joot
joot, manu, this is it (beat by. beatmaster k) by joot
this website and its content is copyright of joot - © joot 2015. all rights reserved .
joot concept does not reference jooq in any way. you can use jooq without joot and you should be able to use joot with no jooq .
1 .
show us ya joot !
2 .
she had a tight little joot
a list of words that start with joot (words with the prefix joot). we search a large scrabble dictionary for scrabble words starting with joot - we take the letter or word you enter, and generate all words starting with joot. in addition there is a list of words that end with joot, words that contain joot .
that woman is one find piece of joot oh dear ive got some joot on my shoe that guy plays some good joot. look at that joota across the road... .. twoot twoot aw that car is jooted
listen to joot: are you ready (original motion picture soundtrack) now .
joot & apos; s original meaning was a qualifying term for bodily fluid. then it became joota, used to describe a good looking woman. now joot can be used to describe anything .
william morris' s the tables turned; or, nupkins awakened (performed march 2014) photos are available on the joot theatre dundee facebook group .
join the joot theatre facebook group to view photographs from our most recent production, the tables turned; or, nupkins awakened (performed march 2014) .
john pikeryng' s horestes, a political allegory about mary queen of scots (march 2012). photos are available from the joot theatre dundee facebook group .
movie title - - - joot untold stories complete report imdb rating - - 4 cast - - shyam ganesh as eashwarans brother srikanth as eashwaran suvarna mathew vivek as siva below actors passed away - - murali died on 06 - aug - 2009 movie details - - music by - vidyasagar produced by - ajaykumar review - - balaji b wrote azhagamperumal too takes the masala route with joot after dum dum dum his first movie .
a survey number is a unique number given to an unambiguous piece of durga joot village land in order to maintain a record of the location, size, shape and proprietorship information of the property. the land survey number works as a record of information relating to a specific plot of durga joot property in uttar pradesh state. it is beneficial when registering plots, selling plots, resolving legal disputes, for planning the development of neighbouring areas and so on .
siddharthnagar is the nearest statutory town of the village durga joot, which is 20 kilometres away from the village. siddharthnagar is the nearest statutory town of this village lies within the state of uttar pradesh and situated with the distance 20 kilometres away from village .
two plays and a dramatised reading on sin and morality: oscar wilde' s a florentine tragedy and r. browning' s' my last duchess' and' a woman taken in adultery' (march 2013). photos are available on the joot theatre dundee facebook group .
the durga joot village is located in the state uttar pradesh having state code 09 and having the village code 178182. the siddharthnagar is the district of this village with district code 184. the total geographical area in which this village is expanded in 11. 36 hectares / 0. 1136 square kilometers (km 2) / 28. 071171334671 acres. the content of this page is for your general information and use only .
the joot theatre company was established in 1992 as the mediaeval drama group, changing name in 2003. under the direction of dr jodi - anne (jo) george of the english programme, the company has undertaken many well - received performances and participates actively in a series of festivals funded by the international society for mediaeval theatre. in 1998, they performed in denmark, in 2001 they staged a play in the netherlands, and in 2008 they performed in france .
village is situated in the siddharthnagar district with district code number 184. domariyaganj is the subdistrict (tehsil / mandal), is a low - level administrative division of a district, of this village, having the sub district code is 00936. bhanwapur is the community development block (c. d. block) of this village with c. d. block code number 0591. the gram panchayat for this village is bevam mustakam. the district headquarters' name is siddharthnagar and as per distance concern it is 70 kilometres from the durga joot village .
, his first movie. but one wishes he hadn' t followed lingusamy this closely .
thrown in) without the handling that made the original a first - class entertainer .
eeswaran (srikanth), a villager, travels to chennai for his father' s medical treatment. another item on his agenda is to unite his father with eeswaran' s younger brother, who married a girl against his father' s wishes. he stays with his brother in s. s. colony and falls in love with meera (meera jasmine), a law graduate. aditya (' pepsi' vijayan), a powerful rowdy, wants to raze the colony to the ground for a client of his and this forces eeswaran to stand up to him .
