demons never die
tulisa contostavlos and reggie yates are among the stars of new brit horror demons never die .
demons never die premiere: jessie j, tpt, idris elba, dionne bromfield ...
demons never die (dd5. 1) (2011) (nl subs) (dvd5) retail tbs
gossip | demons never die premiere: jessie j, tpt, idris elba, dionne bromfield... - urltoken
nathalie emmanuel and devon anderson arrive at the odeon west end cinema in central london, for the premiere of the film demons never die .
the 23 - year - old x factor judge stars in upcoming brit horror demons never die, and the release of the film' s trailer this week has whet the appetite of horror fans across the country .
1) we' re introduced to a scream - style gang of friends. but rather than including luminaries such as neve campbell, skeet ulrich and matthew lillard, demons never die has had to aim its sights slightly lower. this, for example, is thingy off hollyoaks. she' ll probably die early on. she looks the sort .
but the finale, as good tv finales do, captured what the show’s essence. lost is a story about community, connections and interdependence. you live together, it told us, or you die alone. and when you live together–when you share of yourself and make meaning with others–you never die alone, even when you die bleeding out on the floor of a bamboo forest .
4) anyway, now the group has been introduced, we can get on with the actual plot of demons never die. as you can see, a friend of the group has died. and the knife in his hand demonstrates that it' s clearly a suicide. or is it ?
is a great title. or at least it would be a great title for a horror film about, you know, demons. there is however nothing supernatural in this formulaic, lazy slasher - although a few red herrings point that way (for example, one character claims to have never seen another character’s constant companion). the ‘demons’ referred to in a clumsy voice - over near the start are of the metaphorical kind. i don’t know if that opening voice - over was added late in post - production, but the brief reprise at the end which finishes with the words “…and demons never die! ” has so obviously been tacked on at the last moment that you can see the drawing pins .
demons can be killed in the twisting nether or in places which are heavily saturated by the twisting nether (like argus) .
but as the friends die one by one, it quickly becomes clear that murder may be behind each of the deaths .
3) and, goodness me, this is tulisa. actual tulisa from the x factor. now, you could call her decision to star in a low - budget british horror film such as demons never die a miscalculated pre - cowell stab at stardom. or perhaps it' s a clever way to maximise her newfound fame. either way, we can all agree it' s a shame louis walsh never followed this particular career path. he' d have made a great little jason voorhees .
jessie j' s special areas attended the uk premiere of demons never die in london last night, alongside tara palmer tompkinson' s jolly pirate / flamingo impression, dionne bromfield' s shoes, the very talented idris elba, craig roberts of submarine fame, someone called shanika warren - markland, an irish dancing glamour model, and someone who wenn believes is emily atak off the inbetweeners .
tells jasmine that he is
one of (the demons )
, implying that, at some point, he was working with another .
but, finally, one of the greatest enduring cinematic what ifs has been answered – what would scream be like if it only starred people who you sort of half - recognise from british television? new british horror film demons never die has decided to find out, perhaps in more detail than anybody really required. here' s a breakdown of the film' s plot, according to its new trailer .
more interested in street cred than plot cred: never has a bunch of kids looked less likely to want to end it all .
interesting when the kids are debating whether or not they really want to die and boasting a very decent cast. surprisingly, the actual' horror' part is the let - down .
when a young girl takes her own life, archie and the other suicide kids decide to follow her lead and form a pact. but as the group begin to die one by one, archie realizes that they have
if we could kill archimonde and kil' jaeden and destroy argus in the twisting nether we would decapitate the legion' s leadership and the legion would cease to be a threat for thousands of years due to infighting that would occur amongst the now leaderless demons .
