parasite ( film )
this film was given a sequal via the video games parasite eve and parasite eve 2 that contiue the story after the events in the film (and book it was based on) .
brood parasite is an independent feature film by multi - award winning writer / director ian vernon .
the film features demi moore in her second film role, and stan winston among the special effect staff .
drool hello: miss daley notices parasite' s drooling from above before it attacks her .
hand in the hole: zeke checking out the canister holding the parasite is played like this .
humanity is under attack by human - mimicking flesh - eating alien parasites. one parasite bonds with his young high school student host, and he convinces the parasite to help him stop the others .
parasite eve is a japanese novel by hideaki sena, first published in kadokawa horror bunko in 1995 .
brood parasite - an independent feature film by multi - award winning writer / director ian vernon. produced by ivfilm productions & biffa productions in manchester. running time 94 minutes .
parasite is one of the genre greats and somewhat of a classic, admittedly for all the wrong reasons .
ntriguingly, the new film will also confirm the fate of the troubled credence (ezra miller), whose suppression of his magical abilities led to the formation of a deadly obscurus parasite in the last film. miller is confirmed to return in the role .
kill it with fire: wolf and the remaining parasite are killed when they are engulfed in a gasoline explosion .
strapped to an operating table: paul in his nightmare that opens the film .
arc words :
( you / we need to) film everything .
the boy (s) in the attic from the first and second film .
whoever is the host to the demon parasite worm is immune to the virus, and is not infected once it leaves .
song kang - ho is cast in new bong joon - ho directed film “ parasite ” (literal title). this is the fourth time that song kang - ho will appear in a bong joon - ho directed film. movie will revolve around a family going through a disturbance .
dying town: joshua, where paul takes refuge for the remainer of the film .
medeiros uses a claw hammer as a weapon during the finale and the second film .
the end... or is it? : patricia declares that everything is over upon the death of the remaining parasite, but the final shot of the film hangs the proverbial question mark on that statement .
parasite is lethargic between its terror scenes, making it a test of patience for all but the fanatical followers of horror cheapies .
live - action jojo' s bizarre adventure film' s reception threatens potential for sequels .
immediate sequel: the second film chronologically starts five minutes after the end of the first .
live - action jojo' s bizarre adventure film' s reception threatens potential for sequels. : twobestfriendsplay
it was later adapted into a film in 1997, with a heavier focus on romance than horror .
, it took a little while for the infection to take hold. in this film, it seems to take seconds .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
took place, establishing both stories taking place at the same time. some dialogue at the beginning of the film also establishes that
gross - up close - up: being a 3d film, a closeup is done on a pipe impaling one of the rapists .
the new film in the series, which is scripted by rowling and scheduled to hit cinemas in november 2018, will mark the first appearance of law as a younger dumbledore, although depp' s grindelwald was previously revealed at the climax of the first fantastic beasts film .
apocalyptic log: all the camera footage. everyone repeatedly says to keep the film running so there will be a log of what happened .
in spain was a technical release in cinemas only in madrid (artistic metropol). the film was projected for 1 day in subtitled version .
lighter and softer: while the first two films were strict survival horror, rec 3 added elements of romance drama due to clara and koldo' s relationship and motivations. the film' s use of traditional cinematography and the fact that the film actually had a musical score contributed to this trope .
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the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
nothing is scarier: the films run on this quite a bit, especially the first film. at least, until all hell well and truly breaks loose .
paul dean has created a deadly parasite that is now attached to his stomach. he and his female companion, patricia welles, must find a way to destroy it while also trying to avoid ricus, ... see full summary »
the humanity is suffering from murders all over the globe, called
mincemeat murders
. high school student, izumi shinichi has a parasite living off him, having replaced his right hand, and he might be the discoverer of truth .
in 2008, the first [ rec ] was remade in america as quarantine. in 2009 a sequel, [ rec ] 2, was released. the third film, called [ rec ] 3: génesis takes place at roughly the same time as the events of the first two films are happening, and the fourth and final film, [ rec ] apocalipsis, concludes the saga with the infection spreading to unknown proportions; the film was released in spain on october 31, 2014 .
