grizzly rage
video credit: youtube user mantewws kate todd in the 2007 movie ,
grizzly rage
.
the movie grizzly rage, released in 2007, features 5 songs from artists like jet set satellite, tin foil phoenix, driver and econoline crush. what is your favorite song from grizzly rage ?
grizzly rage (tv) r1 - america - genius products review written by and copyright: andreas petersen (15th may 2008) .
grizzly rage is truly one of the worst movies ever - made me hate director david decoteau with a passion. that damn unstoppable and continuity damning jeep .
the video: shot on hd, the anamorphically enhanced, 1. 78: 1 widescreen image for grizzly rage looks surprisingly good, with a sharp, bright image and no compression issues i could spot. unfortunately, the location work is just as lame as all the other elements in grizzly rage, so don' t count on any scenic benefits. quite appropriately, most of grizzly rage is shot in a large quarry pit. in other words: a hole .
when i first heard
grizzly rage’s
plot synopsis, i could barley contain my excitement. the story goes a little something like this: four recent high school grads, wes (
i had high hopes for
grizzly rage
. i really did. i’m a huge fan of movies so - bad - they’re - good. i always thought that strait - to - video horror films would be a potential gold mine when it came to comically horrible movies, but as time goes on, i’m discovering that this really isn’t the case, and
grizzly rage
, directed by
i' ll be the first to admit that i enjoy shitty movies, guilty as charged. grizzly rage is too shitty, its shitty beyond scifi channel movie standards as wel as director david decoteau standards .
an unstoppable grizzly bear tracks down four teens after they accidentally kill its cub while celebrating graduation .
winnie - the - poop. genius entertainment has released, in what the dvd box cover touts as part of their maneater series, grizzly rage, a pathetically undernourished effort from director david decoteau (he of sorority babes in the slimeball bowl - o - rama and test tube teens from the year 2000 fame). anyone hoping to experience even the slightest bit of drive - in schlocky fun in grizzly rage will be sorely disappointing by this bearly watchable dreck .
grizzly rage was released in the year 2007, some songs of the official soundtrack are home by econoline crush, belonging by jet set satellite, bright light rockin city by floor thirteen, enola gay by driver. listen the soundtrack online !
the brains - trust end of the us indie spectrum... grizzly bear. photograph: tom hines
dj khaled cancels wireless performance due to' travel issues' just hours before his slot... as fans rage over his' vacation' snap
final thoughts: timothy treadwell had it better, believe me. grizzly rage fulfills none of the requirements of a bear attack exploitationer: no blood, no gore, no severed limbs, no crushed - in heads, and no discreet nudity. note to filmmaker: if you' re going to try and film a movie where you want people to believe that a grizzly is killing people - put the goddamn bear in the same freckin' frame, for chrissakes! jesus! skip grizzly rage. paul mavis is an internationally published film and television historian, a member of the online film critics society, and the author of the espionage filmography
more than a decade ago, naturalist casey anderson rescued brutus the grizzly bear. brutus lead casey to found the montana grizzly encounter, a wild space for rescued bears. 10 years on, casey and brutus are still best friends .
after accidentally killing a bear cub while celebrating graduation in the woods, four teens become the target of a seemingly unstoppable grizzly .
4 teens trespass on a closed park site and accidentally run over a grizzly bear cub. the mother comes after them. unfortunately, she was been drinking from a lake full of toxic waste, illegally dumped, and has mutated into a super grizzly bear .
attention: requires region compatible playergrizzly rage (dvd new) label: platinum disc corp (do not useformat: dvd - standardrelease date: 19 aug 2014no. of discs: 1upc: 096009307844
. after accidentally killing a bear cub while celebrating graduation in the woods, four teenagers become the target of a seemingly unstoppable grizzly bear .
product description grizzly rage is the sixth title in the
maneater series
and unveils the biggest beast of them all. when four high school buddies take a road trip to celebrate their graduation, vacation turns deadly when they accidentally hit a bear cub and suffer the wrath of the avenging mother grizzly. what unfolds is a long dark night of stark raging fear as they face off against the wilds of nature. one swipe of the great slashing paw and you are shredded to pieces. with no cell phones, no weapons, no light and only tension mounting, all the students have are their wits, a prayer and each other. directed by horror master david decoteau (the brotherhood) and including fierce shocks and slashing surprises, grizzly rage is a lean and uncompromising fear match between man and nature .
three words: grizzly bears are awesome. i was serious when i said this is the best movie i have ever seen. none can rival it. it makes shindler' s list look like a flop. so often people misconstrue the true nature of an angry grizzly mother. seriously. even if it would send you into bankruptcy, you need to purchase the 8 - disc dvd set with over 246 hours of special features. it' s amazing that only $ 15 million was spent on this fantastic 13 out of 10 star film. say goodbye to fame, steven spielberg, david decoteau is the new king of directing. now that i' m finished talking about how fantastic this movie is, i' ll tell you why. 1. you should have known the entire time that the grizzly would win. they can fly, for crying out loud, and they can shoot quills at you. 2. grizzly rage 3. it has some of the most brilliant dialogue ever conceived. for example ,
what' s a bear doing all the way out here... ?
