813 ( film )
choose... 15in x 10yd roll (punched) 813 stencil 24in x 10yd roll 813 stencil (+ $ 9. 50) 30in x 10yd roll 813 stencil (+ $ 15. 50) 15in x 50yd roll (punched) 813 stencil (+ $ 46. 00) 24in x 50yd roll 813 stencil (+ $ 85. 00) 30in x 50yd roll 813 stencil (+ $ 109. 50 )
available upgrades for: vinyl cutter, 813 stencil material, application tape, and software options .
melinex® 813 is a polyester film, pretreated on one side to provide excellent adhesion to a wide range of both solvent - and water - based inks. melinex® 813 film provides good clarity for reverse printing and allows inks to shine through with high quality. the film' s pretreated surface also provides improved adhesion for various coatings and adhesives, often eliminating the need for any type of priming operation. the chemical pretreatment on melinex® 813 film does not result in a performance or shelf life decline over time, and generally is superior to corona treated film. melinex® 813 film features good clarity and handling characteristics in metallizing operations. when aluminum metallized, the film exhibits excellent aesthetic quality as well as the best barrier to oxygen and moisture in a flexible packaging film .
oramask 813 is a rigid, transparent blue pvc film has been formulated for stencil applications, especially spray and paint techniques. oracal 813 features a low - tack, water - based adhesive. it is ideal for water - based paint applications; smooth, flat, rigid substrates and surfaces; large area capabilities; and applications requiring background visibility .
cat people (1942) is a film noir disguised as a horror film. it inspired the film noir style that would dominate rko pictures during the 1940s .
more custom paint shops are discovering this application. you can create the artwork digitally and output the shape of the mask to just about any 24” vinyl cutter and cut it using an adhesive backed stencil mask film. this film is essentially a calendered vinyl with a removable adhesive. we stock several varieties of dedicated paint mask films, including oramask 813 and gap’s spray mask film .
the film is divided into 813 component shots that are linked via a relational database to the resources, so the film scholar or fan can follow themes (such as war or sacrifice), techniques (such as close - ups or dissolves), or repeated lines of dialog (
here' s looking at you, kid ,
i stick my neck out for nobody
) throughout the film .
melinex® 813 is a polyester base film that is compliant with the u. s. food and drug administration regulations under 21 cfr 177. 1630, sections (f) and (g), which is treated on one side with a coating which also is in compliance with 21 cfr 177. 1630. melinex® 813 may be used for packaging, transporting or holding food (excluding alcoholic beverages) at temperatures not to exceed 250°f; and for packaging, transporting or holding alcoholic beverages that do not exceed 50 percent alcohol by volume .
this rigid, transparent blue pvc film has been formulated for stencil applications, especially spray and paint techniques. oracal 813 features a low - tack, water - based adhesive. it is ideal for water - based paint applications; smooth, flat, rigid substrates and surfaces; large area capabilities; and applications requiring background visibility .
the black bird is a film spoof of the maltese falcon without much originality .
oramask 810, 811, and 813 are all 3 mil calendered films with low tack removable adhesives. 811 and 813 are for smooth, flat surfaces. oracal designed 810 for flexible or uneven surfaces. you can buy it with a solvent based adhesive in the 810s version. the use of a removable solvent adhesive makes it more suitable for use with solvent based paints that may weaken the acrylic adhesives used in most stencil films. for more about the differences between solvent and acrylic adhesives, refer to our sign college newsletter # 2 .
a film that provides a view of real life people, trends, or events .
when utilizing extreme films, always keep the application direction of the film consistent with the orientation of the film when cut from the roll and applied to the vehicle. see datasheet
the film daily (jan - jun 1921): new york, wid' s films and film folk, inc. : free download, borrow, and streaming: internet archive
was heavily influenced by film noir, mostly up to about half way through the third season, but it retained certain film noir traits until the very end, such as the moral abiguity .
the term
prognosis negative
figures prominently in the 1939 film dark victory, starring bette davis .
oracal 813 stencil film is a rigid 3 mil translucent blue pvc stencil film has been formulated for stencil applications, especially spray and paint techniques. can be used to mask surfaces to be painted and for die cut / hand cut spray mask stencils. it is excellent for car striping and aircraft marking. it has a low tack, water based adhesive. it is ideal for water - based paint applications; smooth, flat, rigid substrates and surfaces, large area capabilities; and applications requiring background visibility. blade: 45° downforce: 85 / 100
private detective? check. femme fatale? check. chiaroscuro lighting? check. this is film noir .
