lenny mclean biopic that had been first set up at gunslinger .
revolver, the beatles' seventh album, was released 50 years ago today. for years, it was just another album in the band' s catalog, overshadowed by the album that followed it, 1967' s sgt. pepper' s lonely hearts club band, and which marked a cultural shift—not to mention a change in the fab four' s collective appearance. then, as the years passed, critics and fans began to look at the beatles' studio output for artistic inspiration and clues to their greatness. revolver began to be seen as one of the band' s best, and perhaps the ultimate beatles album, even greater than sgt. pepper' s, the white album, and abbey road .
they were self - consciously trying to make this great leap forward in a way that they didn' t with rubber soul ,
explains rodriguez .
there were advances on every beatles, of course, but it was business as usual in that they had to have the album out by christmas, using whatever material they had. then came revolver .
with three months of studio work behind them, the beatles left the mixing of revolver primarily in the able hands of their trusted producer, george martin .
my dad always said about mixing that it' s an attempt to create a version that' s the best live performance that there is ,
giles martin says .
the further intention is to paint new pictures .
one of the things about their use of lsd, and indeed marijuana as well, is that nobody knew they were taking drugs, so this album was received through the filter of innocence by its listener ,
says lewisohn .
one must keep in mind that the knowledge we have now, which colors the way we listen to revolver, was not present at the time it was released .
the first theatrical release came in 2004 with surfing film billabong odyssey. kidulthood followed in 2006 — it didn’t set any box office records, but it showed revolver’s envelope - pushing pr and marketing prowess, with a now - infamous billboard depicting tony blair and his cabinet as a group of hoodies [ pictured ]. in 2007, the company had a smash with french hit tell no one earning £1. 2m .
what went wrong? some factors could be egos at work, overpaying for product, having offices that were too flash, a staff that was too large (40 employees), and for more mundane factors like the dvd market drying up (does beleaguered hmv owe revolver money ?) and the company’s widest - ever release, ben drew’s ill manors, not performing as well as expected at the uk box office .
av were the first to announce a restructured deal on their thriller the liability starring tim roth — revolver had planned a feb 22 launch but metrodome will now release in may. among more recently re - signed deals, picturehouse has picked up rights to shane meadows documentary the stone roses: made of stone, bankside is close to signing with a new distributor on spike island and ciaran foy’s citadel – due for release last friday – has been returned to sales company films distribution, which is now in talks with uk distributors .
they set an impossible bar for themselves, i think ,
says jon savage, the author of 1966: the year the decade exploded .
rubber soul is a great album, but there are a couple of clunkers. but on revolver, everything they' d been experiencing is all in there. you have the current preoccupations with drugs and indian music and the beach boys and dylan and the byrds. it also has a fuller sound than rubber soul. the production' s much smoother. like pet sounds, it' s a well - constructed program of music. and it' s a very fully realized drug album .
along with a producer and engineering team that would indulge their every wish, the beatles also had a luxury unlike any artist before them .
the contract that they had with (their record label) emi gave them unlimited studio time at no cost to them, and this was the first project on which they really stretched out, because they began recording it in april and didn' t finish until june ,
explains lewisohn .
so they were enjoying the opportunity to explore their own creativity. rubber soul, which is obviously a highly creative piece of work, was actually done in a hurry. but on revolver they took as long as they wanted to take. the pressure was self - imposed .
i think that as the beatles' performing career came to a crest in 1965, when they started out the north american tour playing at shea stadium, which john would describe later as' the top of the mountain,'
says robert rodriguez, the author of revolver: how the beatles reimagined rock' n' roll .
there' s nowhere but down from there. no matter how much fun they might have been having at the time, it had become an obligation. it definitely wasn' t something being done for musical reasons, because nobody was really listening. so i think by the end of their performing in' 65 they had grown weary of it and their ambitions were growing musically and they were listening to what was going on around them. i think they felt a competition with brian wilson and dylan and the byrds, while at the same time being very, very mindful of not repeating themselves and moving their art and goals further .
for a guy who almost boasted that he never practiced his drums, that he only ever played when he was playing with those guys, whether it was in the studio or on tour, his playing, especially from revolver on, is just astonishing ,
says rodriguez .
this could have been a point where a lesser drummer would have fallen behind. but he' s doing this incredible, amazing, unheard - of stuff. but that' s for a couple of reasons. one is, he was always this drummer that was very attuned, not necessarily to the structure of the song as much as he was attuned to what the singer was doing. he' s responding to the dynamics of whatever is going on in the song rather than the typical structural points that drummers focus on. and the other thing, and i think he has obliquely commented on this, was the fact that in 1965 he had his first acid experience. so his approach was going to necessarily be different because now he was looking at everything he did in a different way .
