raattinam
' raattinam' director' s next is' ettuthikkum madhayanai' ...
the audience has been treated with a variety platter that caters to and satisfies different tastes of the movie going population. this week vendhar movies raattinam hits the screens which grabbed many an eyeball when gautham menon averred that it is his vinnai thaandi varuvaaya in tuticorin. directed by newcomer thangasamy, raattinam is set in the port city which forms the backdrop for his tale on love and its ramifications .
raattinam is sure to stay on for some time in the minds of those who had struggled to make their love successful and it is never going to leave those who had failed to make their love successful .
there are occasions when the film reminds the audience of balaji sakthivel’s kaadhal. but thangasamy stands out different in his simplistic narration, screen play and characterization. raattinam’s climax is its highlight and thangasamy should be lauded for this .
love could culminate in success or failure but behind every love, there could be some kind of loss which may be a relationship or something more than that. this is the central pivot of raattinam around which the entire film rolls .
the biggest asset of raattinam is the casting and performance. hero lagubaran who had worked as an assistant director makes a positive impression with his debut on screen appearance. director thangasamy also works in front of the camera as hero’s brother, makes a powerful impact with his portrayal .
at a time when romances among the much younger populace is portrayed justifiably, here comes raattinam which talks about the implications of ‘love’ at young age and its repercussions and the long lasting effect it has on the families involved. thangasamy also throws light on the impacting influence on infatuations that are normal during that period of one’s life where the surge of hormones peak .
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well - made love stories always manage to leave an impact with the masses. at regular intervals come such movies and set a trend in the industry. the one for this season is' raatinam' .
directed by thangasamy, the film set in tuticorin is all about romance, the hurdles the lover couple face and sacrifices they have to make. the twist in the tale towards the climax sets the premise for the entire film .
thangasamy has carefully chosen to stay away from cliches. more story - driven, the film has everything to entertain and keep engrossed the movie - lovers. with almost everyone new to the camera, thangasamy has managed to extract the best from them. they get involved with their respective characters and play their parts well .
also choosing tuticorin as the backdrop has helped the filmmaker create an impact among the audience for the setting is fresh and new to tamil cinema, which had seen many love stories in madurai and chennai .
' raatinam' provides fun in the first half and makes you feel for the couple in the latter part. newcomers lagubaran and swathy fit the bill well and their onscreen chemistry does the trick. produced by rajarathinam films, the movie has music by manurameshan and cinematography by raj sundar .
jayam (lagubaran) is a fun - loving youngster who falls in love with a plus two student dhanam (swathy). her uncle is an advocate and brother a police man. jayam' s brother ashok (thangasamy) is into politics. dhanam and swathy love each other. they witness a tough situation when they get caught by police. coming to know about swathy' s family, both are allowed to go. but the police official informs their families. there begins the troubles .
the couple elopes that adds to all problems. but there is a twist in the form of a realistic and riveting climax .
lagubaran and swathy are tailor - made for the roles. they look best suited for the characters. their on - screen chemistry deserves a mention. a host of others in the movie chip in with their best .
music by manurameshan is fine, and cinematography by raj sundar is commendable. he has captured tuticorin well .
' raatinam' is a movie that is entertaining and is an honest attempt .
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the realistic and natural progression of scenes and dialogues stand testimony to the director’s caliber. the typical innocence of the girls belonging to a town is clearly brought out when the heroine says, “miss kitta sollalaamaa” when she receives a love letter. on the other hand, thangasamy angered by his brother’s behavior starts hitting him and stops midway when his father enters, is a clear cut depiction of life in such an ambience. such natural scenes add value to the film .
swathi fits perfectly in her character. the supporting cast that includes swati’s mom elizabeth, swati’s advocate uncle and lagubaran’s friend ajay has all done their job quite convincingly .
manu ramesan’s music is soothing to the ears and his apt re - recording sets the mood of the film in the right track. yele ye pulle emerges triumphant. rajsundar’s camera travels to nook and corner of tuticorin and brings out the perfect mood .
the times of india, tnn, updated: may 11, 2016, 01. 39 pm ist
a young man falls in love with a schoolgirl, who initially resists his advances, but later falls for him. their families, who come to know of the affair, try to nip it in the bud but the lovers manage to elope. how does this impact the families ?