spoilers ahead. and explanations. q. i just saw upstream color. what … just happened? a. upstream color is about two people, kris (amy seimetz) and jeff (director and screenwriter shane carruth), whose lives and behaviors are affected by a complex parasite—without them even knowing it. the parasite has a three - stage life cycle in which it passes from humans to pigs to orchids. carruth eloquently calls this the “ worm - pig - orchid life cycle. ”
the demon worm parasite survives the destruction of the boat and gets
eaten
by a fish. since it can infect animals, it' s likely only a matter of time before it returns to land and the cycle of infection starts again .
but in a film industry full of franchises, a benchmark exists for a reason. if “star wars” is really what scott wants, he will have to try again .
paul dean has created a deadly parasite that is now attached to his stomach. he and his female companion, patricia welles, must find a way to destroy it while also trying to avoid ricus, his rednecks, and an evil government agent named merchant .
color film is a new york - based art pop duo formed in 2012 by daryl palumbo and richard penzone. the musical project is a re - contextualization of ...
q. why pigs? a. luckily, somebody asked this at a q & a i attended. for one thing, carruth chose them because he knew they would stay put. you couldn’t have the sampler chasing around chickens. furthermore, he didn’t want anything too exotic; it wouldn’t fit the look of the film. finally, he chose them because they’re physiologically fairly similar to humans, meaning it’s easier to imagine a parasite passing between us and them .
in this scene and throughout the film, godard uses jump cuts - - cuts within continuous movement or dialogue, with no attempt made to make them match. the technique
was a little more accidental than political ,
writes the australian critic jonathan dawson. the finished film was 30 minutes too long, and
rather than cut out whole scenes or sequences, godard elected to trim within the scene, creating the jagged cutting style still so beloved of action filmmakers. godard just went at the film with the scissors, cutting out anything he thought boring .
spanish / english review: el principal problema de' parasite eve' es que por un lado no se sabe bien a qué género pertenece o qué nos quiere contar; eso no tiene porqué importar según qué películas, pero con obras de estilo narrativo como estas es un fallo importante .
this is a great low budget horror film despite its made for tv look. this horror film is pretty well made and provides the right sense of suspense and blatantly depicts the actions and situations that may occur when trust and jealousy begins to coexist. this film is about an experiment gone wrong after a scientist instructor participates in a mesmerism experiment. after a couple of days, he begins to feel weak, sleepy, and starts doing unordinary actions towards his teachings, his students, his fancé, and his friends. as things start to escalate, the evil one behind this situation begins to invade his environment, his brain, and his love life. i really enjoyed this film, for anyone who sees this in a video store, i suggest giving it a try, i did !
towards the end of the film, when the power goes out, james davidson says' there' s a generator out back', yet when he goes to start it he goes to the basement .
the fantastic beasts films are set in the same world as harry potter, but take place many years beforehand, with the first film taking place in 1926, and this new sequel taking place in 1927 .
with the headline: orson welles' s controversial' citizen kane' proves a sensational film at palace - -' that uncertain feeling' at music hall - -' great american broadcast' at roxy .
this is not to say that there is no audience for “alien: covenant. ” but in the age of billion - dollar - earning blockbusters, a high - budgeted film that performs just fine raises eyebrows .
at first it seems like it' s gonna be a found - footage film like the other movies, but at the end of the first act the camera gets smashed and then it jumps to a traditional style of filming. besides, no main characters from the first two movies appear on the third. lastly, it has more parodic elements; it is more of a dark comedy than a horror film at times .
kiseijuu is a movie starring shôta sometani, eri fukatsu, and ai hashimoto. the humanity is suffering from murders all over the globe, called
mincemeat murders
. high school student, izumi shinichi has a parasite living off him, having replaced his right hand, and he might be the discoverer of truth .
it has its moments, but for a film of its genre, it' s both a bit melodramatic and overplays the creepy sound effects. the narrative and content is actually more effective in the video game format .
within the withering spotlight as no other film has ever been before, orson welles' s
citizen kane
had is world premiere at the palace last evening. and now that the wraps are off, the mystery has been exposed and mr. welles and the rko directors have taken the much - debated leap, it can be safely stated that suppression of this film would have been a crime. view full article in timesmachine »
found footage films: averted completely for the first time in the series, along with apocalyptic log. the entire film is traditionally shot (albeit with shaky cam), interspersed with footage from the ship' s security feed .
a four - part anthology in the spirit of the twilight zone, this film starts off with a group of commuters stranded at a train station in the rain, listening to stories told by one of the... see full summary »
the last part of the film has pablo and angela trying to sneak past the medeiros girl - in a crowded apartment they' re unfamiliar with, in pitch darkness. of course they bump into something and make enough noise to get themselves killed .
crazy cat lady: mrs. izquierdo, the old woman whose breakdown after being infected sets the events of the film in motion, is referred as such by other characters. however, we never happen to see any of her pet cats ...
