pudhu pudhu arthangal
pudhu pudhu arthangal remake la nadinga boss... nalla irukum... .
pudhu pudhu arthangal movie rating is 81 / 100 based on reviews submitted by 1 users .
‎pudhu pudhu arthangal (1989) directed by k. balachander • film + cast • letterboxd
sumanth raman on twitter :
on @ pttvonlinenews pudhu pudhu arthangal at 7 am .
lyrixblog: keladi kannmani. . { pudhu pudhu arthangal: cast: - rahman, chithara }
tamil film song | guruvayurappa | pudhu pudhu arthangal | s. p. balasubrahmanyam, k s chithra
kalyana maalai - from
pudhu pudhu arthangal
, a song by s. p. balasubrahmanyam on spotify
tamil film song | guruvayurappa | pudhu pudhu arthangal | s. p. balasubrahmanyam, k s chithra - youtube
pudhu pudhu arthangal (1989) tamil movie cd - rip 320kbps mp3 songs music by ilaiyaraaja - starmusiq. com
kalyana maalai kondadum penne - pudhu pudhu arthangal - superhit tamil s... | my favourite tamil songs | pinterest | penne and songs
‎pudhu pudhu raagangal (original motion picture soundtrack) by s. a. rajkumar on apple music
title pudhu, pudhu, arthangal also known as pudhu puduh arthangal year 1989 formats cinema, dvd distributor (s) vanee agency, match prime ltd. classified date (s) 26 / 01 / 1990 main language tamil bbfc reference azf062438
an sensational melody by maestro ilaiyaraaja for the film pudhu pudhu arthangal. sung by spb, this song has awesome bgm chores. share your comments folks !
title pudhu, pudhu, arthangal also known as pudhu puduh arthangal year 1989 distributor (s) match prime ltd. classified date (s) 29 / 12 / 1989 main language tamil submitted run time 156m 28s approved footage 14081 + 4 bbfc reference aff062438 registration number cfh21179
southern actor rahman, popular for films like “pudhu pudhu arthangal”, “sangamam” and “singam 2”, will play a key role in a yet - untitled tamil remake of recent malayalam hit “how old are you” .
pudhu pudhu arthangal is a 1989 tamil film directed by k. balachander and produced by rajam balachander and pushpa kandaswamy. the film stars rahman, sithara, geetha and janagaraj in lead roles. music was composed by and ilaiyaraaja .
rahman, popular for films like
pudhu pudhu arthangal
,
sangamam
and
singam 2
, will play a key role in a yet - untitled tamil remake of recent malayalam hit
how old are you
.
watch tamil film song guruvayurappa pudhu pudhu arthangal movie music by illayaraja sung by s. p. balasubrahmanyam & k s chithra starring rahman, sithara & geetha ☟reach us on web: urltoken facebook: urltoken... twitter: urltoken blog: urltoken
movie: pudhu pudhu arthangal cast: rahman, sithara, geetha this tamil youtube movie channel movie world tamil contains copyright / classic / evergreen / exclusive / of­­­ficial / tamil new movies contents from tamil movies. in this channel users can watch tamil latest full movies
listen to puthu puthu arthangal (original motion picture soundtrack) [ remastered ] now .
puthu puthu arthangal full movie | k. balachander film | mega hit movie full hd | | rahman, sithara
after k. balachander split from ilayaraja, post pudhu pudhu arthangal, he seemed to be in a state of flux for his next film’s music. the immediately next film was oru veedu iru vaasal, which, i honestly don’t recall having any songs, despite having violinists ganesh and kumaresh in the lead and having composer vs narasimhan credited [ … ]
she says she was fortunate that she could make a mark in films of other languages without struggle. “i was introduced by the legendary k. balachander in tamil, through pudhu pudhu arthangal, ” she says. “he remains the biggest influence on me as an actress. it was after working with him that i really became serious about my career in cinema. ”
a r rahman aboorva raagangal achamillai achamillai an affair to remember arangetram avargal azhagan bhama vijayam chaplin uncle duet ehtir neechal ek dujhe ke liye ilayaraja irumal thaatha iyakkunar sigaram k balachander kalki kamal hassan m. s. viswanathan major chandrakanth marocharitra moondru mudichu neerkumizhi ninaithale innikum prakash raj pudhu pudhu arthangal punnagai mannan rajinikanth sindhu bhairavi summit of directors thillu mullu unnal mudiyum thambi varumayin niram sigappu
however, the most memorable project from his repertoire is pudhu pudhu arthangal (1989), directed by the late k balachander. “that was the biggest milestone in my career in the tamil industry. it helped me set my two legs permanently in kollywood, ” he says. “of course, everyone’s first movie always holds a special place. in that sense, koodevide (1983) directed by p. padmarajan will also be one of the unforgettable ones, ” he adds .
