mortadelo and filemon : mission implausible
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filemon is the main protagonist of the mort and phil series. he and mortadelo starred in the film mortadelo and filemon: mission implausible .
filemon and mortadelo deride the super and ignore him when he explains the details of a mission, thus being beaten by him .
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in addition to a screening of
mortadelo & filemon ,
siggraph asia 2014 offers attendees a rare glimpse behind the scenes of the film' s production with a featured session entitled
creating a quality featured animation from a renowned ip with budget constraints :
mortadelo & filemon: mission implausible .
mortadelo and filemon work for a spy agency called the t. i. a. (
occasionally, filemon and mortadelo comically beat or tortured the professor in retaliation for injuries caused by their inventions .
filemon appears to be more intelligent, serious and responsible than mortadelo, and in many cases proves to be, but this is not consistent. in any case, even though filemon take the initiative, it is mortadelo who often carry out most of the action .
filemon disapproves with mortadelo' s costumes being tested all the time, and occasionally confused some ordinary object with one of his disguises .
he has quite a temper and is not as self - assured as a joker as mortadelo. usually the most consistent and prudent in the development of mission ideas. it also has very bad luck .
a criminal produces an uncontrollable laughter to the population and mortadelo and filemón will have to stop him .
mortadelo and filemón always flee when super wants them to prove an invention of professor bacterio .
11 / 04 / 14 - - 07: 29: _ mortadelo and filem ...
filemon humiliates ofelia, pulling the yews to his companion and, to a lesser extent also to him .
ilion first produced alien planet comedy “planet 51, ” which, released by sony in the u. s. , grossed $ 42. 2 million stateside and $ 105. 6 million worldwide, a record for a spanish animation movie. ilion also produced “mortadelo & filemon, mission: implausible, ” which plays out of competition this week at france’s annecy film festival. bowed by warner bros. in spain, it grossed €4. 9 million ($ 5. 5 million) in spain .
a perfect
comic
of
mortadelo y filemón
on the screen .
the accident - prone agents who have brought laughter to spanish kids and their parents since the late 50s make a very creditable leap into cgi with the energetically entertaining mortadelo and filemon: mission implausible. previous film versions of the exploits of francisco ibanez ’s titular heroes have been patchy, including director javier fesser ’s own 2003 live action stab, but this time it works, successfully welding the spirit of the original to spectacular hi - tech visuals which are keeping both purists and newcomers happy following a strong pre - vacation entry at the spanish box - office .
siggraph asia attendees will have the opportunity to catch a special screening of the animated film
mortadelo & filemon
as part of the conference' s computer animation festival .
registration for siggraph asia 2014 closes on november 20. for more information on the
mortadelo & filemon
events at siggraph asia, visit the computer animation festival and featured sessions pages of the siggraph asia 2014 website .
filemon often bursts into a rage with mortadelo and chases him with some sort of cartoonish weapon or throwing objects of great proportions while mortadelo escapes in disguise, usually animal (insect, reptile, bird, cat, etc ...). this often occurs at the end of the comic strips or sections .
mortadelo and filemon are the most valuable superspies in the tia (the secret government agency), charged with solving the crimes that no other spy can... or rather, bungling situations like no one else can. in order to see their tough missions through, mortadelo and filemon make use of disguises as well as bizarre - and pretty much useless - inventions that together with their original smarts turn the missions into romping fun adventures never - before - seen in the world of espionage .
mortadelo y filemon (known to anglophones as mort & phil) are beloved spanish comics characters. first featured in 1958, it was a comic book that first launched the two characters into the european zeitgeist. as the spanish
during the franco era it was stated that both mortadelo and filemon were homosexual, asserting that
two male characters, single, shared apartment, sleeping in the same room, one of which he disguised himself often women, was for his synonymous detractors of homosexuality .
according to javier fesser, the film' s director ,
mortadelo & filemon
has a style that is neither photo - realistic nor traditionally animated. the intention behind this unique style is to convey the imperfections of a dirty world .
mortadelo & filemon
is especially remarkable because of the budget constraints under which it was created .
we pushed the efficiency of the studio ,
said fesser ,
finding new workflows to produce stable shaders, writing custom software to reuse lighting between shots and a whole suite of animation tools for a streamlined production .
filemon and mortadelo are persecuted by the super or appear hidden in the most inhospitable and remote places on the planet (the gobi desert, the sahara, the golan heights, the columbretes islands, easter island, antarctica, etc .) while beside him, a newspaper realizes the mess shift, while cautioning that the super is looking for partners for a completely different place .
