thirumalisai alvar ( 1948 film )
this article is about saint thirumalisai alvar. for the tamil language film, see thirumalisai alvar (1948 film )
this article is about saint thirumalisai alvar. for the tamil language film, see thirumalisai alvar
, directing his first film pavalakkodi, in which the tamil film star m .
s. ramachandran t. s. balaiah thirumalisai alvar t. s. kotni p. s .
( 4) sri thirumazhisai srimath thirumalisai alvar’s 216 verses; 96 verses from his work nanmugan thiruvandhadhi and 120 verses from his work thiruchanda virutham. sri thirumazhisai srimath thirumalisai alvar is the avatara or incarnation of sri shatanana sri vishnu’s sudarshana chakra discus .
this article is about saint thirumalisai alvar. for the tamil language film, see thirumalisai alvar (1948 film) thirumalisai alvar is a tamil saint revered in the srivaishnavism school of south india, in tondai nadu (now part of kanchipuram and tiruvallur districts). he was born in 4203 bce. the legend of this saint devotees of srivaishnavism believe that he was the incarnation of vishnu' s disc, sudarshana. he is believed to have been born at jagannatha perumal temple, tirumazhisai by divine grace. a childless tribal couple called tiruvaalan and pankaya chelvi engaged in cutting canes found the child and took it home. the couple also had a son named kanikannan who was a disciple of thirumalisai alvar. thirumalisai alvar proclaimed that he didn' t belonged to brahmin, kshatriya, vaishya & shudra in one of his couplets as he was considered (avarna) beyond caste bound person .
t. r. sundaram, modern theatres 02. 11. 1948 adhithan kanavu t. r. sundaram
thiruppavai was composed by sri andal alvar, the daughter of srivilliputtur srimath vishnuchitta periya alvar, the author of two great sri vaishnava works thirupallandu and periya azhwar thirumozhi. both sri andal alvar and srimath vishnuchitta periya alvar are two of the most famous 12 sri vaishnava alvar saints of inda .
madurakavi alvar alwar, vishnuchitta periyalvar periyalwar, andal godadevi alvar alwar and tondaradipodi alvar alwar satriya sata satanana satamarshana sadamarshana shatamarshana shottai sottai sattina - sattada sri vaishnava nambi nambudiri nambimar brahmins .
and distributed by avm productions. the film music was composed by r. goverdhanam
1989 tamil - language indian feature film produced by thru p. l. palaniappan
one more film to that luminous list of cinema on little wonders .
blessy
film which reminds you of a bad episode of an american sitcom .
blessy
thirumalisai alvar proclaimed that he didn' t belonged to brahmin, kshatriya, vaishya & shudra in one of his couplets as he was considered (avarna) untouchable and casteless person .
tamil - language drama film written and directed by j. mahendran and produced by venu
and v. mohan, with a soundtrack by ilaiyaraaja. the film, starring rajinikanth
of avm productions. the film' s score was composed by r. sudarsanam and
and made into a film in 1947. then he wrote the dialogues for films like
. the film stars sivaji ganesan, padmini, t. r. ramachandran and chittor
deity of the same name, following a 1930s film. it was produced by lena
subbaiah, m. r. santhanam, m. s. s. bhagyam 06. 05. 1948 ahimsa yuttham a. k .
a childless tribal couple called tiruvaalan and pankaya chelvi engaged in cutting canes found the child and took it home. the couple also had a son named kanikannan who was a disciple of thirumalisai alvar .
the fifth veda or pancha veda known as nalayira divya veda contains, along with the contributions of other alvars alwars, the compositions or verses of madurakavi alvar alwar, vishnuchitta periyalvar periyalwar, andal godadevi alvar alwar and tondaradipodi alvar alwar .
and master chhotu were the ensemble cast. the film was produced by a. v .
jaishankar and manjula in lead roles. the film was produced by p. l. palaniappa
indian tamil language film, directed by k. somu and produced by c. t .
and pandari bai in the lead roles. the film was produced by c. t .
, retrieved 2017 - 08 - 28
pathini sinhala film by sunil ariyaratne
. sandeshaya
( 6) sri thirukollur madura kavi alvar’s 11 verses from his work kanninun siruthambu. sri thirukollur madura kavi alvar is the avatara or incarnation of vishnu’s mount or vehicle garuda. both sri thirukollur madura kavi alvar and srivilliputhur srimath vishnu chitta periya alvar are the avataras or incarnations of sri shatanana sri vishnu’s mount vehicle garuda .
the thiruppavai verses composed by sri andal alvar and the thirupallandu and periya alvar thirumozhi or thirumoli verses of sri villiputtur srimath vishnuchitta periya alvar are included among the 4000 verses of nalayira divya prabhandam veda of 12 sri vaishnava alvars of sanatana hindu bharata .
( 8) srivilliputhur srimath vishnu chitta periya alvar’s 473 verses from his work periyazhwar thirumozhi. srivilliputhur srimath vishnu chitta periya alvar, the author of two works thirupallandu and periya azhwar thirumozhi, is the avatara or incarnation of sri shatanana sri vishnu’s mount vehicle garuda. both sri thirukollur madura kavi alvar and srivilliputhur srimath vishnu chitta periya alvar are the avataras or incarnations of sri shatanana sri vishnu’s mount vehicle garuda. srivilliputhur srimath vishnu chitta periya alvar’s daughter is srivilliputhur andal alvar, only female sri vaishnava alvar among the 12 most famous sri vaishnava alvars of sanatana hindu bharata. srivilliputhur andal alvar is the author of two works thiruppavai and nachiyar thirumozhi or nachiyar thirumoli .