, but it' s decidedly within a film noir framework. and when it does noir, oh ,
who framed roger rabbit — underneath the cartoonish action, there is a very straight film noir in there .
gabriel knight sins of the fathers combines noir with horror much the same way as the film angel heart .
study of specific critical and historical film theory and approaches to film history using more difficult texts (both as films and as readings) for the students, to create an intense immersion into more complex films and critical readings .
translucently blue dyed stencil film (special pvc, 80 micron) matte finish for all paint and ...
between the hero and the female lead; noir stories are quite risqué. the original film noir era followed the
too late for tears (1949). lizabeth scott is the epitome of the femme fatale in this film .
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rebecca (1940). a mystery thriller with gothic horror elements. a number of film critics, such as patrick brion, regard it as
the first true film noir
and others term it a
gothic noir
.
reservoir dogs (1992) is quentin tarantino' s non - linear spin on the
heist film
subgenre .
the empire state building murders (2006) uses talking heads and film noir clips to tell its own noir story .
the shadow line is heavily inspired by film noir, borrowing many plot elements and a very dark and cynical tone .
halo 3 odst was developed to evoke a film noir atmosphere as a lone soldier investigates an alien - occupied city .
anti bunny draws heavily on film noir in its visual and storytelling style. as a call out to the visual style in chapter 5 of the gritty city stories pooky cynically narrates
no one gets film noir these days anyway .
. - a 15 second excerpt must be submitted to be played at the awards showcase. - a $ 5 entry fee is required for each video entry - sent to sean phillips @ blake high school. checks can be made payable to blake hs tv & film boosters. - no entry can be submitted for multiple categories. - schools may submit a maximum of 2 videos per category. - schools many submit 1 entry per 813 challenge. - general video entries are due no later than
white dyed stencil film (special pvc, 80 micron) matte finish, opaque for all paint and spray ...
the reckless moment (1949). max ophuls' last american film, and it stars joan bennett and james mason .
the hitch hiker (1953). a psycho kidnaps two friends on a fishing trip and forces them at gunpoint to drive him to mexico. this film has the distinction of being the first film noir directed by a woman, ida lupino .
gunpoint plays many of the tropes of film noir fairly straight despite it' s more humorous atmosphere and incredibly snarky protagonist .
the big sleep (1946). a philip marlowe film, particularly noted for its
labyrinthine
complexity and enigmatic ambiguity .
chunnel is a film mentioned in the episode
the pool guy
. elaine and jerry go to see the film with susan, with whom they are now spending a lot of time (much to george' s chagrin). however, jerry and elaine' s noisy discussion about the plot during the film irritates susan, who shushes them and ultimately breaks off their newfound friendship .
nightside combines film noir with urban fantasy spiced with (un) healthy dose of rule of cool, everything turned up to eleven .
the maltese falcon (1941). the third film adaptation of the same dashiell hammett novel, the second leading role for humphrey bogart, and the directorial debut of john huston. an iconic depiction of the hardboiled detective and a major hit for the film noir genre .
a short story using two dimensional or three dimensional characters created on film or computer; includes animation using clay, objects, or models .
the crimson kimono (1959). another samuel fuller - directed film, about two cops trying to solve a murder in los angeles' little tokyo district. a film dealing with society' s perception of race, it was in many ways socially ahead of its time .
now the georgia institute of technology and the american film institute (afi) are producing a digital critical edition of casablanca, which will bring together the famous lines, the script changes, production notes, and background materials to create a searchable educational tool for studying the film .
the coruscant nights series of star wars novels contains a lot of film noir homages. they are, in fact, an official coruscant noir .
max payne (2001) - also a movie. the second game was even billed with the tagline
a film noir love story
.
plantywood: the city of plants plants the three heroes of penn zero part time hero into a film noir - type hollywood filled with plants .
the killing (1956). stanley kubrick heist film famous for its non - linear plot and for sort - of providing inspiration for reservoir dogs .
k pop group secret' s music video for
poison
is in the style of film noir, complete with lady in red femme fatale .
ultravox' s breakthrough hit
vienna
was heavily influenced by film noir themes. the music video in particular was inspired by the third man .
student teams are given 2 weeks (spring break and the week after) to create a short film using an assigned title, prop, and dialogue .