, scamanader' s mysterious old school friend and former love interest (glimpsed in the first film in a photograph), and war & peace star callum turner as scamander' s intimidating - sounding older brother theseus, an
auror and war hero
.
one inside joke in the film is always mentioned, but is not really there. michel' s alias is
laszlo kovacs ,
and countless writers inform us this is a reference to the legendary hungarian cinematographer. in fact, godard had not met kovacs at the time, and the reference is to the character belmondo played in chabrol' s
a double tour
( 1959). in a film with so many references to the past of the cinema, it is amusing to find a coincidental reference to its future .
nice one! tokyo, 2034: sophisticated robots called boomers (and on first sight almost indistinguishable from us, humans) are among us. they are meant to assist us in the shores we despise, but more an more things go wrong and take a nasty turn. in 3 linked short stories we see a world where humanity is as much a thing of machines, as of
biological
units. parasite dolls is blade runner meets strange days in animation. especially the capturing of emotions from the boomers for pity sexual
human
games seemed like a very interesting idea, although this was not worked out in much detail. the rest of the ideas behind the film weren' t very original, but the 3 stories were plotted very well and the characters were nicely developed. the score helped bringing a very real
emotional
feel to the film. the animations aren' t spectacular compared to what you see in ghost is the shell for example, but they are adequate. if you have a change to see this film, i can only recommend to actually go and see it: a classic artificial intelligence story (what' s humanity, how about emotions, ... ?) that' s very well scripted and adequately animated .
this blend of sci - fi and horror starts off very well, as a young doctor looses his wife to an accident, and then decides to reconstruct her through his mitochondrial research. this part is full of grandiose melodrama, set to a lush romantic score by none other than jo hisaishi. let' s face it, no one does melodrama as expertly as the japanese. it is during the second half of the film however where the plot of the film is literally lost. the doctor stumbles upon a hidden conspiracy carried out by mitochondria since the beginning of time, and his newly reconstituted wife becomes the first vessel towards world domination. if it sounds absurd, rest assured it' s treated with utmost seriousness here, as though people are really going to think this is possible. oh well. the commitment is admirable and the film is still rather watchable .
cineuropa is the first european portal dedicated to cinema and audiovisual in 4 languages. with daily news, interviews, data bases, in - depth investigations into the audiovisual industry, cineuropa aims at promoting the european film industry throughout the world. welcome to a platform where professionals can meet and exchange information and ideas .
“i see a really huge franchise here — honestly, as big as ‘ star wars. ’” the director told bbc 4’s francine stock in an interview that aired in may, just before the film was released overseas. “i’m trying to open it up. this is not an innocent plan, ” he said .
internal deconstruction: to the previous two films' social media before reason: koldo gets enraged when the cameraman doesn' t stops recording to help (this is something that also happened even all the way back on the first film, but angela ordered the cameraman to continue) and smashes the camera as a result .
in between swigs from a very large bottle of whiskey, he runs the gamut from waxing philosophical (“it takes a willing hand to punish horrible men! ”) to issuing florid insults (“you are not an unfortunate man, you are an auspicious parasite! ”) when leland isn’t offering dire warnings about the threat to his community posed by murderous “bogeymen. ” chief among the latter: atticus, the relentless assassin effectively played by leguizamo as only slightly less indestructible than jason voorhees .
an old man who bears the scars of a life of factory work. a woman, alone apart from her small baby, who moves in with him. the film sketches out the day - to - day lives of the three of them, taking in their cramped quarters and mutual dependency, thrown back on bare existence .
no, this is not a very good movie at all. however, i saw it when it was first released in 1982 in 3d, and not once since then, and i still remember some creepy scenes. the big gross - out in the movie - - when the dripping parasite falls down on you from the ceiling in 3d! ! - - had me squirming in my seat in 1982. i saw a number of films during the short - lived 3d revival of the early' 80' s, and, believe me, there were very few kick - ass uses of the 3d effect anywhere, but parasite had one of the better ones. (most of the other good 3d moments are in house of wax with vincent price. even hitchcock couldn' t figure out what to do with the gimmick .) by the way, in 1982 no one had ever heard of demi moore. did we predict big things for her after seeing her in this? yeah, right .
