vipra narayana
how can i put and write and define vipra narayana in a sentence and how is the word vipra narayana used in a sentence and examples? 用vipra narayana造句, 用vipra narayana造句, 用vipra narayana造句, vipra narayana meaning, definition, pronunciation, synonyms and example sentences are provided by ichacha. net .
vipra narayana is a 1937 indian telugu film released on 1937. the film is directed by andhra chowdhry, produced by dasari kotti rathnam. check out this page for more updates on vipra narayana .
free wallpapers download of vipra narayana movie, hero, heroine, etc is available in our gallery section .
vipra narayana songs are not available at this moment. you can add it using the
add missing songs
button above
we do not sell pirated vipra narayana dvds & vcds. we recommend you to buy movies of original dvd & vcd .
certificate of merit for second and third best feature films in telugu were received by
thodu dongalu
and
vipra narayana
respectively .
vipra narayana (1954) is regarded as one of the classics in telugu cinema and the movie is all set to be remade in telugu and hindi .
the fun starts now with how chanti falls in love with suchitra and gives sleepless nights to vipra narayana. will chanti get to marry suchitra in the end or will vipra narayana succeed in the are climax are the questions to be answered. to know more about it, watch this' idiot' on big screen !
this page provides latest and updated information about vipra narayana (1937) movie which released on 1937. vipra narayana (1937) is directed by, produced by, starring. we have also provided 0 trailers and videos, 0 photos, 0 user reviews, and 0 critic reviews. you can review, like, dislike this movie and also can add to favorites. you can also find information on showtimes, cds, dvds, online rental, online free watching .
the 1954 film, directed by kadri venkata reddy, peddamanushulu was honoured with the first president' s silver medal for best feature film in telugu. certificate of merit for second and third best feature films in telugu were received by thodu dongalu and vipra narayana respectively .
nageswara rao is known for his path - breaking works in biographical films; rao essayed tamil saint
thondaradippodi alvar
in the 1954 film
vipra narayana
; as
tenali rama
in the 1956 film
bhookailas
; and as arjuna in
sri krishnarjuna yuddhamu
.
rama naidu film with narayana murthy d rama naidu would be producing a film with people star r narayana murthy as hero. this film would also sport a young hero and kota srinivasa rao. veteran film director boyina subba rao who directed' preminchu' would be directing this film. d rama naidu is concentrating of making more films now .
watch the devotional song ,
choodumadhe cheliya
sung by am rajah from the film vipra narayana. cast: anr, bhanumathi, relangi, v sivaram, rushyendramani, sandhya music: saluri rajeswara rao lyrics: samudrala director: ps ramakrishna rao producer: ps ramakrishna rao release: 10 december 1954 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
watch the melodious song ,
paalinchara ranga
sung by am rajah from the film vipra narayana. cast: anr, bhanumathi, relangi, v sivaram, rushyendramani, sandhya music: saluri rajeswara rao lyrics: samudrala director: ps ramakrishna rao producer: ps ramakrishna rao release: 10 december 1954 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
watch the devotional song ,
dharicherukora ranga
sung by am rajah from the film vipra narayana. cast: anr, bhanumathi, relangi, v sivaram, rushyendramani, sandhya music: saluri rajeswara rao lyrics: samudrala director: ps ramakrishna rao producer: ps ramakrishna rao release: 10 december 1954 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
watch the melodious song ,
meluko sriranga
sung by am rajah from the film vipra narayana. cast: anr, bhanumathi, relangi, v sivaram, rushyendramani, sandhya music: saluri rajeswara rao lyrics: samudrala director: ps ramakrishna rao producer: ps ramakrishna rao release: 10 december 1954 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
watch the melodious song ,
madhura madhurame
sung by am rajah and p bhanumathi from the film vipra narayana. cast: anr, bhanumathi, relangi, v sivaram, rushyendramani, sandhya music: saluri rajeswara rao lyrics: samudrala director: ps ramakrishna rao producer: ps ramakrishna rao release: 10 december 1954 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
watch the melodious song ,
anuragalu dhooramu
sung by am rajah and p bhanumathi from the film vipra narayana. cast: anr, bhanumathi, relangi, v sivaram, rushyendramani, sandhya music: saluri rajeswara rao lyrics: samudrala director: ps ramakrishna rao producer: ps ramakrishna rao release: 10 december 1954 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
sd, yes - this was the immortal pasuram by thondaradi podi azhwar - can there be a better words of glory - in praise of aranga mana huralan - sriman narayana himself. thank you. nkr
the genre was also instrumental in turning the image of stars like ntr, anr, sv ranga rao and others into demi - gods on the silver screen. so much so that ntr became synonymous with gods like krishna and sri rama; anr was revered for his performances in films based on lives of saints like kalidasa, vipra narayana, bhakta tukaram, amarashilpi jakanna. and sv ranga rao was the other legend who completed this holy trinity .
