kanamarayathu
there is something divine and eternally endearing about shirley and royachan' s love story in ‘kanamarayathu’ .
even all these years later, kanamarayathu still makes us believe in the first flush of love, the beauty of romance, in delightful reveries and happily - ever - after endings .
a remake of the director' s own 1984 malayalam film kanamarayathu. anokha rishta is the story of an unusual relationship between mary (sabeeha) and robert brown (rajesh khanna) .
set in the heart of a scenic town in central kerala—against the backdrop of colossal historic churches, lush greenery and translucent ponds – kanamarayathu depicts the two very different worlds of royachan and shirley. while one is the sole successor of a rich business empire, the other is an orphan .
kanamarayathu was released in the year 1984, some songs of the official soundtrack are allimulam kili illimulam kili kandethi by s. janaki, kasthuriman kurunne (female) by s. janaki, kasthuriman kurunne (male) by krishnachandran, oru madhura kinavin by k. j. yesudas. listen the soundtrack online !
watch the melodious song ,
kanamarayathu
sung by ks chithra from the film pradakshinam. music: raveendran lyrics: balachandran chullikkad cast: manoj k jayan, siddique, maathu, sunitha director: pradeep chokli release: 1994 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
anokha rishta is an official remake of the 1984 released malayalam film, kanamarayathu. the story revolves an orphan girl whose education was sponsored by a rich old man. the story takes a turn when the man passes away and the girl' s dream for education ruined. it is directed by i v sasi and produced by raju mathew .
for those of us who devoured mills & boon novels as teenagers of the 1980s and ‘90s, the tall, dark and handsome hero who sweeps us off our feet has remained an enduring fantasy. while there have been many attempts to bring such fairy - tale romance onto the indian screen, few have given us as intense and heartening experience as kanamarayathu .
watch the evergreen hit melodious song ,
illiyilam kili
sung by s janaki from the film kanamarayathu. cast: mammootty, shobana, rahman, seema music: shyam lyrics: bichu thirumala genre: happy director: iv sasi producer: josekutty cherupushpam release: 27 - 07 - 1984 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
watch the evergreen hit romantic song of rahman and shobana ,
oru madhurakkinavin
sung by kj yesudas from the film kanamarayathu. cast: mammootty, shobana, rahman, seema music: shyam lyrics: bichu thirumala director: iv sasi producer: josekutty cherupushpam release: 27 - 07 - 1984 for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken
kanamarayathu movie is based on a book daddy longlegs by jean webster. the story is of an orphan girl (shobhana) who has an anonymous benefactor (mammootty) who sends her to college. she communicates with him through her letters. when they meet, he recognizes her from the details in her letter but doesn' t reveal himself. to make matters convenient, she is his niece' s / sister' s (sabitha anand) classmate .
along the way, abbott transforms from a little orphan girl to a popular college student and makes many friends, but also the mysterious “daddy” changes from a detached anonymous trust fund, to someone who begins to support her through her four years in college. premise sound familiar? the book was the inspiration for the 1984 malayalam movie kanamarayathu, and a hindi remake called anokha rishta. (daddy - long - legs by jean webster, free online on project gutenberg, scholastic (paperback) ₹105 )
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a young girl who is brought up in an orphanage starts college in a different city where she meets her sponsor (whom she doesn' t recognize) - a chronic bachelor and another young man who is all smitten by her .
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this is based on a book daddy longlegs by jean webster. one of shobana' s and rahman' s first movies. the story is of an orphan girl who has an anonymous benefactor who sends her to college. she communicates with him through her letters. when they meet, he recognizes her from the details in her letter but doesn' t reveal himself. to make matters convenient, she is his niece' s / sister' s classmate. it was a big hit of its time in malayalam cinema. the songs
oru madura kinavin
and
kastoori maan kurunne
were very popular. shobana still has the innocence in her eyes in this movie. there is some variation from the book. i loved the book and this movie is pretty close to it. shobana plays the orphan girl, mammootty the benefactor, royachan and rahman, the boy in love with shobana. rahman' s role is not in the book. seema also appears in a few scenes as a doctor and this deviates from the book as well .
