the perfect flaw
provided to youtube by ingrooves the perfect flaw · tim story the perfect flaw ℗ valley entertainment inc. released on: 1994 - 09 - 20 auto - generated by youtube .
‎the perfect flaw (1934) directed by h. manning haynes • film + cast • letterboxd
there are no critic reviews yet for the perfect flaw. keep checking rotten tomatoes for updates !
the perfect flaw boast of a huge science and lots of action. the story of jonty has surely been one of its kind .
stream the perfect flaw by tim story and 40 million songs on all your devices with amazon music unlimited. exclusively for prime members. new subscribers only. terms and conditions apply .
the perfect flaw is about a kid who is enraptured in comic books and sci - fi movies, until one day it comes to him. organizations buried deep are after him because an experiment based on a thesis went perfectly right. the concept and the curve of the story goes all directions in the first few chapters, until jonty, the kid, becomes a weapon. by the time he realises it, it' s too late. his girlfriend, his friends, his studies - everything becomes a foreign concept. what i liked: the surprise pre - climax what i predicted: the climax the perfect flaw has all the essentials of a thriller mixed with a contemporary style of narration. it is hard to put down .
perfect flaw is a flawless story written by sailesh mishra. it is journey of jonty who fights against all odds and try to save his family. a great creation of new world where everything is creativity and great passion of writer to serve readers with brilliant story. in some places story might confuse you for seconds but keep your eye on it cause you can' t loose a grip when you are high in a sky. . read it and share it with kids i believe they will enjoy this story. i recommend this to every age group of people red to know what is perfect flaw? ?
a perfect and flawless writing by an amazing author. if you want to read a brilliant write, pick this book for your bookshelf. i liked this extraordinary ride .
the perfect flaw is a recording that manages to capture melody that haunts the soul. tim story somehow finds a way through his music, to create a feeling of desolation and hope at the same time. it is the same intricate balance that at times feels both futuristic and nostalgic at the same time. but quite simply, whatever tim is trying to do with his music, one thing always stands out. it is always
moving
.
the perfect flaw
( tims strongest) along with his other recordings always seem to connect with the soul. it is at the core of the soul where tim' s stories unfold and seem to take the listener on a journey that is at times sad and always emotionally fulfilling. i highly recomend this recording as it truly stands out in a mass market of otherwise faux new age cd' s. in addition to other tim story solo cd' s, also check out his companion recordings with dwight ashley. (tim with a twist )
bless' hearts of space', for stephen hill and company have given us decades of (often) great one - hour sound mixes on this well - loved weekly hos program. they also produce cd albums, this being one of them. i would characterize fatal flaw as middle - of - the - road hos stuff, somewhat on the saccharine side, with simple, spare melodic development. i would say that the short fatal flaw' theme', played twice on the album, is the best thing on the entire cd. too, i would take issue with the reviewer below who says that it is
the most important album of the 1990s
, or
life - changing
. you have to be joking. this is laughable. this is nonsense. one commonly encounters on amazon such breathless hyperbole and exaggerated praise .
buy the mp3 album for £7. 99 at the amazon digital music store .
this really is some of the most beautiful music i have ever heard. it is touching and moving without being sappy. this music sounds like love feels like. this music is perfect for romantic situations, but more than that, i give this album to people i simply care a great deal about knowing that it will touch them often and deeply. i bought a copy for my friend june to thank her for doing a favor for me. she thanked me and then set it down without playing it for several weeks. she leads a busy life. then one day she called me to thank me again for perfect flaw :
hey, you know that album you gave me? it' s beautiful !
yes, june, i know; that' s why i gave it to you
now you, dear reader, should own you own copy of this awesome work .
building on the success of his first hearts of space release' beguiled', ohio composer tim story adds the muted acoustic colours of oboe, clarinet and cello to his beautifully subtle, satie - inspired piano and synthesizer orchestrations. a perfect ambience for any quiet activity, this is modern chamber music to die for. grand piano, synthesizers, oboe, english horn, cello, clarinet .
when the writers close a character arc, the fandom opens its box of crazy ideas .
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in fact the only evidence we have that the film is set in the 1995 is a brief flash of john connor' s police record. so why set your movie in the future and bury that fact where nobody (who isn' t paid to do this shit for a living) will find it ?
a clerk is planning to murder a stockbroker but is foiled in the attempt .
whomever said that beauty is on the inside, was definitely on to something .
as if the act of dating itself weren' t already frustrating beyond belief .
and to further expand your noggin, check out cracked' s de - textbook: the stuff you didn' t know about the stuff you thought you knew .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
nice short quick read. what happens next is the question which keeps u going till the end. but there u get even a big what happens next ...