, this is woefully lost in translation) — that' s been infiltrated by jimmy el cachondo, who has obtained some of the agency' s most embarrassing internal data. fearful they' ll be ridiculed by other spy agencies, the t. i. a' s commissioner enlists some assistance from back pocket agents mortadelo and filemon .
is a modern take on the classic characters. mortadelo and filemon had always been rooted in cartoonish slapstick extremes, and this film is a high - end tribute to that. though it' s been acclaimed by critics — it won for best adapted screenplay and best animated feature at the 2014 goya awards (think spanish oscars) — it feels as much like a love letter from someone that wanted to bankroll a childhood favourite .
while the characters are all but unknown to american audiences, mort & phil have a big following in spain and have starred in two successful live - action features over the last decade— la gran aventura de mortadelo y filemón in 2003 and mortadelo y filemón. misión: salvar la tierra in 2008. their appearances in animation have been irregular, and most of the animation that has been made with the characters, like the 1960s theatrical short series and 1994 tv series, look cheap .
at the same time, a monstrous criminal, tronchamulas, who filemon put in prison and is now looking for vengeance, is pursuing filemon, the bossier, delusional one of the pair. because of a personality reversal elixir created by the t. i. a.' s professor bacterio called
reverscence ,
they end up banding together to take down jimmy el cachondo and his henchmen. then they just end up fighting each other .
there’s a fascinating box office match - up brewing in spain this weekend between dreamworks animation’s penguins of madagascar and the homegrown spanish cgi feature mortadelo y filemón contra jimmy el cachondo, which will be released by warner bros. the latter is based on francisco ibáñez’s beloved comic book characters mortadelo y filemón (mort & phil), and as you’ll see in the trailer below, they’ve got the same slapstick - spy setup as the penguins :
when jimmy steals a safe from the tia (not cia) building, the superintendent (mariano venancio) instructs our heroes to recover it. further bad news arrives in the form of the monstrous tronchamulas (victor monigote), a violent, three - ton criminal who wishes to take revenge on filemon by doing a terrible, nameless “something” to him. professor bacterio (all characters are visually faithful recreations of the originals) has invented a serum called reversicine, intended to transform mortadelo and filemon into intelligent beings, but tronchamulas is accidentally injected with it, whereon he becomes gentle and baby - like, also revealing that he is jimmy’s cousin .
he is a little lower than mortadelo. in the early years of the comic' s publication he had the most prominent and aquiline nose, carrying a large pipe in his mouth and a sherlock holmes - like outfit, jacket and hat plush; in fact, in 1404 the number of pulgarcito he even wearing raincoat and hat boxes characteristic of most holmes illustrations .
when mortadelo leans back in his chair in the super' s office, as they return from the reality show fiasco, the tails of his coat pass through the chair .
the ddt, the professor bacterio' s dangerous invention has just been stolen by the dictator of tirania. the súper wants to recover it but he knows that it should not call mortadelo and... see full summary »
this primitive aspect was purging itself over time, soon acquiring a similar current appearance: filemon gradually reduced his nose and his clothing consisted of a black bow tie, white shirt, generally red pants and sometimes a matching jacket. he has only two hairs on his head, pointing in different directions .
the pages of a mortadelo and filemon comic book are packed with detail, verbal wit, and visual invention, and on screen this translates into a hyperactivity and breathlessness which is at times almost exhausting: it’s the kind of viewing experience designed to deliver new visual pleasures on a second viewing as the viewer refocuses on the background. many of these pleasures are satirical spanish references - - to spanish reality tv, for example, or even to the failed 1981 coup d’etat - - which will fly over the heads of non - spanish viewers, as will the constant punning, which will make subtitlers sweat .
canadian animator richard williams worked on his film
the thief and the cobbler
for nearly three decades, its completion and screening delayed time and time again by production woes and lack of funding. though some portions of the film were combined with work from other animators and released as “the princess and the cobbler” and “arabian knight, ” to this day, the original version has never been publicly screened .
early scenes portray an entertainingly hi - tech, glossy variation on classic m & f slapstick motifs before it’s revealed that it’s all been a dream by filemon (janfri topera). we’re returned to the ramshackle, comically violent, malfunctioning gadget - filled world they normally inhabit, something like a mash - up between looney tunes and wallace and gromit. brainless, but an expert in disguise, mortadelo (karra elejalde) and his temperamental boss work for a criminal investigation agency, under threat from a dastardly marty feldman lookalike called “jimmy el cachondo” (gabriel chame), loosely translatable as “jimmy the joker” .
sounds crazy, right? it is, and it doesn' t stop there. the appeal to mort and phil has always been slapstick, and while it' s usually filemon that gets the worst of it, no one is safe; every character, at one point or another, loses a limb or a whole set of teeth (the latter are an especially big thing in this film —
spain' s contribution to 20th - century art can be summed up in two essential and revolutionary movements, cubism and surrealism .
opening with a film screening, the irish vfx + animation summit is hosting masterclass sessions, presentations and discussions - - bringing industry talent from both ireland and overseas to share their experience and techniques .
all copyrighted material (movie posters, dvd covers, stills, trailers) and trademarks belong to their respective producers and / or distributors .