plot of pudhu pudhu arthangal this refreshing tale from k. balachander focuses on the fairly realistic tale of a famous singer bharathi (rahman with singing by s. p. balasubrahmanyam) and his extremely possessive wife named gowri (geetha). tricked into marriage by his convincing mother - in - law, what really irks bharathi is his wife’s inability to deal with his rabid female fans. tensions escalate until bharathi flees from home and ends up encountering someone else named jyothi (sithara) who’s also escaping from her life as a dancer because her husband made her dance forcefully and tried forcing her to be a prostitute .
music used to play a significant role in his movies. aboorva raagangal was divided into chapters, which were named after a swara or raagam. ninaithale innikum was a full - fledged musical which also dealt with a genre of mystery and romance. you would see the prominence of music in his later movies like sindhu bhairavi, unnal mudiyum thambi, azhagan, pudhu pudhu arthangal and many more. music in most of his movies were composed by m. s viswanathan. in sindhu bhairavi he joined with ilayaraja. he had introduced a r rahman in his production venture roja directed by maniratnam. a r rahman also composed music for the movie duet directed by kb sir .
puthu puthu arthangal tamil movie song, guruvayoorappa song, featuring rahman, geetha and sithara. music by ilayaraja and directed by k. balachander guruvayurappa
, singer s. p. balasubrahmanyam, k. s. chithra
in 1989 kb directed (produced by kavithalaya, kb' s in house production house) pudhu pudhu arthangal. ir was the music director and since the main hero is a singer, ir has given some ever lasting music for the same and was keen on doing the rr also. kb known for his stinginess (rather, cutting costs) wanted to do away with rr and planned to fill with ir' s previous rr as fillers and seeked ir' s approval citing various reasons. though ir was not keen he reluctantly agreed. the film was released and the music was big hit (one of the biggest hits of ir). experts could notice the rr was not up to the mark and even had some rr from film varumiyin niram sivappu (music by msv). ir was unhappy and this was the first seed of discontent .
again when the television boom set in, he did his first serial, jayakanthan' s '` parisukku pogalam'' and k. balachander' s '` rail sneham''. it was during the making of '` rail sneham'' that balachander asked him to dub for rehman for the film '` pudhu pudhu arthangal''. '` my voice has definitely been my plus point and many compliment me for the power of my vocal chords,'' he says. some time ago dubbing english films in tamil was not as common as it is today. when '` lion king'' was to be dubbed, the voices of '` nizhhalgal'' ravi and arvind swamy were chosen from among 400 people, he tells you. '` the entire hollywood crew appreciated our voices. it was an unforgettable moment for me,'' ravi continues .
she went on doing memorable films in tamil such as pudhu vasantham. “i was lucky to be part of several hit films in telugu and kannada as well, ” she says. “i may have missed out on some malayalam films but i have no regrets; it has been fun learning different languages. ”
puthu puthu arthangal - guruvayoorappa tamil song remake afsal disclaimer: the video clips are posted for viewing pleasure and as an archive for good old tamil songs. by this i don' t wish to violate any copyright owned by the respective owners of these songs. i don' t own any copyright of the songs. if any song is in violation of the copyright you own then, please let me know, i will remove it from youtube - kannanneelima
the reality is different. puthu puthu arthangal was ready for deepavali release, only the rr work remained. at that time, ir had 15 films on hand & so he was extremely busy. after a few days of frantic calling, the kb team got in touch with ir & requested him to complete the rr for ppa so that the film can release on deepavali. ir told them that it would take some time & they will have to wait .