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i remember my first cast. what started out as the doorway to brief popularity, with all of the attention and multi - colored signing, quickly became a massive annoyance. it was heavy, irritating to my skin, and don’t even bring up the process that was showering .
the sequels he had planned for unbreakable actually get made after the film clears 300 million at the box office, sparing us shit like the village and ron howard' s daughter is stuck in my pool: the movie. and best of all, with the reveal moved back an hour, you get to cut almost every excruciatingly, agonizingly boring scene where willis and robin wright and not - haley joel osment stare at each other in a shitty, dingy apartment like they were told to pretend they were in a death cab video and not a motherfucking superhero movie .
his strategy was a ballsy sleight of hand, setting the film in a 1995 that looked exactly like 1991, which is to say, the most accurate rendering of the future in cinematic history. but he didn' t go far enough. he arbitrarily stopped in 1995, giving us a 10 year old john connor who, upon repeated viewing, is so obnoxious that you spend most of the movie wanting to see him shot in the face, fate of humanity be damned .
if shyamalan had realized what he had and said ,
fuck it, i' m moving the reveal to the middle ,
he not only keeps himself from falling into the
twist ending at all costs
trap that hobbled his career harder than annie wilkes, but he gives himself an hour to go apeshit in the superhero playground. he gets to beat christopher nolan to the dark knight by almost a full decade. we don' t have to wait until his career is in the shitter, adapting nickelodeon cartoons, to see him get his action movie rocks off .
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imdb explains the casting of kubrick' s least regarded film thusly :
according to writer frederic raphael, the final form of bill' s family name (harford, as opposed to scheuer in the original story) was inspired by a debate about bill' s character. raphael felt bill should be jewish as in the original, but stanley kubrick insisted bill and alice be
vanilla
americans, without any details that would arouse any presumptions. kubrick said that bill should be a bit like harrison ford - hence the name harford .
even if your clothes are made of the same material as your body, they still make you travel naked .
ok, so shyamalan has had an infuriating career. but the premise of his second film was pretty damned fantastic: bruce willis is superman, but he doesn' t know it. samuel l. jackson does know it, and in this flick, the l stands for
luthor .
the one and only thing keeping this from being a classic was that m. night shyamalan was being called a next - generation spielberg, poised to stomp all over hollywood. unfortunately, this put his head six - miles up his own ass regarding his storytelling skills: he' d stumbled onto the gritty superhero movie ten years before chrstopher nolan, but he was too blinded by the hype surrounding the sixth sense' s twist ending to do anything with it. unbreakable spends most of it' s time and energy hiding willis' s super powers from him, back loading all the bad ass potential of the idea into a twist ending .
kubrick made the unfortunate decision to stunt - cast tom cruise and his wife nicole kidman, well before anyone realized what a horrific idea that was. of course, the couple weren' t so much
vanilla
as they were way more uncomfortable around one another than any married couple should be. according to the actor r lee ermey, kubrick regarded the film as a
piece of shit
and claimed that cruise and kidman
had their way with me .
we can' t say who cameron would have cast had he set t2 four more years into the future, but some pretty intriguing actors were the right age in 1991. christian bale was 16 at the time, clearing him to play a post - pubescent john connor in our hypothetical 1999 t2. if newsies era bale wasn' t striking his fancy, cameron always had the option of a 15 - year - old leonardo dicaprio circa what' s eating gilbert grape? .
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
if someone comes on to you with an attitude you say' eat me.'
- the savior of humanity
complete your purchase to add the mp3 version to your amazon music library. provided by amazon eu s. à r. l .
... would you do if you woke up from a bad dream, just to find out that the whole ...
now let' s imagine cameron had moved judgement day to the year 2000, and set the film in the waning days of the millennium. instead of bart simpson we get a 15 year - old john connor. casting director mali finn never has to fish for a male lead at a pasadena boys and girls club, edward furlong never turns into a walking cautionary tale of childhood stardom and, more importantly for our purposes, cameron never shits up a damn near timeless terminator with botched attempts at taking the pulse of early 90s youth culture. instead he would have given us a john connor who, like his best movie, is too far into the future to touch any cultural touchstones, but still wouldn' t have been too distant to listen to a kick ass guns n roses song .
both films were solidly directed gut - punches. mean - spirited romps written by a young, unproven quentin tarantino. true romance ended up getting filtered through the sensibilities of tony scott, the man who brought us such subtle pieces of filmmaking as top gun. on natural born killers, stone twisted tarantino' s sweetly nihilistic story into an anti - media polemic (leading to an angry tarantino slapping the shit out of one of the producers). neither was an artistic failure. great scripts become good - to - great movies .
