krishna sudhaama
# 18 the famous classical singer m. s subba lakshmi has played a role in the movie ‘ krishna sudhaama’
krishna is thus brought up as an ordinary boy, spending his childhood days herding cows. among his many friends is sudhaama .
sudhaama realizes that his divine friend had blessed him, even without him asking for his help .
yadukula nandana (from
krishna sudhaama
) (full song) - celebrating 100 years of indian cinema kannada vol. 1 - download or listen free online - saavn
meanwhile, sudhaama remains a poor brahmin struggling to feed his family. finally, out of desperation, his wife urges him to seek the help of his childhood friend krishna .
this is another story about krishna. when shishupala was born, his mother became aware that he would die in the hands of krishna .
k stands for krishna. lord krishna :
while many vaishnava groups recognize him as an avatar of lord vishnu; some traditions within krishnaism, consider krishna to be svayam bhagavan, or the supreme being .
sudhaama does not want to visit his friend empty handed. he bundles up some beaten rice in a small cloth as his offering to him
story of a beautiful friendship between lord krishna and his poor brahmin friend sudhama .
even before krishna was born, his uncle kamsa, who as a tyrant was warned that he would die at krishna’s hands. to safeguard their new born, krishna’s father switches his newborn son for the newborn daughter of a village chief .
despite spending time with krishna, sudhaama is unable to ask for krishna’s help and returns home. as he approaches his village, he is heavy of heart, remembering his hungry children. but, a surprise awaits him…his hut is now a beautiful palace and his family is well fed and come running happily to greet him .
she beseeched krishna to spare her son. lord krishna assured her that he would bear 100 insults of shishupala. but he would kill shishupala if crossed the 100 mark .
tales abound about the various lilas (cosmic games) of krishna, another avatar of vishnu .
when he approaches krishna’s palace, he is however, ashamed and tries to hide his humble gift. krishna, with his spiritual insight already knows his friend’s predicament. he playfully grabs the beaten rice and relishes eating it .
finally, draupadi turns to god. she surrenders mentally to lord krishna, stops defending herself and chants his name .
he kept on insulting krishna. when he crossed the 100th mark, krishna let fly his sudarshana chakra (discus) and cut off shishupalas head. so too, does the law of karma catch up with each one of us .
this is one more episode in the colorful tale of the great epic mahabaratha. subadhara is the sister of lord krishna .
krishna is actually an avatar of lord vishnu and is siding with the pandavas in this war. when arjuna throws his weapons down declaring he cannot fight his own relatives, krishna, reveals the great truth to arjuna, in the form of bhagavad gita .
yet, despite all his human weaknesses, it is he who is singled out by lord krishna to receive the bhagavad gita .
the gopikas in their turn show mock anger at the lovable krishna and complain to his foster mother yashoda about his mischievous activities .
the gita is said to be given by lord krishna to his disciple and friend arjuna at the battle of kurukshetra. this episode is a part of mahabaratha .
while the two armies assembled at the kurukshetra battlefield look on, he flings down his bow and arrows and tells krishna, his charioteer that he cannot fight .
radha is the principle devotee among the gopikas of vrindavan, where krishna spends his childhood days. here the relationship between god and devotee is seen in the form of a divine romance. it is an embodiment of love, passion and devotion. radha' s passion for krishna symbolizes the soul' s intense longing and willingness for the ultimate unification with god .
this is once again the relationship between the divine lovers radha and krishna. she is unable to sing to him, because, she is in her intense devotion already merged with him !
krishna is the avatar of vishnu. many are the legends that abound about him. he forms a central figure in the hindu epic mahabaratha. he is the one who gives the bhagavad gita to arjuna .
during his childhood days, krishna is notorious for breaking the pots of milk carried by gopikas. he steals butter and curds from their houses and even steals their clothes when they are bathing in the river yamuna .
arjuna inadvertently walks into his brother yudishtra and draupadi when he goes inside to get his weapons. willingly going on his yearlong sabbatical, he elopes with subadhra, sister of krishna. later, he romances the snake queen uluchi .
the vyuha (formation) in its spiral formation was unique because none of the pandava warriors except three of the warriors on the pandava side knows how to break into it. they are krishna, arjuna and arjuna’s son abhimanyu .
