jayamkondaan
jayamkondaan movie rating is 66 / 100 based on reviews submitted by 5 users .
jayamkondaan (2008) tamil movie cd - rip 320kbps mp3 songs music by vidyasagar - starmusiq. com
# jayamkondaan perfect action film with clear presentation & dlgs. really disappointed about all movies from director r kannan after this
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dubbed in tamil for the first time in # jayamkondaan # bhavana 3 days to go... # hbdbhavana _ 30 urltoken
# jayamkondaan what a lovely action film which never gets bored if we anytime watch. amazing brother sister sentiments. macho & strong action
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after films like # kireedam & # jayamkondaan, # santhanam and # vivekh join hands for # sakkapodupoduraja. heroine - vaibhavi. prod by vtv ganesh urltoken
enjoy # jayamkondaan, romantic action movie starring # vinay # bhavana ​ # lekhawashington ​ # vivek ​ today @ 7 pm on # ktv ​. urltoken
omg. another super movie in tv. # jayamkondaan awesome entertainment. # vinay, # bhavana, @ washingtonlekha, @ actor _ vivek & @ iamsanthanam rocked
# jayamkondaan in k tv. # vinay, # bhavana and @ washingtonlekha rocked. the only gud film from kannan. @ actor _ vivek sir did well too .
action romance movie. . # jayamkondaan. . starring # vinayrai # bhavana # lekhawashington. . music by # vidyasagar. today at 3. 30 pm. @ suntv urltoken
jayamkondaan (film) - reception... the film was described by sify. com as a
breezy entertainer
, with the reiewer taking a liking to the film, comparing jayamkondaan to the films run, sandakozhi and the malayalam film... out of the comedians, sify reports that krishna and santhanam were more effective than vivek who at times you feel speaks more dialogues than necessary... however lekha washington is clearly the surprise package
, echoing sify. com' s views ...
vijay tv' tamizh pechu yengal moochu' fame jayamkondaan' s speech on nagarathaar' s contribution to tamizh and saivism near karaikudi. on the event of the saanthi of his uncle and aunty subramanian and meenal in chokkalingampudur. topic :
tamizum saivamum vazhartha nagarathaargal
jayamkondaan is a 2008 tamil romantic, drama film, directed by r. kannan and produced by satya jyothi movies. this film stars vinay rai, bhavana, lekha washington, vivek, santhanam, in the lead role. the films soundtrack and background score were composed by vidyasagar with lyrics by maruthakasi, vaali, na. muthukumar, yugabharathi, kabilan .
lekha washington (born in chennai, tamil nadu, india) is an indian film actress and model, who has appeared in tamil, hindi, telugu films and kannada language films. after appearing as a video jockey with ss music, lekha' s breakthrough film role was as an independent estranged sister in jayamkondaan (2008), whilst she has gone on to portray roles ...
kanden kadhalai (english :
i saw my love
) is a 2009 indian tamil romantic comedy film directed by r. kannan of
jayamkondaan
fame. the film, a remake of the 2007 hindi blockbuster
jab we met
by imtiaz ali, stars bharath and tamannaah in the lead roles, originally played by shahid kapoor and kareena kapoor. the film was released on 30 october 2009 to mainly positive reviews .
an attempt at a free flowing feel good film that involves a clash of ambitions - that is what jayamkondaan is all about. though the film revolves around the ambitions of its central characters, the makers have not been too ambitious themselves, not adding too many commercial ingredients. by and large, the narrative concentrates on the central plot without any unnecessary deviations. coming from a debutant director, these are the signs of a good movie. but has kannan delivered ?
