made ( 2001 film )
will only enhance its grandeur. undoubtedly, it is the biggest film the industry has made till date .
kubrick’s own thoughts regarding 2001 ’s interpretation correspond with the approach by film analysts like robinson, walker and others. as kubrick once said :
while the sixth film was the most expensive to film, it was decided that the seventh book would be spilt in two, despite being shot as one film .
which is why it remains, and will remain, one of the greatest films ever made .
looking for movie tickets? enter your location to see which movie theaters are playing made near you .
richard kelly and jake gyllenhaal in 2001. photograph: ken hively / la times via getty images
john williams was the first composer to work on the films, and is best known for creating the iconic hedwig' s theme. when williams left to pursure other projects, patrick doyle created the soundtrack for the fourth film. nicholas hooper made soundtrack for the fifth film, while alexandre desplat made the final two, although they kept a few of williams. they were made at abbey road studios with the london symphony orchestra .
[ … ] how stanley kubrick broke the rules of classical hollywood cinema and made a better film with & # 8217… (indieethos. wordpress. com) [ … ]
production began in september 2000 and would keep going until the final film in december 2010. every film was made primarily at leavesden studios, which is now open for the public to explore. heyman produced every film with his production company heyday films, while kloves wrote for every film except harry potter and the order of the phoenix, which was written by michael goldenberg .
. ed. gene d. phillips. jackson: up of mississippi, 2001. 80 - 104 .
yet, 2001 was the second highest grossing film in 1968, earning over $ 25. 5 million for mgm that year alone (boxofficereport. com). some went to augment acid trips with the film’s visuals. others felt a spiritual sensation during the same sequences (see the life in pictures documentary). beyond these sensory experiences, the film also begs an intellectual involvement to reconcile a film that would disappoint those expecting a classical hollywood film .
the book series and film series were released over a ten year period. the philosopher' s stone was first published in the uk in 1997, with the final book the deathly hallows published in 2007. likewise the first film was released in 2001 and the series concluded in 2011 with the eighth and final film .
the comic invention at work here - - vaughn' s and favreau' s - - make made into a rough gem .
with both movies and tv constantly mining mob life for script fodder, made never comes up with a new twist on the material .
for goblet of fire and every subsequent release, the logo appears as shiny and metallic in all non - film appearances. it is depicted as either made of stone or rusting metal in the films’ title sequences .
events that occur in the film have clear causes and effects and are unambiguous .
each film in the series has been released to critical and financial success worldwide .
made isn' t in a particular hurry to get anywhere, but jon favreau' s script has the feel of improvisation done right .
robinson, william r. and mary mcdermott. “ 2001 and the literary sensibility. ” 1972. seeing beyond: movies, visions, and values. ed. richard p. sugg. new york: golden string press, 2001. 77 - 91 .
the conclusion of the series marks the first time a book series of this length, involving an ongoing story arc, has been adapted for film in its entirety, and without profound changes being made to the original storyline .
made has some of the best dialogue. it is extremely well written and a great effort from john favreau. it is even more well put together than swingers, having a more polished feel to it. vince vaughn and john favreau' s banter really made this a memorable movie .
gelmis, joseph. “the film director as superstar: stanley kubrick. ” 1970 .
could say that he had the honour of chronicling the film, for all time .
, the total footage shot was some 200 times the final length of the film .
‘i thought it was going straight to video’ … jake gyllenhaal, jena malone and frank the rabbit in 2001’s donnie darko. photograph: allstar
in promotional materials, such as film posters and merchandise, and on dvd / blu - ray covers, the harry potter logo appears differently than it' s film counterpart .
as a film buff, i thought that i would enjoy writing about the planning of the film but as it turned out the shooting of the songs were the most interesting .
not long after its release, stanley kubrick’s 1968 movie 2001: a space odyssey would gain a massive following despite some major critics’ backhanded reviews. kubrick biographer and film scholar, michel ciment documented an efficient summary of their comments :
exactly 48 years ago, on 6 april 1968, a science fiction film directed by stanley kubrick and written by arthur c. clarke, called 2001: a space odyssey was released. its influence on the whole space - sci - fi movie genre has been almost incalculable; in fact, it is fair to say that almost every film that can be classified in this category made after 1968 has directly or indirectly, consciously or unconsciously, paid tribute to it .
film techniques such as editing and sound should not call attention to themselves (236) .
