kaivantha kalai
kaivantha kalai movie rating is na / 100 based on reviews submitted by 0 users .
is a tamil comedy movie, directed by pandiyarajan. the cast of kaivantha kalai includes prithvi rajan, shruti .
pandiarajan' s second son prithvi made his film debut with pandiarajan' s directorial venture
kaivantha kalai
in 2006 .
kai vandha kalai review. kai vandha kalai tamil movie review, story, rating - urltoken
kalai is an upazila of joypurhat district in the division of rajshahi, bangladesh .
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the song ‘sutti poove’ from kaivantha kalai in the music direction of dhina is a brilliant piece in sri. the opening phrase, sr r, grs establishes the raga’s identity. the classical interlude employs the saxophone. a song from an album called andhi maalai became very popular — ‘andhi maalai kovil vandhen’ sung by s. janaki. it is a filmy version of ‘endaro mahanubhavulu ’. the tune is just the same, with tamil lyrics !
all the songs in the film were composed by. kalai nera poonguyil movie. ilaiyaraaja and were. amman kovil kizhakale .
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dheena' s music is quite ordinary. produced by g v films, kai vandha kalai is a movie sure to appeal to the rural folks and comedy lovers .
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the rest including sruthi, seetha and pandian too have given their best try. pandiarajan has intelligently used the locations where the lovers meet from aan paavam in kai vantha kalai too .
after a brief interval, actor - director pandiarajan makes his comeback with kai vandha kalai. supposedly a sequel to his yesteryear hit aan pavam, pandiarajan has thrown out a simple and a straight forward film without many twists and turns that' s worth a watch. amidst all action - packed films of the day, kai vandhai kalai is a movie with a simple narration and little characters .
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kalai kovil is a 1964 indian tamil film, directed by c. v. sridhar and produced by visu and ganga. the film stars s. v. subbiah, chandrakantha, r. muthuraman and rajasree in lead roles. the film had musical score by viswanathan–ramamoorthy .
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kalai arasi is a 1963 tamil language science fiction action drama film directed by a. kasilingam. the film features m. g. ramachandran and p. bhanumathi in lead roles. the film, produced by sarodi brothers, had musical score by k. v. mahadevan and ...
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the story centers on a careless father (manivannan) and his son kannan (prithvi). manivannan earns his livelihood cheating the villagers and takes the help of his son in all his wrong deeds .
kannan falls in love with the a school - girl kausalya (sruthi) - daughter of pandian and seetha, the lead pair of aan paavam. kannan is made to realize the importance of leading a honest life by kausalya .
determined to keep up his promise to her, kannan leaves for chennai and stays with his uncle pandiarajan, who is an undertaker. he gives coffins on hire. the rest is about how kannan with the help of his uncle reforms his father and also convinces kausalya' s parents and win their hearts .
as usual pandiarajan evokes laughter with his witty dialogues. prithvi, panidarajan' s son, making his debut, does a convincing job and has his father' s mannerisms .
. like his mentor, pandiarajan takes on directing duties and also plays a key character that appears in the second half to move things along. unfortunately, the similarity ends there and has not extended to how entertaining the movie is. while
kannan (prithvi) is in leage with his father (manivannan) in duping the people in his village. he comes across kausalya (sruthi), a timid, schoolgoing brahmin girl and falls for her immediately. from his grandfather he learns that kausalya' s mom is his father' s sister and becomes even more determined to wed her. kausalya begins to like him too but asks him to mend his ways before they can get married .
, this is a failed comedy and that' s the toughest kind of movie to sit through .
movies typically tend to meander in the first half as they introduce characters and create issues. so its not terribly disappointing when
lays the foundation for a passable love story in the first half. it gets prithvi and sruthi together and through their family members, shows that its not going to be smooth sailing for their romance. it doesn' t do much more than that but that' s all that is expected .
for most movies, their screenplay gathers speed in the second half as they try to resolve those conflicts. not so in the case of
, which simply stalls. pandiarajan has no idea how to move the story along and so abandons it completely. once prithvi becomes pandiarajan' s assistant under the pretext of making an honest living, the movie turns into a series of episodes (that have no impact whatsoever on the story) revolving around their business. the running time is further padded with fights and an item number, that are all set up in a silly manner and simply confirm the paucity of ideas on pandiarajan' s part. its only in the last five minutes or so that the movie remembers that it has a love story to resolve and naturally, the result is a lacklustre climax .