overall, jayamkondaan is clean fare that has something lacking to make it entirely interesting. the director has shown that he knows the nuances of film making well. one is not sure whether this is unfair to the debutant, but shades of mani ratnams’ films and concepts can be seen here. overall, a good attempt that could have done with a crisper script. prospects at the box office are not too bright owing to the lack of pace in narration, but the neat presentation could bring the families in. verdict – a few fries short of a happy meal
movie title - - - jayamkondaan unbelievable - - - director r. kannan directs actor vinay rai for 1st time. director r. kannan directs actor vinay rai for 1st time. director r. kannan and music director vidyasagar joins for 1st time. cast - - livingston malavika avinash as chandrika a french teacher and brindas mother. nizhalgal ravi as durai raj a chilli vendor who lives in arjuns family house and annapuranis father. santhanam as bhavani a chilli broker in madurai. below actors passed away - - cochin haneefa died on 02 - feb - 2010 movie details - - directed by - r. kannan music by - vidyasagar produced by - selvi thiyagarajan produced by - t. arjun produced by - t. g. thiyagarajan
jayamkondaan has something more to offer, not to mention the romantic track between vinay and bhavana whom he meets during his travails. the disputes and stand offs that occur in property related issues have been shown well, so have the usual scavenging characters who appear out of nowhere during such opportunities. the story is simple and well written and the script to a large extent remains true to its character, but the vital element of briskness is missing in the narrative. one can’t really put a finger on what went wrong, but the film fails to grip for any length of time and that’s where the script has failed. but full credit for sticking to the narrative and not infusing artificial elements that could have further pulled down the movie .
in august 2011, bharathiraja revealed that the film would be titled annakodiyum kodiveeranum and would have a village centric theme similar to films such as paruthi veeran and subramaniyapuram. parthiepan was signed on to play the title dual roles of father and son and subsequently completed a photo shoot for the film. [ 4 ] priyamani, parvathi menon of poo fame and meenal were initially announced to play heroines, although the first two were later replaced in the film. [ 5 ] [ 6 ] karthika nair was then signed on to play the leading female role of annakodi, more than two decades after bharathiraja had cast her mother radha in her debut film. [ 7 ] iniya was selected to portray a character called mallankinaru mankatha after bharathiraja was impressed with her performance in vaagai sooda vaa. reports also suggested that vinay, who had previously appeared in unnale unnale and jayamkondaan, was signed on to play a pivotal role although bharathiraja' s managers later dismissed the claim. in a turn of events, the day before the shoot began, parthiepan was replaced by ameer to portray the title roles, with parthiepan admitting he was left in the dark about the decision. [ 8 ] [ 9 ] [ 10 ]
, that he has the potential to churn out a neat feel - good entertainer. the racy screenplay and the crisp message at the end deftly packaged on the back of the age - old formula, makes the film work in these hard - up times .
the most refreshing thing about kannan' s film is that he tries to combine mainstream tamil film aesthetics with mass appeal. there is a basic story laced with sentiments, friendship, love, comedy, action, deep
evolving out of hate, a nice message in the climax against rowdyism, plus pleasant music score. and fine all round performance by the likeable actors in the film - vinay, lekha, bhavana, krishna, vivek, santhanam, kishore, and athisaya .
. in the original it was a fight between the son and illegitimate son of a top politician in the first half, who gang up to fight the villain. here it is a son and illegitimate daughter who are daggers drawn over father' s property, who in the climax join together to demolish the bad guy .
arjun (vinay) is an it professional who was in london for years, and has now come down to chennai to set up his own business. he has a wide friends circle like krishna (krishna), gopal (vivek) and their wives, who make merry. arjun' s philosophy in life is to be always cool and never lose one' s temper under any circumstances. he feels if one has to reach his goal in life it is better to win over your enemies and take them along .
however arjun is shocked when he finds that his late father had another family, and his half sister brinda (lekha washington) is now trying to sell his family house in madurai. she needs the money to go to us, as she has got a scholarship at mit! they lock horns over the property and land up in madurai, where a red chilly dealer (nizhalgal ravi) is staying in their house with his daughter annapoorni (bhavana). arjun pretends that poorni is his childhood sweetheart, wins her over and manages to get her vacated from the premise .
there is a rowdy guna (kishore) who is a terror in madurai and our hero gets entangled with him that leads to an accident in which his wife poonkodi (athisaya) gets killed. now guna is baying for revenge as he follows arjun to chennai. the rest of the film is how arjun tries to take the responsibilities as a big brother and wins over brinda and deals with guna, who is determined to kill him .
