believe ( 2013 film )
a documentary that supposedly chronicles the 2012 - 2013 tour but stays so relentlessly on message, it offers no insights and few anecdotes about the real justin bieber .
the company, which also invested in the film, will release it late summer .
correction, nov. 15, 2013: this article originially misstated the year of lyndon b. johnson' s death. he died in 1973, not 1968. (return. )
if you believe, you can score with your eyes shut .
- sir matt busby
london — trinity film will handle u. k. distribution on helmer david scheinmann’s family drama “believe, ” starring brian cox as matt busby, the iconic manager of the manchester united soccer team. the company, which also invested in the film, will release it late summer. set in 1984 and inspired by true events, the film follows a [ … ]
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london — trinity film will handle u. k. distribution on helmer david scheinmann’s family drama “believe, ” starring brian cox as matt busby, the iconic manager of the manchester united soccer team .
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believe is a modest but effective piece of mainstream entertainment that’s crowd - pleasing in the best possible way .
justin bieber' s believe is exactly the movie you think it is, and that' s fine .
the special will feature music performances and documentary footage as justin bieber embarks on his tour in support of his album believe .
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an exploration of how completely different the television series is from the film. the cast and filmmakers underwent quite a change in order to create the film x files, the (1998). we are... see full summary »
“believe” is produced by ben timlett for bill and ben prods. and justin peyton and manuela noble for wachafilm. exec producers are aurelio landolt, hans peter jaberg and mark sandell, with maggie monteith of dignity film finance as co - exec producer .
describes himself as nearly blind. despite this he won an award for best photography for' it' s only make believe' .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
it' s the rare 19 - year - old who' s in a position to commission and co - produce a film about himself. clearly, with this kind of involvement, we can hardly expect justin bieber' s believe to be an impartial document .
but
justin bieber' s believe
keeps going back to the concert footage, and there it knows what it is, it knows what it is about .
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
“pre - teen boys are underserved by films that cater to the no. 1 topic of conversation in their age group: soccer, ” said trinity’s robin grbich. “we think that the film’s uplifting and redemptive story make it the perfect film for mothers, fathers and grandparents to watch with their children and grandchildren. ”
if audience response and word - of - mouth at the 24th dinard festival of british cinema are any indication, this is a family - friendly film with a bright future .
a documentary film about justen' s life and his struggles during his journey. he will face troubles that would stop him singing but, he' s gonna make it .
of americans still believe it was the work of a conspiracy. i was once among them. back in the early 1970s, as a high school senior and college freshman, i read mark lane’s
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even if it doesn' t ask all the right question or provide the answers we' re looking for, justin bieber' s believe is a perfectly harmless piece of work that will send fangirls the world over into a tizzy .
if you believe twitter, then justin bieber is retiring at the age of 19. he made the announcement the day before his new movie ,
justin bieber' s believe
opened, so we can take it all with a pound of salt. cue the agonized screams of millions of his fans. but they' ve been screaming anyway, and will continue to do so, because when tween and teen girls latch onto a figure like bieber, nothing will tear them asunder .
justin bieber' s believe
is directed by jon chu, who also directed bieber' s most recent tour, which explains its uncritical attitude towards the young star. the whole thing is obviously part of the propaganda arm of the bieber pr machine. incidentally, and importantly, the propaganda element of the film (showing us how hard bieber works, how he put the
believe
tour together, performances from the tour itself) is the best part of the whole thing. it' s infectious, as a matter of fact: the enthusiasm of the entire team is infectious. and the fans? well, they could power the entire eastern seaboard with their excitement. this film is for them, clearly, and so the fact that bieber is not asked tough questions about some of his tabloid - worthy shenanigans is not a surprise. it makes the film a strangely uneven experience, and you sense that there may be some really interesting questions that could be asked and answered, if everyone could stop being so in awe of the young pop - music god in their midst .
correction, nov. 18, 2013: this article originally misstated lee harvey oswald' s place of employment. he worked at the texas school book depository, not the texas bookstore depository. (return .) this article also originally misstated that the recording revealing that four gun shots had been fired came from an audio tape dictaphone belt worn by a dallas policeman. the recording transmissions were recorded at the dallas police headquarters from a microphone worn by an officer at the scene. (return. )
nick offerman spontaneously signed onto the film after the crew found out that he was in dallas the same day that they were filming the
admissions counselor
scene. his scenes were filmed in a few hours and they parted ways after .
