don ' t torture a duckling
don' t torture a duckling - wikipedia. don' t torture a duckling (italian: non si sevizia un paperino) is a 1 .
don' t torture a duckling is a 1972 giallo film directed by lucio fulci .
don' t torture a duckling (lucio fulci, 1972) rating: 4 / 5 reviewed by dave lancaster summary: fulci' s most assured thriller, the beguiling don' t torture a duckling is a giallo masterwork .
don’t torture a duckling – aka non si sevizia un paperino – is a 1972 italian giallo film directed by lucio fulci .
cruel, beautiful and all the colours in between, don' t torture a duckling is a compelling and beguiling work from a greatly underrated filmmaker .
that was me... and i might have spoken too fast. i mismatched don' t torture a duckling with amuck! .
looking for movie tickets? enter your location to see which movie theaters are playing don' t torture a duckling - giallo fest near you .
taking place in a rural italian village, don' t torture a duckling is thankfully not about dead baby ducks. it is however about a recent string of murders all involving young boys .
don' t torture a duckling is also a stinging attack on the italian establishment which allegedly resulted in lucio fulci being blacklisted for many years. a strong story full of challenging moral concepts, don' t torture a duckling is as brutal and disturbing as lucio fulci' s horror films, but it' s also his most powerful and morally focussed work, and a magnificent high point in his long and distinguished career .
from lucio fulci, the godfather of gore (the psychic, the beyond), comes one of the most powerful and unsettling giallo thrillers ever produced: his 1972 masterpiece don t torture a duckling .
when done correctly, giallos have two components – a horror - thriller component and a mystery component. lucio fulci' s don' t torture a duckling has neither. however, despite its failed attempts to muster the trappings of giallo, it is not bereft of intrigue. rather than gory shocks and heart - stopping suspense, don' t torture a duckling is a brilliantly complex social commentary on the effects of mob mentality on a small town and the arrogance of modern thinking .
market - based title: while non si sevizia un paperino does translate from italian to don' t torture a duckling it has a double meaning in that donald duck is called paperino in italy and a mutilated donald toy plays a key role in the mystery, so
don' t torture donald duck
might be a more accurate translation but for obvious reasons would never be used so a more literal translation had to do even if there are no duckings to be found .
a soundtrack cd was released on point records (prcd113). this release is now deleted. it featured the scores for dont torture a duckling and battle of the amazons, both composed by riz ortolani. 12 tracks from duckling were featured .
yahoo! - abc news network. title: don' t torture a duckling (1972) 7. 2 / 10. want to share imdb' s rating on your own site? all lyrics displayed by urltoken are property of their respective owners .
you don' t want them to kill the blind man and take his money, but at the same time you don' t want him to kill them. you basically know how events are going to play out, but you don' t know how it' s going to end, because you don' t know how you want it to end .
“while many italian murder mysteries (or gialli) involve black - gloved killers stalking women in the big city, lucio fulci’s don’t torture a duckling turns the formula completely inside out to produce a violent, sweltering masterpiece of regional and religious oppression. don’t expect to see any shuffling zombies or gory power drills in this one, folks. ” nathaniel thompson, mondo digital
you need to login to do this. get known if you don' t have an account
the standard missteps that i associate with fulci still remain, but because don' t torture a duckling is overall nicer to look at, i don' t mind them as much. there are these pieces of scenes that don' t seem to fit for example, or random shots of a character doing something really unimportant in the grand scheme of things. but compared to later efforts, the film is actually cohesive. which thrills me! plot, yes !
great review! duckling is fulci' s best by a long shot imho ...
don’t torture a duckling is out now on blu - ray in the uk, released by arrow video. the picture quality is a little soft, but this is likely a source material issue as it’s a clean and sturdy print otherwise. audio is solid too (i watched the italian language version in case anyone’s interested) .
i think that is what i' d probably be doing! i don' t really mind as i don' t watch tv that much... in fact... i rarely watch tv .
in summary, don' t torture a duckling is a unique film. it is a classic giallo by even the strictest of definitions and yet it looks and feels like no other film in the genre. it' s a film that can (and should) be studied by anyone with a deep appreciation for the art of the cinema, giallo or otherwise .
another great release from arrow, and the blu - ray transfer is very nice, and if you are a fan of italian genre films, then' don' t torture a duckling' is a must for your collection, and i must say the violence and screenplay wont be for everyone, but for me i really enjoyed it .
