end of watch
end of watch making unexpected awards push. end of watch stars jake gyllenhaal | collider
' end of watch' beats' house at the end of the street' for no. 1
' end of watch' beats' house at the end of the street' for no. 1 - latimes
around the year i... : end of watch, but stephen king
end of watch is available on dvd / blu - ray on january 22 nd .
end of watch received an a - cinemascore, the best of any new film. also, hispanic moviegoers turned out in force for end of watch, making up 32 percent of the audience .
jake gyllenhaal plays officer brian taylor, one of two key cops in
end of watch .
' training day' vs.' street kings' vs.' end of watch'
end of watch from bookrags. (c) 2018 bookrags, inc. all rights reserved .
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david ayer is the writer - director of
end of watch .
( carolyn cole, los angeles… )
we’d love your help. let us know what’s wrong with this preview of end of watch by stephen king .
this cast list of who was in end of watch includes both lead and minor roles. (16 items )
showdown:' training day' vs.' street kings' vs.' end of watch'
if you want to answer the questions ,
who starred in the movie end of watch ?
and
what is the full cast list of end of watch ?
then this page has got you covered .
note: all citations in this study guide refer to the kindle edition of end of watch, published june 2016 .
end of watch (* * * out of four; rating: r; opens today nationwide) transcends those limitations .
looking for movie tickets? enter your location to see which movie theaters are playing end of watch near you .
directed by david ayer, end of watch received an a - cinemascore. open road films is distributing the film .
heading into the weekend, end of watch looked like it didn' t have a chance of beating jennifer lawrence horror pic house at the end of the street or clint eastwood' s baseball drama trouble with the curve. but fueled by positive word of mouth and great reviews, end of watch overperformed while the two other films lagged .
in the police thriller end of watch, gyllenhaal and co - star michael peña enact one of the most realistic male friendships in the history of movies .
end of watch cast list, listed alphabetically with photos when available. this list of end of watch actors includes any end of watch actresses and all other actors from the film. you can view additional information about each end of watch actor on this list, such as when and where they were born. to find out more about a particular actor or actress, click on their name and you' ll be taken to page with even more details about their acting career. the cast members of end of watch have been in many other movies, so use this list as a starting point to find actors or actresses that you may not be familiar with .
want clues as to how the trump jr. story will end? watch these dynamics. - the boston globe
this study guide consists of approximately 102 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of end of watch .
end of watch (the bill hodges trilogy book 3) and over 2 million other books are available for amazon kindle. learn more
end of watch
is a far cry from
training day ,
arguably the most iconoclastic police corruption movie ever made .
picture: jake gyllenhaal 2012 toronto international film festival -' end of watch' - premiere toronto, canada - 08. 09. 12
jake gyllenhaal, right, and michael pena break the buddy - cop cliches in the gritty, unnerving and engaging' end of watch.'
director david ayer attends the premiere of
end of watch
at regal cinemas l. a. live on september 17, 2012 in los angeles, california .
“audience and critical response to end of watch has been incredible. we are thrilled about the success of the movie to date and hope that this will be a new opportunity for audiences to discover end of watch and for the film to be seen again on the big screen for awards consideration, ” stated ortenberg .
a compelling and chilling suspense novel, end of watch is the final stand - alone novel in king' s trilogy featuring retired detective bill hodges .
lauded by critics when it hit theaters in september 2012, lisa schwarzbaum of entertainment weekly called end of watch “sharp” and “visceral. ” peter travers of rolling stone wrote, “ [ end of watch ] bristles with life, ” and newsweek called the film, “riveting. ” karen durbin of elle wrote, “gyllenhaal’s and pena’s chemistry is pitch - perfect. ”
the critically reviled horror film the house at the end of the street finished in a dead heat with end of watch, as it also earned an estimated $ 13. 0 million, giving it a tepid per theater average of $ 4, 227 .
end of watch is being edited by dody dorn, who earned an oscar nomination in 2002 for best film editing for her work on christopher nolan’s memento .
increasingly drenched with chilling spookiness. exciting, elegant and poignant, it' s a fitting finale to a brilliant trilogy — sunday mirror on end of watch
king works his customary storytelling magic, unspooling the plot threads almost as quickly as readers can turn the pages (daily mail on end of watch) bill and holly' s decidedly down - to - earth detecting... makes the novel shine. i' d back these two anywhere (guardian on end of watch)... the book i' d pick off the pile at the airport this summer (evening standard on end of watch) increasingly drenched with chilling spookiness. exciting, elegant and poignant, it' s a fitting finale to a brilliant trilogy (sunday mirror on end of watch )
the end of the bill hodges trilogy. i will miss detective kermit william hodges ,
1. the house at the end of the street – $ 13. 0 million
both a stand - alone novel of heart - pounding suspense and a sublimely terrifying final episode in the hodges trilogy, end of watch takes the series into a powerful new dimension .
