cottage country ( film )
cottage country opens on oct. 18 in toronto, vancouver, calgary, and on demand .
todd and cammie are clearly in love. i almost don’t want to say anything more about cottage country
comparisons to a better and similar, at least in one respect, film in tucker and dale will do cottage country no favors. the film’s storyline and characters take some disagreeable turns and the laughs are light outside of labine and punch. cottage country is a merely ok horror comedy and not one worthy of frequent revisiting .
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overall i found cottage country to be a thoroughly entertaining film. despite the direction sometimes being a bit misguided and the different elements getting occasionally crossed the film remains very enjoyable. it definitely could have been funnier, but what we got with cottage country is still a satisfying flick, if perhaps a little forgettable. i’d definitely recommend it to fans of the horror comedy subgenre .
malin akerman as cammie and tyler labine as todd play a couple whose romantic weekend goes off the rails in cottage country .
in the midst of the american film market, we have a trailer (and a sales poster) for the thriller - comedy cottage country starring tyler labine (tucker and dale versus evil) and malin akerman (watchmen) .
malin akerman is great in final girls. in cottage country she is okay as the control freak girlfriend. for a horror comedy this isn' t the best and as a dark comedy it is alright. this is a pretty average film .
what to this point succeeds as a frisky dark comedy goes off the rails, courtesy of the script by jeremy boxen, and cottage country ends up becoming a crashing disappointment .
the film comes to us “from the producer of hobo with a shotgun ” as the promo materials state .
cottage country gives labine a chance to revisit the same “pushover who goes into the woods and ends up in over his head” character that he nailed in 2010’s classic tucker and dale vs. evil. while labine succeeds, most of what’s going on around him doesn’t match the high bar set by that film .
cottage country is a movie that i saw a trailer for and then just sort of forgot about until they added it to netflix. the sole reason i watched this movie was for tyler labine from the excellent tucker and dale vs evil. this movie seemed to have the same kind of idea, both being dark comedies centering around accidental murder. was cottage country as good as tucker and dale vs evil? no. it’s not that close either. tucker and dale is much better all around and it is especially a great deal funnier. that being said i still very much enjoyed cottage country .
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a proper black comedy needs to mix the comedy with the macabre. look at heathers for black comedy done right. hell look at very bad things, a film that this one has a passing resemblance to. both the aforementioned films work because of this mixture. cottage country does not. the dark moments aren' t funny, the funny scenes not particularly dark. the film is passable entertainment but only marginally so. it' s not terrible, just not funny and it' s overlong .
the kind of content you find on cable at 2am. was there some sort of mandate i missed where all canadian indie films require tyler labine in the woods? unlikable characters doing horrendous things with no punchlines. at least the cottage country presents some nice scenery to murder people in .
a couple retreats to the cottage for a weekend, but when they’re interrupted by an unwanted family member, it all goes awry .
keep your comments focused on the film. don' t post randomness / off - topic comments. jokes are fine, but don' t post tactless / inappropriate ones .
subscribe to trailers: urltoken subscribe to coming soon: urltoken cottage country official trailer # 1 (2012) - malin akerman movie hd todd (labine) wants everything to be just perfect at the family cottage where he plans to propose to cammie (akerman)... cast: malin akerman: urltoken director: peter wellington producer: frank siracusa: urltoken paul gross writer: jeremy boxen editor: christopher donaldson cinematographer: composer: stephen skratt
montreal — dreams of a picture - perfect bourgeois life go violently awry in peter wellington' s cottage country, a lakefront macbeth in which the stakes aren' t the fate of a kingdom but the need of a tightly wound woman to hear
will you marry me ?
in exactly the way she has planned. despite some perfectly commercial ingredients and a familiar cast, the film winks too often to succeed as a thriller and hits too many strident notes to keep us rooting for the characters; theatrical prospects are limited .
i' ll be honest, i saw the word
cottage
and tyler labine in what looked possibly like the setting for a canadian horror comedy and it built up hope that this was the next tucker and dale vs evil. it is not. it' s basically labine and malin akerman showing their canadian roots by staring in a bad canadian film .
