live from baghdad ( film )
as a movie, live from baghdad constitutes another first - class production from hbo .
no story is worth dying for, yet mick jackson’s live from baghdad deviated from such maxim .
looking for movie tickets? enter your location to see which movie theaters are playing live from baghdad near you .
) to baghdad in august 1990 to cover the brutal iraqi invasion of kuwait. the hbo film live from baghdad is the story of how wiener and cnn overcame adversity to become the only network to continue broadcasting from baghdad during the u. s. air strikes .
brilliant, highly entertaining drama with wonderful performances from its cast, live from baghdad is set during the gulf war is a film that focuses on a group of cnn reporters that report from the front lines in iraq. well shot and with a great story to tell, this is a film that relies on a great story to deliver an exciting, thrilling film. live from baghdad is a film that is gripping from the moment it starts, and offers up several solid performances from the cast. the film is well paced and it is a riveting film as we see the reporters cover the gulf war. well acted and directed, this film certainly delivers something great. this is a well…
the 1992 film was set in the fictional arabian sultanate of agrabah, moved from the original location of baghdad, iraq .
mick jackson' s live from baghdad works as an entertaining drama, but it provides disappointingly inadequate context in its depiction of the events surrounding the 1991 gulf war .
seemingly from out of nowhere, this film generates perhaps the biggest smile of any movie ...
john justin. i remember him from the thief of baghdad. he was an incredibly beautiful actor .
live from baghdad takes an in - depth look at the dangerous world of war correspondence through a group of young, cnn reporters who find themselves on the mission of a lifetime .
winston, brian, claiming the real: the documentary film revisited, (london: british film institute, 1995) .
after watching live from baghdad, i had a new appreciation for journalists. the movie really put in perspective what it means to be a journalist and what must be done to get the story .
“if the film was released two years ago, or two years from now, the message would be received differently, ” he said .
for some reason, i use to be really in love with this film .
at the time of the film’s release, critical reception was largely negative with several groups concerned with the ‘unsuitability’ of the film’s central plotline. in spite of this, the film was financially successful for the studio (20th century fox) .
“live from baghdad” illustrates a story of two entirely separate entities: one in the world of global affairs, and one in the world of journalism. however, what the movie really brought about, was the collision of both of these subjects .
early on in hbo & # 146; s live from baghdad, producer ingrid formaneck (helena bonham - carter) cautions her executive producer robert wiener (michael keaton) & # 147; the moment we become the story, it & # 146; s over. & # 148; given that live is a film about cnn & # 146; s coverage of the gulf war, the statement is a provocation .
the 1992 animated film was loosely based on a syrian tale, but helmed — and voiced — by white people. debates over the authenticity of the live - action remake are understandable, but a radical change in representation would require an overhaul of the film’s source material .
: fuck berlin. the wall' s down. baghdad is me, eason .
it looks as though the live - action feature film adaptation of disney’s aladdin will be clear of accusations of whitewashing, with its casting call recognising that leads aladdin and jasmine are middle eastern .
cf. jehane noujaim’s audio commentary about the film on the dvd released by magnolia pictures .
“live from baghdad” reinstated what i have recently learned to be the most important factor in being a stand - out journalist; passion. the team that went to baghdad were willing to place everything aside just to capture the story. they went as far as risking their lives to deliver stories and news; to discover the truth and unravel the mysteries within the problems abroad. every single one of their actions were driven by passion. the work of the cnn team depicted in “live from baghdad” is extremely admirable; without teams such as theirs, our country would not be nearly as informed as we are day by day. t motivated me to continue pursuing journalism, and to push myself to take risks like those depicted in the film .
cnn producer robert wiener, his colleague and their crew venture to the iraqi capital to cover the gulf war. i knew that live from baghdad was going to win me over just from that epic opening in the movie theater, the characters that we get introduced to such as robert wiener played by the amazing and talented michael keaton who does an extraordinary job or ingrid formanek played by the also amazing helena bonham carter and the rest of the cast that goes on and on every single character and actor in this film is fantastic. the direction that the film takes is terrific and there' s intense threw out every scene from interviews to even just simple conversations between our characters. the soundtrack also brings a much more dramatic vibe to this already black and white film that you' re introduced to. beautiful dialogue, a terrific based on real life events and a extraordinary and talented cast make live from baghdad a must see for every fan out there. it' s also a very inspiring film about a few brave souls that chose to even' sacrifice' their lives for the truth .
live from baghdad was definitely an interesting flick. robert weiner ‘s desire for finding his story, although probably glamorized slightly by hollywood, paid off in the end, which is what every journalist wants. he was also an example of sheer determination, unrelenting investigation and passion for journalism .