starring jake gyllenhaal and michael pena, end of watch marks a victory for indie distributor open road films and exclusive media, which fully financed and produced the movie .
end of watch is the spectacular finale to the new york times bestselling trilogy that began with mr. mercedes (winner of the edgar award) and finders keepers —in end of watch, the diabolical “mercedes killer” drives his enemies to suicide, and if bill hodges and holly gibney don’t figure out a way to stop him, they’ll be victims themselves .
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in a surprise twist, jake gyllenhaal - michael pena' s cop drama end of watch tied with jennifer lawrence horror pic house at the end of the street for no. 1 at the friday box office, each earning $ 4. 6 million .
house at the end of the street, from relativity media, earned a b cinemascore .
with
end of watch ,
ayer said he wanted to strip away genre conventions and take an authentic snapshot of what it' s like to be a cop in los angeles today .
the performances here are so sharp that viewers may wish end of watch has been shot by someone who knew how to find the right point of view for a scene and leave it there .
a compelling and chilling suspense novel, end of watch is the final stand - alone novel in king' s no. 1 bestselling trilogy featuring retired detective bill hodges .
there are many stereotypical themes and devices in crime fiction: righteous cops shooting a criminal at the novel’s end, gender constructs salvaged from another age, invincible heroes and so on. “end of watch” is burdened by none of them. it’s a great big genre - busting romp, a gloriously fitting end to the bill hodges trilogy .
end. of. watch. takes the reader from mystery to thriller and straight into the eerie stephen king world of supernatural forces that will make you wary of little pink swimming fishes and remind you you are reading the master of horror .
bill and holly' s decidedly down - to - earth detecting... makes the novel shine. i' d back these two anywhere — guardian on end of watch
showdown:' training day' vs.' street kings' vs.' end of watc
1. end of watch (open road) new [ 2, 730 runs ] r friday $ 4. 6m, saturday $ 5. 1m, weekend $ 13. 2m
end of watch, which earned the critics’ choice distinction from the broadcast film critics association, recently won nominations from the film independent spirit awards for best supporting actor for michael peña and best cinematography for roman vasyanov. roger ebert recently named end of watch one of the best films of 2012 writing, “jake gyllenhaal’s image - transforming work as a very tough cop in david ayer’s ‘end of watch’ may help the film win a best picture slot, and michael peña is no less effective as his partner in a dangerous los angeles police district. they forge a relationship during a series of brilliantly - staged action sequences. ”
on a joint phone call with peña, gyllenhaal called
end of watch
ayer' s most personal film .
there' s more of dave in this movie than any movie in the past .
you had such an interesting visual style for end of watch. once you were on set, did you find that that style had advantages or limitations that you weren’t expecting it to have ?
“outstanding… ‘end of watch’ gives us king at the height of his powers. masterfully plotted, the novel is propelled toward its page - blurring conclusion by two deadly forces: hodges’ advancing disease and brady’s relentless murderous impulse .
on sunday, studio estimates indicated that the 31 - year - old' s police drama
end of watch
tied jennifer lawrence' s
house at the end of the street
for the no. 1 weekend position with $ 13 million in ticket sales a piece. a day later, however, distributor open road films said its
end of watch
had actually grossed $ 13. 2 million, while lawrence' s horror film came in with a final total of $ 12. 3 million .
for those who can handle ayer' s overuse of the shaky - cam approach on the big screen, end of watch is satisfying and emotionally potent. it' s a good, gritty drama of the sort that seems increasingly rare within the thriller genre, where visual excess and the adrenaline / testosterone cocktail have become dominant. even with the distraction caused by the hand - held camera, end of watch offers two hours well - spent .
“outstanding… ‘end of watch’ gives us king at the height of his powers. masterfully plotted, the novel is propelled toward its page - blurring conclusion by two deadly forces: hodges’ advancing disease and brady’s relentless murderous impulse. ”
end of watch was produced by david ayer’s crave films, john lesher under his le grisbi productions, and nigel sinclair and matt jackson of exclusive media who also financed the film, in association with emmett / furla films .
the next generation apple watch, series 3 includes both lte and non - lte versions .
