the journey of august king
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the journey of august king see listing under friday, october 13. (fine arts, 7: 00 )
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the journey of august king is a multi - dimensional drama about a north carolina farmer in april 1815. august king, a widower, is on his way home as he does every year after selling his... see full summary »
although it is most obviously a tale of redemption, the journey of august king is also a love story (in the most basic sense of the word
love
). despite the lack of romance and limited sensuality, there' s no doubt that an intimate bond develops between august and annalees, although it' s not the one most movies would choose. each learns from the other and, by the final reel, it' s unclear who has gained more from the exchange. the toll of the journey seems a small price to pay for what they achieve, separately and together. and for those fortunate enough to see this film, the journey of august king offers a look through the window of a rare and special story .
one gripping element of the journey of august king is the way the plot moves in tandem with character development. the most emotionally - stirring scenes are the simple ones. when august willingly sacrifices a prized possession to enable the slave annalees to remain hidden, he is not only aiding her physical liberation, but assisting the deliverance of his own soul, which has lain in a self - made purgatory since the death of his wife .
the journey of august king is a multi - dimensional drama about a north carolina farmer in april 1815. august king, a widower, is on his way home as he does every year after selling his produce and purchasing the stock and goods he will need for the coming year. on his journey, he comes upon a run - away slave, a 17 year old young woman and august king must decide to violate the law and help this slave to freedom or leave her to be hunted down and, ultimately, returned to her slave owner. but the drama turns into a question of whether either soul will gain freedom .
a strongly crafted, if unexcitingly simple, drama of moral courage, “the journey of august king” excels as a richly detailed portrait of rural life in the early days of the republic. first american feature from aussie helmer john duigan offers many finely nuanced shadings and evocative moments in relating a runaway slave girl’s escape from [ … ]
this drama chronicles the moral fortitude and courage of a north carolina farmer in 1815. the trouble begins when a starving runaway slave girl stumbles into the camp of widowed farmer august king. august is a highly - principled man and decides to ignore his own personal risk and help her .
i read everything i can find in historical fiction for the appalachian area! all of john ehle' s books are wonderful! i first say the movie the journey of august king and then found the book. i was hooked! i read all the others one by one and enjoyed seeing the same names of families appearing from generation to generation. read them all !
monkey king - china show is a large - scale fantasy stage play based on the chinese legend of the famous monk – xuan zang from the tang dynasty (602 – 664) and is better known as ‘a journey to the west’ .
cinematographer slawomir idziak, krzysztof kieslowski' s long time collaborator (a short film about killing, the double life of veronique, blue), forges a powerfully artistic sense of atmosphere, using specially - designed amber filters to soften some of the brighter sequences. with various shots of mist - shrouded mountains and roiling thunderheads, idziak solidifies the journey of august king from a visual perspective .
a strongly crafted drama of moral courage ,
the journey of august king
excels as a richly detailed portrait of rural life in the early days of the republic. first american feature from aussie helmer john duigan offers many finely nuanced shadings and evocative moments, but this is unlikely to be enough to put this respectable effort over with more than a specialized audience .
* the wondrous journey of kornel esti: see listing under sunday, october 15. (fine arts, 5: 00 )
the journey of august king is as close to a flawless motion picture as is likely to be produced by the film industry (independent or mainstream). featuring strong acting, realistic set and costume design, an intelligent script, solid directing, and evocative cinematography, every facet of this movie is impressive. it is a thoughtful, emotionally - rich production that explores its title in both a literal and a metaphysical sense. in the process, the audience experiences both of august king' s journeys: the one he takes through the mountains of western north carolina and the one his soul makes from loss to salvation .
a strongly crafted, if unexcitingly simple, drama of moral courage, “the journey of august king” excels as a richly detailed portrait of rural life in the early days of the republic. first american feature from aussie helmer john duigan offers many finely nuanced shadings and evocative moments in relating a runaway slave girl’s escape from the south with the help of an ordinary white man, but this is unlikely to be enough to put this respectable effort over with more than a specialized audience .
heart - affecting drama about the spiritual potency of freedom and the redemptive power of love .
august king is a young man whose life is changed forever when he risks everything to help a beautiful woman on a courageous—and very dangerous—search for a new life. desperate yet determined, the two set out on a harrowing journey towards freedom and find in each other the strength to overcome incredible odds .