our miss brooks: the latter part of
postage due
is a very much film noir influenced, with miss brooks providing a private eye monologue .
killer is dead, as well as killer 7, from suda 51, features some heavy surreal film noir looks, down to badass assassins in suits, heavy shading and shadows, hypnotic soundtracks and weird characters. they' re much more sci fi that film noir, though the influence is clearly there .
daniel is a vampire horror comic set in the 1930s. it' s setting and grayscale color scheme give it a feel very akin to film noir .
the wrong man (1957). alfred hitchcock film starring henry fonda as a man falsely accused of murder because he happens to look like the real deal .
swiss claymation film
pas de cercueil pour les pantins
(
no coffin for puppets
). partly hommage, partly parody, all 4th wall .
the film is mentioned later in the same season in
the cadillac, part 1
, when kramer remarks that it is airing on hbo that evening .
speaking of nonstandard uses for vinyl, oracal 751 can also be used as a stencil film for etching wineglasses. i had a customer in kentucky a few years back who insisted that it worked better for her than the dedicated 10mil stencil made for glass etch work because of its excellent conformability on compound curves. and there are lots of customers for whom the paint mask stencil film of choice is not a paint mask film at all. they prefer mactac 8900 vinyl in buttercup yellow .
but the goal remains out of reach for most of the film. the film was one of the earliest to extensively use subjective camera angles to hide the face of the protagonist. this obscuring technique is used for about 1 / 3 of its duration. it was also notable for defying hays code standards in its finale .
pickup on south street (1953). samuel fuller - directed film about a hoodlum who is given a chance to redeem himself by fighting against a communist ring .
play it again sam, a play and later film by woody allen that matches up allen' s
neurotic jew
character with humphrey bogart. hilarity ensues .
open to any student / groups who are currently in their first year of a production class. may consist of any film genre. (4 min. max trt )
where the sidewalk ends (1950). an otto preminger film, reuniting dana andrews and gene tierney in this take on a violent cop who covers up a murder .
the black dahlia (2006). brian de palma - directed try at
the ultimate film noir
. known for its super - stylization and very complicated plot .
odds against tomorrow (1959). often cited as the one of the very last, if not the last film of the
classic noir
era, and known for being the first noir with a black protagonist. a heist film with a heavy dose of social commentary about racism. stars harry belafonte in a non - musical role .
the pain and the yearning: a 192 - minute fictitious film, whose plot is simply
an old woman experiences pain and yearning .
; kramer comments
that' s a lot of yearning !
elaine passes over this film to see weekend at bernie' s ii (a gene pick), prompting vincent to recommend betrayed .
freaks (1932), a horror film. excluding all the slice - of - life scenes that take up the majority of it, the actual plot is pretty noirish .
the last will of dr mabuse (1933). a sequel to an earlier film and a story where the eponymous diabolical mastermind seems to control an entire gang while incarcerated .
rock slyde (2009) is a modern film - noir parody starring patrick warburton as
rock slyde
, private - eye and former homosexual - pirate musical - pornstar .
the talbot chronicles placed lawrence talbot from the wolf man series into a film noir setting. a good fit, as talbot' s whole bag has always been existential angst .
murder, my sweet (1944). the first film adaptation of a philip marlowe novel and one of the highly - regarded depictions of the hardboiled detective in cinema. the so - called
standard private eye formula
( of seeking a missing person and ending up personally involved in a bizarre case) tends to follow the lead of this film .
film noir (literally
black film
in french) is a genre of stylish crime dramas, difficult to define, but the 1940s and 1950s were the classic period. whether works since then can be accurately classed as noir is a subject of much debate among film critics. film noir, and the literature from which it is drawn, is clearly the progenitor of later genres, particularly cyberpunk. common plots of noir films include murder investigations, heists, con games, and (mostly) innocent men or women wrongly accused of crime. the double - cross and cigarette smoking are mandatory. complicated plots are further convoluted by flashbacks and flash forwards — the narration tying everything together, assuming we can trust him .
ponce de leon: elaine and george see this film together in
the dog
instead of prognosis negative. in
the movie ,
they discuss the film; george liked it, but elaine hated it. the film concerns the spanish conquistador juan ponce de león and his mythical search for the fountain of youth. one scene that especially got to george is when ponce de leon and his crew splash around in a supposed fountain of youth, only to realize, when he looks in a mirror, that it did not have mystical powers. this film is also referenced in larry david' s curb your enthusiasm. in the curb episode
the end
, larry claims to have written a screenplay about ponce de leon .
