do not go gentle
dylan thomas - do not go gentle into that good night - poetry lecture by dr. andrew barker
3 of the final episodes are called
we' re so screwed
. they don' t go gentle, they go awesomely .
made combining audio from the scene ,
do not go gentle into that good night
and
no time for caution
from the ost. do not go gentle into that good night, old age should burn and rave at close of day; rage, rage against the dying of the light. though wise men at their end know dark is right, because their words had forked no lightning they do not go gentle into that good night. rage, rage against the dying of the light .
we will not go quietly into the night, we will not vanish without a fight ...
to not go gently in her last speech rather than the other way around .
the multiplayer game zombie overrun in red dead redemption is do not go gentle the game! you are told that you are going to die and instructed to take as many zombies as you can with you .
and you, my father, there on the sad height, curse, bless me now with your fierce tears, i pray. do not go gentle into that good night. rage, rage against the dying of the light .
urltoken a reading of
do not go gentle into that good night
by dylan thomas. the poem in full: do not go gentle into that good night, old age should burn and rave at close of day; rage, rage against the dying of the light. though wise men at their end know dark is right, because their words had forked no lightning they do not go gentle into that good night. good men, the last wave by, crying how bright their frail deeds might have danced in a green bay, rage, rage against the dying of the light. wild men who caught and sang the sun in flight, and learn, too late, they grieved it on its way, do not go gentle into that good night. grave men, near death, who see with blinding sight blind eyes could blaze like meteors and be gay, rage, rage against the dying of the light. and you, my father, there on that sad height, curse, bless, me now with your fierce tears, i pray. do not go gentle into that good night. rage, rage against the dying of the light .
do not go gentle into that good night, old age should burn and rave at close of day; rage, rage against the dying of the light. though wise men at their end know dark is right, because their words had forked no lightning they do not go gentle into that good night. good men, the last wave by, crying how bright their frail deeds might have danced in a green bay, rage, rage against the dying of the light. wild men who caught and sang the sun in flight, and learn, too late, they grieved it on its way, do not go gentle into that good night. grave men, near death, who see with blinding sight blind eyes could blaze like meteors and be gay, rage, rage against the dying of the light. and you, my father, there on the sad height, curse, bless, me now with your fierce tears, i pray. do not go gentle into that good night. rage, rage against the dying of the light .
“do not go gentle into that good night” remains, indeed, thomas’s best known and most beloved poem, as well as his most redemptive — both in its universal message and in the particular circumstances of how it came to be in the context of thomas’s life .
i’ve been having imaginary conversations with bert about the cubs and chicago. i hear his voice. the dead whisper to us, they console us, they admonish us. love more, love better. do not — dylan thomas again — go gentle into that good night .
in gears of war 2, an achievement included with the dark corners map pack is
did not go gentle
. the rest of the quote is implied due to the map related to the achievement being set at night .
. nonetheless, the final level of the game shows that the second - to - last spartan definitely did not go gently .
kakine teitoku tells accelerator and shizuri mugino that their struggle is pointless, because they will go to hell no matter what they do. mugino says maybe that' s true, but if it is, they might as well kick some ass before they go .
at the height of his radio celebrity, thomas began working on “do not go gentle into that good night. ” perhaps because his broadcasting experience had attuned his inner ear to his outer ear and instilled in him an even keener sense of the rhythmic sonority of the spoken word, he wrote a poem tenfold more powerful when channeled through the human voice than when read in the contemplative silence of the mind’s eye .
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and then there' s the entire final act of the game, and also the entire series. there' s really not much the recruits on the missouri can do against
a textbook example of how to do it right can be found at the end of legend by david gemmell .
the notion of not giving in to despair, in the face of death or other hopeless situations and keeping up the fight with all one has left until death finally stakes his claim. a common phrase for this trope is to
go out with a bang
, or
go out in a blaze of glory
. death need not be an absolute certainty, but may be seen as inevitable .
one of, if not the best dramas aroundñtouches the heart and humors the soul .
for the others (like sinclair) to escape. sinclair tries to stop garibaldi, but he shouts
jeff, it' s okay, i finally understand. this is the moment i was born for. now go. go !
massive stars go this way. first ballooning up into a red giant and then blowing up as supernova or planetary nebula .
