41 ( film )
a young man discovers a hole in the floor of a local motel that leads to yesterday.' 41'. written and directed by glenn triggs. a dark epic film. urltoken
41 puts you right into the life of nick o' neill... a great, great movie... highly recommended .
kathryn ann bigelow is an american film director, film producer, screenwriter and television director. her films include the vampire western horror film near dark, the action crime film point... more
41 is a much - needed reminder of all that is good in the world... a heartbreaking and soul - enriching experience... one of the year’s finest accomplishments .
we recently had the privilege to film viktoriya & chris' big day! they began their day in connecticut at the mystic marriot getting ready. their formal photos were captured were captured at the mystic seaport and their reception was held at latitude 41 .
mike flanagan is a film director, editor, producer, screenwriter, cinematographer, film score composer, and actor .
the cleveland international film festival promotes artistically and culturally significant film arts through education and exhibition to enrich the life of the community .
' 41' full movie - 1080p - time travel film pg13 a young man discovers a hole in the floor of a local motel that leads to yesterday. dark epic films presents a glenn triggs film. winner * rhode island flickers film festival. las vegas film festival. maverick movie awards. made in melbourne film festival. (2012 / 2013). starring: chris gibson, dafna kronental, david macrae, menik gooneratne, nick antoniades, glen hancox, anne cordiner, robert plazek, shane lee, keith gordon, bethia triggs. urltoken urltoken urltoken
“line 41” documents a holocaust and litzmannstadt ghetto survivor’s return back to today’s lodz (poland). until now, grossmann had repressed his desire to learn about the fate of his brother he lost contact with in 1942. 70 years later, grossmann sta
james wan is an australian film producer, screenwriter and film director of malaysian chinese descent. he is widely known for directing the horror film saw and creating billy the puppet. wan has... more
william tobe hooper is an american film director, screenwriter, and producer best known for his work in the horror film genre. his 1974 film the texas chain saw massacre was described by stuart... more
young guy accidentally kills his ex - girlfriend in an auto accident. in the hospital he hears of a room 41 at a local motel. dropping into a hole in the floor takes him back 12 hours. he then tries to prevent the accident that killed the girl .
stephen c .
steve
miner is an american film and television director, film producer and a member of the motion picture academy of arts and sciences .
american film institute - afi' s 100 years... 100 movie quotes
check out our faqs for answers to common questions about entering the film festival .
kiyoshi kurosawa is a japanese film director, screenwriter, film critic and a professor at tokyo university of the arts. he is best known for his many contributions to the japanese horror
casablanca has seven quotes in afi' s ballot, making it the most represented film .
list rules black male actors only. vote based on their entire body of work in film .
john howard carpenter is an american film director, screenwriter, producer, editor and composer. although carpenter has worked in numerous film genres, he is most commonly associated with horror... more
george andrew romero is an american - canadian film director, film producer, screenwriter and editor, best known for his series of gruesome and satirical horror films about a hypothetical zombie... more
shinya tsukamoto is a japanese film director and actor with a considerable cult following both domestically and abroad .
robert wiene was an important film director of the german silent cinema. he is particularly known for directing the influential german silent film the cabinet of dr. caligari and a succession of... more
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i have just watched a film called 41 here. i love a good sci - fi film, especially a good time travel film. unfortunately, it' s so easy to do them badly. 41 is a very nice film. at heart, it' s more a romantic drama than anything else. it' s not
about
the time - travel element. the main character learns & thinks & plans. he doesn' t narrate to the audience, which i loved. his solutions to the puzzles are straight forward, not overly fancy & seem entirely plausible within his reality. the main character is a philosophy student. one of his exams is just the question ,
why ?
to which he responds ,
why not ?
. the weird thing is that my grandfather took philosophy back in the 1920s. one of the stories that he related to me in my youth was that one of his exams had been the question ,
why ?
to which he had responded ,
why not ?
i said ,
not much of an answer .
and he replied ,
not much of a question .
and, of course, he was quite right. it' s one of the weaker moments in the film. i really enjoyed the ending and the final resolution. although, honestly, the business about the golf ball was just weird. the goofy bastard deserved to die, imho. anyway, if you' re surfing for something to wile away 90 minutes, and you' re looking for a movie with a little less flash & a little more substance, give 41 a try .
