complete unknown
amazon studios has acquired all u. s. rights to the drama complete unknown .
complete unknown is the perfect case study of what happens when bad movies rope in good actors .
rachel weisz in complete unknown: a sang - froid that annoys the other characters. photograph: jeong park
looking for movie tickets? enter your location to see which movie theaters are playing complete unknown near you .
complete unknown offers a bit of difference to a late summer scene, not a beach film nor a blockbuster .
with an intriguing title but little else, joshua marston' s
complete unknown
doesn' t hold up well .
“complete unknown” premiered at this year’s sundance film festival. it will be released in august 26th from amazon studios and ifc films .
lucas joaquin, jay van hoy and lars knudsen produced complete unknown, while robert halmi jr. and jim reeve executive produced .
despite its flaws ,
complete unknown
raises provocative questions about the nature of identity and whether it' s more a comfort or a trap .
in a pre - sundance film festival deal, amazon studios has bought u. s. rights to the rachel weisz - michael shannon drama “ complete unknown. ”
amazon is planning to partner with a theatrical distributor for a fall release of complete unknown, which will make its world premiere at the festival on jan. 25 .
in some ways, it' s more than a little ironic that a film called
complete unknown
will leave you scratching your head about what you just watched .
it is an intimate high - wire act, completely open to interpretation, but with weisz and shannon as our guides, complete unknown doesn' t leave us stranded alone .
“ complete unknown ” will make its world premiere at sundance on jan. 25. lucas joaquin, jay van hoy and lars knudsen produced; robert halmi jr. and jim reeve executive produced .
following a sundance premiere, the first trailer has arrived for complete unknown, a psychological thriller starring michael shannon and rachel weisz that is being released through amazon studios and ifc films later this month .
note: complete unknown opens in limited markets on august 26, with a wide release scheduled for september 9. while amazon studios picked up the film, no amazon streaming release date has been set yet .
with an intriguing title but little else, joshua marston' s
complete unknown
doesn' t hold up well with its enigmatic plot about rachel weisz and michael shannon having met in a previous life .
people who respond will want to see results, and getting these results will encourage them to complete the survey .
but as complete unknown is only getting a whisper - quiet limited release, it' s doubtful this shrug of a film will do any lasting damage to either shannon or weisz' s careers. crisis (mostly) averted .
in one of the five “unknown pleasures” dances, ballet de lorraine company members spell out words with lettered t - shirts .
a mysterious woman with a remarkable past revisits a former lover, complicating the settled life he has built for himself and his wife in complete unknown, an unsettling exploration of identity from acclaimed filmmaker joshua marston (maria full of grace, the forgiveness of blood) .
in some ways, it' s better not knowing too much about
complete unknown
before watching it, but it' s also a movie where it' s not going to win you over if you go in expecting a particularly life - changing experience .
the complete guide to market research surveys and analytics. learn how to successfully create, send, analyse and draw meaningful insights from market research surveys .
complete unknown is the perfect case study of what happens when bad movies rope in good actors. in this case, it' s rachel weisz and michael shannon, two of the most talented performers working today, who get sucked into writer - director joshua marston' s vortex of nothingness .
the first consolidated security across networks, cloud and mobile. check point infinity provides the highest level of threat prevention against both known and unknown targeted attacks .
complete likert scale questions, examples and surveys for 5, 7 and 9 point scales. learn everything about likert scale with corresponding example for each question and survey demonstrations .
“maria full of grace” writer and director joshua marston continues to explore the concept of identity with his latest film “complete unknown. ” the film, distributed by amazon, stars rachel weisz and michael shannon, in a crossing of paths that threaten to wreck the stability in shannon’s life. variety spoke with marston about working with amazon [ … ]
we said in our review, “armed with two top - notch leads and a compelling premise, joshua marston ‘s third feature, complete unknown, spends a lot of time hinting at which direction it will go, without going anywhere at all. ” see the trailer below for the film which also stars kathy bates, danny glover, michael chernus and azita ghanizada .
sadly, the characteristically solid performances by weisz and shannon do little to elevate
complete unknown
from being something that may have worked better as a stage play. the odd and esoteric premise never quite connects with the viewer, and it' s just a deeply unsatisfying film once you realize there really isn' t more to this story than two estranged people reuniting after decades .
