uthami petra rathinam
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utthami petra rathinam was presented by the successful multilingual producer of indian cinema m. m. a. chinnappa thevar under the banner amara productions. thevar’s brother, talented editor - filmmaker m. a. thirumugam, directed the movie, besides editing it. the script was by thevar films’ ‘stock writer’ aaroor das, while the music was by well - known telugu film music composer t. chalapathi rao (a cousin of the famed indian filmmaker t. prakash rao), who composed music for tamil movies too .
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, directed by m. a. thirumugam & music by k. v. mahadevan .
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k. balaji, malini, m. n. rajam, t. r. ramachandran, pasupuleti kannamba, m. pandari bai, s. v. sahasranamam, s. v. subbaiah, nagesh, ‘kuladeivam’ rajagopal, c. r. manorama, ‘sandow’ m. m. a. chinnappa thevar, p. d. sambandham, c. p. kittaan, sukumari (guest artiste - dance )
k. (krishnamachari) balaji was active in tamil cinema in the fifties and sixties, and played the lead in many movies. he was the grandson of dewan bahadur t. rangachari, a leading lawyer of the madras high court. rangachari attended the commonwealth conference as a delegate held at canberra, australia, and also presided over the government of india film enquiry committee and submitted its voluminous report containing the early history of indian cinema in detail .
balaji was the son of krishnamachari and his malayalee wife. after his high school education, he worked for a short while with the madras telephones and was drawn to theatre. he made his debut in movies in a minor role in the s. s. vasan - gemini studios classic avvaiyar. joining narasu studios as production in - charge, he graduated to playing the hero. he was denied a share of the family property and his mother took the matter to court and won a share inheriting a bungalow on pantheon road, egmore. (it bears the name ‘canberra, ’ the australian capital where the commonwealth conference, attended by his grandfather, was held. )
he graduated from acting to production in which he enjoyed much success and most of his movies were remakes of hindi hits. (he once told this writer that he often made trips to bombay and engaged a taxi and while travelling he would speak to the driver, asking him about new hindi movies and how they were faring. based on such recommendations, both would watch the movies and if he was impressed he would negotiate the remake rights! a novel way of buying movies but that was the drive balaji had! )
the lyrics were by thanjai ramaiah das, a. marudhakasi, and subbu arumugham. t. m. soundararajan, p. b. sreenivos, a. l. raghavan, p. susheela, jikki, p. leela. s. janaki and s. c. krishnan lent their voices to the songs .
there was a dance sequence by noted actress sukumari choreographed by the well - known team chopra, hiralal, and s. m. rajkumar .
c. v. murthi was the man behind the camera. the film was shot at vijaya - vauhini studios .
malini hailing from andhra who shot to fame with sabhash meena played the heroine and was supported by veterans like t. k. ramachandran, s. v. sahasranamam, pandari bai, kannamba, s. v. subbaiah, and p. d. sambandam .
interestingly, the comedy pair was manorama and kuladeivam rajagopal on whom a duet was filmed. nagesh’s name appears in the credit titles, but his role was minor. the story is long and complicated, with many twists and turns .
thematically, it is about the problems between the rich and the poor and the rich man’s daughter falling in love with the poor boy whose father works for the rich man. the others eye the property and the women, and how these problems are solved forms the rest of the story .
in spite of the formidable cast, interesting onscreen narration and pleasing music, the film did not do well mainly because of the complicated and somewhat familiar storyline .
remembered for: the impressive performances of balaji, malini, rajam, pandari bai, sahasranamam, and subbaiah and the comedy scenes of rajagopal and manorama .
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nagesh (born cheyur krishna rao nageshwaran; (1933 - 2009) was an indian film actor, mostly remembered for his roles as a comedian during the 1960s. he is regarded as one of the most prolific comedians in tamil cinema. he acted in over 1, 000 films from 1958 to 2008, performing in a variety of roles as comedian, lead roles, supporting actor and antagonist. he has also acted in telugu, hindi and kannada films. nagesh' s style of comedy was largely inspired by hollywood actor jerry lewis. similarities between nagesh and lewis earned nagesh the sobriquet
jerry lewis of india
.
nagesh was born as cheyur krishna rao nageshwaran to krishna rao and rukmaniamma. he was born in dharapuram, now in tiruppur district, tamil nadu. while his school records give his date of birth as 8 february 1931, and his passport reads 27 august 1933, according to his elder brother’s wife he was born on maha navami (saraswati pooja) .
he left dharapuram at an early age and moved to madras city in search of a career. his roommates, the writer vaali and director sridhar, later became established themselves as prominent personalities in the tamil cinema field. he worked as a clerk in the indian railways .
