anjali patil
founded by anjali patil in canada, aroha fine arts presents kathak dance through spectacular productions .
anjali patil is the only one who didn' t work out ...
: arjun rampal
anjali patil was born on 26 september 1987 in nasik, maharashtra, india. she was born in marathi family and raised in nashik. she is a mother
the film is being produced by dhanush, and interestingly anjali has already worked with him .
national award - winner anjali patil is a charmer. she has a penchant for meaningful cinema, but has let go off it for her next,' kaala'. after all, it’s a rajinikanth film .
anjali patil is a theatre and international film actress who has been critically appreciated and known for her works in chakravyuh, delhi in a day and a srilankan film with you without you. for the sr ...
anjali patil is bold, philosophical and unconventional - just like her films. hailing from mumbai, anjali won a special jury mention at the national film awards in 2013, when she was just 25 years old. her uncompromising performance in the telugu film naa bangaaru talli won her critical acclaim too. anjali is on cloud nine now. after all, it is not every day that an actor gets to work alongside the country' s biggest superstar - rajinikanth. patil has been roped in for rajinikanth' s kaala karikaalan, one of the biggest indian films .
patil have become born inside the marathi drift of household and get along in nashik. patil attended a close - by undue faculty and at latter a part of animate lifestyles 14 enthusiastic to finance appearing as his profession .
anjali patil is an typical actress of dream palace and theater. he has garnered good enough critiques for his what one is in to in delhi on a day, chakravyuh and sri lanka film with you by means of all of out you .
anjali patil was born on 26 september 1987 in nasik, maharashtra, india. she is an international film and theatre actress. she has earned rave reviews for her work in delhi in a day, chakravyuh and sri lankan film with you without you .
patil was born on 26 september 1987 in her hometown of nashik, maharashtra, india, where she was also raised by her marathi parents shubha shinde and sanjay patil. she has one sibling, a brother and was raised in a maharashtrian family .
in an exclusive chat with indiatoday. in, anjali talks about her impressive track record, her forthcoming film kaala and of course, thalaivar rajinikanth .
in 2016 patil finished 2 marathi films, bardo with makarand deshpande and the silence with nagraj manjule as a co - actor .
patil is a very private person and has never divulged any details about her family or personal life in the media. she has never been speculated to be in a relationship with any of her co - stars. a self - proclaimed introvert, patil prefers to be in the company of her books and claims to be an avid reader. when not shooting, patil prefers to travel across the globe .
patil' s alternately opportunity for vibrant films came via the entire of prashant nair hindi - english international truthful movie delhi - in - day .
apart from winning the national award, anjali has also bagged the sri lankan presidential award in march this year. it is said to be the equivalent of their national award .
anjali patil is a film and theatre actress of indian origin who appears in various indian and international films. patil, who is mainly known for her work in the indian hindi film industry (bollywood) has made her mark in the international film industry as well with her work in the sri lankan film industry’s movie ‘oba nathuwa obe ekka’ (with you, without you) in 2012, which earned her a best actress award at the international film festival of india awards, goa. patil is a multi - lingual actress having worked in english, hindi, marathi, tamil, telugu, malayalam, kannada and sinhala movies .
stream & watch back to back full movies only on eros now - urltoken abhay deol learns of anjali patil being arrested by the police & he goes to save her. for mobile downloads click: urltoken to watch more log on to urltoken for all the updates on our movies and more: urltoken urltoken urltoken urltoken urltoken urltoken urltoken
she was debue in bollywood with prakash jha’s 2012 film on issues related to naxalwad, chakravyuh. arjun rampal in the lead role with abhay deol, esha gupta, manoj bajpai and anjali patil in supporting roles. (with you, without you) is a 2012 sinhala language movie was her another international collaboration with acclaimed sri lankan writer - director prasanna vithanage. patil did the dubbing of the movie completely by herself and that makes her the first indian actress to dub in sinhala language .
patil' s first feature film opportunity came with prashant nair' s hindi - english international independent film delhi in a day. patil was critically acclaimed for her portrayal of rohini. the film was premiered in asia at the mumbai film festival on 13 october 2011 and released theatrically in india in august 2012 .
superstar rajinikanth’s next with director pa. ranjith has been officially titled kaala, and it will start rolling from may 28 in mumbai. even while rumours are spreading like wildfire that bollywood’s huma qureshi has been roped in as the leading lady, marathi actress anjali patil has landed a key role in the film. she is popular for her work in independent films such as delhi in a day and the national award - winning telugu drama, naa bangaru thalli. anjali is thrilled to be making her southern debut with the project .