content analysis delivers multi - layer file inspection to better protect your organization against known and unknown threats. unknown or suspicious content from sources like proxysg, symantec messaging gateway or other tools is delivered to content analysis for deep inspection, interrogation, analysis and ultimately blocking, if deemed malicious. recent enhancements to content analysis strengthens this platform even further. new features in recent releases include :
in a pre - sundance film festival deal, amazon studios has bought u. s. rights to the rachel weisz - michael shannon drama “complete unknown. ” the film, directed by joshua marston (“maria full of grace”) from a script he co - wrote with julian sheppard, centers on a couple whose life is unraveled when a mysterious former love — portrayed by weisz [ … ]
eventually, tom and jenny are separated from the group, including tom’s wife, who has just been accepted on a university course that could uproot the couple’s lives, and they embark on a night of soul searching. some have compared complete unknown to richard linklater’s before films, with the characters trying to figure out whether they knew another person at all or simply constructed their own version of them .
when you are on the job, time matters. we' ll make it easy for you cut through the noise and get to the critical information to complete the job and get on to the next quickly .
“maria full of grace” writer and director joshua marston continues to explore the concept of identity with his latest film “ complete unknown. ” the film, distributed by amazon, stars rachel weisz and michael shannon, in a crossing of paths that threaten to wreck the stability in shannon’s life. variety spoke with marston about working with amazon for his newest film and why a female lead provides a more intriguing vantage point for storytelling .
what if you just walked away from your life and completely started over? what if you walked away from that new life and started over again? what if you did that again and again and again? that’s the premise of joshua marston’s new romantic identity drama “ complete unknown, ” starring rachel weisz as a woman who constantly reinvents herself and soon brings an ex - lover tom (michael shannon) into her manufactured world .
and the oh - so - familiar strains of ravel’s “bolero” come as no relief to anyone who knows how many awful dances have been made to that music. this one, similar in tone to maurice béjart’s sexed - up version, makes the mentally deranged couples, tuneless vocalizing and pretentious oddity that fill the remaining sections of “unknown pleasures” seem more tolerable by contrast. to be promised unknown pleasures but receive so much commonplace tedium is disappointing .
a large number of people will complete a survey to share their information rather than to receive an incentive. consider making your incentive optional - you must choose to be included in a raffle or donating to a relevant cause for example .
complete unknown / u. s. a. (director: joshua marston, screenwriters: joshua marston, julian sheppard) — when tom and his wife host a dinner party to celebrate his birthday, one of their friends brings a date named alice. tom is convinced he knows her, but she’s going by a different name and a different biography—and she’s not acknowledging that she knows him. cast: rachel weisz, michael shannon, kathy bates, danny glover, michael chernus. world premiere
sound mixing for a nonfiction program single or multi - camera anthony bourdain parts unknown — rome the beatles: eight days a week – the touring years - winner o. j. : made in america — part 2 planet earth ii — cities 13th
“the anti - ransomware blade is an amazing piece of technology. not only does it protect you from ransomware but it doesn’t rely on signatures to do it. that means that even if you lose your internet connection you are still protected from unknown variants”
the answers are not too long in coming, and without giving too much away, “complete unknown” unspools as more of a chamber drama than a thriller. the picture is co - written and directed by joshua marston, who’s worked a lot in television in recent years but whose feature film career has a distinguishing characteristic which is defined by the fact that this picture is the california - born filmmaker’s first full - length movie in english. his 2004 feature debut “ maria full of grace ” was mostly in spanish, and 2011’s striking, underseen “ the forgiveness of blood ” was set and shot in albania. the milieu of “complete unknown” has an internationalist bent; tom’s wife, ramina (azita ghanizada), is persian, and is informally tutoring tom in farsi; everyone in tom’s circle is well - traveled, as is “ alice, ” who comes to tom’s birthday party as clyde’s platonic date. this new persona of weisz’s claims to have just come in from tasmania, where she’s been working with a newly discovered species of toad. tom, however, recognizes someone wholly other in alice .
“maria full of grace” director joshua marston, who has struggled to live up to the promise of that stirringly urgent debut, is not one of the great filmmakers. identity is a construct, relationships are a performance and love is a fiction that only endures for as long as two people can be convinced that it’s real — “ complete unknown ” tells us these things over and over again, marston’s inert and hyper - literal new drama rehashing vonnegut’s sentiment in a hundred different ways rather than mining it for any semblance of compelling drama or deeper truth .