“ilion and u - tad have formed a cohesive eco - system whereby academia and professional life co - exist together, ” said perez dolset .
four episodes about the world' s end from different points of view and also different genre: romance, drama, thriller and action film .
with ryse, crytek decided to focus on characters and emotion to serve the game and story. ryse is an eight hour game with an additional 110 - minutes of linear storytelling content. the submission shows gameplay and cutscenes, both utilize the same assets and can be rendered in real - time .
join the washington, dc chapter of acm siggraph for its annual demo reel / portfolio review night. the group will be reviewing demo reels and portfolios and take part in an open discussion and review of what works and what doesn’t when it comes to the one thing that shows your skill, talent, and experience… your demo reel or portfolio. if you don’t have a reel yet, just come over and enjoy networking with other like - minded individuals .
the pony’s bouncy moves were created using a photo - real cg digital double and extensive r & d to translate human movement to a horse. the film cuts seamlessly between cg and real - life footage. fur was created using mpc' s furtility tool, and environments were altered using compositing and matte painting .
every day since 2004, cartoon brew has delivered the latest news, trends and ideas in animation to over 25, 000 different artists, entertainment execs and cartoon aficionados .
jimmy el cachondo is a lot like marty feldman, famous english comedian and actor .
2014: feroz awards: 2 nom. , best picture (comedy) and music
, which followed on from the radical anti - art movement dada, sought to explore and express the subconscious, both in painting and in literature. the irrational imagery of dreams, drawing largely on freudian theories, would be an important source of inspiration for surrealist poets and painters, both representational and abstract, as exemplified in the works of
please rsvp to the dc acm siggraph facebook page and indicate if you will be bringing a demo reel to share. light snacks will be provided (soda and chips) .
these characters are sent through the mills of pain — endlessly so — and a panel or two later, they' ve been reset. mortadelo is even known to make a few costume changes, a la bugs bunny, to fool his adversaries. you' ll find yourself laughing out loud, especially when the endless misery accrues to the point of lunacy. adding to the weirdness and humour is the fact that this movie is dubbed to english; it works, but not intentionally so .
there’s also a bigger picture. the paramount animation production forms part of a long - term drives at ilion to create a animation and larger digital technology and art hub in spain tapping into what perez dolset believes is spain’s prime asset: its deep and rich talent pool .
premios platino nominees and lifetime achievement award to be announced in l. a. tomorrow !
2014: 2 goya awards: best adapted screenplay and best animated film. 6 nom .
can' t find a community you love? create your own and start something epic .
what you do get is perfectly - executed cartoon slapstick by the mile, with bodies stretched, smashed and squeezed into all kinds of unlikely shapes, and sequences of technically breathtaking visual wit, particularly through the aerial fight and chase sequences as m & f pursue jimmy in his rickety helicopter over vast, receding 3d cityscapes. but not once, despite a rather elegant slow - motion sequence involving cupid and his arrow and the occasional sharply human observation, do things slow down to allow these cartoon characters to stop being characters and to start resembling people .
by signing up for an account on tmdb, you can post directly to twitter and facebook .
spark animation 2014 will run from october 22 to 26 and feature a mix of conference, job fair and film festival. reservations for film screenings can be made online through the spark website .
“spanish animation talent is immense and its driving force: sergio pablos, borja montoro, raul garcia, carlos baena and many more. spain has been a big talent pool for the big studios and now it looks like many of artists are coming back to spain, ” said perez dolset .
and georges braque abandoned this premise, thereby introducing the fourth dimension (time) in painting. the style was characterized by its use of geometric shapes, interlocking planes, and austere color range; it would also receive the influence of primitive art, chiefly african tribal masks and iberian pottery .
“having the same highly - qualified and talented artists in madrid as other locations, california tends to be 50% more expensive, london roughly 35% and paris 30% , said san roman .
“box” explores the synthesis of real and digital space through projection mapping on moving surfaces. the short film documents a first - ever live synchronized performance using 3d projection mapping, robots, and actors .