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the three - day weekend gross (excluding previews) of july 6 - 8 was £6. 2m
the event confirmed on twitter that it will take place from tuesday 14 to saturday 25 may 2019 .
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their gunslinger production arm took risks on films that nobody else was making, and serving audiences that other distributors weren’t finding ways to engage. anuvahood really connected with young uk audiences, and offerings like sket and shank introduced new filmmaking voices that might not have gotten a break elsewhere .
the company also took pushed the boat in the digital arena with apps and social networking promotions, and creation of the facebook tool findwatchshare .
branching out in the us might have also spread the company too thin. justin marciano certainly has a larger - than - life personality that sometimes rubbed people the wrong way, both internal staff and the wider industry .
there were many, many dedicated and talented people who worked there and i hope they will all land safely on their feet at other companies or set up their own businesses .
screen’s chief film critic on why the festival found itself looking behind the times this year .
new horizons’ artistic director marcin pienkowski on how the festival reversed a trend to attract a new crowd .
ben kingsley and short term 12 ‘s brie larson are joining daniel radcliffe in killer films’ brooklyn bridge. the douglas mcgrath - helmed drama is inspired by the true story of washington roebling, the civil engineer responsible for overseeing the construction of the iconic nyc bridge. kingsley will play roebling’s father, the original designer whose passing leaves washington in charge of the mammoth project. larson will play emily, his charming and shrewd wife. mcgrath wrote and directed the project which killer films’ christine vachon and rose ganguzza are producing. a spring shoot has been set. kingsley is repped by caa, independent talent group in the uk, and stone, meyer, genow, smelkinson and binder. larson is repped by the gersh agency and authentic talent .
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british psychological thriller soulmate stars anna walton (hellboy 2), tom wisdom (300), nick brimble (a knight’s tale) and emma cleasby (dog soldiers) .
the story centres on a young widow (walton) who retreats to an isolated cabin after a failed suicide attempt, to recuperate. still haunted by the tragic death of her husband and struggling with her psychosis, she begins to hear strange noises .
writer - director axelle carolyn’s feature debut is produced by claire otway and is a neil marshall (the descent, dog soldiers) presentation for sterling pictures .
executive producers are michael riley, giles daoust, john wolstenholme and doug abbott for screen projex, alongside belgian co - producer title media .
efa, the rotterdam film festival and french srf directors guild step up campaign .
exclusive: at least 12 staff have left the uk outfit just a few months after corniche investment .
recent departures include finance director mark bispham, head of tv and digital lucy savage, sales executive elliott till, head of business affairs yogita puri, acquisitions executive martina ternstrom and head of theatrical marketing andrew woodyatt .
screen understands that at least some of the staff exits came as corniche was keen to streamline operations and reduce overheads at the holland park - based company, whose staff number last summer was around 40 .
ceo justin marciano told screen last september that corniche’s involvement would provide a “cash injection and more opportunity for growth. ” marciano was unavailable for comment on the layoffs .
the exodus is further evidence of the rigours of the uk’s competitive distribution landscape, which saw icon distribution uk wrap for business in late 2011, and more recently g2 fold into koch media and momentum about to fold into eone .
exclusive: first look at toronto premiere from aqui y alla director antonio méndez esparza .
exclusive: london office unmanned as staff told not to return; sales outfits and producers ink deals with new distributors .
this comes after weeks of speculation about the company’s current status, with screen reporting in mid january about a number of staff exits and rumours swirling in berlin that the company was shutting down and the distributor not acquiring new product there .
but uk distribution is a tough business at a time when the dvd business — vital to the company from its early days — is suffering and a number of companies have struggled to cope with high releasing costs in a competitive market .
the independent distributor, responsible for the likes of ill manors, anuvahood and exit through the giftshop, also had a staff of nearly 40 working out of one of the most impressive offices in the industry .