. however the film works because of its simple straightforward narration and packaging. lekha washington for a first timer sparkles as the half sister in a well etched role. she is the surprise packet and has the credentials to make it big. vinay with a moustache looks too thin and fragile but adds to the film? s energy but should try to dub in his own voice .
bhavana has nothing much to do other than looking prim and proper. krishna and santhanam are far better than vivek who at times you feel speaks more dialogues than necessary. athisaya as the small town girl who gets enamored by the rowdy is a revelation, while kishore fits the bill as the bad guy .
vidayasagar? s music is so - so, there is a feeling that you have heard these tunes before. the picturisation is nowhere near the high standards set up by the director? s guru. in fact the foreign locale song set against a historic monument in uzbekistan looks like a cardboard set. on the downside too many songs are inserted into the narration, and at times the film lags, particularly after interval .
t he hero and his friends are in a cinema theatre, crunching on popcorn and getting ready to watch a vijay - starrer. but just as vijay erupts on screen, a goon insults our hero' s friends, rousing them into a fury. sounds familiar, doesn' t it? but sathya jyothi films' jayam kondaan (he who is victorious) has a twist: the hero plays pacifier, and smoothes down the issue. reason:' not every problem can be solved by beating people up.'
that is the general tone of tamil film, jayam kondaan, directed by r kannan, the erstwhile assistant of mani ratnam. so has the student made sure his teacher' s name remains unsullied? more or less. which, in itself, is quite a victory .
for starters, kannan seems to know that a good movie, like a good short story, gains a lot of points when it takes off right from the first scene - - the film begins with arjun (vinay) returning from london [ images ] to start a new venture .
arjun and his friends, including vivek, are keen on enjoying life, and are full of eager plans to set up business in chennai. but they need the capital first. they decide to utilise arjun' s savings, rather the money that his father left him. but when they withdraw it from the bank, they' re in for a rude shock: there' s only a meagre balance of a few thousand rupees left. what happened to the lakhs of money saved ?
that sets the ball rolling. careful enquiries turn up more shocking news: arjun' s father has had another family, most importantly, a daughter brinda (lekha washington), who is determined to go to the mit in the us. arjun and brinda have a clash when it comes to disposing off a property in madurai [ images ], supposedly bought from arjun' s own funds - - but neither can sell it without the other' s approval. and then, battle lines are drawn .
arjun journeys down to madurai to take a look at the property himself, and meets the gangly, na�ve and attractive sports - girl poorani (bhavna), who mistakes him for her groom - to - be and falls at his feet. much hilarity ensues, after which it is discovered that arjun is here to sell the property and then hostilities start .
a reasonably fast - paced vendetta follows arjun to chennai, leading him to shack up with his angry step - sister. the man who had everything when he first came to chennai - - now has nothing .
vinay, as the protagonist is very comfortable in his role. he has expressive eyes, emotes well, and makes sure his audience isn' t disappointed. but it is lekha washington, who is clearly the surprise package: this girl can act, and how .
bhavna, with her soulful eyes and acting talent, could have done with a meatier role. as it is, she shines during the comic parts and has tried, with moderate success, to speak the madurai tongue herself. it induces some laughter in the beginning, but she wins you over .
vivek seems to have lost his touch; his jokes fall flat. livingstone, even if he appears in a meagre role, is finally a true - blue police officer. malavika, santhanam and nizhalgal ravi have done well .
kannan deserves credit for a good job on his story and screenplay. his twists and turns make you sit up, (pattukkottai prabhakar' s dialogues are natural) - - and he etches small characters in a way that makes it easy to identify with them .
balasubramaniam' s camera makes sure the viewers aren' t treated to bizarre angles. v t vijayan' s editing is slick and smooth .
jayam kondaan is a nice blend of the cinematic and logic. it is a good, watchable fare. go for it .