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. the film features honnappa bhagavathar, sp. l. dhanalakshmi, t. r. rajakumari
. the film dialogue and story were written by s. d. s. yogi, shuddhananda
and directed by t. k. bose, starring ramarajan in lead role. . the film was
( 9) srivilliputhur srimath andal alvar’s 173 verses; 30 verses from her work thiruppavai and 143 verses from her work nachiyar thirumozhi. srivilliputhur srimath andal alvar’s father is srivilliputhur srimath vishnu chitta periya alvar, the author of two worksperiya azhwar thirumozhi and thirupallandu. srivilliputhur srimath andal alvar is the avatara or incarnation of the earth goddess and sri shatanana sri vishnu’s wife bhudevi .
screenplay were written by r. s. mani. the film was produced by s. n. laxmana
of dna gave the film 1. 5 stars out of 5, concluding saying ,
a simple and
film. go for it if you must, but don' t expect the earth from it .
blessy
gave the film a score of 70% , with an average score of 6. 8 / 10. blessy
( 1) sri vishnu kanchipuram srimath poigai alvar’s 100 verses from his work mudhal thiruvandhadhi. sri vishnu kanchipuram srimath poigai alvar is the avatara or the incarnation of sri shatanana sri vishnu’s panchajanya conch .
( 2) sri mahabalipuram thirukadalmallai srimath bhoothath alvar’s 100 verses from his work irandam thiruvandhadhi. sri mahabalipuram thirukadalmalai sriamth boothath alvar is the avatara or the incarnation of sri shatanana sri vishnu’s kaumodaki mace .
that he has stolen the tune of his film song. a well renowned lawyer named v. l. ethiraj appeared for lena
( 10) sri thirumandangudi thondaradippodi alvar’s 55 verses; 45 verses from his work thirumaalai and 10 verses from his work thirupalliezhuchi. sri thirumandangudi thondaradippodi alvar is the avatara or incarnation of sri shatanana sri vishnu’s vanamamalai huvinahara flower garland .
( 11) sri uraiyur srimath thiruppaan appan alvar’s 10 verses from his work amalan adi piraan. sri uraiyur srimath thiruppaan appan alvar is the avatara or incarnation of sri shatanana sri vishnu’s srivatsa, an auspicious mark on sri shatanana sri vishnu’s chest .
there are 216 of his paasurams in the 4000 divya prabhandham. his first prabandham named thiruchchanda viruththam contains 120 hymns and starts from 752 paasuram and ends at 871 paasuram. the second prabandham of thirumalisai alvar is titled naanmugan thiruvandhadhi and it contains 96 verses. the work of naanmugan thiruvandhadhi starts from 2382 paasuram and ends at 2477 paasuram .
there are 216 of his paasurams in the 4000 divya prabhandham. his first prabandham named thiruchchanda viruththam contains 120 hymns and starts from 752 paasuram and ends at 871 paasuram. the second prabandham of thirumalisai alvar is titled naanmugan thiruvandhadhi and it contains 96 verses. the work of naanmugan thiruvandhadhi starts from 2382 paasuram and ends at 2477 paasuram .
( 7) sri thiruvanchikkulam chera raja srimath kulashekhara alvar’s 105 verses from his work perumal thirumozhi. sri deva vamsha kula chera raja srimath kulashekhara alvar is the avatara or incarnation of sri shatanana sri vishnu’s kausthuba jewel embedded in sri shatanana sri vishnu’s necklace on his body .
thirumalisai alvar is a tamil saint revered in the srivaishnavism school of south india, in tondai nadu (now part of kanchipuram and tiruvallur districts). he was born in 4203 bce. the legend of this saint devotees of srivaishnavism believe that he was the incarnation of vishnu' s disc, sudarshana. he is believed to have been born at jagannatha perumal temple, tirumazhisai by divine grace .
his works: sri melukote thirunarayanapuram srimath yadugiri yatiraja narayana ramanuja jeeyar jeeyangar swami wrote commentaries on upadesha rattina mala (a medieval hymn written by sri alvar thirunagari srimath manavala mamuni periya jiyar jiyangar swami that sings praises of sri vaishnava alvars and acharyas and sri thirukuraiyalur sri thirumangai mannan srimath parakala kalikanti thirumangai alvar’s periya thirumadal .
( 5) sri alvar thirunagari srimath shatagopa shatari shatanana shatamarshana shatapatha shatarupa shatananda shatadusani shatakruthushattanayodha senapati durandara namma alvar’s 1296 verses; 1102 verses from his work thiruvaymozhi, 7 verses from his work thiruvasiriyam, 100 verses from his work thiruvirutham and 87 verses from his work periya thiruvandhadhi. sri alwar thirunagari srimath shatagopa namma alvar is the avatara or incarnation of srimath vishwaksena, the dharmakarthar, senatpati duranadara and commander - in - chief of sri shatanana sri vishnu’s holy dwelling place of sri vaikunta .
the dances by premavathi (as the queen) and saraswathi (the seducer) were composed by r. t. krishnamurthi. r. r. chandran was in charge of the camera. the script was written by p. s. chettiar who jointly directed the film with the famed d. s. kotnis. the film was shot at shobhanachala studios in alwarpet which later became venus studios .
