humshakal ( 1974 film )
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humshakal is a 1974 hindi movie directed by jambulingam. the film stars rajesh... by anand bakshi. the film was remade in tamil as oorukku uzhaippavan .
humshakal is a 1974 hindi movie directed by jambulingam. the film stars rajesh khanna, tanuja, moushumi chatterjee, asrani and aruna irani. film music ...
listen to hindi songs from humshakal... . humshakal 1974 asit sen, moushumi chatterjee, rajesh khanna, ramesh behl, tanuja. play... film director. jambu .
film - humshakal 1974, md - r. d. burman, lyricist - anand bakshi, singers - mohd. rafi & lata mangeshkar .
film - humshakal 1974, md - r. d. burman, lyricist - anand bakshi, singers - mohd. rafi & lata mangeshkar .
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this hindi film stg rajesh khanna - mausami - tanuja is a straight lift from a 1970 kannada film... discuss humshakal (1974) on the imdb message boards »... .
watch the super hit bollywood blockbuster classic hindi romantic drama movie,' humshakal' (1974 ...
watch the super hit bollywood blockbuster classic hindi romantic drama movie,' humshakal' (1974 ...
aap ki kasam is a 1974 hindi film produced by j. om prakash, which also marks his directorial debut. the film stars rajesh ...
prem nagar (1974) the 1974 film, produced by d ramanaidu and directed by ks prakash rao, stars rajesh khanna and hema malini in the lead roles .
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a melodious song by kishore kumar from 1974' s rajesh khanna, tanuja and moushumi chatterjee starrer movie
humshakal
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a romantic song by kishore kumar from 1974' s rajesh khanna, tanuja and moushumi chatterjee starrer movie
humshakal
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a romantic song by kishore kumar from 1974' s rajesh khanna, tanuja and moushumi chatterjee starrer movie
humshakal
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the films he ended up signing instead were raja rani (1973), humshakal (1974) and aap ki kasam (1974) — modern - day fairy tales with weak screenplays .
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movie, humshakal (1974) cast, rajesh khanna, tanuja & moushumi chatterjee singer' s, mohammed rafi & lata mangeshkar ...
humshakal - part 01 / 13 - classic blockbuster romantic hindi movie ...
humshakal - part 02 / 13 - classic blockbuster romantic hindi movie ...
humshakal - part 03 / 13 - classic blockbuster romantic hindi movie ...
humshakal - part 04 / 13 - classic blockbuster romantic hindi movie ...
humshakal is a 1974 hindi movie directed by jambulingam. the film stars rajesh khanna, tanuja, moushumi chatterjee, asrani and aruna irani. the music was by rahul dev burman and lyrics were by anand bakshi. the film was a remake of the 1970 kannada film baalu belagithu, which was also remade in telugu as manchivadu (1973) and in tamil as oorukku uzhaippavan (1976) .
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humshakal (1974) by r. d. burman - complete information including lyricist, singers and other credits, ratings and user and critic reviews, complete songs listing, ...
amrit (1986) directed by mohan kumar, amrit had rajesh khanna playing the titular role opposite smita patil. khanna got his last bengal film journalists’ award for the film .
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watch phir kab milogi 1974 full hindi movie free online director: hrishikesh mukherjee starring: mala sinha, biswajeet, deven verma, vijaya choudhury genre: romance released on: 20 apr 1974 writer: rajind ...
watch online informations: director: jambu release date: 1974 genre: thriller, mystery, family cast: rajesh ...
suresh productions (telugu: సురేష్ ప్రొడక్షన్స్) is a film production company founded by dr. d. ramanaidu .
music of the film is superb with the song ‘hame tumse pyar kitna …’ by kishore kumar attaining extraordinary popularity .
daag: a poem of love (1974) yash chopra’s daag paired rajesh khanna and sharmila tagore in the adaptation of thomas hardy novel, the mayor of casterbridge. rajesh khanna impressed the audience with his performance and the film was a superhit .
humshakal... aavishkar - rajesh khanna - sharmila tagore - hindi full movie ...