“complete unknown, ” to its credit, doesn’t hinge on ham - fisted suspense — on the contrary, it deals with its subject so directly that the characters are suffocated beneath the ideas that they’re meant to represent. as tom and alice split off from the rest of the crowd and begin sifting through their divergent pasts, the film descends into a sub - linklater all - nighter in which weisz, tantalizingly predatory at the start, is soon forced to explain all of the things that she might have used to silently inform a richer and more interesting role .
the swine health information center took on creation of a rapid response program including the infrastructure ability to respond to an outbreak from a known or unknown etiology. a part of the rapid response program included the creation of a rapid response corps, a team of skilled and purposefully trained persons .
cinematography for a nonfiction program todd lieber & zach zamboni, anthony bourdain parts unknown will basanta, chef’s table nick higgins, o. j. : made in america cinematography team, planet earth ii: cities cinematography team, planet earth ii: islands - winner hans charles & kira kelly, 13th
berney tubthumped elvis & nixon, which is going out via bleecker street media on april 22 following its world premiere at the tribeca film festival. the film follows michael shannon as the king and kevin spacey as president richard nixon, and the high jinks that follow their meeting when the president makes him elvis an undercover rock ‘n’ roller. also shown was amazon’s hysterical trailer to whit stillman’s love & friendship, which it is putting out through roadside attractions on may 13. saw this at sundance; kate beckinsale is very sharp in this jane austen feature adaptation. complete unknown is being released via ifc later this summer .
the bsar includes a number of additional data elements pertaining to the type of suspicious activity and the financial services involved. certain fields in the bsar are marked as
critical
for technical filing purposes. this means the bsa e - filing system will not accept filings in which these fields are left blank. for these items, the bank must either provide the requested information or check the
unknown
box that is provided with each critical field. banks should provide the most complete filing information available consistent with existing regulatory expectations, regardless of whether or not the individual fields are deemed critical for technical filing purposes .
ballet de lorraine’s other program is a more conventional selection of three works, complete with program information: people to credit, people to blame. “devoted, ” by cecilia bengolea and françois chaignaud, bizarrely looks like a provincial dance recital, increasing the awkwardness of sloppy ballet in point shoes with rump - shaking and splats into splits unthinkingly borrowed from the dancehall genre. “hok solo pour ensemble, ” by alban richard, is rigorously faithful to the stops and starts of the brutal louis andriessen score “hoketus. ” lines, circles, simple motions repeated and varied: the creator of these mesmerizing patterns could easily have made the childs - like section in “unknown pleasures. ”
i think the challenge was shooting a movie that was originally conceived as a small contained film that was shootable on a low - budget so that the film wouldn’t fall apart. my previous film had fallen apart before this so we didn’t want to run the same course. and then once we got into “complete unknown, ” i realized i had written a character who has an immense scope, a woman who has crossed the globe living multiple lives in countries all around the world. in order to really understand the character you want to feel the breadth of what she’s done. we had to be very creative in conveying that and making it look like as big of a movie as possible on the small budget that we had .
the absence of names should help create the ideal receptor: an open mind. but anonymity delays judgment only until the start of the performance. “unknown pleasures” collects five distinct styles or modes, and it’s easy to identify which is which, if not which is by whom. you can try to guess the authors, if the work makes you care enough .
symantec content analysis automatically escalates and brokers zero - day threats for dynamic sandboxing and validation before sending content to users. analyze unknown content from one central location. leveraging symantec proxysg, this malware analyzer uses a unique multi - layer inspection and dual - sandboxing approach to reveal malicious behavior and expose zero - day threats, and safely detonate suspicious files and urls .
it' s very much like what happens in abbas kiarostami' s certified copy, except that in kiarostami' s film, even the audience doesn' t know where the fantasy begins and ends for the central couple. the characters there are exploring a complicated philosophical question that' s openly left for the viewers to answer. complete unknown' s version of the same idea is smaller and simpler. jenny gently shows tom a feeling she' s failed to communicate in words, and he responds by falling for the seductive side of lying to strangers. as with certified copy, the audience is drawn in by the difference between a lecture about someone' s abstract beliefs, and the reality of how those beliefs interact with the world .
even with the benefit of expensive malware sandboxing technologies, incident response teams are inundated with alerts. because they can’t tell what’s urgent and what’s not, they often ignore alarms, leaving your enterprise exposed to risk. symantec content analysis delivers effective tools for malware analysis to ensure that only truly unknown content is brokered to sandboxes so incident response focuses on real threats, not false alarms .
hence the appeal of choreography without attribution. that’s the idea behind one of two programs that ballet de lorraine has brought to the joyce theater at the start of its first united states tour. the dancers are listed, but instead of the names of those responsible for the music, the costumes and the choreography, there are numbers. five choreographers contributed to a production tantalizingly titled “unknown pleasures. ”
but complete unknown never locks onto the details. unlike catch me if you can, which showed how its identity - shifting protagonist used charisma and chutzpah to fall into new roles, or catfish, which showed the naked longing behind faked identities, marston' s film doesn' t have force or focus behind it. it also doesn' t have the curiosity to explore what' s going on behind the soft preaching about jenny' s love of self - creation. the film never comes up with a mission statement or a message that might tie together its wandering scenes, or explain its vague melancholy. in the end, it feels like a life - support system for a single perfect scene — a sequence that suggests all the conflicts, compromises, and rewards the rest of the film never fully explores .
