black and white in color
# 1 - the first answer: color theory # 1 - color as light black is not a color. white is a color .
with the headline: ‘black and white in color’ focuses less on war than leadership .
# 2 - the second answer: color theory # 2 - color as pigment or molecular coloring agents black is a color. white is not a color
there are a few different ways to convert a color photo to black and white in acorn .
black and white cats created by colored crayons. this is color generated by pigments .
the ‘black and white only’ check box will adjust all colors in the image to either black or white, similar to the 1bit filter .
there' s more to color than black and white! when you' re finished with this article, discover the 3 most important things about color at color matters. see basic color theory
an additional method for changing your image to black and white is to use the color controls filter .
looking for movie tickets? enter your location to see which movie theaters are playing black and white in color near you .
2. white is not a color... . but... . in some cases you could say that white is a color .
the answer to the question -
are black and white colors ?
- is one of the most debated issues about color. ask a scientist and you' ll get a reply based on physics: “black is not a color, white is a color. ” ask an artist or a child with crayons and you' ll get another: “black is a color, white is not a color. ” (maybe! )
black and white cats generated on a television. these colors are created by light .
black and white cats. the colors of the fur is the result of molecules .
the final answer to whether black and white are colors takes other factors into consideration .
the grey area: technically, pure white is the absence of color. in other words, you can' t mix colors to create white. therefore, white is the absence of color in the strictest sense of the definition .
black = predator & danger. that' s the symbolism of the color that some say isn' t a color. learn more about the purest symbolism of colors in this online course - organic color symbolism - from color matters .
the biggest challenge printing black and white images in a four - color process is the potential for the introduction of a color cast. a color cast – regardless of the type of four - color process – is emphasized when a color space is converted down from the much larger rgb color spaces (srgb, adobergb, prophoto, etc .) to cmyk. there is an accepted amount of color drift within the world of digital offset presses and this acceptable delta is defined by hewlett - packard. most people would never notice a slight shift in cyan within a full - color image, but a color shift in black and white images is another story .
there are some advantages and disadvantages to printing black - and - white images using a normal color - managed workflow. particularly when printing neutral images, there is a tendency to have the prints contain a slight tint or color cast. this is because icc output profiles are really designed to handle color appearance, not render neutral black and white. for really neutral black - and - white prints, i would suggest one of the following options .
therefore, if someone argues that black is the absence of color, you can reply, “what is in a tube of black paint? ” however, you must add the fact that black is a color when you are referring to the color of pigments and the coloring agents of tangible objects .
3. the receiver - how humans see color. in other words, how we receive information about color .
edit > adjustments > black and white. this method allows you to tweak the contrast of the image .
note: this document details black and white image prep for adobe® indesign® or blurb' s pdf to book workflow. for information about image prep for blurb bookwright, see how to prepare black and white images for blurb bookwright .
removing all color from your image guarantees that there is no color cast present in your images. however, some photographers prefer to have a slight warm (reddish) or cold (bluish) color cast to match a traditional feel of black and white paper or sepia tone process. there is a benefit in adding a tone, as it can be easier to hold a color tone than a true neutral black and white print. there are several strategies to add a color tone to your image. we explore two of them below .
still, several key african - american players cautioned that hollywood - - largely run by white agents and executives - - had yet to find its comfort zone with black talent and black themes .
a common issue with color to black and white conversion is a loss of contrast. you can add contrast to your image by applying a slight s - curve to your images .
fact: the sum of all the colors of light add up to white. this is additive color theory .
the color of a tangible object originates as a molecular coloring agent on the surface of the apple. we see the color of an object because that object reflects “a color” to the eye. every color is the effect of a specific wavelength. link to elecromagnetic color at color matters. in the case of the apple, we see the color red because the red apple reflects the specific wavelength of red (640nm is red) .
if you try quad tone rip and decide you really want to go down an even deeper rabbit hole of ultimate black - and - white printing, i have a suggestion for you: consider going all the way to a dedicated black - and - white printer with custom inks. fair warning, it ain’t cheap nor easy—but if you love rich black - and - white prints (and don’t love color), go for it! the downside is it will require dedicating a printer to special black - and - white inks and use a rather tedious workflow for printing, but i’ve seen some remarkable prints using the piezography system (urltoken) .