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provided to youtube by sa re ga ma main tumko doongi saiyan · asha bhosle · kishore kumar humshakal ℗ saregama india ...
revealing anything more about the plot would mean spoiling the fun for anyone wanting to watch. how and where does the second rajesh khanna fit in and what exactly did happen to the murdered khanna forms the crux of the film. being a film of the sixties and being the debut film for both the hero and heroine, there are lots of songs and some of them became very popular. it is difficult to imagine that this was khanna’s debut film as his acting is very natural and expressions are spot on. the charisma which made him a superstar is very much there to see and the film is very enjoyable .
there is not much to rave about “humshakal” but getting rajesh khanna to play two roles was a huge bonus for his fans those days .
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the film’s climax in the court is a memorable scene when both of them are standing and everyone is confused as to who is the real bhola! all the songs of this film are outstanding and remain evergreen even today. here is the number sung at the masquerade party…
movie: - aap ki kasam (1974) starcast: - rajesh khanna, mumtaz, sanjeev kumar song: - zindagi ke safar mein guzar jaate ...
humshakal - kaahe ko bulaay ...
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the film which changed the fate of rajesh khanna forever catapulting him to dizzying heights of superstardom also sealed the rajesh khanna - kishore kumar ‘jodi’ and for the next twenty years they continued to give one musical hit after the other till kishoreda died in 1987. the story of the film was initially conceived as a two - hero film with the first hero dying before interval. it was writer gulshan nanda who suggested the double role angle and the rest as they say is history .
the film was directed by shakti samanta and is based on a story nishipadma by bibhutibhushan bandopadhyay. the film had rajesh khanna and sharmila tagore in the lead and was considered ahead of its time. the thought - provoking song chingaari koi bhadke written by anand bakshi and sung by kishore kumar, is one of the highlights of this classic .
though s d burman is credited for the landmark music of the film, his son r d burman’s contribution was no less. as the senior burman was taken ill, r d being his assistant took over and added his genius touch to many aspects of the songs. here is an iconic song from the film which is said to have been filmed in a single take…
lyrics and video of songs from movie / album: hum shakal (1974); music by: r d burman; singer (s): asha bhosle, kishore kumar, sushma shrestha, lata ...
hum dono which released in 1985 was the last film where rajesh khanna got to play a double role. this fun - filled comedy film was a remake of the telugu film sommokadidi sokkokadidi and was later made in tamil as well with kamal hassan starring in both versions. in this film a poor villager gets to know that he has a look - alike in dr shekhar who has a flourishing practice as a doctor and earns a lot of money working at an impressive hospital. he decides to impersonate him once he leaves the clinic and pockets whatever money he makes treating patients who come to him. he even falls for the girl who had set her sights on the doctor. nobody finds anything wrong as the doctor is known to be very forgetful and lost many times .
rajesh khanna had already done a double role in “sachaa jhutha”, which was a hit, before “humshakal”, not to forget “raaz” in his debut year. obviously the expectations were high but he could not match the standards set under the direction of manmohan desai in “sachaa jhutha”. music was a strong element in both the movies but “humshakal” paled in comparison even though khanna’s stock was yet to dip in the face of competition from younger opponents, notably bachchan .
aradhana (1969) paired with sharmila tagore and directed by shakti samanta, this movie bagged the best film trophy at the filmfare awards. it gave us songs like roop tera mastana and mere sapno ki rani .
watch trimurti 1974 full hindi movie free online director: rajendra bhatia starring: asrani, parveen babi, arpana choudhary, a. k. hangal genre: drama released on: n / a writer: vrajendra gaur (dialogue), s... .
watch paap aur punya 1974 full hindi movie free online director: prayag raj starring: shashi kapoor, sharmila tagore, ajit, asrani genre: musical, romance released on: n / a writer: n / a imdb rating: 7. 3 / ...
watch vachan 1974 full hindi movie free online director: suraj prakash starring: shashi kapoor, vimi, prem chopra, rajendra nath genre: drama, romance released on: n / a writer: n / a imdb rating: 6. 1 / 10 (...