anjali patil is an actress by profession, but has enough on her plate to keep her busy off - sets. she indulges in what she calls ‘ultra - reality’and prefers binge reading from her book collection at her mumbai residence, using public transport to commute, exploring buddhist meditation techniques by flying off to himachal pradesh, travelling extensively and making an occasional documentary .
his companions on that journey into a naxalite - ridden conflict zone where everyone is too afraid or too skeptical to vote are senior policeman atma singh (pankaj tripathi), a local booth level officer malko netam (anjali patil), an official of indifferent health called loknath (raghubir yadav), and a bunch of cops who are on duty to guard them .
anjali patil is a national award winning actress. she is only 4 years old in the movies, but has acted in over 10 films across languages. many have already compared her to the talent of the late smita patil, but she would rather create her own space with time. she loves reading, riding bikes and dreaming about doing things that she believes are impossible. . but there is more to this young talent that what meets the eye. here she is, talking about her journey so far in # makingthecut for long live cinema .
patil studied at a local high school in nashik from where she completed her matriculation and decided to pursue a career in acting at age 14. she convinced her parents to enrol her into university of pune’s centre for performing arts and moved to pune city, maharashtra. patil graduated with a bachelor’s degree in arts in june 2007 and even earned a gold medal of excellence. patil then moved to new delhi to attend national school of drama where she pursued a master’s degree in theater design which paved her path to entering the film industry .
patil affirm to be drastically amazing for her imitation of rohini. the film premiered in asia on the mumbai movie entertain on october thirteen, 2011 and premiered in india in august 2012 .
patil was born in marathi family and raised in nashik. patil attended a local high school and by age 14, she had decided to pursue acting as her career. she persuaded her parents to send her to center for performing arts at university of pune. in june 2007, she earned bachelor' s degree in arts with a gold medal for her excellence. later that year, patil was chosen to pursue masters in theater design at national school of drama in new delhi. national school of drama presented her with many opportunities to work extensively with indian and international film and theater actors and directors .
patil recieved her breakthrough with prakash jha’s 2012 film ‘chakravyuh’ in which she portrayed the character of naxalite leader juhi and received applause for her powerful performance, which led to jha signing her for a three - film deal. patil continued her brilliant performance in the sinhala language film ‘oba nathuwa obe ekk’ which became her first international film directed by acclaimed sri lankan director prasanna vithanage. she dubbed the movie on her own which made the first actress of indian origin to dub in the sinhala language. patil became the youngest actor to received a best actor female silver peacock award at the international film festival of india, goa 2012. she then appeared in marathi language films ‘bardo and ‘the silence’ and played pivotal roles in films like ‘mirzya’ and ‘finding fanny’. patil is set to appear in films like ‘nimmo’, ‘sameer’ and ‘newton’ in late 2017 .
she will be seen in the title role as and in nimmo which is directorial debut of rahul shanklya produced by anand l. rai. patil also finished another hindi film newton along with rajkumar rao slated to release next year .
crucial to their effort is the casting, and the fact that a large part of the film is shot on location in the jungles of chhattisgarh. casting directors romil modi and tejas thakkar found many of their artistes in the very region the story inhabits. this explains why, thankfully, nobody is self - consciously ‘playing poor’ or ‘playing tribal’. of the leads, rajkummar rao, anjali patil and raghubir yadav live up to their track record by delivering immersive performances, with each one lending an endearing touch to the characters they play. (as an aside, it must be said that patil’s deliberately deglamourised styling in each of the films i have seen her in so far has failed to camouflage her great beauty. she is a stunner. )
patil made her silver screen debut with prashant nair’s 2011 independent film ‘delhi in a day’ in which she portrayed the character of rohini and shared screen space with film and theatre veterans like victor banerjee and lillete dubey. despite a stellar star cast, patil managed to own her space in the film and received rave reviews for her work. the film received critical acclaim at the mumbai film festival. around the same time, patil appeared in ‘green bangle’, an international short film which she also produced. the movie was selected as the official entry from india to the wifti (women in film and television international, los angeles) and was screened in 2012 as part of the wifti international showcase across 15 countries and 44 cities .