“black and white in color, ” which has been rated pg (“parental guidance suggested”), includes some minor nudity and a few vulgar expressions that, in subtitles, look like the sort of graffiti one might see scribbled in much larger print on any new york bus or subway car .
that' s the premise of “black and white in color”, a charming and often sunnily satirical movie that won this year' s academy award as the best foreign film. that was an upset for the two favorites, “ cousin cousine ” and “ seven beauties ”, and the word from hollywood was that “black and white in color” wouldn' t have had a chance except for a new academy rule this year: everyone voting for best foreign film was required to actually have seen all the entries .
in order to print black and white to the canon, i can print from photoshop or lightroom. printing a black - and - white image using the printer driver is the same. the canon special monochrome (photo) color mode is available in both the printer driver as well as in the canon photoshop plug - in (although the plug - in offers some extra functionality). when using monochrome (photo) in the printer driver in photoshop or lightroom, you must set the color management to be managed by printer on the mac (in windows it doesn’t matter—yet) figure 4. 78 shows selecting the monochrome (photo) option from the color mode menu .
by adjusting the sliders you will get a real - time preview of your effects and can control how you would prefer colors to translate to a black and white image .
figure 4. 78. selecting the monochrome (photo) option in the color mode menu .
figure 4. 74. the sepia split - tone image in lightroom and the scan of the final color print .
there are several ways to convert color images to black and white using an imaging tool such as adobe® photoshop®. we recommend using the black and white function that you’ll find in newer versions of photoshop. the desaturate option can be used although it is not recommended due to its lack of control. do not simply change the image mode to greyscale. because the book prints using four colors (cmyk) the greyscale mode will neither be honored nor produce the best results. the black and white function is available only for rgb color space images. you will need to work on a rgb version of your image before converting it to cmyk .
however, when you examine the pigment chemistry of white, ground - up substances (such as chalk and bone) or chemicals (such as titanium and zinc) are used to create the many nuances of white in paint, chalk, crayons - and even products such as noxema. it' s worth noting that white paper is made by bleaching tree bark (paper pulp). therefore, you could say that white is a color in the context of pigment chemistry .
the medium is the process of reflection of the wavelength of the color. the receiver is our eyes which receive the wavelength of the color .
think whitewashing, blackface and yellowface are things of the past? get ready to cringe. here are 25 times white actors played people of color and no one really gave a shit .
now that we' ve described two different categories of colors (pigment and light - generated) and have a definition of primary colors, the answer to whether black and white are colors can be answered .
the reason why we want to remove the color, …is we want to even out the photo. …we want to get back to the photo' s detail, …removing the color information. …what that will do is give us a more even image to work with. …we' ll be able to see the damage more clearly. …then we' ll be able to restore it that much better. …in order to remove the color information, …we can start by converting the image to black and white. …there are many methods people use…to convert images to black and white. …
1. the medium - the color as it exists as a pigment / colorant (such as the color of a tangible object) or as light (such as the color of an image on a television screen) .
the epson advanced black and white (abw) mode works the same in photoshop and lightroom. to print using the epson abw mode, choose managed by printer, then click print settings. in the print dialog box, choose advanced black & white photo from the print mode menu. figure 4. 75 shows the epson stylus pro 4900 printer driver selecting the advanced b & w photo option .
st. vincent de paul struggles to bring about peace and harmony among the peasant and the nobles in the midst of the black death in europe, carrying on his charitable work in the face of all obstacles .
the colors we see are simply a degree of how much of this color present in light is reflected. to be completely accurate, a color reflects the wavelengths in the nm range that our retinal cones respond to .
a black object may look black, but, technically, it may still be reflecting some light. for example, a black pigment results from a combination of several pigments that collectively absorb most colors. if appropriate proportions of three primary pigments are mixed, the result reflects so little light as to be called
black .
in reality, what appears to be black may be reflecting some light .
black and white in color is a 1976 war film and black comedy directed by jean - jacques annaud in his directorial debut. it depicts french colonists at war with the germans in africa during world war i. the film adopts a strong antimilitaristic point of view, and is noteworthy for ridiculing the french side even more harshly than their german counterparts. i do not own any of the shown content. all rights go to the makers of this movie etc. all rights reserved .