the fact that i watched this film is proof enough that i have a lot of anticipation for whatever comes next in some actors' upcoming projects list. tyler labine and lucy punch hit my funny bone a thousand times a minute in someone marry barry, and they made an otherwise trash throwaway into a watchable comedy. in the case of cottage country, however, neither of them can swoop in to save the day. this has an okay setup for a dark comedy, but its execution is flat beyond belief, and it under - uses both labine and punch in excruciating, disappointing fashion .
todd (tyler labine) dreams of making the perfect marriage proposal to longtime girlfriend cammie (malin akerman) at his family' s cottage, but fate takes a new direction .
it' s actually not all bad. i love black comedies and this one does not shy away from violence and i also like labine and akerman a great deal. you might not know it from her film output, but akerman is a…
if cottage country has a flaw, it may be that it is too many things to attract too many people. horror fans will want more blood; comedy aficionados may find the laughs too spread out. but if you have even an inkling of appreciation for either genre, and you like the idea of a story that doesn’t tell you where it’s going in the first five minutes, tag along. it’s worth the drive .
cottage country sports a twist in its third act which completely reworks the nature of todd and cammie’s nature relationship. it’s one that, had the movie shown a little restraint, would build logically off the painful deterioration of cammie’s morality. the movie shows zero restraint and dives in whole hog, taking the twist to a degree that it never earned. it cheapens everything that came before it and removes any weight from what comes after .
ou can probably see where this is going even if you haven’t seen ang lee’s adaptation of annie proulx’s gay cowboy story brokeback mountain – a film to which god’s own country owes an immediately obvious debt, even if the ways in which the two productions chew over their stories of unconstrained love on the open pasture turn out to be markedly different. johnny is suspicious of gheorghe as soon as he collects him from the station – he calls him ‘gypsy’ in a tone of voice that’s not obviously affectionate .
cottage country tells the story of todd and cammie who go to todd’s cottage so that he can propose. some unwanted guests cause todd and cammie to cover up multiple murders in a very dark comedy. the movie is morbidly funny and mixes the horror with the comedy in a way that not everyone’s pallette will be able to handle. sometimes the mixing of the two genres is a little uneven, and i would’ve liked a bit more comedy in there, but the movie remains funny enough to not lose sight of its goal. there are standout moments that are very very funny, but the movie would’ve benefited from having some smaller laughs sprinkled in throughout .
“i have a feeling this will be our best trip to the cottage ever, ” says a hopeful todd before all heck breaks loose. he’s about to be disappointed, along with the rest of us .
sam kench is a high school film fanatic who moonlights as an amateur filmmaker himself. following in the footsteps of martin mcdonaugh, darren aronofsky, and quentin tarantino. also has an aspiration for art and produces many drawings, paintings, and noire art revolving around movies and actors
todd and cammie are off to the family cottage and part of the program is to formalize the couple’s endearing love — she calls him “toodles, ” he calls her “snuggle bum” — with a proposal and a ring .
todd and cammie are clearly in love. i almost don’t want to say anything more about cottage country, for fear of ruining its sundry devious surprises. many movies feature a twist or reveal in the final act: i am your father! he’s a ghost! one direction is not an actual direction! (was i the only one who didn’t see that coming ?) anyway, this one caroms down the narrative highway like an out - of - control hearse late for its own funeral .
tyler labine is great as todd. he pulls off the comedy and handles the dramatic moments just as well. the cast of characters is surprisingly varied and everyone does their jobs nicely. the female lead cammie (played by malin akerman) is great and her character, that at first seems generic, is actually rather interesting. spoiler her character actually becomes the antagonist of the film near the end and while the writing on her transition wasn’t particularly good, the actress manages to make it work fairly well. the climax of the film went in an unexpected direction, but i think it works for this particular movie. end spoiler .
from here, the movie lists from comedy to horror, from thriller to police procedural, from the taming of the shrew to macbeth. in its best moments it touches down in coen brothers’ country, although i may be projecting because of the presence of folksy police sergeant mackenzie, played by sabrina grdevich .
