deergha sumangali bhava
deergha sumangali bhava full length telugu movie watch more movies @ urltoken urltoken movie: deergha sumangali bhava, cast: rajasekhar, ramya krishna, prema, dasari narayana rao, director: s. v. krishna reddy, music: s. v. krishna reddy, producer: k. atchi reddy, release date: 1998. songs: 01. maa naanna 02. navvulu 03. nidurapo 04. pandiri mancham 05. silver jubilee 06. taaja taaja
movie name: deerga sumangali bhava – (1998) cast & crew: rajashekar, ramya krishna. music: s v krishna reddy category: telugu movies
dear sowbagyavathy renuka,' dheerga sumangali bhava' wishes the couple at the same time. not just' sumangali', but' dheerga sumangali'! although i don' t know sanskrit, i dare say,' dheerga' possibly means gloriously, satisfactoriliy etc.' dheerga' may be equal to' pushkalam'. may be something similar to' பதினாறும் பெற்று பெரு வாழ்வு வாழ்க'! i am not knowledgable enough to discuss this. dheerka sumangali bhava'.' பதினாறும் பெற்று பெரு வாழ்வு வாழ்க'. cheers !
sumangali cable vision (scv) is an indian cable operator with presence in tamil nadu .
deerga sumangali bhava is a classic movie. it was when s. v. krishna reddy was in full form. it is mostly an emotional movie with a few touches of comedy. a must watch family drama
movie: deergha sumangali bhava, cast: rajasekhar, ramya krishna, prema, dasari narayana rao, director: s. v. krishna reddy, music: s. v. krishna reddy, producer: k. atchi reddy, release date: 1998. songs: 01. maa naanna 02. navvulu 03. nidurapo 04. pandiri mancham 05. silver jubilee 06. taaja taaja
movie: deergha sumangali bhava, cast: rajasekhar, ramya krishna, prema, dasari narayana rao, director: s. v. krishna reddy, music: s. v. krishna reddy, producer: k. atchi reddy, release date: 1998. songs: 01. maa naanna 02. navvulu 03. nidurapo 04. pandiri mancham 05. silver jubilee 06. taaja taaja watch more latest movies subscribe @ urltoken
sukhibhava sumangali | | major chandra kanth video songs | | n. t. r, mohanbabu, ramykrishna, nagma
deergha sumangali (kannada: ದೀರ್ಘ ಸುಮಂಗಲಿ) is a 1995 indian kannada film, directed by d. rajendra babu and produced by d. r. umashankari and r. venkata raju. the film stars sithara, devan, srinivasa murthy and b. v. radha in lead roles. the film had musical score by hamsalekha .
watch: deergha sumangali bhava movie, cast: rajasekhar, ramya krishna, prema, dasari narayana rao, director: s. v. krishna reddy, producer: k. atchi reddy, music: s. v. krishna reddy. subscribe for more full movies: urltoken subscribe for more video songs: urltoken like us on facebook: urltoken మరిన్ని తెలుగు సినిమా వీడియోల కోసం: urltoken మరిన్ని తెలుగు సినిమా పాటల కోసం: urltoken మరిన్ని తెలుగు సినిమాల కోసం: urltoken పేస్ బుక్ లో లైక్ చేయండి: urltoken
the blessing
dhirgha sumangali bhava
is relevant to old times when the condition of a widow was mostly bad. these days it should be
dhirgha dhanwan bhava
. wealth can take care of every thing including hospital expenses. as for the priest reciting the mangalasutra slokam, i would add that the priest somewhere else say
mama pitharam udhishya
, etc. he (priest) is the brahman and omnipresent, he is the husband, he is the son and he is the father and so on .
