money ratnam
money ratnam malayalam movie preview, synopsis - malayalam movie money ratnam preview, synopsis .
money ratnam is a malayalam movie directed by santhosh nair and the movie produced by money ratnam. starring fahad fazil in lead role. money ratnam movie music done by prashanth pillai .
money ratnam is a comedy movie directed by debutante santhosh nair, movie features fahadh faasil and niveda thomas in the lead role. money ratnam is the ...
‘money ratnam’ has its moments, offers a few laughs, does not give you one of those splitting headaches and is your money’s worth .
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money ratnam is a clean entertainer from santhosh nair. the movies hangs around the life of man who unexpectedly gets a bag full of money and the events that happens when people are after him for the money .
money ratnam is produced by raju mathew under the banner of century films. music is composed by prashant pillai for the lines of rafeeq ahammed. release date: money ratnam set to release on 26 september 2014 as an onam release
what would happen if you get a bagful of money and do not see the real owner around? go watch fahadh faasil' s money ratnam to find out the answer .
debutant director santosh nair’s money ratnam, starring fahadh faasil, is about a youngster who gets trapped in a shady deal .
money ratnam is a comedy movie directed by debutante santhosh nair, movie features fahadh faasil and niveda thomas in the lead role. money ratnam is the first movie of fahadh faasil releasing after his marriage and also the 100th film of production company century films .
money ratnam is the hundredth movie from the century films banner. neil d’ cunha is the cinematographer and prashanth pillai is the music director .
the old adage ‘money makes the world go round’ is stood on its head .
events that occur over the course of a single day seem to be the rage among new directors and ‘money ratnam’ too jumps onto the 24 - hour - plot bandwagon .
the plot is compressed into 24 hours and revolves around a bag full of money .
five minutes into debutant santosh nair’s ‘money ratnam’ and you go ‘wham! not one of those new - director - old - story movies again! ’ and steel yourself for two or more hours of stiff boredom .
money ratnam narrates a story that happen in a 24 - hour time frame during a journey from munnar to marayur. neil john samuel (fahadh faasil) is a showroom executive in a kochi based automobile showroom. once neil is returing back to home after the new year party, fortunately neel gets a bag of money, with this bag neil elope to a village in tamilnadu. soon, neil realises that a group of four members with an intention to buy diamonds also arrive at the same spot. the resulting events are plotted in santhosh nair' s money ratnam .
but thankfully, this tale of a bag of currency notes and a precious jewel (‘money’ and ‘ratnam’ of the title) gets its act together quickly and manages to be an average fare that keeps you in your seat and yawns at bay .
there is also neil’s fiancé pia (niveda thomas) who is striving to raise a huge sum of money for charity .
“as the title reveals the story has something to do with money and diamonds (ratnam). it’s a road movie, the thrilling events of which happen on the night of a december 30 and goes on for the next 24 hours, ” says santhosh .
‘money ratnam’ is a road movie which casts fahad fazil in the lead role as neil john samuel. neil is a sales executive in a car showroom. niveda thomas plays neil’s fiancée, pia mammen. neil comes across an unexpected incident, while returning after the new year party. he is sure that he will be in trouble and be tortured in connection with this event. he tries to escape from the scene by getting into a bus where he gets a bag containing money left by someone else. soon neil realizes that he is followed by notorious goon makudi das and his gang. he escapes in a truck and reaches a village in tamilnadu. meanwhile, another group tries to sell a precious stone (ratnam). the money that neil gets from the bag belongs to isaac aanakkadan, who comes to buy that precious stone. the resulting events are plotted in ‘money ratnam’. ‘money rathnam’ is the debut directorial venture of santhosh nair. the movie is produced by raju mathew under century films. the movie also stars renji panicker, rajendran, mamukkoya, noby, chembil asokan, and sunil sugatha .
money rathnam is a malayalam comedy thriller film, directed by debutant santosh nair and starring fahadh faasil. this film is loosely adapted from the hindi movie, ek chaalis ki last local. neil john samuel is a showroom executive in ernakulam. after a new year party, he ends up with a bag of money. taking the money, neil reaches a village in tamil nadu. four people who want to buy diamonds also arrive there, and they want the money that he has. watch this full movie, streaming online on hotstar .
