the son of the sheik
romantic drama of love of the sheik' s son for a dancing girl .
featured with the son of the sheik is the film that started it all for valentino, the sheik (1921). the sheik dvd review .
lobby card for the son of the sheik (1926), directed by george fitzmaurice .
the son of the sheik is a 1926 film directed by george fitzmaurice, starring rudolph valentino and vilma banky .
and inspired songs like “lovin’ sam, the sheik of alabam. ” sheik brand condoms soon followed .
the son of the sheik (1926), color - toned black & white, 68 minutes, not rated .
some exceptionally fine photography, especially the desert scenes, and the excellent acting of the supporting cast help to make the son of the sheik an outstanding success .
rudolph valentino starring in' the son of the sheik' 5: 30 p. m. music house museum, williamsburg
looking for movie tickets? enter your location to see which movie theaters are playing son of the sheik near you .
in the son of the sheik rudolph valentino not only is the dashing youth of the arabian plains but he also plays his father, the sheik. the double - exposure shots are not as clear as is possible. naturally, the ‘son’ is the pre - dominant character, and in this role valentino wins new laurels. the son is [ … ]
the son of the sheik (1926), black & white and color - tinted black & white, 80 minutes, not rated .
alentino went back to the old middle east well one more time. ahmed, the son of the title character of
in the son of the sheik rudolph valentino not only is the dashing youth of the arabian plains but he also plays his father, the sheik. the double - exposure shots are not as clear as is possible. naturally, the ‘son’ is the pre - dominant character, and in this role valentino wins new laurels .
in the son of the sheik rudolph valentino not only is the dashing youth of the arabian plains but he also plays his father, the sheik. the double - exposure shots are not as clear as is possible. naturally, the' son' is the pre - dominant character, and in this role valentino wins new laurels .
the son of the sheik (1926), black & white, 69 minutes, not rated, with the sheik (1921), color - toned black & white, 86 minutes, not rated .
sequel: to the sheik. also the film of the book as it was an adaptation of author edith hull' s follow - up novel the son s of the sheik. (the novel included a twin brother and a sibling rivalry plot that was dropped from the film. )
the son of the sheik and a dancing girl fall in love, but when he is made to believe she has betrayed him he seeks revenge .
the son is a sequel to the sheik adapted by frances marion from the novel by e. m. hull. it is best described as an interesting study in psychology, showing how a son of the desert inherited the love, passions and hate of his father .
the son on the sheik has been released on dvd in several different editions. the kino edition is available as a standalone movie while the image edition bundles it as a double feature with the sheik. the film is also available via streaming .
the son of the sheik shows a little, implies much and embraces the spicy nature of its tale but it does so tastefully. the plot is simple but tight and effective. this is partly the result of the filmmaker’s excellent decision to jettison the source material .
while this edition was an improvement over previous home video editions of the son of the sheik, we slightly favor the newer image edition (see above) for its open framing and cleaner stereo music score .
all of the films on this image dvd feature music scores performed on synthesizers by eric beheim, who has written extensive notes on the scoring for the insert booklet. the disc also features an alternate music track of the 1937 reissue music and sound effects track for the son of the sheik .
with the success of the eagle, valentino had finally hit on the perfect balance of passion and action needed to draw men, as well as women, to his films. while the sheik had featured valentino in only one action scene, the son of the sheik took a page from douglas fairbanks and peppered the script with chases, fights and escapes .
valentino made the son of the sheik under protest. he didn' t like the
sheik
persona and wanted to try different things, but a prolonged box office slump and major personal debts led him to revisit his biggest hit. early reaction to the son of the sheik was favorable, and valentino embarked on a tour in order to promote the film. while on tour, he collapsed in his hotel room in new york. eight days later, he was dead at the age of 31 of peritonitis and pleurisy caused by a punctured ulcer. the son of the sheik was his last film. aided no doubt by the monster publicity caused by his death, it was a huge hit .
terror sheik
abdel mageed al - zindani' s son mohamed used his twitter page to call for jihad against the yemeni government on sunday .
vintage short :
the sheik' s physique
( 3 min. )
in 1921, rudolph valentino scored a huge success in the sheik, the exotic yarn that crystallised his status as cinema’s great lover. that image was so central to his popularity that the sequel, the son of the sheik, was made five years later. here, valentino appears as both the father and his son, the passionate desert leader who falls in love with yasmin, a dancing girl .