“poetry can break open locked chambers of possibility, restore numbed zones to feeling, recharge desire, ” adrienne rich wrote in contemplating what poetry does. “insofar as poetry has a social function it is to awaken sleepers by other means than shock, ” denise levertov asserted in her piercing statement on poetics. few poems furnish such a wakeful breaking open of possibility more powerfully than “do not go gentle into that good night” — a rapturous ode to the unassailable tenacity of the human spirit by the welsh poet dylan thomas (october 27, 1914–november 9, 1953) .
in pacific rim, the kaiju and their creators were not expecting humanity to fight back as hard as they do against extinction. special mention also has to go to the hansens who, when they have a disabled jaegar and no other options, start telling leatherback to
come get some
and fire flares that are about as effective as spiteful spit instead of giving up .
in season 2, sheridan insists kosh teach him how to fight the shadows so he can one day take the fight to them. kosh warns ,
if you go to z' ha' dum, you will die .
but sheridan invokes the trope and stands firm ,
then i die, but i will not go down easily and i will not go down alone .
fast - forward to the final episode of season 3. he' s on the shadow' s homeworld and, having run out of room for negotiation, proves he' s ready to keep the promise he made to kosh .
bakuda similarly maintains has rigged bombs to do much the same in the event of her death, though on a smaller scale than bonesaw .
a running theme throughout the stone angel, by margaret laurence. the main character, hagar shipley, is over ninety and dying, but she' s not prepared to go just yet. sections of the trope namer poem are quoted in the text .
they not only live, they managed to wipe out the entire gang between them denying kousonsan any chance of glory .
rotti: it seems the man who cured the globe can' t stop his own extinction. but i can still go out with a bang !
has this moment during the climax, as the heroes see how vastly outnumbered they are by thanos' forces, but decide to go down fighting .
aged high lord cereus is not a fighter like gaius or kalarus. he loves his family deeply, though. and when
the grand finale of angel. angel and the rest of his crew decide to assassinate the circle of the black thorn and, at least temporarily, sever the senior partners' connections on earth, and not one of them expect to survive the partners' inevitable retribution. of course, as revealed in the canonical comic continuations, they not only survive, but go on to fight another day .
dylan thomas is that rare thing, a poet who has it in him to allow us, particularly those of us who are coming to poetry for the first time, to believe that poetry might not only be vital in itself but also of some value to us in our day - to - day lives. it’s no accident, surely, that dylan thomas’s “do not go gentle into that good night” is a poem which is read at two out of every three funerals. we respond to the sense in that poem, as in so many others, that the verse engine is so turbocharged and the fuel of such high octane that there’s a distinct likelihood of the equivalent of vertical liftoff. dylan thomas’s poems allow us to believe that we may be transported, and that belief is itself transporting .
central to trillion god of destruction. challenging the eponymous big bad is a suicide mission in the truest sense; victory is impossible, all each overlord can do is hope to do enough damage that one of her successors might succeed. a big part of zeabolos' character arc is trying not to crack under the strain of deciding which of his nearest and dearest to send to their death next, with no time to mourn in between .
master of ceremonies: the half a dozen little craft went forth against the might power of the divine order. not really believing that they would win, for the prophecy had told them that they would not, but knowing that they would die well !
, acknowledges before her last stand that it is probably her and her species' fate to lose to the humans but refuses to go down without a fight .
ah, fathers, they wait so long before they let down their guard with their sons. when they do the power and poignancy of it is overwhelming .
when thomas died at noon on november 9, it fell on new directions founder james laughlin to identify the poet’s body at the morgue. just a few weeks later, new directions published the collected poems of dylan thomas (public library), containing the work thomas himself had considered most representative of his voice as a poet and, now, of his legacy — a legacy that has continued to influence generations of writers, artists, and creative mavericks: bob dylan changed his last name from zimmerman in an homage to the poet, the beatles drew his likeness onto the cover of sgt. pepper’s lonely hearts club band, and christopher nolan made “do not go gentle into that good night” a narrative centerpiece of his film interstellar .