“live from baghdad” is one of those movies that made history; the media world was changed and will never be the same. this movie is about a group of ambitious and courageous journalists and a producer who were the first ones to bring audiences, people sitting in their living rooms all over the country, live tv correspondence from behind enemy lines. these journalists, along with the producer, reported on the conflicts in the persian gulf and essentially made cnn what it is today .
live from baghdad is an hbo movie starring michael keaton and helena bonham carter. it follows the true story of robert weiner and ingrid foremanek (keaton and carter, respectively), both cnn reporters who traveled to unstable iraq in hopes of landing an interview with saddam hussein. after navigating baghdad’s strict rules, they get their interview with saddam, but it’s not as groundbreaking as they had hoped. however, when the bombs start falling, cnn was the only news station to break the story live .
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i have always wondered what drives journalists to cover wars. ‘why put yourself in such a dangerous position, and for what? ’ live from baghdad helped me understand what drives journalists to cover wars and the kind of mindset they have. robert wiener wants the big story. forget living, he would choose death if he could be the only news network on the air during the iraqi invasion. and when he is given this opportunity during the bombing of baghdad, his crew airs the news and manage to cheat death. from the first moment you see wiener it becomes apparent quickly that he and other journalists who cover wars are bold, courageous, and willing to risk their lives in order to get the perfect story. live from baghdad also exhibits an interesting situation. the morning after the bombing, robert wiener and his crew congratulate each other while peering over their hotel balcony at bombed out buildings and chaos. i think it is fair to say that they were the happiest people in baghdad after that night of destruction. live from baghdad gave me a perspective of a type of journalism i have never done, and probably will never do .
a hilariously outrageous story based on real events, this film recounts the making of the ...
based on a genuinely moving true story, this film undercuts the realism by pushing its ...
a victorian thriller with rather heavy echoes of jack the ripper, this film struggles to ...
'' live from baghdad'' was filmed in casablanca, and its ending may remind you of the fade - out of, well,'' casablanca.'' here again, the woman has flown away, leaving the hero and the government functionary to consider that although they dealt honorably with each other, they could not stop the world from spinning out of control .
all the above obstacles in the pursuance of truth are evident in control room: information - flows to journalists are carefully managed in military briefings. an extensive sequence shows the bombing raid on the aljazeera headquarters in baghdad. the live reporting as coalition force take baghdad is shown to record a thoroughly stage - managed event .
mohammed, who lived through the events in baghdad the film depicts, admits that scenes where women and children were killed were hard for him to watch. but all in all he liked the movie .
live from baghdad was an incredibly interesting film that definitely gives hopeful journalists something to think about. overall the movie itself was enjoyable; michael keaton played his character with wit and admirable charm well throughout the movie, ending it as a well - respected hero. personally i felt the relationship aspects of the film (between keaton and carter’s character as well as the sound woman and camera man) was a bit forced but at the same time it shows the camraderie and love that keeps a journalistic crew together .
“lights! camera! action! ” certainly isn’t as glamorous as it seems. in mick jackson’s live from baghdad, “lights! ” are bombs shattering like fireworks in the sky. “camera! ” is a teetering, tiny eye witness to destruction. “action! ” is the scream of a city under attack .
though it takes place throughout 2003, that aspect of the film is particularly fresh today, roessner said .
the film belongs to the audience and the larger culture. it’s no longer his own, he said .
the film is flawed, however. for one thing, it spends too much time praising cnn - - it' s just tv, after all. (full disclosure: hbo and cnn are both divisions of time warner .) the romance between keaton and carter is believable but a distraction - - the film really should have been about the war, not the reporters. much of the film is about wiener' s personal growth as he supposedly learns not to be quite such an egomaniac, which is something journalists often have a hard time with... ahem. unfortunately, since live from baghdad was adapted by wiener from a self - penned autobiography, i' m not convinced that his egomania is completely under control .