[ pathe news: rudolph valentino dead! ] (1926) is a portion of newsreel footage of the funeral of valentino. includes footage from the son of the sheik and an incidental glimpse of pola negri. transferred from an excellent 35mm print that is lightly speckled, moderately jittery and slightly damaged .
today valentino is preserved in popular culture by the iconic character he played in these films. like chaplin' s little tramp, his sheik and the saharan fantasy trappings surrounding him are permanent images from american silent cinema. this new double feature dvd of the sheik and the son of the sheik gives us the opportunity to see for ourselves what the fuss was all about. they aren' t great art, but they are a lot of fun .
the elder mubarak' s marginalization of political challengers, and gamal' s swift rise through the ruling party hierarchy, have fed the speculation that the way is being paved for the son. that alarms egyptians who detest the idea of a father - son succession, as happened in syria .
tags: james baldwin, notes of a native son, beacon press, edward p. jones, image
identical grandson: valentino plays both an older sheik ahmed (wearing makeup that made him a lot older than the real valentino ever got) and his headstrong son ahmed jr .
rudolph valentino is one of a half - dozen names from the silent era that nearly everyone recognizes. the image of valentino as a bullfighter or a desert sheik is one that readily comes to mind when the general public thinks of silent film. but why is this matinee idol, all flashing eyes and pearl - white teeth, one of the silent era’s most enduring stars? a viewing of his final film, the son of the sheik, will readily reveal the charisma of rudolph valentino, that held women captive and made men jealous .
“we are grieved and shocked at this great loss, ” said schenck, who then quickly pushed the son of the sheik into wide release. the publicity blast from valentino’s death was phenomenal: a week’s worth of tabloid deathbed reporting, followed by coverage of the crowds at the funeral parlor, the italian honor guard (a fake), the suicides, and, finally, the funeral. when the books were balanced at the end of the year ,
men and women, fathers and children. ahmed, son of diana and sheik ahmed ben hassan, falls in love with yasmin, a dancing girl who fronts her father' s gang of mountebanks. among the cutthroats is ghobah, a villainous moor to whom yasmin is promised. in ruins near touggourt, the city where yasmin dances, she and ahmed meet secretly until one night when her father and the gang capture the son of the sheik, torture him, and hold him for ransom. will ahmed believe that yasmin set him up for capture? even if true love finds a way through webs of deceit, what will the vigorous and imposing sheik say about his son consorting with a dancing girl ?
the success of her first novel, the sheik (1919), took her somewhat by surprise. a new english edition and american editions appeared in 1921, coinciding with the release of paramount’s film adaptation. this cast agnes ayres as the imperious, wilfull young englishwoman, diane mayo, against rudolph valentino as the ‘devillishly handsome’ despot, ahmed ben hassan – himself the long - lost son of an english aristocrat. the sequel novel, the sons of the sheik, sets one of diane’s boys (who has been brought up in england by the earl of glencaryll) against another (who has been brought up in the desert and, who in looks and in temperament, takes after his father). valentino was duly cast by george fitzmaurice as father and single son, equally ruthless in their subjugation of women, in ‘the sheer force of their brutal mastery’, in the son of the sheik (1927). in the novel, german secret service agents gesture towards conflicting political interests in north africa .
i have seen both of these, and seem to recall that i much preferred son of sheik to the original. that' s the one i want. i don' t think having the first film is a necessary prerequisite to being able to understand or enjoy it .
men and women, fathers and children. ahmed, son of diana and sheik ahmed ben hassan, falls in love with yasmin, a dancing girl who fronts her father' s gang of mountebanks. among the cutthroats is ghobah, a villainous moor to whom yasmin is promised. in ruins near touggourt, the city where yasmin dances, she and ahmed meet secretly until one night when her father and the gang capture the son of the sheik, torture him, and hold him for ransom. will ahmed believe that yasmin set him up for capture? even if true love finds a way through webs of deceit, what will the vigorous and imposing sheik say about his son consorting with a dancing girl? written by
flashback: after the sheik and diana pop up about halfway through, the movie includes a flashback to them in the previous movie .
like much of the cinema of the silent era, the plot is secondary to the sheer elegance of the images, and fitzmaurice polishes them up like a master jeweler .
a sequel to the sheik (1921), the movie that made rudolph valentino a superstar, this was valentino' s final film; he died within weeks of its opening. the son of the sheik is somewhat better than its precursor and marginally less unwholesome - - this time, the hero' s motive for abducting and (possibly) raping the love of his life is vengeance, not sport. in... read more
this 1926 silent adventure film tells of the young and handsome son of sheik ahmed ben hassan (both played by 1920s heartthrob rudolph valentino) and his romance with a beautiful dancer who eventually betrays him. with live score performed by alloy orchestra .
