maya memsaab
maya memsaab is based on gustave flaubert' s novel madame bovary... .
watch khud se baatein from maya memsaab featuring shah rukh khan, deepa sahi & farooq sheikh in the lead roles. khud se baatein is sung by lata mangeshkar. film: maya memsaab song: khud se baatein singer: lata mangeshkar for more updates on maya memsaab, click on the links below: urltoken urltoken urltoken
listen free to pt. hridaynath mangeshkar - maya memsaab (original motion picture soundtrack) radio on iheartradio | iheartradio
maya memsaab (hindi: माया मेमसाब, urdu: مایا میم صاحب‎), also known as maya and maya: the enchanting illusion in english) is a 1993 hindi film directed by ketan mehta. the film is based on gustave flaubert' s novel madame bovary .
shah rukh khan made me a promise 20 years ago when he appeared in' maya memsaab' and i intend to hold him to that today .
urltoken like: urltoken check out the romanctic scene of shahrukh khan from his movie maya memsaab. subscribe for more videos. # shahrukhkhan # mayamemsaab # lovescene # romance
deepa sahi plays maya showing the extreme madness of maya' s character with charm. she haunts through out the movie with her natural grace .
“maya” – a hindi word for “illusions”. maya memsaab is a story about illusions that attract a human being. these illusions are pretty attractive for anyone. but when we go close, we find it was all just our own imaginations and expectations. nothing else .
the elephant whisperer and maya memsaab is an amazing story of debu and his incredible connection with the animal, as well as his life - long fascination for the leader of the largest herd of 40 wild elephants in kaziranga, maya. through debu, the film enters the world of maya and the elephant society, and follows them through spring, summer and monsoon .
maya derives her goals in life from the romantic novels she has read. maya lives her life in illusions and dies in the same fictious fashion as she had lived her life .
farooque sheikh plays maya' s husband by fine tuning his screen image of a confused innocent man .
deepa sahi wanders around her palatial house singing to herself while being secretly followed by farooque shaikh. maya memsaab' s soundtrack is composed by pandit hridaynath mangeshkar with lyrics by gulzar. maya memsaab (loosely based on gustave flaubert' s madame bovary) is directed by ketan mehta and stars his wife deepa sahi in the title role, supported by farooque shaikh, raj babbar and shah rukh khan. song name - khud se batein movie - maya memsaab singer - lata mangeshkar composer - pandit hridaynath mangeshkar lyricists - gulzar music label - sony music entertainment india pvt. ltd. © 1993 sony music entertainment india pvt. ltd. subscribe: vevo - urltoken like us: facebook: urltoken follow us: twitter: urltoken g +: urltoken
deepa sahi wanders around her palatial house singing to herself while being secretly followed by farooque shaikh. maya memsaab' s soundtrack is composed by pandit hridaynath mangeshkar with lyrics by gulzar. maya memsaab (loosely based on gustave flaubert' s madame bovary) is directed by ketan mehta and stars his wife deepa sahi in the title role, supported by farooque shaikh, raj babbar and shah rukh khan. song name - o dil banjare movie - maya memsaab singer - lata mangeshkar composer - pandit hridaynath mangeshkar lyricists - gulzar music label - sony music entertainment india pvt. ltd. © 1993 sony music entertainment india pvt. ltd. subscribe: vevo - urltoken like us: facebook: urltoken follow us: twitter: urltoken g +: urltoken
ek haseen nigah ka is ably sung by kumar sanu while farooque shaikh serenades his on screen wife deepa sahi. maya memsaab' s soundtrack is composed by pandit hridaynath mangeshkar with lyrics by gulzar. maya memsaab (loosely based on gustave flaubert' s madame bovary) is directed by ketan mehta and stars his wife deepa sahi in the title role, supported by farooque shaikh, raj babbar and shah rukh khan. song name - ek haseen nigah ka movie - maya memsaab singer - kumar sanu composer - pandit hridaynath mangeshkar lyricists - gulzar music label - sony music entertainment india pvt. ltd. © 1993 sony music entertainment india pvt. ltd. subscribe: vevo - urltoken like us: facebook: urltoken follow us: twitter: urltoken g +: urltoken
here, lata mangeshkhar' s beautiful voice lends itself to the somewhat philosophical lyrics, picturised largely on deepa sahi and shah rukh khan. maya memsaab' s soundtrack is composed by pandit hridaynath mangeshkar with lyrics by gulzar. maya memsaab (loosely based on gustave flaubert' s madame bovary) is directed by ketan mehta and stars his wife deepa sahi in the title role, supported by farooque shaikh, raj babbar and shah rukh khan. song name - ye shahar bada movie - maya memsaab singer - lata mangeshkar composer - pandit hridaynath mangeshkar lyricists - gulzar music label - sony music entertainment india pvt. ltd. © 1993 sony music entertainment india pvt. ltd. subscribe: vevo - urltoken like us: facebook: urltoken follow us: twitter: urltoken g +: urltoken
ashish lakhia, one of the most talented art directors known for his work in mirch masala and maya memsaab, passed away in ahmedabad sunday of multiple organ failure that began with his lung giving way. other complications followed. he was 49. he worked with his mother meera lakhia. his brother aditya lakhia, known for playing kachra in lagaan, [ … ]
beautiful young maya (deepa sahi) has a mind full of dreams and a body full of desires. one day, her father falls down the stairs and breaks his leg. a young country doctor (farooque shaikh) comes to treat him. love blossoms between the gentle doctor and maya and they get married .