hum dono (1985) hum dono is a 1985 hindi film, starring rajesh khanna and hema malini, and is directed by bs glaad. the music is by rd burman, and the songs are sung by kishore kumar and asha bhonsle .
though chetan anand directed ‘aakhri khat’ reieased first in 1966, the murder - mystery romantic thriller raaz was technically the first film signed by rajesh khanna. his heroine babita also made her debut with this film. the film starts in africa where rajesh khanna staying with his friend i s johar starts getting visions of a woman and a place in india in his dreams. to get to the bottom of this, the two leave for india but to his surprise everyone recognizes him but thinks he is a ghost. the plot takes an intriguing turn as he finds out that he is supposed to have been murdered some time back and is even shown the grave where he has been buried. and babita is convinced that he is her lover who had only disappeared .
avtaar (1983) directed by mohan kumar, avtaar is about the rise and fall of avtaar kishen (rajesh khanna) and how the financial changes impact his personal life. rajesh khanna bagged all - india critics association (aica) best actor award for the film .
this super - hit which fetched rajesh khanna his first filmfare best actor award is easily one of the best films of his career. packed with unexpected twists and turns that keeps the viewer engaged from start to finish with the thrills, action, comedy and emotion, the film also gave to the industry one of its most loved romantic on - screen pairs - rajesh khanna and mumtaz. though shashi kapoor had been approached for the role, he refused to work opposite ‘b - grade’ heroine mumtaz and as luck would have it the film fell into rajesh khanna’s lap and there was no looking back…
namak haraam (1973) the movie is the second hrishikesh mukherjee film with rajesh khanna after anand. diye jalte hai, phool khilte hai, nadiya se dariya, dariye se sagar and main shayar badnaam are the most memorable melodies, all rendered powerfully by kishore kumar and picturised on rajesh khanna .
this hindi film stg rajesh khanna - mausami - tanuja is a straight lift from a 1970 kannada film baalu belagitu stg dr rajkukar - jayanthi - bharathi, but the hindi team does not acknowledge the fact. the songs are fabulous esp in the golden voice of kishored and lata. one song also by a rare mohd rafi for rajesh khanna. sticks out odd as the voice hardly suits him. rajesh kahanna is accused of two timing his poor wife mausami and living it off as a rich man with tanuja as her husband and in fact as his own master according to his first wife. what happens next is not very predictable but the only possibility !
aaj ka m. l. a. ram avtar (1984) aaj ka ram avtar mla is a 1984 film about ram avtar, played by rajesh khanna, who grooms minister digvijay singh. when digvijay' s political party is in need of someone to stand in the forthcoming election, digvijay recommends ram avtar as his choice .
directed by ismaeel shroff, thodi si bewafai featured rajesh khanna in the lead opposite shabana azmi. khayyam’s music was one of the highlights of the film. songs like aaj bichde hain kal ka (bhupinder singh), aankhon mein humne aapke (kishore and lata) and the title track are some of the best melodies of the era .
rajesh khanna is his charming romantic self and basically both roles are very similar. so there is no scope of displaying any difference kind of histrionics. r d burman’s music is one of the highlights of the film and all the songs are superb. i have chosen a lovely romantic number which remained at the top of the popularity charts for several months…
after a while the doctor finds out about his impersonator and decides to get him kidnapped by a gang. he then goes to the poor man’s house and starts liking the life there with the poor man’s mother and girlfriend. basically lot of confusions occur and becomes a laugh riot with things getting muddled. it is a well - directed film and it is great to see rajesh khanna tapping his comic talent to the full .
while rajesh khanna exudes his usual charm in the role of the insurance agent, he was a complete misfit as a dacoit. to make things worse, kader khan has dubbed all the dialogues for the dacoit rajesh khanna which is probably why his acting didn’t seem to gel with the character. one wonders what made the director and khanna himself think of such a ridiculous idea! that single - handedly killed the very essence of this already listless film .