kannathil muthamittal met with acclaim upon release, with ratnam and p. s. keerthana' s performance as the young amudha particularly gaining praise. channel 4 films described the film as
stunning... thought provoking ,
and time out chicago declared ,
ratnam has a ravishing eye .
the chicago reader observed
ratnam' s passionate conviction fortifies the tragic and inspirational aspects of the story
and the chicago tribune wrote
realistic, intelligently written and often quite moving .
it’s 11 p. m. and there’s a heavy downpour. ideally, the hullaballoo inside the ksrtc bus stand at aluva should have died down by now. however, tonight, the entire place is abuzz as debutant director santosh nair and his crew finish shooting a crucial scene of money ratnam, which has fahadh faasil in the lead .
' money rathnam', the debut directorial venture of santhosh nair, will go on floors from this month. fahad fazil and niveda thomas do the lead roles in this movie. fahad fazil plays neil john samuel, an executive at a car showroom in kochi and niveda as his fiance. she plays pia, a bold social worker.' money rathnam' is a comedy thriller in which money and diamonds play a significant part and the film is presented in the form of a road movie.' money rathnam' is scripted by ajith c lokesh and anil narayanan. prasanth pillai scores the music and the frames are captured by neil d' cunha.' money rathnam' is the 100th movie of the production house century films. munnar, marayur, ernakulam, and valpara are also the film' s locations .
. mani ratnam presents a glimpse of the island of sri lanka at civil war, through the eyes of a child of sri lankan tamil parentage, who desires to meet her biological mother .
neil john samuel is a showroom executive in ernakulam. after the new year party, fortunately neel gets a bag of money. with the money, neil reaches a village in tamil nadu. four people with an intention to buy diamonds also arrive at the same spot. all are connected with the cash which is in the hands of neil .
money ratnam is malayalam comedy thriller film directed by debutant santhosh nair starring fahadh faasil and niveda thomas. touted to be a road movie, it narrates a story that happen in a 24 - hour time frame during a journey from munnar to marayur. scripted by anil narayanan and ajith c. lokesh, the music department is handled by prashanth pillai, while the camera is helmed by neel d. kunha .
art has changed. and so have the people running it. a sharp - minded breed of iconoclastic curators is revolutionising both the gallery scene and the way that we experience art. niru ratnam meets five of the new tastemakers
neil comes across an unexpected incident, while returning after the new year party. he tries to escape from the scene by getting into a bus where he gets a bag containing money left by someone else .
looked at from every angle, apart from craft, kaatru veliyidai is a massive misfire, a colossal failure in filmmaking and the further you isolate the film from mani ratnam' s legacy and oeuvre, the worse kaatru veliyidai will appear to be .
the hindu wrote ,
money ratnam has its moments, offers a few laughs, does not give you one of those splitting headaches and is your money’s worth
. the times of india gave 3 stars out of 5 and wrote ,
the film is not logically perfect, but it sure brings out the slapstick comedian in fahad, hitherto untapped... the director shows good promise and the film is worth a watch, solely for the humour
. rediff gave 2. 5 stars out of 5 and called the film
an above - average, unpretentious entertainer
. the new indian express wrote ,
despite... minor hiccups, it is a comedy film, entertaining and engaging throughout
.
. the mumbai distributor will recover the cost of the film, but his sub - territory distributors in places like surat and gujarat lost money. in places like delhi, uttar pradesh, punjab, even the south india, distributors lostaround
“do you think i would bet $ 1 million on my analysis? ” she said, with a look of mock disdain. “but if someone told me caterpillar is going to miss its quarter, i would bet $ 1 million. insider trading introduces certainty. ” that certainty felt like magic: a little money, with the press of a button, could become a heap of money. it’s a temptation that has taken khan much of her life to learn to resist .