early in his life, he saw a tamil play, kamba ramayanam, enacted by his colleagues, and felt that he could do a good job. he persuaded the secretary of the railway' s cultural association to give him the role of a man suffering from stomach pain. mgr, then chief guest, seeing this play, in his speech praised nagesh for his performance. from then onwards, nagesh played small roles in various drama troupes .
in 1958, producer balaji spotted nagesh and gave him his first break in a film called manamulla marudhaaram. the film did not do well at the box office. moreover, nagesh had only a small role to play in the movie. in 1960, nagesh made his debut in kannada with makkala rajya .
nagesh won critical acclaim for his performance in the 1961 movie thayilla pillai. but it was his 1962 hit nenjil or aalayam which launched his career in the tamil film industry. nagesh was seen playing the lead role in server sundaram (1964) directed by the legendary krishnan panju. the movie was a remarkable hit and proved to be a great turning point in his career .
the song from this film ,
avalukenna... azhagiya mugam ...
written by vaali was a big hit .
server sundaram marked nagesh' s rise to prominence. the film was about a restaurant waiter ,
server
sundaram, who struggles to make his ends meet. he is in love with radha (k. r. vijaya), the daughter of the owner of the hotel in which he is working. the film is about how with the aid of his rich friend raghavan (r. muthuraman), server sundaram gets a chance to act in movies and eventually, emerges as a rich and prominent actor. however, he is heartbroken when he learns that radha is actually in love with raghavan. while nagesh drove viewers to laughter with his comical antics in the early scenes, his sensitive portrayal of a failed lover in the second half of the movie too earned widespread appreciation. the rags - to - riches story in the movie was actually based on nagesh' s own life. with server sundaram, nagesh earned critical acclaim for versatility .
the success of server sundaram ensured that nagesh was one of the most sought - after actors in the 1960s. at the height of his career, he acted in as much as 35 movies in a single calendar year, at one time shooting six movies simultaneously. he appeared in a cameo in the 1965 mythological thiruvilayadal in which he portrayed the poor, simpleton temple priest dharumi. the soliloquy which dharmi indulges in, within the temple precincts, is regarded as one of the unforgettable scenes of tamil cinema. he followed the success with supporting roles in films as kaadhalikka neramillai where he wants to direct a film under his own production house, oho productions (but until the climax he does not make a film), anbe vaa, shanthi nilayam, pattanathil bhootham and vietnam veedu. he played the role of mohan in major chandrakanth which was a popular hit and won for its lead actor sundararajan the nickname
major
sundararajan. his portrayal of the detestable pimp vaidhy in thillana mohanambal was noted for the way in which nagesh blended humour with villainy. in most of his comic films, nagesh paired with the actress manorama. in 1967, nagesh acted in his first hindi movie, farz
apart from performing in supporting roles, nagesh also acted as the main protagonist in a number of movies. server sundaram is one of them. another performance which is well - remembered is his role as the poor struggling orphan maadhu in ethir neechal. his sensitive and sympathetic portrayal of maadhu evoked comparisons with top character actors of the day. jayakanthan chose nagesh to play the lead in the 1966 film yaarukkaha azhudhan, overlooking sivaji ganesan .
manorama was paired with nagesh regularly in films with m. g. ramachandran in lead between 1960 to 1970 like thaali bagyam, vettaikaran, en kadamai, kanni thai, thayin madiyil, kadhal vaganam, chandrodhyam, anbe vaa, padagotti, panathotaam, kaavalkaran, kadhal vagahnam, vivasaaye, thaikku thalaimagan, ther thiruvizha, thanipiravi, thazhampoo and thozhilali. other directors cast the nagesh - manorama pair in memorable films beginning from 1962 like nenjil or aalayam, kungumam, rakta thilagam, panjavarnakilli, navarathiri, puthiya paravai, anbu karangal, anubhavi raja anubhavi, saraswathi sabadham, gowri kalyanam, galatta kalyanam, ner vazhi, ninaivin nindraval, poojaikku vandamalar, deiva thirumagal, deivathin deivam, shanti, thenmazhai, aannavin asai, andru kanda mugam, seetha, mani makutam, nagamali azhagi, kandan karunai, saadu mirandal, thaimel aanai, kaalam vellum, annai abirami, thiruvarutchelvar, karunthel kannayiram, kalangarai vilakkam, annamitta kai. few films where they were not paired together include server sundaram, madras to pondicherry, thillana mohanambaal, thiruvarul, bommalattam and nanbargal. he played negative character in iru thuruvam in 1971. he has double role in kai naraya kaasu, wherein one character was evil and the other one innocent .
