the fenouillard family
the fenouillard family & other lot (gaumont, 1960). | lot # 52120 | heritage auctions
the cornouillet family in “a country outing. ” journal de la jeunesse, 1889 .
the story takes the fenouillard family to paris where they want to see the eiffel tower; but they take the wrong train (after the laborious explanations of the station master), winds up on a ship who sails away to brazil .
the seventh episode of journey into 1001 comics, dr. peter reviews the fenouillard familly by christophe to check out the first episode 1: urltoken
the story takes the fenouillard family to paris where they want to see the eiffel tower; but they take the wrong train, winds up on a ship who sails away to brazil: here they get lost in the virgin forest which looks like an exotic garden, complete with parrots, boas and cannibals .
in 1889, the cornouillet family waited in line for the saint - cloud omnibus, just as the fenouillards did a couple of months later, in front of the restaurant at the universal exhibition .
but he' s also added to it - - with puppets, chinese shadows, life - size wooden cutouts (that speak), even a train that rolls behind the set. all the while, the only humans are the fenouillard family. backstage, rousselet runs the toys and - - yes - - appears as the shadows .
the fenouillard family & other lot (gaumont, 1960). french affiche (21. 5
x 29. 5
) & french grande (46. 25
x 62
), foreign... . (total: 2 items )
language, certainly, takes a back seat to visuals in
la famille fenouillard .
the strip ran in a french magazine from 1889 to 1893 and followed a bourgeois family traveling the world. along the way they encountered a primitive america - - full of political struggles, buffalo, sioux indians and trappers. and there were, of course, lots of pratfalls .
the theater' s current production ,
la famille fenouillard ,
doesn' t have that problem. it is based on the first french comic strip; to celebrate its centennial, rousselet has adapted 15 of the original funnies. before each strip is performed, there is a short english narration, but the dialogues are in french. rousselet is confident that comprehension will not be a problem .
always, we think visually. we have children coming to see this. their laughter lets you know how unimportant language is .
the write - up talks a lot about how the story is a reaction by frank miller against his own earlier batman comics and their influence. it also talks about the effect 9 / 11 had on the comic. i may try to re - read the story if i can be bothered. this book was a combined effort of a bunch of different critics from around the world, with the dark knights strikes again being chosen for the book by matthias wivel .
read stories based on reporting for “trump revealed, ” a broad, comprehensive biography of the life of the 45th president .
buzzing comedies such as sorry to bother you and the spy who dumped me await you in our summer movie guide. check in for the latest release dates and all the info you need .
halfway through rehearsals, rousselet took charge and gave the evening its structure: he kept parts of the improvisations, changed others, and threw some out .
his choices were always dead - on ,
says the actress, who played felicite, the maid .
he honed the story until opening night .
its there in 1989, its just one of the ones it cheated with by naming the entire thing instead of specific stories .
the core concept of parasyte is just devilman but with the demons replaced with aliens, the same ideas about predator / prey and humanity being an unnatural blight on the world are also carried over. other than those elements parasyte is a generic fighting manga .
i' ve been categorising the choices by company for the last week (because i' m obsessive like that) and thought that seeing as comicvine is very much geared towards the main superhero companies that people may like to see the break - down for them .
rousselet says he finds that american actors have difficulty with this nonrealistic approach .
the u. s. model for acting is the actors studio, { where } to be a good actor you must feel the emotions. that' s good for the psychological aspect... but i prefer the french tradition - - always out of character, looking at it from a distance. one is cerebral, the other emotional .
the play was performed with a mixture of french and english. the balance of languages has been a struggle for rousselet; originally, the company performed at the french embassy, and all the shows were in french. but the theater' s 1991 move to arlington brought american audiences, as well as financial pressures. as his audience became increasingly american - - rousselet estimates it is now half - - le neon began using more english .
for me, foreign language theater is not the critical thing ,
he says .
i use french, but more important is the image on the stage .
he chooses
a simple heart
as an example .
that was a very visual show. there were small dialogues in french, but the narration was in english, and that gave all the ideas. we always look for the best way to mix languages .
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consign to the 2018 november 17 - 18 movie posters signature auction - dallas .
a journalist’s conscience leads her to reveal her source to the fbi. here’s why .
i will definitely try it, i have already started on fist of the north star though (i' m only really familiar with the old movie from bitd) .
rousselet generally builds an evening of theater by choosing stories, novels or themes and adapting them to the stage. helen hayes award - winning actress nancy robinette explains the making of last summer' s
a simple heart
:
the first week, didier had us single out the elements of the { flaubert } story that were sensorial. i was assigned sounds. someone did colors, someone tastes, and so on. we talked about them, and that gave us a sense of { the characters' } world. then we selected the most interesting story images. we put the show together by improvising on four - line passages. flaubert was such a master, so that was very easy .
yup i also felt that this was one of the more odd choices that stood out .