marathi - born anjali patil shot to the limelight right from her first project delhi in a day, in hindi. she then went on to be part of several award - winning films such as naa bangaru talli and chakravyuh. recently, she was also conferred with the sri lankan presidential award for with you without you. now, the talented actress has bagged the opportunity to star in kaala, which has rajinikanth and huma qureshi in the lead roles. speaking to dc, anjali says, “it is the best southern debut anyone can hope for! when i came to chennai to meet director pa ranjith and his team, i felt that this an ideal group to work with. even though i took some time to decide, i eventually made up my mind on this project elevating me in the film industry. ”
there’s definitely some method anjali follows to get into her roles, but she says sometimes the directors make her unlearn quite a bit. for her sinhala film with you without you, that won her a best actress - award at iffi, goa, she reveals her method was crushed by the director prasanna vithanage .
in 2013, she was starred in the telugu film, na bangaaru talli for which she has received the national film award – special mention. in 2016 patil finished 2 marathi films, bardo with makarand deshpande and the silence with nagraj manjule as a co - actor .
a couple of years ago, anjali, while shooting for naa bangaru talli, was never a talkative person on sets. she stayed so much into the character that she was asked to switch on and off between shots. the transition to reality was a big thing for her then. it’s not the case any more .
she will be seen in the title role as and in “nimmo” which is directorial debut of rahul shanklya produced by anand l. rai. patil also finished another hindi film newton along with rajkumar rao slated to release next year. she plays a vital role in mirzya of rakeysh omprakash mehra releasing this year in october .
in 2010 - 11, patil worked as the lead actress and also a producer on an international short film green bangles. this short film was selected as india’s official entry to wifti (women in film and television international, los angeles) and was eventually selected and screened at the wifti international showcase 2012 in 44 cities in 15 countries .
patil made her film debut with the 2011 independent hindi film ‘delhi in a day’ which earned her rave reviews. she continued to give a stellar performance in her next film, the 2012 hindi language film ‘chakravyuh’ which cemented her place in the industry. her performance in the 2013 telegu language film ‘na bangaaru talli’ earned her a special mention award at the 2013 national film award ceremony .
rathna shekar reddy is an award - winning indian film actor from hyderabad, telangana. he is the co - founder of the theatre group samahaara along with writer - director and wife anjali parvati koda [ 1 ] and an actor in telugu cinema. he starred in the national award - winning telugu film, na bangaaru talli [ 2 ] and films like ishq, virodhi, and gutthi. samahaara is known for organizing the hyderabad theatre festival and their original plays .
she earned bachelor’s degree in arts with a gold medal for her excellence. later that year, patil was chosen to pursue masters in theater design at national school of drama in new delhi. national school of drama presented her with many opportunities to work extensively with indian and international film and theater actors and directors. she plays a vital role in film ‘ mirzya’ of rakeysh omprakash mehra releasing this year in october .
she is first feature film opportunity came with prashant nair’s hindi - english international independent film delhi in a day. she was critically acclaimed for her portrayal of rohini. the film was premiered in asia at the mumbai film festival on 13 october 2011 and released theatrically in india in august 2012. in 2010 - 11, patil worked as the lead actress and also a producer on an international short film green bangles .
her big bollywood break came with prakash jha' s latest film on issues related to naxalwad, chakravyuh this film instantly made her talk of the b - town with praise and appreciation for a powerful performance alongside seasoned actors like om puri, manoj bajpai, abhay deol and arjun rampal. post the rave reviews of her fierce portrayal of naxal leader juhi, patil signed a three - film contract with filmmaker prakash jha .
the film is being produced by dhanush, and interestingly anjali has already worked with him. “we worked together in the hindi film nimmo, which is produced by director anand l rai. it is a happy coincidence to act in his production. when we were shooting for nimmo, i told dhanush about being in talks for pa ranjith’s project — he was surprised, and we were having a good laugh about it! i admire him as an actor and i am extremely happy to be part of the wunderbar family. ”
the actress is also currently shooting for rakeysh omprakash mehra’s mere pyare prime minister. “hectic weeks are ahead as i will simultaneously shoot for both the projects. it’s really a significant character in the film and a role that i’m looking forward to, ” she adds. talking about her sri lankan presidential award win, anjali proudly asserts, “it is a great feeling to get recognised for your work. it is like india’s national award in sri lanka. i am in a great space and looking forward to start working in kaala. ”
anjali’s next film mirzya directed by rakeysh om prakash mehra, was special for the semi - periodic space that the film is set in. “you’re not in a zone to understand / connect to those times because of the people and the world you’re surrounded by, especially when it comes to selfless love. those weren’t times when people had options like us. my character, in spite of that, is quite contemporary in terms of ideals, ” the girl, who won a national award for her part in rajesh touchriver’s naa bangaru talli, states .