cho acted alongside nagesh in thenmazhai, ninaivil nindraval, ulagam ivvalavudhaan, bommalattam and each of them were box office hits. his critically acclaimed memorable performances were in films like anubhavi raja anubhavi, server sundaram, ninivail nindraval, thenmazhai, rudra thandavam, chinnan jiru ulagam, vairagiyam, punnagai, engal vaadhiyar, enna mudhalali sowkiyamma, kai naraya kaasu, soap seepu kannadi, then kinnam, kalyana oorvalam, neerkumizhi, major chandrakanth, kalahala kapuram. he was paired with rama prabha in pudhiya bhoomi, shanti nilayam and also in another 12 films in telugu. he was paired with geethanjali in panam padaithavan, sanagamam. he was paired with ammakutti pushpamala in ragasiya police 115. he was paired with k. r. vijaya in many films like server sundaram, kalyana oorvalam and dasavatharam .
actress sachu was paired with nagesh in films like kadhalikka neram illai, kettikaran, penn deivam, thunaivan, patham pasali, sorgam, athhaiya mamiya, vandha marumagal. actress madhavi krishnan was paired opposite nagesh in pannakara kudumbam, periya edathu penn, aayirathil oruvan, arasa kattalai, enga veettu pillai, naan, adhey kangal. his comedy was appreciated in films like parisu, dheiva thai, kudiyirudha koyil, nawab narkali, veetuku vandha marumagal, selva magal, nadodi, aayiram roobai, naan annaiyittal .
in the 1970 movie navakiragam, k balachandar wanted to have nagesh along with manorama as his sidekick, but nagesh refused, preferring to act without manorama. manorama was offended by this decision and has refused to act with nagesh ever since. mgr did bring them together as the pair for one last time in annamitta kai in 1972. in the movies - raman thediya seethai, kann malar, gomatha en kulamatha, anbe aayure, thygaam, dheepam, rudra thandavam, baghdad perazhagi in the 1970s, there were scenes where they both were together, but there was no dialogue exchange between the two. however with time the relations between the two became normal by 1985 and the two acted in micheal madana kamarajan in 1990 and imisai arasan23am pulikesi .
after ruining the chance of manorama' s to be in k. balachandar' s movie navagragam in 1970, and due to falling of his friendship with mgr, certain section of people started avoiding giving him roles. his financial problems evolved and his acting chances declined; as the producers feared to offer him parts in their movies as he had turned to drinking. he was plagued by personal problems. his marriage to a christian woman named regina had fractured his relationship with his mother and other relatives. from the relationship, he had three sons, anand babu, ramesh babu and rajesh babu, the first son going on to be an actor plagued by personal problems in his career. in 1973, his mother died causing him irreparable grief. the nagesh theatre he owned in chennai was on the verge of being seized for non - payment of dues. after nagesh cleared the misunderstanding with mgr in 1972, he received offer from mgr to act again in his movies, in comedy roles, with the condition that he would not repeat his earlier mistakes. that’s how nagesh’s career revived with films of mgr like: - ulagam sutrum valiban, nalla neram, nalai namadhe, naan yen pirandhen, uzhaikkum karangale, meenava nanban and urimai kural. but after mgr became chief minister the producers again circumvented nagesh circumspectly .
nagesh acted in a few movies during this period, however as his talent was still the same, hence most of them of which were hits - kalyanan oorvalam, anbe aayure, engalukkum kadhal varum, thiruvarul, pattampoochi, payanam, maharasi vazhga, dr. siva, dheepam, ilaya thalaimurai, murugan adimai, nee vazha vendum. one of his notable roles was a drunkard in the 1974 kamal hassan - starrer apoorva raagangal where he talks to his own shadow and hurls the empty glass upon it while saying
cheers
. in the theatres where the film was shown the audience imitated him and threw cups on the wall of the lobby during interval. he played the role of writer jayakanthan in the 1977 movie sila nerangalil sila manitharkal. nagesh appeared as himself in thillu mullu, which was remade into'' gol maal (1979), a hindi film .
nagesh' s career enjoyed a resurgence from 1978 onwards when he acted in a number of movies, mostly in elderly roles. from 1978 onwards, his performances in films like varuvan vadivelan, adhirstakaran, nizhal nijamagiradhu, oru nadigai nadagam paarkiral, gnana kuzhandhai, azhage unnai aarathikkiren, bhama rukmani, amara kaviyam, vaa kanna vaa, aayiram nilave vaa, kalthoon, kadal meengal, mohana punnagai, then koodu, paartha gnabagam illayo, padikkadavan, maaveeran, cooliekkaran, ivargal varungala thoongal, makkal en pakkam were appreciated. right from the start of his career, he was known for doing clean comedy acts. he wanted to do only clean comedy roles even in the period between 1980 to 1988, when many other comedians were doing slapstick low quality comedy characters in the films and hence he chose to accept very few roles in this period. he was in the lead roles again with rudra thandavam and engal vadhiyar. he started accepting roles of elderly person as well. he also directed the film paartha gnabagam illayo in 1985. it was then when kamal haasan gave him a break with his project apoorva sagodharargal. this movie was a massive hit. nagesh' s villainous role was much appreciated. nobody ever thought that that kamal haasan could design a villainous role for an actor like nagesh, that too after nagesh had crossed the age of 55 in 1988. the movie was later dubbed into hindi as appu raja. he also played the villain in rajinikanth films athisaya piravi and mounam sammadham. his negative roles included sadistic schemers, then muscular giants .