) is a 1939 telugu drama film directed by chittajallu pullayya. the film is a reformist social film about the dowry system prevalent in british india. it is based on the novel and play of the same name by kallakoori narayana rao .
tanguturi surya kumari passed away tanguturi surya kumari who sung the most famous song on telugu -' maa telugu talliki mallepoodanda' - passed away on monday (25th april) at a hospital in chennai. she was born in vijayawada in 1925. she made her debut as child artist in vipra narayana (1937). she won the title of ms. madras in 1952. she migrated to usa in 1959 and later on she settled in london. she is also the niece of famous freedom fighter andhra kesari tanguturi prakasam panthulu. may her soul rest in peace !
story chanti (ravi teja) is the son of a head constable (kota). chanti is a guy with carefree attitude. he is beaten by a rival gang at college and was rescued by a beautiful girl (rakshita). she pays his hospital bills and donates her blood. she is gone from the hospital by the time chanti became conscious. chanti starts loving her for her good - heartedness though he did not see her. that girl' s name is suchitra. she later turns out to be the daughter of the city police commissioner vipra narayana (prakash raj) .
chanti is the son of a head constable. chanti is a guy with carefree attitude. he is beaten by a rival gang at night and was rescued by a beautiful girl suchitra or suchi. she pays his hospital bills and donates her blood. she is gone from the hospital by the time chanti became conscious. when chanti' s friends tell him who rescued him, he starts loving her immediately for her good - heartedness though he did not see her. suchitra later turns out to be the daughter of the city police commissioner vipra narayana. the rest is how he won his love .
her next role was as uthara in ‘veerabhimanyu’ (1936) produced by sagar movietone in bombay. kodavatiganti kutumba rao debuted as a screenwriter with this film. mesmerised by her beauty, jaddan bai, actor and producer and mother of hindi cinema' s most elegant actress, nargis, asked her to act in hindi films. mehaboob khan and popular hero of the time motilal also told her to learn hindi so that they could make her a big star in hindi cinema. kanchanamala, still a teenager then, said no to their offers. her third starring role, vipra narayana catapulted her to stardom .
first generation actress rushendra mani expired on 17th of august 2002 in chennai. she made debut in films in 1935 as heroine with c pullaiah' s home production venture' krishna tulabharam'. she acted as heroine apposite ks prakasa rao in' patni' in 1942. she is also a good singer and orator. she acted in 150 films in various languages like telugu, tamil, kannada and malayalam. her work in seetarama jananam, malliswari, chintamani, vipra narayana and veera brahmendra swamy charitra won her many laurels. her last film was' sri shirdi sai baba mahatyam' that was directed and produced by vijaya chandar .
popular music director opted out of rama krishna horticulture project with taraka ratna in the direction of uppalapati narayana rao. he scored a couple of songs that were penned by kula sekhar and then settled the account and opted out due to some unknown reasons. it is not known who is replacing rp in that project .
vedantam satyanarayana sarma, a legend of kuchipudi dance, was admired, acknowledged, revered as one of the best when it came to portrayal of female impersonation roles to such perfection that it was hard for the audience to believe that the performer they saw and appreciated on stage was in fact a male. such a towering personality is no more among us in the mortal world though his stupendous work is for the benefit of posterity. his portrayal of female roles in kuchipudi yakshaganams such as usha in usha parinayam, satyabhama in bhama kalapam, deva devi in vipra narayana, mohini in mohini rukmangada, sasirekha in sasirekha parinayam and gollabhama in gollakalapam, have been much appreciated over a period spanning almost six decades .
dasari in awe of chandramukhi dasari narayana rao watched chandramukhi (telugu) a couple of days back in the preview theater of prasad labs. he said that he impressed by the story line and how the film is tackled to maintain the suspense. he is in awe of the performance of rajnikant and screenplay of vasu. he declared that chandramukhi film is all poised to collect around 70 crores in total run .
jeevi rating: 4 / 5 genre: love banner: vaishno academy cast: ravi teja, rakshita, kota, prakash raj, sangeetha, ali, jeeva, giri babu, jr. relangi, bose, narsing yadav, satya narayana, srinivasa reddy music: chakri photography: shyam k naidu lyrics: kandikonda, bhaskarabhatla ravi kumar & peddada murthy editing: marthand k venkatesh story - screenplay - direction - dialogues - production: poori jagannath release date: 22nd august 2002
babu rao for film critics assoc senior journalist lagadapati babu rao was unanimously elected as president of hyderabad film critics association in elections held on 24th april. patrikeya and kondeti suresh were elected as vice presidents. narayana was elected as general secretary. naga bhushan and mallikharjun yadav were elected as joint secretaries. janardhana reddy was elected as treasurer. devaraju ravi, prabhu, c venkat, dg bhavani, m satyanarayana, kr naraana raju, praveen kumar, m phani, rds prakash, murali (shaktiman) and sai ramesh were elected as ec members .