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a singer (bharathi) who is tricked into marriage by his mother - in - law, his wife (gowri) is enormously possessive about his fame and his female fans. one day they encounter into a fight and... see full summary »
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a singer (bharathi) who is tricked into marriage by his mother - in - law, his wife (gowri) is enormously possessive about his fame and his female fans. one day they encounter into a fight and he decides escape from home. on the way he meets someone in the bus who is also running from her life as a dancer because her husband forcefully lets her to prostitution. they both experience some random incidents together and meet an one old couple, who are still very much enjoying love and life. eventually the old couple dies, and by watching the couple they fall in love themselves. then bharathi get a prank call from his pa that gowri is ill so he returns back to home town with jyothi. gowri finds him with another woman and gets furious. she files for a divorce, informs media about jyothi. jyothi' s husband gets this news comes to find jyothi. one thing led to another gowri finally become mentally unstable because of her own decisions. bharathi visits her in the mental hospital with jyothi. jyothi ...
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sithara has not changed much. she continues to act in movies in all the south indian languages, just as she used to do in her heyday .
“i would rather play a character of my age, or close to it, ” she says at kozhikode, during a break from the shoot of saigal padukayanu, a film directed by sibi malayil. “i decided to do this film because i get to play a woman going through different stages of her life. i also appear as a 20 - year - old. ”
the thiruvananthapuram - based artiste is happy that she is able to work with sibi finally. “i missed out on working with many fine directors like in malayalam cinema because i was busy acting in films of other languages, ” she says. “i enjoyed spreading my wings as a heroine; i had good time in tamil, telugu and kannada, even as i did films like oridath, jathakam, vachanam and mazhavil kavadi. ”
the film and television institute of india, pune, has a special place in the average malayali film buff’s heart, for some of the legendary filmmakers from the state, both in parallel and mainstream cinema, shaped their art there and later went on to become teachers there. so, when the students of the ftii came out strongly in protest against the union government’s alleged saffronisation of the institute with the appointment of serial actor gajendra chouhan as its chairman, the rumbles were felt in the state too .
cinematographer santosh sivan fired the first salvo, by declining to be on the governing council of the institute. soon, other filmmakers including adoor gopalakrishnan came out with statements against the appointment of someone whose claim to fame include several b - grade flicks and a starring role in a television marketing show .
with the students not giving in, the protest spilled out onto the streets in kerala too. on wednesday, musician shahabaz aman led a protest at mananchira in kozhikode. on thursday, film - makers rajeev ravi, amal neerad and joy mathew and artist riyas komu led the protests in kochi. over the weekend, such protests are set to happen in thiruvananthapuram, thrissur and other places, with participation from many filmmakers who are part of the large clan of ftii alumni in the state .
the only discordant note was struck by actor suresh gopi, whose appointment as the head of the national film development corporation has been criticised as another instance of saffronisation. he said that the protest at the ftii should be suppressed and that students should not have the rights to question appointments. the ire expectedly turned against him too .
at the protest at the ftii too, there’s a strong malayali presence with graffiti of john abraham and others accompanied with revolutionary slogans on display .
the action is taking place online too as students are digging up old film clips of gajendra chouhan, some from soft porn flicks, and sharing it widely. some badly made short films by two other new appointees eulogising the prime minister have also become a hit online .
( reporting by p. k. ajith kumar, s. r. praveen )
she was a successful heroine a few years ago. today she is one of the top multi - lingual dubbing artistes. saritha, who proved her potential in several films, is a busy dubbing artiste today. in fact, at the time of this interview she was dubbing for jyotika for the telugu version of '` dumm. . dumm. . dumm'' and had to steal a few minutes in order to talk. several small and big screen actors and actresses take up dubbing at some stage... of course, only if they fill the bill in the vocal area. one reason, you surmise, could probably be dwindling acting chances .