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the gritty police procedural end of watch follows jake gyllenhaal and michael peña’s hard - charging beat - cop characters as they navigate the streets of south central los angeles, administering justice from the proverbial barrel of a gun—even if it means straying outside prescribed lapd boundaries to do it. the two are deeply bonded, both in and out of the squad car. but to call end of watch a “buddy cop” movie is like referring to titanic as a film about a boating accident .
to order end of watch for £16 (rrp £20) go to urltoken or call 0330 333 6846. free uk p & p over £10, online orders only. phone orders min p & p of £1. 99 .
david ayer writes his own rules for the cop genre in' end ...
a powerful story of family, friendship, love, honor and courage, end of watch stars academy award nominee jake gyllenhaal and michael peña as young los angeles police officers taylor and zavala as they patrol the city’s meanest streets of south central los angeles .
david ayer' s gritty l. a. p. d. action - drama end of watch has emerged the winner of a three - way contest at the domestic box office, grossing a projected $ 13. 2 million .
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like a knife in the eye ,
end of watch
cuts past the cliches of standard police procedurals, serving instead as a visceral ride - along with two thrill - seeking cops (jake gyllenhaal and michael pena, both terrific) .
a stephen king novel is thrilling to read; he' s never bound by the parameters of one genre…there are many stereotypical themes and devices in crime fiction: righteous cops shooting a criminal at the novel' s end, gender constructs salvaged from another age, invincible heroes and so on. end of watch is burdened by none of them. it' s a great big genre - busting romp, a gloriously fitting end to the bill hodges trilogy .
ayer and fitzsimons met shortly after
training day
and became fast friends. fitzsimons, the technical advisor on
end of watch
and
street kings ,
said ayer is a friend of law enforcement and the new movie proves it .
watch: kevin kiermaier clinches rays win vs. indians with walk - off home run robbery - urltoken
at the end of the day, the reason i made end of watch is because of the trend where you see our servicemen and women in uniform at the airport and you go up and shake their hand and say “hey, thank you for your service. ” maybe now somebody will start doing that to the police officers who go into harm’s way on our behalf .
no doubt, these twin saviours are a likeable tandem, and they bear their cross lightly. still, end of watch suffers from no end of sanctimony. sainthood is all well and fine but it ain' t drama and, on screen at least, the question cries out: where' s a corrupt cop when you need him ?
at its core ,
end of watch
is about the camaraderie taylor and zavala share as they patrol the gang - riddled newton division just south of downtown los angeles, searching, as taylor says, for
dope, money and guns .
stephen king’s latest novel, end of watch – the final installment of the bill hodges trilogy – will be released june 7, 2016. the crime fiction series began with mr. mercedes and was followed by finders keepers, which was published in june .
for this week’s print edition, time’s belinda luscombe watched the “found footage” - style movie with a group of steely lapd veterans, who sounded off about the film’s accurate depiction of patrolling the streets. and writer - director david ayer debriefed time about how he made end of watch authentic .
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ayer admitted he worries about being typecast — his friends call him
the cop whisperer
— but it' s clear that
end of watch
is a passion project and a film that draws heavily on his life experiences .
the book leaves a surprisingly deep, melancholy mark, crystallizing the themes that have become prevalent in king’s recent work... ’end of watch’ hurtles toward a conclusion you anticipate and dread in equal measure — that wonderful, terrible anxiety king’s constant readers have been relishing for more than four decades now. ‘he’s not done with you yet, ’ reads an ominous message hodges receives on his computer in end of watch. we’re lucky. king isn’t done with us either .
end of watch begins with a flashback to the april 2009 mercedes killings at the city center. the memories are those of rob martin and jason raspis, the ambulance crew first on the scene of the tragedy. they were in charge of transporting martine stover, one of the most severely injured of the victims, to the hospital. martine survived but was paralyzed from the chest down .
from the perch of a police cruiser dashboard, the camera captures the cops as they tear after the bad guys through the streets of los angeles - engines roaring, tires screeching, sharp turns taken at nutcase speed - in the breathless, killer intro to the riveting
end of watch .
winner of the week: end of watch. at this writing, end of watch is actually tied with house at the end of the street, with both movies claiming $ 13 million debuts in early sunday estimates, while trouble with the curve is just a nose behind with an estimated $ 12. 7 million opening. by the time final numbers are in on monday, any one of these three could be the box office champ. still, just for finishing in such rarefied company, end of watch deserves the most credit. the found - footage cop drama has a restrictive r rating, limited star power (sorry, jake gyllenhaal, but you’re no clint eastwood or even jennifer lawrence) and a distributor (open road films) that’s only put out one previous $ 10 - million - plus opener (january’s the grey). as a result, watch was expected to open only at around $ 9 to $ 11 million. so it’s this week’s winner just for outperforming its modest expectations .