' s storyline to the letter. srikanth' s move to the city (though the reason is a little different), his romance and his clashes with a local, powerful rowdy all give rise to a feeling of
. the fact that we have the same heroine in meera jasmine and a separate comedy track with vivek further increase the similarities. but azhagamperumal has fashioned a fast screenplay and handles key individual sequences with enough
to keep boredom away. the catchy songs and superbly choreographed stunt sequences also do their part in keeping us in our seats .
azhagamperumal proves to be quite competent whether handling romance, family relations or action. and this is definitely important in
which relies on all three to keep things moving. meera' s posing as srikanth' s sister - in - law is a wonderful and jolly start to their romance though the level of fun takes a dive in their subsequent meetings. srikanth' s relationship with his father is also handled well with the strength and stubbornness of the father' s character adding a nice touch. as far action goes, the railway track sequence that marks the intermission point is the pick of the lot. it is picturised thrillingly and is on par with the sequence in
takes an unwarranted turn into sentiments that affects the pace of the movie and decreases its entertainment factor. there are a few unnecessary deaths that don' t fit in with the tone of the rest of the movie. but barring this, the movie is kept on a fairly balanced route. srikanth' s plans to deal with' pepsi' vijayan and the police inspector show some clever thinking instead of relying simply on brawn. the climax fight is suitably extravagant and well - staged in the container yard .
srikanth fits the bill in his first' action' role and his look and dresses aid him well in being convincing as an action hero. meera gets to do a little bit more than the heroines in such action films. she looks cute and is earns a few points with the way she tackles the police inspector when taking srikanth away. vivek' s comedy track, while separate from the main story, still has its own story as he repeatedly injures family members with a scooter. it is very funny but is also quite vulgar in some places. malayalam actor murali is dignified as usual while' pepsi' vijayan is suitably menacing. azhagiya koondhal... is a melodious number though kattabomma kattabomaa... has a better chance of earning fans with its catchy beats. vedi veesuraan... and theemtharikita... also have catchy folksy tunes .
a sweaty scrotum resulting from a hard day & apos; s work. in particular, the odour produced by said scrotum .
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we aim to stage at least one production annually and students are recruited from all years. normally, about 10 - 12 students (and at least two university staff members) are involved in each show .
british premier of bahram beyza’i’s the marionettes (2004). a generous grant from the carnegie trust for the universities of scotland has been awarded to edit the marionettes and publish it with photographs from our production. publisher: poetry salzburg, salzburg university press .
the marriage of wit and wisdom (2001 – scotland & groningen, the netherlands) *. the groningen production received funding from the groningen city council .
everyman (1996 - scotland; 1998 - odense, denmark) *. the odense production received funding from the odense city council and the university of dundee .
[ please note: videos of productions marked with an * are available for sale. if you wish to place an order please contact dr jodi - anne george ]
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jooq is the superb database library. however, as of now it lacks transaction management. it is not so bad, because there are many ways to handle transactions in java world. one example is the ejb container. it has transactions built - in, so everything you need is to get the datasource resource and use it with jooq, plain jdbc, querydsl or what - else .
not everyone likes to use ejb or spring container, though. some developers want or need something ultra lightweight .
i don' t know why, but instead of creating something ultra lightweight for transaction management, all the java database libraries chose to implement transactions by adding extra methods here and there to the libraries itself. imho this is bad. not only we have to dig through all the api in different libraries, but also we cannot use those libraries together across single transactions. also, when we have separated transaction management, we have bunch of methods we are no allowed to use .
as i said previously, jooq chose to go that way as well, see: urltoken this project is supposed to support me fighting the stereotypes that creating a transaction manager is an option to be seriously considered. with this, i can show that the simple transaction manager does not mean :
does not mean using complicated things, aspects, annotations (but can be used to build such a framework) .
well, that' s true. it does not exist... yet. i hope this stub and example will make it happen .
see how simple the api can be. notice: it is standalone library, not tied to jooq or any of the alternatives .
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ella mai – boo' d up (remix) ft. nicki minaj & quavo
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clear [ f, r ] f [ r _ ]: = 4 r / (1 - r) ^ 2 i [ r _, delta _ ]: = 1 / (1 + f [ r ] sin [ delta / 2 ] ^ 2) show [ table [ plot [ i [ r, delta ], { delta, 0, 4 pi }, plotrange - > { 0, 1 } ], { r, { 0. 1, 0. 3, 0. 6, 0. 97 } } ] ]
but i' d like to label each of the curves with the value of the parameter (r = 0. 1, r = 0. 3, ...). i can do this manually inserting labels with the graphics controls, but figured there' s got to be a better way .
it would certainly be nice if there were some way to use tooltip for this sort of thing .
needs [
plotlegends `
] plot [ evaluate @ table [ i [ r, delta ], { r, { 0. 1, 0. 3, 0. 6, 0. 97 } } ], { delta, 0, 4 pi }, plotrange - > { 0, 1 }, plotlegend - > { 0. 1, 0. 3, 0. 6, 0. 97 }, legendposition - > { 0. 95, 0. 05 } ]
@ peeter, evaluate [ ] forces the first argument of plot [ ] to be an explicit list of functions, which are then plotted with different colors. execute plot [ table [ x ^ k, { k, 0, 2 } ], { x, 0, 1 } ] and plot [ evaluate @ table [ x ^ k, { k, 0, 2 } ], { x, 0, 1 } ] to see the difference .