in his discussion of construction principles of films which are assembled from ready - mades, william wees distinguishes between the formats of compilation, appropriation and collage. his categories reflect a scale of uses that ranges from the deployment of footage as unproblematic evidence to the investigation of the semiotics of representation itself. drawing on jay leyda’s writing on compilation film, wees offers a definition of the compilation film. this
excellent teleplay, exemplary performances. riveting and thought - provoking. a top - notch production all around. beyond what else has been said, live from baghdad hails those who, as late as 1991, stood up for the freedom of the press, the battles waged, the compromises made, their failures as well as their successes. bush the elder had ordered the press out of baghdad, but failed, as this teleplay depicts. when bush the younger reentered iraq, he offered the press corps a leash instead, which most agencies snapped up. live from baghdad, a brilliant bit of reporting done by an extraordinary cnn team, but also a subtle homage to those who help preserve one of the most vital proponents of liberty - - a free press .
this film may be based on rj palacio' s fictional bestseller, but it approaches its story ...
rehearsals for the film, which is likely to be a big box office hit in the way the beauty and the beast live - action remake is set to be, begin in april, with principal photography taking place between july 2017 and january 2018 .
controversial at the time of release, the film deals with the topic of miscegenation. check out the trailer below :
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the 2002 hbo original film, “live from baghdad”, was about cnn reporting during the gulf war. the gulf war started on august 2 nd 1990, when iraq invaded the neighbor country of kuwait. in january of 1991, the united nations coalition, which included over thirty countries and was led by the united states, invaded iraq. from the time of the initial invasion of kuwait and the un - coalition taking action, there was great tension between the iraqi government and the reporters from the west. multiple times in the movie cnn reporter, robert wiener (played by michael keaton) and his staff we ordered to stop the filming of their show .
in noujaim’s film different accounts of the conflict are shown to be shaped by a “weave of limitations”. [ 9 ] notions of truth, objectivity and evidence become a ground of contestation which is mapped out by the statements of the film’s characters .
plantinga, carl, rhetoric and representation in non - fiction film, (cambridge: cambridge university press, 1997) .
live from baghdad also showed the impact of objective reporting. there was no intentional slant on the bombings in baghdad. the reporters were reporting events as they saw them, without trying to appease a political party, a network, or even a country. they were talking to the people. the response to this kind of reporting was widely accepted by the nation as well as the world because it wasn’t the edited version. it was the truth. i concluded from this that reporting, in its rawest form, has a huge effect on the validity and popularity of the source .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
is here for all you quotes spouting fans of the movie starring michael keaton. this script is a transcript that was painstakingly transcribed using the screenplay and / or viewings of live from baghdad. i know, i know, i still need to get the cast names in there and i' ll be eternally tweaking it, so if you have any corrections, feel free to
being a journalist is a stressful and challenging job. “live from baghdad, ” showed me that journalists sometimes have to make crucial decisions that can change their lives for ever. what do you do when your life is at risk and your country is depending on you to provide them with news? do you stay or do you go? the reporters from cnn who were reporting live from baghdad were on a mission to report the truth and provide their audience with real stories. when baghdad was at war only cnn reporters decided to stay and report what was going on. they risked their lives and became journalism heroes. sometimes i stop and think to myself that people don’t appreciate everything that journalists do. they don’t know how much hard work and dedication it takes to give a story. our job is to think and care about the audience even though the audience doesn’t care about us. we do what we do because of our passion and desire of providing people with the truth .
but not all iraqis were cheering on
chief
kyle' s kills. wael, a government ministry employee in his 30s, says the film was too violent. he' s happy it' s no longer being shown in some baghdad theaters .
the live - action aladdin is one of many adaptations that disney has dedicated the 2010s to churning out, especially since beauty and the beast, released in march, has grossed nearly $ 1. 3 billion worldwide. in 2019 alone, a new live - action mulan movie, a live - action the lion king, and aladdin are all slated to be released. but unlike beauty and the beast — disney’s highest - grossing live - action adaptation of a cartoon to date — these stories are set in regions that would seem to prohibit casting exclusively white actors, or even a plurality of white actors, as western film studios frequently do. aladdin is set in the fictional kingdom of agrabah, an aesthetic mash - up of agra and baghdad. mulan, a historical drama, is set in china during the han dynasty. both animated films lack white characters entirely .
