carrere records
record company of the french carrere label mainly used for marketing, distribution and copyright. for the label, also spelled carrère, use carrere. for the uk company please use carrere records ltd. . for the dutch company please use carrere records - holland .
i remember the 45 and 12
sleeves being pink with carrere on it .
another song from the carrere album, i took the album noise out. enjoy
the carrere prestige vinyls i was unimpressed by and replaced with ojcs or cds .
for more information about claude carrere, please email us at info @ creativeanddreams. com .
music and tv entrepreneur, visionary and friend, claude carrere, passed away april 9, 2014 .
in 1978, prompted by the uk success of carrere artist la belle époque’s single, ‘black is black’, which was released through emi, claude carrere decided to set up carrere uk and appointed fred cannon as managing director. his first signing, and carrere’s first uk release, was ‘substitute’ from south african girl group clout, which reached number 2 in the uk singles chart. with fred cannon at the helm, carrere uk would go on to enjoy hit after hit from artists that included dollar, rose tattoo and saxon. in 1985, carrere uk released ‘move closer’ by us artist phyllis nelson. it went to the top of the charts and became carrere’s biggest selling single of all time in the uk .
the album was already out in europe on the french label carrere records as breakin’ the chains. however, this 1981 version contains some different mixes and alternate song titles from the later us edition .
a. a. & a. ; records (uk) ltd, bite records, cener music publishing belgium, cnr belgium n. v. , cnr discos s. r. l. , cnr discos venezuela, c. a. , cnr records sweden, hqt music group, injection disco dance label, jaws records (2), mindblowing technomania, vlaamse sterren
hmm - not my experience at all. the ones i have (carrere) sound very' thin', to say the least .
there were no riverside records issued between 1972 to the early 1980’s. in the 1980’s riverside records were released by fantasy records as part of the original jazz classics (ojc) series. these records had the graphics of the first riverside label but white and gray rather than the white and blue used originally. at the bottom of this label was“fantasy, inc. , berkeley, california” .
creative and dreams music network, llc and fred cannon are proud to honor the achievements of french legendary record and tv company founder, producer and songwriter claude carrere .
in 1988, carrere uk closed its doors, and in 1990, the company was acquired by warner music group. carrere has the distinction of being the only french label to have attained multiple worldwide successes, including a number one in the us with the song, ‘friends and lovers’, performed by gloria loring and carl anderson .
used 1980 sacem whitesnake 2 x
live
lp. made in france, sacem, 1980. used 2 x
live
french pressed lp. underdog & carrere records, sacem, pressed in france, 1980, used. 2 x lp set. live lp´s .
animalism 1966. red pax labels. pax records. rare compilation from their early years. with laminated front cover .
thanks for the “promotion” of wynton kelly from second to first, rudolf. pleasant change from shadenfreude of posters demoting my records the other way around. records have feelings you know. the bill evans is his best work in my view .
wonk released their 4th album (nervous racehorse) which was released back in march 2014 on manchester punk label tns records .
melodicrock records is excited to announce the signing of one of finland’s youngest and most hard hitting... + continue reading
the record label is black with silver writing, planet records, west germant, gema, 1980, pl 53 222. stereo, pressed in west germany. planet records, 1980. made in west germany. with original wea inner sleeve .
melodicrock records delves back into the archives in june, delivering a blast from the past from respected vocalist... + continue reading
melodicrock records is truly excited to bring a brand new, exciting melodic rock band to light. one that... + continue reading
melodicrock records is overjoyed to be bringing one of our favourite vocalists to the label. the mighty, goran... + continue reading
rare gema / west german 12
vinyl lp, used, polydor records. gema, 1973 7 1974. polydor records, made in west germany, 1973 / 1974. gem, 2383 261. we´re really gonna raise the roof (3: 06). a side .
wmg’s family of labels—including atlantic records group, warner bros. records inc. , and parlophone—is among the most prominent and successful in the history of music, encompassing a global roster of acclaimed artists and an unparalleled catalog including many of the world' s most popular and influential recordings .
rare gatefolded 12
vinyl lp with nice gatefolded cover, used, emi records, uk, 1973, pctc 252, stereo, 0c066 05492. emi records ltd. , uk. uk 12
vinyl lp only for england. 2 ;
step lightly
. 3 ;
photograph
.
circa survive
juturna
lp 33 1 / 3 r. p. m. , equal vision records, 2010, usa. reissue press on grey / white swirled vinyl w / insert! of 1, 000. i visually grade records using the goldmine standards. anything can be worked out .