( they' re in a forest). 4. the only thing more dangerous than an angry mama grizzly is a space grizzly. 5. it had the best ending of any movie. ever. period. semicolon. exclamation mark. simply put: grizzly rage !
anyone who grew up during the' 70s knows that the gone with the wind of grizzly attack flicks is director william girdler' s masterpiece, grizzly (
18 feet of gut - crunching terror !
), followed closely by werner herzog' s recent documentary, grizzly man (
you' re the king, mr. brown bear! you' re the king! oh, christ! it' s biting my f * cking head !
). paws down, you' ve got to go a long way to top those two, but i was hoping that grizzly rage could, at the very least, provide some minor thrills (a bear - induced torn - off limb, a nice bear stomp to the head, some nudity besides wes taking off his shirt) that even a first - year film grad should have been able to wrestle out of grizzly rage' s premise. i mean, this isn' t rocket science. it' s a bear attack movie. show the bear. show some teeth. show some claws. show some people sliced, diced, munched on and stomped (preferably in that order) .
the story follows 4 high school graduates (3 guys and one girl, can you say sausage fest) who break into a closed down nature preserve. sure its chained up and they' re breaking and entering, she tries to convince the group but there' s too much testosterone in the vehicle and they just graduated so they' re invincible right? once in they begin driving around like lunatics and wouldn' t ya know it they hit and kill a grizzly cub triggering the mother' s grizzly rage .
hey have you heard about this twilight thing? apparently it’s all the rage in indie rock these days. as we previously reported thom yorke, death cab for cutie, and bon iver have all penned original songs for the soundtrack to upcoming twilight sequel, new moon. today, another name was added to the list— under the radar anticipated albums of 2009 cover artist, grizzly bear .
eight young adults are sent to do community service at grizzly park. there, they are hunted by an escaped serial killer along with the animals of the forest .
brad pitt visits the foot of the rocky mountains in northern utah, where the seus family celebrates the first birthday of their twins - their adopted grizzly bear cubs .
alas, such is not to be in grizzly rage. nothing works the way it should in grizzly rage, with poor scripting, poor plotting, poor direction, poor acting, and poor special effects pretty much making up a piss - poor attempt to craft an adequate exploitation piece. the story, such as it is, is remarkably sparse, which could have been to the film' s benefit, had it been executed with even a modicum of talent or skill. after all, who needs exposition or character development in this kind of film? just get on with the gnawing and the ripping, and have done with it. but grizzly rage introduces two subplots - a swamp filled with toxic waste and an abandoned shed, decked out with all kinds of bones and killing implements, like something out of the texas chainsaw massacre - that are briefly alluded to (the swamp scene is literally one shot) and then totally abandoned or ignored. what' s up with the swamp? did it make the bear the way she is? or was it the cabin? did the bear hold a grudge against the hunters that used to live there? we' ll never know .
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pretty boring has a great plot and could' ve been alot better, i actually dozed off once and i never do that on scary films. grizzly park was alot better !
grizzly rage
is offered in an english dolby digital 2. 0 stereo track. the sound is alright, but at times i felt as though the background music got too loud, drowning out a few line. the soundtrack of this movie is really something, by which i mean something really bad, whether a scene is sporting the generic horror theme, or the incredibly bad rock songs that play whenever the kids formulate a plan .
burger fiction barrels ahead with it' s
evolution of
series. everyone' s favorite rage - o - holic the wolverine is featured in this installment. something that immediately stands out is how much wolverine' s superhero buddies enjoy using him as an improvised projectile .
when a film like 2007’s grizzly rage roars right out of the gate with a car filled with some of the most annoying people ever put to the screen, and you find yourself in excruciating pain – your skin crawling with repulsion for low iq immaturity – the only thing left that might be redeeming is seeing them all torn to graphically violent pieces. maybe watch them suffer, or get reduced to shredded limbs. or meat, just danging in the choppers of a pissed off bear .
in 1991, doug and lynne established vital ground, a foundation that acquires private land and returns it to the wilderness, protecting nature and america' s wild heritage and ensuring a lasting habitat for the great grizzly bear .