the land breakers is one of the best books i' ve read on the settling of the nc mountains, and this novel is the second of john ehle' s mountain series. it takes place in 1810, 30 years after the first one, so we see the growth of the communities as new settlers come into the area. one of these men is august king. august makes his yearly trip down the mountain to sell stock and buy supplies and on the way home runs into a runaway slave girl that he decides to help. to say that his life is changed
the movie stars thandie newton as the escaped slave, named annalees, and jason patric as august king, whose wife died in childbirth. the other major character is larry drake, the slave owner who has posted a reward for annalees .
in addition the monkey king festival is celebrated every year at the end of the mid - autumn festival. throughout the years there have been many interpretations of this legend told in numerous television shows, comics, novels, video games and even motion pictures. notable movie adaptions include the global hit the forbidden kingdom and the upcoming tsui hark / stephen chow film, journey to the west 2: the demon strikes back .
the show is thus presented in the purpose built theatre created by sands china ltd. especially for huayan group’s monkey king – china show production. guests can expect to be captivated by the giant 15 meter buddha hand weighing 7 tons and two huge talons reaching out from the sides of the theatre. one of the spectacular scenes is where the buddha hand armed with eight talismans of buddhism and carrying aurora and rainbow, strikes talons into the dust as a postlude to ‘ode to buddha’ based on the holy music at the end of the novel ‘journey to the west’. this is the point when the monkey king – china show expresses its overall theme of changing evil into good and hatred into love .
the journey of august king: under the direction of john duigan (the year my voice broke, flirting, sirens), john ehle adapts his own novel, set in north carolina, about the encounter between the title hero (jason patric), a white mountain man, and a young runaway slave woman (thandie newton) he decides to help; with larry drake and sam waterston. (fine arts, 9: 15 )
australian director john duigan, whose previous efforts include the year my voice broke, flirting, and sirens, is in complete control of the material. working with his best script yet, duigan displays his mastery of tone and pacing. the journey of august king advances slowly and deliberately, allowing the characters necessary time to breathe and expand. nothing is hurried or forced; duigan understands how to move action and transform personalities without cheating or manipulating his audience .
the footage of old fashioned days on south michigan avenue will become the centerpiece of a new documentary .
the monkey king stage production by huayan breaks new ground in interpreting this classic tale to appeal to a modern audience. the acting scenes encompass the monkey king in the human world and a devil, all set against stunning backdrops switching between the celestial, a buddhist community and moving from heaven, the top mountain to the underwater sea .
one of the best books i' ve read about the north carolina mountains .
the huayan group is a cultural company based in beijing, china. president and chairman of the board, xu feng vision’s for the company was always to bring chinese culture to a wider audience. monkey king – china show is not only the result of the development story of huayan group but it also realizes president xu’s overall vision and hence the notion of a ‘china show’ was born. the ‘china show’ concept is brand new form of stage performance in which a chinese story and its culture underlies the framework of the performances. after much exploration and research, president xu in his role as chief producer felt that the classical chinese novel ‘journey to the west’ was the perfect platform to do this. as a result, the show is a reflection of the spirit of originality and craftsmanship which their creative team have dedicated themselves to for the past eight years .
the land breakers is one of the best books i' ve read on the settling of the nc mountains, and this novel is the second of john ehle' s mountain series. it takes place in 1810, 30 years after the first one, so we see the growth of the communities as new settlers come into the area. one of these men is august king. august makes his yearly trip down the mountain to sell stock and buy supplies and on the way home runs into a runaway slave girl that he decides to help. to say that his life is changed by that decision is an understatement, as he risks every thing he values, including his very soul. while i could not rate this one with the same 5 stars i gave to the first one, it was an excellent continuation of the saga .
john duigan' s “the journey of august king” tells the story of a lonely man, returning to his rural home from the market, who encounters an escaped slave woman and decides to help her. he tells her what he is doing is “against the law, ” but he does it anyway, in part because of guilt over a dead wife he was unable to help, and in part because she is helpless and harmless, and he feels sorry for her. later, there is an element of affection, although the film is over before we see what it might lead to .