this los angeles, usa heavy metal band was put together by vocalist don dokken (29 june 1953). his first break came when producer dieter dierks recruited him to supply (eventually unused) back - up vocals on the scorpionsblackout in 1982. dierks then allowed dokken the remaining studio time to produce demos. these rough recordings impressed carrere records enough to sec read more
straylight run
s / t
lp 33 1 / 3 r. p. m. , victory records, 2012, usa. 1st us vinyl press - ltd ed of 100 for r. s. d. 2012 - on clear / black smoke vinyl -. i visually grade records using the goldmine standards .
ojc are owned by concord records, so maybe we' ll start seeing some more titles that have been out - of - print become available to the public soon .
re - branded as rage, the band signed to enterprising independent label carrere records (home of saxon, rose tattoo and dokken) and began their fight back by releasing the album' out of control'. surprisingly, it also became an entree into the emerging nwobm movement, a scene that embraced rage as not only defenders of the faith but also as an exciting new prospect that would undoubtedly reach new heights in the future .
[ 1981 ] the label is carrere / mirage. out of control / what have i done wrong? / she' s on fire / roll the dice / fallen idol / / money / i don' t wanna leave / rage / thank that woman
rare gema west german / italian 12
vinyl lp, used, polydor records. the cover is printed in italy, and the 12
vinyl disc is pressed in west germany .
the last flight of juri gagarin
( 7: 03) .
nightmares
( 5: 02). rare swedish 12
vinyl lp, used, jive records .
i have an image you could add to your riverside record labels. it’s a 1967 u. s. reissue (distributed by abc records, promo, mono, deep groove) .
hi, i have some japanese riverside titles – waltz for debby is one of them. blue riverside label with japanese translation. back of jacket is liner notes in japanese. glossy. fontana records is referenced on the jacket: “made and sold by fontana records under rights from interdisc s. a. ” number sr - 7015. any idea when these could have been pressed? thanks
don' t know the answer for sure but all the carrere singles i bought in the uk from the late 70' s to late 80' s that didn' t have picture sleeves came in plain white paper sleeves. except for 1 that had a wea company sleeve .
interesting account on riverside in its various ramifications. how is the french black mono sound wise? who has got a copy? michel out there? what is the year of issue of these french black monos? and who produced them interdisc or phonogram or somebody else (carrere) ?
music industry credits: while an executive with emi records, he worked with artists including john lennon, ringo starr, george harrison, paul mccartney, the rolling stones, pink floyd, kate bush, queen, stevie wonder, jim capaldi, elton john, lionel richie, the sex pistols, romina power and al bano carrisi, suzi quatro, deep purple and michael jackson. as managing director of carrere records italy and uk, he worked with robert “mutt” lange, trevor horn, hans zimmer, clout, dollar, saxon, rage, vibrators, ottawan, demon, the church, phyllis nelson, the monks, ryan paris, stingray, debbie bonham and eros ramazzotti .
in the mid - 1970s, nashville’s major record labels began dropping country music’s most legendary performers from their rosters. frustrated in particular by decca records’ release of ernest tubb, pete and rose decided to record some of tubb’s new songs in the hopes of regenerating interest in this legend’s music by a major label. when that didn’t happen, pete and rose formed first generation records for ernest tubb and other grand ole opry and traditional country artists they had been so proud to be associated with through the years. they would eventually record more than 350 masters with legendary country artists. these icons still have product available through first generation records .
grauer died, following a sudden heart attack, in december 1963, and the company went bankrupt not long after. the catalogue was leased by abc records, which reissued some of it, but virtually all riverside masters were acquired by fantasy records in 1972 who proceeded to flood the market with bland reissues, which often do not do the music justice, and so ensured the continued desirability of original pre - 1972 riverside pressings .
island records usa, catalog # b0008109 - 01 from 2007. picture disc vinyl still looks near mint! we are located in the landmark purple building on the northeast side of the square in downtown denton, tx .
don' t know about the musidisc editions (from the 60s ?). sometimes though (and not often) the carrere' s (from the mid to late 70s) can throw a total wobbly and sound fantastic. i have a clarke / boland big band french mps lp that comes in that category .
electric light orchestra - showdown uk import lp on purple vinyl masters of rock. harvest 5c - 038 - 05698. excellent copy. all records cleaned w / nitty gritty. this sounds fantastic. record ex and cover ex .
the british inland revenue served connolly and the other members of the sweet with a multi - million pound tax assessment for the income earned off their hit records. connolly sold his house to pay his share of the tax bill .
during 1990 connolly reunited with the original sweet line - up, for the promotion of a music video documentary in london at tower records and again there were rumours of a full band reunion which, ultimately, came to naught .