so said ridley scott when he was first asked to direct hannibal, the long - awaited sequel to the silence of the lambs. jill bernstein, who gained extraordinary access to the film' s cast and crew, reveals how it came to be made
by the film’s conclusion, no questions are left unanswered that may have arisen in the plot .
we are inside the locked world of the spacecraft for most of the film, with its jaw - dropping visual effects that unfold languidly, almost casually—which in fact adds to the thrill and awe. these scenes—and many other scenes in 2001, which defy our mundane earthly physics—are still as good as any that has been filmed since. and please remember, there was no cgi (computer - generated imagery) in 1968. when 2001 was made, the power our mobile phones pack today would have needed a computer the size of the pentagon, and quite likely, if such a computer existed, it would have been deep underground, inside the pentagon. 2001 relied on pure mechanical engineering to create most of its mind - blowing effects .
' but dino, i don' t want to make a film about elephants...'
just came across this as a related post. my favorite film, will surely give this a look
cinema is probably the most manipulative art form ever — it uses basic human emotions to evoke a response from the viewer. but stanley kubrick, through his non - verbal style in ‘2001: a space odyssey’, manages to break any barrier there is in art; the movie connects directly with your subconscious, both metaphysically and philosophically. there is no pretense, no artistic flourishes; everything is stripped down, displaying art at its purest. when ‘2001: a space odyssey’ released, nobody had ever seen anything like it before. 48 years have passed; and we are yet to see anything like it since. art is subjective; so as such there can never be one greatest film. but i don’t have any qualms in proclaiming ‘2001: a space odyssey’ as the most important film ever made. i don’t think anybody can argue with that !
the 2014 film interstellar, directed by christopher nolan, with access to the sort of computing power to create effects that kubrick and clarke may not have imagined would be available to film makers (though they thought up hal, which—who? —exists by the beginning of the 21st century) and 3d technology, was an attempt to outdo 2001. of course, it was visually spectacular .
the best that cinema has had to offer since 2000 as picked by 177 film critics from around the world .
suburban motherhood is not one - size - fits - all: kelly & cal — a film ...
special thanks: director of n. y. c. mayor' s office of film theatre, and television
may hold the unofficial hollywood record for most credited producers of any movie ever made: fourteen, including six
executive producers
, six
producers
and two
co - producers
.
how breaking the rules of hollywood film can feel more fulfilling to a viewer looking for something more at the movies .
2001 is unfathomable too, especially its last sequence, where time and space behave very differently from the way we experience them. the film leaves many questions tantalizingly unanswered. but unlike in interstellar, none of those questions have one correct provable - on - paper answer. in fact, technically, interstellar has no unanswered questions—you just have to know enough theoretical physics, that’s all. 2001, 48 years after its release, leaves the biggest physics brains in the world mystified yet enchanted .
nordern, eric. “ playboy interview: stanley kubrick. ” stanley kubrick interviews. ed. gene d. phillips. jackson: up of mississippi, 2001. 47 - 74 .
with 2001: a space odyssey, kubrick decisively breaks out of these rules of the classical hollywood form to make the audience not only look deeper at his film, but experience something beyond the images. in other words, context should be projected by the audience, not dictated by explicit meanings in the narrative .
over dinner one evening, i told karan to get someone to write about the film, as they did abroad for the big hollywood flicks. i even suggested that he get someone like khalid mohammed to write about the making of the film .
this is the only shrek film to open with the dreamworks pictures logo; later films would have the dreamworks animation logo .
for the most part the film alternates from mexico to wakefield to ayala in that order, although there are occasional variations .
when the first screening of ‘2001: a space odyssey’ was held back in 1968, audiences walked out expressing disgust and chastised the director’s indulgence and lack of a narrative structure. critics hated it and many even called it the worst film ever made. even the ones who loved it didn’t know what to make of it. looking back, the response isn’t surprising considering the fact that the movie broke every rule there is to break in cinema. portraying two major turning points of human evolution over millions of years, the movie has no tangible plot, no characters, and no emotional arc. what then made the movie so great? why does it turn out to be the experience of a lifetime? the answers aren’t so simple .
o cinema co - director kareem tabsch (at left) with hans morgenstern at o cinema on april 10, 2013 lead a discussion on 2001: a space odyssey. photo by ana morgenstern .