04 / 01 / 14 - - 10: 04: _ nyc animation and p ...
on friday, october 4 in beverly hills, the academy of motion picture arts and sciences will host
this amazing medium ,
an animation master class and retrospective with oscar® - winning animator richard williams .
this lavish and exquisite film, which follows a young cobbler on a daring adventure in ancient persia, is a rare delight for animation novices and aficionados alike. loosely influenced by persian miniatures, the film has become a legend in the animation industry. williams began this ambitious film in 1968, and over the next 25 years, collaborated on it with such animators as ken harris and emery hawkins from warner bros. , as well as art babbitt from disney and grim natwick, the creator of betty boop .
spanish animation production costs, however, are significantly below those of the u. k. and france .
“gravity, ” this year’s vfx bafta and oscar winner, turns filmmaking on its head. rather than adding visual effects to a live - action plate, the film is around 80% computer generated, with the live - action elements (sandra bullock and george clooney’s faces), integrated seamlessly with their cg spacesuits and surroundings .
ilion also supports and is supported by madrid’s pioneering university of technology and digital arts (u - tad), which offers undergraduate and graduate degrees in animation, vfx, big data, ai, videogames and programming. further key spanish animation figures also teach at u - tad: producer manuel cristobal (“wrinkles”), former disney animator raul garcia, director of “extraordinary tales, ” another out - of - competition annecy title, and carlos biern, at brb, one of spain’s biggest tv toon production - distribution houses, teach at u - tad .
amid amidi is the publisher and editor - in - chief of cartoon brew. read his full bio here .
‘sgt. stubby: an american hero’ aims for a different look and feel in u. s. theatrical animation
during the event, williams will share clips of his work along with stories and anecdotes from his expansive career .
spanish comedy tv show where joaquín reyes and his friends let his imagination fly. absurd humour and hilarious imitations of well known celebrities will try to make you laugh in 30 minutes per show, with a total of 52 episodes .
this year’s speakers have worked on
edge of tomorrow ,
gravity ,
transformers 2
and
guardians of the galaxy .
the summit will also host some of leading minds in vfx and animation technologies .
visited the neighboring country to acquire first - hand knowledge of the latest aesthetic and technical developments. the spanish renaissance was characterized by the prominence of religious subject matter since the church was the main patron of the arts. painting and literature, however, would flourish in the 17th century, which is regarded as the golden age of spanish culture. seville, madrid, and valladolid were active artistic centers, attracting painters such as el greco, ribera, and
, quevedo, and góngora. while pictorial subject matter barely altered, religious themes would now be painted with naturalistic realism. monarchs commissioned portraits and history paintings, into which artists gradually introduced new sources of inspiration, often taken from everyday life .
more seaside postcard than south park, the humor is appealingly old - fashioned. it' s knockabout schoolboy - ish fare which rarely depends on knowing irony for its effects, and which is a little bit sexist, though reinvigorated by the smart use of technology. fesser has indeed captured the spirit and flavor of the original and his genuine affection for these characters and their world bounces off the screen. but the original cartoons are pretty much lacking in the pathos or tenderness which have played so crucial a part in the adult appeal of the really successful animated films of recent years, and the film is too .
register so you can check out ratings by your friends, family members, and like - minded members of the fa community .
representatives from top animation and post - production studios will be in attendance; companies participating in the event include brainstorm digital, buck, light of day, the mill, the molecule, mr. x gotham, psyop, the studio, th1ng, and uvphactory. a speaker from each company will take the stage to provide an overview of their facility, highlighting past work and upcoming projects. at the end of the evening, attendees will be able to speak with the presenters and network with other attendees .
byoa (bring your own animation) is a recurring event hosted by the paris chapter of acm siggraph on the second thursday of each month. meet and chat with animation pros and show your work in a completely informal setting. the event is free and open to everyone. bring your animations on a computer or a drive or a usb key into a format readable by vlc player. if you don' t have anything to show, feel free to attend just to meet the community and have a drink !
the siggraph computer animation festival is the world’s most innovative exploration of computer - generated animation and visual effects. this event is a glimpse into the most talented technical and artistic minds of the computer graphics industry. it showcases everything from student films to blockbuster visual effects .
trippy indie madeline' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
visit the academy' s the thief and the cobbler: a moment in time screening announcement for more information or to purchase tickets online .
the computer animation festival showcases some of the year’s most dazzling and innovative collection of submitted works selected by a distinguished jury of computer graphics experts and specialists. the siggraph computer animation festival is also recognized by the academy of motion picture arts and sciences as a qualifying festival for the academy awards. since 1999, several works originally presented in the computer animation festival have been nominated for or have received a “best animated short” academy award .