as is often the case with italian horror, the plot on paper is rather simple. as the movie trudges onward however, simple turns into complex and complex into mass confusion. don' t torture a duckling fits with this as it was very easy to get lost amongst the several boys who all look alike, or the 20 suspects being hunted. on the plus side however, don' t torture a duckling is as those who suggested it me, a vast departure from fulci' s later films. this is a gigantic plus for me, as i found much more to like in this. it was stylish, beautiful at times and most importantly, insanely jazzy .
before establishing himself as the godfather of the italian zombie film, lucio fulci created three authentic gialli during the genre' s rise to popularity and don' t torture a duckling is widely considered to be the best of the three. the film is gripping, heartfelt, violent, controversial, and beautiful all at the same time .
it' s been years since i' ve seen don' t torture a duckling. all i reemember about it is the chain scene, the ending, and tomas milian' s rockin' 70' s porn' stache. have you seen fulci' s lizard in a woman' s skin yet? that movie is the definition of groovy !
when fans of the giallo genre talk about their favorites, lucio fulci' s don' t torture a duckling is mysteriously left out of the conversations. not because it' s a bad film, but because it tends to stick out as more than just a mere giallo. it' s actually quite a thought - provoking film with a lot of style and substance to it. there are moments of light silliness that don' t hold up very well, but overall, the film is probably the best that fulci ever made - and he made some really great classic genre films. for a change, i found the conclusion to be satisfying. usually the ending reveal doesn' t match up to the rest of the film, but this one is pretty unique and quite interesting. i' d recommend this film to those interested in seeing something different for a change. don' t torture a duckling is definitely different and leaves you pondering .
i must say i guessed the culprit very early on, but only due to knowing what kind of person it usually is in a film like this. knowing (or at least strongly predicting) the killer didn’t detract from watching the film though. too much fuss is made of ‘spoilers’ these days, but more importantly, what separates don’t torture a duckling from many other giallo, is that it’s doing a lot more than just unravelling a mystery .
deemed shocking at the time for its brutal violence, depiction of the catholic church and themes of child murder and paedophilia, don t torture a duckling is widely regarded today as fulci' s greatest film, rivalling the best of his close rival dario argento. arrow video is proud to present this uniquely chilling film in its uk high definition debut .
don’t torture a duckling (1972) dir lucio fulci w / tomas millian, barbara bouchet, florinda bolkan, irene papas, marc porel [ 102 min; dcp ] a child - killer haunts a small italian town in this amazingly titled giallo from legendary gore - maestro lucio fulci. a reporter (millian) arrives when word gets out about a missing boy and quickly becomes ensnared as both a suspect in and an investigator of the subsequent murder .
because there' s nary a franchise villain in sight. and don' t let the title fool you into dismissing it as a nostalgic throwback to prohibitive shockers of the
accendura is a town in a harsh landscape. despite the picturesque curves of its winding streets or the lushness of the woods that surround it, accendura is built on rock, dust, and the mountains that protrude from the earth like great bared teeth. and in lucio fulci’s 1972 film don’t torture a duckling, its residents are furious. a young boy has been kidnapped and the townsfolk are in search of vengeance .
don' t torture a duckling is a mixed - bag. it' s a completely fails at its obvious, stated mission – to be a successful giallo – but, simultaneously, it is interesting and intriguing if you are watching for more than just the mystery. while it is certainly not fulci' s greatest horror movie, i could say that it is one of his finer films. it is a subtle, but important, distinction .
the relevance of the hidden extends well beyond the plot and characters to the film itself. don’t torture a duckling only received very limited distribution upon its release due its portrayal of the catholic church. the reputation of fulci’s previous work couldn’t have been helpful. he had to prove to an italian court that a scene in one of his prior films, a lizard in a woman’s skin, was actually a special effect and not animal cruelty. for all his reputation as a gore director, this film doesn’t feature great amounts of violence, but what it does show is remarkably effective. there are two bloody on - screen deaths, and the difference in the way that they’re handled says a lot for fulci’s skill as a filmmaker. the climactic death of the killer is gory, over - the - top and ridiculous, so much so that the fact that i can’t post screenshots of it without spoiling the film has me foaming at the mouth with disappointment. (it’s one we’ve seen a thousand times, but never in a way as absurd as this. don’t torture a duckling worth seeing for it alone. )
luckily for us all, don' t torture a duckling does work in a normal dvd player. but of course this means, no fancy screenshots. well, we can' t have it all. after my last fulci review, i was ready to give up completely on the man who so many others loved without apology. after the suggestion to watch some of the earlier giallos however, i decided to give him one last try - - and so here it is .
