sicilian vampire
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listen to i want to live forever (soundtrack from the feature film sicilian vampire) now .
the “godfather” actor was particularly bitter about his role in the campy gangland / horror hybrid “sicilian vampire. ”
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as with all of d' angelo' s films, sicilian vampire' s main agenda seems to have been to make its author look cool .
sicilian vampire will be frank' s fourth film in the last two years that he has written, directed, produced, and starred. his first film ,
ultimately, sicilian vampire comes across as frank d’angelo’s treasure chest of movie ideas he fancies. for instance, he’s obviously a fan of crime movies involving wise - cracking tough guys, so sicilian vampire is filled with them. he also favours a running theme of family, so that’s included as well. you get the point .
the new york city premiere of “vampire” drew just 50 fans, according to his court filing .
i was almost embarassed to be sicilian. everyone in this
film
should be be slapped around by their nana .
[ in the following review. showalter discusses the vampire genre and coppola' s version, concluding ,
more about coffers than coffins, this dracula will neither join the canon of vampire classics nor enrich coppola' s artistic reputation .
]
equal parts goodfellas and dusk till dawn, sicilian vampire tells the story of reputed mobster sonny trafficante who was hoping to get away to the family hunt lodge for a little rest and relaxation. instead, what he got was a night he will never forget .
just like staring at an inkblot, “random” and “strange” are the first words that spring to mind if i had to describe frank d’angelo’s sicilian vampire to movie goers. however, the oddities give d’angelo’s film a fever dream allure – it’s entertaining one way or another .
mobster becomes a vampire after being bitten by a strange bat. he uses this to his advantage and starts a mob war .
as a film that mashes the drama of a gangster flick with gothic horror, sicilian vampire doesn’t quite come together because of its jumbled albeit well - shot presentation. i had an easier time appreciating d’angelo’s efforts in the same way i felt about spike lee’s “non - vampire” movie da sweet blood of jesus. both interpretations are flawed, but i wouldn’t mind revisiting these works in a double - bill .
frank d’angelo directed, wrote, produced, and stars in sicilian vampire. he also wrote many of the songs in the film, as well as performs them (both on the soundtrack and in front of a cabaret audience in the movie). to say d’angelo wore multiple hats on the production still feels like i’m undercutting the filmmaker somehow. he’s involved with so much of sicilian vampire, it makes me wonder if some of his tasks could’ve been delegated to allow the filmmaker to fine tune his disjointed story of a mobster - turned - immortal .
santo “sonny” trafficante was just a mobster trying to retire from his hustling life. now he’s a vampire who can speak to the deceased .
ws: and yet, it has been thrilling to watch d’angelo’s craft evolve from film to film. though frank’s ideas and settings remain much the same, we’re a long way from the affectless digital cinematography of real gangsters™. in sicilian vampire, just look at the unforgettable scene in which santo, transformed into a vampire, rescues his daughter from a pack of thugs at a nightclub. the bold neon colours, the wong kar - wai - like step - frame camerawork, and the synth music (d’angelo first foray into club beats as a singer / songwriter) make for an intoxicating fusion of sound and image. and let’s not overlook that sicilian vampire also offers d’angelo’s most ambitious use of digital effects yet, shown to great effect in the witty image of a farting mouse .
jh: it’s interesting to see frank incorporate the history of the cinematic vampire into the modern crime thriller. again with his confounding of expectations—d’angelo’s vampire is a throwback to the sexless vampyre tradition in silent cinema, along the lines of murnau’s nosferatu as opposed to the more sexualized depictions of the vampire like another frank (langella) in 1979’s dracula, or the hunger (# riptonyscott) that modern audiences would expect to be twinned with a story of mob violence .
the plot doesn' t unfold like a well - oiled machine. both the vampire angle and the mob war plot disappear for long stretches, and the film' s ultimate message –
family is the most important thing in a man' s life
– feels arbitrary. d' angelo seems to have unwisely attempted what quentin tarantino calls a
hang - out movie ,
because sicilian vampire is packed with endless, shapeless scenes of mobsters sitting around tables, cracking jokes .