“let people feel the soul and the heart there, ” robert bresson once advised aspiring directors, “but let it be made like a work of hands. ” god’s own country, the superb debut feature from the 47 - year - old english filmmaker francis lee, could slip seamlessly into the austere french master’s bristlingly tactile world .
ecareanu brings wells of unspoken feeling and a quietly imposing presence to what could have easily been a flat - pack heartthrob role, and the two actors’ chemistry is genuine and grapefruit - sharp. the film has a cumulative power that sneaks up on you even as you think you’re keeping track of it, and a twilit afterglow that hasn’t faded yet .
the dramatic and horror aspects are surprisingly effective. i love horror comedies, and what usually ends up happening is that the comedy takes center stage while the horror is merely a backdrop. most horror comedies simply use the horror as the setup and fail to deliver on actually being frightening. cottage country, while never being scary, does manage to competently build tension and even manifest a creepy vibe in a few scenes. the way these different elements are mixed could have been handled better, but i found that they still worked. these elements work especially well given the excellent acting and the good musical score .
o’connor is probably best known for his work on television – he played larry, brother of gerald, in the itv comic - drama series the durrells – and he portrays johnny’s steady maturation here with extraordinary delicacy and deftness. (by the end of the film, it feels like you’re looking at a completely different person, without having actually noticed him changing once. )
but todd' s overbearingly free - spirited brother salinger didn' t consult the cottage - occupancy schedule, and shows up with girlfriend masha (lucy punch) just as the romantic getaway begins. he may have invited a few dozen friends to show up tomorrow night, in fact .
when todd takes his girlfriend cammie up to the family cottage for a reclusive proposal, the last thing he expected to be doing was dealing with was his slacker brother and his hippie girlfriend. but in this comedy of errors, todd and cammie, have to deal with his accidentally murdered brother in order to live happily ever after .
after watching the movie i was somewhat shocked to see all the negative reviews for it. this film has a bad reputation and seems to be getting a lot of undeserved flak. is this movie perfect? not at all, but it is not bad by any stretch of the imagination. it’s an enjoyable flick that doesn’t deserved to be labeled as trash as it has been. i’m expecting it to actually gain a cult following in a few years .
cammie’s arc is another instance where the film drops the ball. sure, the movie is a horror comedy, a subgenre not known as the domain of complex characters. however, the moment she hears the news of salinger’s untimely passing, cammie takes a hard right, becoming this manipulative, selfish she - devil. todd gets a few quiet moments following the kill where you can see his brain is struggling to catch up with what his body did. cammie? she jumps right into a speech about sunk relationship costs, her unrelenting need to have kids, and sweeps todd into how the pair can blow passed all this and still have a great week. it’s a cheap character development, one that the film tries to make up for later with a brief scene showing she has indeed been affected by what happened. it’s too late by then and even her guilt is colored entirely by how the murder could impact her dream wedding .
he film begins with what might be the most unmistakably yorkshire dawn imaginable, the sky over johnny’s farmhouse inching imperceptibly from grey - blue into grey - green, while clouds lour impatiently overhead. but up on the moors, it’s as if he and gheorghe have entered into a temporary state of grace, until they return home to johnny’s father and plain - spoken grandmother (gemma jones), the sigh and tick of her steam iron, and the crackle of kindling in the grate .
one element which is absolutely on point, besides labine, is the criminally underrated lucy punch. she’s clearly having a blast burying herself behind an almost unintelligible and unquantifiable eastern european accent. her masha gets these moments of clarity where a demented sense of humor shines through. masha nearly totally buries the forgettable salinger as a foil for todd and cammie, almost to the point where the film might have been better served ditching him entirely and just doing some sort of triangle with the three others .
ot that the film labours the point, or any other. in the style of andrea arnold’s extraordinary poetic - realist adaptation of wuthering heights (2011), it lingers in the moment and lets nature take its course. even the lambing sequences themselves are all the lovelier for being so eye - wateringly frank – and a scene in which an orphaned animal is ‘grafted’ onto a new mother is later harked back to for maximum symbolic impact. (gheorghe too comes into johnny’s life in sheep’s clothing. )
todd (labine) wants everything to be just perfect at the family cottage where he plans to propose to cammie (akerman). but things go awry with the arrival of todd’s slacker brother salinger and his free - spirited girlfriend masha (lucy punch). when todd accidentally kills his annoying brother with an axe, cammie is determined not to let a murder stand in the way of their happiness .