finally, 2001 remains a mystery of that highest order for which every solution is a valid one, or perhaps there is no solution at all, and that too is a perfectly satisfying solution .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
in many advertisements, posters, and dvd / blu - ray covers for half - blood prince, the harry potter logo is shown tilted at an angle and cut off at either end. some posters also depict the logo with a bluish sheen. this film is also the first to abbreviate the film title to
hp6
, which was again done for the seventh film .
being a film buff, the idea of writing about the six stars working together on the same set, under the same director, seemed very exciting. in my opinion, india may never see another film that can boast of such a fantastic cast .
since today is pink shirt day or anti - bullying awareness day, i thought i’d share with you the most powerful film that i have ever seen that tackles the subject. and it tackles it hard. larry clark’s 2001 ‘bully’ is one of the most disturbing and hard to watch movies from my lifetime. but it’s essential .
beginning in 2001, warner bros. pictures began releasing adaptations of the harry potter books. these films have proven to be very popular and, in less than a decade, the harry potter film series has become the highest - grossing motion picture series in history, surpassing the world - famous james bond franchise. [ 1 ]
one of the reasons for the harsh critical response toward 2001: a space odyssey upon release comes from the fact that several popular critics of the time approached this film with an aesthetic expectations stemming from classical hollywood cinema. their complaints were all about how the film did not follow hollywood conventions, and it frustrated them. alexander walker, sybil taylor and ulrich ruchti wrote in stanley kubrick, director: a visual analysis: “the first wave of critics wrote mixed reviews. while seeing a new use of film, they reacted with responses geared to conventionally shaped films” (walker, taylor and ruchti 162) .
“ 2001 … is basically a visual, nonverbal experience. it avoids intellectual verbalization and reaches the viewer’s subconscious in a way that is essentially poetic and philosophic. the film thus becomes a subjective experience which hits the viewer at an inner level of consciousness, just as music does, or painting” (qtd. in gelmis 89 - 90) .
a young michael pitt turns out an awesome supporting performance here too as donny, the constantly stoned comedic relief. but even in a film such as this, the comedy eventually turns a little sad. this isn’t dazed & confused – it’s more along the lines of stoned & sad. the film has sequences of rape, graphic consensual sex, violence and so much cursing that it would give goodfellas a run for it’s money. larry clark made one hell of a movie when he released bully back in 2001. in honour of pink shirt day – if you truly want to embrace raising anti - bullying awareness, this is by far the best and most powerful movie experience to ever handle the subject .
from the internet to followers in my hometown miami, i have long been asked to share my ma thesis that capped off my studies in american literature at florida international university, something i titled “the sublimation of the classical hollywood cinema form in 2001: a space odyssey. ” this was a 76 - page paper based on the work of eminent film scholar david bordwell’s theory of classical hollywood cinema. i contrasted the seven rules of his theory with criticism both scholarly and popular on the film as well as published interviews with both the film’s director stanley kubrick and its co - writer arthur c. clarke. the point was to reveal how the director achieved a more profound film— philosophically, spiritually and artistically— by breaking the rules of classical hollywood cinema .
there were four directors across every film, with chris columbus directing the first and second film, and alfonso cuarón directing the third. mike newell directed the fourth with david yates staying the longest, as he directed the last four films. columbus did stay to produce the third film with heyman, and david barron produced the last four with heyman. rowling joined the team for the final two films .
[ … ] the most authoritarian piece of work directed by the maverick filmmaker stanley kubrick, ‘2001: a space odyssey’ could aptly be described as a crazy rendezvous with mayhem and uncertainty. with themes ranging [ … ]
if ever a movie testified to the utter creative bankruptcy of the hollywood film industry, it is the abomination known as freddy got fingered .
going back to gelmis, he wrote that populist critics seemed “‘threatened’ by the film ‘because the conventional standards don’t apply’” (20). it was that little bit of commentary that inspired me to compare bordwell’s later theoretical work in defining the classical hollywood cinema form to see how this film fits in with that approach. i wasn’t surprised to find that it does not fit in his theory of hollywood film at all .
has also been a landmark film in its own sense, with the star cast, the mounting and the mammoth budget. the success of
emma watson and rupert grint were selected from thousands of children who auditioned for the role of hermione and ron. the casting of the three is thought to be highly impressive, and one of
the best show decisions
ever made .
in a sense, this is a horror film, worse than anything andy kaufman could dream up, in which green tries to outgross himself .
donkey and fiona are the only characters to refer to shrek by name in this film. others would later do so in the other films .
cinema is adored and worshipped in india. directors, actors and writers have made our nation proud with their incandescent talents. be it aamir khan leading ‘dangal’ to international success or ray inspiring scorsese to make ‘taxi driver’ (1978) ...
