anandhapurathu veedu
recently came across songs from this movie called ananthapurathu veedu (or anandhapurathu veedu) starring nandha (of punnagai poo and mounam paesiyatha fame) and chaya singh (who doesn' t know manmadha raasa !) and produced by director shankar ...
he shot to fame with tv series like marmadesam and chidambara ragasiyam which acted like cornerstone of sorts for thrillers. he also directed
anandhapurathu veedu
which deals a lot with supernatural entities .
a word of caution to those going to watch anandhapurathu veedu, made by director naga, who is known to make some of the best horror tamil serials on television. there is nothing horrifying about the paranormal activity in this particular house .
tamil full movie hd | adutha veedu | chandrasekhar, ilavarasi, s. v. sekar, madhuri... realcinemas
the super natural beings in the films is said be good creatures and the team says the audience will want to have similar creatures in their homes when they leave the theatres. such is the impact 'ananthapurathu veedu' will leave behind .
ananthapurathu veedu is the next venture by director shankar' s s pictures. the film is directed by naga who is popular for his television drams with super natural themes like marmadesam and chidambara ragasiyam. shooting for the film started in november 2008 .
naga, the director of television serials like marmadesam, vidadhu karuppu, chidambara ragasiyam, begins his silver screen directorial debut with ananthapurathu veedu under the prestigious s pictures of director shankar. in kollywood, s pictures have become synonymous with quality productions and this has naturally upped the expectations quotient along with
deccan chronicle gave 2. 5 stars and wrote ,
it may not scare you to death, but has interesting elements in it to keep you entertained. it is a different conceptualization of ghost and can be watched once for its novel experience
. [ 14 ] the times of india gave the film 3 stars out of 5 and wrote ,
the film, the second half to be specific, suffers from the same problem as naga' s anandhapurathu veedu. once we realize the attitude of the ghost towards the protagonist, it takes away quite a bit of the tension. we know he will remain unharmed and so, there is nothing to dread anymore, and horror films need an element of fear to keep the viewer on the edge of the seat. but, the climax compensates for this ...
[ 15 ]
of the two, only madharasapattinam has made it to the us (that itself might be an indication of s. pictures’ diminished stature since before rettachuzhi, all the company’s films were released here). while that means i might have to watch ananthapurathu veedu on the small screen, i’m still looking forward to both films equally and hoping they both become big hits. the big winner in that case will be tamil cinema .
nandha’s subtle performance as the villain in eeram has no doubt put him in the spotlight. though the actor was seen in a couple of films earlier, it can be said that he was noticed for his exemplary performance in eeram. the actor, incidentally, is the hero of ananthapurathu veedu, which is again produced by director shankar’s s pictures. the movie is directed by naga, the noted television serial director. with his foot strongly set in kollywood, nanda is eagerly awaiting the release of av. according to our sources, the film’s shooting has been wrapped up and nanda has also completed dubbing for his role. will av rub on the eeram magic on nanda yet again ?
is that it just does not live up to the promise. it has been promoted as a? supernatural thriller? by its makers and ends up as a tame family run of the mill movie .
the audiences going by the promos and pre release interviews go to the theatres expecting to get a few frights, but end up being taken for a long boring ride .
, who died in a car accident. ananth has come from chennai with his parents bala (nanda) and revathy (chaya singh) to their family ancestral home, uninhabited for years and maintained by the maid (kalaivani) .
strange things start happening in the house as the? friendly ghost couple? makes tasty lunch, make the bed, wash clothes and teaches ananth how to write in tamil. suddenly after a song, we find a mysterious guy following the couple and it turns out that bala and his partner jeeva (television actor jeeva) had borrowed money from a loan shark in mumbai, as their leather business went bust. the moneylender and his goons will not allow them to leave the house, without settling their dues. revathy wants to vacate the house initially but soon realizes that the ghosts are friendly and they can help her !
but after initially being wired up, you begin to feel bored and as the film slowly winds down to its finale, there is a sense of d? j? vu. and what was that drama in the name of claustrophobia that revathy goes through? lead actors except for the moppet aryan can hardly emote, and can? t carry the film forward. arun mani? s camera is nothing much to talk about while ramesh krishna? s music will put you to sleep .
the film at 2 hours and 30 minutes is too long for a supposed to be horror thriller, and needs urgent trimming, especially in the first half. it looks like naga had made it a like a mega serial without the essential dread and fear that one would associate with a supernatural thriller .
html public
- / / w3c / / dtd html 4. 01 transitional / / en
html public
- / / w3c / / dtd html 4. 01 transitional / / en
urltoken
starring: nandha, chaya singh, master aryan. direction: naga music: ramesh krishna production: shankar
rekka - tamil full movie | vijay sethupathi | lakshmi menon | sija rose | rathina shiva | d. imman
some parts of this page won' t work property. please reload or try later .