one of the most popular among the 12 alwars who propagated vaishnavism in this part of the country, vipranarayana (also known as ‘thondaradippodi alwar’) led a life which was a mixture of bhakthi and sringara. the story of this saint used to be enacted as a musical drama successfully by several troupes. quite naturally it attracted the attention of film - makers and the earliest celluloid version of vipranarayana was a silent movie in 1931 by peninsula film company, madras, with t. k. rukmini and t. s. bhaskaran in the lead. six years later came the first talkie on the saint, made in telugu by ahindra chowdhary for arora film corporation with kanchanamala and kasturi narasimha rao, playing the heroine devadevi and vipranarayana respectively. it was a hit. in 1938 director a. narayanan made ‘vipranarayana’ in tamil for sound city productions with tanguturi suryakumari and kothamangalam seenu .
p. ramakrishna and bhanumathi of bharani pictures decided to go in for a devotional subject for their sixth production and selected the story of vipranarayana. while bhanumathi herself was the natural choice for the role of devadevi, ramakrishna signed anr to play the saint despite severe criticism from his well - wishers that the artiste, being an atheist, was a misfit for that role. similar criticism had been thrown at anr earlier too when ramakrishna took him to play majnu in laila majnu and when vinoda pictures signed him for devadasu. on both occasions, anr proved his critics wrong. anr is believed to have prepared for the saint’s role by having regular dialogue practice sessions with samudrala raghavacharya (who wrote the dialogue and lyrics) and also watched nagaiah’s movie bhaktha pothana four or five times to get the feel of the brahmin devotee’s character. his superb performance answered his detractors that an actor’s personal beliefs do not come in the way of his screen portrayal .
incidentally, anr was perhaps the only actor to play both devadevi and vipranarayana, one on the stage and the other on the screen. when anr used to don mostly female roles in his early days of acting on stage, he played devadevi in the drama ‘vipranarayana’, training under popular theatre personality of the time, oddhiraju sriramamurthy .
the story: a staunch devotee of lord ranganatha, viparanarayana (anr) lives, along with his disciple rangaraju (relangi), in an ashram on the banks of the cauvery at srirangam. devadevi (bhanumathi), a devadasi, after performing a dance recital at the chola king (v. sivaram) ’s court on her way back along with her elder sister madhuravani (sandhya, mother of tamil nadu chief minister jayalalitha), passes through the ashram. when viparanarayana does not even throw a glance at her, devadevi’s vanity is hurt and she vows to entice him with her charm .
she enters the ashram making vipranarayana believe her sorrowful story. very soon vipranarayana surrenders to her charm. once her ego is satisfied, devadevi begins to regret her act. she leaves for her home and vipranarayana follows her, but devadevi’s mother (played by rushyendramani) drives him out. unable to see his devotee’s plight, lord ranganatha (r. nageswara rao in a guest appearance) assumes the form of rangaraju and gives a golden vessel to rangasani, saying that it has been sent by vipranarayana. soon it comes to light that the vessel has been stolen from the temple. the chola king orders the hands of vipranarayana to be amputated as a punishment. finally the lord appears and reveals the truth, saying that vipranarayana is none else than the human form of vyjayanthi, the garland that adorns him and devadevi is a gandharva kanya. vipranarayana assumes his real form and adorns the lord .
in the movie, ramakrishna gave prominence to spiritual lyricism over romantic sensuality. his deft handling both as director and editor coupled with sevaraj’s brilliant cinematography, samudrala raghavacharya’s dialogue and lyrics tuned by saluri rajeswara rao contributed greatly to the film’s huge success .
if anr was subdued, bhanumathi as devadevi dominated the screen with her effortless acting. in the song sequence, ‘saavirahe thava dheena…’ her melodious rendition and brilliant acting sent the audience into a trance. trained by popular bharathanatyam exponent of the time, kancheepuram ellappa of thanjavuru (who composed a couple of songs for the film), bhanumathi’s classical dances were also a revelation .
vipranarayana was happened to be a rare movie in which ghantasala did not sing for anr. it was also being rumoured that for some unknown reasons differences cropped up between bhanumathi and ghantasala. however his absence in vipranarayana benefited the upcoming singer a. m. raja, who did not betray the trust reposed in him by rajeswara rao. raja, a student of pachaiappa’s college, madras, used to meet the maestro frequently. he mesmerised the viewers with his soft melodious voice in ‘paalinchara ranga…, ’ ‘choodumade cheliyaa…, ’ and the duet with bhanumathi ‘madhura madhuramee challani reyi…’ bhanumathi is also credited with the background score for the film .
released on december 10, 1954, vipranarayana turned out to be a big hit and won the certificate of merit at the first national film awards, for its all - round excellence .
some parts of this page won' t work property. please reload or try later .
the
most anticipated indian movies and shows
widget tracks the real - time popularity of relevant pages on imdb, and displays those that are currently generating the highest number of pageviews on imdb .
each title is ranked according to its share of pageviews among the items displayed. pageviews for each item are divided by the aggregate number of pageviews generated by the items displayed .
lakeith stanfield and his sorry to bother you crew reveal their most soul - crushing jobs in our freewheeling interview .