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i picked up a few subliminal journalistic tips from the film: 1) patience is a virtue. sometimes waiting hours and hours (and hours) for an interview with someone important can earn you a great story, and a great friend
tonight, i watched the film, live from baghdad. this was a great film, i really enjoyed watching it and it made me think about journalism and our role as journalists. i really got to see in this movie all the work that goes on behind the scenes in order for us, as united states citizens, to see what is going on in another country especially one as controlled as baghdad. it was also interesting to see how one event such as the filming of the bombing in iraq can change a second rate news - organization at the time, cnn, into one of the biggest, most trusted and biggest news organizations today. i was very excited to see this film and this helped me a lot to see what being a reporter really means and how much a seemingly routine news story to use as the public really means to a reporter and how much it can change the persona of a network .
this was an interesting look behind the scenes of cnn' s efforts to bring the 1991 bombing of baghdad into the homes of tv viewers. it brings to light the heroic sacrifices made by journalists, camera crews and producers to keep us informed while working in hostile dangerous areas. a good effort from keaton, & carter, help make this a really decent film. .
the ashkenazim are the jews who emigrated to palestine from europe, the sephardim from arab or north african countries. although immigration from arab countries was continuous from the late 19th century, the largest waves of immigration by far between 1881 and 1949 were from european countries. these eastern - european jews founded the state of israel: indeed during the first 20 years of israel’s existence, cabinet meetings were held mostly in yiddish. then, in the 1950s and 1960s, a huge wave of jewish immigration from iraq, morocco and yemen changed the face of israeli society. both were traumatised, each finding it near - impossible to build bridges to the other’s mentality .
given the thematic concern of noujaim’s film with the construction and constructedness of audiovisual records of the iraq war, how does she, in turn, make fragments of these records contribute to the rhetorical project of her film? this is the central question which will be investigated .
live from baghdad, was a gripping and exciting movie to watch. it really made me think about the dangers of the job, but also how rewarding the journalism career can be. i personally am a thrill seeker, so a job like that of the reporters in live from baghdad would be right up my ally. also, the fact that they got to see the beginning of the war in iraq is remarkable. any movies that portray historical events are always moving and inspiring. my favorite part had to be at the end when the war erupted and the army started shooting into the sky. i never imagined what it would look like to watch open fire. if i had been in their shoes i would have been torn between the fascination of the beauty of the destruction and the fear of war .
it is not only in politics and the street that israel’s ethnic tensions surface. our film reviewer yair raveh explores representations of ashkanazi and sephardic jews in israeli cinema, from the past of sallah to the present of orange people and the dove flyer .
noujaim’s juxtaposition of two truths downplays authorial intervention both in the eschewal of a voice - over commentary and the masked interactions between the film team of two and the film’s characters. with the exception of one almost inaudible brief question, the presence of noujaim’s film crew is effaced. factual inter - titles structure an extended exposition which sets out the film’s narrative baseline and introduce us to the main characters. but this overt authorial commentary soon dwindles to captions with the name and function of characters, and rare instances of temporal or narrative anchorage. it is from a weave of materials and a more dispersed narrative agency that noujaim’s rhetorical project emerges: using a familiar documentary formula she intercuts her characters’ present tense statements with filmed passages from centcom and the doha aljazeera headquarters and news footage .
“i didn’t see representation in film for these people. not for soldiers who are incredibly tough and twice as smart, ” he said .
jehane noujaim’s previous film on the rise and fall of a dotcom business, startup. com, was co - directed with chris hegedus .
walking into wednesday nights movie, live from baghdad, i didn’t know quite what to expect. to be perfectly honest i thought it was just going to be a waste of two hours of my night. however, as soon as the first few scenes played, i was immediately proven wrong. this movie opened my eyes to what true journalism could really be about. my father always told me that most journalists would die for their stories. i never could quite understand why journalists would be willing to die just for a story, or what would even make a story worth dying for. however, live from baghdad, showed me that there are stories out there that are worth risking everything for. getting the story out of what was really going on in iraq was worth everything to robert weiner and his news crew .