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its a little out of date now (having been published in 2011) but covers the entire history of comics (with the earliest being 1837) so that' s not really a big deal. it tries to cover the main superheroes but is not focused on them .
and because the strip was printed solely in pastels, the set and costumes are pale pink, blue, green and yellow. rousselet has brought a century - old comic to life .
the strip consisted of three panels, so rousselet has constructed three 8 - by - 12 - foot picture frames for his set - - each only three feet deep, to createa flat, cartoon - like appearance. when the actors finish one scene, they move (or pratfall) to the next panel; the play, then, is performed in 45 short frames .
in case this ends up being the last bump i' ll put some random thoughts here .
rousselet is already developing his next show ,
children of the jazz age ,
based on the stories of f. scott fitzgerald; it will open in may. in it, a group of elderly people gather in a ballroom and recall the 1920s. the actors are improvising on the stories now. rousselet has little idea what the show will become - - which is what rouses him .
i know there will be flashbacks ,
he says .
i know there will be a live band. and i don' t know much more than that .
le neon french - american theater was born in 1987, just months after rousselet arrived in the united states to teach history at the french international school in bethesda. he varied the theater' s name slightly :
i had to use le because americans think that' s french .
françois caradec is one of the leading lights of the oulipo writing group. his landmark rehabilitation of christophe was first published in 1956, with a preface by raymond queneau, and was reprinted, greatly expanded and lavishly illustrated, by pierre horay in 1981. caradec’s other works include the definitive study of raymond roussel, and books on alphonse allais, lautréamont and the infamous farter “le petomane” (with jean nohain) .
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this is a good book that would probably be helpful to anyone wanting to explore the history of comics .
four asterix stories seems a bit much to me, especially seeing as its all the same creative team .
grey is a true asset to heritage auctions and heritage auctions are a true asset to the movie poster hobby .
the green hornet (universal, 1940). title lobby card chapter 2 - -
thundering terror .
i' ve had a wee look at the book before, i' ve read hardly any of them .
the strains of running a small theater exact a heavy sigh from the rangy frenchman. his teaching contract (and income) ended in june 1992. he says he works 12 hours a day for the theater, without pay, and lives off savings (the theater does not turn a profit). however, he is not ready to abandon his quixotic vision .
the mainstream of theater is different from what i want to do ,
he says ,
but it' s different from french theater too. there is a traditional theater in france called' theater de boulevard.' that' s only for entertainment. here it would be like a musical. you go to relax and laugh and be entertained. but there is also in france, since the 1950s, an idea of working in a company, where the text is only part of the show, where the design, costumes, movement and actors are linked. this theater is not realistic. this is my passion .
i like that the book tries its best to represent comics from all over the world, there' s a lot of interesting stuff here that a lot of people won' t have heard of. based on my own experience with us / japanese / uk comics i feel that it does a good job of covering the most important us and japanese releases but only does a reasonable job with british comics (it covers most of the major stuff but not the more obscure releases). i don' t know enough about french and italian comics to comment .
the placings are set out in chronological order, with each entry being given either a page, or half a page of write - up, and some info on writers and artists as well as the original publishers is included .
i tend to go through phases, i' m trying to mix things up a bit at the moment tbh .
i started theater as a hobby ,
rousselet, age 46, says ,
and more and more i had a passion. and the more i knew, the more it became obvious that this would be my life .
i' m not keen on the way that some entries are writer / artist runs (eg lee / ditko spider - man), whilst others are focused on a singular story, seems kind of like cheating to me. the layout can also be a bit confusing at times .
didier rousselet is le neon' s founder. he is sitting inside the theater, wondering if he' ll get his $ 15, 000 back. that' s what he spent to open the doors in 1991. he had to gut a television repair shop and put in a bathroom, heating and proper egress. to call the results spartan would be a compliment. he is sanguine, but not about retrieving his money .