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a young girl who is brought up in an orphanage starts college in a different city where she meets her sponsor (whom she doesn' t recognize) - a chronic bachelor and another young man who is... see more »
there is something divine and endearing about shirley and royachan' s lovestory in kanamaryathu, says meera pk... . .
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fullpicture is an exclusive, comprehensive, online english magazine on malayalam cinema, put together by a team of experienced journalists who share a passion for everything about malayalam cinema. the idea is to put out well - written and well - researched features, exclusive interviews, ...
shirley is introduced to us in the middle of a song. she is out on a school tour, frolicking happily in a pretty dress in the midst of a tea plantation, singing, “ilimulam kili”. soon enough we find out that shirley is a bright student and the nuns’ pet. the dark, grim orphanage gives a superbly life - like setting opposed to roy’s spacious wood - panelled office room and his plush bungalow .
the scene where shirley is introduced to roy is typical m & b stuff—he fools her into believing he is the principal of her college. shirley is rendered speechless by his high - handedness. later, when he recognises that she is the same orphan girl his father used to sponsor and the onus is now on him to follow the tradition, he feels a wave of tenderness for her. their eyes lock soon after shirley sings a beautiful melody. he apologises for his earlier behaviour and shirley is instantly smitten .
there is a divinity in their romance. shirley’s love for royachan is unyielding and she opens her heart to him. despite royachan’s repeated denials, citing their age difference, she appears relentless: “so what? just think royachan is 25 years old or i am 25. ” stung by jealousy, she does not think twice before declaring herself pregnant with roy’s child to his former lover and friend, dr elsie (seema) .
roy is the epitome of an m & b hero – stern, charismatic, pragmatic and kind. he struggles to hide his love for shirley, overtly anxious over whether he is too old for her. to hide his own conflicting feelings, he tries hard to match her up with baby, his friend’s brother. he gives baby a job in his office, hikes his salary and even allots him a separate cabin. “now you are ready for marriage. any rich girl will be impressed, ” he tells baby. of course, baby is taken with shirley, dreaming of a duet between them (“orumadhurakinavin”) .
baby (rahman) is the third angle in the love triangle. the minute his eyes rest on shirley he thinks he is in love, and he throws caution to the winds and proposes to her straightway. he barges into her college on his bike to declare his love, but shirley never takes him seriously. not one to be cowed easily, there’s that memorable scene where she goes off on a tangent hearing his proposal, and he warns her, “athikam kalichal njan premichangu vashathakkum, paranjekkam (do not try to throw attitude. i will make you mad with my love). ”
but what makes the film beautiful are those little romantic vignettes between roy and shirley. you have to love the scene where shirley barges into royachan’s office to complain about baby on the pretext of seeing him. after soundly admonishing her, royachan asks her curiously, “why aren’t you scared of me? ” shirley smiles shyly and responds, “why should i be? ”
then there’s the time she makes him rush to her, only to offer him achappams. “is this the emergency you told me about? ” asks an exasperated royachan. “oh yes, it is crisp now, best way to eat it, ” is her immediate response. a reluctant smile tugs at the corners of his mouth as he picks up an achappam and bites into it. and shirley responds, “enikkariyam royichanenney ishtamanennu (i know you like me). ”
but my personal favourite is the scene where he confronts shirley about her ‘pregnancy’. after the initial anger subsides and he mockingly threatens to beat her, she quickly turns her back to him and says, “ah, adicho, dhaa njan inganey ninnu tharaam (sure, beat me. i will just stand !) ”. romance between the man - of - the world royachan and the innocent shirley never looks convoluted at any point .
the other memorable scene ought to be the one where royachan gives baby advice on wooing a woman. “tut tut, i thought you are an old hand in this. is this how you do it? you just lay the bait and wait for her to pick it up. ” in the next scene, baby vents his anger at shirley for tom - tomming about his proposal to all and sundry. but all shirley wants to know is roy’s reaction. “royachan enthu paranju? (what did roy say ?), ” she asks .
there is unspoken love elsewhere in the film, as with the feelings dr elsie holds for roy. “royachan kallana, ellam arinjondu ariyatha bhaavam nadikkuva (you are a great pretender of ignorance !), ” she tells him when questioning him about why shirley fakes a pregnancy in his name .
there is an inherent honesty to all the characters in the film – royachan’s friend and his plain - speaking wife, his spoilt sister, mother, office assistant, the nuns at the convent. they all merge seamlessly into the story .
this article was originally published on fullpicture. in. the news minute has syndicated the content. you can read the original article here .