while most films require one to three years to produce, for the journey of august king, the process lasted twenty - five years. the novel was published in 1971, and universal pictures immediately optioned the screen rights. now, over two decades and three screenplays later, the movie has finally made it to theaters. following a short film festival run (which included the coveted closing position at venice), the picture is scheduled for a late - 1995 release in new york and los angeles, with wider distribution in early 1996 .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
the monkey king – china show ’s macao production is based on the original version and brings all the chinese elements of myths, fairy tales, drama, comedy, slapstick, magic and other features in one. it is arguably one of the most famous and enduring stories told in chinese folk - lore and is one of the most dynamic characters in world literature. journey to the west is one of china’s four most influential works in classical literature and is also a reflection of the spirit of traditional chinese culture. to adapt a story like this for the modern stage is no mean feat. to do so, huayan brought in a group of experts, scholars and artists to join the creative team .
this is the third of john ehle' s books i have read, and each one has been a delight although quite different. . his prose is lyrical, and the story telling is spectacular. the complicated issues around slavery and human rights are magnified in the conflict facing august king. the southern appalachian region was not the terrain for large slave holding plantations, and as a result, many who lived there had seldom or ever actually encountered a black person. august had never touched a black person a
discovering analees williamsburg, a fifteen - year - old runaway slave in 1810, august king faces a moral dilemma in which he must decide between turning the girl in for a reward or risking his life to help her. reprint. movie tie - in .
this is the third of john ehle' s books i have read, and each one has been a delight although quite different. . his prose is lyrical, and the story telling is spectacular. the complicated issues around slavery and human rights are magnified in the conflict facing august king. the southern appalachian region was not the terrain for large slave holding plantations, and as a result, many who lived there had seldom or ever actually encountered a black person. august had never touched a black person and was actually a bit afraid of them, so his decision to help the runaway slave caused great internal conflict .
the multi - media components were accomplished by the team at tsinghua university, led by the frontrunner of chinese multi - media art wang zhigang. the imagery ranges from spectacular led screens and 3d projections of beautiful flowers, birds and fish to the dark elements of the underwater dragon’s palace .
while valid and somewhat interesting, story isn’t sufficiently complex or strongly driven to engage rapt attention, and too many of the significant moments along the way consist of curious or suspicious passers - by trying to figure out what’s up with august, while his illicit passenger hides in the wagon .
swept away by an unusual destiny in the blue sea of august: see listing under saturday, october 14. (fine arts, 9: 15) (f e 9: 15 )
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
with: august king - jason patric annalees williamsburg - thandie newton olaf singletary - larry drake mooney wright - sam waterston mr. cole - nesbitt blaisdell bolton - john doman fisher - terry nienhuis gabriel - dean rader duvall ida wright - sara - jane wylde
with: august king - jason patric annalees williamsburg - thandie newton olaf singletary - larry drake mooney wright - sam waterston mr. cole - nesbitt blaisdell bolton - john doman fisher - terry nienhuis gabriel - dean rader duvall ida wright - sara - jane wylde
he brings utter control over the language and a quality of hard - won majesty to the role .
the belmont rocks was one of the city' s most significant public lgbtq destinations. now author owen keehnen is assembling an oral history of the dearly departed lakeside cruising spot .
the movie is good - hearted, earnest and handsome to look at. but it is boring. the pacing, which is meant to be thoughtful, is lethargic. the silences grow longer than the moods they are intended to establish. the relationship between annalees and august could have generated a great deal more tension than it does, perhaps if august had been made not quite so good, so that he had to struggle more to do the right thing .
the hundreds of colourful costumes were designed by renowned designer ah kuan, who skillfully integrated cloisonné and traditional chinese elements to bring to life the magical and sometimes dramatic costumes. all of these elements are complemented by a team of talented artists, acrobats, ballet dancers, and martial arts masters from all around the world including stars from the national peking opera. the acrobats include previous cast members of the world famous cirque du soleil, as well as past winners of the golden clown award, gold medal winners of the international acrobatics competition, the circus international competition and cctv dance competitions .
it is arguably one of the most famous and enduring stories told in chinese folk - lore and is one of the most dynamic characters in world literature .
basically the story of a man forced to finally see the injustice around him. riley’s movie is designed to do the same thing to you. …
as time goes on, word gets out that the man aiding the slave is trailing along a milk cow, so august kills his. he rushes through some rapids, losing his pig in the process, then witnesses olaf capturing the other slave and brutally hacking him to death in his frustration over not finding annalees, whom he has special personal reasons for finding. by the time they arrive at his farm, august has virtually nothing left, setting up a nicely wrought, religiously tinged elemental lesson in the relative value of material goods, earthly laws and the higher moral plane .
