kadhal sadugudu
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kadhal sadugudu movie rating is 40 / 100 based on reviews submitted by 4 users .
‎kadhal sadugudu (2003) directed by v. z. durai • film + cast • letterboxd
urltoken - kadhal sadugudu review. vikram, priyanka trivedi, vivek, nambiyar, prakash raj, nalini
not a complete action hero this time... vikram with priyanka in
kadhal sadugudu
.
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kadhal sadugudu video song from alaipayuthey tamil movie, featuring madhavan and shalini in lead roles. arvind swamy and khushboo in guest appearances .
kadhal sadugudu is a 2003 tamil family drama film written and directed by durai, starring vikram, priyanka trivedi and prakash raj in the leading roles .
kadhal sadugudu lyrics from alaipayuthey | music: a. r. rahman | singers: naveen | lyrics: vairamuthu | kaadhal sadugudugudu kannae thodu thodu (4 )
kadhal sadugudu is a love - comedy movie directed by the director durai of mugavari fame. it stars vikram and priyanka trivedi in the lead roles, with prakash ...
song: kadhal sadugudu .
alaipayuthey
is a tamil drama film directed by mani ratnam. the film' s score and soundtrack were composed by a. r. rahman. … | pinteres…
kadhal sadugudu (2003) - tamil movie watch online. starring - vikram, priyanka trivedi, prakash raj, vivek, mnnambiar director - durai genre - drama movie info - not ...
kadhal sadugudu hd eng subs - duration: 4: 34. ar rahman fan 49, 394 views. 4: 34. karthik semba cute love proposal and dancing - duration: 2: 44 .
thankfully, the trend of getting the rape survivor married to the rapist has faded in tamil movies. vivek’s memorable comedy scene from kadhal sadugudu in which he effectively decries this ridiculous practice, is a turning point as far as the treatment of rape in tamil cinema goes .
it is not action packed like
gemini
,
dhool
or
dhil
. neither is it a haunting family drama like
sethu
or
kasi
. all the same
kadhal sadugudu
has vikram and as always he does justice to the part he plays .
kadhal sadugudu tamil movie hd, putham pudhiyadha song on star music india featuring vikram, priyanka trivedi and prakash raj. music by deva, directed by durai and produced by s. s. chakravarthy. kadhal sadugudu tamil movie also stars vivek, m. n. nambiar, delhi ganesh, rekha, nalini and ilavarasu among others. song: putham pudhiyadha music: deva click here to watch: e tamil movie songs hd urltoken aalwar tamil movie songs hd urltoken aran tamil movie songs hd urltoken anandham tamil movie songs hd urltoken for more star music india songs, video songs and lyrical songs: subscribe - urltoken like - urltoken follow - urltoken
kadhal sadugudu is a 2003 tamil comedy, drama film, directed by durai and produced by s. s. chakravarthy. this film stars vikram, priyanka trivedi, prakash raj, m. n. nambiar, delhi ganesh in the lead role. the films soundtrack and background score were composed by deva with lyrics by vairamuthu .
the milieu and the sentiments involved remind one of another vikram starrer
king
. but nic arts'
kadhal sadugudu
talks about love in a more profound manner. in the making for a long time, this flick written and directed by durai, has vikram looking more like he did in the days of
sethu
.
i am playing a mild role that would be endearing to all the members of a family in' kadhal sadugudu'. i am donning the character of a police officer in' dil'. in another film, i would be a blind man. in' autograph' i would be depicting the four stages of life. almost all my films have different dimensions. in another film, i am playing a negative character. there is a thriller. another film is filled with love, through and through .
kadhal sadugudu is a love - comedy movie directed by the director durai of mugavari fame. it stars vikram and priyanka trivedi in the lead roles, with prakash raj in the supporting role of priyanka' s father. it flopped miserably at the box - office. the film starts off with prakash raj, and how he' s an important man in the village. when the temple festival starts, kausalya (priyanka) goes to her grandpa' s house to celebrate. there she meets suresh (vikram) and they fall in love .