oh, it' s all the rage, alright. four annoying teens on a road trip decide to stray from their original route to go goofballing in their truck and make a... . ahem... . grizzly discovery. splattering a cub with their truck starts a reign of terror as the mother grizzly goes on a rampage for revenge. naturally the truck' s broken down and the cell phones don' t get reception (isn' t it great that cell phones have that weakness out in the middle of nowhere? what the hell would horror film directors do otherwise ?), so it' s a fight to survive out in the boonies with an angry grizzly on the prowl. this
maneater
series from the sci - fi channel isn' t scoring high points with me. grizzly rage was rather boring. i don' t mind four cast members stranded and wandering around with no action for minutes on end, but there has to be some kind of hook for a movie like this to work. piles and piles of gore would have helped. instead the bear tends to just throw people in the air. since a real bear was used (thank god), there are no scenes of it actually attacking people. you see quick cuts of the bear roaring and a comic book like dash of animated blood that streaks across the screen. that would be fine if it wasn' t the only trick in the director' s bag. hell, i' m not gonna write a novel about this movie. watch it at your own risk if you think you can... . cough... cough... bear it .
i' ve always liked these kinds of movies where people head out into the countryside and run into a creature that doesn' t like it' s territory being invaded. in this particular case 4 funloving kids head out into an area thats off limits and has a locked gate, but that doesn' t stop these kids who are out looking for adventure and really aren' t paying attention to the surroundings that they are wildly speeding through and unfortunately a small grizzly cub (in the movie it' s a black bear cub) wanders out into the path of their off road vehicle is hit and killed and thus starts the saga of a grizzly mom full of pent of rage over the loss of her small cub. i liked the movie for the scenery and parts of the story line but this is just 1 in a long line of these kinds of movies made especially to fil
grizzly rage
is presented in an inconsistent 1. 78: 1 widescreen anamorphic transfer. i say this because at times the movie looks decent, with the green colors of the woods coming out fine, but sprinkled throughout the film, shots will be obviously filmed with a different camera of far less quality. shots that are within a car or close up along a house or rock formation, for what ever reason, seem to be shot with some sort of hand held camera your dad would use to film your camping vacation. these shots got really annoying, and disrupted what shred of linear story telling the movie had .
its about four kids who hop into a rover they completely beat the shit out of before breaking down on their way to saranac grotto – an abandoned, chain link fenced, toxic waste dump. its a barren stretch of woods with, of course, no cell service. while skidding all over the road for no reason, they run over and kill a baby grizzly cub. momma grizzly immediately gets pissed and the froth mouthed, tv - movie caliber chase is on. all the while, back home, i’m sure whatever parent that owned the truck is hoping they die horrible deaths .
i started to watch grizzly rage (titled off road in tv guide) on tv last night but it was so bad i had to turn it off after 30 minutes. the plot was paper thin, the characters unbelievable. four graduates head
off road
and kill a bear cub in a restricted area. when the mother bear begins to stalk them, they start doing the dumbest things - (1) two of them head off in different directions - alone! - to look for water for their overheated vehicle engine (2) with one guy already killed by the bear, a second guy goes wacky inside the car and causes the driver to go over an embankment! it' s just the type of movie that gives canadian films a bad reputation ...
seems to have become the norm over here: we now expect artists to appear fully formed, then spend the rest of their careers struggling to appear as interesting as they did at first. compare this to the fortunes of grizzly bear. they started life in 2004 – a year britain was falling, at various angles, for razorlight ,
this is an awful movie. it’s got no talent, no effects, and a laughable story. the characters are one dimensional and completely unlikable. if you really want to see a bear movie i recommend “grizzly man” at least that is real. if you want fiction with talent behind it see “the edge”. this one is just pathetic .
growing up grizzly features pitt as narrator in a year in the life of honey - bump and little bart, orphaned alaskan grizzlies whose mother was killed by a hunter. rescued by a state trooper, the little sister and brother newborn cubs were near starvation, but now they' re healthy and happy and living a unique life with the seuses .
growing up grizzly follows honey - bump and little bart through their first year, as they grow and discover the wonders of the world around them - their first swim in the river, their first drive into town for ice cream and their first time on a hollywood movie set. it also looks at the seus' unconventional techniques for training the bears .
but that' s not surprising, because everything is cheated in grizzly rage. we never really see the jeep smack the bear cub (could have been a good orca: the killer whale - type moment), we never see any nudity (let' s face it: a must in this kind of film, and kate tood looks up to the job), and we never see the bear actually maul or tear into someone. instead, we get these hilariously fake, g - rated blood splatters superimposed (right out of the elevator scene in earthquake) over murky, muddy frames that made disney' s the bears and i look like dario argento by comparison. and when you don' t have blood, and gore, and gut - crunchin', and ripped - off limbs, and stomped - on heads in a bear - attack film, you have nothing .
even worse is the dialogue from screenwriter arne olsen (who penned what may be burt reynolds' worst movie - and that' s saying something, brother - cop and ½). when we first see the four obnoxious characters who are to be the heroes of the film, their clichéd intros are :
yo, g !
who' s my boy ?
and
livin' large !
when i heard that, i immediately scratched down in my notes ,
which member of the poser mobile posse do i want dead first ?