yuva (english: youth), originally titled howrah bridge, is a 2004 indian political drama film directed by mani ratnam and released in 2004. the film was simultaneously shot in tamil as aaytha ezhuthu and in hindi, and is based on the storyline of students entering politics. [ 4 ]
kaatru veliyidai is not at all a complicated film unlike what mani ratnam fanboys, no offense, would like to believe. looking from the lens of craft, kaatru veliyidai is a gorgeous, stylish film, well, of course, mani has assembled one of the best filmmaking teams currently working in india - dop ravi varman (barfi !), editor a sreekar prasad who needs no introduction, production designer sharmishta roy and the maestro himself, ar rahman. mani ratnam is still india' s finest director of song sequences only challenged by sanjay leela bhansali for the top spot. kaatru veliyidai is a technical marvel, without a doubt .
kaatru veliyidai is the rare love story where at the end of its two - hour - plus running time, you are most likely to feel no empathy or sympathy for its hero and heroine, unless, of course, you are a mani ratnam character yourself. because, only characters inside mani ratnam' s head can make a stab at understanding why a (supposedly) sane woman would want to stay in an abusive relationship with a first - rate jerk for years. wait. actually they cannot. because in the film when a character wonders this question out loud, he gets the answer ,
it' s love. it' s like that
.
“i am not kidding when i say i had money, ” roomy told me when i met her recently. “i had a lot of money. ” in the late 1990s, the khans moved out of their house in sunnyvale, calif. , — roomy called it a “ khudd, ” a punjabi word for “hole” — and bought a 9, 000 - square - foot mansion in atherton, the wealthiest town in silicon valley. they paid $ 10. 5 million, all cash. the house had a pool, a tennis court and more than half a dozen marble fireplaces. they gave lavish parties for their friends and once, on a whim, spent $ 50, 000 on wine .
, கன்னத்தில் முத்தமிட்டால்) 2002 is an award - winning tamil language feature film directed by mani ratnam. it stars p. s. keerthana, r. madhavan, simran bagga, nandita das and prakash raj. the film' s score and soundtrack were composed by a. r. rahman. the film' s title is a famous phrase from a poem written by subramanya bharathy, which literally means
at intel, she had broken the rules by supplying inside information to someone else; now she was willing to use it to make money for herself. khan began tapping her vast network, leaning on friends, associates and even a cousin to find new avenues of information. she made inroads into silicon valley’s close - knit south asian community, mixing business and pleasure to her advantage. she invited sunil bhalla, an executive at polycom who was dating one of her close friends, to her home for a holiday dinner in december 2005; a few weeks later, she followed up to ask how his company’s quarter was looking. she played auntie to a young woman from bangladesh who worked for an investor - relations company. before long, the woman was feeding her information on google, one of the firm’s clients, and asking for money in exchange (khan never paid her). because khan had been trading on her own, she often wasn’t invited to one - on - one meetings with company executives like other money managers. “that is how you garner all your nuggets in a legal way, ” she said. she would talk to a young investment analyst she knew in new york named tom hardin. “tom was my buddy, ” she told me. “we used to barter information all the time. ”
during a mission, vc' s jet is shot down in pakistan and he is captured and jailed. while in captivity, he begins to feel remorseful about his attitude towards leela and then it is his love for leela - or so mani ratnam would like us to believe - that motivates him to break out of a pakistani jail not once, but twice in the most outlandish way possible... seriously, the final escape sequence feels like a 20 - minute - long ad for mountain dew but let us not digress .
in 1999, after nearly a year of working for rajaratnam, khan quit galleon, wanting to start trading her own money in the internet - stock boom. a month into trading solo, she was visited by f. b. i. agents, who confronted her with the evidence from her indiscretions at intel. in 2001, she pleaded guilty to wire fraud, and for the next four years, chastened by her crime, she says, she played by the rules and steered clear of rajaratnam .
here' s the thing: love is the laziest excuse for a screenwriter when he or she has nothing to explain character motivation and this kind of shenanigans can only be pulled off in indian commercial cinema. a corollary to this: providing no internal logic for your characters' actions does not make for an intelligent screenplay. withholding answers to unlock multiple levels of a narrative is one thing, which stanley kubrick was a master in, and simply writing a paper - thin character - sketch and passing it off as a screenplay is another which is what mani ratnam has done with kaatru veliyidai .