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last fall, in
l' amour medecin
(
love is the best medicine
) by moliere, two performances a week were in french, and two in english. rousselet is hesitant to try it again .
the problem is that when we staged it in french, we discovered that english rhythms are different. we had to change many subtle details with the second cast. it was really like doing two plays .
have not read the first two but i will shortly. i have read shade though, it was great, not as good x static or human target though .
since you seem to be in sort of a manga kick, try bakune young if you like over the top action. this scan is pretty mild, though .
not sure i would' ve put ultimate spider - man on the list, probably would' ve gone with a jm demateis story to round off spider - man .
the single greatest criticism rousselet receives is that his work is too slow. his outlook is the reverse: life is too fast .
people in the united states are hypnotized by television, that river of rushing images - - news, commercials, soap operas flowing into one. this is not what i want. i want something simple. a piece of fabric that an audience can dream on. our theater is not action - packed. some look at what we do and don' t understand it, because there is no crime ...
fruit basket, tokyo zombie, uzumaki, tdksa and golgo 13? i mean theses are cool and all, but really. loving the tezuka and go nagai (also gon) love though .
i think maybe there' s slightly too much manga here (not by much, just slightly), it seems to me that some of their popular, but lightweight and derivative releases got onto the list, whilst similar things from other countries were not allowed. by the 90s other countries seem to have required their action / adventure comics to have something that set them apart from what came before .
its a little strange that roy of the rovers isn' t representing the uk side given how popular it was. i also think there should' ve been at least one reg parlett humour strip, that guy was very prolific, long serving, and his art easily recognisable (in fact fleetway didn' t get any humour entries at all here, even though anthologies of humour comics made up a large amount of their output) .
le neon french - american theater sits next to arlington' s rod and reel repair shop, where a sign in the window says you can get your pole lubed for two fins. this is charm, arlington - style. the theater is just one more storefront along a tacky' 50s strip mall on lee highway. if these buildings are around in 200 years, they' ll be viewed as romantically as 17th - century french villages today - - if, that is, cinder block can be romantic .
somewhere around 100 - 110' s i think that i' ve read from that list. not counting the ones that i own but haven' t read yet and things that i' ve only read a little of and haven' t finished yet .
i' ll have to check out that roy thomas x - men run someday. people usually tend to say that x - men comics only became really good when claremont took over, but i have seen the odd person bring up this roy thomas run from time to time .
le neon was, and remains, decidedly different from most commercial fare in this - - or any - - city. this is theater for intellectuals. no cheap emotions, no soap opera plots. rarely do the actors even use scripts; this is a theater of concepts, and visual delights .
theater came late to rousselet. he took his undergraduate degree in history in paris and taught for six years. in 1972, he began a doctorate in theater at the sorbonne, and it took seven years to complete. he then taught history in tunisia for three years. in 1980, he returned to paris with a decision: he would pursue theater full time. he formed his own company, theatre du neon, choosing the name, he says ,
because theater is something illuminating, at night, in town, and artificial .
two years later, he was back to teaching history .
for money ,
he says with a grimace .
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it came from outer space (universal international, 1953). title lobby card 3 - d style
on any sunday (cinema 5, 1971). day - glo half sheet
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but acting is something he evidently does well .
he can tell a whole story physically ,
says robinette .
he' s not a mime. he' s better than that. but he doesn' t need words .
theater can be an antidote. we are survivors against a flood. but here we can train our eyes to really see, really experience. if people come and sit down for two hours to watch something very simple, i think, in this world, that is very refreshing .
1966: nick fury, agent of s. h. i. e. l. d .
i' ve only read about 70 of them so far! long way to go yet .
i was often recognising things that you had posted pictures of on cv when flicking through this book .
odd that they left of milligan' s human target. it' s his best work .
it isn' t. his 80' s and 90' s works are better .
like? i' ve definitely liked human target over everything else i have read by him. x - statix came close though .
i' ve looked through this book twice or thrice and i was hugely dissapointed .
i' d chime in on peter milligan but i' ve only read his fleetway comics tbh .
i don' t think parasyte should' ve been here. i' ve been reading devilman, and parasyte seems to take quite a bit from it imo .
it' s only three volumes so a pretty short series overall. not really a serious story, a parody in a way but i thought it was done pretty well. storytelling is top notch, though .
nick fury, agent of s. h. i. e. l. d (including strange tales )
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the fenouillard family ( french : la famille fenouillard ) is a 1960 french historical comedy film directed by yves robert and starring sophie desmarets , jean richard and annie sinigalia . it is based on a pioneering nineteenth century text comic , la famille fenouillard , by georges colomb . 
the fenouillard family (french: la famille fenouillard) is a 1960 french historical comedy film directed by yves robert and starring sophie desmarets, jean richard and annie sinigalia. it is based on a pioneering nineteenth century text comic, la famille fenouillard, by georges colomb.
the fenouillard family (french: la famille fenouillard) is a 1960 french historical comedy film directed by yves robert and starring sophie desmarets, jean richard and annie sinigalia. it is based on a pioneering nineteenth century text comic, la famille fenouillard, by georges colomb.