jajabara
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akshaya mohanty & trupti das -' gadi chale pachhei...' in' jajabara' (1975 )
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akshaya mohanty & geeta pattnaik -' e duniya re kehi na kehi. .' in' jajabara' (1975 )
akshaya mohanty geeta pattnaik -' e duniya re kehi na kehi. .' in' jajabara' 1975) - mp4 360p
trupti das & geeta pattnaik -' phurr - kina udi - galaa bani...' in' jajabara' (1975 )
akshaya mohanty composes and sings this all - time classic theme song of' jajabara', a landmark in odia movie music. .
we welcome you to the grand opening of team jajabara: highway retreat on 4th of august 2017, 4: 30 pm onwards .
it may be noted here that, team jajabara is odisha’s first wayside exclusive amenities centre. currently two ac restaurants have been opened in its premises .
a revamped panthika, renamed as team jajabara, near sakhigopal on the bhubaneswar - puri national highway was inaugurated by tourism and culture minister ashok panda last week .
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team group of companies has now ventured into the tourism segment, which has revamped jajabara, the wayside amenities centre of otdc limited at pattanaikia near sakhigopal. the aim is to provide special treatment to tourists .
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puri: a revamped panthika, renamed as team jajabara, near sakhigopal on the bhubaneswar - puri national highway was inaugurated by tourism and culture minister ashok panda last week. the panthika that was constructed during nabakalebara by otdc of tourism department, has been renovated by team admark infracon .
speaking on this occasion, team admark infracon md nishikant mishra said, “team jajabara has been designed as a convenient stopover for tourists travelling to and from puri, and a weekend getaway destination for families. apart from this, we are going to position ourselves as a one - stop events destination for corporates and other business houses. ”
nishikant mishra, md of team admark infraco said team jajabara has been designed as a convenient stopover for tourists travelling to and from puri, and a weekend getaway destination for families. a multi - cuisine restaurant and a vegetarian restaurant have been opened in the facility. tourist guest rooms, convention gall, swimming pool and children’s activity area will soon come up .
in the following two and half decade, spanning from 1960 to 1985, films like ‘manikajodi’ (prabhat mukherjee, 1964), ‘amadabata’ (amar ganguly, 1964), ‘abhinetri’ (amar ganguly, 1965), ‘malajanha’ (nitai palit, 1965), ‘matira manisha’ (mrinal sen, 1966), ‘arundhati’ (prafulla sengupta, 1967), ‘kie kahara’ (nitai palit, 1968), ‘adina megha’ (( amit maitra, 1970), ‘ghara bahuda’ (sona mukherjee, 1973), ‘dharitri’ (nitai palit, 1973), ‘jajabara’ (trimurti, 1975), ‘gapa hele bi sata’ (nagen ray, 1976), ‘sesha shrabana’ (prashanta nanda, 1976), ‘abhiman’ (sadhu meher, 1977), ‘chilika tire’ (biplab roy choudhry, 1978), ‘sitarati’ (manmohan mahapatra, 1983), ‘maya miriga’ (nirad mohapatra, 1984) and ‘dhare alua’ (sagir ahmed, 1984) were a perfect blend of artistic excellence and commercial appeal, contributing to be called as the golden age .
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mu ta thili (ମୁ ତ ଥିଲି ଏକୁଟିଆ) | old odia movie songs collection | puni thare vol. 1
mohd. aziz -' mun paradesi chadhei gaaeebara swapna nei. .' in odia movie' maanini'
usha mangeshkar and others sing'' chupi chupi gori kane... .' in odia movie'' abhimana' (1977 )
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akshaya mohanty -' kichhi luha pochha hue panata kaani re...' in' maa o mamata'
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jajabar is a movie starring sriram panda, banaja mohanty, and tripura misra .
sundari tota
( the garden of love) is inhabited by the tribal people. the landlord rashbihari samanrai, who owned the
sundari tota
inclined to donate the same land to sadhu baba for... see full summary »
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sundari tota
( the garden of love) is inhabited by the tribal people. the landlord rashbihari samanrai, who owned the
sundari tota
inclined to donate the same land to sadhu baba for construction of ashram. but his elder son anu, who wants to establish a factory on the same site opposes it and also his younger son arup, who has love interest with the daughter of tribal head tries to stop the construction as well .
the director
trimurti
is not an actual person. the film was actually directed by
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it was opened on friday on the bhubaneswar - puri national highway. the venture was inaugurated by tourism and culture minister ashok chandra panda .
amongst others, mla, satyabadi umakant samantaray, former minister panchanan kanungo, bhubaneswar mayor anant narayan jena, satyabadi block chairman sasmita pradhan were present .
both the ministers also appreciated the efforts of the team group and otdc ltd. for this new venture and one of its kind restaurants which will be a best one to attract huge crowd .