the strange love of martha ivers (1946). the film is one of the better known films noir of barbara stanwyck and lizabeth scott, who were both major stars in the genre .
insomnia (2002): the american adaptation of a norwegian film from 1997. at its core a fairly straightforward noir with al pacino as an angst - ridden cop dealing with past mistakes .
its sequel even used the tagline
a film noir love story
. which is somewhat ironic, given that the protagonist is much less cynical jaded in the sequel than in the original .
the aim of a digital critical edition is not to distract the viewer from the experience of watching a film such as casablanca, but to deepen the engagement with it, to make clear the artistic, cultural, and social context of the film. viewers can watch the film with no critical apparatus, and then on reviewing can turn on alerts for related outtakes, commentaries, and other materials. they can choose to enter the edition through the commentaries or the documents, and to go from there to the associated shots in the film. scholars can make use of a separate interface to add commentaries to the edition, and to access the complete database, which identifies each shot by dialog, characters, setting, fictional time, framing, camera movement, and editing technique .
inherent vice (2015), something of a mix of homage and parody that combines the film noir with the stoner flick, as a perpetually high private detective gets involved in several intricate criminal conspiracies .
one of the scenarios in the artificial reality machine in red dwarf is a film noir setting, complete with monochrome, a femme fatale, al capone - style outfits and a car from the 30s .
checkmate is a film at the center of the plot of
the movie
, ostensibly about chess and intrigue. jerry, george, elaine, and kramer all try to meet up to see the movie together, but because of a series of problems, three of the four, independently, find themselves watching rochelle, rochelle instead. the movie poster for the film is visible in the episode .
mountain high: an r - rated film starring kevin bacon and susan sarandon. kramer reads its tagline from the newspaper (
there' s no higher place than... mountain high !
), and also recites some (possibly fake) dialogue from the film :
you' ve gotta get me over that mountain !
this was followed by a fake explosion and exaggerated scream .
cold fusion (
the bizarro jerry
): jerry mentions plans to see this film with kramer, who is unable to go because of a long day
working
at brandt and leland .
the final lines of the movie required several revisions. as the ending was originally shot, the film ends with louis suggesting that rick go to the free french garrison at brazzaville until things die down :
having an edition of film in digital form enables students to reference small segments and analyze their content, to follow the collaborative process of filmmaking, and to see the contributions of the individual artists in detail. for example, viewers can find every place in the film where max steiner' s score incorporates excerpts and variants of the melodies of
as time goes by
and
marseillaise
into the background music. they can trace the creative contributions of producer hal wallis by comparing his extensive memos and editing notes to specific moments in the film. viewers can compare the dialog as it appears in the finished film with the shooting script, which is full of crossed - out typescript lines and handwritten changes and additions, or they can examine outtakes side by side with the final scene. there is even footage of a scene that never made it into the film, in which rick visits laszlo in jail. the outtake does not have a sound track but the text of the scene can be found in the shooting script .
the 2007 hollywood portfolio of vanity fair magazine set up a faux noir film called
killers kill, dead men die
to accompany the series of photos taken, complete with casting and set descriptions in the captions .
cast and reel, film tampa bay' s inaugural saltwater premiere, celebrates all that tampa bay has to offer as a top filming location while also offering a significant networking opportunity for a multitude of elite corporate sponsors .
i am a fugitive from a chain gang (1932). a random man is caught up in a robbery and the legal system never ceases to hunt him down. an anti - establishment film with a famous finale .
apocalypse now (1979). although not immediately obvious, this movie is actually a very sneaky case of genre busting, following a typical film noir plot structure with kurtz' s crime being the mystery to be solved .
with print works, specific passages and annotations can be set side by side with the text. the reader can move easily from focusing on the work of art to focusing on the critical commentary. film scholars have long made use of videotape and digital technologies to examine films and to present them in the classroom, but the copyright situation of films has made it impossible to distribute these segments as part of a scholarly or educational work. as a result, film criticism is forced to rely on still images and cumbersome verbal descriptions of passages that should be cited as moving images and sound. because a segment of a film is worth thousands of dollars per minute when licensed to a television show, scholars are prohibited from cutting and pasting such segments. as one film industry attorney once privately joked ,
as far as hollywood is concerned, there is no such thing as fair use .