paramount animation out - reach to continental europe comes after universal illumination studios bought the animation division of paris mac guff, creating illumination mac guff which produced and animated “despicable me 2” and now “minions. ” more hollywood studio deals with continental european studios look set to be announced later this year .
the screening is scheduled to begin at 7: 00 p. m. , followed by a question and answer session. landreth will also provide the audience with a behind - the - scenes look at his unique computer graphics technique, honed over years of experience in engineering, animation and filmmaking .
the concept of this full - cgi trailer consists of juxtaposing the two worlds valued highly by car lovers: aesthetically pleasing advertisements and action scenes. the features of the game, such as the novelty of the multiplayer aspect and the feeling of freedom in an open world, are highlighted through this concept .
building one tree in a cg environment can be an interesting story to tell, but creating the amazon jungle in
rio2
is a much larger tale. in order to bring this massive jungle to the screen, the blue sky team had to consider the overall scale, diversity of plants and trees, density of assets on the ground and in the treetops and choreography of moving cameras in order to give the audience the feeling of birds in flight with unparalleled views of the worlds most unique ecosystem. blue sky artists and technical directors created an infinite jungle out of a carefully designed collection of parts and assets, and brought it to life by building rigs for secondary animation. there was a constant need to find efficient ways to work with complex heavy files, create staging areas that stayed consistently overgrown all coupled with a stereoscopic version that felt as dense as it did in 2d. all of the departments had to come together to influence and support each others processes to build this technically challenging yet beautiful, lush environment that was used in multiple sequences throughout the film .
the acm siggraph nyc chapter' s twelfth annual industry spotlight will feature animation and post - production facilities from the nyc metropolitan area. presenters will share a bit about their company, show some recent work and discuss future projects. it' s one of the chapter' s most popular events each year .
the slick 3d generally feels intrinsic to the effect rather than added - on, whether focusing on the pores of filemon’s gigantic nose or through the aerial sequences. music is audible pretty much throughout, underpinning the sense of visual and verbal excess which is the film’s trademark. voice work is excellent, setting the standard high for the english language version which this highly entertaining duo deserves. production company: zeta cinema, películas pendelton cast: janfri topera, karra elejalde, gabriel chame, mariano venancio, victor monigote, emilio gavira director, editor: javier fesser screenwriters: javier fesser, claro garcia, cristobal ruiz producers: antonio asensio, luis manso, francisco ramos director of photography: miguel pablos production designer: víctor monigote composer: rafael arnau sales: warner bros spain no rating, 88 minutes
it' s a kids' film, but it appeals to adults. many europeans of a certain generation recall these characters fondly. and while for north americans ,
on monday july 22, nine legendary animation film directors climbed the stage at siggraph 2013 for the marc davis lecture series: giants' first steps. for an hour and a half, the men shared stories and laughs, providing the audience a rare glimpse into the lives of some of the biggest names in the animation world .
for the latest siggraph 2013 news, be sure to follow us on facebook and twitter. also, check out the official siggraph 2013 blog for more conference highlights .
preceded by a special screening of williams' academy award® - winning short
a christmas carol
( 1971), the film begins at 7: 30 p. m. pst (doors open at 6: 30 p. m .). tickets are $ 5 for general admission and $ 3 for academy members and students .
the giants (ron clements, pete docter, eric goldberg, kevin lima, mike mitchell, chris sanders, henry selick, david silverman and kirk wise) were interviewed onstage by randy haberkamp of the academy of motion picture arts and sciences. in addition to providing amusing behind - the - scenes anecdotes, the men opened up about their earliest attempts at animation and the evolution of their careers. toward the end of the address, the animators also divulged a few pieces of valuable advice for students .
sales seem guaranteed to multiple spanish - language territories, and despite the film’s extreme spanishness, strong marketing could just about see this family - friendly duo wreaking havoc elsewhere .
doors open at 6: 30 p. m. ; an after party and autograph session is scheduled for 9: 00 p. m. at the monarch tavern .
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montreal’s fantasia international film festival, running july 14 through august 4, has revealed its 2015 film lineup. featuring a healthy blend of animated and live - action projects... continue reading →
for those who are unable to attend the event, an exhibit of williams' work will be on display in the academy grand lobby gallery between october 4 and december 22, tuesday through friday .