“the book leaves a surprisingly deep, melancholy mark, crystallizing the themes that have become prevalent in king’s recent work... ’end of watch’ hurtles toward a conclusion you anticipate and dread in equal measure — that wonderful, terrible anxiety king’s constant readers have been relishing for more than four decades now. ‘he’s not done with you yet, ’ reads an ominous message hodges receives on his computer in end of watch. we’re lucky. king isn’t done with us either. ”
from the first tires - squealing, sirens - blaring, guns - blazing car chase to the last quiet conversation ,
end of watch
is a visceral story of beat cops that is rare in its sensitivity, rash in its violence and raw in its humor .
open road' s
end of watch
was based on the experiences of captain jamie fitzsimons, a former lapd patrol officer who worked south los angeles neighborhoods in the 1990s. this is the primary reason the movie rings true with an authentic approach to police work .
along with the note on mass production, the economic daily report notes that the next - gen apple watch is scheduled to launch sometime in the forth quarter of 2017. apple may unveil the third - generation model at its upcoming iphone event with a launch sometime afterwards, or it may decide to hold another event at the end of the year that includes the apple watch series 3 .
the new apple watch is expected to ship with both 38mm and 42mm models and look similar to current apple watch models, but will also feature an lte option in order to facilitate a measure of wireless connectivity without needing to rely on a paired iphone .
according to a press release, end of watch sees the return of brady hartsfield, the perpetrator of the mercedes massacre from mr. mercedes. retired police detective bill hodges gets involved in a case with ties to hartsfield, who, while in a vegetative state for the past five years, is now in possession of new deadly powers .
end of watch is a true indie. while you might think actors like gyllenhaal and pena playing the leads means the movie is being produced by a major studio, but that’s not the case instead, former paramount head john lesher (who produced films such as no country for old men, there will be blood and babel) has started his own label and this is the first film under its umbrella. end of watch was financed by exclusive media group, the same folks who produced george clooney’s the ides of march .
from the writer of training day, end of watch is a riveting action thriller that puts audiences at the center of the chase like never before. jake gyllenhaal and michael peña star as young la police officers who discover a secret that makes them the target of the country' s most dangerous drug cartel. - - (c) open road
fitzsimons now oversees the patrol operations of the summit county (colo .) sheriff' s office, but before that he patrolled the 77th, southwest, rampart, and wilshire divisions. he also worked as a narcotics investigator in the newton division south of downtown where the
end of watch
story takes place .
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praise for end of watch “king has dealt before with this novel’s different themes—endowment with dangerous supernatural powers, the zombifying effect of modern consumer electronics—but he finds fresh approaches to them and inventive ways to introduce them in the lives of his recurring cast of sympathetic characters, whose pains and triumphs the reader feels. king’s legion of fans will find this splice of mystery and horror a fitting finale to his bill hodges trilogy. ”
end of watch re - unites us with bill, holly and jerome, the dynamic trio first introduced in the excellent mr mercedes. once again, they battle with brady hartsfield, the infamous mercedes murderer. although in a seemingly irreversible vegetative state, bill is convinced that brady is not quite as helpless as everyone thinks. when there is an outbreak of mysterious suicides and attempted suicides, bill, holly and jerome race to prevent any more from happening and prove the improbable notion that brady is somehow involved. i really enjoyed end of watch! king proves once again that he is a master storyteller who fits into no genre but his own. dark humour pervades this novel but there is also great emotional depth with some genuinely touching scenes. end of watch is a fitting finale to an excellent trilogy. i am sorry to see it end but i am looking forward the next book in king’s eclectic repertoire .
as i already said, i’ll have a lot more on end of watch down the road, but until then, here are better looks at the first two images from the movie. click on either one for high - resolution. you can see the camera rig on one of them .
well, we have come to the end of the road, or the
end of watch .
i enjoyed this trilogy and love all of the books but i loved different books in the trilogy for different reasons. the first because - hello - some maniac has done went whack a do and ran over a bunch of people in a mercedes. the second book i liked because of the connections to people in the first book. and we come to the last book... i actually thought is was sad at the end, but for once - - > i did not cry! anyway, i thought
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clint eastwood' s new baseball drama trouble with the curve followed with $ 4. 2 million. from warner bros. , the film is hoping for a saturday boost as older moviegoers become available. otherwise, it could lose the weekend race to end of watch, which is projecting a $ 13. 5 million debut. house at the end of the street will likely earn $ 12 million for the weekend .
and it' s these divisions that lend the film an interesting friction .
a lot of rehearsal was knowing each others back - story ,
says peña .
i know his sister well and i met his mom – beautiful woman. so, in the car, i was talking to him .
and while end of watch has its own genre spin (the police are the good guys, not the dirty dis of harsh times and training day), it is these scenes behind the wheel, before the film spins off into its plot proper, that mean end of watch stands out so brightly in a lineup of cop movies .
if that happens, the trump jr. story may end, but the bigger one may stick around for awhile .
