close range love ( film )
there are no featured reviews for kinkyori ren ai (close range love) at this time .
there are no critic reviews yet for kinkyori ren ai (close range love). keep checking rotten tomatoes for updates !
a live - action film based on a hit romance manga
kinkyori renai (close range love )
comes out on dvd and blu - ray .
close range love grossed us $ 9, 812, 922 at the japanese box office. it also held the number one spot in the japanese box office for three weeks .
at close range cast list, ordered alphabetically with photos of the actors and actresses when available. the cast of at close range includes both well - known and unfamiliar actors, but either way they all really made the movie come to life. in many cases you can click on the names of these at close range actors to find out more about them. you can also find some great trivia about these at close range actresses and actors below, such as when they were born, and what other films they' re known for .
# kinkyori renai # kinkyori renai season zero # close range love # yamashita tomohisa # abe aran # yamapi # japanese # ikemen # japan # johnnys # johnnys jr. # johnnys jr
does anybody have any recommendations that follow the same kinda storyline as kinkyori renai (close range love)? i really liked this movie but i cant seem to find any movies like it. - faith
meanwhile, competitor “cape nostalgia”’s total rose to $ 4. 84 million on 453, 756 admissions. the higher cume derives from its stronger performance on the weekdays than “close range love, ” whose teen target aud is attending classes then .
close range love grossed us $ 9, 812, 922 at the japanese box office. [ 4 ] it also held the number one spot in the japanese box office for three weeks. [ 5 ] [ 6 ] [ 7 ]
review: a chilling and realistic crime film, at close range features strong performances by christopher walken and sean penn. the film follows fresh - out - of - high - school brad whitewood, jr. (penn), as he struggles against the boredom of his rural existence. living i… (more )
a chilling and realistic crime film, at close range features strong performances by christopher walken and sean penn. the film follows fresh - out - of - high - school brad whitewood, jr. (penn), as he struggles against the boredom of his rural existence. living in a run - down house with his
the journal also comprises research and archival notes, editorials, reports, and book and film reviews, and addresses a wide range of genres, including documentary, experimental film and video, diasporic cinema, animation, musicals, comedy, and so on .
a high school student falls in love with her english teacher. [ 2 ]
at close range is a 1986 crime drama film directed by james foley, based on the real life rural pennsylvania crime family led by bruce johnston, sr. which operated during the 1960s and 1970s. it stars sean penn and christopher walken, with chris penn, mary stuart masterson, and crispin glover in supporting roles .
tokyo: “close range love” (kinkyori renai), naoto kumazawa’s drama about a high school student’s crush on her handsome english teacher, rebounded from no. 2 to no. 1 at the japanese b. o. for the oct. 18 - 19 weekend. it deposed the previous week’s top film, the sayuri yoshinaga starrer “cape nostalgia. ” based on rin mikimoto’s best - selling comic, [ … ]
, if they really want to fill this minor gap in their film knowledge .
relentlessly grim, at close range offers a frightening glimpse at the dark side of american life and poses disturbing questions about family ties. unfortunately, although director james foley handles the performances with skill, he also indulges in too many flashy directorial pyrotechnics, muting
can' t find a community you love? create your own and start something epic .
the trailer and poster for the film were released on october 6, 2014. japanese band sakanaction performed the film' s theme song ,
hasu no hana
.
roger ebert gave the film 3½ (out of 4) stars. [ 2 ]
at rotten tomatoes, 84% of critics considered the film positively. [ 3 ]
a chilling and realistic crime film, at close range features strong performances by christopher walken and sean penn. the film follows fresh - out - of - high - school brad whitewood, jr. (penn), as he struggles against the boredom of his rural existence. living in a run - down house with his half - brother, tommy (christopher penn, sean' s brother), his grandmother... read more
hibino, a geek girl fall in love for the first time with kyouta, the playboy. what will happen when a zero experience girl coupled with a lot of experienced boy? love for beginner begin .
the trailer and poster for the film were released on october 6, 2014. [ 3 ]
tokyo: “close range love” (kinkyori renai), naoto kumazawa’s drama about a high school student’s crush on her handsome english teacher, rebounded from no. 2 to no. 1 at the japanese b. o. for the oct. 18 - 19 weekend. it deposed the previous week’s top film, the sayuri yoshinaga starrer “cape nostalgia. ” based on rin mikimoto’s best - selling comic, the film earned $ 1. 16 million on 100, 766 admissions for the frame, or 69% of its previous weekend’s total. its cume is $ 4. 49 million on 381, 493 admissions .