“humshakal” has khanna playing the part of a poor and an affluent look - alike. as ram, he saves radha (moushumi chatterjee) from the clutches of a bad character but ends up promising her dying mother to look after her. circumstances lead to ram marrying radha. this is one part of the story. the other involves the affluent laxman, who is married to lalita (tanuja). radha stumbles upon the distressing truth but there is a story hidden behind laxman and lalita .
rajesh khanna is brilliant in the film. as the man caught between knowing the reality of his previous birth and having difficulty in accepting the truth that the very mentor whom he had adored and looked up to all his life could have been such a cold blooded murderer, he gets to display a gamut of emotions. as the romantic villager of the previous birth he is his usual romantic self though looking a lot older than his earlier films probably owing to a deviation from the trademark rajesh khanna hairstyle…
this film is a multi - starrer with dharmendra, danny and vinod mehra also having important roles. rajesh khanna plays father and son. the father is a judge and does not get along with his son rajen who decides to move out of the house and live in the nearby slum. there are many murders committed and all cases come to the court of justice diwan who gives his verdict of death sentence based only on the facts presented irrespective of whether the accused is his best friend or his son…
once again rajesh khanna gets to be a part of a reincarnation saga and once again hema malini plays his lover. this time however the plot is intriguing as there is murder in the plot and the last 45 minutes of the film are devoted to some brilliant courtroom drama where rajesh khanna plays the prosecutor and priya rajvansh the defence lawyer. hema malini in the present birth is engaged to vinod khanna but has recurring dreams of images of some faces and events which make her very distressed. when she meets rajesh khanna, unknowingly she feels a connection with him and realizes he is one of the faces she sees in her dream. rajesh khanna is a lawyer and out of gratitude to his mentor raj kumar, agrees to marry his daughter priya rajvansh. on their engagement day hema malini comes face to face with raj kumar and suddenly remembers all the details of her previous birth and accuses raj kumar of having murdered her. the unique story - line of the film won the filmfare award for the best story that year !
the events are quite fast - paced and once again the rajesh khanna - prem chopra combination proves to be the usp of the film. rajesh khanna puts in a breezy performance as the conman who enjoys his tryst with the lawmakers and has no qualms going to jail for the odd jobs he does as long as he gets paid. he uses this money to help the needy in the slum colony where he resides. as the mentally retarded prince, he hardly has any scenes. he just has to suck his thumb and look dazed which he does .
the concept of ‘double roles’ remains an enigmatic genre and unique to indian cinema. hollywood and world cinema have generally stayed away from exploring the possibilities of such stories. a possible reason could be that our industry is dominated by the star - system whereby it is the charisma and persona of the star that is embedded in the psyche of the audience and hence the fascinating idea of seeing their favourite actor / actress in more than one role in the same film has always caught the fancy of the fans. at the same time it offers the actors to test their own acting prowess as well .
the movie was good and essentially belongs to the older rajesh khanna and hema malini. needless to say he is superb in the older role. as the son, however he goes a little overboard with his mannerisms trying to pass off as a young 25 - year old romancing poonam dhillon. around this time, rajesh khanna had put on weight making him look old and it also looked weird when he addresses hema malini as ‘ma’! the court scenes towards the end are wonderful. music by khayyam was one of the highlights of the film. here is a song where both father and son can be seen :
coming back to “humshakal”, it is essentially about rajesh khanna, who juggles between two households, but moushumi plays her part well. just as tanuja, each getting to sing pleasant duets – “hum tum gum sum” and “kahe ko bulaya” – with their respectively loves. the movie tends to drag even as the director looks for an escape route through music and comedy in short phases. the comedy at times looks out of place and asrani comes off an unbearable character as a spy who is out to help his friend unravel a mystery. the titles announce aruna irani, david, jagdeep, asit sen as part of the cast but they have eminently fleeting and forgettable presence .
moushumi, recently recognised for her lifetime contribution to cinema, was happy to share space with the superstar of the times. she had begun her journey in 1967 with bengali film “balika badhu” and succeeded in making an impact with her debut movie. “anurag”, in which she paired with vinod mehra and played the blind girl’s role with the finesse of a veteran, convinced the industry of her acting prowess but, who once said she regarded herself as a superstar always, did not keep the early promise. she had one of the most beautiful faces, if not the diction, in hindi cinema and was reportedly considered for the role of bobby, which ultimately went to dimple kapadia .