i saw this movie for the first time and i enjoyed the performance of the actor and actress especially jason patric. i only wish that in the movie he could at least got the girl. i think this movie is bit of love story at least for me it is .
an interview with terry gilliam, director of
the man who killed don quixote .
bought this book at a thrift store for. 75! what a bargain. an amazing story about the man, august king, who gave up everything that was important to him materially to help a young black girl escape slavery. i love what he said
sometimes to do the right thing one has to give up other things that are encumbrances even if those things are a big part of what gives us security
. accused of
wrong thinking
in wanting to help the young girl, his friends told 1 / 2 truths .
directors george roy hill and, later, robert mulligan previously tried to launch screen versions of john ehle’s 1971 novel about a perilous interracial trip through the mountains of north carolina in 1815, before the existence of the underground railroad. as adapted by the author, tale serves up a degree of understated suspense as the net slowly closes around the fleeing pair, but its progress is so straight - forward and repetitive in incident, with low - key revelations dotting the way, that a full head of dramatic steam is never built up .
for god and country: the erotic fantasies of a soldier patrolling the border between austria and hungary in 1980 form the core of this austrian feature written and directed by wolfgang murnberger. (fine arts, 9: 30 )
august has already seen the girl once, and when annalees (thandie newton) reappears at his campsite the next night, the devout, principled man can scarcely refuse the starving 17 - year - old some basic hospitality, even if helping a runaway constitutes a serious crime. once he’s allowed her to sleep in his wagon, he passively consents to having her remain there; she does her best to hide when others, including olaf, come along the road, while august rather rudely avoids solicitous fellow travelers, the better to speed along to his farm .
but for those willing to relax into the leisurely pace, pic offers the pleasure of an utterly believable, highly specific evocation of a time and place. the constant presence to animals, and their importance to the lives of the citizens, are strongly emphasized, patricia norris ’ sets and costumes are densely detailed, and there is an ever - present sense of a new nation just beginning to set itself on track. patric gives an agreeably low - key performance as the simple man led by common decency and correct moral principles to do the right thing despite the law of the land. newton, first seen in duigan’s “flirting” and recently costarring in “jefferson in paris, ” carries off the part of her desperate teenager in good fashion .
the state - of - the –art theatre has been purpose built by sands china ltd. for hua yan and seats 1, 700 .
short films 2 :
buck the establishment
is the thematic subtitle of this program featuring work from australia, canada, the u. s. , and the uk. (fine arts, 5: 00 )
an ex - con gets caught in the wrong place at the wrong time .
as the name implies, this party - hearty pocket of lake michigan is notorious for juvenile behavior .
lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .
the stage adaption was written mainly by song qinghai (former vice chairman of the jiangxi provincial writers association), cheng weidong (former chairman of the zhejian provincial writers association), wang nengxian (former deputy president of china arts research institute), zhang shengyou (former secretary of secretariat of the chinese writers association) and huayan group president xu feng. it took them two years and dozens of rewrites to complete the 10, 000 words script. the original music score took over three years to create and was composed by several leading figures including wang liping, xu shuya, qu xiaosong and zou ye .
kristiana rae colón' s new play, inspired by the documentary blackfish, tells the tragic story of an orca whale imprisoned at sea world .
a chicago high school history teacher' s
club about nothing
aims to pass down an appreciation of the 90s tv phenomenon to the next generation .