deerga sumangali bhava is 1998 telugu film, directed by s v krishna reddy, lead roles played by rajashekar, ramya krishna. for more latest videos, please check out full movies: urltoken film trailers & events: urltoken breaking news: urltoken film songs: urltoken ilayaraja music: urltoken movies in hd: urltoken health videos: urltoken tv shows: urltoken comedy scenes: urltoken action scenes: urltoken
movie: deerga sumangali bhava, cast: rajasekhar, ramya krishna, prema, dasari narayana rao, director: s. v. krishna reddy, music: s. v. krishna reddy, producer: k. atchi reddy, release date: 1998. songs: 01. maa naanna 02. navvulu 03. nidurapo 04. pandiri mancham 05. silver jubilee 06. taaja taaja watch more movies @ urltoken urltoken
opposite to the title, preeti became 'vidhavai' in few years of marriage. in arranged marriages, elders bless young brides 'dheerga sumangali bhava' which means that the bride lives her full life with her husband and die at the old age before her husband (which is considered to be a blessing). elders bless young couple by saying 'pathinaarum petru peru vaalvu valzhga' which means that they get all the sixteen wealths in their life and live happily (and not sixteen children as commonly misunderstood) including children .
one book is there deerga sumangali bhavaa written by dr. natarajan (dr. najan) pratheepa prasuram mylapore chennai. available in giri trading company. he har written 108 books on sri vidhya and the group goddesses. details are there in that book .
taaja taajaa full video song from deerga sumangali bhava telugu movie on mango music, ft. rajasekhar, ramya krishna and prema. music composed by sv krishna reddy. subscribe for more telugu songs - urltoken song: taaja taajaa rojaalannee director: sv krishna reddy producer: sv krishna reddy music: k achi reddy the movie also stars dasari narayana rao, sp balasubrahmanyam, brahmanandam, prithvi, kota srinivasa rao, annapurna among others. click here to watch: top 12 video songs | tollywood music directors - urltoken pelli choopulu movie back to back video songs - urltoken mani sharma telugu hits - urltoken for more hit songs and video songs - subscribe - urltoken like - urltoken follow - urltoken my mango app links: google play store: urltoken app store: urltoken
dheerga sumangali is a 1974 tamil drama film directed by a. c. tirulokchandar. the film was produced by n. s. rajendran under visalakshi combines and stars muthuraman and k. r. vijaya in the lead roles, while major sundarrajan, v. k. ramasamy and sivakumar play pivotal roles. the film' s soundtrack and background score were composed by m. s. viswanathan, while the lyrics for the songs were written by kannadasan and vaali .
subscribe & stay connected: urltoken... ...... ...... ...... ...... .... . dheerga sumangali is a 1974 tamil drama film directed by a. c. tirulokchandar. the film was produced by n. s. rajendran under visalakshi combines and stars muthuraman and k. r. vijaya in the lead roles, while major sundarrajan, v. k. ramasamy and sivakumar play pivotal roles. the film' s soundtrack and background score were composed by m. s. viswanathan, while the lyrics for the songs were written by kannadasan and vaali. directed a. c. tirulokchandar produced n. s. rajendran written karaikudi narayanan (dialogues) screenplay a. c. tirulokchandar story g. balasubramaniam starring k. r. vijaya, muthuraman music m. s. viswanathan cinematography m. viswanatha rai edited b. kandasamy production company visalakshmi combines release date 1974 running time 154 mins country india language tamil... ...... ...... ...... ...... ...... ...... . subscribe & stay connected: urltoken also stay tuned with us on: - google plus - urltoken category: film & animation license: standard youtube license
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cast: rajashekar, ramya krishna, dasari narayana rao, venkat, prema, rajini, sana, brahmanandam, a. v. s. subramanyam, m. s. narayana, kota srinivas rao, ali, pruthvi
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the nadaswaram was being played with utmost precision and perfection, women were all decked up in their best collections of dharmavaram pattu saree, men were all in their exotic best in their sparkling white n white shirt n dhoti, small girls were in their exotic best with their multi - colored traditional half - saree with jasmine adoring their young and long tresses and the whole atmosphere was gala at its best. it was the perfect traditional wedding set - up one could ever wish for…
preethi was getting married to her distant relative prem. prem was not only a distant relative but also a childhood friend of preethi. the marriage was nevertheless an arranged - marriage. prem was working for a small company as an engineer. preethi had just finished her graduation in commerce and was full of dreams of a happy wedded life .
when the muhurtham time arrived, the archakar shouted getti - melam - - - getti - melam and with the perfection of a symphony, all the musicians sitting across started trumpeting their nadaswaram and tabla with a high pitch and prem tied the “thali” around preethi’s ever - inviting neck. while preethi was all smiles and tears, prem was all smiles whilst bundle of nerves. the rituals went on for another hour and the couple was set free to move around .