find out which telugu movies got the highest ratings from imdb users, from classics to recent blockbusters .
check out the indian movies with the highest ratings from imdb users, as well as the movies that are trending in real time .
explore popular sci - fi movies and tv shows available to stream with prime video .
urltoken - this website is for sale! - telugu mp3 resources and information .
this webpage was generated by the domain owner using sedo domain parking. disclaimer: sedo maintains no relationship with third party advertisers. reference to any specific service or trade mark is not controlled by sedo nor does it constitute or imply its association, endorsement or recommendation .
mahamantri timmarusu songs - mohana raagam aha - n. t. rama rao, devika
malleeswari movie songs | | aakasa veedilo | | n. t. rama rao | | bhanumathi ramakrishna
song: kizhakke malayile... from film: loraa nee evide (1971) - original
sri krishna vijayam (1971) - telugu full length hd movie | | ntr | jayalalitha | s. v. ranga rao
missiamma (1954) - therinthu kollanum penne - a. m. raja, p. leela - s. rajeswara rao
aadi perukku - kaveri oram - p. susila - md: a. m. raja. mpg
vijaya bhaskar & s. janaki - top 30 songs | audio jukebox | p. b. sreenivas, s. p. balasubrahmanyam | hd
watch & enjoy vipranarayana telugu full movie with english subtitles starring a. nageswara rao, p. bhanumathi, relangi venkata ramaiah, rushyendramani. film name: vipranarayana producers: p. s. ramakrishna rao, p. bhanumathi director: p. s. ramakrishna rao music director: s. rajeswara rao actor: a. nageswara rao actress: p. bhanumathi for more full movies, subscribe to: urltoken for hit & latest music: urltoken for devotional music: urltoken also you can:' like' us on facebook: urltoken' follow' us on twitter: urltoken
tenali ramakrishna full length telugu movie | | taraka rama rao | | ganesh videos - dvd rip. .
sri srikakula andhra mahavishnuvu katha telugu full length movie | | dvd rip. .
telugu evergreen hits of k. viswanath | | all time old telugu melody songs jukebox
malleeswari movie songs | | pilichina biguvataraa | | n. t. rama rao | | bhanumathi ramakrishna
buzzing comedies such as the spy who dumped me await you in our summer movie guide. check in for all the info you need .
want to share imdb' s rating on your own site? use the html below .
enjoy a night in with these popular movies available to stream now with prime video .
html public
- / / w3c / / dtd xhtml 1. 0 transitional / / en
urltoken
copyright 2010 - 2013: gomolo. all rights reserved. | terms | privacy
html public
- / / w3c / / dtd html 3. 2 final / / en
rape is heinous crime against women. nature has provided the art of seduction to women folk perhaps to balance this gender biased unequal situation. at times even this woman power can be abused - like in the case of a folklore story of prince sarangadhara where his young stepmother got him be headed with false accusation .
unlike the saiva mutts - where a brihmachari sanyasi takes over as the head of mutt - in south india vaishnava mutts chief becomes a sanyasi only after asrama sweekaram - who are from grihastramam - leading a normal married life. udaya bharathi wife of mandana mishra disqualified adi sankara himself at one stage to discuss
many gurus in ramayan and mahabharat period had their guru patnis - of course we know the story of sage vishwamitra seduced by maneka .
nityananda issue may be an arranged seduction plot by interested parties to defame him .
at the end it was she who reformed herself to join him in serving the lord. his story is
this biography is about thondaradippodiazhwar, who called himself as
thedust at the feet of bhagavatals
, was born to a vedic brahmin by name, vedavisarathar in thirumandangudi (near kumbakonam) in the month of margazhi and in kettai nakshathram, in the family of sozhiya vaishnava (who had their
kudumi
( tuft) on the top front portion and not behind); he was an incarnation of vanamala (divine garland of lord maha vishnu) and he was named
vipranarayana
. he was taught tamil, sanskrit, vedas, upanishds, etc. , atan early age and he mastered them with no effort and shone like a bright tejasvi. he was also well versed in writing and singing tamil poetry and was fully well versed in
shekar sir, yes indeed - even i had the good fortune of knowing couple of vedantic scholars whose interpretations of upanishads and vedas was a treat to hear. those days in temples we had regular meaningful discourses from scholars who lead normal family life observing all dharmas attributed to a grihastrami. upanyasam (religious lecture) accompanied by music or otherwise was an art - at the same time - giving insights into religion for a lay man and an introduction to spirituality. it was entertaining and relevant to modern social issues too. thanks for the input. nkr
nityanandas are the products of our corrupt society. i agree that there are genuine gurus. i happened to hear somgiri maharaj during a function of mining industry in bikaner. i was very much impressed by the depth of his knowledge. i came to know that he was a lecturer in civil engineering before his voluntary renunciation. he opted for living in secluded hermitage. on the invitation of the royal family he accepted to head shiv mandir [ shiv baady ] at bikaner. he is respected by one and all. he is open for discussion. he did not like pomp or publicity .