the garden of eden: see listing under saturday, october 14. (fine arts, 9: 00 )
the seduction of mimi: italian director lina wertmuller was a flash in the pan in the middle 70s, but this 1974 film was probably her brightest flash, a comedy about a working - class bumbler (giancarlo giannini) whose love life runs afoul of politics. the film never moves far from the conventions of italian sex farces - - that is, it' s a comedy of embarrassment and frustration - - but the flip marxism adds a little flavor. wertmuller approaches the wrenching tastelessness of billy wilder without following through to wilder' s redemptive purgation. with mariangela melato; remade as the richard pryor comedy which way is up? (dk) (fine arts, 5: 15 )
short films 1: subtitled
the character of characters ,
this program includes films from australia, ireland, the u. s. , and the uk. (fine arts, 1: 00 )
swept away by an unusual destiny in the blue sea of august: lina wertmuller' s simpleminded sexual - political allegory about a working - class slob and a rich bitch stranded together on a deserted island in the mediterranean. the
messages
are not only painfully obvious but, on the sexual level, extremely dubious as well. directed in a sub - fellini style of goggling close - ups and overstylized long shots, the film is overblown and overlong. with giancarlo giannini and mariangela melato (1975). (dk) (fine arts, 7: 00 )
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* blush the only female member of china' s celebrated fifth, generation of filmmakers, the underrated li shao - hong (red dawn, family portrait), directed this adaptation of a novel by su tong, author of the source material for raise the red lantern, and it' s one of the most remarkable and interesting retrospective looks at the 1949 communist revolution that i' ve seen. its subject is the effect of that revolution on the lives of two former shanghai prostitutes, who are close friends, and one of their favorite former clients. it follows all three characters and their shifting fortunes over many years, and its conclusions about their separate strengths, weaknesses, and destinies are never simple or obvious. the beautiful cinematography (by li' s husband zeng nianping) frames much of the action from an appreciable distance, in a manner that recalls both chinese painting and 30s mizoguchi, while remaining unusually sensitive to architecture (the film wonderfully reveals the communal interactions between one couple and their downstairs neighbors, for instance, with many shots framed from the courtyard). this is the best mainland chinese feature i' ve seen all year, and one that i expect will still be regarded as important a decade from now. (jr) (fine arts, 9: 30 )
neurosia: the german subtitle of rosa von praunheim' s satirical pseudodocumentary might be translated as
50 years of perversity .
at the premiere of his new film von praunheim is shot dead, and a tv journalist (desire nick) sets out to make a documentary about the gay underground filmmaker, with unexpected results. valentin passoni is credited with the script. (music box, 9: 00 )
seven teenagers retreat to a country house for the weekend to make their epic, an impossibly ambitious celtic fantasy. as the making of the video drifts from playful hilarity to argument, ... see full summary »
the movie sets its story in the photogenic forests of north carolina, and does a good job of establishing its time, the early 19th century. its characters are well played, and thandie newton (so wonderful in duigan' s “ flirting ”) is so simple and effective here that you remember the affectations of her slave girl in “jefferson in paris” and wish you could transfer this performance to that movie .
i actually read this book as a precursor to having my older kids watch the film version for their
movies as literature
class. it was stunning, violent, sad, and ultimately uplifting - - if only in that one hopes there will always be august kings in the world to do what is right .
two deaths: the backdrop may be the civil war in romania, but the foreground is director nicolas roeg' s forte: sexual obsession and humiliation. dr. daniel pavenic has invited a number of men to dinner; three manage to arrive, despite the roadblocks, curfews, and random outbursts of violence. they savor a disturbingly lavish dinner (the best food to be found in the movies since eat drink man woman) accompanied by pavenic' s telling the strange tale of his relationship with his beautiful housekeeper (sonia braga). his friends have secrets of their own to share, but none so bizarre, macabre, and compelling as his. eventually the violence within the house mirrors the violence outside. a dark film, especially pleasing for the film buff with a literary sensibility. (mb) (music box, 7: 30 )
a simple and harrowing story of a man trying to do the right thing in a world that is un - apologeticlly wrong .
stalag 17: billy wilder' s 1953 tale of men in a world war ii pow camp (under the command of otto preminger). it' s chock - full of typical wilder cynicism and the offhand transvestite humor that would reach its apotheosis in some like it hot, but its wit falters as the melodramatic tension builds. the resulting letdown is terrific, but along the way there is some of the funniest men - at - loose - ends interplay that wilder has ever put on film. with william holden, robert strauss, and peter graves. (dd) (fine arts, 2: 00 )
: one of my bravest. scars from 14 battles, if a one .
i read it while concurrently watching the movie which i found on netflix. john ehle did the screenplay as well so it was kind of like he got to tighten up his own story. of course with a book you get all the internal thought processes. there were more plot elements in the book as well which made it a much more complex story especially since this is part two of ehle' s septology on the appalachian region in north carolina. (ha, i' ve never had to use that word before). the movie was much tighter an
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after eight years in the making, the beijing huayan group launched a stage show in february 2017, based on this legend at the sands cotai theatre in macao .