` 'i began dubbing even when i was a busy actress. i used to balance my acting and dubbing assignments. if it was acting during the day, my evenings were spent at the dubbing theatre.''
saritha gives her voice for heroines in tamil, telugu and kannada. '` i have also dubbed for one malayalam film for nagma.'' with marriage and children acting came to a halt, but not dubbing. it kept her in touch with the industry. '` this way i didn' t miss acting much. because dubbing by itself is quite challenging,'' saritha goes on. '` when i dub for an actress like sushmita sen (` 'rakshagan'') who does not know a word of tamil (she could have said anything during the filming... even just one, two, three, four) it is my job to see that the dialogue delivery and the pauses form a perfect sync with lip movement,'' she explains .
many actresses are keen to know who would be dubbing for them. vijayashanthi, to name one, insists that saritha dub for her. '` nagma is another actress who likes to know how her 'voice', is going to sound,'' says saritha .
the loop system of dubbing was quite a tedious procedure but today incredible technical advancements have made things very easy, feels saritha. with sons shravan and tejas now in school, saritha has come back to acting. she was recently seen in the vijaya - surya starrer, '` friends''. 'it' s sad that my sons don' t seem to need me so much anymore. so i have time now... ,'' she laughs .
` 'when i came to chennai from coimbatore after my graduation, looking for acting chances, it was for dubbing that i was first tried,'' begins '` nizhalgal'' ravi .
ravi is one actor who has made wise decisions in chalking out his career. a bharatiraja find and hero of '` nizhalgal'' ravi did not wait for a hero' s role again. he did a couple of films and when he saw that his career was not really taking off, he switched over to character roles with ease .
impressed with the potential ravi' s voice holds, hmv approached him for the audio version of swami sudhabhodananda' s '` manase relax please''. his audio releases include '` gayathri manthiram'' and '` mrithyukshya manthiram'' .
going back to his first audition for dubbing, those were the days when he used to call on directors and producers for a chance to act in films. '` my father had sent me to chennai on the condition that if i didn' t make it in two years time, i had to be back in coimbatore, find myself a job and settle down,'' ravi reminisces. bharatiraja needed a voice for vijayan for the film '` niram maradha pookal'' and ravi had gone to prasad studio to meet the director. the sound engineer there said ravi' s voice was fantastic and could be tried for vijayan. he was asked to speak a few lines and then told to report the next day. '` till then i did not even know that dubbing artistes existed,'' he says. the next morning, however, ravi saw bharatiraja himself speak for the character. he explained to ravi that since vijayan' s speed of dialogue delivery and accent were different he had decided to dub for him. but soon ravi was offered the main role in bharatiraja' s '` nizhalgal'', which set his career in motion .
` 'nizhalgal'' ravi and saritha have one thing in common. both want to sing too. '` i have spoken to a. r. rahman about it. i hope he will call me soon,'' laughs ravi, while saritha says, '` i love singing... but i also feel a little shy.''
மணி ஓசை கேட்டு ஏழுந்து | mani osai kettu elunthu video song | ilayaraja | s. p. b & janaki sad songs
great 10 tamil songs of spb (s. p. balasubramanyam) with ilayaraja & mohan - volume - 1
இரவில் மட்டும் கேட்க சில இளையராஜா பாடல்கள் # iravil ketka ilaiyaraja padalgal # tamil cinema songs .
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a singer (bharathi) who is tricked into marriage by his mother - in - law, his wife (gowri) is enormously possessive about his fame and his female fans. one day they encounter into a fight and he decides escape from home. on the way he meets someone in the bus who is also running from her life as a dancer because her husband forcefully lets her to prostitution. they both experience some random incidents together and meet an one old couple, who are still very much enjoying love and life. eventually the old couple dies, and by watching the couple they fall in love themselves. then bharathi get a prank call from his pa that gowri is ill so he returns back to home town with jyothi. gowri finds him with another woman and gets furious. she files for a divorce, informs media about jyothi. jyothi' s husband gets this news comes to find jyothi. one thing led to another gowri finally become mentally unstable because of her own decisions. bharathi visits her in the mental hospital with jyothi. jyothi then understands that gowri really needs bharathi and they belong to each other, jyothi leaves bharathi with her. jyothi' s husband becomes a cripple and understands his mistakes, reunites with jyothi in the end .