yinsen: is that how you want to go out? is this the last act of defiance of the great tony stark! ? or are you going to do something about -? tony stark: - why should i do anything? they' re gonna kill me, you... either way, if they don' t, i' ll probably be dead in a week. yinsen: well then... this is a very important week for you, isn' t it ?
daniel jackson :
i mean, all they wanted to do was live a little longer. we' re no different. sequence dna. cure diseases. one fatal mistake, and they doom their entire race. i guess no matter what you do, at the end of the day... life is too short .
has alistair wishing to do this by killing the archdemon as his first and final act as king of ferelden so he could be remembered as one of the good ones .
if i was to die, i was not going to go out in a gibbering heap of terror. if i was to die, it wouldn' t happen because i was half crippled with fear and sight trauma. if i was to die, it was going to be a bloody and spectacular mess .
, the villainous high lord kalarus, an archmage in strength, is bedridden after suffering a devastating and crippling injury in the last book. he knows his war against the other lords and first lord gaius sextus will eventually lead to his defeat, so he crafts one final insane gambit to not go gently. he
apollyon (addressing a group of iron legion soldiers who had surrendered to her): do you know what kind of creature waits for its own slaughter? sheep. sheep .
it is believed, but not fully known, that merlin, the original myrddin emrys, followed this idea when it was finally his time .
, archer napoleon bonaparte refuses to kneel before a stronger enemy servant, and maintains that it would be unfitting of a heroic spirit to do anything less than meet his death standing .
in portal 2, one of the pre - recorded messages of cave johnson, deathly ill and bankrupt at that point in his life, is a rant about what you do when life gives you lemons. you don' t go making lemonade. you make life take lemons back. you get mad. you burn life' s house down. with the lemons .
preston in equilibrium, after learning revolution was a trick of the authority to trap him, decides not to give in easily, and manages to win .
in defiance, in an offscreen moment of awesome, vorador is captured by moebius and his mercenary army, but not without
a considerable price in blood .
gavrilo princip personally accepted the mission to assassinate archduke franz ferdinand because he was dying of tuberculosis and wanted to do something significant while he was still alive. by all accounts, he succeeded at his goal .
in a way big boss and zero also count, as their entire lives works were based on their anger about soldiers being considered disposable and they would not have that .
: no. wait, did anyone think that? because i was thinking this was more us trying to decide what the hell we need to do before we throw ourselves into one final, suicidally reckless attack .
queen of shadows: during the battle of awaji, gurando tells his soldiers that yes, most of them will probably die, but they will go down fighting and serve as an inspiration for the rest of humanity .
the last samurai. algren persuades katsumoto to go down fighting instead of committing seppuku or bowing down to omura and the forces of corporate japan and fading into obscurity. what ensues is the last flowering of the samurai .
buliwyf from the thirteenth warrior is poisoned and so fatally sick that he can hardly stand, but when the battle starts he' s there with his sword and his dog because that' s just how vikings do it .
imagine this: your team is down by an unbelievable number of points and there are only a few minutes left in the game. you' ve pretty much decided that you' re going to head out there, stand around for a bit, and let it end as quickly as possible so that you can just go home. but then your coach pulls you aside and gives you a pep talk. you need to finish strong! even if you can' t win, go out there and put up a fight. put your heart and soul into it! even if you' re on the verge of losing, you still need to play your hardest, because that' s what great athletes do! sound familiar? well ,
do not go gentle into that good night
is like that inspirational coach' s speech. in just the way that a coach encourages athletes to keep playing their hardest even when a loss is certain, the speaker of this poem encourages his father to fight the inevitability of death. sure, the father has grown old and frail. sure, he' s definitely going to die. but that doesn' t mean he should let himself fade away. the speaker wants him to wage a war against death, using all his strength and power as long as he can, even when things are completely hopeless. so, if you' ve ever given your best when you knew it was useless, or you' ve known someone who has, or if you are disturbed and frustrated by the way that death comes to everyone – then, yes, this poem is for you .