valentino took great pleasure in playing both father and son in the film. agnes ayres, who is specially thanked in the opening credits, reprises her role as diana. she and valentino manage to have more chemistry in their short scenes together than they mustered for the entire running time of the sheik. valentino plays the senior sheik as a blustering but loving father in the do - as - i - say - not - as - i - did mode. diana is quick to remind her husband that their son is hardly the first to snatch a girl but the sheik sets out to give his son a stern lecture. don’t miss valentino put a supportive arm around his own shoulder .
the son of the sheik was the final film of legendary silent - screen idol valentino, released shortly before his untimely death, and it is widely considered to be his finest effort. a follow - up to (and vast improvement on) the 1921 hit the sheik, this ripe slice of hollywood orientalism features valentino in a dual role as the original sheik and his headstrong son ahmed. the impulsive lad succumbs to the charms of yasmin (banky), an exotic dancer exploited by her ne’er - do - well father and his band of thieves, who kidnap and torture him. mistakenly believing that yasmin betrayed him, ahmed resolves to subject her to a revenge - worse - than - death. the 50 shades of grey of its day, the son of the sheik applies hollywood polish to the realm of borderline - transgressive sexual fantasy, with excellent trick photography, rousing action scenes, a solid script by frances marion, and impressive set design by william cameron menzies. silent film with recorded music score. 2k dcp digital restoration from the cohen film collection. (mr )
son of the sheik was a huge success and still works as an enjoyably camp period piece. valentino shines as both the wizened father and the energetic son. alas, sound technology made the movie obsolete the following year, and whether son would have revived valentino' s flagging career (never mind the question of whether he had a voice for sound films) became a moot point  at the new york premiere, he collapsed and soon died at age 31. his funeral was a phenomenon by itself (more on that shortly) .
but egypt' s real attention is on the groom, the son of president hosni mubarak and _ many egyptians believe _ his heir - apparent. the marriage has put new attention on the son' s controversial political role, and the uncertainty it creates in a key u. s. ally .
the sheik (1921) / the son of the shiek (1926) - rudolph valentino double feature [ region 1 ntsc dvd ] - official us region 1 image entertainment blackhawk films region 1 ntsc dvd release as pictured. b & w; and color tinted. runtime 155 mins. special features: rudolph valentino' s signature films together for the first time, both in excellent prints! three valentino bonus shorts: rudolph valentino and his 88 american beauties, the sheik' s physique and the original pathe newsreel coverage of valentino' s funeral in august 1926. new digital stereo music scores, plus alternate soundtrack with vintage score for' the son of the sheik' .
as for the audio, the sheik sports an outstanding new dolby digital 2. 0 stereo score compiled from period music by eric beheim and his electronic
cafe maure orchestra .
the son of the sheik offers a choice between a fine beheim score or a 1937 recording of a vintage compilation score, complete with vocals. the beheim is the superior choice, and the disc comes with a slipsheet essay by beheim detailing the music he used and how he assembled it .
this is pure glorious fun with hunk valentino displayed shamelessly. he smoulders, he grins, and, the crowning glory, in' son of the sheik', he is shackled to a ruined building, stripped to his trousers and boots, and whipped by his enemy captors. there are panoramic shots of desert scenery, and wonderfully unreconstructed orientalist depictions of' arabs'. can be viewed with a critical eye (gender! colonialism! race !), as a product of studio - era silent hollywood (very interesting changes between the early' sheik' and the later' son of the sheik' in terms of editing, close - ups and use of intertitles), and simply as fun entertainment (the dances! the kissing! the abductions on camel - back! the bare - chested bondage !) .
valentino and the writers either don’t understand the complexities of father - son relationships or choose to ignore them completely. i never get the impression that the elder sheik actually cares at all for his son, despite the arm - around - the - shoulder talk he gives him. instead, it feels emotionally vapid and as if it were inserted because someone liked the idea of having a split screen image. the chemistry between banky and valentino seems solid and largely does keep one interested in what will happen next .
( and privately called the film “son of a bitch”), recalled in her memoir that valentino “was too tired to combat the overwhelming forces that governed his career. ” he took what comfort he could in his director, george fitzmaurice, whom he’d long wanted to work with, and his costar vilma banky, a hungarian discovery on loan from sam goldwyn. he liked the challenge of playing both the old sheik and his son (the film combines the novel’s twin brothers into one character). schenck’s market research, showing that 90 percent of valentino’s fans wanted to see him as a sheik again, won the day .
in spite of it being the cornier movie, though, i actually watch the sheik more often than its sequel. what can i say? i love kitsch .
the music by the alloy orchestra itself has very tender moments. the rendezvous in the old ruins is largely appropriate. the action scenes contain pieces which give it a distinctly middle - eastern feeling. the alloy orchestra does tension and foreboding extremely well, as when the son of the sheik is about to be ambushed. forgive me if the following gets a bit too technical, but as a musician, i have a couple of critiques .