oba nathuwa obe ekka (with you, without you) (2012) was her another international collaboration with acclaimed sri lankan writer - director prasanna vithanage. patil did the dubbing of the movie completely by herself and that makes her the first indian actress to dub in sinhala language. her stellar performance won her silver peacock award for best actor female at international film festival of india in goa in november 2012. she is one of the youngest actors to receive this award .
interestingly, anjali has already worked with dhanush, who is bankrolling kaala. “we worked together in the hindi film nimmo, which is produced by director anand l rai. it is a happy coincidence to act in his production. when we were shooting for nimmo, i told dhanush about being in talks for pa ranjith’s project — he was surprised, and were having a good laugh about it! i admire him as an actor and i am extremely happy to be part of the wunderbar family. ” nimmo, directed by rahul shanklya, will release this year. dhanush plays a cameo in this film .
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the nominations for colors screen awards 2012 / 2013 are out. anurag basu’s barfi has received the most number of nominations, followed by english vinglish and vicky donor .
surprisingly, the very best (and most deservingly) films of the year have received the best film nominations. popular films like agneepath, rowdy rathore, jab tak hai jaan, dabangg 2, talaash and ek tha tiger have not been nominated. probably the first time in a long time, a. r. rahman hasn’t been nominated in the best music category .
1) the best choreography should also have included “aga bai” from aiyya. it was one of the best dances seen .
2) wondering how there is no nomination for housefull 2 under comic section? it was the funniest movies of 2012 .
3) best debut female doesn’t contain pam from hate story? ? she acted well in it, better than other nominations .
their fans say sallu biggest award is the no. of footfalls & bo collections… then why does sallu bhai attend these awards and dance if he isnt interested in awards. .? and why sallu fans wait / watch these awards more passionately than other fans if they know sallu’s not gonna get any of them. . ?
aamir khan doesn’t believe in award shows because he feels that award shows are biased. salman khan will attend the award show and he will perform there however, he doesn’t accept awards because he too feels award shows are unfair. and the fact that akshay, ajay and paresh rawal not nominated for best actor (lead) makes this award show ridiculous. i am sure best actor award will go to srk or ranbir because those awards are already bought .
@ mohammed i wonder what srk doesn’t buy, dis implies he’s d richest man in d world / universe since he buys everything because i’m sure this position & awards are damn well very expensive .
oh please, grow up. this is way too pathetic. no need 2 b jealous. just be happy 4 him or just simply ignore him. don’t kill urself over every breath dat he takes. u dont like him, why bother .
@ rj yes, eveb salman, aamir, akshay and ajay can buy those little awards but they will not lower their standards to srk’s level. your ego won’t allow you to admit that salman khan is the current king of bollywood and box office king. he has a lot of money and he will use his money for charity and not those awards. salman attends award shows only to have fun and meet his friends and he doesn’t take these shows seriously .
@ rj…. wat u said is 100% correct…. sallu, akki fans know they will never win an award for crap masala movies…and so make crap excuses when others win…especially if srk wins one! !
@ nakul well, i am not jealous of him but you srk fans are jealous of us salman fans. you say salman is a south indian copy cat, cheap hero who plays cheap action movies etc blah blah blah crap and you guys don’t have any valid point to back it up. you guys are jealous of his position and by the way, salman has given more blockbusters than any other heroes .
@ outlander another srk fan with same lame argument. well, srk’s movies haven’t even shattered salman’s non holiday movie (ready) are you serious? srk can never do roles such as chulbul pandey, radhe, prem (hahk) what’s wrong with masala movies? is it written in our constitution that making masala movies is ilegal huh ?
srk is the only superstar who chats wid fans regularly unlike others who use twitter as publicity platform, still people call him the most egoistic person .
award number 1. he is totally ignored because he has highest number of flops (around 50 - 51 films) …. .
award number 2. salu has 36 flop films with budget less than 30 cr .