& c. , & c. i have questions that will never be answered. you do. and more will come to me. but at this moment, what’s more important to me is: the dog made me cry .
blizzard originally planned to have archimonde die for good, that' s why you fight him in the nether in mythic mode, however they moved away from that idea, that' s why in the ending cinematic we are on draenor .
when a young girl takes her own life, archie and the other suicide kids decide to follow her lead and form a pact. but as the group begin to die one by one, archie realizes that they have... see full summary »
i guessed about halfway into the episode that jack would not survive it. this is no work of genius on my part. in a way, the ending was almost so perfect that it’s amazing we didn’t all call it. certainly people have guessed that the series that began with jack’s eye opening would end with it closing. and it made perfect sense that jack, who was meant to die at the end of the original version of the lost pilot, instead die at the end of the series .
it' s essentially an unwise billet - doux to no - budget slasher flicks, bolted on to some
urban
vagary. first time director writer arjun rose was a city trader... and it shows. he demonstrates little in the way of ability with this debut. directing a not unserviceable cast with all the panache of a go - compare ad, there' s every possible cliché you could imagine, used badly, and the character arcs barely register above flat - line throughout the entire film. there' s enough bad cinema around with the likes of
fond of shiny things with no narrative
michael bay and co, we don' t need another. but that' s being harsh to bay, demons never die makes transformers 3 look like kubrick .
this film received mostly negative views, while some acknowledged the potential impact this movie made, such as the concept of young people debating on whether or not they actually want to die. however, the majority of reviews make note of its poor horror useage .
' hi. i' m linda o' keefe... 45 years ago today, i disappeared and my killer was never found': police tweet as the 11 - year - old girl who was murdered in 1973 in a bid to publicize the cold case
apart from pop - culture renditions of some of the novel' s themes, aspects of its language have been leapt upon by libertarians to describe the curtailment of freedom in the real world by politicians and officials - alarmingly, nowhere and never more often than in contemporary britain .
exorcist director william friedkin :
i know that it is considered by a great many people as a horror film. i' ve never thought of it that way and i didn' t approach it that way. it' s a story about the mystery of faith .
i was thinking about this situation where if you kill a demon, it doesn' t die, only its psichical form, and it get back to the twisting nether. so basically we can' t defeat the legion, because they can come back anytime. as we killed archimonde in the end of wod, he didn' t die just his psichical form, then it is possible for him to come back time to time, if he finds a weakened body. not to mention sargeras. thinking about this its an endless war when the legion will win in the end .
9. directors who were approached before friedkin included stanley kubrick, bonnie and clyde' s arthur penn, and the graduate' s mike nichols, who turned down the job because he thought ,
you' ll never find a 12 - year - old girl to carry the picture .
cinema is full of funny little
what ifs
. what would back to the future have been like if michael j fox had never replaced eric stoltz? what would have happened if tom selleck had played indiana jones? most of the time, such questions are simply left twisting in the wind .
[ a side note: good advice to future producers trying to keep final scenes secret–make sure it contains only two actors, one of whom is a dog and cannot spill any secrets. in retrospect, matthew fox’s comment in my interview with him that the finale dealt with “what happens after we die” was even more spoilery than it seemed to me at the time. ]
in 1946 observer editor david astor lent george orwell a remote scottish farmhouse in which to write his new book, nineteen eighty - four. it became one of the most significant novels of the 20th century. here, robert mccrum tells the compelling story of orwell' s torturous stay on the island where the author, close to death and beset by creative demons, was engaged in a feverish race to finish the book
long story short, the gang kinda never gets around to honoring their suicide pact, so a masked killer steps in and kills them for themselves, because they can' t kill their own selves for themselves. by the middle of the movie, any message about suicide the movie may have been trying to get across is gone, replaced with long sequences that show off the soundtrack, which may have been
when a young girl takes her own life, archie and the other suicide kids decide to follow her lead and form a pact. but as the group begin to die one by one, archie realizes that they have all become the target of a masked killer and that his commitment to death has become a terrifying fight for survival and a battle to protect the girl he loves. but who' s the killer ?
despite this warning, a second teenager also kills herself shortly afterwards, while attending some sort of never explained photoshoot, after recording an equally unexplained, random video diary saying she has bulimia. (there are frequent other random uses of video cameras throughout the script, to such an extent that i’m left wondering whether this was conceived as found footage in an earlier draft. there is also a single bizarre sequence when the characters all talk to each other via webcams, shown on screen as coloured blocks that look like a bad game of tetris .) the bulimia remark is typical of the sort of brief, half - hearted infodumps which are intended to show that these teens have ‘demons’. another one later in the film goes like this: “why do you live in that squat? ” “my dad kicked me out because i got a girl pregnant. ” seriously, a whole bunch of people thought this was a filmable script .
what it was, regardless, was a * story *, which showed the characters realizing the struggles we had seen them work through on the island. so the state they reached in the sideways was, in fact–as we often suspected through season 6–too perfect. the characters had more completely overcome their demons than they did on the island world. but this perfection itself was not enough. without the pain, and struggle of the physical world, and without the actual memory of it, their happiness was meaningless .
