sivagangai seemai
sivagangai cheemai - s. s. rajendran, s. varalakshmi - sivagangai seemai - tamil classic song
sivagangai cheemai - s. s. rajendran, s. varalakshmi - sivagangai seemai - tamil classic song - youtube
s. varalakshmi - filmography - singer... komala 1959 sivagangai seemai tamil thanimai nernthatho m... ramamoorthy 1959 sivagangai seemai tamil muthu pugazh padaitha m... ramamoorthy radha jayalakshmi 1959 sivagangai seemai tamil thendral vanthu veesatho m ...
randor guy (february 4, 2012) .
sivagangai seemai
. the hindu .
thendral vandhu - s. s. rajendran, s. varalakshmi - sivagangai seemai - tamil classic song
kanavu kandaen - s. s. rajendran, s. varalakshmi - sivagangai seemai - tamil romantic song
muthu pugazh padaithu - s. s. rajendran, s. varalakshmi - sivagangai seemai - tamil classic song
saanthu pottu thala - s. s. rajendran, s. varalakshmi - sivagangai seemai - tamil classic song
sivagangai seemai - soundtrack... the soundtrack features 16 songs composed by m... s ...
sivagangai seemai ...
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sivagangai cheemai - t. m. soundararajan, sirkazhi govindarajan, a. p. komala & chorus
sivagangai cheemai - t. m. soundararajan, sirkazhi govindarajan, a. p. komala & chorus
hospital dean dr. karthikeyan, m. d. , dean i / c. govt. sivagangai medical college & hospital, . sivagangai and he have been providing full support to improve the complete functional of both college and hospital .
check out this title track song sivagangai cheemai from tamil classic movie sivagangai seemai starring s. s rajendran, vralakshmi, kamala lakshmanan, t. k. bhagavathi, m. n. rajam directed by k. shankar and music by viswanathan - ramamoorthy to watch more videos, click urltoken subscribe now for more updates urltoken join & like our facebook rajshritamil fan page urltoken join us on google + urltoken
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sivaganggai seemai: after the execution of kattabomman in 17 october 1799 at kayattar, chinna marudhu gave asylum to kattabomman' s brother oomadur. mao / movie / ywopymfl - -
sivagangai ...
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movie: - sivagangai seemai story and dialogues: - kannadasan actors: - s. s. rajendran, s. varalakshmi, kamala lakshmanan lyrics: - kannadasan music: - viswanathan - ramamoorthy editing: - k. shankar, k. narayanan producer: - k. s. ranganathan director: - k. shankar year: - 1959
sivagangai seemai deserved more than what it got. unfortunately due to circumstances beyond any body' s control, this film was released at a wrong time. the result, the film did not get the reception it deserved. however, the music lovers tamil community, did not turn deaf ears to the music, instead they received it with their heart. all songs became hits. this is one such. song: vaigai perugi vara film: sivagangai seemai singer: c. s. jayaraman listen: urltoken raghavendran _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ visit my website for viswanthan - ramamurthi urltoken my blogs: urltoken urltoken urltoken urltoken
auto stands available 24 / 7 in front of the hospital but not sure in mid night timings. in the day timings mini bus available to sivagangai bus stand and railway station .
sivagangai medical college and government hospital has started and functioning successfully from 2013 to 2016 till date. many people rapidly looking for the sivagangai medical college phone number and hospital proper contact numbers from various locations but they are strugling to reach the correct person. it was a great milestone for sivagangai people and nearby villages. after completing the construction government hospital was opened and running from 01 - 03 - 2013. the total new building includes 200 to 300 beds in patient ward, out - patient ward, college campus building, medical college students' hostel and doctor' s quarters for professors and guests and new auditorium. medical college was opened and running from 01 - 08 - 2012 and the first year was completed with 100 students .
because the majority of male characters in the film had thick moustaches, the tamil magazine kumudam called it
sivagangai meesai
, with
meesai
meaning
moustache
. the film was not a success, but because of its theme and historic content, it acquired cult status in later years .
in the hospital now converted in to fully equipped and new instruments has implemented and the services started to the public. police enquiry office located in front of the government hospital and if any accidental cases come for the admission there is no need to go for sivagangai police station. just complaint to the in charge police man and simple registration is enough .