it’s a maxim of effective screenwriting to put your characters through hell and this believe does, with plentiful obstacles to be overcome and nicely sustained suspense straight through a nail - biting finale laced with unexpected humour in the form of creative subterfuge from an unlikely ally .
this reviewer (a yank living in france) had never heard of sir matt busby and couldn’t have told you more about manchester united than that it’s the name of an apparently famous soccer team. that one needn’t know more than that speaks well for the accesible screenplay and the film’s prospects for travel. using nearly every trick in the book to keep the smiling - through - tears combo going, believe is a modest but effective piece of mainstream entertainment that’s crowd - pleasing in the best possible way .
inside the x - files for a behind - the - scenes look at the show. also included are interviews with the cast and creator chris carter, never before seen segments from the show, outtakes and a sneak preview of the upcoming feature film .
a dozen different souls, all moving in different directions, all longing for something more. as their lives unexpectedly intersect, they each are about to discover there is power in the cross of christ, even if they don' t yet believe it. when a local pastor is shaken to the core by the visible faith of an old street corner preacher, he is reminded that true belief always requires action. his response ignites a faith - fueled journey that powerfully impacts everyone it touches in ways that only god could orchestrate. more than a movie, it' s a question we all must answer in our lifetimes: do you believe ?
kennedy was shot twice: first through the neck (by the bullet that went on to pierce connally), then in the head. the zapruder film captured this shot too, in frame 313. the image was deemed so horrifying that it was excised from public viewings of the film until 1975, when president gerald ford (who’d served on the warren commission) ordered it released. i remember watching the fully restored film on tv. it really was horrifying. you saw the top of president kennedy’s head literally blown off. but it was creepy for another reason: the blown - off piece of his head blew backward. in other words, it looked like that fatal bullet was fired not from behind kennedy, like the first bullet, but from in front of him. were there two gunmen after all—oswald in the book depository and someone else perched in the area known as the “grassy knoll” ?
after serving 10 years in prison for murder, jenny returns to society. she dreams of living a quiet life and of resuming her responsibilities as a mother, but soon dark shadows from the past start to appear .
it' s only make believe
is the story of a murder that never should have happened, of friends that never should have been trusted, and a debt that keeps on increasing for every down payment. although jenny has lost everything, she still has everything to win: her daughter .
it' s only make believe
is an exciting thriller and a heartfelt drama that marks a return to energetic and passionate filmmaking for norwegian maverick director arild østin ommundsen .
set in 1984 and inspired by true events, the film follows a gifted 11 - year - old soccer player, whose act of petty crime brings him to the attention of busby, who comes out of retirement to help transform the boy and his friends into championship soccer players. natascha mcelhone, anne reid, philip jackson and toby stephens co - star .
a solidly told, skillfully acted and engagingly shot tale inspired by actual events, believe is a sports - centered movie one needn’t care about sports to enjoy. as proudly manipulative underdog tales go, it’s a sprightly one: in manchester in 1984, legendary football manager sir matt busby coaches a ragtag bunch of 12 - and - under working class soccer players who think he’s just some random old guy .
chris carter thinks he can dump a trash script that was sitting in his tv - series - reject stockpile on die - hard xfile fans. there were at least 5 occasions during the film where i was questioning the logic of the story and by the end, was still waiting for explanations that never were delivered. my opinions (no facts, just educated guesses !): 1) cc wanted to milk his cash cow without spending time crafting a new screenplay. 2) because of the profit & success of the first film, either cc made sure his contract stated to leave him alone and not staunch his
creativity
, or the studio gave cc carte blanche & never sent a
suit
( executive) to check on what he was doing. 3) gillian & david d. got suckered into this - because they signed on to do a package deal (two or three films) and had no say on the script. 4) x - file fans will still turn out for another film, because they love the mulder & scully characters. i am very sorry to write such a diatribe, but it was extremely disappointing .