the inaugural film effort of french director jean - jacques annaud, black and white in color is set during world war i. upon the outbreak of hostilities, a french trading post in west central africa finds itself at odds with a formerly peaceful german post, for no other reason than their parent countries are at war. the newly xenophobic french traders attack the germans, only to fail in their efforts. socialist jacques spiesser is put in charge of the debilitated french contingent, utterly discarding his former high ideals in the process. filmed on location on the ivory coast, the satirical black and white in color (originally la victoire en chantant) won the american academy award for best foreign film of 1976. ~ hal erickson, rovi
get a copy of the color matters web site to use at your convenience. click
if your image is black and white with a tone, and you want to maintain the classic split - tone look, print using icc - based color management. select the profile for the printer and paper you want to use, then proceed as you would for a color print. figure 4. 74 shows the image in the print module and a scan of the final print. you can see that the print maintains the split - toned look of the original image .
so, of all the different outputs, which is my favorite? for this image, i like the results shown in figure 4. 74 using an icc profile - based color - managed output, because it’s the only one that kept the split - toned look of the original chemical sepia toning. for neutral black - and - white output with really subtle color tinting, either the epson or the canon output is excellent. however, if you want to really dive into a deeper level of black - and - white printing, i suggest using a special third - party raster image processor (rip) .
over time we have come to expect a tsunami - sized wave of backlash when an actor of color is cast as a fictional character that audiences feel should be white ― see controversies over michael b. jordan as the human torch or amandla stenberg as rue of “the hunger games” ― but the outrage isn’t quite the same when white actors portray characters of color. even when, often, they are based of off real - life people of color .
image > adjustments > photo filter. select from the presets or choose you own color .
this is the beginning of “black and white in color” and it is not terribly promising. there' s hardly a cliché overlooked by jeanjacques annaud, the director, as he sets his scene for yet another film on the senselessness of war. the germans are bears for discipline. the french are hysterical, convivial. the priests are fat‐bellied and venal and the blacks infinitely patient with the idiosyncracies of the civilized .
in advanced color settings, if you adjust the brightness, you see the effect on greg’s image, not yours. neither mac nor windows offers a pipeline for interactivity; because the printer driver hasn’t gotten the image yet, it can’t preview the image you’re going to send it. figure 4. 76 shows the color toning menu and the tone menu in the advanced color settings panel .
that' s a good requirement, i suppose (what would happen if it were applied to those voting for the american entries ?), but in this case justice wasn' t served. “black and white in color” is fun to watch and pointed in its comments on race and colonialism, but it' s not in the class of “cousin cousine. ” in its attempt to seem unstudied and whimsical, it tends to become a little slow in the middle. and the ending, in which a young frenchman and a young german walk into the sunset at the end of their private colonial war, ruefully confessing that they' d both thought them¬selves to be socialists, doesn' t really satisfy us .
explanation: here' s a simple way to show how black is made: combine all three primary colors (red yellow and blue) using a liquid paint or you even food coloring. you won' t get a jet black, but the point will be clear. the history of black pigments includes charcoal, iron metals, and other chemicals as the source of black paints. resource: history of pigments
in the way it portrays its small society in the jungle, “black and white in color” reminds me a little of that wonderful canadian film “my uncle antoine”, in which a group of basically good, loving, dumb people were shown with all their foibles. since these african settlers have lived in isolation for so long (no mail for six months), they know each other to the point of exhaustion. and so they accept each other' s peculiarities - even, halfway, fresnoy' s public relationship with an african woman .
back in the page setup area, set up the paper size and orientation, and then click print. one of the limitations of this plug - in is that you can’t capture your settings to use again later. since you’re printing from an export plug - in in photoshop, all of these image settings are one - off. if you find settings you like, take copious notes on them. figure 4. 81 shows a comparison of the pure neutral black, cool black, and warm black options, and a fourth print using the maximum warm and red settings .
the material in these guides is recommended for advanced users – such as creative professionals – who require the highest possible precision in rendering color. for most users, an understanding of the advanced concepts of color management is not necessary to produce a great - looking book with blurb .
in theory, mixing equal amounts of three primary colors should produce shades of grey or black when all three are fully saturated. in the print industry, cyan, magenta and yellow tend to produce muddy brown colors. for this reason, a fourth
primary
pigment, black, is often used in addition to the cyan, magenta, and yellow colors .
first, if you have not done so already, download and install the blurb icc profile. the icc profile and step - by - step directions can be found in our color management resource center
- in this chapter, we' ll start by tackling…the stains and fades with a variety of techniques…which will help remove the majority…of the uneven patches, …giving us a much more even image to work with. …we' ll start by fixing the color cast…and stains with convert to black and white…and move on to faded and mottled areas. …now we know the steps, let' s get started. …you would have opened mottled and damaged before one…and be presented with this image. …it' s very heavily stained with yellow and blue silvering. …we need to correct this in order to restore the photo. …
figure 4. 76. the advanced color settings tab for the advanced b & w photo option .