nice - ish. that’s the word i have right now for o kadhal kanmani, a. r. rahman’s latest album for mani ratnam. it didn’t make me wince the way the soundtracks for lingaa and kochadaiiyaan did. it didn’t activate every single one of my pleasure centres the way the soundtrack for i did. it’s somewhere in the middle .
anything special about' dil' ?
i have reduced my body weight for acting in' dil'. i have also trimmed my hair and grown lean. you would be shocked to see me. i adhered to strict diet control, managing with fruits and juice. immediately after this, i had to put on more weight to act in' kadhal sadugudu'. i had to eat a lot and ended up with diarrhea. i have to give justie to the role of a police officer in this film. until i finish with that film, i will continue to turn down further offers, however big the directors may be, because i am not sure of being different in between the two films. at first i thought of increasing my weight for' dil'. but when i learnt that kamal sir had inflated his physique very much for' aalavandhan', i have changed my opinion. definitely, i can' t compete with him. so, i had to reduce my weight. isn' t this different too ?
and yet, many songs seem to exist on the basis of the music alone. the words are almost incidental — or maybe you could say the words are sounds just like the other sounds, from the instruments. in ‘aye sinamika’, almost an entire minute is filled with variations on just three words: nee ennai neengaathe. so i did something. i counted the number of words (approximately) in ‘parandhu sella vaa’, and for a five - minute song, the number of non - repeating words was just some sixty - odd. compare this with ‘kaadhal sadugudu’, another song with a lot of repeating lines, but almost twice the number of non - repeating words. i don’t know where i’m heading with this exactly, but i have the feeling that most of these songs aren’t going to be all that important inside the movie, with hero and heroine actually mouthing these words. maybe these are just going to be background tracks .
as for that comparison to the alaipayuthey song, it’s no accident. the trailer practically screams alaipayuthey: the sequel. and strangely — or maybe not so strangely — the songs here come off like near - equivalents to the songs there. it’s fun to compare. ‘naane varugiren’ versus ‘snehidhane’, right down to the male chorus in the middle. ‘theera ulaa’, which sounds like something sting has sung at his highest pitch to the accompaniment of a new age - y band, versus ‘evano oruvan’. ‘mental mandhil’ versus ‘endrendrum punnagai’. ‘kaara aattakkara’, which after a point sounds like a wasp has taken residence in your ear, versus ‘kaadhal sadugudu’. ‘malargal kaettaen’ versus ‘alaipayuthey kanna’. my hand is trembling slightly imagining those who feel i’m saying this is just a rehash. but i’m trying to make a bigger point. that, if after an interesting if unpopular experimental phase, if mani ratnam and rahman land a hit by drawing on our memories, that would be a nice - ish thing, no ?
for the longest time, it was perfectly acceptable for a hero in a tamil film to embark on a mission to unite his sister with her rapist. thereby saving her honour and consequently, her life .
. the ‘sister’ here, doesn’t always mean a sibling related by blood. ‘sister’ in tamil cinema is any woman who is not sufficiently glamorous to be the heroine or' slutty' enough to be the second heroine. the sister role goes to modest girls who are present in the first half of the film to provide a genial atmosphere and play pranks on the anna who is usually worried about their marriage expenses .
typically, something terrible happens to the sister right before the interval and by the time you are done with your popcorn, sister has married her rapist and exited the script for all practical purposes. we might catch a glimpse of sister bringing tea for anna when he comes home to visit her, but that’s all .
however, though rapists are ultimately punished for their crimes in the new movies that come out and the ‘sisters’ are not asked to marry them, a far worse situation is thrust upon the ‘sisters’. they are required to kill themselves. for instance, both eesan (2010) and yuddham sei (2011) are thrillers in which the rapists are hunted down and punished in unimaginably violent ways. but in both the films the girls who lose their ‘honour’ are either killed by a family member (eesan) or kill themselves (yuddham sei) .
we see this trend in almost every movie which involves a rape – in raavanan (2010), priya mani, who is supposed to be shurpanaka, kills herself after being gangraped. shurpanaka, in the ramayana, starts a war after her humiliation. in kollywood, she falls into a well to preserve her ‘honour’. not satisfied with drilling down this twisted morality on human beings alone, we had chitti, the robot, in endhiran realizing what honour is after a girl he saves in a fire kills herself because everyone saw her naked .