- and i couldn' t decide. they all deserved it, right in the neck. the kicker, though, for utter inanity in grizzly rage, has to come during the interminable wait in the jeep, when lauren and wes ponder life' s mysteries in connection with random, horrific bear attacks. lauren, in a philosophical mood, postulates that the group
some songs have caused a degree of controversy. when yet again leaked, a youtube user compared it to coldplay, thus answering at a stroke the question :
what' s the quickest way to send grizzly bear' s fans apoplectic with rage ?
but he had a point, at least about where the music on shields might conceivably end up. making music that could fill arenas without first checking your brain into said arenas' cloakroom facilities is clearly very difficult indeed: only grizzly bear' s old friends radiohead seem able to continually pull in a mass audience without ever appearing to cravenly pander to the lowest common denominator. but yet again and a simple answer genuinely sound as if they could do the same. the arrangements and production are full of strange depths and unexpected touches – the former builds to a furious, distorted climax, the latter' s lovely harmonies are trailed by an unsettling, piercing distorted noise – but at heart these are beautiful, strident, undeniable tunes. so is sun in your eyes, an epic clatter that surges from nothing to a piano ballad to a vast climax, underpinned by blaring, valedictory synths, then back to nothing again. it, too, has a weird time signature and tricky drumming, but it' s not too much of a stretch to imagine huge crowds punching the air to it .
hilarity continues in the film' s direction, or lack there of, to be more accurate. it' s bad enough that decoteau puts us to sleep in the first half hour with our teen morons (he can' t even shoot their jeep mugwhamping with any verve, often recycling the same twenty yard stretch of trail with the car action footage sped up), but fatally, he can' t make the bear attacks worthwhile because we never really see the bear attack anyone! i mean, what the hell? you never see the bear in the same frame as any actor, which obviously indicates someone either shot the bear stuff separately, or the actors and trainer were scared to death something tragic might happen. which doesn' t seem plausible because the bear featured in grizzly rage is about the slowest, sleepiest, most non - threatening bear i' ve seen since the giggling snuggles® laundry bear popped out of my load of whites (where he was promptly returned to the dryer on
high heat
) .
wow, that was one of the worst movies i have ever seen. how could they let this movie leave the cutting room floor? horrible acting. the plot well um there is no plot other than we suck and will all die. no blood, crappy all the way. the bear cub they kill is a black bear and the mom is a grizzly wtf come on sombody on the set say somthing. bad bad bad bad bad bad bad .
this is by far the worst movie i have ever seen... it is so bad... the bear is completely horrendous... the acting is worse than an elementary school play... i almost vomited at the dialogue... . oh my god it was so bad i even called the company who made it and told them how bad it was... the only 2 hours of my life i truly regret... no one should ever watch this pile of trash. . was this a horror or a real bad comedy... what was the story... a bear cub gets killed and its mother takes revenge on the teens who killed it... .. who wrote that... a bunch of monkeys on meth... . i and my wife have never and will never see such an empty abismul movie again... . time to give the raspberry of the century award to this waste of time. i have no more to say... . bring on grizzly rage 2... . not... lmao
it' s not clear if huge crowds punching the air is what grizzly bear want: they trailed the album with sleeping ute, not the actions of a band desperate to lure in the floating voter. whatever happens, they' re certainly not having to struggle to appear as interesting as they did on arrival. if anything, they' re getting more intriguing as they go on: an object lesson in the value of allowing things to progress at their own pace .
then tank top starts getting depressed and asking bimbo several times “why is this happening to us? ” are you really wondering that dipshit? i can think of a few reasons. tank top goes to scale a cliff to see if he can get cell phone reception. it’s a no go so he howls in anguish. he gets back to the car and they talk about regrets. before the t - rex from jurassic park, i mean the grizzly topples the jeep .
grizzly rage
starts out great, as in really bad, but in that beautiful sort of way that is really entertaining to watch. the four kids talk like the most stereotypical students, beginning every sentence with “dude” and ending each sentence with “bro”. they form the “rock on” gesture with their hands whenever something cool happens, or whenever they listen to horrible rock music in their car. they wear backwards hats, surfer shorts, and sandals. the sheer ridiculousness of it all grabbed me. sorrowfully, 20 minutes in, the movie let go. when the vicious mama bear makes her appearance, i thought i was going to watch her tear at least two of these kids apart, which would have made their dialogue and teenage - ery in the beginning worth it. however, whenever the bear attacks, the camera cuts to a close up shot to a person in bear chaps sort of rolling over the person being mauled, and a really lame blood splat hits the camera. the thing is, it’s not even real - fake blood, but rather some sort of animation that looks as though it were made in flash .
