the rug maker ' s daughter
the rug maker' s daughter movie cast, crew and synopsis. find out the exact the rug maker' s daughter 1915 film release date and the full information about its cast and crew. new high quality the rug maker' s daughter pictures behind the scenes. best photos from the set can be used as hd wallpapers! buy movie on dvd or watch it in theatre. if you have already watched the rug maker' s daughter please rate it and leave your review !
the firework maker' s daughter is a wonderful entertainment: how often can we say that of a new opera? .... david bruce' s score is a constant delight, from a cappella anthems to exotic percussion effects... .. nowadays operas so often disappear without trace after their first run, but i am confident that the firework maker' s daughter will return soon and often .
this week the linbury studio theatre attracted an audience of the more minute variety with its dazzling production of the firework - maker' s daughter... . with music composed by david bruce and a libretto constructed by glyn maxwell, the narrative enjoyed a vivid dramatisation that was brimming with energy .
like the pyrotechnics “the firework maker’s daughter” longs to create, this new opera for children is a delightful, low - tech throwback to a time before cgi took over the world... .. a hardworking company of five opera singers perform david bruce’s score, an eclectic blend of bollywood pop, balinese gamelan percussion and chinese opera, played onstage by a nine - piece ensemble... ... by the end of “firework maker’s daughter, ” lila learns that magic ingredients are not as important as her own talent and courage. that’s true of the creators of this opera, too, who crafted a charming, moving tale from the simplest materials .
musically, the opera is at its best in the stiller moments: when lila is alone in the jungle, and at the culmination, a gigantic firework display competing for the king' s approval. here, bruceâ€™s liquid and inventive score breathes .
in marked contrast to panto hysterics, the gentle humour of the firework - maker’s daughter offers genuine laughs around a core of substance, while its inventive, attractive, through - composed music and splendid un - miked voices provide a great introduction to opera for young people .
little sisters of the poor (1912, now st. joseph' s home )
there are two ways of looking at the firework - maker' s daughter, david bruce' s 2013 adaptation of philip pullman' s novella. the first is as a model of how to conjure in sound an unspecified location in the far east, and pace a children’s adventure with pirates, supernatural beings, a love - struck elephant, comedy, peril and pyrotechnics. the second is as a lesson in what opera, as opposed to music theatre, can do and how it does it .
foote, h. s. pen pictures from the garden of the world or santa clara county, california. chicago, il: the lewis publishing co. , 1888
in this huge - hearted, fast - moving caper... the enchantment comes from the energy of the performers, the ingenuity of guy hoare' s lighting, and the beauty of bruce' s music. scored for a small band including accordion, harp and an array of gamelan - like percussion... the [ opera' s ] patina is sharp, sweet and metallic, the rhythms punchy, the melodies fluid and expressive... . .
musically the whole thing works a treat, thanks to glorious singing by fagan, and to the playing of the chroma ensemble under alice farnham’s direction. bruce’s instrumentation, dominated by marimbas and strings, creates a welcoming musical world .
the firework - maker' s daughter was another highlight of my spring season. a children' s opera, you ask, gentle readers? yes: and an opera that used small forces creatively, is both humorous and poignant, critiques sexism in opera and society (hooray ,) and boasts well - set text and memorable music .
trippy indie madeline' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
the firework maker' s daughter is a 2013 chamber opera by award - winning composer david bruce and librettist glyn maxwell - based on the fairy - tale adventure by acclaimed children' s author philip pullman. the opera was acclaimed by sold - out audiences and critics alike for its opening run at the royal opera house london, and in the new victory theatre new york, as well as on tour across the uk in 2013. it proved so popular that it was revived only 2 years later with a 27 performance run at the royal opera house lindbury studios in december 2015 .
the reform candidate. dir. : frank lloyd, sc. : julia crawford ivers (pallas pictures us 1915) cas. : maclyn arbuckle, malcolm blevins, si, b & w; 35mm. archive: usl. the rug maker’s daughter. dir. : oscar apfel, st. : julia crawford ivers (bosworth, inc. us 1915) cas. : maud allan, jane darwell, si, b & w. archive: gbb .
demetra, daughter of a turkish rug - maker, falls in love with american millionaire robert van buren. they plan to elope to new york, but osman, to whom it has been arranged that demetra will marry, kidnaps van buren. osman traps demetra in new york, but van buren is able to rescue her .
the mcnear company, san rafael; w. s. dickey clay manufacturing co. , decoto / niles
more than anything else in the world, lila wants to be a firework - maker. but every firework - maker must make a perilous journey to face the terrifying fire - fiend! can lila possibly survive? especially when she doesn' t know she needs special protection to survive the flames ...
the challenge of writing for the much - younger set appealed to the composer :
it' s almost the best audience to be aiming for ,
he said .
you force yourself to be as clear as possible .
check out highlights from some of the best recent trailers including mandy, the predator, zoe, and the king of thieves .
appendix to the journals of the senate and assembly of the 27th session of the legislature of the state of california. claim of d. jordon (p. 12), v. 8, sacramento, 1887
“hawaii’s fire goddess aids in film making. ” the washington post (8 apr. 1923): 59 .
i am attracted in this story to the far eastern setting and the possibility that it offers me to create a distinctive sound - world for the piece. as a composer i have often drawn influence from folk idioms from around the world, and am attracted to the idea of creating my own kind of' imaginary folk music, which is somewhat familiar, but also new and unknown. the firework maker' s daughter similarly occupies some kind of familiar but unknown imaginary land with elements of thailand, china, india and indonesia all wrapped together and intermingling .