todd and cammie blame a drifter they saw earlier who gets arrested. after cammie insists their wedding be held in the same cottage all the murders have happened in and she makes him yell at his mother, todd realizes he doesn' t love her and needs to turn himself into the police. he takes off in his car with cammie (who agrees she doesn' t love him) in hot pursuit .
todd (labine) wants everything to be just perfect at the family cottage where he plans to propose to cammie (akerman). but things go awry with the arrival of todd' s slacker brother salinger (petronijevic) and his free - spirited girlfriend masha (punch). when todd accidentally dispatches his irksome sibling with an axe, cammie is determined not to let murder stand in the way of their happiness .
so now we have a dead body in the movie. given the woodsy - cabin locale (plus the fact that mortality loves company), you can expect more to follow. seemingly just to broaden the pool of victims, salinger has invited all his friends up to the cottage for the weekend, and so the murder scene quickly becomes party central, complete with one reveler named dov (benjamin ayres) who fancies himself an amateur sleuth .
ut when they camp out close to the flock in the remains of a long - deserted cottage, the gently poaching tension between them ramps up to a rolling boil, and the hands that until recently ran themselves over animal flanks find other things to paw and grasp at. the sex scenes are muddy and vigorous, verging on explicit – but they’re also struck through with the same flinty, unsentimental beauty as the terrain that stretches to the horizon on all sides .
the supporting cast all do a very good job. horror movies in general get a bad reputation as having terrible acting, but that is not always the case. the acting in cottage country is good all around. there are some standout characters that manage to be fully developed even though they may only have a couple of scenes. there is a hasidic jewish man named dov who goes all detective on the disappearance of todd’s brother salinger who he murdered earlier (not a spoiler it’s in the trailer). this character is delightfully strange and his outcome is gleefully funny. the one character i found underdeveloped was the vagrant. he is only seen twice and a little more action from him would’ve been appreciated. there are two other standout characters i want to mention. the female cop and todd’s father both manage to be terribly cool, despite having little screen time. the cop is a bonafide bamf and really goes out with a bang and todd’s father might actually be the funniest part of the whole movie when he starts screaming at his wife .
bit of a disappointing black comedy starring tyler labine and malin akerman as todd and cammie, a sickly sweet couple who go to todd' s parents cottage for a romantic weekend but get rudely interrupted by todd' s slacker brother and his russian girlfriend. things take a turn for the grisly when during a fight with his brother todd manages to lodge an axe in his neck and we watch as the body count rises as he tries to cover up the murder. this films main problem is for a black comedy there just aren' t enough laughs, the humour is based on the stupidity of the lead characters and for me it just wasn' t that funny. the characters also come across as…
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tyler labine and malin akerman play a couple whose quiet week by the lake is interrupted by bloodshed .
malin akerman plays cammie, a type a woman who for some reason has decided her tubby, slightly dim boyfriend todd (no offense intended to tyler labine) is the best she can do before the biological clock stops ticking. she' s elated at the knowledge that he intends to propose to her on their week - long trip to his parents' lakeside cabin, and impatient with any obstacle to that agenda .
desperate to keep his fiancee - to - be happy, todd insists that salinger has to pack his affectations up and leave. a fight ensues, and, as will sometimes happen in brotherly squabbles, todd accidentally decapitates salinger with an axe .
instead of leaving in horror, cammie doubles down on her commitment, taking charge of corpse disposal and the inevitable killing of masha. the two take a picturesque canoe ride, drop some trash bags full of cadaver parts in the lake, and reach a tiny island just in time for todd' s sunset presentation of the ring. but by the time they get back to shore, the house is full of sal' s drunken friends, some of whom are a little too curious about where the host has gotten off to .
labine brings as much likability as possible to a hard - to - love character, freaking out as todd struggles to keep stories straight for sal' s friends and the cops who come later. akerman has a tougher assignment, her one - dimensional character making demands that grow increasingly hard to believe. predictably, punch is hard to ignore in her few scenes, laying on the russian sexpot act and making the most of dialogue like
i' m goink to rape yoor bolls off .