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actor rahman, who recently starred as jyothika’s husband in kollywood movie 36 vayadhinile, is ready to experiment a bit now. the 48 - year - old actor, who has been in the industry since the early 1980s, recently signed a movie by a 21 - year - old debutant director, karthik naren. titled dhuruvangal pathinaaru, the starcast of the cop thriller includes all fresh faces, barring rahman .
“no one of my calibre and experience would necessarily agree to be directed by amateurs, but i realised that someone should be willing to open doors to fresh talent. so here i am, working with a fresh team. i have finished a few days of work, and i must say it has been more than satisfactory, ” says rahman. “also, i feel good working with youngsters. i haven’t aged mentally; probably that’s why it shows on my physique too. even today, my nieces tell me that i am very kiddish, ” laughs rahman .
while the plot is nothing new, the way the script was presented to him had him agree to sign on the dotted line. “the team had done its homework. they narrated the script to me in a way that was both appealing and convincing. not just that, ever since we started working together, all schedules are being carried out in a well - structured way, just like any director with, say, 20 years of experience would do, ” he says. “these youngsters have so many fresh ideas to offer to the industry, and i decided that i was ready to take the risk of giving them a chance, ” adds rahman, who also recently finished shooting for another cop thriller, pagadi aattam .
besides kollywood, the actor is busy with malayalam film ente sathyanweshana pareekshakal (translates to the title of gandhi’s autobiography, my experiments with truth), where he plays a lawyer, and has another, lavender, running in the theatres. “i am very picky when it comes to malayalam movies. i want to do only the choicest of movies there, but in tamil, i do it for a nice script and making money, ” he says candidly .
what’s next? rahman will continue doing what he does best — acting. “i have also written a few scripts that are yet to see light of the day, ” he says hesitatingly. “they are all cry - baby stories. i would really like to see them made as movies someday, ” he says .
geetha’s character is surprisingly well - defined. as a rabid fan who gets to marry the object of her desires, she is obviously afraid her husband will cheat on her with one of the thousands of women throwing themselves at him – after all, he slept with them before their marriage. geetha turns in a convincing performance as a woman whose all - consuming love ends up consuming her. rahman, who sounds suspiciously like ‘nizhagal’ ravi, also does well as the famous singer – but a tiny quibble with the story: he goes to work in a restaurant in north india serving south indian cuisine, and none of the customers recognize the famous singer. then, he makes a living in goa with jyothi, meet one malayali couple, who died later in the movie and are both fluent in hindi, and by watching the couple, they learn the true definition for love while falling in love themselves .
then bharathi get a prank call from his pa that gowri is ill. so he comes back with jyothi from goa, which makes gowri angry and she doesnt let jyothi in without knowing who she is. bharathi gets angry and they stay in another one of his houses. bharathi gets so angry that he claims that he loves jyothi and that she cannot go because of her problems. so gowri files for a divroce, informs news reporters about jyothi. jyothis husband appears later in the story. gowri plans to get married to a cricket player guru. guru had proposed to her in the past. he accepts the proposal and abandons one of his fans, yamuna, who is obsessed with him. later, yamuna commits suicide in the marriage hall readied for gowris marriage. gowris mother and her pa feel that she is mentally unstable. her mother begs bharathi to go and see her in the hospital and he goes with jyothi to see her. jyothi then sees that bharathi and gowri belong to each other. jyothi later finds her husband, who was indeed in love with her. after that, bharathi goes to recording with him being happy and visits his wife in the hospital while enjoying himself .
every movie lover would have an artist behind to spark the love for movies. for me it is kb sir .
director k balachander gave meaning to the title iyakkunar sigaram (summit of directors). he had learnt so many rules of making a good screenplay that he can break them with ease to stand apart from the crowd and be a trail blazer for the tamil film industry. many say his loss is irreplaceable but i feel he is immortal and would live through his movies .
one of the iconic movies directed by him is aboorva raagangal in 1975. the movie features kamal hassan and introduced a new actor shivaji rao rechristened as rajinikanth. both of them later went on to take the indian film industry by storm. aboorva raagangal dealt with intergenerational romance between two families which was quite a controversial topic during that era. but it went on to win 3 national awards. post this kb sir had directed many movies with kamal hassan and rajinikanth in the lead which included avargal, moondru mudichu and ninaithale innikum .