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when arjun relocates from london to chennai to start a business, he finds out that his late father had a second family and that his half - sister brinda is trying to sell their ancestral property .
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vinay is a successful professional in london, but he is also frustrated with his distance from home and finally takes the call to return to india and do his own business. lekha washington (ss music vj) on the other hand is in india and cherishes a dream of doing a master’s degree at the mit in usa. the clash of these ambitions is the crux of the story. but why do their ambitions collide head on? apparently, they are related in a way that no one would be too proud of and the rather twisted nature of their relationship leads to disputes over property. with neither party willing to give an inch or compromise on their ambitions the stage is set for a battle in and out of courts that could get far more serious. and, things do get serious, as it always does when big money is at stake. a businessman and a thug get involved in the skirmish for money and a few unsavory incidents later, things have gone far too out of hand to be settled amicably. how vinay and lekha take the issue that they began to a final settlement forms the climax. having read this, one might feel that the movie is one long battle for money between two people. while one cannot deny that ,
technically, the movie looks like one shot with finesse, the camera pleases the eye. that is the least one expects when the director is mani ratnam’s erstwhile assistant. the music is pretty average, barring one particular number by hariharan and madhushree. however, all songs have been shot on scenic locations which make them pleasant to sit through. there is a bit of action, but it is largely restrained. vinay, in his second tamil film has done a job that is not too bad. bhavana, in a role that doesn’t offer her much just comes and goes without impressing at all. however, debutant lekha washington does not show any vjing hangover and delivers a neat performance. santhanam leads the comedy charge with a hilarious fare. vivek, too, makes appearances on and off which evoke laughter to some extent. vmc haneefa comes across as a gullible businessman and scores well in certain scenes .
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jayam kondaan (english: the victor) is a 2008 tamil action romance film, directed and co - written by kannan and produced by t. g. thiyagarajan. it stars vinay rai, bhavana balachandran and lekha washington in the lead roles. vivek and kishore also appear .
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oru oorla rendu raja is a tedious comedy drama that attempts to highlight the inhumane working conditions of factory workers in our country, says s. saraswathi .
in 2013, he attempted the remake of the super hit delhi belly with a disastrous settai .
titled oru oorla rendu raja, the film features vemal, soori and priya anand in the lead .
the director has chosen to tackle the issue of the inhumane working conditions of factory workers in our country and the unnecessary loss of life due simple negligence and lack of empathy .
set in the backdrop of a steel factory, the film highlights the total disregard of safety norms and the hazardous work environment in our factories today .
the film opens on a train journey between tuticorin and chennai. two good - for - nothing friends, azagu (vemal) and mike (soori) are escaping to chennai after soori’s plan to elope with his girlfriend fails. also on the train is the lovely priya (priya anand), a medical college student in her internship year .
there is an emergency on the train, a woman in labor. priya efficiently handles the situation, the child is safely born and azagu promptly falls in love with her .
a few songs and several totally boring comedy scenes later, we come to the crux of the matter .
a man wielding a knife attacks priya. azagu saves her and the narrative moves to a flashback mode. priya is travelling to chennai to attend the hearing of a case filed against steel factory owners, nasser and his wife anupama kumar .
the workers of this factory are forced to work without the appropriate safety equipments using decades - old machines causing deafness, infertility issues, heart - related problems and cancer. a determined priya has moved the court and hence the attempt to murder her .
post interval, the film is all about whether azagu and mike can safely deliver priya in court .
the film does have an interesting plot, but the director’s weakly - sketched characters fail to make any impact despite the gravity of the situation. the performances of all the lead actors leave much to be desired .
on the other hand, soori and thambi ramaiah appear overenthusiastic. most of the comedy is completely lame, lots of annoying drinking jokes and innumerable songs, placed at an interval of every 15 minutes .
music by d. imman does nothing for the film. the songs are, however, well - picturized and cinematographer p. g. muthiah does deserve some credit. even at just 2 hours and 11 minutes, the film seems incredibly long and disappointing .
the hackneyed climax, lackluster performances, tiresome comedy, unexciting music coupled with the director’s inept execution makes oru oorla rendu raja a total waste of time .
what is a r rahman doing at a dubai mall? reader talib sends us a picture .