8. saxon / power & the glory (carrere 1983) up to this point, let’s face it: saxon occasionally stumbled upon an anthem, but for the most part, the group luckily was allowed a handicap or a few paces’ head start, sorta like the way we deal with kiss or the rolling stones. then a shocking transformation takes place, and saxon gets beside itself with manic metal. drummer nigel glockler has a lot to do with it (traps to cannons), as does producer jeff glixman, who unwittingly takes a page from the ebony records heavy - metal handbook .
this box set was bought brand new in 1978 and only had outer plastic removed, records have not been played. white album has four photos and poster that has not been unfolded. rare piece of beatles music history all in one box set .
ahh... i' m talking about musidisc editions (earlier ?), the few carrere lps (mostly ojc copies) i have are very variable. lush life is very good and meets the esquire version head on, where as art peppers modern jazz classics sounds like mud - very poor indeed compared to a vogue mono of the same session .
tiger and the duke - 12
lp. the sound of animals fighting. act iv: you don' t need a witness. limited 180 gram audiophile black vinyl. 2014 equal vision records. only 300 made (rarest pressing). vinyl: new / sealed .
rare siae italian pressed 12
vinyl lp, used, rca records 1982. super rare david bowie lp
rare
from 1982. see photos. 5 ;
. 4 ;
. 3 ;
. 2 ;
. 1 ;
.
in a thread which i started called
record prices for records
, i said that i was noticing an escalating rise in the price being asked for used copies of ojcs which were no longer available. £30 ($ 60) is not unusual for these on amazon. uk .
after pete’s death in 1988, rose began marketing the roster of artists on first generation records in new ways through www. countryrecords. com, while drake’s publishing companies and record label continue to have success with songs being placed in television and film, and songs recorded by major artists .
relayer is the seventh studio album from the english progressive rock band yes, recorded and released in 1974 on atlantic records. relayer reached no. 4 in the uk, remaining 8 weeks in the top 40, and no. 5 in the us, remaining 16 weeks in the top 200 .
used bryan adams live lp. made in west germany, gema, sr 0001, lc 4711. used live lp. sylvester records, sr 0001, stereo, gema, used rare live lp .
run to you
.
straight from the heart
.
lonely nights
.
a question i have is: in the early to mid - eighties did carrere have a standard company sleeve for its 45 releases, and what did it look like? every release i am seeing so far that doesn' t come with its own picture sleeve is in a plain white sleeve (or is matched up with what is obviously the wrong sleeve). if you know the answer, please post an image of the correct sleeve. thanks .
for rage, this scene provided them with the perfect opportunity to not only update their sound but to also wipe the slate clean. signed to the fast rising independent label carrere, they issued two well received albums before settling in to record their third record, the slightly more refined' run for the night', a record that would be the band' s bid to hitch their wagon to the more melodic, arguably aor, side of rock genre .
1 ;
jump they say
leftfield 12
vocal. used dj promo only 12
maxi single, 4 songs, 33 rpm. made only for the u. k, as a rare dj promo only. arista records, uk, ad92, left 1, made in the u. k. 33 rpm .
in 1955 the prestige records contract of thelonious monk was bought out and monk was signed by riverside, where he remained for the next five years. during the next few years, cannonball adderley, bill evans, charlie byrd, johnnygriffin and wes montgomery made substantial contributions to riverside’s catalog, establishing it as a major jazz label .
the black french riverside cover say “distributed in europe by interdisk” and the matrix looks like it could be decca - related (decca pressed british riverside up until end of the fifties / very early sixties after which pressing shifted to philips .) but it lacks the usual decca master version and engineer codes. no idea who pressed it or exactly when, but it is not deep groove, and the cover is sixties laminated made in france (paris printer) certainly before seventies and definitely not carrere .
the fifth label was used on the rs - 3000 series. it was brown and black with a black and white logo. printing was white. a large “r” above the center hole with “riverside” below it. at the bottom of the label was “distribted by abc records, inc. , new york, n. y. 10019 – made in u. s. a. ”
23. tygers of pan tang / wild cat mca 1980) the only tygers album featuring the katz klaw vocal grit of future neat records boss jess cox, “wild cat” was an early biker - metal classic exuding all the boisterous charm one would expect from a bunch of young kids excitedly helping build a scene. an appealing cross between the smart riffs of maiden and the roughshod delivery of tank .
10. witchfinder general / friends of hell (heavy metal 1983) no less than the band that invented doom metal, witchfinder general crunched its way somberly through bleak songs of loss, impossibly turgid, charmingly loose and guileless. a mere two records, witchfinder general nonetheless gave the nwobhm its leaden anchor, staking claim, proposing that metal, logically, was supposed to weigh down body and soul .