ursula böser lectures in the department of languages and intercultural studies at heriot - watt university, edinburgh. her research interests are found footage film and alternative film modes. she has written a book on the work of the avant - garde filmmakers jean - marie straub and danièle huillet .
wees, william, recycled images. the art and politics of found footage films, (new york: anthology film archives, 1993) .
when iraqis see a film [ about war ] they' ll be engaged in it because they feel part of them is there .
roessner said fellow veterans he has met from his scholarship class and others range from lawyers and doctors to poets and social workers. they were more complex than gruff troops with little intelligence who commonly appear in war films, he said .
the movie tonight was ‘live from baghdad’. the name itself gave me the idea that the movie was going to be edited shots or streaming footage that was ‘live from baghdad’. in my naiveté, i did not even consider that the movie would be so moving and relatable. as the movie progressed i grew more and more attached to the main character. his ability to mold his character to fit every journalistic situation reminded me of my own persona. his stubbornness in the scene where he waits an entire day to speak with the minister of information to attempt to make an appointment for an interview with saddam hussein reminded me of my stubbornness. i am also stubborn in the way that i would wait as long as it takes to get what i need. overall, the main character reminded me of myself and he made me feel more confident in being a journalist .
i was surprised at the extent weiner and his team were willing to go to be the first ones at a story. not only that though, they also worked tirelessly to make a name for cnn that had nothing to do with “the little engine that could”. the work and final story were to be praised, and rightfully made into a movie. “live from baghdad” helped fortify my desire of being a dedicated and passionate journalist .
tonight’s movie was “ live from baghdad” and i loved it! coming from a military family my dad fought in that war, but i have only ever heard it from the soldier’s point of view. hearing about the life of a journalist abroad was extremely interesting to me. it took so much work to do a single broadcast and they had to put themselves in so much danger! seeing it from a producer’s point of view was extremely eye opening. i also did not know the history of cnn, now i know where they got the tagline “fair and balanced. ” i also did not know that ccnn was so looked down upon by the other news stations. i also did not know that they were the only news station that stayed in baghdad, which is quite impressive. the interview they got with saddam hussein was so difficult to get and difficult to listen to but they really stuck it out to get the real news .
loved this film when i was a teenager…. the music, the colour, the scenery, the actors. eventually went to live in the west indies and it was exactly like that. funnily enough i’ve just found the book by alec waugh and m reading it with delight. takes me back soooo many years ago !
chris roessner is an iraq veteran and screenwriter of the film
sand castle
debuting on netflix on april 21, 2017. courtesy of chris roessner
disney’s casting announcement from the past weekend has given fans some small reason to hope for a quasi - radical take on aladdin, a relatively safe box - office bet that nonetheless demonstrates all the studio has learned about diversity, representation, and whitewashing between the original movie and now. for disney, diversity is, as ever, a process. for once, though, imagine the company attempting it from the start, from the ground up, from the choice of director all the way down to the casting. imagine the company building a whole, new world from a new, fantastic point of view .
the iraqi film business is small compared with its middle eastern neighbors, but it' s growing. daradji and his brother run the iraqi independent film center, a production house aimed at training the next generation in iraqi filmmaking and bringing filmmakers who fled under saddam hussein' s rule back to iraq .
hbo & # 146; s telecast of live from baghdad could not be more timely. the film premieres four hours before sunday, december 7, when the 30 - day deadline of u. n. resolution 1441 will have expired. it is unlikely that saddam hussein will comply with the u. n. & # 146; s request for a list of his covert weapons programs and with this lapsed obligation, the pentagon is expected to call up the reserves, 10, 000 strong. history seems doomed to repeat itself, as they are to be deployed to iraq to shed blood anew .
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many people also objected to the film' s portrayal of kyle — a man who described iraqis as
savages
in his memoir — as a hero .
live from baghdad was very inspirational and really got the point across of what it takes to be a great journalist. its obvious that the situations the crew was put into were very hostile even before bombs were dropping. putting your life in danger to cover a story is very possible and a decision that would be hard to make if the journalist has a family at home. it seems to me though that the passion for what one does makes all the risk worth it .
i love harry belafonte on film. he was so good looking…. sigh. remember the world, the flesh and the devil? i think that was title of the movie. i’m going to write about it at some point – my problem is that i can find very little about it online. i’ll have to keep digging. that was a film in which the film - makers cop out on the racial angle in the end. but still, a movie worth looking for .