long time film lover and occasional writer. i watch anything and everything though i have massive love for the works of shunji iwai, jackie chan, johnnie to, and kinji fukasaku. pop! pop !
also a very very cliché story. . don' t expect something unique. a typical manga love story .
this close - up issue endeavors to explore the use of film not only as a narrative mode for the official voice of the cuban nation but also as a narrative tool for counter histories. essays framed around major socio - historic and socio - political developments in the revolution as well as those examining intersections of identity politics, counter narratives and techniques of film production are highly desired .
here is a spare, violent, unforgiving story of a boy' s need for a father who does not love him and who would, if necessary, murder his son. it is also a story with passages of love and adventure and cheerfulness, as a teenager grows up in the hills of rural pennsylvania. the way that the two sides of the story grow together creates a tragedy that reminds me of myth, of the ancient stories of children betrayed by their parents. and yet ,
at close range
is based on a true story. it happened in 1978 .
black camera invites submissions for a close - up focused on contemporary cuban cinema. the cultural currency of film in cuban revolutionary society has provided for a uniquely crafted and skilled film culture in cuba, rich in nuance and inventiveness. nationalized in 1959 by the instituto cubano del arte e industria cinematográficos, commonly referred to as icaic, through the almost 60 years of revolution, cuba’s film industry has long - held a privileged position within cuban society, and also served as an informal measuring stick for the nation’s progress. despite a lack of resources and varying degrees of restriction and censorship of artistic expression through the years of the cuban revolution, the cuban film industry has not only continued to thrive but also fostered a premium valuation of cuban art and cultural production internally as well as externally. major national and international film festivals centered on the latest offerings of the cuban film industry, such as the international festival of new latin american cinema, celebrating its 40th iteration, further emphasizes the importance of cuban film as a canonical juggernaut in the study and appreciation of contemporary film .
hatori is in love with her childhood friend rita, but when rita gets himself a girlfriend hatoris world turns upside down .
is a 2014 japanese romance film directed by naoto kumazawa and an adaptation of the manga series of the same name .
book and film reviews can be 500 - 1, 500 words (exceptions will be considered for review essays) .
a smart high school student falls in love with her english teacher after she receives one - on - one tutoring from him .
ann wilson is best known as the vocalist for heart, the rock band that became famous for songs like
barracuda ,
crazy on you ,
what about love
and
all i wanna do is make love to you .
ninako confesses her love to ren. but get rejected because he is already have a girlfriend. they promise to stay as a friend. some other guy confess their love to her but she rejects them. is it because she still wants to be with ren ?
the battle scenes in
hacksaw ridge
are among the most violent captured on film - and also the most urgent .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
“any intervention by the european commission which undermines the ability to license on an exclusive territorial basis will lead to less investment in new productions and reduce the quality and range of content available to uk and eu consumers, ” said john mcvay, the chief executive of pact, the uk body representing independent tv and film production companies .
it' s a technically marvelous film with some surpassingly dumb moments. it' s a movie that seeks to honor an honorable man, but does so at the expense of other honorable men. hacksaw ridgeis a flawed film from a deeply flawed filmmaker .
trolls is a fail - safe film that young parents can take their kids to, and hopefully enjoy a few chuckles themselves .
it features essays and interviews that engage film in social as well as political contexts and in relation to historical and economic forces that bear on the reception, distribution, and production of film in local, regional, national, and transnational settings and environments .
at close range
is not a pleasant movie. few recent films have painted such a bleak picture of human nature. the walken character is ruthless, and most of the other characters in the film are weak, or deprived, or lacking in the ability to see beyond their immediate situations. that' s especially true of brad jr.' s mother (millie perkins) and grandmother (eileen ryan), who sit endlessly around the house, their eyes straying away from every conversation toward the tv set. only brad jr. and his girlfriend (mary stuart masterson) have a chance of breaking free, and their love affair is on a collision course with brad sr .
a smart high school student falls in love with her new handsome english teacher after she begins to receive one - on - one tutoring from him .
the film grossed a total of $ 2, 347, 000 at the north american box office during its theatrical run in 83 theaters .
a smart high school student become falling in love with her new english handsome teacher after she begins to receive one - on - one tutoring from him .
because this film is violent and cruel and very sad, why would you want to see it? for a couple of reasons, perhaps .
hacksaw ridge is being touted as gibson' s comeback. is it also an atonement? what' s clear is that gibson has made a film about family, faith, love and forgiveness all put to the test in an arena of violent conflict - a movie you don' t want to miss .
to those who are saying that this seems similar to some mangga, it' s hirunaka no ryuusei or daytime shooting star guys. i love them both < 3
frankly, i decided to give this movie a try only because of the “forbidden love” plot. perhaps i was just expecting too much or because it had a weak story line, i don’t know, but one thing is clear… i was disappointed with the film. it just fell below par for me. sorry .