18. motorhead / another perfect day (bronze 1983) yes, i know, motorhead pioneered this stuff through five hugely influential previous records (ok, maybe two of them are vastly lauded), but true usefulness in the life of this writer doesn’t happen until brian “robbo” robertson arrives and cleans up the sound a bit. in tandem, lemmy writes some of his most artful words of wisdom .
liverpool based outfit rage were been born out of the ashes of well - respected 70s hard rock unit nutz, a group who had released four well received albums for a & m records. with relations cooling between the label, the band and their management, it was decided, out of sheer frustration and political uncertainty, to cut off those associations and move on to pastures new, albeit under a different name .
rock n' roll aint dead, it' s just waking up. in a watered down glass of phony indie pop and cookie cutter rock, the beat seekers bring you a shot of genuine american rock n' roll. the band is anchored by prolific lead singer, guitarist, and songwriter keith fertwagner. with four records released since the bands inception, these guys are no strangers to hard work and good music .
the frenzy and raw energy of the early days were captured by their debut single “i’m alive on the bands own labritain label and sold well enough to become a minor hit. next through their association with united artists records the second and third singles, “nasty nasty” and the now classic “emergency” were released both scaling the lower reaches of the charts and confirming 999 to be one of the major forces in the british new wave movement .
progressing through two independent albums and gaining a solid following, they eventually signed a major deal with industry heavyweights atlantic records and cut this self titled album in san francisco. issued in 1990, it is a record of extreme maturity, harnessing their power - metal onslaught with precision and force. featuring killer tracks such as' don' t wait for me', ship of fools' and the title track itself, the album is still impresses to this day .
rose managed the businesses, which included five publishing companies, a recording studio, a record label and the administration service, while pete produced artists for major label production deals and first generation records while also playing steel guitar on major artists’ recording sessions. rose also made the time to be active in the community; serving on boards with the easter seals, american lung association, nashville entertainment association, and committees involved in the music row beautification with the mayor’s office .
“i am excited and truly honored to welcome sir cannon and miss rose to the airplay direct family. they are both amazing people and accomplished music industry professionals. together they are the gifted executive team that owns and operates creative & dreams music network, and first generation records”, said lynda weingartz, ceo – airplay direct. “airplay direct’s collective evolution manages the ‘apd artist ambassador’ program, and will work closely with rose and fred on airplay direct initiatives to help educate, develop and mentor the global apd membership. ”
used 1984 toyah best of lp. made in the u. k. 1984. used lp. 16 tracks lp. tracklisting; a - side; i want to be free. good morning universe. rebel run. angels and demons. we are. race through space. the angel and me. thunder in the montains b - side; it´s a mystery. brave new world. neon womb. sphinx. be proud be loud (be heard). the vow. danced. ieya. safari records, uk, 1984, ne 1268. used uk lp. international shipping is 19, - usd $ .
in 1988, connolly reunited in los angeles, california, with former band members mick tucker, steve priest and andy scott, to rework studio versions of
action
and
the ballroom blitz
. this was to be trial to see if a full reunion and new album could be arranged. this was for america' s mca records. connolly arrived having had troubles with a local rental car and getting lost on the way to the studio. this mike chapman - produced reunion floundered quickly due to problems with brian' s voice, and brian went back to performing with his band ,
the new sweet
.
ten years ago i used to pass the ojcs up when buying records with the idea that i would find earlier pressings, possibly first pressings in the racks. i' ve never been one to collect multiple copies of an album, so instead of buying the first copy i saw, i. e. an ojc sometimes, i would hold off until an earlier pressing crossed my path. with the rising cost of those originals and their scarcity, i am looking at ojcs from a different perspective. for the most part, i' m finding used copies in near mint condition for $ 6. 00 to $ 10. 00. the sound of these lps is quite acceptable and if i really want the title on vinyl instead of cd, i' m no longer hesitating on purchasing these editions .
used 1986 biem / ncb, 12
lp, 10 songs, 33 rpm. made only for the scandinavian countries. with original innersleeve, see photos of the actual item. tracklisting; a - side; 1 ;
wont stop
. 2 ;
hard as a rock
. 3 ;
( i cant stand) losing you
. 4 ;
point of no return
. 5 ;
hunter
. b - side; 1 ;
summerlove
. 2 ;
farrah
. 3 ;
get up and go
. 4 ;
limbo a go go
. 5 ;
do it
. emi records (dansk - engelsk) a / s, holland, 33 rpm, biem / ncb, 1a 064 13 9662 1, 1981, used. pressed and printed in holland, biem / ncb, dmm mastered lp, 1986 international shipping is 19, - usd .