that means that while an average of 75. 2 percent of speaking roles already go to white actors, according to the 2014 university of southern california study “inequality in 700 popular films, ” some of those parts are actually characters of color .
colors exist in the larger context of human vision. consider the fact that there are three parts to the process of the perception of color .
some say the challenge in universalizing such projects may largely be one of marketing. in making
barbershop
a crossover hit with $ 75 million in domestic ticket sales despite its cozy, insider' s sense of black neighborhood life, mgm, at the urging of the producers robert teitel and george tillman jr. , promoted the film well beyond the usual boundaries of black radio, bet and billboards on assorted martin luther king boulevards .
offhand, i would say our movie was about 60 / 40 black - white ,
said mr. tillman .
they said they believed in' barbershop' like any other film .
[ font = century gothic ]
black and white in color
takes place in 1915 at fort coulais in french equatorial africa. (well, it is not really a fort, more like a ramshackle trading outpost in the middle of nowhere. the commander from the nearby german colony shops there .) it is so remote that the population is unaware that world war i has even begun until a package from the home country alerts them to the fact. and what' s a bunch of french patriots supposed to do now that they are at war with germany? a preemptive attack will do nicely... [ / font ] [ font = century gothic ] [ / font ] [ font = century gothic ]
black and white in color
is an amusing satire about colonialism, patriotism and racism that continues to be relevant today. the movie is populated with broadly drawn characters. and the last line is nice, but a bit puzzling. [ / font ]
but stick with “black and white in color” a little longer. what starts as a broad, obvious, rather pious comedy peopled by musicalcomedy types turns into something much more complex as it goes along. it' s less about the senselessness of war (a movie that is prowar on principle might be more easy to become excited about) than it is about the way extraordinary times and circumstances can create leaders .
old photos can fall victims to stains, scratches, and the ravages of time, but you can use photoshop to restore these images to their original glory. in this course, professional retoucher neil rhodes shows how to give old black - and - white photos new life with image repair and restoration techniques in photoshop. first, learn how to gauge an image' s degree of damage. then see how to fix color staining, adjust faded areas with the shadows / highlights adjustments, and remove dust and scratches with the dust and scratches filter. discover methods for restoring cracks and spots and replacing missing sections using the patch and clone tools. last, see how to add warmth and sharpness to an image and apply the finishing touches .
figure 4. 86. the nude by the window was shot using filtered window light at greg gorman’s mendocino, california studio. the image was shot with a canon eos - 1ds mark iii camera with a 24 - 105mm lens at 65mm and iso 400. the image was retouched in photoshop and converted to black - and - white in lightroom with a slight warming split - tone applied .
in interviews, black filmmakers and actors and those who work with them echoed that sense of progress, pointing especially to evidence that white audiences - - spurred by the 20 - year - old hip - hop revolution - - are going to films that might once have been seen as an african - american preserve. sony pictures, for instance, found the audience for
are we there yet ?
- - its star once best known for the brutal harshness of his gangsta rap with nwa - - was 43 percent white, 26 percent black and 18 percent hispanic .
“black and white in color, ” which opened yesterday at the paris theater, was awarded the oscar as the best foreign‐language film this year as the entry from the ivory coast, where the movie was shot. there' s been some flak about this because the film' s executive producer is swiss and its director, writers and most of the cast are french. in winning the oscar, it had to beat both “seven beauties” and “cousin, cousine, ” which says less about the quality of the winner than the peculiar rules by which the members of the academy of motion picture arts and sciences vote in this category .
and there is a quietly savage view of the way christianity was used to colonize africa. the natives are lined up, for example, and lectured to: the white man' s god is stronger because he teaches the white man to ride the bicycle! then follows a demonstration of the white missionaries riding the bicycle, fol¬lowed by a demonstration of a native convert to christianity, also riding a bicycle .
when you print a black - and - white image, approach the process differently than when you’re printing color images. i’m using a collection of 27 images called print show sepia. i’ll work with an image of driftwood that is sepia - toned, essentially split toned. it’s a natural split tone because these are copies of prints that were chemically toned and made in my darkroom (yes, i still have one) that have now been digitized .
sign up for a fanalert and be the first to know when tickets and other exclusives are available in your area .
as such pictures complete their circle - - and mr. smith, in colorblind studio fare, commands grosses to rival those of eddie murphy at his peak - - at least one major sore spot still remains in black hollywood: its women .