( 3) sri mylapore srimath peya alvar’s 100 verses from his work moondram thiruvandhadhi. sri mylapore srimath peya alvaris the avatara or incarnation of sri shatanana sri vishnu’s nandaka sword .
the new swamiji was given the title of sri yadugiri yathiraja narayana ramanuja jeeyar at the sriperumbudur periya nambimar ilaya alvar ramanuja jeeyar jeeyangar swami sannadhi at melukote yadugiri thirunarayanapuram cheluva narayana swami temple .
( 12) sri thirukuraiyalur sri thirumangai mannan srimath kalikanti nilam thirumangai alvar’s; 1084 verses from his work periya thirumozhi, 30 verses from his work thiru nedun thandagam, 20 verses from his work thiru kurun thandagam and 1 verse from his work thiru kurun thandaga. sri thirukuraiyalur sri thirumangai mannan srimath kalikanti nilam thirumangai alvar is the avatara or incarnation of sri shatanana sri vishnu’s sharanga billu bow .
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in the final pasuram stanza, pasuram 30, srivilliputhur srimath andal alvar describes her deepest respects and utmost affection for her father srivilliputhur vishnuchitta periya alvar. she proudly identifies herself as the most adorable daughter of the greatest vishnu bhakta, srivilliputhur srimath vishnuchitta periya alvar. she describes her devotional work of great literary value, tiruppavai, as a garland of 30 pasurams specially made to decorate, beautify and worship the god sri vishnu krishna and informs the readers that whoever recites tiruppavail with vishnu chitta mind and complete devotion will receive the blessings of sri shatanana sri vishnu krishna, enjoy a healthy life, secure all material comforts for a good and happy life in the bhudevi loka and an eternal blissful life in the paravastu loka .
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thirumazhisai is a sacred town near chennai and the film narrates its mythological tale about a venerated sage being seduced by a temptress sent by lord indra. she becomes pregnant. the foetus is removed from her womb and thrown into the bushes. it is saved by the lord and becomes a male child who later blossoms into the aazhvaar !
2nd generation: srimath paravastu patthangi chandogya bharadwaja sri brahmapuram srimath paravastu shatakruthu yaji thiruwal naduvil alwan jeeyar jeeyangar swami, the son of sri aranapuram brahmapuram srimath paravastu shatakruthu patthangi periya alwan and one of the 74 sri vaishnava simhasanadhipati acharyas appointed by sriperumbudur srimath periya nambimar ilaya alvar ramanuja acharya jiyar jiyangar swami .
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activity: sri yadugiri yatiraja mutt has organized an one - month long, an upanyasa mala lecture series, from december 15, 2014 to january 15, 2015, on srivilliputhur srimath andal alvar’s thiruppavai by sri ubhaya vedanta pravartaka srimath kke koil kandadai elayavilli srinivasa bhuvarahachari swamy at its bangalore branch on 11 th cross, malleshwaram, bangalore 560 003 .
in the next nine pasuram stanzas, pasurams 21 to 29, srivilliputhur srimath andal alvar, describes the greatness and good qualities of the lord sri vishnu krishna. she receives his blessings and then she requests him to grant her and al the human beings, milk for the vrata, conch, lamps, flowers, good clothes, jewellery and large quantities of milk, ghee and butter .
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he took up sanyasa asharama and became the pattacharya matadhipati of sri yadugiri yatiraja mutt in 1981. he remained as the mutt head for 25 years. he also provided leadership to the shakha branch mutts of sri yadugiri yatiraja mutt at bengaluru, mysore, beluru, maluru and chennai. sri yadugiri yatiraja mutt is named after the 12th century sri vaishnava saint - reformer sriperumbudur srimath periya nambimar ilaya alvar ramanujacharya jeeyar jeeyangar swami .
srimath hasthi girinatha prativadi bhayankaram annangarcharya nambi spent considerable amount of time in the company and guidance of srimath vanamamalai ponnadikkal jiyar jiyangar swami and srirangam srimath koil kandadai annan. he was introduced to sri alvar thirunagari srimath manavala mamuni by srimath vanamamalai ponnadikkal jiyar jiyangar swami and srirangam srimath koil kandadai annan and joined the srirangam manaval mamuni periya jiyar jiyangar mutt as a disciple of sri alwar thirunagari srimath manavala mamuni periya jiyar jiyangar swami .
in the next ten pasuram stanzas, pasurams 6 to 15, srivilliputhur srimath andal alvar makes a strong case for involving the members of one’s family and the the members of one’s community by the devotee who performs the dhanurmasam vishnu chitta vishnu upasana satvika ascetic living vratham. she invites her friends to go to the flower gardens maintained by her father srivilliputhur vishnu chitta periya alvar to pluck and collect flowers from the flower plants and trees. she creates the ambience of her parental village in her verses. she refers to the serene village environment, the chirping of birds, the varied colored flowers, the musical sound of butter - churning by the yadava gopikas, the sound of the tinkling bells attached to herds of cattle and the blowing of the conch from the vishnu temple in the village. srivilliputhur srimath andal alvar is close to all the girls and women in her village. she visits each household to awaken all the girls and the women in the village and makes her female friends to join her for a daily bath in the village pond. she makes it clear that there are several names of gods such as vishnu, krishna and rama and several incarnations of god vishnu and all of them refer to the same god sri shatanana sri vishnu or sri krishna (the beautiful black boy) .