they spin doughnuts in the woods. driving like assholes until they hit a tree and realize they hit and killed a bear cub. by this point they don’t care one bit about doing the right thing so they just leave as mamma grizzly roars a very pissed sound that is less bear like and more the sound of a prehistoric monster. at least this movie helped me not give a hoot in hell about any of these characters. frankly, i want them all to die .
this film is about when 4 teens (wes, shaun, ritch and lauren) go wild after they graduate from high school, brake into private property, and kill a grizzly cub whose mother goes on rage to kill them. the film includes bad actors, goofs, and the toxic junk shouldn' t even be in it. i gave it two because i gave it a little credit and at least all the bad actors died! i wish i could go back in time and never watched this rip - off. i mean, bears don' t live in that territory, 3 branches will not hold a car, and fake blood splatters isn' t going to make it better. plus, at least a woman got a contraption in her back for bad acting! plus, this is the first movie i' ve seen that before the credits, it says the title again. my rating: d - so don' t waste your life on this junk like i did, it is also possibly the top ten boringest film i have ever seen! plus, the dialog is boring and pointless. don' t watch this boring junk .
grizzly (mutant ?) mama vs the stupid teens that accidentally killed her cub. i was totally cheering for the bear. there' s also some sort of lame environmental message tossed in every once in a while that only serves to make you want the bear to kill the kids faster. i actually thought that we were going to have a david decoteau movie where the hot dudes keep their clothes on... nope, the pretty dude wears boxers (* spoiler *) .
there are certainly moments when shields sounds exactly like you might expect something that' s been agonised over by a bunch of clever american indie musicians for three years to sound: what' s wrong drifts beautifully along without connecting, its intricate mesh of woodwind, vocal harmonies, jazzy drum patterns and string interludes all good judgment and no gut - punch. but more often, it sounds as if grizzly bear have spent their time away digging out the emotions that sometimes get buried beneath the technical fireworks. speak in rounds builds to a climax that – to use a phrase not much associated with grizzly bear – rocks, and furthermore rocks in a viscerally thrilling manner. the opener, sleeping ute, is every bit as knotty as anything on veckatimest, but its odd time signature and synthesiser arpeggios appear to be there for a purpose. the music sounds as if it' s tossing and turning :
if i could find peace … if i could lie still … but i can' t help myself .
in a scene transition that could give whiplash it’s suddenly night. scarf - head mentions seeing a bear trap in the cabin. so they go off to get it. bimbo decides to go grab it since tank top has a weak leg after the car topple. the camera work would make you think this is a spooky thing to wander around the cabin. but it’s not as if jason voorhees is going to pop out behind a corner it’s a fucking grizzly bear outside. it does however swipe at her through the wall causing her to impale herself on the trap a bit .
the kids are either deaf or the grizzly has such an amazing stealth skill that we see pov shots of her sneaking up on the assholes like she was the predator. the assholes separate to find water to attempt to get some for the jeep. hunter thompson finds some in what looks like the dead marshes of lord of the rings. too bad he didn’t hear the bear. it sneaks up behind him and swipes at his face. for some reason his head manages to stay on. instead we get a cheap cgi blood splatter on the camera as if that adds to the realism .
legendary director werner herzog is known for his sometimes fanatical commitment to his films, including moving a 320 - ton steamship over a hill in the amazon for 1982’s “ fitzcarraldo ” — and the way he puts his characters in some of the most extreme and dire situations imaginable (have you seen “ grizzly man ” ?). his latest film, “ salt and fire, ” is no different, as it has one of the protagonists trapped in a vast salt flat with two blind boys. but the director himself said he’s not scared of those situations — or anything at all — when asked about his fears by ...
bear auf 3d - blu - ray bei urltoken urltoken horror | usa 2010 | 80 min. | ascot elite zwei junge paare fahren durch einen abgelegenen wald, als ihr auto stehen bleibt. als ein zusammentreffen mit einem neugierigen grizzly - bären mit dem erschießen des bären endet, tritt ein weiterer bär ins geschehen und attackiert rachlustig ihren van. die paare sind gefangen in dem fahrunfähigen van und müssen sich clevere wege einfallen lassen um zu überleben. als sie gegen das überraschend intelligente wesen kämpfen und sich gedanken über ihr ungewisses schicksal machen, dringen geheimnisse ans tageslicht die die gruppe auseinander zu reißen drohen, bevor es der bär tut. urltoken © 2010 ascot elite
after they find out hunter thompson is dead bimbo starts yelling at the boys about how she told them not to go on this detour. one of the guys shouts back “we get it. you’re a genius and we’re all a bunch of tools. ” well, that is half right. scarf - head decides he is going to attempt to hike for help he arms himself with a tire iron and starts running. i should mention that if you are up against a grizzly bear in a fight a tire iron will do squat. in a straight up fight the best you can do is shit yourself in the hopes that it makes you taste worse for the bear .