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the creative team behind the new rathinirvedam website suddenly managed to get someone capable of doing a brief and presentable rewrite of the welcome text / synopsis of the movie. thank you folks !
it was soni, a fellow contributor who updated yours truly on the revised and updated version of the site early afternoon .
remember the excitement of opening a new book by your favorite author with that breathless sense of anticipation, the spirit ever - ready to explore the magic realms created by words? it wasn’t anything different as i typed in the magic letters of the website url that was hoped to be the center of everything magical and shared the excitement of the new version of rathinirvedam, the 2011 version .
i felt a short update on this was overdue (no, there isn’t anything that you have not already read or know), but simply because the project is finally underway with the shooting of the new version progressing at mavelikkara and they are looking for a festival release, from what i could gather from the reports .
though it took three years for all the three to come around, it just didn’t matter. i consider all three of them close to my heart and would recommend these to anyone who truly appreciates the works of the masters. had the rest of them (read bharathan, p bhaskaran and the likes of them maestros) had effected the same at some point in their career, to have their screenplays kept together for future generations, this would have been a better place. it is also poignant that all the three are brought out, courtesy of dc books, perhaps a venture very unique to the publishing industry in india. maybe this would serve as an example of bringing out the scripts of the hindi classics too – what a delightful experience would that be !
i never thought it would come to this. the malayalam film processor machine has now decided to serve padmarajan’s rathinirvedam (1978) in bubble wrap and tinsel wrappings, to be directed by t. k. rajeev kumar .
all i can say is ughhh. . and a heave a deep - drawn out sigh. why exactly do they do this? why? rathinirvedam was our answer to lady chatterley’s lover and lolita, in a way only a genius conceive and translate it on the big screen, treading the fine ground between pornography and sexual awakening that was brilliant, beautiful, at places corny but a cinematic experience, so much like padmarajan’s other creations .
tagged 1978 malayalam release, bharathan, g. devarajan, hari pothen, jaya bharathy, krishnachandran, m. jayachandran, padmarajan, rathinirvedam remake, revathy kalamandir, supriya, suresh kumar, tk rajeev kumar
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@ jeswin _ jj can' t seem to recall offhand. let me ask around too. will get back to you. thank you @ jeswin _ jj 9 months ago
the times, are a - changing! and, delightfully how. # malayalamcinema # malayalamfilmindustry urltoken 9 months ago
heartwrenching! if true, quite a legacy v leave fr our future cinephiles. @ sloganmurugan @ nfaiofficial # indiancinema urltoken 10 months ago
@ vishnu _ somebody just saw dis @ vishnu _ somebody bn out o d a circuit f r a while. thank u for them kind words. :) tht… urltoken 10 months ago
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starred by jeetendra and directed by s. s. ravichandra was the remake of the
and considered as a cult gangster movie. it was the highest grossing movie in the year of 1986. it was a turning point in mohanlal’s career and made him the superstar overnight .
, and dimpla kapadia for the best supporting actress award. the film is a remake of the 1989 movie
( 1991), and tamil movie in the same name. (2007) and obviously
is a 1990 malayalam comedy - thriller ran for 150 days. the film has spawned two sequels ,
is a 2004 hindi film directed by priyadarshan. the story is adapted from the 1991 malayalam movie
punjabi house was remade in kannada with the same title, punjabi house. still remain as one of the evergreen comedy movie .
. it was also remade into other three indian languages including telugu, tamil and kannada .
the hindi version went on to become the highest opening day grosser as well as the biggest grosser ever for a single day up until then .
is considered as one of the best thrillers ever made in india as well as one of the best malayalam films ever made .
and mohanlal reprising the role of dr. sunny joseph, was released on 14 november 2013 .
the film was also remade in tamil in 1988 by robert - rajasekhar as manasukkul mathappu. (courtesy: quora user )
there are quite a lot in the real list apart from the above listed ones .