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krishna is however a yogi. he is self realized and knows that he is the soul. hence, all actions that he performs in god realization are done, without acquiring any karma to his human self. he is therefore pure, as the soul is pure .
everybody is surprised that krishna who has many wives and known to be great lover with many consorts, is able to do it. in fact, he is known for his raasa leela, a night when he makes love to a hundred gopis, at the same time .
during his wanderings, he hears about subadhra, the fair and beautiful sister of krishna. he disguises himself as a sanyasi and balarama, subadhra’s eldest brother asks subadhra to take care of the needs of arjuna. when they are alone, arjun reveals his true self to subadhra who has secretly loved arjuna .
the child is killed while still in the womb and is still born. the grieving assembly is told that only one who is chaste can perform the miracle. nobody is willing to come forward and put their chastity to test, however, lord krishna unhesitatingly places his hand on the still born baby, and brings parikshit back to life .
to me, the word brings to mind a character from one of my poems, meera. she was an indian princess, who renounced the royal treasures, to pursue her divine lover krishna, one of the many indian gods. the poem sadhvi, is based on her story, drawing a parallel from my own experiences and feelings .
overcome with sleep, subadhra falls asleep halfway through arjuna’s explanation. arjuna stops his explanation midway. so, abhimanyu learns only how to get into the vyuha, but not the strategy to get out of it. during the war, the kauravas made the chakravyuha formation when they knew that both arjuna and krishna were not present to break it. faced with the prospect of a humiliating defeat if nobody enters the vyuha, the pandava elders approach young abhimanyu for help. they assure him with all sincerity that they will follow him closely into the vyuha and then, would be able to help him get out of it .
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india has given two great epics to the world. one is the ramayana and the other mahabaratha. the bhagavad gita which is seen as an equivalent to the bible and the koran is part of the great epic mahabaratha. poems in this section have been drawn from the characters and events of this epic .
the mahabaratha has countless characters, stories and sub stories, however the main story revolves around two feuding cousins: the kauravas and the pandavas. they are both of royal heritage fighting for the throne. the kauravas stand for all that is evil in men and the five pandava brothers are seen as the righteous. the kauravas cheat the reigning pandavas through a fraudulent game of dice. after many events they finally confront each other in the battle called the kurukshetra war. in the end the pandavas win the battle. it is during the kurukshetra war, that the great song: bhagavad gita is given by the lord .
draupadi is another important character in mahabaratha. wife of all the five pandavas, she is the one singled out to be humiliated by the kaurava princes .
conspiring against the pandavas, the kauravas with the help of their wicked uncle shakuni, challenge the eldest of the pandava prince yudhistra to the game of dice .
deceived by the kauravas, yudishtra wagers his kingdom, and looses it. goaded to wager his brothers he proceeds to do so, and looses them as well .
the kauravas promise to give everything back to him if he wagers draupadi and wins. in desperation, yudishtra wagers draupadi, but loses her too. the kauravas then set out to humiliate the pandavas through draupadi .
dragging her from her inner quarters, the eldest of the kaurava princes, duryodhana orders his brother dushasana to strip draupadi off her sari declaring that since even the clothes she wears is theirs now, they are free to do so .
the shameful stripping begins and all of draupadi' s pleas to the elders present in the court hall are of no avail .
miraculously, even as her sari is stripped off, more appears constantly covering her. thus she is saved by the great lord .
the bhagavad gita (the song of the celestial one) is to the hindus what the bible is to the christians .
the great war of kurukshetra occurs between cousins kauravas and pandavas who are fighting to inherit a kingdom. while the five pandava brothers are the rightful heirs to the throne, the kauravas, their cousins try many unfair methods to wrest the throne from them .