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the single alone that is called is manha is wonderful - if you just had limited time to listen to one track on this album - please listen to the track called
manha
- you will not regret it. please click on this link to find out more about this group and project: urltoken
i' ve been waiting for a keenly priced & decent re of this masterpiece & this fits the bill. its housed in a mid weight gatefold sleeve & the disc is quite thick, not virgin vinyl it seems but the sound (after a clean), is excellent with no loss of low, mid or top register. a steal for a tenner .
i heard instruments that didn' t know it existed. forget about
cd
version .
i really don' t understand what do you' re waiting for to buy this masterpiece. you will feel yourself inside of their recording session! they kept totally analog in the masterization. you could touch the bass with your hand! they kept the spaciousness and breath between each instrument. you will experience a truly alive drum, as you never heard. if you' re a musician will know what i am talking about the sounds are totally dry. no compression. truly analogue. you can hear the dancing of the
fender
rhodes keyboard between the channels. it was really amazing! much better than i expected i felt like having a masterization from japan or from germany, not from brazil. linha do horizonte is the most beautiful brazilian song of all time .
quite possibly the greatest thing to be printed on vinyl... maybe not... but this album goes deep. classic all the way .
you are fully responsible of your bid and i cannot be held responsible of any misunderstanding .
first record, any destination = $ 15. any more record is $ 3 extra .
i cannot be held responsible if the parcel is damaged or lost. if you want to choose for a registered mail, please ask and i will advise on extra costs .
everyone must have a valid id. under 18 needs to be accompanied by a parent or guardian or have a notarized parental permission form :
the latest release
loud and f * * k! ng clear
displays a wide array of influences and subject matter that is not easy to define, but definitely easy to swallow. the songs go from guns n' roses style riffing to punk rock anthems with a dash of twang and 70' s rock, while still maintaining a modern edge and pop sensibility. let' s just say if music were soup, this batch wouldn' t lack ingredients, and it would taste pretty fucking good .
throughout the beat seekers existence hardships, setbacks, and dumb luck have only made the fire burn hotter for keith, and there is a flat out refusal to go away quietly. while there' s been no shortage of adversity, there has also been no shortage of the need to overcome it. some people make music because they want to, but some people do it because they have no other choice. in a world where everything is shiny and plastic, the beat seekers offer a healthy dose of something heartfelt and real. the beatles wanted to hold your hand. the stones wanted to burn down your town. the beat seekers want to hold your hand while burning down your town, taking over the airwaves, and starting a revolution. we' re all in this shit together, let' s make it count .
keith' s songs have been featured in television shows such as 90210, one tree hill, shameless, and big love to name a few, as well as movie trailers, video games, and the movie
warrior
. he has also shared the stage with social distortion, joan jett, rancid, john doe, sum 41, afi, and many more. with his crew of talented cutups, the beat seekers are ready to blaze a new path full of familiar rock and roll nuances .
log in or sign up for eventbrite to save events you' re interested in .
early video footage of dokken performing in bremen, germany in 1982 was surfaced. the video footage of the entire gig has actually been available as a bootleg for many years prior .
“a year before heavy metal band dokken released their debut studio album breaking the chains is the us, the band took to the stage for german tv show beat club to perform some of the tracks from the record, including; “paris is burning”, “young girls”, “nightrider”, “breaking the chains” and “seven thunders” .
“paris is burning” is called “paris” and is actually a studio version as opposed to the december 1982 live recording. the album also contained a song called “we’re illegal”, which became “live to rock”. ”
ex - dokken guitarist juan croucier who played at the beat club show in question stated the following on his facebook account about the video footage: “ah yes! the good old days! originally, dokken was a three - piece band with don, a drummer named greg pecka and i. after our first tour of germany, don and i brought george and mick into the band and (without getting into too much detail) the rest became history! i have a lot of good memories from this tour. we had some really funny things happen during these times… it still puts a smile on my face to this day. ”
brazilian glam rocker influenced by kiss, poison, etc. – limited to 100 copies
999 celebrated their 38th anniversary on 5th december 2014. the reason for their longevity is not airplay, massive publicity, hype or even a major recording deal but word of mouth and that “word of mouth” now extends to nearly every country on earth .
the first album titled simply “999” was released and was greeted with impressive sales and critical acclaim. extensive touring took them throughout britain and europe where they now encountered full houses .
the second album “separates” was released and immediately the single “homicide” leapt straight into the uk top forty without any radio airplay and was banned by the bbc and most radio stations .
early 1979 saw the band embarking on their first u. s. tour, which was an achievement in itself, as they were still without a record deal in america at the time. response to the band was ecstatic, all the venues being filled and import albums being sold out in a rush of enthusiasm. the band were immediately booked for a return trip .