legend also says that when kanikannan, his disciple displeased the pallava king for not agreeing to restore the king' s youth. earlier on he granted youth to an old unmarried maid of the temple. the king married that woman but he himself was an old man and thus wanted to enjoy life as a youth with his new wife. tirumalisai refused him and the king decided to banish him. tirumalisai alvar asked the god from the temple, yathotkari, to leave with him .
legend also says that when kanikannan, his disciple displeased the pallava king for not agreeing to restore the king' s youth. earlier on he granted youth to an old unmarried maid of the temple. the king married that woman but he himself was an old man and thus wanted to enjoy life as a youth with his new wife. tirumalisai refused him and the king decided to banish him. tirumalisai alvar asked the god from the temple, yathotkari, to leave with him .
the equally commendable task of including alvar verses among the fifth veda of nalayira divya prabhanda veda was accomplished by sri vaishnava nambi, nambudiri, nambimar, pancharatra, vaikhanasa, shatanana, shatapatha, shattadusani, shatarupa, shatananda, shatvata, shatajitha, shathari, shatamarshana, shattanayodha, shatanani, shattani, shattina, shattada, shatakrutha, shattakula, shottaiarasa, shattriya brahmin srimath natha muni, the son of srimath ishvara muni. the son and grand - son of srimath nathamuni are srimath ishvara bhatta and srimath alavandar yamuna muni .
in the next five pasuram stanzas, pasurams 16 to 20, srivilliputhur srimath andal alvar describes her visit to the village temple along with her female companion friends. her group sings suprabhata good morning song gently to the god to wake him up from his sleep. the members of the group sweet talk the temple guards, enter the temple precincts and recite prayers singing the praises of devaki and vasudeva, the parents of lord krishna and request them to wake up krishna (the beautiful black boy) and his elder brother balarama. then, they approach neela devi, the consort of the lord, to worship her with love, affection and tender dedication .
the 12 holy, divya saligrama shilas and the sri bhudevi sametha sri ranganatha swami idol which were worshipped by sri kanchipuram brahmadesham srimath prativadi bhayankaram annangacharya nambi, the biological father of srimath paravastu shathakruthu nainar prativadi bhayankaram annangacharya nambi alwan swami who was the 4th jiyar jiyangar matadhipati of sri tirumala tirupati sri sarvathanthra swathanthra srimath paravastu swami mutt, are now worshipped by his fifteenth generation descendants who now reside in vijayawada in andhra pradesh. these salagrama shilas and sri ranganatha swami’s idols are now in the personal custody of srimath prativadi bhayankaram raghava charlu nambi, a 15th generation descendant from sri kanchipuram brahmadesham srimath prativadi bhayankaram annangacharya nambi. telugu film playback singer prativadi bhayankaram srinivasa charlu nambi (pb srinivas) was one of the descendants of sri kanchipuram srimath prativadi bhayankaram annangacharya nambi residing at kakinada in andhara pradesh .
the tiruppavai is a tamil devotional work of thirty parsuram stanzas. it is written in praise of sri shatanana sri vishnu perumal seeking the blessings and company of sri yadava krishna (krishna means the beautiful black boy). it commemorates the dhanurmasam vishnu upasana ascetic living vratham undertaken by srivilliputhur srimath andal alvar. she undertook this dhanurmasam vishnu upasana ascetic living vratham covering the period from the time when the sun moves into the constellation of dhanurrasi or sagittarius to the time when the sun moves out to the constellation of makara or capricorn. the successful completion of the dhanurmasam vishnu upasana ascetic living vratham is expected to secure for the undertakers of this vratham all the material comforts, healthy body and peaceful mind for a happy living during the earthly life and eternal bliss in the paravastu life .
in the first five pasuram stanzas, pasurams one to five, srivilliputhur srimath andal alvar emphasizes ascetic living during the dhanurmasam vratham. one should live only on necessities of life and forsake comforts and luxuries of life during this vratham month. the devotee must embody vishnu chitta all the time; always think about and chant the names of vishnu, balaji, krishna, venkateshwara, govindaraja, varadaraja, narasimha and ranganatha. sincere devotion to god, sincere vishnu chitta mind and ascetic living by the devotee is to secure for the human world abundant rain and consequent all round prosperity for all human beings. offering of fresh flowers and flower garlands to krishna (the beautiful black boy) will help a human being to rid oneself of all sins committed so far and that may be unintentionally committed in future .
manish sisodia, the deputy chief minister of delhi, was born on january 5, 1972 at hapur in uttar pradesh. a senior leader of the national aam admi party, manish sisodia is the closest confidant of the aam admi party’s national convener and the second - time delhi chief minister arvind kejriwal. belonging to the most renowned sisodia rajput kshatriya clan, manish sisodia is a descendent of the fiercest ruler of mewar maharana pratap and a relative of the former prime minister vishwanath pratap singh and sita devi, a direct descendant of maharana pratap of rajasthan. son of dharampal singh, he completed his post - graduate diploma in journalism from bharatiya vidya bhavan in new delhi and worked as a news reader and producer for zee news tv channel from 1977 to 2005. later, he worked at the all india radio shouldering various responsibilities. a documentary film maker, manish sisodia has received awards for some of his documentary films on various social issues .