rapists, in real life, believe their crimes will go unpunished because they are so sure that the victim will not reveal the crime to anyone – how can a woman talk about her loss of ‘honour’ and survive in society? films like these which pretend to speak against violence against women unwittingly bolster the social perception that a woman who has been raped does not deserve to live; that she must forfeit her life once her ‘honour’ is lost .
in the rape cases that have made headlines in our country in recent times, the victims / survivors have expressed their desire to fight back. live. are our directors listening? is it possible for us to imagine a thangachi who lives despite the shame? the shame that is ours as a society and not hers ?
sowmya rajendran is a children' s writer who occasionally offers her words of wisdom to adults. she lives in pune .
' 'i work with situations from real life. once i feel strongly about something, i have to put it in a movie .
he made one of the most promising debuts in tamil cinema with mugavari two years ago. and then fell silent. now he' s back with a new film which he assures will be just as good .
durai speaks to pradeep sebastian on his passion for movies, what went into the making of '` mugavari'' and the experience of working with ajit, jyothika, priyanka trivedi and vikram. excerpts from the interview :
after making a terrific debut with '` mugavari
 one of the most promising tamil films in years - you are back with a new film after nearly two years. tell us about it .
it' s called
adhisayam
and it stars vikram and priyanka trivedi. i can' t tell you too much without giving away the plot. what i' ll say for the moment is that it is a startling fresh love story revolving round three characters. with prakash raj playing the heroine' s father .
` 'mugavari
was interesting because it imaginatively skirted the genre while still working from within it. can we expect the same from '` adhisayam
or is it going to be more formulaic ?
i' m hoping to strike some kind of balance... the film is set in a town - village near the kerala - tamil nadu border. the story begins and ends there. chennai doesn' t come into the picture at all !
there are terrific performances from all three. i was hell bent on working with vikram. he' s been terrific right through the shooting - both on the sets and off the sets. very involved, very dedicated, very co - operative. i' d very much like to work with him again .
tell us about your discovery - priyanka trivedi. she was the only good thing about
raja
.
priyanka trivedi was actually discovered by my producer, s. s. chakravarthy. but before we could get this film completed, she had already starred in two movies. she' s originally from calcutta. she' s going to be a big star after
adhisayam .
oh, i' ve never been to film school. i' m mad about movies. during my school days i would see one movie a day and the habit has continued .
honestly, i never had to. if i see a movie once, it' s all there in my head. i recall it scene by scene, dialogue by dialogue years later .
ajit' s middle class family is unusual in that it is so supportive and understanding of his un - middle class crazy ambition to be a film music composer. how did you conceive / think of such a family ?
they were based on my family, which actually indulged me. and the inspiration for raghuvaran' s character is my brother - in - law, shahul hameed. i owe him a lot. my father wanted me to be a professor. i graduated in statistics, did my master' s in sociology and completed a post - graduate diploma course in computer applications. then my brother - in - law made this deal with my father. '` we' ll give durai a year to break into movies. if by the end of the year it hasn' t happened, he has to quit .
my father agreed. and i' ve been really lucky - just before the year ran out i got the break i was looking for .
` 'adhisayam'', the latest from durai' s stable stars vikram and priyanka trivedi .
here i have to acknowledge my gratitude and debt to my very supportive producer, mr. chakravarthy. i had been carrying the story of '` mugavari
with me for a long time. and it was my dream to have ajit play the hero. i told him the story and he liked it enough to say he would do it. after that i went to four producers with it and they all turned it down. it clicked with the fifth producer - chakravarthy - who was willing to take a chance with me. and from that movie to the new one he has been extremely supportive and has been there with me on every aspect of the shoot - right down to post - production. '` adhisayam ,
like '` mugavari
is a nic arts release .
how did you come up with such an unusual story? a gifted, obsessed music composer who is forced to give up his dreams ...
partly my life - except i got to make my movie. but also because over the years i' ve met so many young people whose dream it has been to do something different with their lives but have compromised or failed or given up or have been just plain unlucky. i felt that their story had to be told. that' s how i work - with situations from real life. once i feel strongly about something, i have to put it in a movie. the best compliment paid to '` mugavari
was people talking about sridhar as though he were a real person. when they spoke of his character they didn' t say ajit but sridhar .