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
if the film' s director were anyone but gibson, a fixture on or even atop hollywood' s enemies list, it would be expecting several oscar nominations .
gibson has made a movie that' s nearly pathological in its love of violence - but he nonetheless counterbalances its amoral pleasures with an understanding of the psychological devastation that war wreaks .
mel gibson indulges in his biggest obsessions as a filmmaker and creates a magnificent film that couldn' t have been made by anyone else. full review on filmotrope. com
devoted to the study and documentation of the black cinematic experience, black camera is published biannually and is the only scholarly film journal of its kind in the united states .
american actress anne hathaway has starred in films like' the devil wears prada,'' love and other drugs,'' les miserables' and' ocean' s 8.'
i am trying to remember the name of brazilian film about some lowlifes who take their dead friend on a last tour of his old drinking haunts. have you any idea ?
okay, so i watched this because everyone seemed to love it but this movie was simply not my cup of tea at all, i' m sorry... weird built up story .
seems to be irrelevant. the cinematography in this film is not connected to the story. even if the ideas were a little more tightly bound to the plot, the story in
tackling a famous literary character in her next project, hathaway played the white queen in tim burton & apos; s reimagining of the famous children & apos; s tale alice in wonderland in 2010. the film, starring mia wasikowska as alice and johnny depp as the mad hatter, proved to be a huge commercial and critical success. hathaway also appeared in the 2010 satire of the pharmaceutical industry, love and other drugs, starring opposite jake gyllenhaal; and in 2011 & apos; s one day, a film based on the 2009 novel by david nicholls .
a love story between a famous 25 - year - old songwriter, who keeps his identity hidden from the public, and a 16 - year - old high school student who possesses a gifted voice .
anne bancroft was an oscar tony and emmy award - winning actress famous for her roles in the miracle worker and the graduate. she was married to comedian and film director mel brooks .
yuni is lost in her emotions. she finds comfort in the presence of her only friend nami (mizuki yamamoto). she relays then that she’s harboring love - hate feelings for someone. she hates him but she’s sad when he’s being cold. she doesn’t want to see him but not seeing him makes her feel lonely. nami understands and concludes that there’s only one explanation to that. it’s love .
is a film about fancy camera moves. there' s a genuine plot hiding back there somewhere, but it is almost totally obscured by an overindulgence in technique for technique' s sake .
this animated film is like mainlining a rainbow, snorting martha stewart - brand glitter and drinking a glass of ecstasy - spiked champagne. you' ll get a high off all the happy .
it' s a cracking story and impressively executed by a director clearly going out of his way to show he has lost none of his passion for film - making and for action in particular .
armed with the full understanding of what’s going on, yuni resolves that the only way to ease her current situation is to declare her love to haruka. she tries to confess in front of everyone but fails. she tries to confess privately but fails. and as for the final attempt, she writes her love confession on a notebook which says, “i hate you but like you at the same time. what should i do? ” like they say, third time’s a charm, and so on the third try, while hiding under the teacher’s table, yuni successfully convey her love. and in a spur, haruka kisses her .
yuni begins to receive one - on - one tutoring from mr. haruka sakurai. soon, yuni develops feelings for her teacher and she realizes that she is now in love. yuni then confesses to her teacher .
the mps say that the uk government needs to follow the lead of france, spain and italy, countries that have expressed opposition to brussels’ proposals because of the potential impact on their domestic film and tv industries .
about one gloomy girl named mei who injures the most popular male student named yamato. somehow, yamato likes mei and one day, yamato saves mei from a stalker by kissing her. from that kiss, their love story begins .
a girl that resemble
sadako
of the movie ring is being feared by her classmates. she is avoided by everyone. while everyone is avoiding her, the popular boy shota kazehaya befriends her, and their love begins to grow .
