tweet ' s ladies of pasadena
i' ve had drug trips that are more lucid than tweet' s ladies of pasadena .
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between making sinner and tweet' s ladies of pasadena the audience was treated to cinema justice, a single scene in which an unhinged carey steamrolls fellow actor michael c. gwynne, and the world' s greatest sinner - - always a treat .
the story of a man who is a member of a ladies knitting club that constantly roller - skates and wants to clothe naked animals .
one could say carey made tweet' s at great professional and personal cost. coppola was eager to cast carey as the dimwitted thug luca brasi in the godfather (1972), but carey turned down the part so he could film the tweet' s television pilot, which was never sold or broadcast .
i was hoping for some more information about tweet' s in the documentary about timothy carey, making sinner. however, this seemed to focus on carey' s early career up to and including the world' s greatest sinner (1962) .
fz: that' s the name of the film. it' s the world' s worst movie, and i did the music for it .
you could say that tweet' s was akin to a car crash but where that analogy works for compelling disasters, tweet' s drove several folks out of the theater. i was tempted to leave as my head was pounding but couldn' t imagine that the breakneck pace could continue unabated and that the film would never return to some of the items that passed by winkquick as it unfolded. what about the people covered in roses? how about the dog that came back to life? would tweet ever find a job? why did his wife not appear for the first third of the film and then appear to be different woman for the final third? would those south american ants play a part in anything ?
after the screening timothy carey' s son, romeo, gave a brief q & a where he said tweet' s was shot over a period of roughly seven years, as if it had been a show that the elder carey worked on despite it never being picked up by a network. and, despite the wild programming that populated the tv landscape in the' 70s, i could never see such a show playing. it' s still not clear if the 70 + minutes of tweet' s shown was one show or several cut together. the print screened appeared to be some kind of work print that had been edited to within an inch of its life .
fz: it' s an, it' s an independent company. (laughter )
true to carey' s bizarre persona, he fired off a. 38 at the movie' s 1962 premiere, scaring the hell out of the gathered crowd .
was the evening worth a 10 hour drive, $ 20 parking and a $ 109 speeding ticket? . yes. i don' t know if or when tweet' s will ever play again and i couldn' t pass up the opportunity to have my mind blown so thoroughly. toodeloo !
from the top, bob fosse' s
cabaret ,
dennis hopper' s
easy rider ,
luis bunuel' s
belle de jour ,
and steven spielberg' s
e. t. the extra - terrestrial .
well he' s the world' s greatest sinner. i said the world' s greatest sinner. as a sinner he' s a winner, honey, he' s no beginner. he' s rotten to the core, daddy, you can' t say no more. he' s the world' s greatest sinner. if you' ve ever sinned before. then you know what i mean. if you see him walking around the floor. he' s the meanest creature that you' ve ever seen .
( repeat )
for god' s sake, my favorite actor of the week, timothy carey, looked like a raccoon who wanted to hug you and light fireworks inside your mother' s house. does that
work
as a narrative for you? does he
stop short of pretty
?
fz: yes. it' s a tim carey production, frenzy productions .
there was this film that frank scored the music for. he met timothy carey at wallach' s music city, and that' s how that happened .
fz: ah, well, you will, you will be familiar with some of my songs as of next week. but i did the score for the world' s greatest sinner, the... (laughter )
timmy always seemed to have a project going, but i guess that' s par for the course with creative personalities. i don' t recall the origins of
the world' s greatest sinner is an amazing, love - it - or - hate - it kind of film ,
says experimental filmmaker gerry fialka .
steve allen: the world' s greatest sinner. does tim play the title role ?
the world' s greatest is commercially available officially from tim carey' s son. try a web search. they were advertising regularly in film threat as well. it' s a bit pricey though. at last check he was asking for i believe $ 50. 00us .
the world' s greatest sinner. the story of a dissatisfied insurance clerk who quits his job and goes on the road to become a rock' n' roll star / preacher / politician, gathering an odd mixture of dedicated followers who call him god. his progress to what is almost a success and then to the realization of being greater than any human can conceive proceeds amid wild scenes of mass - hysteria .