award number 4. he has zero best actor awards. waiting for award from rediff. ha ha ha…. . number 1 star…. not having single awards…big joke. . he will not retire until he gets one
for me omg was the best movie of 2012 but is not nominated at all, ranbir is sure to win the best actor award. for all salman haters, just remember this: rajni kanth, salman khan & aamir khan are way above & beyond these cheap valueless awards (except the national awards) and their biggest awards & rewards are their fans love & appreciation, they simply dont care about these cheap ‘fixed & buy - able’ awards. salman himself said in an interview that he is not the most perfect actor and nor does he aspires to be one, all he wants is his fans love, appreciation and acclaim and wants to entertain them as long as possible. these cheap awards are for “award - hungry” & “award - at - any - cost” type of lesser mortals like mr. srk (the greatest actor ever because he has won more ‘awards’ than any other actor? ?? ?? ?). even if salman wins any critics award for his outstanding performance in d2, his fans will not take it seriously as they very well know that ranbir or hrithik are the more worthy contenders but srk fans can never acknowledge the fact that srk doesnt deserve any award this year nor some of his earlier awards .
hrithik, ranvir, priyanka, vidya sridevi dserv the best actor awrdz…. bst music should be vishal shekhar for soty…sonu nigam shld b nominated for abhi mujhme kahin…. agneepath shld be nominated in bst movies list…. .
big b is diljit' s new' admirer.' he' couldn' t have asked for more'
sanjay dutt responded to his best friend paresh ghelani' s post and said :
love you lots .
there remains some controversy over whether the character she' s playing identified as transgender. here' s what scarlett johansson' s said about the issue
neha kakkar willing to' take up acting.' but, there' s a condition
after a 4 - year long gap in announcing the erstwhile andhra pradesh’s nandi awards of 2012 and 2013, the list of winners for both the years was finally revealed and several tollywood stars are recalling their hits to celebrate their victory .
the nandi awards for 2012 and 2013 could not be finalised because of the extremely volatile situation in the undivided state in the light of the political uncertainty caused by telangana statehood movement .
in the list of 2012 winners, the national award - winning film eega won the best film award. the film’s cast and crew also bagged 8 other awards in various categories .
complete list of 2012 nandi award winners. congratulations to everyone. # nandiawards2012 urltoken
while rajamouli won best director for eega, popular music composer m m keeravani won best music director for rendering scores for the film. kannada actor sudeep, who played the antagonist in the film, bagged an award for best villain. from the technical department, senthil kumar and kotagiri venkateswara rao won awards for best cinematographer and best editor for the film respectively .
the year also saw nani and samantha ruth prabhu winning best actor and best actress for their blockbuster film yeto vellipoindi manasu (ymv). music maestro ilayaraja also shared the award for best music director for his tunes in ymv. he shared it with keeravani for eega .
in the list of winners for 2013, koratala siva and prabhas’ mirchi bagged the award for being the best film. while koratala siva won best debut director for the film, prabhas went on to take the award for best actor for mirchi .
complete nandi award winners list of 2013. congratulations to everyone. # nandiawards2013 urltoken
veteran actor prakash raj won best supporting actor for seetamma vakitlo sirimalle chettu. the film also won an award for siri vennela seetharama sastry for being the best lyricist .
meanwhile, trivikram and pawan kalyan ’s hit film attarintiki daaredi also won an award for best dialogue writer. devi sri prasad won for best music director and nadiya as best supporting actress for the film .
neil nitin mukesh thanks his saaho co - star prabhas for being a ‘darling’. here’s why
krishna vamsi the author is a new media journalist who is currently tracking # tolly... read more
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in a tête - à - tête with pune times, the actress, better known for portraying a naxal leader in chakravyuh, explains why she chose the rajinikanth film and opens up about the time she thought she had gone crazy. excerpts :
well, it took a few trips to chennai for this to happen. my sri lankan film' oba nathuwa oba ekka' (with you without you) had a limited release in chennai and some people managed to watch it before it got banned there. so i got called for a meeting with
( director of' kaala' and' kabali'). we hit it off and bonded big time. also, it’s a rajinikanth film. why say no when you have the opportunity to experience something grand like this ?
“larger than life” is an understatement while describing a rajinikanth film. was there a feeling of being overshadowed in this film ?
not at all! in fact, if you see the director’s earlier films, each role is balanced. rajinikanth will be the focus of the film but that doesn’t mean other actors won’t get their due .
after mirziya, you are teaming up with rakeysh omprakash mehra again. tell us more .
rakeysh sir and i wanted to collaborate on something else, and we are doing so on mere pyare prime minister, which is about a boy who wants to build a toilet for his mother. i play a single mother in the film .