hathaway departed from making family friendly films in 2005, with havoc and brokeback mountain. in the independent film havoc, she played a privileged los angeles teen who drawn to the city & apos; s grittier side. the academy award - winning brokeback mountain, directed by ang lee, featured hathaway in a supporting role as lureen, a wife whose husband is in love with a man. she earned strong reviews for her portrayal of a tough, sexy texan .
pretty leads, but pretty boring storyline. well, since it' s a manga adaption (not that i' ve read it), i think we were expected to know the whole story so it' s a bit fast paced (as in everything felt rushed), dramatic, with no character establishment nor development. they fell in love in a flash, especially the teacher, and the next thing i know, they were forcing the forbidden teacher - student love down my throat. i guess it' s your average high school love drama, which do no justice for the two pretty leads, they could have done better, i blame the writing. i stuck around for an hour or so just to watch yamapi .
when she was in middle school, yoshioka futaba met tanaka kou whom she had mutual love. after kou moved to nagaski with his late mother, futaba lost contact with him. in her first - year of... see full summary »
are very diverse, showing excellent range. in this film, penn is a convincing midwestern kid, caught up in a lot more than he bargained for. walken, who is almost always excellent, is a bit too much of a cipher as the father, too changeable with too little justification. in stories based on real life, truth is a defense, i suppose, but kazan and walken might have tried harder to tie the threads of his character more tightly together. mary stuart masterson is good as penn' s girlfriend, and christopher penn does a good job as penn' s younger brother .
they are the same dynamics you could see in the great crime film
in cold blood
( 1967), the dynamics where seemingly ordinary people whose moral sense is missing drift into actions so bad that perhaps even they are appalled .
actress anne hathaway was born in brooklyn, new york, on november 12, 1982. as a youngster, she was accepted into the barrow group theater company. in 1999 she got her first big break on the short - lived television series get real. hathaway then landed the role that made her famous, playing mia thermopolis in the princess diaries (2001). in 2006 she found huge success with the devil wears prada and the following year she starred in becoming jane, a film about jane austen. hathaway then garnered both critical and commercial attention for her role in 2010 & apos; s love and other drugs, due in no small part to her nude scenes in the film. she went on to win acclaim for later film appearances, including those in the dark knight rises, les miserables (both released in 2012) and alice through the looking glass (2016), before being tapped for the heist comedy ocean & apos; s 8 (2018) .
the uk’s £1bn industry that sells films and tv shows such as victoria, sherlock and love island across europe is under threat from plans in brussels that will slash their value to broadcasters on the continent, a cross - party group of mps has warned the government .
europe is the second - biggest market for uk tv exports – only north america is bigger – worth well in excess of £400m in sales annually. a further £500m of the £2bn british global film exports annually are accounted for by sales across europe .
the acting was really good, especially if the female lead got on my nerves for her acting here, she did her job wel. the male lead is easy to love and i thought his acting was great. also the chemistry they have in this movie is incredible !
in 2001 hathaway took on the role that made her famous: she starred as mia thermopolis, a smart, klutzy teen who learns she is actually a princess of a small country called genovia, in the princess diaries. thermopolis & apos; grandmother, played by julie andrews, instructs her in all things royal. while reviews were mixed, the film scored big with audiences, earning approximately $ 108 million at the box office. hathaway earned a teen choice award nomination for her work on the film .
from kathleen collins’ recently re - released losing ground and bill gunn’s still shelved studio - feature stop, to woodie king’s neo - realist the long night, and william miles’ magisterial i remember harlem, the new york scene presents a challenging collective of films that defy typical cinematic histories. this close - up will feature works rarely discussed not to incorporate them into already existing histories but to pose new questions .
i think this is a good movie. pi as sakurai - sensei is so handsooooooome. and i imagine what he really smells like? hahahaha. i so envy nana komatsu. hahahaha. i don' t think this is so taboo at all. he fell in love and he was sincere .
black camera invites submissions for a close - up devoted to black independent filmmakers based in and around new york. in 2015 the film society of lincoln center premiered the groundbreaking series tell it like it is: black independents in new york, 1968 - 1986, programmed by michelle materre and jake perlin. this series re - contextualized the all too rarely seen film and television works of artists including jessie maple, william miles, kathleen collins, bill gunn, st. clair bourne, madeline anderson, kent garrett and william greaves, among many others. whether in documentaries, experimental shorts, or feature length narratives these artists recharted black life on screen. falling between the twin poles of production that were the blaxploitation cycle and what paula massood describes as the black city cinema of the 1990s, these artists were part of a new york “scene. ” whether as colleagues or friends, a network of black artists emerged. within this network artists exchanged ideas and challenged typical modes of production and representation .