@ peeterjoot without the evaluate plot only sees one function and thus will not get the coloring and the legend right. just try and look at the result. just as an aside, there is also an undocumented option evaluated - > true which does the same thing, but is preferable as it also results in correct scoping .
instead of plotlegends, consider using the code in this excellent answer: urltoken. it gives much much nicer legends .
i made a function that could be used for labeling plots interactively, adding labeled bezier arrows, preserve your labels from session to session, and a few more goodies .
clear [ f, r ] f [ r _ ]: = 4 r / (1 - r) ^ 2 i [ r _, delta _ ]: = 1 / (1 + f [ r ] sin [ delta / 2 ] ^ 2) s = plot [ evaluate @ table [ i [ r, d ], { r, {. 1, . 3, . 6, . 97 } } ], { d, 0, 4 pi }, plotrange - > { 0, 1 } ]; lblplot [ s, { fontfamily - >
xkcd
, 16 } ]
@ belisarius - may i ask how you compressed the code into a png? it' s very neat .
row [ plot [ evaluate @ table [ i [ r, delta ], { r, { 0. 1, 0. 3, 0. 6, 0. 97 } } ], { delta, 0, 4 pi }, plotrange - > { automatic, { 0, 1 } }, plotstyle - > (directive [ thick, # ] & / @ { red, green, blue, orange }), plotrangepadding - >. 05, frame - > true, imagesize - > 400, epilog - > { table [ (style [ text [ r, { #, i [ r, # ] } ], 12, background - > white ] &) / @ (#), { r, { 0. 1, 0. 3, 0. 6, 0. 97 } } ] } ] & / @ { { pi }, { 3 pi }, { pi / 2, 3 pi / 2, 5 pi / 2, 7 pi / 2 } }, spacer [ 5 ] ]
excellent. that' s much more like what i was thinking. if i try modifying the text to text [
r =
r, ... then strangely it displays as
0. 1 r =
,
0. 3 r =
,... ? is there a way to concatonate multiple text objects at the location specified by one ?
@ peeter, try text [ row [ {
r =
, r } ], { #, i [ r, # ] } ] .
.. or text [
r =
< > tostring [ r ], { #, i [ r, # ] } ] .
f [ r _ ]: = 4 r / (1 - r) ^ 2 i [ r _, delta _ ]: = 1 / (1 + f [ r ] sin [ delta / 2 ] ^ 2) place = { scaled [ r ], after }; show [ table [ plot [ i [ r, delta ], { delta, 0, 4 pi }, plotrange - > { 0, 1 }, frame - > true, plotlabels - > placed [ { tostring [ r ] }, place ] ], { r, { 0. 1, 0. 3, 0. 6, 0. 97 } } ] ]
one can use different placements, i. e. different location specifications instead of place; i chose scaled [ r ] because for this particular plot it works fine and after because in my opinion it looks best .
my question was old (mathematica 8 days). this new better labelling option was mentioned in a comment referring to: urltoken also note that mathematica11 appears to have further refined its labelling methods, but i haven' t purchased the upgrade to try that out .
i get it all, i just stumbled upon this question acidentally, so to speak, and thought it might be useful for future users to point them toward some update .
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prof. eleftheriades desribed a chebychev antenna array design method that looks different than the one of the text [ 1 ] .
