thambi vettothi sundaram
thambi vettothi sundaram crew was threateneded thambi vettothi sundaram, starring karan a. .
thambi vettothi sundaram review. thambi vettothi sundaram tamil movie review, story, rating - urltoken
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' thambi vettothi sundaram' producer j. senthil kumar interview: urltoken - part ii
on the whole thambi vettothi sundaram is an overdose of emotions, dreary and slow moving .
thambi vettothi sundaram takes you through the life of an educated younster who changes to. .
there are no critic reviews yet for thambi vettothi sundaram. keep checking rotten tomatoes for updates !
' thambi vettothi sundaram' producer j. senthil kumar interview: urltoken - part ii - youtube
technically, thambi vettothi sundaram passes muster. the camerawork is adequate while vidyasagar’s music makes an impression .
tags: thambi vettothi sundaram, karan, anjali, saravanan, v. c. vadivudayan, vidyasaga
technically, thambi vettothi sundaram passes muster. the camerawork is adequate while vidyasagar’s music makes an impression. technically, thambi vettothi sundaram passes muster. the camerawork is adequate while vidyasagar’s music makes an impression. (more )
thambi vettothi sundaram (2011) tamil movie cd - rip 320kbps mp3 songs music by vidyasagar - starmusiq. com
i am now doing kanagavel kaakka which will be released soon. this will be followed by kanda and thambi vettothi sundaram .
no film has sunk this low and hit rock bottom with a thud. thambi vettothi sundaram is one of the worst movies of the year .
thambi vettothi sundaram directed by vc vadivudaiyan is a bio - pic on a notorious history sheeter who lived on tamil nadu - kerala border in kanyakumari district .
thambi vettothi sundaram is a tamil docudrama crime film written and directed by v. c. vadivudaiyan. it stars karan and anjali in the lead. the film received ...
thambi vettothi sundaram movie deals with an off - beat subject based on a true story happened in kanyakumari. it is based on the life of a person in a place ...
actor karan, who is working hard to give a hit film as hero, has run into troubled waters. his thambi vettothi sundaram opposite anjali and directed by vadivudayan has run into trouble .
thambi vettothi sundaram is a tamil film directed by v. c. vadivudaiyan. it stars karan and anjali in the lead. the film received negative reviews and became a flop. source: wikipedia
it is the true story of vettothi sundaram and i play the title role. this is the first true story that i am doing. the events that happened in vettothi sundaram' s life have been chronicled. a few cinematic liberties have been added .
thambi vettothi sundaram movie deals with an off - beat subject based on a true story happened in kanyakumari. it is based on the life of a person in a place that is on the tamilnadu - kerala border .
overall, thambi vettothi sundaram is a film that is loyal to its story; there are absolutely no diversions. but, is that enough for a good viewing experience? the grim and serious nature gets to you after a while and the happenings one after the other seem to lose sheen and credibility as we go deeper into the film. thambi vettothi sundaram could have been much better, only if it had been packaged a bit more cleverly .
vadivudayaiyan has made it very melodramatic and highly sentimental especially in the climax. his characterisation of lead actors is half baked. on the whole thambi vettothi sundaram is an overdose of emotions, dreary and slow moving. (more )
i am involved in three films now (kangavel kaakka, kanda and thambi vettothi sundaram) and i am extremely satisfied and confident about them. my energy levels are peeking and i am happy that i am on the right track .
a soft - spoken upright youth is forced to go the wrong way, he turns robinhood and goes a gun blazing for a cause. this has formed the crux of many films in the past. no different is' thambi vettothi sundaram' .
when the film was announced, my cell phone did not stop ringing. i was constantly being called to find out about the title. this story is about events that happen in marthandam, thakkalai in kanyakumari district. hero’s name is sundaram and he is from vettothipuram which is the name of a town in kumari district. the usual practice is to add thambi to the names and that’s how the name thambi vettothi sundaram was born .