the muted heart (
the engagement
): stars glenn close and sally field. george would like to see firestorm, but due to his recent engagement with susan ross, he is forced to see this film instead .
there is a wealth of material available about the film. warner brothers has preserved the shooting script, memos, production reports, and outtakes, some of which can be seen on existing dvds. aljean harmetz has written a production history of the film. the italian semiologist umberto eco has written about its mythic structure; robert mckee has made it the centerpiece of his scriptwriting course; film critic roger ebert has created a second sound track commentary. but none of these critical resources - - library archives, essays, books, lectures, or even dvds with production materials and simultaneous running commentary - - permit the detailed examination that is taken for granted in the criticism of literary texts .
the thin man (1934). a mystery fiction film based on a dashiel hammett novel. while more light - hearted than proper noirs, it is still considered one of the best adaptations of the hard - boiled literary genre .
casablanca is the epitome of the hollywood studio film - - a melodramatic, topical story adapted from an unproduced stage play. it was hastily and repeatedly rewritten by several hands, and was still incomplete on the last day of shooting .
carry on spying (1963). a parody movie that is a mixture of film noir and james bond spy movies, starring a teacher of a spy school (that has post - graduate links to mi6) and his best students .
high sierra (1941). considered as a transition film between the 1930s gangster films and the 1940s films noir. first leading role and star making role for humphrey bogart, who had already made a career of playing gangsters in crime films .
a low tack clear film for vinyl graphics application. this tape is also great for creating temporary tattoo stencils! the product consists of a self - wound, polypropylene cast film coated with a proprietary non - yellowing, acrylic water based pressure sensitive adhesive. it lays and stays flat for easy transfer and storage. main tape gxf341 protects printed graphics from scratches and releases cleanly. peels off nicely without pulling skin so it is great for tattoo shops, face painting, airbrushing and henna applications .
touch of evil (1958). usually cited as the last of the greatest film of the
classic noir
era. orson welles and charlton heston star in a dark tale of police corruption and moral ambiguity on the mexican - american border .
an additional use for self adhesive vinyl is as a stencil mask for custom painted graphics. vinyl is most often used for decals and letters; but in this case vinyl can be used as a stencil masking film as an aid for applying paint .
niagara (1953). when two couples are visiting niagara falls, tensions between one wife and her husband reach the level of murder. arguably the film that put marilyn monroe on the map, alongside gentlemen prefer blondes and how to marry a millionaire .
the other side of darkness (
the comeback
): a direct - to - video release about a female coma victim and her husband, played
unforgettabl [ y ]
by eric roberts. the film is longer than two hours and concludes with the coma victim regaining consciousness. kramer rents this movie and subsequently visits a lawyer to deal with the possibility of himself being in a coma, until he sees the end of the film, at which point he attempts to revoke his living will .
the ending of the film echoes the play: rick must outfox the corrupt french captain and send ilsa, who is once more in love with him, off with her husband laszlo. in the original play, strasser, the nazi, rushes in :
the georgia institute of technology received $ 200, 000 from neh to design and produce a digital critical edition of casablanca in collaboration with the american film institute. the afi project team is headed by nick demartino, senior vice president for media and technology .
the film is first referenced in
the movie ,
when george goes to see rochelle, rochelle instead of watching checkmate (see below). jerry and elaine end up in the same theater. after watching the film for only a few minutes, the trio discover each other after hearing one another' s audible disgust. indifferent to the audience, they yell out how bad the movie is and then all three walk out. during this scene several bits of dialogue are heard from the movie (with larry david voicing the role of a man convincing rochelle to undress). it is learned that rochelle resides in milan and is visiting relatives in minsk. according to a trailer overheard in the episode, the village voice called the film
a masterpiece .
film noir usually features the anti - hero, anti - villain, villain protagonist, the ambiguity often rests on questions of trust, leading to an atmosphere of paranoia where poor communication kills regularly. the conclusion may or may not tie up all the loose ends, with the major mystery being the morally ambiguous theme of the story. these factors contribute to the widely - held opinion that film noir works are among the best artistic works of all time and contributed greatly to the maturity of cinema as an artform .