portions of that procedure are like that of the text. for example, if a side lobe level of \ (20 \ log _ { 10 } r \) is desired, a scaling factor
is used. given \ (n \) elements in the array, a chebychev polynomial of degree \ (m = n – 1 \) is used. that is
\ begin { equation } \ label { eqn: chebychevsecondmethod: 40 } t _ m (x) = \ cos \ lr { m \ cos ^ { - 1 } x }. \ end { equation }
the class notes use the negative sign, and number \ (n = 1, 2, \ cdots, m \). it is noted that the roots are symmetric with \ (x _ 1′ = – x _ m’ \), which can be seen by direct expansion
\ begin { equation } \ label { eqn: chebychevsecondmethod: 100 } \ begin { aligned } x _ { m - r } ’ & = \ cos \ lr { \ frac { \ pi } { 2 m } \ lr { 2 (m – r) – 1 } } \ \ & = \ cos \ lr { \ pi – \ frac { \ pi } { 2 m } \ lr { 2 r + 1 } } \ \ & = - \ cos \ lr { \ frac { \ pi } { 2 m } \ lr { 2 r + 1 } } \ \ & = - \ cos \ lr { \ frac { \ pi } { 2 m } \ lr { 2 (r + 1) – 1 } } \ \ & = - x _ { r + 1 } ’. \ end { aligned } \ end { equation }
\ begin { equation } \ label { eqn: chebychevsecondmethod: 120 } \ begin { aligned } u _ n’ & = 2 \ cos ^ { - 1 } \ lr { \ frac { x _ n’ } { x _ 0 } } \ \ z _ n & = e ^ { j u _ n’ }. \ end { aligned } \ end { equation }
this has a factor of two that does not appear in the balanis design method. it seems plausible that this factor of two was introduced so that the roots of the array factor \ (z _ n \) are conjugate pairs. since \ (\ cos ^ { - 1 } (- z) = \ pi – \ cos ^ { - 1 } z \), this choice leads to such conjugate pairs
\ begin { equation } \ label { eqn: chebychevsecondmethod: 140 } \ begin { aligned } \ exp \ lr { j u _ { m - r } ’ } & = \ exp \ lr { j 2 \ cos ^ { - 1 } \ lr { \ frac { x _ { m - r } ’ } { x _ 0 } } } \ \ & = \ exp \ lr { j 2 \ cos ^ { - 1 } \ lr { - \ frac { x _ { r + 1 } ’ } { x _ 0 } } } \ \ & = \ exp \ lr { j 2 \ lr { \ pi – \ cos ^ { - 1 } \ lr { \ frac { x _ { r + 1 } ’ } { x _ 0 } } } } \ \ & = \ exp \ lr { - j u _ { r + 1 } }. \ end { aligned } \ end { equation }
when \ (m \) is even, there will only be such conjugate pairs of roots. when \ (m \) is odd, the remainding factor will be
\ begin { equation } \ label { eqn: chebychevsecondmethod: 160 } \ begin { aligned } z – e ^ { 2 j \ cos ^ { - 1 } \ lr { 0 / x _ 0 } } & = z – e ^ { 2 j \ pi / 2 } \ \ & = z – e ^ { j \ pi } \ \ & = z + 1. \ end { aligned } \ end { equation }
however, with this factor of two included, the connection between the final array factor polynomial \ ref { eqn: chebychevsecondmethod: 180 }, and the chebychev polynomial \ (t _ m \) is not clear to me. how does this scaling impact the roots ?
example: expand \ (\ textrm { af } \) for \ (n = 4 \) .
\ begin { equation } \ label { eqn: chebychevsecondmethod: 220 } \ begin { aligned } \ textrm { af } & = \ lr { z ^ 2 + z \ lr { 2 – \ frac { 3 } { x _ 0 ^ 2 } } + 1 } \ lr { z + 1 } \ \ & = z ^ 3 + 3 z ^ 2 \ lr { 1 – \ frac { 1 } { x _ 0 ^ 2 } } + 3 z \ lr { 1 – \ frac { 1 } { x _ 0 ^ 2 } } + 1. \ end { aligned } \ end { equation }
with \ (20 \ log _ { 10 } r = 30 \ textrm { db } \), \ (x _ 0 = 2. 1 \), so this is
\ begin { equation } \ label { eqn: chebychevsecondmethod: 240 } \ textrm { af } = z ^ 3 + 2. 33089 z ^ 2 + 2. 33089 z + 1. \ end { equation }
\ begin { equation } \ label { eqn: chebychevsecondmethod: 280 } \ textrm { af } = e ^ { j 3 k d \ cos \ theta + j 3 k u _ 0 } + 2. 33089 e ^ { j 2 k d \ cos \ theta + j 2 k u _ 0 } + 2. 33089 e ^ { j k d \ cos \ theta + j k u _ 0 } + 1. \ end { equation }
this array function is highly phase dependent, plotted for \ (u _ 0 = 0 \) in fig. 1, and fig. 2 .
this can be directed along a single direction (z - axis) with higher phase choices as illustrated in fig. 3, and fig. 4 .
fig 3. plot with u _ 0 = 3. 5, d = 0. 4 lambda
fig 4. spherical plot with u _ 0 = 3. 5, d = 0. 4 lambda
[ 1 ] constantine a balanis. antenna theory: analysis and design. john wiley \ & sons, 3rd edition, 2005 .