samuel m
sam
raimi is an american film director, producer, writer and actor, famous for directing the cult horror comedy evil dead series, the superhero film darkman, and the... more
alexandre aja is a french film director who rose to international stardom for his 2003 horror film haute tension. he has also directed the horror films the hills have eyes, mirrors, piranha 3d... more
suicide squad made a huge $ 65. 1 million at the friday box office, but most industry analysts took note that the film had a huge drop from friday to saturday. box office revenue dramatically declined 41 percent from friday to saturday. this decrease is worse than batman v superman ‘s drop which fell only 37. 9 percent from its large friday opening. to give even better perspective, the previous august record holder guardians of the galaxy saw only an 18 percent drop from friday to saturday. it is believed that the film’s poor word - of - mouth is to blame for the drop in attendance .
dario argento is an italian film director, producer and screenwriter. he is best known for his work in the horror film genre, particularly in the subgenre known as giallo, and for his influence... more
stanley kubrick was an american film director, screenwriter, producer, cinematographer, and editor who did much of his work in the united kingdom. part of the new hollywood film - making wave, he... more
rob zombie is an american musician, film director, screenwriter and film producer. he rose to prominence as a founding member of the band white zombie which formed in the mid - 1980s and rose to... more
one thing can’t be denied: the marketing for suicide squad was amazing. warner bros’ marketing department should win awards for the marketing campaign for this film, and it certainly got people interested, but unfortunately a lot of moviegoers seem to be finding that the fun film they’re selling isn’t the dark and violent film which is in theaters. no wonder the film is trending down thanks to the resulting negative buzz in both reviews and online social media .
the diner in the film was shot on the other side of the world by a camera operator in connecticut usa .
stuart gordon is an american director, writer and producer of films and plays. most of gordon' s film work is in the horror genre, though he has also ventured into science fiction and film noir... . more
eli raphael roth is an american film director, producer, writer and actor. he is known for directing the horror film hostel and its sequel, hostel: part ii. he is also known for his role as... more
legacy movie quotes that viewers use to evoke the memory of a treasured film, thus ensuring and enlivening its historical legacy .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
afi' s 100 years... 100 movie quotes is a list of the 100 top film quotes of all time .
i am interested in supervising research into any aspect of popular film, but particularly those that engage with the topic from an interdisciplinary or intermedial perspective. research proposals that consider film production in terms of fads, cycles, and trends will be positively received .
this list of the best horror directors in film history has ranked by the community as the absolute best in the genre. this list features the film industry’s best horror directors of all time and includes pictures and titles of their best horror films. who are the absolute best horror directors in film history? the directors on this list have made some of the scariest, most frightening movies ever .
terence fisher was a film director who worked for hammer films. he was born in maida vale, a district of london, england .
movie quote a statement, phrase or brief exchange of dialogue spoken in an american film. * (lyrics from songs are not eligible. )
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the film has yet to open in 9 international markets (egypt, denmark, pakistan, turkey, italy, germany, austria, greece, and japan). more importantly, the film will likely not see a release in china — this could have meant another $ 100 - 150 million for the film’s global box office (even if hollywood studios only get back about 20% - 25% of the money earned in the country) .
a jury of over 1, 500 leaders from the creative community, including film artists, critics and historians. selection criteria included choosing quotes from american films which circulate through popular culture, become part of the national lexicon and evoke the memory of a treasured film, thus ensuring and enlivening its historical legacy .
its karlovy vary international film festival time! we will be here for a few more days soaking up the films, the people, and this beautiful town .
before starting work at kent i’d held the desire (but not had the opportunity) to teach a class that examined the tension between the competing concepts of film as art and film as commerce. within my first year here i was given the go - ahead to write such a module. the premise was that i would consider film through a prism of low and high culture, a set - up that would help order the conversation between popular cinema and the avant - garde .
vote up the best horror film directors ever or add the director of scary horror movies you think is best, if he or she isn' t already on the list .
due to the extensive number of memorable movie lines in american film, jurors could also write in votes for up to five quotes that may not already appear on the ballot .
is the eighth installment in afi' s centennial celebration of american cinema, meant to spark a national discussion of america' s film history among movie lovers across the nation .
an auteur is a filmmaker or director whose personal, individual production style and creative flare gives his or her films a distinctive, unique feel. a director who falls in this category usually has complete control over the creative elements of producing a film. since their influence on their films is so great they are considered the author of the film, regardless of whether or not they actually wrote the script. if you’ve ever asked the question, “what are the greatest auteurs in film history? ” before then you’ve definitely landed on the right page !
manoj shyamalan, known professionally as m. night shyamalan, is an indian and american screenwriter, film director, producer and occasional actor known for making movies with contemporary... more
i' m going to let you in on a little secret... and tell you that six of tonight' s greatest movie quotes come from one film. casablanca .