as if it wasn’t enough that hollywood lacks serious diversity behind and in front of the camera, the industry also has a nasty (not so) little habit of giving diverse roles to white actors .
this month, if all goes according to plan, two very different impulses roiling inside of black hollywood will have met in the middle of the summer movie season .
if you are a hardcore lover of fine black - and - white printing, and you find the manufacturer’s printer drivers or plug - ins too limiting, let me point you to an alternative third - party rip called quad tone rip, developed by an excellent black - and - white photographer named roy v. harrington. quad tone rip is a shareware product priced at $ 50 and available for download at urltoken. a couple of points before i go on: first, it’s not really a “plug & play” solution. it’s a rather geeky way of creating a pseudo printer driver that can be installed on the mac and in windows. second, it’s only for epson photo or pro printers .
figure 4. 79. the color settings options for canon’s monochrome (photo) output (via the printer driver) .
adobe®, photoshop®, and indesign® are registered trademarks of adobe systems incorporated in the united states and / or other countries .
the original french title of this movie was
la victoire en chantant
( victory, as she sings), the first line of the famous patriotic song
le chant du départ
( the farewell hymn), written in 1794 during the french revolution and nicknamed
the marseillaise' s twin
. the untranslatable title became
black and white in colour
which was later re - translated literally .
once you select monochrome (photo), click the set button to access the special color settings option for monochrome (photo), as shown in figure 4. 79 .
i suggest you visit roy harrington’s photo web site (urltoken) to see some excellent black - and - white work. i don’t know roy personally, but i think i’ll send him a copy of this book as thanks for creating quad tone rip (and, yes, i paid the shareware price) .
after halle berry does her films and latifah does her films, it' s left to all the black, latino and asian actresses to fight over a couple of roles ,
said gabrielle union, who played alice kramden in paramount' s poorly received black - themed adaptation of
the honeymooners
this year .
i opted for some tv. there just not a ton of work in film .
the best answer combines both of the theories described in part 1 and part 2. pigments and coloring agents (as described in part 1) are only half of the answer .
still, the movie' s sharply satirical at times and especially in its view of the relationship between the colonialists and the africans. we see the french missionaries, for example, being carried by porters on chairs through the jungle and enjoying the porters native folk songs. the subtitles translate: “my white man is fat and lazy…”
black and white in color, directed by jean‐jacques annadd; screenplay (frenco with english subtities) by mr. annaud and georges conchon; produced by arthur cohn, jacques perrin and giorgio silvagni; ?? rector or photography, claude agostini; music, pie? ? e bachelet; editor, francoise bonno? ? an ar? ? or cohn production, distributes by ai? ? ed art? ? running time: 91 minutes. at the paris theater, 58th street west of fiffh avenue. this film has been rated pg .
to adjust the color balance, select an option from the dropdown menu or drag the color sliders. below the color balance settings is a tone menu. you can change it to soft (light) or strong (makes it darker). i’ll set it to medium - hard tone. you can alter the brightness, contrast, highlight, shadow, and tint. in the printer driver version, you don’t have access to special curves or a preview of the effect on your image (just like the epson printer driver), but you do in the photoshop plug - in version .
when referring to cc, mm, y & k inks, i’m referring to the fact that most of today’s pro inkjet printers use two different cyan and magenta inks. there’s usually a strong cyan and magenta and a light or weak cyan or magenta. this is done to get better color gradations of the color gamut. i refer to them as c or m for strong (or vivid) and c and m for the light versions of the inks .
explanation: light appears colorless or white. sunlight is white light that is composed of all the colors of the spectrum. a rainbow is proof. you can' t see the colors of sunlight except when atmospheric conditions bend the light rays and create a rainbow. you can also use a prism to demonstrate this .
there is a difference in the usability between the canon printer driver and the canon photoshop plug - in when printing to monochromatic images. the plug - in offers some options the printer driver doesn’t. which you choose depends on you own workflow and image adjustment needs .
i don' t think much has changed for black films ,
said jeff friday, who runs film life inc. , a small distributor specializing in black - themed movies .
they still think that we' re monolithic, and mostly the films are limited to urban themes and comedy. don cheadle just got his first big lead role this year. hollywood is risk averse, and i do think it' s more economics than it is race. but here' s the thing about the economics piece - - when a black movie goes outside the box and does well, hollywood doesn' t follow up on it .