preethi went into the bride’s room in the mantap and met with all the relatives who had arrived from near and far - off places and hours flew by the minutes and days flew by the hours and months flew by the days. any progress? any progress? questioned near and dear ones started asking preethi. did you check - up with a doctor? and what not – all sorts of assumptions were being made adding to the mental agony for preethi .
it was prem and preethi who knew the reasons. prem mentioned that since he was not very well off – they could have a child when he was fit - enough meaning when he gets into a good job with a good salary. preethi agreed .
after a year or so, prem moved into a better job with a better salary. their happiness knew no bounds. they went for their real honeymoon to ooty for a week. preethi went to all those temples which she had visited earlier, to pray for a better break for prem, to thank all those gods now .
as months passed by, preethi felt it was the right time to get into a new home of their own; de - linking prem’s aged parents all alone. she justified saying it was the right time to set up a family of their own – disconnecting the dependence of prem on his father. for this proposal to go nuclear, prem disagreed saying he wanted to have a fat bank balance. preethi never agreed to this – saying a small loan at this stage would not seem such a big burden .
preethi instead of convincing prem and father - in - law, protested vehemently. neither prem nor his father could understand her motivation to go nuclear. preethi confided in me that she enjoyed very little freedom at home; she could not understand prem the extent she liked; she mentioned that even to go for a weekend movie, prem would invite his parents; she had to labor at home with the daily chores; she felt constrained when her college friends wanted to visit her for a day or two – because her in - laws protested; never a day passed by without a stinker of a comment on her cooking; in short she felt out - of - place. she never felt the homely feeling that she enjoyed at her parents home .
on repeated pleadings by prem, preethi mentioned that prem’s brother and his wife were making nasty comments about them being dependent on his father. in actual, prem was the one who was taking care of all the household expenses. so the impression of prem and mrs. prem depending on prem’s father’s pension was just a false - notion. despite prem’s pleadings for couple of month’s time, preethi, never agreed .
on getting a loan from a bank, prem and preethi, moved into a rented apartment. as days passed by, life in the new nuclear home became monotonous. preethi lost zest in life for unknown reasons and that reflected in her cooking and other household chores. despite prem asking for reasons, she never replied straight. she started yelling at prem. prem was confused. prem adjusted to the new scenario with the greatness of a true sage and moved on. when there was food at home, he had – without protesting on poor - taste or poor - quality of preparation .
i wondered what else prem could do. now when i asked preethi – she was my schoolmate and we have been together for more than a decade now – she never replied straight. but with me and our other common friends, she showed no change. she was as bubbly as she has ever - been. but the problems in marriage showed up in her sharp reactionary comments and attitude in life. but she did mention that the way she chatted for hours with prem before marriage, was missing now. she mentioned that she had expected that she would be chatting more with prem after marriage and the quality and content of chats would be much more deeper and more meaningful. she wondered whatever happened to that. words were not there to blurt out; neither were they finding any topics of mutual interest to discuss .
when i asked prem, if there was any problem in marriage – “problems? no, no way. ” prem was as charming as he has ever been. but for some strange reasons, the charm between prem and preethi, vanished for reasons not known to the outside world .
preethi, are you upset that you don’t have a kid? - i asked mildly but in the straightest possible manner. she kept mum and never replied. when i fired the same question to prem – “no. no way. when i cannot take care of my own needs and dreams, there is no way can i have a child” – was the straight reply. did you convince preethi on this aspect? – “yes” was another straight reply. i wondered the reasons for the chemistry to vanish between them. all the elements of normal marriage were missing between them .
prem was getting all the more frustrated seeing his friends and colleagues happily married and having fun in life. he felt that there was no fun in life without a good marriage and that there was an end to all problems. in this case, he thought the best was to get a divorce. preethi also, apparently, felt the same – but never opened her mind on this contentious issue called “divorce” .