a narrative movie does not work, most of the time, if there is a problem on the screenplay - level. every character has a journey. at the start of the film, the character does not have something - it can be money, a prize, the key to the galaxy or love. the character has to now rise above himself or herself, defeat his / her baser tendencies, become a stronger, better person and finally get what he / she wanted and / or needed in the first place. this is how a character arc is completed .
khan insists that she was driven by a desire to shield people: “they were all young kids. some of them were my relatives. because of the kind of relationship i had with them and how young they were, i was aghast that i was going to destroy their lives. ” she continued: “i didn’t lie for myself. i really lied for other people, which is very stupid. everybody knew what they were doing. when someone working at an institution like moody’s comes and asks you for money, they know that is not what they should be doing. ”
i had seen so many unattractive photographs of khan that i was surprised when a spunky woman with large, lively eyes and carefully blow - dried hair bounded up to me in my hotel lobby. khan, who is about 5 - foot - 2 and svelte, was dressed in a loosefitting cotton blouse and skinny jeans and carried a horseshoe - shaped, fuchsia louis vuitton bag and an ipad on which she tracks a handful of stocks — apple, caterpillar and cummins. she said she has no money to invest. “i do it for the intellectual curiosity. otherwise my mind would be mush. ”
vc feels that men and women are made differently, a man' s job is to hunt and a woman has to appear beautiful, first and foremost, before she sets out to do anything else. vc gives leela a time and date to come to the marriage registrar' s office and then stands her up. when leela confronts him, it turns out that vc had totally forgotten about the appointment. okay, a sexist and an inconsiderate man does not make the film so. also, women can fall for such men and even continue to stay with them for years before they come to their senses or not. the problem is that mani ratnam could not make an engaging movie out of this .
when i visited, khan was a week away from celebrating her 56th birthday. she seemed addled, struggling to fashion a new identity for herself. khan has worked since she was 27. when she was trading stocks on her own, she started her days at 6 in the morning and worked till 8 at night. “even when we had the big money, i worked, ” she told me. what bothered her the most, she said, is that “the thing that has made me has been taken away from me. ” her probation officer suggested she find work as a cashier, but khan believes she is capable of more .
but after regulation f. d. came into effect, companies became more guarded about divulging information. some hedge funds, which make money from specific events, like a takeover or an earnings report, had relied on their relationships with companies for insights. the change in regulation f. d. hurt them, and it came at a moment when the number of hedge funds was growing and competition was becoming fiercer. according to hedge fund research, a group that follows the industry, at the end of 1990, there were 610 hedge funds globally; at the end of 2001, there were 4, 454. more regulation, heightened competition and tougher markets meant that hedge - fund managers were always seeking new advantages .
the gleeful bad - mouthing of khan went on for years: her flamboyance and her lying made for delectable reading, especially when it emerged that khan had not been entirely truthful with the f. b. i. even after she started cooperating, she manipulated them. suspecting that khan had been tipped off to the imminent takeover of hilton worldwide, investigators confronted her about shares she had purchased. khan said she bought them because she thought the jailing of paris hilton would be good publicity for the brand. she also took out a cellphone contract in her gardener’s name so she could continue speaking to some of her contacts. she claims she wanted to protect them from the government’s prying; she also wanted to continue making legitimate money playing the markets .
in 1981, when khan was 23, she saw an advertisement in a journal about studying abroad at kent state. she applied to the university’s physics program, and when kent state offered her a partial scholarship, she leapt at the chance, telling her parents that if they didn’t give her the money for the ticket, she would borrow it. in america, her ambitions grew. bored with studying in a small, provincial town in ohio, she applied and was accepted to columbia university’s master’s program in engineering, where she met sakhawat, a muslim from bangladesh. in 1985, she followed him to california, defying her parents, who are hindu and disapproved of her choice. “yes, we lived together in sin for a couple of years, ” khan said, laughing .