( 1921). agnes ayres stars as lady diana mayo, a headstrong western woman who infiltrates the private party of the handsome sheik ahmed ben hassan (valentino). when the sheik later encounters diana in the desert, he abducts her and takes her to his sumptuous lair. unable to resist the sheik' s cruel magnetism, diana' s defiant nature crumbles and she begins to develop affectionate feelings for her captor .
the symbolic images found in the son of the sheik are so important to film lore that the movie takes on a resonance that it may not otherwise deserve. the first film had cemented valentino’s image as the exotic lover, and the second movie—one of the first high - profile film sequels—was designed to give audiences another opportunity to swoon over valentino. the follow - up was a more polished production than its predecessor and possessed tongue - in - cheek humour not found in the original .
sharm el sheik, egypt - - the bride is the daughter of a rich businessman. an intelligence chief was the witness at the wedding. and the lavish party celebrating the week - old marriage was held friday night at the very resort where world leaders gathered to discuss iraq .
supplementary material includes a filmed introduction of the film by orson welles; the documentary short film valentino: his life and times; the short film valentino at the beach (aka the sheik’s physique); an original theatrical trailer of the young rajah (1922); and a gallery of newspaper headlines announcing valentino’s illness and death .
e. m. hull, who had authored the novel the sheik, had written a sequel in 1925 called sons of the sheik. ahmed and diana married and had twin boys, one of whom looks just like mom and was raised in england for some ridiculous reason and the other who looks just like dad and was raised in the desert. east vs. west is once again played out in the form of sibling rivalry .
but the biggest complaints against the government involve its tight control of the political process and the country' s weak economy .
while the story is much the same as that of the first film, the development of that story is dramatically better in every respect. screenwriter frances marion (
beacon press has just released a new edition of notes of a native son, with an introduction by novelist edward p. jones (the known world). i' ll let jones eloquently sum up :
the son of the sheik features a better - structured and more - pleasing story than the original 1921 film. it is more romantic and features several good action sequences. however, it is, ultimately, what it is: a rudolph valentino romance vehicle. the film is probably not that important, beyond the presence of valentino, in the grand scale of the silent era, but it remains a pleasing film and rises above the usual fare of the time. hungarian - born actress vilma banky does a good job as valentino’s love interest, the street dancer yasmin. agnes ayres here reprises her 1921 role. interestingly, character actor karl dane has nearly as many close - ups as valentino. even technically, the film stands out. the split - frame cinematography that allows rudolph valentino to play both the sheik and his son is excellent and shows no sign of frame jitters between the two exposures. — carl bennett
if you have the slightest interest in the phenomenon called rudolph valentino, this terrific disc is absolutely the place to start. the screen' s great male sex god of the 1920s had a mammoth success with the sheik, a slice of desert romance both exciting and completely absurd. valentino plays a dashing
sheik of araby
who rather forcefully romances an adventure - minded english lady (agnes ayres); if the story creaks with victorian storytelling conventions, it also works. five years later valentino returned to the sands with his final film, the son of the sheik, playing both his original role and the sheik' s impetuous boy. more madness here, and a wild saber duel on horseback at night reminds us they don' t make movies like this any more. valentino' s faux - exotic allure may seem curious to modern viewers, but squint hard and you can imagine the frenzy caused by the sultry eyes and rapacious grin. - - robert horton
image entertainment' s sparkling new dvd edition is another accomplished piece of work from film preservationist david shepard (the lost world, slapstick encyclopedia, dr. mabuse, nosferatu). the sheik comes from a 35mm nitrate master in splendid condition with all the original ornate title cards. color tinting of the black - and - white image is provided according to the original paramount cutting continuity. the son of the sheik is from a 1937 reissue print taken from the original negative, with a few shots replaced from later material, and remains untinted. both look quite good, considering. the sheik in particular is clean and clear, and with no signs of frame gaps or other splices. son is somewhat worse for wear, but it' s still in appealing good condition. although they' re a bit soft and signs of age are always present, you' d be a cad to find reasons to grouse about these prints .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
the sheik is populated by
arabs
who look just like southern californians, and its comic - book idealization of the sahara as a place
where the children of araby dwell in happy ignorance
is now even less culturally sensitive than it was in the' 20s. so what? the sets and costumes are lavish, and the sheik never pretended to be more than an arabian nights romance novel given a lush hollywood treatment. it appears on the american film institute' s list of the 100 most passionate movies of all time .
the son of a senior shia cleric executed by saudi arabia has challenged david cameron to speak out about what he called the murder of his father, sheikh nimr al - nimr, and the death sentence that hangs over his cousin, ali al - nimr .