the acting is restrained and naturalistic, with maya frequently expressing herself through internal monologues (which are, sadly, often not subtitled .) even the cinematography is different; the entire film is suffused with a pale white light, which bleaches the color out of everything, adding to the languid and dreamlike atmosphere. more surprisingly, maya and lalit have a lengthy sex scene. by western standards, the scene is fairly tame, but it’s quite explicit for an indian film, including a lingering shot of maya’s naked breast as viewed from the side .
casting shahrukh was a remarkable stroke of luck. he wasn’t a big star at the time, and the producers had no way of knowing that he’d rise to become the king of bollywood through just the sort of frothy romances that maya is so enthralled by. it’s certainly not intentional, but his future career ads an extra element to the performance. (and even though his role in maya memsaab is a supporting one, and he’s among the last of the actors to be named in the credits, the dvd box features a huge picture of him, proudly announces “starring shahrukh khan”, and does not mention anyone else in the cast. )
the story is narrated in flashback as a reconstruction of the life of maya. the film ends very tragically when her house is auctioned and she appears to be engulfed by her fantasy life .
as a teenager, sexcapades that questioned the sanctity of marriage weren' t exactly on the top of my parents' list of what they would allow me to watch at home and in the supervised and scarce trips to the cinema hall. so when i finally caught up with maya memsaab, ketan mehta' s colonized interpretation of gustave flaubert' s emma bovary, the pigeon - chested actor who made uninhibited love to the sultry deepa sahi immediately had my attention .
new delhi: i' ll be honest. i have never liked shah rukh khan' s acting. i have never been a fan of the hamming the actor has now nurtured into an art form. my bias should disqualify me from writing a balanced opinion on a man who has evidently lived a dream for 23 years. but khan made me a promise twenty years ago when he appeared in the film maya memsaab and i intend to hold him to that today .
spoiler to anyone who hasn' t seen maya yet well, in the end, i guess maya died because she drank that potion thing. and like the seller guy said ,
anyone who has a bit of evil in their hearts will have unthinkable consequences
. so, it' s a bit magical in a way, i guess. the message? uhmmm, maybe do good? not quite sure of the message myself .
early in the film, a street vendor is hawking assorted mystical potions outside of maya’s house. one of the things he’s selling is an “elixir of wishes”; if someone with a pure heart drinks from it, he will get his wish, but of the heart isn’t pure he will recieve a terrible curse. when the vendor is arrested, the pharmacist takes the elixir, and it’s not too much of a spoiler to say that in the end it’s maya who drinks. the film tries to create a little ambiguity about whether maya’s heart is pure or not; by the end of the film she’s wishing to escape er life entirely, and that’s what she seems to get (though the narrator at the end is a bit unreliable .) still, maya betrays and financially ruins her husband (the only man who truly mourns her death) simply because her life doesn’t measure up to her fantasies .