“each piece in the festival is truly something special on its own merit, ” said jerome solomon, siggraph 2014 computer animation festival director. according to solomon, more categories have been added to this year' s festival, expanding the festival' s ability to incorporate and recognize various branches of computer animation .
the new categories enrich the diversity and richness of the show ,
he explained .
cartoon movie 2015 kicked off in lyon, france wednesday evening, opening the pitching and co - production forum with a screening of aardman animation’s shaun the sheep stop - motion feature, ... continue reading →
new york institute of technology auditorium on broadway: 1871 broadway (between 61st and 62nd streets), new york, ny 10023 (nyc acm siggraph wishes to thank nyit for its generous support of this event) .
this new cg film, however, is an ambitious production, and judging by the trailer, sets a new standard for cg feature animation out of spain. the director is oscar - nominated and goya - winning director javier fesser who produced the film out of madrid - based ilion animation studios, best known in the states for the feature planet 51. the studio is currently gearing up for another stateside project with the burgeoning paramount animation .
the 41st annual computer animation festival at siggraph 2014 will showcase more than 100 of the best examples of computer animation from the past year. of the 450 - plus festival submissions, just over a hundred were accepted - - and only nine were selected to receive top honors in their respective categories. considering the exceptional creativity and technical skill evident in the pool of entries, the decision process must have been a difficult one for the siggraph jury .
directions and parking info: the torpedo factory art center is located at the intersection of king street and n. union street in old town alexandria (urltoken). paid parking is available across the street from the torpedo factory or you can take the free trolley from the king street metro center. paid street parking is available in most areas of old town alexandria. there is limited free parking in nearby residential areas, but it is restricted to two hours. there are several garages within walking distance of the torpedo factory art center, too. for real - time maps to locate parking in garages, visit the parkme website or download their free iphone app. parking regulations are strictly enforced by the city of alexandria. parking is free after 9 pm, on sundays, and on state holidays. persons with proper handicapped identification on their cars may park free at any meter and are exempt from residential parking sticker requirements. trolley information: urltoken
presenters: tom humber (lead set designer), karyn monschein (sr. camera & staging artist and technical lead), john kalaigian (assembly td), david barksdale (lead fur td), alen lai (lead effects td )
wafer factory - owner p. tinto and his wife olivia want a child of their own more than anything else in the world. years of trying, however, have left them with nothing but a pair of... see full summary »
siggraph’s computer animation festival celebrates its 41st year as the world’s leading festival of the most innovative and accomplished computer graphics. the washington dc chapter of acm siggraph is partnering with the torpedo factory art center to host the 2014 siggraph computer animation festival in alexandria, virginia .
annecy — underscoring hollywood’s studios increasing outreach to continental europe for talent and production services, spain’s ilion animation studios, its biggest animation hub, is producing a fully animated 3d tent - pole feature for paramount animation, paramount’s new animation unit, which created the movie’s ip .
this video visualizes kinematics, a system for designing and simulating flexible structures for 3d printing. kinematics generates customized designs composed of 10s to thousands of hinged, interlocking modules. the designs are computationally folded using rigid - body physics into a smaller form for fabrication by 3d printing .
the deterioration of one is the foundation of another one' s life. the world, with its never - ending interplay of eating and being eaten, takes on new dimensions when the unexpected forces of nature clash with the existing structures of our society. the only constant is change .
framestore vfx pros per karefelt, matthias baas, vincent bonnet, alexis wajsbrot, sylvain degrotte, christopher lawrence, juan - luis sanchez, russell lloyd, nathan walster and michael blain will be on hand for a special siggraph 2014 session ,
don' t let go ,
from 9 to 10: 30 am on thursday, august 14. they will discuss framestore' s visual effects work for
gravity ,
specifically: volumetrics in space, destruction of the iss in a single shot, simulation as a multi - stage production tool and creating the earth as a backdrop .
the decadence of the baroque led to rococo and then to neoclassicism, movements which were clearly indebted to their french counterparts. the most significant painter of the 18th century was francisco de goya. a painter of notable portraits of the monarchy (the family of charles iv), goya would subsequently focus on social and political subject matter, turning to the french occupation of spain to depict the horrors of war. practically confined to his home la quinta del sordo (so called due to the artist' s deafness), goya devoted the last days of his life to darker, even mournful, subject matter .
annecy — underscoring hollywood’s studios increasing outreach to continental europe for talent and production services, spain’s ilion animation studios, its biggest animation hub, is producing a fully animated 3d tent - pole feature for paramount animation, paramount’s new animation unit, which created the movie’s ip. ilion initiated its production on the paramount animation tentpole movie in september [ … ]
on thursday, april 3, 2014, the new york city chapter of acm siggraph will host the twelfth annual industry spotlight at the fashion institute of technology in midtown manhattan. one of the chapter' s most popular events, the industry spotlight provides nyc animation and post - production professionals an opportunity to learn more about the facilities that operate in the metropolitan area .