( 2001) comes from a peculiar cross - section of production cultures. it stars an australian woman playing an englishwoman. it was written and directed by a spaniard, backed by americans, set in jersey but filmed in spain .
film literature, especially in india, has a very niche audience and hence a very small market. how have you tried to overcome that barrier ?
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
however there were some that understood the film as something rather different and special during an era where many independent filmmakers were redefining movie’s structure (remember, this was the time when easy rider hit the scene). “newsday” film critic joseph gelmis actually wrote two reviews within days of each other reversing his position from his original review, which had a title that stated “space odyssey fails most gloriously” to admitting in his second review: “after seeing 2001: a space odyssey a second time, i’m convinced it is a masterwork. ” (documented on - line here) .
an adaptation of homer' s great epic, the film follows the assault on troy by the united greek forces and chronicles the fates of the men involved .
it is a common belief that just because a film is a periodical, a mythological or a sci - fi thriller a lot of research goes into it .
every major distributor passed on it at sundance in january 2001. it was viewed as a problem film that no one knew how to market. it looked like it might go straight to video, but then newmarket picked it up. they’d done memento – another experimental film seen as a hard sell. its director, christopher nolan, convinced newmarket to give donnie darko a chance. then it got released on the halloween weekend after 9 / 11 and didn’t even make $ 1m. no one was in the mood to see any kind of movie, especially a heavy emotional one .
in other words, 2001 is the finest form of poetry in the garb of science fiction. it is a dreamscape masquerading as cold outer space. it is an experience that you immerse both your left brain—the seat of logical thinking—and right brain—the seat of creative thinking—in .
but, in his desperate bid to out - imagine clarke and kubrick, nolan crammed in so much that very few among the people across the world who watched the film, other than maybe some brilliant post - doctoral fellows in physics, understood what on earth—rather, in outer space—was going on. thorne wrote a book, explaining the physics of interstellar. but, as an american critic wrote, if you have to read a 350 - page book to understand a film, is the film really worth watching ?
the past 12 months that i have spent with the film have opened my eyes to commercial cinema. i' m much less judgmental about its filmmakers and much less opinionated about the films. as a journalist you' re taught to undermine anything that finds its average with the masses. the film has been a big revelation to me, personally .
the film adaptation of deathly hallows was split into two parts, the first of which was released in november, 2010, with the second part released on 15 july, 2011 .
a file photo of stanley kubrick. 2001 is the finest form of poetry in the garb of science fiction. it is a dreamscape masquerading as cold outer space. it is an experience that you immerse both your left brain—the seat of logical thinking—and right brain—the seat of creative thinking—in. photo: reuters
the book is divided into six parts each representing the independent process of filmmaking: pre - production and scripting; the look of the film; the music; the shooting of scenes; the shooting of songs and post - production. it covers the entire journey from when karan put pen to paper to the first copy of the film, 200 pages with over 200 pictures .
quite possibly, if there hadn’t been a 2001, there would have been no star wars. and the star wars series has earned more than $ 6. 5 billion till date at just the box office (various spin - offs like books, comics, toys, video games etc not included) .
made ,
a peculiarly entertaining comedy, revisits the rapport that favreau and vaughn had in
swingers
( 1996), and rotates it into a deadpan crime comedy. the movie was written, directed and produced by favreau, who plays vaughn' s straight man and loyal friend; think of martin and lewis .
in this film it is implied shrek lives alone because of his looks and the fact he is an ogre which frightens the villagers and this seems to upset him. however in forever after it is the exact opposite where shrek now wants to be feared again. it is possible shrek simply got used to being feared by the villagers in this film and that his life was better living alone .