since leaving united artists 999 have recorded another eleven albums. jon watson was replaced in 1986 on bass by danny palmer and subsequently by arturo bassick in 1991 .
daddy wonk used to be in a band called the flying medallions back in the early 1990’s when the punk scene was well underground. they kinda crossed over into the mainstream and the music press would get themselves into a right tiz over the chaos they caused .
the chaos caught up in late 95 when the band suffered a fatal tour bus crash in france. bassist dougie didn’t make it and mc mr stephen suffered critical injuries (he made a full recovery) .
they released the album “we love everybody and everything’s great” in 1994. (now available on itunes) .
about 5 years ago, myself and original wonk axe man gavin “mad dog” kinch were laying a crazy paving driveway .
their 5th album is a limited edition vinyl; feel the wonkness, originally released as 100 green, and 200 black copies, with a reprint in 300 white vinyls .
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the beatles collection is a box set of the beatles' vinyl albums released in the united states in november 1978 and the following month in the united kingdom. the rarities album contains komm, gib mir deine hand (i want to hold your hand) .
the rolling stones - box set collection of greatest hits grrr limited edition vinyl numbered box set -. the rolling stones grrr! greatest hits 1962 - 2012 5lp box set. universal music group and the rolling stones release the rolling stones grrr !
this is the' fan club' version of an lp that was released for radio station play only. van morrison live at the roxy in. los angeles / 1979 at the warner bros. music show wonderful great sound !
this is a digital remaster from 2009 2012 on 180g vinyl. the beatles 33 1 / 3 rpm excellent condition! artist: the beatles. cover: still in shrink wrap. has hype sticker front upper right (see scan) .
double lp set. black & white clean vinyl. brit prog rock. live set and an e. p. set as well. see photos for trax. outter sleeve in excellent condition for age of the lp. vinyl in really, really great shape .
such a vibe to hear and early concert live like this. this is live at judo arena. see picture of back cover to see songs included. this disk is by image kisc inc. this looks excellent to near mint shape .
cover shows normal wear for its age, no major damage, no rips or tears. please review photos for details, message with any questions. thanks for looking .
sleeve: vg, promo sticker on front, small writing on back, ring / seam / corner wear, see photos. includes lyric insert in vg condition. an lp cover should have no creases, folds, seam splits or other noticeable similar defects .
1969, glyn johns, studio engineer' s, secretly absconded with tapes. the first beatles bootleg vinyl ever released. from the
let it be
sessions. the original sleeve is present and intact, but a bit wrinkled with small tears .
a1 –the electric prunes i had too much to dream (last night) 2: 55. d3 –the third rail run run run 2: 00. d1 –chocolate watch band let' s talk about girls 2: 41. art direction – robert l. heimall. artwork [ cover art ] – abe gurvin .
☆☆ the rolling stones, tattoo you ☆☆. lp, vinyl. album - vg to excellent condition. 1st us press. original inner sleeve looking clean and crisp. we grade albums visually .
cover is in very good condition, album is also in very good condition with very little wear. check back often for more great deals !
acdc record and others bumper 12
33rpm vinyl lp record. one original 1970s australian record featuring early ac / dc and dave evans on vocals. format 33⅓ rpm lp. birmingham - john paul young. condition of record excellent .
the mama & the papas 33rpm 12
vinyl record. one original rare 1969 australian only world record club record by the mama & the papas. twelve thirty. label world record club wrc s / 4789. format 33⅓ rpm lp .
the rolling stones: grrr! g3 fool to cry. 5 lp box. 180 gramm vinyl. g2 it' s only rock' n' roll. j5 one more shot. c4 have you seen your mother, baby, standing in the shadow? . d1 let' s spend the night together .
a strictly limited west german live edition on the record label imtrat, stereo, 880. 016, lc 6711, spa. pressed / made in west germany. recorded live at
paradise
, boston, ma, usa on april 7, 1979 .
art, denmark, 33 rpm, ncb, 10 songs, a a 8619, 1986, used. pressed and printed in denmark, ncb, 1986. used 1986 ncb, 12
lp, 10 songs, 33 rpm. pressed in denmark back in 1986, with original plain white innersleeve .
with 13 never before released the beatles songs. 3 ;
a taste of honey
. lingasong ltd, england, 33 rpm, 26 songs, uk, 1977, used. pressed and printed in the u. k. / england, 1977. used 1977 uk, 12
2 c lp, 26 songs, 33 rpm .
all around trading, denmark, 33 rpm, ncb, 14 songs, lp 31 035, 1985, used. pressed and printed in denmark, ncb, 1985. used 1985 ncb, 12
lp, 14 songs, 33 rpm. pressed in denmark back in 1985, with original plain white innersleeve .
