salaud , on t ' aime
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the cast of the french film' salaud, on t' aime', actress irene jacob, actress isabelle de hertogh, director claude lelouch, and actress pauline lefevre take' selfie' photos as they pose for a photo ...
the cast of the french film' salaud, on t' aime', actress irene jacob, actress isabelle de hertogh, director claude lelouch, and actress pauline lefevre take' selfie' photos as they pose for a photo... pictures | getty images
the cast of the french film' salaud, on t' aime', actress irene jacob, actress isabelle de hertogh, director claude lelouch, and actress pauline lefevre take' selfie' photos as they pose for a photograph during the beaune international thriller film festival, on april 2, 2014, in beaune, eastern france .
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continuing to expand on an oeuvre that contains over 50 features, shorts and documentaries - - many of them highlighted in his 2011 self - produced homage, from one film to another - - veteran french auteur claude lelouch offers up his latest mix of gushy drama and incongruous storytelling with the sentimental family saga, we love you, you bastard (salaud, on t’aime) .
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production: (france) a films 13 release, in association with paname distribution, of a films 13 production, in co - production with rhone - alpes cinema, with the participation of canal plus, region rhone - alpes, centre national du cinema. executive producer, jean - paul de vidas. (original title: “salaud, on t' aime
)
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once among the most popular of france’s filmmakers — and possibly still its most flamboyantly romantic — lelouch clearly lost his touch somewhere along the way, and his 44th feature will do little to put the cheese peddler back on top. like kaminsky, who traded in shooting photos on the front lines of multiple wars for his new alpine bovine series, lelouch now specializes in exasperatingly safe fare. here, his hedge comes in casting hallyday as his proxy, knowing the faded french icon can still lure a crowd, even if his performance range is effectively limited to making his blue eyes sparkle and / or moisten on cue .
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although bastards fails to deliver on its initial promises, its photogenic setting and talented cast still yield a few strong moments, captured by dp robert alazraki (a french gigolo) in shots that use windows, doors and multi - layered reflections to frame the action. there’s an underlying breeziness to the filmmaking that’s rather pleasant to behold, even if the cheese - factor can seem awfully high at times .
it’s at this point that the scenario, co - written by lelouch and valerie perrin, picks up steam, with the cheekily named sisters spring (irene jacob of three colors: red), summer (pauline lefevre), autumn (sarah kazemy) and winter (jenna thiam) arriving on scene to stir up trouble and old memories, creating a whir of tension that ultimately brings out the truth amid plenty of shouts, tears, champagne and cigars .
an initial driving sequence, set to a duet by louis armstrong and ella fitzgerald, takes us to a modern retreat in the alps, where famous photojournalist jacques kaminsky (hallyday) and his latest wife, bianca (agnes soral), are looking to settle down for the long run. but any notion of stability in jacques’ life, especially when it comes to women, is quickly batted aside when he meets attractive real estate broker, nathalie (bonnaire), and explains to her his very gallic relationship rules: “one is faithful as long as one can’t find someone better. ”
lelouch doesn’t judge as kaminsky leaves paris (and his wife, in the process) for a new life in the mountains (with new love nathalie, played by sandrine bonnaire), though his four daughters are less forgiving, ignoring his calls and refusing his invitations to come visit. for a long, lonely while, the only ones around to enjoy the beautiful surroundings are the photog, his inexplicably smitten younger g. f. and the guardian couple who maintain the old farmhouse he purchased — not counting a well - trained bald eagle, whose cameo role swells to full - blown co - star status by pic’s end .
an unwieldy family drama with flashes of energy and a totally incredulous third act. twitter
johnny hallyday (“vengeance”) and sandrine bonnaire (“a nos amours”) star in this latest feature from oscar - winning french director claude lelouch (“a man and a woman”) .
faster than you can shout “ ciel, mon mari! ” jacques ditches bianca to shack up with nathalie in his new log cabin, bringing along boxes of vintage cameras and a libido the size of switzerland that has spawned four girls from four marriages. (the kaminsky character was clearly inspired by lelouch himself, who has seven children from four wives .) when jacques’ best buddy, the crafty doctor frederic (mitchell), shows up for a little r & r and realizes how distraught his friend is about being cut off from his own kids, he summons jacques’ daughters to the mountains, claiming their dad is fatally ill .
but whatever momentum lelouch was building in the film’s mid - section is upended by several ludicrous plot twists in the latter reels, undermining the family dynamic in favor of genre conventions that really have no place in the story. to explain these late events would spoil the movie, although they honestly make little sense and seem to have been culled from something long lost in the director’s lengthy filmography .