maya lin: a strong clear vision: the 1995 academy award winner for best documentary, this feature by freida lee mock is about the architect of the vietnam veterans memorial in washington, d. c. (music box, 7: 00 )
thandie newton, who starred in duigan' s flirting, and later appeared in jefferson in paris, brings a mix of quiet dignity and desperation to annalees, as well as a subtle eroticism of which the character is ignorant. newton and patric work well together, with annalees' spirit counterbalancing august' s reticence. larry drake (darkman) creates a complex antagonist in olaf singletary, a man who is not so much evil as he is torn by the conflict between his own needs and society' s expectations .
roula: martin enlen' s first film is pretty off - putting. of course, child abuse - - particularly incest - - is a repellent subject. yet roula goes in a totally unexpected direction, playing off peripheral characters. at the center of the film are roula and her father, who own and run an upscale mountain resort in denmark. through flashbacks, we learn that their unnatural relationship has already caused the suicides of roula' s mother and best friend. when a famous writer of children' s books, seeking to overcome the trauma of his wife' s death, visits the resort with his young daughter, his attraction to the mysterious roula threatens not only her, but his own daughter as well. roula' s story proceeds with the primal clarity and horror of a fairy tale, and her whitehaired father represents a peculiar monster in a house gone exceedingly grimm. the writer' s secrets remain unwritten, and in its own weird way roula is as manic a vision of writer' s block as the shining, minus, unfortunately, the humor. (rs) (fine arts, 3: 00 )
this film boasts one of the best - researched and most discerning scripts of its kind to come along in a while. every situation is carefully designed to avoid melodrama or sensationalism. there is nothing in this film that feels even vaguely contrived. the story is not true, but it easily could be. even the dialogue - - both the lines and the manner in which they are delivered - - is handled with a consideration for detail and authenticity .
cross my heart and hope to die: the troubling relationship between a little boy and a man is the focus of this norwegian feature directed by marius holst. (fine arts, 7: 00 )
audiences will be enthralled by the sheer scale of the dance, acrobatics, drama, martial arts, magic and other great chinese elements. the show also features the most advanced 3d effects, led screen projections, video mapping and full surround sound together with creative lighting effects, choreography, music and spectacular colourful costumes .
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let' s talk about men: if lina wertmuller can be characterized as sub - fellini in general, this early film (1965) is sub - sub - fellini. i have trouble enough with the real thing; this nearly put me out. it consists of four sketches, which together manage to cover most of the cliches of italian cinema, from white telephones to whimsy to neorealism, without betraying a hint of style, originality, or intelligence. a bore of cosmic dimensions. (dk) (fine arts, 5. 15 )
the lizards: lina wertmuller' s first feature (1963), about a group of smalltown slackers dreaming of escape, has often been compared thematically to fellini' s i vitelloni, made one decade earlier. ennio morricone composed the score. (fine arts, 1: 00) .
the best of intercom' 95: prizewinning documentaries, animated shorts, music videos, and short narrative works as selected by the international communication film and video competition. (music box, 5: 00 )
butterfly kiss: if you' re sick and tired of kinky killers and english rip - offs of american genre movies, this terminally bleak and violent road movie may irritate the hell out of you - - unless you' re as impressed as i was by amanda plummer' s performance as an impulsive lesbian murderer searching for her ex - lover and pulling along saskia reeves on her impromptu adventures. just when i was tempted to give up on this shocker as the worst kind of deja vu, it unexpectedly reminded me of the fury of flannery o' connor and some of her craziest and most alienated characters, which roped me back in. michael winterbottom (family) directed, fairly adroitly, from a script by frank cottrell boyce. (jr) (fine arts, 7: 00 )
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in a performance that is remarkable because of its reserve and restraint, jason patric plays the title character, a widowed frontiersman making his way home from town in 1815 north carolina. he has just used the year' s gains to buy a milk cow, a boar, and two geese. along the road, he meets up with a runaway slave girl (thandie newton), heading for the freedom of the north. her owner, olaf singletary (larry drake), desperately wants her back and is offering a handsome reward for her return - - five acres of land and a good horse. august thinks this is too cheap a price for a human life, but is still reluctant to help the girl because it' s against the law. eventually, however, her bleak circumstances prick his conscience, and he allows her to hide in his wagon. thus begins his complicity in an act that could lead to his complete financial ruin .
jason patric plays the title character, a decent, unexceptional young widower who stops in a small community to stock up on supplies and make the final payment on his farmland. the citizenry is in an uproar because two slaves have escaped from the richest man in the territory, olaf singletary (larry drake), who rouses the locals to help him find them .
war stories: we' re in the land of unapologetic, unadulterated talking heads: a group of white - haired new zealand women face gaylene preston' s camera one after the other to answer the telling question
what did you do in the war, mommy ?