', was released online recently. do you think the opening up of online spaces for film releases has come as a boon for many filmmakers ?
i have come to believe that as long as a film is reaching viewers, the purpose of making it is achieved. mrs scooter was stuck due to some reasons but now it will be there for people to see. even delhi in a day got people’s attention when it released online. so it’s a good thing, irrespective of the fact that only a certain number of people watch films online. anyway, i have never cared about mass audiences as much as i have about a film reaching people .
besides hindi and tamil films, you have two marathi projects lined up too. it’s a busy year for you .
will hopefully release too. in' bardo', i share the screen with
while' silence' has me paired opposite nagraj manjule. both are exciting projects .
you’ve said before that you are at peace in the mountains and big gatherings with lots of people scare you. with so much work this year, how are you going to make up for the lost time in the mountains ?
( laughs) i had started having hallucinations about being in the mountains. one day i woke up and thought there was snow in my room. at one point i thought i would go crazy due to my longing for the mountains. i am in a happy space now but the yearning for the hills remains. the moment i have time, i will escape .
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speaking to deccan chronicle, she said, “when i came to chennai to meet director ranjith and his team, i felt that this is an ideal group to work with. even though i took some time to decide, i eventually made up my mind on this project elevating me in the film industry. ”
the project is also rumoured to star actor - filmmaker samuthirakani in a pivotal role apart from sakshi aggarwal and others. the film also marks the first - time collaboration of national award - winning editor sreekar prasad and rajinikanth .
chakravyuh is the story of two best friends: adil and kabir. adil khan, a highly decorated police officer is posted to nandighat, after a horrifying massacre of 84 policemen. within days, he discovers that the maoists, lead by the ruthless and charismatic rajan, effectively control the area. they are able to swiftly thwart adil' s most determined efforts. despite holding a position of enormous power as the sp of nandighat, adil has never felt so helpless in his career. but then, into his life, re - enters kabir! rootless, aimless, the quintessential rolling stone. . his only anchor in life has always been his friendship with and his loyalty for adil. the maverick proposes an outrageous plan: he will infiltrate rajan' s group, and be adil' s informer. and, together they will smash the maoist organization in nandighat. in spite sure enough, kabir gets in and craftily wins their confidence, as only he can. he secretly begins informing adil, who starts attacking the maoists with great success. an enormous cache of arms raided, two top national leaders and 63 activists killed at an arms - training camp... and, rajan himself captured! within weeks, adil - kabir turns the game, pushing the maoists on to the backfoot. but, kabir also begins discovering a different reality. the abject helplessness of the rural poor brutally displaced in the name of development, the fruits of which never reach them. their land, their forest, their water snatched by their own government to allow big business to exploit the area and its people further. as the poverty and desperation rise, so does a cry of anger. . giving birth to the naxalite who believes the only way to counter this is with a gun! kabir also can' t help getting close to the activists; begins identifying with them. rajan, babu, venu. . and juhi. a dedicated revolutionary with a tender heart, who has seen pain like none other. she begins to fall in love with kabir. the confusion in kabir' s heart intensifies dangerously until he is on the horns of a ghastly dilemma. who does he support now? who does he fight? he finds himself in a chakravyuh from which there is no retreat now. and yet, before kabir can make one last desperate attempt to resolve this with adil, events hurtle him into making choices that would put him at war with him. a war that would change the future of the region. a war that can only end when one of them destroys the other. of his apprehensions, adil agrees .
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the marathi actress plays a significant role in pa ranjith’s next starring superstar rajinikanth .
reportedly, rajini’s character in the film is that of a protector and destroyer. kaala means yaman (destroyer) and rajinikanth is expected to fight for the oppressed community in mumbai .
“do you know what your problem is? ” a veteran election instructor asks a newbie .