kb sir emphasized on the empowerment of woman in most of his movies. his lead women characters right from avargal, arangetram, sindhu bhairavi, achamillai achamillai, kalki were bold, forward looking and very powerful .
he used metaphors predominantly in his movies. these were fondly referred to a directorial touch in tamil cinema. there also used to be a character which is insignificant in the gamut of the plot but plays crucial role in emphasizing a point, mood or the gravity of a situation in his movies. rajinikanth’s character in aboorva raagangal, irumal thaatha in ethir neechal, the dumb and deaf painter in varumayin niram sigappu, telephone in azhagan, chaplin uncle in punnagai mannan and many more are examples of this. he had also given some great comedy movies like bhama vijayam and thillu mullu in which he had experimented rajinikanth playing a full - fledged comedy role. this had introduced a different dimension of rajinikanth which is still exploited well by many directors .
kb sir had dealt with many genres of movies, his initial movies were centered around family drama, later he shifted to social drama which covered impact of society on people’s lives, he also has given some of the gems in romance genre which included marocharitra in telugu, ek dujhe ke liye in hindi, punnagai mannan. kb sir is a true king maker. he had not only made the two star waltzes rajinikanth and kamal hassan but also had rediscovered nagesh as a character artist, introduced prakash raj and many more. he is so spontaneous and appreciates good art in any form. once he sees a good movie he took time to write an appreciation note to the director who had made the movie .
truly kb sir is a film maker that everyone would wannabe. his affair with cinema will always be sweet memories … taking with lyrics from one of his movies … it is an affair to remember … ninaithale innikum !
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he counseled presidents and popes, served on corporate boards and infuriated richard nixon. he was one of the only friends to whom ann landers turned for advice. during his 35 years as president... read more
why did the notable tamil movie director k. balachander direct a b - grade movie named' manmathaleelai' starring kamal hasan? - quora
why did the notable tamil movie director k. balachander direct a b - grade movie named' manmathaleelai' starring kamal hasan ?
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thanks for the a2a. manmadha leelai is about a story of an individual who always lives for lust. it is just a character of a person which is being depicted in the movie. the movie has an amazing story plot, screen play and the direction. the story even tells us the reality of such person and his journey of his life and nothing beyond it. ps: a movie about lust and sex are always not a bgrade or a porn movie .
what' s so special about the tamil movie manmatha leelai (1976) starring kamal haasan and directed by k. balachander ?
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can you explain me what is a b - grade movie? the movie explains the life of a lusty rich man, who understands the true value of life and wife. this personality is very common in society. kb is a director of realty. so, this is one of the movie which represented a character of the society. its one of the underrated movie of kb. i love it
i agree with @ maha rajan' s answer. netrikan movie has a similar story with same plotline acted by rajnikanth, written by k. balachander and directed by sp muthuraman became a smash hit. lust is one of the attribute of the human like anger, desire etc. the movie is about cause of it if you don' t control it .
film is just a business, and people mainly come there for livelihood. balachander sir was not an exception. he made anything he wanted, but what made him great was that he gave life to his movies using great actors .
what are some interesting facts about movies of tamil director kavithalaya k. balachander ?
don' t you think tamil movie director k. balachander should have made his movie azhagan with kamal haasan rather than mammootty ?
what are the similarities between the indian movie directors k. balachander and bharathiraja ?
what' s so special about the tamil movie sindhu bairavi directed by k. balachander ?