the genesis of the mitochondrion was not in humans but in a species thought to be similar to bacteria. regardless, mitochondria cannot survive without the constant supply of biomolecules and environment provided by the host cell. while mitochondria are linked to certain diseases and cell death, they cannot “rebel”. also, the concept of rebellion implies conscious action, and even under the most generous terms mitochondria would not be attributed with the level of intelligence required for rebellion, much less the fantastic powers they have in parasite eve .
the second film confirms it: the virus is actually the vehicle of a worm - like demonic entity which uses it to control the infected and jump its mind from one to another, and is able to talk with different voices in different bodies (an infected 40 - year - old talking with the voice of the infected little girl is disturbing) .
the closest anyone gets to an explanation in the first film is a room full of crazy covered in newspaper clips about a
medeiros girl
who seems to have been infected or possessed, a recorder that plays back some ramblings about a virus, an infected hyper - aggressive little boy and, finally, the girl herself that kills the last two survivors .
in this gory sci - fi outing, shot and originally released in 3 - d, dr. paul dean (robert glaudini) is a scientist living in the near future, after america has fallen under the control of a repressive paramilitary regime. dean' s research causes him to absorb an especially voracious parasitic worm, which feeds inside the human stomach until it becomes strong enough to burst out in search of a new host. in time, dean is able to extract the creature from his body, but soon it escapes from captivity, and dean and his friend patricia (demi moore) must find a way to stop it as they find themselves on the run from brutal government agent merchant (james davidson) and a gang of thugs led by ricus (luca bercovici). parasite was demi moore' s second film, shot while she was still a regular on the daytime serial general hospital .
with “alien: covenant, ” ridley scott had an ambitious new hope. “i see a really huge franchise here — honestly, as big as ‘star wars. ’” the director told bbc 4’s francine stock in an interview that aired in may, just before the film was released overseas. “i’m trying to open it up. this is not an innocent plan, ” [ … ]
we’re still a few months away from bong joon - ho ‘s new monster movie okja, but the snowpiercer director has already revealed his next project. the feature will be titled parasite, and although not a great deal is known yet, it will “revolve around a family going through a disturbance, ” according to asian wiki. led by his previous collaborator song kang - ho (the host, memories of murder), production will kick off in january for what sounds to be a more horror - focused outing perhaps, judging from the title. it is expected to be released in 2018 .
not for fox’s distribution chief chris aronson, who was “feeling great” sunday morning, and said the film’s lower opening than 2012’s “prometheus” was the “normal course of business. ” “prometheus” was positioned as an “alien” prequel, and the acclaimed director’s return to the franchise he created in 1979. it went on to make $ 403. 4 million worldwide — the highest grossing by far of the eight - film franchise (including both ‘alien vs. predator’ movies). aronson, praising the “efficient and proficient” scott, pointed out that “alien: covenant” was made for 27 percent less than “prometheus. ” “he wanted to go back to the roots of ‘alien, ’ and i think he succeeded in doing that, ” aronson said of what has been described by some critics as a return to form for the director .
q. so how exactly does this affect kris and jeff? a. well, first it costs them their life savings. when the worm is inside the thief’s victims, it makes them susceptible to being put in a hypnotic trance. during this trance, the thief orders his victims to sell their possessions, take out mortgages on their houses, etc. this goes on until the victims eat, which in turn gives the parasite, currently in the stomach, food to feed on and grow, at which point the worm extends all the way to the ends of each of the victim’s limbs .
but why isn’t “alien: covenant” earning more? critics generally applauded it — the movie currently has a generally positive 73 percent on rotten tomatoes. then there was the film’s marketing, which teased out the premise with a series of short films directed by scott for fans to pounce on and dissect. also, r - rated franchise blockbusters have become less taboo thanks to the recent success of “deadpool” and “logan. ”
the technique adds charm to a scene where the two drive through paris in a stolen convertible, and there is a series of closeup cuts over her shoulder as michel describes her. when the two lovers, fleeing the police, sneak into a movie, it is a scene directly quoted in
bonnie and clyde
- - which, we recall, both godard and truffaut were once to direct. in each case, the dialogue reflects the action; bonnie and clyde hear
we' re in the money ,
and michel and patricia hear dialogue about a woman
covering up for a cheap parasite .