finally, the two groups of cousins, face each other in war. the pandavas have their supporters, while the kauravas, have their grandfather and uncles support them, even though they are unwilling to side against the unrighteous kauravas .
arjuna, the third pandava brother is the most valiant of all brothers. when his chariot faces that of his grandfather, uncles and cousins in the battlefield, righteous arjuna suddenly loses his will to fight. he knows, he will have to have to kill his relatives to win the war .
glossary: gandiva is the name of his bow. devadatta is the conch he uses for his battle cry .
he makes arjuna understand that life is an illusion and he is only an instrument of god .
pondering on why it was that the great truth was given to arjuna, and none of the others in the mahabaratha, it occurred to me that it is because, arjuna, surrenders completely to god .
he does not possess great strength like his brother bheema nor does he live a life of complete righteousness like yudhistara. he in fact, disguises himself as a woman during the one year of ajnathavasa (or living in anonymity) that is one of the conditions imposed on the pandava brothers by their cousin dhuryodhana .
earlier in his life, arjuna, wins draupadi as his wife through his skills of archery. he returns home with her and tells his mother, “ look what i have brought for you”. his mother, without turning around to see what it is, asks arjuna to share it equally with his brothers. bound by the word of his mother, draupadi becomes the wife of the five pandava brothers .
she lives as a wife of each brother for a year and the brothers agree that none of the others can disturb them when they are with her. if any of the brothers does intrude on their privacy, he should go away on a sabbatical for a year .
it is the great field of kurukshetra, where the two warring cousins are getting ready to face each other in the battlefield. the camps are silent as the warriors retire in anticipation of the war that will begin the next day .
sitting outside his tent, set a little apart from the royal tents, is karna. all he knows is that he was brought up as a potters son, but anointed a king of small kingdom by the kaurva prince duryodhana, who admired his skill at an archery competition .
as his life flashes by, he remembers that despite being a potters son, he always had this strong desire to fight and learn weaponry. he remembers the tragic instances when he was cursed twice by his own teachers, when they found that he was not of the warrior clan, and had deceived them in order to learn the skills of archery .
karna is by far, one of the most tragic figures in the mahabaratha. at this point in time, he does not know that he is born to kunti, mother of the pandavas. he was abandoned at birth .
the story goes that kunti was a young girl when her father asked her to tend to a sage who was residing at the palace. pleased with kunti’s devotion, the sage teaches her a mantra, that when recited with any personality of god, would bring that god to her presence .
little understanding the meaning behind this mantra, kunti looks at the sun and enamored by his beauty, chants the mantra. the sun materializes himself in front of her and says that now that she has invoked him, he is bound by the mantra to give her a son .
kunti is aghast, since she is not yet married. but, the events take their course and she is blessed with a beautiful son who is born with gold earrings and a gold armor attached to his body .
unable to keep him because of her unmarried status, she puts him in a basket and floats him in the river. he is found by a childless potter who brings him up as his own son .
karna, true to his royal blood, is always interested in archery. however, he accrues many curses in his life, owing to his identity as a potters son. he however, excels in archery is equal or greater than arjuna .
on this day, before the war, kunti is worried for the safety of her five other legitimate sons – the pandavas. she by now knows the true identity of karna, owing to birth marks that she saw in the archery competition .
tonight, she approaches karna and reveals that she is his mother and asks him not to kill his brothers in the battlefield. karna, who has taken a vow that he will never break his word, agrees to spare his brothers, knowing full well that this promise may well mean his own death. in this poem, i attempt to capture this scene .
many are the great heros who die in the battlefield of kurukshetra. the chakravyuha (wheel shaped formation) is an army formation used by the kauravas in the kurukshetra war .
the story goes that arjuna was explaining the method of entry into the vyuha to his wife subadhra who was pregnant with abhimanyu. abhimanyu acquires the knowledge of breaking into the vyuha as his father narrates it, while still inside his mother’s womb .