“ don’t torture a duckling is a genuine one off in italian cinema. it looks great, sounds great and embraces a clutch of prickly off - the - wall subjects. its coherence rarely veers into the pedantic (with maybe a couple of scenes too many depicting the police search for the killer) and its idiosyncrasies stay in the mind well after attempts at giallo thrills have receded into a distant glue of confused titles. ” stephen thrower, beyond terror: the films of lucio fulci
fulci at his best. good characters and a strong story. the print looks lovely. a lot of people don' t get this great man. they should watch this. highly recommended .
' i don' t like dealines – when it' s finished, it' s finished' … haruki murakami. photograph: murdo macleod for the guardian
“from the startling opening shot of the film to it’s tense conclusion the movie works wonderfully. don’t torture is a true anomaly in euroshock cinema, using the common tools of the trade yet applying them completely differently. one thing remains though, you won’t be disappointed if you are looking for something unique (and yes my ghoulie pals…it’s got gore to spare). ” dvd drive - in
irene papas plays aurelia, mother to the village priest don alberto. barbara bouchet looks on .
[ duckling ] doesn' t hit the surreal heights of later films such as city of the living dead or the beyond, but it' s one of the best entries in the director' s early filmography .
don alberto' s belief that by killing children, he' s saving them from becoming increasingly lustful .
i write anime reviews. they' re good for your health! my most recent review: 801 t. t. s. airbats! coming up next :
murakami doesn' t read many of his japanese contemporaries. does he feel detached from his home scene ?
it' s a touchy topic ,
he says, chuckling .
i' m a kind of outcast of the japanese literary world. i have my own readers … but critics, writers, many of them don' t like me .
why is that ?
i have no idea! i have been writing for 35 years and from the beginning up to now the situation' s almost the same. i' m kind of an ugly duckling. always the duckling, never the swan .
i don' t see everything. obviously skipping quija and some other shit ones. but stuff i want to see (haunted house movies) are so rare that if one looks just a little different, i' m giving it a shot .
avatar: t. o. the jardine' s parrot. 13 years old .
i don' t do this very often but because it' s monday, i think i will. the silence of the lambs is the fucking bees knees. i mean it ...
fair warning: any post may contain spoilers, may be nsfw, and may be nsfl. please don' t forget to click on the ads! it will help me delude myself that i' m a professional blogger !
the other bloody death is played very differently. it’s the brutal beating of a suspect that we know is innocent. it doesn’t drip with blood, but it hurts. looking at it you know it’s painful, vicious, and completely unnecessary. it sticks with you. one of the policemen comments to martelli that he doesn’t see any guilt in the eyes of the townspeople that he knows are responsible for the savage crime. this is the harsh landscape that don’t torture a duckling is set in, one that’s in the minds of the town’s inhabitants, lynch mobs and child - killers alike. this is a film where the horror is as much in the motive as it is in the act, and that puts it several notches above similar entries in the 1970’s thriller canon .
thanks... .. gonna have a look at my local radio shack (the source in canada). i really would like to go the antenna route as i don' t watch a lot of tv and the cable charges are killing ($ 85 a month) .
thanks... .. gonna have a look at my local radio shack (the source in canada). i really would like to go the antenna route as i don' t watch a lot of tv and the cable charges are killing ($ 85 a month). john
some parts of this page won' t work property. please reload or try later .
that makes me feel weird. hopefully i wasn' t alone in feeling creeped out .
dona aurelia knows that her son is the killer, but she really can' t be considered an accomplice because she didn' t facilitate or participate in any of the murders .
trange things happen in this world ,
haruki murakami says .
you don' t know why, but they happen .
it could be a guiding motto for all of his fiction, but he is talking specifically about a minor character in his new novel ,
don' t breathe isn' t a full - blooded horror movie ,
he explains ,
but has elements. what originally attracted me to horror movies when i was first watching them as a teenager is that... there was always this element of transgression that would shock you, that you couldn' t believe you were watching and you would tell people about it. with this film, we really wanted to try to go there .
don’t torture a duckling (1972) lucio fulci, an italian jack - of - all - genres best known for the primo gorefests he made in the late ’70s and early ’80s, never garnered the kind of acclaim lavished upon his contemporaries, dario argento and mario bava. that’s for good reason: fulci’s worst films hit an unholy sweet spot between vile and incompetent. but when he was on, as in the living - dead classic zombie or the grand guignol opus the beyond, fulci was really on. his outrageous bad taste often eclipsed his inventiveness, but the two were not mutually exclusive .