i' m looking for the equivalent of mathematica' s plotrange - > { 0, pi } in a matlab plot. if i plot a function, for example :
i get a plot that over the [ 0, 3. 5 ] interval, instead of [ 0, pi ], as the following figure shows :
matlab will use regularly spaced ticks, so if the plot limits are not defined it will end in one of the regularly spaced tick. use xlim ([ 0 pi ]) to limit the x axis to end in pi .
t = linspace (0, pi, 100); plot (t, cos (t) )% % change xaxis limits xlim ([ 0 pi ])% % set current plot axis (gca) xtick and xticklabel to manually input data set (gca,' xtick', [ 0, 0. 25 * pi, . 5 * pi, 0. 75 * pi, pi ]); set (gca,' xticklabel', {' 0',' \ pi / 4',' \ pi / 2',' 3 \ pi / 4',' \ pi' }); %% see matlab 2015 version help
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i emailed the professor a research idea, he responded :
just go ahead
. is this an ok ?
11. 36 hectares / 0. 1136 square kilometers (km 2) / 28. 071171334671 acres
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a young man leaves his village to the city with his father seeking medical help for an ailment. in the city, they stay with his brother who is embroiled in a corruption scam involving a con .
december 24, 2014 c / c + + development and debugging. no comments c style cast, c + +, cast, const _ cast, dynamic _ cast, reinterpret _ cast, static _ cast
i happen to maintain the db2 coding standards, which are mostly concerned with portability, and not style. i’ve joked that i was given that job since i had “broken the build” more than anybody else, so was most qualified to let others know how not to do so .
in our coding standards we have a prohibition against the use of exceptions. this is a historical restriction because we’ve built with compilation flags like - qnoeh (no exception handling) on some platforms to get a bit of additional performance. these days the compilers do much better at not degrading performance when exception handling is allowed and not used, but since our performance folks will sell their kids for a 1% improvement, we’ve kept using flags like this and the associated restriction. components that must (or want) to use exception handling must “firewall” any exceptions, not letting them get thrown to external code (and also explicitly enable exceptions for their code) .
we had a note in the coding standards not to use rtti (run time type identification), because exceptions are required. that was a confusing and incomplete statement to include in our standards. it was interpreted by one developer as meaning that none of :
were allowed. however, only the dynamic _ cast is a rtti operation, and only the dynamic _ cast will throw an exception when the cast doesn’t match the underlying type .
i’ve now fixed up our coding standards. it now references dynamic _ cast instead of rtti .
the db2 code is still very c’ish, compiled with a c + + compiler. i’d say the bulk of the casts in our code are old style c casts, and that most of our developers (including myself) don’t even know when to use the “new” cast operations. here’s some thoughts on these :
i’ve seen a fair amount of const _ cast use in our code, and i know personally how this can be very useful. an example :
volatile int x; void foo (int * y); foo (const _ cast < short * > (& x) ); / / compilation error foo (const _ cast < int * > (& x) ); / / allowed. just strips the volatile (or const) off the pointer type .
a second nice use of const _ cast < > () is to enforce type checking in macros. if the macro parameter is supposed to be a pointer to type t, you can enforce that by using a const _ cast < t * >. this assumes that you don’t actually care about the const - ness of the pointer, and will force a compile error if the macro is used with any other type .
in general i don’t think it’s a bad idea to use the new cast operators, since they represent a hierarchy of weaker than c style casts. you can also search for cast operations by name in a given file if they are used, which is much harder to do with a c style cast .
i’m not sure how much use of static _ cast < > and reinterpret _ cast < > we have in the code .
declaring my own stupidity, without looking them up, i didn’t personally know how to use the “new style” static _ cast and reinterpret _ cast operations correctly. i use a c cast by habit unless i’m trying to strip const or volatile attributes (or enforce a type in a macro) .
if db2 coders start using these, it will likely confuse old guys like me for a while, but i figure i can learn about these .
if that doesn’t work or is not allowed you can use: a c style cast .
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the film has been directed by azhagamperumal and has in the cast srikanth, meera jasmine, murali and vivek. vidya sagar brings edgy and upfront songs for the film .
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joot ( tamil : ஜுட் ) is a 2004 tamil action film directed by azhagam perumal , starring srikanth and meera jasmine the music is by vidyasagar . 
joot (tamil: ஜுட்) is a 2004 tamil action film directed by azhagam perumal, starring srikanth and meera jasmine the music is by vidyasagar.
joot (tamil: ஜுட்) is a 2004 tamil action film directed by azhagam perumal, starring srikanth and meera jasmine the music is by vidyasagar.