up close and personal ( film )
up close and personal (pg - 13) - contains sexual scenes and profanity .
here are some clever 25 close - up shots that can be found in the film .
this list of who was in up close & personal includes both lead and minor roles. (11 items )
elle king performed hits from her latest album “love stuff” and debuted the premiere of her
up close and personal
virtual reality film on dec 3, 2016 .
up close & personal cast list, listed alphabetically with photos when available. this list of up close & personal actors includes any up close & personal actresses and all other actors from the film. you can view additional information about each up close & personal actor on this list, such as when and where they were born. to find out more about a particular actor or actress, click on their name and you' ll be taken to page with even more details about their acting career. the cast members of up close & personal have been in many other movies, so use this list as a starting point to find actors or actresses that you may not be familiar with .
up close and personal with martin schulz in brandenburg | germany | news and in - depth reporting from berlin and beyond | dw | 22. 02. 2017
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in' up close,' the fairy tale is professional as well as ...
robert redford considered casting michelle pfeiffer in havana (1990). he wanted to work with her so signed on to up close and personal as her co - star .
these five short documentaries examine the lives of some amazing people, in beautiful, intimate, and inventive ways. you’ll get to know them all, up close & personal .
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the film follows a man convicted of murdering his wife after he morphs into a mechanic to lead a new life; sight and distance prove very important and crucial in this film, as many of lynch' s close - up shots are voyeuristic, immersive, and very personal to amplify the suspense .
robert redford plays a peacocky pygmalion to michelle pfeiffer' s boob - tube galatea in
up close & personal ,
an archaic fairy tale posing as a critique of television news .
well, this is up close and personal ,
elle king said in a surprised tone as her large eyes glanced around the space. the comment served as both an introduction to the samsung 837 series of the same name, as well as an observation of the close proximity between attendees and king .
each awards season, the directors guild of america’s nominees for best feature film gather for an in - depth discussion of their work at the annual meet the nominees symposium. in a spirit of colorful camaraderie, the panelists share their processes, struggles, and unique artistic visions with their fellow membersñup close and personal. the heart of these fascinating and informative conversations is on full display in jeremy kagan’s directors close up 2 .
in the spring of 1988 ms. didion and mr. dunne took on the task of writing a film script based on a biography of the network correspondent jessica savitch entitled & apos; & apos; golden girl. & apos; & apos; in the spring of 1996, when the finished film was released, starring robe rt redford and michelle pfeiffer and bankrolled by the walt disney company, it was called
up close and personal .
the lives of two struggling musicians, who happen to be brothers, inevitably change when they team up with a beautiful, up - and - coming singer .
“if i close my eyes and think of hollywood, all i see is one big varicose vein. ”
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what up close and personal
is really about is the chemical reaction set off between michelle pfeiffer and robert redford. in a love story, if your two stars don' t click, all is lost. when they do - - as they do here - - nothing else really matters .
if there’s one thing to celebrate about the film, it’s the presence of screen legend robert redford in the role of the wise old man who manages to give the film a calming, soothing quality as well as an overall grace. his involvement in pete’s dragon also allows me the opportunity to write about the time he and michelle pfeiffer exercised the neverending potency of their movie star abilities in the romantic drama up close & personal .
the distributors of
up close & personal
are wise. in their ads for the movie, they' re downplaying the tv aspects of the movie, and underlining the romance. who knows? maybe the film will play like those old
girl reporter
books, and a future connie chung, now 13, will go to see it and decide to become an anchorwoman. at some point, she probably also should read up on jessica savitch .
as she often does, hathaway took her preparation for the film one step further by working with legendary vocal coach joan lader, who taught her how to hold powerful notes while keeping her face relaxed for the benefit of close - up shots .
hooper initially shot hathaway’s solo with three cameras from three different angles – one of which can be seen in the movie trailer – but he ultimately decided to film the actors in close - up because they were simply too good to watch from afar .
following the release of up close & personal, dunne took some time out to document the rollercoaster ride that had been the previous seven years of endless drafts on the road to getting the film made. the result was the book “monster: living off the big screen, ” in which the author chronicles virtually every meeting and re - write he and didion did, resulting in what has been called one of the most incredible accounts of moviemaking ever written. while up close & personal is satisfying in its own right, it reaches a whole other level of entertaining after learning of the arduous journey in bringing two of the movies’ most charismatic stars to the screen .
though the scene in
up close
has been shifted from movies and music to a collateral branch of show business, the basic dynamic of a young female eagerly moving up, being both mentored and loved by a veteran male inescapably on the way down, has been lovingly retained .
he continued ,
everything we ended up doing - it was brilliant. by the time we got to the set, it was not uncomfortable having the camera that close .
through film clips, journal entries, and personal musings, one day in the life of andrei arsenevich is renowned french filmmaker chris marker' s homage to his friend and colleague, andrei tarkovsky, who died in 1986 .
like those chocolates, star vehicles are only as good as their ingredients, and in michelle pfeiffer as tally and robert redford as warren
up close
has spoken up for quality. the chemistry between these two is genuine, so much so that their slyly flirtatious moments end up having more of a charge than the rather pro forma pg - 13 lovemaking they eventually take part in .