the italian genre movie writer / director lucio fulci is probably best known for his ultra - gory horror movies, such as zombie flesh eaters (a. k. a. zombie), the beyond and city of the living dead, so he’s often considered a rather trashy director by more mainstream critics. however, he actually wrote and directed a range of material over his long and prolific career (largely earlier on in it), including a number of comedies. his most well respected films touch on the horror genre, but fall more accurately into that of the giallo (italian murder mystery thrillers, basically). the most acclaimed of these, and the one fulci named as his personal favourite, is 1972’s don’t torture a duckling, which arrow video have brought out on blu - ray in the uk .
i could do that i suppose, but what about the wire? i can' t drill a hole in the sliding door frame .
don’t torture a duckling, one of the director’s favorite of his own films, is comparatively restrained and fulfills the basic requirements of the then - young giallo genre: there’s an intrepid investigator, a rampaging psychopath, extreme close - ups of eyeballs, and murder scenes staged from the pov of the killer. but the film also incorporates less common elements, setting the usual mayhem against a vibrantly realized small - town backdrop, and infusing the proceedings with a sense of moral outrage. here the detective figure is a reporter (tomas milian), part of the media circus that rolls into a sleepy italian village when a young boy goes missing. the kid eventually turns up dead, kicking off a string of grisly slayings, and prompting milian to join forces with a sultry big - city transplant (barbara bouchet) to catch the culprit. as in any good whodunit, there are scores of suspects—the village “simpleton, ” a gypsy outcast with a penchant for voodoo dolls—and as many red herrings as dead bodies .
my biggest complaint with films like city of the living dead and the beyond was that the gore and the death scenes didn' t make me care. and now i care. isn' t it nice ?
what would he still like to achieve for himself, as a writer ?
honestly, i don' t have any idea ,
he replies .
scott fitzgerald was my idol when i was young. but he died when he was 40 - something. i love truman capote, but he died at 50 - something. and dostoyevsky is my ideal writer, but he died at 59. i' m 65 right now. i don' t know what' s going to happen! so i have no role model. i have no idea – when i am 80 years old, what will i write? i don' t know. maybe i' m running and writing …
that would be great. but nobody knows .
so as you may have guessed i came away feeling much better about my lucio fulci relationship. it is now very clear to me that i love the old fulci, and i hope to continue to look at some older giallos. don' t torture a duckling is ripe with intrigue, a mystery that at times seems a bit obvious, and also a bit too dense in its possible suspects. it gets to the point, where we can only assume anyone that they have guessed to be the killer is not the killer. so it really just becomes a game of, well who haven' t they accused yet? that being said, i did tend to get pulled into the mystery. i had a hunch (and a right one) i should add early on, but like most good murder mysteries the real intrigue is often the why, and not the who. although the why is a little well, stupid in my opinion, that final confrontation, and that dummy is worth it all .
i reserve the right to post as a member. when i post as a moderator i will select a
that wasn' t meant as a k. o. though, he specifically targeted an area of the cerebellum which, if ruptured, renders you a jehovah' s witness indefinitely
all signs point to it being keanu reeves' big comeback. although with it being rated r, and i don' t think many believe he can spring back with something good again, could very well spell it' s quick downfall at cinemas .
don alberto is a very conservative priest. he eventually turns out to be the killer. unusually, his delusion doesn' t involve punishing the boys for supposedly having lustful thoughts; he feels that by killing them before puberty can corrupt them, he is actually saving their souls from damnation .
this social commentary gives the film added weight that many similar films don’t have. it’s a grim watch as you might expect from the subject matter, but fulci crafts a film that’s gripping and remarkably controlled when you consider he’s famous for gore - drenched zombie films. yes there are a few dated effects here and there and the central mystery isn’t difficult to solve, but it’s a fine piece of work and i might go as far to say it’s one of, if not the best giallo i’ve ever seen .
don’t torture a duckling is set in the rural italian town of accendura (which is fictional as far as i know) where young boys are being killed off one by one. after the first murder, a local ‘simpleton’ known as barra (vito passeri) is arrested and thought to be the killer after he is caught trying to ask for a ransom from the boy’s parents, pretending he is alive and hiding the body. the police aren’t too sure he’s the right man though, despite this evidence, and after the second child is killed they know for certain they’re barking up the wrong tree. from then on a couple of oddball characters are suspected, including a local ‘witch’, maciara (florinda bolkan), and a young attractive woman, patrizia (barbara bouchet), who is believed to have moved here to recover from a drug problem. whilst the police struggle to find the culprit, a journalist from the city, andrea martelli (tomas milian), makes his own investigation. as each new suspect is made public, the locals react in vicious outrage before the truth eventually comes out .