godard' s key collaborator on the film was the cinematographer raoul coutard, who worked with him many times, notably on
weekend
( 1968). it was only coutard' s fourth film, and his methods became legend: how when they could not afford tracks for a tracking shot, he held the camera and had himself pushed in a wheelchair. how he achieved a grainy look that influenced many other fiction films that wanted to seem realistic. how he scorned fancy lighting. how he used hand - held techniques even before lightweight cameras were available. how he timed one shot of belmondo so that the streetlights on the champs elysses came on behind him. there is a lovely backlit shot of belmondo in bed and seberg sitting beside the bed, both smoking, the light from the window enveloping them in a cloud .
the film takes place in an arizona hamlet near the mexico border where a few locals earn an off - the - books income by selling ammunition to a drug cartel. there’s a new sheriff in town, wallace (patrick wilson), a straight - arrow prodigal son who returns to his old stomping grounds to replace leland (ian mcshane), a beefy and boozy cynic with a reputation for shooting first and seldom asking questions later .
q. who are all those other people? the guy with the frizzy hair and the pigs, or the guy who steals all kris’s money? a. at each stage of the worm - pig - orchid cycle there’s someone who profits from that stage and, unknowingly, advances the parasite to the next stage. the first person, whom the credits call the thief (played by thiago martins), infects victims with the worm to brainwash them and steal their money. we see him do this to kris, and we learn that he’s also done this to jeff. the second person, whom the credits call the sampler (andrew sensenig), takes the worms from the thief’s victims and puts them into pigs. the transfer of the worm establishes a connection between the victim and the pig, and the sampler can then use the pigs to “sample” the victims’ experiences—each time he approaches a victim’s pig, he can see what’s going in that victim’s life. the sampler is then inspired by these experiences to record music, which he sells through his record company, quinoa valley rec. co. the third person, or actually the third group of people, are the two orchid farmers—the credits call them the orchid mother (kathy carruth) and the orchid daughter (meredith burke). when the sampler disposes of pigs by bagging them and throwing them into a nearby stream, the parasite leaches out of the pigs and into white orchids, turning them blue. the two orchid farmers then pick these rare blue orchids and sell them through their company, e + p exotics. the thief then buys these rare blue orchids—at the beginning of the film we can see that the flower pots he buys are labeled e + p exotics—and uses the worms that come out of them, beginning the w - p - o cycle anew .
a. i mean, sorta. q. but what does it all mean? a. carruth wants people to take away a fairly specific interpretation, though he prefers that people come to it on their own. still, when pressed at all, he’s mentioned in several interviews and q & as that the film, for him, is about identity, “ about whether we control our identity or whether our identity controls us. ” he elaborated, to io9 :
the movie had a sensational reception; it is safe to say the cinema was permanently changed. young directors saw it and had abandoned their notions of the traditional studio film before they left the theater. crowther of the times, who was later to notoriously despise its descendant
bonnie and clyde ,
said of
breathless
that
sordid is really a mild word for its pile - up of gross indecencies .
the jump cuts to him were
pictorial cacophony .
modern movies begin here, with jean - luc godard' s
breathless
in 1960. no debut film since
citizen kane
in 1942 has been as influential. it is dutifully repeated that godard' s technique of
jump cuts
is the great breakthrough, but startling as they were, they were actually an afterthought, and what is most revolutionary about the movie is its headlong pacing, its cool detachment, its dismissal of authority, and the way its narcissistic young heroes are obsessed with themselves and oblivious to the larger society .
“it ain’t never been a rat problem in baltimore. always been a people problem, ” says harold edmond, a member of the city’s rat rubout program, in rat film. theo anthony’s thrillingly unconventional documentary, however, argues that, for the last century or more, maybe it’s been both – and that the two are inextricably intertwined. it’s a fascinating hypothesis, and one that’s laid out in daring video - essay form by the filmmaker’s feature debut, which stands as one of this year’s most idiosyncratic, and impressive, non - fiction works .