was probably pandiarajan' s biggest hit in his career and is the film with which people still identify him. so he has naturally tried to milk as much as he can from that film by using actors, locations and background music from that film. there is a lot of nostalgia associated with the film, one of the best comedies in tamil cinema, and so it is fun seeing the references to it. but unfortunately, pandiarajan has not played it straight. he uses actors like pandian, seetha and revathi in roles meant to remind us of
but doesn' t go all the way. so while he was pandian' s younger brother in that film, he is seetha' s younger brother in this. this leads to a little confusion and also a nagging feeling that he was too lazy to think a little more and come up with a story that could actually serve as a sequel to
prithvi looks too young to be a hero. but apart from that, he seems to have been prepped well enough since he fights and dances impressively. sruthi, the child artiste from azhagi, is definitely too young to be a heroine. they have tried to make her look older through makeup and the results are not very flattering. pandiarajan gamely tries to make his jokes work while seetha ends up looking the most natural of the performers. a number of comedians like senthil, janakaraj and' venniraadai' moorthy have cameos .
ashai mugam - shankar tucker (ft. vidya vox & vandana iyer) (original) | music video
manivannan nakkal comedy touch | sathyaraj | senthil | r. sunderrajan | raghuvaran | super comedy
சோகம் மறந்து வாய் விட்டு சிரிக்க | | manivannan, pandiarajan, r. sundharrajan, pandu, non stop best comedy
sathyaraj nakkal comedy | manivannan | senthil | r. sunderrajan | tamil super comedy
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music director dhina, who is synonymous with melody, has composed the music of this album with lyrics written by r. pandiyarajan and vairamuthu. the film has prithvi and shruthi in the lead pair .
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all the songs by a. r. rahman (1992 - 2006) - (419 tamil songs )
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a raga that is auspicious in name and bhava is sri. sri is a ghana raga, a heavy and noteworthy one that is melodic as well as regal. sri is a janya of kharaharapriya raga and is characterised by jagged traversals in the scale, the avarohana having interesting diversions from the usual linear path. the arohana - avarohana pattern of this raga is srmpns / snpdnpmrgrs. in tyagaraja’s works in this raga, the dhaivata prayoga (“pdnpm”) is not used, while in dikshitar’s kritis, there is a sudden twist in the structure, with the prayoga featuring the dhaivata. this raga houses sadja, chatusruti rishabha, suddha madhyama, pancama, kaisiki nishada, chatusruti dhaivata and sadharana gandhara .
the raga’s highlight is the exaggerated gamaka at the gandhara. because it is a ghana raga, it is suitable for tanam. askilled vainika (veenaartiste) can demonstrate the stately gait of the tanam in sri .
the classical pieces in sri include tyagaraja’s fervour - filled ‘endaro mahanubhavulu’, the fifth and famed pancharatna, which features torrential janta swaras and ‘namakusumamula’ .
dikshitar’s ‘sri kamalambike’ (the concluding kamalamba navavarana), ‘sri varalakshmi’ (sung during the varalakshmi vratha) and ‘sri abhayamba’ (the final kriti of the abhayamba vibhakti kritis on the presiding goddess at mayavaram) are most notable. music lovers may recall m. s. subbulakshmi’s rendition of annamacharya’s ‘vande vasudevam’ in the raga .
the kriti ‘endaro’ featured in the telugu film, thyagayya. the same pancharatna found place in shankarabharanam, where it was sung by s. p. balasubrahmanyam .
in film music, one of the finest pieces in this raga would be ‘deviyar iruvar’ from kalaikovil, composed by m. s. viswanathan and t. k. ramamurthy. chittibabu’s veena prelude is electrifying and p. suseela’s alapana is apt. the lines‘enadi thozhi arivayo, enakkor idam nee tharuvayo’ well establish the raga bhava, with the phrase rpmprg, rss lending the requisite charm .
in kodi parakkudhu, the song ‘selai kattum pennukkoru’ is a clever attempt by music director hamsalekha to showcase the nuances of sri raga. in the lines ‘kandadhunda... sonnadhunda ’ the prayoga rgrs, srsn, rgrs is amply evident .
a. r. rahman has composed a sedate piece, ‘theendai mei theendai’ for en swasa kaatre. the opening phrase is punctuated with a fitting gamaka at the gandhara. the pallavi’s concluding line, ‘didukkittadhey’, the phrase prsn / pdnpmrg, says it all. this song shows how well rahman has gleaned the raga’s salient features and presented it as an entertaining number .
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vaidehi is lower middle class young girl who is married to business tycoon aryan jaisingh, she thinks its all bed of roses till she discovers she is caught in a mess, her husband is already married once, has a daughter and confesses to her that he is impotent .
the plot gets murkier when he says he married her only due to social pressure and she cannot leave his home and live there till she dies, in this mess. aryan’s brother yash also keeps a “dumb” wife at home and cheats girls outside his home. their father played by kiran kumar is in the center of all this mess dominating everybody from his frustrated wife played by aruna irani to showing fake death of one of his daughter - in - laws. outside in society, they are a rich family showing’everything is fine”. what remains to be seen is what action or take vaidehi takes now. .