the movie scenario sensibly chose to eliminate the english son. while they were at it, the filmmakers got rid of the silly and dated plot involving oh - so - wicked germans committing hunnish villainy. mrs. hull seemed to forget that the great war was over .
a charming arabian sheik becomes infatuated with an adventurous, modern - thinking englishwoman and abducts her to his home in the saharan desert .
described the formula: “the beguiling beauty of anglo - saxon maidens wreaks havoc with the hearts of handsome chieftains who decide that after all they only want one wife. ” in the book and film versions of
in 1926, the world had not yet had their fill of the sheik. the landmark 1921 film had been a notable stop on the star rudy valentino’s ascent—so united artists decided to make a sequel to the paramount original which featured good performances and spectacular sets by william cameron menzies. agnes ayers left retirement to reprise the role of diana and some fancy camerawork made it possible to have valentino play against valentino since rudy played both the sheik and the title role. the two roles were to be his last .
urltoken the sheik / the son of the sheik (special edition): rudolph valentino, agnes ayres, ruth miller, george waggner, frank butler, charles brinley, lucien littlefield, adolphe menjou, walter long, sally blane, earl gordon bostwick, rafael negrete, david o. selznick, george fitzmaurice, george melford, edith maude hull, frances marion, fred de gresac, george marion jr. , monte m. katterjohn: movies & tv
tcm celebrates the 100th anniversary of a musical legend with three nights of programming devoted to some of leonard bernstein' s... more
peritonitis, inflammation of the peritoneum, the membrane that lines the abdominal wall and then folds in to enclose the abdominal organs. the condition is marked by an accumulation of cells, pus, and other bodily fluids, such as serum and fibrin, in the peritoneal cavity (between the two folds of the…
gamal mubarak did not rise through the ranks of the armed forces, unlike his father and the three previous presidents, raising questions whether the army would accept him as leader. the legitimacy of the regime has rested heavily on the 1952 military coup that ended the monarchy .
this house believes the american dream is at the expense of the american negro re - creates a debate that couldn' t be more relevant to the time of # blacklivesmatter .
nevertheless, even the venue in sharm el - sheik caused political sniping. the president is often criticized as being out of touch with ordinary egyptians _ with the long periods he spends at this beach resort offered as prime evidence .
the son of the sheik was the hit that valentino needed but, sadly, he died before he could benefit from its success. constantly revived over the years, it is a film that showcases his talent, charm and what elinor glyn would call “it”. the film is often called tongue - in - cheek. i’m not sure that is the right way to describe it. while there is definite comedy relief, mostly in the form of the jovial karl dane, the action and romance are played straight. perhaps a better term would be self - aware .
here, in the role that he' s best remembered for, valentino plays sheik ahmed ben hassan, who spies free - willed lady diana mayo (agnes ayers) in his desert camp and determines that she will be his. lady diana finds the refined, paris - educated sheik alluring, yet she resists his amorous advances. but when she' s kidnapped by the villainous omair (walter long), who promises her a fate worse than death, the heroic sheik and his army charge into fun action sequences to rescue diana in the nick of time. with sheik ahmed severely wounded in the attack, diana nurses him back to health and vows everlasting love to her adventurous hero .
childhood friends are torn apart when one of them marries the woman the other once fiercely loved .
, the title character kidnaps the independent lady diana mayo as she’s adventuring unprotected (except for an arab guide and crew of servants) in the desert. the film version is vague about how far diana and the sheik go, but the book spelled out their physical relationship quite clearly. after weeks of captivity, diana realizes she’s in love with the masterful sheik, who is then revealed to be an englishman under his flowing robes. hull disapproved of miscegenation, if not rape. while the sexual and racial politics may seem hopelessly retrograde to modern audiences, at the time, as david robinson noted in sight and sound, “to have read this slightly pornographic tale was the mark of the new woman. ”
osamal saraya, editor in chief of the state - allied al ahram newspaper, said it was unfair to target gamal mubarak' s personal life .
he is paying a heavy price for being the president' s son .
what the hell, hero? : sheik ahmed gives a disapproving speech to young ahmed when he finds out that his son kidnapped and raped a dancer. (in the first movie, unlike the book, ahmed senior kidnaps diana but never actually rapes her, so he does have a little high ground. not much, but some. )
by 1926 valentino had changed, too. the survivor of two divorces, a bigamy trial, and contract battles that had kept him offscreen for more than a year, valentino was sick of being the sheik. he told a reporter for collier’s in 1925 that “if any producer comes to me with a sheik part i am going to murder him! ” he was weary of the intense scrutiny his fame provoked. his role as the great lover had sparked both devotion and antipathy, the latter exemplified by dick dorgan’s famous “song of hate. ” printed in
valentino plays ahmed, the spoiled son of sheik ahmed ben hassan and diana, his english wife. ahmed has been carrying on a secret love affair with a dancer named yasmin (lovely vilma banky). yasmin’s father, andre (george fawcett) is a frenchman who leads a renegade band of entertainers. they moonlight as bandits but it is honest yasmin’s dancing that supports them .