the film is a remake of the 1960 classic mamta with a few alterations in the script. instead of the mother - daughter angle in mamta here the story revolves around the father - son duo with rajesh khanna essaying both the roles. hema malini, a rich and upcoming lawyer is in love with a poor rajesh khanna and as usual, her father manipulates things in such a way that she is sent away to study abroad and he forced to marry someone who dies at childbirth leaving behind a son. he also takes the murder rap on himself for an act committed by his evil brother - in - law. hema malini agrees to bring up his son who also grows up to be a lawyer .
this film tells an absorbing tale of re - incarnation and unrequited love of a previous birth which haunts the lovers in the current birth. in the previous birth, rajesh khanna plays a royal court musician and falls in love with the court dancer hema malini but as their love story is doomed due to unavoidable circumstances, they die promising to get united in another birth. in the current birth, it is rajesh khanna who first remembers everything when he chances upon hema malini’s photo in an abandoned villa. one day he comes across hema malini, who is a village girl and starts pursuing her reminding her of their previous birth. once again there are obstacles in the form of prem chopra, the tribal who has set his eyes on hema and yogeeta bali who is rajesh khanna’s fiancé…
this film has an interesting plot where rajesh khanna plays two look - alikes - ram, the manager of a huge estate and lakshman, a poor worker in the same estate. one day the worker saves the manager’s baby and that’s when they meet and are struck by their identical faces. seeing her baby’s life in danger, the manager’s wife tanuja faints and gets mentally affected. after this due to some unavoidable circumstances, lakshman has to pose as ram for a while without anyone finding out the truth. but one night lakshman saves moushmi from a lecherous man and ends up marrying her. now it becomes more difficult for him to keep up with this dual lifestyle and this leads to misunderstandings and confusions. the mystery is solved in the end and all lose ends are neatly tied .
double roles have provided hindi cinema with some fascinating subjects. dilip kumar playing three roles in “bairag” and sanjeev kumar’s nine - part epic show in “naya din nayi raat” continue to appeal. dev anand, the eternal romantic, won our hearts in “hum dono”. how can one not remember dilip kumar’s iconic “ram aur shyam” and hema malini’s award - winning act in “seeta aur geeta” .
“don” was a sterling performance by amitabh bachchan while sridevi in “chaalbaaz” and rakhee in “sharmilee” left a lasting impression. but nothing to beat kamal hassan in “appu raja”! he was present in literally every frame of the movie and swept the audience with his class act. it was a feast indeed to get two vibrant characters played by an actor of hassan’s stature in the same movie. his fans could not have asked for more .
it was a tough time in his career as khanna had begun to feel the pressure because his superstar status was being challenged. his on - screen mannerisms were branded stereotyped in an era when the hero had assumed the image of robustness. khanna looked odd when fighting the villain and his cronies. certainly misplaced when the audience watched bachchan, dharmendra, vinod khanna and shatrughan sinha take on the army of bad men and beat the pulp out of them .
apart from the double role act by khanna and the decorative inclusion of the pretty moushumi and tanuja, it is rd burman who stands out with some delightful compositions. the lullaby – “rastaa dekhe tera vyakul man mera” – is said to be close to kishore kumar’s heart and the soulful rendition confirms it .
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ram comes from a poor family, and works as a labourer for a living. one day he comes across an old woman in distress, and decides to assist her. this old woman is dying and asks ram to promise to look after her young and destitute daughter, radha, and ram does so. eventually, ram and radha get married and sire a baby boy. one day the child becomes seriously ill, and radha goes to ram' s place of employment to get him to assist the child. it is there she finds out that ram is living a parallel life as laxman, and is living with a woman named lalita .
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synopsis: ram comes from a poor family, and works as a labourer for a living. one day he comes across an old woman in distress, and decides to assist her. this old woman is dying and asks ram to promise to look after her young and destitute daughter, radha, and ram does so. eventually, ram and radha get married and sire a baby boy. one day the child becomes seriously ill, and radha goes to ram’s place of employment to get him to assist the child. it is there she finds out that ram is living a parallel life as laxman, and is living with a woman named lalita .