i spent a lot of time with fz and timothy carey during post production both at carey' s home in el monte and in hollywood at the sound company, glen glenn .
future b - movie director ray dennis steckler (filming) was the cinematographer on the world' s greatest sinner. as with frank zappa, this film was steckler' s first professional credit .
though his name isn' t a household word, timothy carey' s face is instantly recogniz able for his memorable able performances in several classic films and numerous tele vision programs. above: with james dean in east of eden. below: from the world' s greatest sinner .
timothy carey delivered one of his greatest per - formances as an existential gangster in john cassavetes' post - noir masterpiece the killing of a chinese bookie (1976) .
there' s not enough about the world' s greatest sinner in making sinner to truly qualify it as a documentary of the film. yes, there' s some interesting behind - the - scenes footage including takes of scenes that go on for far longer than in the final film (at one point cameraman ray dennis steckler discusses a scene that was taken twice - - once at ten minutes and another at eight - - while the scene runs only thirty seconds in the final cut. seeing these outtakes makes me wonder what world' s greatest sinner would look like without the disjointed editing; or is that what gives the film so much of its charm ?
the world' s greatest sinner is the story of the mysterious transformation of insurance salesman clarence hilliard into a
rockabilly messiah .
clarence quits his job, changes his name to god, and exhorts his followers to become
superhuman beings ,
working the crowds at his pep rallies into a frenzy! urged on by a sinister image - maker, god hilliard parlays his rock stardom into a career in national politics, founding the superhuman being party. his followers wear jet - black uniforms with god' s name inscribed on their arm bands. at this point, sinner becomes a souped - up, low - budget version of all the king' s men (1949), a fictionalized account of the rise and fall of louisiana governor huey long .
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directed by romeo carey, i fear that carey' s son may be too close to the project when it comes to presenting a complete portrait of his father. instead of being behind the camera, the eloquent romeo would be better in front of the lens, relating the untold tales of his father' s passion and wild life. as it stands, the rough cut of making sinner was a rather disjointed assembly of a handful of interviews and abrupt clips punctuated with stock photos. i' m not sure if these pictures were meant to be funny but i couldn' t help but laugh when something mentioned by an interviewee always came accompanied by a loosely - related image. someone would say
jesus
and we' d see
jesus
. or, a rather happy latino fellow wearing a sombrero appeared whenever mexico was mentioned .
. he wanted to combine religion and politics in a film and do something a little different about a self - made type of person who becomes a big celebrity. he had a production book. i wonder if it' s still around. it explains the plot in quite a lot of detail .
above, top: carey (left) co - starred with sterling hayden in stanley kubrick' s the killing (1956). center: in one eyed jacks (1961), carey was directed by another distinctive actor, marlon brando. bottom: one of his most memorable roles was as the doomed private maurice ferol (with emile meyer) in stanley kubrick' s masterpiece paths of glory (1957) .
i have a big crush on 1970s sissy spacek. she had the amazing ability to look strange, average, and beautiful simultaneously. if there' s a certain wildness that' s missing from her features now, she is still a great actress. she has enormous range and a completely unpretentious way of inhabiting her characters. she deserves as much, if not more, of the accolades showered on meryl streep .
steve allen: and a partridge in a pear tree. well that' s a very interesting uh, inventory .
you won' t believe his performances. he just starts shaking and his hair falls down... he must have watched jerry lee lewis or something. he starts rolling around on the stage, he' s just shaking all over. it' s a live performance and he' s just smashing his guitar, he' s really beating on it real loud. this is one of the greatest rockabilliy movies ever made. if you get a chance to see it, it' ll just change your life. wow !