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i' m comfortable there ,
ayer said in a recent interview at his house in the hills above los feliz, talking about his childhood home in a very different part of the city .
it' s like my living room .
for the record :
end of watch
: an article about director david ayer in the sept. 20 calendar section said that his new movie
end of watch
was a $ 15 - million production. however, open road films, which is releasing
end of watch
in the u. s. and canada, says the actual cost of the film was $ 7. 5 million. dressed in a crisp, loose - fitting white t - shirt, jeans and sneakers, with a neatly trimmed goatee and a grown - out buzz cut, ayer looked and sounded like he could have stepped out of one of his own movies. his greeting to a reporter :
what' s up, big dog ?
the streets of south - central los angeles that serve as the backdrop for the new police drama
end of watch
are familiar turf for writer - director david ayer. he grew up in the neighborhood, and over the last decade the 43 - year - old filmmaker has specialized in telling gritty southland cop tales .
late at night on august 25, 2011 i got to visit the set of end of watch. unlike most set visits which have 8 to 10 reporters, i was the only invited journalist, and i got to spend a number of hours talking with the filmmakers, jake gyllenhaal and michael pena, as well as producer john lesher. while i wasn’t sure what to expect going in, i learned that end of watch is going to look and feel completely different than any cop movie you’ve ever seen and i left excited by what i saw. hit the jump for a lot more – including the first two official images from the movie .
we recently got the chance to chat with writer - director david ayer about his police drama end of watch, which is now out on blu - ray and dvd. the acclaimed film stars jake gyllenhaal and michael pena as a pair of young patrolmen whose experiences on the gang - ridden streets of los angeles are realized for the viewer via a faux documentary approach .
it’s a wonder the actors do good work here, since in the more pensive scenes ayer shoots them in microcosmic closeup; by the end of the film you will know gyllenhaal’s face — the mole above his lip, every freckle and wen — better than your own mirrored image. yet he and peña, and kendrick and martinez, not only get to show off their perfect teeth, they manage to burrow into their characters, to find behavioral nuances under the haloes. granted, any decision a good man makes has greater impact when his life could end with the turn of a doorknob. but the performances here are so sharp that viewers may wish end of watch has been shot by someone who knew how to find the right point of view for a scene and leave it there — say, the anonymous auteur who shot mitt romney’s “47 percent” speech with an utterly stationary camera. that deadpan exposé, not end of watch, is the most enthralling movie of the week .
what sets
end of watch
apart from ayer' s previous work, and from a long line of genre siblings including
l. a. confidential ,
to live and die in l. a .
and last year' s
rampart ,
is its focus on two honest, ordinary police officers .
members of the following film industry guilds and awards organizations will be able to use their official guild cards for free entrance to see end of watch (depending on individual theater policies): ampas, ace, adg, asc, bafta, cas, dga, hfpa, mpeg, mpse, pga, sag nom com, wga .
end of watch opened in the same range as gyllenhaal’s last vehicle, 2011’s source code, which bowed with $ 14. 8 million, but it started higher than the effort before that, romantic dramedy love and other drugs, which debuted with $ 9. 7 million in 2010. though gyllenhaal’s star burns brightly in hollywood, the oft - bearded actor has never truly proven his drawing power at the box office. still, thanks to strong word of mouth, end of watch, which audiences issued an “a - ” cinemascore grade, may prove to be an under - the - radar box office winner for the star .
the spectacular finale to the new york times bestselling trilogy that began with mr. mercedes (winner of the edgar award) and finders keepers—in end of watch, the diabolical “mercedes killer” drives his enemies to suicide, and if bill hodges and holly gibney don’t figure out a way to stop him, they’ll be victims themselves. in room 217 of the lakes region traumatic brain in
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ayer: end of watch started out as this found - footage idea, and then ultimately involved into a mix of both found - footage and traditional photography. i decided not to limit myself, pretty early on, and used whatever technique or camera style would work best to tell the story. i broke the rules, in that regard .
end of watch, which arrives in theaters friday, features one of the most fully - fleshed depictions of male friendship ever committed to the screen. tough yet tender, this cop - car partnership careens between wise - assery and earnest outpourings of “i’m there for you, bro” solidarity, battlefield camaraderie, and bursts of unsolicited tough - love—even a kind of “how gay is this? ” hetero self - awareness—rising above the numbskull bro - downs typically showcased at the multiplex and somehow avoiding schmaltzy false sentimentality .