almost all the male characters had thick moustaches as a sign of valour, that the well - known tamil weekly kumudham in its review described the film as “sivagangai meesai”! (‘meesai' meaning ‘moustache' in tamil). despite expectations, the film did not fare well. however, because of its theme and historic content, it did acquire a sort of cult status over the years .
a sum of rs. 30 crore would be spent for the construction of the 300 - bed hospital. remaining amount would be spent for the construction of an outpatient ward, a sterilization department, laboratory facilities, blood bank, administrative block and hostel buildings. officials were asked to speed up the process of finalization of tenders for the remaining work. they were instructed to take necessary steps to complete the project within the stipulated time. now the building process is completed 75% and will open the classes in next academic year. this is a very big movement for sivagangai city .
totally there are 100 seats available at sivagangai medical college. 2012 first batch now shifted to second year successfully. 2013 academic year 85 students are admitted and the first year classes going on. remaining 15 seats will fill up through all india medical counselling, said jao on august 14 – 2013. admission process are clean through the cut off marks and tamilnadu government medical counselling only, so people do not follow any other routes or alternative ways and don’t believe any person’s personally that is impossible. appointed doctors are living in the quarters and students are mostly stayed in the hostel buildings. i tried to visit the hostel environment, and quality of foods distribution to the students but the permission is not granted to me by the management .
s. s. rajendran, kamala lakshman, t. k. bhagavathi, d. v. narayanasami, m. k. mustafa, wahab kashmiri, k. m. nambirajan, g. muthukrishnan, p. s. venkatachalam, karikol raju rathinam, dakshinamurthi, s. p. veerasami, m. n. rajam, s. varalakshmi, tambaram lalitha, kumari radha jaya sakunthala, ‘master' sridhar, ‘master' gopal, ‘master' dasarathan and sai - subbulakshmi (dance )
in the late 18th century, when the east india company was struggling to establish supremacy over south india, some chieftains such as veerapandia kattabomman and marudu brothers rose in rebellion. the east india company subdued kattabomman, and his brother oomathurai escaped from the eic prison and sought refuge in sivaganga. the company forces were after him. as it often happened in the history of india, there were selfish persons who created problems that destroyed unity, which was taken advantage of by the english .
a battle was fought in kalayarkovil near sivaganga, which is today a crowded small town steeped in history. using their wiles and divide and rule policy, the east india company ultimately destroyed the brothers and their wives took up the cause but did not succeed… .
( this writer visited kalayarkovil some years ago for his research. he was told by the local people that from one of the temple towers one could see the tower of madurai meenakshi temple which is far away. some scholars of sivaganga told him it was only part of the local legend, of which there are many, about the two valiant brothers and kalayarkovil. )
this colourful episode was written as a movie by the iconic poet, scholar and cult figure kannadasan who also produced this film .
directed by the noted editor and filmmaker k. shankar, this film had the noted star s. s. rajendran, famous for his voice and distinct dialogue delivery, playing the hero. s. varalakshmi and kumari kamala, credited as kamala lakshman, also played leading roles .
expectedly, kannadasan wrote the screenplay, dialogue and the lyrics. the music was composed by the up and coming duo, who later became icons of tamil film music, viswanathan - ramamurthi .
the film was excellently photographed, capturing the spirit of the period by thambu (c. v. ramakrishnan), one of the finest cinematographers of indian cinema. (he was filmmaker k. subramanyam' s cousin )
well - known film editor and later filmmaker k. shankar edited and directed this film. well - known dancers sai - subbulakshmi performed a special dance, choreographed by the noted natuvanaar k. n. dhandayuthapani pillai, and it attracted a lot of attention .
there were many songs highlighting the spirit of patriotism and love for the native tamil soil. kannadasan, who was involved in the dravidian movement, invested its spirit in many of the songs which had a great impact .
remembered for its interesting storyline, powerful portrayal of the patriotic spirit, and excellent performances by rajendran and varalakshmi .
mgr’s biography would be incomplete, if the rivalry offered by villuppuram chinnaiah ganesa moorthy aka sivaji ganesan (1928 - 2001), his junior contemporary and reputable rival in tamil movies and tamil nadu politics, is left uncovered. as such, in this chapter, in addition to entering the 1960s, i focus on (1) sivaji ganesan’s thoughts on this rivalry (2) an american observer susanne hoeber rudolph, who had compared the parallel career of sivaji ganesan and mgr, and (3) the expressed view of one of his heroines, vyjayanthimala bali, also a reputed dancer who later became a congress party mp .