15 years after an accident in which bala' s parents both died, bala returns with wife, revathi, and son, anand, to his hometown. they decide to stay a couple of nights in the massive house... see full summary »
the
most anticipated indian movies and shows
widget tracks the real - time popularity of relevant pages on imdb, and displays those that are currently generating the highest number of pageviews on imdb .
each title is ranked according to its share of pageviews among the items displayed. pageviews for each item are divided by the aggregate number of pageviews generated by the items displayed .
lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .
want to share imdb' s rating on your own site? use the html below .
15 years after an accident in which bala' s parents both died, bala returns with wife, revathi, and son, anand, to his hometown. they decide to stay a couple of nights in the massive house that he grew up in. as he spends a few days in the house and recalls his memories, anand - who has a disability to speak - sees movement around the house. but he cannot tell anyone what he witnesses. soon revathi who suffers from claustrophobia, sees that the house is haunted and so tells bala that they have to go back to chennai. anand enjoys being in the presence of the ghosts and doesn' t find any problem. problems come up between the couple that they had never thought of when they had love marriage. soon revathi discovers that they did not come on holiday but in fact, came to escape some rowdies that bala owes money to. this is when bala' s classmate and business partner, jeeva, arrives to stay with them. his company had borrowed 40 lakhs from a rowdy and over the months it had increased to 50 lakhs ...
the story has good ghosts of dead parents helping the son & his family. film speaks about the benefits of elders in a family unit
check out the indian movies with the highest ratings from imdb users, as well as the movies that are trending in real time .
in fact, judging by the rather juvenile cgi that greet you in the very first minutes of the movie, you are likely to be disappointed by this s picture' s production .
but it' s not all that bad if you give the movie and director some time to find their feet. it happens once the cute little family from chennai camp in at their ancestral home, a beautiful residence straight out of pretty kerala .
bala (nandha) and revathy (chaya singh, after a hiatus) are a modern couple - - he' s into leather exports; she wears slacks and neat housecoats at home. they have an incredibly cute son, anand (master aryan). the trio have packed up and left stifling chennai for a break, while mayilamma (kalairani) their helpful maid, prepares the house for their stay .
only she knows, however, that the house is haunted. soon, she' s not the only one. anand sees and hears things too but he cannot speak as yet. to him, the house is a bizarre and endearing collection of marvels: drawers open by themselves, chairs rock, swings move the little boy takes it all in with a wide - eyed stare. to him, it' s too good to be true; he isn' t old enough to distrust the happenings and is fascinated by the weird occurrences .
not so his parents. bala is harassed by an unknown biker, while revathy begins to suspect that all might not be well with the house. she also has a claustrophobic attack. family friend and bala' s business partner jeeva arrives soon, and the seemingly idyllic situation starts deteriorating - - but not in a way you would expect .
nandha does very well as the worried husband and father. chaya singh disappoints despite having a solid role. something in her performance and dialogue - delivery doesn' t quite make you sink into the story .
master aryan is a marvelous find. the kid looks like jayden smith from the pursuit of happyness, with his curly hair sticking out in a halo, and an adorable face that changes expressions in the blink of an eye. he barely has any dialogue but just watching him is pure joy. his antics with the friendly poltergeists evoke such warmth that he is really the star of the show .
the rest of the cast performs well, adding some colour to the plot .
arun mani palani' s camerawork is quite good; kishore' s editing is slick and neat. ramesh krishna' s music stays true to the genre but it does not sound creepy. it is not very brilliant as none of the numbers stay with you .
considering that this is the man who redefined horror in tamil television with marmadesam et al, this is rather dull fare. instead of scaring you, naga takes a warm - fuzzy route. there' s nothing inherently wrong with it or the dialogues (co - written with indira parthasarathy and sharath haridasan). you wish you' d gotten a lot more thrills and chills .
the film is perfect for children with its mild twists, simple cgi (that looks straight out of a serial) and feel - good ending .
what is a r rahman doing at a dubai mall? reader talib sends us a picture .
html public
- / / wapforum / / dtd xhtml mobile 1. 0 / / en
urltoken
this browser doesn' t support spotify web player. switch browsers or download spotify for your desktop .
listen to all your favourite artists on any device for free or try the premium trial .
you have exceeded the maximum number of mp3 items in your mp3 cart. please click here to manage your mp3 cart content .
get 4 months for $ 0. 99 of amazon music unlimited. play any song, ad - free
your amazon music account is currently associated with a different marketplace. to enjoy prime music, go to your music library and transfer your account to urltoken (us) .