the nyc industry spotlight will be held from 7: 00 p. m. to 9: 00 p. m. at fit' s reeves great hall. admission is free to nyc acm siggraph members, as well as fit faculty, students and staff. non - members are welcome to attend: admission is $ 10. 00 for professionals, $ 5. 00 for students with valid id .
the siggraph computer animation festival is recognized by the academy of motion picture arts and sciences as a qualifying festival for the academy awards. since 1999, several works originally presented in the computer animation festival have been nominated for or have received a
best animated short
academy award. in the words of caf director jerome solomon ,
there' s no other stage in the world comparable to siggraph’s computer animation festival .
this year, the nyc acm siggraph chapter will be screening metrocaf 2014 twice. the first screening will begin at 6: 30 p. m. on friday september 19, and will be followed by the metrocaf awards presentation. the second screening will start at 9: 30 p. m. the same evening. this year, the festival will be held, with the support of nyit, at their auditorium on broadway venue at 1871 broadway .
as we face the effects of layoffs, budget cuts and a tightening economy, many people are thinking about updating their demo reel. how long should it be? what are interviewers looking for? if you are looking for ways to improve your present position, or shopping around for a new one, the time to polish up your demo reel is now. if you’re looking to hire, this will be a great opportunity to see a range of fresh new talent .
according to ignacio perez dolset, ilion animation studios president, ilion was invited early last year by paramount pictures in los angeles to bid against other animation studios to provide animation services on the paramount animation movie. currently, ilion is employing 350 artists on the production, which are half spanish, half foreign. these include u. s. , canadian french, english, german and asian artists, employment will peak at about 400. pic is scheduled for delivery by year - end 2016 .
the los angeles acm siggraph chapter, in cooperation with walt disney feature animation, will present a screening of the siggraph 2014 computer animation festival on tuesday, october 21. the siggraph 2014 computer animation festival is an internationally recognized, jury - selected roster of 30 short films from around the world. the films were selected for their outstanding achievements in time - based art, scientific visualization, visual effects, real - time graphics or narrative. the siggraph computer animation festival is recognized by the academy of motion picture arts and sciences as a qualifying festival for the academy awards .
there is no suggestion that paramount will make a play for ilion but “paramount pictures might consider working on future projects with ilion on the back of the picture, perez dolset reasoned .
spain tax authorities have just launched tax credits levied at 15% . these are capped at €2. 5 million ($ 2. 8 million) per production. “when you are working on a tent - pole feature budget, this amount is not a deciding factor in competing for production, ” said jose san roman, ilion animation studios ceo .
“this is a key differentiating element of our group structure vs. other animation outfits in europe, ” san roman added .
the film’s budget was reportedly around us $ 12. 5 million when the project was announced a couple years ago. it’s been difficult to find an updated figure, but even if the film cost double that amount, it’s still a handsome - looking production for its relatively small budget .
check back on sunday to see how the local spanish spies fared against dreamworks’s los pingüinos de madagascar .
this true - life story of a heroic dog is coming to theaters in april .
a nine - part sci - fi video series illustrating a post - apocalyptic digital multiverse .
a real - time rendering pipeline using unreal engine 4 helped make possible this soon - to - be - released feature from pakistan .
‘incredibles 2’ is now the highest - grossing u. s. animation release of all - time
‘gumball’ team in u. k. will produce new cartoon network series ‘elliott from earth’
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a basketball coach is sentenced to community service, forced to work with a team of mentally disabled players .
an animated adventure about a young girl who seeks out her father in order to help save her troubled mother .
on the run from the police in a desperate attempt to escape a pair of civil guardians, a peaceful gas - station worker embarks on a frenzied road adventure .
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enjoy a night in with these popular movies available to stream now with prime video .
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, it' s no wonder, then, that there' s now a big budget 3d movie about them .
— it sounds like a spoof on the c. i. a. , but that' s really only because of how it sounds (like many of the punch lines in
might feel a little foreign, there' s enough similarity to our own cartoon history that it feels familiar, too .
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películas pendelton / ilion animation / rtve / canal + españa. distributed by warner bros. españa
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hotel transylvania 3: summer vacation stars plan their dream summer getaways to some memorable movie settings .
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with jurassic world: fallen kingdom now in cinemas, we take a look at how imdb users rated the films of the franchise. plus, browse exclusive lego® jurassic world playsets, presented by lego .
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12 / 08 / 13 - - 21: 06: _ richard williams' t ...
04 / 01 / 14 - - 09: 01: _ nyc acm siggraph pr ...