( lux interior )
the concert performances that carey unleashes in sinner are genuinely exciting. goateed and with dangling oil - slicked hair, carey looks great and has the rock gyrations down pat; he radiates boatloads of charisma and exhibits genuine showmanship. it' s also great to see this excellent actor (so often relegated to uncredited bit parts) in a lead role. frank zappa' s music is deft and compelling, not some fake rock' n roll soundtrack a la les baxter. despite its limited distribution, sinner' s reputation spread far and wide. in 1969, while carey was shooting his scene for elvis presley' s last film, change of habit, the king approached carey and asked for a copy of sinner. he' d heard good things about it .
from: patrick neve (splat [ at ] darkwing. uoregon. edu) an edited 12 minute section of the soundtrack was released on various bootlegs, including
apocrypha
. look over there for a transcription of that selection. also, the orchestra that' s heard on the soundtrack was the pomona valley symphony .
that' s where our friendship stopped. steve [ allen ] asked him what films he did. he said ,
i did the world' s greatest sinner, the world' s worst film and all the actors were from skid row .
it wasn' t true. the press said i was the world' s greatest ham, and that the world' s greatest sinner was a travesty of the arts. zappa didn' t like that and he started to get on their bandwagon. the opening night at the directors guild, he was in complete awe. he walked into the window and banged himself in the head. he didn' t even know there was a window there .
for two nights the american cinematheque is screening timothy carery' s ultra - rare the world' s greatest sinner (1962). i first caught this flick back in january of 1996, when it got screened once at the new beverly cinema. someone told me it was john cassavettes' favorite flick. maybe they meant
favorite comedy
, since this is one of the strangest moviegoing experiences i' ve ever had. i felt like the be - wigged gentry, paying a few shillings to view the maniacs at st. guy' s back in the 17th century .
in motion picture language, it' s called a
deferment .
you defer payment until the sale of the picture, and you agree on a price for the score. the price was dirt cheap. it was a $ 2, 500 score; which is really peanuts for a film score when you think of these guys getting anywhere from $ 15, 000 up. i figured the $ 2, 500 would be good. if i made it, i made it. if i didn' t, i would still get to hear my music. but in that particular instance, i didn' t get a tape of the music. i' m still trying to get a tape of the score from that film. it' s called the world' s greatest sinner .
ben watson, frank zappa: the negative dialectics of poodle play, 1996, p. 16 - 17
the film—directed by tim carey —featured many songs which were to reappear later on other zappa releases. he eventually dropped out of his junior college classes and began devoting himself almost full - time to writing the film' s score. zappa, who was then twenty - one years old, later called it' a rancid period of my life.'
it' s also nice to see the burgeoning dvd
bonus goodies
mentality starting to infect live screenings. saturday night' s screening (6pm) is introduced by romeo carey, who' s showing a 30 - minute work - in - progress documentary about his father. then, at 9, they' re showing the killing (1956) and the outfit (1973) .
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around the same time [ fz ] was on [ the steve allen show ]. that' s where our friendship stopped. steve asked him what films he did. he said,' i did the world' s greatest sinner, the world' s worst film and all the actors were from skid row.' it wasn' t true. the press said i was the world' s greatest ham, and that the world' s greatest sinner was a travesty of the arts. zappa didn' t like that and he started to get on their bandwagon. the opening night at the directors guild, he was in complete awe. he walked into the window and banged himself in the head. he didn' t even know there was a window there .
timothy was just an incredible, electrifying presence ,
says director curtis harrington, who worked with carey in 1971 on the horror - thriller what' s the matter with helen ?
he was utterly fascinating in his own film, the world' s greatest sinner .
apparently my dad played saxophone on the soundtrack to
the world' s greatest sinner .
[... ] my dad' s name is william upholt. [... ] he was [ at ] pomona college when he did the recording, where he was in the band. a friend of his contacted him and asked him if he wanted a gig playing on a soundtrack so he took it .
from: jeffrey leonard stein (u1014834 [ at ] warwick. net) i just would like to comment on the great timothy carey. it is rare to find someone in film and television who can sustain a level of excellence in every performance. he truly is an unsung hollywood legend. just in television alone he created a treasure trove of great characters from danny in starsky and hutch to burt in charlie' s angels to el greco and joe dineen in baretta to bad talkin' lenahan in tony musante' s short - lived series roma .