what sexual awakening was to thousands of teenagers in the optimistic 90s, shah rukh was to indian cinema. he was yet to discover his best camera profile and the scope of his dimples. he has, since then, scaled buildings, detonated bombs and brought roses to his sweetheart at midnight, but his super stardom has taken its bloody toll. he has lost the nerve he once showed in revealing his imperfect body in maya memsaab and reneged on the promise he made to his converts in the 90s to always select good cinema over money .
the only really “filmi” thing about maya memsaab is shahrukh’s performance. as lalit, he displays most of the usual srk quirks, but within the naturalistic world of the film, the effect is quite different. lalit is just as passionate and devoted as the usual srk romantic hero, but with one key difference: lalit doesn’t worry about the ‘proper way” to get what he wants. he doesn’t balk for a second at romancing a married woman, and he’s certainly not the type to put off the conclusion of a romance until he can receive his beloved from the hand of her own father. lalit just wants maya, and he doesn’t care how he gets her. now, this doesn’t make him an evil person, but it certainly doesn’t make him a hero, either; he’s careless, and that makes him dangerous .
as the film opens, maya (deepa sahi) is dead, and her story unfolds in a series of flashbacks as the police interview the various men in her life. maya grew up in a crumbling mansion with only her father and her books for company. when she marries the recently widowed dr. charu das (farooq shaikh), she’s happy at first, but grows steadily more disenchanted when her new life fails to live up to her romantic fantasies; she’s especially disappointed when, after faking her own grisly demise, charu’s first instinct is to phone the police rather than to promptly attempt suicide .
maya (deepa sahj) says she has everything she could possibly want, with a decent but awkward professional man as a husband, and two lovely daughters. however, she is just as attracted to men as they are to her, and she falls into and out of any number of disastrous sexual liaisons. indeed, she eventually cuts such a swath through society that the police are looking for some way to remove her from circulation, and concoct something called
the maya scandal
to permit them to put her away. this tragic melodrama is based on madame bovary by gustave flaubert. ~ clarke fountain, all movie guide .
here in the movie, we see maya making a choice of walking out of her house to fulfill her dreams. she makes changes to her own life which adversely affect her innocent husband. now he is left with nothing else but a bunch of questions for his wife which will be answered only when nature takes him to her .
director ketan mehta, who was involved in the 3d conversion of 1975 film sholay, said revisiting the classic with the new technology was challengingproducer gp sippy’s grandsons approached ketan mehta for the 3d conversion of the amitabh bachchan - dharmendra starrer through his maya digital studios. the film is being released in 3d on january 3, 2014 [ … ]
well, in the end, i guess maya died because she drank that potion thing. and like the seller guy said ,
anyone who has a bit of evil in their hearts will have unthinkable consequences
. so, it' s a bit magical in a way, i guess. the message? uhmmm, maybe do good? not quite sure of the message myself .
subscribe @ urltoken like: urltoken with shahrukh khan' s happy new year coming up lets have a look at the bold side of our very old shahrukh. he has done some mind blowing roles and one of his astonishing roles was that in maya memsahab where he had a lots of raunchy bed scenes with his co actors. check out some of his hot bed scenes with hot then deepa sahi
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a beautiful, wealthy woman’s insatiable appetite for romance leads to tragedy and a police investigation .
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who is this scrawny guy, who wears the sexy nail marks on his back like a badge of honour ?
i remember thinking .
yes, in that way, i have had a falling out with him. while he has moved on, i haven' t .
as a revisionist hero, shah rukh was the spiritual head of the new order he established in the early 90s and sustained for the next 10 years paring competition from two other emerging stars - aamir and salman - both intense and utterly focussed on using the consumerist audiences of the age of liberalization to their advantage .
like an ageing rockstar who remembers the heady aphrodisiac of a stadium full of screaming girls, shah rukh keeps trying to recreate the magnetic hold he had on his audience 10 years ago as a monument to his ego in films such as ra. one. his is a career well lived. he is wealthy beyond all comparison and has established a fan base that few actors can emulate .
my life may seem glamorous from the outside but off screen it' s as ordinary as anyone else' s. i want people to know that movie stars live a normal, middle - class life ,
he told the bbc at the time of releasing the documentaries by filmmaker nasreen muni kabir on his outer and inner worlds .
yet he rarely ever chooses scripts that do not revolve around the central theme of' shah rukh khan'. he rarely ever shares screen space, except in his early years, with some one who is his true competition. in shimit amin' s chak de india shah rukh gave a stellar performance due to the strong ensemble cast and the fact that the focus was evenly shared by a team of good actors .
