aphrodite ( film )
aphrodite was released in france on 7 july 1982. the film was released in france on vhs in 1985 .
aphrodite was the final theatrical film by robert fuest. the film was shot in a studio at hauts - de - seine in france. the film is a french - swiss co - production between films de la tour and scipion films .
aphrodite is a 1982 french–swiss soft - core sex film directed by robert fuest. the film is inspired by the novel aphrodite: mœurs antiques by pierre louÿs and stars valérie kaprisky and horst buchholz. the story follows a group of visitors who come to an island where they are involved in different sexual liaisons .
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imdb has listed several actors associated with the film, some with named roles .
driving aphrodite crashed and burned in the states under the title my life in ruins and it will do the same here .
( warning: this image is approximately 250k, depicting aphrodite' s roman equal, venus. see the family resemblance? )
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he then returned to television for the new avengers (1976), the doombolt chase (1978) and, in 1980, the creepy revenge of the stepford wives, a film made for television. fuest’s final offering on the big screen was aphrodite (1982), a french - language film in which people enjoy plenty of sex on a greek island. he continued to work in television until the late eighties, then became a lecturer at the london international film school .
better as friends: lenny and the
film
star / prostitute linda, she goes by many names .
' mighty aphrodite' only occasionally sparkles with witty dialogue reminiscent of allen' s earlier films, and that' s not enough to resurrect the old woody allen magic .
lgff 2017: : the spirits by srdjan milosavljevic. 79’. greece. 2016. world premiere. fiction feature film .
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we are working on a big round up of 2015 film details. it is expected to be released around late july 2015 .
an unexperienced young actress is invited to play a role in a film based on dostoyevsky' s' the possessed'. the film director, a czech immigrant in paris, takes over her life, and in a short... see full summary »
harry is a young millionaire on holiday; he takes his yacht to a greek island, and stays in the mansion of his friend, count orloff. the count organizes a feast there, for three days and three nights, which is the reenactment of the love cult of the goddess aphrodite. harry will meet pauline there, a young woman who becomes his goddess... (loosely based on pierre louïs' s novel ,
aphrodite
. )
sophie von haselberg plays april. she is the daughter of bette midler (who starred with allen in scenes from a mall) and has not really appeared in a film before .
the film broadly hints lenny and amanda are going to split and end up with new partners. they end up admitting, yes, they really do love each other and remain married .
chris hemsworth kicks off filming for the star - studded men in black spin - off as he cuts a sharp figure in london... 21 years after the first film hit screens
robert fuest, who has died aged 84, was a film and television director noted in the seventies for his excursions into the horror genre, which he explored with black humour in two vehicles starring vincent price .
meredith hagner is playing sandy. hagner stars in the tv series ‘ men at work ‘ and appeared in the whit stillman film ‘ damsels in distress ‘. she also appeared in an episode of ‘ louie ‘ .
filming has wrapped on the 2015 film written and directed by woody allen. we know the principal cast – jamie blackley, joaquin phoenix, parker posey and emma stone. there are now additional details of the supporting cast .
woody allen’s name has been at the forefront of show business for nearly half a century. the bronx native has written, directed, and produced countless film and stage projects, earning him three oscars and three golden globes on top of several nominations .
she fails to take their advice. the one asset this film has is the scenery. but you' ll wish the characters wouldn' t keep standing in front of it. you don' t need to be the delphic oracle to predict this one' s fate .
, is a contemporary romantic comedy that takes place in new york city. the film revolves around the problems that occur within a specific marriage, while it takes a broader, fanciful look at the subject of love between men and women. the title is derived from the greek
in mighty aphrodite, a nerd' s revenge fantasy - - yet again - - from putative genius woody allen, our hero pits his romantic sensibilities against feckless women and crass consumerism. yet again. and lest we forget how serious he is deep down, he gives us a greek chorus. we know they' re the chorus because they look like tag - sale statuary (if you can overlook... read more
one by one, the medics are murdered in a manner that suggests the plagues visited on egypt in the old testament: one is mauled to death by bats, while a nurse is consumed by locusts. the film — which also features terry - thomas as one of the murdered medics — ends with phibes, having escaped the attentions of inspector trout (peter jeffrey), in a stone sarcophagus next to the embalmed body of his wife, draining his own blood and replacing it with embalming fluid .