. kannu and chouun are cut off from all reinforcements and facing an entire bandit gang in their own lair armed only with whatever they could take off their defeated enemies. they exchange true names as people facing death together and decide to go out fighting .
shepard: maybe you' re right. maybe we can' t win this. but we' ll fight you regardless... however insignificant we may be, we will fight, we will sacrifice, and we will find a way. that is what humans do .
turin: though mortal men have little life beside the span of the elves, they would rather spend it in battle then fly or submit... though morgoth slay the doer he cannot make the deed not have been .
another friend, who has battled and vanquished cancer, told me the other day of going to lunch with his 98 - year - old father a couple of months before his death. my friend fought back tears as he recalled how his father leaned over to him toward the end of the meal and said: “you know, i did not want to die before i knew you were well. ” it is for sons to bury their fathers, not fathers their sons .
red vs. blue has this in episode 18 of revelation. sarge gives this, surprisingly, stating that even though they have no chance of surviving (according to simmons), they should go out and fight anyway. and the most surprising part is that even the coward grif does just that .
most people can' t do much besides squirm even if they wanted to once they' re in the grasp of a titan. one exception is the unnamed survey corps member that basically spits defiance at the titan holding him and keeps stabbing it in the face even as he' s getting chewed on .
death is powerless against you if you leave a legacy of good behind. death is powerless against you if you do your job. my father saved the lives of over four thousand people, one at a time, with his bare hands and his mind. death was with him the entire time .
december has come, the last month of an awful year, and i am sure i am not alone in saying good riddance to 2016. it’s been the worst of years, one of those periodic reminders that the raging beast in humankind always lurks .
hijikata in hakuouki is aware that as early as the battle of toba - fushimi that the shinsengumi are fighting a war that they cannot win. however he will not let despair show and demoralize the troops and throws himself whole - heartedly into making things work .
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this was one of the most meaningful plays we have ever produced both for the actors and the audience. during read - through, the actors kept commenting how close the show hit home, many had aging parents or grandparents. we loved the show so much we are trying to make arrangements to do it again !
unlike his contemporaries, t. s. eliot and w. h. auden, thomas was not concerned with exhibiting themes of social and intellectual issues, and his writing, with its intense lyricism and highly charged emotion, has more in common with the romantic tradition .
regardless, their end is worthy of great stories and legend, but this is done intentionally by the character' s own will and not by happenstance. others may push the character toward it, but the character still has the option of going gently into that good night .
dialogue with javik, the last prothean (and with vigil in the first game) notes that the prothean empire went out this way. even completely out - matched by the reapers, it still took them several hundred years to go down. for comparison, liara estimates the current war would only take the reapers about a hundred years to finish .
dillon: we' re all gonna die. the only question is how you check out. do you want it on your feet? or on your fuckin' knees... begging? ! i ain' t much for begging! nobody ever gave me nothin'! so i say fuck that thing! let' s fight it !
there are a large number of living organisms that have physical traits (such as poison) or behaviors that injure or kill their predators even as the organism itself dies. while this does not benefit the organism itself, it does benefit their species by making predators avoid them in the future .
it must be true, but i still can’t believe it — even if i felt during the brief time i knew him that he was headed that way… thomas’s poetry is so narrow — just a straight conduit between birth & death, i suppose—with not much space for living along the way .
all right! this is it! now you all know me, so i' m gonna say this as simply as i can. if it' s our time to die, it' s our time. all i ask is, if we have to give these bastards our lives... we give' em hell before we do !
, which is about two elderly sisters living together. sarah is concerned that libby is talking so much about death. libby for her part doesn' t see why people as old as they are should bother to do anything new like install a picture window. libby eventually comes around, seeming to resolve to make the most out of what time she has left .
' im begging you  fight.' fight for your right to be free from monsters like her.' fight the lies and the torture and the treachery.' f - fight to see the days that im not going to be able to otherwise your entire life will be for nothing .
in the prologue to the 2008 poirot adaptation of cat among the pigeons, during the ramat revolution, bob rawlinson and prince ali yusuf are being cornered in a shootout and wounded, and after locking themselves in the royal bedroom, the pair decide to go all - out in a blaze of glory. as soon as the rebels bust down the door, tragedy ensues .
story, has an example in the cfvy machines. upon discovering that they had, in fact, been suffering from a degenerative memory loss, they took the opportunity to join in defending their reality from ending permanently. it is explicitly pointed out that they will not be coming back with the reset .
either way, the character performs as their last act a deed of great significance to those around them, be it their family, friends, a community, even the entire world. the character basically wants to say that if they do die here and now, people will remember it. the character does not die quietly. for heroes, this usually involves righting or avenging some wrong, but can be just a matter of personal pride to make the enemy, or the world, feel their presence one last time. villains can have their own version, usually in the form of inflicting the end of the world as we know it out of pure spite or sheer hubris .