a taste of the lash: ahmed is subjected to a prolonged whipping by a rival sheik who creepily calls him
my young lion .
his rape of yasmin is presented as revenge for this whipping as he wrongly believes she is responsible .
i believe that there are plenty of obstacles facing the succession, including the army ,
he told the associated press .
a small protest friday in cairo' s main square was indicative of the mood just before the reception at the posh four seasons hotel here in sharm el - sheik, a red sea resort. organizers said the main slogan for the protest was directed at gamal :
marry her and not our country .
sheik zindani, a prominent cleric and tribal figure on america' s most wanted terror list, is known for his radical interpretation of islam and sympathy for al - qaida .
gamal mubarak and his 24 - year - old bride, khadiga al - gamal, were married april 28 in a religious ceremony conducted by the grand sheik of the al - azhar mosque at an air force reception hall in cairo .
charlevoix circle of arts paint out 8: 00 a. m. charlevoix circle of arts
ahmed, the son of the sheik, falls in love with yasmin, a dancer and the daughter of a renegade frenchman who leads a troupe of mountebanks and thieves. when ahmed is captured by yasmin' s father and held for ransom, he is led to believe that she has tricked him; and when freed he abducts her, taking her to a desert camp. he is about to force her to submit to him when his father, the sheik, barges into the tent and frees the girl. later, ahmed learns that it was not she but rather her jealous admirer who betrayed him. he follows yasmin to a dancehall, where a bitter fight with knives takes place; ahmed emerges victorious, unscathed and with the girl in his arms .
when valentino’s the sheik opened at the empire in derby in february 1923, the hulls did not attend: edith was abroad. she was generally reclusive and did not seek publicity, although in later life she bemoaned the fact that she had not received adequate remuneration for the film rights to her novels. new editions continued to appear through the second world war. barbara cartland bestowed her blessing on hull in a 1970s edition, with virago re - issuing the sheik in 1996 .
bob hope returns as junior potter, son of painless peter potter, who heads out west to claim his father' s inheritance. co - written and directed by the great frank tashlin with cameos by bing... more
his son' s calls for jihad, aden times reporters, includes instructions for his followers to rally to ansar al - sharia, an offshoot of al - qaida in the southern province of abyan, to fend off
american - led military intervention on muslim land .
the story is much more polished than its elder brother - story. moments of comedy punctuate the rather serious - feeling melodrama. valentino’s overacting is largely—if not entirely—a thing of the past, due no doubt to valentino’s experience and the touch of director george fitzmaurice .
would turn his career around. but just one month after the film' s premiere, rudolph valentino died suddenly of peritonitis at the age of 31 .
hands of orlac is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of german expressionism. more
at 31, valentino was roughly halfway between the ages of his two characters .
leavell said she wants to continue the paper' s tradition of investigative reporting .
june artist of the month 1: 00 p. m. the botanic garden at historic barns park, tc
features a music score by the alloy orchestra. special features include a filmed introduction by orson welles recorded in 1971 for the tv series
the silent years
;
valentino: his life and times ,
a vintage documentary short ;
valentino at the beach
( aka
the sheik' s physique
), a rare short subject; the original theatrical trailer of
) was a capable professional, who turned a compelling but unoriginal bit of romantic fluff into a fully - realized story. while some have criticized the use of elements of slapstick in
today, eight decades later, it' s disquieting to imagine the effect legendary screen lover rudolph valentino had on our grand - or great - grandmothers. by the time he starred in paramount' s the sheik (1921), this charismatic matinee idol had become the first full - on hollywood male sex symbol. with his lithe build and graceful style, he gazed at his heroines with a seductive blend of passion and melancholy, guaranteeing to moisten the sensibilities of enthusiastic female audiences. when the valentino craze reached its pinnacle with a kitschy desert romance melodrama, the sheik, women fainted in the aisles and arab motifs influenced fashions and interior designs .
june 2 – 8 citizen jane: battle for the city in 1960 jane jacobs’s book the death and life of great american cities sent shockwaves through the architecture and planning worlds, with its exploration of the consequences of modern planners’ and architects’ reconfiguration of cities. jacobs was also an activist, who was involved in many [ … ]
the sheik catapulted famous players’ newly signed young actor, rudolph valentino, into a kind of stardom unseen before. from the moment he snatches costar agnes ayres from her saddle, followed by a title card reading, “lie still, you little fool! ” valentino became forever identified with the role .