well, we' ll be exploiting the sliding doors premise to travel back in time like dr. sam beckett (long live the bakula !) to fix some of cinema' s most notable blockbusters, satires, even erotic thrillers, by changing one simple choice .
director taylor hackford made the same mistake francis coppola made in dracula, expecting reeves to stand in the same room as an acting powerhouse (pacino in advocate, gary oldman in dracula) and not get blown away like a cotton ball tossed in front of a jet engine. to be fair, advocate was built almost solely for that last 20 minutes in which pacino eats every last inch of the set and shits oscars. that scene was preceded by 80 minutes of movie where an actor with dimensions beside balsa would have enriched the film overall .
tim story' s intensely personal style as a pianist and synthesist developed from his love of the instruments themselves rather than any formal training. other than some early guitar lessons, the philadelphia - born artist is self - taught. after honing his keyboard skills on piano, he became a studio composer in the mid 70s with the advent of synthesizers. from his base in maumee, a small town near toledo, ohio, story works as a recording engineer and is also a partner in a commercial music production company. this deadline - ridden business is balanced nicely by his meticulous compositional process. when writing and recording his own albums, story spends months carefully working and refining the shape of each composition until he achieves the desired emotional effect. his seemingly simple pieces distill harmonic and melodic ideas that are actually quite complex .
a beautiful blend of science fiction and teenage thriller with edgy action packed sequences and light humor to add to the realism. very well narrated
what would you do if you woke up from a bad dream, just to find out that the whole world around you have changed .
ever see a movie called sliding doors? it was made in the late 90s, and starred gwyneth paltrow. the point of the film was to show how much a single choice can affect the outcome of your life. the movie wasn' t all that great (for example: gwyneth paltrow is in it) but the concept is pretty powerful. it' s been explored more successfully in movies like run lola run, and makes up about 75 percent of every bill simmons article at espn .
what if portland picked jordan over bowie? what if bill walton wasn' t a gimpy towel boy with saltine crackers for feet? what if david tyree didn' t catch that football on his helmet why did he catch it why god why oh god i have clippers season tickets shoot my face with guns! !! !
i somehow did not like this book. start was ok and in middle section i found it interesting however everything got fizzled out in the end .
but no matter who was cast, he would have saved one of the best action movies of all time from feeling like an obnoxious nerf commercial .
when it was released in 1991, most people didn' t realize that t2 was set in 1995, four years in the future. cameron doesn' t even give us a time stamp when arnold and the t - 1000 arrive naked in their respective desolate alleys and truck stops in los angeles .
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today, however, all of that may change. we are about to witness the merging of the medical and art industries in such a way that will revolutionize how we wear medical devices. what if our casts became jewelry? what if we could custom design our splints or our neck braces so that we could be healed en vogue ?
if like me you enjoy listening to beautifully composed and affecting piano / synth based instrumental music, i can heartily recommend this excellent album. without exception, all the tracks have been superbly crafted and recorded by an artist with an acute ear for melody and atmosphere. the result is a sublime album full of warmth and beauty - guaranteed to melt the coldest of hearts. if you like music with an intimate, timeless appeal, then buy this album... . you won' t regret it! ! !
actors such as brad pitt, john cusack and edward norton were all considered for the role of kevin lomax. any one of them could have played the conflicted, morally tortured lawyer more convincingly, and definitely could have managed something remotely resembling a southern accent better than reeves did. how hard is it to pull off a southern accent? you huff paint, shoot some rotgut bathtub whiskey and ask yourself what a larry the cable guy fan would sound like. jean claude van damme could do a better southern accent, and he can' t even talk .
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companies, such as the mediated matter group at mit, are working to bring artists and engineers together in order to facilitate partnerships that will produce biologically inspired designs. these strides in collaboration have allowed for people like neri oxman to create functional accessory devices, including a glove designed to treat patients with carpal tunnel syndrome. it is printed specifically to fit the patient’s unique physiology, while maintaining a chic aesthetic .
shine bright in our moonlights ✨💫... .. totally had that moment when people stop you on the street to ask where you got your earrings from! ! ❤️🙏🏼🙈😊💁🏽 # boomerang # moonlight # shinebright
we heard
lydia
on hearts of space years ago and have always stopped what we were doing to listen. finally found it on this album. the whole album is
stop and listen
quality .
ladies and gentlemen, please welcome a new era – an era of “medical accessories”. with the advent of 3 - d printing, came the possibility for medical engineers to transform their products into actual works of art. not only do these printers allow for creativity in a field previously dominated by utility without beauty, but they also provide customization, as we have never known before. now, our “medical accessories” can fit us like (no pun intended) a glove .