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film actress and television host who has worked on tamil - language films and in television dramas .
. he performances on the show fetched her film offers, with aarthi often playing overweight characters in tamil films during the 2000s .
in 2012, she was described as
kollywood' s most sought after comedienne
.
during september 2009, before the pair returned to chennai for a weddng reception .
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satyaraj' s son sibiraj' s wedding reception' s photos. sibiraj and his wife with tamilnadu chief minister dr. m. karunanidhi and our great poet vairamuthu. siiraj and his wife getting blessings from dr. m karunanidhi. with dmk youth leader m. k. stalin and his son. with dr. kamal hassan. kamal in his marmayogi getup. again with kamal. with suriya and jothika. with sivakumar and his wife, y. g. mahindran and his wife. with ace director mani rathan and his wife suhasini. with malayalam actor jayaram. with ramya krishnan with sandya with director sundar. c and his wife kushboo and also with vasant (owner of vasant & co). with nepolean and also with nasser with great singer jesudas his son vijay jesudas and his wife. with our favorate music director deva. with legendry comedy actor senthil. with our new action king j. kritesh. for latest news click here
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annakodi is a 2013 tamil film directed and written by bharathiraja. [ 1 ] it features lakshman narayan, karthika nair and manoj bharathiraja in the lead roles. the film has music by g. v. prakash kumar. [ 2 ] the film was earlier titled annakodiyum kodiveeranum. [ 3 ]
when the mullaperiyar dam issue precipitated, bharathiraja suspended the shooting of the film and sent his keralan - born heroines home until the issue had died down. the film ran into further trouble when the tussle between the producers and fefsi created disputes between the lead actor and director. ameer, made remarks against the producers council and backed the fefsi, and reports suggested that a displeased bharathiraja opted to replace him in the film with cheran. however bharathiraja went on to claim that the
script needed some changes
which would not suit ameer and thus signed on his own son, manoj, to play the lead role. [ 11 ] iniya was also reported to have left the project due to the delay, but she denied such claims. [ 12 ] but her role wasn' t eventually incorporated in the film. [ 13 ] roja was selected to play the role of a wine seller and the mother of karthika nair. [ 14 ] but she opted out of the film and lack of facilities was speculated to be the reason behind her decision. renuka stepped into the shoes of roja. [ 15 ]
the movie started to roll from 17 november 2011. as announced, the film’s inaugural pooja took place in theni and several biggies from the film industry participated in it. directors k. balachander, mani ratnam, balu mahendra were at this launch which made the event at the veerappa ayyanar temple in alli nagaram, theni. [ 16 ] [ 17 ]
music was composed by g. v. prakash kumar collaborating with bharathiraja for first time. after 21 years gangai amaran joined with bharathiraja by writing lyrics for the film along with vairamuthu, egadesi and kavingar arivumathi. [ 18 ] the audio released on 20 january 2013 at railway grounds, arasaradi, madurai. ilaiyaraaja, directors j. mahendran, balu mahendra, k. bhagyaraj, vasanth, vikraman, s. a. chandrasekhar, agathiyan, actors radhika, radha, sathyaraj, saranya ponvannan, composers yuvan shankar raja, karthik raja, bhavatharini, s. thanu, ramesh khanna graced the event along with the film crew. [ 19 ]
satellite rights of the film were secured by sun tv. the film was given a
u / a
certificate by the indian censor board and released on 28 june 2013 alongside thulli vilayadu .