alongside armstrong / fitzgerald standards like “cheek to cheek, ” the soundtrack uses georges moustaki ’s summery “les eaux de mars” to pick up the pace at different points in the film. while hallyday and mitchell never belt out any songs of their own, they do sing along to the famous dean martin - ricky nelson ballad from rio bravo, in a particularly bromantic scene of senior bonding .
dedicating his latest film to his daughters, france' s corniest director casts johnny hallyday as an absentee dad trying to make amends .
with: johnny hallyday, sandrine bonnaire, eddy mitchell, irene jacob, pauline lefevre, sarah kazemy, jenna thiam, valerie kaprisky, isabella de herogh, agnes soral, silvia kahn, antoine dulery. jean - franocis derec, jacky ido, gilles lemaire. (french, spanish dialogue )
suitable only for little old ladies and hallyday lovers, this baffling blend of genres begins as a romance (the first buds of spring), shifts into family melodrama (hot summer nights) and ends quite unexpectedly with a murder mystery (one that resolves itself in the dead of winter). there’s even a bastille day bank heist along the way, though the details are mentioned only in passing — a shame, since it sounds considerably more engaging than the warm - and - fuzzy business in the foreground .
then kaminsky’s best friend / personal doctor (eddy mitchell) shows up, instantly diagnoses the situation and decides to bend the truth, telling the four daughters that their father is dying — a ploy that successfully compels them to visit, while creating considerable anxiety all around. is papa really sick? if not, how should he break the news that they came under false pretenses? dramatically, fireworks should follow, but here they occur beforehand (only literally, alas, with a big bastille day show) .
as the girls arrive by car, taxi and helicopter — the youngest, hiver (jenna thiam), even hitchhikes, getting a ride with a black perfume salesman whom the film politely invites to stay, then promptly forgets about — kaminsky silently notes how they have grown into successful, independent women, especially the eldest, printemps (irene jacob), who is nearly nathalie’s age. meanwhile, instead of being assertive about their feelings or honest about how screwed up they are from having a serial womanizer for a dad, they instantly go in for the group hug — an impulse totally in keeping with the pic’s easy - listening soundtrack, which seems better suited to a dreary hotel bar .
inspired at least in part by his own life, lelouch has seven daughters, the first few of which were also spaced roughly seven years apart. perhaps that’s why the film so gently sides with kaminsky, rather than whatever his offspring must be feeling, especially just after dad drops his bombshell. automne (sarah kazemy, the weakest of the four) throws a small fit, but it blows over quickly, and as the girls inexplicably unwind half - naked in a nearby waterfall, lelouch pulls a cruel trick, killing off one of the main characters — a misstep from which the story never recovers. the bastard !
reviewed at ugc cine cite les halles, april 2, 2014. (also in city of lights, city of angels film festival — opener .) running time: 123 min .
crew: directed by claude lelouch. screenplay, valerie perrin; story, lelouch. camera (color / b & w, widescreen), robert alazraki; editor, stephane mazalaigue; music, francis lai, christian gaubert; costume designer, christel birot; sound (dolby digital), harald maury; supervising sound editor, jean gargonne; re - recording mixer, christophe vingtrinier; line producer, remi bergman; assistant director, michael pierrard .
with: johnny hallyday, sandrine bonnaire, eddy mitchell, irene jacob, pauline lefevre, sarah kazemy, jenna thiam, valerie kaprisky, isabella de herogh, agnes soral, silvia kahn, antoine dulery. jean - franocis derec, jacky ido, gilles lemaire. (french, spanish dialogue )
euphemistically speaking, “seasoned” feels like the most apt way to describe lounge lizard johnny hallyday’s latest character, jacques kaminsky. he’s a weary war photog who wraps his high - impact career snapping cow portraits from a posh rhone - alps chalet in claude lelouch’s shamelessly sentimental (and equally self - serving) “we love you, you bastard, ” a paternal reconciliation fantasy which this [ … ]
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a war photographer and absent father, who spends more time taking care of his camera than his four daughters, enjoys a happy life in the alps with his new girlfriend. but his life is turned... see more »
a war photographer and absent father, who spends more time taking care of his camera than his four daughters, enjoys a happy life in the alps with his new girlfriend. but his life is turned upside down the day that his best friend tries to reconcilate him with his family by telling them a big lie. written by lletaif
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salaud , on t ' aime is a 2014 french drama film directed , produced and co-written by claude lelouch . it stars johnny hallyday , sandrine bonnaire and eddy mitchell . 
salaud, on t' aime is a 2014 french drama film directed, produced and co-written by claude lelouch. it stars johnny hallyday, sandrine bonnaire and eddy mitchell.
salaud, on t' aime is a 2014 french drama film directed, produced and co-written by claude lelouch. it stars johnny hallyday, sandrine bonnaire and eddy mitchell.