` 'mugavari
was one of jyotika' s early films and probably her best performance i think. how did she come to star in it ?
once again, it was my producer who suggested i cast her. she had starred in
vaali ,
which he produced and he felt she would be the ideal actress to play the character i had in mind for
mugavari .
it was wonderful working with him. ajit is such a versatile actor. he was so pleased with the movie and his sridhar character that he presented me with a car even before the movie was released !
the romance between ajit and jyotika had a casual, natural, almost everyday feel to it. in particular all of us are curious about how you came up with the very interesting 'push, pull, turn' idea. also, that telepathic telephone exchange between the two when they say '` i love you
without actually saying it aloud .
the push, pull... idea is actually something i borrowed from my niece, irfana, who showed it to me one day .
you seem to have understood love and how strangely it can work sometime. i' m referring to jyotika breaking off with ajit so that she would not be in his way of realising his dream. she says the nature of love is to sacrifice and if that means love will have to sacrifice itself, then it will do that, too. it is a marvellous moment: jyotika gives up ajit so that nothing can stand in his way of fulfilling his dream. ajit gives up jyotika because she will never be happy if he gives up his dream for her. tell us how you arrived at that scene and how you worked it out .
that' s just how the story evolved in my imagination. i couldn' t see their romance happening any other way. that' s how my mind works. i see it happen in life, and i have to put it into a film .
the ending is a stunner. first, the heroine disappears from the film and then we realise ajit is not going to make it - at least not for now. however did you come up with an ending like this? surely you must have known how risky it was ?
i was tired of how things end in our movies. and any other ending would have been a compromise. i risked it because i thought the audience were ready for it .
i pass by the luz bookstall regularly. and i read a lot of books. when the story was being discussed, i had this flash that i could put it in the film .
one last question: your name - you are a muslim but durai... ?
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cast: vikram, priyanka trivedi, vivek, nambiyar, prakash raj, nalini language: tamil director: durai producer: s. s. chakravarthy music: deva year: 2003
with a great disappointment on the movie let' s just get into the story and wait for the vikram' s next movie' saamy'. vikram is an orphan and gets along with his best friend' s family by staying with them in a village. there he comes across priyanka thrivedi and falls for her at the very first sight. but things doesn' t go well with priyanka' s father prakash raj and vikram as they misunderstand each other at many times and end up in hatred. when prakash raj comes to know that priyanka has a special attraction towards vikram, he also refuses like any other heroine' s father. finally things get a change when vikram makes up his mind to sacrifice his love and thus the entire drama comes to an end leaving no impact .
but it is a softer, kinder, role  a contrast to his action ventures like
dhool
. he is a perfect foil for the impulsive, short tempered and proud chidambaram (prakashraj). what prakashraj tries to achieve with his fiery eyes and full - throated dialogue, vikram achieves with his quiet demeanour. vikram' s eyes in particular, convey emotions with ease. but at times you wish he were a little more brisk and dynamic .
suresh (vikram) and kausalya (priyanka) fall in love. but unwittingly suresh keeps rubbing her father (prakashraj) on the wrong side. so naturally he objects to the match. but after a point his senseless, irrational anger drives you to exasperation. the climax at the railway station is clich�d, predictable, boring and so typical of our films. the hero' s monologue only accentuates the dullness. there are many members in the huge joint family suresh stays with, but not one, including nambiar, makes an impression .
super subbu (vivek), his grandma (paravai muniyamma) and the father with his kangaroo court form a comedy track that has nothing to do with the main story .
maegathil ondrai ...
, sung by hariharan and sujatha has melodic touches. deva is the composer. the re - recording hurts the ear .