“preethi, will you accept a divorce? ” – i asked her. she thundered “what the hell? are you trying to break my marriage? do you have any vested interest in breaking my marriage? - and all hell broke loose. i did not pursue further in this matter and left her alone .
prem was fed up with the marriage and he felt that there was no way he could continue like this forever. hence he approached his dad saying he wanted to divorce. to his dismay, his father replied straight – “take a vacation and come back. everything will be alright” .
when prem approached his mother – she passed away with a massive heart attack .
behind prem’s charming smiles were hidden all the dejections that one could ever have in a failed marriage. but none in the outside world could ever guess this .
prem’s dad stuck to his position and said that problems in marriage are all common. divert your attention from this issue for few days and everything will become ok. prem was disgusted with this reply and vowed that he never would come back to his father seeking help or guidance .
though embarrassing, very reluctantly he approached his aunt to help him. but in vain. when he approached his elder brother, he just laughed away the matter, saying – “baby, c’mon you are too young to talk big things like divorce. it will be a shame on our entire family if you even mention the word divorce outside these four walls – imagine the depths of shame if you divorce – go go. take a vacation and come back; everything will be alright. ”
prem, a shy and god - fearing person by nature did not have the guts to rock the boat, in a single mighty stroke .
months passed by and the chemistry that existed between prem and preethi before marriage never returned – according to both prem and preethi. prem felt highly disgusted and even thought of committing suicide .
prem was cheerful as ever and when he invited me for a dinner – i agreed reluctantly. he took me to a five star hotel. “why did you not invite preethi? ” “to hell with her. don’t get her name here. i just came to relax and wanted to have a peaceful dinner – sans crowd. ” “ok… cool down. i bet you will have the dinner of your lifetime tonight” i cheered him. while having food…he cribbed – “i have cleared the personal loan; acquired a car; acquired all the fancy items that i had dreamt for many years now; also acquired a small apartment of my own; but i am getting frustrated in life despite all these positives. i did not buy all these on my own volition – it was preethi who egged me to each one of these. now still she is not content and i don’t know what else she wants. apparently she herself is confused. i feel like killing her. none in the family are coming to my rescue – no one wants to help me. i am frustrated. ” seeing him in a very dejected and charged up mood, i thought it was better he stay away from preethi for the weekend for a change. so i invited him to my apartment .
in the apartment, passions ran high when prem was narrating his sad stories. i was completely overwhelmed listening to his tragedy in life – when i came back to senses we were on the sofa au - naturel. i saw prem deep in sleep. i slept back. the next morning, with a sense of guilt, i had my longest bath ever. a while later…“prem…prem get up – it’s already nine. ” finding no response from prem, i shook his head…but his head was hanging with saliva out and…he was gone forever .
i was shattered to the core; carrying the unbearable pain in the heart and confusion in my mind; i went back to kerala to be with my ever - loving parents; and stayed there for few years .
when i came to chennai on an occasion, i thought of calling - on preethi. there she was…sitting alone in a dark room, playing with a doll. “preethi, do you recognize me? ” staring at me like a wounded tiger, she whispered – “why am i alive. kill me…kill me…”. clutching the doll she cried, “this is my daughter. her father is prem. do you know? ”
i called out “sada. . sada…” came running my 9 year old daughter sada…with tears rolling down my eyes, i was shattered beyond control and comprehension. sada is the living memory of that portentous day with prem…
sixthsenseman: thanks for stopping by... i agree... expectations growing exponentially and level of patience spiralling downwards - i feel, is the root cause of all problems / discord in current day marriages .
it was a masterpiece. you have rightly thrown light on the problem faced by the majority of couple. one can find many preetis and prems in the modern world. the nuclear families had added fuel further to the breaking marriages. expectations are very high from each other in married couples and patience is much lesser. further the sense of insecurity is there! one longs for more and more. important decisions like, having a child or marrying is deferred in the name of settling or in the name of career. divorce seems to be the only solution. in fact, one should give enough breathing space to other spouse so that there is no suffocation in the married life .
the emergence of sara is the most impressive part of your story. what a tragic end to the marriage of prem and preeti! but we should try to peep deep into ourselves to find the answers !
wow! an excellent analytical comment - i suspect you beat even google - analytics software .
changing partners frequently as in the usa - where about 60% of the marriages ends in divorce urltoken - is not desirable in indian context, for the simple reason that about 80% of the girls here are dependant on husband for a living. the divorced women may fall into wrong traps like prostitution, etc .