dear sekhar, of course they have a lot of things to hide - as they have projected an image to attract crowds - not in conformity with his private behavior. thease guys are not sanyasis - they have commercial interests. but there are mutts which are run fairly efficient keeping their private followers happy according to their tradition - they have a job to do and an agenda of promoting their sect of religion - the mutt chief is an appointment like pope or any other clergy. but these (like nityananda) are self proclaimed - promoted gurus thriving on ignorant masses who have confused ideas on religion and believe these guys are intermediaries to god - by their costumes and lecturing ability with little knowledge acquired from scriptures. the only aim of these so called swamis is to make money for themselves and those who sponsor them. regards. nkr
dear nolife, the problem is if i am a guru with a pant and shirt - lecturing on spirituality and religious philosophy - myself leading a normal family life - i am likely to be rejected - people won' t accept me as a guru what ever may be knowledge i have acquired of vedanta. so when certain restrictions are imposed on mutt chief he might as well be recruited at an relatively old age from among the scholars (that is what the vaishnavite mutt like ahibuila muutt does) - only after his past life, deeds and qualifications in the required field stands public / devotees and deciples' scrutiny in order to run the mutt effectively and his body ready enough to accept the life / food habits / daily routine that is expected of him. after all every mutt needs an administrative head from the religious beck ground. thank you. regards. nkr
thanks for this eye opening blog. right! the guru and the cheli are both right. when the lord vishnu himself had goddess laxmi with him, why not the gurus have the chelees? but then what is that they are trying to hide? and why the guru is under ground? we should agree that a guru is a man too and nothing wrong if a married women wants him. i remember a telugu song “ govindudu andari vadele ” meaning govinda belongs to all .
philosophy is a deeper science than the physical sciences that we study for 16 years in school and college. while so, not having a proper guru for it is really sad. that is possibly the reason why people go hunting for one. with no set rules laid out for the gurus, it is a difficult game. i partake on your idea, mr ravi. the media in its hurry, generally, passes judgments which are one sided. one of the fundamentals in communication that we have all learnt is there are always two sides to any coin. we have seen only one and we are all coming to a conclusion based on this one eyed view. it is like the blind men trying to know the elephant. media is always generous in this respect. they never try to provide you the other side of the game. may be because, the sensationalism will be lost and they cannot sell it any more. may be it is true. may be it is false. we cannot conclude with the evidences presented. on the story of our alwar, though i have read his story earlier, your thought provoking presentation and view is commendable. it is my humble opinion, that this story and many others that do the rounds (so many manekas and thilothammas) does not show the women in good light. however this story is highly plausible, men being so weak at heart. i used to remember a site called urltoken run by ladies for ladies. i remember a statement made once in it.' we can control them (read men) if only you have understood them better'. there is no doubt the fairer sex have a greater control over men than the other way round. it is only a fallacy that they are weaker. fight against it, men will do but i don' t think they have ever been successful. as the famous saivite poem goes,' mathan enum parai thaakki marium poothum'. one dies of it .
pachchaimamalaipoal meni, pavazhavai kamalachchengan, achchutha amararere ayartham kozhundhae ennum ichchuvai thavira yaan poai indhira logam alum achchuvai perinum venden arangamanagarulane above was the pasuram you put in translation in your blog. this was the vaishnavite morning prayer - song in our native high school, kumbakoanam, that used
thoadudaiya seviyan... .
saivite song too as alternate for the morning prayer, if i remember correct .
dear menon saheb, thanks for the visit. you are perfectly correct on your view of temptation. . my contention was why mutt chiefs should be a brihmachari - why not follow the vaishnavite example of choosing them after 50 from grihatashramam - it is much easier to become a sanyasi after vanaprashtha stage and natural - it is our tradition too. there are exceptions who voluntarily become sanyasi at a young age as a brihmachari - but this rule need apply to mutt chief - as their job is that of an acharyan or guru and administration of the mutt. i think (may be i am wrong - there can be some reasons in mutt charter) they will understand better (and counsel for the problems - when their followers seek advice) as most of their followers are from grihatsaram. they will be more balanced from confronting situations like this. nkr
ravi - ji vipranarayana' s story was revelation to me. women and men have manipulative nature in them. it is the wise who recognise the ulteior motive and act accordingly. temptation for women has been a pain for most men, but controlling one' s tempation is the essence of purushartham! but it is said more easily than done! very enlightning article, ravi - ji menon
brhadharanyaka upanishad - sloka 1. 4. 2 and 1. 4. 3
welcome aboard straight form the editor' s des k a comprehensive section about films that are released and under production check out the trade facts and figures to find out best films at the box office plug yourself in to the jukes box and read the audio news and reviews paparazzi, interviews, bio - d' s, gossip and what not? innerviews, untold stories, scoop, analysis. the search never ends date back to the good old days and date with black and white films we are lucky enough. you can find what' s up with telugu cinema in us of a what' s up with the city of charminar? movie schedules galore an exclusive hindi film section handled by sapna the people behind the inception this wonderful idea useful and related links along with the site reviews it' s jungle out there. just in case
ravi teja: ravi teja' s strength is his spontaneity in action (behavioral action without any drama) and excellent dialogue delivery with a tinge of accent. in idiot, poori jagannath used all the talent of ravi teja in right direction to the maximum result. ravi teja is simply the best in this film. he delivered his best performance so far in' manasichi choodu' and with this film he outsmarted his earlier performance. the' care - a - damn' attitude of the hero role got elevated and has the shades of heroism performed by chiranjeevi in gang leader and pawan kalyan in badri .