the autumnal setting makes things easy to watch - - until, that is, todd' s victims come to haunt him in silly - corpse - makeup hallucinations .
cammie, turning ever so shrewish, demands that todd tell salinger to vamoose. this he does, but salinger digs in his heels, and a scrap ensues. at first, both men fight like girls. then one of them lifts an ax, and the movie takes its first horrifying lurch. it’s so dreadful it’s almost funny. no, it’s so funny you can’t believe how ghastly it is. actually, it’s both .
along the way we marvel at the knowledge one can pick up at childhood bar mitzvahs, and at the ongoing use of the frying pan as a movie murder weapon of choice. (this with an ax, meat cleavers and arrows lying around for the taking .) it all unrolls to a boppy soundtrack that includes to your health by canadian chuck erlichman, and not one but two covers of if i didn’t care, by the ink spots (1939) and the platters (1961) .
throughout, it feels as though fate plays a shadowy co - starring role. the universe seems to be messing with one of the characters, letting him (or her; don’t want to say too much) get away with things while simultaneously dangling the threat of punishment .
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colin is a long time fan of horror movies, books and tv shows. thanks to a childhood viewing of
the shining ,
he still always checks behind the shower curtain... just in case .
todd (tyler labine) is a bit of a pushover who is planning on proposing to his strong - willed girlfriend cammie (malin akerman) at his parent' s cabin. his brother sal (dan petronijevic) and sal' s girlfriend masha (lucy punch) show up unexpectedly. they are loud and rude and are ruining todd and cammie' s weekend .
cammie and masha go to pick mushrooms so todd can get sal to leave after sal mentions a party he wants to throw. the latter two get into a fist fight after todd throws sal' s headphones into the lake which results in todd killing sal with an ax to the neck .
when the girls get back, todd tells cammie what he did and she coerces him into killing masha as well (cammie hits her with a frying pan and then strangles her). they chop up their bodies and dispose of them in the lake, after which cammie accepts todd' s proposal .
when they return to the cabin, there is a party going on. sal' s friend dov seems really suspicious of todd and cammie and ultimately, after he finds the headphones, is killed by todd and cammie with an arrow to his eye and heart .
a policewoman arrives, having received a message from dov the evening before. todd' s parents arrive, with todd' s mother being a pushover and todd' s father being aggressive. they find blood on the property and a sleepwalking incident from cammie makes todd' s mother think they killed sal .
as he makes it to the police station, he gets out of the car to approach the policewoman from earlier. cammie speeds towards him and the policewoman takes her gun out and shoots cammie in the chest. cammie swerves and crushes the officer. she then takes the dropped gun and shoots todd in the head, takes off her engagement ring and dies .
epilogue shows todd alive, in a wheelchair with his father (who reveals his wife has left him). todd says the lake is pretty, then asks about his mother and brother. he repeats the same questions a few times, revealing that even though he is alive, the bullet has caused irreparable damage .
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sure enough, the fantasia screening i saw this at was jam - packed and sold out for days in advance. while i wouldn’t say it’s as fresh and fun as tucker & dale, it’s still a pretty nifty little comedy - thriller, although like most films of its ilk, the less you know about it going in, the better. it’s essentially a riff on early coen bros, particularly blood simple, crossed with a healthy dose of peter berg’s underrated very bad things .
malin akerman, who’s usually stuck playing the typical “hot chick” part, gets to stretch as labine’s girlfriend. at first, she seems too good to be true, being drop - dead gorgeous, and utterly devoted to her pudgy boyfriend. but, as things go south, akerman’s really able to cut loose and camp it up a bit as her character is put through the wringer, and defies her stereotype in often very funny fashion .