his first venture as a director was a low - budget production called just like a woman (1967), about a television producer’s wife (wendy craig) who separates from her husband and commissions a mad bauhaus architect (dad’s army’s corporal jones, clive dunn) to design her a metal wigwam in the middle of a field. the film won some good notices, but failed to lead to further offers, so fuest returned to the avengers, this time as a director. when two producers of the series, brian clemens and albert fennell, wanted to move into films, they chose fuest to direct and soon the darkness (1970), a thriller about two english girls on a cycling holiday in france. in the same year fuest filmed an adaptation of wuthering heights, with anna calder - marshall as cathy and timothy dalton as heathcliff .
of all human weaknesses, obsession is the most dangerous, and the silliest !
when he discovers his adopted son is a genius, a new york sportswriter seeks out the boy' s birth mother: a prostitute. review a cute, solid woody allen comedy that' s not as good as many of the comedies that came before but is worlds better than many that came after. allen plays a sports writer who goes searching for the mother of his adopted son, only to find that she' s a prostitute. played by mira sorvino, this character is one of allen' s most delightful creations, a judy holliday with a foul mouth. in fact, this is one of allen' s raunchier movies, but it' s also one of his sweetest. sorvino walks a tightrope between dingy and heartbreaking that deservedly won her an oscar. allen uses a greek chorus to comment on the action throughout the film, populated with famous actors like olympia dukakis, f. murray abraham and jack warden .
after directing several contemporary dramas, comedies, and period pieces in europe during recent years, legendary filmmaker woody allen has returned to his roots with café society, set in the 1930s and 1940s and shot on location in new york city and los angeles. james (jesse eisenberg, the social network) is part of a large jewish family from the bronx who has dreams of making it big in hollywood. after moving to a sun - drenched los angeles, he soon becomes intoxicated by the circle of artists, intellectuals, and power brokers known at the time as “café society. ” along the way, james meets and falls in love with theresa (kristen stewart, twilight), but the couple eventually drifts apart during his rise to success. years later, he returns to new york to become the owner of a swanky manhattan nightclub and discovering that theresa is now married, begins to yearn for the old days and his lost love. despite the familiar territory of a sophisticated urban romance, café society, allen’s 47th feature, is notable for the director’s first - time collaboration with cinematographer vittorio storaro, known for epics such as apocalypse now, reds, and the last emperor. this also marks allen’s first foray into digital filmmaking, using a sony cinealta f65 camera. with a star - studded cast that includes steve carell, parker posey, blake lively and judy davis, the film is sure to be a crowd - pleaser and a bittersweet homage to hollywood’s golden age .
an arms manufacturer takes a group of aristocrats out to a mediterranean island in 1914, for three days to recreate the mythological tale by pierre louy' s of the goddess of love and beauty. english dialogue .
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the abominable dr phibes, released in 1971, has price as a scientist and biblical scholar who seeks revenge on the medical team which he considers responsible for the death of his wife, who has died during an operation .
the protagonist survives this experience to reappear in fuest’s dr phibes rises again (1972), in which phibes wakes up three years later to find that some papyrus scrolls necessary to locate the underground “river of life” in egypt have been stolen from his demolished house. phibes travels to egypt to find the river, whose waters can bring his dead wife back to life, and visits terrible revenge on the people who have stolen his scrolls. at the close, phibes is pushing his dead wife on a raft down the river of life while singing somewhere over the rainbow. both these films have become cult classics .
robert bernard fuest was born at croydon on september 30 1927, the son of a stationmaster. after national service with the raf, he attended wimbledon and hornsey schools of art, where he studied painting and graphic design. he also played drums in a jazz band .
for a time he lectured on painting and lithography at southampton college of art, but he left teaching to work at foyles bookshop in charing cross road before running a record shop in winchester. when he was in his late twenties, a friend offered him a job as a production designer at abc television, and in 1961 he became art director for the avengers .
after the two dr phibes pictures, fuest directed the comedy thriller the final programme (1973), starring jon finch as the son of a nobel prize - winning scientist who has designed a perfect, self - replicating human being. this was followed by the devil’s rain (1975), starring ernest borgnine and william shatner and featuring a young john travolta, about a group of satanists whose powers include the ability to melt their enemies. it was shot in mexico in only 29 days .
throughout his life fuest enjoyed oil painting, specialising in landscapes and seascapes, often of a fantastical nature. he exhibited at the royal academy from 1951 .
with his first wife, gillian, he had three sons. he married secondly, in 1981, jane gould, with whom he had a daughter .