but i think, in a sense, we are playing different games ,
he continues .
i began to think that way. it' s very similar, but the rules are different. the equipment' s different, and the fields are different. like tennis and squash .
does he think he' d be accepted if he won the nobel prize, as many people now expect will happen ?
uh, i don' t want to speculate ,
he says, and laughs .
that' s a very risky topic. maybe i would be hanged from a lamppost, i don' t know !
i don' t know ,
murakami says .
i have many similarities to [ tsukuru ]. i see myself as a kind of ordinary guy. i don' t think of myself as an artist, mostly. i guess i' m just engineering something .
a builder, like tsukuru ?
yeah, right !
he chuckles .
i like to write. i like to choose the right word, i like to write the right sentence. it' s just like gardening or something. you put the seed into the soil at the right time, in the right place .
best fulci! best giallo! very nice transfer. i could never understand why this film isn’t better known ...
the only worthwhile horror movies i' ve found this year so far are oculus and the sacrament. maybe horns will be good, though alexandre aja isn' t my favorite director, and that isn' t even full - on horror anyway .
session: inspired by spaghetti westerns, week 4 movie: the hunting party (1971) directed by don medford as always, there may be spoile ...
1: murders. it’s just not giallo if someone isn’t getting knocked off. the central premise is always someone’s killing people .
a reporter and a promiscuous young woman try to solve a series of child killings in a remote southern italian town that' s rife with superstition and distrust of outsiders .
the evil dead reboot, which alvarez wrote with rodo sayagues (his longtime collaborator, from panic attack! to don' t breathe), opened to mixed critical reception, but performed well and paved the way for a second project with raimi' s ghost house, originally announced as a man in the dark. he and sayagues set to work on a thriller that would toy with conventions while remaining within genre parameters .
italian thrillers are a hard breed of film for most americans to figure it would seem. they are by nature very strange and very dark and often deal with issues that american films rarely touch upon and more often than not are more about style and suspense than about logic. but i hope more people give dont torture a duckling a try if they can find it to rent, as its a very well done suspense film. as much as i love this film it is not my favorite among this directors works but it is easily his best work. beautifully crafted, well acted, with a fairly grim conclusion, this is a thriller that shows without a doubt what kind of talent fulci had when he wanted to use it. if only he had used it more often .
@ stainedclass you mean on the film industry? sure? i dunno, i don' t follow the industry closely enough to know. i was just thinking in terms of critical reception, or... people thinking that it was something other than mediocre. that would be weird to me .
strangers searching for a young woman' s missing father arrive at a tropical island where a doctor desperately searches for the cause and cure of a recent epidemic of the undead .
i really didn' t want to make up my mind about who [ should play ] the blind man while i was writing—i try not to do that in general. i don' t want to fall in love with an actor, because the reality is that maybe the actor you want to go after is not available, and you feel as though you' re fucked because you convinced yourself that that' s the guy .
the pacing of the film is unique in that the amateur detectives don' t really get started looking for the killer until the murders have ended and most of the suspects have been absolved. the police force, who dominate the first two thirds of the film, are completely absent in the final act .
. but if your thing is haunted house movies, i suppose that' s more your thing. i don' t think haunted house movies are rare these days - - ghosts and haunting movies are all the rage these days with stuff like paranormal activity and movies based on the bullshit of the warrens .
don’t torture a duckling pretty much starts at it’s seediest, with a series of shenanigans involving prostitutes, the mentally handicapped, and underage boys. apparently the ingredients to a great friday night in rural italy. some men go up to a remote shack in the mountains to, well, shack up with some local prostitutes. some kids named bruno, michele, and tonino and a handicapped man from the same village are well aware of this location and creep up to watch the proceedings. the kids catch the handicapped man and taunt him. tonino then gets a scene where a nude sunbathing woman new to the village tries to seduce him, before they’re interrupted. it seems like a cruel mind game more than anything, but you can see what i mean about the seedy beginning. the plot kicks into gear when bruno gets kidnapped. he goes missing and his family gets ransom calls. eventually the police find bruno dead and arrest the blackmailer, who’s the same simpleton from the film’s opening. however it becomes clear that the man found bruno dead and decided to try to earn some money and bury the corpse. he’s not responsible for the murder .