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radha (moushumi chatterjee) is a poor girl and lives with her ailing mother. once, when she is out to buy medicine for her mother a goon, tries to outrage her modesty and follows her till her house. laxman (rajesh khanna) is also a poor youth. incidentally, he comes across radha and saves her from the clutches of the goon. on the request of the dying old lady laxman promises to take care of her daughter .
sagar is a gang leader and forces young girls to blackmail rich men. while the gang leader was charging a young girl for not performing her duty well, his informer tells him about two arab merchants (rajesh khanna and ashrani) who will be present in a ball room party. sagar reaches the ball room with his man. he asks his man to sit with a revolver and keep eye on the two merchants to find out their real intentions. one of the arab merchants (rajesh khanna) dances with a lady (aruna irani) and shows her a photograph of three sisters. this lady is also in the photograph. the arab merchant whispers into her ear that he had promised her dying sister to find out the murderer and thus needs her help. she is about to divulge information about the murderer when the man, who is keeping eye on them, shot her dead .
laxman, in order to keep his promise to the old lady, takes care of radha. however, soon society starts questioning about their relationship. in a fit of rage, laxman marries radha in a temple. the newly - wedded woman knows nothing about her husband and thus asks him about his work and designation. he tells her that he works in ratan mahal in different positions according to the demand of the situation, except for the position of the boss .
in ratan mahal, all the servants greet their boss on his arrival. the six - year - old daughter of the boss called rani comes out of a room and expresses her anger to her dad for being absent for many days from ratan mahal. she also wants to know when he is bringing her mother lalita (tanuja) home. however, she is not aware that her mother is suffering from mental illness and thus is staying at an asylum. in the meantime, the search for the murderer is on by the two people, who this time, impersonate as jewellery merchants .
a few years later, new developments take place. radha gives birth to a baby boy and lalita recovers from her mental illness. however, the doctor warns her that any kind of shock would affect her health again. after returning home, lalita insists on visiting a temple on the occasion of shivratri puja with her husband and daughter. inside the temple premises, rani gets lost and coincidentally, radha takes her back to her mother lalita, who keeps waiting near the car on the road while rani' s dad keeps searching for her. for this act of kindness, lalita develops a friendship with radha and invites her to ratan mahal. both the ladies also talk about their respective husbands. things take a shocking turn when radha' s baby is ill and reaches ratan mahal to find her husband laxman playing the role of ram, the husband of lalita and the boss of the ratan mahal. she accuses him of cheating both the women. after recalling the doctor' s warning about not giving any shock to lalita, he denies playing a double role. he tells radha that he is ram and doesn' t know anything about her .
later, radha leaves a letter for her husband informing him about their son' s death and goes missing. on the other hand, ram needs to visit mumbai for accomplishing his secret mission of finding the murderer. lalita insists on going with him. he couldn' t deny the request and thus takes his wife and daughter to mumbai. they checked into a hotel where ram receives a call from chakram (ashrani), his helper in the secret mission. lalita hears their conversation and she again falls ill. ram calls for a doctor. he is shocked to see radha as the nurse, who is known as sita .
ram is about to succeed in his mission when sagar informs him that his wife and daughter are kidnapped. ram and his friends come to the kidnapper and fight. police come there and arrest the gang leader and his goons. now, the case is in the court where ram is standing in the witness box and narrates a story .
according to the story, ram and his wife lalita had taken their infant girl in a baby stroller for a walk. while they were talking the baby, the stroller moved accidentally on the road and a look - alike of ram saved the baby. then ram came to know that he was laxman and works as a labourer in ratan mahal, where ram was the boss. ram wanted to repay him for his kindness, but laxman refused to take anything as his seven generations served at the ratan mahal and earned their bread and butter. meanwhile, ram remembered that lalita was lying unconscious on the road. ram asks laxman to take care of the baby and sets out to take lalita to a doctor. on the way, a woman named mala stops his car and demands a heavy ransom. she calls him to a hotel to receive the money. in the hotel, she tells ram about sagar, who had actually forced her to blackmail him. she was asking him to leave the hotel as soon as possible when sagar arrived, shot her and absconded. before dying, she tells about her two sisters who were also in the clutches of this gang leader and were forced to blackmail rich people. to recognize them she gives him a photograph .