bowing at no. 3 on 199 screens nationwide is “grace of monaco” with $ 755, 665 on 64, 542 admissions. the only other non - japanese film in the top ten, “dawn of the planet of the apes, ” slipped from the seventh to the ninth spot .
while many of these filmmakers had close relationships with new york’s prominent public television station wnet, some worked across media. expanding the scope beyond new york city, these artists represented an east coast analog to the west coast work of the la rebellion filmmakers. where ucla represented a nexus point of education, the networks created on the east coast were entangled across and against institutions. this close - up section endeavors to re - frame how scholars think of “black cinema” and the ways in which black filmmakers on the east coast honed specific aesthetic and narrative strategies, cultivated often in opposition to those emerging in other artistic spheres. figures like gunn and collins, who were once pejoratively characterized as belonging to the “hudson river school of cinematography” turned to both the stage and the page as writers, sculpting worlds of middle class black life that cut across time and prescribed notions of legible blackness .
trolls is a neon - tinted explosion of glitter, music and fast - paced humor. it may not be an animated masterpiece but there are some very creative and charming things happening in this film. dreamworks isn' t at the level of challenging disney or pixar and they prove it again with their latest, but if trolls maybe isn' t ambitious it' s a lot of fun. the animation is lovely to look at. colorful and tactile with use of felt and scrapbook cutouts, the animation sparkles. the film tells an important if rather basic message about happiness and how it is found within. the first half of the film is delightful with some terrific musical numbers starring anna kendrick, however, momentum slows a bit once the trolls hit bergen town, and the addition of a sideplot involving a bergen scullery maid is rather strange, but the film pulls it together near the end. in the film' s best scene, resembling inside out' s memory dump scene, justin timberlake flexes his vocals in a touching rendition or true colors and an oddly quiet scene from the typical frenzied dreamworks' animations. trolls is a cute story, told well with some good vocal performances and some nice musical numbers. it' s loud and frantic at times and it doesn' t dig too deep, but it' s charming and funny enough to make a pleasant escape from the torturous election season. rating: 68
hathaway & apos; s success on the silver screen continued with the devil wears prada (2006), a film adaptation of the best - selling novel by lauren weisberger. in the film, hathaway plays a struggling journalist who takes a job at a fashion magazine out of desperation, and finds herself working as an assistant for the publication & apos; s difficult and demanding editor - in - chief. her character & apos; s boss, played by meryl streep, is said to have been based on anna wintour, editor - in - chief of vogue magazine .
with the encouragement of her only friend, nanami kikuko (mizuki yamamoto), yuni realises that she has fallen in love with her teacher, sakurai who also happens to be admired by every girl in school. every time yuni has the chance to express the way she feels to sakurai, she isn' t able to do so .
hathaway returned to the role for the 2004 sequel, the princess diaries 2: royal engagement. that same year, she played the title character in ella enchanted, a twist on the cinderella story. the film received mostly positive reviews, with critic roger ebert describing her as
beautiful
and
luminous .
the first movie close - up featured fred ott, who headlined the 81 - frame edison kinetoscopic record of a sneeze, which was recorded in the first week of january 1894 to illustrate an article in harper' s weekly. journalist burton phillips had actually requested a female subject, so the mustachioed joker of thomas edison' s west orange laboratory must have come as something of a surprise. the facial hair of john c rice dominated another kinetoscope short photographed in the famous black maria studio, the kiss (1896). however, this 22 - second highlight from the saucy broadway hit, the widow jones, co - starred canadian actress may irwin. some viewed their embrace with distaste, however, and the film was banned in several towns, as such graphic displays of affection were deemed wholly inappropriate .
in 2012, hathaway landed one of her most exciting roles yet: playing catwoman in the third film of christopher nolan & apos; s batman series, the dark knight rises. she then starred in les miserables (2012) alongside hugh jackman, amanda seyfried and russell crowe. in the film, hathaway plays fantine, a poor french woman who turns to prostitution to support her only child, cosette. in january 2013, she received a golden globe award (best supporting actress) for her performance in les miserables. hathaway & apos; s winning streak continued with her first academy award win for best supporting actress for her portrayal of fantine that february .