prime members enjoy free two - day shipping and exclusive access to music, movies, tv shows, original audio series, and kindle books .
after viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in .
you can update your channel preference from the settings menu in the header menu .
the movie is set in nagercoil and revolves around an ancestral property, where a child comes across a couple of ghosts. though a super natural story director naga says the film doesn' t fall in the category of horror films. he urges the film is on relationships and family bonding .
the film stars nandaa, chaya singh and master aryan in major characters. nandaa fresh out of the successful film 'eeram' has done a great job again in this film. chaya singh will be seen in tamil after the' vallamai tharayo' .
director naga conducted an acting workshop for all the artistes before he commenced the shoot .
arun mani palani has shot the thrilling images of the film. ramesh krishna has scored the music and vairamuthu has penned the lyrics .
html public
- / / w3c / / dtd xhtml 1. 0 transitional / / en
urltoken
dancer in the dark is musical drama primarily based on a character named selma. selma is a worker at a factory who suffers from a heriditary disease which causes blindness gradually. she starts saving up for a surgery that would prevent gene, her son, from facing a similar fate. meanwhile, she escapes into a musical trance every now and then having the same set of people and situations that she frequents daily. what happens when few of her acquaintances / friends come to know of her blindness? whether her son undergoes the surgery? these are a few questions which are answered during the course of the movie .
the movie is a musical drama based on the life of a factory worker, selma, who is progressively growing blind due to a hereditary disease .
as a countermeasure for wearing strong glasses extensively, björk wore contacts of the opposite level to neutralize her vision during those scenes .
the third film in lars von trier' s
golden heart
trilogy in which the heroines remain naïve despite their actions .
although this film is advertised as a musical, the first musical number doesn' t appear until 40 minutes into the film .
though the film is set in washington state, it was filmed in sweden. some of the cast members in smaller parts are swedish actors who are dubbed by actors with american accents .
lars von trier is a danish film director and screenwriter closely associated to dogme 95 style of film - making .
an alumnus of national film school denmark, he had an eye for film - making which resulted in his films winning at munich international festival of film schools .
as a director, his work was always ahead of times in terms of the style and content. these qualities in his movies, earned him many laurels and awards in many festivals .
naga, as he is shortly called (alias nagarajan) is a renowned director in tamil nadu. with
film and television institute of india, pune
as his alma matter, naga has ventured into tv dramas under the genre of thrillers and comedy .
a person who finds mystery and horror fascinating, he has tried to imbibe logic and common sense to the otherwise superstitious beliefs in hindu mythology .
can' t find a movie or tv show? login to create it .
by signing up for an account on tmdb, you can post directly to twitter and facebook .
you need to be logged in to continue. click here to login or here to sign up .
click on the menu icon of the browser, it opens up a list of options .
here click on the “privacy & security” options listed on the left hand side of the page .
a pop up will open with all listed sites, select the option “allow“, for the respective site under the status head to allow the notification .
once the changes is done, click on the “save changes” option to save the changes .
we use cookies to ensure that we give you the best experience on our website. this includes cookies from third party social media websites and ad networks. such third party cookies may track your use on filmibeat sites for better rendering. our partners use cookies to ensure we show you advertising that is relevant to you. if you continue without changing your settings, we' ll assume that you are happy to receive all cookies on filmibeat website. however, you can change your cookie settings at any time. learn more
nandha, chaya singh, krishna, aryan, kalairani, lavanya, megh varn pant, ganesh babu, samson t. willson
en manasukulla - song making | d. imman, surmukhi | ...
no references of sanjay dutt' s first wife in' sanju' ...
error. page cannot be displayed. please contact your service provider for more details. (10 )
copyright 2010 - 2013: gomolo. all rights reserved. | terms | privacy
by purchasing this item, you are transacting with google payments and agreeing to the google payments terms of service and privacy notice .
our website is made possible by displaying online advertisements to our visitors. please consider supporting us by disabling your ad blocker. close [ 5 ]
ularal
in thamizh means
to blabber
which i plan to do a lot here... and' tv' refers to me. . so this name. .
the music for this flick is composed by ramesh krishna (google tells me that there is a kannada music director of the same name, but no further information is known) and naga is the director. its anyone' s guess that its supposed to be spooky thriller set in some haunted house (though the title sounds like some mollywood flick) .
but the unique aspect about this soundtrack is all the songs (3 full songs and 2 instrumental bits / themes) are composed in a single raaga / raagam. quite an interesting approach considering the nature of the film !
raagam vasantha! yes, this is the raaga that one will hear from start to finish in this soundtrack (i am not calling this a' music review' for the simple reason that i am not familiar with the intricacies of the raagas or its' janya' etc .). one song in this raagam i loved in recent times is
kandaen kandaen kadhalai
from karu. pazhaniappan' s
pirivom santhippom
. this scintillating melody was composed by vidyasagar .
two of my all - time favorite songs by maestro ilaiyaraaja ,
maan kandaen
from
raaja rishi
and
nil nil nil badhil sol
from
paattu paada vaa
are other songs that i know in the same raagam. the latter, though it sounds very simple is quite a complex melody .
