genius ( 2012 film )
two' genius grants' for women experimenting with documentary film: monkey see the macarthur foundation gave
genius grants
to two documentary filmmakers — both women, and both experimenters with the documentary form .
coldplay live 2012 is the collective name for the official documentation of the mylo xyloto tour, performed, recorded and released by british alternative rock band coldplay. the project consists of a worldwide theatrical and home media film release, coldplay’s third live album, after coldplay live 2003 and leftrightleftrightleft, and a 183 - page e - book depicting the tour. the film and album were recorded over many dates over the 2011 festival tour and the mylo xyloto tour beginning in october 2011 and ending in september 2012. the film was opened for one night only on 13 november 2012, at select cinemas around the world. the dvd and blu - ray release of the film and the live album release occurred on 14 november 2012 .
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emma miller is a digital arts intern at urltoken and was also an intern in the summer of 2012 in the digital department of pbs' pov series, where she became familiar with two documentaries whose directors recently received
genius grants
from the macarthur foundation. she has these thoughts .
pulitzer winner junot diaz is among the recipients this year, as is washington post editor david finkel. but 2012 has the distinction of being the first time that not one but two documentary filmmakers have won the
genius
title: natalia almada and laura poitras both rank among the honorees .
180 is a 33 - minute 2011 anti - abortion documentary film produced by ray comfort, founder of living waters publications. the film is distributed by living waters on dvd and has been posted... see full summary »
some are born great, some achieve greatness and some have greatness thrust upon them
. this line from shakespeare' s twelfth night resonates through the documentary maori boy genius, about a young man being groomed for leadership. director pietra brettkelly, camera in hand, shadowed ngaa rauuira pumanawawhiti during his sixteenth year. both of them talk about the experience. the 2012 sydney film festival runs from the 6th to 17th of june. tickets are on sale now at urltoken
if you plan to buy tickets for more than one film, use the wishlist to collect them all in one convenient location .
the 23 recipients of the 2012 macarthur foundation
genius grants
were announced this week. these awards provide a cool half - million dollars to individuals who have shown
extraordinary originality and dedication in their creative pursuits and a marked capacity for self - direction .
no strings are attached to the money, except, you know, you' re expected to keep being incredibly accomplished and talented and brilliant .
right now ,
there is a unique sense of community and artistic excitement among nonfiction filmmakers ,
poitras says .
there is a feeling we are building something together — new ways of storytelling and seeing the world — that is bigger than any one film or filmmaker .
with the exception of radio bulletins chronicling daily death tolls, almost no one speaks in the film. instead, almada lingers on quiet moments and repeated gestures — a woman sweeping the floor of her husband' s mausoleum, a man watering the dusty ground, a child playing hopscotch. we' re left with an eerie feeling of anticipation, of claustrophobia and ritual. there' s no acknowledgment that the crypts crowding the cemetery are all deadly evidence of a raging drug war — nor is violence of any kind depicted — but none is needed. by the end of the film, the gravity of a drug war that has claimed more than 50, 000 lives resonates strongly .
almada' s latest film premiered on pov on september 27. el velador is a haunting portrait of martin, a man who guards the mausoleums where some of mexico' s most notorious druglords are buried. as the sun sets each night, martin arrives at the cemetery to watch over the decadent crypts with their marble floors and mosque - like facades. when the sun rises, beautiful young widows arrive with children in tow to tend their late husbands' tombs .
n 1986, faber published the grass arena, a stunning memoir of life on the streets by john healy, a former vagrant, violent criminal and tournament chess player who' d been taught the game in prison: it was a bestseller that became a film. healy was unprepared for the whirl of celebrity, and for the letdown afterwards when faber didn' t want any more books. he began showing up at the publisher' s offices and in an explosion of temper, threatened to attack everyone with an axe. terrified executives severed relations, and healy remained out in the cold until the grass arena was re - issued as a penguin classic in 2008. to mark that occasion, healy gave a reading for his fans, and i can be glimpsed among them in this enthralling documentary movie - portrait by paul duane. healy is a lonely, haunted, brilliant man, for whom chess and literature were not simply aspirational alternatives to his former life: there is assertion and even aggression in chess and in the act of writing. the film skirts around his emotional life, but it' s a gripping study .
ngaa rauuira pumanawawhiti, 16 years old at the time of filming, is a charismatic young man through whom a great many aspirations flow. born under a double rainbow, he’s carried a weight of expectation ever since – and with it a wealth of iwi pride and support. steeped in māori culture and political struggle, he has an avid appetite for political philosophy, and the hope that he might grow into a leader is not one he’s ever ducked. in her first documentary feature to address a new zealand subject (but not her first to garner international attention), auckland filmmaker pietra brettkelly (the art star and the sudanese twins) accompanies him through a critical turning point in his education. chaperoned by his father, ngaa rauuira travels to yale where he is enrolled in intensive political science seminars. in a world away from the wider whānau, he encounters more daunting challenges and choices than have been thrown in his path before. the film we are screening incorporates material seen in the one - hour documentary commissioned and broadcast last year by māori television. — bg
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ray comfort, new zealand - born evangelist, takes to the streets to ask random people to provide him with evidence for evolution, along with four evolutionary biologists .
in the time of noah, people were going about their daily lives, not mindful of the impending destruction. like them, are we ignoring warnings of god' s coming judgment ?