isn' t particularly good entertainment, nor is it moving, nor instructive, except for incipient cinematographers and directors. a good story has gone to waste, and there is no need for most people to bother checking out the obscured virtues of the film. those who have never understood what
overdirected
means might want to see
gyaaaahhhh! !! ! i just recently read this manga and i really love it! !! i' m sooo happy yamapi is the lead role! !! i watched his buzzer beat ^. ^ and nana komatsu looks sooo pretty it really fits her role >. < excited for this movie! !! but it' s still on october though: /
over the last decade, nina simone has resurfaced as a media icon, muse, and musical mother for contemporary artists and activists. much like simone’s own genre - defying style during her life, twenty - first century engagements with simone range in style and format, including but not limited to broadway musicals, hip hop samples, oscar nominated documentaries, red carpet fashion tributes, and countless tribute concerts and song covers. in other words, simone not only inspires, but in fact shapes american culture in ways that were unimaginable during her peak in the 1960s .
as a supplement to the fall 2017 close - up on beyoncé, black camera invites submissions for a close - up devoted to jay - z. recently inducted into the songwriters hall of fame by president barack obama, jay - z is one of the most influential rap artists of all time. with the release of 4: 44, jay - z has once again shifted the terrain of hip - hop and his own image. revealed as a philanderer in beyoncé’s ground - breaking lemonade, jay - z embraces vulnerability and responsibility in his fourteenth album. how does this new perspective elucidate a rapper once renowned for his masculinist lyrics and aggressive posture? this close - up aims to explore the evolving image and enterprises of jay - z, an artist whose persona is inextricable from his myriad business ventures and entertainment projects. we seek essays that address all stages of his lengthy career from his celebrated debut reasonable doubt to the later volumes of in my lifetime which chronicle his difficult early life to his later masterpieces, the blueprint and the black album. how has his music shaped contemporary hip - hop culture and the political valences of rap? in what ways can we reconcile his capitalist ethics and hustler persona with his critique of racialized generational wealth and extensive philanthropic endeavors? how have his views on gender, sexuality and feminism shifted since the birth of his daughters and his mother’s public announcement that she is a lesbian? what does his political activity and entrepreneurship mean in the age of black lives matter? we especially welcome essays that address jay - z’s performance aesthetics and visual representation on stage live and in music videos .
this close - up therefore invites a consideration of caribbean cinema as a dialogue across borders, both aesthetically and thematically. if “caribbean cinema” is less a given category than an aspirational process, how might we start to trace its contours? are there any perceptible influences on recent films from earlier films? is there a subversive element in the recycling of hollywood genres—action, crime, romance? how is the relationship between the caribbean and its diasporas, characterized by shifting spaces and artistic mobility, manifested in cinematic practice, audience desire and consumption patterns? how might we account for the persistence of violence as a trope in so many caribbean films? contributors are encouraged to take varied approaches—for example, reading films from different territories against each other, comparing contemporary production practices, interrogating individual works in the context of current social concerns, or bringing to bear indigenous theoretical paradigms (yao ramesar’s caribbeing, glissant’s politics of relation, etc .) in the analysis of film as text .
for her next role, hathaway took on an english accent to play literary legend jane austen. the historical romance, becoming jane (2007), focuses on the relationship between austen and a young irish lawyer, played by james mcavoy. she demonstrated her range on this and other films, including get smart (2008), a big - screen adaptation of the similarly titled hit tv comedy, in which hathaway stars opposite steve carell; and the 2008 thriller passengers. hathaway & apos; s role as kym in the movie rachel getting married (2008) earned her an academy award nod (best actress) .
hathaway returned to lighter fare with the romantic comedy bride wars in 2009, starring opposite kate hudson. the film received a lukewarm reception from movie goers, earning more than $ 58 million at the box office. the following year, hathaway had a supporting role in the ensemble comedy valentine & apos; s day, which also featured jennifer garner, topher grace, ashton kutcher and jessica biel .
these few things withstanding... it was a genuine movie. there was a good story here... very touching. both sakurai and kururugi had deep emotional issues, and they way they healed each other was nice. i like how helpless sakurai was in falling in love with kururugi... when in the beginning his behavior was like that of a school boy with a crush... provoking kururugi to get reactions from her .
