dis - moi qui tuer
happy new year! bonne année! i just discover your website and the comments on my book “dis - moi qui tu aimes” alias “maths à mort”, and i am happy to state that most people enjoyed it .
rarely convincing as a wicked woman, morgan was nevertheless cast as a defrauding vamp in retour de manivelle, a murderess in les yeux cernés, and in le puits aux trois vérités as a negligent, jealous mother. lighter roles saw her as a witty partner to bourvil in fortunat, a would - be murderess in méfiez - vous mesdames, an adventuress in dis - moi qui tuer, and a murder suspect in le chat et la souris .
i know it’s pathetic but the ‘que’ should be a ‘qui’. anyway, i’d love to read the book in whatever language (it’s out of print), now that i’ve read dixmier’s testimonial :
by continuing to use this website, you agree to the use of cookies in order to offer you content and services that are tailored to your interests .
a group of young people, three lads, have set their hearts, as a place to play and as a meeting place, on a disused hotel, the belvedere, which belongs to the father of one of them. they stumble across evidence of a sunken nazi treasure in this watered - down adventure .
some parts of this page won' t work property. please reload or try later .
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
the tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and tv programming quality for millions of moviegoers. it represents the percentage of professional critic reviews that are positive for a given film or television show .
movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
sorry, we just need to make sure you' re not a robot. for best results, please make sure your browser is accepting cookies .
a colleague has very helpfully provided me with a copy of the murder mystery set at the ihes that i wrote about recently here, and i’ve just finished reading it. since i’m not much of an afficionado of this genre of fiction, i can’t really evaluate how good a murder mystery it is. but as a memoir of the ihes during the 1980s, it is excellent. a claim at the beginning of the book that “any resemblance to real persons is just coincidence” seems to be one of the few things in it (besides the murder) that is fiction. as far as i can tell, the descriptions of all characters correspond precisely to someone at the ihes during that period, with only the names changed. i’m guessing that all or most of the anecdotes about these characters also correspond to reality .
i don’t think i’ll be giving away too much of the plot to mention that, since the novel was written nearly twenty years ago, back when string theory was a hot topic, one of the plot twists involves string theory. there’s a discovery that “superstring theory is renormalizable and predicts that gluonic interactions are colorless” .
« une partie du charme de ce livre provient de l’environnement psychologique inhabituel. bien sûr, les passions classiques se déchaînent; mais aussi des passions moins classiques. margot bruyère, à l’évidence, connaît bien le milieu qu’elle décrit. » jacques dixmier
thx peter. i did find the website and read the first chapter. the fnac - website sucks and urltoken says its unavailable. i’ll try to get hold of it somehow. atb: : lieven .
i regret that my english is too poor to translate it. but if somebody thinks it’s worth to do it and have it print, i would be very gratefuf… but i do’nt know a translator (mary turner seems to have given up) neither a publisher .
i know nothing about the market for murder mystery books, but perhaps a press that publishes mathematics books would be interested. maybe princeton university press, perhaps jacques chevalier could help…
thank you, peter, for reading the book. i am happy that you appreciate it. maybe i will try to have the book translated! but i am working now more on history than mathematicians .
i enjoyed very much the time i worked at ihes, but i enjoy also very much the life i have now in brittany .
various links 10 anon, paddy, urs schreiber, chethan krishnan, peter woit, james wells [... ]
strings 2018 panel discussion 16 mark m, peter woit, sebastian thaler, peter woit, tulpoeid, mark [... ]
this week' s hype 17 ned, robert karl stonjek, peter woit, peter woit, urs schreiber, anonyrat [... ]
lost in math 60 geoffrey dixon, lars, drdave, peter woit, ot, f. g. [... ]
knockin' on heaven' s door 17 goletabeach, amitabh lath, peter woit, low math, meekly interacting, amitabh lath, peter woit [... ]
know what this is about? be the first one to add a plot .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
spy thriller of the search for nazi false currency in the mediterranean and murders committed to cover up the tracks, which are uncovered by a group of young people .
you are being redirected to sinemia social. are you sure you want to leave sinemia premium ?
evi, an amazon company, was founded in 2005 under the name true knowledge. the team started out with a mission to make it possible to access the world' s knowledge simply by asking for information using natural language .
we’re part of the amazon alexa team based in amazon' s innovative cambridge development centre, alongside other amazon teams including prime air, core machine learning, amazon devices and amazon web services .
on the côte d’azur, in a quiet seaside town, a german tourist and an adventurist disagree about what to do with a treasure engulfed in the local bay .
this film is not currently playing on mubi but 30 other great films are. see what’s now showing
nationality: french. born: neuilly - sur - seine, 29 february 1920. education: studied acting under rené simon. family: married 1) william marshall, 1942 (divorced 1949), one son; 2) henri vidal, 1950 (died 1959). career: 1936—film debut in bit part in mademoiselle mozart; also worked on stage; 1937—contract with the director marc allégret; 1942–46—made several films in the united states under contract to rko; 1966—exhibition of her paintings at galerie dina vierny; 1978–80—on stage in le tout pour le tout, and in chéri, 1982–83. awards: best actress, cannes festival, for la symphonie pastorale, 1946. chevalier, legion of honor, 1969. address: 5 rue jacques dulud, 92200 neuilly - sur - seine, france .