1 .
chithira vaanam' s
pallavi sung by karthik sounds almost like an extension of the aforementioned vidyasagar melody, both in tempo and feel. incidentally
kandaen kandaen
was also sung by karthik alongwith swetha mohan (daughter of singer sujatha). the rap bits by suchi (mirchi suchi) is where it takes a different color. good listen nevertheless !
2. nee nee innoru thandhai: this song uses the voice / giggles of a child (master aryan, who acts in the film as well) quite nicely. swetha mohan gets to sing this alongside another star son vineeth sreenivasan. vairamuthu' s lyrics are interesting. the celtic piece in the 2nd interlude seems to be included to add some variety and avoid monotony. works decently well .
3. balram (kaatrin mozhi. .) gets to sing
thaaye
, a pathos song with nice arrangements. the flute bit alongwith the wailing violins in the second interlude are quite striking .
kudos to the director and music director for trying out something new here. i am not aware of any such previous attempts. maybe ramesh krishna should have tried some different voices. most of the voices (karthik, swetha, balram. .) featured are ones oft repeated by vidyasagar and if you are unaware of the credits, there is every chance you might mistake this soundtrack to be by the latter .
all said and done this album works well for me, just for the experimental aspect involved .
you can listen to
kandaen kandaen
from
pirivom santhippom
here .
interesting! i am listening to these songs for the first time and based on my first hearing these are my observations: 1.' chiththira vaanam' gives the flavour of vasanta in the prelude itself. however, the charanams and the interludes deviate a lot. that silly mirchy is of course a very big distraction. 2.' nee nee' seems to have a somewhat different start but except for the pallavi - where the' thanthai' and' pillai' parts use alien swaras - some phrases in the first interlude, and a few phrases in the charanams - i do not find much of vasanta here. especially, the second interlude totally follows a different scale. 3.' thaye enge' has left me confused. it sounds a lot like pantuvarali. but for that matter, even' andhi mazhai pozhigirathu' sounds both like pantuvarali and vasanta. in any case, a different attempt though i would' nt say it is a great album. i would also recommend you to listen to' manmadha ragangale' (bala nagamma) where vasanta makes an appearance as part of the ragamalika. .
kiran says
' ore kadal' has all the songs tuned in shubhapantuvarali. and from what i read seems even the background score is in shubhapantuvarali
need to check this out. .
yeah. . wikipedia confirms the shubha pantuvaraali concept of ore kadal, which is according to me one of shyama prasad' s best, with stellar performances from mammootty and meera jasmine. . music was by ouseppachan .
now that the raavanan fever has abated, its time to start welcoming other tamil movies. and tomorrow, we are welcoming two films, in two very different genres, that have some good things going for them and promise to be unique and interesting in their own ways .
the first and more high - profile of the two is madharasapattinam, a big - budget, period film about the romance between a poor dhobi / wrestler and a british woman in pre - independence madras. that is new ground for its director vijay, who has so far made the serious, star - driven drama kireedam and the lively, small - budget film poi solla porom. not only is the period setting new for him, madharasapattinam will also be his first original film after 2 remakes. but his choice does attest to his versatility and willingness to take risks and those are admirable attributes for any director. the film stars arya, who has earned a name as a dedicated actor after naan kadavul. he’s starred in some high - profile films with good directors (bala, vishnu vardhan) but hasn’t had a big hit in some time now. amy jackson plays the british woman. the film has a strong technical team. a period film demands a lot of the cinematographer and there’s no doubt that nirav shah is capable of that and g. v. prakash has done a good job evoking the mood of those times with his soundtrack .