“the end, ” and thus season six, and thus lost, was not perfect, because nothing is. i still believe that jacob and the man in black were never characterized as richly as other characters, like ben, which rendered locke in the end too much of a generic baddie. and the final images–with the heavenly light shining though the doorway of the chapel, as christian walked into it a la close encounters–were a bit overly touched by an angel .
at a sixth form college, the principal announces that one of the students has killed herself, which is met with a startling lack of response from her disinterested peers. a couple of plain clothes policemen are there, one of whom warns the youngsters about the dangers of copycat suicides, something i’m sure would never happen in real life because the natural response of any troubled teen would be: “well, i hadn’t really thought of topping myself, but now that you come to suggest it…”
you could take that literally, as in: this is a picture of what happens when you die. or you could take it metaphorically, as in: this is a story using spiritual imagery to depict the lasting legacy of human contact. (i personally see it that way, in the same way that i believe that religious scriptures are not literally true and yet are some of our most powerful and important stories regardless. your mileage may vary, as they say on the internet. )
6. the white demon face that we first see in father karras' s dream sequence (which friedkin says was influenced by alain resnais' s use of subliminal editing in his holocaust documentary night & fog) was never meant to be used in the film. it was an outtake from makeup tests performed on eileen dietz, linda blair' s body double. friedkin had a last - minute inspiration to include just a few frames in the dream sequence and then later again during the exorcism itself .
audience” as one of the sleeve quotes has it). it’s about a bunch of whining, self - important, self - obsessed teenagers who have nothing to worry about but like to complain anyway and feel the world owes them something just for getting out of bed. there isn’t a single likeable or empathetic character in the entire film. why should anyone care what happens to these kids? these are characters who are so shallow (in both senses) that for most of them we only learn their names after they die .
but though i saw that–and knew, as jack staggered through the bamboo, that he was going out to die precisely where he first came to the island–all my intellectualizing went out the window when vincent reappeared as he had in the pilot’s first minutes. the show was returning to its simplest roots: life and death in the wild, and people trying to save other people. even if you saw the closing eye coming, what that eye saw before it gave up its spark–a plane flying, safe in the sky, with jack’s friends on board–counts among the loveliest images lost has produced in six years of them .
the teacher, incidentally, is seen downing whiskey (possibly that’s his ‘demon’, though once again there’s neither context nor comment) and telling someone on the phone that he wants out of whatever they’re involved in. out of what? who was on the phone? why is he drinking? is he the killer, or involved with the killer? this is just one more random red herring that leads nowhere and means nothing, never either explained or justified. maybe that actually is the killer on the phone, but if so what is the teacher’s involvement? we don’t know, and if arjun rose knows he’s too incompetent a writer to explain .
22. blatty filmed a tight psychological thriller and executives hated it, especially because it had no exorcism of any kind .
they had come for slashings, for blood and guts ,
said blatty .
obviously i never wanted the film to be characterized in that way, and that is one of the reasons why i personally resisted using the title the exorcist iii. i wanted the movie to be called legion but the producers disagreed .
jason miller, who played father karras in the original (a character who died, by the way), was brought in and a special - effects heavy exorcism was tacked onto the film' s end .
eight very different london students have one deadly secret: they have all made a pact to end their lives together. however, a mysterious masked killer emerges from the shadows to grant their death - wish in a more terrifying fashion than they could ever have imagined. misfit archie, model samantha, wide - boy kenny, star pupil ashleigh, conflicted sachin, goth - girl jasmine, and weakling james are all battling their own private demons, from eating disorders to lost parents. but as a much deadlier assailant hunts them down one by one, their quest for death becomes a desperate fight for their lives. can these friends survive long enough to discover what they have to live for? or will their bleeding hearts be brutally slashed wide open ?