... between bevan' s delightful lila, bruce' s inventive score and the majestic work of puppeteers tiplady and todd, there is a great deal of magic to behold .
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“the majesty of the law. ” rev. atlanta constitution (22 aug. 1915): b4 .
in writing an opera for young people around the ages of his own two children (who are 6 and 10), mr. bruce said he gave the work the same care and attention, if not more, as previous works intended for violinist daniel hope (
the given note ,
a chamber work from 2011) or yo - yo ma' s silk road ensemble (
cut the rug ,
from 2013). the latter will be played in october at carnegie hall, a venue that has presented three works commissioned from mr. bruce since 2006 .
its inventive staging, engaging musical writing, and charming plot, however, won me - - as well as the many children in the audience - - over completely... . you' ll have to bear with me, gentle readers, as i keep using words like joy and delight in describing this work that features wagnerian allusions and a lovesick white elephant, as well as the independent heroine of the title... .. the score is lean but evocative, relying heavily on percussion and woodwinds, with strings coming to the fore in moments of emotional intimacy or vulnerability... . the wagnerian pretensions and italian bombast (both orchestrally expressed) of the rival firework - makers were seen off in a deeply satisfying fashion, as lila sings her art into being. like all the best fables, the firework - maker' s daughter left me exhilarated as well as entranced .
this compilation can be used as a guide for historians and archaeologists to help identify the origins of unknown brick structures. using the information provided on the california bricks website, it is possible to make comparisons of known bricks with unknown bricks for identification and determination of the brickmaker, regardless of the presence of a maker' s mark or not. as this is a work in progress, be forewarned that the information presented here may change with further research. for instance, preliminary information from published sources may not always be correct and should not be replied upon until verification from personal investigation. also, an investigator must be cautious of structures that have undergone renovation since the date of observation, when the original brick may have been replaced with modern brick, in which case the information in the table would no longer be current .
in the following list, the buildings are grouped by california cities in the third column and are listed in alphabetical order. some buildings have multiple types of brick and multiple brickmakers, which are listed in their respective order when known. where
street
is blank, further research will be necessary to locate the exact address of the building, which may no longer be standing. some addresses may be the original address as reported, not the current one. under source ,
pers. obs. , 2001
indicates that i have personally identified the brick at the site in the year 2001 .
easy to get, 1920; the green temptation, 1922; the white flower, 1923; married flirts, 1924 .
the table below lists the buildings and structures made of california bricks. most history books will proudly speak of their charming brick buildings and when they were built, but they often neglect to tell us the origin and maker of the bricks. for good reason, that information has not been easily available or has been lost or forgotten. in historical archaeological investigations of building sites, bricks may be among the remaining artifacts, yet little or nothing is known about them. another major concern is the disappearance of older brick buildings where examples of early bricks are no longer available for study. the absence of such information can result in the incomplete knowledge and understanding of the history and archaeology of a region .
for those who may not be aware, this work is occasionally cited as one of those many lost treasures of the silent era; and that' s especially case since maud allan the famed modern dancer participated in the performance. allan was one of the leading competitors of isadora duncan, and held an especially strong following in england during ww1, but today it' s her fellow canadians, modern dance researchers, true crime enthusiasts (her brother' s arrest for two murders in san francisco was said to be the tragedy she drew upon emotionally for her style), gays, lesbians, and feminists who are particularly interested in her story. if anyone has this film, please contact me, as i am researching. in return i would be able to provide some general knowledge about ms. allan' s former residence here in san francisco, the institutions she participated in, and the city' s culture at that time .
even if the target audience for this show is only a fraction older than the babies born in bruce' s 2006 opera push! , there is enough to seduce the most musically discerning parent. just don' t take your offspring if you want them to take up a career in accountancy .
a kiss for susie, 1917; lost in transit, 1917; the trouble buster, 1917, the wax model, 1917 .
... the most utterly endearing, joyous and delightful show i' ve seen in ages... it' s funny, touching, charming... . bruce' s score is accessibly saturated (in an often brittenesque way) with eastern exoticism, pentatonic tunes, and delicately busy gamelan effects. given the dearth of good children' s music - theatre since benjamin britten... this piece is something to sieze on .
“director’s burial set for today. ” obit. los angeles times (9 may 1930): a20 .
its pentatonic melodies are evocative of the far east, too; yet the big numbers are more like wild, irish - jig stomps. and to titillate grown - up listeners the musical allusions also pay homage to everything from purcell, stravinsky and britten to wagner’s ride of the valkyries. with amar muchhala, wyn pencarreg and andrew slater revelling in mercurial cameos, and the conductor geoffrey paterson keeping this charming score buzzing along, two hours pass joyously .
now david bruce and glyn maxwell, composer and librettist, have realised the book' s operatic potential in a captivating chamber piece for five singers, two puppeteers and small ensemble .