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with a graphics of a biker riding a bike and odia punchline on the same graphics on back. it sports the classic round neck and short sleeves with being odia logo on chest. you can wear them with blue denims and sneakers .
with a graphics of a biker riding a bike and odia punchline on the same graphics on front. it sports the classic round neck and short sleeves with being odia logo on back. you can wear them with blue denims and sneakers .
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it will be inaugurated by sj. pradeep maharathy, hon' ble minister, panchayati raj, govt. of odisha .
chief guest: sj. ashok chandra panda, hon' ble minister of state (independent charge), tourism & culture, govt. of odisha .
guests of honour: sj. sanjay das burma, hon' ble mla, brahmagiri dr. n. b. jawale, director, tourism & md. , otdc ltd .
to be preceded over by: sj. umakanta samantara, hon' ble mla, satyabadi .
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an ideal t - shirt designed by fashion brand being odia, the t - shirt comes with black color with a graphics of a biker riding a bike and odia punch line on the same graphics on back. it sports the classic round neck and short sleeves with being odia logo on chest. you can wear them with blue denims and sneakers. 180 gsm 100% cotton bio washed fabric - money back guarantee on color and print - minimum 50 washes guarantee .
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e sahare thila jane - satyajeet. [ saregamapa lil; champs, sarthaktv .
udi udi udi... akshaya mohanty' s golden collection... ଉଡି ଉଡି ଉଡି
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the release of the first odiya talkie ‘sita bibah’ by mohan sundar deb goswami on 28th april 1936 was a defining moment for ethnic film movement and added a new dimension to the expression of local identity. it had just been preceded by the formation of nationhood in the linguistic lines on 1st april in the same year, after long years of struggle. it was a precursor to the linguistic based nation states in the later years in indian polity .
just a week before the historic 1st april, the twelve - reeled first print of ‘sita bibah’ was already completed on 25th march and was shown in the touring cinema in calcutta on 29th march. however, the film, made with a meager budget of rupees 29, 781 and 10 annas, was formally released in orissa at laxmitalkie cinema in puri on 28th april .
today when we look back over the 75 years of film making, things may seem indistinct, yet it gives a clear impression of unique odiya identity .
broadly, the odiya film making years can be divided into three equal phases of 25 years each - the first phase was of struggle and growth, the second was the golden age and the third a time of prolific productions, once in a while compromising the qualitative standards and aesthetics .
the second odiya film, ‘lalita’, was made in 1949 and till the beginning of the sixties only a dozen films were made. if we take a quantitative view of film productions in a single year, the number of films produced was increased from single digit in the earlier years to double digits in the last phase .
during the eighties, the artistic and aesthetic excellence of odiya cinema catapulted itself to national and international arena. in 1984 nirad mohapatra’s ‘maya miriga’ was considered to be the best film to get national award, and also qualified to be an official entry in various international film festivals. however, it took one more decade to bask in national recognition. in 1994, susant misra’s ‘indradhanura chhai’ received the jury’s special mention at the national level, and made it to the competitive section of ‘un - certain regard’ of cannes film festival followed by its winning of the ‘grand prix’ at sochi international film festival, russia .
again after a long gap of a decade and half, prashanta nanda’s ‘jianta bhuta’ won the national award in the environment section last year in 2009. thus summing up the position of odiya film at national and international levels. however, odiya films have been invariably bagging national awards in the best regional category almost every year. here, directors like manmohan mohapatra, sagir ahmed, a. k. bir, shantanu mishra, pranab das, himanshu khatua and subas das stand out .
getting entry into indian panorama is a touch stone for making the presence felt in the national arena. manmohan mohapatra’s ‘sitarati’ has made it for the first time to the indian panorama in 1983 and in the current year, sudhanshu sahu’s ‘swaymsidha: a girl on the red corridor’ has made it to there as the twelfth entry. other directors those who have made it to the exalted pantheon were nirad mohapatra, sagir ahmed, biplab roy choudhury, susant misra, bijay ketan mishra and prafulla mohanty .
when there was a lean period in film viewing during the mid - seventies prashanta nanda’s ‘sesha shrabana’ (1976) and sadhu meher’s ‘abhiman’ (1977) brought people back to the cinema halls. however, if we consider the singular contribution of any director to the body of odiya films, the foremost name that comes to mind is of prashanta nanda, followed by nitai palit. but if we combine quantity with qualitative and aesthetic aspects, manmohan mohapatra towers above the rest .