rakshita: she is cute and suited the role to the tee. in some of the angles, she resembles ramu' s find anthra mali. the voice that dubbed her role is also sweet .
prakash raj: prakash raj performed the role of obsessive father and villain of idiot. he did well. his introduction scene is pretty good .
others: ali' s cameo in the second half is very good. jeeva' s comedy - oriented si role is good. after a long gap, kota got a full - length role that projects the two - panged facets of a sincere head constable and helpless middle - class father. kota did very well .
poori jagannath: story - screenplay - direction - dialogues - production: idoit is a poori jagannath' s film all the way. he seems to be getting better and better with the films. he excelled in all five departments he donned. story of the film is a routine one, but the treatment is excellent. screenplay of the film is tight. poori jagannath made sure that the comedy in the film is injected into the character of hero. hero does the 90% of comedy in this film. at the same time, director made sure that the comedy of hero would not dilute the seriousness of hero' s love towards heroine. the most important aspect of the film is dialogue department. most of the dialogues uttered by ravi teja are rib - tickling. poori jagannath also excelled in the department of production, as the entire film looks very rich .
music: chakri' s music is not so good when you listen to the album. but on the screen, songs are better with good choreography and nice picturization. background music is good by chakri. only poori jagannath seems to know how extract good background music from chakri. his background scores are not impressive in other films .
photography: shyam k naidu excelled in camera work with this film. the entire film has the right color combination and perfect shades to match the mood of the scenes .
1. poori jagannath' s screenplay and dialogues 2. ravi teja' s terrific performance 3. shyam k naidu' s cool photography
analysis: idiot film is not an idiotic film. it' s just an attempt to get back the negative - titles like donga, killer, kiratakudu etc to the glory. the first half of the film is cool and second half is also equally good. this film has got class and mass elements in equal proportions. the confrontation scenes between prakash raj and ravi teja are excellent. idiot is a much - deserved break for poori jagannath as the producer. idiot is a good film to watch for everybody .
home ] [ editorial ] [ movies ] [ trade ] [ audio ] [ research ] [ celebs ] [ nostalgia ] [ usa special ] [ hyd scene ] [ amchi mumbai ] [ about us ] [ site map ] [ links ] copyright ©1999 idlebrain. com. all rights reserved. privacy policy email
the retired government official purshottama rao (daita gopalam) borrows money to get his eldest daughter kalindi (bhanumathi) married to an old - man lingaraju (balijepalli). he is a money lender and already married twice. kalindi does not like this marriage and commits suicide before the marriage can take place. lingaraju refuses to return the dowry money. purshottama' s second daughter kamala (pushpavalli) agrees to marry him. she drags her husband lingaraju to court of justice .
) is a 1955 telugu film. it is based on the novel
swayamsidda
written by
padma (savitri) is forced to marry a mentally retarded man raghu (akkineni nageswara rao) whom she eventually nurses back to health while teaching a lesson to her scheming mother - in - law (santha kumari) and brother - in - law nagendra rao (kongara jaggayya) .
playback singers: ghantasala venkateswara rao, p. leela, jikki, akula narasimha rao
the film ran for more than 100 days in 5 centres in andhra pradesh. [ 2 ]
this page was last modified on 22 may 2016, at 14: 49 .
this article' s content derived from wikipedia, the free encyclopedia (see original source) .
top 50 songs from 60' s | one stop jukebox | ghantasala, p. susheela, s. janaki, p. leela | telugu
top 30 telugu classics from 60' s | audio jukebox | ghantasala, p. susheela | s. p. balasubrahmanyam
varasatvam movie songs - preyasi manohari song - n. t. rama rao, anjali devi
intel quad core motherboard price in india intel wireless network adapter for windows 7 32 & 64 bit intelr coretm2 duo cpu e4500 2. 2ghz price intelr coretmi3 - 5005u cpu @ 2. 00ghz 2. 00 ghz graphics driver free download intell pentium r draiver perallal lines not open intent letter for transfer inter pentium 4cpu 1. 80ghz xp vga intercambio de cuadrillas de futbol para descargar interes y desccuentos monografias interfaz de usuario touchwiz gt s5367
evi, an amazon company, was founded in 2005 under the name true knowledge. the team started out with a mission to make it possible to access the world' s knowledge simply by asking for information using natural language .
we’re part of the amazon alexa team based in amazon' s innovative cambridge development centre, alongside other amazon teams including prime air, core machine learning, amazon devices and amazon web services .