: harvie is about to kill himself with a morphine overdose in the old folks' home when a talk with a fellow patient makes him realizes he has
a lot of living left to do .
so he takes off his clothes like the nudist he is, and goes outside to sit at the fake bus stop. the final
fakt
then pops up on screen :
because while her illness means her days are numbered, it also means she can affect the vajra with her song, which may be crucial to frontier' s survival in the final battle. sheryl goes into the last battle expecting to be dead by the end of it, by her infection if not by gunshot .
the script is a powerful, challenging, character - driven piece. the story is universal because the importance of the themes is experienced by everyone: the power of literacy and storytelling, the need to make the most of life, to forgive, to let go of hate and fear, to tell those we love just that. my cast and crew have been challenged, captivated and transformed .
exalted: in second edition this (crossed with tired of running) is how lunars are made. take a heroic mortal, put them in a situation where they' re either dancing on the edge of or have crossed the despair event horizon, and then they choose to get up and keep going. at which point they exalt, and luna shows up and tells them to go kick ass in her name .
the fourth episode of er was titled
into that good night
and the key plot was that of a man who would die before the day was out if he did not receive a heart transplant. throughout the day, the doctors did everything possible to keep him alive while frantically searching for a donor... all to no avail .
durandal: i' ve lost, and boomer is going down in flames. however, the pfhor will not soon forget the
humbling of battle group 7
, in which half their attacking force was taken down by a single corvette. i suspect this will be written into the list of great defeats that all pfhor commanders must memorize in their training .
i listened this week to an inventor, a brilliant man convinced of the proximity of human immortality, which he believes to be just a couple of medical bridges away. he’s taking dozens of pills to ensure that he reaches the first of those bridges, perhaps around 2030. i confess immortality, whose attainment is a hot theme in silicon valley, does not interest me .
godzilla, in a later - averted bad future, takes this to extreme levels though it' s not shown on - screen. godzilla is nominally a hero in the main timeline of godzilla the series, but one could have argued he was just protecting his adopted father. in future shock however, godzilla is stated to have saved the last of humanity from a race of genetically engineered monsters called the dragmas for no other reason than because he chose to. if the comments made by future! mendel are to be believed, he not only went out fighting, he actually killed a few of the dragmas along the way. he has a memorial statue in his honor in the underground tunnels most of humanity seems to now call home in that timeline .
home, and what constitutes it, is the most potent of memories. it’s not excess of love we regret at death’s door, it’s excess of severity. if we lived every day as the last day of our lives, the only quandary would be how to find the time to shower love on enough people. we live distracted and die with too much knowledge to bear .
we have general revil' s famous
zeon is exhausted
speech, mentioned in the backstory but not shown in the anime (it does, however, appear in the novelization and mobile suit gundam the origin). in the first week of the war, the federation suffered devastating losses to zeon' s mobile suits, sydney was reduced to a gigantic crater by a colony drop, and general revil was captured. just when the feds were preparing to sign the surrender agreement, revil was rescued by a federation commando team and made a speech announcing that zeon had depleted its fighting strength as well and encouraged the feds not to give up. the speech worked, and the federation ended up winning the war by hanging on against overwhelming odds until they could develop ms of their own .
oreg points out that the villains will find the dragon bones, and that will have terrible consequences for everyone in the world. he reminds ward, that there is a way to stop them. said way is to kill oreg. he can persuade ward to do it, and as soon as ward drives his dagger into oreg' s brain (the most painless way to kill he knows), the walls of castle hurog crumble and fall, and the villains are buried under tons of stone .
averted in pact, where the protagonist, upon being told that he' s fated to die soon by a sphinx, decides to try to do as much good as he can in the time he has left and sets out to slay a bound demon that' s in danger of breaking free - only for the demon to eat him, and in the process make him an unperson, to the extent that even the sphinx' s ripple - effect - proof memory can' t remember his name .