* afi defines an american film as an english language motion picture with significant creative and / or financial production elements from the united states. additionally, only movie quotes from feature - length american films released before january 1, 2004, will be considered. afi defines a feature - length film as a motion picture of narrative format that is typically over 60 minutes in length .
sir alfred joseph hitchcock, kbe was an english film director and producer. often nicknamed
the master of suspense
, he pioneered many techniques in the suspense and psychological... more
stanfield, p. (2002). & apos ;
film noir like you & apos; ve never seen
: jim thompson adaptations and cycles of neo noir & apos; .
friedrich christian anton
fritz
lang was a german - austrian filmmaker, screenwriter, and occasional film producer and actor. one of the best known émigrés from germany' s... more
michael haneke is an austrian film director and screenwriter best known for films such as caché, funny games, the white ribbon and amour. his films often document the discontent and... more
guillermo del toro gómez is a mexican film director, screenwriter, producer, and novelist. in his filmmaking career, del toro has alternated between spanish - language dark fantasy pieces, ... more
mario bava was an italian director, screenwriter, special effects artist and cinematographer from the
golden age
of italian horror films. his work kick - started the giallo film genre... more
from any era and genre, these are the greatest black actors in film history, ranked by the community to determine who is the best of all time. these black actors are the top in the business, and many are also among the best living actors today. from those who have portrayed classic black characters in film, to award winning actors, only the most deserving actors are on this list .
professor stanfield' s primary area of interest is in american film cultures. his research focuses on film genres and cycles, which includes two monographs on the western. he has also published extensively on gangster movies and co - edited a book on the blacklist era in american cinema. connected to this work is a substantial body of research on popular music and american film, which ranges from hollywood' s fascination with america' s gutter songs in the early sound period, 1930s singing cowboys, the figure of stagger lee in westerns, and the fad for calypso and rock' n' roll in 1950s teenpics .
brian russell de palma is an american film director and screenwriter. in a career spanning over 40 years, he is probably best known for his suspense and crime thriller films. he directed... more
joseph
joe
dante, jr. is an american film director, producer, editor and actor. his films—notably gremlins —often mix fantastical storylines with comedic elements. dante' s films... more
jacques tourneur was a french - american film director known for a series of low - budget horror films he made for rko studios, including cat people, i walked with a zombie and the leopard man .
takashi shimizu is a japanese filmmaker. he is best known for being the creator of the japanese ju - on series and american the grudge franchise. according to film scholar wheeler winston dixon, ... more
ruggero deodato is an italian film director and screen writer. during his career, he ranged different genres like peplum, comedy, drama, poliziottesco and science fiction, but he is best known... more
james whale was an english film director, theatre director and actor. he is best remembered for his four classic horror films: frankenstein, the old dark house, the invisible man and bride of... more
robert earl wise was an american film director, producer and editor. he won academy awards for best director and best picture for both west side story and the sound of music. he was also... more
david keith lynch is an american film director, television director, visual artist, musician, actor, and author. known for his surrealist films, he has developed a unique cinematic style. the... more
relive the melbourne 1956 olympics with the fully restored official olympic film. subscribe to the official olympic channel here: urltoken find more about the olympic games at urltoken follow your favourite athletes on the olympic athletes hub: urltoken
wesley earl
wes
craven is an american film director, writer, producer, and actor known for his work on horror films, particularly slasher films. he is the creator of the a nightmare... more
roger william corman is an american independent film producer, director and actor. he has mostly worked on low - budget b movies. much of corman' s work has an established critical reputation, such... more
lucio fulci was an italian film director, screenwriter and actor. he is perhaps best known for his gore films, including zombi 2 and the beyond, although he made films in genres as diverse as... more
john david landis is an american film director, screenwriter, actor, and producer. he is known for his comedy films, his horror films, and his music videos with michael jackson. he directed... more
afi distributed a ballot with 400 nominated movie quotes to a jury of over 1, 500 leaders from the creative community, including film artists (directors, screenwriters, actors, editors, cinematographers), critics and historians .