( world war ii, that is, when new zealand defended itself against a japanese invasion by ambivalently hosting myriad gis). war stories is surprisingly moving and lyrical, thanks to the quality of the storytelling and to its subjects, women in their 60s and 70s who feel comfortable with this dying thing called language. (gp) (music box, 1: 00 )
short films 4: subtitled
the anatomy of relationships ,
this program includes work from canada, the u. s. , australia, iceland, and new zealand. (fine arts, 5: 30 )
witness for the prosecution: billy wilder' s 1958 adaptation of agatha christie' s famous stage thriller. the artificial plotting is all christie' s, but the film eventually becomes wilder' s thanks to a trick ending that dovetails nicely with a characteristic revelation of compassion behind cruelty. his theatrical mise - en - scene - - his proscenium framing - - serves the material well, as does charles laughton' s bombastic portrayal of the defense attorney. with tyrone power (nicely feckless), marlene dietrich, and elsa lanchester. (dk) (fine arts, 2: 00 )
* gazon maudit: a cheating husband gets his comeuppance when his bored wife (victoria abril) enthusiastically throws herself into an affair with a very butch lesbian whose van has broken down in front of their house. but rather than stop there, this snappy french farce, directed by josiane balasko, repeatedly turns the tables on all the parties involved. perhaps the most refreshing thing about the movie is that it manages to be pointed and bitingly funny without stooping to the kind of mean - spiritedness and condescension one finds in the work of pedro almodovar or the bitterness one finds in bertrand blier. balasko directs a terrific ensemble cast with grace and warmth. the film has already been picked up by miramax, so you can wait for it to show up in commercial release. but it' s probably more enjoyable than most of this year' s fare. (rp) (fine arts, 7: 30 )
roger ebert' s speech on empathy for the
11th hour
series on april 9th, 1994, being republished here in honor of his birthday june 18 .
between the devil and the deep blue sea: see listing under friday, october 13. (fine arts, 1: 00 )
wow... fantastic book, read the whole thing today, and i can' t remember the last time i read a book in a day. i' m looking forward to reading more of john ehle' s work .
the poet' s princess: a writer of cheap thrillers who' s just completed a serious novel encounters a woman who reminds him of his heroine, in a comic fantasy from austria produced, directed, and cowritten by niki list. (music box, 9: 30 )
madagascar skin: chris newby, the director of anchoress, wrote and directed this feature about an awkward and isolated gay man (john hannah) who runs off to the sea and encounters on the beach an injured thief (bernard hill) whom he eventually becomes involved with. (fine arts, 7: 30 )
children of lumiere: see listing under friday, october 13. (fine arts, 3: 15 )
television commercials: a collection of award - winning tv ads. (music box, 7: 00 )
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the creative team have used these elements to create a rich and multilayered narrative time and space, that presents the audiences with traditional chinese culture and modern vitality which at the same time provides a stage performance art with infinite possibilities .