an old man who bears the scars of a life of factory work. a woman, alone apart from her small baby, who moves in with him. the film sketches out the day - to - day lives of the three of them, taking in their cramped quarters and mutual dependency, thrown back on bare existence. the camera records and stages in equal measure: three bodies at the beginning of life, at its end and somewhere in between. need, self - sacrifice, decline. and again and again, the inescapable necessity to eat. along with the infant’s cries, the only sounds to pierce their otherwise wordless life together are those of smacking lips, slurping and chewing, which together with the noises of their surrounding environment build to a tense crescendo. finally, a nocturnal foray out into life, a moment of great intimacy and a brief sense of release. anka and wilhelm sasnal, two of the most interesting artists working in poland today, made their third feature - length film with an actress and a man who’d never acted before. its aesthetic radicalism and almost unbearable immediacy are of a strange and tender beauty .
yet crowther conceded ,
it is no cliche ,
and the film' s bold originality in style, characters and tone made a certain kind of genteel hollywood movie quickly obsolete. godard went on to become the most famous innovator of the 1960s, although he lost the way later, with increasingly mannered experiments. here in one quick, sure move, knowing somehow just what he wanted and how to obtain it, he achieved a turning point in the cinema just as surely as griffith did with
the birth of a nation
and welles with
citizen kane .
segueing to okja, netflix has released a trio of new images, which feature mija (an seo hyun), who has cared for the titular creature in the film, as well as tilda swinton ‘s ceo character of lucy mirando, and then there’s jake gyllenhaal as zoologist and tv personality dr. johnny wilcox. while we’re still not sure what to expect, everyone involved looks to be having a great deal of fun — just look at that mustache. also starring paul dano, giancarlo esposito, steven yeun, and lily collins, check out the images and new synopsis above and below .
i found this movie by chance and a good chance i did as i found this 80' s style thriller very enjoyable from start to finish. i would not say much for the story but a little entertainer for a night in with a few cans of beer. looking back i cannot say i could associate this with any film i have seen in the past but maybe there is something like it out there in somebody' s old video collection. i would say if your an 80' s kid into john carpenters' assault on precinct 13 to stephen hopkins' judgement night, i believe you will enjoy it !
well, in the film the main characters are being affected at a distance by things they can’t speak to. and the three points in the triangle, as far as the worm - pig - orchid cycle, each of them are performing acts that are independent of the next one in the line… they would all be dealing with things that seemingly came from “upstream. ” and “color” … i think of it as building up a personal narrative, and the shape of that is easy, the color is what’s difficult. i don' t know if that means anything, but it seemed appropriate to me at the time .
rat film, in other words, is not your typical documentary, and its mesmerizing electronica score by dan deacon – full of whirring, bleeping and blipping, cacophonous noise, and ominous tonal swells – only enhances its eccentricity. in an era of non - fiction efforts marked by formulaic techniques, anthony’s approach is enlivening. he creates a swirl of facts, figures and symbolic photographic gestures that locate the ways in which the modern story of baltimore’s rats is tangled up in the city’s socio - cultural attitudes, and public policy, toward african - americans, the economically disadvantaged, and anyone else who might be deemed “undesirable. ”
why are so many modern horror films so cheesy? honestly, this film is about an experiment that went wrong that produced oversized bacteria with teeth that look more like worms actually than bacteria and whose purpose is obviously to eat people. the acting was crap - nearly by every cast member. special effects were some of the worst i' ve ever seen, in particular those involved in explosions and slow - motions. even some pre - 2000 video games have better graphics than that. this is not a horror movie - this is a cheesefest. i only enjoyed the bit when the giant worm thing bit a guy' s head off towards the end .
[ rec ] (2007) is a spanish horror film following a news reporter, ángela vidal, and her cameraman, pablo, as they cover the night shift in one of barcelona' s local fire stations for the fictional documentary while you sleep. however, the two intrepid reporters get much more than they bargained for when the firehouse receives a call from an apartment building about a woman who is trapped. as they tag along with the rescue effort, ángela and pablo find themselves chronicling the discovery and progression of an apparent zombie outbreak in the apartment building, which forces the police and military to seal off the building, trapping everyone inside. soon they are forced to fight for their lives, as the virus slowly takes over the residents and firemen around them .
movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
uninspired actors intone a banal script, reduced by clumsy pacing to a minimum of suspense .
this is a badly acted b movie without much flair for involving its audience .
this is the proverbial bottom - of - the - barrel; it really doesn' t get much worse than this .