now, police were investigating ram on the charges of murdering mala. ram asks laxman to act as ram and to stay at the ratan mahal as the boss. he also gives laxman the photograph and asks him to search for the murderer. laxman promised that he would never let anyone know about the name exchange. after listening to ram, the judge frees him and gives the death sentence to the criminal sagar. at the end, ram and laxman decide to stay together like two brothers .
this page was last edited on 13 june 2018, at 17: 39 .
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superstar rajesh khanna is one of the handful of actors who got the opportunity to play ‘double role’ in more than ten films in his career. he also belongs to the select band of actors who started their career with a double role. his repertoire of ‘double roles’ has an interesting mix of characters where he got to play father and son or identical twins but for the most part he played look - alike characters who just crossed path by destiny .
today is rajesh khanna’s fifth death anniversary and this blog - post is a tribute to this charming, endearing and amazingly gifted actor who defined ‘superstardom’ in the most unique and unprecedented way. from 1967 to 1985, there are eleven films where rajesh khanna donned the ‘dual avatar’. here is a brief description of the story and his character in these films .
no doubt rajesh khanna is brilliant in both the roles of the father and the son, but there is no scene where they come together on screen as the father dies young and the son appears much later. so in both the roles, he gets to portray characters who are not only of the same age but also belonging to the same profession - air force pilot. the only small physical difference is that of a moustache sported by the son .
rajesh khanna is rocking in both the roles - that of the two look - alikes: bhola - an honest village simpleton who is a band musician and ranjit - the ruthless diamond smuggler. when bhola comes to town in search of work he enters a masquerade party where the police mistake him for ranjit. initially ranjit (in the black dress and mask) is shocked to see his look - alike but soon comes up with an ingenious plan whereby he convinces the innocent bhola to masquerade as ranjit for a while. he then continues with his robberies and this completely foxes the police who are all the time actually following bhola masquerading as ranjit .
rajesh khanna is at his romantic best in both the roles and his confrontation scenes with prem chopra are always a delight to watch. he also gets to lip - sync to some outstanding songs composed by r d burman especially the haunting song ‘mere naina saawan bhaadon…’ which connects the two births. the image of rajesh khanna in his denim jacket strumming the guitar and singing this song remains embedded in the minds of his fans…
this movie starts off as an interesting tale of a street - smart conman taking the place of a royal prince who had disappeared several years ago. the rani ma (queen mother) is anxious to hand over the entire fortune to her son on his return. this switch is engineered by the crook prem chopra who somehow gets rajesh khanna to do the job for him as soon as he comes to know that the missing prince looks exactly like the conman. but once he enters the place, rajesh khanna has a change of heart and with the help of neetu singh, a princess whom he falls in love with, they manage to locate the real prince. apparently years back he had been kidnapped and kept captive in the dungeons and treated badly because of which he grows up to be a mentally retarded man who has no clue to the happenings around him. aruna irani also loves rajesh khanna but he treats her always as a good friend .
this movie had quite a senseless storyline in which rajesh khanna plays an honest insurance agent and a dreaded dacoit. a chance encounter in a train ends up in the insurance agent saving the dacoit’s life and to reward him, the dacoit joins an insurance policy of some princely amount! though initially his company folks are thrilled with him, later they want him to go back and cancel the policy for which they need the dacoit’s signature. now khanna ventures out again but this time though the dacoit is kind to him, his associates hold him as a captive in their camp as he is now aware of too many details of their whereabouts. the story then meanders aimlessly and somewhere both the khannas get time to romance their heroines - moushmi for the agent and rekha for the dacoit .
a couple of songs became very popular. here is a solo number by kishore kumar which is not heard too often nowadays but was a hit at that time…
once out of jail, the old rajesh khanna works as a gardener in poonam dhillon’s house. but the young rajesh khanna has an instinctive dislike for the gardener knowing that he had been in jail. now the evil brother - in - law returns to blackmail hema malini and this time the old rajesh khanna actually kills him. the young rajesh khanna is now the prosecutor and hema becomes the defence lawyer .