thambi vettothi sundaram by vadivudaiyan is said to be based on a real incident that took place in kanyakumari district. karan plays the lead role ably supported by anjali, saravanan, kadhal dhandapani, kanja karuppu among others. the movie has created quite a sensation before its release. let us see if it has lived up to the expectation .
nawin (usa) acts in tamil movie
thambi vettothi sundaram
directed by v. c. vadivudaiyan. starring karan and anjali. js24 frames production. this is a true native story of kanyakumari district. soon this will be in the screens. pl be updated with all the informations of this movie in youtube and medias. video by lenin .
due to circumstances, sundaram is forced to enter liquor trade, which leads to further twists in the story. after agreeing for a church wedding with mary, sundaram’s plans go awry, leading to a bloody climax .
movie title - - - thambi vettothi sundaram unbelievable - - - director v. c. vadivudaiyan directs actor karan for 1st time. director v. c. vadivudaiyan directs actor karan for 1st time. director v. c. vadivudaiyan and music director vidyasagar joins for 1st time. cast - - shanmugarajan as udumbu chiluvai s right hand venniradai moorthy as teashop owner movie details - - release date - 11 - nov - 11
js 24 frames j. senthil kumar producer speaks about director v. c. vadivudaiyan' s' thambi vettothi sundaram': adhikaalai. com. js 24 frames production, starring karan, anjali, adhikaalai nawin, kanja karuppu, j. senthil kumar, saravanan. music: vidyasagar, lyrics: vairamuthu, dialogue: raghavan. interviewed by adhikaalai nawin. தம்பி வெட்டோத்தி சுந்தரம் இயக்குனர் வி. சி. வடிவுடையான். இசை: வித்யாசாகர், பாடல்கள்: வைரமுத்து, வசனம்: ராகவன். js 24 ஃப்ரேம்ஸ் தயாரிப்பு
thambi vettothi sundaram, a story that has been publicized as one that reflects the true picture of the tamil nadu - kerala border made it to theatres on that fancy date 11 - 11 - 11. it has been a while since we saw karan on screen, same holds true for saravanan who is sparsely seen after his paruthiveeran heroics. not surprisingly, the most popular face in contemporary months in this film is anjali; just goes to show the kind of performances she has turned in over her past few films .
karan plays sundaram, a post - graduate turned gangster. anjali, saravanan, kadhal dhandapani and ganja karuppu are also in the cast. music is by vidyasagar .
when things go well and sundaram plans to marry lourdes, all hell breaks loose. a revenge game results in bloodshed. does he emerge triumphant forms the crux .
thanks to his friend salai (saravanan), who is into illegal trade, he overcomes dejection. there is a romantic tale when sundaram comes acros s lourdu mary (anjali), daughter of a gangster, who is a dreaded gangster. turn of events leaves sundaram to get involved in illicit arrack trade and he becomes a middleman helping gangster smuggle goods. when things go well and sundaram plans to marry lourdu, all hell breaks loose. a revenge game results in bloodshed and a gore ending .
kanyakumari is boasted as the district with maximum number of literates in tamilnadu. sadly it is the place where crime rate is high reveals a statistic. perhaps this has prompted director vadivudayan to try his hand at exploring the reasons behind it. he has touched upon on the real - life story of a graduate - turned - gangster vettothi sundaram, who hailed from the district. sundaram (karan), a post - graduate, wants to end up with a government job. but the corrupt officials play spoilsport on his dreams .
sundaram (karan) is hard working guy with a brilliant academic career. he is looking for a government job but always loses out due to prevailing nepotism and corruption in selection of candidates .
his best friend is sala (saravanan), who is a middleman for various illegal deals. sundaram falls in love with the beautiful college girl lourd mary (anjali), daughter of a notorious smuggler and dealer of illicit liquor .