clive barker is an english writer, film director, and visual artist best known for his work in both fantasy and horror fiction. barker came to prominence in the mid - 1980s with a series of short... more
william peter blatty is an american writer and filmmaker. the exorcist, written in 1971, is his most well - known novel; he also wrote the screenplay for the film adaptation, for which he won an... more
timothy walter
tim
burton is an american film director, producer, artist, writer, and animator. he is known for his dark, gothic, macabre, and quirky horror and fantasy films such as... more
roman polanski is a polish and, since 1976, naturalized - french film director, producer, writer, and actor. having made films in poland, the united kingdom, france and the united states, he is... more
robert burgess aldrich was an american film director, writer and producer, notable for such films as vera cruz, kiss me deadly, the big knife, what ever happened to baby jane? , hush… hush, sweet... more
chiwetel ejiofor, each of the black actors on this list has earned his place with an excellent body of work and memorable performances. some black comedians and rappers are also on this list, having found success in the world of film as well .
this list features the film industry’s best horror directors and includes great directors like wes craven, alfred hitchcock, george a. romero, david lynch, david argento, mario brava, john carpenter, james whale, and terence fisher, roman polanski .
suicide squad might be a mess of a film, bashed by critics and fans alike, but that hasn’t stopped moviegoers from buying tickets opening weekend. david ayer ‘s comic book adaptation had a huge opening weekend, earning a massive $ 135 million domestically, shattering the previous august us box office record (guardians of the galaxy has held the crown for two years with its $ 94. 3 million opening in 2014). the film has also grossed over $ 267 million worldwide, but it will need three times that to break even. if the movie’s saturday numbers are any indication, the bad word - of - mouth buzz for this film will only result in dramatic diminishing returns in the coming weeks. let’s take a look at the suicide squad box office, after the jump .
great movie quotes become part of our cultural vocabulary. when you consider that any phrase from american film is eligible, you realize this is our most subjective topic to date. we expect nothing less than a war of words as we reignite interest in classic american movies .
his latest book, maximum movies? pulp fictions, takes a long look at academics' fascination with pulp cultures, tracing their enthrallment with the work of samuel fuller and the film adaptations of pulpsters mickey spilliane (kiss me deadly) and jim thompson (the killer inside me) .
this list features history’s best auteurs, including: wes craven, alfred hitchcock, david lynch, peter jackson, quentin tarantino, charlie kaufman and julian schnabel. vote for your favorite auteur film director below, or add one whose style you love if they aren' t already on the list .
professor stanfield teaches pulp cinema and american cinema in all its many guises at both undergraduate and postgraduate level. he is a co - director of the centre for the interdisciplinary study of film and the moving image, and helps lead the research group investigating the notion and actuality of repetition in the arts .
chronologically, the ballot spans from 1927, with the first full - length sound film, the jazz singer :
wait a minute, wait a minute. you ain' t heard nothin' yet !
to 2002 and
my precious
from the lord of the rings: the two towers .
this film isn' t nearly as bad as the trailer makes it look. zhang yimou' s actioner the great wall turns out to be pretty entertaining (in a basic man - vs. - monster fashion), beautiful to look at and not a white - man - as - savior embarrassment .
a most excellent and entertaining film, well written and scored. the dialogue was at times thought provoking and, to be honest, was more or less in line with my thoughts on time travel which is as good a reason as any to like it! perhaps a better script might have ruined it, and special effects would not have suited the films nuances and quirks. i have never come across a bad australian film and this, being no exception, is a better one than some other highly glossy and commercial ones. in many ways this reminds me of a typical british film shot with lots of love on a low budget - earthy and local, with no pretensions. plot holes were easy to forgive given that there were few for the given budget, and that, apart from the police scenes, the acting was of a quality any director would be pleased with. i enjoyed it. i would have bought this !
this kind of movie trivia is fun, but the movies are never trivial. consider mrs. miniver... a film released the same year as casablanca. its closing lines were so powerful to president franklin roosevelt, that he ordered them printed on millions of leaflets and dropped over nazi - occupied europe .
of all time including, morgan freeman, don cheadle, samuel l. jackson, ossie davis, forest whitaker, danny glover, and eddie murphy. is the black male actor you think is best not on the list? add him to make a truly comprehensive list to determine the best black men in film history .
what does it mean to be iconoclastic? in its rawest sense, it means to break the rules. to be an iconoclastic artist, one would have to recognize what is regarded as typical, and then either destroy or reestablish the norm. iconoclastic artists are innovators and renegades. these are the most iconoclastic directors in film history .
together we set out across five years to explore the pulp landscape as it had been earlier travelled by avant - garde artists and critics. in the process i began to write the book that would become maximum movies? pulp fictions: film culture and the worlds of samuel fuller, mickey spillane and jim thompson (rutgers university press, 2011) .
