dasharatham
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dasharatham - 12 mohanlal & lohithadas finest malayalam movie w / eng. sub (1989 )
dasharatham - 13 mohanlal & lohithadas finest malayalam movie w / eng. sub (1989 )
dasharatham - 15 mohanlal & lohithadas finest malayalam movie w / eng. sub (1989 )
dasharatham - 16 climax mohanlal & lohithadas finest malayalam movie w / eng. sub (1989 )
back to movies. . innale kanan pattathirinna # dasharatham... innu kananam ...
an old still of @ mohanlal from # dasharatham location. # mohanlal playing chess during break. urltoken
dasharatham - 16 climax mohanlal & lohithadas finest malayalam movie w / eng. sub (1989) - youtube
added to countless list though still getting same emotion when the movie meets its end. # lalettan # dasharatham urltoken
mandharacheppundo, ,, ,, malayalam song, ,, , dasharatham, m. g. sreekumar, k. s. chithra
mandharacheppundo, ,, ,, malayalam song, ,, , dasharatham, m. g. sreekumar, k. s. chithra - youtube
mix - mandharacheppundo, ,, ,, malayalam song, ,, , dasharatham, m. g. sreekumar, k. s. chithra
just watched # dasharatham. @ mohanlal sir at his best. especially emotional scenes. i am a kannadiga who admired ur masterpiece! ! # respect
dasharatham: mohanlal delivered a mesmerising performance in the movie, which dealt with the subject of surrogacy. he played rajeev menon, a rich o… | pinteres…
@ kannuraan i was also plannin to watch rithu, but not yet decided. . sakudumbam shyamala ond. . so athu kanano ennum doubt, then # dasharatham
@ nimishhalkar # dasharatham is a clasic 1989 mohanlal flm wch dlt wit de subject of surrogacy! p. s mohanlal' s acting at its bst! mst wac! urltoken
dasharatham movie is all about rajiv menon (mohnalal) who is born into riches and who is an alcoholic womanizer with absolutely no aim in life. with no parents ...
agashadoothu rt @ aashkey: not really! . rt @ sadu _ arun # dasharatham rt @ aashkey: can anyone tell me the most tear jerking mallu movie ever? . .
@ ashwinkgopal and how about # dasharatham? it' s my all time favorite... so natural... so perfect... again it' s a villianless movie ...
sibi malayil and lohitadas formed such a prolific combo in the eighties and nineties to pull of so many successful heartbreaking tearjerkers like thaniyavarthanam, bharatham, kireedom. dasharatham is one another gem in that elite list. its one pair, that we really wished, shouldn’t have split up as they never found such critical or commercial success individually after parting ways. johnson’s music once again proves a great asset to a movie with both the song ‘ mantharacheppundo’ and its theme version adding soul and depth to dasharatham .
very few writers could leave lump in our throats consistently at the end of their movies end like lohitadas did with almost his every other script. just like kireedom, bharatham or amaram, dasharatham also reminds you how much we miss the great writer today .
“redbus created a huge market for online bus ticketing, not even seen as a market by the big players, and helped create several other companies along the way, ” said dasharatham bitla, founder and chief executive of bitla software, which also develops bus travel management software .
siddharth menon is a playback singer and film actor from mumbai, india. menon has rendered some film songs but is most popular for his band thaikkudam bridge. his rendition of
mandaracheppundo
from the movie dasharatham for a musical show
music mojo
in the malayalam channel kappa tv topped the music charts .
24 years ago, dasharaham told a unconventional story that was much ahead of its time. the concept of renting a womb, artificial insemination etc did not sit well with the audience back then and the movie did not get the success it deserved. but today dasharatham is a movie that a lot of us love watching many a time and also confounds us at the fact that we had such ace film makers in the past who could create such fresh and innovative stories .
i' m tamil. malare kinda gets played here often on most crappy speakers, so i kinda know well it can get screwed up. i do like the song quite a bit much tho! i' ve seen limited malayalam films - dasharatham, munnariyippu and a few nivin pauly movies. i' m not a big fan of ar rahman (and my favorites of him are not really the popular ones - see my reply to aornic), but his songs get played around often and i kinda know them well as well .