in todays' indian metros divorce rate has increased tremendously [ actually doubled in 2006 in chennai as per a report in deccan chronicle couple of weeks back ] because the expectations are not only very high but skewed. every guy [ expressly wishes ] wants to see an aishwarya in his wife and every girl [ implicitly desires ] wants to see a sharuk khan or amir or some other hero in her husband. that is the reason while guys / gals go through 100s of profiles during the match - making process - and after marriage - within a couple of weeks they realise that the dreams were one thing and actuality is something very different - resulting in discord. it is said that guys imagine the
stuff
beneath the saree and girls imagine
stuff
[ the heart ] beneath the skin - during the match making ceremony - which [ imagined calculation ] i personally feel in most cases will go awry. coming back to the report, it also mentioned that divorce rate was very very high among employed females - in this highly materialistic world relationship also has become a commodity - which is a sad thing that is happening to fast growing indian metros .
anyway it is a complex topic to be debated, but very interesting. why don' t you come out with a blog on this and i guess will be a sure fire hit in sulekha .
in arranged marriages, there are many benefits. besides matching horoscopes of both, they see character, status and everything before marrying. in such marriages, relatives get together and share happier moments, elders bless young couples and life starts smoothly. some marriages end in failures which cannot be avoided .
in this case, preeti got frustrated because of no issue of children and prem was not interested in having child till he is financially secured. he was solely responsible for the precarious situation of preeti. in india, elders start enquiring bride (within few months) as to whether she has become pregrant or not? at one stage, it becomes a head ache and if she remains childless for few years, then the lift becomes horrible. in this case prem did not want to become father and the marriage went into rocks. though he had all comforts, preeti could not be satisfied mainly for this reason and he remained admant which caused his life .
true, life becomes boring at one stage without children. after all, how long one can see each other' s face. we have a proverb in tamil, 'mogam muppathu naal, aasai arubathu naal'. couples indulge in sexual pleasures for some days. after few months, it too becomes boring. that' s why to carry on life, children are needed. children not only make parents happy, but they make grand parents also happy and keep them engaged .
prem' s option of getting divorce was not approved by their parents and elders for flimsy reasons is appreciable. in india, parents do not approve divorces for flimsy reasons. for them, life would have been more pleasant, had he listened to preeti (of having child) .
in metros, couples start living on mutual understanding (without the botheration of bearing and rearing children). as long as mutual understanding exists between them, they live together. once misunderstanding creeps in, they opt for separation and go for another partner (like western culture) .
i failed to get an apt title for this piece - finally after about 15 minutes of pondering, i thought of this title and placed it. - the title means
wish you a long married life
but in this case, it turns contrary - to that extent the title is in direct contrast to the end! ! !
the point i was trying to make was that the
group dynamics of elders
need to radically shift .
does the title old some significance? .... did not zctully get its meaning .
the story on the whole begings well... it has a direction, the end though seems to have been made up with limited choices... as you said the start was a reality you could see and the end. . seems to have been made up, well. . it shows .
the good part is the narration, the pointers towards elders leaving things at
go get a vacation
, and the materialistic endevours instead of the spritual kinds... nice write uips on the whole
cultural restrictions are only as strong as we let them to be .
- i like this and it is very apt .
i was not looking for that explicit explanation that you have give: that was quiet understandable. there can be several interpretations. but no, i was not bothered by the lack of the explicit conclusion in the story. i was talking about the problem between prem and preethi .
about your two questions, 1 > elders do come to
help
. 2 > no they do not have to stick together .
i have seen the two things happen so many times. so they are not some exceptions .
cultural restrictions are only as strong as we let them to be. usually, we use them as excuses to cover our own inadequacies or lack of personal strength. one has to stop questioning
them
and start questioning
oneself
.
thanks for stopping by... i agree these things never happened in the past ...
storywise well written, backgorund well portrayed, the build up to the issue was fine... but where is the issue. issue itself missing... answer is found towards the end... childlessness... whose fault is that... why did nt they check out it out with a doctor ?
what prompted preethi to distant herself from prem? it is her urltoken is her upbringing. may be she is upset with herself? the guilt that she can' t give birth to a baby... the guilt that she cant bear his child... therefore she created a racket... rather pre - emptive strategy of offensive in nature she was adopting... to defend herself before prem expresses his strong desire to have a kid... these situations did happen in the past and are happening today too ...
its good that he died... what is unrealistic in your story is that in today' s context gals dont go mad... they keep the guy and his family under threat ...
brhadharanyaka upanishad - sloka 1. 4. 2 and 1. 4. 3
drama film produced by c. gowtham kumar reddy on lakshmi padmaja enterprises banner, directed by
in the lead roles and music also composed by s. v. krishna reddy .
vajram is a story of young man, estranged from his narcissistic father, upon failing to meet the latter' s high expectations for intellectual pursuits .
the music was composed by s. v. krishna reddy. music released on supreme audio company .