john george frederick trump (august 21, 1907 at new york city, usa – february 21, 1985 at boston, massachusetts, usa). he had his education at polytechnic institute of brooklyn, columbia university and massachusetts institute of technology. his education was financed from his bachelor degree to doctorate degree by his benevolent brother and new york real estate developer fred frederick trump. john george frederick trump received a b. s. in electrical engineering from polytechnic institute of brooklyn, new york city, in 1929, a master of science in physics from columbia university, new york city and a doctorate of science degree in electrical engineering from massachussetts institute of technology (mit) in 1933. john george frederick trump, the uncle of donald john trump was a professor at mit from 1936 until 1973. he is known for his pioneering work for van de graff generator electron beam sterlization of wastewater. he received certificates and awards for his contributions to the field of science: king’s medal for service in 1947, president’s certificate in 1948, lamme medal in 1960 and national medal of science in 1983. john george frederick trump, a famous american electrical engineer, inventor, and physicist, was a recipient of u. s. president ronald reagon’s national medal of science in 1983 from the usa president ronald reagon himself. he was also a member of the national academy of engineering, usa. he developed the rotational radiation therapy and together with robert j. van de graff, developed one of the first million - volt x - ray generators in the world. donald john trump has fond memories of his uncle john frederick trump and considers him as one of the role models for the youngsters of usa and the world .
gautamiputra satakarni, sata satanana satavahana sadamarshana satamarshana sathamarshana shottai sottai sattada sattina sattada - sattina sattina - sattada sanatani nambi nambudiri nambimar brahmins, sri kaladi shankaracharya, sriperumbudur lakshmanamuni ramanujacharya, nathamuni, yamunamuni, kandadai mudaliandan, periya koil kelvi kandadai ramanujacharya ramanujamuni ayyangar jeeyangar, kandadai andan, kandadai annan, madura kavi alwar, vishnuchitta periyalwar andal godadevi alwar tondaradipodi alvar alwar, sri tirumala tirupati sri sarvatanthra swatanthra srimat paravastu matam matadhipati srimath paravastu pattar piran ayyar ayyangar jeeyar jeeyangar govindadasarappan, saluva narasimha deva raya of vijayanagara empire of hampi, gautamiputra satakarni of satavahana empire of amaravati (dharanikota, andhra pradesh) and pratishthana (paithan, maharashtra), chaturvedas (four vedas), rigveda, yajurveda, samaveda, atharvana veda, panchavedas (five vedas), rigveda, yajurveda, samaveda, atharvana veda and divya veda. sri kaladi adi shankaracharya was a satriya smartha nambudiri brahmin or a satriya sata satanana satamarshana sadamarshana shatamarshana shottai sottai sattina - sattada smartha nambi nambimar nambudiri brahmin. adi shankaracharya propounded maya advaita philosophy .
the word azhwar means the one who dives deep into the ocean of the countless attributes of god. azhwars are considered the twelve supreme devotees of vishnu, who were instrumental in popularising vaishnavism. the religious works of these saints in tamil, songs of love and devotion, are compiled as nalayira divya prabandham containing 4000 verses and the 108 temples revered in their songs are classified as divya desam. the saints had different origins and belonged to different castes. as per tradition, the first three azhwars, poigai, bhutha and pey were born miraculously. tirumizhisai was the son of a sage, thondaradi, mathurakavi, peria and andal were from brahmin community, kulasekhara from kshatria community, namm was from a cultivator family, tirupana from panar community and tirumangai from kazhwar community. divya suri saritra by garuda - vahana pandita (11th century ad), guruparamparaprabavam by pinbaragiya perumal jiyar, periya tiru mudi adaivu by anbillai kandadiappan, yatindra pranava prabavam by pillai lokacharya, commentaries on divya prabandam, guru parampara (lineage of gurus) texts, temple records and inscriptions give a detailed account of the azhwars and their works. according to these texts, the saints were considered incarnations of some form of vishnu. poigai is considered an incarnation of panchajanya (krishna' s conch), bhoothath of kaumodakee (vishnu' s mace / club), pey of nandaka (vishnu' s sword), thirumalisai of sudarshanam (vishnu' s discus), namm of vishvaksena (vishnu' s commander), madhurakavi of vainatheya (vishnu' s eagle, garuda), kulasekhara of kaustubha (vishnu' s necklace), periy of garuda (vishnu' s eagle), andal of bhoodevi (vishnu' s wife, lakshmi, in her form as bhudevi), thondaradippodi of vanamaalai (vishnu' s garland), thiruppaan of srivatsa (an auspicious mark on vishnu' s chest) and thirumangai of saranga (rama' s bow). the songs of prabandam are regularly sung in all the vishnu temples of south india daily and also during festivals .