... the same resourcefulness extends to the performers: five singers and an orchestra of nine. bruce uses an unusual band – including horn, accordion, harp and two percussionists – to create a wonderfully varied world that feels like many more players, and imitates the sounds of other instruments – banjo, gamelan orchestra – as well as the natural noises of the jungle. eastern scales and the hieratic sounds of temple bells complete the picture in an amazingly deft score, which finally lets itself off the leash for the firework show featuring a comedy german and italian, set to workshop - pastiches of wagner and neapolitan ice - cream music .
bruce' s vivid music, skilfully played by chroma and conducted by geoffrey paterson, mixes the colours of snake - charmer piccolo, gamelan and folk - inspired accordion to delicate effect. the vocal writing... . has moments of strong emotional truth .
a wonderful entertainment... . david bruce' s score is a constant delight
urltoken ★★★★★
a great introduction to opera for young people .
the stage ★★★★
at last: a first - rank children' s opera
the telegraph nomiated for an olivier award - best new opera production 2014 shortlisted for a 2014 british composer award - stage works category
as a composer for whom colour and indeed humour are passionate concerns, i believe there are huge opportunities in this piece to create a vivid and rich operatic re - telling of the story, which will enhance pullman' s wonderfully imaginative world in ways only opera can. the story has huge scope, taking in intimate personal moments - for example, lila' s battle with her own self - belief as she struggles up the mountain; contrasted with large operatic set pieces such as the fire - fiend' s grotto and the elephant parade. topping it all of course, there will need to be musical fireworks, with lila' s culminating' display' an extraordinary musical and visual climax. having set both a solar eclipse (has it happened yet? 2002) and childbirth (push! 2006) to music before, these are the kind of' impossible' musical challenges i relish
.
bruce' s vividly coloured chamber score [ combines ] gamelan crashes and plunky pentatonics with the incongruous wheeze of an accordion to create a beguiling, imaginary hybrid of indo - european folk music .
nearly a lady, 1915; the american beauty, 1916; david garrick, 1916; the right direction, 1916; the cook of canyon camp, 1917; the gypsy trail, 1918; his majesty, bunker bean, 1918; huck and tom ¸1918; the final closeup, 1919; widow by proxy, 1919; the furnace, 1920; jenny be good, 1920; wealth, 1921; in a moment of temptation, 1927 .
bevil, alexander d. , the park brick yard company, the journal of san diego history, winter 1996, v. 42, no. 1
bruce' s sophisticated, sympathetic score is packed full of coloratura and melisma, patter song and parody (of wagner and bel canto). with percussion drawn from bhangra, gamelan and chinese opera, and string, woodwind and accordion writing that shimmies across central europe, it' s a touch of genius that the hit song of the show, on a night like this, is scored for the simplest resources: a cappella voices, clapping hands and stamping feet .
here is where you can help! if you have some information about brick structures that you can share, let me know so they can be added to the list. i particularly need the date of when a structure was modified or razed. if you see a brick building being demolished, send me the address and, if possible, the name or type of brick in the building .
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the immensely likeable cast play a large part in its success, as does david bruce’s economic score - which, mirroring pullman’s non - specific exotic setting, enchantingly combines eastern influences (pentatonics and gamalan timbres) with western folksiness (an accordion supplies a salty tang). conductor alice farnham and chroma ensemble ensure plenty of zip .
for me - as i think for pullman - there is a direct connection between the sense of fantasy that can be created in the theatre and a sense of spiritual and moral questioning. in the theatre we allow ourselves to wonder - to question' what if' - and the question can sometimes be absurd or comical in nature, but other times be something much more profound. in a largely secular society, the theatre is one of the few places where we can still ask ourselves the big questions, and still feel wonder in all its aspects. my instinct as an artist is to set those big questions in a context that allows us to laugh, smile and relax. and this is one of the things that attracts me most about pullman' s story - it contains both the absurd and fun elements that make theatre such a delight - talking elephants, a fire - fiend in a grotto, etc. - whilst at the same time making some fairly profound points about the creation of art, the need for self - expression, friendship, courage and love. to quote pullman again :
ingersoll, luther a. , ingersoll' s century history santa monica bay cities, los angeles, 1908, p. 352
bruce has woven together scintillating timbres and scales from various ‘oriental’ traditions, be it chinese, indian and indonesian, in a crafty weave using bass, harp, violin, winds, accordion and well - chosen tuned percussion subtly realised by chroma ensemble. as he says himself, he’s unashamedly interested in the ‘surface’ of the music, and this comes across in a teeming, tingling fantastical score that wittily references other operas (a lovely wagner moment when the german firework - maker comes on, and a cod - neapolitan song for signor scorchio, his italian rival) .
lantern slide the furnace (1920), julia crawford ivers (w). cpldg
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the result was mesmerising, a simply brilliant piece of theatre which mixed a wide variety of media into a charming and dazzling whole. no wonder the audience was pleased .
this page is dedicated to the brickmakers who helped to build our cities and towns .
there are conflicting reports on authorship of a number of ivers’ films. afi lists maclyn arbuckle and edgar a. guest as screenwriters on the reform candidate, while spehr lists her as screenwriter. afi lists alice von saxmar as a screenwriter on the stronger love, while spehr again lists ivers as screenwriter. fiaf lists ivers as the producer on the bond between, a kiss for susie, and lost in transit, while afi only lists her as the copyright holder. finally, the call of the cumberlands (1916) is believed to be directed by ivers, but is sometimes ascribed to frank lloyd .