kamal haasan again gave a brilliant role for nagesh in the comedy flick michael madana kama rajan. nagesh played the role of the dishonest secretary avinashi who commissions a look - alike kameswaran to impersonate his boss, madan, and lend him money from madan' s account. he even played a cadaver in kamal haasan' s 1994 film magalir mattum. his journey with kamal haasan continued. director priyadarshan gave nagesh a good role in gopura vasalile. nagesh was very selective of the projects he did from 1990s. his performance in the indrudu chandrudu, pudhu pudhu ragangal, raja kaiya vacha, cheran pandiyan, thalapathi, putham pudhu payanam, purushan enakku arasan, rickshaw mama, amma ponnu, nammavar, marumagan, gandeevam, poove unakkaga, pagaivan, thadayam, ayudha poojai, poove unakkaga, desiya geetham were appreciated in the 1990s .
nagesh had a good relationship with kamal haasan, with whom he had co - starred in a variety of movies between 1975 to the 2000s. kamal haasan cast nagesh in most of his self - productions regularly. he also won the national award for his supporting role as the principal of a college troubled by rowdies, in the movie
nammavar
. kamal haasan plays the role of a professor in this movie. his role as the make - up artist joseph in kamal haasan starrer avvai shanmugi in which he featured alongside another veteran gemini ganesan was also appreciated. cho and nagesh again appeared together in adhisiya peravi and kadhala kadhala .
nagesh did a series of supporting roles in the 2000s. notable among them were those of arjun' s father in rhythm, pawan kalyan' s uncle peddhananna in toli prema, madhavan' s grandfather subbuni in minnale, ajit' s grandfather in poovellam un vasam, father rozario in kadhal kondain, srikanth' s grandfather in bose (film), silambarasan' s grandfather in saravana, jeeva' s father in pori and kamal haasan' s father in vasool raja mbbs. his handling of these roles gained him considerable appreciation from the public .
nagesh acted in tamil films till a few months before his death in 2009. notable among some of his later movies were panchathanthiram, vasool raja mbbs, imsai arasan 23m pulikesi, and his last appearance, dasavathaaram. however, an animated version of him was seen in the 2014 performance capture film kochadaiiyaan .
nagesh was a chain smoker and a heavy drinker in his early days. however, he gradually gave up these habits when he was dangerously ill during the late 1970s and early 1980s. his health began to decline in late 2008 due to progressive heart ailments. he died on 31st january 2009 at the age of 75 due to diabetes and a heart ailment .
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the following is a list of films produced in the tamil film industry in india in 1959, in alphabetical order .
t. r. mahalingam, sowcar janaki, m. n. rajam, n. s. k. madhuram
s. s. rajendran, pandari bai, m. n. rajam, s. v. sahasranamam, a. karunanidhi, v. k. ramasamy, k. sarangkapani ,
t. r. mahalingam, m. n. rajam, r. nagendra rao, thambaram lalitha, r. balasubramaniam
a. nageswara rao, vyjayanthimala, r. s. manohar, e. v. saroja, madhuri devi, k. sarangkapani, k. n. kamlam, s. a. asokan, m. s. throwpathi, javert seetharaman, k. s. angamuthu, s. g eswar
sivaji ganesan, pandari bai, sowcar janaki, s. v. ranga rao, s. v. sahasranamam, malini, n. r. sandhya, k. r. chellam. t. k. ramachandran, t. r. ramachandran, chalam
sivaji ganesan, m. r. radha, b. sarojadevi, m. n. nambiar, t. s. balaiah, s. v. subbaiah, m. v. rajamma, c. k. saraswathi, k. m. nambirajan, s. ramarao, n. lalitha
k. balaji, pandaribai, mynavathi, s. n. lakshmi, a. karunanidhi, javar seetharaman
a. nageswara rao, anjali devi, s. v. ranga rao, chittor v. nagaiah, k. a. thangavelu, p. santha kumari, s. v. sahasranamam, c. t. rajakantham, rajasulochana, t. p. muthulakshmi, raghunath panigrahi, k. sarangkapani, jayakodi k. nadarajan, v. m. ezhumalai, t. v. sethuraman, c. p. kittaan
gemini ganesan, b. saroja devi, c. r. vijaykumari, k. a. thangavelu, m. saroja, s. d. subbulakshmi, a. nageswara rao, m. n. nambiar