it is a sequel to one of valentino' s most popular films, the sheik. in this one the protagonist is ahmed, son of the sheik from the original film. like his father, this ahmed falls in love with a beautiful white woman. but unlike the first film, this love interest, yasmin, is not a spoiled socialite, but instead a young dancer in a traveling vaudeville troupe. the vaudeville troupe has a second and more profitable sideline in banditry. they follow yasmin to a rendezvous with ahmed, kidnap ahmed, and hold him for ransom. ahmed is rescued, but not before bandit chief ghabah lies to him and tells him that yasmin set him up. an embittered ahmed swears revenge against both yasmin and her bandit clan .
, i found it to be a welcome change from the stormy melodrama that made up the bulk of the film. the story' s moments of comedy blended easily with the dramatic action and helped keep the film from getting too heavy - - this is supposed to be fun, after all .
, but combined twin sons into one character, ahmed. valentino himself suggested that he play both ahmed and his father. agnes ayres, who had played the sheik' s love diana, reprised the role in a cameo. ahmed falls in love with a dancing girl, played by vilma banky. she' s the daughter of a bandit, and when ahmed thinks she' s betrayed him, he prepares to have his way with her, but is stopped in the nick of time by his father. much swashbuckling ensues, with father and son taking on the thieves .
valentino plays sheik ahmed in his most famous screen romance... desperate to woo english socialite diana (agnes ayres), sheik ahmed kidnaps her and whisks her away to his luxurious desert tent. at first she resists his advances but when she is kidnapped by ruthless desert bandits she begins to realise that she has true feelings for her sultry lover. but will the sheid arrive in time to rescue her from the clutches of the bandits ...
the story itself is not fundamentally different from the original. the sheik from the first film now has a grown son (valentino played both roles), who is just as impulsive and libidinous as his father was at his age. when he is assaulted and then held prisoner by the family of the dancing girl he has been wooing, he mistakenly believes she betrayed him and so seeks revenge on her. once he realizes his mistake, he must first win back her trust and then rescue her from her evil bandit family and the no - good scum they want her to marry. nothing unusual there .
this special screening is supported by manchester metropolitan university and forms part of the ‘sex’ strand of their 2015 - 16 humanities in public festival .
with the music provided, the movie’s comedic moments can be almost entirely lost. the scene, for example, when the bad guy is trying to mount a horse and valentino whistles to make the horse throw the guy off is, to my eyes, a comedic moment (both valentino and the shorter bad guy are laughing throughout…and vilma banky’s character is seen to be smiling), but the music causes the scene to play as if a man is about to be killed. later in the film, when the shorter of the bad guys is hanging about as a result of valentino’s escape, the taller one (who got dumped off the horse) calls him “son - of - an - owl” to which the shorter man replies, “my mother wasn’t an owl—only a little cukoo. ” but the music loses this comedic moment entirely, even though the two guys are there to provide comedic levity .
it was a decision that amnesty international described as “part of a campaign by the authorities in saudi arabia to crush all dissent, including those [ activists ] defending the rights of the kingdom’s shia muslim community” .
principal cast: rudolph valentino (ahmed / the sheik), vilma banky (yasmin), john fawcett (andre), montague love (ghabah), karl dane (ramadan) .
molly, the eldest child at a baby farm hidden deep in a swamp, must rescue the others when their cruel master decides that one of them will be disposed of .
( 1921) and, when a contract dispute forced him off the screen in 1923, he went on a dance tour to advertise mineralava face cream. however, as the sheik, he leaves dancing to the harem girls and shows off his horsemanship instead .
it made valentino a star. the print was of poor quality. seeing the old title cards was the best thing on the dvd. i will look for a better version on dvd .
the music soundtrack does reveal the age of the original recording. occasional audio distortion as the organ overloads either the original recording system or (more likely) the rerecording to the film print’s optical soundtrack, but it is far cleaner and does not leak and randomly crackle in active surround channels like the republic edition. in addition, the soundtrack on the dvd drops out a couple of times and is flawed by an audio thump at 40: 47 .
united press international is a leading provider of news, photos and information to millions of readers around the globe via urltoken and its licensing services .
exacerbating their grief is the fact the nimr al - nimr’s body has not been returned to the family for burial. the saudi authorities have said that all those executed were buried together in an unknown place according to muslim practice. “there is no doctrine in islam that would say do not return the body, ” his son said. “we have the right to a proper burial. ”
the shoot in yuma, arizona, was hot and the menagerie of horses and camels attracted so many flies that cast and crew doused themselves in citronella. the
the sheik' s physique
( 3 min .) gives the ladies some soft - porn playfulness as valentino stops his car at the beach, changes into his swimming trunks, and falls asleep on the california sands. a nonsensical
plot
involving someone stealing his car is utterly superfluous .
