peppermint candy
hand crafted candy tin peppermint ice chips candy 1. 76 oz candy (6 pack )
product - hand crafted candy tin peppermint ice chips candy 1. 76 oz candy (6 pack )
brach' s sugar free star brites peppermint hard candy, 3. 5 ounce bag
product - brach' s sugar free star brites peppermint hard candy, 3. 5 ounce bag
spangler candy company is a family - owned private company making candy since 1906. our products include lollipops, candy canes, and marshmallow candies. we also sell many types of bulk candy to businesses .
looking for movie tickets? enter your location to see which movie theaters are playing peppermint candy near you .
this review is from the recent screening of peppermint candy during the toronto korean film festival (tkff) .
peppermint currently is a popular flavoring in hard candy, such as round mints and candy canes, fudge, ice cream and gum. long before its potent taste was added to confections, peppermint oil was used for medicinal purposes .
essays, uk. (november 2013). peppermint candy transformation of mans life film studies essay. retrieved from urltoken
peppermint - flavored candy can be used to dull some aches and pains. it may inhibit nerves that react to painful stimuli, and although this is temporary, you may enjoy a brief respite from an irritating cough or aching muscles. the menthol in peppermint candy, mints or gum produces a cooling sensation in your mouth because it stimulates nerves that sense cold temperatures, so sucking on peppermint candy may soothe an uncomfortable sore throat .
peppermint candy
was directed and written by lee chang dong and stars sol kyung gu as yongho in the most impressive acting performance that i have witnessed this year. in the unlikely event that
peppermint candy
is released for general distribution, it is not to be missed .
korean movie reviews for 2000: jsa, the foul king, the isle, barking dogs never bite, chunhyang, peppermint candy, and more .
after - dinner mints are popular not only because of the flavor, but because peppermint consumed after a meal can reduce gas and help with digestion. the cooling menthol in peppermint oil stimulates the stomach lining and eases stomach pain, so sucking peppermint candy may calm your upset stomach. if your symptoms of indigestion are related to gastroesophageal reflux disease, or gerd, peppermint products should not be used. peppermint oil should never be given to infants or children. candy made from peppermint oil is sometimes used to treat sea - and motion sickness, as it can numb the stomach wall and alleviate nausea and vomiting. although peppermint candy may ease nausea from morning sickness during pregnancy, the encyclopedia of alternative medicine warns that women who have miscarried in the past should limit their use of peppermint because large amounts may trigger a miscarriage. women who are breastfeeding their infants should not use or consume products containing peppermint oil .
peppermint candy transformation of mans life film studies essay .
ukessays. com. 11 2013. all answers ltd. 07 2018 < urltoken > .
ukessays. peppermint candy transformation of mans life film studies essay [ internet ]. november 2013. [ accessed 9 july 2018 ]; available from: urltoken
product - brach' s star brites peppermint mints, 7. 5 ounce bag
ukessays. november 2013. peppermint candy transformation of mans life film studies essay. [ online ]. available from: urltoken [ accessed 9 july 2018 ] .
all answers ltd,' peppermint candy transformation of mans life film studies essay' (ukessays. com, july 2018) < urltoken > accessed 9 july 2018
there are several legends surrounding peppermint candy canes. for example, an account in
sweet !
by ann love and jane drake says that in 1670 a german choirmaster gave out sticks of sugar candy to children to keep them quiet .
product - yankeetraders hostess party mix, wrapped hard candy assortment - 4 lbs .
find out where to buy spangler candy at the nearest retailer. learn how our candies are used as thank - you candy for many businesses and restaurant operations .
peppermint candy takes a nice approach with the storytelling and it deserves the attention that it gets. too bad it isn' t exciting enough for someone like me .
peppermint is a soothing herb that contains properties to help calm muscle spasms or cramps. peppermint candy not only tastes good, but it can have both a relaxing or invigorating effect, depending on when you use it, according to the farmers’ almanac .
one of the most common uses for peppermint oil is as a flavoring for various types of candies, including mints, candy canes, peppermint sticks and chocolate confections. ancient egyptians used the peppermint plant as a medicinal herb, but an english botanist who found the peppery mint growing in a field first described it in 1696. peppermint has been cultivated for its essential oil since the 1700s, and today the united states provides 75 percent of the world' s fresh peppermint. oil from the peppermint plant contains menthol, a pharmacologically important substance with multiple heath benefits, according to harvard health publications .
peppermint candy transformation of mans life film studies essay .
all answers ltd. ukessays. com, november 2013. web. 9 july 2018. < urltoken > .
we have the best brand name bulk candy... delivered right to your door !
brach' s star brites peppermint mints, 7. 5 oz bag (pack of 3 )
while the origin of peppermint candy is unclear, historical accounts show that peppermint oils have been used since ancient times to calm the stomach and for other remedies. farmers in europe began commercially growing the plant, which is a natural cross between watermint and spearmint, in the late 1700s .
it is not known exactly when peppermint - flavored candy first appeared. the confection is mentioned by slaves in the library of congress' american memory project. smith kendon developed altoids in 1780 to relieve intestinal discomfort, and life savers introduced its pep - o - mint flavor in 1912. in 1927, eduard haas, of vienna, austria, invented peppermint pez candy and the original dispenser .