neither mp nor av boast of a big star cast. that said, maybe you might get to see av next week. they are hoping that mp can rake its money this week and av maybe next week. we’ll just have to wait and see! my expectations for both mp and av are both pretty low. i don’t see either earth - shaking us or the box office! 😀
i have to admit, i agree with sandya on her comments. only hard core tamil movie fans tend to watch these low profile movies in the big screen, at least here in the us. rest of us commoners are content on watching them on the small screen
i read an article (i think on sify) that said that if av flops, shankar might close down s pictures. that will be a shame…he does encourage filmmakers with different ideas (even if they don’t always make for entertaining viewing) and i hope that, as you put it, “for the sake of thamizh cinema” that these kinds of movies do well…my mind goes back to kamal’s comment that “devar magan” was 10 years late, that if “raja paarvai” was accepted by the masses in 1981 his career wouldn’t have stagnated in the early – mid 80s…
balaji, based on reviews so far, it doesn’t look like av will make it next week. there are some rare instances that even bad films do make it to theaters based on the production company, director or even just one great song ;). . who knows what will happen in a week? ! 😉
going by the reviews it looks like at least mp has some impact (in the making, mostly) but av seems to be not so good – which is a shame as i am a huge fan of naga’s vidathu karuppu (marma desam) and sidhambara ragasiyam .
i am actually looking for “kalavani” – to see it on big screen if somehow it gets released here – as i am hearing all good things about that film .
sandya, yeah av doesn’t seem to be getting the reviews or word - of - mouth that would’ve brought it to the us next week. very few movies have managed that (i think ‘thamizh padam’ was the last one) .
kk, i was hoping i was one of the hardcore fans but looks like i’ve to be satisfied with the small screen for both the movies .
ram, yeah i read that in a couple of places too. and like u, that was my biggest reason for hoping that av would be a big hit .
apala, haven’t seen those 2 serials but have heard lots of good things about them. so was looking fwd to av too. i’ll be absolutely thrilled if ‘kalavaani’ released here but i don’t think its gonna happen. yeah i read that news too. and audio release end of this month. the time is near
pisaasu (english: devil) is a 2014 tamil supernatural drama film written and directed by mysskin and produced by bala. the film stars newcomers naga and prayaga martin alongside radharavi, kalyani n and harish uthaman. the film released on 19 december 2014 to highly positive reviews. telugu dubbed version
pisachi
released on 27 february 2015. the film was remade in kannada as rakshasi .
siddharth (naga) is an upcoming violinist in chennai who stumbles upon an accident where a teenage girl (prayaga) is lying in a pool of blood. he rushes her to the hospital with the help of an auto driver and a couple. however, he is too late and the girl passes away holding his hand. traumatized by the whole episode, siddharth comes home with one of her slippers. he then drives around the city aimlessly with his red car while helping homeless people, unable to come out of the depression due to the girl' s death .
after the incident, strange things start happening at siddharth’s apartment. he begins to feel a supernatural presence at his house. the house is cleaned up even if he makes it messy and his bottle opener goes missing whenever he tries to drink beer. with the help of his best friends, he employs a psychic to exorcise the ghost but she turns out to be a fraud and is scared out of the apartment by a strange apparition. siddharth also comes to realize that his next door neighbour' s autistic son plays with an imaginary friend. when siddharth' s mother (kalyani n) comes to visit him, she is hit by a drunk neighbour (harish uthaman) who is abusing his wife (kani kusruti). the neighbour is then attacked by a mysterious ghost. the following day, siddharth' s mother meets with a freak accident in the bathroom and is saved by the ghost who alerts the neighbours. but siddharth mistakes that the ghost had attacked his mother and threatens the ghost that he would kill himself and come as ghost to take revenge on her. many rituals of various religions to drive the ghost away were performed by siddharth but everything is proven futile and the ghost continues to stay. also, a petty thief is also stabbed while trying to steal from siddharth' s apartment .
siddharth is assured that the ghost of the girl whose life he tried to save is behind all these strange occurrences and goes in search of her family to see if they can help get rid of her. he finds that girl' s name is bhavani and her father (radha ravi) runs a local ice factory. siddharth confronts the father and asks him to cremate his daughter to save him from her ghost. siddharth brings the father to his apartment to show him the ghost, when his mother calls from the hospital to tell him that it was actually the ghost who has saved her life. bhavani' s father then tries to see if the ghost is actually trying to protect siddharth. when the ghost appears as expected, her father begs her to come home with him but she continues to remain at the apartment. siddharth understands that bhavani' s spirit never meant him any harm .
realizing that the only way bhavani can rest in peace is by bringing her killer to face justice, siddharth and his friends attempt to solve the mystery of her death themselves. they track down the auto driver that helped siddharth save bhavani and he tells them that he saw a green car driving away after the accident. they then manage to track down the green car at a shady workshop. the driver turns out to be a young man who stole an orphaned child from the hospital since he and his wife cannot have children of their own. the driver' s cousin who was in the car that day tells siddharth that she saw the actual car that hit bhavani that day and that it was not green but red. siddharth then goes back to the auto driver and asks him to differentiate between red apples and green ones, which he cannot since he is colour blind .