thomas describes his technique in a letter :
i make one image—though' make' is not the right word; i let, perhaps, an image be' made' emotionally in me and then apply to it what intellectual & critical forces i possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict .
my own father, now 95 and withdrawn, wrote to me on the death 17 years ago of my manic - depressive mother: “i know that my spirit will not soon be released from those cruel demons that tore so relentlessly at the entwining fabric of love between mom and me. i did strive within the feeble limits of my human fallibility to preserve and cherish and sustain her. but alas — for mama ultimately, death was the only angel that could shield her from despair. ”
a memorable recitation of the trope namer poem takes place at the end of dangerous minds, just as the protagonist teacher is about to give up, feeling overwhelmed and impotent to make a difference. not exactly life or death in that situation, but facing the prospect of being a dedicated, caring teacher for one of the roughest public schools around is pretty daunting too. when her friend asks her why she decided to stay, she answers only
they called me their light ...
this is a good death. i will not bend my knee. no hero will bend his knee to a threat .
a chuckle .
a good run i suppose, short as it is. i, a hero with a legend barely two hundred years old, to one whose own spans four thousand years back. perhaps it was hopeless in the beginning, but i matched your power until the very end, and in death, i will meet the standard. i will die standing .
elizabeth swann :
you will listen to me... listen! the brethren will still be looking here to us, to the black pearl to lead, and what will they see? frightened bilge rats aboard a derelict ship? no... no, they will see free men! and freedom! and what the enemy will see is the flash of our cannons! they will hear the ring of our swords and they will know what we can do! by the sweat of our brows, and the strength of our backs, and the courage of our hearts! gentlemen... hoist the colors !
ripley: when they first heard about this thing... it was crew expendable. the next time, they sent in marines - they were expendable too. what makes you think they' re gonna care about a bunch of lifers who found god at the ass - end of space? you really think they' re going to let you interfere with their plans for this thing? they think we' re crud, and they don' t give a fuck about one friend of yours that' s died - not one .
faced with madara uchiha, who has defeated everyone who has crossed his path, even naruto and sasuke, proven immune to ninjutsu, with nobody left to assault him with senjutsu, and now with the juubi inside him, might guy proceeds to attack him with the only effective way: taijutsu. however, madara shrugs off every attack of his, even his 7th gate' s afternoon tiger. kakashi sees this and loses faith, urging guy to stand down. however, guy states that it is never too late to give up, and while things may not work out, it' s worth having faith in one' s efforts. with that, he opens the eighth gate .
the craftworld eldar were driven to the brink of extinction by a great tragedy, and now exist as scattered survivalists seeking refuge among the stars. all their gods save three are dead, slain by a chaos god of their own creation, who is now hunting their race down with the intent to consume their souls. not only that, but their most ancient and powerful foes are rising from their tombs. beset by enemies on all sides just like the imperium and crippled by a low birth - rate, they are doomed in the long run and very unlikely to succeed in these goals, and they know it. however, they hope that they can deliver a final end to their ancient foes and use their souls to create a god of death which will curbstomp said chaos god and free them from their curse. until that goal is realized, they will keep fighting to the bitter end .
the end of the german corsair ship kormoran during world war ii fits the trope to a t: cornered by the light cruiser hmas sydney, that outclassed her by an enormous margin (kormoran was 18 knots fast and armed with 6 wwi - vintage 155mm guns, 2 37mm anti - tank guns, 5 20mm anti - aircraft guns and 6 torpedo launchers, while sydney was 32. 5 knots fast and armed with 8 modern 155mm guns, 4 quick - firing 101mm guns, 21 machine guns and 8 torpedo launchers. also, being an actual warship facing a converted merchant ship, sydney had better armor and fire control, and, having the main battery on turrets, could concentrate all its heavy firepower on either broadside while kormoran could use only three of her heavy guns at most), the crew of the kormoran, that was intercepted while disguised as the liner straat malakka, bullshitted their way into having the enemy come very close (even launching a distress signal claiming they were under attack from a corsair), and when the enemy was at 1000 m they opened fire with everything they had. at the end of the battle kormoran was so damaged the skipper ordered her scuttled, but not before seeing their opponent run away on fire until she sunk .