urltoken in your ear productions presents a frank d' angelo film
sicilian vampire
starring james caan, daryl hannah, paul sorvino, robert loggia, armand assante, robert davi, michael paré, eric roberts, daniel baldwin, tony nardi, frank d’angelo, phil esposito... .... loyalty and trust is everything .
texts studied may include radcliffe’s sicilian romance (1790), romance of the forest (1791), the mysteries of udolpho (1794), and the italian (1797) .
d’angelo claims to be already working on his next film with caan, this one titled the red maple leaf. the announcement was made via a photo post on twitter in which d’angelo claims to be “with james caan. ” the actor, however, is nowhere to be seen. maybe he was off - camera. maybe, after his sicilian vampire experience, he’ll decide to stay there .
or perhaps you haven' t discovered him yet. if not, you' re in luck: his latest film, sicilian vampire, is now enjoying an
exclusive premiere engagement
at the colossus vaughan cineplex, just north of toronto. thanks in part to the investment of pharmaceutical billionaire barry sherman (d' angelo' s former partner in steelback), d' angelo, a middle - aged canadian businessman, has lately willed into existence a career as a tv / music / movie star. sicilian vampire is his fourth film since 2013 (a fifth, the red maple leaf, has already wrapped filming), and like all d' angelo projects, it has been aggressively publicized, with full - page ads in the toronto dailies and high - profile tv spots on hockey night in canada .
for all his shortcomings as a filmmaker, you can' t deny that d' angelo makes his presence felt in every second of his films, and of all of frank' s films, sicilian vampire this one is undoubtedly the frankiest. it may not be for mass consumption but is heartily recommended to anyone who has ever lost an evening on a frank d' angelo youtube binge. you know who you are .
on friday, sicilian vampire, the latest film from frank d’angelo, began its exclusive premiere engagement at vaughan’s colossus cineplex. this is the canadian businessman - turned - entertainment mogul’s fourth film since 2013; love him or hate him, by now you can’t deny that he’s a filmmaker with a consistent vision and personal style. to celebrate the film’s release, torontoist invited the two biggest frank d’angelo superfans on its masthead to try to put the filmmaker’s career in context .
as with all of d' angelo' s films, sicilian vampire' s main agenda seems to have been to make its author look cool. nowhere is this more apparent than a scene late in the movie when santo and his mob buddies take a nightclub stage to sing just a gigolo. why ?
you' re always makin' me do things i don' t wanna do ,
mutters santo to his cronies, attempting modesty that the director arguably lacks .
ws: though d’angelo’s films depict a frightening world of violence and betrayal, what is too often overlooked are the small moments of lyricism, and his genuine affection for his characters. consider the lighthearted moment in real gangsters! ™ when the mobsters discuss always getting that last drop of urine on their pants. or now in sicilian vampire, the beautiful scene in which d’angelo allows his doomed protagonist one last good time—a rousing rendition of “just a gigolo”—before he meets his ultimate fate .
equal parts goodfellas and dusk till dawn, sicilian vampire tells the story of reputed mobster sonny trafficante who was hoping to get away to the family hunt lodge for a little rest and relaxation and create some memories. instead, what he got was a night he will never forget. once there, sonny is bitten by a bat released from a container of bananas they brought up to the lodge. the bat takes a vicious bite of sonny' s neck and then flies off into the night .
jh: the bat flying out of a box full of bananas and sinking its fangs into frank’s neck that propels the plot of sicilian vampire was one of the most startling iconic images captured on film since the famous eyeball - slitting sequence from un chien andalou. the shock of this moment is magnified by the preceding 20 - minute sequence of men sitting around a table playing cards, shooting the breeze. this approach lulls the audience into a false sense of complacency that is abruptly wrenched apart at the pleasure of the filmmaker, in the manner of contemporary european filmmakers (and fellow international film festival darlings) gaspar noe and michael haneke. like godard, frank gives the audience what they supposedly want but not how they expect to receive it: the climactic scene of the film takes place in a strip club but the only toplessness on display is that of screen veteran paul sorvino. frank consistently confounds expectations: anyone in the audience expecting a 2 hour film called sicilian vampire to contain even one jokey reference to garlic will walk away disappointed .