but the case was far from closed. a man named abraham zapruder, one of thousands of people standing along the motorcade route that day in dallas, captured the shootings on his 8mm home - movie camera. at 26 seconds and 486 frames, it would come to be the most thoroughly examined snuff film in history—and a prime piece of evidence for the warren commission and the subsequent “conspiracy buffs. ”
the pressure of fame and its accompanying anxiety is the theme of the film, presented in a phony
suspenseful
sort of way: how will bieber not only top himself with his
believe
tour but how will he handle being seen as the next train wreck, that it is just a matter of time before he goes off the rails? he speaks about this with a naiveté that is both disarming and calculated (don' t try that at home): when asked about becoming
a lindsay lohan
, he says that he already knows that that is a danger, and since he knows it, then he can choose to not go down that path. the people prompting him with these questions are, again, his employees, chu included, so bieber' s banal platitude answers are greeted with a rapt silence. nobody digs deeper. we are shown an altercation between bieber and a heckler in england that almost gets violent. bieber says of the moment later, to the camera, with a soft expression ,
i' m a human being with a heart .
nobody is denying that, but there' s a missed opportunity in the film to really examine the stresses of fame and how bieber is actually handling it .
there' s a weird
tense
section meant to be a cliffhanger of sorts, where they basically court chu to direct the tour, all with
wacky
comedic music underneath, and we' re told how everyone wants jon chu, bieber wants jon chu, jon chu finds it impossible to say
no
to bieber, and it' s all a bit much considering jon chu also directed the film .
the film opens with a casual closeup of bieber messing around at the piano, making comments to someone offscreen, but also engrossed in his improvisation. next we see him hanging out in a dressing room, with a wall of his shoes filling the frame, and an assistant - type is saying to him ,
do we want to shave your mustache ?
first of all: the peach fuzz on his upper lip is barely visible. second of all, the
we
is accidentally eloquent, showing the collective atmosphere of being a hugely managed superstar. by the end of the film, after seeing so much footage of bieber hanging around aimlessly in his big house with a bunch of people, all of whom are a good 15 years older than him, and all of whom work for him, you get the sense of the isolation that fame like that creates .
in his famous
village voice
obituary for elvis presley in august, 1977, lester bangs said, of elvis fans ,
i mean, who' s left they can stand all night in the rain for ?
bieber is 19 years old, the same age as elvis when he became famous. but the world is so different now than it was in 1956 that the comparison between bieber and elvis doesn' t withstand the slightest scrutiny. however, i thought of lester bangs' words when looking at the huddled cold fans sleeping on the sidewalk waiting for tickets to be on sale. spending time in bieber' s presence in the interview sections of the film do not give me confidence that he has the strength or intellectual capacity to withstand the onslaught of fame at the level he has achieved, but time will tell about that. the bieber fans aren' t going anywhere. and
justin bieber' s believe
is best when it shows us why .
as the old adage has it, “big doors sometimes swing on little hinges. ” john f. kennedy’s murder was a big door—had he lived, the subsequent decades might have looked very different—and lee harvey oswald was a preposterously small hinge. the dissonance is wildly disorienting. it makes for a neater fit, a more intelligible universe, to believe that a consequential figure like john kennedy was taken down by an equally consequential entity, like the cia, the mafia, the soviets, castro … take your pick .
however, in 1975, cbs news, which was doing a documentary on the assassination, hired a tech firm to conduct a high - resolution analysis of the zapruder film, using instruments that hadn’t existed in the warren commission’s day. the firm discovered that, on frame 312, kennedy’s head slammed a tiny bit forward, and much more quickly than it jolted backward an instant later on frame 313. the implication: the bullet hit his head from behind, pushing him forward, then a nerve exploded, which happened to push him backward .
behind the headlines, beyond the spotlight - - there’s more to his story. directed by jon m. chu (never say never, g. i. joe: retaliation) justin bieber' s believe captures 19 - year - old justin bieber unfiltered and brutally honest. in brand new interviews with bieber, the movie reveals long - awaited answers to questions about his passion to make music, relationships and coming of age in the spotlight - - as well as never - before - seen concert footage, unprecedented behind - the - scenes access and special appearances from manager scooter braun, patti mallette, usher, ludacris and many more .