amidst so many imaginary stupid serials, vaidehi is a real life serial, there are hundreds and hundreds of homes everywhere in india where young girls are married off to so called ’bed of roses” and when they discover what a mess in which they have landed, its too late, there are few fortunate ones whose families support them and take them away safely, but there are endless cases everyday aired on national tv showing either suicides or murders .
aruna irani, director and producer of this serial, has been known for her own beauty and acting in her heydays (incidentally she was the first heroine paired opposite mr. amitabh bachchan in bombay to goa), she is now known for making different serials in some way, she always takes up a different protagonist everytime to reflect different problems in society. as usual, she has taken up a new subject and very relevant. she must be congratulated for this .
sachin sharma, lead male protagonist of this serial, playing aryan jaisingh gives intense performances. he was earlier a newsreader in zee tv, but quit to try his hand at acting. its good because he was wasting his talent in newsreading .
sets and dress designing of this serial are just great, but its the subject that appeals very much .
the bride - to - be akshaya premnath was seen as nazriya nazim' s friend neethu in jude anthony joseph' s hit film
ohm shanthi oshaana
.
tamil actor pandiarajan' s son prithvi rajan got engaged to akshaya premnath at a ceremony in chennai on sunday, 6 september .
many south indian celebrities, including vijay sethupathi, arya, jeeva, sibiraj, vairamuthu, gnanasambandam, radhika sarathkumar, suseendran, seetha, manobala, jsk, mohan raja and tamil poet and lyricist vairamuthu, among others, attended the function .
as for akshaya, the bride - to - be has acted in jude anthony joseph' s hit film
ohm shanthi oshaana
as nazriya nazim' s friend neethu. the film, which also had nivin pauly, aju varghese, vineeth sreenivasan, renji panicker, anju kurian among others, became a box office success. akshaya was appreciated by many for portraying her character in the movie .
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the indian expresskavi kumar azad, dr hathi of taarak mehta ka ooltah chashmah, passes awaythe indian expressactor kavi kumar azad, best known for his role in taarak mehta ka ooltah chashmah, passed away on monday after suffering a massive heart attack. he breathed his last at mumbai' s wockhardt hospital. the entire team of taarak mehta [ … ]
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times of indiaunion transport minister nitin gadkari hails' sanju' as “a beautiful movie”times of india' sanju', the biopic on actor sanjay dutt, starring ranbir kapoor in the lead has already become one of the highest earning films in bollywood, within 10 days of its release. directed by rajkumar hirani, the film has been lauded by fans, [ … ]
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know more about karaoke a singer or vocal group performing without a band may sing along to pre. a page of lyrics to a variety of south indian carnatic music songs by renowned composers such as. hindi language movie directed by. thyagaraja, dikshitar, shyama sastry and others .
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murattu kaalai is a 1980 tamil film produced by avm productions. directed by sp. muthuraman, the film stars rajinikanth, jaishankar, rati agnihotri and sumalatha in the prominent roles. this was the first film for rajinikanth with avm productions... .
vivekh, better known as vivek is an indian film actor, comedian, television personality and social activist working in the tamil film industry. introduced in films by director k. balachander, he has won three filmfare best comedian awards for his ...
the kalaimamani is an award in tamil nadu state, india. these awards are given by the tamil nadu iyal isai nataka mandram for excellence in the field of art and literature. the tamil nadu government has appointed dancer chitra visweswaran as the ...
kalaignan is a 1993 tamil - language thriller film directed by g. b. vijay and produced by ramkumar ganesan. the film features kamal haasan and bindiya in the lead roles while sivaranjani, sindhuja, nirmalamma and chi. guru dutt play supporting roles... .
kalaiya is a municipality and headquarters of bara district in the narayani zone of south - eastern nepal. also, it lies in central development region. at the time of the 2011 nepal census it had a population of 42, 826 residing in 6, 847 individual ...
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watch yakka yakka official song video from the movie naadodigal song name - yakka yakka movie - naadodigal singer - senthildass, chandran, m. sasikumar & m. m. sreelekha music - sundar c babu lyrics - na. muthukumar director - samuthrakani starring - sasikumar, vijay vasanthkumar, ananya, abhinayashree producer - global infotainment pvt. ltd. studio - global infotainment pvt. ltd. music label - sony music entertainment india pvt. ltd. © 2009 sony music entertainment india pvt. ltd. subscribe: vevo - urltoken like us: facebook: urltoken follow us: twitter: urltoken g +: urltoken instagram: urltoken
kaivantha kalai is a south indian tamil film written and directed by pandiarajan released in 2006 . in this film pandiarajan introduces his son prithivi rajan . the film received mixed reviews . 
kaivantha kalai is a south indian tamil film written and directed by pandiarajan released in 2006. in this film pandiarajan introduces his son prithivi rajan. the film received mixed reviews.
kaivantha kalai is a south indian tamil film written and directed by pandiarajan released in 2006. in this film pandiarajan introduces his son prithivi rajan. the film received mixed reviews.