kaatru veliyidai' s failure lies elsewhere. mani ratnam believed that a romantic relationship between a man so heinous as vc and a woman as regular and commonplace as leela would make for great cinema. it would have, had mani given a reason for the proceedings. perhaps, it' s the sex. maybe, there' s something in leela' s childhood that makes her want men like vc. even vc doesn' t seem sincere about his love except for the time he screams
i love you, i love you, i love you
to make leela believe that he is truly apologetic about his thuggish behaviour and what happens right after this scene? vc brings leela along to his army friends and he declares ,
see? didn' t i tell you she will come back? that' s my girl. will you ever find a girl like this? you guys owe me a single malt .
it’s hard to know what khan’s real motives were, but i tended to believe her expressions of sympathy for her young, ambitious colleagues, her guilt at exposing their wrongdoing in a climate of widespread rule - breaking. she spoke about the extreme temptations of making sure bets on stock trades. when we met, she’d been closely watching caterpillar and cummins stocks. if she were still in the business of playing the markets, she said, she would have tried to short caterpillar and go long, or take a bullish bet, on cummins. if she’d put in the trade a few days earlier, she would have made $ 4 or $ 5 a share on the caterpillar short position, “which is not bad, ” she said. so why, i asked her, had she resorted to insider trading when there was ample money to be made through good old - fashioned stock analysis ?
basquiat’s biggest collector, jose mugrabi, strolled out of february’s auctions with the simple statement: ‘basquiat is the best artist in the world. ’ his son alberto has a basquiat - style crown motif tattooed on his wrist. the mugrabis, like those who collect bacon, seem to value nothing more than a highly individualistic, expressive view of the world. and auction houses seem ready to make the break from those fusty old marxist art historians and instead follow the lead of the prescient remark, made by sotheby’s tobias meyer in 2006, ‘the best art is the most expensive because the market is so smart. ’ the market, fuelled by the money of ‘sportsmen, actors, musicians and entrepreneurs’ (as well as that of oligarchs, sheikhs and hedge - funders), might not be as smart as meyer suggests, but it is certainly determinedly revalidating the value of highly individual visions, whether fuelled by hallucinogens or not .
rajaratnam’s call came at a time when khan needed money; within a few years of the internet bust in 2001, she had lost $ 49. 6 million, according to her lawyer. the khans paid cash for the atherton house, but after the meltdown, they took out a $ 5 million mortgage on it. to pay it, khan needed to generate $ 42, 000 a month. but it wasn’t only a sense of financial need that led her back to rajaratnam; khan’s thinking about her earlier run - in with the law was starting to change. “it’s almost like you are a drug addict, and you go through rehab, and you are clean, ” she says. “and then you are constantly at a party every day where people are doing cocaine. how long can you stay clean? ” she was struck by the pervasiveness of insider trading on wall street and the extent to which skilled traders bent the rules and took calculated risks by defying the law .
leela, throughout the film, is treated like a doormat not only by vc but also by the screenplay. good for her she gets a great wardrobe though. vc, then, is the hero, the protagonist of kaatru veliyidai. this is established further when mani makes a feeble attempt at tying up the loose ends in the film. vc, having escaped the clutches of pakistan years ago, has since become a war - hero and has been roaming about, searching for leela, and he thinks to himself ,
after being captive, i have realised how to live with others, how to share a life, leela .
so, this is the character arc then: vc is a < insert crass synonym for the male member >, he falls in love with girl, continues to make her life hell, gets captured, is treated badly, comes back to his senses, escapes and becomes a changed man. if this is the crux of kaatru veliyidai (because it for sure ain' t a love story' cause there is no love to look at), even then mani ratnam has failed to do justice to his characters .
the story begins with an ambitious young sales executive neil john samuel (fahadh faasil) waiting at a bus station late at night to catch a bus home .
he gets involved in a brawl with a few gangsters and has to flee the city .
meanwhile, a superstitious businessman, isaac anakkadan (renji panicker), his astrologer (sunil sughada) and forgetful secretary (kochu preman) are out to buy a precious jewel from a group of men. the bag with the currency notes changes hands, upsets plans and sets the various characters out in pursuit of their respective goals .