the color of a tangible object is the result of pigments or molecular coloring agents. for example, the color of a red apple (in the illustration at the left) is the result of molecular coloring agents on the surface of the apple. also, a painting of a red apple is the result of red pigments used to create the image .
what do i think about all these “alternative” black - and - white processes? well, i’ve seen some really excellent prints, but the technical and workflow hurdles are simply too daunting for me. i don’t want to dedicate a printer to third - party inks, nor do i want to spend a lot of time in the darkroom hand - coating papers to make platinum prints—been there, done that. it’s just not my cup of tea !
the color wheel and a crosshair lets you change the horizontal or vertical numbers to adjust the color tint that’s applied. on the side, there’s a horizontal and a vertical readout. when you center it up at 0, 0, it is intended to be neutral, but i actually think it looks a tiny bit too cool, so i use a horizontal setting of 4 and a vertical setting of 8 to reduce the coolness .
for color toning, you have defaults of natural, warm, cool, and sepia. my preference is to click advanced color settings to open a whole different dialog box that lets you select the tone, brightness, contrast, shadow tonality, highlight tonality, and maximum optical density. i don’t adjust any of those. i will only change from darker, the default, to dark .
in tapping black experience for the broad audience, both
barbershop
and
hustle & flow
have clearly pursued the promise of
boyz n the hood ,
which 14 years ago proved the potential in a ghetto - based drama with a solid $ 57 million in domestic ticket sales - - and jump - started the film careers of not just mr. singleton, but also of ice cube, cuba gooding jr. , morris chestnut and nia long. yet hollywood quickly veered toward the somewhat harsher visions of pictures like the hughes brothers'
menace ii society
and
dead presidents ,
which to many lacked the compassion and broad humanity that underlay mr. singleton' s debut film. only lately, has it seemed to rediscover the potential commercial power in simple black morality tales like
drumline ,
a low budget picture about a black high school marching band that two years ago took in $ 56 million for fox, or
you got served ,
an inexpensive amalgam of cliché and hip - hop dance scenes that had $ 40 million in ticket sales for sony last year .
this movie is locked and only viewable to logged - in members. embed the preview of this course instead .
i really like quad tone rip because it’s installed as a printer driver. in lightroom you can capture all the settings in a print template—which is way cool. sadly, it doesn’t seem like the quad tone rip settings can be recorded in an action in photoshop .
explanation: when there is no light, everything is black. test this out by going into a photographic dark room. there are no photons of light. in other words, there are no photons of colors .
the image that is previewed in the advanced b & w photo mode in epson is an image taken by a friend whose name is greg gorman (a celebrity photographer in l. a .) .
but these are just a handful of examples from a long list of cringe - worthy and shameless casting decisions in hollywood. we could also talk about emma stone as part - asian allison ng in
aloha ,
justin chatwin as goku in
dragonball: evolution ,
fred astaire in blackface in
swing time ,
rooney mara as tiger lily in
pan
- - because it' s a seemingly never - ending story. and what have we learned after all this time ?
in february, jamie foxx (in
ray
) and morgan freeman (in
million dollar baby
) won oscars - - as their fellow black actors don cheadle and sophie okonedo joined them in picking up a record five academy award nominations. the showing came as a startling string of box - office successes, as black actors rode (or drove) one picture after another to the no. 1 spot in the early weeks of the year. tyler perry did it
hustle & flow
- style, by making his low - budget, overtly black
diary of a mad black woman
a cross - cultural hit for lions gate, with over $ 50 million in domestic ticket sales. it competed with sony pictures'
hitch ,
in which will smith put aside racial stereotyping to play his first comic - romantic lead (following the colorblind impulse, and a trail blazed by denzel washington with dramas like
the siege
and
the manchurian candidate
), to score over $ 177 million at the domestic box office. it was also up against
are we there yet? ,
with ice cube ;
guess who? ,
with bernie mac; and
coach carter ,
with samuel l. jackson - - all of which were solid performers, and all, remarkably, playing theaters at the same time .
film :
the last airbender
( 2010) is based on a nickelodeon cartoon featuring tribes and characters of asian and native american - descent and their journey to stop the fire nation from taking over their tribes. characters' background: katara, her brother sokka and the rest of the water tribe are said to be primarily influenced by the inuit people and culture. aang, the titular character of the film and series, is of asian ancestry. casts' background: the actors who portrayed the three main character mentioned above were all white with no asian or native american ancestry - - noah ringer as aang, nicola peltz as katara, and jackson rathbone as sokka. and the actors of color that were cast in the film? they were all cast as villains .