... bruce' s nine - person instrumental ensemble included an interesting mix of instruments (violin, bass, flute, clarinet, horn, accordion, harp and two percussionists), with a large amount of tuned percussion (plus one or two imaginative touches such as crumpling plastic bags). his sound world evoked java, gamelan and the east (the rough location of the production), without being slavish. his orchestrations were magical and the sound world highly evocative .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
since my own childhood i have thought of the theatre as a colourful place of magic and fantasy and as i' ve grown older i am still attracted to those same aspects - for me there is not really a difference between children' s theatre and adult theatre - as i see it, it' s all' play' and we are all children .
ringer, donald p .
san mateo usa, california, the golden years ,
1975
this text was printed from the women film pioneers project at columbia university. to promote readability and conserve consumable resources, images and interactive elements in the digital version do not appear in print format .
duration 50 + 45mins composed first performance the opera group, uk & us tour march - may 2013 commissioned by the opera group and royal opera house roh2. dedicated to gosia, kaja and oskar
port costa brick works, port costa; w. s. dickey clay manufacturing co. , decoto / niles; mcnear brick co. , san rafael
, also commented on the relationship between writing and directing. in 1920, she is quoted as saying that “the writer is only a helper… and sometimes very poor help. more stories have been spoiled than made by writers who tried to put them in picture form, and if many of the writers who are yelping for credit on the screen should be debited with the lack of imagination and lack of vision they display, they would have no more to say” (giebler 951). in a 1923
“widow by proxy. ” rev. the atlanta constitution (12 oct. 1919): d5 .
bruce and the opera group have made an enchanting evening that should return for many a christmas show .
the call of the cumberlands. dir. : julia crawford ivers (pallas pictures us 1916) cas. : dustin farnum, myrtle stedman, si, b & w, 35mm. archive: usw .
“the heart of paula. ” rev. new york times. (3 april 1916): 11 .
“a son of erin. ” rev. the washington post (26 dec. 1916): 4 .
bob and pat lane, the amador - livermore valley, a pictorial history, 1988, p. 184
ingersoll, luther a. , ingersoll' s century history santa monica bay cities, los angeles, 1908, p. 176; daniel freeman papers, loyola marymount university
... an intoxicating brew... . the show is the operatic equivalent of a page - turner, ideally paced for an all - ages audience... . the family audience loved every minute of its two hours. once a buzzword, outreach has become a vital commodity. may it live happily ever after .
the majesty of the law. dir. / sc. : julia crawford ivers (bosworth, inc. us 1915) cas. : george fawcett, jane wolfe, si, b & w, 35mm. archive: usw .
barbara miller, 2004; the larkspur heritage committee. larkspur past and present, a history and walking guide, 1991
sacramento daily union, octboer 19, 1852; april 25, 1854; may 23, 1854; henley, james e. government in search of a permanent place to call home; the history of the sacramento city hall, 2005, urltoken
as a result, two particular passions of mine are likely to find their way into the music. firstly, indian music, which i have loved for many years (i have already had discussions about the project with renowned british tabla player kuljit bhamra, who has worked specifically on incorporating tabla and aspects of indian music into the western notated tradition); and secondly, home - made' folk' instruments - pullman mentions that in his original production, a home - made' gamelan' was used on stage, made out of scrap metal. i have long had an interest in such home - made instruments - for example piosenki, my song - cycle of polish children' s poems includes a 6 foot' lagerphone' made from bottle tops attached to a large pole - so the idea of revisiting pullman' s original idea is very appealing to me .
.... i devoured more than my own weight in maltesers, and loved it... . even better is david bruce’s score, ingeniously coaxed from a nine - strong ensemble (chroma) that strongly features an accordion and lashings of chinese - opera style biffs and bangs in the percussion department .
betty compson (a) the green temptation (1922) julia crawford ivers (w / d / p / o). momi
hawkins, charles s. , fort point history, 1977, p. 5; heig, james, teather, louise, and molten, philip, pictorial history of tiburon, 1984, p. 23
suggested reference for this web page using kate l. turabian' s a manual for writers: mosier, dan l. , made of bricks, 2003, urltoken (accessed put - date - here )
long, bruce. william desmond taylor: a dossier. metuchen, n. j. : the scarecrow press, inc. 1991 .
oakland tribune, july 29, 1881, p. 3; bagwell, beth, oakland the story of a city, p. 121
guinn, j. m. , history of the state of california and biographical record of coast counties, california, 1904 p. 1253
composer david bruce and librettist glyn maxwell, aided by creative costumes and sets, have artfully fashioned a wonderful tale that will seize the imagination .