m. m. dhandapani desikar, trichur premavathi, vidwan srinivasan, p. b. rangachari, s. v. subbaiah, r. balasubramaniam, t. s. durairaj, d. v. narayanaswami, m. r. swaminathan, k. k. perumal, m. s. devasena, p. k. saraswathi, p. s. sivabhagyam, k. s. angamuthu, ‘master’ padmanabhan, t. k. kalyanam, c. r. lakshmi devi, a. k. srinivisan, k. r. rajagopalan, m. s. raghavan and k. k. radha
during the early decades of tamil cinema, whenever a story of a saint was planned, the automatic choice to play the role was the brilliant carnatic musician m. m. dhandapani desikar. the songs rendered by desikar such as ‘thamarai pootha thataakam’, ‘inba kanaa ondru kanden’ and ‘jagajanani’ are timeless classics .
during the 1940s, two friends, m. chakravarthi iyengar of the famous business family of old madras city, md brothers, and a successful automobile spare parts dealer c. kannan pillai, joined hands to produce this movie based on the life of thirumazhisai aazhvaar and expectedly dhandapani desikar was cast to play the title role .
there were many songs in the movie penned by papanasam sivan, s. d. s. yogi and t. k. sundara vathiyar, and composed by s. v. venkataraman and t. r. ramanathan. the songs were all in carnatic style, mostly rendered by desikar .
despite its credentials and cast, thirumazhisai aazhvaar did not do well mainly because of the problems the producers faced during its making and later with distribution .
remembered for: for the music of dhandapani desikar and the religious tale associated with the aazhvaar…. .
means the one who dives deep into the ocean of the countless attributes of god .
the saints had different origins and belonged to different castes. as per tradition, the first three
, poigai, bhutha and pey were born miraculously. tirumizhisai was the son of a sage, thondaradi, mathurakavi, peria and andal were from
and their works. according to these texts, the saints were considered incarnations of some form of vishnu. poigai is considered an incarnation of
are regularly sung in all the vishnu temples of south india daily and also during festivals .
he was born to bhargava maharishi and his wife kanakangi after an unusual 12 months stay in the womb. the fetus came out as just a lifeless lump of flesh with no arms and legs. the couple were terribly depressed and with unwillingness left it under a bamboo bush and proceeded with their spiritual journey. vishnu appeared with his consort and blessed the
flesh
with their kataksham and it turned into an lively human being .
he was later picked up with both the arms affectionately by a tribal named thiruvalan. a really blessed couple thiruvalan and pankajavalli, was overwhelmed by the grace of god for this gift of a baby. the boy grew on to become thirumazhisai azhwar. he also has an eye on his right leg. he lived up to 10 years of age in a hamlet near thirumazhisai village named as pirayampathu. this alwar was an incarnation of sudarsana chakra (the divine discus of lord vishnu) .
thirumazhisai alwar decided to learn about all other religions. he studied buddhist, jain and other literature. he became a staunch devotee of siva assuming the name of siva vakya. one day, he saw an old man planting a plant upside down and then trying to water it with a broken pot using a tattered rope to lift water from a waterless well. sivavakyar asked him why he was attempting such a foolish act. the old man was none other than pey alwar who replied that what he was doing was only less foolish than sivavakya' s allegiance to saivism, knowing full well that the vedas and smritis proclaim sri narayana as the supreme deity. as a result of an argument with pey alwar, finally he got initiated into vaishnavism by pey alwar .
it is said that lord shiva gave him his darshan and offered him a boon that the alwar would seek. the alwar wanted' moksha
for which lord shiva replied that he wil not do that since alwar was an incarnation of sudarsana chakra, and the next is the alwar wanted a long life for which lord shiva replied that it has already been pre - ordained. the great alwar then asked lord shiva that if he could not grant' moksha' and only lord narayana could then he could offer his services to narayana only. lord shiva then granted him the title' bakthisara
the honorofic by which he came to be known. after visiting several temples, he reached tiruvekka, the birthplace of poigai alwar .
thirumazhisai decided to learn about all other religions. so, he studied buddhism, jainism and other literature. he became a staunch devotee of siva assuming the name of siva vakya. one day, he saw an old man planting a plant upside down and then trying to water it with a broken pot using a tattered rope to lift water from a waterless well. sivavakyar asked him why he was attempting such a foolish act. the old man was none other than pey azhwar who replied that what he was doing was only less foolish than sivavakya' s allegiance to saivam, knowing full well that the vedas and smritis proclaim sri narayana as the supreme deity .
as a result of an argument with pey azhwar, he finally got initiated into srivaishnavam by peyalvar. after visiting several temples, he reached tiruvekkaa, the birthplace of poigai alwar. tirumazhisai azhwar himself says
we had learned sakkiyam (buddhism) samanam (jainism) and the agamic scriptures made by lord shankara (shiva); due to sheer grace, we landed at the feet of tiruvengadathan .
there is also evidence in his couplets that show that he asked god to help reveal their ignorance to them .
kanikannan is going out of kanchi oh! manivanna! , you don' t have to lie here anymore. since, as the fluent poet that i am also leaving with him, you also roll your serpent bed and follow me
and, accordingly all of them left kanchipuram
vishnu is said to have rolled up the snake sesha like a mattress and left with him .
who ruled the area was a devotee of the temple and during each of his innumerable victories in wars, he showered a lot of wealth on this temple. his prime minister anirudha brahmarayar is believed to be from anbil, the village where the temple is located. the copper plates having the records from the chola period from anbil indicate generous contribution from the
being the largest existing temple. the temple occupies an area of 156 acres (631, 000 m²) with a perimeter of 4, 116m (10, 710 feet) making it the largest temple in india and one of the largest religious complexes in the world .