valiantly abhimanyu enters the vyuha. the formation closes behind him, preventing the other pandava warriors from following him. abhimanyu goes to the center of the vyuha where he is trapped .
surrounded by the elder warriors of the kaurava clan, abhimanyu bravely fights alone. he loses his weapons one by one, and finally in desperation, uses the wheels of his chariot as a shield to fight off the warriors. he is finally killed by the elders of the kauvara army .
we too in our daily lives, weave our own vyuhas and often get entrapped in them, not finding a way out. no one can fail to experience the makings of our own karma, good or bad .
the great kuru clan that the great epic mahabaratha begins with king santanu. the king meets the divine maiden ganga and she gives birth to devaratha. owing to a broken promise, ganga takes devaratha away and brings him up, but returns him to his father in his youth .
the king is very happy to see the now perfect youth – who has been raised to be his successor. the youth is loved by the citizens, who look forward to his reign. however, once king santanu goes hunting and falls in love with satyavati, a daughter of a fisherman. she refuses to marry the king unless he promises her that her children will become the heirs to this throne. the king returns in dejection to the palace .
young devaratha finds out the cause of his fathers despondency and rides out to meet satyavathi. he promises her that he would give up his right to the kingdom and begs her to marry his father. satyavathi is not satisfied. she says, “ i trust you, but what if you get married and have children and your children lay claim to the throne? ”. young devaratha, then takes a terrible oath. he vows never to marry and remain celibate, so that his promise that her children will ascend the throne .
for, forever, i swear i will my celibacy maintain! ”, he said .
another chapter from the mahabaratha talks about parikshit, the son of abhimanyu and uttara .
the kurukshetra war comes to an end, but aswatthama, a warrior from the kaurava army sends bhramastra, the ultimate weapon of destruction instructing it to kill all the pandavas .
when he is told that it is the not a righteous thing to do since the war is already over, ashwathama regrets having sent this terrible weapon .
he admits that he does not have any power over it, once it is sent to destruct, but he could amend his instructions to it. by aiming it at abhimanyu’s son, the only remaining heir to the pandava lineage, his desire to annihilate the pandavas will still be fulfilled .
arjuna is punished because he enters the inner chambers of yudhistra and draupadi and is banished for a year .
inspiration for these poems came from life’s experiences. as i pondered on these situations, i found that the rich indian mythology seemed to have parallels to situations in stories that had hitherto had had only surface value to me .
as the words flowed, the metaphysical meaning behind the symbols and stories of india became apparent. every one of them unfailingly led to the one answer to all questions - god .
and so the words flowed, sometimes in the dead of the night, on the way to work, or while riding the bus. literary efforts were not required, all i had to do was put pen to paper and let the outpourings of my mind form themselves into verses. not one of these poems took more than 10 minutes of my time .
i must admit that most of these poems make better sense when you understand the events or the characters that form the central theme of each poem. to assist western readers who may be unfamiliar with indian mythology, i have included short introductions on these themes .
in my years in the united states, i have generally moved to more general themes of spirituality, perhaps owing to my exposure to a world that is so different to me. still, everything i write about is concerned with the deeper meaning of life - that i continue to explore and unravel, through the great lessons only life on this earth plane can teach us .
over the years, the poems have given me much relief and provided meaning to life’s varied situations. it is my sincere hope that in some way, these poems will touch you too .
dedicated to my husband arthur m. lopez, who fulfilled all my earthly wishes, for his love and kindness and my precious daughter sahana ashok nayak, who has been the greatest joy of my life! she has been my pole star - a courageous, strong and beautiful person... in homage to my guru parmahamsa yogananda, and deepest respect for my father k. m. gajaraj, who taught me the ideals of life and eased me into a spiritual life and my mother vijayalaxmi for her unconditional love .