davis, w. j. an illustrated history of sacramento county, california. chicago: the lewis publishing co. , 1890, p. 796
davis, w. j. an illustrated history of sacramento county, california. chicago: the lewis publishing co. , 1890, p. 670
davis, w. j. an illustrated history of sacramento county, california. the lewis publishing co. , chicago, 1890, p. 786
oakland tribune, january 18, 1920; pacific mining news of the engineering and mining journal press, aug. 1923, p. 223 - 226
oakland transcript, january 23, 1876; pettitt, george a. berkeley, the town and gown of it. howell - north books, berkeley, 1973
john rupe, 2014; lewis publishing co. , memorial and biographical history of the counties of fresno, tulare, and kern, california, chicago, 1891
davis, w. j. an illustrated history of sacramento county, california. the lewis publishing co. , chicago, 1890, p. 773 - 774
featuring emotional music with hints of the far east by rising classical star david bruce... an eye - popping, low - tech visual delight ...
josh higgins, written comm. , 2012; graffy, neal, the hotel californian, edhat. com, dec. 3, 2009; pers. obs. 2012
a lady’s name. dir. : walter edwards, sc. : julia crawford ivers, cost. : lucy duff - gordon (select pictures corp. us 1918) cas. : constance talmadge, harrison ford, si, b & w. archive: usm .
submit additional information and / or report errors on this page. if it is approved by imdb database managers, it will be added to the page in a future update .
nash, glen, some stake their future on brick plants, the humboldt historian, may - june 1985, p. 19 - 20; pers. obs. , 2006
cooper, s. t. , thomas, j. w. , and launi, j. c. long beach art deco. arcadia publishing, 2006; southwest builder and contractor, july 7, 1922, v. 59, no. 27, p. 16
schlappi, jane, and ferguson, marilyn, a walking tour of historic placerville, 1848 - 1874, the heritage association of el dorado, 1973; pers. obs, 2013
there is some real and tuneful singing called for too... . this is a delightful show, sweetly told and with just the right amount of seriousness to ballast its charm .
nash, glen, some stake their future on brick plants, the humboldt historian, may - june 1985, p. 19 - 20; eureka times standard, septebmer 6, 1956
architectural digest, 1922, p. 51; masters, nathan, the evolution of a corner: downtown l. a. at figueroa & seventh, kcet, march 1, urltoken
martin, v. c. , wood, r. c. , and bush, leon. stockton album through the years. stockton, 1959, p. 23; karen ramos, 2006
vocally there were some good set pieces, a rather jolly and catchy song for the pirates and some beautiful solos for mary bevan as lila, including her gorgeous final incantation which was a long wordless cantilena .
stanger, frank m. , history of san mateo county, california, 1938, p. 357; foss, werner c. , jr. , the history of ravenswood, 1942, p. 53
herbert hagemann, jr. , a history of the city of pleasanton, 1993, p. 43; livermore herald, august 13, 1937; brick and clay record, september 1907, p. 96
g. oliva, p. n. carroll, d. s. mcdonald, clauss witt, theodore w. peterson, g. d. nagle, thomas d. tobin, remillard bros. , merrill & black, diamond brick co. , hunter & shackleford, e. wilson & co. , william sharon, patent brick co
the intrigue. dir. : frank lloyd, sc. : julia crawford ivers (pallas pictures us 1916) cas. : lenore ulrich, cecil van auker, si, b & w, 35mm. archive: usw .
ivers, julia crawford. interview. honolulu star - bulletin. (3 oct. 1992). rpt. in bruce long. taylorology: a continuing exploration of the life and death of william desmond taylor. 22 (october 1994). urltoken
the gentleman from indiana. dir. : frank lloyd, sc. : julia crawford ivers and frank lloyd (pallas pictures us 1915) cas. : dustin farnum, winifred kingston, si, b & w; 35mm. archive: usw .
up the road with sally. dir. : william desmond taylor, sc. : julia crawford ivers (select pictures corp. us 1918), si, b & w, 35mm. , 2 reels; 2000 ft. archive: usl .
the soul of youth. dir. : william desmond taylor, sc. : julia crawford ivers (realart pictures corp. us 1920) cas. : lewis sargent, clyde fillmore, si, b & w, 35mm. archive: usw .
the bond between. prod. : julia crawford ivers, dir. : donald crisp, sc. : george beban (pallas pictures us 1917) cas. : george beban, john burton, si, b & w, 35mm. archive: usw .
the veiled adventure. dir. : walter edwards, sc. : julia crawford ivers (select pictures corp. us 1919) cas. : constance talmadge, harrison ford, si, b & w, 5 reels, 4565 ft. archive: pc .
the witching hour. dir. : william desmond taylor, sc. : julia crawford ivers (famous players - lasky corp. us 1921) cas. : elliott dexter, ruth renick, si, b & w, 35mm. archive: usw, rur .
the bond between. prod. : julia crawford ivers, dir. : donald crisp, sc. : george beban (pallas pictures, us 1917) cas. : george beban, john burton, si, b & w, 35mm. archive: usw .
the heart of paula. dir. : william desmond taylor, julia crawford ivers, st. / sc. : julia crawford ivers (pallas pictures us 1916) cas. : lenore ulrich, velma lefler, si, b & w, 35mm. archive: usw .