the film is shot in kanyakumari district of tamil nadu where the main livelihood is inter - state smuggling. so people are either jobless or are smugglers. sundaram is a good hearted small time con man who is looking for a government job, more specifically a teachers job but circumstances force him to take the smuggling. lourdes mary is the daughter of the most dreaded smuggler, siluvai, who dares to fall in love with sundaram. then there is ambrose, a cop seeking revenge against siluvai .
the film is shot in kanyakumari district of tamil nadu where the main livelihood is inter - state smuggling. so people are either jobless or are smugglers. sundaram is a good hearted small time con man who is looking for a government job, more specifically a teachers job but circumstances force him to take the smuggling. lourde ...
sundaram (karan) dreams of landing in a government job. but corrupt officials come in between his goal. he loses a chance to achieve his desire. thanks to his friend salai (saravanan), salai emerges a gangster but with a golden heart. in the meantime, he meets lourdes mary (anjali), daughter of another gangster. she studies in a local college .
starring: karan, anjali, saravanan direction: v. c. vadivudayan music: vidyasagar production: senthilkumar rating: review: consta ...
the film has gone out of its way to glorify the lead character and made him look like a sort of do - gooder, who was forced by circumstances to do bad things against the law. a sense of déjà vu, as films in the same genre are dime a dozen .
poliyur is a village that lies on the border area between tamil nadu and kerala in southern part of the state in kanyakumari district. the main occupation of the people in this area seems to be brewing and smuggling of illicit liquor to neighbouring kerala .
there are many cartels involved in it who are bitter enemies and also kill each other to gain supremacy in the flourishing trade .
vadivudayaiyan has made it very melodramatic and highly sentimental especially in the climax. his characterisation of lead actors is half baked. there are too many censor cuts and muting, which leaves the audiences confused. karan has delivered a matured performance; anjali does her aggressive girl act. it is saravanan who steals the show in the films very few lighter moments. the music of vidyasagar is one of the silver linings in the film .
the dialogues and the dialect could have been taken care of in a much better way. after having been publicised as a tamil nadu - kerala border story, one does expect a malayalam - tamil hybrid to come through in the dialogues; that does not happen. the malayalam slang is limited to one or two words which often open sentences, afterwards, it is all normal tamil which you would hear anywhere in the state. it is like using the phrase ‘yelle’ in every sentence to masquerade normal tamil as the tirunelveli dialect .
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synopsis / plot: this is a true story set in the kerala tamil nadu border .
the entire team of the movie has done well and the movie has been set in plot. (more )
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karan, anjali, saravanan, ganja karuppu, j. senthilkumar, kadhal dhandapani, shanmugarajan, balasingh, saravana subbiah, venniradai moorthy ,
en manasukulla - song making | d. imman, surmukhi | ...
no references of sanjay dutt' s first wife in' sanju' ...
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karan who made an impressive debut in nammavar has come a long way. after a brief sabbatical, he made a re - entry into filmdom as hero in kokki from where his journey is progressing at a steady pace. karan in conversation with urltoken
i consider two things in my life to be turning points. the entry that kamal sir gave me in nammavar. he called it as ‘periya pravesam’ which is absolutely true. no one could have got a better entry. i think i am the first person to have gotten the opportunity and luck. with just one day after the release of the film, i received the recognition that one gets after doing ten films. nammavar gave me a lot of confidence. i have done close to 68 films after nammavar. the second turning point is my re - entry into films as hero in kokki which was a sensational movie. people had not expected to see such a film in those days and the film was well appreciated. after kokki i did karuppusamy kuthagaidaarar, thee nagar, kaathavaraayan and malayan which received appreciations from different types of people .
when people hear the names of my films the first thing they ask is ‘where do you pick such titles? ’ but i feel when the story and plot are different, everything about the film will be different .
kanagavel kaakka is such a relevant title. the name of hero is kanagavel. now i think you will be able to get the feel of the content. the character of the hero is portrayed in a very powerful manner. i would like to discuss the characterization of the film but cannot do it till the release of the film as per the requests of the producer and director. you may have met such a character in your life but i feel such a person has not been portrayed in films till now. in that fashion, kanagavel will be unique .