2 pack - breath savers 3 - hour peppermint 8 pack (1. 1 oz per pack )
we had a wedding candy buffet. candystore gave us quick turnover from order to delivery plus all candy came exactly as ordered with tight sealed packaging. it was super fresh and the wedding went great !
product - brach' s star brites peppermint mints, 7. 5 oz bag (pack of 3 )
product - 2 pack - breath savers 3 - hour peppermint 8 pack (1. 1 oz per pack )
an intense, emotional masterpiece of korean new wave, peppermint candy is told in reverse, taking the viewers back through 20 years of a doomed man' s life, while chronicling the sentiments and changes of modern korea .
lee changdong filmed the film, peppermint candy in 1999. unlike the most of the films in these days, the film, peppermint candy shows one’s life story by taking audiences on the backwards train. there are 7 different vignettes within the film’s reverse temporal denouements, which are ‘1999 spring, picnic’, ‘1999 spring, 3 days prior, camera’, ‘1994 summer, life is beautiful’, ‘ 1987 april, confessions’, ‘1984 autumn, prayer’, ‘1980 may, visiting camp’, ‘1979 autumn, picnic’. the peppermint candy includes the higlights of the kwangju massacre of may 1980. with this film, audience can see the psychological problems that the main character, young ho has .
regardless of whether
peppermint candy
is viewed from a personal or political angle, there is little doubt that director lee chang dong has created a modern masterpiece. with a judiciously - applied narrative structure and the brooding performance of sol kyung - gu ,
peppermint candy
is a bittersweet confection that illustrates how the innocence and optimism of youth can end up crushed under the relentless march of time, the travails of happenstance, and the frailties of the human heart .
the candy orphanage is an orphanage in the candy kingdom. it is first mentioned in
princess cookie
by baby - snaps. baby - snaps himself lived in the orphanage as a child, where all but he were
too depressed to play .
princess bubblegum came to the orphanage with peppermint butler and engaged the children in numerous fun activities .
peppermint candy is something that yongho is especially fond of. his first love is sunim, who works in a candy factory. when he is in the army in 1980, she sends him candy to remind him of home and her love. one night his company is rousted from bed in the middle of the night for some sort of mysterious engagement. the sergeant abuses the men, calling them
bitches ,
as they struggle to get their gear together. when yongho' s peppermints pour out of his knapsack, the sergeant punches and kicks him because candy is not allowed .
spangler candy upholds the highest standards of quality for our confectionery products. see the most common questions regarding specific ingredients .
the menthol in peppermint tea and candy may increase saliva production, which leads to swallowing and suppression of the reflex that causes coughs. menthol can also act as a potent decongestant and can clear a stuffy nose and make it easier to breathe. peppermint works as an expectorant because menthol thins mucus, loosens phlegm and breaks up coughs. large doses of peppermint oil may be toxic, and pure menthol, which is poisonous, should never be ingested. do not to confuse oil with tincture formulations .
similar to this year' s mind - bending indie hit
memento
, the 2000 south korean film
peppermint candy
starts at the end of the story, and gradually works its way back to the beginning. however, whereas
memento
was a revenge thriller spanning a mere two weeks, the ambitious canvas of
peppermint candy
covers two decades of recent south korean history, with its contemplative and poignant tale of innocence lost, echoing the social, political, and economic turmoil of a nation' s arduous climb to democracy. of all the films to have sprung from the recent renaissance in korean cinema ,
peppermint candy
is perhaps one of the more substantial ones, easily making this south korean - japanese co - production a modern classic .
{ { cite web | last = essays | first = uk urltoken | title = peppermint candy transformation of mans life film studies essay | publisher = ukessays. com | date = november 2013 | accessdate = 9 july 2018 | location = nottingham, uk } }
always wear heat - resistant rubber welding gloves (sold at hardware stores) to protect your hands from burns when pulling hot candy .
how might one describe the taste of peppermint? refreshing and cool? slightly sweet? how about the “clean” sensation left over once the candy has gone? in this intense and emotionally raw film, the peppermint transforms from mere confection into the reminder of one man’s lost innocence—and arguably, that of south korea after the war. though we might bite into the peppermint hoping for sweeter breath, whatever has dirtied the mouth still remains. so it goes with the attempt to live decently again, once personal sins and harrowing experiences begin to take their toll .