s. s. rajendran, mynavathi, pandari bai, chittor v. nagaiah
ramanathan, mynavathi, master viyas, s. v. sahasranamam, t. a. madhuram, a. karunanidhi
k. balaji, pandari bai, c. r. vijayakumari, chittor v. nagaiah, k. a. thangavelu, m. saroja, nagesh
t. r. mahalingam, p. bhanumathi, n. s. krishnan, t. a. madhuram, kaka radhakrishnan, serukalathur sama, o. a. k. thevar, c. s. pandiyan, sandhya, g. sakunthala, t. v. kumudhini
a. nageswara rao, savitri, k. a. thangavelu, rajasulochana, p. kannamba, s. v. ranga rao, g. varalakshmi, m. s. sundari bai
sivaji ganesan, padmini, s. balachander, sandhya, j. p. chandra babu, t. s. balaiah, t. s. durairaj, o. a. k. thevar, p. s. gnanam, t. p. muthulakshmi, c. lakshmi rajyam, lakshmi prabha, m. r. santhanam, ennatha kannaiya
s. v. sahasranamam, pandari bai, r. muthuraman, mynavathi, devika, kula dheivam v. r. rajagopal
sivaji ganesan, anjali devi, m. n. rajam, k. a. thangavelu, j. p. chandrababu, s. v. subbaiah, s. r. dhasarathan, k. m nambirajan, s. rama rao, nalli subbaiah, dharmarajan, g. mani, m. n. rajam, g. sakunthala, c. k. saraswathi, manorama, kumari rukmani
s. s. rajendran, c. r. vijayakumari, s. v. sahasranamam, pandari bai, t. s. balaiah
gemini ganesan, p. kannamba, jamuna, ragini, m. n. rajam, chittor v. nagaiah, t. r. ramachandran, m. g. chakrapani, s. v. sahasranamam
prem nazir, m. n. rajam, t. s. balaiah, sriranjani, tambaram lalitha
n. n. kannappa, pandari bai, t. r. ramachandran, t. s. balaiah, m. s. sundari bai
gemini ganesan, m. n. rajam, m. n. nambiar, p. v. narasimha bharathi, sriranjani
gemini ganesan, padmini, t. s. balaiah, j. p. chandrababu, d. balasubramaniam, s. v. subbaiah, ragini, sukumari, k. s. angamuthu, a. ramarao
s. s. rajendran, b. saroja devi, s. v. sahasranamam, t. r. ramachandran
s. s. rajendran, rajasulochana, m. n. rajam, t. s. balaiah
n. t. rama rao, sowcar janaki, t. r. ramachandran, girija
k. balaji, rajasulochana, prem nazir, devika, j. p. chandrababu, r. muthuraman
s. s. rajendran, s. varalakshmi, kumari kamala, m. n. rajam, t. k. baghavathy, d. v. narayanasamy, thambaram lalitha, m. k. mustafa, raja wahab kashmiri, k. m. nambirajan, valaiyapathi g. muthukrishnan
m. g. ramachandran, jamuna, rajasulochana, p. kannamba, k. a. thangavelu, o. a. k. thevar, e. r. sahadevan, m. g. chakrapani, kaka radhakrishnan, r. balasubramaniam, d. balasubramaniam, v. gopalakrishnan
s. s. rajendran, k. r. ramaswamy, malini, thambaram lalitha, r. s. manohar, t. p. muthulakshmi
m. r. radha, sowcar janaki, prem nazir, s. n. lakshmi
sivaji ganesan, padmini, t. r. rajakumari, m. n. rajam, m. n. nambiar, n. s. krishnan, kula dheivam v. r. rajagopal, t. p. muthulakshmi
m. r. radha, prem nazir, sowcar janaki, r. muthuraman
r. s. manohar, prem nazir, b. s. saroja, mynavathi, t. r. ramachandran, d. balasubramaniam, r. m. sethupathi, t. p. muthulakshmi, s. rama rao, m. saroja, c. t. rajakantham, c. k. saraswathi, k. k. soundar, m. m. jayasakthivel, c. k. soundirarajan, baby uma
gemini ganesan, b. saroja devi, t. s. balaiah, s. v. subbaiah, kula dheivam v. r. rajagopal, t. s. muthaiah, sandow m. m. a. chinnappa thevar, raja bahadhoor, p. kannamba, g. sakunthala, k, malathi, t. p. muthulakshmi
a. nageswara rao, jamuna, rajasulochana, s. v. ranga rao, r. nageswara rao
sivaji ganesan, gemini ganesan, s. varalakshmi, padmini, o. a. k. thevar, ragini, v. k. ramasamy, javar seetharaman, m. r. santhanam, a. karunanidhi, s. a. kannan, c. r. parthiban, baby kanchana
prem nawas, ambika, thikkurissi sukumaran nair, bahadoor, friend ramaswamy, m. n. nambiar, miss kumari, s. d. subbulakshmi, s. p. pillai, santhi, sriram
this page was last modified on 17 march 2016, at 00: 09 .
this article' s content derived from wikipedia, the free encyclopedia (see original source) .
here you will find one or more explanations in english for the word vaazha. also in the bottom left of the page several parts of wikipedia pages related to the word vaazha and, of course, vaazha synonyms and on the right images related to the word vaazha .
k. s. chithra5: 195 .
megengal
s. p. balasubrahmanyam 6 .
en seidhaayo
srinivas ...