haripriya, a famous heroine from sandalwood is being introduced as my on screen pair. kota sreenivasa rao who acted with me in kokki will also feature in this film. i don’t have to talk about him; he has proved himself in saami and many other films. sampath is a lawyer in the film and i am sure this film will render a different color to him. he has done a superb job. then there is adithya as a police officer .
i see director kavin bala’s brilliance in kanagavel kaakka. i am very confident that he will turn into a fantastic director. you will realize my word when you see the film. when a right story and scenario along with perfect casting happens, 75% of the work is completed. director kavin bala has chosen the right technicians .
there is extraordinary music scored by vijay antony in kanagavel kaakka and he is a strong pillar to this film. re - recording tracks will speak a lot about his intelligence. he has done many light hearted films but this film will be very different from his earlier works. vijay antony is the latest music sensation .
lyrics are written by snehan which have turned out very well. nellai jeyantha has also written lyrics. vijay antony has also written a song ‘minsarame minsarame’ .
as actors we were all waiting to go to the sets every day. all things that are required for a successful film have been happening to kanagavel kaakka right from the beginning and there is huge expectation for this film. people who have watched it at post production stage have appreciated it. but i am like a student who is awaiting results after writing his exams. we are giving the film to people who will give our verdict. i am waiting for the results and at the same time i trust that people would come to me and say, “karan, we did not expect such a film from you. ” i am waiting to hear those words .
recently a journalist friend approached me and said that now that i have become a hero, i would have earned much on the financial front. i seconded his thoughts and said, “i have earned much but not money but only fans. when i earn money, it gets spent. but fans are not like that. fans are only incoming and not outgoing”. this is a heartfelt truth which i have said in many interviews. in film industry, many people would have become hero with diverse ideas and perspectives. but i always believe that when we give good products, fans will never let us down. this belief only drives me forward and i became a hero relying on this fact .
kanda will hit the screens after kanagavel kaakka and kanda is being produced for vp films by kalpana palanivel. he is a very good producer who has given many successful films. babu k viswanath is the debut director .
till now, i have done many films for first time directors. people have asked me why i only work with new directors. but they are the ones who approach me with scripts. what i look for is a simple and clear plot with some aspect being different and fresh. most of the new directors have toiled in the industry for 12 - 13 years and have acquired much knowledge and experience. hence they would want to use all that they have learnt in the first film and would be keen to prove themselves. in tamil film industry, best films are rendered by debut directors. when such directors come with so much of zeal and potential, there is nothing wrong in joining hands and working with them .
working is much easier and the atmosphere is friendly. it is a refreshing experience for me. they look at me in a completely different angle which i myself have not thought about. director kavin bala is also a newcomer who has worked with saran and hari and has gained valuable experience. he is also a poet. of course i also would like to work under established directors and some of them have even been discussing things with me. when the right opportunity knocks, i would like to do it in the right manner. i am sure god will give me such an opportunity too .
mithra from kerala is my heroine in kanda. rajesh features in a key role .
the film is about a school teacher and his student. in the earlier generation students used to go to school by walk for many miles or cross the river and through many such difficult modes. in the present days, i am not sure if some kind of personal relationship exists between students and teachers. nevertheless, for a student, there will be at least one teacher who will be close to his / her heart. this holds good for all. there was such a teacher in kanda’s life. that’s what the story is all about. the relationship between kanda and the teacher forms the crux of the storyline. the film talks about what the teacher did to kanda and what he did to the teacher in return when he grew up. the plot occurred very new to me and i am quite satisfied with it. rajesh is the teacher who has all the qualities to be a good teacher. he is also a good actor. it will be a good film for him .
babu k viswanath. he has written many stories. when he narrated the story to me, he did it quite briskly. we can decide on some stories instantly and some others make you think because you wonder whether the story would be suitable for you. but i decided on kanda immediately. i felt the spark inside me .