inspired by western music, shantanu mohapatra introduced a modern trend in ‘suryamukhi’ (1963). while akshaya mohanty switched to music direction in ‘malajanha’ in 1965, prafulla kar became a debutant music director in ‘mamata’ (1975). while balakrishna das was experimenting with odiya folklore singing and ‘boli’ (innocuous slangs), bhubaneswar mishra, shantanu mohapatra and akshaya mohanty combined western notes to enhance the odiya traditional tone. it ushered in the modern singing tradition of odiya film songs .
prafulla sengupta’s ‘arundhati’ in 1967 was a milestone in odiya film song tradition as mohammadd rafi and lata mangeshkar rendered solo songs by humming immortal lines like “mayurigo tuma aakashe mu dine mallhare megha saajili” (“i was once music in clouds, you danced gleefully with…”) and “aaji mu shrabani, luhara harini” (“today i’m like the rainy seasons, like the deer who cries…”) of lyricist jibanananda pani under music direction by shantanu mohapatra .
the future of odiya film song and music seems to be bright in the hands of music directors like malay mishra and bikash das, who have proved their ability in musical hits like ‘neijaare megha mate’ and ‘aji akashe ki ranga lagila’ respectively .
while in the initial phase the thematic story lines were invariably based on mythology, they gradually turned to socially relevant themes starting from ‘amari gaan jhua’ (1953) and ‘bhai bhai’ (1956) onwards. during the sixties ‘manikajodi’, ‘amada bata’, ‘abhinetri’, ‘malajanha’, ‘matira manisha’ and ‘adina megha’ were based on highly appreciated literary works. both in the sixties and the seventies, women became the central characters in odiya cinema depicting their agony, happiness, emotions and inner - beings leading to tear - jerkers raking in box office mullahs .
with this enriched history of odiya films spanning over the last 75 years, which has undergone considerable thematic and stylistic transformations with its versatile master - minds, it seems like orissa has grown as a major film - making center in the country. (pib features )
disclaimer: the views expressed by the author in this feature are entirely his own and do not necessarily reflect the views of pib .
dukhiram swain was one of the most popular villains of oriya cinema. he was a national film awards winning actor (shesha shrabana) and played a variety of roles, most notably as the antagonist in many oriya films, as well as roles in television serials and various roles in the small screen. he was considered to be one amongst the club of natural actors. he was honoured with the jayadeva purashkar (highest state award for excellence in art & literature) from orissa state film awards and several
best villain
awards from state film awards and orissa sangeet natak akademi .
he was honoured with orissa sangeet nataka akademi award for the year 1984 - 85 in the acting category .
he was honoured with orissa state film award for best supporting actor: bhulihuena in 1987 .
he was honoured with the jayadev award (1994) for outstanding contribution to the growth and development of oriya cinema .
he was married to the late mrs. hemalata swain. he is survived by two sons, mr. akash kumar swain (jagatsinghpur), mr. prithiviraj swain (cuttack) and one daughter, mrs. dharitri (swain) das (the marriage was to mr. nimain charana das and was settled in bolangir). he is survived, as well, by three grandchildren from his daughter' s side, mrs. pragyan paramita das (the marriage was to mr. dhrutiman das and was settled in bangalore), ms. prachi sucharita das (bhubaneswar), and mr. niroopkanti das (patnagarh) .
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the odisha state film awards have been conferred by the department of culture of the government of odisha, india .
the awards were initiated in 1968. the awards are decided by independent juries formed by the department of culture. the jury usually consists of eminent personalities from the film fraternity, academician, journalist and public servants .
“the jayadev award” is a special award given to a film personality for outstanding contribution to the growth and development of odia cinema .
this page was last edited on 18 june 2018, at 12: 04 .
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the jayadev award
is a special award given to a film personality for outstanding contribution to the growth and development of odia cinema .
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jajabara is a 1975 odia language indian movie . the music was composed by akshya mohanty . it was produced by mr. bijay pattnaik , directed by akshaya mohanty , hemanta das and bijay mishra ( trimurty ) . it stars sriram panda , banaja mohanty & tripura mishra . jajabar was the first black-and-white odia film and also the first regional film in india to be digitally coloured and the first to be given a theatrical re-release in the state . 
jajabara is a 1975 odia language indian movie. the music was composed by akshya mohanty. it was produced by mr. bijay pattnaik, directed by akshaya mohanty, hemanta das and bijay mishra (trimurty). it stars sriram panda, banaja mohanty & tripura mishra. jajabar was the first black-and-white odia film and also the first regional film in india to be digitally coloured and the first to be given a theatrical re-release in the state.
jajabara is a 1975 odia language indian movie. the music was composed by akshya mohanty. it was produced by mr. bijay pattnaik, directed by akshaya mohanty, hemanta das and bijay mishra (trimurty). it stars sriram panda, banaja mohanty & tripura mishra. jajabar was the first black-and-white odia film and also the first regional film in india to be digitally coloured and the first to be given a theatrical re-release in the state.