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we' re in romance novel territory. and yet alert readers will have noticed that i' ve appended three stars to my review, a sign of approval. the temptations are great to mock the cliches and melodrama in
up close & personal ,
but the movie undeniably works as what it really is - a love story .
up close and personal
is about the passionate, ever - deepening relationship between a beautiful tv news reporter with thick, pillowy lips (michelle pfeiffer) and a craggy, veteran journalist (robert redford) with skin like an old leather armchair. in this over - cushiony romance, they fit together like, well, cheap furniture .
up close and personal received a collection of reviews which ranged from unenthusiastic to flat - out horrible, most of which were attributed to the script. with a pair of such prolific writers like didion and dunne, many were expecting more than a frothy love story. another reason for the film’s dismal critical reception was disappointment towards the studio for re - shaping what was meant to be savitch’s life story into an old - fashioned romance. the film did enjoy some box - office success; in part that’s due to the film’s introduction of celine dion’s future classic “because you loved me” as its theme .
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is here for all you quotes spouting fans of the robert redford and michelle pfeiffer movie. this script is a transcript that was painstakingly transcribed using the screenplay and / or viewings of up close and personal. i know, i know, i still need to get the cast names in there and i' ll be eternally tweaking it, so if you have any corrections, feel free to
instead, he says, the approach he and hudlin have been discussing will be all about storytelling. “the godfather of sport has been the great [ abc executive ] roone arledge, ” he explains. “and i’ve never done anything in a production sense where i haven’t thought, ‘what would roone do? ’ the classic thing that roone came up with was the simplest — it was the up - close - and - personal, so that the audience got to know people. reggie and i have been talking about the up - close - and - personal approach, so that we get to know the guys who make the best short animation, so when the award is given, you get this magic moment. you say, ‘aw, i’m so proud of him, ’ even though you’ve never seen him or her before. ”
up close and personal ,
which was
suggested
by the jessica savitch biography ,
golden girl: the story of jessica savitch ,
starts out with relative promise. pfeiffer plays sallyanne atwater (soon to be tally atwater, thanks to a teleprompter mistake), an ambitious klutz from nevada who dreams of being a news anchor .
at one point toward the end of the film’s many re - writes, dunne personally went to studio executive jeffrey katzenberg and supposedly asked, “what is this film meant to be about? ” katzenberg replied simply, “it’s about two movie stars. ” how true that is. there isn’t a single moment in this film which doesn’t highlight both redford and pfeiffer’s magnetic chemistry or their striking features. an extended sequence featuring the two playing at the beach and laying in each other’s arms on a gently rocking row boat are is the film’s greatest highlight of this fact. the film also takes great pains to showcase the two in as many different types of scenes as possible. this is especially true of pfeiffer, who does everything from singing “my way” to surviving a prison riot throughout the course of the film. in some ways, up close & personal functions as a very expensive demo reel for its two endlessly watchable stars .
meanwhile, loved up megan mckenna and boyfriend pete wicks have also been busy filming with megan’s family in essex .
the good news: up close and personal is a sumptuously old - school, glossy, larger - than - life romance that hollywood does so well. the bad news: it' s a sumptuously old - school, glossy, larger - than - life romance that hollywood does so well - - meshed uncomfortably with portrayals of crusading tv news reporters and their coverage of riots, wars, and politics .
the new edition, directors close up 2, which brings us up to the 2012 symposium, is, at its core, a reference tool that is rich with personal anecdotes and practical information about the nuts and bolts of filmmaking. from the technical aspects of the craft to dealing with the individual temperament of cast and crew, the directors leave no stone unturned. the book is divided into four parts: preproduction, production, postproduction, and, in closing, a section in which directors reflect on “the worst and the best” moments of making their film. there is also an entire section of additional materials such as storyboard sequences, script pages with notes, shot lists, production art, behind - the - scenes photos, personal sketches, and even notes written on post - its .
the folk rock band has been making music for 17 years now, but never before have they let fans get this close .