did it work on a plot level? i’m not sure my head is wrapped around the mythology implications of this finale well enough to say right now. and it’s not going to get better wrapped around it by, say, 3 a. m. , so i’m going to largely leave that aside for today. i have questions: first, if in fact the sideways does not exist in the mortal world, then what did it mean when juliet said the h - bomb detonation “worked”? all it evidently did was kicked the losties from 1977 to 2007. with the island safe and no man in black, why, how, did hurley ever die? why exactly did locke become mortal? and–a question with a zillion subquestions–would it really have been so damn bad if the island sank after locke died ?
on jura he would be liberated from these distractions but the promise of creative freedom on an island in the hebrides came with its own price. years before, in the essay
why i write
, he had described the struggle to complete a book :
writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. one would never undertake such a thing if one were not driven by some demon whom one can neither resist or [ sic ] understand. for all one knows that demon is the same instinct that makes a baby squall for attention. and yet it is also true that one can write nothing readable unless one constantly struggles to efface one' s personality .
then that famous orwellian coda .
good prose is like a window pane .
the circumstances surrounding the writing of nineteen eighty - four make a haunting narrative that helps to explain the bleakness of orwell' s dystopia. here was an english writer, desperately sick, grappling alone with the demons of his imagination in a bleak scottish outpost in the desolate aftermath of the second world war. the idea for nineteen eighty - four, alternatively ,
the last man in europe
, had been incubating in orwell' s mind since the spanish civil war. his novel, which owes something to yevgeny zamyatin' s dystopian fiction we, probably began to acquire a definitive shape during 1943 - 44, around the time he and his wife, eileen adopted their only son, richard. orwell himself claimed that he was partly inspired by the meeting of the allied leaders at the tehran conference of 1944. isaac deutscher, an observer colleague, reported that orwell was
convinced that stalin, churchill and roosevelt consciously plotted to divide the world
at tehran .
ity trader turned director arjun rose hedges his bets with his genre - bending debut: part bleeding heart emo love story; part urban brit flick; part high school slasher. it' s a bit like being in a room with a group of stoned people at a youtube party, replaying the best bits of their favourite movies. executive produced by
, with a last - minute name change from suicide kids, this stars a cast of hollyoaks, misfits and kidulthood alumni – a likable bunch but a smidge perky as depressed sixth formers who' ve signed up to the world' s most clueless suicide pact (
what about hanging… from trees and that ?
). just as they' re about to follow through – oh, the irony – along comes a knife - wielding psychopath picking them off one by one. the police think they' ve got a spate of copycat suicides on their hands. how they could mistake frenzied knife wounds for self - inflicted injuries is anyone' s guess. in real life, we' d be talking major public inquiry .
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when a friend kills herself, archie (sheehan) and his friends, the' suicide kids', form a pact to follow suite. soon though a mysterious figure starts knocking them off and they find themselves facing a struggle to survive .
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jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
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a fantastic film - - rwd a hit... the skins audience will love it! - - bizarre slick, original with a great soundtrack - - front
hopeless youth - oriented horror. i' m far from the target age ...
hopeless youth - oriented horror. i' m far from the target age group but if i were in my teens i' d feel thoroughly patronised and insulted by this film. the horror scenes are random, pointless and badly done .
probably the worst movie i have ever entertained on a thin white line of unreasonable enjoyment .
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2) and this is whatsit from misfits. actually, that' s unfair. it' s robert sheehan, who has started to really make a name for himself in the world of cinema. so allow me to rephrase that: this is whatsit from that stupid nicolas cage film about witches .
5) no, it isn' t. this is because, as predicted, the hollyoaks girl ends up getting murdered by the same masked assailant who killed the last guy. but the police still believe the rash of deaths is down to nothing more than suicide. who can possibly leap to the rescue and convince them otherwise ?