enter missing singer names as comma separated value. you can add as many number of singer name in the given field
to access special sections for urltoken user, request you to signin / signup using this form. if you are an existing user, pls. login with your credentials or if you a new user, pls. register .
in the muhurat function of balayya' s film with b gopal today, balayya announced the title for his film under production as chenna kesava reddy. according to the unconfirmed news, audio function of chenna kesava reddy would be held on 29th of august in a public function held at kakinada. the muhurat of balayya' s new film was held today (23rd august) at 7: 15 am. dasari switched on the camera and paruchuri bothers clapped for the first shot. story for this film is given by the story - writers - team posani krishna murali, anjaneya pushpanand and vijayendra prasad (who also gave the story of rowdy inspector) is working for this film. this film would be having' planaadu' backdrop. chinni krishna is not providing story, as announced earlier. sreya and arti agrawal are paired up with bala krishna in this film .
telugu actress roja entered nuptial knot with tamil director selvamani today (21st august) at tirumala. andhra pradesh honorable chief minister n chandra babu naidu graced the occasion to bless the couple. incidentally roja' s first film cherubanti (a tamil one later dubbed into telugu as' chemanti') is directed by selvamani. their relationship started at that point and made news on and off. after a steady relationship for more than 10 years, this couple finally decided to marry each other. reception would be held in chennai on 22nd of august in chennai .
ap cine goers association announced the 32nd year film awards. balayya won the best actor award for his performance in' narasimha naidu'. the function would be held on 1st september 2002 in tagore auditorium, osmania university campus, hyderabad. laya bagged the award of best actress for the film' preminchu'. b gopal is selected as the best director for the film' narasimha naidu'. srihari is awarded special jury award for his performance in' bhadrachalam'. forty - five more technicians and actors would be awarded during this function. balayya has given a written letter to ap cine goers that he would be attending the function to accept the best actor award .
jd art' s debut venture' sontham' in the direction of seenu vytla and vaishno academy' s debut venture' idiot' in the direction of poori jagannath are slated for release on 22nd of august, which is incidentally falls on the day of rakhi. the earlier plan was to release these films on 23rd august. but to catch the holiday crowds on rakhi day, the producers advanced the release date by a day. both the producers are doing extensive publicity for these films with jd arts going an extra mile ahead to build brand equity for their maiden venture. there is another reason why idiot is releasing on 22nd of august. the hero of this film ravi teja acted as a hardcore chiranjeevi fan in' idiot'. there is a song - sye sara sara sye chiru chindey - celebrating the release of indra at sudarshan 35mm, that was canned much before the release of indra using its cutouts and posters. both these films sport new heroines rakshita and namitha .
mass hero srihari celebrated his birthday on 15th august, which incidentally falls on the indian independence day. in an interview given to a local magazine, srihari mentioned that it was the deceased factionist vangaveeti mohana ranga who recommended him to dasari as hero for ranga' s venture' chaitanya ratham'. then dasari seems to have convinced ranga that the film should not be done with new cast, as it might be a risky proposition. and dasari also seems to have assured srihari that he would make srihari hero one day. after a few days, srihari started his career as an actor with dasari' s brahma naidu .
editor mohan has bought the tamil rights of jayam from chitram movies. m raja, who directed the last year' s blockbuster' hanuman junction' would be directing the tamil version of jayam. other details of the film are being worked out. editor mohan is planning his next telugu straight venture with venu as hero in the direction of ram prasad. ram prasad directed chirunavvuto (with venu) and seema simham (with balayya) in the past .
rajnikanth sold tamil version of baba at an exorbitant prices, as he was pretty confidant that the theme, texture and emotion of the film strike the rights chords in the hearts of tamil viewers. but at the same time, he was little hesitant about how telugu viewers receive this film, as there might be nativity problem. all his earlier blockbusters since basha were dubbed in telugu and proved to be great hits as all of them have out and out mass elements. telugu distributors were ready to dole out any amount of money to grab rights baba (telugu) rights. but rajni is not comfortable about selling telugu rights to anybody because if the film becomes flop, some people might feel bad about rajni after losing their money. he wants to make everybody happy with his supposed - to - be the last film. hence, he personally talked with various distributors in ap and releasing telugu version of baba in ap and usa on his own with the help of local distributors .