; it is about how such a simple story was magnified with all the grandeur and the star cast to produce the final product. i did not have the advantage of history, the advantage of research but i think i have more than made up for it in terms of cinematic moments, which i have tried to capture and relive .
for prisoner of azkaban, the glow effect is dropped. while subtle, the logo was redesigned for azkaban. the letter p was elongated and given a different, pointed serif. also, the film started the trend of colouring the logo in various shades of silver instead of gold (however, it is coloured bronze in some instances). since the tone of the film transitioned from light to dark .
beyond all the religious allegory and philosophical underlings, the movie also manages to give us one of cinema’s greatest villains, which incidentally isn’t human. the hal 9000 computer powering the spaceship following the monolith’s signals, said to be the most advanced ai ever made, becomes self - aware. for a movie which portrays scientific, technological and philosophical advancement, ‘2001: a space odyssey’ offers a damning critique of the advancements in artificial intelligence, in turn it gives us a display of the double - edged nature of technology. in a testament to kubrick’s writing prowess, hal, with only its voice and a red camera eye, manages to create more impact than most human characters in cinema .
in march 2000, chris columbus was selected to direct the first film, while steve kloves wrote the screenplay. rowling was given a large creative role which columbus was fine with, while heyman stayed to produce it .
consider now two spy thrillers: “spy game, ” with robert redford and brad pitt, which opened over thanksgiving, and “the tailor of panama, ” with pierce brosnan and geoffrey rush, which opened in march 2001. both, curiously, star catherine mccormack as the girl for whom a spy risks all, or seems to, or means to .
order of the phoenix is notable for changing the font used for the subtitles, a change reflected in the film as well. however in the title sequence for the film, the title uses the old' p' in' potter' as used in the first two films. order of the phoenix is also the first to depict the logo as weathered and scratched. the old subtitle font is still used in other promotional materials besides the logo .
if the film' s too ready to go with the flow of chris doyle' s handheld camerawork, and sometimes seems ad hoc, its spot - on attention to the faux pas of the moment certainly raises a smile .
in chamber of secrets, the background is the sky above privet drive at sunset. chamber of secrets is the only film to depict the warner bros. pictures logo in its original colour scheme. because of the blue background of the logo, it is animated to turn on its
back
so the camera does not
go through
it. in every subsequent film, the blue background is omitted, and the camera passes between the letters of the logo .
o cinema is hosting an encore screening of 2001: a space odyssey on saturday, april 27 at its miami shores location (that’s a hot link for tickets and more information). this screening is part of o cinema’s on - going kubrick retrospective inspired by room 237, which is also currently playing at o cinema (see event page). the film, inspired by kubrick’s the shining, continues to expand this week in the miami area. it opens at the miami beach cinematheque this tuesday, apr. 23 (see calendar) and the cosford cinema in coral gables on friday, apr. 26 (see calendar) .
benjamin barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. andie anderson covers the
how to
beat for
composure
magazine and is assigned to write an article on
how to lose a guy in 10 days .
they meet in a bar shortly after the bet is made .
our generation is extremely blessed to witness the works of steven spielberg and christopher nolan while they are still alive. i say this because any shootout between two film directors becomes a bit one - sided when one of them has passed away due to ...
stuart craig was production designer for every film, helped by stephenie mcmillan. hogwarts was originally a miniature which expanded and developed into a digital model. when production of the films ended, a lot of the sets were rebuilt and transported for display at leavesden .
the opening and closing of the film have heydrich flying to and from the wannsee conference, which took place on january 20, 1942. however, heydrich was officially grounded by heinrich himmler after he was shot down by russian anti - aircraft in late 1941 .
josh hartnett, ewan mcgregor, jason isaacs, tom sizemore, eric bana all star in this film in which us soldiers are sent in to assist in the somalian civil war of 1993. most notable for its realistic, long drawn out and brutal battle scenes .
they were made for each other: bobby, the earnest, plodding, analytical, seeker after success, and ricky, the clueless instigator who can' t involve himself in a situation without making it worse. there are some people with a gift for saying the wrong thing at the wrong time, and ricky is one of them, talking when he should shut up, helpfully revealing secrets, blurting out the truth when a lie is desperately called for .
tom green' s shtick is that you say ,
what ?
and give an uncomfortable laugh at his antics. he used this to get his own show on mtv, and he uses it here to make us empathetic to a loser character that does weird stuff. some of this i found ridiculously unneeded and deliberately stupid. sometimes i actually laughed, because why not? there' s also the question as to why rip torn acts like a degenerate, abusive pariah most of the film, and it' s treated like an interesting quirk. while there' s really no reason to watch this film, sometimes it' s funny to laugh at the weird, the inspired, and the zany. though this film falls more under the heading of
gross
it' s in the same vein .
indian cinema has not been chronicled as well as it should have been. twenty years down the line there would be no information, whether factual or otherwise, on films today, their stars and their interactions, save for film glossies, which have a short shelf life .