jh: the red maple leaf promises to feature a musical number that fuses the national anthems of canada and the united states. these two countries famously share the longest peaceful border in the world, but filmmakers such as frank d’angelo blur such distinctions through their work, rendering the very concept of a border theoretical. “loyalty and trust is everything” is not only the tagline for sicilian vampire, but also a solemn promise to his fans, whose continuing loyalty he has rewarded and deepening trust he has earned, film after film. his mission statement .
out of the darkness, the blacks and whites of sicilian gangster society (the black screen, the black and white credits, the fade - up from black to the undertaker), we have a three - hour glimpse of the corleone family, fictional creations, a vision of italian underworld life in america .
texts studied may include lord byron’s fragment of a novel (1819), john polidori’s vampyre (1819), jame malcolm rymer’s varney the vampire (1845) bram stoker’s dracula (1897), j. s. le fanu’s carmilla (1872) and stephen king’s salem lot (1975) .
just watched it at landmark cinemas in whitby. sicilian vampire is a hit for me. a nice and refreshing change from the typical mobster movie with an interesting blend of gangster vs. vampire really makes the movie fall into a genre on to itself. this film proves that a good story and script can really make a great movie as the dialogue and storyline were fantastic. it will totally leave you absolutely speechless by the end. and, unlike so many big hollywood films, this was shot locally and completely independent. keeping that in mind as i was watching it made it all the more enjoyable as it added a down - to - earth,' real' feel to it. so, if you' re into movies that have been well thought out, with some great acting by some true legends, then i highly recommend this one. i hope to see more from d' angelo in the future !
what is james caan —oscar - nominated godfather icon, generally respected character actor of 50 - plus years—doing in a film with the unpromising title sicilian vampire? why would it be programmed as the opening - night film of the big apple film festival? what is the big apple film festival? answers were not immediately forthcoming at manhattan’s village east cinema on wednesday night, where a surprisingly substantial audience gathered to watch the story of a new york mafioso who turns into a bloodsucker after being bitten by a bat. at least 50 people had come to attend a film that, in all probability, most of them had never heard of .
then again, maybe the film' s unrelenting frankness is also its greatest strength. renting a frank d' angelo movie on itunes is one thing: you can pause it, or look around the room, or check your phone. in a theatre, however, it becomes an overwhelming experience. with d' angelo in so much of the movie, and with so much of the movie scored to one of his r & b songs, sicilian vampire is like entering a funhouse where every mirror reflects frank. by the time it' s over, you feel like john malkovich after leaving his own head in being john malkovich, except it' s frank d' angelo .
ws: sicilian vampire is undeniably d’angelo’s most confident articulation yet of his worldview and aesthetic. where can he go from here? i’m optimistic that this unique storyteller is hitting his stride. he recently wrapped production on his fifth film, the red maple leaf, a political kidnapping thriller that is reportedly “one of his most ambitious projects to date. ” d’angelo veterans caan, pare, daniel baldwin, paul sorvino and the late robert loggia join newcomers mira sorvino, martin landau, and kris kristofferson (as the president of the united states) in a film that promises to meld d’angelo’s canadian patriotism with his well - documented fascination with america. it also promises to continue his evolution as a political filmmaker—an avenue he explored so fruitfully in no depo $ it .
there is not a theatre in paris without its vampire !
a french critic exclaimed in 1820; and london and new york might say the same today. from francis ford coppola' s new dracula to john landis' s sexy innocent blood, from nigel finch' s stylish updating of a nineteenth - century german opera by heinrich august marschner for bbc2, and shimako ...