those viewers who devour character studies, art films, powerful acting, or are just looking for something different might take interest in peppermint candy. please be warned that this movie contains varying degrees of violence, brief nudity, and depicts suicidal tendencies. certain scenes can be disturbing .
these little peppermints do require fast speed to stretch and cut, but if you don' t get it right the first time, your hardened brick of candy won' t go to waste. leftover candy cane can be crushed and used in ice cream, cookies, or candies .
i have been ordering from you for a good while, my husband says the quality and freshness of the candy is the best. i figure, he thinks i am the best, so urltoken must be really good! my husband is a candy freak, he loves the green leaves .
south korean cinema is in fine form, if its recent cannes presence is anything to go by. of the three south korean films at the festival, the directors' fortnight selection, peppermint candy, was the most obviously commercial - something confirmed by a long run back home, where the film opened in december .
an overlong but oddly magnetic melodrama, peppermint candy excels in its main aim: using scenes from a life to build a convincing portrait of a complex, ordinary, not particularly likeable man. the scenes run backwards in time from the tragic end - an unusual device that requires quite a lot of patience from the audience at first .
in a series of flashbacks, we do go back with yongho and discover what has driven him to suicide. his
rosebud
is nothing less than the social role imposed by south korean society in its rise to
success
in the post 1980s .
peppermint candy
is mainly an attempt to rip the pleasant facade off this image .
apart from box - office fare there was an unusually strong collection of art films released in 2000. notable works include peppermint candy, lies, chunhyang, barking dogs never bite, the isle, the virgin stripped bare by her bachelors, die bad, and bongja. korea also continues to churn out scores of fascinating, high - quality short films .
unfortunately, this cinematic gem has not seen wide distribution outside of south korea, other than brief appearances at the toronto international film festival, the london film festival, and the new york new directors / new films festival. however, thanks to the advent of the internet ,
peppermint candy
is available through an import dvd, complete with english subtitles .
while the acting was quite good in this film and it had an interesting premise and format, i found it odd and violent. but more than anything, peppermint candy left me with a burning desire to study modern korean history more. i’ve read a couple of books about korea but never taken any classes and this film whetted my appetite for more knowledge .
even if it were not a great film ,
peppermint candy
would be worth seeing just as a guide to the dramatic changes in post - dictatorship south korea. while ostensibly a citizen kane type morality tale about an evil man, it is really a mirror held up to a country whose two main pillars were military / police brutality and worship of mammon .
peppermint candy (박하사탕) starts with a crazed man – the main character, yong ho – crashing a picnic by a river of a group of middle - aged reunioners who have got together 20 years after working together in a factory. turns out he was one of them and after getting everyone’s attention, he heads up to the railway tracks to commit suicide .
place ropes side by side and twist pieces together. starting at the right side, pull and twist rope until about 6 inches of candy are twisted 1 / 2 - inch thick. quickly cut 1 - inch pieces off with scissors. place on a lined baking sheet to harden. continue twisting, pulling, and cutting 1 - inch pieces into 6 - inch - long sections until candy becomes too hard and can no longer be pulled. reserve leftover candy block to crush into pieces for other recipes. store candies in an airtight container or resealable plastic bag .
peppermint candy is a difficult film due to the graphic emotional and physical violence that it unflinchingly presents. lee’s camera unerringly finds the ugliest residue of industrial life – service roads, parking lots, jammed commercial streets, forgotten patches of crabgrass in the empty lots of cities that grew too fast. yong - ho is not a likeable character. lee allows us to understand the external forces and disappointments that he has suffered in making him the man he is, but it is difficult to forgive him for his terrible behaviour. in some ways, the film’s overarching national metaphor overwhelms a deeper understanding of the characters. they all symbolise something about south korean social reality and do not fully breathe as three - dimensional people or characters. peppermint candy is a compelling and powerful work and a necessary to any introduction to the korean new wave. lee quit filmmaking after the film to become south korea’s minister of culture for reformer roh moo - hyun – one of the planks of roh’s platform was more humane treatment of student protestors – for two years. after his stint in government, lee’s filmmaking became less strident and philosophical and perhaps, more mature. peppermint candy is a work of deep conviction, passion and anger .
one might notice something unusual about peppermint candy straightaway: it’s backwards. it affects a non - linear structure, forcing the viewer to witness the lead’s story in reverse chronology. we start with a broken maniac ready to commit suicide on some train tracks, and end with a starry - eyed youth, happy and in love. what must have happened between these two points to result in such a drastic change ?
chang - dong lee (born 1954, south korea) has won the 2008 special director’s prize at the asian film awards and has been nominated for the golden lion and palme d’or. his latest film poetry won the best screenplay award at the 2010 cannes film festival. his credits include secret sunshine (2007), oasis (2002, best director award at venice film festival) and peppermint candy (2000) .