it wasn’t a conventional adulthood film in the american pie way. donnie talks about jerking off, but that’s only a part of it. his psychological journey is what’s important. that’s why it’s had this lasting power. anything psychological has a slower – but ultimately longer – burn .
in 2001, when a third monolith is sighted in space, a spaceship is dispatched to discover its meaning and source. but the spaceship’s computer hal has become self - aware and wants to unravel the mystery first and beat human beings to the next stage of evolution. the space crew has to survive the murderous hal, reach the monolith, where, unknown to them, a whole new universe promising a higher consciousness than ours, waits .
totally unbelievable. chronologically, historically and geographically incorrect. full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! what more can i say? i tell you what i can say, i thoroughly enjoyed it! !! i laughed from beginning to end and was enraptured by the sense of friendship that these people displayed. i only wish we could all be like them! i loved it .
in his essays on 2001, robinson recognizes that kubrick was aiming to share something that could only be told through images and as such becomes impossible to explain with dialogue and words, much less the limits of conventional story - telling in cinema. as robinson said, “ [ kubrick ] had a story to tell that could be rendered, perceived, followed and completed only through moving images … he committed himself to telling the story of the active eye” (robinson 77) .
the plot of 2001, roughly based on clarke’s short story ‘the sentinel’ (he and kubrick worked for a year on taking the premise of the story as far as they could) is, very briefly, this. some entity, or entities, have been nudging human evolution forward by placing mysterious black monoliths in different parts of the solar system. we see the first monolith along with the ape - man. the second is found sometime in the 20th century on the moon .
and what can we really call a new classic? what in recent vintage can hold its own on the big screen with the likes of the searchers, the godfather, the rules of the game, seven samurai or citizen kane? some film journalists even think the movie star is a thing of the past .
in every film but philosopher' s stone and prisoner of azkaban, the harry potter logo appears slowly floating from background to foreground, usually through a sea of clouds. in the other two films, the logo flies in from the foreground, stops as it is illuminated, then flies back into the foreground .
mtv is going full retro. today, the network announced they are developing reboots of classic tv shows such as the real world, daria, and aeon flux. the revivals are part of mtv' s new unit, mtv studios, which will
develop and produce a full slate with a focus on beloved series, franchises and spin - offs that span mtv' s 35 - year history .
alongside the real world, daria, and aeon flux, mtv studios is also working on an updated version of made. read more…
new york - - jon favreau will be feted with the director of the year award this month at the 2005 showeast convention in orlando .
there are very few individuals in hollywood that establish themselves as an actor, screenwriter and director ,
said mitch neuhauser, co - managing director of showeast, which runs oct. 24 - 27 .
jon has proven that he can tackle all of these disciplines .
favreau' s acting and scripting career took off with swingers. his directorial credits include made and the comedy elf, starring will ferrell .
2001
is a story of evolution. sometime in the distant past, someone or something nudged evolution by placing a monolith on earth (presumably elsewhere throughout the universe as well). evolution then enabled humankind to reach the moon' s surface, where yet another monolith is found, one that signals the monolith placers that humankind has evolved that far. now a race begins between computers (hal) and human (bowman) to reach the monolith placers. the winner will achieve the next step in evolution, whatever that may be .
compared to the film version - which is strictly dark grey - the logo appears in varying shades, from black to light grey in promotional items, dvd / blu - ray covers, and the soundtrack. on some posters, it has a noticeable red tinge. for the video game and other promotional materials, the logo has a blue hue .
i thought the same way too until i wrote this book. but after putting my life on hold, travelling to london and egypt and observing the entire shoot, i know that my earlier notion was a fallacy. making a mainstream commercial film, blending varied popular tastes together and catering to every segment of your audience, is in itself a great talent .
the film took a long time to be found. it started in the uk. i’d just finished a play in london and started doing press for donnie darko. the response was so different compared with back home: brits seem to appreciate that, if you have something special, it doesn’t have to be perfect. they acted like they’d found a kindred spirit .
the harry potter logo design is based on the typeface used for the american editions of the books. in the first two films, directed by chris columbus, it was golden, however alfonso cuaron, the director of prisoner of azkaban changed the logo' s colour to silver to reflect the film' s darker atmosphere. this was used in later films as well .