l' entraîneuse (valentin) (as suzy); les musiciens du ciel (lacombe) (as lte. saulnier )
maria chapdelaine (the naked heart) (marc allégret—released in u. s. in 1955) (title role); la belle que voilà (le chanois) (as jeanne morel); le château de verre (clément) (as evelyne bertal )
l' orgueil
(
pride
) ep. of les sept péchés capitaux (the seven deadly sins) (autant - lara) (as anne - marie de pallières); la minute de vérité (the moment of truth) (delannoy) (as madeleine richard )
un coeur gros comme ça (reichenbach) (as herself); rencontres (agostini) (as bella krasner) ;
the hugues case
ep. of le crime ne paie pas (crime does not pay; the gentle art of murder) (oury) (as jeanne hugues 2 )
le chat et la souris (cat and mouse) (lelouch) (as mme. richard )
avec ces yeux, with marcelle routier, paris, 1977, as with those eyes, london, 1978 .
stars (mariembourg, belgium), december 1989, june 1990, december 1990, and june 1992 .
baker, b. ,
michèle morgan ,
in film dope (nottingham, england), september 1990 .
after a successful debut in the 1930s as an affecting, ill - fated heroine, michèle morgan survived a disappointing wartime period in hollywood to become france' s most acclaimed actress of the 1950s. with her honest expression, serene open face, and fine features, she possessed an almost unworldly beauty which seemed the outward manifestation of untainted virtue and intrinsic moral strength. in the bleak mood of pre - war europe she came to represent the contemporary romantic heroine doomed through implacable adversity to unhappiness .
morgan' s first triumph came in gribouille as the fetchingly innocent natalie, unjustly accused of murdering her lover. pathetic, self - sacrificing roles followed. in orage an impossible affair leads to suicide; in l' entraîneuse, revelation of her dubious past destroys her happiness, while in la loi du nord and les musiciens du ciel a martyr' s death is her reward for loyalty and devotion. it was with jean gabin as a romantic partner, however, that she achieved distinction. if in la récif de corail misfortune is conquered, in quai des brumes and remorques their chance encounter secures only fleeting happiness. as the hapless heroine, morgan gave outstanding performances, particularly for carné as nelly, the precociously mature young woman trapped in a corrupt society and experiencing love with the fugitive gabin. her assorted and indifferent hollywood performances included that of a servant masquerading as a debutante in whelan' s comedy - musical higher and higher, a romanticized resistance heroine in joan of paris, and in two tickets to london a widow romantically involved with a serviceman .
critical acclaim marked morgan' s return to french cinema in a sensitive and restrained performance as the blind girl gertrude in la symphonie pastorale. reestablishing herself as the romantic heroine, she now assumed professional roles as an air hostess dogged by memories in aux yeux du souvenir and as a terminally ill ballerina in la belle que voilà. the postwar era brought co - productions and historical roles, notably as a haughty aristocrat in fabiola, a spirited joan of arc in destinées, as joséphine de beauharnais in napoléon, the beautiful leading lady in marie - antoinette, and in si paris nous était conté as mistress to henri iv. european directors cast her successively as the tearful mistress of the fallen idol, the fading, suicidal ballerina of menschen im hotel, and as a seductive thief in racconti d' estate .
invariably elegant and wealthy, in her 1950s roles she remained the victim, now bored and frustrated in her stifling ease. escape is sought in adultery, as in le château de verre, l' etrange madame x, with a proletarian lover, and with an artist in la minute de vérité. an alternative solution to personal unhappiness is found in alcohol in les scélérats, oasis, and, most powerfully, as the unhappily married hard - drinking lawyer of pourquoi viens - tu si tard? distinguishing this era were roles as gérard philipe' s courageous medical helper in les orgueilleux and, particularly, as the sincere, sophisticated, and suffering divorcée he seeks to seduce in les grandes manoeuvres .
as a traditional star closely identified with established directors such as yves allégret and delannoy, michèle morgan was all but ignored by the new wave iconoclasts. extending over five decades, her largely distinguished, if uneven, film career survived indifferent roles in nonindigenous productions. eight years after her last screen appearance, as herself in robert et robert, she made a triumphant return to the stage in colette' s chéri. more recently, she has enjoyed a popular following in the television serial le tiroir secret as a psychologist delving into her dead husband' s past. she will be remembered for her exceptional beauty, her discreet, composed acting as the desirable young heroine, and her intelligent, sensitive performances as the sophisticated lady of later years.
dis-moi qui tuer ( english title : tell me whom to kill ) is a 1965 french drama film directed by etienne périer . the screenplay was written by maurice fabre and didier goulard , based on a novel by henri lapierre . the film stars michèle morgan and paul hubschmid . 
dis-moi qui tuer (english title: tell me whom to kill) is a 1965 french drama film directed by etienne périer. the screenplay was written by maurice fabre and didier goulard, based on a novel by henri lapierre. the film stars michèle morgan and paul hubschmid.
dis-moi qui tuer (english title: tell me whom to kill) is a 1965 french drama film directed by etienne périer. the screenplay was written by maurice fabre and didier goulard, based on a novel by henri lapierre. the film stars michèle morgan and paul hubschmid.