company profit for that business specifically declined from £721, 546 in 2010 to £119, 219 in 2011. despite only adding two staff in the same 12 - month period, the company’s already hefty wage bill increased by almost £250, 000 .
while sales outfits have lost time and some are waiting for materials to be returned, none screen spoke to are owed money .
one experienced producer screen spoke to lamented a recent “communication problem” with the outfit and said it had to “hound the company on a daily basis” for updates on the distribution of their film .
however, another executive praised the company for its “original” outlook and the positive experience they had working with the company last year and said they were saddened by their demise which “means another hole in the distribution landscape for films which might not have an obvious path to release” .
screen also understands that former allders’ finance director max menon took the reins as finance director for three months at the end of last year in a bid to turn the company around but he resigned at the end of january .
but it also had success with market - facing french - language films including heartbreaker and tell no one, and acquired a number of critical hits including documentaries the imposter and exit through the giftshop, and dark australian crime drama snowtown .
from the director of iron sky. captain james b. pirk of the starship c. p. p. kickstart and his crew, commander dwarf and commander info, find themselves stranded on 21st century earth after a previous adventure to save the planet from hostile aliens. life is not good and pirk s daily routine consists of stuffing his face at the local fast food restaurant and trying to convince the ladies that he is, in fact, an intergalactic space hero form the future. as the prospects for humanity’s conquest of space look increasingly bleaker, pirk comes up with a questionable plan to save mankind’s future… created by an ingenious band of die - hard star trek fans this terrific sci - fi comedy will have you gripped all the way through to its stunning conclusion! wreck on !
a week in the life of tony, an alienated psychopath with severe social problems, an obsession for action films and a horrible moustache. unemployed and unemployable, tony prowls the streets, his nervous attempts to make human connections rebuffed by laughter or contempt. occasionally he snaps, and violence is the result…
destricted is the first short film collection of its kind, bringing together sex and art in a series of short films created by some of the world’s most visual and provocative artists and directors. this british edition features several shorts not available on the american edition .
performance art legend marina abramovic delves into balkan folklore to create an instructional series of mis - en - scenes that explore the crude, magical and mysterious rites of ethnic fertility and virility .
american fabulist matthew barney stages the erotics of sexual encounter as it takes place between ‘green man’ and the lubricated drive shaft of a customised deforestation vehicle destined for the carnival de bahia .
american artist and filmmaker marco brambilla ransacks porn - film archives to produce a witty, fast - moving montage of money - shots. larry clark, cult anthropologist of american adolescence, directs a sensitive yet frank investigation into how, for the generation growing up in the 1980s pornography has shaped the way we think about sex and sexual fantasy. the result is a riveting documentary about desire and sexual inititiation .
gaspar noé, maker of ‘irreversible’, the controversial art - house movie whose brutal depiction of rape left audiences physically sick, now promises to turn you on with a cinematically erotic journey called ‘we f * * k alone’ .
american iconographer richard prince appropriates a segment video that captures the generic gold - standards of 70s porn and re - shooting it in the manner of the cowboys, girlfriends and outlaws that first made him famous .
british art star sam taylor - wood directs a porn star in a droll elegy to the great american outdoors .
when tommy nix loses his girlfriend and unborn child as a result of a brutal attack by an armed gang, he vows revenge. but with the men responsible for the attack now in prison, he has no option but to follow them there. facing a tough, unforgiving environment where violence is an everyday occurrence, he will stop at nothing to punish those that destroyed his life. with uncontrollable rage driving him on, his quest for vengeance will burn all those who get in his way. punishment will be served .
11th century ad. in a world that burns with the heat of battle, a world torn apart by crusades, one knight traverses the desolate wastes laid bare by bloody conflict. called upon to track down two people in a land riven by violent chaos, he must rely on all his skill with a sword to stay alive and complete the seemingly impossible task he has been set. but pursued by those that want him dead, time is running out for the valiant knight. prepare yourself for a descent into a brutal hell, where armies clash and blood flows like rivers, and where a sharp blade is the only means of defense against an army of evil .
it is january 2010. libor podmol arrives in the u. s. he buys a suzuki two - stroke buke in the legendary shop chaparral in los angeles. tomorrow will be better charts libor’s journey from unkown hopeful to freestyle mx world champion. the dvd features interview footage from legendary riders, rob adelberg, peter kuchar, lucas mirtl, mike metzger, and jim mcneil. this is the story of one man’s dream, and the community around him that helped him rise to the top .