up close
is initially as uncertain as sallyanne on her first day on the job, but avnet and company calm down and allow the film' s ripe situations to play out as expected. here' s the renamed tally, desperate for knowledge, falling under the tutelage of sage old warren, who first instills humility by making her pick up his laundry and then dispenses nuggets of presumably hard - won wisdom like
yesterday is history, the news happens today .
this year is turning out to be a bountiful period for some upclose - and - personal books about famous human rights activist malcolm x, who had grenadian roots and caribbean influences .
and now, journalist herb boyd has teamed up with malcolm' s daughter, ilyasah al - shabazz, to edit
the diary of malcolm x ,
an important personal chronicle of the late leader' s international travels and meetings with world leaders in the year before his assassination .
an old - fashioned star - driven romance constructed of equal parts shrewdness and shamelessness ,
up close and personal
is no cinematic landmark, but if you don' t care about reality and resist the impulse to take things too seriously, it' s great fun to watch. seeing this is like working through a box of seductive chocolates: enjoying too many may feel sinful, but the experience is too satisfying to consider stopping .
“a career is wonderful, but you can' t curl up with it on a cold night. ”
lauren goodger and bobby norris were particularly distressed by the close encounter, hot - footing it across the field as they ran away from the unlucky fowl .
judd apatow is known as the king of the modern r - rated comedy, but he’s been flexing his directorial muscles recently with documentaries like the espn “30 for 30” entry “doc & darryl” and the upcoming “may it last: a portrait of the avett brothers. ” with co - director michael bonfiglio, apatow gets up close and personal with a group of folk rock musicians who have been make music as a band for 17 years and counting .
the film tries to give an idea of the difficulties of tv journalists to succeed and the problems they may face during the job. the director of the film seems to be interested of what may happen in cuba, and the film touches partially the ethic of contra group in miami. it also shows how mass media are always behind sensation of the news, sometimes sacrificing the life of the reporters, and this is what happened to robert redford, one of the heros of the film. this is not an easy film to be seen, but the argument is acceptable .
with behind - the - scenes footage of tarkovsky obsessively commanding his entire crew (including famed bergman cinematographer sven nykvist, during the filming of a complicated sequence from his final film the sacrifice), and candid moments of tarkovsky with his friends and family, bedridden but still working on the editing of his final film, one day in the life of andrei arsenevich is a personal and loving portrait of the monumental filmmaker .
in 1957, monroe starred in the prince and the showgirl with laurence olivier, who also directed and produced the film. she often didn & apos; t show up for filming and her erratic behavior on set created a tense relationship with her co - stars, the crew and olivier. the film received mixed reviews and was a box office hit in britain, but not as popular in the united states. the troubled production was the backdrop for the 2011 film my week with marilyn, starring michelle williams as monroe .
robert redford plays a peacocky pygmalion to michelle pfeiffer' s boob - tube galatea in
up close & personal ,
an archaic fairy tale posing as a critique of television news. while the picture does pay lip service to journalistic integrity, it' s definitely not another
broadcast news .
heck, it' s not even as pointed as the old
mary tyler moore show .
american film actress rita hayworth is best known for her stunning explosive sexual charisma on screen in films throughout the 1930s and 1940s .
costing $ 60 million to produce, & apos; & apos; up close and personal & apos; & apos; took only seven months to enter the charmed circle of films whose domestic and worldwide box - office gross passes the $ 100 million mark. with video sales, cable, mainstream television and all other ancillary markets computed into the revenues, the picture will have made disney & apos; & apos; a small profit. & apos; & apos ;
victor mature was a film actor who became a sex symbol in the 1940s with hordes of adoring female fans .
first comes throwing up in the bathroom. then the shock of having her name changed, on air, to tally. thoroughly shaken up, the poor woman fumbles with props, stumbles over her lines and seems to pretty much cover herself with embarrassment .
destiny & apos; s child released their last studio album, destiny fulfilled, in 2004, and officially broke up the following year .
up close' s
screenplay has smartly modernized this situation by opting to emphasize equality between the sexes in both careers and romance. and it' s hard not to admire the way didion and dunne have wholeheartedly embraced the well - worn scenario, throwing in chewy movie - movie exchanges of the
do you want to be with me / so much it hurts
variety while offering up assorted pokes at the way tv news is run .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
the interviews are specific to the nominated films. therefore, james cameron’s thoughts on emerging technology are focused on his 2009 film avatar; ang lee’s belief in balanced preparation with actors is in reference to his 2005 film brokeback mountain .
through close readings of tarksovsky' s films – including rare scenes from his student film (an adaptation of hemingway' s the killers) and a practically unknown production of boris goudonov – marker attempts to locate tarkovsky in his work. parallels drawn by marker between tarkovksy' s life and films offer an original insight into the reclusive director. personal anecdotes from tarkovsky' s writings – from his prophetic meeting with boris pasternak (author of dr. zhivago) to an encounter with the kgb on the streets of paris (he thought they were coming to kill him) – pepper the film .