my pen name sadhvi, in sanskrit, it means a female renunciate. in life i have never really been a sadhvi, but in my heart and soul, i have always strived to be one .
in practical life, i was a journalist in india for the longest time. i am now here in the united states, more by destiny than by choice .
a master’s in mass communication and journalism has helped my writing skills. the poetry however was born with me. i used to compose verses as a child and continued through my teenage years. those were poems of this world. but, it was only later in my life that i turned towards god and life suddenly had more meaning. these poems are the result of that realization .
currently, i live in clovis, a city in california that i had never seen or heard of before i came here. destiny has brought me to this place, as i await the fulfillment of my father’s prophecy that i am here for a purpose. whether it is a personal purpose, or a much larger one, i do not know. i wait in anticipation for that while, i spend my days, experiencing life and doing what i enjoy most - writing .
copyright... karma! . simple theme. theme images by konradlew. powered by blogger .
22 lesser known facts about kannada film industry you probably have no ...
movies have always been a part of our lives and we all have grown up watching movies of different kind almost of all genres. the beauty of the dark room (theater), super colossal cut outs, the applauds for a hero’s entry, interval snacks, and the fever of first day - first shows have added to the vogue of cinema in india. karnataka is a ball park for culture and language, the film industry here has contributed a lot to indian cinema. in this context, let us take a look at few lesser known facts about kannada film industry on today’s article .
from the time of black and white films to today’s 3d graphics, the indian cinema has come a long way and in the journey, we have witnessed and embraced the greats like dilip kumar, dr. raj kumar, prithviraj kapoor, nt rama rao, puttanna kangal, shyam bengal, madan mohan, ilayaraja, mohammad rafi, lata mangeshkar, sp balasubramaniam, and others .
the unsung glory of karnataka and the heritage of a language like kannada has to be recognized in a bigger way. it is a known fact that kannada film industry (kfi) is not as big as bollywood and other south indian film industries but it has endowed a way to foster and proclaim the art and culture of karnataka in its own way .
# 1 the very first kannada movie ‘sati sulochana’ was made with a budget of rs. 40, 000 way back in 1934
# 3 an off - beat kannada film shanthi is the second indian film to enter the guinness book of world records that featured only a single actor. other characters in the film were only represented by symbols and voices .
# 4 the music maestro illaya raja started his career as an assistant to the legendary music director g. k venkatesh, who was a noted artist in kannada film industry
# 5 shankar nag was the first indian director to experiment the under water shooting. movie was ‘ondu mutthina kathe’ starring dr. raj kumar
# 6 rajnikanth’s first debut movie was in kannada. he entered films through a kannada movie called ‘katha sangama’ directed by puttanna kanagal in 1975
one of the all - time hits of sandalwood, kasthuri nivasa was a tamil script purchased for rs. 30, 000. it so happened that shivaji ganeshan had to reject the script for a reason that the lead role will die in the climax. later on, dorai - bhagwan liked the script and produced the movie in kannada. the interesting thing to note here is that the same kasturi nivasa was remade in tamil with the same shiva ganeshan in a lead role. it also got remade in hindi with sanjeev kumar as the lead .
it is said that r. k narayana didn’t lend his writing to any film directors but he only approached shankar nag to direct his writing and thus ‘malgudi days’ was made. the name malgudi is derived from two popular localities of bengaluru; mal (malleswaram) and gudi (basavanagudi) .
it was a time when biggies of other film industries used to wait for the release of dr. raj kumar’s movie. many of his movies were re made to other languages. haalu jenu was remade as anuraja aralithu in telugu, vasantha geetha was remade as pyaar jhkuta nahin in hindi, shankar guru was remade as mahaan in hindi, prathidhawani inspired deewar, and nanobba kalla inspired shakti (hindi) .
kavi ratna kalidasa is a movie based on the life of poet kalidasa. it is said that dr. vishnuvardhan was keen on playing the role of bhoja raja but due to reasons, it went to shrinivas moorthy .