rediff wrote :
film lacks depth and fails to ignite the passion needed for such an emotionally compelling story
. [ 20 ] indian express wrote :
long and dreary, and testing one’s patience at times, it’s a disappointing fare from the ace director
. [ 21 ] behindwoods wrote :
to sum up, this melodramatic movie doesn' t have a new story to tell and the closing message about love being beyond all such issues like caste, creed and religion is again a really dated thought
. [ 22 ] urltoken wrote :
overall, annakodi is typical bharathiraja style village story but it lacks the intensity and soul seen in the director' s earlier ones
. [ 23 ]
this page was last modified on 15 january 2016, at 15: 57 .
this article' s content derived from wikipedia, the free encyclopedia (see original source) .
to their surprise, a grand welcome ceremony is planned at anjali’s home believing that anjali and shakthi are married already. they also mistake gautham as shakthi’s friend who has decided to accompany him. anjali’s family members also plan a reception for shakthi and anjali. gautham pressurizes anjali to disclose the truth but anjali cannot which makes her realize that she loves shakthi more. gautham asks shakthi to leave the place fearing that anjali might change her mind and shakthi leaves to the railway station. but anjali runs to the railway station and proposes her love to shakthi which he too accepts. shakthi and anjali unite at the end .
at night, anjali finds shakthi missing in train but spots him sitting in a platform of a station. anjali gets down from the train to bring shakthi back but both end up missing the train. anjali pressurizes shakthi to help her get the train in the next station as it was because of him she had missed the train. shakthi and anjali hires a cab till the next railway station but anjali misses the train there too. finally shakthi and anjali stay in a lodge and plan to leave early next day to theni. slowly friendship develops between shakthi and anjali. shakthi wonders seeing anjali’s fun loving attitude .
meanwhile, anjali’s wedding is planned with her relative mokkarasu (santhanam) which she does not like and she decides to run away from her house to meet gautham in ooty. shakthi agrees to accompany anjali till ooty and both leave the home. anjali’s family members mistake that anjali has eloped with shakthi. shakthi drops anjali in ooty, and despite her resistance, tells her their journey together is over and bids her farewell, returning to chennai with plans of reviving his ailing businesses .
shakthi informs about his personal problems to anjali while anjali asks him to forget about all those things and lead a happy life. she also says that there is no harm in shakthi’s mother choosing to remarry at this age. shakthi realizes his mistake. shakthi and anjali reach theni and anjali’s family request shakthi to stay at their place for a week. shakthi agrees and is treated wilth affection by anjali’s relatives .
now shakthi is more energetic and positive minded, which he learnt from anjali and he suggests many improvements in his business. he also accepts his mother’s decision of remarrying and gets close to her. ten months pass by and shakthi’s company’s shares have performed very well. shakthi speaks about his company’s new product launch in an ad which is seen by anjali’s parents. anjali’s father ramana (nizhalgal ravi) comes to chennai to meet shakthi and enquires about his daughter. shakthi gets shocked that anjali has lost contact with her parents for the last 10 months .
the mainly positive reviews from the critics stated that the film was able to recreate the same magic it delivered in the original
jab we met
. indiaglitz, while stating this, commented that tamannaah was the backbone of the whole movie and she emotes to her best. behindwoods mentioned that the chemistry of the lead pair (which is the moving force of the film) worked well and that tamanna and bharath looked fresh and different in their roles. sify and urltoken both reviewed that the movie was a cute love story and is definitely worth a watch .
bombarded with troubles, shakthi one day leaves his office and boards a train without even knowing the destination. in the train, shakthi meets anjali (tamannaah), who is more bubbly and talkative and she is on her way back to her hometown theni after completing her studies. anjali keeps talking to shakthi continuously which irritates him. shakthi plans to jump from the fast moving train to end his life, but due to anjali presence, he could not do it. anjali informs shakthi that he is in love with gautham (munna) and also about her plans to elope with him as her family is highly orthodox .