behind the headlines, beyond the spotlight - - there' s more to his story. directed by jon m. chu (never say never, g. i. joe: retaliation) justin bieber' s believe captures 19 - year - old justin bieber unfiltered and brutally honest. in brand new interviews with bieber, the movie reveals long - awaited answers to questions about his passion to make music, relationships and coming of age in the spotlight - - as well as never - before - seen concert footage, unprecedented behind - the - scenes access and special appearances from manager scooter braun, patti mallette, usher, ludacris and many more. (c) open road
at first, it was assumed that kennedy and connally had been hit by separate bullets. but the zapruder film threw a wrench in that notion. the warren commission’s analysts concluded that jfk was shot sometime between frames 210 and 225 (a street billboard blocked zapruder’s view at the crucial moment), while connally was hit no later than frame 240. in other words, the two men were hit no more than 30 frames apart. however, fbi tests revealed that oswald’s rifle could be fired no faster than once every 2. 25 seconds—which, on zapruder’s camera, translated, to 40 or 41 frames. in short, there wasn’t enough time for oswald to fire one bullet at kennedy, then another at connally .
set in 1984 and inspired by true events,' believe' is a funny and touching fictional tale about the legendary manchester united football manager sir matt busby, who helps a wayward boy fulfill his dream. an act of petty crime by 11 year old georgie becomes a collision of fate as sir matt tracks him down, only to discover that the boy is an extraordinarily gifted footballer and captain of a team of unruly talents. having lived with football all his life and survived the tragic 1958 munich plane disaster, in which eight of his young players were killed, sir matt is still committed to continue his work of' training lads for life' and so begins a thrilling adventure as sir matt busby, comes out of retirement to transform a young group of scallywags into a dream team .
there are really fun scenes of the huge dance auditions held for the tour. we meet the dancers. we see the rehearsals, we see bieber in collaboration with others. the film includes clips of home video footage showing young bieber fans flipping out over receiving concert tickets. one girl crouches on the living room floor sobbing over her tickets and a family member says anxiously ,
those are tears of joy, right ?
there' s an insane shot of a girl screaming at the top of her lungs, holding her tickets, as someone off - camera keeps saying ,
okay, that' s enough .
but teen girls need to scream, and teen girls are the most powerful demographic on earth. loyal, too. make fun of them at your peril .
it is worth considering, though, who the film is for. it' s for the fans. and on that level it works. onstage, bieber is an appealing, exuberant and friendly presence, which is all that matters to the fans who lose their minds upon seeing their first glimpse of him, flying in above the stage attached to huge metallic wings made up of different musical instruments. he' s all in white, wearing sunglasses, and as slight as his frame still is, he seems gigantic and mythic. his performances have an intimate
it' s you and me in this together
thing going on, as he reaches out to the fans up front, sometimes pulling one out of the audience to sing to her. chu films it all with a vitality that gives you the feeling that you are there. the footage of the audience is exciting, little girls sitting on their dads' shoulders, teen girls hugging and crying and holding up their phones, everyone singing along to the lyrics. whatever his offstage antics may include, onstage bieber is the perfect teen idol .
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in the lively opening credits sequence, director and co - screenwriter david scheinmann swiftly and enjoyably establishes that young georgie (jack smith), who is being chased through streets and stores by two angry older men, is very good around a soccer ball - or indeed any faintly round item that can be jostled with one’s foot .
an onscreen title introduces the fact that three hours earlier georgie was watching a videotape about his hero pelé while elsewhere in town matt busby (brian cox in a wonderfullyunderstated performance) was getting ready to attend a funeral with his loving wife .
the telly in the busby household conveniently expounds on how busby took over the manchester united football club in 1945 and built it into a winning team only to have tragedy strike in the 1958 munich plane crash that killed the players. matt has wistful personal flashbacks to the bad weather that should have grounded the flight, to the young and talented lads who perished and to his own remarkable survival with wreckage scattered all around him in the snow, still buckled into his seat .