shah rukh has been told, over and over again, by the men he trusted his career, and by default his life with, he looked cute when he nodded his head a certain way or like a devil - may - care cary grant when his hair was brushed away from his forehead. nobody would ever dispute his contribution to cinema. he is the single most important face a billion people the world over identify indian cinema, its culture and the masculinity and fabulous wealth of its men with. i will not waste your time running you through a laundry list of his films and achievements, his endorsements and the sheer discipline with which he has built himself an empire in mumbai .
i see him as a middle - aged realist with sharp intelligence but too entrapped in his super stardom to realize the message his changing audiences are sending him in his friday outings at the box office. yes, ra. one made money, and so has don 2. but the man on the street, which he himself once was at the time of circus and dil dariya, is losing interest in the hamming, in the lined forehead and the body tortured in the gym to keep the tapering waist even in his middle age .
would you, shah rukh khan, see your own films, if they were showed to you back in 1988 when you valued character - driven performance? how would you rate your acting? i doubt if he would answer those questions .
if they were to put up a statue of him at bandra it would have its arms outstretched and head tilted back - a pose his fans interpret as welcoming both the malice and the love he has received over 20 years. which is not inconsiderable. he is the first hero to give back to his fans as much as he got, welcoming them into his drawing room. if only he knew when to stop .
at the height of his success, shah rukh, with good humour and the shrewd derision he often directed at himself, said he has learnt to live with the burden of his fame. in a candid interview with his friend and filmmaker karan johar, he said he would always be king khan in his mind and amongst the people who love him. the first cracks in the good humour have started to show now .
despite protestations that opinion of film critics do not matter, the stress is showing after repeated thrashing from opinion makers across the board on two of his last films, ra. one and don 2, which were almost his children in the amount of love and attention he had bestowed on them. he had exhausted himself promoting ra. one on a scale that has never happened before and previously thought impossible .
the sulking star is now in the news for slapping filmmaker farah khan' s husband shirish kunder, a lightweight in the pecking order of the industry. he is taken to making potshots at rivals, dressing in drag at major award shows and masquerading a barely concealed jealousy at the success of a hugely successful risque film under the garb of genial humour .
i mean it the kindest way, but it' s time to say goodbye. shah rukh will not be able to keep up with the formidable crowd forming at bollywood' s second rung every day, neither will he be able to accept a character role that is not an ode to his super stardom. for as long as his friends in the industry keep shaping his career he will find a hit or the other. but now is a good a time as any for a dignified exit from playing the romantic hero opposite heroines half his age and choose scripts that will do justice to his talent .
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initially, the excitement of beginning a new life, of redecorating the house and discovering togetherness, gives her a feeling of euphoria. but gradually the monotony of marriage starts setting in. the boredom of a small - town, middle - class existence starts becoming oppressive, and she finds escape in a series of extramarital affairs. at the same time, her craving for a more glamorous life leads her to the fantasies of romance and passion. she seeks refuge in the extravagant, hoping that possessing symbols of luxury will provide her some satisfaction, but it only leads her to duplicity, debt and despair .
even her extramarital relationships, at first platonic, then passionate, end up as pathetically possessive, making her realize that adultery can become as banal as marriage. the more she gets disillusioned with reality, the further she slips into her fantasy world. and she keeps chasing her self - created mirages till her tragic, comic, heroic and magical end .
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because of this disenchantment, she first becomes depressed, and then drifts into adultery, first with thakur rudra pratap singh (raj babbar) and then with lalit (shahrukh khan), nephew of the local pharmacist. all the while, she’s also buying luxuries on credit from lalloji (paresh rawal), not giving a thought as to what will happen when payment becomes due .
lol... luv the pic my friend sent me the link to this
scene
...
this reminds me i must go for away for a few minutes to watch this scene again. i will use the slow play and the zoom! !! ! !