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harry is a young millionaire on holiday; he takes his yacht to a greek island, and stays in the mansion of his friend, count orloff. the count organizes a feast there, for three days and... see full summary »
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chris, a sexy teenager who appears mostly bare - breasted on the french riviera, has a crush on romain, her mother' s lover. in reaction to her inability to attract his attention, she experiments with other risque affairs .
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setting this piece of period drivel in 1914 suggests that the creators were trying to add significance by telling a tale of upper class decadence as europe teetered on the brink of war, but chalk this up as another in a long list of failed ambitions for this piece of drek. every erotic taste is featured here: voyeurism, costumes, role - playing and partner - swapping as events lead up to the main event, a re - creation of a classical greek orgy. however, while the settings are pretty to look at, the performances are so drab, the script so lacking in energy and wit and the direction so pedestrian that it all makes for a boring, empty spectacle. plus, the english - dubbed north american version appears to be a few minutes shorter than the european version, indicating some scissoring by censors. avoid .
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when he discovers his adopted son is a genius, a new york sportswriter (played by allen) seeks out the boy' s birth mother: a prostitute (mira sorvino, who won an academy award for her role) .
author avatar: woody allen as lenny, a neurotic jewish man, as with all of his roles .
bigger is better in bed: the first thing linda asks lenny about kevin is if he has a big dick .
brainless beauty: linda, the dumb blonde prostitute is played by the shapely mira sorvino .
lenny: oh for god' s sake, you' re such a cassandra! cassandra: i am not
such a cassandra
. i am cassandra !
the ditz: the prostitute and the her distaff counterpart that lenny set her up with, an onion farmer .
doting parent: lenny often boasts about his son' s intelligence, wondering why the mother isn' t like him .
happy ending: a
where are they now ?
epilogue montage to the song
when you' re smiling
.
chorus: look, here' s a man who killed his father and slept with his mother. jocasta: i hate to tell you what they call my son in harlem .
interactive narrator: lenny converses with the greek chorus leader (f. murray abraham) .
linda has lenny' s child and lenny doesn' t know. lenny has linda' s child, and linda doesn' t know .
magic realism: loads of it. for example, it' s foretold lenny would receive bad news from the blind seer tiresias at the acropolis. tiresias, a blind homeless guy played by jack warden, in front of a greek restaurant called acropolis .
meaningful name: linda means
pretty
in spanish. linda points this out to lenny .
: linda gleefully and with no intentional malice calls lenny a loser, which is the reason she' s attracted to him (for some reason), not the only inappropriate remark .
leslie wright, leslie wales, leslie st james, linda ash, and judy cum .
would hit a girl: the onion farmer / boxer, much to his deep regret .
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movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
may not stand with woody allen' s finest work, but it' s brought to vivid life by a thoroughly winsome performance from mira sorvino .
a dissatisfied manhattan sportswriter finds more than he expected when he searches for the biological mother of his adopted child in woody allen' s comedy. writer - director allen also plays lenny, a slightly more relaxed incarnation of his usual neurotic screen persona. lenny is trapped in a bad marriage to high - strung art dealer amanda (helena bonham carter), but he finds solace in his relationship with his adopted young son. indeed, he grows so fond of the boy that he decides to track down the boy' s real mother, expecting to discover a brilliant professional. instead, he finds linda (mira sorvino), a ditzy prostitute and porno star who mingles casual vulgarity with disarming innocence. despite his initial disillusionment, lenny soon develops a fondness for linda and decides to play matchmaker, setting her up with a handsome young boxer (michael rapaport) who is equally good - hearted and scatterbrained. while the contrast between the free - spirited linda and the uptight lenny provides the bulk of the laughs, hints of allen' s more literary humor are also present, particularly in the scenes involving a roaming greek chorus commenting upon lenny' s fate. sorvino received a supporting oscar for her title role in a well - received movie that is nevertheless not at the level of allen' s best - known classics .