journalists are warriors. this is the message that was woven into every second of the film live from baghdad and the message that rang through my mind as i left the first amendment forum last night after the movie had ended. after watching the incredible story of a cnn team that endured horrific ordeals and succeeded in telling the story of a lifetime to the public, i have a new respect for journalists and reporters everywhere. i never realized how the truth was something that often must be fought for, and i now know that if being a journalist means joining the ongoing battle between integrity and corruption, i want to be a part of it .
although based on a true story, the film is not a documentary. many events have been condensed or eliminated and even some characters have been condensed or eliminated .
watching the movie live from baghdad gave me a picture of what true commitment looks like in journalism. the team of journalists in the movie risked life and limb in order to deliver the news to their viewers. even as the reckless protesting mobs in baghdad screamed and held signs reading “down usa, ” the team pushed their way through with cameras to continue reporting. with limited technology available in the foreign country, members of the team had no choice but to sprint back and forth through the hallways in order to make the news report perfect for viewers. after a story failed because of lack of cooperation from an interviewee, hope seemed to be lost. despite the setback, the team kept pushing through and ended up getting an important interview from saddam hussein himself. at the end of the film, bombs began to explode as a war erupted, yet the team continued reporting and did whatever possible to keep the news stream going. this movie showed dedication to the extreme, and i admired the great lengths each team member was willing to go in order to make a difference .
what moviegoers in baghdad think of' american sniper' when gaith mohammed, a young man in his twenties with a degree in accounting, went to see
american sniper
during its opening week at baghdad' s mansour mall, he says the theater was full and rowdy .
some check out this story on urltoken urltoken
“live from baghdad, ” an action movie depicting the true life story of cnn’s struggle to prove themselves as a worthy telecast station, played tonight in the first amendment forum. amongst the many television networks, such as cbs and abc, cnn’s team struggled to cover the main stories that were happening in baghdad and kuwait. after many discouraging events, such as the sadaam hussein interview being offered exclusively to cbs, and the fear of being harmed that stopped interviewees from disclosing the truth, the group from cnn didn’t back down. once all foreigners were offered one last escape from iraq before the war erupted, many of the other journalists fled back to the united states. the group at cnn stayed, providing the only live link on the war from iraq to the united states, meaning many of the other networks cited them for information. they proved themselves to be worthy journalists, and boosted cnn’s credibility indefinitely. before starting school here, i was honestly questioning whether i wanted to persue a career in journalism. i wondered if it would present enough of a challenge, or if i would grow tired of it, but this movie made me realize all of the important things i can do in this field. and it honestly gave me the drive to try harder, because one day, i could be solely reporting on a matter just as controversial and just as important as the war in iraq .
roessner stressed the film, helmed by director fernando coimbra and shot on location in jordan, is not entirely autobiographical, but it does mirror his own experience in iraq .
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i had never seen live from baghdad before this time. i have to say it was an experience; i truly enjoyed it. it was such a fascinating movie. the way the crew from cnn never gave up. they took risks and it paid off. they put everything they had on the table and they were extremely successful. it was incredible the way they put their lives on the line to report to the world what was going on. throughout the movie we were able to see how the crew in baghdad were able to spot the smallest things that told then something was off. as a journalist it is important to be able to spot those small things that tell you something seem strange. this is a prime example of going all in and leaving nothing behind. cnn had everyone at the palms of their hands; everyone was reporting the news that the crew from cnn had found. i would definitely watch this movie again .
the film, directed by mick jackson from a script credited to mr. wiener and three others, does simplify history in the cause of drama. the canny viewer will remember that hbo and cnn are both children of aol time warner, which no doubt hopes to supply your updates on the next gulf war .
i saw an interesting made for hbo film called live from baghdad staring michael keaton and helen bohnam - carter. i remember when it was happening in college, so it' s an interesting look at an insider' s view of the action. it also displays the journalists' view of the action that i sometimes come across in other journalistic accounts in books and magazines. it was made before the current war on iraq, which gives the current conflict some perspective, but not much, it doesn' t analyze about the war so much as give the story of how cnn broke out to become a giant in the journalism industry with it' s exclusive coverage of the war .