an alt - rock band hitting it big in britain after five years, with their third album, would be in itself a talking point, but it was compounded by the fact that veckatimest was an improbable candidate for top 10 success. to hear grizzly bear talk about its accessibility, you would have thought veckatimest was a brazen lunge for the mainstream jugular involving a guest appearance from justin bieber and production by calvin harris and will. i. am. in fact, it sounded more like their trickiest record to date, a rich, dense weave of sound that variously involved the composer nico muhly, the brooklyn youth chorus and a string quartet drawn from the american contemporary music ensemble .
there’s no nuance to be found in herzog’s film about an abducted scientist forced to fend for herself in an alien landscape. still, the film - maker’s tale telling has its weird appeal following his clumsy gertrude bell biopic queen of the desert (which still has yet to be released – if ever – in the us), werner herzog is back with salt and fire, another scripted effort about how foreign surroundings can change a person. it’s a topic that has fascinated the film - maker for much of his storied career, most searingly in his 2005 documentary grizzly man. salt and fire has more in common with queen of the desert, boasting an equally risible screenplay and messy performances – but like all of herzog’s output, it casts its own strange spell. in clumsy but hilarious fashion, herzog gets needed exposition out of the way early in salt and fire by having his heroine ,
if there’s one thing germans love more than techno, it’s werner herzog. the legendary german new wave director experienced a renaissance of sorts with “ grizzly man ” in 2005, propelling him to cult status amongst millennials, and he has been riding that high ever since. read more: werner herzog says independent film is a ‘myth, ’ and america is stronger than trump tonight, herzog will sit down at the metropolitan museum of art in new york to discuss how music inspires his films, using clips to illustrate his unique ear. throughout his more than 50 - year career, herzog has collaborated with a wide array of musicians, including krautrock band popul vuh, german composer klaus badelt and dutch cellist ernst reijseger. the event is part of the red bull music academy, an annual series of music workshops and festivals that travels to a different city every year. founded in berlin with an emphasis on techno and dj culture ,
paris – werner herzog (“ grizzly man ”) will receive the carrosse d’or award at this year’s directors fortnight, the section which runs parallel to the cannes film festival. the society of film directors (srf), which brings together top french filmmakers, said it was honoring herzog with the carrosse d’or to “pay tribute to [ his ] relentless energy and [ his ] great creativity, ” as well as his “ability to juggle formats, production norms and systems, and to blur the lines between fiction and documentary, feature films and television, reason and madness. ” “we also pay homage to your leadership and your powerful capacity to pull in hollywood stars as well as unknown people and amateurs, and to the way you impose your distinctive tone and vision, flouting moral conventions and political correctness, ” the sfr added. launched in 2002 by srf, the carrosse d’or recognizes a director each year for “the innovative qualities in his / her films ,
many hollywood stars openly oppose donald trump and his political agenda. however, german filmmaker werner herzog is simply fascinated by the us president. read more: ‘ salt and fire ’ exclusive clip: michael shannon and gael garcia bernal unite to save the world in werner herzog ’s thriller “he’s the first time you have a real independent. [ trump has ] turned against the republican party, and he’s vehemently against the media, justifiably so to some degree, and i find this a very significant novelty, ” the “ grizzly man ” director told rolling stone. “trump and bernie sanders stuck out because he’s authentic. and it’s mysterious how trump is getting away with literally everything. i see it with great, strange fascination. very, very unusual. ” read more: shia labeouf says america is no longer safe for his anti - trump art installation the director has two films coming out in spring. “ salt and fire, ” an ecological thriller starring michael shannon ,
the rest of the movie has to be one of the dullest 70 minutes of my life. the characters come up with ways to survive, but each one takes up extended periods of time, and end up adding nothing to the plot’s progression. characters will spend ten minutes crawling up a mountain to get a better signal on their phone, see the bear, run away, and that’s it. the last 15 minutes of the film are particularly excruciating, as the characters form plan after plan, and none of them even do anything to stop the bear. maybe the filmmaker’s behind this movie wanted to convey a feeling of “this bear is unstoppable! ” but i just got really bored. thankfully, the movies ends in one of the most comically abrupt ways i have seen in recent memory, so at least i got a few laughs. but with a movie like this, a “few laughs” really isn’t enough to deal with it. i need the dialogue to be trite, the gore to be excessive, and the drama to be cheesy, not completely bland in all three categories. save your time and rent a real bear movie, like the 1976 classic
grizzly .