# 13 om movie directed by upendra and shivraj kumar in the lead has re - released for more than 500 times in the last 20 years. record at national and international level
one of the all time hits songs of sandalwood, anisuthide was proposed for movies america america and mathaad mathaad mallige before it was picked by yograj bhatt for mungaru male. nagatahalli chandrashekar had to reject the tune for a reason that it didn’t match his scripts .
it is said that the legendary haalu jenu script was first proposed to veteran actor ananth nag. he could not do it due to his busy schedules and later on, it came to dr. rajkumar. today, it is quite hard to imagine ananth nag in that role .
it was dr. raj kumar’s residence, hamsalekha and nagabharana were working on the songs of the movie ‘aakasmika. ’ dr. raj walks to the place in his trademark white costume and at that moment, hamsalekha sprouts, “ huttidare dr. rajkumar thara huttbekappa” (if any one is born, they should born like dr. rajkumar). this line helped hamsalaekha to write the legendary huttidare song for the movie aakasmika .
# 21 dr. raj kumar is the first indian actor to have been honored with a doctorate for acting. he is the only indian actor to have been awarded the prestigious kentucky colonel, by the kentucky state, usa
so these were few of the facts about kannada film industry. if you know any information about the topic then please let us know in the comments below .
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shrinag is a writer, designer, and a social media buff who loves to scribble, explore and present the things in a creative way. when he is not writing or designing, he loves reading books, meditate, travel, and paint .
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draupadi - daughter of king dhrupad, sister of dhristadyumna arose from the divine fire. the very purpose of her birth was the destruction of the evil kauravas (mahabharath )
balupu is an telugu film directed by gopichand malineni. the film is being produced by prasad vara potluri under pvp cinemas banner and stars ravi teja, shruti haasan and anjali in lead roles. the film soundtrack is being comp ...
directed by: veeru potla produced by; mohan babu starring: vishnu manchu & lavanya tripathi music: mani sharma doosukeltha is an upcoming telugu film directed by veeru potla starring vishnu manchu. lavanya tripathi, who ma ...
addaa is telugu film cast: sushanth, shanvi banner: sri nag corporation producer: chinthalapudi srinivasa rao, a. naga susheela music director: anup rubens director: g. karthik reddy cinematographer: arun kumar editor: gautha ...
ganesha top 10 kannada songs full audio songs juke box singers: dr. rajkumar, s. p. balasubrahmanyam, s. p. balasubrahmanyam music label: t - series
sri ganesh pancharatna maalika by s. p. balasubrahmaniam - full audio song juke box
ganesh bhajan: shri ganesh pancharatna maalika album: shri ganesh pancharatna maalika singer: s. p. balasubrahmaniam composer: s. rajeswara rao lyrics: traditonal music label: t - series
tracks: 00: 00 ganesha ninna mahime apaara - ganesha mahime 03: 23 mahadevana divyakumara - girija kalyanam 06: 19 sri gananatha - navakoti narayana 08: 18 sri gananatha - sri purandaradasaru 14: 15 o gajaraja - shiva kotta sowbha...
krishna sudhaama ( kannada : ಕೃಷ ಣ ಸುಧಾಮ ) is a 1943 indian kannada film , directed by k subramanyam . the film stars bellave narahari shastri and s d subbalakshmi in lead roles . the film had musical score by parthasarthi iyengar . 
krishna sudhaama (kannada: ಕೃಷ ಣ ಸುಧಾಮ) is a 1943 indian kannada film, directed by k subramanyam. the film stars bellave narahari shastri and s d subbalakshmi in lead roles. the film had musical score by parthasarthi iyengar.
krishna sudhaama (kannada: ಕೃಷ ಣ ಸುಧಾಮ) is a 1943 indian kannada film, directed by k subramanyam. the film stars bellave narahari shastri and s d subbalakshmi in lead roles. the film had musical score by parthasarthi iyengar.