such flashbacks could backfire but miraculously, they don’t. matt has been asking himself for 25 years why his life was spared. when fleet and fearless georgie steals his wallet - not because he’s the criminal type but because he needs the £21 registration fee to sign up with his unruly mates for the manchester junior football cup competition - matt is not only led on a merry chase but he sees (in slow motion, yet) georgie’s considerable raw talent with a ball .
matt, who will be 75 in a few weeks, could turn georgie over to the police, but instead makes a deal to coach the fledgling team of under - 12 players who, needless to say, haven’t the slightest idea who the older man is .
georgie lives with his mum, erica (natascha mcelhone). dad is only ‘in the picture’ in a framed portrait and his absence is sorely felt. erica wants what’s best for her only child and doesn’t really grasp how much soccer means to her boy or just how gifted a footballer he is .
georgie is up for a scholarship to lancashire grammar school, a posh establishment required to educate the occasional”lower income bracket” lad (“you mean working class? ” asks his mum). if georgie passes the entrance exam, he’ll be on his way. haughty and fastidious doctor farquar (toby stephens, a hoot), who lives with his mum, tutors georgie and intones “brass is class” every chance he gets in order to trumpet his fetishistic love for the school’s marching band and its repertoire .
as in chariots of fire where religious faith threatens to interfere with olympic triumph, georgie will have to choose between a first class education and his devotion to the game that farquar condescendingly dismisses as “for those too feeble for ruggers. ”
the young man who plays georgie is a real find as the spirited working class kid with talent to burn. (there seem to be an impressive number of young boys in english - language european films at the moment — the two leads in the selfish giant and the cute but tough kid who plays t. s. spivet for jean - pierre jeunet come to mind). cox exudes the necessary stolid, quiet authority as “the greatest manager of all time” and philip jackson is great fun as matt’s gambling sidekick, bob .
we learn in the closing credits what the young players — all well cast for distinct appealing faces and expressive body language — are up to in real life .
the three - day weekend gross (excluding previews) of july 6 - 8 was £6. 2m
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goooal! the extraordinarily talented eleven - year - old georgie from manchester plays a passionate game of football, and would love to sign up his team for a junior tournament in the city. unable to pay the high entry fee, he promptly sets about stealing the money. the old man that catches him red - handed just happens to be sir matt busby, the legendary manager of manchester united. sir matt soon begins training georgie’s team and looking out for the young lads. but georgie becomes increasingly tangled in a web of lies until, one day, he gets the red card – from his mother !
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a young, gifted football player who gets into trouble for a petty crime is brought to the attention of former manchester united coach matt busby, who comes out of retirement to help the boy and his teammates .
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smith, dunne, preston, wisniewski, armes, phillips and o' duffy were not career actors but actual footballers, or children pursuing careers in association football or having it as a hobby, around the time this movie was made. clarke, on the other hand, also with something of a local football background has pursued a minor career in acting .
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movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
when the movie occasionally does confront its hero' s foibles, its answers are disappointingly pat .
films like this work best when exalting is the task, and when it comes to displaying mr. bieber in his milieu - on stage - it shines .
my daughter wants you to know that the movie is great and that you shouldn' t listen to a hater like me. i envy her belief .
when it strays from the glitzy pyrotechnics of a miami concert, it descends into another manipulative pr stunt .
there' s nothing wrong with making a documentary about the biebs, but you wish the filmmakers had thought a lot harder and dreamed a little bigger .
director jon m chu throws a few curlies at bieber about fame, philanthropy, artistic integrity and the bum fluff growing in the space between his nose and his mouth where a mustache would normally go .
basically the story of a man forced to finally see the injustice around him. riley’s movie is designed to do the same thing to you. …
roger ebert' s speech on empathy for the
11th hour
series on april 9th, 1994, being republished here in honor of his birthday june 18 .
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justin bieber started out as a youtube phenomenon. it' s one of the most interesting aspects of his story, because this was, from the start, a fan - driven (as opposed to industry - driven) success. bieber is aware of that and speaks in interviews about the early days, before he was even signed, about how his fans would show up at his local concerts, pumping up the excitement about him. the fans who have been on board from the start feel a sense of ownership in bieber. many of them were tweens when he first
hit
( as bieber himself was), and so they have grown up with him. marketing teams try to manufacture that sort of fan - loyalty with the young stars they manage, but they rarely succeed, at least not to the level of the organic phenomenon that is bieber. you never know where lightning will strike, and when it appears to strike on its own, the results are so powerful that it leaves the industry itself gasping to catch up .
an interview with terry gilliam, director of
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a backstage and on - stage look at justin bieber during his rise to super stardom .