initially the remake had dhanush and shriya saran in the lead as dhanush thought that she would be the best choice for the role. later both the lead actors opted out due to dhanush and shriya saran' s busy schedule and were replaced by bharath and tamannaah. date problems were cited as the reason behind these changes .
shakthi (bharath) becomes the managing director of rajasekhar group of companies following his father’s death. he feels highly dejected because of troubles surrounding him such as continuous loss in business and also his girl friend anita (shammu) ditches him and marries another guy. above all shakthi develops enmity over his mother after she decides to remarry following her husband’s death .
sify technologies limited (formerly sify limited and satyam infoway limited) (nasdaq: sify) is an indian broadband internet provider established in 1998, based in chennai, india .
nayantara - career - success in tamil and telugu cinema (2005–09)... sify wrote
nayanthara virtually walks away with the film and has never looked so beautiful... sify heaped praise on her, describing her as a
show stopper
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sensational and has done a great job in perhaps the meatiest ...
aayirathil oruvan (2010 film) - release - reception... a reviewer from the website sify, cited that the film represented
something new in the placid world of tamil cinema
adding that it
broke away from the shackles of the stereotypes
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.... . sreedhar pillai of sify wrote
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jayam ravi - film career... ravi' s performance was widely positively received a critic from sify wrote that he delivered a performance that
makes you want to see more of him
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hundred percent convincing as an action hero ,
further labelling his performance as
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jayam kondaan (english: the victor) is a 2008 tamil drama film directed and written by kannan and produced by t. g. thiyagarajan, selvi thiyagarajan and t. arjun. it stars vinay rai, bhavana balachandran and lekha washington in the lead roles. vivek and kishore also appear. the film revolves around an nri civil engineer, who returns to chennai from london to set up his own business. he feels that if one has to reach his goal in life it is better to win over your enemies and take them along with you. he
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jayam kondaan ( english : the victor ) is a 2008 tamil drama film directed and written by kannan and produced by t. g. thiyagarajan , selvi thiyagarajan and t. arjun . it stars vinay rai , bhavana balachandran and lekha washington in the lead roles . vivek and kishore also appear . the film revolves around an nri civil engineer , who returns to chennai from london to set up his own business . he feels that if one has to reach his goal in life it is better to win over your enemies and take them along with you . he finds out that his late father had another family , and that his step sister wants to steal his home . after clashes with his sister , he discovers another tragedy involving someone who wants to make a vendetta with the family . the film follows the sibling relationship and the threat from the avenger . the film opened to worldwide audiences after several delays on 29 august 2008 to generally positive reviews . 
jayam kondaan (english: the victor) is a 2008 tamil drama film directed and written by kannan and produced by t. g. thiyagarajan, selvi thiyagarajan and t. arjun. it stars vinay rai, bhavana balachandran and lekha washington in the lead roles. vivek and kishore also appear. the film revolves around an nri civil engineer, who returns to chennai from london to set up his own business. he feels that if one has to reach his goal in life it is better to win over your enemies and take them along with you. he finds out that his late father had another family, and that his step sister wants to steal his home. after clashes with his sister, he discovers another tragedy involving someone who wants to make a vendetta with the family. the film follows the sibling relationship and the threat from the avenger. the film opened to worldwide audiences after several delays on 29 august 2008 to generally positive reviews.
jayam kondaan (english: the victor) is a 2008 tamil drama film directed and written by kannan and produced by t. g. thiyagarajan, selvi thiyagarajan and t. arjun. it stars vinay rai, bhavana balachandran and lekha washington in the lead roles. vivek and kishore also appear. the film revolves around an nri civil engineer, who returns to chennai from london to set up his own business. he feels that if one has to reach his goal in life it is better to win over your enemies and take them along with you. he finds out that his late father had another family, and that his step sister wants to steal his home. after clashes with his sister, he discovers another tragedy involving someone who wants to make a vendetta with the family. the film follows the sibling relationship and the threat from the avenger. the film opened to worldwide audiences after several delays on 29 august 2008 to generally positive reviews.