the scenes between dharmendra and senior rajesh khanna are enjoyable and once again khanna shines in both roles. songs were very average and made no impact. here is a rain song picturized on the son rajesh khanna…
class work. top of the line research & crisp. you are a true wonder. great piece shars. keep it coming. thx for the magnificent history. best always .
one of the great actors & enigma. you have brought his great work to life. wonderful
super write - up abt a superstar rajesh khanna’s super double role very interesting to read and most of the films i have seen great work dear .
great post about a superb actor, who really had the ability to captivate and mesmerize the audience. didn’t know about some of these movies, but have seen the rest and completely agree with your assessment and analysis. mazaa aa gayaa sis! 👍👍👍👍
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it' s rajesh khanna' s birth anniversary today. on the occasion, we bring you the best films of the legendary actor, the first superstar of bollywood and the kaka of b - town .
on his 73rd birth anniversary, we list top 15 films of rajesh khanna. (youtube grab )
. interestingly, his daughter twinkle khanna, too, celebrates her birthday on december 29. from the passionate lover to the most - dependable friend, khanna essayed his roles in a manner that made him a darling of the masses and critics alike.
humshakal is a 1974 hindi movie directed by jambulingam . the film stars rajesh khanna , tanuja , moushumi chatterjee , asrani and aruna irani . music was by rahul dev burman and lyrics by anand bakshi . the film was a remake of 1970 kannada film baalu belagithu which was also remade in telugu as manchivadu ( 1973 ) and in tamil as oorukku uzhaippavan ( 1976 ) . the songs of the film were extremely popular with kishore-asha duet hum tum gum sum being on the top of charts for more than a year . the tune of rafi-lata duet kahe ko bulaya being even adapted as religious song in subsequent decades . kishore kumar considered the song " rastaa dekhe tera vyakul man mera ” – close to his heart . as per the review by hindu newspaper in 2016 , the box office collections of the film were average and film was hit at the box office . the review quoted " apart from the double role act by khanna and the decorative inclusion of the pretty moushumi and tanuja , it is rd burman who stands out with some delightful compositions . " 
humshakal is a 1974 hindi movie directed by jambulingam. the film stars rajesh khanna, tanuja, moushumi chatterjee, asrani and aruna irani. music was by rahul dev burman and lyrics by anand bakshi. the film was a remake of 1970 kannada film baalu belagithu which was also remade in telugu as manchivadu (1973) and in tamil as oorukku uzhaippavan (1976). the songs of the film were extremely popular with kishore-asha duet hum tum gum sum being on the top of charts for more than a year. the tune of rafi-lata duet kahe ko bulaya being even adapted as religious song in subsequent decades. kishore kumar considered the song " rastaa dekhe tera vyakul man mera ” – close to his heart. as per the review by hindu newspaper in 2016, the box office collections of the film were average and film was hit at the box office. the review quoted " apart from the double role act by khanna and the decorative inclusion of the pretty moushumi and tanuja, it is rd burman who stands out with some delightful compositions. "
humshakal is a 1974 hindi movie directed by jambulingam. the film stars rajesh khanna, tanuja, moushumi chatterjee, asrani and aruna irani. music was by rahul dev burman and lyrics by anand bakshi. the film was a remake of 1970 kannada film baalu belagithu which was also remade in telugu as manchivadu (1973) and in tamil as oorukku uzhaippavan (1976). the songs of the film were extremely popular with kishore-asha duet hum tum gum sum being on the top of charts for more than a year. the tune of rafi-lata duet kahe ko bulaya being even adapted as religious song in subsequent decades. kishore kumar considered the song " rastaa dekhe tera vyakul man mera ” – close to his heart. as per the review by hindu newspaper in 2016, the box office collections of the film were average and film was hit at the box office. the review quoted " apart from the double role act by khanna and the decorative inclusion of the pretty moushumi and tanuja, it is rd burman who stands out with some delightful compositions. "