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when a pastor is shaken by the visible faith of a street corner preacher, he is reminded that true belief always requires action. his response ignites a journey that impacts everyone it touches in ways that only god could orchestrate .
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college philosophy professor mr. radisson' s curriculum is challenged by his new student, josh, who believes god exists .
when a high school teacher is asked a question in class about jesus, her response lands her in deep trouble .
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when a tragedy strikes close to home, four police officers struggle with their faith and their roles as husbands and fathers; together they make a decision that will change all of their lives .
a seemingly perfect family looks to fix their problems with the help of miss clara, an older, wiser woman .
stars: priscilla c. shirer, t. c. stallings, karen abercrombie
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a losing coach with an underdog football team faces their giants of fear and failure on and off the field to surprising results .
a dishonest used car salesman decides to become the salesman that god wants him to be - with surprising results .
when a confrontation occurs amongst the youth group, stuart takes the opportunity to share with the group the touching story of the old testament prophet hosea .
everything can change in an instant, and take a lifetime to unravel. every day, we have the opportunity to rebuild relationships by extending and receiving god' s grace. offer the grace card, and never underestimate the power of god' s love .
sean astin and andrea logan white appeared in moms' night out (2014) .
: i' m not trying to prove a point. i' m trying to be faithful .
42 of 85 people found this review helpful. was this review helpful to you? yes no | report this
explore popular sci - fi movies and tv shows available to stream with prime video .
a relationship forms between a gifted young girl and a man sprung from prison who has been tasked with protecting her from the evil elements that hunt her power .
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trippy indie madeline' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
a high - tech intelligence operative, enhanced with a super - computer microchip in his brain, aids an elite government cyber - security agency in special missions .
in a not - so - distant future, a human cop and an android partner up to protect and serve .
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follows the perilous journey of a rebellious young soldier who discovers he' s the unlikely savior of humanity .
the lives of the people of arcadia, missouri, are forever changed when their deceased loved ones return .
unlike some other reviewers here that don' t appreciate decent writing, positive, inspiring stories, and just wholesome television, i do. i love this show. i love that it is science fiction applied to present day. i love that the story is about helping others, and showing that human beings can evolve into something positive. it reminds me of the message that star trek tried to convey. the current trash on tv is tiring. reality shows and garbage filled with sex, violence, and just immorality. this show i feel comfortable watching with my kids. it' s a shame that nbc has canceled it, and hope they reconsider. there isn' t a lot of good tv out there, but, this is good tv! could it be better? absolutely. however, it takes time for actors to get into their characters, develop relationships, and develop stories. i hope that we can watch all of these characters develop for several more seasons. please don' t cancel this wonderful show !
37 of 45 people found this review helpful. was this review helpful to you? yes no | report this
a woman goes to prison for murder. after being released back into society, she tries to create a new life for her and her now nine year old daughter. but her dark past comes back to haunt her and threaten both of their lives .
when lene seeks out her estranged husband in hope of reconciliation she finds him in bed with a new lover. shocked, she flees the scene and embarks on a journey through the night that takes... see full summary »
pia is coming home for christmas after traveling in england for about 6 months. she wants to catch up with her boyfriend, kristoffer, who was supposed to have joined her on the trip, but... see full summary »
ulrik is reluctantly let out of prison after serving 12 years for murder. he has to cope with his gang, his ex, a few women - and a snitch. his son has a fiancé. her family doesn' t approve... see full summary »
hawaii, oslo is the story of a handful of people who cross each other' s path without necessarily knowing each other, during the hottest day of the year, in oslo. we follow frode and milla... . see full summary »
a finnish midwife falls in love with a german - finnish ss - officer during the lapland war, in the middle of wwii .