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timmy' s big mistake of all time was not taking the part of luca brasi in the godfather ,
laments george carey .
he had the part, no question about it, but then decided he didn' t want to get involved. francis ford coppola definitely wanted timmy in the film as luca brasi. basically, timmy was replaced (by lenny montana, a former wrestler). that part was timmy' s. all he had to say was he wanted it. but, that was timmy. he passed that up and it was a big mistake .
fz: uh, tim carey and a cast of a thousand people that he found down on main st. someplace (laughter) .
most of the film was shot in el monte, california, where timmy lived. one very amusing scene had timmy standing on a pile of fertilizer as he was campaigning. he had a big guitar in his hand and he was running for office, talking to the crowds, making a political speech. and the camera pans down and we see that timmy is standing on a great big pile of cow manure. (
other films were envisioned, but never produced. carey wrote my casa is yours, about a singing mexican cowboy who dreams of being a pro soccer player. another script, entitled commercials, was about an ad executive who joins forces with an anarchistic, dog - loving street musician. greenwood is the story of cass matthews, a guy who pays for his 25, 000 acres of alligator sanctuary by recording pop songs in memphis .
a 21 - year - old ontario musician, frank v. zappa, scored arrangements for a movie, the world' s greatest sinner, to be released in april .
working. then he ran into other dominant personalities, directors who didn' t like his individual style. he had a number of people who liked his style very much. but there were some who didn' t care much for it. some of the more established stars didn' t like timmy' s improvisational approach to scripted scenes. when timmy was on film, you always knew it. and i don' t know if that was always appreciated. but there were a number of people in the business who seemed to like him and appreciated his unique flair. other people found it a little irritating .
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i' ve been trying to locate the negative of the film for years. mike murphy and his wife cheryl ate trying to run it down .
does conclude with a miracle, a church scene where clarence hilliard begs forgiveness. he has remorse for the type of person he was and seeks redemption. the problem was with the blasphemous stuff that came before. not too many people could handle that. it was too ahead of its time .
inspired by the exploits of le petomane— a 19th - century parisian circus performer known as
the world' s greatest farter
—the play focuses on guasti q. guasti, a dishwasher in a chinese restaurant who is accused of murdering an old lady, after his powerful fart knocks her off her chair, causing her to strike her head against the stone floor. the crone dies and guasti stands trial for her murder. guasti then defends himself against the charges in court, delivering intensely dense, surrealistic monologues on the positive attri butes (indeed the necessity) of uninhibited farting for a healthy, well - rounded life .
a 21 - year - old ontario musician, frank v. zappa, scored arrangements for a movie ,
the world' s greatest sinner ,
to be released in april .
fz: we had a contrabass clarinet, uh, two bassoons... no, four bassoons, uh, two oboes, english horn, four flutes and piccolo, uh... four trumpets, four horns, and four trombones and a tuba, and uh, i forget, there' s a bunch of ...
i also recommend, with caution, an officer and a gentleman (taylor hackford, 1982) and even cowgirls get the blues (gus van sant, 1993). the former is successful junk and the latter is an honorable mess, but she' s good in both. she' s not very good in the big easy (jim mcbride, 1987) but neither is anyone else .
from: randy nelson (rnelson [ at ] reninet. com) tim carey was also in the episode of cimarron strip, which starred stuart whitman as marshal jim crown, entitled
big jessie
in which he played an outlaw named lobo. i have a picture of him on my website under the villians page at urltoken .
zappa' s score was played in 1960 by amateurs and semi - professionals gathered together by the music teacher at pomona high school: fifty - two musicians, two microphones, mixed down to mono in a mobile studio in a truck outside the chaffey college little theater. the credit ran: the pomona valley symphony orchestra conducted by fred e. graff. for the rock' n' roll sections zappa played gutiar, kenny burgen [ burgan ] saxophone, doug rost rhythm guitar and al surratt drums.' rancid' was zappa' s description of the recording conditions .
jeez. i sound like a twat. teen angst never disappears for long. it hides out, but it never goes away completely. i am actually surprised at how many of my friends pay attention to my recommendations, and i know lots of people who don' t care about dollar bills and less (but still a lot) who don' t care much about plot, either. some of my friends even read my childish rants. voluntarily! i am a lucky guy in some ways .