brendan connell, jr. appointed chief operating officer of the academy museum of motion pictures
the academy’s board of governors awards an oscar® to alejandro g. iñárritu’s “carne y arena” virtual reality installation
the academy continues residency at the metrograph theater in new york with “the ballad of gregorio cortez” and tribute to george a. romero
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jennifer aniston, jason bateman, warren beatty, sofia boutella, matt damon, faye dunaway, michael j. fox, ryan gosling, salma hayek, taraji p. henson, dev patel, seth rogen, octavia spencer, meryl streep and vince vaughn announced as presenters
halle berry, jamie dornan, chris evans, gael garcía bernal, samuel l. jackson, scarlett johansson, dakota johnson, kate mckinnon, shirley maclaine, hailee steinfeld will be presenters on oscars® stage
jackie chan, anne v. coates, lynn stalmaster and frederick wiseman to receive academy’s 2016 governors awards
oscar winners morgan freeman and john legend added as presenters along with j. j. abrams, sacha baron cohen and henry cavill dave grohl will give a special performance
kathy baker, o’shea jackson jr. , freida pinto and jimmy smits to perform at academy nicholl fellowships live read
kristen bell and michael b. jordan to host academy' s sci - tech awards
lacma and the academy co - present a major u. s. exhibition highlighting the prolific career of mexican cinematographer gabriel figueroa
the academy of american poets is the largest membership - based nonprofit organization fostering an appreciation for contemporary poetry and supporting american poets. for over three generations, the academy has connected millions of people to great poetry through programs such as national poetry month, the largest literary celebration in the world; poets. org, the academy’s popular website; american poets, a biannual literary journal; and an annual series of poetry readings and special events. since its founding, the academy has awarded more money to poets than any other organization .
dylan marlais thomas was born on october 27, 1914, in swansea, south wales. his father was an english literature professor at the local grammar school and would often recite shakespeare to thomas before he could read. he loved the sounds of nursery rhymes, foreshadowing his love for the rhythmic ballads of gerard manley hopkins, w. b. yeats, and edgar allan poe. although both of his parents spoke fluent welsh, thomas and his older sister never learned the language, and thomas wrote exclusively in english .
thomas was a neurotic, sickly child who shied away from school and preferred reading on his own. he read all of d. h. lawrence' s poetry, impressed by vivid descriptions of the natural world. fascinated by language, he excelled in english and reading but neglected other subjects. he dropped out of school at sixteen to become a junior reporter for the south wales daily post .
by december of 1932, he left his job at the post and decided to concentrate on his poetry full - time. it was during this time, in his late teens, that thomas wrote more than half of his collected poems .
in 1934, when thomas was twenty, he moved to london, won the poet' s corner book prize, and published his first book, 18 poems (the fortune press), to great acclaim. the book drew from a collection of poetry notebooks that thomas had written years earlier, as would many of his most popular books. during this period of success, thomas also began a habit of alcohol abuse .
two years after the publication of 18 poems, thomas met the dancer caitlin macnamara at a pub in london. at the time, she was the mistress of painter augustus john. macnamara and thomas engaged in an affair and married in 1937. despite the passionate love letters thomas would write to her, the marriage was turbulent, with rumors of both having multiple affairs .
about thomas' s work, michael schmidt writes :
there is a kind of authority to the word magic of the early poems; in the famous and popular later poems, the magic is all show. if they have a secret it is the one we all share, partly erotic, partly elegiac. the later poems arise out of personality .
in 1940, thomas and his wife moved to london. he had served as an anti - aircraft gunner but was rejected for more active combat due to illness. to avoid the air raids, the couple left london in 1944. they eventually settled at laugharne, in the boat house where thomas would write many of his later poems .
thomas recorded radio shows and worked as a scriptwriter for the bbc. between 1945 and 1949, he wrote, narrated, or assisted with over a hundred radio broadcasts. in one show ,
quite early one morning ,
he experimented with the characters and ideas that would later appear in his poetic radio play under milk wood (1953) .