6) why, tulisa, of course. as well as being a pop star and an actor and a judge on a shiny - floored saturday - night talent show, she' s also a staggeringly adept amateur detective. she knows exactly how to persuade the police that they' re being led down a dead end, and how to prove beyond any reasonable doubt that the deaths are actually murder. but what is this masterplan ?
7) glad you asked. she' s written the word
murder
in really big letters on a piece of paper with a biro. take that, columbo .
8) tulisa takes the note to the police. the detective looks unimpressed, but the guy behind him – who used to do top of the pops sometimes and is now the voice of rastamouse – is sold on the idea. these deaths are murders, and the murderer is probably a friend of the victims. the question is: who is it ?
9) the group tears itself apart trying to find the guilty party. accusations fly backwards and forwards in what' s probably the most emotionally powerful scene from a british horror film ever to take place between two blank - faced youngsters in a scummy cafe. but this still doesn' t solve the riddle of the murderer' s identity. who could it possibly be ?
10) oh, who cares? here' s his eye, though (on the right). work it out that way. or don' t. it might not even be the murderer' s eye anyway. look, it doesn' t matter: you' re not actually going to see this, are you ?
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aborted arc: we find out through flashbacks that archie' s father shot his mother, an event which he witnessed during his childhood. his father then turns the gun on archie and... well, that' s about it, really .
captain' s log: kenny plans on making sure the group' s pact is documented on camera, going as far as breaking into ashleigh' s home and setting up cameras .
: lampshaded by kenny during the group' s online meeting after making the pact .
don' t you dare pity me! : jasmine' s reaction to archie when he admits to trying to talk her out of the pact .
: essentially what the surviving members of the suicide pact plan to do... except kenny of course. by the end of the film, only
and knew about the murders. he is shown making a phone call to an anonymous person, saying that he is
backing out of the deal
.
: when james is attacked by two thugs in the street, he reveals that he is armed with a knife to defend himself .
: with a twist. after the killer cuts off the electricity to ashleigh' s house during her party, everyone apart from the main characters immediately leaves .
, who is already outside the house when this happens, is killed before she can get anyone' s attention .
: while recording her video diary at a vanity mirror, samantha drops her make - up brush. after she picks it up ,
murder suicide: kenny eventually decides to do this to the rest of the group instead .
, and the two presumably end up together. however, moments before the credits roll ,
parental abandonment: archie' s mother was murdered when he was a child .
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she has already made the tricky transition from the studio to the small screen, but tulisa contostavlos is now preparing to become a movie star .
it demonstrates that the singer and talent show panel member has yet another skill under her belt, and she is ready to take the acting world by storm .
the trailer starts to tell the scary story, which begins with a suicide and then centres around a group of friends who follow suit and form a suicide pact .
the trailer shows tulisa, who plays amber, weeping in fear and other cast members looking terrified as the friends attempt to solve the mystery of who is responsible for the killings, gradually turning on one another or growing closer to protect each other .
the teaser also cuts to a couple of racy clips which demonstrate that suicide won' t be the only thing on the minds of the fictional teenagers when the film hits cinemas on october 28, just in time for halloween .
previously titled suicide kids, the movie has a stellar cast of young british actors including misfits star robert sheehan, 23, hollyoaks' emma rigby, 21, and hustle actor ashley walters, 29 .
and the list of bright young things that make up the movie extends from the cast to the production team. 24 - year - old jason maza, who produced the film, also stars as villain kenny .
talking about her role in the arjun rose movie, tulisa told mailonline:' she' s very up and down, very on the edge - anything can make her tip. she' s vulnerable and cute and warm, but at the same time she has a bit of a psychotic edge to her .
and asked if the n - dubz singer had to do much preparation for the role, she joked:' no, that was pretty much me when i was 15 - years - old... probably me just a week ago.'
the venture will pave the way for tulisa to become a fully - fledged actress, after an early foray with the channel 4 tv series dubplate drama .
she also plays girlband member shanikwa in upcoming comedy big fat gypsy gangster, a movie described as ‘snatch meets this is spinal tap. ’
after cementing her place in the movie world, tulisa seems set on staying there, and says her dream role would be a lot more hands - on .
she said:' i' ve always wanted to do a real kicking butt role. a bit of a lara croft, tomb raider... i love the resident evil character .