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dear all, i have one more question: in the hindu wedding rites is consent asked anywhere from both groom and bride? being present for the marriage to takes place only implies implied consent. is there any mantra recited for consent and may be priest also answers on proxy? i have one more question also. . i recently attended a homa at a house of a relative and the priest was reciting ganapathi atharva seersha and he had missed a couple of stanzas and also it was not recited according to sequence he was mixing up lines. . i just have a question (i dont doubt his bhakthi) but how effective is a homa if the priest is fumbling verses. . it goes rather unnoticed cos not many know sanskrit out here in malaysia. and also if a priest who gets it right but has no idea what the meaning is how effective will be the homas they conduct? most priests i have seen even those from india are unable to pronounce
sha
and even a line like
sarva vigno pashantaye
is prnounced as sarva vigno pasantaye
do this minor errors affect the outcome of the homas. . i am asking this q purely on technical grounds as i do not doubt the bhakthi of any priest i have heard before. . feedback please ...
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we are all learning from each other my dear. . no one these days are certified true vidwans isnt that what kaliyuga is all about ?
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iyya, as a practical minded person i am with you 100% . i have widowed cousins who marry their children with themselves being present, fully dressed to the hilt, and fully participating in all the functions, except dharavaathu kodukkal. not only i found there is support for this in our family, which i would consider a values - in - transition - re - modern - traditional tending towards what is acceptable today. ie i do not think, these young fashionable looking widows would be thus participating without the acceptance of the key folks on both sides. which to me is great gratification, as it was about 25 years ago, a widowed cousin, with her own earnings married off her daughter and herself was consigned to the back corners of the kalyana mantapam and no one except me, appeared to be upset about it. times, they have indeed changed for better, for the women, and as a consequence for the men too, as the current day guys do not have this ugly blotch of prejudice towards their own mothers and sisters and daughters .
i do not know whether there is a shastra sammadam in treating the widows like that in old days. but definitely the ladies must have contributed a lot to the misery. if the present day ladies realize that, we can think we are on a changing mode. with due respect to modern ladies, we have still a long way to go .
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budget padmanabham is a 2001 telugu, comedy film, produced by grandi narayana rao on sri dhanalakshmi films banner and directed by s. v. krishna reddy. starring jagapathi babu, ramyakrishna in the lead roles and music also composed by s. v. krishna reddy. the film is remake of tamil movie budget padmanabhan (2000). [ 1 ] [ 2 ]
in a sub - plot, padmanabham hires a housemaid sonali (vidya), who gets pregnant after some time, everyone suspects padmanabham, situation turns out to be the estranged, actually the truth is sonali is padmanabhan boss son anil' s (anil) separated wife. finally, padmanabham raises the money and reclaims his house back and even ramya also realizes her mistake after knowing the truth from anil. at the end of the film, sonali also gives birth to triplets in the hospital .
music composed by s. v. krishna reddy. lyrics written by chandrabose. music released on supreme music company .
this page was last edited on 18 april 2018, at 09: 30 .
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the film was remade in kannada as
bhagyavantharu
( 1974) starring dr. rajkumar and in malayalam as
aayiram janmangal
( 1976) starring prem nazir. it was also remade in hindi as
sadaa suhagan
( 1986) starring jeetendra .
narayana rai and b. kandasamy handled cinematography and editing respectively. the film' s story was written by g. balasubramaniam and the dialogues were written by karaikudi narayanan. the film was released in 1974 and became successful at the box office. the film was remade in kannada as
bhagyavantharu
( 1974) and in malayalam as
aayiram janmangal
( 1976) and in hindi as
sadaa suhagan
.
s. n. lakshmi who acted in the film recalled that during the climax scene, tirulokchandar suggested her to cry without glycerine and she had enacted as per his instructions .