dasharatham which released in 1989 told the story of a rich reckless young man, rajiv menon, who is alcoholic and has no aim in life. he gets attached to his friend’s children during their family’s stay at his house and decides to rent a womb and get a child through artificial insemination. the character might look crazy on paper but mohanlal’s awe - inspiring portrayal gives rajiv menon a whole different dimension on screen. when he tells nedumudi venu – ‘thommiye eniku tharumo’ or tells karamana janaardhanan – ‘njan avanu oru adi kodukatte uncle’, mohanlal amuses us with his innocence .
from tamil star surya to malayalam actor ganesh, one common thing a lot of them use to say about mohanlal is that even his fingers and fingernails can act. in dasharatham’s climax, when mohanlal rests his hand on sukumari’s shoulder and tells her - ” annie mone snehikunna pole maggieku enne snehikaamo’, you could just watch his fingers and you would understand what they all mean. mohanlal’s terrific acting quite ably supported by the ever versatile sukumari and a hauntingly beautiful background score makes sure lohitadas’s well scripted climax is one that viewed by many of us multiple times and which stays with you for long anytime you watch it .
there is a general notion that even if you don’t have a great script or character for mohanlal, if you can cast him as a drunkard throughout a movie, you could have wonderful returns. hello is a fine example of this where the makers produced a huge hit just at a time when mohanlal was having flops and siddeeq too tried the same with the recent ‘ladies and gentlemen’. there are few actors in the business who could match up to mohanlal’s flamboyance when he acts drunk. in dasharatham too, he just sizzles on screen as you see in several instances like his introduction scene where he asks random people in the bar to give him a company, when he gets out and walks into the glass door and when he gets into the jeep and searches for the steering .
dasharatham movie is all about rajiv menon (mohnalal) who is born into riches and who is an alcoholic womanizer with absolutely no aim in life. with no parents to guide him and with the family business being run by a trusted manager pillai (karamana janardanan nair), rajiv is free to waste his life and money on drinks and debauchery. a close friend scariah (nedumudi venu) with his wife and children come over to stay at rajiv’s palatial house for a week. soon rajiv gets attached to one of scariah' s children and decides that he wants to have a child of his own, but neither does he want to get married nor does he want to adopt a baby. good friend, guide and philospher dr. hameed (sukumaran) advises rajiv to rent a womb. they come across a former football player chandradas (murali) who is in dire need of money for an operation, his wife annie (rekha) agrees to give birth to rajiv’s child through artificial insemination. both charandas and annie aren’t happy about the decision – it’s clearly a desperate solution to their financial needs .
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rajeev, an orphan eccentric millionaire, has his own strange taste towards everything. with less knowledge about family relationships, he struggles hard to achieve his aim to become a father without marrying .
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rajeev menon (mohanlal) is a wealthy orphan, a spoilt rich brat who grew up to be an eccentric millionaire. while his trusty manager (karamana janardhanan nair) takes care of his vast estates, rajeev drowns his days in alcohol. his lack of values stems from bitter childhood memories of his mother deserting his father. his eccentricities vary from picking up drunken brawls with strangers to wanting to experience' interesting' things in life like being handcuffed by the police. winds of change gush into his lonely life when he agrees to play host to his friend scaria' s (nedumudi venu) family for the vacation. scaria' s brood of mischievous kids take a liking to rajeev. as they tear his palatial house down, they also make him realize what he' s been missing in life. once they leave, he feels a void in his existence which he intends to fill by adopting a child. when he is denied adoption due to his wayward ways, his friend dr. hameed (sukumaran) suggests artificial insemination as a way of ...
the film was released on 19 october 1989 and has a running time of 154 minutes .
i just happened to watch this movie. loved the storyline, the direction and every character. the songs are brilliant too. it is so heart touching and beautifully portrayed. an underrated movie, this truly deserves a 10. the storyline and mohanlal' s character feels so real. a must watch malayalam movie and my all time favorite actor is at his best. most actors in the movie have showed a brilliant performance. the direction is amazing and the song is extremely beautiful. watch it if you haven' t already !