it’s also worth noting that suicide squad broke august imax records, earning $ 18. 2 million on 636 imax screens globally, also surpassing guardians of the galaxy, which opened with $ 15. 9 million worldwide in imax screens. the film will have a two week run in imax theaters before its replaced by ben - hur on august 19th 2016 .
it seems likely that the film is entitled
the great wall
because they couldn' t have called the film
great
in reference to the acting. damon' s occasionally - heard irish brogue leaves one with the occasional impression that his character is meant to be irish - - although that would be entirely unnecessary to the plot. then again, it is equally plausible that the character is meant to be an impostor of limited impersonation skills infiltrating the chinese army. whatever the reason may be ,
the great wall
is little more than a silly, two - dimensional diversion for teenage boys. the good cgi and frequent battle carnage should be enough to satisfy that target audience, even if it satisfies few others .
latinos have constituted part of the united states’ cinematic imagination since the emergence of motion pictures in the late 19th century. though shifting in their specific contours, representations of latinos have remained consistently stereotypical; latinos have primarily appeared on screen as bandits, criminals, nameless maids, or sultry señoritas. these representations have been shaped by broader political and social issues and have influenced the public perception of latinos in the united states. however, the history of latinos and film should not be limited to the topic of representation. latinos have participated in the film industry as actors, creative personnel (including directors and cinematographers), and have responded to representations on screen as members of audiences with a shared sense of identity, whether as mexicanos de afuera in the early 20th century, hispanics in the 1980s and 1990s, or latinos in the 21st century. both participation in production and reception have been shaped by the ideas about race that characterize the film industry and its products. hollywood’s labor hierarchy has been highly stratified according to race, and hollywood films that represent latinos in a stereotypical fashion have been protested by latino audiences. while some latino / a filmmakers have opted to work outside the confines of the commercial film industry, others have sought to gain entry and reform the industry from the inside. throughout the course of this long history, latino representation on screen and on set has been shaped by debates over international relations, immigration, citizenship, and the continuous circulation of people and films between the united states and latin america .
alfred hitchcock discovered very early in his career that a film director had the capability to manipulate the spectator. the master of suspense knew exactly where to put the camera, how to meticulously frame each shot, and how to edit those images together to create the maximum effect. and of course, in most hitchcock films, the maximum effect meant scaring the bejesus out of the audience .
i wanted to examine the creative interventions of artists, critics and scholars who work with popular film to produce new cultural forms and ideas. to investigate the surrealists’ play with the violent poetics of crime fictions; the nouvelle vague ’s validation of american hard - boiled fiction; abstract painter and film critic manny farber’s theory of termite art; lawrence alloway’s concept of “maximum movies; ” the art brut style of samuel fuller, and the crime - scapes and the genealogy of pulp. that was the premise, but to put all of this into play was not straightforward. there were no text books or pre - set readings for such a programme of study. i would have to research what i wanted to teach and my students would have to be participants in that project .
these codes have not really changed much in the last 100 years, as films are more or less made the exact same way today as they were in say 1940. however, that doesn’t mean that these rigid cinematic codes are never broken. it doesn’t mean that cutting edge film directors haven’t come along with new ways to shoot scenes, different methods of editing, and more complicated ways to tell story .
. the movie was a monster box office flop but has, of course, gone on to become a film school staple and is often cited as the greatest movie ever made. his use of a non - linear narrative, extreme angles, and canted framing were completely unheard of in the earlier days of cinema. welles did it all: he wrote, directed, acted, and produced most of his films .
such movie taglines were common in the 1950s, as hollywood churned out a variety of low - budget pictures that were sold on the basis of their sensational content and topicality. while a few of these movies have since become canonized by film fans and critics, a number of the era’s biggest fads have now faded into obscurity. to be published in 2015, the cool and the crazy examines seven of these film cycles, including short - lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950s takes on established genres like the gangster picture. i reveal how hollywood sought to capitalize upon current events, moral panics, and popular fads, making movies that were “ripped from the headlines” on everything from the korean war to rock and roll. within the broader historical and commercial contexts i consider how these films were produced, marketed, and exhibited. in the process, uncovering surprising synergies between film and other arenas of popular culture, like the ways that the fashion trend for blue jeans influenced the 1950s western. the cool and the crazy offers an insight into cinema as a “pop” medium, unabashedly derivative, faddish, and ephemeral. by studying these long - burst bubbles of 1950s “pop, ” i reveal something new about what films do and the pleasures they provide .