). but i did not quite understand the end and the message that this movie wanted to give the audience .
the very
interesting
scenes with shahrukh apart, did anyone understand the subject of the movie? of course, it was not a typical indian movie and the nude scenes were quite daring (i cannot imagine that shahrukh would do this kind of movie again). but i did not quite understand the end and the message that this movie wanted to give the audience .
i havn' t seen the movie, only these
special scenes
and i don' t know but i don' t think it' s really exciting. it' s not that i' m not used to see him in such scenes (also i think some normal
erotic
scenes suits him better), it' s more that it looks not real .
i' m not sure if i have this impression, because the video wasn' t good or if it is the same way in the movie .
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story: based on gustave flaubert' s'' madame bovary'' .
cast: deepa sahi, farooque sheikh, raj babbar, shah rukh khan, paresh rawal and dr. sreeram lagoo
the cops are investigating a mysterious death. they are asking my husband different types of questions. he is telling them what ever he knows. the cops now go places visiting many people asking them questions regarding the death. everyone tells what they know about the one who is dead. but no one seems to know everything about the dead woman. who is the right person to ask? obviously me. i am the one who knows everything that happened with me. so what are these cops doing asking a bunch of fools who know bits n'' pieces of the story? they are just trying to gather everything they can get and stitch it together to make up a conclusion for themselves .
a thin ductile line that passes between fiction n'' reality. which side of the line do we choose to live in? are we happy with the reality or do we cross the thin line to choose fiction instead? i don'' t know about the others, but i chose fiction for myself .
it rained heavily that very day. it seemed beautiful as never before as the drops of water touched the earth. as usual i was in the world of my romantic novels. just then, something went crashing. to my bewilderment, i found dad painfully sitting on the floor with a broken leg. i lifted him up and helped him to his bed. then i called a doctor. he came in straight from the door into my heart. he had got wet in the rains. he had that cute lill'' not so perfect attitude. but that was what i fall in love with. soon i found a new life waiting for me with open arms. marriage changed everything for me. it gave me a way to accomplish my dreams. nothing has been so beautiful. a house of my own which i can decorate as i want, a loving husband, freedom... .. and beauty; i can feel it as it comes upon me with each passing day. days passed by and these beauty, dreams, house decorations, my husband'' s love all seemed to grow into a casual activity .
where were my dreams to lead my life in fiction? they were still not accomplished and they don'' t even care to get accomplished in a middle class environment. i had to chase them badly. i needed to reach extremities of love, passion, wealth... . i needed it all for myself. i wanted to see men drinking out of my hands. but my husband seems to be a satisfied human being in all respects. no spark ignites the madness that i want to see in my partner. he thinks these are just my fantasies. and if they are fantasies, i want them right here in my life. that'' s it. i thought it all for myself .
one fine day i walked out of my house as if i was never there. don'' t know what my husband must have thought of me then. but then who cares. i had to live my dreams, my passions, my fantasies... .
i wanted to lead a life with all the riches. i wanted to buy love. i wanted sources of money for all these dreams. my journey of fantasies saw many men in n'' out of my life as i wanted them to. but nothing seemed to quench my thirst for my fantasies. i was enjoying the bliss of making men dance on my finger tips. but my affairs soon became as boring as my marriage was. the money i had borrowed too had finished. i had to repay it. but how? everything has come to an end. my house will be auctioned and gone for ever. i tried all my sources to repay the debt, but all men turned out to be bloody hypocrites and cowards. i couldn'' t see a way out .
i returned home. my husband was enthralled to see me back. he kept asking questions. i payed no heed to them. i sat on my chair thinking of where my fantasies had taken me to. then something wierd happened. something magical. very much like my fantasies. as i wanted life to be, it ended in the same way. i drank a magical potion which saw me making my way out of this middle class environment to a world where i still search my life full of fantasies. when will this journey end? when will i conquer all my passions and fantasies? i still wait desperately for the day to come .
it had to happen the day i walked out of my house hunting for my dreams. but nothing won in satisfieing me. the fact being that i didn'' t exactly know what i was chasing. it was just a faint idea to be free. but did i commit a mistake? is chasing one'' s dreams a sin? i did whatever i felt like doing. no boundaries were meant for me. i broke free from all the clutches of my society. i had crossed that line between reality and fiction. but if i had really crossed that line why wasn'' t i able to continue the way i was living? where did this money factor come in between my path? isn'' t money just a part of the fictious life? but the reality is that even my fictious life was based on dirty money itself. so i was just fooling myself thinking that i was living it my way. i was still living in the same reality. fiction was just virtual. it was me who had created this virtual world for myself. with the fact that it was based on real money, reality caught hold of me, as soon as this money was drained in the labour towards completion of my dreams .
i don' t know if i ever crossed the thin line between reality and fiction, but yes, i did cross the thin line of my limits. the limits of every human being which were transparent to me .
the others, raj babbar, shah rukh khan, paresh rawal and dr. sreeram lagoo lend support with their commendable performances .