vadivudayan is the director. i don’t intend talking about him now because everyone will be doing that once the film is released. a brilliant director! though this is his 2nd film, he is like a newcomer. he impresses me in every thing .
after these films, i am yet to decide my course. once i decide, i would definitely share with my fans about the details of my projects. i was not acting for three years and my fans know about that also. when kokki was released, they appreciated my work. i generally like to share about what i do with people .
every film that we work, it has been done with the hope that it would be liked by the audience. the recent five films of mine were different from each other. this was indicated to me by my fan cum friend from abroad who saw my films. he was the one who told me that i give a long interval between my films. but i alone cannot take the onus for this. film making is a difficult task which involves many people. my agenda in 2010 is to release a film once in three months. earlier, i was involved in only one film at a time. now i am planning to work in two films simultaneously. of course, it would be a strain. but it is fine with me. this is my way of ensuring that there is no big gap between successive films. i also feel that quality is more important than quantity. i am trying to combine the two and render good results .
i have not done villain roles in many mainstream films. i have never acted as a villain with typical cinematic characteristic traits. i have done roles in villain’s moods. i have not killed or raped which are quite difficult for me. i will see to it that there is some semblance of reality when it comes to portraying me as villain. i don’t believe in glorifying negativity. but in nammavar, it is the life of a
student and the film gave me a huge identity. my character would have been justified in the film and it was not projected as a villain. but the films that i did as villain had a better reach. by god' s grace, i have done a variety of roles in films like gokulathil seethai, kaadal kottai, kannedire thondrinal, kaalamellam kaadal vaazhga which helped me get a place in the audience' s heart that paved way for me to act as hero .
i had created the gap of few years just before kokki happened. i wanted some time before transforming from villain to hero. i needed breathing time. i was working in 16 - 17 films a year in many languages and used to continuously shoot, sometimes even skipping my food. i only wanted to stand in front of the camera .
that’s all. nothing else crossed my mind. this took a toll on my health. that' s when i decided to take a break and re - worked on my entire persona after which i did kokki. when i looked at myself on screen in kokki, i was surprised. i missed 47 films in the two and a half year gap. my friends in the industry were very angry with me for this. at some point in life, everybody would be forced to decide for themselves and i did the same. but it was a good decision. i take things as it comes and i have immense faith in god. i am certain that god will guide me in the right direction .
people wonder how i get such a variety of scripts. the scripts come in search of me. and i choose the ones which would suit me. when i choose a script, i see to it that there is some difference from my earlier film. i don’t want things to be repeated. of course there are some constants which cannot be avoided in mainstream films. there should be some larger than life images and scenes in films. then only audience will accept the film. if there is 60% - 70% translation of the story narrated to the visual medium, i consider it as good .
i choose my script. i don’t believe in handling this responsibility to anyone. once i accept a role, perhaps, i can seek suggestion to improvise the character but not before that .
people ask me what is my place in the industry. i stay in the heart of my fans which i value a lot. i want to retain this place and that is very important to me. i am called the minimum guarantee hero. i am happy to hear it .
apparently, the unit faced some problems from a few people while shooting in nagercoil earlier .
finally after the completion of the film and after it has got a certificate from the censors. the movie is embroiled in controversy. a particular segment from nagercoil has sent a legal notice to the producer and a copy to the producers council, asking them not to release the film .
they say that the movie has been shot to defame and hurt certain people in the kanyakumari district and hence they would like to see the film first and give an approval before its release .
karan clarified, “the film is based on a real life character but it’s not our aim to hurt anyone at all. ”
now it’s up to the producers council to give their judgment on the matter .