in 1947 thomas was awarded a traveling scholarship from the society of authors. he took his family to italy, and while in florence, he wrote
when they returned to oxfordshire, thomas began work on three film scripts for gainsborough films. the company soon went bankrupt, and thomas' s scripts ,
me and my bike ,
rebecca' s daughters ,
and
the beach at falesa ,
were made into films. they were later collected in
in january 1950, at the age of thirty - five, thomas visited america for the first time. his reading tours of the united states, which did much to popularize the poetry reading as a new medium for the art, are famous and notorious. thomas was the archetypal romantic poet of the popular american imagination—he was flamboyantly theatrical, a heavy drinker, engaged in roaring disputes in public, and read his work aloud with tremendous depth of feeling and a singing welsh lilt .
thomas toured america four times, with his last public engagement taking place at the city college of new york. a few days later, he collapsed in the chelsea hotel after a long drinking bout at the white horse tavern. on november 9, 1953, he died at st. vincent' s hospital in new york city at the age of thirty - nine. he had become a legendary figure, both for his work and the boisterousness of his life. he was buried in laugharne, and almost thirty years later, a plaque to dylan was unveiled in poet' s corner, westminster abbey .
from the poems of dylan thomas, published by new directions. copyright © 1952, 1953 dylan thomas. copyright © 1937, 1945, 1955, 1962, 1966, 1967 the trustees for the copyrights of dylan thomas. copyright © 1938, 1939, 1943, 1946, 1971 new directions publishing corp. used with permission .
dylan marlais thomas, born october 27, 1914, in south wales, was the archetypal romantic poet of the popular american imagination—he was flamboyantly theatrical, a heavy drinker, engaged in roaring disputes in public, and read his work aloud with tremendous depth of feeling and a singing welsh lilt .
the force that through the green fuse drives the flower drives my green age; that blasts the roots of trees is my destroyer. and i am dumb to tell the crooked rose my youth is bent by the same wintry fever. the force that drives the water through the rocks drives my red blood; that dries the mouthing streams
your breath was shed invisible to make about the soiled undead night for my sake, a raining trail intangible to them with biter' s tooth and tail and cobweb drum, a dark as deep my love as a round wave to hide the wolves of sleep and mask the grave .
s' io credesse che mia risposta fosse a persona che mai tornasse al mondo, questa fiamma staria senza piu scosse. ma perciocche giammai di questo fondo non torno vivo alcun, s' i' odo il vero, senza tema d'
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the orchard music (on behalf of w. o. w. - words of wisdom); warner chappell, peermusic, and 5 music rights societies
watch this every day - motivational speech by navy seal admiral william h. mcraven
messages in remembrance of friends and family who never saw the cubs win the world series, on a wall at wrigley field in chicago .
a friend once told me about going to see her father shortly before he died. he had advanced alzheimer’s and peered at her blankly. then he said: “you are home. ”
do not go gentle ( welsh : oed yr addewid ) is a 2002 british film directed by emlyn williams . it was the united kingdom 's submission to the 74th academy awards for the academy award for best foreign language film , but was not accepted as a nominee . the film was produced by alun ffred jones and stars stewart jones , gwenno hodgkins , arwel gruffydd , marged esli , caroline berry and romolo bruni . the welsh title translates literally as " age pledge " . the english title is a reference to the dylan thomas poem " do not go gentle into that good night " . 
do not go gentle (welsh: oed yr addewid) is a 2002 british film directed by emlyn williams. it was the united kingdom's submission to the 74th academy awards for the academy award for best foreign language film, but was not accepted as a nominee. the film was produced by alun ffred jones and stars stewart jones, gwenno hodgkins, arwel gruffydd, marged esli, caroline berry and romolo bruni. the welsh title translates literally as " age pledge ". the english title is a reference to the dylan thomas poem " do not go gentle into that good night ".
do not go gentle (welsh: oed yr addewid) is a 2002 british film directed by emlyn williams. it was the united kingdom's submission to the 74th academy awards for the academy award for best foreign language film, but was not accepted as a nominee. the film was produced by alun ffred jones and stars stewart jones, gwenno hodgkins, arwel gruffydd, marged esli, caroline berry and romolo bruni. the welsh title translates literally as " age pledge ". the english title is a reference to the dylan thomas poem " do not go gentle into that good night ".