( mama maple) t. m. soundararajan, m. raju 06: 32 5
this is the place for vaazha definition. you find here vaazha meaning, synonyms of vaazha and images for vaazha copyright 2017 © urltoken
on # gurudutt ’s birth anniversary revisit this frame from m. sadiq’s # chaudhvinkachand (1960), featuring guru dutt and waheeda rehman. the film narrates the poetic tale of love and friendship. # mondaymemories # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
take a look at this poster for the # 40s one of the most successful film chand chakori (1945). presented by ranjit studios and directed by kidar sharma, the songs of the film like ‘mann mein basaa le piyaa ko’ and ‘jogan bana ke piya’ became especially popular at the time. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
telugu and tamil actor gummadi venkateswara rao was # bornonthisday. widely known as gummadi, he was known for his prolific performances in prominent character roles. some of his notable films include todu dongalu (1954), mahamantri timmarasu (1962) and maro malupu (1982). # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
stalwart filmmaker k. balachander was # bornonthisday. remembered for a distinct style of filmmaking, his films were particularly known for dealing with non - conventional themes across tamil, telugu, kannada, hindi and malayalam languages. some of his notable films include iru kodukal, thanneer thanneer and ek duuje ke liye. his realist experiments within a relevant social context earn him a unique status among his contemporary filmmakers. he was honoured with dadasaheb phalke award in 2010. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
illustrious actor sanjeev kumar was # bornonthisday. from a deaf and dumb man in koshish to a thakur in sholay to an old father in mausam and from an iconic double role in angoor to the depiction nine emotions with nine roles in naya din nayi raat, he effortlessly exemplified personalities and emotions irrespective of age and type of characters. # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
legendary filmmaker and actor guru dutt was # bornonthisday. known for creating eccentric poetic expressions through his unique filmmaking style, like in pyaasa and kaagaz ke phool, dutt is still enjoying a cult following after decades of his sudden demise. along with exploring multiple thematic layers in narratives, he was excelled in capturing evocative visuals with the creative use of light and shades in a noir - ish mode. he is seen here in his romantic thriller aar paar. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
popular actress # neetusingh started her film journey as a child actor. on her birthday revisit this still from # dokaliyan (1968), she is seen here with mala sinha. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
in this week’s # beautifulshot, take a look at this frame from kattathe kilikoodu, featuring mohanlal and revathi. the film narrates the tale of fear and jealousy of young college student asha effortlessly portrayed by # revathi. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
# workingstill of # faceoftheweek # adoorgopalakrishnan with mini nair from the shoot of period drama # kathapurushan (1995). while depicting the life of a communist activist, the film presents a tale of struggle and conflict between the social system and its participants. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
in # supersunday, check out this quirky moment from the song ‘bhajan bina chain na aaye’ from # 70s successful romantic comedy raffoo chakkar (1975). popular pair neetu singh and rishi kapoor is seen here with paintal and rajinder nath. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
one of the leading actresses of 60s and 70s kannada cinema kalpana was # bornonthisday. she gave a number of memorable performances in films like bellimoda (1967), sharapanjara (1971) and yavajanmada maitri (1972). her collaboration with actor rajkumar and director puttanna kanagal was especially popular. she is seen here in bangarada hoovu (1967). # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
renowned actress and director revathi was # bornonthisday. working across the languages and collaborating with well - known filmmakers like mani ratnam, bharathan and sibi malayil, she has given many memorable performances over the years. also a director, revathi has made sensitive films like mitr, my friend and phir milenge. she is seen here in kattathe kilikoodu with bharath gopi. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
on # gurudutt ’s birth anniversary revisit this frame from m. sadiq’s # chaudhvinkachand (1960), featuring guru dutt and waheeda rehman. the film narrates the poetic tale of love and friendship. # mondaymemories # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
telugu and tamil actor gummadi venkateswara rao was # bornonthisday. widely known as gummadi, he was known for his prolific performances in prominent character roles. some of his notable films include todu dongalu (1954), mahamantri timmarasu (1962) and maro malupu (1982). # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
stalwart filmmaker k. balachander was # bornonthisday. remembered for a distinct style of filmmaking, his films were particularly known for dealing with non - conventional themes across tamil, telugu, kannada, hindi and malayalam languages. some of his notable films include iru kodukal, thanneer thanneer and ek duuje ke liye. his realist experiments within a relevant social context earn him a unique status among his contemporary filmmakers. he was honoured with dadasaheb phalke award in 2010. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