ian mathews
do right woman
1979 uk vinyl picture disc single 6 tracks uk e. p. *
used 7 inch single, uk pressed, 1979 7
single, 2 songs, 33 rpm / used. only 5000 copies made. made in the uk. mcps. 6 tracks rare u. k. picture disc. limited to 5000 copies. tracklisting; a - side / face 1; 1 ;
do right woman
. 2 :
mobile blue
. 3 ;
franklin avenue
. b - side / face 2; 1 ;
knowing the game
. 2 :
polly
. 3 ;
sing me back home
. 1979, pressed in the u. k. mcps. only 5000 copies made. international shipping is 11, - usd $ .
used 1986 ncb, 12
lp, 10 songs, 33 rpm. made only for the scandinavian countries. pressed in denmark back in 1986, with original plain white innersleeve. tracklisting; a - side; 1 ;
jailhouse rock
( 2: 34). 2 ;
tutti frutti
( 1: 58) 3 ;
rip it up
( 2: 22). 4 ;
hot dog
( 1: 32). 5 ;
one night
( 2: 30). b - side; 1 ;
hard headed woman
( 1: 54). 2 ;
trouble
( 2: 18). 3 ;
blue suede shoes
( 1: 59). 4 ;
lawdy miss clawdy
( 2: 08). 5 ;
love me tender
( 2: 42). art, denmark, 33 rpm, ncb, 10 songs, a a 8611, 1986, used. pressed and printed in denmark, ncb, 1986. international shipping is 19, - usd $ .
all around trading, denmark, 33 rpm, ncb, 12 songs, 31018, 1984, used. pressed and printed in denmark, ncb, 1984. used 1984 ncb, 12
lp, 10 songs, 33 rpm. pressed in denmark back in 1984, with original plain white innersleeve .
from cocteau twins dead can dance, breathless, colourbox. this mortal coil. new wave, ambient lp. made in israel. it will end in tears 1984. the last ray 4: 08. catalog number: cad 411. barramundi 3: 56 .
used 7 inch single, 7rs 5012, 1983, 74 - 0651
single, 2 songs, 33 rpm / used. 7 inch vinyl disc is made in west germany, 1983. the cover is printed in the uk, 1983. tracklisting; a - side / face 1; 1 ;
rock around the clock
. 2 ;
kansas city
. 3 ;
whole lotta shakin´ goin´ on
. b - side / face 2; 1 ;
rip it up
. 2 ;
me and bobby mcgee
. 3 ;
shake, rattle & roll
. sonet schweden, 1983, west germany, used single, 33 rpm, used. 7 inch disc is pressed and printed in west germany. the cover is printed in the u. k. used. international shipping is 3, - usd $ .
dire straits. brothers in arms 1985. why worry, brothers in arms. made in israel. classic rock, acoustic lp. including lyrics insert .
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metal’s first discernible movement, our first codified army of punters, air guitarists, headbangers, denim and leather… such is the glory of the new wave of british heavy metal, an explosion of heavy metal bands and lps and indie 45s emerging from all over the u. k. from roughly 1980 to 1983. here’s a batch of the best, gamely ranked, a tight 25 metal masterpieces to match the tightness of the time frame from whence they sprang. up the irons !
1. angel witch / angel witch (bronze 1980) no record signified doom and gloom and egregious, resolute metal - forging like this evil debut from kevin heybourne and his small band of witch music - makers. an infernal album cover forged in the depths of hell provides the perfect visual accompaniment to the band’s skillful sabbatherian churn, not all of it slow, some of it as erudite as priest circa ’76 through ’78 .
2. savage / loose ‘n lethal (ebony 1983) lathered up with buzzed electricity, “loose ’n lethal” is a canny concoction of songs that sit between under - written and aptly written, but then delivered with such alcoholic power that the unsuspecting punter is bowled over and headbanging hard before he knows what hit him in the pit. this energy is cogently captured upon the cover art (r. i. p. garry sharpe - young). oh, yeah, and there’s never been a better riff written than “cry wolf. ”
3. iron maiden / iron maiden (harvest 1980) iron maiden’s frantic debut was a dark, loose - bolted affair dripping in vibe, its note - dense attack evoking priest at their most sincerely pioneering but roughed up by a punk ethic. it sounds like metal aching to be made, white - knuckled as the guys resign themselves to a life of sleeping in lorries and celebrating identity with pub - doomed metal minions. given that things turned out sunnier is neither here nor there .
4. quartz / stand up and fight (mca 1980) a mere three studio albums and all vastly different from each other, quartz was visually stuck in the ’70s and thus probably doomed to obscurity, despite the blinding professionalism of this high - fidelity record of a proposed stadium metal still 100 percent forged in fire .