. expected to launch later this year, the report notes that quanta has entered the final testing phase for the apple watch series 3 and is on the cusp of mass production .
that movie was not the apex of realism, nor did it aim to be. this one tries. as a filmmaking gimmick, the found - footage conceit is almost played out - and
end of watch
doesn' t even exploit it consistently, mixing up the guerrilla - video shots with occasional soaring or other illogical pov' s .
you were quoted at comic - con saying, “in hollywood we’ve lost our way. technology has overwhelmed the heart. i wanted to bring filmmaking brought back to the heart. true characters, with defined relationships, which made the industry for 80 years. ” how does end of watch back up your statement ?
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end of watch
was written and directed by david ayer, whose body of work is heavy on gangsters, lowlifes and the gray zone between those who enforce the law and those who break it. his most recent film ,
street kings ,
implied top - down, all - out, multi - tentacled corruption throughout the entire lapd .
as the bill hodges trilogy comes to an end, stephen king fans lament the conclusion of something that has taken on a mind of its own, while being pleased with the calibre of the final novel. the reader gathers the shards of literary glass king left with the end of the previous book, as bill hodges is called to the scene of an apparent murder - suicide, a favour by his former partner. what brings hodges and his partner, holly gibney, rushing to the house is that one of the two bodies belongs to tha
going forward, there are three dynamics to watch as we try and determine whether this is, as some trump defenders suggest, “a nothingburger, ” or more of a big mac .
producer sinclair continued “end of watch has been one of the most rewarding films i have ever worked on. it connects emotionally with audiences in a very special and unique way and, alongside my fellow producers david ayer, john lesher and matt jackson, and distribution partner open road, could not be prouder to have brought this film to the big screen. ”
jesse eisenberg, left, as david lipsky, and jason segel, as david foster wallace, in a scene from the film the end of the tour. photograph: ap
ayer has been best known until now for his searing script for 2001' s
training day ,
also a story of cops in l. a. a proven writer, his previous forays into directing —
harsh times
and
street kings
— have been less skilled, their cop stories more of the same .
end of watch
is different — distinctive and street worthy .
unlike many of the current crop of macho cop dramas, end of watch plays mainly to the grit of the daily challenges of patrolling the mean streets of south central la in the
shootin' newton
division. unlike the stunning la confidential, with a historical story line, end of watch is done in the cinema ver' ite' style - in a realistic real cops on duty in the la war zone frame. the casting in this movie is picture perfect, with each actor giving in depth performances. the story line brings the mexican / us drug problem into crystal clarity. initially, the story fails to coalesce, and the video cam work is a bit disjointed and over done at the outset, but once you settle in to cinematic method, the film gets a hold on you. definitely a movie for any law enforcement aficionados collection .
los angeles, ca, november 30, 2012 – end of watch — the hit film starring jake gyllenhaal and michael peña, written and directed by david ayer, which opened to number one at the box office in september 2012 — will return to theaters nationwide on december 7, 2012. the announcement was made today by tom ortenberg, ceo of open road films .
the jake gylleenhaal - michael pena cop drama beats clint eastwood' s
trouble with the curve
and jennifer lawrence' s
house at the end of the street .
what self - respecting director would enlist – nay, entrust – his actors to film their own scenes? such an idea calls up memories of the nausea - inducing blair witch project. but in seeking a bit of a technological shakeup, david ayer, writer and director of police drama end of watch in theaters sept. 21, strapped cameras to his two main stars and let them guide the story, about the los angeles police department, through their own eyes and movements as they patrol a particularly seedy section of the city of angels .
ayer: it’s shot a little more traditionally, but it’s not conventional coverage. with every movie, you learn. ten is my fourth movie, so i’m bringing all of my experience to the table. i had a great crew around me, and a lot of the same people from end of watch. it just becomes more focused on making the movie and less about trying to figure out what your job is .
after spending so much time together, the two actors have an easy rapport, finishing each others’ sentences, performing convincing imitations of one another and chuckling together at their in - jokes. in end of watch, their dialog is spiced with a seemingly endless stream of “bros” and “dudes. ” and unsurprisingly, gyllenhaal and peña are extremely partial to using the b and the d words for emphasis in conversation. particularly peña .
the gritty and intense crime drama end of watch, available on dvd / blu - ray on january 22 nd, tells the story of lapd officers brian taylor (jake gyllenhaal) and mike zavala (michael peña), who patrol the mean streets of south central los angeles. shot documentary - style, the action unfolds through footage from the handheld hd cameras of the police officers, gang members, surveillance cameras and citizens caught in the line of fire to illustrate how cops risk their lives, every day .