if your a robert redford fan this is a great film, if you fancy a film on the spr of the oment, amazon is great way of building your collections, fast service and bargains galore in the used dept! !! ...
a career is wonderful, but you can & apos; t curl up with it on a cold night .
the festivities started with a reception at the indian consulate, followed by screenings at the museum and insightful discussions with film scholar richard peña, director emeritus, new york film festival, and professor of film studies at columbia university. each night of the screenings, over 300 diehard fans turned up, many having driven there from different states, and largely tamil - speaking. ratnam was mobbed by fans, many of whom were probably not even born when he began his career. there’s also a large following of american fans who are discovering tamil and hindi films through subtitles .
1996' s up close & personal is indicative of the by numbers filmmaking of the day. a remake in all but name of a star is born, it is the cinematic equivalent of a big mug of hot chocolate with marshmallows in that it' s a warming comforting and somewhat too rich concoction of a romance between filf (is that a thing? it really should be) robert redford and younger model michelle pfeiffer. for all those things, it' s enjoyable and cosy enough, but when you realise the film began life as an adaptation of the book golden girl: the story of jessica savitch, you quickly feel cheated and disenchanted with hollywood .
lomographer antono vasiljev recalls how shooting with a simple, unassuming camera around bangkok, thailand revived his passion for film photography .
she fakes a broadcast resume on videotape and is hired as a personal assistant by miami news director redford. (
do you always wear that much makeup ?
he asks her disparagingly. )
when it comes to its insights into television news ,
up close & personal
is superficial. it knows something about talent consultants and ratings services that advise stations on how to package their newscasts. it knows a little about how a local newscast goes on the air (
if it bleeds, it leads ,
justice tells her). but large parts of it play as if the filmmakers learned about television by watching it .
broadcast news
and
network
are much more knowledgeable .
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christina marouda, director of development at the museum, and founder of the indian film festival of los angeles, said, “we are marking the first year of our community engagement initiative and wanted to highlight the work of a legendary indian film director and obviously the first name which came to mind was mani ratnam. ”
lana turner was a film actress and sex symbol who was
discovered
while drinking soda at a diner counter. she made over 50 films and was married seven times .
i don' t think any of us expected nine weeks of rehearsals ,
jackman said during a press day interview .
and i' ve never been on a film where an entire cast signs up for the entire time. we would rehearse full - out. it wasn' t, like, a half - hearted thing. and tom would be sitting there - he would, in fact, move his chair often to a very uncomfortably close place .
wrapped up in their winter woolens, it looked like they had decided to extend the hand of peace and make peace with pete for the sake of megan .
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
jean - luc godard’s 1960 debut feature, breathless, filmed in twenty - one days in 1959 and brought to the public the next year, was anticipated by the style of godard’s writing, his film criticism—allusive and dense—and the film, focused on a would - be criminal, pays tribute to hollywood crime pictures, featuring a character who seems to be attempting to live out an adopted role, according to writer douglas morrey, who sees the film’s energy and irreverence—godard’s jump cuts and quick editing and idiosyncratic presentation of certain characters—as a cinematic challenge, and interprets godard’s concern with death and also language as being aspects of consciousness and theme that give the film a weight of seriousness, a seriousness that would become more prominent in godard’s other films—and in those of his peers .
this week, while national heroes day and jamaican heritage will be celebrated in the caribbean nation, a documentary film series in brooklyn will honor the island' s culture and history .
the film is a studio product if there ever was one. however, that doesn’t mean that up close & personal isn’t a film without some positive attributes. as much as the film is an overly sentimental love story, there is also an honest comment on the world it illustrates and what it requires of those who enter into it. the world of broadcast journalism is shown as an incredibly fleeting one, where the laws, as well as its participants, are continually changing. the film shows how a person must truly love and believe in what they do and how well they can do it in order to survive in such a ruthless environment where allies are few and far between and everyone is replaceable. even though the world is shown through a romantic gaze, the harshness of it is clearly visible. in many ways, tally is a sort of modern - day alice, who has fallen into the rabbit hole that is her profession. however, while she is clearly ambitious and determined, she’s never ruthless with regard to her ambition. she refuses to let the news world compromise her character, instead doing what it takes to bend it to her will .
the last “anticipated” film of the summer, pete’s dragon, has come, signaling the end of what has been a less than exciting blockbuster season at the movies. the film, like most disney efforts, preaches about the importance of love, family, and friendship in ways which are mostly hit and miss .