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really some pictures bring about transformations in a great magnitude. they change the very course of the lives of the central actors in those films. they are so powerful .
it has given a new lease of life to vikram at a time when he was about to leave for america, lock, stock and barrel, losing all hopes of making it big in the film world here. today he is acting as a hero in fifteen films .
this sensational and tremendous turning point in the life of the actor indicates that he has lucky moles all over his body. no doubt, vikram has come a long way in giant' s strides .
he talks on and on about the film,' dil'. he is growing to be a stiff competitor to kamal hassan. he has planned to wear different kinds of make - up in all his successive films. we are in to witness many vikrams in the times ahead .
we had a rendezvous with him on an enchanting evening, stealing time when he was engaged in dubbing his voice for' dil' .
i cannot forget' sethu' ever. it was a great hit. it brought out my capabilities to the limelight. they say that my potential had been wasted in vinnukkum manukkum. the problem is vinnukkum mannukkum was preceded by sethu. obviously the public expect more and more from me since the phenomenal success of sethu
.
sethu has a special merit. it has commercial values as well as an artistic touch, all at once. no doubt, it is a rarity among films. i would like to say that the many films in which i am acting now would certainly measure up to sethu both in their commercial and artistic aspects .
vinnukkum mannukkum didn' t offer you a big scope to prove your mettle. why did you accept to partake in that film ?
some people narrate a story in a particular way and picturize the same in a different manner. it so happens once in a while. one out of ten films are like that. in' dil' all of us work with team spirit as members of a team. but vinnukkum mannukkum was different... it was the brainchild of a single person .
vinnukkum mannukkum was an apt film for the fans of b and c areas. it was a matter of abiding interest that a village youth had fallen in love with a film actress. of course, we discussed a lot before starting the film. but what happened actually turned out to be different from what i expected
.
i didn' t worry much on that account. i have already bagged about ten special awards. i was aware that i may not get the national award, but when i learnt that i missed the bus just by the narrowest of margins i became a little happy. the fact that only one vote separated me from the national award contributes to the growth of my self - confidence. that day is not far off from my winning the national award .
nobody would refuse the inflow of money. i, too, am after fortune. but i require fame too and that too, through acting in films. therefore i remain choosy in selecting the roles to be played by me. i am playing a heroic role in' samrai'. mine is a jester' s role in' vikatan'. despite my comic gimmicks in that film, grief would linger in my mind. as a college student, i would be donning a mischievous character in the movie,' university'. one scene from that film stands out. when i alight from a bus, the checking inspector would demand me my ticket. i would take to my heels. the official would come running after me. when he catches hold of me, i would promptly hand over the ticket. he would enquire :
why do you run so fast when you have the ticket ?
. i would retard back calmly :
why do you run after me when i have a ticket for rupees two? after all, you are known to run after those who never take any ticket .
i was always after acting in characters which are unique in their own way. previously there was no choice for me, practically no chance at all! as i had acted in the films directed by big ones, i couldn' t ask for the stories except for
houseful
and
sedhu
. i just relied upon the confidence on the directors, delivering the goods required of me. as i was resolved to act in films with a different hue, i could act only in just eight films during the course of the last ten years. now i am in a comfortable position and i can also be choosy about the films i act. i am ardent lover of good acting. i had been a stage actor too. these days, i don' t give much importance to the fame of the production nor to the reputation of the director. my primary consideration is whether the character would suit me or not. i give my nod if only something in me compels me to accept a role as a must. otherwise, i won' t be carried away, however big the director may be. the role should provide ample scope for me to exhibit my histrionic talents .
the capacity to act well is in my power. why i should i waste my gifted talents over trivial things ?
as an artist, i am interested in many spheres. i was asked to sing the song ,
unakkena unakkena
in
vinnukkum mannukkum
itself. lack of time prevented me from doing so. i was invited to sing in manoj' s album, pathinaru vayadhinile also. but i didn' t oblige as there was manoj already in the project .
i never experienced any difficulties in singing for the album ,
kadhalism
. even kamal' s voice is not that great. but it would convey the emotions as they should be. for a new picture, i have sung alongside shankar mahadevan who is one of the best singers in india. despite the fact that i am not qualified to sing a chorus song even, my voice has mingled well with his voice as it is able to convey the required emotion .