05 / 05 / 14 - - 20: 43: _ toronto acm siggrap ...
05 / 05 / 14 - - 20: 56: _ toronto acm siggrap ...
09 / 18 / 13 - - 14: 22: _ the academy highlig ...
08 / 28 / 14 - - 11: 52: _ siggraph 2014 caf s ...
09 / 30 / 14 - - 08: 59: _ creating the amazon ...
09 / 30 / 14 - - 09: 10: _ bring your own anim ...
09 / 30 / 14 - - 09: 21: _ demo reel / portfolio ...
10 / 10 / 14 - - 08: 48: _ irish vfx & animati ...
10 / 31 / 14 - - 09: 55: _ festivus: the winte ...
on december 10, 2013, in the samuel goldwyn theater in beverly hills, williams will be on hand to see the first public unveiling of the film that was to be his magnum opus .
the full keynote is available below. it' s a must - see !
on wednesday, may 14, the toronto acm siggraph chapter will host an evening with academy award® winning filmmaker chris landreth. the event will include a screening of landreth' s short film
subconscious password ,
presented in partnership with the national film board of canada .
landreth is known for his short film
ryan ,
which won the 2005 academy award® for best animated short film .
ryan
pioneered a singular artistic style, employing surreal imagery to peer into the minds of its characters. a true computer graphics trailblazer, landreth also helped develop the first version of maya in 1998 .
tickets to the event can be purchased online: $ 15 for members, $ 25 for non - members. membership in the toronto acm siggraph chapter can also be purchased online: $ 25 for student membership, $ 40 for professional .
on wednesday, may 14, the toronto acm siggraph chapter will host an evening with academy award® winning filmmaker chris landreth. don' t miss it !
the event, which is part of the marc davis celebration of animation, will showcase not only williams' art, but the animator himself. an industry veteran of more than half a century, williams has garnered upwards of 250 awards for his work. he is also the author of the oft - referenced manual for new animators, the animator' s survival kit .
the event begins at 7: 30 p. m. at the samuel goldwyn theater on wilshire boulevard. online tickets are sold out, but a standby line will form beginning at approximately 5: 30 p. m .
“paper world” is an image film for the world wildlife fund hungary where the values that wwf stands for become visible metaphorically on the level of a micro - world .
gravity directed by alfonso cuarón, esperanto filmoj. vfx work submitted by framestore, united kingdom
three ,
the pony
directed by dougal wilson, blink productions. vfx work submitted by mpc .
the san francisco acm siggraph chapter presents a screening of the siggraph 2014 computer animation festival .
online registration is required. no tickets at the door. the event is free for san francisco acm siggraph chapter members (not acm siggraph members). non - members are welcome for a ticket price of $ 12 a person .
the nyc acm siggraph is proud to present metrocaf 2014, the twelfth edition of the annual college computer animation festival .
when: thursday, september 18, 2014 7: 00pm – 9: 00pm where: torpedo factory art center 105 n. union st. alexandria, va 22314 703 - 838 - 4565 urltoken
non - member students - advance online, $ 8. 00 (must present full - time student id at event) ;
at the door (if available), $ 13. 00 with current full - time student id
the nyc acm siggraph wishes to thank nyit for its generous support of this event .
the history of spanish art is quite remarkable; many different artistic movements have taken place within the peninsula throughout the centuries. learn more about them .
) form an important part of the muslim side of the country' s diverse cultural heritage .
was a reaction to traditional modes of representation, characterized by single viewpoint perspective .
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mortadelo and filemon : mission implausible ( spanish : mortadelo y filemón contra jimmy el cachondo , " mortadelo and filemon versus jimmy the joker " ) is a 2014 spanish animated comedy film based on the characters from the mort & phil comic book series . it achieved six nominations for the 29th goya awards , winning in the best adapted screenplay and best animated film categories , and two for the second edition of premios feroz . 
mortadelo and filemon: mission implausible (spanish: mortadelo y filemón contra jimmy el cachondo, " mortadelo and filemon versus jimmy the joker ") is a 2014 spanish animated comedy film based on the characters from the mort & phil comic book series. it achieved six nominations for the 29th goya awards, winning in the best adapted screenplay and best animated film categories, and two for the second edition of premios feroz.
mortadelo and filemon: mission implausible (spanish: mortadelo y filemón contra jimmy el cachondo, " mortadelo and filemon versus jimmy the joker ") is a 2014 spanish animated comedy film based on the characters from the mort & phil comic book series. it achieved six nominations for the 29th goya awards, winning in the best adapted screenplay and best animated film categories, and two for the second edition of premios feroz.