the american film institute has been able to help reconcile the conflicting demands of scholarship and the industry because of its standing with studios, scholars, and public audiences. with a grant from neh, the digital media program of the georgia institute of technology is collaborating with the afi to lay the foundation for a series of digital critical editions that will combine copies of american films purchased from the copyright holders (currently on dvds) with web - based educational resources delivered within a single interface. a common information design standard and an online authoring tool will allow scholars to create and link web - based resources such as commentaries, outtakes, and scripts to one another and to specific moments within the dvd copy of the film. viewers will be able to see the copyrighted materials only if they have already purchased or licensed a copy of the film. warner home video has given permission to make a prototype of the system, using casablanca as its focus. when the prototype of casablanca is completed, it will form the basis for a new approach to film study .
it is usual to attribute the success of the film to the four screenwriters who adapted it. julius and philip epstein are widely recognized for contributing witty dialog such as this exchange between rick and the corrupt french police captain louis renault about rick' s mysterious past :
hell drivers (1957). the british film industry is constantly debatated over whether it made noirs or not (there was a genre popular in the 1950s named
crime thrillers
which was very similar), however, this movie ticks most of the trope boxes .
writer david mandel states that the plot of chunnel involves the president' s daughter being trapped in the' chunnel' between england and france. an exchange between a fictional president of the united states and a presidential advisor can additionally be heard :
mr. president, your daughter is in the chunnel .
the tagline of the film was
chunnel: 32 miles of hell
. the portions of the movie that are seen in
the pool guy
are from the american president as seinfeld was restricted to using castle rock film footage .
these days, you can do the same thing with a vinyl cutter and some paint mask film. in fact, orange county choppers uses a vinyl express vinyl cutter for cutting stencils for some of their custom choppers. it makes an occasional cameo appearance in their graphics department .
ninety nine river street (1953). a cabbie and former boxer must team up with an actress friend after his wife' s body gets dumped in the back of his taxi to frame him. essentially a film homage to the more pulp - oriented writings of the era .
following (1998) the directorial debut of christopher nolan is the british (somewhat subverted) version of the film noir standard. since then, with the notable exception of interstellar, his films will as a rule have at least a noir - ish
vibe
to them .
george sees blimp: the hindenburg story (
the puerto rican day
) and gets a laugh by shouting out
that' s gotta hurt !
as the hindenburg explodes. later, while his car is stuck in traffic, he decides to go see it again with hope of more laughter; however, his plan is thwarted by a fellow moviegoer who uses a laser pointer to make fun of the film. after leaving the film when his line produces no laughter, he is followed by the moviegoer with the laser pointer for the rest of the episode .
custom auto or chopper artists combine pin striping and airbrushing to decorate vehicles. precise placement of airbrush - applied paint requires a stencil mask. back in the dark ages, when i was in college earning my bfa, we used amberlith or rubylith stencil film, cut with an xacto knife .
this scene is little changed in the final version, and it marks one of the few moments where rick loses his cool. the tough - romantic line
no one has ever loved me that much
is unchanged in the shooting script, although bogart gives it a more colloquial phrasing :
nobody ever loved me that much .
looking at the play, the script, and the finished film one can trace the ways in which the core of rick' s character and the theme of self - sacrificing love were laid down in the original play and strengthened by the film .
brute force (1947). a jules dassin film starring burt lancaster as joe collins, a convicted felon who' s trying to escape westgate penitentiary to see his dying wife. it includes one of the cruelest prison guards ever in the form of captain munsey (played by hume cronyn) .
the film is apparently supposed to be a reference to light, escapist comedies that have large commercial appeal despite critical responses that are muted at best (as opposed to movies like the english patient, which earn much critical acclaim and oscar nominations, but find little popularity among the general populace) .
the public enemy (1931). following the exploits of a hoodlum from entry - level crimes, to his rise in the crime ranks, and to his eventual demise. a depression gangster film where the tensions are related to the hoodlum and his
good family
who complain about his lifestyle .
transparent, matte, orange - peel finish polypropylene film with non - yellowing acrylic adhesive system designed for clean pick up of all brands of cast or calendared vinyl, and vinyl paint mask. exceptional clarity provides ultimate see - through when applying graphics. available in 17 precisely - slit factory cut roll sizes .
double indemnity (1944). a successful but bored insurance salesman falls for a woman in an unhappy marriage, and the two conspire to commit the perfect crime by getting her husband to buy an accident insurance policy, and then making sure he meets an untimely end. a film notorious for pushing the envelope on the hays code restrictions to its limits. despite an activist campaign
imploring the public to stay away on moral grounds
, the film was a major critical and box office hit. it paved the way for further dark, controversial films and directly inspired imitators. often seen as the trope codifier for films noir .