i will never opt myself for the profession of singing. but i will never refuse to sing in the event of suitable chances. i will definitely accept songs modeled on the lines of' strawberry kanne' of minsara kanavu. the song should be something like a piece of conversation. the song' strawberry kanne' might have come out better had prabhu deva sung it in full instead of merely uttering the dialogue' nose than konjam oversizaa irukku' in the middle of the song. the voice of the song might not have changed if the actor himself had rendered both the lyrical lines and the dialogue. so, i will be singing when i land upon such chances .
it is something that must be applauded that an actor appears in nine different make - ups in a single film. that ajith dons nine characters in a film is a difficult task to perform when compared to the trouble taken by me in these two months to justify my single role. i hope' citizen' would be an instant success. if the film turns out to be a blockbuster, another actor of a different kind would be arriving on the scene of tamil cinema. so far, we have not seen any such actor after kamal. the success of' citizen' would encourage many more actors and induce them to do such great feats like ajith .
from the very beginning, myself and my fans contemplated about making our actual presence at the scene of the calamity rather than sending certain goods of value to be of help to the quake victims. but i never expected that my fans will actually rush to gujarat. they were brave enough to start on their committed mission. when they landed in the railway station there, they themselves experienced the impact of an earthquake. but my fans were an undeterred lot. they rushed to the devastated areas and offered their utmost help to the god - forsaken people there. the general public as the red cross society voluntary, who operated in the disastrous area have praised my fans for having journeyed a long distance all along from tamil nadu to participate in the rescue work. my fans have worked hand in hand with the red cross people. i don' t claim credit to my fans for this. i am proud of them that they have done their bit on behalf of tamil nadu .
( smilingly )
of course i know. rajakumaran has filmed my birthday scene based on his own birthday celebration. all of us were aware then that rajakumaran was in love with devayani. when we learnt about the news of their wedding subsequently we were all elated .
you have attained success after persisting for a long time with patience. what will become to your film life hereafter? where are you heading for? when sedhu became a hit i thought that my dream has been realized. i am so much in love with cinema. but merely loving cinema and not getting any chance to prove your mettle will serve no purpose. but cinema too is fond of me. it gives me ample chances. i will certainly prove worthy of the confidence the cinema people have reposed on me. i shall act in good characters and give good films to the movie - lovers. i will make the public know there is a very good actor in vikram .
karthik (madhavan) is an engineering graduate who happens to lay eyes on shakti (shalini), a medical student, at a wedding. the two meet regularly after their that on suburban trains, to and from work and university. karthik and shakti eventually fall in love. karthik' s father varadarajan, a lawyer, learns of the relationship and meets with shakti' s dad selvaraj. he asks selvaraj, a railways employee, for his consent to a marriage between the two young lovers. however, upon meeting, the two parents disagree and the wedding is called off. shakti decides not get married without her parents' consent, and the relationship is called off altogether. how karthik and shakti sails through the story to be watched .
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urltoken
synopsis / plot: suresh, an orphan, meets kausalya who has come to the village to visit her grandparents, and falls in love with her. but kausalya' s father disapproves of their relationship .
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karthik and yamini can' t stand each other, but there lies the twist when opposites attract .
a neighborhood good - for - nothing attempts to romance the new girl in town .
a high school kid joins a gang and becomes a drug dealer, then a politician .
he makes several bids to obtain employment but all goes in vain due to his poor language skills and inadequate educational qualifications. all his friends settle in life, but he continues... see full summary »
chandramouli, a famous archaeologist, goes missing while on a research expedition. anitha, a government officer, and lavanya, chandramouli' s daughter, embark on an adventurous journey to find him .
in a village in south india, rearing roosters, maintaining them and using them for fights are a way of life and a matter of honor and lifeline to many people .
a village tough finally succumbs to the unconditional love of his angelic cousin, but his romance faces insurmountable challenges, including family opposition and his own delinquent personality .
ram and janani' s three stages of love - their attraction for each other during their school days, their love at college days, and the relationship when they mature, are explored in this romantic tale .
a contract worker in sudan is abducted by mercenaries and his lover in india awaits his return .
vinod (dhanush) is a brilliant child at an orphanage run by a catholic priest (nagesh). when admitted to a top university, vinod leaves the comfort of the orphanage and lives along in a city for the first time. in college, he is ridiculed for his appearance and manners by all except divya (sonia agarwal), who he eventually falls in love with. unfortunately, there is competition. and unfortunately for the competition, vinod is not exactly conventional in dealing with crises .
check out the indian movies with the highest ratings from imdb users, as well as the movies that are trending in real time .
enjoy a night in with these popular movies available to stream now with prime video .