psychologist dean keith simonton began his 2009 review on the economics of film making in hollywood, with the following three sentences. “the mainstream film industry faces a tough challenge every single year. the vast majority of the films released each year fail to make money during their theatrical run. in fact, most films lose millions of dollars. the only reason why the core industry survives at all is because a small percentage of films bring in substantial box office receipts, and an even smaller percentage of these attain the status of outright blockbusters with earnings in hundreds of millions of dollars. ”
if one alters the currency ‘dollars’ to ‘rupees’, the above statements apply well to film industry in india as well, for any particular period. that’s why movie industry in any nation is propped by super heroes and talented heroines. for the tamil movie industry of 1960s, the leading stars who pulled in substantial box office receipts were mgr and sivaji ganesan. simonton identified three main criteria by which a movie’s success is evaluated: critical evaluations, financial performance and movie awards. of these three, one can distinguish that critical evaluations are decided by ‘egg heads’, critics and academic scholars. financial performance is decided by the movie goers who purchase the tickets. movie awards, in many instances, are decided by the peers in the industry .
as for tamil movie industry of 1960s, sivaji ganesan’s movies cornered the critical evaluations. mgr’s movies ranked high in financial performance. as for movie awards (international or indigenous), with a few exceptions, there weren’t many awarded for tamil movies. what simonton had observed for the hollywood movies remains true for the tamil movies as well. one critical aspect was the distribution of the movie, during its theatrical release. five notable variables were, (1) season of release, (2) number of screens, (3) major distributor, (4) marketing expenditures, and (5) market competition. for hollywood movies, the big - money making movies are mostly likely to be released in summer months. the secondary period with good box office returns are christmas and to a lesser extent, easter .
check the movie release dates in the table (in separate pdf file above) for essential details of the movies in which mgr starred from 1960 to 1967. for tamil movies, there are three specific seasons; namely, thai pongal (in mid - january), hindu new year (in mid - april) and deepavali (in late october - early november). the movie release dates for mgr movies fall in this pattern; almost every year, there will be a thai pongal release and a deepavali release, and occasionally a hindu new year release .
on the production of the kattabomman movie, sivaji ganesan had reminisced as follows: “i will remember kattaboman forever. the play served as a platform to display the talents of several artistes and helped to bring people together. once he saw the play, director b. r. panthulu decided to make it into a film. shakthi krishnasamy wrote the dialogues for this film. nowadays nobody writes dialogues like his, and no one delivers them like we did. this film won an award at the africa - asia film festival. this is because of the powerful story telling in the film. i faced many hurdles when i was acting in the film .
some significant dates in mgr’s life of this decade (until 1967) are as follows. that mgr is a stickler in demanding ‘politically correct’ names for his movies from producers is well known. as such, some of mgr’s movie titles are not easy to translate into english. a good example is petraal thaan pillaiya (1966), the movie which was linked to his shooting incident by m. r. radha. thus, wherever it is infeasible, i have omitted the translated english titles .
1961 april 9: e. v. k. sampath and kannadasan quit dmk party to form tamil nationalist party (tnp) .
1961: number of movies released 5 – arasilankumari (the princess), thirudathe (don’t steal), sabash mapillai (greetings bridegroom), nallavan vazhvan (good one will live) and thai sollai thattathe (don’t reject mother’s words) .
1962: nominated as the dmk member of legislative council (mlc) of madras state .
1962: number of movies released 6 – rani samyukta (queen samyuktha), maada pura (balcony pigeon), thayai kaatha thanayan (the son who saved the mother), kudumba thalaivan (leader of the family), paasam (love), and vikramathithan (king vikramathithan) .
1963: first of the two years, in which a maximum number of 9 movies were released. these were, pana thottam (money garden), koduthu vaithaval (the blessed lady), dharmam thalai kaakkum (order will save life), kalai arasi (artistic queen), periya idaththu penn (high society woman), ananda jyothi (happy flame), neethiku in paasam (love after justice), kanchi thalaivan (leader of kanchi), parisu (the prize) .
1964 july: at a birthday felicitation function, creating a stir among dmk party cadres by calling congress party leader kamaraj as his ‘leader’ and mentor anna as his ‘guide’ .