that antenna should do ok. or a good set of rabbit - ears. if you can, while you are watching tv just place the indoor antenna on your balcony for even better reception... when done bring back inside. that' s if you don' t mind this sort of set up. i had to resort to this a few times as reception was pretty choppy during the
big game
a few times .
a series of murders are committed near the estate of a degenerate author and his wife .
the grand duel (a. k. a. - the big showdown) - trailer
that seems like a tall order, given that today' s audience has seen a lot, and alvarez agrees .
i' ll never forget, i was reading this book about masters of horror before going to bed, and a journalist was asking john carpenter how, in this time when we' ve seen everything and everything has been done, he was going to continue to shock audiences. and as i' m reading his answer i' m thinking,' wait a minute, what year is this?' the interview was from 1985... somebody in 1985 was asking how he was going to shock people. we know now that in 1985 everything hadn' t been done and we hadn' t seen it all. torture porn didn' t even exist... there' s always more to do .
the director is clearly damning the attitudes of those who shelter themselves in tradition and old - fashioned values, mistrusting or downright hating anyone who doesn’t fit their mould. the motives of the killer reflect this too although i won’t discuss this in too much detail for obvious reasons .
a new england home is terrorized by a series of murders, unbeknownst to the guests that a gruesome secret is hiding in the basement .
there are a few things necessary for a film to qualify as a giallo movie. i’m going to rank them in order of importance .
usually by the time you get into production ,
he continues ,
you get a list from producers and agents with about 20 names of who is in the budget range, who would do this [ movie / part ], who read the script and liked it... i don' t know who compiles them, but you get them .
gialli that deal with the death of children are never considered light - hearted, but duckling goes even further by introducing subtexts that criticize the superstitious mob - mentality of the lower class and vilify the catholic church. and although fulci abandons the slick, modern visual style of his previous two gialli, duckling is still very stylish and well photographed. oh, and let' s not forget the inclusion of barbara bouchet as the image of modern beauty among the jagged rocks (and faces) of accendura .
why that pianist can see the colours of people, i don' t know ,
murakami muses .
it just happens .
novels in general, he thinks, benefit from a certain mystery .
if the very important secret is not solved, then readers will be frustrated. that is not what i want. but if a certain kind of secret stays secret, it' s a very sound curiosity. i think readers need it .
i don' t see everything. obviously skipping quija and some other shit ones. but stuff i want to see (haunted house movies) are so rare that if one looks just a little different, i' m giving it a shot. also, just looked up harbinger down. sounds more sci - fi than horror to me ala virus, leviathan, the thing - movies where a crew of people get picked off by monsters. not really my thing .
the last truly great wes craven film was new nightmare in 1994. scream has lost most of it' s charm and i wouldn' t rate it too highly now. shocker is a very decent horror / thriller film with an interesting spin on a serial killer that turns into electricity (sounds silly in writing but visually not), this results in really fun scenes that don' t give a shit with peter berg and mitch pileggi jumping through television sets across the us. there is a true stroke creativity in craven' s writing and directing that is almost entirely absent later on in his career. in my opinion this would have been a worthy follow up franchise to a nightmare on elm street had wes craven been given the green - light .
audiences are usually very harsh to judge the characters—what they do or don' t do ,
he observes .
they' re like,' i would never do that!' but what i think i' m seeing is that the characters somehow echo what the audience thinks they would do in the situation. there' s not a lot of moments where you go,' come on! don' t do that! you would never do that in real life!' we didn' t want those moments, which you usually discover when you watch with an audience. there are moments—like one where someone is running away and they stop for a second to look over their shoulder. but i think that makes sense: someone is chasing you, you' ve been running for a while, you want to see if they' re still there. but even there, they' re like' keep running!'
lizard in woman' s skin is next on the list chris. yes! groovy movies are definitely the best thing ever. can' t wait. emily - i feel sometimes like i' m the only person who didn' t totally love the beyond. maybe i' ll have to give it a second chance. sigh .