5. more / blood & thunder (atlantic 1982) with a new singer in mick stratton for this band’s second and last album, all of a sudden we’ve got a flash band with def leppard - and whitesnake - like potential, yet with a sound that is all molten riffs, zeppelin swagger and howling ac / dc - proud power. maiden should have been a hard sell compared with the direct socket - injecting stratton and guitarist kenny cox, who cook up on tracks like “traitors gate” and “rock and roll. ”
6. iron maiden / killers (harvest 1981) totally different record from the charming, gritty debut, “killers” bullied maiden’s quickly assembling legions to keep up with the band’s virulent strain of proto - thrash riffing and prog - metal quick changes. production was much improved, as well, and a discernible canniness with respect to pacing, variety and sequencing pointed the way toward inevitable fame and fortune .
7. raven / all for one (neat 1983) frustrating band, raven (both before this record and exasperatingly long after) being irritatingly thin and yelpy. but forsooth, “wiped out” is a speed metal classic, and then its follow - up, “all for one, ” found the band anchoring its power - trio mania in the stomping production values of michael wagener. killer grooves and money riffs everywhere, “all for one” loomed large enough to garner the band a major - label deal, which it famously fumbled with bad material and even worse image choices .
9. gillan / glory road (virgin 1980) oh, sure, i could reverently place all six gillan albums within my top 25 nwobhm (possibly my favorite band of all time), but i will act responsibly, ’cos, in fact, the looped chemistry that is ian gillan’s frantic nwobhm incubator is admittedly an acquired taste. so i’ll propose one, the third, “glory road, ” being a hugely inspired and energetic spot of purple punk endlessly dimensional and human .
11. grim reaper / see you in hell (ebony 1983) the allure of “see you in hell” is that it is very much evil metal seducing through hook and melody, much of the reach inside the soul occurring through the emotive vocal holler of one steve grimmett. if a band can sound underground, barroom and anthemic all at once, this magical collective is it, even if the exotic, mysterious atmosphere of “see you in hell” was never to be repeated .
12. diamond head / lightning to the nations (happy face 1980) the third great hope from the nwobhm free - for - all, diamond head never lived up to the promise of tatler’s dependable, connective, emotive riffs and sean harris’ rock - star good looks and better pipes. strange franchise though. i mean, there is so much wrong — almost everything wrong — with this record, and even more so “borrowed time, ” yet the listener feels he’s in the presence of greatness .
13. fastway / fastway (cbs 1983) doesn’t quite feel like a nwobhm album, but hey, fast eddie is from motorhead and dave king is barely into his 20s, irish and unknown. fastway sounds american, though, which nonetheless is a nice break from the dodgy proto - speed metal and fantasy themes somewhat branding the genre and causing its appeal to be limited .
14. def leppard / high ‘n’ dry (vertigo 1981) def leppard squarely fit the nwobhm bill through its singles as well as their aggressive “on through the night” debut. the sound begins to shift with “high ’n’ dry, ” which is nonetheless considered by many to be the band’s best album, given its handshake between young, roustabout metal and a certain ac / dc - ish stadium - rock swagger, an atmosphere of spaces and pregnant pauses masterminded by producer mutt lange .
15. tank / the power of the hunter (kamaflage 1982) the metal armies have always considered tank the baby motorhead, but i’d add that tank’s also a smarter, more entertaining, more event - minded version of motorhead. plus, algy was in the damned, a fist held high around these parts. and, yes, it’s a certain modest, miniature, diy - punk vibe that is the charm of this plucky trio. ’eads down, ’meet you at the end .
17. iron maiden / the number of the beast (emi 1982) third record for maiden of four commendably very different from each other, “the number of the beast” is a punkier, faster, more urgent album that the considered “killers, ” more like the debut but with an immense upshot in songwriting ideas. still think there are three bad songs on it, which would be blasphemy to metal blade founder brian slagel, who has consistently called this the greatest record of all time .
19. tygers of pan tang / crazy nights (mca 1981) second record with the operatic and rock godly jon deverill at the mic finds the band greatly improving on the thin production of “spellbound, ” cranking it into the red. the band’s songs remain squared - off and hooky, based on meat - and - potatoes power chords, but the result is an earthy, pleasing rock headbang not unlike that of simplistic whitesnake circa 1981 - 84.
carrere was a french record label which specialized in euro disco and rock music . the record company was sold to warner music group in the early 1990s . 
carrere was a french record label which specialized in euro disco and rock music. the record company was sold to warner music group in the early 1990s.
carrere was a french record label which specialized in euro disco and rock music. the record company was sold to warner music group in the early 1990s.