' bad films': one - and - a - half - star (out of five) film ratings by' the motion picture guide' (jay robert nash and stanley ralph ross, cinebooks, inc. ; 1927 - 1983 )
you get a better actor who maybe, invigorated after working with kubrick, doesn' t turn into a perpetually stoned stroke victim. ford probably then ends up taking the role in traffic, instead of abandoning it to michael douglas, and wins himself an oscar. any possible future where we' re spared hollywood homicide is a future worth pursuing. and eyes wide shut? han solo fumbles with his junk at an orgy. indiana jones awkwardly hits on a 15 - year - old lelee sobieski. jack ryan starts licking his wife while checking himself out in a mirror. it would have been harrison ford as you' ve never wanted to see him. the most squirmingly uncomfortable thing kubrick ever put on film, just like he wanted but for all the right reasons .
includes free mp3 version of this album. autorip is available only for eligible cds and vinyl sold by amazon eu sarl (but does not apply to gift orders or primenow orders). see terms and conditions for full details, including costs which may apply for the mp3 version in case of order returns or cancellations .
but because we would all prefer to be cast - free, be it an avant - garde cast or not, there are other ways to indulge in this new, biology inspired trend. studios like nervous system are creating actual accessories (without medical functionality) that mirror the structure and form of nature itself, meaning cell patterns or vein networks .
but what if he squeezed two more films into his early era, with the same vibrancy and vision of pulp fiction and reservoir dogs? you think geeks already deify his balding ass now? imagine a world where the academy can' t ignore pulp fiction for best picture because tarantino' s true romance and natural born killers had already cemented his ascension to scorsese - level auteur. as a bonus, tony scott doesn' t spiral out into his career of incoherent, try - too - hard add action - fests after quentin spoils him, and oliver stone maybe doesn' t fall in love with his own psychotically edited navel - gazing bullshit for about a decade and a half. maybe .
keanu reeves isn' t a bad actor, really. he' s more like a tool that a director has to use very specifically. if you need a blank - - someone the audience can easily project themselves onto - - you get keanu and you have him goggle wide - eyed at fantastic things while more
whoas
fall out of his head than an epileptic joey lawrence .
because cameron knew what terminator 2' s problem was heading in: john connor. since the savior of humanity was conceived on screen in a movie set in 1984, he would only be 7 years - old in 1991. cameron realized that audiences wanted to see a terminator sequel starring a 7 year - old about as much as they wanted to see a star wars prequel starring a 7 year - old .
but think about tarantino' s career if he' d directed two of his finest scripts to get optioned. at this point, it' s pretty obvious that tarantino doesn' t even make tarantino movies anymore; he makes tarantino flavored mash - ups of other people' s films. he' s a dj, not a director - - grabbing an influence here, a camera trick there, a swatch of film - score, a swoop of a crane shot. like the bomb squad built public enemy out of 30, 000 records, some tape and razor blades, quentin tarantino builds cinematic experiences out of his vast knowledge of pop culture .
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when our own dexter becomes dan brown! !! ! a must buy book... .
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clarke - smith is a clerk who enlists truman in a get - rich - quick scheme that collapses. to protect himself he tries to murder a stockbroker, but that crime fails also. routine programmer with nothing special to distinguish it .
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find out about some other movies that could' ve been improved upon, in 6 insane fan theories that actually make great movies better and 5 awesome movies ruined by last - minute changes .
we don' t want to sound like we' re piling on, but we' re absolutely going to pile on .
there' s a whole mess of serious issues that aren' t making headlines, even though they really should be .
by alex hanton, e. reid ross, genma jay, andrea meno, michael battaglino
the perfect flaw is a 1934 british crime film directed by h. manning haynes and starring naomi waters , ralph truman and william hartnell . the screenplay concerns a clerk who is planning to murder a stockbroker but is foiled in the attempt . 
the perfect flaw is a 1934 british crime film directed by h. manning haynes and starring naomi waters, ralph truman and william hartnell. the screenplay concerns a clerk who is planning to murder a stockbroker but is foiled in the attempt.
the perfect flaw is a 1934 british crime film directed by h. manning haynes and starring naomi waters, ralph truman and william hartnell. the screenplay concerns a clerk who is planning to murder a stockbroker but is foiled in the attempt.