sicilian vampire star / director / producer / musician frank d’angelo is a more - than - usually egregious creature of these overlapping worlds. notorious in toronto and virtually unknown elsewhere, d’angelo is a dubiously talented businessman (his spotty track record was explained in this fine 2007 profile) with a lot of cash to throw around, primarily (presumably) thanks to d’angelo brands, a company whose wares include the energy drink cheetah power surge. since 2010, he’s also been the host of the being frank show, a late - night talk show taped weekly at the forget about it supper club, one of d’angelo’s two restaurants. it looks like a real show but it’s really just an infomercial d’angelo has paid for, interrupted only by commercials for his own products. he’s also cranked out a series of albums in the seth macfarlane –big - band vein and claims to have written 500 songs .
ws: “we didn’t need dialogue, we had faces then, ” the faded silent movie queen norma desmond (gloria swanson) tells screenwriter joe gillis (william holden) in sunset boulevard. sicilian vampire has plenty of dialogue (long, flowing dialogue that combines poetry and profanity in a way recalling mamet), but more than anything, it offers faces. there is james caan, his face lined by failed marriages and a rocky career. there is daniel baldwin, his ripening cheeks offset by a jet - black goatee. there is robert davi, his famously pockmarked visage made only rougher by the passage of time. there is michael pare, his still - boyish good looks obscured behind a greying beard. and of course, there is frank d’angelo, who casts himself in the lead role as mob enforcer santo trafficanti—his oddly - parted hair by now almost as iconic as chaplin’s moustache .
jh: d’angelo ironically approaches a microphone at the beginning of the musical number that serves as the centrepiece of sicilian vampire and says to armand assante, “you’re always fuckin’ making me do things i don’t wanna do. ” anyone who has been carefully following d’angelo’s career has to smile at the irony of this line because no filmmaker today displays this much formal control over his work. his self - contained universes extend to almost charlie kaufman levels of denseness and detail. in no depo $ it, a hot dog stand only sells d’angelo brand products and during the climactic hostage siege in the film, frank cuts away to media coverage of the siege as captured by a fictional cable news network “nss” which shares graphic design and on - air talent as his real - life sports webchannel next sports star. and as in all his films all of the music (diegetic, non - diegetic and occasionally live performance) is performed only by frank .
d' angelo stars as santo trafficante, a mobster whose life changes when he opens a box of bananas and is bitten by a vampire bat (this must be seen to be believed). he finds himself endowed with superhuman powers – acute hearing, fast - regenerating blood cells and a cute little pair of fangs. he also finds himself at the centre of a brewing gang war, and may soon be betrayed by a member of his own crew .
ws: frank d’angelo is about to hit the big time. for years, he has been a canadian institution—the former owner of steelback brewery, chch’s answer to johnny carson, the man who coaxed ben johnson to admit he “ cheetahs all the time, ” the standard - bearer of r & b, and the most prolific canadian filmmaker this side of xavier dolan. toronto audiences are already familiar with real gangsters! ™, the big fat stone, and no depo $ it —films he wrote, directed, acted in, and scored, in an assertion of authorial presence unseen since charlie chaplin. but sicilian vampire (which opened on february 26 at the cineplex cinema in vaughan) seems to herald a new era in d’angelo’s career. with a recent (albeit caustically negative) feature in vanity fair, a profile in maclean’s, a mention on tmz, exposure on the festival circuit, and an appearance by d’angelo on the anthony cumia show, the filmmaker’s latest effort has all the earmarks of an international breakthrough. for d’angelo, this belated recognition must feel like sweet vindication. rarely has such a distinctive filmmaker been met with such resistance .
i didn' t have space to mention what' s arguably the film' s most indelible exchange. frank has already become a vampire, while his daughter has gone clubbing. sleeping, he sees her in the club having her ass grabbed by random dudes. he goes to the club, beats the shit out of everyone, takes her home. daughter :
daddy, how did you know who was harassing me ?
frank :
sweetheart, i can hear a mouse fart .
sometime later that night, the camera zooms around the house and settles on a mouse. it farts and moves out of frame .