in many respects ,
peppermint candy
has much in common with
forrest gump
. similar to how the titular protagonist of the 1994 robert zemeckis film was a stand - in for the american people and his adventures through history reflecting the experiences of the baby boomer generation, yongho is a stand - in for the south korean people, with his degradation and despair a reflection of the country' s long uphill climb towards democracy .
uma história contada de trás pra frente revelando o motivo de uma mente destruída é muito mais atraente do que acompanhar a linearidade de uma vida qualquer. peppermint candy, é um aviso prévio do que o diretor japonês lee chang - dong tem a oferecer, sendo este seu segundo filme e primeira parceria entre o realizador e os atores so - ri moon e sol kyung - gu, que viria a ocorrer novamente três anos depois em oasis .
peppermint candy chronicles the corruption and loss of innocence of a man during a turbulent and destructive period in south korean history. beginning with his suicide on a train track (a reoccurring motif helping to tie the film together) the story unfolds in reverse order as we witness how a naive and idealistic teen could become the broken man we first meet. the film’s structure, rather than simply being a novel attention grabbing device, works beautifully to provide greater…
{
@ context
:
http: \ / \ / schema. org
,
@ type
:
newsarticle
,
headline
:
what are the benefits of peppermint candy ?
,
url
:
https: \ / \ / www. livestrong. com \ / article \ / 286699 - what - are - the - benefits - of - peppermint - candy \ /
,
thumbnailurl
:
http: \ / \ / photos. demandstudios. com \ / getty \ / article \ / 181 \ / 78 \ / 178090326. jpg
,
datecreated
:
2010 - 10 - 23t00: 08: 00z
,
articlesection
:
food and drink
,
creator
:
[ \
maura wolf \
]
,
keywords
:
[ \
\
]
}
i share it with my grandpa, he relives his childhood days in coney island with each bite. great candy and excellent service and delivery, tracking & on time. i' ve already recommended urltoken to a friend .
there' s always a strong appreciation to be found in films that exude such a strong vision by the directors that they' re able to effortlessly bend and break the whims of traditional structure and still manage to tell a coherent story, just more powerfully. films like nolan' s memento and gaspar noe' s irreversible dared to present a thriller backwards. lee chang - dong' s peppermint candy presents backwards, on the polarising end of the spectrum of genre, an epic character study .
when i finished watching the film, the first thing that went through my mind was “i’m not sure what to think so this will be a hard review to write. ” and even after a little time has passed, i have to agree. it was both a well - acted and thought - provoking film and one that i didn’t enjoy. sound contradictory? well, so are my thoughts about peppermint candy. it’s such an intense film that once it was finished, i was incredibly drained emotionally .
it wasn' t always this easy. in 1984 when he was a rookie cop, he was initiated into the art of torture. after a trade unionist prisoner shits on him during a session, he rushes into the bathroom to wash himself off. while peeing, another more seasoned cop casually mentions to him that he will not be able to forget the smell. that is what
peppermint candy
is about mostly, a man learning how, but never successfully so, to get over the smell .
as part of the moon so - ri line up of films in the ‘year of the four actors’, the korean culture centre uk screened lee chang - dong’s peppermint candy. this film, released in 1999, was director lee chang - dong’s second film, and it certainly left a deep impression on audiences for it’s ability to portray huge themes and historical events through the troubled life of one man. picking up numerous awards, such as best director and best actor, the film was received with acclaim and rightly so .
the second movie made by worldwide renowned south korean director lee chang - dong, called bakha satang (peppermint candy), is going to be shown in retrospective of a foreign author selection. this movie drew attention already after its initial projections, especially in film festivals. the first projection of the movie was in 1999, and it was at the opening of international film festival pusan. after that, the movie was multiply awarded in karlovy vary festival, and it won grand bell award in grand bell festival in south korea .
wearing rubber gloves, pull off 1 / 3 of the mixture, place it flat on the baking sheet, use your thumb to indent a small crevice, and add several drops food coloring into the crevice. quickly pull candy and fold it into itself until the red food dye is thoroughly incorporated. stretch the remaining candy until it' s a foot long, fold it in half, and continue pulling and stretching in the same manner until it whitens in color. pull both pieces into 12 - inch - long ropes .
if you manage to not be annoyed during its opening act which features a deranged asshole with suicidal tendencies putting up an extraordinary display of overacting before killing himself by getting run over by a train, you just might be able to enjoy peppermint candy & even end up being impressed by it too. told in reverse chronology, this film covers the past 20 years in the life of that stupid maniac & depicts the events that eventually led to his suicide while also showing that he was not such a weirdo from the beginning but was slowly transformed into one by the korean' system' .
at the beginning of lee chang dong' s'' peppermint candy'' a well - dressed man, possibly drunk and visibly distressed, stumbles into the reunion picnic of a group of men and women who had worked together in a factory 20 years before. they remember him from the old days, but he seems to have fallen out of touch. after alarming the group with his erratic behavior, the man, whose name is yongho (sol kyung gu), climbs a nearby railroad bridge and, as the train approaches, screams into the camera,'' i want to go back.''