despite a wafer - thin plot and ordinary direction, the film manages to stay a notch above the scores of malayalam movies hitting screens every week, thanks to fahadh’s performance. had the protagonist been played by a lesser actor incapable of handling comedy with élan, this film would have fallen flat .
performances by renji panicker, who seems at home in his new role of actor, and joju george as the gang leader makudi das also hold the film from falling apart .
your first instinct would be to hide it from others, then you splurge a little and then give away some of it to the needy, before walking away into the sunset (here it is the glittering night of the new year) .
neil john samuel (fahadh faasil) is the sales manager at a car showroom. he is successful at his job according to his friends who enviously recall his achievements over a few drinks a day before new year’s eve. the next day, neil is to be engaged to his sweetheart, piya (niveda thomas), a social worker who helps children with congenital heart disease to get expensive surgery .
shortly after the friends’ get together, neil gets into a scuffle with some rowdies, and has to run for his life. somewhere along the way, he lands up with a bag containing rs 1 crore in cash .
there are a couple of parallel narratives. one is about an invaluable gem in the possession of a group from fortkochi who are to sell it to a wealthy businessman, isaac anakkadan (renji panicker) .
then there is the tale of a tamilian couple who have eloped and are helped by neil who is himself on the run .
the humour is provided by joju george who plays the partially deaf gunda makudi das, and the group in possession of the precious gem, which has chebil ashokan, sasi kalinga and some others .
fahadh faasil, who has made his mark in the industry as an experimental leading man, has to do a couple of conventional action sequences where he overpowers more than half - a - dozen bad guys, something he seems to relish doing .
what is a r rahman doing at a dubai mall? reader talib sends us a picture .
neil john samuel (fahadh), a sales executive at a car dealership in kochi, is waiting for a bus at vyttila mobility hub. he is on his way home after a launch party and has to wait at the hub for some time. certain unprecedented incidents happen in that time, which sets him off on the ride of his life .
the stories of isaac anakkadan (renji panicker), a businessman, makudi das (joju george), a gang leader, another set of goondas from tamil nadu, and some brokers involved in illegal deals, also unravel as the journey progresses. all these stories intertwine at certain points .
“when neil starts his journey from vyttila, he has only one rupee left in his pocket, after paying for the bus ticket. but when he gets down at aluva, he has a bag loaded with cash, which is worth a crore, ” adds santosh .
as the camera rolls, a ksrtc bus enters the stand, followed by an suv .
the moment the bus comes to a halt, a shady group of men led by makudi jump out of the suv and rush towards the bus. neil too jumps out of the bus and runs into the darkness, the bag of cash clutched close to his chest. “we always get plenty of opportunities; it’s up to us to seize the day, ” says fahadh, after completing the shot. “there are two ways to proceed in life. it’s easy to hit the path of vice and a lot tougher to stick to the righteous road. this story is about a youth who is faced with this dilemma. whatever path he chooses, though, his life changes forever, ” adds the actor .
niveda thomas plays pia mammen, neil’s intended. she is organising a charity programme the next day and is in need of funds .
joju george, who has made a name for himself in films such as neram and trivandrum lodge, sounds thrilled to be playing makudi. “he is the ringleader of the gang based in kochi. he gets involved in the story at a particular juncture, that too in an interesting way. but i can’t reveal more about the role, ” says joju .
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himadri speciality chemical ltd. is an established brand with a strong proven track record in the speciality chemicals business. himadri is more than just the largest coal tar pitch manufacturing company in india. it is a carbon specialist, developing coal tar by - products and derivatives (advanced carbon material, carbon black, corrosion protection and naphthalene). t ...
over the past few days, i have received many requests to post my technical view on nifty 50. post the massive bjp win in up, nifty created a new life high of 9218. 40 on 17th march 2017. but many are anxious to know whether nifty will sustain this recent up move. this post is to convey my technical view on nifty .
greaves cotton limited, established in 1859, is one of india' s leading and well - diversified engineering companies. it manufactures a wide range of industrial products to meet the requirement of core sectors in india and abroad. the company' s core competencies are in manufacturing of diesel / petrol engines, gensets and pumpsets. the business operations of the company are divide ...