first a grizzly as large as the one in this film would need a large hunting ground but yet seemed to be in a fairly small one around a blocked of toxic waste dump and has never been noticed by anyone. second is the waste dump it self why so many shots of it when they never bothered to say why, was it the reason the bear was so aggressive / seemingly intelligent, was the bear put there to guard the dump, where did the dump come from, why has it not affected the trees and ground water to get noticed by rangers and or nearby communities as from the rusty barrels it has been there for many years. intelligence on the people, a tire iron is not going to do much against a adult bear, going off alone over and over when as a group they would stand a better chance, not trying to make weapons such as spears at nigh they sit around 2 flash lights instead of building a large a fire as they can for light to give warning of the bear but also to use as protection not to mention to maybe signal someone that at least they were in a no trespassing area to get rangers interested. the cabin seemed to be set up as a defensible position but they don' t use it or get any of the weapons from it, also who built it when and what happened to them and when, as recent chicken remains are shown but the cabin it self look long deserted. they trap the bear in the barn but they already see it is getting lose but they just walk away with out trying to reinforce the trap or kill the bear that escapes and kills them leaving no one left alive. alas your left just siting there going what just happened and why did a watch this .
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plot synopsis should be a snap... since there isn' t one. four annoyingly rich and smug teenagers, just graduated from high school, pile into their friend sean' s (graham kosakoski) jeep and head off for their annual summer vacation. posers of the first hilarious magnitude, the rest of this inane
posse
include wes (tyler hoechlin), the poetic one (he recites something - badly - at the beginning to impress us); ritch (brody harms), for whom the screenwriter apparently couldn' t summon up any distinguishing characteristics, and potentially sexy (looking very much like tara reid after a good, strong, hot shower and subsequent disinfecting) lauren (kate todd), who doesn' t appear to
be with
any of the guys .
sean, making a spur of the moment decision to change route plans, gets the group to agree to go to saranac grotto, which is evidently a notorious restricted wooded area (the film just assumes we' re going to decipher that - like a lot of things in this movie). once inside the gated - off area, out in the middle of nowhere, sean the 4 - wheeler quickly cracks up the jeep after he runs over a bear cub. almost immediately, the scooby - dumbass gang are threatened by the cub' s mother, who relentlessly stalks the group (i. e. : shuffles around wherever its trainer throws food) in a day and night of unrelentingly terror. i mean utter boredom .
. and she' s being punished for that. i kid you not .
the audio: the dolby digital english 5. 1 stereo track is incorrectly mixed, with
crucial
( hee hee) dialogue often muddied by the anonymous music cues. there are no subtitles or close - captions .
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katy perry - last friday night (t. g. i. f. )
must see! !! ! huge brown bear walking past brooks lodge ranger station. hd
alpha music group to host major record label showcase and networking event on october 15, 2007 in new york. record labels confirmed to attend are atlantic records, universal records, capitol records and koch entertainment. music industry vip tickets and media passes are available by request .
amg (urltoken) will host a major record label showcase and networking event, monday, october 15th at don hills in new york. the event is a kick - off for new york' s cmj music marathon. six of of the finest artists and bands in the u. s. and canada will perform original material. this not - to - be - missed showcase will include performances by skye claire, lucky spaulding, taylor mckenna, the hannah wolf band, floor thirteen, and honor by august. confirmed to attend are senior representatives from atlantic records, universal records, capitol records and koch entertainment. in addition to amg' s roster, artists from astral records and big noise productions will also perform .
date: monday, october 15, 2007 place: don hills, 511 greenwich st. at spring st. , new york city time: vip networking and cmj kick - off party at 6: 30. show starts 7: 00 pm sharp. vip passes: see contact information tickets: $ 10. 00 email request contact: sylvie harris, president, alpha music group
currently celebrating its 5th year of operation, amg houses amg artist development and amg management. amg successfully integrates artist development, a & r services, public relations, and management. working with over 750 artists and bands, amg connects exceptional talent with the record label industry. as a direct result of amg' s programs, artists have showcased for atlantic records, astral, bad boy entertainment, columbia, epic, g - unit, interscope, island, jive, koch, rca, sony, tvt, universal, verve, virgin, wind - up, and many independent record labels. amg publishes the national a & r tip sheet and sound press magazine with distribution to 10, 000 + music, film, and tv executives .