the stronger love. dir. : frank lloyd, sc. : julia crawford ivers (oliver morosco photoplay co. us 1916) cas. : vivian martin, edward peil, si, b & w, 35mm. , 5 reels. archive: usw, usf .
cole, richmond, windows to the past, 1980, p. 48; brick and clay record, 1902, v. 16. no. 1, p. 53; brick and clay record, 1912, v. 41, no. 5, p. 198
fairy tales are ways of telling us true things without labouring the point. they begin in delight, and they end in wisdom. but if you start with what you think is wisdom, you' ll seldom end up with delight - it doesn' t work that way round. you have to begin with fun .
each year i would add some new theatrical trick to my repertoire: a shadow - puppet interlude, or a scene painted on a gauze that would magically vanish when you raised the lights behind and lowered them in front, or a wind machine and a thunderstorm. i had more fun fooling about with those things than i' ve ever had before or since .
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leonard maltin classic movie guide, copyright 2005, 2010. used by arrangement with penguin group (usa) inc .
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lakeith stanfield and his sorry to bother you crew reveal their most soul - crushing jobs in our freewheeling interview .
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ruth gordon: i interviewed ruth three years before she died. my favorite because of her spunk !
when discussing julia crawford ivers, film historians primarily emphasize two things: her remarkably introverted personality, and her role as principle scenarist for william desmond taylor (foster 1995, 199; lowe 2005, 286) .
lantern slide nurse marjorie (1920), julia crawford ivers (w). cpldg
interview ivers also contemplated how film production quality might be improved if directors and writers were to switch roles: “if all scenario writers could direct at least one picture… and all directors could write just one scenario, motion pictures would benefit tremendously” (11) .
julia crawford ivers (w / d / p / o) death certificate, 1930. pc
giebler, a. h. “rubbernecking in filmland. ” moving picture world (16 oct. 1920): 951 .
“julia crawford ivers free - lances. ” los angeles times (9 sept. 1923): iii 33 .
“julia ivers gives new york a call” morning telegraph (17 dec. 1917): v6 .
“movie facts and fancies. ” boston daily globe (20 jan. 1923): 11 .
“mrs. julia crawford ivers. ” new york times (10 may 1930): 19 .
a son of erin. dir. / st. / sc. : julia crawford ivers (pallas pictures us 1916) cas. : dustin farnum, winifred kingston, si, b & w, 35mm. archive: usw .
f atherhood. dir. : hobart bosworth, aut: julia crawford ivers (universal film mfg. co. inc. us 1915) cas. : hobart bosworth, helen wolcott, si, b & w, 35mm. archive: usw .
ben blair. dir. : william desmond taylor, sc. : julia crawford ivers, william otis lillibridge (pallas pictures us 1916) cas. : dustin farnum, winifred kingston, si, b & w, 35mm. archive: usw .
he fell in love with his wife. dir. : william desmond taylor, sc. : julia crawford ivers (bosworth, inc. us 1916) cas. : florence rockwell, forrest stanley, si, b & w, 35mm. archive: usl .
tom sawyer. dir. : william desmond taylor sc. : julia crawford ivers (famous players - lasky corp. 1917) si, b & w. archive: usw .
tom sawyer. dir. : william desmond taylor, sc. : julia crawford ivers (oliver morosco photoplay co. us 1917) cas. : jack pickford, alice marvin, si, b & w. archive: usr, usw .
good night paul. dir. : walter edwards, adp. : julia crawford ivers (select pictures corp. us 1918) cas. : constance talmadge, norman kerry, si, b & w, 35mm. archive: esm .
huckleberry finn. dir. : william desmond taylor, sc. : julia crawford ivers (famous players - lasky corp. us 1920) cas. : lewis sargent, katherine griffith, si, b & w. archive: usr, rur .
nurse marjorie. dir. : william desmond taylor, sc. / adp. : julia crawford ivers (realart pictures corp. us 1920) cas. : mary miles minter, clyde fillmore, si, b & w, 35mm. archive: usw .
beyond. dir. : william desmond taylor, sc. : julia crawford ivers, henry arthur jones (famous players - lasky corp. us 1921) cas. : ethel clayton, charles meredith, si, b & w, 35mm. archive: usw .
morals. dir. : william desmond william desmond taylor, sc. / adp. : julia crawford ivers (realart pictures corp. us 1921) cas. : may mcavoy, william p. carleton, si, b & w, 35mm. . archive: usw .
miller, april .
julia crawford ivers .
in jane gaines, radha vatsal, and monica dall’asta, eds .
center for digital research and scholarship. new york, ny: columbia university libraries, 2013. web. september 27, 2013. < urltoken >
below are lists of other pioneers that are related to julia crawford ivers by occupation or geography .
