naam iruvar namakku iruvar
naam iruvar namakku iruvar (original motion picture... by various artists: napster
kctwtyz91ywnaam iruvar namakku iruvar mp3 [ 8. 14 mb ] | melodies of india
naam iruvar namakku iruvar (1998) tamil movie cd - rip 320kbps mp3 songs music by karthik raja - starmusiq. com
naam iruvar namakku iruvar is a 1998 tamil comedy, drama film, directed by sundar c. and produced by k. balachandran. this film stars prabhu deva, meena, jayaram, maheshwari in the lead role. the films soundtrack and background score were composed by karthik raja with lyrics by pazhani bharathi .
nam iruvar also marked the debut of v. k. ramasamy who plays the role of an evil old man who desires to marry sukumar' s lady - love kannamma. the film had a prominent comedy track provided by t. r. ramachandran of sabapathy fame .
the film is remembered for the dance performances of baby kamala. [ 2 ] it is also remembered as the first film produced under the banner of avm productions. [ 8 ] following the success of the film, avm moved his studio from karaikudi to kodambakkam in chennai. [ 8 ] [ 9 ] nam iruvar was also the last film directed by a. v. meiyappan and extensively portrayed the hopes and aspirations of a nation on the brink of independence .
based on a play thyaga ullam written by pa. neelakantan [ 2 ] and directed by sahasranamam [ 3 ] (which itself was based on the story of the 1936 film iru sahodhargal), [ 4 ] [ 1 ] nam iruvar was directed and produced by a. v. meiyappan. the film released in january, a few months before india' s independence after six months of shooting and was a
thundering success
. [ 1 ] [ 5 ] the story begins with a subramania bharati anniversary and ends with gandhi' s 77th birthday celebrations. a notable feature of the movie were its songs which were written by indian nationalist subramaniya bharati [ 6 ] [ 7 ] and sung by d. k. pattammal. [ 1 ] [ 2 ]
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prabhu deva, meena, maheswari, gemini ganesan, manivannan, vivek, senthil, s. s. chandran, manjula
is another typical sundar. c movie with a truckload of characters and mindless comedy. the movie gained pre - release publicity through its two primary cast members, both of whom made changes to their well - known attributes. prabhu deva appeared for the first (and upto now, the last) time without his beard while meena let go of her homely image in favor of a more glamorous one. but neither of these could cover up the deficiencies of the movie and it became one more flop in prabhu deva' s career .
prabhu (prabhu deva) and mani (manivannan) earn money through dubious means to support a few orphaned children. they steal a diamond but while escaping, mani stuffs the diamond into a toy sitting in a car. chasing the toy takes them to the house of k. d. chandrasekhar (s. s. chandran), a rich man in ooty and with mani posing as the longlost husband of kd' s sister, they enter the household. pooja (maheswari), kd' s daughter, falls in love with prabhu but just as he is being engaged to her, he finds out that her sister indu (meena) is the woman of his dreams, the woman he had lost his heart to after seeing her for a few minutes in coimbatore. so, he takes off his beard to assume a new identity as deva, prabhu' s brother and proceeds to woo indu .
the first principle of successful movie making is to have characters that the audience is able to identify with, sympathise for or atleast like. this is even more important in case of the hero, who typically carries the movie along. but prabhu deva' s character here is not someone we learn to like. atleast his initial activities can be condoned since his aim is to support orphans but his motive to assume a double identity is purely selfish. so it becomes difficult to laugh when he romances meena after his engagement with maheswari and we begin to sympathise with the latter. and when the movie in question is a comedy, having difficulty laughing is a very big problem indeed .
griping about the character might sound silly in a comedy (especially one from sundar. c), but the problem is that the comedy itself is not so funny as to make us overlook such things. prabhu deva and manivannan' s initial plan of selling paintings to the families of dead people is identical to the plan in
and the fact that prabhu deva is the painter in both films only makes the scenes seem even more similar. while some situations sound like they have potential (like the diamond heist which is spoiled by policemen, who turn out to be fake themselves), the laughs are hard to come by. s. s. chandran' s suspicion of the relationship between his wife, manjula, and manivannan has a few laughs but prabhu deva managing his dual identity is not as funny as it sounds .