films :
batman begins
( 2005) and
the dark knight rises
( 2012) are the first and final films in the dark knight trilogy, which center on the dc comics vigilante batman. character' s background: ra' s al ghul is one the biggest and longest - standing villains in the batman universe. he is said to have been born in arabia and is considered to be of arab descent. actor' s background: liam neeson is just one of many white actors to portray the character on film. he is irish .
in the photoshop plug - in (figure 4. 80), below the sliders you can also do a custom curve adjustment by clicking on the curves button. and since it’s monochromatic, you don’t do it per color; it’s just a grayscale adjustment. if you click adjust pattern settings, you see a preview in a ring - around for the different adjustments for toning, similar to the old photoshop variations interface .
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
so what to do? the best thing you can do is to be sure there is no underlying color cast in your images prior to importing into adobe® indesign® or your preferred book layout tool. (for bookwright look here). here’s how :
when you’ve adjusted your settings, click save. also, i suggest creating a new template previously shown in figure 4. 65—then, just make the print. figure 4. 77 shows scans of prints using each of the default color toning settings .
madame rosa lives in a sixth - floor walkup in the pigalle; she' s a retired prostitute, jewish and an auschwitz survivor, a foster mom to children of other prostitutes. momo is the oldest and... see full summary »
in the curve window, select either red, green, or blue from the drop - down menu depending on the hue you want. then grab the middle of the curve and pull up or down to see the sepia effect. only a slight move is needed to give your image some color !
in addition to using the piezography system inks for prints, you might want to look into using inkjet printers for making film positives or negatives for making traditional black - and - white contact prints using silver gelatin or hand - coated platinum papers. one of the leading practitioners of this is a photographer named dan burkholder (urltoken). the key to this practice is to prepare digital images to print to film. the film positive or negative (depending on the final coated paper) is used in contact with the paper to produce potentially stunning results. dan has tutorials and offers workshops on the process .
your file is digitally neutral. however, you may notice that the image is flat or muddy. this is due to the nature of the desaturate command. colors that share the same lightness value but have vastly different hues will convert to the same grayscale value. this means that you will often lose contrast between colors leading to a flat image. newer versions of photoshop have a black and white adjustment that we recommend for more control and better results .
a simplified way to explain it is that the color of a red apple on a computer or television is created by photons of red light that are transmitted within the electronic system .
edit > adjustments > desaturate. although this is the quickest method, it doesn’t allow for any adjustments and may result in both a loss of contrast and a muddy looking image .
you agree to receive occasional updates and special offers for the new york times' s products and services .
the other option i use is the ability to add a color toning. you can select warm, which isn’t too bad and kind of looks like traditional sepia—but if you select sepia, it looks kind of like baby - poo brown .
two weeks later, a largely black cast and producing team - - working with the white writer - director craig brewer - - will deliver
hustle & flow ,
a hip - hop inspired picture from paramount classics and mtv films. the movie is intent on turning its portrayal of a distinctly african - american pop - cultural icon - - the actor terrence howard' s sympathetic pimp who dreams of the rap life - - into a broadly appealing story of human redemption .
we’re interested in your feedback on this page. tell us what you think .
the setting is the dry, hot savannah of west africa in late 1914. the inhabitants of a small french trading post in the interior live in easy alliance with the members of a tiny german garrison a few miles away. they don' t fraternize exactly, but they get along in their separate spheres of boredom .
was originally written in 2001 and attempted for four years to get financed. director blake fitzpatrick finally just made the film on his own .
guarantee the perfect movie night with tickets from fandango. find theater showtimes, watch trailers, read reviews and buy movie tickets in advance .
you can also use the eyedroppers (circled in screenshot) to select your highlight and shadow areas of your image for better contrast control .
french colonists in africa, several months behind in the news, find themselves at war with their german neighbors. deciding that they must do their proper duty and fight the germans, they... see full summary »
film :
elizabeth, michael and marlon
( 2016) is a british tv movie based on the alleged road trip that elizabeth taylor, michael jackson and marlon brando took from new york city to los angeles after the september 11 terrorist attacks. character' s background: michael jackson was african - american. that means the legendary king of pop was a black man. he wasn' t fond of whitewashing or of a white actor portraying him either. actor' s background: joseph fiennes said it best to entertainment tonight when the casting news came to light :
i' m a white, middle - class guy from london. i' m as shocked as you may be .