it’s surprising how confident i am in what i would or wouldn’t do for a story. when dean gilger described an incident where a interviewee (who was also running for public office) asked for a story to be held because of his previous alcohol problems, i immediately thought it was not alright to hold the story. it’s our job to expose these kind of things. like in “live from baghdad”, it is our duty as journalists to make certain practices known to the public. in the movie, wiener is criticized for his crew’s interview techniques; yet, i believe, it is always the interviewee prerogative to say, “no. ” in “live from baghdad”, i initially thought they were overly critical on the judgment calls of wiener and his crew. upon a second examination, i understand the judgments on the cnn crew. this movie highlights the ethical line we all must walk as journalists. do we expose the over - protective government or do we keep promises to our network? it seems we may have to do both .
in baghdad, where much of the film is set, the movie drew full crowds at one of the city' s new upscale cinemas. dressed in a fur - collared coat and loafers, mohammed says many of the showings were sold out, and he knows of people who had to book their tickets a day in advance during opening week .
i found the movie live from baghdad extremely interesting because it portrayed a side of journalism that isn’t always publicized. there was a part of the movie where the main character, robert wiener, is experiencing internal conflict over an interview he gets from an american hostage in iraq. he is very aggressive in getting the interview, which he believes is important for americans at home to see in order to understand what is going on in iraq, but at the same time he feels guilt at possibly putting that man in danger by exploting his situation. this is a repercussion of journalism that isn’t as widely known, or at least one that i had never thought about before .
“live from baghdad” showed me both the exciting and scary parts of journalism. i’ve listened to and watched war reports, but somehow in movie form it made it that much more real. i don’t know if i could be the one to go into a country and tell the story for the audience back home, especially if i were from the enemy country. it was interesting to see how much persistence is needed to be a really good journalist. you have to wait and be patient, even if you have to drink lots of mint tea. waiting is not always fun or entertaining. but it can get you the best results. it also sets you apart from the rest. your editors and producers will have more faith in you and will give you those assignments that you’ve been waiting for. i also paid attention to how much robert wiener noticed the details. those details are what truly tell the story. it’s also what kept cnn in baghdad, even when the other networks were kicked out. overall, i very much enjoyed the film. it gives me a better apprectiation for what i’m learning in class and for what the job of a journalist is .
• “margins to center” is concept i was recently introduced to in my history class. it describes how people who live on the margins of society tend to, have to, pay more attention to those in the center of it (those in power). in the film, people in iraq seemed to have a much better idea of what was going on in america than vice versa .
roessner said the water pump mission in the film has often been compared to the myth of sisyphus, the greek tale of a man rolling a rock up a hill for eternity .
bradley cooper plays chris kyle, a navy seal sniper, in' american sniper.' the film is based on kyle' s autobiography detailing his time serving on the battlefield .
it' s impossible to distinguish whether live from baghdad is a completely true story, but the cast and the location shooting (done in california and morocco) is excellent. the most interesting part is when cnn reporter robert weiner (michael keaton) goes to interview the head of iraq' s ministry of communications, who later became the iraqi minister of propaganda (something like that) and gained the nickname
baghdad bob
because of his televised tirades against the u. s. during the recent 2003 gulf war. he kept insisting to the iraqi people that u. s. troops were not in control of iraq, even after they made their way into baghdad. he was later arrested by u. s. forces, but the charges were eventually dismissed, and now he' s another civilian caught up in his homeland' s ongoing chaos. rating: * * *
and so it continued: every time a film portrayed the hardships of the north african immigrants, the public wanted to see it, while the critics warned of stereotypical images. slowly, though, it became clear that whenever a film critic (usually an elderly ashkenazi male) screamed ‘racism! ’ he was really hiding his own racism. from sallah to avi nesher’s turn left at the end of the world 40 years later, the maladjustment of the moroccan jew drew huge crowds while the intellectual elite frowned .
great hbo film that tells the story how cnn was the only news network to be able record live from iraq during the usa iraqi war. michael keaton does a stellar job portraying cnn producer robert wiener who ran the show with helena bonham carter as co producer ingrid formanek, along with many familiar faces including bruce mcgill who almost steals the movie with portrayal of correspondent peter arnett. the screenplay written by wiener himself gives insight on the give and take involved when dealing with a foreign government who wants to be portrayed in the best light possible .