liberally spray a rimmed baking sheet with cooking spray. alternatively, line a rimmed baking sheet with a silpat. in a 4 - quart saucepan, bring sugar, corn syrup, and water to a boil, stirring frequently with a wooden spoon until the sugar dissolves. cook mixture until it reads 305°f on a candy thermometer. quickly remove the pan from heat, and stir in lemon juice and peppermint extract; be careful, because it will bubble up. pour hot sugar mixture onto prepared sheet, but do not scrape the pot clean (the sugar will already begin to cool). let mixture cool until bubbles subside .
peppermint candy relies heavily on visual motifs, particularly moving trains and the namesake sweets themselves. trains appear at pivotal moments, usually during (or after) an unfortunate action taken by the lead. when i noticed this happening, the effect chilled; my stomach automatically dropped and i almost felt cold. because the story segments are also broken up by footage taken from the back of a train, the effect is twofold. note also the pensive string music which accompanies these instances. other details become apparent over the course of the film; names and objects which make no sense in one part suddenly burst with recognition in another .
i' m always intrigued by all the wonderful candies and confections that make their way to grocery store shelves during the holiday season. every time i buy a bag of peppermint candies, i can' t help but wonder how they are made, which is why this season i became determined to make them as an edible gift .
is your mouth feeling drab? wake it up with urltoken' s huge selection of mints! from traditional after dinner mints like peppermints, andes mints, and nonpareil mint candies, to decorating mints like starlight mints and so many more, you can keep your mouth feeling fresh with these bulk size mint bags for days, weeks, and maybe even months! if you' re getting ready to stock up your office candy dish, then these would be a great selection to throw into the mix. or if you know someone who can' t get enough mint candy, then surprise them with a special order. whatever you do, you' ll love popping these mint candies into your mouth .
however, even if one does not have a passing knowledge of south korean politics ,
peppermint candy
is still a compelling film with its stirring portrayal of a man' s disintegration. with his moving portrayal of yongho, sol exhibits tremendous dramatic range, from the film' s opening scenes, as an unsympathetic and volatile boor, to the very end, as a poignant and tragic figure whose dreams will never come true. given his unsavory introduction, as well as a number of scenes that underscore his volatility (such as how his temper ruins a celebratory get - together with friends), there is a constant threat of yongho exploding in violence at any time, which adds an added level of tension to the film .
you ever watch a film just for it to cut off your balls and shove them down your throat? peppermint candy is the condensation of sadness into a film. the story is told reverse chronologically. we' re introduced to a main character who' s completely broken and then we go back to the past bit by bit to see all the damage done to him and all the damage done by him. it' s a tragic tale of loss of innocence. it' s heartbreaking at times and horrifying at others. we see him break bit by bit. it' s agonizing even though he' s a complete and utter asshole. yet we still sympathize, regardless of being unaware of the true cause of his insatiable grief
it' s difficult to say how differently peppermint candy would come across if re - edited to run chronologically; quite possibly, the sentimental excesses - stressed by some theatrical night - lighting and the tendency of the main character to weep uncontrollably when things go wrong, as they usually do - would seem merely over the top. there are moments of humour and moments of tenderness along the way, especially touching when see marital breakdown followed inexorably by the courtship that preceded it. though this is a film of some substance, it will not be easy to market abroad, where its commercial ambitions will be shackled by subtitles and by the difficult - to - shift perception that any south korean film released in the west must be strictly arthouse .
reviewed below: peppermint candy (jan 1) - - lies (jan 8) - - chunhyang (jan 29) - - the foul king (feb 4) - - barking dogs never bite (feb 19) - - interview (apr 1) - - the isle (apr 22) - - virgin stripped bare by her bachelors (may 27) - - ditto (may 27) - - secret tears (jun 3) - - bichunmoo (jul 1) - - die bad (jul 15) - - nightmare (jul 29) - - joint security area (sep 9) - - il mare (sep 9) - - pisces (oct 21) - - libera me (nov 11) - - asako in ruby shoes (dec 9) .
peppermint candies are being dropped and crushed, just like yeng - ho' s hope for human kind, and dreams of making a different in the world is crushed into smithereens early on in his life. when we meet him for the first time, about 20 years after this has happened, he goes bananas and ultimately commits suicide. ending his life with the words
i' m going back !