. timmy was running the whole show and i helped out wherever i could. they had me down as a production assistant. (george carey is listed as a producer in the film' s ingenious end credits .) i had a couple of little parts in the film. i played a campaign aid and a reporter who asks timmy a question at a press conference .
carey' s final years, before his death from a third stroke in 1994, were consumed with a project called the insect trainer, a stage play that he eventually planned to make as a feature film .
timothy carey is a maverick actor, a perfectionist, and accord - ing to one film critic ,
the world' s greatest ham .
carey has established himself > a character actor in movies inch starred kirk douglas, mar - ion brando anc' t - f'. asked to
wali; movie sets by i
' of working with his style •••: •' :
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[... ] zappa began composing for the film last june .
the score is unique ,
he said ,
in that it uses every type of music .
is irreligious, compared to films today. the character of clarence hilliard is redeemed in the end. and timmy had such a shoestring budget to work with… that didn' t help .
when i was working with debbie reynolds for the second time (in the second time around, a western comedy) at 20th century fox, a fellow came up to me and complemented me on my acting. he said he was a composer and the guy he came with, his next door neighbor, played the guitar. i said ,
what' s your name ?
he said ,
frank zappa .
so i said ,
ok, i have something for you. we have no music for the world' s greatest sinner. if you can supply the orchestra and a place to tape it, you have the job .
and that' s what he did .
plot summary for world' s greatest sinner, the (1962) a bored insurance salesman quits his job to go into politics. he first starts preaching about how man is greater than he thinks and that man can live forever. he ends up forming his own political party ,
the eternal man
party. he begins to be referred to as
god
. then he starts having doubts about the eternalness of man .
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i have a [... ] memory of my grandmother watching
the world' s greatest sinner
, a showing my sister dragged us all to at a pomona movie theatre [... ]. i don' t remember anything about the movie, but suddenly my grandmother burst out in chuckles at a certain point in the film when the rest of the theatre was dumbstruck quiet. frank was pretty quiet after the movie, too. as he seemed a little anxious or upset to me, later at home, i thanked him for the invitation to attend. i told him that my grandmother seemed to enjoy the film—she laughed all the way through it .
it must have been quite a session—a fifty - two piece orchestra made up of amateurs and quasi - professionals, called together by the music teacher of pomona high school. the taping took place in the [ chaffey ] junior college little theater on one saturday afternoon. dynamite technical setup: fifty - two musicians, two microphones, all mixed down to mono in a truck outside .
it was rancid ,
said frank .
right: tim carey and ralph meeker as tragic scapegoats in paths of glory (1957). far right: carey (at left) in conver - sation with sterling hayden on a location shoot for the killing .
i started playing drums when i was 14 years old [... ]. i also worked [... ] with frank zappa on his 1963 film score for
the world' s greatest sinner
which starred cult actor and director timothy carey .
was 20 years ahead of its time. the religious aspect upset the studio heads. people who could have advanced the film were anxious, because they thought the public would condemn it as blasphemous, although i don' t think
of course, these scenes pale in comparison to the scene where he seduces a 70 year - old widow for her cash, and the final, climactic
miracle
. trust me, you have to go see this flick .
it' s about a guy who decides to form a religion. he calls himself god and gathers all these followers. then one night, he wonders whether or not he really is god. so in order to check himself out, he breaks into a supposedly catholic church, steals a communion wafer, runs home and sticks a pin in it to see if it' ll bleed. it leaves a trail of blood all the way across the lawn and he repents and... oh, it was stupidity .