meet cain velasquez, the ufc world heavyweight champion. although he is well known for being a fierce fighter and a savvy businessman, and for winning the ufc heavyweight championship multiple times, cain velasquez is also a family man with a sensitive side. in addition, the film features appearances from fellow mexican - american fighters, gilbert melendez and miguel torres. while these three fighters were born in america, they all have a deep connection to mexican culture and tradition .
james hunt has never been equalled. could swashbuckling hunt catch the scientific lauda? could niki overcome an appalling crash to come back from the dead and fight james all the way to the last race of the season ?
this powerful story captures the heart of the 1970s – told through unseen footage and exclusive interviews with the people who were really there – the team managers, families, journalists and friends who were in the front row of the season that changed formula 1 forever .
aardvark is perhaps the first fiction film to star a man blind since birth. in a role inspired by his own life, larry lewis plays a blind man recovering from alcoholism. when larry joins a jiu - jitsu academy he begins a friendship with his charismatic instructor, darren. but after darren’s hard - partying ways are revealed and a shocking incident occurs, larry goes on a search for answers fueled by vengeance and his loyalty to his close friend .
3 interlocking stories from the dark days of world war 2. a soldier on a suicide mission. a troubled family with a monster in their bomb shelter. a supernatural investigator on her most dangerous assignment yet. a unique, sexy and terrifying anthology movie brought to you by three of the most fiercely original independent directors working in horror today. jim eaves (‘bane’), pat higgins (‘killerkiller’) and alan ronald (‘jesus vs the messiah’) bring you three dark tales from the battlegrounds of world war 2. medal of horror: director jim eaves takes you on a suicide mission, with a young british soldier doing all he can to defeat the nazi menace and their first world war zombified soldiers. devils of the blitz: a family, sheltering from nazi bombers, is terrorized by flesh eating devils. director pat higgins brings you a dark tale of suspense, edged with pitch - black comedy. harriet’s war: director alan ronald brings you a spooky slice of paranormal pulp in this nerve - jangling ghost story, all against the backdrop of world war 2 .
in a secret world, a family’s code of honor is under threat and an ancient way of life is knocked off its axis by one boy’s act of grace. raised on the tough manchester estates, a young english boy, dezzie, becomes loyal friends with a young chinese boy, yasin, protecting him from local gangs and bullies until godfather kai chang arrives to take the teenager back to hong kong. ten years later, yasin returns to manchester and invites dezzie to be a part of the family, a triad family with unbreakable laws, a code of honor and traditions dating back two thousand years. but as the friends’ journey progresses side by side, a firm wedge of hate and betrayal is soon to drive them apart – and against each other .
a working class irish family is caught up in a zombie invasion of dublin, ireland. when their son, billy, becomes a zombie the family chooses to take care of him in the home much to the chagrin of the neighbors and the local crime boss. meanwhile, they’ve invited an american documentarian to film their situation and the film crew is caught up in the mayhem. will the family prove that blood is thicker than water or will their love lead to their eventual doom? one thing is clear, for the zombies in ireland, the famine is definitely over .
dave courtney gives an unforgettable performance as dave bishop, one of the most murderous gangsters ever depicted on film, in this bloody crime epic. through flashbacks, original gangster follows the violent career of a small - time london villain who kills his way to the top of britain’s illicit drugs empire. now happily retired on the kent coast dave becomes embroiled in a bloody battle with al qaeda terrorists who want to take over his criminal empire. original gangster lends brutal insight into britain’s gangland underworld and is set to rank alongside the long good friday as one of the united kingdom’s greatest ever gangster films .