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trippy indie madeline' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
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a young couple with a newborn baby don' t realize that the nanny they hired is a magical nymph who sacrifices infants to an evil tree .
partially deaf teenager carafotes becomes alienated when prevented from playing football because of his handicap. he must deal with his parents, coach, teammates, his new girlfried and a... see full summary »
the crypt keeper returns to tell the story of a funeral parlor that moonlights as a vampire bordello .
in a small town, roy seeley and his girlfriend mandy pullman are camping by the lake. out of the blue, they are attacked and roy is murdered while mandy is violently raped. dr. sam cordell... see full summary »
horror thriller set in 17th century england about the children of a village slowly converting into a coven of devil worshipers .
not ready for marriage, a fashion model moves into an unbelievably cheap brooklyn heights apartment, where weird occurrences turn into a much more frightening turn of events .
an airplane exposed to radiation lands, and blood drinking zombies emerge armed with knives, guns and teeth! they go on a rampage slicing, dicing, and biting their way across the italian countryside .
a man who runs an apartment house for women is the demented son of a nazi surgeon who has the house equipped with secret passageways, hidden rooms and torture and murder devices .
a young man and his girlfriend move into an old mansion home, where he becomes possessed by a desire to control ancient demons .
an evil ninja attempts to avenge his death from beyond the grave, by possessing an innocent woman' s body .
four teenage friends spend the night in a carnival funhouse and are stalked by a deformed man in a frankenstein mask .
a pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize two young girls on a train trip from germany to italy .
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with jurassic world: fallen kingdom now in cinemas, we take a look at how imdb users rated the films of the franchise. plus, browse exclusive lego® jurassic world playsets, presented by lego .
explore popular sci - fi movies and tv shows available to stream with prime video .
charles sadler is experiencing difficulty controlling his physical reactions, stabbing himself in the hand and killing his girlfriend. dr. john wilson has made tenure with his exploration... see full summary »
hotel transylvania 3: summer vacation stars plan their dream summer getaways to some memorable movie settings .
in one scene he and his wife are having a candle light dinner and the lighting shows the candles flickering, but the flames on the candles never move .
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in the dystopian future of the 1990s, scientist named paul dean creates parasitic creatures (which resemble tadpoles) as a biological weapon. realizing what he has done, he tries to destroy them but ends up infected himself. now he has to find a cure to his condition while being chased by a represantive of the company he used to work for .
after the end: dialogue suggests some sort of vague atomic war took place before the story begins .
an arm and a leg: wolf cuts off buddy' s hand after he lies about not seeing paul passing by .
the apunkalypse: the various gangs that populate this world meet this standard. one of the gang members in joshua is even played by cherie curie, former lead singer all - girl punk band the runaways .
attempted rape: paul comes across two thugs attacking a woman, and intervenes with his laser gun .
awesome, but impractical: wolf drives a lamborghini when pursuing paul, which while indeed is a cool car, is not the most practical vehicle for cross country pursuits given the fuel shortages the world is experiencing .
chairman of the brawl: one of the rapists attacks paul with a chair .
crapsack world: taking place after the end, features the typical dystopian tropes of oppressive mega corp, roving bands of gangs ruling decaying towns, inflated cost of living ($ 40 a gallon for gas and meals costs a silver coin) and general breakdown of society (resources are scarce and paper money is scoffed at) .
destination defenestration: while fighting the rapists, paul sends one of them through a window .
faux affably evil: wolf usually comes across friendly and congenial with folks when he first meets them, striking up small talk with them. but the minute he suspects they' re lying to him his nasty side comes out ...
fricking laser beams: people working for the merchants have an access to laser weapons .
man on fire: wolf flails around for a while after he is caught inside the explosion .
mega corp: xyrex. it is also implied that it more or less controls the government .
names to run away from really fast: wolf, the suitman who' s after paul .
privately owned society: the xyrex corp. seems to have control over various major industries affecting people' s daily lives with no police or other government oversight left .