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pers. obs. , 2003; brick and clay record, june 1902, p. 280
brick and clay record, 1917, v. 51, no. 10, p. 868
architect and engineer, v. 23, no. 2, 1910, p. 77
carnegie brick and pottery co. , carnegie; golden gate brick co. , antioch
alexander, philip w. and haman, charles p. , history of san mateo county, california, 1916, p. 198
los angeles pressed brick co. catalog, los angeles, 4th edition, april 1917
architect and engineer, v. 21, no. 3, july 1910, p. 108
architect and engineer, v. 28, no. 2, december 1909, p. 108
jim horner, pers. comm. , 2014; osni baltazar, pers. comm. , 2014; pers. obs. , 2014
n. clark & sons, alameda; california brick co. , decoto - niles
brick and clay record, 1916, v. 49, no. 8, p. 725
livermore fire brick co. , livermore; california brick co. , decoto - niles
oakland tribune annual year book 1923, p. 76; architect and engineer, july 1924, p. 22
gladding, mcbean & co. and los angeles pressed brick co. , face brick, san francisco, 1927
pacific coast architect, v. 26, no. 2, august 1924, p. 28
firebrick (carnegie, stockton, ione, eureka, premier, tcarr, m. t & co. )
carnegie brick and pottery co. , carnegie; stockton fire brick co. , stockton; ione fire brick co. , ione; eureka brick & tile co. , eureka; dickey clay manufacturing co. , niles; thomas carr & son, newcastle - on - tyne, england; m. thompson & co. , england
pacific coast architect, v. 27, no. 2, february 1925, p. 12
lapbco three star firebrick, lapbco 48 firebrick arch, lapbco xx firebrick, lapbco red pressed; ubco common; cal star firebrick; l. a. paving b. co. paving brick
los angeles pressed brick co. , los angeles; union brick company, san diego; st. louis fire brick and clay co. , los angeles; los angeles paving brick co. , los angeles
pacific coast architect, v. 33, no. 5, may 1928, p. 2
richmond pressed brick co. , richmond; port costa brick co. , port costa
brick and clay record, 1918, v. 53, no. 2, p. 144
brick and clay record, v. 75, no. 2, 1929, p. 110
mcnear company, san rafael; port costa brick co. , port costa; remillard brick co. , pleasanton; h. c. muddox, sacramento
pers. obs. , 2012; bonnie wallace, written comm. , 2012
clay record, v. 36, no. 6, 1910, p. 30
h. c. muddox brick co. , sacramento; thompson brick & tile co. , eureka
los angeles pressed brick co. , los angeles; port costa brick co. , port costa
richmond pressed brick co. , richmond; stockton fire and enamel brick co. , stockton; corona pressed brick and terra cotta co. , corona
washington independent, june 5, 1875, march 11, 1876; pers. obs. , 2002
n. clark & sons, alameda; dickey clay manufacturing co. , decoto
remillard brick co. , pleasanton yard; richmond pressed brick co. , richmond
remillard brick co. , pleasanton; san jose brick & tile co. , san jose; port costa brick co. , port costa; mcnear brick & block, san rafael; peterson - kartschoke brick co. , san jose; richmond pressed brick co. , richmond; n. clark & sons, alameda; cannon & co. , sacramento
livermore herald, april 6, 1882; holmes, philip. two centuries at mission san jose 1797 - 1997. fremont, ca, 1997
singleton, jill ,
washington township veterans memorial building in niles
fremont: musueum of local history website; argus, nov. 12, 2001
california pottery plants, oakland and merced; gladding, mcbean and co. , pittsburg; n. clark and sons, alameda; richmond pressed brick co. , richmond
township register july 11, 1929, niles, ca; pers. obs. , 2009
brick and clay record, 1929, v. 74, no. 10, p. 688; pers. obs. , 2013
los angeles pressed brick co. , santa monica yard; united materials co. , richmond; los angeles pressed brick co. , los angeles
architect and engineer, may 1915, p. 128; gunnar, written com. , 2016
golden gate brick co. (stockton fire and enamel brick co .), stockton
architect and engineer, v. 21, no. 3, july 1910, p. 112
pacific coast architect, v. 8, no. 3, september 1914, p. 120
glotzbach, bob, and horton, archie, self - guided walking tour of downtown glen ellen, regeneration resources, sonoma, 2006 - 07; pers. obs. , 2008
cdmg 11th report, 1893, p. 462 - 463; sausalito news, october 6, 1893
pacific clay products, www. pacificclay. com, accessed june 20, 2012
brick and clay record, v. 46, no. 6, 1915, p. 589
livermore fire brick works, livermore; remillard brick co. , san jose and pleasanton
mcnear brick co. , san rafael; remillard brick co. , pleasanton yard
dickey clay mfg. co. , livermore (face), remillard brick co. , pleasanton yard (common )
davidson brick co. jobs list, from josh higgins, 2013; pers. obs. 2014
petersen - kartschoke brick co. , san jose; n. clark & sons, alameda
pers. obs. 2016; echaore - mcdavid, susan, take 25 to hollister, urltoken (accessed may 26, 2016) .
pacific coast architect, v. 32, no. 4, october 1927, p. 46
e. side of n. mccadden place between romaine st. and santa monica blvd .