marston unpacks this vital information far earlier and less ceremoniously than the film’s shadowy, secretive tone might lead auds to expect. the central mystery of “complete unknown, ” it turns out, is not who or what alice / jenny is, but why she is that way; as the party decamps to a fashionable low - lit nightclub, tom seizes the opportunity to privately confront this ravishing revenant, and revisit a past that she has blithely disowned. the long, spiraling conversation that follows largely consumes the film, like a high - concept rewrite of the unforgettable peep - show memory purge in wim wenders’ “paris, texas. ” but the tension of seduction also charges their bittersweet exchange of narratives, as tom himself — via a spontaneous street encounter with a chatty late - night stroller (kathy bates) — is exposed to the thrill of newly imagined selfhood .
banks are required to file sars that are complete, thorough, and timely. banks should include all known subject information on the sar. the importance of the accuracy of this information cannot be overstated. inaccurate information on the sar, or an incomplete or disorganized narrative, may make further analysis difficult, if not impossible. however, there may be legitimate reasons why certain information may not be provided in a sar, such as when the filer does not have the information. a thorough and complete narrative may make the difference in determining whether the described conduct and its possible criminal nature are clearly understood by law enforcement. because the sar narrative section is the only area summarizing suspicious activity, the section, as stated on the sar, is
critical .
thus, a failure to adequately describe the factors making a transaction or activity suspicious undermines the purpose of the sar .
“complete unknown” thus hinges heavily on the persuasive powers of everyday performance. after all, how often do we modify our identities to others, even when presenting as ourselves? luxuriously conversational in structure, it would make an outstanding stage play, and the two stars play it with chamber - piece rigor: as also demonstrated in “the deep blue sea” and “the constant gardener, ” weisz is often at her best playing women of evasive will and desire, and she does clever work here — even bending and interrupting her own accent — with a needfully frustrating character who emerges only through the elimination of other personae. that does not, inevitably, leave much of a person, as marston’s story skates on the edge of very finely conditioned shaggy - dog territory. virtues of intelligent economy notwithstanding, one almost wishes for a messier sprawl across alice’s many states of mind and being .
“complete unknown” has a killer opening sequence. two young women, their faces tantalizingly kept out of frame much of the time, discuss a new living arrangement for one of the women, who’s back from a long time away, in an exotic location, where, she says, she worked with some “amazing botanists. ” that woman, glimpsed in profile, is recognizable as rachel weisz. so, too, is the compassionate and competent hospital nurse seen in a couple of following shots. so, too, is the magician’s assistant working in a chinese nightclub in the next few shots. so, too, is the somberly dressed woman sitting in a car parked outside of a suburban house, watching as an older woman drives her car out of the driveway and away from that house. is this a woman with a lot of careers? is this a clone ?
in the deluge of tributes penned in the days following david bowie' s death, some of the most moving were those suggesting that, despite his famous self - reinventions and stretches of living so hard they should leave a man forever altered, he retained an unchanged kernel of david robert jones within him until the day he died. this notion that identity can be both constant and endlessly mutable is at the heart of complete unknown, the third feature by maria full of grace director joshua marston, in which rachel weisz plays a woman who (depending on your point of view) has either never stopped running from herself or made constant blank - slate changes in search of her fundamental truth. more provocative than satisfying, which is as it should be, the picture has a solid art house appeal enhanced by screen - consuming performances by two eminently watchable leads, weisz and michael shannon .
for operations where it is unknown in advance how much work has to be done, it may not be possible to use a percent - done indicator, but it is still possible to provide running progress feedback in terms of the absolute amount of work done. for example, a system searching an unknown number of remote databases could print the name of each database as it is processed. if this is not possible either, a last resort would be to use a less specific progress indicator in the form of a spinning ball, a busy bee flying over the screen, dots printed on a status line, or any such mechanism that at least indicates that the system is working, even if it does not indicate what it is doing. note added for the web version of this essay: most web browsers fail in providing useful progress bars, since they don' t communicate what percentage of the entire download for a page has been completed .