bad lands • beautopia • beneathaverse • bounce house princess' house • candy tavern • castle lemongrab • cemetery • chipmunk cave • city of thieves • cotton candy forest • crudtown • cube village • desert lands • desert of doom • dewpia • duchy of nuts • dungeon • earldom of lemongrab • evil forest • flame princess' s house • forest of trees • freak city • grass lands • graveyard • gumbaldia • gumbald' s cabin • huntress wizard' s house • iceberg lake • institute of so und • james' s apartment • joshua and margaret' s house • labyrinth • lady rainicorn' s house • library • loch of phantoms • maja' s house • marauder village • marceline' s house • market • marshmallowy mweadows • mo co. • moldos' secret lair • moose bone clearing • mount cragdor • museum of natural history • mystery mountains • old industrial park • princess bubblegum' s castle • pizza sassy' s • reconditioning chamber • red rock pass • river of junk • rock candy mountains • royal congressional hall • royal tart path • soft village • spiky village • spooky forest • stock woods • the grotto • the hall of egress • the lich' s lair • town • tree fort • vapor swamps • vault of bones • wizard city • wizard village
peppermint candy is lee’s most formally innovative work. he based the film’s structure on harold pinter’s 1978 play betrayal, which charts the dissolution of a marriage, beginning with the divorce. the scenes that follow, each going back in time, climax with some further indication of the already foretold disaster. the audience, then, is not asking how each scene will end, but rather the precise ways in which each situation will lead to the couple’s further estrangement. the play is infused with an overwhelming sense of loss and doom. lee uses the form of this deeply troubling psychological play to retell south korea’s recent past. yong - ho’s story begins in 1999 at the 20th reunion of a youth social club where he first met sun - im, his first and only true love. he crashes the party, completely distraught and incoherent, unable to connect with the other people there. eventually, he breaks away from the group and climbs a railway bridge to commit suicide by standing in front of an oncoming train. the last shot of the scene is a freeze on yong - ho’s face just before the locomotive is about to crush him. the rest of the film takes us back in time in order to understand how yong - ho reached this desperate moment .
in the following sequence, set in 1987, south korea is in the midst of massive student demonstrations over the announcement that general roh tae - woo – the principle commander behind the 1980 gwangju massacre where over 100 young demonstrators were shot by the army – was announced as the ruling party’s next presidential candidate. yong - ho is revealed as a policeman who sadistically tortures a student activist. the cruelty of his work extends to his home life, where he is already becoming a spiteful husband to hong - ja. he spends much of his time with his policeman friends and secretly yearns for sun - im. it becomes apparent that yong - ho’s ability to blindly adhere to the ruling ethos of the time is his only defining characteristic. the next three sequences take place at the end of his mandatory military service in 1984, during his service in the gwangju massacre in 1980 and, finally, at the picnic in 1979 where he meets sun - im. lee provides cues and hints in each section that are further elaborated and given nuance as the audience journeys further back into yong - ho’s past. the last three time periods complicate his idealisation of his relationship with sun - im, revealing it to be far less romantic than we first imagined. even the titular peppermint candy, associated with his early days with sun - im, is shown in a new and much less nostalgic light. in the army, yong - ho loses his innocence. he is dehumanised and learns ruthlessness, violence and selfishness there. by the time we see the young and shy yong - ho spiritedly singing with his teenage companions, our understanding of the destruction of his character is complete .
there are so many unique, interesting and engaging points to this film. the way this film is structured is one of these things. a lot of films, when they do flash backs, go right to the beginning of the timeline and progress to the present. in peppermint candy we follow the story as it starts from the present and reverses to the beginning of the timeline by looking at snippets of yong - ho’s life from the present to the past. using this technique, yong - ho’s life is revealed in such a way that some of the most tragic parts of his life are kept until near the end of the film. the use of train imagery to signify the turning back of time was great way to link each section of the story together, creating a thread that ran through the whole film. connecting yong - ho’s life together is also done in another way, where each section is presented as a chapter, with it’s own title, like ‘the prayer’. using the train and chapters together smoothly helped the progression back in time and helped separate the chunks of plot. the way the film begins and ends is another well thought out part to the structure. the film begins at the picnic spot yong - ho met sun - im at years ago, and the film ends at this same spot. at the end of the film, the young yong - ho remarks he feels he’s been to the picnic area before even though it’s his first time there, and this line immediately makes the audience think back to the beginning of the film where yong - ho ends his life at the same spot. there’s a great symmetry to the plot by finishing the film where it started .
the' ending' of the story begins in the spring of 1999, where a group of former high school friends gather at a riverbank for a 20 - year reunion picnic. a well - dressed but emotionally - erratic man wanders into the sedate setting, whom the picnickers recognize as yongho (sol kyung - gu), a member that they had lost contact with long ago. unfortunately, before they can catch up on old times, yongho climbs onto a railroad bridge, seemingly with the intention to jump. in the last few seconds of his life, just before he is hit by an approaching train, yongho defiantly declares ,
i' m going back !
...