5: women. this ties into number three. the lurid adult tone of the genre means gore and occasional tame nudity abound. adult in a “you can’t show this to kids way. ”
suspects are a plenty as police and a reporter search in vain for the man or woman responsible .
iacob lives in a small village in the carpathian mountains near a gold mine and tries to survive .
ronin. noun, historical. a samurai who no longer serves a daimyo, or feudal lord .
so cool to get a fulci film in the arrow pipeline. kinda surprised people haven' t seen it as its been streaming forever (along with some fulci spaghetti westerns) on amazon prime. i prefer lizard in a woman' s skin as the better fulci giallo but this is a good one .
a clairvoyant woman discovers a skeleton in a wall in her husband' s house, and seeks to find the truth about what happened to the victim .
alvarez already had transgression in mind when he made el cojonudo, but saw that film as
more of a comedy; we were going for more of the absurd sensibility, like jean - pierre jeunet... that obsession with bizarre characters and warped sensibility that' s done so well in delicatessen and city of lost children .
not so with don' t breathe —the filmmaker likes a fun horror comedy or lighthearted thriller movie as much as the next person, but warns ,
i won' t tell you what it is, but there' s something in this... oh, man .
yeah i actually watched it for the first time just a few years ago - i wasn' t impressed in the least. aside from some occasional great spielbergian moments, it was just really tame and pretty dull .
murakami' s style is simple, even apparently casual, on the surface, and tsukuru tazaki, like many of his previous novels, has divided critics into those who find it banal and those who perceive greater depth in its vividness and precision of imagery. like most simple styles, of course, his is the result of lots of hard work .
i take time to rewrite ,
he explains .
rewriting is my favourite part of writing. the first time is a kind of torture, sometimes. raymond carver [ whose work murakami has translated into japanese ] said the same thing. i met him and i talked with him in 1983 or 84, and he said:' the first draft is kind of torture, but when you rewrite it' s getting better, so you are happy, it' s getting better and better and better.'
there is never a deadline for a murakami novel –
i don' t like deadlines …when it' s finished, it' s finished. but before then, it is not finished .
sometimes he can' t tell when he should stop rewriting, but
my wife knows. yes. sometimes she decides:' you should be finished here.'
he smiles and imitates his own obedient response :
' ok!'
^ i doubt it made much impact on the film industry but most people i know who say they' re liam neeson
fans
really mean that they like taken because they have to think about another film he was in. between that and the fact that it' s already been parodied and given a sequel, i' d say popular reaction was very good. i don' t know or really care what the critics thought .
a burned - out new york police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city .
a reporter and a psychic race to close the gates of hell after the suicide of a clergyman caused them to open, allowing the dead to rise from their graves .
the original poltergeist is crazy overrated. i loved it as a kid but it' s pretty cute and not all that creepy as an adult. there are some genuinely great parts but i' m not totally attached to it. the reboot was produced by sam raimi and stars sam rockwell. i' m at least interested. beggars can' t be choosers in the horror movie market. i don' t really care about the origin stories behind the conjuring. they spawn decent movies with an unsettling tone. the better they do at the box office, the more will get made. these movies aren' t perfect and i' ll be the first to announce when james wan has been beaten at creating a' haunted house' atmosphere. also - the amityville horror was fabricated by the lutz family that lived there. not the warrens .
also, i don' t see how anyone can like those ghost movies based on ed and lorraine warren. those people are bonafide charlatans and utterly full of shit. maybe they felt they were genuine or really believed the crap they spewed, but they sold the ideas behind annabelle, the conjuring, and the amityville horror, and all of it is just so much bullshit. the reality behind the movies just destroys the movies. they' d be better if they were completely divorced of these people and didn' t try the idiotic
true story
angles .
lake mungo is not at all how i thought it would be. it' s one of the most telling and chilling ghost stories that isn' t necessaril ...
i do not remember how much i paid for the rg9, as this was a couple years ago. i did buy it from solid signal and there should be a price on the website. i can' t remember what lengths it comes in, but i purchased 100ft. of it
a fantasy / sci - fi / music video mash - up starring jackson as a superhero and very talented dancer .
mostly, duckling is just a fine showcase for the director’s energetic style. quentin tarantino, who re - released the beyond in 1998, has often cited fulci as an influence. that’s not bullshit namedropping: watch the scene in which angry villagers corner the town witch, brutalizing her while a nearby radio blares some jaunty ’70s rock tune, and try not to think of the ear - slicing setpiece qt would stage two decades later in reservoir dogs .
no extras aside from a few text screens of a fulci bio. i reviewed this because it has significant value - especially
audio is dolby true hd - a lesser used encode - it' s 16 - bit but not very robust, luckily the film' s production doesn' t require excessive depth or separation. it' s available in english or italian. there are optional japanese subtitles on the region' a' disc .