at the time, monroe & apos; s professional and personal life seemed to be in turmoil. her last two films, let & apos; s make love (1960) and the misfits (1961) were box office disappointments .
william wyler has often been excluded from auteurist circles, and by extension from serious film study, which, as gabriel miller argues, is a gross oversimplification .
but it has two major saving graces: muschietti’s eye for striking images is one of the film’s core assets, and his ghost story mama often comes to mind throughout it. unlike most monster movies, which withhold their central critters until the end to build up suspense and mystery, muschietti put mama ’s monster on - screen early, and trained viewers to fear her for her unsettling eeriness and malice. he does the same with pennywise, leaving any sense of mystery and dread out of the film, but replacing it with sharp shocks and uncanny valley creepiness .
atwater turns up in miami wearing the wrong hair and suit, obviously a naive outsider (at her first meet cute with justice, she drops her purse and a tampon spills out). but tally works hard and listens fast, is willing to make coffee and fetch dry - cleaning, and is very ambitious, angling for the weathergirl job even though, when she gets it, she throws up before airtime and freezes on camera .
all of that aside, most people checking out up close & personal are doing so because of the love story at the heart of the film, which manages to remain involving throughout. i loved the watching these two characters meet while at completely opposite ends of the professional spectrum. while tally is on her way up, warren is clearly on his way down. adding to this is the way the movie goes against the notion that most who enter the field find themselves married to their work due to the fact that they’ve got no time to invest in a real relationship which usually doesn’t work out in the end. warren and tally know the risks, and they know the obstacles. yet they remain undeterred by it all when it comes to making what they have work. no matter what the cost may be, they each simply refuse to let the other go. a lot of love stories tend to miss for one reason or another, and yet here it’s the challenges set by the film’s backdrop which makes warren and tally’s romance such a compelling one .
swoonsome superstars robert redford and michelle pfeiffer pair up for the story of a veteran newsman who grooms an ambitious newcomer for tv stardom. with his guidance, she rises to every challenge... but will the romantic side of their relationship fall victim to her success? grown - up fare with an exemplary supporting cast .
the writers alternately split and stuck with the project through 27 different drafts of the screenplay; two other writers; four new contracts with the studio; mr. dunne & apos; s heart valve surgery and other cardiac episodes; the death of john foreman, the dunn es & apos; original producer and close personal friend; other deaths, births, marriages, divorces and & apos; & apos; whole life cycles. & apos; & apos; in the end, & apos; & apos; up close & apos; & apos; finally reached the screen and mr. dunne and ms. didion were free to go elsewhere to do a few more choruses of & apos; & apos; white christmas. & apos; & apos; pros that they are, they will always hang in. although some pros have been known to split - - permanently .
chris marker ’s one day in the life of andrei arsenevitch is perhaps the best film yet made by one (great) film - maker about another. a revelatory document, loving, lucid and lyrical, on the elemental structuring of tarkovsky’s work, it marries moving footage of the terminally ill director shooting and struggling to finish his final film the sacrifice with an exemplary assessment of the films and their importance, humane, humble and always open. in its own essential way, it too is a masterpiece .
– gareth evans
other children have gone missing as well. when the group, eventually dubbing themselves the losers’ club, hooks up with town new kid and amateur historian ben (jeremy ray taylor), he informs them that derry’s murder rate is six times the national average, and kids disappear at an even higher rate. one by one, their group — plus token girl beverly (sophia lillis) and token black kid mike (chosen jacobs) — encounters pennywise in different monstrous forms tailored to their personal fears. soon, they understand that derry’s adults won’t do anything about it, and it’s up to them to fight back .
up close & personal is deeply sentimental slush but the ideal thing for certain audience members to settle down to with that very same big mug of marshmallow bobbing hot chocolate and have a bit of a blub with. me, i' m a sucker for behind the cameras, newsroom based romcoms, as evinced by my huge love for aaron sorkin' s the newsroom and my like of the rather overlooked 2010 film morning glory. i have always found robert redford to have a unique chemistry that transcends the sexes and any sexual orientation, and it' s always good to see him play to the screen persona of the liberal professional that he clearly is in reality. plus we have as his leading lady michelle pfeiffer, who is obviously attractive and - more importantly here for the role - engaging enough, so with all those things considered this has always been rather enjoyable viewing for me, though this rewatch suggests it hasn' t held up as well as it may have previously .
the 1997 film
lost highway
by david lynch was met with lukewarm reception, but we can all agree - - critics and fans alike - - that this is a stunning piece of work with film noir elements. like all of an auteur' s works, cult following ensues, and
lost highway
certainly has one for itself .