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i have a malayalee friend who claims that malayalam movies are better than bollywood movies. is it something that can be substantiated ?
almost all remakes mentioned above already. . so adding one rescent and 5th version of the original film. . drishyam of mohanlal. . it had remaked in 4 languages yet. . and in span of 3 - 4 years only. .
original - drishyam (2013), lead - mohanlal, language - malyalam. .
1st remake - drishya (2014), lead - v. ravichandran, language - kannada. .
2nd remake - drushyam (2014), lead - vyanktesh, language - telagu. .
3rd remake - papanasam (2015), lead - kamal hasan, language - tamil. .
4th remake - drishyam (2015), lead - ajay devgan, language - hindi. .
i have seen all of these versions, but original remains best at most of the time. . mohanlal simply nailed it with soulfull performance. .
one of my favourite films in malayalam, manichitrathazhu, was remade in several languages including bhool bhulaiyya (hindi). the original starring national award winning actor shobana and mohan lal is one of the most underrated films, which would make for great world cinema .
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except malamaal weekly and the recent duds aakrosh, tezz, every priyadarshan movie in hindi, is a remake of his mallu movies. gardish - kireedam kyun ki - thalavatam yeh tera ghar yeh mera ghar - sanmanassullavarkku samadhanam hera pheri - ramji rao speaking hulchul - godfather bhool bhulaiya - manichitrathazhu (this was directed by faazil) if we take away priyadarshan' s movies, some other hindi movies that are a remake of mallu movies. police public - our cbi diary kurippu new delhi - remake of the movie of the same name in malayalam, that had mamooty in the lead. anokha rishta - kanmarathu (the original starred mamooty and shobana) julie - chattakarai
adding a few more. dor - perumazhakkalam mere baap pehle aap - ishtam billu - katha parayumbol krodh - hitler beti no. 1 - aadyathe kanmani shabd - rachana
there are so many malayalam movies that have been remaked in hindi. but in my personal opinion none of them did a great job and turned out to be some of the worst remakes
the movie chithram is one of the evergreen malayalam movie that will make you cry .
almost every priyadarshan movie in hindi (except for malamaal weekly is a remake of a malayalam film) khatta meetha - vellanakalude naadu de dana dan - vettam billu barber - kadha parayumbol and more ...
all hindi movie directed by priyadarshan is a remake of malayalam movie, but unfortunately the soul and charm of the malayalam actors and their fine acting couldn' t not be recreated in the hindi versions and i personally find the hindi versions to be bufoonery .
and i’m sad to say that it was not as good as the original one in malayalam .
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box - office queen: anuja chauhan’s romances are wrapped up in bollywood - style extravaganzas. photo: r ravindran
is your tbr pile multiplying overnight? are you faced with dusty, reproachful spines? do you wonder when you’re ever going to catch up with the most prolific bookstagrammers and shoot pretty pictures of a cover, some flowers and a hardwood table? or perhaps you’re overwhelmed by how many new books there are and how you’ll never have time to read them all. help is at hand. welcome to tsundoku, a monthly books recommendation column, where i break down books into the three parts that really matter: what everyone’s talking about, what’s happening in the world, and what old book you should read (or re - read) next. (tsundoku, a word borrowed from japan, means basically buying new books only to leave them in a pile next to the last pile you bought and haven’t gotten around to reading. )
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kanamarayathu is a 1984 malayalam film written by padmarajan and directed by i. v. sasi . it stars mammootty , rahman , lalu alex , shobhana and seema . this film won 1984 kerala state film awards for the best story ( padmarajan ) , best music director ( shyam ) and best female singer ( s. janaki ) . the story was an adaptation of the 1912 novel daddy-long-legs by jean webster . 
kanamarayathu is a 1984 malayalam film written by padmarajan and directed by i. v. sasi. it stars mammootty, rahman, lalu alex, shobhana and seema. this film won 1984 kerala state film awards for the best story (padmarajan), best music director (shyam) and best female singer (s. janaki). the story was an adaptation of the 1912 novel daddy-long-legs by jean webster.
kanamarayathu is a 1984 malayalam film written by padmarajan and directed by i. v. sasi. it stars mammootty, rahman, lalu alex, shobhana and seema. this film won 1984 kerala state film awards for the best story (padmarajan), best music director (shyam) and best female singer (s. janaki). the story was an adaptation of the 1912 novel daddy-long-legs by jean webster.