a singer (bharathi) who is tricked into marriage by his mother - in - law, his wife (gowri) is enormously possessive about his fame and his female fans. one day they encounter into a fight and... see more »
a singer (bharathi) who is tricked into marriage by his mother - in - law, his wife (gowri) is enormously possessive about his fame and his female fans. one day they encounter into a fight and he decides escape from home. on the way he meets someone in the bus who is also running from her life as a dancer because her husband forcefully lets her to prostitution. they both experience some random incidents together and meet an one old couple, who are still very much enjoying love and life. eventually the old couple dies, and by watching the couple they fall in love themselves. then bharathi get a prank call from his pa that gowri is ill so he returns back to home town with jyothi. gowri finds him with another woman and gets furious. she files for a divorce, informs media about jyothi. jyothi' s husband gets this news comes to find jyothi. one thing led to another gowri finally become mentally unstable because of her own decisions. bharathi visits her in the mental hospital with jyothi. jyothi then understands that gowri really needs bharathi and they belong to each other, jyothi leaves bharathi with her. jyothi' s husband becomes a cripple and understands his mistakes, reunites with jyothi in the end. written by shafraz
duplicate god, wrong no. with english subtitles. full hd 1080p (www. switchplanes. com )
rahman (born rashin rahman on 23 may 1967) is an indian film actor who has starred in more than a 150 films, primarily malayalam, tamil, and telugu films. more »
geetha (kannada: ಗೀತಾ) is an indian actress who has performed in malayalam, telugu, tamil, kannada and hindi films. she debuted in the tamil language film bairavi (as rajinikanth' s sister) directed by the veteran director m baskar of oscar movies. since
sankaramanchi janaki (born 12 december 1931), popularly known as sowcar janaki, is a south - indian actress who has acted in over 385 tamil, telugu, kannada, hindi and malayalam films. she also performed on stage in over 300 shows and was a radio artist
nagesh (born nageswaran c. krishna gundu rao) was a national award - winning tamil film actor, mostly remembered for his roles as a comedian during the 1960s. he is regarded as one of the most prolific comedians in tamil cinema. he acted in over 1, 000 films
vivekh, better known as vivek is an indian film actor, comedian, television personality and social activist working in the tamil film industry. introduced in films by director k. balachander, he has won three filmfare best comedian awards for his per
sithara (born 30 june 1973) is an indian actress who has featured mainly in malayalam and kannada films besides acting in few tamil and telugu films. more »
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urltoken
freak, moron, halfwit, imbecile, mud head - anyword relating to unstable mind can describe me apparently. .! ! named nisha btw... !! my weirdness turned out to be my obsessions and what next - god forbid: x get in touch with my wierd obsessions via
nisha. annamalai @ urltoken
lets xchange our bizarreness: :: ! !
rahman, sithara, geetha, janagaraj, jayachitra, poornam vishwanathan, sowcar janaki, vivek, ilaiyaraaja .
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sorgathin vasapadi - unnai solli kutramillai - ilaiyaraja hits - k. j. yesudas & chitra romantic duet
this new site reveals so much more. enter a name and state to begin .
it all started from the split between k. balachander (kb) and ilayaraja (ir) .
during 80' s especially in the golden period of 86 - 90 ir used to be very busy and almost all the leading directors used the services of ir for the music and re - recording (rr). at the same time lot of first time producers also dependent on ir for the music. the trend at that time is to book ir for music and goundamani - senthil for comedy and the rest with fillers - you are assured of minimum guarantee success. there were films which went on to become huge hits (especially
mike
mohan and
dowser
ramarajan) just because of ir .
ir is supposed not to differentiate between the big and small producer / director. any film he accepted means he used to complete the music tracks and the rr to his best ability and complete the same (in the accepted order). the complexity lies in managing his dates with that of lyricist, directors and other stakeholders for review and approval. somehow it was managed and the show was going .
this trend of booking ir, but utilizing only for music track and avoiding him for rr (citing time, but actual reason is money) continued for one more film of kavithalaya - unnai salli kutramillai - a amir john film with karthick in lead. ir was very much upset and said if this trend continued he may not be keen to do another film for kavithalaya .
this upset kb and he decided to part ways with ir. nee paadhi naan paadhi a vasanth film from kavithalaya has to go without ir and had music from maragatha mani (keeravani, changed names, ironically a die - hard fan of ir) .
now comes the big occasion - mani rathnam (mr) was booked by kavithalaya for their next film - for mr it is the film after thalapathi - though mr had good equation with ir he has to go with as per the production house wishes. but he demanded the best. somehow kb was able to identify a. r. rehman and as they say, the rest is history. roja was released in 1992 and the music was sensational hit and the legend of arr is born .