finally realizing that he is the killer, siddharth goes to tell bhavani' s father the truth. the ghost tries to stop him but he still reveals the truth. overridden with guilt, siddharth tries to commit suicide. bhavani' s spirit saves siddharth from committing suicide by cremating her own body that her father had preserved all this time in the ice, thus moving on to the next world. the girl' s father comforts siddharth saying that he is a very kind hearted person and he would have never done that intentionally and that is why his daughter fell in love with him and stayed with him .
the team released a teaser trailer on 15 november 2014, revealing that production had been finished in fifty two days and the project had entered the post - production stage. [ 9 ]
1. 18 crore on its first day, which was the best opening for a mysskin film .
this page was last modified on 23 march 2016, at 09: 02 .
this article' s content derived from wikipedia, the free encyclopedia (see original source) .
the source code for the wiki 2 extension is being checked by specialists of the mozilla foundation, google, and apple. you could also do it yourself at any point in time .
would you like wikipedia to always look as professional and up - to - date? we have created a browser extension .
it will enhance any encyclopedic page you visit with the magic of the wiki 2 technology .
i use wiki 2 every day and almost forgot how the original wikipedia looks like .
of perfecting techniques; in live mode. quite the same wikipedia. just better .
kalloori (english: college) is a tamil language coming - of - age film by director balaji shakthivel. the movie was produced by s. shankar' s banner s pictures and the story was based on the college campus featuring tamannaah and debutant, akhil. audio was released under shankar' s own audio company s musics; promote by softment. [ 1 ] music was scored by joshua sridhar and lyrics were written by na. muthukumar. the film was dubbed in telugu language as kalasala. [ 2 ] the film received positive reviews from the critics and the audience. [ 3 ] [ 4 ] the film was inspired on a real life of incident of three college girls of the tamil nadu agricultural university being burnt alive in the 2000 dharmapuri bus burning incident. [ 5 ]
in the classroom they see a beautiful girl shobhana (played by tamannaah), who is strikingly different. she looks depressed and sad and aloof. the friends are puzzled by her in the beginning and later they learn she lost her mom recently in an accident. the group sympathizes for her and brings her into its fold. shobhana soon becomes a member of their group and ditches her plans to pursue her course in delhi. she simply does it to be with these friends during college .
muthu who initially had a crush on shobhana later abandons the feeling due to the respect of the friendship they have developed among their group. the movie goes on to narrate the college life with fun and colour. it shows the strength of the friendship and the backgrounds of the friends; most of them are from poor families. muthu has an aim in his life. being an athlete, he wants to excel in sports and get a good job through sports quota to give his poor family a new lease of life .
shobhana, who is from a wealthy family background, feels sympathy for muthu after she sees the conditions he and his family lives in and is really moved by his perseverance and helps him achieve his goal by encouraging him in every chance. in fact as true friend many do the same and so does shobhana. she even advises him that there is more he has to and capable of achieving in life so he should take her encouragements as a way to improve his career and nothing else. but eventually her encouraging stance turns into some sort of special attachment with him. slowly love develops in the minds of both but they chose to put it on the back seat for the sake of the larger friendship they share with the group. in fact the poor lovers don' t even share their feelings .
the last scene flashes back to the beginning of the movie where a group of people are clearing the weeds. it has been eight years since the incident and every year the group of friends come to pay respects to their lost friends and muthu still keeps the handkerchief of shobhana' s in the remembrance of their love. [ 6 ]
behind woods stated that the movie works but its lack of action and dance numbers might affect its prospects at the box office. [ 9 ] indiaglitz said out that the climax scene was credibly portrayed but didn' t fit well into the script. [ 10 ]
after the film was released, sakthivel changed the climax because of the negative reaction to a scene in the film which was reminiscent of a real life incident where girls were burned on a bus. [ 11 ]
behindwoods stated that joshua sridhar' s style evoked the period of the film and said that na. muthukumar' s lyrics evoked a nostalgic feeling. [ 12 ]
basis of this page is in wikipedia. text is available under the cc by - sa 3. 0 unported license. non - text media are available under their specified licenses. wikipedia® is a registered trademark of the wikimedia foundation, inc. wiki 2 is an independent company and has no affiliation with wikimedia foundation .
popular: trivia, history, america, television, tv, usa, world, geography, ... more
enthiran from wikipedia, the free encyclopedia jump to: navigation, search enthiran directed by s. shankar kalanidhi maran hansraj saxena s. shankar produced by written by…
the world is flat 3. 0: a brief history of the twenty - first century
this action might not be possible to undo. are you sure you want to continue ?