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starring malin akerman, tyler labine. directed by peter wellington. 91 minutes. opening oct. 18 at carlton cinema. 14a .
unfortunately, todd’s obnoxious brother, salinger, crashes the party with girlfriend masha in tow and the best laid plans... yada yada .
when salinger pushes him too far, the close proximity of an axe provokes an unfortunate burst of rage and suddenly todd and cammie are waist deep in gore and a seat - of - the - pants cover - up, with the bodies piling up .
it’s too bad because there’s quite a bit to like here, starting with malin akerman’s portrayal of cammie, whose determination to have the picture - perfect marriage and future turns her into a sort of lady macbeth .
then there’s lucy punch’s comically over - the - top performance as masha, whose russian - accented english requires translation .
“i’m boring, ” masha moans, when she means to say she’s bored .
benjamin ayres has an amusing turn as dov, an orthodox jewish guy who smells a rat when he and a cadre of party - goers show up to find salinger and masha inexplicably absent .
luc montpellier’s cinematography makes the canadian shield setting, replete with fall colours, an appealing backdrop to the action .
less successful is tyler labine’s portrayal of todd, who’s an unappealing marshmallow inside and out. dan petronijevic’s salinger is supposed to be annoying, but his performance is beyond grating. when he returns from the beyond to haunt brother todd — one of the script’s major missteps — you wish someone would kill him all over again .
but it’s the script that’s the major letdown in the final throes, going from sardonically amusing with a soupçon of suspense to ridiculously awful due to a pot - holed plot .
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irector: francis lee. starring: josh o’connor, alec secareanu, gemma jones, ian hart. cert: 15, 104 mins .
lee’s picture keeps a watchful eye on its characters’ hands at all times. for a start, they’re what they work with, up on the west riding of yorkshire’s wind - hammered moors. but they’re also often their best means of self - expression, for all the times when words fall hopelessly short .
heorghe (alec secareanu), a handsome romanian farmhand who arrives in the area for the lambing time, isn’t much of a talker. but the way he gently rubs the life into the tiny, bleating bundles of wool and mucus he pulls out into the world doesn’t require much in the way of verbal explanation. nor do the far surlier efforts made by johnny saxby (josh o’connor), the 24 - year - old son of the ailing middle - aged sheep farmer (ian hart) whose estate gheorghe comes to work on – and whose own responsibilities feel like a hand clasped tight around his ankle, holding him to the life and land you sense he longs to leave behind .
hat complicates matters is the fact that johnny is gay – and actively so, as an early sequence set at a cattle market makes strappingly apparent. fumbled encounters in livestock trailers are all well and good, but the idea that one of them might lead to a
, of all things, is beyond the pale, a mindset lee’s script spells out with wiry precision .
“hold up mate, wanna get a pint or summat? ” a young man asks johnny after just such a roll in the hay. “i just thought we…”
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the arrival of todd' s brother salinger (daniel petronijevic) and his girlfriend masha (lucy punch) ends in devastation, but cammie is determined not to let murder stand in their way .
i fist - fuck life with a nuclear - powered pneumatic fuck - hammer for 60, 70 hours a week. so who' s the douche bag? - salinger chipowski
dark (dark !) comedy that really keeps you guessing and makes you ask yourself some hard questions. i might just need to see this again .
malin akerman (watchmen) and tyler labine (reaper) are cammie and todd, one of those awful couples that have cutesy nicknames for each other. they plan on spending a momentous romantic vacation at todd' s parents cabin by the lake, but when his slacker brother shows up with his girlfriend this go quickly from bad to worse ,
a fun horror comedy filled with actors i love. worth the watch if you like the genre .
a horror comedy that is neither. watch tucker & dale vs evil instead .
ganz guter anfang, nimmt ab der mitte aber rapide ab, nach einbau von ziemlich dümmliches halluzinationen und übertreibungen. alles nicht ganz rund .
so many horror films come out every year that it' s no surprise when a good one slips through the cracks. …
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cottage country is a 2013 canadian comedy horror film directed by peter wellington . it stars malin åkerman , tyler labine , dan petronijevic and lucy punch . it was released on march 14 , 2013 . 
cottage country is a 2013 canadian comedy horror film directed by peter wellington. it stars malin åkerman, tyler labine, dan petronijevic and lucy punch. it was released on march 14, 2013.
cottage country is a 2013 canadian comedy horror film directed by peter wellington. it stars malin åkerman, tyler labine, dan petronijevic and lucy punch. it was released on march 14, 2013.