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for 10 idyllic years, young mija (an seo hyun) has been caretaker and constant companion to okja—a massive animal and an even bigger friend—at her home in the mountains of south korea. but that changes when the family - owned multinational conglomerate mirando corporation takes okja for themselves and transports her to new york, where image obsessed and self - promoting ceo lucy mirando (tilda swinton) has big plans for mija’s dearest friend .
with no particular plan but single - minded in intent, mija sets out on a rescue mission, but her already daunting journey quickly becomes more complicated when she crosses paths with disparate groups of capitalists, demonstrators and consumers, each battling to control the fate of okja…while all mija wants to do is bring her friend home .
deftly blending genres, humor, poignancy and drama, bong joon ho (snowpiercer, the host) begins with the gentlest of premises—the bond between man and animal—and ultimately creates a distinct and layered vision of the world that addresses the animal inside us all .
lucas hedges, sterling k. brown & more join trey edward shults’ musical ‘waves’
all the newly streaming films of netflix, amazon, filmstruck, and more .
a new documentary draws damning parallels between how a city handles its rodent problem and its history of racism .
anthony’s avant - garde modus operandi is established immediately, with a series of introductory starting - line car - racing images set to maureen jones narrating a creation myth: “before the world became the world, it was an egg. inside the egg was dark. the rat nibbled the egg and let light in. ” at that point, an explosion of flames bursts out of one vehicle’s backside, and the action cuts to murky downward - gazing shots of a rat trapped inside a trash can. its beady little eyes glowing like fire, the skittering creature attempts to leap out its makeshift prison, all while jones informs us that a normal adult norway rat can, on average, jump 32 - inches high – and that baltimore city trash cans, not coincidentally, stand 34 - inches tall .
at once expressionistic and drolly funny, this opening sets the stage for anthony’s subsequent inquiry, comprised of crazily eclectic components: close - up studies of rats; trips through baltimore via both out - the - car - window glimpses of row houses, and tours of a video game’s simulated 3d city; vignettes concerning edmond and others who like to pass their time murdering the rodent population; and archival maps, documents and pictures which lay out the relationship between the metropolis’ rat infestation and its troubling racial history. it is, to be sure, a lot to take in. and the fact that anthony refuses to hold one’s hand through this mélange of modes and materials doesn’t make it any easier to digest, especially since, at least on the surface, it’s sometimes difficult to discern the precise relationships shared between a particular historical incident and contemporary character portrait, or random legislative event and anecdotal aside .
as edmond opines while going about his pest - control work, rats live side - by - side with people who have the least education and resources – those who have “no dreams, no aspirations. just survival. ” that comment connects back to an earlier rumination on whether infant rats – who spend their first two weeks with their eyes closed – dream. the answer, from all accounts, is probably not, given that they’re too busy struggling to avoid being preyed upon by some of the amateur rat assassins anthony depicts carrying out their nightly duty. one wields a variety of bb guns for headshot kills in alleys. another duo sticks peanut - butter - coated chicken on a fishing rod line, and then bashes their hooked prey to death with a baseball bat. in this urban wasteland, it’s kill or be killed. survival of the fittest .
beth and ben are a newly married couple. after returning home from their honeymoon, ben discovers that a ghost appears in the bedroom each night. the entity has designs on his beautiful wife. night after night, growing in form, lust, and power ...
toshiaki nagashima is a biologist who is doing major research on mitochondria. when his beautiful young wife is tragically involved in a car accident which leaves her brain dead, in... see full summary »
lakeith stanfield and his sorry to bother you crew reveal their most soul - crushing jobs in our freewheeling interview .
three apparently unrelated suicides occur on the same day in tokyo. one involves a young athlete, one a groom at his wedding reception, and the third an elderly man celebrating his wife' s... see full summary »
parasite is a 1982 science fiction horror film produced and directed by charles band . the film is set in a dystopian , post-apocalyptic future in which the united states has been taken over by a criminal organization who unwittingly create an uncontrollable deadly parasite and set it loose on the population . the film received negative reviews from film critics , who viewed it as a poorly written b-movie with unconvincing special effects . the film is notable in that it features actress demi moore in her first major film role . 
parasite is a 1982 science fiction horror film produced and directed by charles band. the film is set in a dystopian, post-apocalyptic future in which the united states has been taken over by a criminal organization who unwittingly create an uncontrollable deadly parasite and set it loose on the population. the film received negative reviews from film critics, who viewed it as a poorly written b-movie with unconvincing special effects. the film is notable in that it features actress demi moore in her first major film role.
parasite is a 1982 science fiction horror film produced and directed by charles band. the film is set in a dystopian, post-apocalyptic future in which the united states has been taken over by a criminal organization who unwittingly create an uncontrollable deadly parasite and set it loose on the population. the film received negative reviews from film critics, who viewed it as a poorly written b-movie with unconvincing special effects. the film is notable in that it features actress demi moore in her first major film role.