gravita india ltd. is one of the largest lead producer in india established in the year 1992 at jaipur. the company is anchored by more than 500 forward looking professionals. the company is dedicated to lead & lead products with environment friendly process .
gravita is leading indian multinational company having state - of - the - art nonferrous metals (lead and aluminium) processing unit at jaipur (rajasthan), india. we carry out smelting of lead ore / lead concentrate / lead battery scrap and aluminium scrap to produce secondary lead metal and aluminium
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a little plot - synopsis before we go further. varun chakrapani aka vc (karthi) is an army pilot. leela (aditi rao hydari) is a doctor who meets vc in srinagar at the time of the kargil war. vc is a complete' dark triad': he is severely narcissistic, exhibits a cavalier disregard for other people' s, including his partner' s, feelings and well - being. he will say whatever he has to to get his way. after vc and leela begin dating, vc, time and again, humiliates, belittles and physically pushes around leela but leela tolerates everything and continues to stay with vc .
an abusive brute of a hero (or let' s use the buzzword you were looking for -' misogynist') does not necessarily make a bad, misogynistic film. that happens when the filmmaker tries to justify and make a hero out of an indecent man which is what aanand l rai did with raanjhanaa; he made kundan a martyr for love .
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asha black is a malayalam romantic thriller, which is set in the background of malaysia and coimbatore. this is a story of a
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ant - man and the wasp, starring paul rudd and evangeline lilly, took the top spot at ...
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d2 d 4 dance i ep 102 - fahad faasil - vineeth kumar is back. yayyy! i mazhavil manorama
celibrities talking about mohanlal (mahesh babu / vijay sethupathi / prabhas / rana / kamal hassan... .... )
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it’s a well known fact that simbu and venkat prabhu are joining hands for the first time in an upcoming yet - untitled tamil film. on the contrary to earlier reports, simbu will not be playing a gangster in the film, which is expected to go on the floors later this year .
just like how several film industries find themselves looking west for some creative inspiration, the tollywood industry is also known to imitate hollywood with little creativity. the industry has often been criticised for ripping off the central theme or even the entire plot of some international films. while some like to call it an
inspiration ,
others call it blatant plagiarism. as there is no risk of plagiarism charges, tollywood filmmakers often rip off hollywood flicks and add a few necessary changes to make it their own .
singer shashaa tirupati is one of the national film award winners who will not be handed over the prestigious honour by president ram nath kovind in new delhi on thursday .
according to reports, vijay sethupathi has left for portugal to wrap up the remaining portions of his forthcoming film ‘junga’ .
while rajkummar rao starrer ‘newton’ bagged the best hindi film award, late actress sridevi was announced as the winner of the best actress award for her performance in ‘mom’ .
the 65th national film awards were announced on friday by shekhar kapur, the head of the jury for feature films .
copyright © 2018 bennett, coleman & co. ltd. all rights reserved. for reprint rights: times syndication service
copyright © 2018 bennett, coleman & co. ltd. all rights reserved. for reprint rights: times syndication service
undisputedly, maniratnam is the highly talented & most admired director of this generation of directors in india. in a world of indian cinema ruled by meaningless stories with 6songs + 4fights, he created a genre for himself with a blend of art & commercial cinema, thus reaching a wider range of audience. not only the movie buffs but the common audience too can experience the magic of screenplay & rich technical values in his movies .
guru with highest paid cast & crew like abhishek bachchan, aishwarya rai, ar rahman, vidya balan, mallika sherawat with some periodical sets & foreign locales etc. maniratnam produced this trilingual film with a budget of rs. 12crores, less than the budget of any bollywood movie featuring the above stars & less than the publicity budget for any big bollywood production !
exhibition rights (except andhra pradesh & tamil nadu) rs. 17crores (ad labs) tv broadcasting rights rs. 5crores (star tv) audio rights rs. 3crores (sony music) telugu rights rs. 1. 5crores (includes hindi rights in ap) tamil rights rs. 1. 5crores (includes hindi rights in tn) (approx numbers from ap & tn) home video vcd dvd etc (unknown )
madras talkies made a cool table profit of rs. 16crores + before release, a number no other south indian producer can imagine prior to release !