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evergreen malayalam full movie | mizhikal sakshi [ മിഴികൾ സാക്ഷി ] | ft. mohanlal, sukumari
phantom malayalam full movie 2002 | mammootty, manoj k. jayan | malayalam action movies full
malayalam family entertainment movie | kudumba vishesham | super hit movie | ft. jagadeesh, urvashi
malayalam comedy movie | chanjattam [ hd ] | full movie | ft. jayaram, urvasi, jagathi
mohanlal or mammootty is best. .? ? must see. . its a judgment. .
the bestest climax ever made in malayalam. none could beat this till date. mohanlal - you are quite astonishing !
during the final portions of the movie where he visits murali’s house and asks to hold his son for one last time, later when he tells annie – ‘ninniloode njan puthiyathu palathum padikkan thudangukayaanu’ and in the closing scene with sukumari, mohanlal makes a wonderful transition as his character learns some new lessons in life and he just tugs at our heartstrings with his brilliant and effortless acting .
‘namuku gramangalil chennu rapaarkam, athikalathu munthirithoppukalil poyi munthirivalli thalirthu poovidukayum mathalanarakam pookukkayum cheytho ennu nokkaam…’ solomon (mohanlal) tells sofia (shari) this and asks her to check bible for the rest of the lines. a proposal in malayalam cinema has never been so beautiful before or after. padmarajan’s 1986 movie – ‘namuku parkaan munthiri thoppukal’ released with [ … ]
“ഞാൻ വല്ലപ്പോഴും ഇത്തിരി കുടിച്ചിരുന്നത് എന്തെങ്കിലും ആഘോഷങ്ങളൊക്കെ ഉണ്ടാകുമ്പോഴാണ്. . ഇപ്പോ ഞാൻ കുടിക്കുന്നത് സ്വസ്ഥതക്കു വേണ്ടി ആണ്. ഞാൻ തനിച്ചായിരുന്നപ്പോ എനിക്ക് സ്വസ്ഥത ഉണ്ടായിരുന്നു. എന്റെ ഹൃദയത്തിലും ചിന്തയിലും ഒക്കെ അപ്പോ സിനിമ മാത്രമേ ഉണ്ടായിരുന്നുള്ളു. എല്ലാം പോയി. . i lost everything everything. . ” i think udayananu tharam has one of mohanlal’s most underrated performances since 2000. the more restrained or subtle mohanlal is in a [ … ]
some of our blockbusters in recent years make you wonder if they are really worth all its success. 28 years back when chithram ran for around 400 days in theaters, no one would have really doubted if it was deserving of its phenomenal success. it might still be the all time highest grossing malayalam movie [ … ]
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at first annie just wants to get over with the 9 month pregnancy period, handover the baby and move on with life. the usually rash and immature rajiv is now a changed man, reading up books on pregnancy, child birth and making sure that annie stays in an atmosphere that is cheerful, beautiful and is taken care of by nurses, provided with the best diet and so on to ensure the birth of a healthy and happy baby. he is completely taken up by the thought of having a child, the thought of finally having someone he can call his own. but by the time of the child’s birth annie gets emotionally attached to the life that’s taking shape in her womb and refuses to part with the baby. how the two ultimately resolve their conflicting interests forms the climax of the film .
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for the uninitiated, imagine toying with the concept of' artificial insemination' in the 80s and that too during a period when the indian society was still overcoming the british raj hang over and the pangs of conservatism! surely the efforts, if not the movie' dasaratham' itself needs to be lauded for it is indeed a brave attempt. considering that the lohi - sibi - lal were at the helm of affairs it was destined to stand out as a jewel in indian cinema .
watching the movie for the first time, i was blown away by the audacity of lohi to even come up with a story that could well have had the conservatists demanding for his execution! i am pretty certain that the movie would have met with a fair amount of consternation at that time but eventually it prevailed over these impediments to give us one of the most touching films. clearly the golden period of malayalam cinema also meant that lohi was at his writing peak and thank goodness for it .
the most telling aspect of' dasaratham' is the treatment rendered to the script by lohi and sibi. had the same movie been made in tamil, i am certain it would be vulgar, obscene and highly objectionable. there is not a moment in the movie where you sense any vulgarity or obscenity and that according to me is perhaps the usp of the movie performances notwithstanding. in this sense i feel this also sibi' s best directorial venture to date. he could have easily crossed the line and made it crass but instead he decided it should a classic! kudos to sibi .