kururugi yuni is a smart high school student. she excels in all subjects except for english. a new english teacher begins work at yuni' s high school. his name is sakurai haruka and he is very handsome. yuni begins to receive one - on - one tutoring from mr. sakurai haruka. soon, yuni develops feelings for her teacher and she realizes that she is now in love. yuni then confesses to her teacher. ~ ~ based on the
“we are writing to urge you to issue a clear and definitive statement of the government’s position on those aspects of the ec’s agenda which currently threaten the future financing of uk film and television content and will result in poor choice for consumers, ” says the letter, which has been sent to culture secretary karen bradley. “there is a cross - party consensus that the government needs to do more to support the uk audio - visual sector. ”
matoba, eventually develops feelings for yuni. until one day, he grows some spine and professes his love. but she honestly tells him that she loves someone else. suddenly, a man wearing a hoody breeze in to grab yuni by the hand. of course, the mysterious man is none other than haruka. at last, he realizes that he loves her. but this time, yuni won’t give in easily. his words backfire when she used the same lame excuses he had and unless he proves his feelings are real, she won’t believe him .
having helped earn the studio millions alongside greta garbo in camille (1936), taylor received a raise to $ 2, 500. yet even though he headlined such hits as a yank at oxford (1938), waterloo bridge (1940) and johnny eager (1942), he was easily out - earned by wife barbara stanwyck, who was then the highest paid woman in hollywood. while she scooped $ 323, 333 in 1943, taylor was granted a mere $ 4, 000 p / w in his may contract of the same year (although it did contain a clause making him the first star to be protected against inflation). yet, taylor struggled to relaunch his career after war service and he alienated many by naming names before the house committee on un - american activities inquiry into communism in the film colony. consequently, even though he headlined the fourth highest grossing film to date - quo vadis, which took over $ 12m in 1951 - he was only awarded a weekly $ 6, 000 under his next mgm deal in january 1955 .
i remember yamapi and this girl promote this movie on tv shows. i didn' t watch it in a movie theater and now i' m glad i didn' t. the plot seemed okay but how they present the love story seemed weird. kururugi seemed to be a psycho. sakurai - sensei is a handsome pervert. lol! it' s weird that kururugi is living with a male relative. awkward! her parents seemed to not care about her at all. in a scale of 1 - 10, i' ll give this a 5 and only because yamapi is the lead character, if not, a lot lower. boring !
penn, as brad jr. , isn' t really criminal material, but he' s a misfit and an outcast, and absolutely nothing is happening for him in his own life. he drifts into the orbit of his father, looking for love and also looking for action. he' s the leader of a young gang of his own, and his father assigns the kids to a couple of easy jobs, getting them ready for the big time. but when the big time turns dangerous and it looks as if the gang might be busted, the walken character is absolutely prepared to save his own skin, even at the cost of betraying his child .
sakurai, himself never expresses any concern about where yuni' s parents are and how they would feel about him wanting to marry her... it just never comes up. the writer and director missed the mark here. the reappearance of the ex - girlfriend mirei (new teacher) and her being jealous of a child and wanting to start dating again after how many years of absence from each other' s life. not realistic at all... oh, by the way lets start dating again because i know you' re in love with a teenaged girl at this school and i can' t stand myself for being jealous of her. oh and i told her guardian so he could break you up... .
somewhat torn about this. the directing, look and acting is top - notch, no doubt about it. especially the huge battle scenes are impressive, disgusting and engaging, almost rivaling saving private ryan' s. the beginning does take its time introducing our protagonist and his early life. his ultimate engagement is unbelievable and the definition of a hero. while you feel some parts may be a bit exaggerated, the actual quotes the movie ends with prove many details right. on the other side, the film is neither particularly subtle about doss' belief nor in making monsters out of the enemy. the final taking of hacksaw ridge is portrayed rather questionably. still, doss' unimaginable heroism is a story worth telling .
haruka goes to her house and signals her to go out. they go to a secluded beach and there haruka shares a piece of his past. his dad was a sales agent. dad was always busy at work but when he’s home, he’ll tell silly lies. one of which is seeing a blue sunset. when haruka was 12, his dad committed suicide. basically, that’s the main reason he hates lies. anyways, he didn’t bring her there for his sob stories but to propose marriage. since she’s asking him to prove his love, a marriage proposal is the only solution. he doesn’t mind quitting his job but is more concerned of yuni’s situation. if the school finds out, she may be expelled. so until she graduates, they remain student and teacher. though caught in off guard, yuni says yes. everything is clear and the boundary between the teacher and his student is razed .