starring global superstar matt damon and directed by one of the most breathtaking visual stylists of our time, zhang yimou (hero, house of flying daggers), legendary' s the great wall tells the story of an elite force making a valiant stand for humanity on the world' s most iconic structure. the first english - language production for yimou is the largest film ever shot entirely in china. the great wall also stars jing tian, pedro pascal, willem dafoe and andy lau .
from the wild angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty - odd formulaic examples. all but one were made by independent companies that specialized in producing exploitation movies for drive - ins, neighborhood theaters, and run - down inner - city movie houses. despised by critics but welcomed by exhibitors, these cheaply and quickly made pictures were produced to appeal to audiences of under - educated mobile youths. plagiarizing contemporary films for plotlines, the cycle reveled in a brutal and lurid sensationalism drawn from the day & apos; s headlines. disreputable and interchangeable these films maybe, but their lack of cultural legitimacy and low ambition is a large part of the rationale for this study; inviting questions about seriality and film cycles that are otherwise ignored in histories of 1960s and 70s american film. hoodlum movies explains why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s before coming to a shuddering halt in 1972 .
i don’t think it is an exaggeration to say that this book would not have taken the shape it did without student input (through their own research carried out in preparation for our debates in seminars and as articulated in their essays). there was a perfect cycle of knowledge acquisition, dissemination and debate. at times i led the way; at other times the students set the path to follow. in the end, the book closed the circuit, but not before a new research project had begun on repetition and novelty in popular film ...
this essay challenges the received wisdom that teenpix of the 1950s were dominated by a soundtrack of rock' n' roll. i argue that this cycle of film production was marked by a diversity of musical genres, styles and types. not only rock' n' roll, but rhythm' n' blues, folk, rockabilly, swing, west coast jazz, bebop, latin music such as the mambo, the rhumba, the cha cha chá, and caribbean calypsos were all heavily featured in these films. this study is carried out through a focus on the temporal arrangements – fads, cycles, trends – that govern serial production and consumption of movies and popular music. following philip ennis' thesis that rock' n' roll is best defined by its ability to & apos; crossover & apos; musical boundaries – to move, for example, across the pop, country, and rhythm' n' blues charts – i argue that the film industry chose not to overly limit the music it had on offer and instead provided a varied package, some of which, it expected, would crossover and appeal to diverse and capricious teenage tastes .
explosive! amazing! terrifying! you won & apos; t believe your eyes! such movie taglines were common in the 1950s, as hollywood churned out a variety of low - budget pictures that were sold on the basis of their sensational content and topicality. while a few of these movies have since become canonized by film fans and critics, a number of the era & apos; s biggest fads have now faded into obscurity. the cool and the crazy examines seven of these film cycles, including short - lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950s takes on established genres like the gangster picture. peter stanfield reveals how hollywood sought to capitalize upon current events, moral panics, and popular fads, making movies that were
ripped from the headlines
on everything from the korean war to rock and roll. as he offers careful readings of several key films, he also considers the broader historical and commercial contexts in which these films were produced, marketed, and exhibited. in the process, stanfield uncovers surprising synergies between hollywood and other arenas of popular culture, like the ways that the fashion trend for blue jeans influenced the 1950s western .
this essay tracks the emergence, consolidation and dissolution of the short cycle of hot rod movies that was exhibited from 1956 to 1958. the aim is to explore this cycle & apos; s connection to topical issues and show how filmmakers used timely subjects. the essay examines the media frenzy that whirled around the subculture of hot rodding and the sensationalist marketing strategies used to promote the films, which are linked to exhibition in drive - in theatres. there is an extraordinary mismatch between the thrills promised by the sales pitch for the films and the pedestrian action of the films themselves. while showing intent to speed, few examples of the cycle actually delivered on the promise to thrill. finally, questions of turnover and the speed of production are considered. what draws these areas of interest together is a series of enquiries about what made hot rods and hot rod culture useful to film producers and audiences .
in the words of richard maltby ...
maximum movies - - pulp fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked .
one of these worlds comprises a clutch of noisy, garish pulp movies—kiss me deadly, shock corridor, fixed bayonets! , i walked with a zombie, the lineup, terror in a texas town, ride lonesome—pumped out for the grind houses at the end of the urban exhibition chain by the studios' b - divisions and fly - by - night independents. the other is occupied by critics, intellectuals, cinephiles, and filmmakers such as jean - luc godard, manny farber, and lawrence alloway, who championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rarified, and ossified art objects. against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories. war pictures, fast - paced westerns, thrillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture - - the foundation upon which modern film studies sits .
providence, r. i. — a 65 - foot yacht registered to gubernatorial candidate joe trillo started taking on water as it neared the charlestown breachway on sunday morning, according to the u. s. coast guard .
coast guard watchstanders received a 911 relay call from the lady m at around 11 a. m. stating they had struck a rock near the charlestown breachway and were taking on water,'' according to a coast guard posting on facebook .
two 45 - foot response boat crews from coast guard station point judith responded and used dewatering pumps to keep up with the flooding ...