coming to the performances - lal is just phenomenal. he underscores his genius in this cult classic. he brings to the table his entire repertoire of acting skills and displays the whole range of emotions in his own inimitable restrained style. to show case comic skills and the ability to emote they way he did in the climax is just top notch. the body language of lal especially in the climax just before he asks sukumari to be his mom is brilliant, the trembling hand before he asks sukumari the question is etched vividly to this day in my mind. lal shines like an incandescent light throughout the movie .
murali (expected) and rekha (surprisingly) have turned in performances that would leave the movie goers at the end of the movie on their feet and clapping. murali is without doubt a jewel in the actors guild but highly underrated for reasons beyond my comprehension. the helplness portrayed by these actors in varyiing degrees of the movie is highly commendable. nedumudi venu is brilliant as usual .
the film is to be watched, admired and celebrated as a classic for a long time to come .
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ella mai – boo' d up (remix) ft. nicki minaj & quavo
urltoken is the second highest transacted travel website in the country, next only to irctc .
omewhere in 2006 when phanindra sama and his friends approached the indus entrepreneurs (tie) for support to incubate their raw business solution as a venture, it introduced them to their first mentor, anand rajaram, himself a successful entrepreneur and a seed investor .
the first advice he gave to sama and his teammates made a lasting impression on the minds of these aspiring entrepreneurs and led them to build one of the most successful ecommerce ventures in the country .
rajaram told them he often felt surprised and laughed at people who spend a lot of money on t - shirts with logos of well - known brand to earn respect from others. instead, they should buy clothes that give comfort .
the moral of the story for the team was to be careful about their spending habits. it should be need - based, instead of massaging egos and earning respect. till date, not just sama but most of the team management prefer to travel by buses when going to neighbouring cities to do jobs that can wait for the time spent on a night’s travel .
rajaram, who spent his initial years at wipro working closely with its founder chairman azim premji, used to tell the redbus founding team stories on how the latter never compromises on the value system and never takes short - cuts like bribery to get work done .
aybe, we could have grown a little faster by getting work done by paying a bribe but that was never meant to be long - lasting, ” says sama, the co - founder and chief executive of pilani soft labs, which owns the redbus platform .
the company, recently acquired by south african media giant naspers through its indian subsidiary, ibibogroup, for around $ 120 million (around rs 790 crore today), has since grown at a scorching pace to establish a virtual monopoly in the bus ticketing market in india .
it commands a whopping 65 per cent market share in this segment, issuing 12 million bus tickets a year, with a gross merchandise value (gmv) of around rs 600 crore. the platform developed by sama and his two other colleagues, charan padmaraju and sudhakar pasupunuri, initially as a not - for - profit initiative, today supports 1, 200 bus operators belonging to 24 states, apart from the road transport corporations of five states .
“redbus is the dominant online bus ticket aggregator, with a well - recognised brand among bus travellers, as demonstrated by its market share, growth, quality of traffic and conversation rates, and with deep relationships among major luxury bus operators, ” said nitin nayar, managing director, warburg pincus india .
“further, redbus is developing proprietary data to strengthen its long - term lead. user reviews on the consumer side, and custom analytics to help operators plan routes and offer dynamic pricing will ensure all participants continue to be engaged with the platform, even as the market becomes more competitive, ” nayar added .
hat made redbus grow at such a past pace? sama says there are many factors. from the external point of view, it could be the sheer luck of identifying the right opportunity at the right time .
“when we started this, internet was not that big. we were perhaps slightly ignorant, because nobody else believed that even so many number of bus tickets could be sold though internet. otherwise, somebody else would have started, ” says sama .
for sama and his friends, the idea of developing an online bus ticketing platform came out of their personal need, to address an issue most bus passengers face .
it started after sama failed to get a bus to his home city during the durga puja time in 2005. when he proposed an idea to develop this platform, his other two co - founders who were staying in the same flat liked it very much. they started taking the help of a few other techies (in fact, initially seven of them had started working on developing the platform), who were staying in the same flat. the idea was to empower bus operators by providing this as an open source platform. but it never clicked, as not many were ready to take it even as free. at this juncture, someone suggested they approach tie .
s advised by their mentor, sama and his team had to first identify the market opportunities for their venture. they decided to start with karnataka. there was no study done to evaluate this industry. at that stage, they did not have funds to appoint anybody to do it. so, they decided to do it themselves .