making sinner demonstrates the need for the definitive documentary of timothy carey. this needs to happen soon, while people that worked with him are still alive. in making sinner the interviews with carey' s youngest brother and ray dennis steckler are great, yes, but a carey doc needs interviews with people like peter falk, bob rafelson, robert blake, and ben gazarra (to name a few). as it stands, making sinner is an ambitious idea that isn' t quite ambitious enough in its scope (and not cohesive in its presentation) .
zappa studied music and art at chaffey college. he wrote the score for the world' s greatest sinner, a low - budget tale about a sacrilegious imposter who repents. sinner had its premiere at vista - continental theater, hollywood, and opened wednesday [ march 20, 1963 ] at the ken theater, san diego .
my personal opinion is that sinner is very unusual ,
barreto observes .
nobody else but tim would have dared to make a movie like that. very controversial, especially when tim pierces the host (to make god cry out in pain and reveal himself). tim' s acting was good, but it was very strange .
at the première at the vista - continental theater in hollywood on 30 january 1963, carey, ever the showman, appeared in his silver lamé preacher suit with god stitched on the sleeves and got the evening off to an exciting start by firing a. 38 over the heads of the audience .
in the summer and fall of 1961. i was interested in film work then. i had gone to nyu graduate school in communications. timmy was doing that film and i decided to leave new york for los angeles and see how things were in the film business. so off i went to california to work on
i remember that day. timmy was positioning all the people. they were just local people who were acting in the scene. timmy had a few professional actors working on the picture with him, like the guy who played his campaign manager (james farley) and gil barreto (who played clarence' s disciple). i don' t think anybody other than timmy had any significant credits, though .
the plot could politely be called
episodic
, unraveling like a vaguely sinister acid trip, only you' re laughing too hard to start clawing your eyeballs out. the soundtrack is by frank zappa (billed in the credits as
zappa
) and it churns along like a forgotten garage rock band recorded in an echo - ey sewer—and that' s a compliment! the scenes of hilliard performing in
concert
make the shaggs look like rush. the band basically bangs and crashes and farts out this proto - punk spew, then stops dead silent so hilliard can yawp ,
please, please please take my hand !
then the band starts up again, with hilliard doing this creepy / hilarious shimmy dance, jangling around in his weird silk blouse / shirt .
. well, timmy never got to the phone. he stayed out there, brushing his horse. i don' t know what that was all about. timmy was a little erratic at times. i think if timmy hadn' t been quite so extreme in some of his efforts to get publicity for himself, he would have been in other kubrick pictures after
it took fz 2 months to write 15 minutes of music for the soundtrack. the recording session took 11 hours with the pomona valley symphony. frank conducted and one mic was used. it was placed above the podium. aside from al sarratt [ surratt ] and myself, i don' t remember who else played. maybe ronnie, but i can' t be sure .
while fz was writing the soundtrack, he would dip his pen in the ink and then wipe the excess off on his pant leg. he always wore the same pants, gray with thin black stripes. it ended up looking pretty cool. he told me that he cut out the section of pant leg with the ink on it and framed it and sold it for $ 500 .
i think i may have written this sentence last night :
i' m not going to tell you how highly i value this movie, mostly because anything i recommend seems to underwhelm almost everybody else (not because i' m some kind of supercool movie hipster, mostly because i value plot and dollar bills so much less than most, much to my continually frustrating dismay) .
[... ] the recording location listed isn' t where he recorded, but there were probably multiple recordings going on. [... ] he said he was probably part of that eight piece group, since he knows he was [ not ] in the chamber ensemble or the orchestra. [... ] oh yes, the musicians in the film were different than the musicians on the soundtrack .
timmy could be a very dominant personality. he always wanted his own way. he took charge, told the actor how he wanted the role to be played. i would say timmy was a very strong type of director, fitting his personality. but he seemed to have a good relationship with the people who were acting for him and they seemed to be very happy to be doing the acting. timmy was definitely very charismatic. he was unique .
poor and broke, never had no cash. everybody calls me poor white trash. live in the swamp all of my days. dip in the swamp for my pay. well the company man. he came my way. conpany man stole my gal away. poor white trash, not a nickle in my jeans. poor white trash, don' t know what lovin means, poor white trash, never had no fun. poor white trash, ain' t got no one. in the swamp i live. in the swamp i' ll die. but poor white trash, no one will cry, no one will cry .