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vikram is the real mr. perfectionist of south indian film industry. he is one of the most versatile actors of india who has achieved great fame with his brilliant acting skills. vikram gained recognition as an actor with his blockbuster movie sethu (1999) which was remade in hindi as ‘tere naam’ starring salman khan. his passion for films is unending and that completely reflects through his excellent acting in the movies. here is the list of hindi dubbed movies of vikram .
kanthaswamy (2009) is a tamil language neo - noir vigilante thriller film written and directed by susi ganesan starring vikram in the title role. shriya saran, prabhu ganesan, krishna, ashish vidyarthi, mukesh tiwari, mansoor ali khan, vadivelu, and y. g. mahendran as the supporting cast. the film was a hit and dubbed into hindi as ‘shiva – the superhero’ .
plot: the financial woes of anyone who leaves a message at a temple are taken care of by a masked crusader, kandasamy. meanwhile, a cbi officer is in hot pursuit of those who stash away their black money .
iru mugan (2016) is an indian tamil - language science fiction action film written and directed by anand shankar. the film stars vikram in dual roles, nayantara and nithya menen in the lead roles, while nassar, thambi ramaiah, karunkaran and riythvika appear in supporting roles. it was a super hit film and dubbed into hindi as ‘international rowdy’ .
plot: following the attack on the indian embassy in malaysia, akhilan, an ex - agent, is assigned to track down the culprit. his investigations lead him to his old foe who has now developed a hazardous drug .
thaandavam (2012) is an indian tamil spy thriller film written and directed by a. l. vijay, starring vikram, jagapati babu, anushka shetty, amy jackson and lakshmi rai. the film was average and dubbed in hindi under the title ‘desh prem the real hero’ .
plot: kenny, a blind man who works for the choir in a london church, is loved by all because of his humble nature. however, his friend, sara, is in for a shock when she learns that he is a spree killer .
i (2015) is an indian tamil - language romantic thriller film written and directed by shankar. the film features vikram and amy jackson in lead roles while suresh gopi, upen patel, santhanam and ramkumar ganesan portray pivotal roles. the movie was a super hit at the box - office and dubbed into hindi with the same title ‘i’ .
plot: a successful model’s professional and personal life takes an ugly turn when he develops a hunchback due to an injection. he then plots revenge against the people who ruined his life .
plot: chitambaram doesn’t want his daughter kausalya to marry suresh. suresh then decides not to marry kausalya without her father’s permission. finally, chitambaram relents and the lovers reunite .
10 endrathukulla (2015) is an indian tamil action film written and directed by vijay milton. the film features vikram and samantha ruth prabhu in the lead roles. it was an average film and dubbed in hindi as ‘dus ka dum’ .
plot: james, a driving instructor, is assigned the task of accompanying shakila, a pretty woman, on a journey from chennai to mussoorie. but he is shocked when he finds out that her life is in danger .
( 2002) is a tamil drama film directed by prabhu solomon. the film featured vikram in the title role, while
plot: raja and his dad, who live in hong kong, are devastated when an accident leaves raja’s father on the verge of death. he decides to reunite his father with his grandfather in order to make them happy .
bheemaa (2008) is an indian tamil action film, written and directed by n. linguswamy. it stars vikram, trisha krishnan, prakash raj and raghuvaran. the film performed average at the box - office and dubbed in hindi as ‘rocky bheema’ .
plot: shekar is an ardent admirer of chinna who runs an underworld gang. once paired up, the two of them single - handedly take on the streets of chennai. but shekar falls in love and wants to be reformed .
majaa (2005) is a tamil drama film directed by shafi, starring vikram, asin, vadivelu, pasupathy, anu prabhakar, vijayakumar, manivannan, sindhu tolani, murali and biju menon. the movie was average and dubbed into hindi as ‘dada no. 1’ .