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john has just been left by his girlfriend ingrid. that day he allows himself to be seduced into a mystical and scary world, where it is impossible to separate truth from the lies
a quirky romantic drama set in remote coastal norway takes the viewer on a tumultuous ride through surfing aspirations, extreme weather and love .
a young girl is missing, and her boyfriend dead. police inspector hedda hersoug is back in her birthplace to live a quiet life, but is forced to work with the solitaire superintendent joel dreyer hunting down a serial killer .
5 of 9 people found this review helpful. was this review helpful to you? yes no | report this
desperate, broke, and out of ideas, four college seniors start a fake charity to embezzle money for tuition .
lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .
the start of the movie was hilarious with some comedy bits but it kinda didn' t last more than 25 minutes, then the serious drama rigid stuff came out. to be fair it' s a nice movie, well written, well casting, the main characters were generally funny. as a good doer myself and activist in charities (so humble, right! !: d) the storyline sounded a bit more complicated than it usually is. but maybe that' s how charities in the name of jesus works... don' t know. anyway, , the movie was acceptable would recommend watching it with family on pizza night: d generally, if you' re christian then you' ll be jumping up and down out of faith, but if you' re something else so you' ll see that 5 / 10 is good score. also i gotta say
max adler
this guy is gonna be something i' v seen him on
switched at birth
before and he' s got a real talent, and here he was the comic whiff that the movie needed .
4 of 5 people found this review helpful. was this review helpful to you? yes no | report this
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john f. kennedy conspiracy theories debunked: why the magic bullet and grassy knoll don’t make sense .
, and other tomes, some of them best - sellers, that argued the case for a dark plot .
fred kaplan is the author of dark territory: the secret history of cyber war .
then, one day, i looked up the footnotes in those books, most of them leading me to the multivolume hearings of the warren commission. i was shocked. the authors had taken witnesses’ statements out of context, distorted them beyond recognition, and in some cases cherry - picked passages that seemed to back their theories while ignoring testimony that didn’t. it was my first brush with intellectual dishonesty .
there’s no space to launch a full rebuttal of the conspiracy theorists. (it took 1, 632 pages for vincent bugliosi to do that in his 2007 book reclaiming history .) but it’s worth recounting the conspiracy buffs’ arguments that i found most persuasive—and why they collapse under scrutiny .
the basic facts are these. on nov. 22, 1963, president kennedy, texas gov. john connally, and their wives were riding in a slow, open motorcade through dallas. at 12: 30 p. m. , as the car turned onto dealey plaza, three gunshots rang out. kennedy and connally were both shot. the car sped to a nearby hospital, where the president was pronounced dead and the governor treated for wounds. lee harvey oswald was arrested as the suspected gunman and was himself shot to death days later. president lyndon johnson appointed a commission, chaired by supreme court chief justice earl warren, to investigate the assassination. the warren report concluded that oswald had fired all three shots from a window on the sixth floor of the texas school book depository, where he worked. *
believe is a 2013 british sports drama film directed by david scheinmann . set in manchester in 1984 , it stars brian cox as legendary manager , sir matt busby , who comes out of retirement to coach a team of young working class boys captained by the talented but unruly georgie gallagher ( played by jack smith ) . the film also stars natascha mcelhone as erica gallagher , anne reid as jean busby and toby stephens as georgie 's prospective headmaster . believe was released theatrically in the united kingdom on 25 july 2014 . 
believe is a 2013 british sports drama film directed by david scheinmann. set in manchester in 1984, it stars brian cox as legendary manager, sir matt busby, who comes out of retirement to coach a team of young working class boys captained by the talented but unruly georgie gallagher (played by jack smith). the film also stars natascha mcelhone as erica gallagher, anne reid as jean busby and toby stephens as georgie's prospective headmaster. believe was released theatrically in the united kingdom on 25 july 2014.
believe is a 2013 british sports drama film directed by david scheinmann. set in manchester in 1984, it stars brian cox as legendary manager, sir matt busby, who comes out of retirement to coach a team of young working class boys captained by the talented but unruly georgie gallagher (played by jack smith). the film also stars natascha mcelhone as erica gallagher, anne reid as jean busby and toby stephens as georgie's prospective headmaster. believe was released theatrically in the united kingdom on 25 july 2014.