stranger on the third floor (1940). often cited as
the first true film noir
due to including many of the relevant tropes and cinematographic techniques. a b - movie and a box office flop at the time of release, it was re - appraised decades later. it is now considered groundbreaking .
this gun for hire (1942). based on a graham greene novel, though with some material reworked for wartime - propaganda reasons. professional killer philip raven completes an assignment and is then double - crossed by his latest employer. he sets out to get revenge. meanwhile, nightclub singer ellen graham is recruited by the federal authorities to spy on her current boss, who is suspected to be a fifth columnist. raven and graham are unknowingly working the same case and their paths cross. a major hit for the film noir genre, and the film which turned alan ladd and veronica lake into
reliable box office draws
.
the eighth season of archer, titled
archer dreamland
, is a 1940s film noir that' s justified as taking place inside archer' s coma dream. it' s played straighter than one would expect from the show, leaning closer to a dramedy rather than the outright spy fiction spoof of previous seasons .
agent zero: this film was also referred to in another nbc sitcom of the time, newsradio, where andy dick' s character describes it to a co - worker played by phil hartman through a series of sound effects. agent zero derives its name from a screenplay seinfeld writer david mandel always wanted to write .
much of the angaran chronicles is like this with a hefty, hefty dose of diesel punk. the most notable example is the novella hamar noir which embodies many of the themes and tropes of film noir. which follows the hunter anargrin as he tracks down a serial killing vampire in the slums of the underground city of valtagan .
prognosis negative is another film mentioned in the dialogue of several episodes, and in at least one episode a movie poster for it is visible. unlike other fictional works mentioned throughout the series, prognosis negative had its roots in an actual screenplay written by seinfeld co - creator larry david in the 1980s. it was never produced .
gilda (1946). a film set in the decadent atmosphere of post - war buenos aires. at its heart is a love - hate relationship between the male lead (and narrator) johnny farrell and female lead gilda. a relationship with what critics call
dark and disturbing sadomasochistic sexual currents
which takes over the plot .
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mildred pierce (1945). the film opens with the murder of monte beragon. his widow mildred then narrates her story. a story which starts with the end of a previous marriage in a divorce, her winning custody over her daughters, and her efforts to financially support them. unfortunately, elder daughter veda is a fille fatale and the mother - daughter relationship is not a particularly healthy one. the prevailing mood of
pessimism and paranoia
, the visual style, and the convoluted narrative have earned the film a place among the better known entries of the genre. though an entry where the two main female characters dominate the narrative and family relationships take center stage .
and yet the film works: the love story and the political adventure blend together in a single satisfying plot. the audience cares about the characters and believes in their peril, their passion, and their courageous sacrifices. despite its formulaic elements and hurried production, casablanca is a masterpiece of american filmmaking, which provokes and rewards close study .
la bete humaine (1937). a proto - noir about a violently jealous husband, his faithless wife, and her lover whom she asks to murder her husbands. much of the film noir set - up, but different in that the lover does not murder the husband, but instead has a mental breakdown which leads to a different murder .
in the mouth of madness (1995) a john carpenter directed film, which combines noir with a dash of stephen king and copious amounts of hp lovecraft. what starts out as a very noir - ish plot about a skilled insurance agent trying to find a missing horror author, slowly but surely turns into a full - on cosmic horror story .
rochelle, rochelle is a film referenced many times during the series. it is most likely based on the 1974 erotic film emmanuelle. like other films referenced by the show, it is never shown, but characters are portrayed watching it. . the dialogue indicates it is an erotic romance
about life, love, and becoming a woman
, evidenced by the movie' s tagline ,
a young girl' s strange, erotic journey from milan to minsk .
george calls rochelle, rochelle
a foreign movie... a film, is what it is
in
the smelly car
. susan ross notes that it contains
a lot of nudity .
rochelle, rochelle is a movie whose only positive aspect is its nudity. according to reactions to the movie throughout the series, the plot is completely unbearable, but is still revered because of its nudity. this is affirmed in
the movie
when elaine remarked ,
men will sit through the most boring pointless movie if there' s the slightest chance a woman will take her top off .