most of us today are invested in his unique brand of cool thanks to turns in true romance (1993) as vincenzo coccotti (aka' the sicilian') and pulp fiction (1994) as captain koons, the war veteran returning a watch after years spent concealing it from north vietnamese captors by keeping it hidden up his arse. (there was also, of course, his celebrated dance routine in fatboy slim' s' weapon of choice' video .) these were mainstream appearances that netted walken numerous plaudits as a character actor, yet his cachet as a leading man was not so high, with the majority of his starring vehicles receiving only fleeting cinematic releases, if any at all .
jh: frank spells daryl hannah’s name wrong on the poster of sicilan vampire in perhaps a cheeky rebuke to the notorious perfectionism of other critically - lauded directors such as david fincher or stanley kubrick. these auteurs notoriously required dozens of takes to achieve their aims; frank is able to get everything he needs in one take or less on his ruthlessly efficient film sets, where feature films are shot in five days. as frank himself says to his crew in the behind the scenes footage of his previous film no depo $ it which was presented on a special episode of the being frank show, “we’re not fuckin’ making gone with the wind here. ”
jh: frank’s films offer us at once the familiar and the unfamiliar—famous faces, actors we recall from the free pay tv preview weekends of our childhood, in somewhat familiar storylines (crime dramas, vampire thrillers) but presented in a bold off - the cuff manner, with freeform improvisation in dialogue and camera placement that could be compared to jazz more than even cinema (perhaps owing to frank’s background as a musician accustomed to working with 15 - piece bands). his films unfold before our eyes as if they were quickly rushed into production, propelled by what i would call the fierce urgency of now—as if there was no way frank couldn’t tell these stories .
ws: d’angelo is so well known as a purveyor of genre entertainment that he is often underrated as a philosopher. like ingmar bergman and woody allen, he has a worldview that is consistent from film to film: bleak, fatalistic, but with a sense of gallows humour. real gangsters! ™ began with the unforgettable assertion: “the last thing i remember my mother saying to me was, ‘jack, my jackie, i love you with all my heart. ’ i gave her a kiss and that was the last time i saw my mother. the finality of life, it sucks big fuckin’ cock. ” real gangsters! ™ offered the more hopeful statement, “it’s nice to be great, but it’s great to be nice. ” sicilian vampire once again shows d’angelo’s fascination in the whims of fate (“life is timing, and timing is life. things can change in a millisecond”) and his respect for bedrock values (“family is the most important thing in a man’s life. don’t matter how many cars, how much cash, or how powerful he is—if he don’t got no family, he’s nothing”). sometimes i sense unwillingness in critics to really deal with radical ideas. it is true that frank d’angelo’s craftsmanship is sometimes less than perfect, and that his route from businessman to fiftysomething matinee idol has been unconventional. but in dwelling on these facts, are critics simply trying to distract themselves from confronting frank’s uncomfortable truths about loyalty, trust, and family ?
i got into the film criticism racket partly to write about movies that i thought were underappreciated or underseen, so it should come as no surprise that i happen to like a lot of movies other people don’t. i think that hitchcock’s topaz is pretty nifty, if intentionally difficult to relate to, and that ghosts of mars is plenty fun. i like paul w. s. anderson movies, roland emmerich movies, and a lot of those m. night shyamalan movies folks like to rag on. i prefer heaven’s gate to the deer hunter, though that’s not that uncommon an opinion nowadays; michael cimino’s nearly four - hour look at the grisly underpinnings of american industry has aged very well, and its critical reputation has significantly turned around, even if it remains a pop - culture punchline. i like cimino’s very pulpy year of the dragon, too, and the all - but - forgotten mario puzo adaptation that followed it, the sicilian, which contains, in a single steadicam sequence, one of the smartest shorthand depictions of class relations i’ve ever seen .
though top - billed, caan appears in a grand total of three scenes that arrive fairly late in the picture. d’angelo himself stars as sonny trafficante, the mobster who gets bitten by a bat and turns vampire. ostensible plot aside, much of the film consists of sonny and his friends sitting around busting each other’s balls, telling terrible jokes, or threatening each other in italian. because d’angelo prefers to throw out the screenplay and riff on - screen, the rhythm of these scenes is mumbly and inchoate, and caan falls right into the anti - groove. as professor bernard issaacs, caan’s task is to conduct a blood test and wait for d’angelo to feed him lines; at times, he appears confused as to where his next cue is coming from. per usual for d’angelo, all the music in the film is his (a healthy chunk of that deep song catalogue), and one cue—a mournful minor - key opening from one of his songs—is deployed a minimum of two dozen times to indicate tragedy .