a mysterious woman with a remarkable past revisits a former lover, complicating the settled life he has built for himself and his wife in complete unknown, an unsettling exploration of identity from acclaimed filmmaker joshua marston (maria full of grace, the forgiveness of blood). as tom (michael shannon) celebrates his birthday with a group of close friends in brooklyn, he is startled to see a woman from his distant past at the party. jenny — or alice (rachel weisz), as she now calls herself — first denies even knowing tom, but as the evening progresses, she reveals a shocking secret. after disappearing from tom’s life 20 years earlier, she began to reinvent herself every few years, taking on a new name, a new career and a new life each time. after giving tom a glimpse of what life could be like if he lets go of the safety and security he has so carefully created, alice asks him to make a choice that will change everything .
the first six minutes of complete unknown constitute the most arresting, confounding opening sequence in recent memory. one of the film’s stars, rachel weisz, is first seen looking at a room for rent; she tells the landlord that her name is connie, that she’s just back from touring the amazon rainforest with a group of botanists, and that she’s planning to study environmental law. no sooner does she say this, however, than the movie abruptly cuts to weisz in a surgeon’s smock, attempting to calm a badly wounded patient on an operating table. the doctor’s name is paige. seconds later, weisz is mae, a magician’s assistant in what appears to be china. then she’s in business dress, surveilling a house in ohio. then she’s in bed next to a man with an australian accent, talking about her years as a teacher back in the u. s. finally, just before the title appears, we see her swimming out to sea, despite “connie” having told the landlord a few minutes earlier that she didn’t get into a boat in the amazon because she can’t swim .
unfortunately, complete unknown completely fizzles. apart from the moonlit frog bit, marston and his co - writer, julian sheppard, can’t think of much for alice and tom to do once they’re alone together; the last act of the movie consists largely of alice explaining her philosophy of life in tedious detail and tom insisting—with logic that’s hard to fault, frankly—that said philosophy is selfish and deranged. it’s a drastic turnaround from the disorientation that reigns early on, and while that’s thematically apropos for a story about reinventing oneself at will, without looking back, the shift from abstract to concrete just doesn’t satisfy. it’s as if a first - rate roman polanski movie suddenly metamorphosed (ohhh, frogs, duh) into a third - rate michael crichton adaptation. the visually magnificent final shot only compounds the frustration, as it’s in service of a real shoulder shrug of an ending. marston, whose previous two features looked like fairly standard no - budget indie fare, has made a huge leap forward here as a director. next time, hopefully, his script will provide the images with a more esoteric, less pedantic context .
“sounddance” is authentic cunningham, made by the master in 1975. coming at the end of this program, it caps a primer in the developmental stages of choreography, the dancers emerging from the bare classroom steps of “devoted” and the formulaic patterning of “hok solo” into a fascinating world of drama where it’s impossible to anticipate what’s happening, and you want to catch it all but you can’t. this is the kind of surprise it would have been wonderful to find in “unknown pleasures, ” a thrill i’m sure we could recognize without the name of its maker .
these components are present in banks of all sizes. however, the structure and formality of the components may vary. larger banks will typically have greater differentiation and distinction between functions, and may devote entire departments to the completion of each component. smaller banks may use one or more employees to complete several tasks (e. g. , review of monitoring reports, research activity, and completion of the actual sar). policies, procedures, and processes should describe the steps the bank takes to address each component and indicate the person (s) or departments responsible for identifying or producing an alert of unusual activity, managing the alert, deciding whether to file, sar completion and filing, and monitoring and sar filing on continuing activity .
sar completion and filing are a critical part of the sar monitoring and reporting process. appropriate policies, procedures, and processes should be in place to ensure sars are filed in a timely manner, are complete and accurate, and that the narrative provides a sufficient description of the activity reported as well as the basis for filing. fincen developed a new electronic bsa suspicious activity report (bsar) that replaced fincen sar - di form td f 90 - 22. 47. the bsar provides a uniform data collection format that can be used across multiple industries. as of april 1, 2013, the bsar is mandatory and must be filed through fincen' s bsa e - filing system. the bsar does not create or otherwise change existing statutory and regulatory expectations for banks .
any time a new device is installed on a network, the risks of exposing the network to unknown vulnerabilities or hampering its operation are present. malicious code can take advantage of new hardware that is not configured and patched with appropriate security updates at the time of installation. attackers can use these vulnerable systems to install backdoors before they are hardened. in automating critical control 1, it is critical for all devices to have an accurate and up - to - date inventory control system in place. any device not in the database should be prohibited from connecting to the network. some organizations maintain asset inventories by using specific large - scale enterprise commercial products or by using free solutions to track and sweep the network periodically. to evaluate the implementation of control 1 on a periodic basis, the evaluation team will connect hardened test systems to at least 10 locations on the network. this will include a selection of subnets associated with dmzs, workstations, and servers .