enthiran (tamil: எந்திரன், entiraṉ ?) is a 2010 tamil science fiction film co - written and directed by s. shankar. the film features rajinikanth in dual roles, as a professor and an android robot. aishwarya rai and danny denzongpa play other lead roles while santhanam, karunas, kalabhavan mani, devadarshini, and cochin haneefa play supporting roles. [ 3 ] the film' s story revolves around a scientist' s struggle to control his creation, an android robot whose programme was upgraded to give it the ability to comprehend and generate human emotions. the plan backfires as the robot falls in love with the scientist' s fiancée and is further manipulated to bring destruction to the world when it lands in the hands of a rival scientist .
dr. vaseegaran (rajinikanth), a professor specialized in robotics, creates a sophisticated android robot in his own likeness after a decade of intensive original research. his mother (revathi sankaran) suggests naming it chitti babu .
at the international robotic conference in india, vaseegaran introduces chitti (also played by rajinikanth) to the delegates. later it is revealed that vaseegaran' s mentor, dr. bohra (danny denzongpa) was pre - occupied in a botched research project to create a similar superintelligent android robot .
chitti endears himself to vaseegaran' s girlfriend, sana (aishwarya rai) and helps her cheat in her medical school exams. they are caught, but sana, fearing rustication, lies to the investitors that she does not know chitti. chitti learns that humans may choose to lie for self - preservation. chitti' s superhuman talents soon gain him a large number of fans, especially in the women' s hostel housing sana .
vaseegaran prepares chitti for a panel evaluation by the artificial intelligence research and development institute (aird), which is headed by dr. bohra. the panel enquires whether chitti' s build conforms to the three laws of robotics of isaac asimov. vaseegaran replies in the negative. during evaluation, chitti almost stabs vaseegaran at bohra' s command. bohra convinces the evaluation committee that chitti could not be relied upon in the battlefield because he could be easily manipulated to turn against his owners. later, chitti tries to rescue a bathing girl from a building fire emergency. chitti carries her nude into the public and media focus. as she tries to run away from the tv cameras, she is fatally hit and run over by a truck .
vaseegaran decides to modify chitti' s neural schema and embeds a positronic brain to allow him to understand human behaviour and emotions. later chitti successfully applies his text book knowledge of symphysiotomy to handle the complicated labour of latha (devadarshini), sana' s friend. the procedure is covered live by the media. dr. bohra arrives to congratulate dr. vaseegaran on the achievement. he also lets chitti pass the aird' s evaluation. but problems have only begun for vaseegaran. chitti begins to see sana as its romantic interest and makes advances. this triggers a confrontation between vaseegaran and chitti at sana' s birthday party. sana tries to explain to chitti that she can love him only as a friend and asks him to forget her. bohra tries to take advantage of the situation and tells chitti that vaseegaran is using him only for his personal benefits, and that he does not value chitti' s feelings. bohra' s words do have their effect on chitti, who deliberately fails in an evaluation conducted by the indian army. vaseegaran chops chitti into pieces and throws it away in a landfill site .
bohra, who had already struck up a deal with a german underground terrorist group through an indian agent named shah (sabu cyril) to sell them superintelligent robots, had failed to meet the deadline and is given an ultimatum by the group' s leader. he retrieves chitti' s parts from the junkyard and fixes it up. he gives chitti a new appearance, and embeds a
red chip
inside chitti, thereby converting him into a ruthless terminator. chitti gatecrashes vaseegaran and sana' s wedding, kidnaps her, imprisons her in aird and threatens her with rape and creation of a cyborg by artificial insemination .
vaseegaran establishes remote communication with chitti via holographic projection and instructs chitti to return to his lab. chitti refuses to oblige and disconnects the transmission. calling himself
version 2. 0
now, chitti begins to create replicas. dr. bohra is killed by chitti. soon chitti' s army of robots cause mayhem in the city, and take over aird. vaseegaran undertakes the responsibility to stop chitti. disguised as one of the robots, he successfully infiltrates the aird headquarters. vaseegaran instructs the police to cut the power supply in the entire city, and sana distracts chitti from the problem by pretending that she had finally fallen in love with him. when chitti and his army are about to run out of power, they find an alternate solution: they seize vehicles on the road and use their batteries to recharge themselves .
chitti finds vaseegaran, but as chitti is about to kill him, the police force strikes aird. the robots assemble themselves into a sphere, snake, tower, and drill bit formations to defend themselves. one of the robots is immobilized by a grenade explosion, and is taken into custody by vaseegaran. he uploads a computer worm into chitti' s network which temporarily brings down the robot army. chitti identifies the source of the worm and sends a
self - destruct
command to the robot. the robots assemble in the shape of a giant and chase vaseegaran' s armoured bus. vaseegaran uses the data he had backed up from the destroyed robot to de - magnetise the robot army, collapsing the giant formation. chitti is pulled into the bus by a huge magnetic wall, allowing vaseegaran access to chitti' s internal control panel, through which he instructs all the other robots to self - destruct. he then removes the red chip thus calming down chitti .