astral records & music is a dynamic boutique label based in australia with affiliates and representatives in the us, uk and europe. the label houses both its development arm, dead famous artists (label and management) and also its international management arm, mpm artist management. astral specializes in the quality placement of music in all genres for positioning in feature films, music supervision, television series, digital media and advertising platforms. with a us release and distribution deal in place for the label with koch entertainment (us) and c4 and koch canada for hard rock metal releases and arbor / emi for the pop / rock genre, astral is recognized as both a digital and a physical release company in the worldwide market place today. in addition, astral has outfitted studio complexes in melbourne, canada, los angeles, belaruss and now the united kingdom .
big noise has been responsible for the release of 100 + recordings of diverse musical genres. big noise has worked with a myriad of successful artists including multi - platinum - selling and grammy award - winning recording artist and songwriter christina aguilera, bill berry and michael stipe (r. e. m .), john bush (anthrax), bill champlin (chicago), cowboy junkies, d. u. i. , dave navarro (red hot chili peppers, jane' s addiction, and porno for pyros), dean parks (stealy dan), livingston taylor, simon townshend (the who), vitamin c, and many more .
presented by amg management, honor by august was named as
the best and the brightest songwriting talent
by billboard magazine. honor by august has already shared an arena stage with bon jovi and had its music broadcast to millions of television viewers. honor by august has shared the stage with bon jovi, peter frampton, hootie & the blowfish, howie day, hanson, ingram hill, pat mcgee band and many other prominent national artists. in its first first two years honor by august played live television (espn) to an audience of over a million viewers; won the bon jovi - xm radio
have a nice gig
contest; won the grand prize in billboard magazine' s world song contest for the pop category with
only in photographs
; won the bmi / pulse audio battle for the boat; worked with noted producers charlton pettus (josh kelley, tears for fears, clay aiken) and ted comerford (virginia coalition, red wanting blue, zox), grammy - winning engineer toby wright (third eye blind, metallica, alice in chains, the wallflowers, 3 doors down, korn) and award - winning mixer / engineers jeff juliano (john mayer, dave matthews band, jason mraz, lifehouse) and paul david hager (american hi - fi, avril lavigne, butch walker); won the hanson opening band contest to open for hanson and the pat mcgee band; held the # 1 spot at aware store with its debut cd ,
drowning out the television.
grizzly rage is a 2007 canadian television horror film produced by rhi entertainment that premiered in canada on the video-on-demand channel movie central on demand on june 7 , 2007 . it aired in the united states on the sci fi channel on september 16 , 2007 . filmed in winnipeg , manitoba , the film is the 2nd title in the maneater series produced under an agreement with syfy . featuring a cast of four , the film focuses on a group of teenagers who struggle to survive in a restricted forest while an enraged grizzly bear hunts them relentlessly seeking retribution for killing its cub . grizzly rage breaks the standard mold for many syfy natural horror films in that the bear featured is a normal grizzly bear rather than a mutant or genetically altered animal . however , the bear and actors never appear together in the same frame , rather a man in a bear suit takes over the role when the actors must interact with the bear . critics heavily panned the film , feeling its plot , script , characters , and special effects were substandard . 
grizzly rage is a 2007 canadian television horror film produced by rhi entertainment that premiered in canada on the video-on-demand channel movie central on demand on june 7, 2007. it aired in the united states on the sci fi channel on september 16, 2007. filmed in winnipeg, manitoba, the film is the 2nd title in the maneater series produced under an agreement with syfy. featuring a cast of four, the film focuses on a group of teenagers who struggle to survive in a restricted forest while an enraged grizzly bear hunts them relentlessly seeking retribution for killing its cub. grizzly rage breaks the standard mold for many syfy natural horror films in that the bear featured is a normal grizzly bear rather than a mutant or genetically altered animal. however, the bear and actors never appear together in the same frame, rather a man in a bear suit takes over the role when the actors must interact with the bear. critics heavily panned the film, feeling its plot, script, characters, and special effects were substandard.
grizzly rage is a 2007 canadian television horror film produced by rhi entertainment that premiered in canada on the video-on-demand channel movie central on demand on june 7, 2007. it aired in the united states on the sci fi channel on september 16, 2007. filmed in winnipeg, manitoba, the film is the 2nd title in the maneater series produced under an agreement with syfy. featuring a cast of four, the film focuses on a group of teenagers who struggle to survive in a restricted forest while an enraged grizzly bear hunts them relentlessly seeking retribution for killing its cub. grizzly rage breaks the standard mold for many syfy natural horror films in that the bear featured is a normal grizzly bear rather than a mutant or genetically altered animal. however, the bear and actors never appear together in the same frame, rather a man in a bear suit takes over the role when the actors must interact with the bear. critics heavily panned the film, feeling its plot, script, characters, and special effects were substandard.