no return address: an elderly postal employee' s sleep is interrupted by the late parties of a young girl who lives in the apartment above him, so he knocks and complains and threatens to call the police. the girl, in retaliation, writes him anonymous love letters, setting events in motion that will disrupt his life profoundly. it becomes obvious that this mail carrier has rarely read any letters. and reading, as don quixote can attest, is pretty heady stuff. in many ways carlos carrera' s no return address is a modern mexican version of don quixote, with the thin, aging petty functionary pursuing his unknown dulcinea. on the word of a sleazy private eye, he accepts an obvious prostitute with no interest in him as his ideal love. meanwhile a fat, expansive coworker, who worries over him like an old mother hen, serves as a magnificent scene - stealing sancho panza. the story unfolds with appropriate irony, but it' s the unspoken connection between the two neighbors - - despite their differences in age, sex, and attitude - - that gives the film its peculiar resonance and odd sense of intimacy. (rs) (fine arts, 9: 00 )
mannekin pis: this delightfully offbeat romantic comedy from belgium arrives with a host of festival awards. the first feature film by its 30 - year - old director, frank van passel, mannekin pis (referring to a famous brussels statue of a little boy urinating) both relies on and transcends the conventions of its genre. the principal characters are homely, even downright ugly (harry, the young boy who grows up to become the romantic lead, sports a shaved head), but they' re all the more endearing - - and convincing - - for that. the dialogue is often grossly hilarious, as when harry lands a job as a dishwasher in a restaurant you wouldn' t want to eat in; and van passel has a real talent for creating scenes and situations that are at once surreal and completely believable. (pb) (fine arts, 7: 00 )
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in 19th century new orleans creole henriette must choose between love and devotion to the church. neither choice is going to be easy, as there is great opposition to her ideas of breaking traditions .
the
masters mechanics
program at blackstone bicycle works aims to build community .
or how the diva triumphed over talent, with some help from bob mackie .
i enjoyed the story, but found it hard to read. it took me a long time, but i was reading several books at the same time .
he is a cruel man and master, but not when it comes to annalees: “she was my ray of light, ” he says, and not for the reason we might at first assume .
all screwed up: tiresome lina wertmuller comedy with farm boys in the big city learning about the contradictions of capitalism. wertmuller' s formula - - sniggering sex, knee - jerk radicalism, and the obligatory
funny
rape scene - - seems even more obvious than usual. don' t bother. (dk) (fine arts, 5: 00 )
cannot stress how great this book is. the time period it takes place and the conflict that arrises makes it a book i couldn' t put down .
the year: 1815. the place: mountainous rural north carolina. unhappy widower jason patric is on his way home from an arduous trip to market. runaway slave thandie newton is fleeing for her life, pursued by her monstrous owner, larry drake (in high charles laughton mode). is the hero bound to uphold the law by returning the escaped slave, or help a desperate... read more
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a tribute to the late tab hunter, a gay matinee idol and hollywood trailblazer .
some like it hot: in many ways, the ultimate billy wilder film (1959), replete with breathless pacing, transvestite humor, and unflinching cynicism. most of it is hilarious, but there is something disquieting in the way wilder dances around his sexual theme - - the film never really says what it' s about, which might be just as well. jack lemmon and tony curtis are the two musicians who disguise themselves as members of an all - girl orchestra in order to escape from gangster george raft; marilyn monroe is the band' s star, um, vocalist. with pat o' brien, nehemiah persoff, and joe e. brown, who gets the punch line. (dk) (fine arts, 2: 00 )
love and anarchy: passion, in its various forms, does not mix with politics; and nowhere is this clearer than in lina wertmuller' s marvelous study of a simple peasant (giancarlo giannini) with a mission to assassinate mussolini, and of the two ladies of rome' s most decadent and sumptuous brothel who innocently (yet destructively) manipulate his anarchist ardor - - and ultimately set up his destruction. a giddy, felliniesque portrait of human feelings building to a fever pitch. with mariangela melato, eros pagni, and lina polito. (dd) (fine arts, 7: 00 )
movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
korea: an irish feature following immigrants to the u. s. in 1952, during the korean war; directed by cathal black. (fine arts, 9: 00 )
the journey of august king is a 1995 american drama film directed by john duigan based on the novel of the same name by john ehle , who also wrote the screenplay . it stars jason patric and thandie newton . the film premiered at the toronto international film festival on september 14 , 1995 , before later showing at the chicago international film festival on october 13 , 1995 . it was released in theaters in the united states on november 10 , 1995 . 
the journey of august king is a 1995 american drama film directed by john duigan based on the novel of the same name by john ehle, who also wrote the screenplay. it stars jason patric and thandie newton. the film premiered at the toronto international film festival on september 14, 1995, before later showing at the chicago international film festival on october 13, 1995. it was released in theaters in the united states on november 10, 1995.
the journey of august king is a 1995 american drama film directed by john duigan based on the novel of the same name by john ehle, who also wrote the screenplay. it stars jason patric and thandie newton. the film premiered at the toronto international film festival on september 14, 1995, before later showing at the chicago international film festival on october 13, 1995. it was released in theaters in the united states on november 10, 1995.