“no, ” says the older gentleman, “your problem is your pride in your honesty. ”
his point is pretty straightforward, as he continues: don’t get so hung up on how clean you are, just do your work one step at a time, one day at a time, and in time the country will take care of itself. read: do not let your ego cause you to obsess to such an extent about your giant role in the big picture, that you forget the old dictum about little drops making the ocean .
the elderly character played by sanjay mishra does not appear in the film beyond this conversation he has with the protagonist, but his words put in a nutshell the premise of newton. writer - director amit v. masurkar’s sophomore venture is the story of a rookie sarkari afsar determined to conduct a free and fair election in a remote, forested chattisgarh polling station to which he has been assigned as presiding officer. newton kumar (rajkummar rao) is a portrait in youthful earnestness. he is inexperienced and innocent enough – some may say naïve – to be startled at the opposition to his efforts by those within the establishment .
what you see in this mix are a conscientious soul, a corrupt cynic, a woman doing her job while being resigned to her people’s fate, an old man resigned to the harshness of a reality he does little to change and a satellite group flowing with the tide. it takes all kinds to make the world, it takes just one you, me or newton to be the change we want to see in that world .
hindi cinema has for long more or less ignored the existence of scheduled castes and scheduled tribes in our society, with most films being centred around upper - caste, north indian, hindu men. stories of dalits and women have usually been told by art filmmakers, and that too in weepie form. when dalits have appeared in mainstream ventures, they have usually been supporting players and victims with no agency, uplifted by kind brahmin and kshatriya men. in the matter of caste representation, southern indian cinema – though far from perfect – is head and shoulders above the north, with dr biju’s thoughtful malayalam film kaadu pookunna neram just this year taking us deep into tribal territory. marathi cinema too scores high on this front with recent years bringing us the offbeat genius of chaitanya tamhane’s court (2015) and nagraj manjule’s commercially conventional yet thematically groundbreaking sairat (2016) .
masurkar razes multiple hindi film clichés to the ground in newton by resorting to low - key black comedy to tell a tale of adivasis being pulled in different directions by the police and naxalites on election day, by making an adivasi – that too a woman – one of the agents of change in the film, and by conceiving newton as a man of indeterminate caste, even if clearly not an adivasi himself .
newton ’s story has been credited to masurkar, the screenplay and dialogues to him and mayank tewari. together, they have managed to keep their tone light throughout, while never once making light of the unnerving situations before us .
to be a scene - stealer in an assembly of such immense talent seems impossible, yet somehow pankaj tripathi achieves that. this is an artiste who values our time and makes every second, every flicker of an eyelash count. nowhere is this more in evidence than in the scene in which atma singh is first introduced to newton kumar. by then, the latter’s name has already been a butt of many jokes. atma does not offer a wisecrack, but with an expression so fleeting that you might miss it if you blink an eye at that moment, he wordlessly lets us – and newton – know that he has noticed, he is taken aback and amused, but he does not care enough to do anything more. now that he has delivered back to back brilliance in anaarkali of aarah, gurgaon, bareilly ki barfi and newton, it can be safely said that 2017 is turning out to be the year of the tripathi .
good camerawork and editing are an inextricable part of every good performance – this fact is exemplified by a scene in which atma sits primly, wearing a floppy hat, and across a large vacant plot of land, observes newton who stands at the door of the polling station. atma’s posture, evident even in an extreme long shot where his face is a blur, atma’s tininess in newton’s eyes from that distance, and the pace of the cuts going back and forth between them had the combined effect of causing me to giggle, despite the awareness that newton is disheartened at that point. a salaam here and for the flow of the rest of the narrative to cinematographer swapnil s. sonawane and editor shweta venkat mathew .
masurkar made his directorial debut with the laugh - so - much - that - you - might - die sulemani keeda in 2014, which sadly did not get the public attention it deserved. with his second film, it is clear that intelligently used humour is his weapon of choice, irrespective of the battle at hand. it is not often that an indian filmmaker takes to comedy in a setting this dismal – masurkar and his co - writer do, without being condescending or trivialising the almost depressing circumstances it chronicles in lands far beyond the india most of us are exposed to .
there is so much that newton alludes to – the exploitation of tribals by politicians, the ignorance of ‘mainstream’ society, the constraints faced by honest government servants, the apathy or corruption that these constraints trigger even in those not naturally inclined to evil, language politics (i challenge anyone who claims that hindi is the language of north india as a whole, to decipher the smattering of gondi dialogues in the film without the help of a translator), the dubious efficacy of all violence (including violence that claims to have noble goals). yet the film is not a phd thesis nor is it all bleak. with his emphasis on the almost darwinian significance of the lone soldier in human civilisation, masurkar snatches optimism from the jaws of pessimism .