were mira sorvino' s all - redeeming, possibly best - list - bound performance to melt away, it would immediately be obvious how malnourished this amiably minor effort is .
same ol' woody, though not as effective as some of his past work .
one of the best woody allen films from this decade. a very funny movie that made mira sorvino a star .
better than average woody allen movie. like mira sorvino in this one. didn' t like the greek chanters. made no sense at all and no point them being there .
odd, like all of woody' s films. it was alright and kind of funny though .
i think i enjoyed this a little more than i should have: it kind of skirts the heavier issues and makes the central plot point - tracking down your adopted child' s birth mother - awfully light, and it' s a little on the corny side in places... mira sorvino, for example, is over the top, and michael rappaport is... well, michael rappaport. nevertheless, the ironically used greek chorus and the framing of the main characters' quest in terms of the oedipus plot should go down as one of allen' s cleverest devices, and though woody allen was basically playing himself (as he always does), he yet again inserted himself into a story crazy enough for his
character
( persona, more precisely ?) to be believable .
ia vardalos tries futilely to recreate some of that my big fat greek wedding magic - this time even going so far as to touch down in the old country itself. she plays a greek - american historian who takes a job as a tour guide to the ancient monuments (with, i kid you not, alistair mcgowan as her competitive co - guide). much of the dialogue is seemingly written at the dictation of the greece tourist board (there' s one particularly memorable exchange about the quality of hotel accommodation), and the rest of it feels like its been churned out by some auto - plot generator. hard to believe simpsons legend mike reiss is the man credited for writing what can only be described as piffle .
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number of refugees accepted into the u. s. falls below the rest of the world combined for the first time since 1980
set in and around a tour - bus in greece, it' s like mamma mia! without the songs, wit and charm, or shirley valentine after a full frontal lobotomy .
it' s presumably meant to evoke pleasant memories of sun - drenched holidays. for me, it' s a tacky reminder of why i never want to go on another coach trip .
the chubby, greek - american actress nia vardalos was immensely likeable in my big fat greek wedding, and won an academy award nomination for best screenplay .
now she' s back, much skinnier, noticeably more humourless, and saddled with one of the worst scripts of the year by mike reiss .
she' s also lumbered with director donald petrie, whose career peaked in 1993 with grumpy old men but has plummeted ever since, reaching an all - time low with the lindsay lohan flop just my luck and now this, which is infinitely worse .
vardalos plays too much of the movie with a smile of feta cheese. she plays georgia, a superficial, self - obsessed, sex - starved academic turned tour guide, who despises the coach - load of imbeciles she takes round such sights as mount olympus, delphi and the parthenon .
according to the moviemakers, all georgia needs to do is locate her inner philistine and please the lowest common denominator. well, i guess they would know .
she' redeems' herself by recognising that tourists are interested only in shopping, eating ice cream and sunbathing. no one bothers to ask what these morons are doing in greece in the first place .
the man who encourages her to forget all that ancient history garbage and start slumming it is a supposedly amusing but actually immensely tedious old codger called irv (richard dreyfuss) .
just before cracking out the viagra to enable him to have sex with two busty spanish divorcees, the randy old cupid encourages georgia to have meaningless sex with the hairy bus - driver called, i kid you not, poupi kakas .
played by alexis georgoulis, poupi scrubs up nicely once he has had his hair cut, but continues to have the conversational skills and acting ability of an olive .
poupi' s idea of foreplay, incidentally, is to lay a hairy hand on georgia' s left breast and tell her:' i know i am touching your chest.' poupi, by the way, has a nephew called doudi kakas. i thought you ought to know .
every so often, one of the actors, clearly wishing they were elsewhere, cracks under the strain and snaps at vardalos to stop mugging to camera.' you' re not funny! stop trying!' several of them beg .