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from that moment on sonny is entrusted with powers beyond that of any mortal – supersonic hearing, enhanced sight, and superhuman strength – even the ability to speak to the dead. because of these heightened senses sonny now feels a responsibility to right the wrongs in his life, and protect those he loves. at first, he resists these new found powers but in the end he welcomes his fate .
), is currently in worldwide release on video - on - demand networks. the second film ,
, with belltv and other vod providers worldwide soon to follow. his third movie ,
which takes a comical look at the lives of three grown men who still live with their mother and who decide to open an italian restaurant together. the pilot will debut soon on the city - tv network in
.
this is now my eighth album and sony has access to distribute all of my music with this new deal. at this stage, in my life i' m happy that my music is making an impact
.
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“godfather” star james caan claims his acrimonious divorce is bleeding his bank accounts dry and forcing him to take low - rent movie offers he would rather, but can’t, refuse .
the 75 - year - old movie tough guy, best known for playing sonny corleone in “the godfather, ” said he’s in desperate need of cash because of mounting medical bills and the free spending of estranged wife linda caan .
as a result, caan said, he is taking bad work that threatens to have his great hollywood rep swimming with the fishes .
but he’s drawing the line now, caan wrote in court papers: “i am no longer willing to take parts in films and / or television shows which detract from the 50 years i have spent building my reputation. ”
it premiered in november at the big apple film festival and hasn’t made it into popular release yet .
the film festival described the flick as “equal parts ‘goodfellas’ and ‘dusk till dawn. ’”
if the movie turns out to be a bomb, it’ll take down other big hollywood names such as caan’s castmates daryl hannah and paul sorvino .
“i have suffered from numerous medical ailments over the last 18 months which has added extraordinary financial pressures and have left me in poor health, ” according to the actor .
despite those health challenges, caan said he would like to increase custody time with his youngest son, jake, who recently turned 17 .
“i would like for jake to spend at least 50 percent of his time with me, as i will be available to parent him and produce the necessary provisions a teenage boy needs, ” according to the acting legend .
caan claimed he is currently spending about $ 96, 840 a year on the couple’s oldest son, james, a student at chapman university, and $ 60, 900 a year on jake .
james and linda caan got married in 1995, the start of a rocky union that had him reportedly filing for divorce in 2005 and 2009 before he withdrew those petitions each time .
but caan filed for divorce again last january and this one appears to be real. they have no prenup. james caan has been married to four different women and has five children .
scott caan, the “godfather” actor’s kid with wife no. 2, sheila ryan, is currently on the cbs drama “hawaii five - 0. ”
steven spielberg at lally weymouth’s summer party at her southampton home along with lloyd blankfein, steven mnuchin, martha stewart, tory burch and rep. carolyn maloney ...
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equal parts goodfellas (1990) and from dusk till dawn (1996). reputed mobster sonny trafficante was hoping to get away to the family hunting lodge for a little rest and relaxation and create some memories. instead, what he got was a night he will never forget .
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robert loggia' s second to last film. his last being independence day: resurgence (2016) .
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welcome to the world of “four - walled” vanity films. james caan would show you to your seat, but … he’s not feeling well today .
far beneath the world of movies you’re probably or possibly aware of—mainstream multiplex offerings, art - house indies, festival films that don’t get distribution (if that’s your aesthetic calling) —exists a different and dreadful world of movies that shouldn’t exist. this isn’t the realm of direct - to - dvd - and - tv schlock, which makes economic sense—dreadful as the latest steven seagal film might be (yes, he’s still grinding them out annually), these kinds of movies are generally pre - sold to various platforms and territories before production starts. that means as long as you stay on budget, the profit’s already made. but then there are hopeless dramas and mirthless comedies featuring non - performances, financed by someone with more money than judgment. you’ve never heard of any of them; as a freelance film critic, i’ve seen dozens. the more money you’re willing to waste, the relatively bigger names you can get: michael madsen appears in about a dozen no - profile films a year. with no sane distributor interested in acquiring these films, their makers resort to the practice of “four - walling” (paying theaters to show a film) or submitting their work to low - / no - profile festivals more interested in raising money from submission fees and sponsors than the caliber of what’s being shown. there are far more of these than you’d suspect .