once i talked to a very famous therapist in japan ,
he says ,
and i said to him that i don' t dream much, almost nothing, and he said:' that makes sense.' so i wanted to ask him:' why? why does it make sense?' but there was no time. and i was waiting to see him again, but he died three or four years ago .
he smiles sadly .
too bad .
note: blu - ray discs are in a high definition format and need to be played on a blu - ray player .
and netflix is racist against every single italian dvd known to man kind. proof you say? well, how about the simple fact that every italian horror dvd i' ve received from netflix has been damaged! ? okay, okay so maybe it' s just a coincidence. or maybe some overzealous giallo fan likes to urinate on the discs before giving them back. who knows? all i know is that netflix has been utterly shady towards italian horror films, and i don' t like it one bit .
splice is weird. not in a cool santa sangre, armless circus performer way though... more like in a i feel weird in my pants kind of way. a ...
last year was also bad. annabelle was fantastic though, as i love creepy dolls and the shit reviews make it sound like there' s a surplus of haunted doll movies. i' m like
uh, show me them .
2 child' s play movies, which are mostly comedic, in the last 15 years doesn' t fucking count. loved annabelle. creepier than the conjuring and it didn' t cop out at the end .
andrea martelli (tomas milian) is a reporter from rome who has come to cover the case. he’s immediately skeptical of the situation and his doubts are confirmed when the kidnapping investigation becomes the hunt for a child killer. he accompanies the police through a tour of the town’s fringes where he meets mystics, witches, and patrizia (barbara bouchet), a rich young woman hiding from a drug scandal. with the help of patrizia and don alberto (marc porel), a priest who teaches at the school, martelli attempts to find the killer as more and more children are found strangled and the townspeople begin exacting their own brutal forms of justice .
i didn' t want to see it after watching the trailer, but once it came out i was like, eh might as well give it a shot, better than just spending money on every new hollywood flick - and it turned out to be really good .
damn, i just looked up harbinger down. i hope this movie lives up to it' s potential and to the pedigree of immensely talented people working on it. this is a movie i didn' t even know i wanted, but now i need it .
while researching his story martelli, who' s also spending time with local thrill - seeking girl patrizia, interviews the local priest, don alberto. elsewhere, captain modesti and his aide meet with francesco (george wilson), an old hermit living in a stone hut who practices black magic and offers charms and potions to the superstitious .
when tonino gets killed, the film’s mystery kicks into high gear. patrizia and the town’s reporter start working together in hopes of catching the vicious killer. they start to figure out the crime when they find a donald duck hat, hence the film’s italian title. i won’t spoil the ending, but it’s a wonderfully dark cap to the film .
when several young boys are brutally murdered in a small southern italian village, the superstitious locals react with ignorance and violence. all misfits are immediately suspected, such as big - city tart patrizia, local village idiot giuseppe, and voodoo practitioner maciara. a cop named martelli comes to investigate, and is rather curious about a young priest, don alberto, who censors the town' s reading material to keep it free of corruption. no one is truly innocent in this town .
yeah, the grey was pretty good. liam neeson really sells it; i think with some no - name actor it probably wouldn' t have been good, but he jumps into the role with both feet and takes what could' ve been a shlocky premise very seriously.
do n't torture a duckling ( italian : non si sevizia un paperino ) is a 1972 italian giallo film directed by lucio fulci , starring florinda bolkan , tomas milian and barbara bouchet . it is significant within fulci 's filmography as it is one of the first in which he began using violent gore effects , something he would continue to do in his later films , most notably zombi 2 , the beyond and city of the living dead . the soundtrack was composed by riz ortolani and features vocals by ornella vanoni . 
don't torture a duckling (italian: non si sevizia un paperino) is a 1972 italian giallo film directed by lucio fulci, starring florinda bolkan, tomas milian and barbara bouchet. it is significant within fulci's filmography as it is one of the first in which he began using violent gore effects, something he would continue to do in his later films, most notably zombi 2, the beyond and city of the living dead. the soundtrack was composed by riz ortolani and features vocals by ornella vanoni.
don't torture a duckling (italian: non si sevizia un paperino) is a 1972 italian giallo film directed by lucio fulci, starring florinda bolkan, tomas milian and barbara bouchet. it is significant within fulci's filmography as it is one of the first in which he began using violent gore effects, something he would continue to do in his later films, most notably zombi 2, the beyond and city of the living dead. the soundtrack was composed by riz ortolani and features vocals by ornella vanoni.