in a court hearing, the jury rules capital punishment for vaseegaran, citing the large number of casualties and damages to public property caused by the robot army. chitti, explaining to the court that the law allows it to be treated as material evidence, if not as a witness, explains that it was dr. bohra who caused chitti' s deviant behaviour. he shows the court, using his eyes as 3d projectors, the video footage of dr. bohra installing the red chip inside him. the court decides to drop all charges against vaseegaran, while concluding that chitti should be dismantled in order to avoid further mishaps of the same kind in future. back at the lab, in the presence of bureaucrats and police officials, an emotional vaseegaran tells chitti to dismantle itself. while taking off its parts one by one, chitti apologizes to sana and vaseegaran for the problems it caused. a smiling chitti then dismantles himself, with vaseegaran, sana, and all others around him, crying .
twenty years later, in 2030, students in a science museum are escorted by a guide towards a showcase that has chitti' s body parts arranged. the guide tells the students that chitti was the most advanced humanoid robot created, but it was dismantled due to
certain reasons
. a curious student (shriya sharma) asks why, to which chitti' s head responds ,
i started to think
, implying that chitti had not dismantled himself completely, and that he has been alive for 20 years .
after completing nayak: the real hero in 2001, shankar announced a project with kamal haasan and preity zinta titled robo, [ 11 ] to be produced by the now - defunct production company media dreams. [ 12 ] [ 13 ] [ 14 ] despite announcing the project, due to a lack of backing, the project was canceled and shankar began work on boys. in 2005, shankar made another project, anniyan, which was mistaken to be the renamed title for robot. [ 15 ]
in early 2007, shankar stated that his next project would be produced by his production house, s pictures. [ 16 ] several websites claimed that he was set to take his maiden telugu language film with chiranjeevi, [ 17 ] while others claimed that it was set to be with mahesh babu. [ 18 ] tabloid gossip columns reported that ajith kumar was considered for the film. [ 18 ] finally, in july 2007, shahrukh khan was signed on to be the male lead of robot as well as the producer of the film. [ 19 ] however, in october 2007, shahrukh khan and shankar officially called off the project due to creative differences. [ 20 ]
after further media speculation about aamir khan and hrithik roshan being roped in, official reports surfaced in early january 2008, that rajinikanth was finalized for the project. [ 21 ] later in january 2008, ayngaran international and eros entertainment agreed to become the producers of robot. the film was unable to keep the name robot in tamil nadu due to the english title. the government there exempts entertainment tax to films with tamil titles. [ 22 ] it was confirmed in september 2008 that the film has been renamed as enthiran. [ 23 ] the film' s storyboarding and scripting was going on as told by shankar in two interviews. it was subsequently announced that all those who have been committed for robot should sign an agreement accepting that they will not commit themselves to any other project for the next two years of its production, with an exemption to the female lead, aishwarya rai. [ 24 ]
anandhapurathu veedu is a 2010 indian tamil supernatural mystery film co written and directed by tamil television director naga , who has directed serials like marmadesam , vidathu karuppu and chidambara rahasiyam . this film , naga 's feature film debut , stars nandha and chaya singh in lead roles along with child artist aryan , making his debut . written by naga , sharath haridasan and indra soundar rajan and produced by director s. shankar 's s pictures , anandhapurathu veedu was released on 9 july 2010 . the film was commercial success at the box office . 
anandhapurathu veedu is a 2010 indian tamil supernatural mystery film co written and directed by tamil television director naga, who has directed serials like marmadesam, vidathu karuppu and chidambara rahasiyam. this film, naga's feature film debut, stars nandha and chaya singh in lead roles along with child artist aryan, making his debut. written by naga, sharath haridasan and indra soundar rajan and produced by director s. shankar's s pictures, anandhapurathu veedu was released on 9 july 2010. the film was commercial success at the box office.
anandhapurathu veedu is a 2010 indian tamil supernatural mystery film co written and directed by tamil television director naga, who has directed serials like marmadesam, vidathu karuppu and chidambara rahasiyam. this film, naga's feature film debut, stars nandha and chaya singh in lead roles along with child artist aryan, making his debut. written by naga, sharath haridasan and indra soundar rajan and produced by director s. shankar's s pictures, anandhapurathu veedu was released on 9 july 2010. the film was commercial success at the box office.