in her personal life, monroe had a string of unsuccessful relationships: her 1954 marriage to baseball great joe dimaggio only lasted nine months. later, she was married to playwright arthur miller from 1956 to 1961 .
naturally
up close' s
plot throws these two bushels of curves, including a barbara walters - type ex - wife (kate nelligan) and a big - time agent with the delicious name of bucky terranova (joe mantegna). and of course there are the little speed bumps like a catty co - anchor (stockard channing), duplicitous tv executives and even a bloody prison riot. because being gorgeous and in love has never ever been easy .
the answer, as it turned out, was no, she didn’t. and savitch’s fatal auto accident in 1983, when her car ran off a rain - soaked road in new hope, pa. , trapping her in a muddy canal, wasn’t the only detail of her life that didn’t make it into the final cut of the new michelle pfeiffer - robert redford newsroom drama, up close & personal (opening march 1). some of the other little factoids you won’t be learning about the famed anchorwoman: she was a cocaine addict. one of her boyfriends beat her up. her second husband hanged himself. she was notorious for her off - camera temper tantrums. and she was responsible for one of the most infamous on - air flubs in television news history .
maroon to rasta ,
a two - day film festival will be held at medgar evers college. 1650 bedford ave. (between crown and montgomery sts .) on oct. 25 and 26 .
all righty. in that case, the film avnet ended up making suggests savitch as a scrappy but gorgeous newshound named tally atwater, who starts out a miami weathergirl and ends up a network superstar. along the way she gets trapped in a prison riot, goes through more hairstyles than rupaul, and falls in love with a handsome newsman given the only - in - the - movies name of warren justice. commercially, the film has tons going for it, including the first - time pairing of pfeiffer and redford (as justice, of course). it also has classy screenwriting credits (husband - and - wife team john gregory dunne and joan didion) and, in avnet, a director with both a deft, delicate touch (fried green tomatoes and the war) and a hard - nosed business sense (he produced risky business) .
though it’s difficult to imagine, up close & personal actually started out as a dark portrait of the life of newswoman jessica savitch, who gained fame and prominence in the ’70s and ’80s as one of the first women to ever anchor the evening news at a major network. with aspects such as a cocaine addiction, tumultuous relationships, as well as her untimely death due to a tragic car accident, savitch’s torturous life was ripe for cinematic treatment. as didion and dunne got to work on bringing this complex life to the screen, the project was sold to disney’s touchstone arm, which promptly led to years and years of re - writes, eventually turning savitch’s life into a mixture of pretty woman and a star is born .
among the most powerful scenes in the new film adaptation of “les misérables” is anne hathaway ’s solo performance of fantine’s famously heartbreaking ballad “i dreamed a dream. ”
the photographs in the book, lacking numbered pagination, come in two sections: the first section, after page 56, features catherine deneuve with her mother and sisters and father, suggesting not simply the importance of family but that she saw herself as a girl among girls; and most of these photos show her in girlhood and early womanhood, attractive, and not yet blonde. the second section of photos, after page 120 following the april fools notes, features the blonde deneuve alone, looking sophisticated, also in a make - up chair and on the street, with film colleagues and associates, and there are reproductions of her diaries and also letters received from the film directors francois truffaut and trier. of course, all those photographs suggest the life in which her work is done .
this film is a classic. the actors are wonderful in it. it' s strong, powerful, and it' s romantic while never being cheesy. it' s a smart movie and a beautiful love story .
based on a screenplay by the acclaimed husband / wife writing team of joan didion and john gregory dunne, up close & personal tells the story of an aspiring tv reporter named tally atwater (pfeiffer) who goes to work as a low - level assistant at a third - rate station run by warren justice (redford), a former award - winning journalist whose glory days are long gone. despite her unpolished edges, warren finds himself intrigued by tally and takes her under his wing, eventually grooming her into a top reporter. when an unexpected romance develops between them, the two find themselves faced with the impossible task of staying together as tally’s career begins to take off .
the first installment of
planet earth
offered up - close - and - personal looks at often unfamiliar wildlife and was among the first such documentaries to take advantage of hd video. (you couldn' t go into a circuit city at the time without seeing the series being used to showcase the hi - res power of blu - ray .) the sequel ups the ante with 4k video, motion - triggered cameras and the use of drones, which helped deliver many of the breathtaking views: lemurs hopping from tree to tree in the jungles of madagascar; a rare snow leopard protecting its offspring in the himalayas; the battered coast of zavodovski island, which a million - plus chinstrap penguins call home .
the film just coasts along for most of the way, then moves up a gear towards the end, with pfeiffer trapped in a prison riot but, thanks to redford' s help on the phone, turning it into a sensational scoop - followed by redford inevitably deciding to be his own man and not hang on to michelle' s impeccably - styled coat tails .
daniel garrett, a child of the american south, louisiana, where he grew up reading, taking photographs, and enjoying fishing and a good summer barbecue. daniel moved to new york and became a graduate of the new school for social research, was an intern at
like many of director tom hooper ’s musical numbers, this scene was filmed in extreme close - up and focuses squarely on hathaway’s face. additionally, the camera never cuts away or changes angles, but remains on the actress’ expressions for the duration of her three - minute performance. the tight shots give fans of the stage show a chance to witness the raw emotions one might miss from the back of a packed broadway theater .