the tension at wildwood elementary comes as the jon burge police torture curriculum is rolled out across the district .
makram mohammed ahmed, a veteran journalist known to be close to the president, said he believes mubarak and his son
when they say that egypt is not like syria and that succession is not taking place .
following his sell - out performances of the bad in april 2015, the infinitely unpredictable shechter returns with his completed ...
in the 1920s bedouin chieftains prowled the movie screens much as vampires do today. “there are more sheiks here than in the sahara, ” complained a photoplay reporter in 1923. perhaps the craze for the desert romance was fed by lowell thomas who exhibited footage of the dashing world war i exploits of one t. e. lawrence; perhaps it can be traced to the improbable imperialist adventure stories of h. rider haggard (
a string of camels, in charge of wild - eyed desert men and hung with heavy, pendulous sacks stuffed with henna from the south, stalked disdainfully through the crowd with a soft pad - pad of cushioned feet, on their way to the fondouk. crouched in the sand and dust, ragged and filthy hawkers of sweetmeats and vegetables cursed shrilly when bare - legged boys, clad only in a single garment open to the waist, drove too close to their little stock - in - trade tiny donkeys staggering almost hidden under loads of brushwood and greenstuffs. here and there the scarlet cloak of a spahi, the striking black or brown of a chief’s burnous, the vivid, clinging draperies of some veiled woman, made a splash of colour that arrested attention (hull, 1926: 10) .
to the american woman, who had gained the power to vote only a year before the sheik hit the screens, valentino represented mysterious, forbidden eroticism, a vicarious fulfillment of illicit love and willing sexuality. it' s not a stretch to assume that a great deal of the movie' s enormous popularity stemmed from its subtext of women as independence - craving, freely sexual beings who would openly enjoy a good roll in the sand. so it' s no surprise that the sheik came under fire as being
morally objectionable ,
and some critical reviewers called for its censorship. of course, valentino was never confused with a great actor  but he was the right man at the right time. like a jazz age leonardo dicaprio, he was handsome, not altogether untalented, and exuded a delicate, rather fey sexuality that made women swoon and red - meat men squirm with annoyance .
and this time, everything was first - rate: marion was one of the finest writers in the business. director george fitzmaurice paced the film skillfully. the action sequences are particularly well - done, especially the climactic scene, with father and son fighting side by side. the desert sequences were shot on location in yuma, arizona, and cinematographer george barnes gave them a shimmering beauty. valentino personally selected banky, whom he' d co - starred with in
they were the sexiest couple of 1922 but to ahmed jr. , they’re mom and dad .
a decaying mansion and a stormy night are the archetypal setting for mystery and chaos when a pack of greedy relatives gather for the reading of a twenty - year - old will. but before the west fortune... more
an eye for an eye - a hate for a hate - that my girl, is the law of the tribe .
a former employee speaks with the store’s proprietors, ronda pilon and bob roschke, about the shuttering of their long - standing bookstore.
the son of the sheik is a 1926 american silent adventure/drama film directed by george fitzmaurice and starring rudolph valentino and vilma bánky . the film is based on the 1925 romance novel of the same name by edith maude hull , and is a sequel to the 1921 hit film the sheik , which also stars rudolph valentino . the son of the sheik is valentino 's final film and was released nearly two weeks after his death from peritonitis at the age of 31 . in 2003 , the film was selected for preservation in the united states national film registry by the library of congress as being " culturally , historically , or aesthetically significant " . 
the son of the sheik is a 1926 american silent adventure/drama film directed by george fitzmaurice and starring rudolph valentino and vilma bánky. the film is based on the 1925 romance novel of the same name by edith maude hull, and is a sequel to the 1921 hit film the sheik, which also stars rudolph valentino. the son of the sheik is valentino's final film and was released nearly two weeks after his death from peritonitis at the age of 31. in 2003, the film was selected for preservation in the united states national film registry by the library of congress as being " culturally, historically, or aesthetically significant ".
the son of the sheik is a 1926 american silent adventure/drama film directed by george fitzmaurice and starring rudolph valentino and vilma bánky. the film is based on the 1925 romance novel of the same name by edith maude hull, and is a sequel to the 1921 hit film the sheik, which also stars rudolph valentino. the son of the sheik is valentino's final film and was released nearly two weeks after his death from peritonitis at the age of 31. in 2003, the film was selected for preservation in the united states national film registry by the library of congress as being " culturally, historically, or aesthetically significant ".