illustrious actor sanjeev kumar was # bornonthisday. from a deaf and dumb man in koshish to a thakur in sholay to an old father in mausam and from an iconic double role in angoor to the depiction nine emotions with nine roles in naya din nayi raat, he effortlessly exemplified personalities and emotions irrespective of age and type of characters. # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
legendary filmmaker and actor guru dutt was # bornonthisday. known for creating eccentric poetic expressions through his unique filmmaking style, like in pyaasa and kaagaz ke phool, dutt is still enjoying a cult following after decades of his sudden demise. along with exploring multiple thematic layers in narratives, he was excelled in capturing evocative visuals with the creative use of light and shades in a noir - ish mode. he is seen here in his romantic thriller aar paar. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
popular actress # neetusingh started her film journey as a child actor. on her birthday revisit this still from # dokaliyan (1968), she is seen here with mala sinha. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
in this week’s # beautifulshot, take a look at this frame from kattathe kilikoodu, featuring mohanlal and revathi. the film narrates the tale of fear and jealousy of young college student asha effortlessly portrayed by # revathi. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
# workingstill of # faceoftheweek # adoorgopalakrishnan with mini nair from the shoot of period drama # kathapurushan (1995). while depicting the life of a communist activist, the film presents a tale of struggle and conflict between the social system and its participants. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
in # supersunday, check out this quirky moment from the song ‘bhajan bina chain na aaye’ from # 70s successful romantic comedy raffoo chakkar (1975). popular pair neetu singh and rishi kapoor is seen here with paintal and rajinder nath. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
single movie per eu member. had a day at nfai... . # filmfestival # european # union # international # movies # cinema # pune # nfai
one of the leading actresses of 60s and 70s kannada cinema kalpana was # bornonthisday. she gave a number of memorable performances in films like bellimoda (1967), sharapanjara (1971) and yavajanmada maitri (1972). her collaboration with actor rajkumar and director puttanna kanagal was especially popular. she is seen here in bangarada hoovu (1967). # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
renowned actress and director revathi was # bornonthisday. working across the languages and collaborating with well - known filmmakers like mani ratnam, bharathan and sibi malayil, she has given many memorable performances over the years. also a director, revathi has made sensitive films like mitr, my friend and phir milenge. she is seen here in kattathe kilikoodu with bharath gopi. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
one of the leading actresses of hindi cinema in the 70s and early 80s hindi cinema neetu singh was # bornonthisday. appearing with leading actors in several successful films, her pair with rishi kapoor became especially popular. in recent years also she has given some notable performances in films like do dooni chaar. seen here in yash chopra’s kala patthar. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
# letsshort - a 4 day short film making workshop by umesh vinayak kulkarni and samar nakhate... the masters are here to answer all your questions and take you on a life changing journey of film - making... * * venue - nfai phase 2, kothrud, pune date - 12th july to 15th july 2018 * * for further details contact: 9167677801 / 7387754610 / 8600918147 / 9158005600 # filmmakingworkshop # filmmaking # nfai # theatre # films # drama # natak # lovefortheatre # theatres
in # supersaturday check out the poster for # 90s enormously popular melodrama ghatak (1996). starring sunny deol, amrish puri, danny denzongpa and meenakshi seshadri in major roles, the film is known for its power packed action and dialogues. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
# faceoftheweek # adoorgopalakrishnan is seen here with # satyajitray at padmanabhapuram palace, near thiruvananthapuram. he has remained a true admirer of ray’s cinema. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
well - known filmmaker rakeysh omprakash mehra was # bornonthisday. widely acclaimed for his socio - political and patriotic films, his experiments with film narratives stand distinct in contemporary indian cinema. his notable films include rang de basanti, delhi - 6 and bhaag milkha bhaag. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor # filmmaker
veteran actor - director chandrashekhar was # bornonthisday. debuting with v. shantaram’s surang, he gave several memorable performances over the years. he is seen here with bhagwan dada and mumtaz. chandrashekhar also directed successful films like cha cha cha (1964). # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
music composer anil biswas was # bornonthisday. often credited for introducing orchestral music in indian cinema, he is remembered for his innovative style of using several techniques from western music and blending them into the indian classical or folk style. some of his evergreen work includes films like roti (1942), kismet (1943) and pardesi (1957). # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # musician # music