' being able to learn a fighting skill and having to do training... just beating people up and i' ve got guns in holsters on my thighs which i pull out.'
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pretty sure we did kill archimonde this time because in mythic mode last phase is in twisting nether .
so archimonde probably teleported everyone back to draenor and then
died
there, not in the nether .
the legion can be defeated but we would have to kill their leaders in the twisting nether .
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starring tulisa contostavlos & reggie yates. when a young girl takes her own life, the suicide kids decide to follow her lead & form a pact unaware they have all become the target of a masked killer .
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mj simpson presents: the longest - running single - author film site on the web, est. 2002 .
is absolute rubbish and gets worse the more you think about it. it was filmed as
but the title was changed at the last moment, allegedly because it couldn’t be said on radio and tv (possibly also because there was a 2009 american indie film called that). i’m guessing that there may also have been fears about what the media might do if any young person did top themselves after watching this movie, which could easily have happened. i certainly contemplated jumping out of a high window a few times. of course the title change doesn’t alter the (for want of a better word) plot which is all about teenagers forming a suicide pact, so it wouldn’t have saved them anyway .
it transpires that both these girls (the first one’s ‘demon’ was apparently that she had split up with her boyfriend – jesus, get over yourself !) were part of a suicide pact, along with eight other stereotypes (the stoner, the nutter, the fat kid, the sensitive irish lad, the token black guy…). not one of these people shows any actual evidence of suicidal tendencies: there’s no nihilism, no punk attitude, not even any emo moping. they’re all just as bland and boring as most millennial teenagers. what is wrong with the world? sid vicious and james dean both died for your sins, and all you can do is text each other on your fucking blackberries .
) so already marked as our final girl. she somehow evades the masked killer, but not everyone is convinced she saw someone because her mother has split personality syndrome (which the script is agonisingly careful to avoid calling schizophrenia) and she might have it too. further bodies mount up, including a teacher and his wife / girlfriend. in the real world the school would be closed and a massive police operation would swing into place. but in the shoddily amateur writing of debutante film - maker arjun rose, everything carries on as normal. no - one seems perturbed by the spate of violent deaths or the threat of further killings, and the investigation remains limited to two coppers in one car .
some of the remaining, still alive youngsters decide that they maybe don’t want to commit suicide after all because… well, there’s no more reason for them to change their minds than to decide on hara - kiri in the first place. rose has no concept of characterisation or motivation. it doesn’t help that some of the cast are shockingly wooden actors, but even talented performers couldn’t make this work. remember harrison ford’s famous comment on the set of
? “you can write this stuff, george, but you sure as heck can’t say it. ” well, arjun rose can’t even write it .
it all culminates at a massive party in a huge house where dozens of vacuous teenagers drink and chatter and snog but the most actually rebellious thing they can manage is a game of twister. the one psycho teen who organised the original pact (pointlessly shadowed everywhere by an acolyte with a video camera – see note above re. found footage origins) is now determined to murder everyone instead, using his dad’s gun. he’s played by jason maza (
). there’s a stultifyingly awful dialogue exchange where he explains to his camera - toting chum that this will make him a mass murderer, not a serial killer, complete with dictionary definitions of each. added to an earlier exchange between final girl and sensitive irish lad about character arcs, this overt textual analysis of horror film tropes within a horror film underlines that rose has watched
demons never die ( originally titled suicide kids ) is a british 2011 slasher film starring robert sheehan , jennie jacques , jacob anderson , jason maza , emma rigby . ashley walters , reggie yates and tulisa contostavlos . 
demons never die (originally titled suicide kids) is a british 2011 slasher film starring robert sheehan, jennie jacques, jacob anderson, jason maza, emma rigby. ashley walters, reggie yates and tulisa contostavlos.
demons never die (originally titled suicide kids) is a british 2011 slasher film starring robert sheehan, jennie jacques, jacob anderson, jason maza, emma rigby. ashley walters, reggie yates and tulisa contostavlos.