“may it last” takes an intimate look at the avett brothers, charting their decade - and - a - half rise and going behind the scenes of the creation of their grammy - nominated album “true sadness. ” with the recording process as a backdrop, apatow and bonfiglio dig into the lifelong bond and unique creative partnership among the band members as their personal lives change and their professional lives skyrocket .
after his mba, ratnam took a sabbatical from consultancy work and got into film production. the rest is history and his powerful films have not only been entertaining audiences but also making them think about issues through the heartfelt lives of a few characters and their interactions .
deneuve’s cannes festival (1994) report: clint eastwood is president of the cannes film festival jury, and she is vice - president, and the other jurists are mostly writers and directors (“we’re a cosmopolitan group of people, ” she notes; 83). her responses to the films screened are brief and perceptive, the words of a seasoned film artist; and despite whatever pleasures are on offer, it is also an exhausting process, with day and evening screenings, leaving her with aches (head, throat, eyes); and concerns over how the selection process is being conveyed to the press. deneuve writes that three colours: red is “visually stunning, serious, a bit slow, jean - louis trintignant is superb. very moving” (84); and nanni moretti’s dear diary is “absolutely enchanting, serious, funny, very simple, rigorous and completely original. although i did think that it wasn’t really a movie, yet not quite a documentary either; no, it’s a personal, intimate film. totally unique” (86) .
it is easy to understand the lasting influence of abel gance’s napoleon (1927), originally intended as part of a six - segment project, and restored in 1981 and again in 2000 with the participation of kevin brownlow; the film is an imaginative interpretation of napoleon’s biography; it is an interpretation offering explanation and narrative with the logic of childhood inspiration, heroic endeavor, and national symbolism (one example: an eagle is a childhood possession and a symbol of empire), according to the essay by maureen turim in the cinema of france, an essay that remarks on the film’s innovative camerawork—innovative in its movement, perspective, and use of montage. martin o’shaughnessy’s commentary on jean renoir’s the rules of the game (1939), and that film’s influences—the master / servant stories of beaumarchais, the fickle lovers of marivaux, the tragic - comedies of musset—and on rules ’ own critique of western history and modernity, and its reception and placement in film history, with differing accounts of what may have affected its early reception (aesthetics? politics? lack of stars ?), are thoroughly specified in a somewhat dry and academic, though still interesting and useful, manner. (it could be hardly more intelligent, but o’shaughnessy’s article is not in the spirit of the often amusing film. )
and the convincing child cast carries the film when the scares start to feel redundant. jeremy ray taylor and sophia lillis are particular standouts — as the smart, fat kid with a crush, he’s surprisingly tender and nuanced, and as the tough girl with an unpleasant secret, she’s close to heartbreaking. but all seven of the central children are well - cast and give strong performances, and seen through their eyes, pennywise seems like a real threat — a childhood nightmare improbably manifested in the real world — instead of like the faintly goofy, try - hard boogeyman he could so easily be .
i am trying to remember the name of brazilian film about some lowlifes who take their dead friend on a last tour of his old drinking haunts. have you any idea ?
celebrate the december 25 th release of universal’s movie musical epic “ les mis érables ” with 12 days of interviews and inside peeks at the film’s production with director tom hooper, hugh jackman, anne hathaway, amanda seyfried and more of the cast .
furious 7 star vin diesel couldn' t accept the people' s choice award for favorite action movie and favorite film without paying homage to paul walker. and, as fans, we couldn' t sit through his speech without reaching for our kleenex .