audacity
uses a unique approach to address a very sensitive subject in contemporary society. regardless of your views on the gay lifestyle, you' ll gain fresh insights and a new perspective .
this is a new look at reality tv. each program is 30 minutes of evangelist and author ray comfort and actor kirk cameron teaching christians how to share their faith effectively and... see full summary »
mr. nice guy is a nice guy, so he should get to heaven. or will he? has he really kept the ten commandments ?
when a high school teacher is asked a question in class about jesus, her response lands her in deep trouble .
stars: melissa joan hart, jesse metcalfe, david a. r. white
when a tragedy strikes close to home, four police officers struggle with their faith and their roles as husbands and fathers; together they make a decision that will change all of their lives .
in an attempt to save his marriage, a firefighter uses a 40 - day experiment known as
the love dare
.
the bible that ray quotes from is the new king james version (nkjv) .
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internationally lauded auckland filmmaker pietra brettkelly (the art star and the sudanese twins) accompanies 16 - year - old māori scholar ngaa rauuira pumanawawhiti to yale and a critical turning point in his education .
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a scene from el velador. el velador (the night watchman) hide caption
documentarians have won the macarthur before. legendary filmmaker frederick wiseman, pioneer of the cinema verite style, won back in 1982, and john h. else, producer of the heart - wrenching civil - rights series eyes on the prize, won in 1988 .
but almada and poitras are both women, they' re both alumni of the pbs documentary show pov, and they' re both finding new ways to address social issues through the documentary medium. their films have powerful messages, but they' re devoid of talking heads, and they frequently blur the line between documentary and art. the fact that these boundary - pushers both won macarthurs this year says something telling about the changing face and increasing importance of documentaries. in a media landscape where reductive sound bites and commercial interests rule, unconventional nonfiction storytellers play an enhanced role .
this approach is atypical of documentaries, where emphasis is often placed on allowing subjects to give testimony — or where filmmakers make themselves players in the story through voice - of - god first - person narration (think werner herzog' s grizzly man). in el velador, almada veers away from these conventions .
we think if someone tells us about their lives, that' s how we' re going to know what their situation is, and that' s how we' re going to care about them ,
she told pov .
once you realize that language is not reliable and that people can' t really speak freely, then you have to focus on gestures and actions as a way to enter into someone' s life .
poitras, who is best known for her documentary trilogy about the post - september 11 war on terrorism, also has a novel style. she tackles broad, complex issues through an intimate study of unusual individuals — what she calls a
micro - macro
approach. part one of her trilogy, my country, my country, focused on dr. riyadh, a sunni physician who ran for office during iraq' s first democratic election. part two, the oath, centered on abu jandal, a chatty afghani cab driver and former bodyguard for osama bin laden. the as - yet untitled third part will focus on the war on terrorism at home .
but poitras uses techniques usually reserved for fiction: unexpected plot twists, jumpy chronology and, in the case of the oath, an unreliable antihero as narrator and protagonist .
the results of these approaches are artistic, lyrical films, films that are suited for both mainstream and art - house cinema, but that still unpack important social issues. that' s a good thing. because as the documentary world continues to grow in influence and visibility (thank you, online streaming), filmmakers like almada and poitras who are experimenting with the medium in original ways can build on that momentum .
monkey see is all about pop culture, aspiring to be both a friend to the geek and a translator for the confused. it' s hosted by linda holmes, who can be reached via twitter or our much more formal contact form .
pop culture happy hour is a lively chat about books, movies, music, television, comics and pretty much anything else that strikes a nerve, all in a weekly roundtable from npr.
genius ( telugu : జీనియస్ ) is a 2012 released telugu film directed by anchor omkar . it features havish of nuvvila fame and sanusha in the lead roles . made on a budget of rs. 110 million , genius features havish , sanusha , ashwin babu , vinoth and abhinaya in the lead , while tamil actor r. sarath kumar will be seen in an important role . composer joshua sridhar has given the music for the film , produced by dasari kiran kumar . writer chinni krishna , who has penned down stories for blockbuster telugu movies , such as " narasimha naidu " , " indra " and " gangotri " , has written the film 's narrative . 
genius (telugu: జీనియస్) is a 2012 released telugu film directed by anchor omkar. it features havish of nuvvila fame and sanusha in the lead roles. made on a budget of rs. 110 million, genius features havish, sanusha, ashwin babu, vinoth and abhinaya in the lead, while tamil actor r. sarath kumar will be seen in an important role. composer joshua sridhar has given the music for the film, produced by dasari kiran kumar. writer chinni krishna, who has penned down stories for blockbuster telugu movies, such as " narasimha naidu ", " indra " and " gangotri ", has written the film's narrative.
genius (telugu: జీనియస్) is a 2012 released telugu film directed by anchor omkar. it features havish of nuvvila fame and sanusha in the lead roles. made on a budget of rs. 110 million, genius features havish, sanusha, ashwin babu, vinoth and abhinaya in the lead, while tamil actor r. sarath kumar will be seen in an important role. composer joshua sridhar has given the music for the film, produced by dasari kiran kumar. writer chinni krishna, who has penned down stories for blockbuster telugu movies, such as " narasimha naidu ", " indra " and " gangotri ", has written the film's narrative.