the recorded inscriptions in this temple are numbered 283, 300, 301 and 303 of 1901 .
this article is issued from wikipedia - version of the 9 / 26 / 2016. the text is available under the creative commons attribution / share alike but additional terms may apply for the media files .
the name of the azhwar comes from his birthplace, thirumazhisai, a suburb in modern day chennai. he was born to bhargava maharishi and his wife kanakangi after an unusual 12 months stay in the womb. the fetus came out as just a lifeless lump of flesh with no arms and legs. the couple were terribly depressed and with unwillingness left it under a bamboo bush and proceeded with their spiritual journey. vishnu appeared with his consort and blessed the
flesh
with their kataksham and it turned into an lively human being .
thirumazhisai decided to learn about all other religions. so, he studied buddhism, jainism and other literature. he became a staunch devotee of siva assuming the name of siva vakya. one day, he saw an old man planting a plant upside down and then trying to water it with a broken pot using a tattered rope to lift water from a waterless well. sivavakyar asked him why he was attempting such a foolish act. the old man was none other than pey azhwar who replied that what he was doing was only less foolish than sivavakya' s allegiance to saivam, knowing full well that the vedas and smritis proclaim sri narayana as the supreme deity .
as a result of an argument with pey azhwar, he finally got initiated into srivaishnavam by peyalvar. after visiting several temples, he reached tiruvekkaa, the birthplace of poigai alwar. tirumazhisai azhwar himself says
the temple is located on the northern bank of the river kollidam, at a distance of 25 km (16 mi) from trichy. king sundara chola who ruled the area was a devotee of the temple and during each of his innumerable victories in wars, he showered a lot of wealth on this temple. his prime minister anirudha brahmarayar is believed to be from anbil, the village where the temple is located. the copper plates having the records from the chola period from anbil indicate generous contribution from the medieval cholas indicate various gifts to the temple .
srirangam temple is often listed as the largest functioning hindu temple in the world, the still larger angkor wat being the largest existing temple. the temple occupies an area of 156 acres (631, 000 m²) with a perimeter of 4, 116m (10, 710 feet) making it the largest temple in india and one of the largest religious complexes in the world. the annual 21 - day festival conducted during the tamil month of margazhi (december–january) attracts 1 million visitors .
the temple has inscriptions from the 18th year of the reign of aditya chola. the recorded inscriptions in this temple are numbered 283, 300, 301 and 303 of 1901. the temple is one of the five pancharanga kshetrams (also called
meaning the
five rangams or ranganathas
), a group of five hindu temples on the banks of the kaveri river dedicated to ranganatha, a form of vishnu .
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production [ edit ]. during the 1940s, two friends, m. chakravarthi iyengar of the famous business family of old madras city, md brothers, and a successful automobile spare parts dealer c. kannan pillai, joined hands to produce this movie based on the life of thirumazhisai aazhvaar .
ana alvargonzález, production designer: pa negre. ana alvargonzález was born on september 1, 1962 in madrid, spain as ana maría alvargonzález dalmau. she is known for her work on pa negre (2010), la celestina (1996) and la noche oscura (1989) .
an early production of one of aalto' s classic designs. a classic piece of scandinavian modernism, the hallway chair was originally made for the paimio sanitorium. bent ply seating rests on the solid birch frame. the chair bears the original finmar label to the underside indicating that it was produced for the uk market before ...
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tiruvottiyur (thiruvottriyur or tvt) is a neighbourhood in north chennai administered by the greater chennai corporation. it is part of the tondiarpet
in tamil nadu. it was set up in 1916 by m. a. venkatarama
community and confidentially moved them to sankagiri region. these people were called five hundred kongu
on 1 may 1923 in madras. this was the first may day celebration in india
and directed by sundar rao nadkarni. encouraged by the success of his comedy movie sabapathy, avichi meiyappa
sandhanam, k. r. saradhambal pavalakkodi k. subramanyam al. rm. alagappa
, meenakshi cinetone papanasam sivan m. k. thyagaraja bhagavathar, s. d
was formed in the late 1920s by a leading industrialist mr. p. s. saathappa
chellam and k. sankarapani as the ensemble cast, was produce by a. v .
of avm productions. the score is composed by r. sudharsanam with the lyrics
the eldest son of m. a. chidambaram and the grandson of sir annamalai
withdrew his support for their candidature. bobbili retaliated by dismissing him as the party whip .
on krishna pictures banner and directed by d. yoganand. starring n. t .
nalli kuppuswami chetti (born november 9, 1940) is a successful textile industrialist and philanthropist. he is a liberal donor for arts, culture and education
seven businessmen of karur under the leadership of shri v. s. n. ramalinga
ind karur 1) m. manickasundaram 3) t. v. sannasi ind inc
2007. retrieved 2018 - 01 - 20. kudaisya, medha m. (2009) .
marwari and
fiscal deficit. chidambaram was born to kandanur l. ct. l. palaniappa
( santhana bharathi) from school. they do a trial run. however, on the eve
in the name of his son s. ram. its music was composed by sankar ganesh
ramamurti cpm 105, 468 s. c. thevar inc karur m. gounder swa 23, 718 r .