sometimes it' s not what you know, but who you know. brazilian film expert yma de almeida identified walter avancini' s 1978 tele - adaptation of jorge amado' s novel, a morte e a morte de quincas berro d' água / the death and death of quincas berro d' água, which screened on channel four in 1986. published in 1958, amado' s novel was a scathing assault on the brazilian bourgeoisie that also combined pioneering elements of regionalism and magic realism. the tv movie starred paulo gracindo as the respectable family man and public employee who abandons his comfortable existence to live among the marginalised people of bahia and it is the drunks and hookers who give him the raucously fond send - off that culminates in his body being lost at sea. sérgio machado, who debuted so impressively with lower city in 2005, is currently completing a new version for the big screen .
the story has much to say, and, as best i can make out, nicholas kazan' s script makes at least some attempt to say some of it. the relationship between a father and son, how young men become criminals, the balance between family loyalty, love, and principles, and any number of other worthy themes suggest themselves. unfortunately, foley seems to have no interest in any of these themes, nor in any other theme. foley is interested in camera moves, camera angles, lighting effects, montage for montage' s sake. he devotes his attention to making sure that something odd is done, technically, with each and every shot, and that each oddity is unique. i am impressed by his imagination (which, i guess, was the idea), but, as a filmmaker, foley seems to be a flop. he has little idea how to tell the story, or perhaps just no interest. he doesn' t really play fair with his performers, so what look to be good performances from penn, walken, and others emerge as disjointed glimpses peeking around technical wizardry .
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at the time of filming, tomohisa yamashita would have been 29 years old and nana komatsu 18 years old .
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yuni kururugi (nana komatsu) is a smart high school student. she excels in all subjects except for english. a new english teacher begins work at yuni' s high school. his name is haruka sakurai (tomohisa yamashita) and he is very handsome .
based on manga series
kinkyori renai
by rin mikimoto (published from may, 2008 to june, 2011 in japanese shōjo manga magazine bessatsu friend) .
is it me, or is the instrumental that played during the title and sakurai carrying yuni scene not existing in the internet? if anyone knows the title, please spare the title. . ＿ | ￣ | ○
ah, for the main comment, i actually liked this movie. the manga was better but the movie satisfied me as well so i guess it' s okay. worth to watch for me, but i know these type of movie is not for everybody .
this movie is awesome, yet i feel so wrong after watching it. but, i' m not regretting it, it makes me smile all day but i keep on thinking that this will not going to happen in real life. but yeah, i am shocked seeing her real age though .
this movie trigger me so much lol. i' m so afraid of what' s gonna happen next and i cant imagine how people contain themselves when they watch this on movie theater .
luckily is wasnt as taboo as i expected it to be and surprisingly, it was kind of watchable esp for scene that made you scream out loud hahaha. please yamapi, no more movies like this !
god that sensei was soo irresponsible as a teacher and as an adult like... i only finished this because of nana
ehhh. i wish they chose someone taller for sakurai - sensei. i' m not feeling the sakurai vibes from yamapi... this is all from watching the trailer, i haven' t seen the movie yet, so... but still. manga version sakurai was uber hot and tall and towering. especially when he' s standing over uni, or blocking her from going somewhere .
this movie remind me of one popular manga. erm i forget the manga name. ryuu what... ? ahhh i forgot. just a little same but all. so i' m okay with that hehe
noooooooooo, just noooooooooooooooooooooooooooooo. i hate teacher / student relationships! it drives me insane! i watched the trailer without reading the earlier summaries and now i am going crazy! !! my eyeeessss! ! my poor eyes! !! what have i just watched! ! and not to mention the age gap between the two actors disturbs me a little. but if they both played adults then i wouldn' t mind. it will be like watching the two actors from itazura na kiss which has a 10 year age gap. anyways personally i wouldn' t watch it for obvious personal reasons. so don' t mind my comment.
close range love ( 近キョリ恋愛 kin kyori ren ' ai ) is a 2014 japanese romance film directed by naoto kumazawa and an adaptation of the manga series of the same name . 
close range love (近キョリ恋愛 kin kyori ren' ai) is a 2014 japanese romance film directed by naoto kumazawa and an adaptation of the manga series of the same name.
close range love (近キョリ恋愛 kin kyori ren' ai) is a 2014 japanese romance film directed by naoto kumazawa and an adaptation of the manga series of the same name.