... which he does, in a way, as the story jumps back three days before, filling in the holes as to who yongho is and why he ends up killing himself. unfortunately, yongho is not in much better shape - - he has lost all his money to a stockbroker, he is heavily in debt with a loan shark, and his wife has left him. with his last bit of savings, he has purchased a handgun to put himself out of his own misery. however, before he can do so, he learns that his first true love, sunim (mun so - ri), is on her deathbed, and he has been asked to see her one last time .
the story then continues to jump back through time, gradually revealing more about yongho, his relationship with sunim, and the circumstances that end up unraveling the tapestry of his life. as the story moves back through yongho' s life, director lee chang - dong segues each segment with film of a train moving backwards. in addition, the action of each segment prominently features railroad tracks and a passing train, emphasizing that each of these vignettes comprise the same thread of history, permanently linking yongho' s past with his destiny .
the next stop is 1994, where we find yongho juggling his small business, his unhappy marriage to hongja (kim yejin of
girls' night out
), and an affair with his one of his employees. a chance meeting in a restaurant, where yongho runs into a figure from his past, then leads into the film' s next sequence, set in 1987. in this time period, yongho is a policeman who is willing to use any means necessary, including torture, to extract confessions from government dissidents. in addition, hongja is pregnant with their daughter, and it is already apparent that the seeds for the marriage' s dissolution have already been sown. when we catch up with yongho in 1984, he is a rookie cop who ends up being traumatized when he beats his first confession out of a suspect. but the defining moment for yongho comes in 1980, when as a soldier, his unit is called on to quell a civil disturbance and he ends up accidentally shooting an innocent bystander .
when the film reaches its end at the beginning of the story, the year is 1979 and the setting is the same riverbank seen at the beginning of the film. the picnickers are twenty years younger, and among them are yongho, a young man full of hope and innocence who aspires to be a photographer one day, and the love of his life, sunim. unfortunately, because of what has come before this, we know that none of his dreams will come true, the love of his life will slip through his fingers, and he will end up a tragic figure, lonely and heartbroken on the same riverbank twenty years later .
the most important turning point in the development of yongho' s character, when he accidentally shoots a student on her way home, is set against the backdrop of the kwangju massacre. this important landmark in the south korean democratic movement, in which a clash between government troops and student pro - democracy demonstrators resulted in 200 dead (mostly civilians), was a specter that would haunt korean politics for the next two decades, and ultimately result in the arrest and imprisonment of two former south korean presidents. furthermore, the kwangju massacre also triggered the rise of anti - american sentiment, as it was widely believed that the reagan administration had strongly endorsed the use of force in quelling the riot .
during much of the eighties, we see yongho' s character being hardened by the brutal tactics employed by the police. similarly, the eighties were a turbulent period for south korea under the leadership of general chun doo hwan, whose iron - fisted regime kept the country in a state of martial law and blocked all efforts towards constitutional reform. finally, in the nineties, we see a battle - scarred yongho initially riding the wave of economic expansion brought about by the new constitution of 1988, only to come crashing down during the economic crisis of 1997, when investors abandoned the debt - ridden south korean economy, the currency rapidly depreciated, and the country was ravaged by soaring unemployment and bankruptcies .
html public
- / / w3c / / dtd html 4. 01 transitional / / en
urltoken
n terms of box - office, the year 2000 proved to be almost as successful as the groundbreaking 1999. as with last year, a north - korean themed work dominated the theaters, with park chan - wook' s
, however it is forecast to pass kang je - gyu' s film in early january). the success of this film has also brought its distributor, cj entertainment, into the elite status once held solely by local distributor cinema service .
, korean cinema has now entered the high - priced market of big budget genre films. although many of these blockbusters have drawn large numbers of viewers, high production costs means that film companies will likely need to sell these films abroad as well to turn a profit. early returns indicate that there is growing interest in korean films particularly in asia, with japan being the most important market .
* includes tickets sold in 2001. * * joint security area drew an estimated 5. 8 million admissions nationwide. market share: korean 35. 1% , imports 64. 9% (nationwide) films released: korean 59, imported 342 total attendance: 64. 6m admissions number of screens: 720 (nationwide) exchange rate (2000): 1139 won / us dollar average ticket price: 5, 355 won (= us $ 4. 70) exports to other countries: us $ 7, 053, 745 average budget: 1. 5bn won + 0. 65bn p & a costs source: korean film council (kofic) .
these are some reviews of the features released in 2000 that have generated the most discussion and interest among film critics and / or the general public. they are listed in the order of their release .
, was chosen to be the opening film of the 1999 pusan international film festival. some people viewed this as a coming of age: both for lee, the novelist - turned - director whose debut feature
( 1997) took home the top prize from the vancouver international film festival; and for korean cinema in general, since this was the first time in piff' s four - year history that a domestic film was chosen for this honor .
the festival opened with fireworks, speeches, and a bit of rain, and when the film began to roll it clashed somewhat with the festive atmosphere .
is the personal history of a man whose troubled experiences leave him greatly disturbed. the film asks of its viewers a fair amount of concentration and emotional energy; some scenes are upsetting, while others give us mere hints of beauty: the undeveloped potential that lies dormant within our hero .
