the strength and agility of insects
the strength and agility of insects (1908) f. percy smith on vimeo
‎the strength and agility of insects (1911) directed by f. percy smith • reviews, film + cast • letterboxd
clonic mutations programme at the dali at tate modern, july 2007.' buggy bongie boogie' a music score for the film the strength and agility of insects .
a highly entertaining and revealing account of insect ability, the strength and agility of insects presented a view of arthropods quite unlike anything ever seen on film before. premiering in 1911, the production caused a sensation, detailing our insect friends as they lift tiny dumbbells, twirl matchsticks and juggle objects much heavier than themselves. sparking a huge press debate, renowned wildlife photographer percy smith had to dispel rumours of trickery and cruelty by sharing his innovative filming techniques. examining a whole host of these tiny creatures and their relative power and dexterity, the strength and agility of insects is an intriguing insight into the skills of a variety of species .
still images from the film were featured in newspapers and magazines and the subject inspired poetry and political cartoons; this obviously pleased smith greatly. he was humble in print, however, stating that his intention in making the film was of course to entertain the public, but also to demonstrate the strength and agility of those insects we might unthinkingly squash or swat when they settle on our lunch .
this early ﬁlm by national history ﬁlm pioneer f. percy smith observes real insects juggling and playing with objects in a binzarre manner. a major success at the time of its premiere, the ﬁlm serves here as a tribute to dalí’s fascination with insects in his paintings and ﬁlms, and his profound interest in the scientiﬁc study of nature. lópez figueroa’s circus music serves as an overture to the whole programme, interpreting freely dance music from the period .
* this film is included on the bfi dvd compilation' science is fiction / the sounds of science: the films of jean painlevă© .
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percy smith' s films of various insects seen juggling tiny objects caused an absolute furore when they were first shown to the public in 1908. this was unlike anything cinemagoers had seen before and there was much debate as to how smith had' taught' the little creatures to twirl match sticks, manipulate corks and waggle tiny dumbbells. the filmmaker was forced to justify his methods in the press, guaranteeing that there was no trickery involved and certainly no cruelty .
described simply, f. percy smith' s most - excerpted short sounds like a trick photography classic of the cameraman' s revenge ilk, but those are real insects performing real feats of strength, flipping around objects many times their size with ease. obviously nowadays you' d do it all with cgi but in smith' s day they had to use real stuntmen for this sort of thing .
trippy indie madeline' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
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a spider is shown standing on a piece of rock. a thread is produced until sufficient to bear the spider' s weight. in a humorous fashion, the spider lifts all eight legs off the craggy outcrop and is pulled into the air, sailing off into the unknown. in the next sequence we see how the spider uses its legs to manipulate the web, turning on its back then gathering in the thread with its feet. the film ends with a live action shot of a spider in its lair, scrabbling around looking for tasty morsels .
percy smith believed that he could cure people of their fear of spiders by showing them blown up images of their eight legged foes on the cinema screen. this short film uses an animated model spider to show how the spider' throws' its silken threads to make a web. the little fellow is quite comical and is the first of several animated creatures to appear in smith' s films .
there were several different versions of this film. the version featured here includes a scorpion grasping a matchbox, an ant holding a match, and flies and fleas juggling various small objects. alas, the much - debated footage of a fly dressed as a nurse holding a small model baby is missing from this version. shame !
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the strength and agility of insects is a 1911 british short silent documentary film , directed by f. percy smith , featuring close-ups of a houseflies and other insects secured and juggling various objects with its feet . the films in this series , which included the acrobatic fly ( 1910 ) , " caused an absolute furore when they were first shown to the public , " and , according to jenny hammerton of the bfi , smith , whose stated intention " was of course to entertain the public , but also to demonstrate the strength and agility of those insects we might unthinkingly squash or swat when they settle on our lunch , " " was forced to justify his methods in the press , guaranteeing that there was no trickery involved and certainly no cruelty . " 
the strength and agility of insects is a 1911 british short silent documentary film, directed by f. percy smith, featuring close-ups of a houseflies and other insects secured and juggling various objects with its feet. the films in this series, which included the acrobatic fly (1910), " caused an absolute furore when they were first shown to the public, " and, according to jenny hammerton of the bfi, smith, whose stated intention " was of course to entertain the public, but also to demonstrate the strength and agility of those insects we might unthinkingly squash or swat when they settle on our lunch, " " was forced to justify his methods in the press, guaranteeing that there was no trickery involved and certainly no cruelty. "
the strength and agility of insects is a 1911 british short silent documentary film, directed by f. percy smith, featuring close-ups of a houseflies and other insects secured and juggling various objects with its feet. the films in this series, which included the acrobatic fly (1910), " caused an absolute furore when they were first shown to the public, " and, according to jenny hammerton of the bfi, smith, whose stated intention " was of course to entertain the public, but also to demonstrate the strength and agility of those insects we might unthinkingly squash or swat when they settle on our lunch, " " was forced to justify his methods in the press, guaranteeing that there was no trickery involved and certainly no cruelty. "