and the framing for that central scene keeps detracting from marston' s attempts to balance tom and jenny' s viewpoints. jenny gets access to tom' s birthday party by luring his co - worker clyde (michael chernus) into the beginnings of a relationship, then ignoring him once she has her foot in tom' s door. it' s an unnecessary pretense that highlights her complete lack of empathy, and her willingness to take advantage of people, even using them as props. and the flubs she makes with tom' s friends — one of whom sees through her from the start — raise the question of how good she really is at fabrication, and how she maintained any of her identities as the lies built up. meanwhile, tom' s brittleness and shrillness with ramina doesn' t speak well to the stability he' s trying to preserve. they both come across as poor representatives for the lifestyles they' re espousing, and the film' s unwillingness to pick a side leaves it without a point of view or a sense of focus .
by their nature, sar narratives are subjective, and examiners generally should not criticize the bank' s interpretation of the facts. nevertheless, banks should ensure that sar narratives are complete, thoroughly describe the extent and nature of the suspicious activity, and are included within the sar. the bsar will accept a single, microsoft excel compatible comma separated value (csv) file no larger than one (1) megabyte as an attachment as part of the report. this capability allows a bank to include transactional data such as specific financial transactions and funds transfers or other analytics which is more readable or usable in this format than it would be if otherwise included in the narrative. such an attachment will be considered a part of the narrative and is not considered to be a substitute for the narrative. for example, narratives should not simply state
see attachment
if the bank included a csv attachment. as with other information that may be prepared in connection with the filing of a sar, an attachment is considered supporting documentation and should be treated as confidential to the extent that it indicates the existence of a sar .
html public
- / / w3c / / dtd xhtml 1. 0 transitional / / en
urltoken
) and stars rachel weisz, michael shannon, kathy bates and danny glover. the movie marks the director’s first english - language feature and follows a woman introduced at a dinner party hosted by a man who increasingly believes he knows the guest by a different name and different biography. marston has also written the screenplay with julian sheppard .
the composers’ other upcoming projects also include the drama christine starring rebecca hall, the thriller a kind of murder starring patrick wilson & jessica biel, frank & lola starring imogen poots & michael shannon and the ticket starring dan stevens. the composer duo also scored rodrigo garcia’s last days in the desert starring ewan mcgregor, which is set for a theatrical release on may 13, 2016 and the drama the benefactor (previously entitled franny) starring richard gere, which will be released in select theaters and on vod on january 15, 2016 by samuel goldwyn films .
theme crafted by george e. frog. film music reporter wordpress theme by :
from the director of maria full of grace, this intelligent and romantic exploration of identity follows a married man (michael shannon) as he reconnects with an old flame (rachel weisz) who has repeatedly invented new personas for herself over the years .
siff' s mission is to create experiences that bring people together to discover extraordinary films from around the world. it is through the art of cinema that we foster a community that is more informed, aware, and alive .
for more information: info @ urltoken | © copyright 2017 siff. all rights reserved. | privacy policy | designed by zango creative
siff is a 501 (c) (3) nonprofit arts organization. tax id 91 - 1489660 .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
this shape - shifting tale of the perils and pleasures of self - reinvention begins at a dinner party, when tom' s (michael shannon) co - worker arrives with an intriguing date named alice (rachel weisz). tom is convinced he knows her, but she refuses to acknowledge their history. and when alice makes a hasty exit, tom sets off after her. what follows is an all - night odyssey shared by two people, one needing to change his life, the other questioning how to stop changing .
in its latter half the film... gradually runs out of ideas, and out of steam .
writer - director joshua marston gives shannon a chance to shine as a character more pedestrian than the ones he usually plays, though the story is a little too thesis driven to build any dramatic momentum .
shannon is usually playing human question marks in the movies, so it' s a twist here to see him playing the
normal
guy, except shannon is too unconventional an actor to play anything in the normal range .
the movie brushes up against far - fetched soap - opera scenarios. the ending isn' t altogether satisfying. yet weisz, playful and seductive, utterly confident, disarmingly vulnerable, delivers a performance that makes you forget all that .
if it' s lightweight, it' s certainly heartfelt, and gives any number of famous folk the chance to speak well of the real man as well as the fictional half - alien .