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overall, i' m glad i saw it but it may take me a while to recover from it .
well done, mike. i was there for the mayhem that is / was tweets and have yet to find the words to capture the experience. thankfully you did .
html public
- / / w3c / / dtd html 4. 01 / / en
urltoken
produced by: timothy carey george e. carey (assistant) anthony m. lanza (assistant) george e. nahas (assistant) production: frenzy films world sales absolute films, 8383 wilshire boulevard # 360, usa - beverly hills, ca 91733, tel. : + 1 - 818 - 4426454, fax: + 1 - 818 - 4426454
cinematography by: frank grande ove h. sehested robert shelfow ray dennis steckler film editing: carl mahakian assistant director: gene koziol
zappa writes musical commercials for tv and radio. they are recorded at pal studio, cucamonga .
steve allen: and who might that be? (laughter) tommy manville or who... (laughter) tell us about that .
steve allen: well they all are these days, the way things are going. but, uh ...
steve allen: so they shot my agent in el monte, ya know... that can happen to anybody. ah, who is in it ?
steve allen: and you, you wrote the score for that. what instrumentation did you use, three harmonicas and a bicycle or what? (laughter )
fz: well uh, we have a 55 - piece orchestra and we had a very unusual reed section, we had ...
fz: we recorded it, we recorded it in the chaffey high school, no, the chaffey college little theater in uh, alta loma, california ...
if you have any sense, you' ll go to the egyptian theater on hollywood boulevard on saturday, november 4th and sunday the 5th. if you don' t have any sense, you' ll probably be there already .
the worlds greatest sinner! a tribute to timothy carey. now playing at the egyptian theater, hollywood .
currently the place to get this video is from www. absolutefilms. net. they are selling a video which includes an interview with timothy carey and theatrical trailers, as well as posters and t - shirts emblazened with the
carey - as - a - rattlesnake
graphic, at this location: urltoken
the music was recorded by the pomona valley symphony orchestra, directed by fred e. graff, and augmented by other instrumentalists .
a small rock - n - roll group—eight musicians—recorded last november. in early december a 20 - piece chamber ensemble recorded. the 55 - piece orchestra recorded dec. 17, putting in a 12 - hour stint at chaffey auditorium .
i played several instruments during the session including clarinet, rhythm guitar, marimba, snare drum and contra - bass saxophone, a very rare instrument. i have no idea where frank found it .
interview by mike murphy and johnny legend (research... michael wheldon )
not everybody liked his style. timmy did a remarkable job with his career, considering. he was very independent, but i don' t think you can be too independent out there, if you want to keep
was all improvised. i don' t remember timmy ever working from a script .
. i saw the film in manhattan. timmy brought it to new york and showed it in several screening rooms, trying to get some film companies interested. but they were all turned off and scared by the religious aspect. but
i' ll be right there .
so i made small talk with kubrick, figuring that timmy was on his way from the backyard to take the phone call. i don' t know what the call was about, because timmy wasn' t in
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carey as
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in the 1982 prison drama fast - walking, directed by onetime stanley kubrick associate james b. harris .
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tweet 's ladies of pasadena is a 1970 cult film written , produced , directed and starring timothy carey . the film was originally shot as a pilot for a potential television series . 
tweet's ladies of pasadena is a 1970 cult film written, produced, directed and starring timothy carey. the film was originally shot as a pilot for a potential television series.
tweet's ladies of pasadena is a 1970 cult film written, produced, directed and starring timothy carey. the film was originally shot as a pilot for a potential television series.