, in that we first witness a tragedy, and then progress backwards in time to learn the events which led up to it. the film contains seven episodes from our hero' s life, each of which reveal him in a different stage of development. these segments are linked by a series of shots taken from the back of a train, as if to suggest that the train itself leads us back into his past .
many of the episodes in our hero' s life echo the contemporary history of korea: serving in the military, torturing political dissidents as a policeman, and losing money in a failed business venture. these symbolic events mingle with the personal aspects of his life: an early love affair, which continues to haunt him years later, and his subsequent failed marriage .
ultimately the main character remains out of our grasp. lee denies us any easy explanations for our hero' s character, or excuses for his behavior. the film frustrated me as i was watching it for the first time; i wanted greater access to the hero' s feelings. nonetheless, i felt shattered upon reaching the end of the film, and it has beckoned me back for a second viewing. (
finally reached the theaters. with a scalped ticket in hand, i pushed my way past the crowds and tv cameras into dansungsa theater to find my seat. when the film began to roll, the mark left by the censor was clear: a couple scenes were screened without sound, leaving an eerie silence in the theater; the naughty bits had all been blurred; and other scenes had been completely removed, including a particularly lewd conversation about sex between two high school girls and a scene involving coprophilia (look it up in the dictionary). in all, five minutes of footage had been removed from the 113 - minute film .
the film itself left many disappointed. jang has established such a high standard in his works of the past decade that this rather simple tale of a sado - masochistic affair left some of his fans perplexed. some of jang' s old themes are revisited in this work, namely the complex and at times savage power relations between men and women (cf. the husband and wife in
), but on the whole it seemed to devote more energy to pushing buttons, setting up scenes that were certain to shock and infuriate conservative viewers .
much can be read into the film' s title. jang originally intended to use the title of the novel on which the film is based ,
, which can more easily be directed at society in general. jang has long ridiculed the hypocrisy of korean society, whose outwardly conservative sexual mores mask a thriving sex industry and widespread exploitation of minors. this double standard has ironically has been reflected in the film' s reception. the sex we see in
does not feel in any way enticing; the protagonists are left seeming pathetic by the end of the film, and few viewers are likely to go scavenging for sticks after leaving the theater. nonetheless some groups have labeled even the edited version as dangerous pornography, while turning a blind eye to the far more subversive pornographic videos and cd - roms that are available in department stores, street corners and video shops across the nation .
jang has had enough experience with censorship and controversy that he must have known exactly the reception his film would receive. in many ways i consider the lawsuits, the rejections by the ratings board, and the protests by citizens groups as much a part of this work as the mise - en - scene and cinematography, for they were clearly planned and anticipated by the director. jang' s experimentation with documentary form in recent years has blurred the distinction between the space inside the film and the world outside; in many ways
peppermint candy ( hangul : 박하사탕 ; rr : bakha satang ) is a 1999 film , the second from south korean director lee chang-dong . the movie starts with the suicide of the protagonist and uses reverse chronology to depict some of the key events of the past 20 years of his life that led to his death . it was the ninth highest grossing domestic film of 2000 with 311,000 admissions in seoul . it was received well , especially in film festivals . spurred by the success of lee chang-dong 's directorial debut , green fish , peppermint candy was chosen as the opening film for the pusan international film festival in its first showing in 1999 . it won multiple awards at the karlovy vary international film festival and won the south korean cinema industry 's grand bell awards for best film of 2000 . 
peppermint candy (hangul: 박하사탕; rr: bakha satang) is a 1999 film, the second from south korean director lee chang-dong. the movie starts with the suicide of the protagonist and uses reverse chronology to depict some of the key events of the past 20 years of his life that led to his death. it was the ninth highest grossing domestic film of 2000 with 311,000 admissions in seoul. it was received well, especially in film festivals. spurred by the success of lee chang-dong's directorial debut, green fish, peppermint candy was chosen as the opening film for the pusan international film festival in its first showing in 1999. it won multiple awards at the karlovy vary international film festival and won the south korean cinema industry's grand bell awards for best film of 2000.
peppermint candy (hangul: 박하사탕; rr: bakha satang) is a 1999 film, the second from south korean director lee chang-dong. the movie starts with the suicide of the protagonist and uses reverse chronology to depict some of the key events of the past 20 years of his life that led to his death. it was the ninth highest grossing domestic film of 2000 with 311,000 admissions in seoul. it was received well, especially in film festivals. spurred by the success of lee chang-dong's directorial debut, green fish, peppermint candy was chosen as the opening film for the pusan international film festival in its first showing in 1999. it won multiple awards at the karlovy vary international film festival and won the south korean cinema industry's grand bell awards for best film of 2000.