11th september suddenly found an unceremonious place in the annals of history with the crash landing of multiple passenger - loaded airplanes on the landmarks of usa and created a worldwide tragedy in the year 2001. though it is just coincidence, nt ratnaa' s debut vehicle' okato number kurraadu' costarring rekha (of anandam) fame is releasing on 11th september 2002. swapna cinema, which gave a blockbuster' student no. 1' in the last year, is producing it in the direction of a kodandarami reddy. audio of this film is expected to be released on 19th of august 2002. keeravani composes music. aswini dutt and k raghavendra rao are jointly producing this film .
according to the reliable sources, k raghavendra rao' s 100th directorial venture is going to be a tender love story between school going girl and boy. earlier it was decided that k raghavendra rao' s film would have chiranjeevi and nagarjuna in the main lead. but due to some unknown reasons that project was delayed and k raghavendra rao is all set to wield magic again on telugu silver screen with a tender love story .
chakri acted in his last film amritha, before embarking on fulltime direction in bollywood. he announced a couple of projects in his direction out of which one project is going to star priyanka chopra. but all those projects seem to be put on backburner as he decided to comeback into tollywood with a comedy flick to be produced by trimurthy film. trimurthy films has dubbed films like mummy and roja poolu in the past. rama chandra rao (of chitram bhalare vichitram') is directing this film. ramesh arvind plays another important role. thotapally madhu pens dialogues. mv raghu handles camera .
according to unconfirmed sources, jd arts that is making' sontham' with seenu in the direction vytla now would produce venky' s next film. kasi viswanath of' nuvvu leka nenu lenu' fame would direct this film. devi sri prasad is reportedly signed as music director. suresh productions would be presenting this venture. this news is yet to be confirmed by the respective producers .
in a news snippet given to a local magazine' santosham', director guna sekhar wished to see mahesh babu in the role of legendry historical maratha icon' chatrapati sivaji'. as per the description, the poster designer suresh bujji did a graphic illustration of how mahesh babu would look like if he donned the get up of' chatrapati sivaji'. click on the thumbnail on the right to see the bigger image. guna sekhar seems to have mentioned about his idea of making film with mahesh as sivaji. mahesh seems to given his characteristic sweet smile as an answer without saying either' yes' or' no' .
we have seen people pledging eyes to charitable trusts. kamal hassan is going to do a greater noble thing by signing on dotted lines to donate his body to madras medical college for research purpose after his death. sruthi hassan, the elder daughter of kamal hassan, would be handing over the documents to dr. ravindranath, the director of madras medical college .
namitha (see sontham gallery) seems to be the cynosure of all industry people now. she just finished her stint as heroine in jd arts' sontham' and is currently working with venky for' gemini'. jd arts has a 3 - film contract with namitha. she is not supposed to act in outside films till the three films of jd arts with namitha as heroine are released. but suresh babu, who has an eye for all the best girls in the industry noticed namitha and requested jd arts to let her off for a project with venky by suresh productions. jd arts people are too happy to do that. in the past too, suresh babu introduced tabu (who, then known as swaty) in telugu though' coolie no. 1' though she was under contract with boney kapoor production at that time .
the official sources of lotus films at chennai confirmed that chiranjeevi is not doing any guest role in baba. initially, they had a wish of having chiranjeevi doing a special role in the film. but, for some unknown reasons the idea is dropped. rajnikant came up with an innovating business plan for tamil baba. the tickets for this film are sold out for several weeks in taminadu. each ticket packet is priced at rs 300 / -. that ticket packet consists of two tickets and one audiocassette. rajnikanth has taken permission from jaya lalitha, the chief minister of tamilnadu to hike prices. baba is releasing in telugu on 15th august with 100 prints. shyam prasad reddy, the producer of chiru' s next release' anji', would be following similar kind of model in telugu with' anji' film. only graphic work is pending for the film. this film would get released as soon as the work is completed at digitalia, uk. anji might be released either for dasara 2002 or sankranthi 2003.
vipra narayana ( telugu : విప్రనారాయణ ) is a telugu devotional & biographical film , based on the life of thondaradippodi alvar , also called vipranarayanar or bhaktanghri renu swamy was a tamil vaishnava saint . he led his life in devotion to lord narayana and worked for the perumal ( lord ) by dedicating him with garlands . he is one of the 12 alvars . the film produced and directed by p. s. ramakrishna rao on bharani studios banner . starring akkineni nageswara rao , bhanumathi ramakrishna in the lead roles and music composed by s. rajeswara rao . the film was dubbed in tamil with the same title and released in 1955 . 
vipra narayana (telugu: విప్రనారాయణ) is a telugu devotional & biographical film, based on the life of thondaradippodi alvar, also called vipranarayanar or bhaktanghri renu swamy was a tamil vaishnava saint. he led his life in devotion to lord narayana and worked for the perumal (lord) by dedicating him with garlands. he is one of the 12 alvars. the film produced and directed by p. s. ramakrishna rao on bharani studios banner. starring akkineni nageswara rao, bhanumathi ramakrishna in the lead roles and music composed by s. rajeswara rao. the film was dubbed in tamil with the same title and released in 1955.
vipra narayana (telugu: విప్రనారాయణ) is a telugu devotional & biographical film, based on the life of thondaradippodi alvar, also called vipranarayanar or bhaktanghri renu swamy was a tamil vaishnava saint. he led his life in devotion to lord narayana and worked for the perumal (lord) by dedicating him with garlands. he is one of the 12 alvars. the film produced and directed by p. s. ramakrishna rao on bharani studios banner. starring akkineni nageswara rao, bhanumathi ramakrishna in the lead roles and music composed by s. rajeswara rao. the film was dubbed in tamil with the same title and released in 1955.