mtv has launched a new production unit, mtv studios — and with it put in the works a batch of new shows and revivals of properties from the viacom - owned cable channel’s extensive content library. among the initial mtv studios slate is a new iteration of the animated series “ daria ” from “ inside amy schumer ” writer grace edwards; “ teen wolf ” creator jeff davis’s reimagining of sci - fi animated series “ aeon flux ” with fellow exec producer gale anne hurd; a revival with bunim / murray productions of reality series “the real world”; and a new version of unscripted series “ made. ” also in the works
and it has arguably the most breathtakingly imaginative opening sequence ever. it begins with some ancestors of homo sapiens, more ape than man, and one of them throws the bone of some wild beast up into the sky. the bone whirls high in the air and as it drops, the film jumps a few million years, the bone transforming into a ship in deep space .
i had the opportunity to do that at o cinema a couple of weeks ago following a rare theatrical screening of the film during a retrospective of stanley kubrick’s films (see event page). the art house’s co - director, kareem tabsch, invited me to present my argument in a discussion with an intimate audience illustrated by a presentation i designed on urltoken (see it here) .
i was 23, just graduating from film school, and in a panic trying to write a screenplay to get my career started. i remembered a news story i’d read as a kid: about a huge chunk of ice that fell from the wing of a jet and hit a boy’s bedroom, but he wasn’t there and escaped being killed. that gave me the seed of an idea .
kloves and goldenberg had direct help from j. k. rowling, although she gave them great space to have their own ideas. rowling wanted them to stay true to the books, and save for a few changes, the plot and tone of each film remained the same as the books. heyman said rowling was the
best support
and that she understood some things had to be changed .
when a green ogre named shrek discovers his swamp has been' swamped' with all sorts of fairytale creatures by the scheming lord farquaad, shrek sets out with a very loud donkey by his side to' persuade' farquaad to give shrek his swamp back. instead, a deal is made. farquaad, who wants to become the king, sends shrek to rescue princess fiona, who is awaiting her true love in a tower guarded by a fire - breathing dragon. but once they head back with fiona, it starts to become apparent that not only does shrek, an ugly ogre, begin to fall in love with the lovely princess, but fiona is also hiding a huge secret .
clarke and kubrick had used their prodigal imaginations. nolan relied on prodigious quantities of purely mathematical physics to appear imaginative. he ended up with a film that certainly makes you want to know all the theory behind what’s going on on - screen, but after some time, you just give up and say: why work so hard? so, it remains merely unfathomable, with most people not interesting in fathoming it .
prisoner of azkaban is the only film to date that does not depict either the wb or harry potter logo against a sea of clouds. they are instead set floating in front of 4 privet drive, illuminated by wand light. another noticeable difference is that the letters of the harry potter logo float around haphazardly. different from the first two films, and continuing on in the next, the logo is coloured silver .
scott may not be quite through with hannibal lecter yet. the de laurentiises have announced plans to capitalise on their investment by remaking red dragon at universal; the studio' s stacey snider says it will include new, lecter - related plot lines. it is very unusual for a contemporary novel to be made into a movie twice within 20 years. michael mann, who directed the original 1986 version, declined to be interviewed .
mann was informed that we were doing this ,
snider says .
we didn' t want to be disrespectful of his earlier work .
many directors, she adds, have raised their hands for the job, and
i' m sure dino spoke to ridley. they' re very close .
in 1997, david heyman received a copy of harry potter and the philosopher' s stone. he put it on the low priority shelf, thinking the title was
rubbish
. however, when a secretary found and read it, she gave it to heyman with a positive review and he then read it. heyman was very impressed by rowling' s work, which led to rowling selling him the film rights for four books in 1999 .
how often have we all heard that resigned expression? how often have we said it ourselves? ‘the death of cinema’ is debated in university film studies programs worldwide. critics lament the loss of' small movies' in favour of superhero spectacles. box - office analysts look for signs of an industry on the brink. studio executives fear that video - on - demand may destroy the idea of going to the cinema more than broadcast and cable tv ever did .
in order of the phoenix, the logo drifts through what appears to be blue smoke or fog instead of actual clouds. this logo is grey and stone - textured instead of metallic, a trend that continues in the following films. order of the phoenix is also the first film to use a new font for the subtitle, something that also carries over to the newer films. the background is generic, but dissolves into a sunny sky over little whinging .