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r aattinam is a film that succeeds in surprising you on more occasions than just one — the biggest surprise coming right at the end, in the form of the climax. to be fair to director k. s. thangasamy, his story may appear clichéd, but the message he communicates through his film is relatively fresh and one that makes sense .
jayam (laguparan), the younger brother of a small - time politician - cum - businessman ashok (k. s. thangasamy), ends up falling in love with dhanam (swathi), a school - going girl who is not only the daughter of a high - ranking official at the port in tuticorin but also the niece of the public prosecutor .
the movie has quite a few strengths, including the music of manu ramesan. three songs make the cut, with ‘asathum azhagu' clearly occupying the top slot .
by and large, cameraman p. raj sundar scores with his visuals of tuticorin, making one wonder why filmmakers choose to go abroad when they have such beautiful places within the country. however, the excessive lighting at certain places could have been avoided .
laguparan as the hero makes quite an impression. playing his role with conviction, he appears comfortable romancing and dancing. however, the same cannot be said of heroine swathi, who has a long way to go when it comes to emoting .
on the whole, director thangasamy seems to have marshalled his troops reasonably well to give audiences a film that is bound to interest them .
cast: laguparan, swathi, k. s. thangasamy, ajay, tarun, elizabeth
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second quarter of the year got over in no time. it’s been one of the dull quarters in the recent years. usually, second quarter is the one which will set the box office on fire because of top star films in summer holidays. but this year all the biggies planned in this quarter shifted to the next one due to tfpc - fefsi deadlock .
in this dry quarter too, few films made a mark in terms of box office and critical acclaim. totally 35 straight tamil films released in these 3 months from april to july and highest no. of dubbed ones released, counting around 20. out of these, just 4 movies were profitable maintaining a success ratio of 10 %
tamil new year had just one release this year – udhayanidhi’s “ okok ”. rajesh joined hands with santhanam for the third time and came up triumphs. despite the usual tested romance, the film clicked with the audience due to one and only reason – santhanam. he has become so famous that he is booked first when a film is launched even before finalizing hero & heroine. the film has grossed 6 + crores in chennai alone within 3 weeks. red giant’s marketing added strength to this film & it emerged as the blockbuster of the year so far with huge collections from all centers all over tn. next, ‘ leelai’ which was lying in the cans for few years finally saw the light of the day. the film opened to full positive reviews from audience and critics alike but failed to work at the box - office. it had a decent run at few multiplexes but completely failed at b & c centres. also the controversial film “ mazhai kaalam ” & experimental one ‘ asthamanam ’ got released in this month too and went unnoticed .
this quarter saw three films nanban, muppozhudhum un karpanaigal & karnan completing their dream 100 days run at the theatres. out of these, “karnan” which is a re - release still running in chennai’s leading multiplex and nearing golden 125 days. on the downside, many award functions held in this quarter disappointed few in the industry and created a stir among the people. film personalities calling themselves as entertainers / making films for people questioned and made fun of the jury for not giving award to them. 🙂
next quarter is the one where many biggies are ready for release. with many corporates entry into the market and leaving no stones unturned in promoting them, it’s going to be a cracker of a quarter. first there is in entertainment’s “ billa 2 ”, then eros international’s ‘ maatraan ’ followed by utv’s ‘ mugamoodi ’. the list goes on with kamal’s “ vishwaroopam ” and vijay starrer ‘ thuppakki ’, etc. as many as 250 crores riding on these films, let’s wait and watch how many come up triumphs !
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raattinam is a 2012 tamil romantic drama film , directed by k.s.thangasamy , starring laguparan and swathy . it is produced by s. madhan and featured music composed by manu ramesan . raattinam is set in the port city which forms the backdrop for his tale on love and its ramifications . 
raattinam is a 2012 tamil romantic drama film, directed by k.s.thangasamy, starring laguparan and swathy. it is produced by s. madhan and featured music composed by manu ramesan. raattinam is set in the port city which forms the backdrop for his tale on love and its ramifications.
raattinam is a 2012 tamil romantic drama film, directed by k.s.thangasamy, starring laguparan and swathy. it is produced by s. madhan and featured music composed by manu ramesan. raattinam is set in the port city which forms the backdrop for his tale on love and its ramifications.