“we went to kalasipalyam (a place in bangalore from where most private buses operate) and checked shop by shop. they gave some information but that was based more on guess. so, we tried to find the most repetitive number. that’s how we did the survey, ” recalls sama .
thus, the team gave shape to a company known for its flagship redbus platform. sama virtually built a sector that was almost non - existent and created the market and the demand .
edbus created a huge market for online bus ticketing, which was not even seen as a market by the big players and helped create several other companies along the way, ” he added .
redbus and sama never looked back since then. with an initial funding of just rs 2. 5 crore from seedfund in 2007 and a subsequent round by inventus of around rs 8 crore (rs 80 million), the company started growing at a scorching pace from the first year .
from just rs 50 lakh of gmv in the first year (it’s for six months as the company started in august) to rs 5 crore (rs 50 million) in the second year and rs 30 crore (rs 300 million) in the third year. the gmv had hit rs 600 crore (rs 6 billion) in 2012, when the company last publicly disclosed the figure .
apart from giving birth to the online bus ticketing industry, redbus engine today runs on most of the competing online bus ticketing platforms. the bus ticketing platforms of the competitions such as makemytrip, expedia and urltoken share the revenues with it for every ticket booked using its platform .
and that is what sama believes in. “in internet, there is space for only one company in every field of internet. for example, we only have one popular search engine, one popular social platform. so there is always a big race to become that large company because all of them know that unless they become large, they will become smaller and smaller and die one day, ” concludes sama .
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only the genius of mohanlal could pull this off! the complexity of the lower caste kathakali artist kunikuttan' s character earning for his father' s acceptance and grieving over his estranged son has been performed extremely graciously by him. this is perhaps one of the greatest characters he has ever performed! and rightfully so he received his 3rd national award for best actor with this !
this particular scene is considered as one of the most heart wrenching scenes in malayalam movie history. a distraught rajiv menon' s emotions have been brought to life by mohanlal to create an extremely emotional climax to the classic .
sethumadhavan is perhaps one of the most unforgettable performances by the stalwart! the angst of shattered dreams as well as the gravity between the father (brilliantly portrayed by another maestro - thilakan) and the aspiring police officer son is showcased brilliantly in this sibi malayil masterpiece. this movie fetched him his first national award !
manichitrathazhu is a landmark movie in malayalam cinema on many fronts. the look of fear is evident on dr. sunny' s face as he tries to comfort a worried nakul is depicted with ease by mohanlal. to stand out considering that shobhana has provided one of the best performances as a mentally unstable ganga in this technical masterpiece is a feat in itself. dr. sunny is as fondly remembered just as ganga is feared by the malayalis all around the world .
this movie shows the versatility of mohanlal. gifted with one of the finest comic timings, he makes you laugh clinching your stomach and then he makes you cry .
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sethu madhavan in chenkol. one of the best movies in which a character grows and matures in front of your eyes. i consider this as mohanlal' s the most powerful character in malayalam. not poetic, not heroic, but the simple frustration of a common man due to the circumstances he is thrown into. just watch the below scene. the first time i saw this, i was mesmorized. i didnt see
lalettan
. i only saw sethu. i dont know if there exists one with english subtitle though. if anyone wants to know, i will translate when free: )
the film revolves around t. p. balagopalan (mohanlal), a middle class post - graduate salaried person, who wants to build himself and also needs to take care of his extended family members. the film went over factors influencing kerala of the 1980s such as widespread unemployment, poverty, and the poor economy .
the film is the story of a doctor played by mohanlal, who unknowingly kills his junior played by vineeth in medical college ragging, while he was a senior student and that incident always haunting his guilty mind and his reciprocation towards vineeth' s poor family. ultimately he helps vineeth' s sister parvathy to become a doctor .
it tells the tale of balan (mohanlal) who' s on the lookout for revenge against raju (salim ghouse) for the murder of balan' s wife .