25 years after a patient in a drug rehab clinic commits suicide, 4 friends decide to spend a night in the abandoned clinic to try and film some of the reported paranormal goings - on. shortly thereafter, an up and coming tv journalist is persuaded to spend a night in the clinic with 3 of her friends to try and film some of the spooky activity that is rumored to be going on. in the course of one night, nicole, her boyfriend and their two friends discover the sickening truth about the history of the clinic and have to face a very real possibility that they might never leave .
ever wanted to sleep with a real porn star? a lucky young guy named dave (portrayed by jay paulson) wins a contest to have sex with a famous porn star who goes by ashley saint (betsy rue). but when the shy and awkward dave arrives on the lucky bastard set, things do not go as planned and a day of fantasy turns into a nightmare. reality tv - style cameras spread throughout the house capture the action to reveal the terrifying truth .
david bond is a father. things have really changed since he was a kid. his children are hooked on screens and don’t want to go outdoors. they want ipads, tv and plastic toys. the marketing departments of apple, disney and mattel control his children better than he can. determined to get them up and out, david appoints himself as the marketing director for nature. with the help of branding and outdoor experts, he develops and launches a nationwide marketing campaign to get children outside. project wild thing is the hilarious, real - life story of one man’s determination to get children out and into the ultimate, free wonder - product: nature .
while in a pawnshop a young man comes into possession of a second hand video camera; discovering a tape still inside he plays back the footage and witnesses an horrific series of events involving a group of teens in an undisclosed location. using the footage as a guide he retraces the steps to where the events seemingly occurred. deciding to investigate he discovers to his horror not only the truth of the events on the tape but comes face to face with a supernatural terror from which he may not escape…
recently widowed audrey barker moves to the welsh countryside in a last ditch effort to get back on her feet after a failed suicide attempt. from the first few nights, she hears unexplainable noises coming from the living room and from a locked - off attic. she soon realizes the cottage she s renting is haunted; her presence has awakened a dormant spirit. against all odds, she decides to stay, hoping to confront her fears and find comfort in the presence of the ghost, whose very existence is proof of an afterlife where she may some day be reunited with her husband. the spirit’s past oddly mirrors hers, and a strange relationship develops between them… but is she really safe ?
on december 3rd, 1984, a union carbide pesticide leak killed more than 10, 000 people in just a few hours in bhopal, india. based on true events, bhopal: a prayer for rain chronicles the days leading up to the world’s deadliest industrial disaster. while muckraking journalist motwani (kal penn) investigates a suspicious accidental death at the plant, american union carbide ceo warren anderson (martin sheen) faces plummeting profits despite the unregulated and ever - increasingly unsafe technology used by his indian employees .
alan (randy schulman) is a successful classical music critic as reflected in his spacious portland home. his wife sarah (diane dalton) is an obsessively grieving woman, struggling with an unspoken tragedy, even after months of institutionalized therapy. upon sarah’s release, alan forces sarah into a trip to italy. he has already arranged for a house sitter in kelly (lindsey haun), a young woman lonely for commitment and the better things in life. kelly is quickly joined by her younger brother tim (rj mitte), and her trashy boyfriend jesse (blake berris) .
when jesse suddenly decides to kidnap eight - year - old adam from the supermarket, an act that seems too cruel even for him, it isn t long before the trio find themselves drawn into a web of disturbing revelations and caught in a netherworld between hallucination and reality. both the future – and the past – are far less certain in a house of last things .
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resulted in key execs exiting and the absorption of distributor momentum films. (contraction is not limited to the uk: french indie powerhouse mk2 just recently said it would stop distributing films .) we’re hearing, however, that a new uk distributor could emerge by cannes. “i think people are falling into place, ” one exec recently opined. another tells us, “adversity makes opportunity. somebody smart will come in and take that space. ”
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reports from a number of recent employees are that the remaining staff have been told not to return as the company wouldn’t be paying them .
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revolver entertainment is a film distributor in the united kingdom and the united states . justin marciano founded it in 1997 in the uk and revolver uk entered administration in april 2013 . justin 's brother , seb marciano formed revolver entertainment llc , a us company based in los angeles , california in 2007 . revolver us is still successfully operating independently of revolver uk . 
revolver entertainment is a film distributor in the united kingdom and the united states. justin marciano founded it in 1997 in the uk and revolver uk entered administration in april 2013. justin's brother, seb marciano formed revolver entertainment llc, a us company based in los angeles, california in 2007. revolver us is still successfully operating independently of revolver uk.
revolver entertainment is a film distributor in the united kingdom and the united states. justin marciano founded it in 1997 in the uk and revolver uk entered administration in april 2013. justin's brother, seb marciano formed revolver entertainment llc, a us company based in los angeles, california in 2007. revolver us is still successfully operating independently of revolver uk.