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a young man discovers a hole in the floor of a local motel that leads to yesterday .
lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .
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two men are stranded at the bottom of a well. one, with a serious injury to his head, thinks his has fallen in is own back garden in present - day britain. but the other tells him they are really prisoners in a medieval dungeon. who is right, and where are they really ?
when a down - on - his - luck inventor builds a time machine to change the past, he unwittingly sets off a disastrous chain of events .
after his wife is killed in a hit - and - run accident by a mysterious hooded man, dylan brandt, a theoretical physicist, builds a quantum suicide machine to jump through parallel universes to... see full summary »
while investigating the legend of a mysterious group of religious people living in the forest, a local news crew becomes trapped in the grasp of a doomsday cult, who are about to execute their final act of devotion and biblical punishment .
from running the country to skydiving, this endearing and enlightening portrait explores the life and careers of george h. w. bush, the 41st president of the united states .
mouse - x is a mystery / sci - fi story about anderson, a man who wakes in a building with no idea where he is or how he got there, before slowly discovering that in each of the rooms around him... see full summary »
after the disappearance of a young scientist on a business trip, his son and wife struggle to cope, only to make a bizarre discovery years later - one that may bring him home .
a team of military field operatives and civilian scientists must use untested technology to travel back in time to alter past events in order to change the future and avoid a devastating terrorist attack .
the car aidan' s grandfather was driving in 1957 had seats from a modern car. vehicles in the 1950' s didn' t have headrests .
: we' ve all been dead a lot longer than we' ve been alive .
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explore popular sci - fi movies and tv shows available to stream with prime video .
21. fire birds 1991 - nicolas cage - tommy lee jones - sean young. mp4
his search crosses paths with jens - jürgen ventzki, son of the former nazi head mayor of lodz. ventzki is pursuing his family’s dark secret. in tracing their family histories, they inevitably confront each other .
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nam ad partem tibique suscipit, ut duis etiam integre usu. nobis bonorum patrioque ea qui, eu paulo mediocritatem qui. populo evertitur ut his, summo errem postea te his .
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movies have been around for about a hundred years. right from the start of cinema, narrative and technical codes were established to help orientate the spectator. a filmmaker would have to follow the rules of continuity editing, for example, in order to assure that the audience would not feel alienated or confused .
the edgy movie directors on this list invent their own structure. some make films that run over three hours, others invent new technology to tell story, one director on this list even spent 12 years filming his movie in order to tell a realistic story of a young boy growing up. the result of their innovation are iconoclastic movies that stand the test of time like
make your voice heard. be sure to vote up your favorite iconic directors .
lists about the people behind the cameras of your favorite (and least favorite) movies .
lists that rank the top movies, tv series, and other media about and featuring black characters and culture .
lists for fans addicted to horror films and all the jump - scarin', blood - splatterin' ,
bitch, get out the house !
adrenaline that goes with them .
this list details the best horror directors in history and many of these directors have received numerous awards for their best work. the directors featured here are from all around the world and from different time periods in history. many are still currently creating amazing films in the horror genre today .
david paul cronenberg, cc oont frsc is a canadian filmmaker, screenwriter, and actor. he is one of the principal originators of what is commonly known as the body horror or venereal horror... more
tom holland is an american director, writer and actor known for directing and writing horror movies like psycho ii, fright night, child' s play and thinner .
friedrich wilhelm
f. w .
murnau murnau was greatly influenced by schopenhauer, nietzsche, shakespeare and ibsen plays he had seen at the age of 12, and became a friend of director max... more
tod browning was an american motion picture actor, director and screenwriter. browning' s career spanned the silent and talkie eras. best known as the director of dracula, the cult classic... more
daniel thomas
dan
o' bannon was an american motion - picture screenwriter, director and occasional actor, usually in the science fiction and horror genres .
takashi miike is a highly prolific and controversial japanese filmmaker. he has directed over ninety theatrical, video, and television productions since his debut in 1991. miike is credited with... more
leigh whannell is an australian screenwriter, producer, director and actor. he is best known for writing films directed by his friend james wan, including saw, dead silence, death sentence, ... more
georges franju was a french filmmaker. he was born in fougères, ille - et - vilaine .
no matter how many times you' ve watched' the princess bride,' you don' t know everything about it ...