' s perspective. how, in the absence of his elder brother, bharath takes the responsibility of the family and hides his griefs is the core of the story .
the story is about convict sathyanathan (mohanlal) sentenced to death following multiple murders (of two adult men and two girl - children) he has committed and his subsequent prison life till death .
) as a once respected dance teacher turned a drunkard after his wife' s death at the kerala kala mandiram .
the film deals with the relationship between siblings unnikrishnan (mohanlal) and meenakshi (vinduja menon) who have an almost 30 year age difference between them .
is a fantasy film. it is highly symbolic and makes a statement on terrorism by religions and the evils of the world. the film was selected as
he plays the role of a jeep driver who finds his childhood friends to prove his innocence after 30 yrs .
its a movie dealing with alcoholism, mohanlal plays the role of raghunandan a tv show host an alcoholic .
oh! my god…there will be a big list. he is one of the best and the most complete actor the country has ever scene. during the 80’s and 90’s often termed as “golden age of malayalam cinema”, there are so many characters that he has performed where nobody can match with him .
there are also movies where his screen presence is just for 15 minutes or even less than that and that one small portion will speak about his acting excellence. these are some of them ,
mohanlal the complete actor and he acting in malayalam industry around 3 decades. there are many unforgettable role are there and he is very flexible actor and he can suite any role. some of best roles played by mohanlal is sethumadhavan in kireedam, its hurt touching movie and its about father son relationship. onother strong character played by mohanlal is aaduthomma in sphadikam, its ever green action movie and thomma one of the strong character. vishnu in chithram is make every one cry, only mohanlal can act there character in malayalam industry .
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mohanlal, nedumudi venu, sukumaran, murali, rekha, sukumari, kaviyoor ponnamma, jayabharathi, k. p. a. c. lalitha, ajay mathias, m. s. thripunithura, kollam thulasi, karamana janardanan nair, vineeth kumar
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this is one of the cult classic film of mohanlal. a. k. lohithadas won kerala film critics award for best script writer. the movie is partly adapted from the korean movie the surrogate woman .
one of many finest hours in malayalam cinema. very few actors can pull of childishness and sincere vulnerability with equal elan and depth like lalettan. as for the final scene it; s one of the most heart breaking in indian cinema .
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i' m currently digging on daft punk' s random access memory. let' s share and compare !
nothing beats stuff (of decent / good enough production and mastering) that you are intensely familiar with .
when i demo' d the orpheus, i listened to tracks i had known for at least a decade by artists like pink floyd, nine inch nails and prince .
beyond that, i even find stuff like k - pop (slick production, overly processed vocals) to be a good test of how headphones perform on different types of music. the hd800 butchers k - pop, especially female groups because of the shrill vocal production, but the omni and elear accentuate the low end and mids to make the sound have more body to it while taming the highs. the he - 500 is more towards the omni and elear' s end of the spectrum. whenever i mention how a headphone performs on
electropop
in my reviews, i usually just mean k - pop but am too self - conscious to mention it on video .
beyond that, binaural recordings and stuff like this (not a binaural recording but similar in feel) are great for testing soundstage and imaging. due to using these, i found that the hd800 was a clear winner in all headphones that i' ve reviewed in these categories .
edit: i' d also like to highlight
dreams
by fleetwood mac. hell, the entire rumours album is a great test for audio equipment .
i was on the fence between the hd650 and he - 400i, but then i put on
the chain
and suddenly the sennheiser wasn' t an option any more .
so the elear isn' t the hd800 killer? (i got badly carried away by innerfidelitys - wall - fame) .
it is for my tastes, overall. but it' s apples and oranges really .
what do you think would suit my tastes tho (my reply to op has what i love for now)? and i kinda love headphones that demolish autotune / huge modulation in voice in exchange for magic when it comes to acoustic and 70s and a little bit of synthetic music. i do like electronic and pop, but the daft punk and backstreet boys kinda stuff. and if i am right, minority by green day should sound better on elear than 800 or is it the other way around ?