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the movie had promised a lot during its pre - release. does it live up to all hype? no is the answer, as what begins as an entertainer ends up as an emotional pot - boiler. however, director vadivudayan has laced the script with some interesting moments, while narrating the life of a gangster who lived in kanyakumari district .
as usual karan has tried his best to keep things going with his matured performance. his body language and dialogue delivery deserve kudos. anjali' s performance is worth a mention as she simply steals the show. saravanan impresses and reminds one of' paruithiveeran' chitappu at places .
the highlights of the movie are the melodious numbers by vidyasagar. what begins as a high - voltage action film fizzles out to end as an emotional drama. but still, vadivudayan can be complimented for an honest attempt .
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there were enough protests from a few outfits in kaniyakumari over the movie’s release. with all dust settled down, the movie made its way to theatres. sadly, the movie that promised a lot fizzles out to an emotional pot - boiler losing track as it progresses. the movie has been told in a lackluster manner and disappoints us despite having a potential theme to present a neat film .
when you chose to make a movie on a character that has really lived you must be aware that there would be no suspense element on what happened to the man. so your narrative and depiction of the drama called life should be very sharp and engaging otherwise viewers would find it boring. director vadivudiyan has completely missed the knack of bring the life on screen. he has restored to melodrama and missed the sharpness and speed .
karan and anjali live up the proceedings with their performance. both have given their best and the romance between them works out well. that the script has marred the impact of such performances is altogether a different matter .
saravanan is adequate as salai while the rest of the cast are ok. kanja karuppu’ s efforts to make us laugh fail to click .
the highlight of the movie is cool music by vidyasagar. the melody man has come out with a soothing music .
had vadivudayan downplayed emotions and melodrama and increased pace, it could have been an interesting fare .
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kolaikaaraa makes up for that utterly jaded and abused stock rhythm by framing a mesmerizing tune in gowrimanohari; this is typical vidyasagar - style masterly melody. netru illai illai ups the ante beautifully! why wouldn’t it? in vidyasagar’s capable hands, we get yet another mayamalava gowlai melody orchestrated to perfection! the item number hey karuppa paraendaa is a surprisingly spunky number; kudos to suchitra’s superb singing! karuvarai karuvarai is the only odd one out…using stock everything – tune and backgrounds, even though palakkad sriram does sing it with all his heart! the melody master never disappoints and this soundtrack is no exception !
my knowledge is pitiably bad too. that’s why i have added 2 songs for comparison in the ‘keywords’ section 😉 hoping i’m right in naming the ragas…if not, what’s there…i learn and evolve 🙂
karthik, do you think kolaikaara sounds some what same as moolipattum from the malayalam movie makeup man…which had music by vidyasagar too…. i love both the songs…but just thought if there was any similarity…between the two songs…did u notice anything ?
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dil se translation from the heart is a 1998 indian, romantic thriller film in the backdrop of insurgency in northeast india, written and directed by mani ratnam, and produced by mani ratnam, ram gopal varma, and shekhar kapur. the film stars shahrukh khan and manisha koirala in lead roles while preity zinta in her film debut appears in a supporting role. mani ratnam also cowrote the screenplay for the film. it is the third in ratnams trilogy of terror films after roja and bombay. 3 an example of parallel cinema, the film won the netpac award at the 1999 berlin international film festival. 4 source: wikipedia
gaalipata translation kite is a 2008 indian kannada romantic comedy film written and directed by yogaraj bhat. it features an ensemble cast of ganesh, anant nag, rajesh krishnan, diganth, daisy bopanna, neethu and bhavana rao. the plot revolves around three friends who, debilitated of city life, decide to spent some time in the paternal house of one of them, at a picturesque location atop a hill station. spending a gala time there, each of them get involved romantically with the daughters of a retired military man and an avid hunter. source: wikipedia