he grew up in a conventional, middle - class family where many things were not allowed, such as watching a lot of cinema, even though his father was in film distribution. they were a family of 10 in chennai, and ratnam ruefully recalls: “sometimes in a large family, you get taken to a movie and there just isn’t enough space or not enough tickets and you get left out. those are the movies you remember because you never got to see them! ”
the “encountering pennywise one by one” dynamic gives it its biggest problems. director andrés muschietti and his writers (chase palmer, cary fukunaga, and gary dauberman) stick close to king’s massive 1, 200 - page novel, porting in his dialogue where they can, and adding in - jokes and easter eggs to acknowledge where they skim over king’s bigger, harder - to - convey elements. they ditch the vision - quest encounters with the cosmic turtle who created the world, but as a wink - wink move for audience members in the know, they throw in visual and verbal turtle references. they also drop the ridiculous child - orgy, while acknowledging the themes of rite - of - passage and sealed personal intimacy behind it .
marcus garvey (center) in 1925 for the renaming of the ship general g. w. goethals to the s. s booker t. washington. the ship was sold to garvey’s universal negro improvement association. a film on the late, leader – “marcus garvey: a giant of black politics” directed by stanley nelson – will be shown at the maroon to rasta film festival .
the deep end of the ocean is a film about a family' s reaction when ben, the youngest son is kidnapped and then found nine years later, living in the same town, where his family had just moved .
jean - jacques beinex’s 1981 diva would offer, as well, a unique sensibility and style, one that referred to high culture and low, as its story shows the intersection of different worlds—through the confusion of tape recordings, the world of an opera diva and low - level street crime are intertwined—with shifts in scenery, story, and mood. a postman, played by frederic andrei, illicitly records an opera diva played by wilhelmenia fernandez, and is given, unknowingly, a tape by a doomed prostitute: and each tape is desired by others for different purposes. (the postman having a prostitute wear the diva’s stolen robe as part of a sexual experience produces his own questionable reconciliation of those different worlds .) the colorful, high - energy film contains crime intrigue—hostile deals and chases and violence. the film, like going places, offers transgression not as catharsis or ritual but as fun; and its focus on aesthetic style was a defining trait of a new decade. its story’s economic concerns mirrored the state of capitalism. gender and the objectification of women’s voices and bodies, music and culture and their commercial exploitation, and criminality and the threat of violence as coercion and punishment—they are all there in the film. will higbee notes that the fact of race in the film has not been discussed enough, though the diva is african - american, and the postman’s new female friend is vietnamese, but thinks, for instance, that the diva receives visual respect, something that is important in a film and a culture in which the look is of fundamental value. (i wish the commentary on diva contained firmer moral and political senses, and was a little less at one with the film’s sensibility: but films such as going places and diva assume history rather than try to define it and its viewers are placed in a similar position. however, i do recall that i liked diva very much—for the reasons higbee notes, for its energy and style, for its assumptions. )
up close & personal is a 1996 american romantic drama film directed by jon avnet , and starring robert redford as a news director and michelle pfeiffer as his protegée , with stockard channing , joe mantegna , and kate nelligan in supporting roles . the screenplay began as an adaptation of golden girl : the story of jessica savitch , a 1988 book by alanna nash that recounted the troubled life of american news anchor jessica savitch . the finished picture , however , was greatly altered by commercial decisions on the part of the producers , and bore little resemblance to savitch 's biography . screenwriter john gregory dunne , having spent eight years working on the script with his wife joan didion , later wrote a book describing his difficult experience , titled monster : living off the big screen . the film was nominated for an academy award in the category of best original song for " because you loved me " , written by diane warren and performed by céline dion . 
up close & personal is a 1996 american romantic drama film directed by jon avnet, and starring robert redford as a news director and michelle pfeiffer as his protegée, with stockard channing, joe mantegna, and kate nelligan in supporting roles. the screenplay began as an adaptation of golden girl: the story of jessica savitch, a 1988 book by alanna nash that recounted the troubled life of american news anchor jessica savitch. the finished picture, however, was greatly altered by commercial decisions on the part of the producers, and bore little resemblance to savitch's biography. screenwriter john gregory dunne, having spent eight years working on the script with his wife joan didion, later wrote a book describing his difficult experience, titled monster: living off the big screen. the film was nominated for an academy award in the category of best original song for " because you loved me ", written by diane warren and performed by céline dion.
up close & personal is a 1996 american romantic drama film directed by jon avnet, and starring robert redford as a news director and michelle pfeiffer as his protegée, with stockard channing, joe mantegna, and kate nelligan in supporting roles. the screenplay began as an adaptation of golden girl: the story of jessica savitch, a 1988 book by alanna nash that recounted the troubled life of american news anchor jessica savitch. the finished picture, however, was greatly altered by commercial decisions on the part of the producers, and bore little resemblance to savitch's biography. screenwriter john gregory dunne, having spent eight years working on the script with his wife joan didion, later wrote a book describing his difficult experience, titled monster: living off the big screen. the film was nominated for an academy award in the category of best original song for " because you loved me ", written by diane warren and performed by céline dion.