and eager about the hd598 review. i have one, just curious to learn what i' m missing out from high end headphones. . if possible please compare the 598 against hd600 and hd800, (i know mine is gonna be crushed, but still curious )
all the ones you mentioned are better on the elear, especially if you like indian soundtracks by the likes of ar rahman where there' s a lot going on .
i' ll review the hd598 in the near future, need to do an iem on loaner first. i can already tell you that it' s warmer than the hd800. the soundstage is comparable to the elear and hd600 in my view, even though i heard from people that the 598 has a wider soundstage than the hd600 .
no doing ar rahman well is not a criterion for headphones for me. my favorite arr albums are not very popular (ayutha ezhuthu, new, uyire / dil se, may maadham, kangalal kaidhu sei, boys, guru, shivaji the boss). as a matter of fact i hate most ar rahman songs that came after 2007 (but it' s nice to see him being popular abroad). his songs are played around here often and just kinda know them well, so i use it when testing my headphones. but i do love indian voices like shreya ghoshal' s (especially barso re), hariharan and chitra and indian classical music and instruments like sitar, mridangam, etc. .
my major preferences are pink floyd, michael jackson especially those 2 albums i mentioned, followed by the songs i specifically mentioned for testing like summertime sadness, alphabeat, minority, that soundstage bubbles song, those sound tracks and artists like sarah jarosz (especially ring them bells), mariah carey, daft punk, etc. . so yep quite a lot of genres. in your elear review, i guess you mentioned hd800 does focused songs like pink floyd better and that kinda got me, but i do listen to chunky songs like minority as well. i do listen to other electronic / dubstep but they are hardly a priority for me .
my tracks kept changing with new gear. my first one was kryptonite, the sound magic e10 did that song some real good justice, drums were very punchy. then when i got my vsd3s, i knew songs with lots of female vocals, dubstep and 70s classics. three particular songs i thought i knew end to end was bet my life by imagine dragons, dreams by beck and the right time by the corrs. but now hd598 s came and my current test tracks (including what i obtained from my vsd3s) are
michael jackson - man in the mirror (emotion, feel, mids and highs. . became my most favorite after hd598 came )
enrique iglesias - why not me, disclosure ft sam smith - latch, the script - walk away (bass quality and coherence with rest of spectrum) .
michael jackson - blood on the dance floor. (the chorus around 3. 15) michael jackson - butterflies (the backgroud female vocals that come around the later part of the song) - (both for testing if any mids is being submerged / compressed and fighting for room, and testing choruses brings out the best in mids )
s. o. a. d - b. y. o. b, and some raps like eminem - lose yourself (check how effortlessly i can make out the lyrics, lesser the effort better the headphones. they flow like butter out of my hd598 )
norah jones - don' t know why, bjork - quiet, cranberries - zombie, lana del ray - summertime sadness (extremely quiet masters, show how contrasting sounds your headphone can produce especially when it played after alphabeat). . will show if your source is under driving your headphones .
metallica - nothing else matters, avenged sevenfold - hail to the king, mariah carey - always be my baby (coherence, ease of understanding lyrics especially in hail to the king, feel and continuity). i also use always be my baby as sub bass nsturality / existence if any test (12 to 22 seconds )
the corrs - toss the feathers, cma - fragments of the past, audiomachine - breath and life, baptiste thirty - dreams (non vocal music) .
soundtracks - hans zimmer (especially inception), thomas newman, james horner (this guy' s my most favourite), james newton howard. . american beauty soundtrack is pretty amazing to test stuff .
quite a bit of v shaped, bass head or dubstep tracks. skrillex - bangarang (feat. sirah), benny benassi ft. gary go - cinema (skrillex remix )
sennheisers test tracks of hd800 or orpheis. . found them somewhere on youtube and they were damn impressive even on my vsd3s .
this malayalam song is one of my favorites, so i kinda know it pretty well .
some videos from the net like ads (they have some really epic music) and some live stage performances like world of dance for testing emotion, stage feel, realism and sub bass quality / existence. soundstage as well to an extent, but realism > too much soundstage in this case .