art and cinema, in particular, have often explored these ideas of life and existence with varying degrees of success. movies like ‘prometheus’, ‘contact’ and to a small extent ‘interstellar’ touch upon the idea of an advanced life form guiding us through our evolution. but the fact remains that while these movies are fascinating, none of them have successfully managed to display the scale and absolute magnificence of the ideas they promulgate. in fact, it is nearly impossible to do that, since that would require complete abdication of the human element from the art, as a means to rise above it, to portray something greater than life; something beyond our comprehension. as i said, it is impossible, and yet that is exactly what ‘2001: a space odyssey’ does !
it was my idea to have my real - life sister, maggie, play my sister in the film. we were going through a competitive phase, which fed into the dinner - table scenes, where she tells me: “you can go suck a fuck. ” maggie was the reason i got into acting and is the more formidable of us. yet i was the one who started my professional career first. imagine being in a movie with your obnoxious little brother as the lead .
that' s not so say the film is without interest. it stars robert redford as a veteran cia spymaster, on his last day at work, and brad pitt as the young idealist he recruited after vietnam. now pitt is in a chinese prison, captured in the act of helping catherine mccormack escape, and it' s redford who was responsible for her being there. the framework is 24 hours during which redford must scheme, lie and deceive in order to save pitt, who the agency plans to sacrifice; nothing must upset top - level trade talks between the u. s. and china .
mtv is getting into the studio game to capitalize on 35 years worth of built up content. the viacom - owned network announced thursday it is launching mtv studios, a new production arm it will utilize to reboot old series like “ daria ” and the already - in - the - works return of “the real world, ” to sell to other networks and streaming platforms. the initial slate includes those two series, along with a revival of coming of age unscripted series “ made ” and the previously - announced live - action reboot of sci - fi series “aeon flux, ” from “ teen wolf ” creator jeff davis. also read:' aeon flux' live - action reboot series in the works at mtv the new studio will also produce a pair of fresh series: “ the valley ” (working title), a coming of age docuseries in the spirit of “ the hills ” and “ siesta key ” which follows a group of young friends growing up in the valley town of nogales, arizona, a city split in half ,
i think the ending is more tonal as to what could possibly be in her mind at that moment ,
scott says, shrugging and lighting a small cigar .
he' s quite specific. she is more enigmatic .
the film, he adds, contains
an interesting postscript, which, if nothing else, i think is fun. some people think it' s sick .
the character of clarice became an obsession for the entire production, for two reasons: first, when the de laurentiises turned down the chance to make the silence of the lambs, they also passed on the rights to clarice. to obtain them again, they had to go through mgm, which acquired orion' s properties after the company' s demise. a co - production deal, including equal shares of the profits, was struck between universal and mgm .
in 1985, the couple bought the rights to thomas harris' s bestselling thriller red dragon, from which they produced the 1986 movie manhunter, directed by michael mann. the film, which features the first, brief screen appearance of the serial killer hannibal lecter (then spelled lektor and played by brian cox), was inventive, frightening and well - received, but it grossed $ 8. 6m, less than the cost of its print ads. the de laurentiises were disappointed .
manhunter was not red dragon ,
dino says .
manhunter was no good .
and so when harris completed the silence of the lambs, neither dino nor martha bothered to read it, even though they owned the screen rights to the lecter character (who figured much more prominently in this new novel) .
big mistake
is how dino now characterises this lack of interest .
we had a funny situation with gary ,
martha de laurentiis says .
he wanted a prominent credit. now, how can you do a prominent credit with hannibal? the characters are hannibal and clarice starling. so we really couldn' t work something out [ at first ] .
for a while oldman was out, then he came back, asking to go unbilled. his casting was announced by dino at a press conference in florence just before the start of shooting ,
so we couldn' t deny that he was in the movie
, martha says .
they [ oldman and his camp ] got really pissed off. and to have a pissed - off actor ...
she changes tone abruptly .
you' ll have to see the film to see if it' s gary oldman or not .
( oldman' s manager declined to comment. )
made is a 2001 american crime comedy film written and directed by jon favreau . it stars favreau , vince vaughn , peter falk , and sean combs . it was favreau 's directorial debut . 
made is a 2001 american crime comedy film written and directed by jon favreau. it stars favreau, vince vaughn, peter falk, and sean combs. it was favreau's directorial debut.
made is a 2001 american crime comedy film written and directed by jon favreau. it stars favreau, vince vaughn, peter falk, and sean combs. it was favreau's directorial debut.