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a group of young people, just for one night, acquires the ability to fulfill the last wishes of few people who have died and their spirits roam the city streets .
the spirits will lead them to the places they lived, to meet again with their loved ones, but also their enemies .
compositing assistant: mr. x inc. / digital compositor: mr. x inc .
susan pourfar plays carol. pourfar has many theatre credits, and is also a regular in the tv series ‘ scandal ‘ .
gary wilmes plays hal. he appeared in ben stiller ‘s ‘ the secret life of walter mitty ‘ and was also a recurring character in ‘louie’ .
tamara hickey plays ms leonard. she was a regular in the canadian tv series ‘ blue murder ‘ .
the rest of the cast are listed in really generic roles and no names – professors, students, park goers, man crossing street. there is a role called girl at amusement park – did we miss the filming at the amusement park ?
time will tell how large a role these actors will play, but with such a small headline cast, there’s bound to be room for the supporting cast to shine .
perhaps there is some subplot we’ve not heard about, but it seems very unlikely that any big name actors will be announced at this point, with principal photography over .
ute lemper was born on 4th july 1963. she appeared in magic in the moonlight .
josef sommer was born on 26th june 1934. he appeared in don’t drink the water. he also appeared in the front .
e. g. marshall was born on 18th june 1914. he appeared in interiors .
john gallagher, jr. was born on 17th june 1984. he appeared in whatever works .
eileen atkins was born on 16th june 1934. she appeared in magic in the moonlight .
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urltoken
my one regret in life is that i am not someone else .
- woody allen
deborah brozina... . camera trainee (as deborah e. brozina )
harold' whitey' mcevoy... . transportation captain (as harold mcevoy )
gilbert s. williams... . production assistant (as gilbert s. williams jr. )
julia wilson - dixon... . dialect coach (as julia wilson dixon )
chorus providing commentary on the antics of the confused lovers whose attachments - - and dreams - - are the focus of the story .
parking is available at the mercer street garage, conveniently located across the street from mccaw hall. entrances to the garage are on 4th avenue n and 3rd avenue n .
kristen stewart and jesse eisenberg star in a sparkling new romantic comedy from woody allen about a movie - industry hopeful who arrives in 1930s hollywood, falls in love, and finds himself swept up in the vibrant café society that defined the age .
reserved seating, valet parking, a premium gift bag, and open bar! access to an exclusive pre - reception and after - party in the red carpet lounge .
views expressed during events held at mccaw hall facilities do not constitute endorsement by mccaw hall or the city of seattle.
aphrodite is a 1982 french – swiss soft-core sex film directed by robert fuest . the film is inspired by the novel aphrodite : mœurs antiques by pierre louÿs and stars valérie kaprisky and horst buchholz . the story follows a group of visitors who come to an island where they are involved in different sexual liaisons . aphrodite was the final theatrical film by robert fuest . the film was shot in a studio at hauts-de-seine in france . the film is a french-swiss co-production between films de la tour and scipion films . aphrodite was released in france on 7 july 1982 . the film was released in france on vhs in 1985 . 
aphrodite is a 1982 french – swiss soft-core sex film directed by robert fuest. the film is inspired by the novel aphrodite: mœurs antiques by pierre louÿs and stars valérie kaprisky and horst buchholz. the story follows a group of visitors who come to an island where they are involved in different sexual liaisons. aphrodite was the final theatrical film by robert fuest. the film was shot in a studio at hauts-de-seine in france. the film is a french-swiss co-production between films de la tour and scipion films. aphrodite was released in france on 7 july 1982. the film was released in france on vhs in 1985.
aphrodite is a 1982 french – swiss soft-core sex film directed by robert fuest. the film is inspired by the novel aphrodite: mœurs antiques by pierre louÿs and stars valérie kaprisky and horst buchholz. the story follows a group of visitors who come to an island where they are involved in different sexual liaisons. aphrodite was the final theatrical film by robert fuest. the film was shot in a studio at hauts-de-seine in france. the film is a french-swiss co-production between films de la tour and scipion films. aphrodite was released in france on 7 july 1982. the film was released in france on vhs in 1985.