the film' s soundtrack and background score were composed by m. s. viswanathan, while the lyrics for the songs were written by kannadasan and vaali. the soundtrack was released under the label saregama. the song
malligai en mannan
was well received and gave breakthrough for its playback singer vani jayaram. vani recalled that it was a challenging song and
he (viswanathan) trusted me with it
. when vani was in chennai for two music concerts at a bhajan sammelan, m. s. viswanathan who was the chief guest was impressed by her performance and gave her the opportunity to sing the song .
vani always dreams of living a rich life though her father advocates a simple life. one day, she happen to see ramarao in his owner' s car when he goes to a bank to withdraw money. another time she find him in a jewellery shop on behalf his owner again. she thinks that he might be a rich person and falls in love with him. meanwhile, s. p. b thinks that ramarao would be a good match for vani and enquire about his habits on behalf of satyam. later he reveals it to satyam, to which he gladly accept. vani is also happy that she is marrying the one she loved. after the marriage, she realizes that ramarao is just an normal employee but she somehow satisfied with married life and give birth to a baby boy .
once hired on contract, the girls move into a company - controlled compound, and are trained for their jobs as apprentices. the compounds are kept under surveillance, and the girls are rarely permitted to leave and have little contact with their families. the girls are required to work long shifts in noisy factories, are subjected to verbal and physical abuse, and are paid low wages. the girls are expected to work 12 - hour shifts six days a week, and sometimes additional night shifts or overtime .
some employers in this industry may also require the girls work a minimum of 26 days a month, and deduct from their wages fifteen rupees per day for missing a single day. the starting wage is 34 rupees a day, increasing by 2 rupees per day every six months to a maximum of 45 rupees per day. from this wage, deductions are made by the employer for employer - mandated lodging and meals at the compound, typically 450–550 rupees per month .
mayalodu (english: magicman) is a 1993 telugu comedy film produced by k. achi reddy on manisha films, presented by kishore rathi and directed by s. v. krishna reddy. the film stars rajendra prasad, soundarya in the lead roles and music also composed by s. v. krishna reddy. [ 1 ] the film recorded as industry hit at box office. [ 2 ]
veerababu (rajendra prasad) is a roadside magician along with his friend pandu (gundu hanumanthu rao) performs on the roads and earn his living. once while doing such show he comes across a cute little girl puppy (baby nikitha). veerababu tries to ask her details so that he can drop her back to her home. but he comes to know that puppy' s uncle appalakonda (kota srinivas rao) had killed her parents for property and is trying to kill her. veerababu takes her home for safety. but unfortunately due to an accident puppy loses her eyesight. veerababu tries hard to collect the money for puppy' s treatment and saves the money with padmanabham who is the father of siri (soundarya) who is in deep love with veerababu. when vaarababu asks padmanabham to give back his money, he refuses and tells him to warns him to stay away from his daughter. veerababu ties him up to his own chair and takes away his money. noticing all this appalakonda kills padmanabham so that he can take away the rest of the money and can blame the murder on veerababu. even siri believes that veerababu is the person responsible for her father' s murder. check out the movie mayalodu to know how veerababu saves himself from the false accuser and how funnily does he use his magic tricks .
music composed by s. v. krishna reddy. all songs are blockbusters. music released on akash audio company. [ 3 ]
this page was last modified on 3 may 2016, at 03: 59 .
this article' s content derived from wikipedia, the free encyclopedia (see original source).
deergha sumangali bhava is a 1998 telugu drama film directed by s. v. krishna reddy starring rajasekhar and ramyakrishna in the lead roles . this is the story of a married woman who dumps her husband for her career in the glamour world , later realized that she has lost her good old life . s. v. krishna reddy prepared this story based on a letter received by him . 
deergha sumangali bhava is a 1998 telugu drama film directed by s. v. krishna reddy starring rajasekhar and ramyakrishna in the lead roles. this is the story of a married woman who dumps her husband for her career in the glamour world, later realized that she has lost her good old life. s. v. krishna reddy prepared this story based on a letter received by him.
deergha sumangali bhava is a 1998 telugu drama film directed by s. v. krishna reddy starring rajasekhar and ramyakrishna in the lead roles. this is the story of a married woman who dumps her husband for her career in the glamour world, later realized that she has lost her good old life. s. v. krishna reddy prepared this story based on a letter received by him.