roger ebert was born on this day in 1942, and died a little over five years ago. i owe a good part of my success…
two masters of chess duel each other not only in their game but also in their different ideologies. the veteran akiva is a soviet jew and ferocious communist, master of his game but also... see full summary »
film :
exodus: gods and kings
( 2014) is based on the biblical story of moses and his defiance against egyptian pharaoh ramses as he leads thousands of slaves out of egypt. character' s background: moses, like noah, hails from ancient middle east. he eventually leads the enslaved israelites to freedom. actor' s background: christian bale is a british actor with no middle eastern ancestry. he' s also far from the only white actor in the film, australian actor joel edgerton portrays ramses. after a blog calling the film
racist
for having white leads while people of color were cast as servants and slaves went viral and the hashtag # boycottexodusmovie began to trend, director ridley scott defended his decisions with a simple excuse: money .
i can' t mount a film of this budget, where i have to rely on tax rebates in spain, and say that my lead actor is mohammad so - and - so from such - and - such ,
scott told variety .
i' m just not going to get it financed. so the question doesn' t even come up .
and that was that. the film still went on to make over $ 260 million worldwide .
figure 4. 85. comparing the results of split toning in quad tone rip .
select perceptual as the intent and adobe ace as the engine to achieve the best possible match between rgb and cmyk without losing subtle gradations and transitions. select black point compensation to preserve shadow detail. select dither if you want to add a small amount of digital noise to break up gradients that are banding. you should always use dither if your image contains large areas of subtle gradations .
this story takes place in prehistoric time when three tribesmen search for a new fire source .
as it happens, neither mr. story nor the
hustle & flow
team found it easy to crack a system where black talent, despite some enormous successes, is still finding barriers to be overcome. yet their movies have arrived in the middle of a year that may someday be seen as at least a minor watershed in hollywood' s long struggle with matters of race .
correction: an earlier version of this story misidentified the name of the usc study. it is
inequality in 700 popular films ,
not
inequality in 100 popular films .
as the young man finds his character, so does the movie. in an excellent scene in the midst of the crisis, after hubert has bulldozed his compatriots into some form of order, the young man makes his first official appearance (at a review of the french “troops”) with his stunning‐looking, ever‐mute but extremely haughty black mistress on his arm. there' s nothing for these cowed, petit‐bourgeois french shopkeepers to do but bow and curtsy to the consort .
figure 4. 75. selecting the advanced b & w photo in the print mode menu .
a writer investigates the suspicious death of his sister at an old victorian mansion inhabited by her widowed scientist husband on the verge of a breakthrough in dream traveling, an ex - lover from his past, and the doctor she is now in a relationship with.
black and white in color ( french : la victoire en chantant , then noirs et blancs en couleur for the 1977 re-issue ) is a 1976 war film and black comedy directed by jean-jacques annaud in his directorial debut . it depicts french colonists at war with the germans in central africa during world war i , and is set the then german colony of kamerun . the film adopts a strong antimilitaristic point of view , and is noteworthy for ridiculing the french side even more harshly than their german counterparts . the original french title is the first four words ( the first line ) of the song le chant du départ , a french military song . it won the 1976 academy award for best foreign language film ; it was submitted to the academy by côte d'ivoire , resulting in that country 's first and only oscar . 
black and white in color (french: la victoire en chantant, then noirs et blancs en couleur for the 1977 re-issue) is a 1976 war film and black comedy directed by jean-jacques annaud in his directorial debut. it depicts french colonists at war with the germans in central africa during world war i, and is set the then german colony of kamerun. the film adopts a strong antimilitaristic point of view, and is noteworthy for ridiculing the french side even more harshly than their german counterparts. the original french title is the first four words (the first line) of the song le chant du départ, a french military song. it won the 1976 academy award for best foreign language film; it was submitted to the academy by côte d'ivoire, resulting in that country's first and only oscar.
black and white in color (french: la victoire en chantant, then noirs et blancs en couleur for the 1977 re-issue) is a 1976 war film and black comedy directed by jean-jacques annaud in his directorial debut. it depicts french colonists at war with the germans in central africa during world war i, and is set the then german colony of kamerun. the film adopts a strong antimilitaristic point of view, and is noteworthy for ridiculing the french side even more harshly than their german counterparts. the original french title is the first four words (the first line) of the song le chant du départ, a french military song. it won the 1976 academy award for best foreign language film; it was submitted to the academy by côte d'ivoire, resulting in that country's first and only oscar.