inc tiruchirappalli k. a. nambiar cpm 2, 545 v. a. muthiah inc perambalur
( brother of india' s first finance minister r. k. shanmukham chetty), samikannu
capital which later became the indian bank. he is the first indian to have
government high school at somandargudi before joining the sir m. c. t. m
branch is sr. margaret siquera and the vice - principal is sr. jacqueline
. the ex - principal is sr. audrey rose d' souza the school uniform is a
chidambaram pethachi (born 1934) is an indian industrialist and bureaucrat. he served as managing director of the now - defunct travancore
french india students congress. he is often called as t. n. sethuraman
indian national congress 1957 p. subbiah ambalam indian national congress 1962 n. arunachalam
inc 1957 s. kader sheriff indian national congress 1962 munirathinam dmk 1967 arcot n. veeraswami dravida
party 1952 t. s. soundram indian national congress 1957 m. a. b. arumugasamy
indian national congress 1962 v. s. s. mani dravida munnetra kazhagam 1967
gounder independent 1957 m. kandasami kandar indian national congress 1962 r. s. veerappa
, krishna pictures c. honnappa bhagavathar, t. r. rajakumari, n. s. krishnan
lakshmanan, b. a. , b. l. , is a former judge of the supreme court of india. he studied in chennai (madras). before his elevation to the
1991. he is a recipient of the murasoli award and the m. a. chidambaram
karuppiam inc g. sepperumal dmk 1, 423 15 arni a. c. narasimhan dmk t. b. j .
inc 20, 718 16 aruppukottai s. s. bharathi swa t. k. sundarm inc 9, 141 17
music: s. v. venkatraman & a. r. ramanathan lyrics: papanasam sivan screenplay: p. s .
city of coimbatore, tamil nadu, india. founded by shri s. r. p. ponnusamy
is definitely very dangerous... to your sensibilities! beware !
blessy
production company: krishna pictures director: t. r. raghunath story: elangovan
rajalakshmi, p. s. gnanam krishnan thoothu r. prakash sm. letchumanan
nagar (mrc nagar). this is a newly developing huge area beside the beach
gangadharan, srinivasan, leela krishna bakthi r. s. mani s. m. lakshmanan
, krishna pictures s. v. venkatraman p. u. chinnappa, k. r. ramaswamy, t
varalakshmi 11. 08. 1947 udayanan vasavadatta t. r. raghunath rm. ramanathan
, uma pictures c. s. jayaraman g. n. balasubramaniam, vasundhara devi, m
ramachandran, b. saroja devi, m. r. radha punithavathi m. r. vittal c. t .
banner: minerva pictures director: v. s. raghavan music: g. ramanathan
11. 1. 1941 / 22. 2. 1941 venuganam murugadasa (muthuswami iyer) p. a. raju
, jewel pictures g. govindarajulu naidu n. c. vasanthakokilam, v. v. sadagopan
two - story building with indian art deco style designed by s. n. a. s sockalingam
buses had to halt on both the side stream due to over flow of the stream .
k. m. abdul salam inc k. ananda nambiar cpi pudukkottai f. ramanathan
inc k. m. vallatharasu psp ramanathapuram p. subbiah ambalam inc r. k .
nature photonics, v. 1, pp. 41–48 (2007) v. m. shalaev, w. cai, u. k .
, h. - k. yuan, a. k. sarychev, v. p. drachev, and a. v. kildishev, negative
karaikudi, tamil nadu, india. [ citation needed ] sthapati attended dr. alagappa
. this temple is used by both hindus and buddhists. the temple was originally
paramasiva rao (folk), v. k. r. ramani (drama). literature: l. p. karu ramanathan
; ponnadiyan music: t. s. narayanasamy (vocal), meera sivaramakrishnan (violin )
as mayor of madras city in 1942. he served till 1943 and was succeeded
and calls this
an epic fail of bomb diffusion by priyadarshan
. blessy
of dna rated tezz with 1. 5 out of possible five stars and wrote in her
was a partner), and played violin for avm composer r. sudharsanam in several
( 28 october 2010) .
kanpur iitians keep the fire of antaragni roaring
. dna desk. dna india. retrieved 17 march 2016. blessy
those in metros, who might identify with the on - screen characters .
blessy
sequences. but by and large, it' s a case of promises unfulfilled .
blessy
vyjayanthimala fan craze. the success of this movie basked the producer a. v .
muzaffar ahmed), bombay (led by s. a. dange), madras (led by singaravelu
, blessy .
review: for god' s sake, don' t miss deool
. dna india. retrieved
hall in chennai, tamil nadu. the couple has 2 daughters, arthika and mathivadani
his father - in - law. thumboo chetty married rajamma, daughter of ponnoo
' kanchivaram'. this one is a rather amateur product which is best avoided .
blessy
thirumalisai alwar or thirumazhisai aazhwar ( tamil : திருமழிசை ஆழ்வார் ) is a tamil language film starring m. m. dandapani desigar in the lead role . the film was released on 20 august 1948 . 
thirumalisai alwar or thirumazhisai aazhwar (tamil: திருமழிசை ஆழ்வார்) is a tamil language film starring m. m. dandapani desigar in the lead role. the film was released on 20 august 1948.
thirumalisai alwar or thirumazhisai aazhwar (tamil: திருமழிசை ஆழ்வார்) is a tamil language film starring m. m. dandapani desigar in the lead role. the film was released on 20 august 1948.