this is a film designed to give us hope that might even be deemed ridiculously in the face of the challenges before india’s many newtons. one theory is that hope is a compulsion, a choice some of us make to maintain our sanity; the other is that human history bears witness to the value of being that drop in the ocean. in the words of a song from this film (music: naren chandavarkar and benedict taylor, lyrics: varun grover): “ manzil door thhi / dheemi chaal thhi / udti dhool mein / aankhen laal thhi / chalte chalte khud rasta mudh gaya / tujhko dekh ke panchhi udh gaya. ” (the road was long, your pace slow, your eyes reddening with the flying dust. as you walked, the path turned, and at the sight of you, the bird took flight. )
newton ’s music wafts so gently in and out of the narrative, that you almost do not notice when it is not there. when it is though, it makes its presence felt without rubbing itself in our faces .
newton was premiered early this year at the berlin film festival where it won a top award. the cleverness of masurkar’s film is that it is designed to appeal to audiences beyond the already converted and beyond the artistically inclined fest circuit .
it takes us to a region rarely explored by bollywood, and to a scenario so bizarre that as viewers we are left with just three options: laugh, cry or be furious. option 4: all the above combined .
if you do watch this film, i strongly suggest that you stay till the very last credit has rolled off the screen. you do not want to deprive yourself of the pleasure of listening to the closing song kar, in which lyricist irshad kamil writes: “… paas pados mein kya banta hai / kya hai masala kya hai tel / tune isse kya lena hai? / raajneeti ki shop hai, mitron / sabhi emotion hote sale / border pe apni sena hai / tu twitter pe chhod missile / subah baitth aur shaam kar / dil bola / dil bola / dil bola apna kaam kar / chal tu apna kaam kar. ” (roughly: why bother with what’s cooking in the neighbour’s house? in the business of politics, my friend, every emotion is for sale. our army is on the border, but you launch missiles day and night on twitter. still, my heart says, focus on your job. come, play your part. )
mitron, the world will take care of itself, as long as you do your bit .
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early - life health shapes cognitive skills and human capital. in india, widespread open defecation without using a toilet is an important source of childhood disease. we study the effects on childhood cognitive achievement of early - life exposure to india’s total sanitation campaign (tsc), a large government program that encouraged local governments to build latrines and promote their use. we find that the tsc caused six - year - olds exposed to it in their first year of life to be more likely to recognize letters and simple numbers. our results suggest that open defecation is an important threat to human capital in india .
“impacts of school sanitation on student outcomes in india: evidence from a school - latrine construction initiative. ”
“summary of the scientific evidence on the nature and determinants of child development and their implications for programmatic interventions with young children. ”
“hygiene and health: an evaluation of the total sanitation campaign in maharashtra. ”
“why is mobility in india so low? social insurance, inequality, and growth. ”
“drought of opportunities: contemporaneous and long term impacts of rainfall shocks on human capital. ”
“effects of rural sanitation on infant mortality and human capital: evidence from a local governance incentive in india. ”
“feeling the pulse: a study of the total sanitation campaign in five states. ”
“public health investments and the infant mortality gap: evidence from federal sanitation interventions on u. s. indian reservations”
she plays a pivotal role in mirzya of rakeysh omprakash mehra releasing this year in october .
she also worked in her upcoming feature film mrs. scooter as a lead actress.
anjali patil ( born 26 september 1987 ) is an international film and theatre actress . she has earned rave reviews for her work in delhi in a day , chakravyuh and sri lankan film with you without you . she received the silver peacock award for best actress at international film festival of india in goa in november 2012 for her role in the sri lankan film with you without you . in 2013 , she was starred in the telugu film , na bangaaru talli for which she has received the national film award – special mention , and the state nandi award for best actress . 
anjali patil (born 26 september 1987) is an international film and theatre actress. she has earned rave reviews for her work in delhi in a day, chakravyuh and sri lankan film with you without you. she received the silver peacock award for best actress at international film festival of india in goa in november 2012 for her role in the sri lankan film with you without you. in 2013, she was starred in the telugu film, na bangaaru talli for which she has received the national film award – special mention, and the state nandi award for best actress.
anjali patil (born 26 september 1987) is an international film and theatre actress. she has earned rave reviews for her work in delhi in a day, chakravyuh and sri lankan film with you without you. she received the silver peacock award for best actress at international film festival of india in goa in november 2012 for her role in the sri lankan film with you without you. in 2013, she was starred in the telugu film, na bangaaru talli for which she has received the national film award – special mention, and the state nandi award for best actress.