contrary to trade pundits predictions, this critically acclaimed film is doing rocking business all over india and even overseas. guru posts an extraordinary opening overseas in america, grossing $ 843, 200 its opening weekend from jan 12 - 15, ahead of the blockbusters krrish ($ 643, 000), rang de basanti ($ 701, 666) & don ($ 804, 388) .
in india too the movie opened very strong in metros, like chennai, hyderabad, bangalore, gujarat, west bengal & to 40 - 50% response in other circles. not only on the weekend, on monday too guru collections are strong in the above mentioned circles, declaring it as a decent hit or a super hit, exact range will be known by in few more days or by this weekend .
though the trade story is not that impressive in telugu & tamil. the buyers of telugu & tamil versions are quite happy as they bagged the rights at a reasonable price & the package also includes the hindi rights of their areas. a happy ending for every one involved with the film! kudos to genius filmmaker !
it is noted that chennai’s biggest multiplex sathyam cinemas are the sole buyer of guru (hindi, tamil & telugu) in tamilnadu and andhra pradesh .
as trade pundits predicted earlier, the success is not entirely from overseas & multiplex audience alone. here is a new crowd called urban audience, the rapidly growing section of the most happening economy, are the key for guru’s stupendous success. right movie at right time by the master technician !
manorama music released the vcd, dvd and blu - ray of the movie on 5 december 2014 .
one day in the middle of 2008, sakhawat khan, a silicon valley chip engineer, walked into a small house near the back of his two - acre property that his wife, roomy, a stock trader, used as a home office. roomy and sakhawat met when they were electrical - engineering students at columbia university. after graduating, sakhawat started inventing, eventually gathering some 30 semiconductor patents to his name. roomy, who was more outgoing in social situations and more restless in her appetite for risk, was drawn to wall street and joined galleon group, a new york hedge fund run by the charismatic, bullish trader raj rajaratnam. in 1999, she struck out on her own to trade technology stocks. she thrived. riding the internet boom, she said, she had amassed a paper fortune of $ 50 million.
money ratnam ( english translation : money diamond ) is a 2014 indian malayalam comedy thriller film , directed by debutant santosh nair starring fahadh faasil and niveda thomas . touted to be a road movie , which is loosely adapted from hindi movie ek chalis ki last local , it narrates a story that happen in a 24-hour time frame during a journey from munnar to marayur . scripted by anil narayanan and ajith c. lokesh , the music department was handled by prashanth pillai , while the camera was helmed by neel d. kunha . money ratnam is the 100th film of the production house century films . the film 's locations include udumalpet , pollachi , ernakulam , and sholayar . it released on 26 september 2014 as an onam release . 
money ratnam (english translation: money diamond) is a 2014 indian malayalam comedy thriller film, directed by debutant santosh nair starring fahadh faasil and niveda thomas. touted to be a road movie, which is loosely adapted from hindi movie ek chalis ki last local, it narrates a story that happen in a 24-hour time frame during a journey from munnar to marayur. scripted by anil narayanan and ajith c. lokesh, the music department was handled by prashanth pillai, while the camera was helmed by neel d. kunha. money ratnam is the 100th film of the production house century films. the film's locations include udumalpet, pollachi, ernakulam, and sholayar. it released on 26 september 2014 as an onam release.
money ratnam (english translation: money diamond) is a 2014 indian malayalam comedy thriller film, directed by debutant santosh nair starring fahadh faasil and niveda thomas. touted to be a road movie, which is loosely adapted from hindi movie ek chalis ki last local, it narrates a story that happen in a 24-hour time frame during a journey from munnar to marayur. scripted by anil narayanan and ajith c. lokesh, the music department was handled by prashanth pillai, while the camera was helmed by neel d. kunha. money ratnam is the 100th film of the production house century films. the film's locations include udumalpet, pollachi, ernakulam, and sholayar. it released on 26 september 2014 as an onam release.