[ director joshua marston ] sets us up for a complex drama, but only delivers a prologue .
the film (directed by joshua marston, creator of the heart - wrenching maria full of grace) is distastefully quirky and takes itself far too seriously, but it' s fun to watch because liars are fascinating .
this is a story that pretends to have a lot more on its mind than it really does .
veryy compelling story idea, just had no where to go. the acting is great, along with a star studed cast. the thing i liked most was the music .
not particularly good. decent acting, and weisz is pretty good here, but the story is idiotic and poorly thought - out .
the film, directed by joshua marston (“maria full of grace”) from a script he co - wrote with julian sheppard, centers on a couple whose life is unraveled when a mysterious former love — portrayed by weisz — reappears in the man’s life. kathy bates and danny glover also star .
shannon portrays a character who hosts a dinner party where one of the guests brings a date who refuses to acknowledge their past history. he follows her into the night after she makes a quick exit .
© copyright 2018 variety media, llc, a subsidiary of penske business media, llc. variety and the flying v logos are trademarks of variety media, llc. powered by urltoken vip
html public
- / / w3c / / dtd xhtml 1. 0 strict / / en
urltoken
directed and co - penned by joshua marston (the forgiveness of blood, maria full of grace), it follows tom (shannon) and his wife as they contemplate a move to a new state for a graduate program. however, when tom runs into an old flame who constantly changes identities (weisz) at a dinner party, their happy life begins to spirals out of control .
as tom (michael shannon) celebrates his birthday with a group of close friends in brooklyn, he is startled to see a woman from his distant past at the party. jenny – or alice (rachel weisz), as she now calls herself – first denies even knowing tom, but as the evening progresses, she reveals a shocking secret. after disappearing from tom’s life 20 years earlier, she began to reinvent herself every few years, taking on a new name, a new career and a new life each time. after giving tom a glimpse of what life could be like if he lets go of the safety and security he has so carefully created, alice asks him to make a choice that will change everything .
lucas hedges, sterling k. brown & more join trey edward shults’ musical ‘waves’
all the newly streaming films of netflix, amazon, filmstruck, and more .
© 2008 - 2018 the film stage. all rights reserved. | about | privacy | terms of use | advertising | staff | contact | rss feed
rachel weisz is a woman of many guises in joshua marston' s academic but intriguing study of mutable identity .
rachel weisz, michael shannon, michael chernus, azita ghanizada, omar metwally, chris lowell, frank dejulio, condola rashad, danny glover, kathy bates .
edited with dreamy fluidity, an oblique pre - credit sequence initially suggests this may be a mystery of shane carruthian proportions. weisz’s character — if, indeed, she can be said to play just one — is introduced in a shuffling variety of guises, from hippy - dippy adult student to sleekly coiffed magician’s assistant, before becoming submerged in a spin - cycle of ocean waves. the truth is less surreal than it appears, if hardly less strange: alice, as she calls herself for most of the film, has been in an amorphous state of identity for 15 years, casually shedding incarnations and attachments without a backward glance .
well, almost without. cut to the decidedly more streamlined life of tom (michael shannon), a tightly wound government official living comfortably in brooklyn with his jewelry - designer wife rehema (azita ghanizada), and celebrating his birthday with an intimate gathering of friends and co - workers. one guest brings a date in the glamorously black - clad form of alice, who immediately delights the party with her wit, smarts and offbeat anecdotes of far - flung biological research in tasmania. the only one quietly unenchanted is tom, and with good reason — for he knew alice when she was jenny, and they were lovers .
below - the - line contributions are as studied and refined as everything else here. greek d. p. christos voudouris (“alps, ” “before midnight”) identifies a brittle chill even in the red glow of new york’s nightspots, while costume designer ciera wells subtly varies color, fabric and silhouette to keep alice’s self - styled selves in constant flux .
reviewed at sundance film festival (premieres), jan. 25, 2016. running time: 91 min .
production: an amazon studios presentation in association with great point media, parts & labor. (international sales: caa, los angeles .) produced by lucas joaquin, jay van hoy, lars knudsen. executive producers, robert halmi jr. , jim reeve. co - producer, jonathan montepare .
crew: directed by joshua marston. screenplay, marston, julian sheppard. camera (color, widescreen, arri alexa), christos voudouris; editor, malcolm jamieson; music, danny bensi, saunder jurriaans; music supervisor, lynn fainchtein; production designer, tommaso ortino; art director, seth williamson; set decorator, philippa j. witheron - culpepper; costume designer, ciera wells; sound, jim morgan; supervising sound editors, tom efinger, abigail savage; re - recording mixer, efinger; assistant director, brad robinson; casting, billy hopkins .
with: rachel weisz, michael shannon, michael chernus, azita ghanizada, omar metwally, chris lowell, frank dejulio, condola rashad, danny glover, kathy bates .