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beyond the forest (1949). a woman bored with life in a small town squeezes her husband to pay their bills so she can visit chicago, but that soon proves to be the beginning of a violent conflict. famous for star bette davis line
what a dump !
being remembered as being pronounced far more enthusiastically than it actually was said in the film .
monk has the season 5 episode ,
mr. monk and the leper ,
done in a complete homage to film noir including an introduction from tony shaloub dropping references to femme fatale amongst other tropes. a black - and - white then a color version aired back - to - back when the episode premiered. the dvd includes the black - and - white version .
angels with dirty faces (1938). crime film which famously uses the had to come to prison to be a crook plot. a child criminal is caught for a petty crime and send to reform school. he stays in the system for life, going in and out of prison through his adulthood and eventually executed. a fellow child criminal who was never caught became a priest .
the great capacity of the digital medium and its increasing accessibility cry out for standardized information formats. because film is a collaborative medium and subject to strict copyright restrictions, american cinema has so far resisted attempts to capture in a single location the kind of analysis that this art form deserves. the digital medium has the potential to contain and organize multimedia information and to present it in a manageable form .
this is a classic ghost story. i won' t spoil anything, but for a haunted mirror movie, i found it very effective. there are only really 6 people in the film. the parents, and the children at 2 different ages. the film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. once i got it, i found it very clever. what impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me! no, it doesn' t reinvent the genre (can you even really do that with the haunted mirror genre ?), but it is a well crafted, well acted movie that really kept my interest all the way through. the young girl was especially effective. the film starts off slow and methodical and really hits its stride about the half way mark. we need more films like this. smart, clever
little
films - a few characters, a few props and lots of chills and thrills. please see this! 8 / 10
american hustle (2013) has quite a lot of noir - ish content, with two villain protagonists who are forced to put their skills to work for an fbi agent (who isn' t particularly straight - and - narrow himself) while struggling with their own consciences. notable for the film' s heroine (played by amy adams) being a femme fatale... but a highly sympathetic one .
flaming globes of sigmund (
the heart attack
): jerry dreams about a scene from a sci - fi film while sleeping and wakes to scribble the line
like flaming globes of sigmund
down on a piece of paper because he thinks it is funny. he spends the rest of the episode trying to figure out what he wrote. the episode ends with jerry turning on the tv to find flaming globes of sigmund on with larry david voicing the dialogue
it' s just as you prophesized! the planets of our solar system, incinerating. like flaming globes, sigmund. like flaming globes. ah, ha, ha, ha ...
in the series, it is unclear what the actual title of the fictional film is, as it is never stated. however, larry charles confirms it as the title in the dvd commentary .
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the filmmakers' difficulty in bringing the film to a close and placing rick on the same side as the french captain parallels the evolving political situation of 1942. the change in rick' s attitude from isolation to renewed idealism and heroic engagement is often compared to the change in american policy and in public opinion after the attack on pearl harbor. a digital edition can trace both the production history and the historical background, linking them to specific scenes and documents .
humphrey bogart had mostly played hoodlums before he landed the lead role and he had never carried a movie as the sympathetic romantic lead. ingrid bergman was under contract to another studio when casting began. the original script was read at warner brothers on the day after pearl harbor and purchased within the month. the film premiered less than a year later in november 1942. it was a rushed production, made more difficult by wartime shortages and security curfews on the west coast.
813 is a 1920 american mystery film directed by charles christie and scott sidney , written by scott darling from the story by maurice leblanc , produced by al christie , released by the christie film company and the robertson-cole pictures corporation , and starring wedgwood nowell as jewel thief arsene lupin with a supporting cast featuring ralph lewis , wallace beery , and laura la plante . it is not known whether the film currently survives , and it may be a lost film . 
813 is a 1920 american mystery film directed by charles christie and scott sidney, written by scott darling from the story by maurice leblanc, produced by al christie, released by the christie film company and the robertson-cole pictures corporation, and starring wedgwood nowell as jewel thief arsene lupin with a supporting cast featuring ralph lewis, wallace beery, and laura la plante. it is not known whether the film currently survives, and it may be a lost film.
813 is a 1920 american mystery film directed by charles christie and scott sidney, written by scott darling from the story by maurice leblanc, produced by al christie, released by the christie film company and the robertson-cole pictures corporation, and starring wedgwood nowell as jewel thief arsene lupin with a supporting cast featuring ralph lewis, wallace beery, and laura la plante. it is not known whether the film currently survives, and it may be a lost film.