eventually, the main plotline kicks in, although we soon realize aspects of it have been present all along. the final 30 minutes are taut and suspenseful and the viewer shouldn' t make the mistake of believing events are going to follow a predetermined cop movie path. end of watch isn' t afraid of venturing into dark territory, although the way in which ayer chooses to conclude the film, with a much - needed
lighter moment ,
is welcome .
the film will always follow the point of view of gyllenhaal and pena’s characters. we’ll never leave one of them during the movie .
f ew of king' s myriad terrors feel as visceral and close to home as the sense of human mortality that looms over his new book, end of watch … an undeniable page - turner … throughout his tale, king nimbly pulls together numerous plot threads and characters…and for good measure throws in a final nail - biting chase through a blizzard. one finishes this novel feeling great empathy for its resolute protagonist, and even greater trepidation about that next round of candy crush. ”
“f ew of king' s myriad terrors feel as visceral and close to home as the sense of human mortality that looms over his new book, end of watch … an undeniable page - turner … throughout his tale, king nimbly pulls together numerous plot threads and characters…and for good measure throws in a final nail - biting chase through a blizzard. one finishes this novel feeling great empathy for its resolute protagonist, and even greater trepidation about that next round of candy crush. ”
all in all, this movie was ok. it' s not the end of all movies as we know it, and it' s not the movie that pierces the heavens either .
like a knife in the eye, “end of watch” cuts past the cliches of standard police procedurals, serving instead as a visceral ride - along with two thrill - seeking cops (jake gyllenhaal and michael pena, both terrific) covertly documenting their beat in south central l. a. faux - found - footage approach already feels a little dated, but amplifies the authenticity in what [ … ]
for a while, end of watch progresses almost like an r - rated episode of adam 12. it' s very much a
day in the life of
story, detailing the easy conversation that transpires in a squad car between calls and showing the dangers faced by cops even in seemingly unthreatening situations. there are times when the first - person approach works to emphasize intimacy. on other occasions, such as a fire rescue, it reduces everything into a muddle of confusion .
a laconic character, hodges has been easy company over the course of “mr. mercedes” and “finders keepers. ” maintaining a tight structure, king uses “end of watch” to loop back to hodges’ handling of the explosive episode that started off the trilogy — brady’s decision to plow his car into a line of people waiting at a job fair, killing eight of them and severely injuring almost twice as many. supposedly rendered comatose after his first game of wits with hodges, brady continued to preoccupy the detective in “finders keepers. ” and now he may be responsible for more deaths .
end of watch follows two young los angeles police officers taylor and zavala as they patrol the mean streets of south central los angeles. giving the story a gripping, first - person immediacy, the action unfolds through footage from the handheld hd cameras of the police officers, gang members, surveillance cameras, and citizens caught in the line of fire to create a riveting portrait of the city' s most dangerous corners, the cops who risk their lives there every day, and the price they and their families are forced to pay .
such fraternity is also potentially concerning. end of watch is a terrific film, and, to be fair, our heroes do happen upon some remarkably grisly finds on even the most innocuous housecall, but it will also function as a persuasive recruitment video. did gyllenhaal ever worry being embedded with the lapd might just mean they were in bed with them ?
their characters certainly function in lock - step, uncovering the sordid dealings of a ruthless mexican drug cartel—gun - running, human trafficking, money laundering, etc. —only to unleash the gang’s institutional wrath upon themselves. but end of watch ’s pulse - quickening action ultimately serves a larger purpose: to bracket the characters’ brotherly love, providing a testing ground for their loyalty, resolve and willingness to go down in the line of duty for one another .
2? house at the end of the street (relativity) new [ 3, 083 runs ] pg13 friday $ 4. 6m, saturday $ 5. 3m, weekend $ 12. 8m
universal studios home entertainment topped both national home video sales charts the week ending jan. 27 with end of watch, a $ 41 million - grossing cop drama, shot documentary style, that hit the big screen late last summer and stars jake gyllenhaal and michael pena as two young police officers, partners as well as friends, who grow up fast on the crime - filled streets of l. a .
this is just another example of the most lavishly funded media organisation in the country destroying its competition. this is particularly the case in regional areas with small populations which can' t support a diversity of media, so only the state media survives. the abc is bit by bit ruining its competitors. it' s ironic that media watch decries the loss of jobs for journalists when the abc is one of the major causes of the losses in this country. time media watch did a story on this, but i won' t be holding my breath .