post - screening, d’angelo himself took the stage along with esposito and longtime business partner barry sherman, a pharmaceutical company co - founder and co - investor. in the q & a, d’angelo said he’d made the film for $ 15 million canadian ($ 11. 3 million u. s .) and indicated that most of that money went to make sure people like caan and sorvino would show up: “otherwise you get the guy from the alpo commercial. ” another part of the budget went to use the wildly expensive 6k red cameras, effectively the highest - resolution digital cameras readily available on the market. (the film looks like it was shot with a basic consumer camera .) from the entourage row, a woman yelled out how much sorvino (who basically spends the whole movie eating steak) loves working with d’angelo. after a brisk eight minutes, the q & a was over: caan, alas, was not present to collect his “golden apple” award (previous awardees: jesse eisenberg, cuba gooding jr .), reportedly having contracted an illness while shooting in toronto. the filmmakers wandered off to drink at an after - party, and the rest of us were left to contemplate what, exactly, we had just witnessed .
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the subject who is truly loyal to the chief magistrate will neither advise nor submit to arbitrary measures .
frank d' angelo, left, president and ceo of steelback brewery and charlie johnstone, president and ceo of the grand prix association of toronto celebrate the announcement of a multi - year agreement that will see the 21 - year old event become the steelback grand prix of toronto. (cnw group / grand prix association of toronto )
it' s impossible to discover frank d' angelo without becoming mildly obsessed. perhaps you first saw this canadian beverage mogul on a tv commercial for his cheetah energy drink, where ben johnson proudly exclaimed ,
i cheetah all the time !
perhaps you' ve stumbled on his weekly talk / variety hour, the being frank show (friday nights on a purchased timeslot on hamilton' s chch). perhaps you learned about him through a chapter of his colourful personal and professional life: the quick rise and sudden fall of his steelback brewery empire; his bid to buy a cfl team. whatever it was, you probably lost the rest of your day in a d' angelo - related google black hole .
d' angelo writes, directs, produces, stars in, and scores this peculiar mob / horror epic, described by its author as
equal parts goodfellas and from dusk till dawn .
it was my own mild d' angelo obsession that compelled me to brave the three - hour transit round - trip and join the 25 - person opening night audience. was it worth it? well, if you' re a d' angelo fan, it could be the cinematic event of the decade .
the film buckles under the weight of its enormous cast – a remarkable collection of acting heavyweights who are perhaps past the height of their fame. armand assante, michael pare and tony nardi are santo' s fellow wiseguys, while paul sorvino and daniel baldwin run the rival gang. james caan appears as the doctor and mythology expert who diagnoses santo; his scenes with d' angelo have a clash - of - the - titans buildup similar to robert de niro and al pacino' s meeting in heat. daryl hannah gets the thankless role of santo' s wife. many other characters were seemingly created only because actors were available for a day' s filming. how else to explain eric roberts and art hindle, who share a few useless scenes as fbi investigators on santo' s trail ?
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sonny trafficante was hoping for a little rest and relaxation, instead he got a night he will never forget .