iruvar english the duo is a 1997 indian tamil political drama film cowritten, directed and produced by mani ratnam. the film which is loosely based on the relationship between cinema and politics in tamil nadu, features mohanlal, prakash raj, aishwarya rai, gouthami, revathi, tabu and nassar. rai, a former miss world, made her screen debut through this film in dual characters. the film had a very successful score and soundtrack composed by a. r. rahman and the cinematography was by santosh sivan. it was dubbed and released in malayalam in the same name and telugu as iddaru source: wikipedia
roja english rose is a 1992 indian tamil romantic thriller film cowritten and directed by mani ratnam. it stars arvind swamy and madhoo in the lead roles. the film was subsequently dubbed in hindi, marathi, malayalam and telugu. source: wikipedia
minsara kanavu electrifying dreams is a 1997 tamil romance film written and directed by rajiv menon. the film features arvind swamy, prabhu deva and kajol in the lead roles, with girish karnad, s. p. balasubrahmanyam, v. k. ramasamy and nassar in other pivotal roles. the soundtrack and background score for the film was composed by a. r. rahman, while the cinematography was handled by venu and ravi k. chandran. the film was shot in lawrence school, lovedale ooty, st. andrews church and apollo hospitals in chennai. the film garnered four national film awards, three tamil nadu state film awards and a filmfare award south. source: wikipedia
naan kadavul english i am god is a 2009 indian tamil drama film cowritten and directed by bala. based on the tamil novel yezhaam ulagam by jeyamohanwho also penned the dialogues for the film. the film features arya and pooja in the lead roles. the film was also dubbed in hindi as pandav the punch source: wikipedia
bombay is a 1995 indian tamil drama film directed by mani ratnam, starring arvind swamy and manisha koirala in the lead, and featuring music composed by a. r. rahman. the film is centered on events that occured particularly during the period of december 1992 to january 1993 in india, and the controversy surrounding the babri masjid in ayodhya, its subsequent demolition on 6 december 1992 and increased religious tensions in the city of bombay now mumbai that led to the bombay riots. it is the second in ratnams trilogy of films that depict human relationships against a background of indian politics, including roja 1992 and dil se. . 1998. 1 source: wikipedia
paarthale paravasam is a 2001 tamil drama film directed by k. balachander, who with the project completed one hundred feature films. 1 the film produced by balachanders home banner kavithalayaa productions featured madhavan and simran in the leading roles with lawrence raghavendra and sneha playing other key roles. the films music is composed by a. r. rahman whilst a. venkatesh was cinematographer. 2 source: wikipedia
aaptharakshaka english dearest savior is a kannada blockbuster film released in 2010 starring vishnuvardhan in his 200th kannada film and posthumous film along with sandhya, vimala raman, avinash, srinivasa murthy, bhavana, lakshmi gopalaswamy and komal among others. the film was written and directed by p. vasu and is a sequel to the 2004 blockbuster film apthamitra also directed by vasu and starring vishnuvardhan. source: wikipedia
ramanaa, also known as ramana, 1 is a 2002 tamil vigilante thriller film directed by a. r. murugadoss, starring vijaykanth and simran. the film received positive reviews from film critics and audiences, and was awarded with the 2002 tamil nadu state film award for best film. 2 subsequently, the film was remade in several languages around the world. source: wikipedia
thiruda thiruda is a 1993 tamil action comedy film cowritten by mani ratnam and ram gopal varma. the film directed by mani ratnam, had its soundtrack and background score composed by a. r. rahman while the cinematography was handled by p. c. sriram. the film opened to positive critical reception, and it did not do too well at the box office but achieved cult status over the following years. 2 in 1994, the film was premired at the toronto international film festival. 3 4 source: wikipedia
thambi vettothi sundaram is a tamil docudrama crime film written and directed by v. c. vadivudaiyan . it stars karan and anjali in the lead . the film received positive to mixed reviews and became average grosser
thambi vettothi sundaram is a tamil docudrama crime film written and directed by v. c. vadivudaiyan. it stars karan and anjali in the lead. the film received positive to mixed reviews and became average grosser
thambi vettothi sundaram is a tamil docudrama crime film written and directed by v. c. vadivudaiyan. it stars karan and anjali in the lead. the film received positive to mixed reviews and became average grosser