plot: crooks turned honest men, a man and his sons, adhi and mathi, come to a village and help a farmer pay off his debts to a landlord. mathi forcibly marries the landlord’s daughter to teach him a lesson .
saamy (2003) is an indian tamil action film written and directed by hari. the film stars vikram, trisha and kota srinivasa rao in the lead. the film was highly successful at the box office and was dubbed in hindi as ‘policewala gunda 3’ .
plot: aarusaamy is a cop who believes in maintaining peace at all costs, even if it takes accepting bribes from the biggest goon, perumal. but, circumstances force him to cross the line drawn by perumal .
arul (2004) is an indian tamil action family drama film written and directed by hari starring vikram, jyothika, pasupathy, vadivelu, sarath babu, vinu chakravarthy and vaiyapuri. the film received mixed reviews from the audience and was dubbed in hindi as ‘main balwaan’ .
plot: arul, the youngest of four brothers, faces the wrath of his father as he takes the blame for a mistake committed by one of his brothers. their relationship worsens when arul is forced into politics .
rajapattai (2011) is a tamil action masala film co - written and directed by suseenthiran, featuring vikram and deeksha seth in the lead roles. it was a flop movie and dubbed into hindi as ‘main hoon no. 1 dada’ .
plot: murugan wants to become a villain in the movies. he saves dakshina, an old man, from his son, who is in cahoots with ranganayaki, a lady politician. the woman and her goons run a land - grabbing mafia .
anniyan (2005) is an indian tamil - language psychological thriller film written and directed by s. shankar. it stars vikram, sadha in the lead along with vivek, prakash raj, nedumudi venu and nassar as supporting cast. the film was a commercial success and dubbed in hindi as ‘aparichit’ .
plot: ramanujam, who suffers from multiple personality disorder, works as a lawyer by day and a vigilante at night. he uses tips from the ‘garuda purana’ as his tools to expose various antisocial elements .
dhill (2001) is a tamil action film directed by dharani. the film stars vikram and laila in the lead roles, while ashish vidyarthi, nassar, and vivek play supporting roles. the film achieved commercial success and was dubbed in hindi as ‘meri aan: men at work’ .
plot: kanagavel, an aspiring police officer, beats up a man for misbehaving with his girlfriend. that man turns out to be a corrupt police officer who later starts harassing kanagavel and his family .
samurai (2002) is a tamil language action film directed by balaji sakthivel. the film featured vikram in the title role, while anita hassanandani, jaya seal, and nassar played supporting roles. the film received an average response at the box office and was dubbed in hindi as ‘samurai - ek yodha’ .
plot: thiagu, a teacher, dons the garb of a samurai warrior and brings corrupt politicians and bureaucrats to justice .
list of hindi dubbed movies of n. t. rama rao jr. (jr. ntr) (22 )
the times of india, tnn, updated: may 10, 2016, 03. 16 pm ist
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kadhal sadugudu is a 2003 tamil family drama film written and directed by durai , starring vikram , priyanka trivedi and prakash raj in the leading roles . the film released in april 2003 to poor reviews and became a box office flop . a telugu dubbed version titled sivudu released in 2004 , which too failed to become a success . later on , the film was also dubbed and released in hindi under the title aparichit 2 on 20 may 2014 , and met with the similar response . 
kadhal sadugudu is a 2003 tamil family drama film written and directed by durai, starring vikram, priyanka trivedi and prakash raj in the leading roles. the film released in april 2003 to poor reviews and became a box office flop. a telugu dubbed version titled sivudu released in 2004, which too failed to become a success. later on, the film was also dubbed and released in hindi under the title aparichit 2 on 20 may 2014, and met with the similar response.
kadhal sadugudu is a 2003 tamil family drama film written and directed by durai, starring vikram, priyanka trivedi and prakash raj in the leading roles. the film released in april 2003 to poor reviews and became a box office flop. a telugu dubbed version titled sivudu released in 2004, which too failed to become a success. later on, the film was also dubbed and released in hindi under the title aparichit 2 on 20 may 2014, and met with the similar response.