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i watched this because it got an 8. 2 on imdb. there is no way. that rating is fake. don' t let the big name b - movie actors fool you either. this is the quality of acting i' d expect from a rehearsal. this movie doesn' t have a single character that the audience can get into. they are not only just cliches, but also their motivations seem fake. there is no plot either. lots of filler: you' ll follow them down the hallway, you' ll ride the elevator .
if you don' t see one movie this year, make it this one ...
rent / buy at your own peril - this film is the epitome of 2 - hours of your life you will not only never get back, but will have you scrambling to invent a time machine so you can go back and whack yourself to make sure you never see it (and, frankly, a movie based on that asinine premise would have to be better than this train wreck, simply by existing) .
this will soon become a cult favorite! this is not scary or overly bloody. great story !
really, really bad vanity project by d’angelo. james caan later admitted he was embarrassed to be in it but needed the money after his divorce .
waste of two hours of my life i will never get back. don' t waste your time or money with this movie .
santino trafficante jr. (frank d' angelo) is a mobster boss who gets bit in the neck by a fruit bat while playing poker with the guys. next thing you know we have our title .
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this is a truly awful movie that i wrote up as part of a fairly weird assignment (for vanity fair !) which i was more than happy to take on — money' s money. the original remit was more or less to explain the reasons for this particular film' s existence with this particular cast, but the answers to that were fairly obvious. what became of greater interest to me was the strange, tortured saga of frank d' angelo, this film' s writer / producer / director / star / musician. i included a bunch of links within the piece to articles about him but didn' t find room for perhaps the most unpleasant of them all, a report on the taping of his weekly infomercial / faux - late - night - show being frank .
there are vanity filmmakers, and then there' s d' angelo. truth be told, i could have been far rougher on the guy — for example, i could' ve mentioned his trial for sexual assault, during which he was acquitted but the judge noted that he was probably guilty. but hey, trying to keep it light. what emerged is that d' angelo is one of those intensely despised figures of local infamy totally unknown outside his home district; as soon as i mentioned him on twitter, even before the piece was published, all kinds of toronto people i' d never heard of popped out out of the woodwork to share their frank obsession or ambiguously troll me. i' m still not really sure what' s up with this guy who tweeted at me basically daily. someone else i' d never heard of sent me a photoshop poster mockup of the movie. it' s all quite weird .
here is a clip from the film of frank d' angelo singing
just a gigolo .
this rendition is heard in full in the film three times .
i haven' t even scratched the surface of all that i learned. anyway, here' s the article .
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i was just recommeded to your album
full circle
by my dad, pedro kent, sr. after listening to the earth shattering
ain' t no stopping us now
, i must say that i was hooked ...
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with duration 124 min and was released on 2015 - 11 - 03 with mpaa rating is 0 .
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a mobster gains supernatural powers from a bat bite and uses them to right wrongs .
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in your ear productions presents a frank d' angelo film - the red maple leaf a thriller that has you rooting for the underdog from the opening credits thanks to a star - studded cast. james caan, robert loggia, martin landau, paul sorvino, kris kristofferson, mira sorvino, michael paré, armand assante, eric roberts, margot kidder, daniel baldwin, laurier fortier, doris roberts, marc blucas, tony nardi, frank d’angelo, ellen dubin .
this film is not currently playing on mubi but 30 other great films are. see what’s now showing
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sicilian vampire is a 2015 canadian horror drama film written , directed by and starring frank d'angelo . it also stars james caan , daryl hannah , paul sorvino , and robert loggia . the film revolves around santino " sonny " trafficante , a reputed mobster , who is bitten by a bat and turned into a vampire while at his hunting lodge . with his new abilities , trafficante feels the need to right the wrongs in his life , while simultaneously trying to protect his loved ones . 
sicilian vampire is a 2015 canadian horror drama film written, directed by and starring frank d'angelo. it also stars james caan, daryl hannah, paul sorvino, and robert loggia. the film revolves around santino " sonny " trafficante, a reputed mobster, who is bitten by a bat and turned into a vampire while at his hunting lodge. with his new abilities, trafficante feels the need to right the wrongs in his life, while simultaneously trying to protect his loved ones.
sicilian vampire is a 2015 canadian horror drama film written, directed by and starring frank d'angelo. it also stars james caan, daryl hannah, paul sorvino, and robert loggia. the film revolves around santino " sonny " trafficante, a reputed mobster, who is bitten by a bat and turned into a vampire while at his hunting lodge. with his new abilities, trafficante feels the need to right the wrongs in his life, while simultaneously trying to protect his loved ones.