i listen to a looot of genres - vocals, instrumentals, orchestras, live videos, short films, lots of ads and adventure videos like devinsupertramp and music from 70s classic 8 / 90s pop to modern hip hop, dubstep, electronica, metal, etc and am open to trashing my old collection and moving to newer ones. fortunately i' ve never had to trash much other than some chris brown, justin bieber and the likes stuff. but my favorites wavered a lot before settling on the 70s greats of pink floyd (shine on you crazy diamonds, crying song, us and them, brain damage), the doors (the end, riders in the storm), eagles and queen. so much feel, coherence and complexity, yet simple. and exceptional talent. if these felt spot on on any headphone, it' ll be my end game. and i also find michael jackson' s invincible (especially speechless, heaven can wait and break of dawn) and dangerous (could there be anyone who doesn' t like this album ?) albums to be incredibly good for enjoying and testing. they have all tests in one package. they sound good on anything decent, but they keep scaling as the equipment quality increases. none of my headphones keep me contended with these and give me one big reason to go down the rabbit hole .
i wouldn' t be surprised if all other songs got replaced from this list with my next headphone, except those 4 70s greats and invincible and dangerous. the soundtracks i mentioned are pretty deep as well .
i also listen to some ar rahman music on new headphones, not because i' m a fan or anything, just because i know them pretty well and his songs are mastered very well. they are decent but nothing special to test for me .
and sometimes you can confirm your headphone is excellent if it shows how horrible some music / mastering is. lot of people say rhcp sounds bad on good headphones, but to me songs like scar tissue and hey oh sound just fine on all my gear. . i haven' t tried californication yet tho! !. i have certain youtube tracks that have pretty bad mastering, random jumping and popping of music and my hd598 show them clearly well, like a magnifying gslass. kinda makes me feel very good about them .
i think quite a lot of songs above could be used for testing imaging and timbre, but i' m newbie when it comes to audio, and i don' t know musical instruments any good. so can' t comment on that .
and yes, one song will never make it for me. i never get excited for reviews stating about 10 - 15 minute experiences, except if for pink floyd, doors or eagles .
i like your style man - also i like your comments on the songs, im only 1 quater through but lovin most so far .
they' ve put out apologies with albums for not sounding as good as they wanted, albums that years later are still held in exceptional regard for their quality. they' re studio perfectionists...
dasharatham ( malayalam : ദശരഥം ) is a 1989 malayalam drama film written by a. k. lohithadas and directed by sibi malayil . it stars mohanlal , rekha , murali , nedumudi venu , sukumaran , karamana janardanan nair , sukumari , kaviyoor ponnamma , k. p. a. c. lalitha and jayabharathi . the music was composed by johnson . the film deals with the subject of artificial insemination . a. k. lohithadas won the kerala film critics award for best scriptwriter . this is widely regarded as one of the best films from the writer-director duo lohithadas-sibi malayil . dasharatham was the first malayalam movie officially dubbed and released in marathi . it released in marathi as mazaa mulga ( meaning : my son ) . 
dasharatham (malayalam: ദശരഥം) is a 1989 malayalam drama film written by a. k. lohithadas and directed by sibi malayil. it stars mohanlal, rekha, murali, nedumudi venu, sukumaran, karamana janardanan nair, sukumari, kaviyoor ponnamma, k. p. a. c. lalitha and jayabharathi. the music was composed by johnson. the film deals with the subject of artificial insemination. a. k. lohithadas won the kerala film critics award for best scriptwriter. this is widely regarded as one of the best films from the writer-director duo lohithadas-sibi malayil. dasharatham was the first malayalam movie officially dubbed and released in marathi. it released in marathi as mazaa mulga (meaning: my son).
dasharatham (malayalam: ദശരഥം) is a 1989 malayalam drama film written by a. k. lohithadas and directed by sibi malayil. it stars mohanlal, rekha, murali, nedumudi venu, sukumaran, karamana janardanan nair, sukumari, kaviyoor ponnamma, k. p. a. c. lalitha and jayabharathi. the music was composed by johnson. the film deals with the subject of artificial insemination. a. k. lohithadas won the kerala film critics award for best scriptwriter. this is widely regarded as one of the best films from the writer-director duo lohithadas-sibi malayil. dasharatham was the first malayalam movie officially dubbed and released in marathi. it released in marathi as mazaa mulga (meaning: my son).