earlier today amazon saw five of its films included in the official selection for the cannes film festival, so execs had plenty to crow about at the company’s cinemacon luncheon. head of marketing and distribution bob berney beamed about amazon’s upcoming date with the croisette, including woody allen’s cafe society — for which it paid eight figures — being named as the opening film. “we’re going to be testing in - theater drone activity for popcorn delivery, ” he quipped. berney added, to great cheers throughout the ballroom, “all films we are acquiring are being released theatrically to play in your theaters. ”
said amazon studios head roy price: “customers want to see films in theaters, and filmmakers want their films in theaters. we are a filmmaker - driven studio. ll our films will have traditional theatrical windows. ” that also drew big cheers at caesars palace’s octavius ballroom, which was filled to the brim .
berney showed an emotional scene from manchester by the sea of michelle williams in a crushing performance, as she apologizes and sobs to casey affleck. brilliant. “it like ordinary people and kramer vs. kramer, ” said berney. the pic opens nov. 18 through roadside .
there also was a quick clip of jesse eisenberg doing his best woody allen in cafe society as he stammers to a worried blonde .
amazon showed itself to be a formidable player at this year’s sundance film festival, snapping up rights to kenneth lonergan’s manchester by the sea for $ 10m, todd solondz’s weiner - dog and the documentary gleason among its six pickups. the author: j. t. leroy, also a sundance acquisition, is going out on july 29 via magnolia. the film questions what is art as it follows the controversial author and her doppelganger. also, former new orleans saints player steve gleason, who has als, recorded a message for exhibs telling them about clay tweel’s film, and how they never sought to make a movie but simply record footage for his son. warm applause here. july 15 is the release date with open road films. in addition, amazon has two pics in production, one of which, american express, is from nash edgerton’s, brother of joel. it’s shooting in mexico with charlize theron and amanda seyfried. todd haynes is in production with wonderstruck with julianne moore .
amazon also has the australian production the dressmaker starring kate winslet. there’s also jim jarmusch’s paterson starring adam driver as a new jersey bus driver, which is headed to cannes. his docu gimmie danger about iggy and the stooges is landing on the croisette as well. nicolas winding refn’s the neon demon is also in the amazon fold, a perfect mix as berney was his champion at film district with drive. refn appeared today via skype. “hello, can you hear me? it’s like the moon landing. i’ve never been to vegas, but this is the closest i’ll ever get, ” said refn. they shut the lights off in the ballroom for this clip of elle fanning, where she stands among a number of fashion - clad women in a mirrored area. fanning took the stage to champion the film, which is “set in the fashion world in a heightened way. it has that horror classic element. ”
“i never worked with a director who is amazing collaborator, ” said fanning. “he has a big board with each scene on post - it notes. we shot in chronological order, which i’ve never done. we came up with the ending right there on the set. we asked the crew, ‘hey, if you have a good idea.' ”
said refn: “it’s like a painting. that’s the fun of fear. fear creates creativity. this is a film that can be seen multiple times. ”
copyright © 2018 penske business media, llc. all rights reserved. hollywood™ & design © 2018 hollywood chamber of commerce. the hollywood sign is a trademark and intellectual property of hollywood chamber of commerce. all rights reserved .
the film will be released in august 26th from amazon studios and ifc films .
as tom celebrates his birthday with a group of close friends, he sees a woman from his distant past at the party. at first jenny, or alice as she prefers to call herself, pretends to have never met tom before, she eventually reveals that she began to create different identities for herself after she left tom’s life 20 years earlier, taking on new names and careers every time. alice provides tom a glimpse of what his life could look like if he gave up the stability and security he worked his life to create, and eventually asks him to make a choice that would change both their lives forever. it also stars danny glover (“lethal weapon”), kathy bates (“misery”), condola rashād (“billions”), and more. watch the trailer for the film below.
complete unknown is a 2016 american-british drama mystery thriller film , directed by joshua marston , from a screenplay by marston and julian sheppard . it stars rachel weisz , michael shannon , kathy bates and danny glover . it had its world premiere at the sundance film festival on january 25 , 2016 . the film was released on august 26 , 2016 , by amazon studios and ifc films . 
complete unknown is a 2016 american-british drama mystery thriller film, directed by joshua marston, from a screenplay by marston and julian sheppard. it stars rachel weisz, michael shannon, kathy bates and danny glover. it had its world premiere at the sundance film festival on january 25, 2016. the film was released on august 26, 2016, by amazon studios and ifc films.
complete unknown is a 2016 american-british drama mystery thriller film, directed by joshua marston, from a screenplay by marston and julian sheppard. it stars rachel weisz, michael shannon, kathy bates and danny glover. it had its world premiere at the sundance film festival on january 25, 2016. the film was released on august 26, 2016, by amazon studios and ifc films.