simons brick co. , unknown yard; davidson brick co. , monterey park
botts, myrtle. history of julian. julian, ca: julian historical society, 1969, p. 29
brick and clay record, v. 54, no. 3, 1919, p. 244
lincoln public library web site, 2001; gladding, mcbean and co. , 2001
dickey clay mfg. co. , livermore; h. c. muddox brick co. , sacramento
dickey clay manufacturing co. , livermore; oakland paving brick co. , oakland; richmond pressed brick co. , richmond
livermore fire brick co. , livermore; remillard brick co. , pleasanton yard
california brick co. , decoto - niles; livermore fire brick co. , livermore
boynton, gladys r. brick making in san joaquin county. san joaquin historian, v. 4, no. 2, march 1968
pacific coast architect, v. 33, no. 1, january 1928, p. 68
southwest builder and contractor, july 7, 1922, v. 59, no. 27, p. 17
southwest builder and contractor, july 21, 1922, v. 59, no. 29, p. 33
pacific coast architect, v. 27, no. 5, may 1925, p. 18
los angeles pressed brick co. , los angeles; los angeles brick co. , los angeles
southwest builder and contractor, july 21, 1922, v. 59, no. 29, p. 33; architectural digest, 1922, p. 15
southwest builder and contractor, september 15, 1922, v. 60, no. 10, p. 17
architect and engineer, july 1924, p. 20; gladding, mcbean & co. and los angeles pressed brick co. , face brick, san francisco, 1927; southwest builder and contractor, july 21, 1922, v. 59, no. 29, p. 33
architect and engineer, july 1924, p. 20; southwest builder and contractor, september 15, 1922, v. 60, no. 10, p. 17
architect and engineer, july 1924, p. 20; brick and clay record v. 62, no. 9, 1923; southwest builder and contractor, july 21, 1922, v. 59, no. 29, p. 33; gladding mcbean and co. , shapes of clay, february 1929
southwest builder and contractor, september 1, 1922, v. 60, no. 9, p. 14
los angeles pressed brick co. , los angeles; pacific clay products, alberhill
gladding, mcbean & co. and los angeles pressed brick co. , face brick, san francisco, 1927; schall, martin. los angeles photo gallery (www. you - are - here. com); pacific clay products website 2010
los angeles pressed brick co. , los angeles; inglewood patent continuous kiln co. , inglewood
southwest builder and contractor, august 11, 1922, v. 60, no. 6, p. 1
southwest builder and contractor, july 14, 1922, v. 59, no. 28, p. 1
pacific coast architect, v. 27, no. 2, february 1925, p. 18
cdmg rept. 15, 1917, p. 494; architect and engineer, aug. 1914, p. 91
pers. obs. 2008; schall, martin. los angeles photo gallery (www. you - are - here. com )
pacific coast architect, v. 27, no. 6, june 1925, p. 32
pacific coast architect, v. 33, no. 1, january 1928, p. 44
pacific coast architect, v. 25, no. 4, april 1924, p. 42
gladding, mcbean & co. , a study in terra - cotta contrasts, shapes of clay, v. 11, no. 11, december 1926; schall, martin, downtown los angeles, www. you - are - here. com, 2011
pacific coast architect, v. 25, no. 5, may 1924, p. 84
architect and engineer, july 1924, p. 20; gladding, mcbean & co. and los angeles pressed brick co. , face brick, san francisco, 1927
architect and engineer, july 1924, p. 20; schall, martin, downtown los angeles, www. you - are - here. com, 2011
pacific coast architect, v. 6, no. 3, december 1913, p. 426
pacific coast architect, v. 31, no. 5, may 1927, p. 44
architect and engineer, july 1924, p. 20; schall, martin. los angeles photo gallery (www. you - are - here. com )
pacific coast architect, v. 33, no. 2, february 1928, p. 32
brick and clay, 1912, v. 41, no. 1, p. 38
pacific coast architect, v. 26, no. 6, december 1924, p. 22
architect and engineer, july 1924, p. 20; pers. obs. , 2008; southwest builder and contractor, september 15, 1922, v. 60, no. 10, p. 17
pacific coast architect, v. 28, no. 2, august 1925, p. 49
hydraulic pressed brick co. , los angeles, simons brick co. , los angeles
clay record, v. 35, no. 9, november 1909, p. 25
cdmg rept. 15, 1917, p. 494; architect and engineer, nov. 1912, p. 139; jan. 1921, p. 28; gladding, mcbean & co. and los angeles pressed brick co. , face brick, san francisco, 1927; schall, martin. los angeles photo gallery (www. you - are - here. com )
the rug maker 's daughter is a 1915 american adventure silent film directed by oscar apfel and written by julia crawford ivers . the film stars maud allan , forrest stanley , jane darwell , howard davies , herbert standing and laura woods cushing . the film was released on july 5 , 1915 , by paramount pictures . 
the rug maker's daughter is a 1915 american adventure silent film directed by oscar apfel and written by julia crawford ivers. the film stars maud allan, forrest stanley, jane darwell, howard davies, herbert standing and laura woods cushing. the film was released on july 5, 1915, by paramount pictures.
the rug maker's daughter is a 1915 american adventure silent film directed by oscar apfel and written by julia crawford ivers. the film stars maud allan, forrest stanley, jane darwell, howard davies, herbert standing and laura woods cushing. the film was released on july 5, 1915, by paramount pictures.