raskolnikow ( film )
raskolnikow is a 1923 german silent drama film directed by robert wiene. the film is based on the novel crime and punishment by fyodor dostoyevsky, whose protagonist is rodion raskolnikov. the film' s art direction is by andré andrejew .
raskolnikow is a 1923 german silent drama film directed by robert wiene. the film is based on the novel crime and punishment by fyodor dostoyevsky, whose protagonist is rodion romanovich raskolnikov. the film' s art direction is by andré andrejew .
raskolnikow is a 1923 german silent drama film directed by robert wiene. [ 1 ] the film is based on the novel crime and punishment by fyodor dostoyevsky, whose protagonist is rodion raskolnikov. the film' s art direction is by andré andrejew .
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student raskolnikow, who has written an article about laws and crime, proposing the thesis, that un - ordinary people can commit crimes if their actions are necessary for the benifit of... see full summary »
student raskolnikow, who has written an article about laws and crime, proposing the thesis, that un - ordinary people can commit crimes if their actions are necessary for the benifit of mankind, murders an old woman, who operates a crooked loaning house, as well as her sister, who made the mistake of visiting her at the wrong time. he is suspected of the crime, but somebody else confesses to the murder. meanwhile, he has fallen in love with sonja, the street - walking daughter of an ex - official who was fired because of drinking. raskolnikow' s sister is engaged with an arrogant official, who dislikes him, because raskolnikow gave sonja 25 rubel for her father' s funeral. when raskolnikow tells him his opinion of his behaviour against the poor, he tries to show he' s a good guy also to the public and showing that sonja is also a thief at the same time by framing her of a theft of 100 rubels. but after this, raskolnikow finds out that sonja was a very close friend of his second victim ...
the film is characterised by jason buchanan of allmovie as a german expressionist view of the story: a
nightmarish
avante - garde or experimental psychological drama .
keep your comments focused on the film. don' t post randomness / off - topic comments. jokes are fine, but don' t post tactless / inappropriate ones .
the film is characterised by jason buchanan of allmovie as a german expressionist view of the story: a
nightmarish
avante - garde or experimental psychological drama. [ 2 ]
lionardi - film der neumann produktion production. / scenario by robert wiene, from the novel crime and punishment by feodor dostoevski. cinematography by willy goldberger. set design by andrey andreyev. / standard 35mm spherical 1. 33: 1 format .
how is it this film has so few ratings on flixster? it' s very entertaining! lorre is great as the arrogant impoverished writer who sees himself as a' superman' like his hero napoleon but is ultimately undone by his own conscience. of course no film will entirely live up to a great novel and this is an oversimplified version to be sure; the odd mix of accents barely acknowledge the russian setting. it' s a hollywood bastardization of dostoyevsky so be prepared but definitely worth it for lorre fans
student raskolnikow, who has written an article about laws and crime, proposing the thesis, that un - ordinary people can commit crimes if their actions are necessary for the benifit of mankind, murders an old woman, who operates a crooked loaning house, as well as her sister, who made the mistake of visiting her at the wrong time. he is suspected of the crime, but somebody else confesses to the murder .
esta olvidada a la vez de rara obra de arte del aleman wiene tiene todos los ingredientes para considerarla como una de las mas fuertes muestras del expresionismo filmico aleman. el dramatismo interpretativo del elenco y los alucinantes decorados, heredados directamente de su mas reconocida obra
el gabinete del dr, caligari
hacen de este film algo memorable. lamentablemente la copia en dvd carece de nitidez y tristemente esta en muy mal estado. algunas escenas simplemente se pierden en la obscuridad por el deterioro que los años le han causado. a pesar de aquello, y si eres un fanatico el cine silente, esta pelicula es algo que debes admirar .