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the television special afi' s 100 years... 100 movie quotes originally aired on cbs on june 21, 2005 .
you don' t understand! i coulda had class. i coulda been a contender. i could' ve been somebody, instead of a bum, which is what i am .
toto, i' ve a feeling we' re not in kansas anymore .
all right, mr. demille, i' m ready for my close - up .
a census taker once tried to test me. i ate his liver with some fava beans and a nice chianti .
you know how to whistle, don' t you, steve? you just put your lips together and blow .
today, i consider myself the luckiest man on the face of the earth .
my mama always said life was like a box of chocolates. you never know what you' re gonna get .
oh, jerry, don' t let' s ask for the moon. we have the stars .
one morning i shot an elephant in my pajamas. how he got in my pajamas, i don' t know .
mrs. robinson, you' re trying to seduce me. aren' t you ?
of all the gin joints in all the towns in all the world, she walks into mine .
wait a minute, wait a minute. you ain' t heard nothin' yet !
striker: surely you can' t be serious. rumack: i am serious... and don' t call me shirley .
oh, no, it wasn' t the airplanes. it was beauty killed the beast.
41 is an independent feature-length documentary about nicholas o'neill , the youngest victim of the station nightclub fire , which claimed the lives of 100 people in west warwick , rhode island on february 20 , 2003 . the documentary , which was co-created by filmmakers christian de rezendes and christian o'neill ( nicholas ' brother ) , interweaves the story of nicholas ' life , as described by his family and friends and illustrated with home videos , with footage from the film they walk among us , which is based on a play of the same name written by nicholas a year before he passed . the titular number , as described by the film , was of spiritual significance to nicholas , although the reasons behind this are not fully known . the film also details how his family and friends believe that nicholas may have prophetically known that he would die at a young age , and that he continues to communicate with them as a spirit , often through " signs " involving the number 41 . several notable individuals either appear in the film or acted as consultants on it , including novelist jon land , writer ann hood , paranormal researcher gary schwartz , psychic mediums robert brown , maureen hancock and cindy gilman , and avid co-creator tom ohanian . both of the directors appear in the film and act as storytellers , relating their personal connection to the story . 
41 is an independent feature-length documentary about nicholas o'neill, the youngest victim of the station nightclub fire, which claimed the lives of 100 people in west warwick, rhode island on february 20, 2003. the documentary, which was co-created by filmmakers christian de rezendes and christian o'neill (nicholas' brother), interweaves the story of nicholas' life, as described by his family and friends and illustrated with home videos, with footage from the film they walk among us, which is based on a play of the same name written by nicholas a year before he passed. the titular number, as described by the film, was of spiritual significance to nicholas, although the reasons behind this are not fully known. the film also details how his family and friends believe that nicholas may have prophetically known that he would die at a young age, and that he continues to communicate with them as a spirit, often through " signs " involving the number 41. several notable individuals either appear in the film or acted as consultants on it, including novelist jon land, writer ann hood, paranormal researcher gary schwartz, psychic mediums robert brown, maureen hancock and cindy gilman, and avid co-creator tom ohanian. both of the directors appear in the film and act as storytellers, relating their personal connection to the story.
41 is an independent feature-length documentary about nicholas o'neill, the youngest victim of the station nightclub fire, which claimed the lives of 100 people in west warwick, rhode island on february 20, 2003. the documentary, which was co-created by filmmakers christian de rezendes and christian o'neill (nicholas' brother), interweaves the story of nicholas' life, as described by his family and friends and illustrated with home videos, with footage from the film they walk among us, which is based on a play of the same name written by nicholas a year before he passed. the titular number, as described by the film, was of spiritual significance to nicholas, although the reasons behind this are not fully known. the film also details how his family and friends believe that nicholas may have prophetically known that he would die at a young age, and that he continues to communicate with them as a spirit, often through " signs " involving the number 41. several notable individuals either appear in the film or acted as consultants on it, including novelist jon land, writer ann hood, paranormal researcher gary schwartz, psychic mediums robert brown, maureen hancock and cindy gilman, and avid co-creator tom ohanian. both of the directors appear in the film and act as storytellers, relating their personal connection to the story.