# faceoftheweek # adoorgopalakrishnan is seen here with painter viswanathan on the shoot of documentary film # ganga (1985). # workingstill # behindthescene the film won the grand prize at ‘cinema du reel’, an international documentary film festival, paris. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
in # flashbackfriday take a look at this frame from # 80s successful melodrama # amrit (1986), featuring # rajeshkhanna, # anitakanwar and # smitapatil. the film depicts unconditional love of parents for their children. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
prominent filmmaker m. s. sathyu is recognised as one of the harbingers of new indian cinema of the 1970s. starting as an art director in chetan anand’s haqeeqat, he moved into experimenting with formal and narrative techniques in his films. sathyu worked across the langues - hindi, urdu and kannada. # bornonthisday garam hawa (urdu, 1973) and bara (kannada, 1980) won the national awards. # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune
# workingstill of # faceoftheweek # adoorgopalakrishnan from the shoot of # elippathayam. widely appreciated film narrates the tale of life trapped within the scraps of time and struggling to cope with changes. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
# throwbackthursday to this frame from o. p. ralhan’s phool aur patthar (1966). made in the # 60s, starring dharmendra in the lead role, the crime thriller established his image as a strong and masculine hero. # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
renowned author balakumaran was # bornonthisday. writing number of novels and short stories, he contributed to the cinema largely with his prolific dialogues and screenplays. some of his landmark work includes the films like nayakan (1987), guna (1991) and baasha (1995). balakumaran also directed tamil comedy drama idu namma alu. # nfai # indiancinema # cinemalover # # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune
versatile bengali actor deepankar de was # bornonthisday. his associations with directors like satyajit ray and tapan sinha were notable. seen here in tapan sinha’s satirical comedy bancharamer bagan (1980), he played the double roles of tyrannical village landlord chhakari and his son nakari. # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
the older # movie # projectors with the # reel setup and the dedicated cooling system at the # national # film # archives of # india. # nfai # ftii # filmmakers # filmmaking # screening # instafilm # production # work # director # pune
# faceoftheweek adoor gopalakrishnan is seen here with jagadeesh (left) and sudheesh (right) on the set of the film oru pennum randaanum (2008). # behindthescene based on the stories by thakazhi sivasankara pillai, the film consists of four stories, each story explores crime in different angels. # nfai # indiancinema # cinemalover # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
in this week’s # nostalgia, check out this beautiful frame, featuring baburao pendharkar and leela chitnis from celebrated melodrama chhaya (1936). released in the # 30s, it was the first talkie produced by ‘huns pictures’ which was co - founded by master vinayak, baburao pendharkar and pandurangrao naik. # nfai # indiancinema # cinemalover # actress # film # filmlover # light # camera # action # instapic # instaphoto # potd # picoftheday # india # pune # actor
only 8 days to go! register now for shoot a short, the best workshop for shortfilm makers! learn from the best, national award winning director umesh kulkarni and ex - dean of ftii samar nakhate. dm or call on 8600918147 for details # letsshort # puneevents # workshop # workshopsinpune # punediaries # filmmaking # shortfilmmaking # shootashort # events # punedrama # dramacircle # filmworkshop # ftii # nfai # puneculture # direction
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drama film directed by v. krishnan. the film stars a. p. nagarajan, kumari
, n. n. kannappa and muthulakshmi in major roles. nagarajan who played the
crime he didn' t commit. ranga, only since, works hard to get his sister
( vijaya nirmala) educated. she marries a doctor, murali (r. muthuraman )
thenarasu dravida munnetra kazhagam twelfth 2001 - 06 k. k. sivasamy all india anna dravida munnetra kazhagam thirteenth 2006 - 2011
r. m. krishnaswamy friends pictures k. v. mahadevan s. s. rajendran
uthami petra rathinam ( தமிழ் : உத்தமி பெற்ற ரத்தினம் ) is a 1960 tamil family - drama film directed by m. a. thirumugam and produced by e. radhakrishnan under the banner amara productions . the film script was written by aarur das . music by t. chalapathi rao assets to the film . it stars k. balaji malini , p. kannamba played lead with t. k. ramachandran , m. n. rajam , pandari bai and s. v. sahasranamam played pivotal role . kuladeivam rajagopal and manorama provided comic relief . 
uthami petra rathinam (தமிழ்: உத்தமி பெற்ற ரத்தினம்) is a 1960 tamil family - drama film directed by m. a. thirumugam and produced by e. radhakrishnan under the banner amara productions. the film script was written by aarur das. music by t. chalapathi rao assets to the film. it stars k. balaji malini, p. kannamba played lead with t. k. ramachandran, m. n. rajam, pandari bai and s. v. sahasranamam played pivotal role. kuladeivam rajagopal and manorama provided comic relief.
uthami petra rathinam (தமிழ்: உத்தமி பெற்ற ரத்தினம்) is a 1960 tamil family - drama film directed by m. a. thirumugam and produced by e. radhakrishnan under the banner amara productions. the film script was written by aarur das. music by t. chalapathi rao assets to the film. it stars k. balaji malini, p. kannamba played lead with t. k. ramachandran, m. n. rajam, pandari bai and s. v. sahasranamam played pivotal role. kuladeivam rajagopal and manorama provided comic relief.