the cabinet of dr caligari is almost unique among silent' classics' in that nobody attributes its qualities to its director; robert wiene has never seemed more than a peripheral figure, and his later attempts to repeat his one - off success never won him any real reputation. he both directed and scripted this adaptation of dostoevsky' s crime and punishment, and seems to have had grandiose artistic ambitions for the project, drawing his cast from stanislavsky' s moscow art theatre, and commissioning' expressionist' sets from andrei andreiev. the result poses fascinating questions. was the disjunction between the naturalistic acting and the artificial decor deliberate, or simply inept? and was the' expressionism' (the sets and a scattering of dream sequences) an attempt to visualise the moral / theological dimension of the novel, or simply a matter of fashion? there are no ready answers, but the film certainly sustains the questions .
references: bardèche - history p. 193; shipman - cinema p. 80: filmmuseumnews - 1 .
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stephan eichenberg < eichenbe @ fak - cbg. tu - muenchen. de >
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german expressionism - styled adaptation of crime and punishment. it was a style that, with its heightened sense of paranoia from the set design, suited the source material well, but i feel like it could have depicted the overbearing sense of guilt more intensely. good and interesting piece of work but could have made more out of the source which i recall being better than this .
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i was able to watch the full version of this with subtitles and this was not the same story as the more famous crime and punishment. it did have great set pieces and yes it had a nightmare scene of the dead pawn shop owner cackling at the murderer and her head appearing all over the room, other than that, this was mostly histrionics that quickly grew tiresome as the killer is so obvious guilty and even brags that he killed her, then says i was only killing. some red herrings when some nut confesses to t he crime, and a man over hears him confessing to his sister the crime and tries to black mail the sister into marriage, but she shoots him but only grazes him. he finally can' t stand it anymore and confesses his crime. without the great set pieces and the directors fame this would be long forgotten .
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i feel like robert wiene is treated unfairly. the generally accepted narrative seems to be that he wasn’t a particularly competent director, the cabinet of doctor caligari was a fluke, and he never made anything worthwhile afterwards. i’ve seen two of his post - caligari films now and i don’t think that’s the case. especially here there’s just too much that’s great. in particular the set design is absolutely incredible and enhances the anxiety - ridden atmosphere of the story in a big way, chmara’s performance as raskolnikov is stunning, and the clash of dostoevsky’s realism with german expressionism pushed to its extreme makes for a fascinating viewing experience. it might not be a masterpiece but it’s still a wonderful example of german expressionism…
i have contrasting thoughts about this, as well as ambiguous feelings. but it' s necessary to start with the great flaw: the plot. if it hadn' t been for the book, i wouldn' t have understood nothing! the scenes are randomly positioned and it' s hard to follow the fabula. ok, now it' s time for compliments. the movie has a unique atmosphere, created through the design and the soundtrack of the version i watched (i' m never gonna understand how music works for silent films). wiene should stick to the scenic aspect, he' s got a peculiar incredible taste and is indeed a pioneer of expressionism.
raskolnikow is a 1923 german silent drama film directed by robert wiene . the film is based on the novel crime and punishment by fyodor dostoyevsky , whose protagonist is rodion raskolnikov . the film 's art direction is by andré andrejew . the film is characterised by jason buchanan of allmovie as a german expressionist view of the story : a " nightmarish " avante-garde or experimental psychological drama . 
raskolnikow is a 1923 german silent drama film directed by robert wiene. the film is based on the novel crime and punishment by fyodor dostoyevsky, whose protagonist is rodion raskolnikov. the film's art direction is by andré andrejew. the film is characterised by jason buchanan of allmovie as a german expressionist view of the story: a " nightmarish " avante-garde or experimental psychological drama.
raskolnikow is a 1923 german silent drama film directed by robert wiene. the film is based on the novel crime and punishment by fyodor dostoyevsky, whose protagonist is rodion raskolnikov. the film's art direction is by andré andrejew. the film is characterised by jason buchanan of allmovie as a german expressionist view of the story: a " nightmarish " avante-garde or experimental psychological drama.