this is just (kb - ir ego clash) is just one side of the story. many were working behind or looking for the fall of the great ir as they could not stomach the success of him and more importantly could not stomach being labelled of their success being attributed to the music of ir. chief among them are vairmuthu - the lyricist and bharathiraja the other director who immensely benefited from ir' s music. for them arr is god send and ensured that ir was sidelined. (vairamuthu' s fall from grace started this time and that is another story, not very much relevant here )
after this ir was targeted subtly and more directly for his ego, rigidness and head weight for all and sundry and to his credit as far as possible ir never joined issue with them. along with arr, another music director came in to the scene at that time. deva, was literally deivam (god) for the low budget film producers and ir baiters. (deva, at his peak even used to copy his own songs !) the annihilation of ir is complete. . (or so they thought) .
unthinkable betrayals, severe test for friendship and trust - ir has to go through an unknown phase to him - several of his old colleagues remained loyal to him balu mahendra and fazil to name a few. (after all these, kadhalukku mariathai of fazil in 1998 showed how ir can still be a force) among the new directors bala (sethu and pithamahan) remained fanatically loyal to ir. and balki from bollywood (cheenikum, pa... )
in spite of the musical genius of arr, for a generation of tamil (cinema) music lovers ir is like a demi - god and will remain so. also, it is nice to know that both ir and arr have mutual respect to each other .
ps - most of the above information is from hearsay and from the media publications prevailing at that time. authenticity of this cannot be ascertained and the personal bias of the author towards ir will always be there .
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suppose if ilayaraja doesn' t break his relationship with mani ratnam, then how many years would have taken for a. r. rahman to make his debut i ...
most of mani ratnam’s films are flops or boring. why do so many actors and technicians want to work with him, and treat him like he’s a legend ...
no reason. mani rathnam almost always has, in all his films after roja, ar rahman as his constant music composer, but he does not say either that ar rahman is the best composer or that arr is better than ilaiyaraja .
here i will put ilaiyaraja and kamalahasan together in this. mani also doesn’t work with kamalahasan, after nayakan. the reason is that mani is a director, who likes unpredictability. he considers ilaiyaraja as a genius who invariably has more than one tune in place when the background for either a film scene or a song is narrated to him. likewise, when he explains to kamalahasan, kamal delivers more than what mani wants without (sort of) a retake being required. so mani creatively gets dissatisfied, as he feels he’s probably underworking himself with both kamal and ilaiyaraja .
in contrast, when mani works with other actors, invariably they are of course short of what one would get from a kamal or rajini, just to name these two, but he feels he gets to work more perfectly or feels satisfied as he feels he’s extracted much more from other actors. likewise, arr starts working on tunes only after listening to the scene and tends to work before mani before rendering a set of tunes (but by no means he’s slow as his panchathan studio is one of the most modern and automated). arr also has his pre - recorded tunes and melodies for songs, but works afresh for mani, as i feel. if in reality things are different, others may chip in with their views .
this was conveyed to kb who got pissed of with this reply & decided to use the old rr of ir in the film. this is ir' s version which he mentioned in an interview .
kb' s version is that ir angrily threw some old rr cassettes of his previous films & told hsi team that if the release was so urgent they could go ahead .
there is scene in the movie poovellam kettupar. there will be a argument between naasar (musician) and karan (film director) where nasar claims the all the movies done my karan were successful because of his music. this is said to be based on the true incident between ilayaraja and balachander.
puthu puthu arthangal ( english : the new meanings ) is a 1989 indian tamil language drama film directed by k. balachander starring rahman , sithara , geetha , janagaraj , jayachitra , poornam vishwanathan , sowcar janaki , vivek and ilaiyaraaja . 
puthu puthu arthangal (english: the new meanings) is a 1989 indian tamil language drama film directed by k. balachander starring rahman, sithara, geetha, janagaraj, jayachitra, poornam vishwanathan, sowcar janaki, vivek and ilaiyaraaja.
puthu puthu arthangal (english: the new meanings) is a 1989 indian tamil language drama film directed by k. balachander starring rahman, sithara, geetha, janagaraj, jayachitra, poornam vishwanathan, sowcar janaki, vivek and ilaiyaraaja.