as in sundar. c movies, there are a huge number of characters and most have barely enough screen time to make an impression. there seems to be no reason for most of them to even exist since they add no value to the story or the comedy. some background is initially provided with prabhu deva being angry at his grandfather gemini ganesan but all that is forgotten once he goes to ooty and gemini is used mainly to garner a few laughs out of his forgetfulness. the orphaned kids too are forgotten in coimbatore once the story moves to ooty. things get even more bizarre as the movie progresses, with characters like the midget who announces himself as a swamiji and wears a monkey suit .
prabhu deva indulges in his trademark mannerisms and facial gestures. since he rarely dances in his movies nowadays, his dance steps in many of the songs are a treat to watch. apart from prabhu appearing beardless, meena' s glamorous style was the other selling point in the movie. discarding saris and other homely dresses completely, she shows up in skimpy tops, tight shorts, short skirts and swimsuits. but they don' t suit her figure and seem more vulgar than sexy. maheswari looks better than her earlier movies and isn' t troubled much as far as acting goes. jayaram manages to keep his dignity intact with a cameo role. karthik raja gives ample scope for prabhu deva' s dancing with fast songs like ailesaa ailesaa... and kattaana ponnu... . indha sirippinai... is melodious and catchy .
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synopsis / plot: prabhu and mani fool kd and start living with his family in order to retrieve their stolen diamond. prabhu falls in love with kd' s daughter, but just as they' re about to be engaged, he gets a shock .
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t. a. jayalakshmi kamala kumari t. r. mahalingam t. r. ramachandran v. k. ramasamy
s. v. sahasranamam who acted and directed the play was initially considered for the leading role. but couldn' t take up the film due to other commitments hence he was replaced by t. r. mahalingam. [ 10 ] the film also marked the debut of v. k. ramasamy who appeared in the role of an evil old man at the age of 21. [ 11 ] the film had a prominent comedy track provided by t. r. ramachandran of sabapathy fame. [ 8 ]
mahalingam plays the part of sukumar, the son of a black - marketeer [ 4 ] who falls in the company of evil friends and invests his money in making a film in accordance with their advice. however, the film never sees the light of the day and leaves sukumar heavy in debt. he is eventually questioned by financiers and when he fails to pay them, is dragged to court. how he is rescued from his perilous situation forms the climax of the story. at the end of the movie, sukumar becomes a nationalist and a gandhian [ 4 ]
music composed by r. sudarasanam and lyrics written by mahakavi subramaniya bharathiyar and k. p. kamatchisundaram. singers are t. r. mahalingam and t. r. ramachandran. playback singers are devanarayanan, d. k. pattammal, t. s. bagavathi and m. s. rajeswari .
the song
aaduvome
was written by subramaniya bharathi while other two songs were written by k. p. kamatchisundaram. randor guy of the hindu wrote that the film was remembered for
the scintillating song and dance numbers, ‘aaaduvomey…. . ’ and ‘vetri ettum’, performed by ‘baby’ kamala
. [ 12 ]
the reviewer for the indian express called the film
an interesting social drama well acted with the additional attraction of a few songs of the great bharathi rendered by mahalingam. baby kamala is responsible for some good dance numbers .
[ 13 ] randor guy of the hindu wrote that the concept
had nothing to do with the freedom movement, but it had everything to do with perceptively capturing the spirit of the times, making it a hit
. [ 14 ]
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naam iruvar namakku iruvar ( tamil : நாம் இருவர் நமக்கு இருவர் ) ( english : we two , ours two ) is a 1998 tamil film directed by sundar c. prabhu deva and meena played the leading roles , whilst the film featured an extensive cast , along with a bevy of supporting actors . the film released on 14 january 1998 and became a big success at the box office . the film was loosely based on the 1995 hollywood movie two much . 
naam iruvar namakku iruvar (tamil: நாம் இருவர் நமக்கு இருவர்) (english: we two, ours two) is a 1998 tamil film directed by sundar c. prabhu deva and meena played the leading roles, whilst the film featured an extensive cast, along with a bevy of supporting actors. the film released on 14 january 1998 and became a big success at the box office. the film was loosely based on the 1995 hollywood movie two much.
naam iruvar namakku iruvar (tamil: நாம் இருவர் நமக்கு இருவர்) (english: we two, ours two) is a 1998 tamil film directed by sundar c. prabhu deva and meena played the leading roles, whilst the film featured an extensive cast, along with a bevy of supporting actors. the film released on 14 january 1998 and became a big success at the box office. the film was loosely based on the 1995 hollywood movie two much.