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a frustrated housewife whose marriage to an average man does not meet her expectations enters into an affair with a younger man. of course, there are no easy escapes from reality .
this film is not currently playing on mubi but 30 other great films are. see what’s now showing
an unsatisfied housewife finds solace in her extra marital relationship with a much younger boy. but things like these come with an expiry date and so did this one .
sorry! none of the critics have had a chance to review this movie yet .
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the crew of this film were busy filming a herd of wild elephants when a young one decided to give them a charge. trapped in their car in between tall elephant grass on either side and a mammoth female elephant blocking the passage ahead, the crew had few options of escape. then, when the female elephant came charging, all on the vehicle froze, fearing the worst .
it was at this moment that debeshwar appeared! the young forester lunged forward from the jeep, one hand holding the vehicle and other outstretched towards the charging elephant .
go, mother, go !
, he urged the elephant .
incredibly, she listened to him and turned away. debeshwar, the smiling forester with a diminutive frame, became' debu' that day .
during the three seasons that the crew spent in india' s kaziranga national park, filming a television series on rhinos, there were at least four occasions when they were attacked by wild elephants (and 6 incidents of rhino charges). on every occasion, debu held them back with the same chant ,
go, mother, go !
. after the first incident, none of the crew feared wild elephants... as long as debu was around !
the ek tha tiger actor has been approached by the veteran filmmaker to play the leading lady in his next biopickatrina kaif seems to be at an enviable space as far as her acting career is concerned. not just item numbers or rs 100 crore films, she is now also being offered roles where she [ … ]
after being loyal to his wife for 20 years, shahrukh khan is reportedly seeing his don 2 co - star priyanka chopra and they are quite an itemshahrukh khan has always maintained a very ‘loyal to my wife’ image in tinseltown, even as he romanced so many beauties on the big screen. seeing pictures of gauri and [ … ]
here’s a treat for the ladies – while it’s always been the women who strip down to bare nothingness in bollywood, the trend changed when b - town hunks like ranbir kapoor and john abraham showed off their assets on the big screen. skin show in bollywood never fails to garner attention, be it male or female. [ … ]
deepa sahi trained from national school of drama and started off with plays. her debut film was govind nihalani’s party ,
farooq sheikh or farooque sheikh (born 25 march 1948) is an indian actor, philanthropist and a popular television presenter .
shah rukh was born on 2 november 1965 in new delhi to meer taj mohammed khan and lateef fatima. his grandmother wanted to
shahrukh khan often credited as shah rukh khan and informally referred to as srk is a famous indian actor. called the
dissatisfied with her life, a married woman embarks on a series of affairs that always end in disaster .
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mujhe khabar thi wo mera nahi | romantic song ft. lata mangeshkar, mona singh (saadgi )
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maya memsaab ( hindi : माया मेमसाब ) , also known as maya and maya : the enchanting illusion in english ) is a 1993 indian hindi film directed by ketan mehta . the film is based on gustave flaubert 's novel madame bovary . maya memsaab won the national film award - special jury award / special mention ( feature film ) in the year 1993 . the rights of this film are now owned by shah rukh khan 's red chillies entertainment . 
maya memsaab (hindi: माया मेमसाब), also known as maya and maya: the enchanting illusion in english) is a 1993 indian hindi film directed by ketan mehta. the film is based on gustave flaubert's novel madame bovary. maya memsaab won the national film award - special jury award / special mention (feature film) in the year 1993. the rights of this film are now owned by shah rukh khan's red chillies entertainment.
maya memsaab (hindi: माया मेमसाब), also known as maya and maya: the enchanting illusion in english) is a 1993 indian hindi film directed by ketan mehta. the film is based on gustave flaubert's novel madame bovary. maya memsaab won the national film award - special jury award / special mention (feature film) in the year 1993. the rights of this film are now owned by shah rukh khan's red chillies entertainment.