since end of watch just wrapped principal photography and it doesn’t yet have a release date (it will be in 2012) or domestic distributor, i’m going to hold my on - set interviews and my full set report until a later date. however, to go along with the first two images of the film, i’m offering the “20 things to know” about the film. but first, here’s the official synopsis :
as the movie opens, taylor is filming a video documentary about his job, for a film class he' s taking .
end of watch
begins with his narration about the nature of his job. all through the movie, jake gyllenhaal reveals a presence and stability that' s in contrast to the lighter - weight, ingratiating characters he often plays. michael pena gives one of the performances of his career as the other cop, and the reality of their relationship underscores the whole film. we wouldn' t believe some of the things they do if we didn' t believe who they are .
book arrived quickly & in good condition. excellent trilogy, well worth reading all 3 books on order. not often a book makes me she' d a tear but the end of this one did .
end of watch is the final book in the bill hodges trilogy by stephen king. in this installment the story comes full circle back to brady hartsfield, the infamous mercedes killer that drove a mercedes into a crowd of job seekers one horrific morning killing eight and injuring countless others. brady has spent the last several years in traumatic brain injury clinic courtesy of bill hodges and holly gibney. our retired detective bill hodges has now been working along with his partner, holly gibney ,
“some people can’t get beyond the genre of a film but to us, it was always about this relationship, ” gyllenhaal told the daily beast in an interview at the toronto international film festival, where end of watch premiered earlier this month. he recalled an early edict from writer - director david ayer (training day, street kings) that would govern his and peña’s performances: “you two are going to be brothers. ”
sad to see the series come to an end. i did enjoy king' s foray into the world of crime / detective drama. i would not mind if he does more with it in the future .
david ayer ‘s end of watch was a surprisingly solid flick even though it was burdened by an unnecessary found - footage device. however, when it was released in september, it seemed to be a film that found moderate success (it tied for first at the box office on its opening weekend), and then quietly slipped away. surprisingly, the film might now be in the awards hunt after it picked up independent spirit award nominations for best supporting actor (michael peña) and best cinematography (roman vasyanov). jake gyllenhaal recently did an interview with hitfix’s in contention blog, and now open road has announced that they’re sending end of watch back into theaters on december 7th. it’s not a bad move since the only competition it will face is playing for keeps.
end of watch is a 2012 american crime drama film written and directed by david ayer . it stars jake gyllenhaal and michael peña as brian taylor and miguel zavala , two los angeles police department officers who work in south los angeles . the film focuses on their day-to-day police work , their dealings with a certain group of gang members , their friendship with each other , and their personal relationships . ayer , who had written several police procedural films previously , wanted the film to focus more on the friendship between partners and honest police work rather than corruption . gyllenhaal , peña , and other cast members underwent an intensive training program to prepare for their roles as police officers . filming took place in los angeles in august 2011 with a budget of $ 7 million . the film premiered on september 8 , 2012 at the toronto international film festival and was released in american theaters on september 21 , grossing over $ 57 million at the box office . the film was well received by critics and received a number of accolades , including two independent spirit award nominations . 
end of watch is a 2012 american crime drama film written and directed by david ayer. it stars jake gyllenhaal and michael peña as brian taylor and miguel zavala, two los angeles police department officers who work in south los angeles. the film focuses on their day-to-day police work, their dealings with a certain group of gang members, their friendship with each other, and their personal relationships. ayer, who had written several police procedural films previously, wanted the film to focus more on the friendship between partners and honest police work rather than corruption. gyllenhaal, peña, and other cast members underwent an intensive training program to prepare for their roles as police officers. filming took place in los angeles in august 2011 with a budget of $ 7 million. the film premiered on september 8, 2012 at the toronto international film festival and was released in american theaters on september 21, grossing over $ 57 million at the box office. the film was well received by critics and received a number of accolades, including two independent spirit award nominations.
end of watch is a 2012 american crime drama film written and directed by david ayer. it stars jake gyllenhaal and michael peña as brian taylor and miguel zavala, two los angeles police department officers who work in south los angeles. the film focuses on their day-to-day police work, their dealings with a certain group of gang members, their friendship with each other, and their personal relationships. ayer, who had written several police procedural films previously, wanted the film to focus more on the friendship between partners and honest police work rather than corruption. gyllenhaal, peña, and other cast members underwent an intensive training program to prepare for their roles as police officers. filming took place in los angeles in august 2011 with a budget of $ 7 million. the film premiered on september 8, 2012 at the toronto international film festival and was released in american theaters on september 21, grossing over $ 57 million at the box office. the film was well received by critics and received a number of accolades, including two independent spirit award nominations.