as a grad student, it was somewhat eerie to me to watching “live from baghdad”, especially since i remember the events of the persian gulf war like it was yesterday. as a seven - or eight - year - old boy, i remember watching the tv with my parents in a small, single - wide mobile home in northern idaho, and wondering why my parents were glued to the tv, when all i was seeing was a map of iraq and pictures of a few men who were describing radio - style what they’re seeing .
dramatized version of the story of cnn' s gulf war coverage featuring
the boys from baghdad
: the battle over access, the fight to keep the technology up and running. . and the decision whether to risk their lives behind enemy lines once the bombing starts, in order to get the story of a lifetime .
but “sand castle, ” according to roessner, could be the first film about the war in iraq penned by a veteran who served there and released by a well - known studio .
“live from baghdad” was an eye - opening movie about the beginning gulf war from a journalistic point of view. it was so intriguing for me to watch because there are countless more factors that go into producing international news than i ever imagined, especially in the years before technology was every improving, as it is today. now i can say that i have definitely taken the reports from across the world for granted. even as little as ten years ago, people had to anxiously wait for the few minutes of airtime showing the correspondence of the foreign reporters. i was amazed by the courage and bravery of the crew in the movie. their selfless determination to capture all the breaking news they could sometimes meant putting their life on the line. that is the true example of being a great storyteller, as aaron brown talked about on monday. the cnn crewmembers in “live from baghdad” were willing to do whatever necessary to report the truth, even when iraqis where threatening them. whether that was stepping into a crowd of protesting people to get that perfect shot or standing in front of a window while guns were firing into the sky, they forgot about themselves and thought only of their viewers back home. this demonstrated to me that journalism is about transporting your audience to a place where they might not be able to go and enabling them feel as if they are right in the heart of the action .
in 1990, the producer robert wiener (michael keaton) convinces the direction of cnn to go to iraq with his crew due to the increasing tension of this country with usa. when baghdad was bombed and iraq invaded in 1991, cnn was the unique television broadcasting the events, being worldwide projected as a great news channel. i liked very much' live from baghdad', mainly because the story is very decent and engaging and stays politically neutral, trying not to manipulate the viewer with any political crap, and limiting to show the hard work and difficulties of the cnn team to work in country under the pressure of an eminent war and with a totally different culture. the direction and the performance of the cast are excellent, but michael keaton, helena bonham carter and david suchet (whose name i have not found in the imdb credits) are superb. the original title of my review was' a decent movie', and for my surprise there is another review with this title. once there is a very interesting line about the karma of a country with oil fields, which would be a cemetery of forest and dinosaurs, i decided to highlight this uncommon reference. my vote is nine. title (brazil):' ao vivo de bagdá' (' live from baghdad' )
live from baghdad is a television movie produced in 2002 by hbo . it was directed by mick jackson and written by robert wiener based on wiener 's book of the same title . the movie was released during the prelude stage of the iraq war . michael keaton stars as cnn on-location producer robert wiener in baghdad , iraq during the persian gulf war in 1991 . the movie focuses on the news media 's ( primarily cnn 's ) coverage of the war . fundamentally an action – drama , the characters grapple with the ethics and implications of 24-hour journalism in the days leading up to and during the united states-led bombing of baghdad . 
live from baghdad is a television movie produced in 2002 by hbo. it was directed by mick jackson and written by robert wiener based on wiener's book of the same title. the movie was released during the prelude stage of the iraq war. michael keaton stars as cnn on-location producer robert wiener in baghdad, iraq during the persian gulf war in 1991. the movie focuses on the news media's (primarily cnn's) coverage of the war. fundamentally an action – drama, the characters grapple with the ethics and implications of 24-hour journalism in the days leading up to and during the united states-led bombing of baghdad.
live from baghdad is a television movie produced in 2002 by hbo. it was directed by mick jackson and written by robert wiener based on wiener's book of the same title. the movie was released during the prelude stage of the iraq war. michael keaton stars as cnn on-location producer robert wiener in baghdad, iraq during the persian gulf war in 1991. the movie focuses on the news media's (primarily cnn's) coverage of the war. fundamentally an action – drama, the characters grapple with the ethics and implications of 24-hour journalism in the days leading up to and during the united states-led bombing of baghdad.