1965: number of movies released 7 – enga veetu pillai (our house child), panam padaithavan (rich man), ayirathil oruvan (one in a thousand), kalankarai vilakkam (the light house), kanni thai (virgin mother), thazhampoo (pandanus flower), and asai mugam (lovely face) .
1966: again, a maximum number 9 movies were released. these were, anbe vaa (come here love), naan anaiyittal (if i ordered), nadodi (vagabond), chandrodayam (rising moon), mugarasi (luck of face), thali bhagyam (luck of thali thread), thani piravi (exceptional one), parakkum paavai (the flying lady), petraal thaan pillaiya (difficult to translate this title! )
1967 jan. 12: shooting incident at his house, by actor m. r. radha .
1967 feb. : elected as the dmk member of the legislative assembly for st. thomas mount constituency .
1967: number of movies released 4 – thaiku thalaimagan (eldest son of mother), arasa kattalai (order from kingdom), kavalkaran (protector), vivasayee (farmer) .
between 1960 and 1967, when his age advanced from 43 to 50, a cumulative total of 50 of his movies were released. he was the hero in each of these movies. he neither played second fiddle to any other heroes, nor took honorary roles. this was a contrast to the career of sivaji ganesan. as the compiled table shows, during this period mgr’s lead heroines in these 50 movies were, b. saroja devi (25 movies) and jayalalitha (8 movies). in one movie, arasa kattalai, released after the 1967 shooting incident, both appeared together. other notable heroines were, padmini (5 movies), k. r. vijaya (5 movies), savitri (2 movies) and p. bhanumathi (2 movies). jayalalitha and vijaya appeared together in one movie, kanni thai .
that b. r. panthulu and g. n. velumani left sivaji ganesan’s camp to join with mgr also stresses the relevance of financial performance and the ‘bottom line’ of the final product of their effort. whatever the critical evaluations by the egg - heads on the quality of the plot and the acting performance of the players, if the final product flops in the box office, there couldn’t be another repeat opportunity in the high risk film industry. later in 1970s, even other reputed directors like c. v. sridhar and a. p. nagarajan who gained respect by associating themselves with sivaji ganesan, had to move into mgr’s circle also highlighted the same phenomenon .
susan rudolph was an associate professor in political science at the university of chicago, when her ‘letter’ on ‘southern film’ appeared in the yale review in 1971. in this feature, she had looked back to 1967, when she met sivaji ganesan at kodaikanal when he was shooting a film for avm productions. at that time, he was 39 years old, after dmk party was elected to power. excerpts :
“shivaji ganesan, the reigning male idol of the tamil film, and his wife kamala celebrated their fifteenth wedding anniversary on may 1…shivaji is about five foot eight inches, with lean hips and a barrel chest, and that extra bit of flesh around the chin that film - goers in a hungry country like to see in their stars…shivaji wears his clothes – which range from dhoti and shirt to italian - cut raw silk suits – with the air of wearing costumes. for his pictures, the makeup men tone him up from his natural warm middling brown to a false dark apricot… .
‘i have been an actor since i was a boy. i ran away from home when i was six and joined a touring company of actors. we traveled from town to town. we never knew when we would eat and what would happen. it was a hard life .
‘but they taught me so many things. it was called a gurukulam, a traditional school. it worked by apprenticeship to a master or masters. boys joined it when they were young. we learned how to dance, and sing, and act. i know how to do all the classical dances, khatakali, bharatanatyam, and also the twist. an actor had to be able to do everything and the boys learned from the elders. it was a hard discipline. i used to play women’s roles when i was young. my hair was so long. ’ he made an expressive gesture of combing heavy, knee - length tresses .
‘i was a good - looking girl. in those days the young boys played the women’s roles because there were no women in the company. only today are there women actors. the director gopalkrishna [ i. e, k. s. gopalakrishnan ], he also used to act women’s roles. then, when i became better known, i in turn had young boys who learned. but now there is nothing left of the gurukulams. mine was the last. we still try to keep up an acting company in madras and have a play once a week. but now it is the college boys who come, not young boys. and they don’t want to work at the discipline. they want immediately to have such big roles .
‘i finished one film today. in two days, i shoot another. they take six months to film. but sometimes we have a double schedule, one film in the morning, another in the afternoon. the film i shoot in two days is mr. trilok’s [ i. e. , director a. c. trilokchandar ]. he is a very good director and script writer. and a young man, too, younger than me. ’…
films are serious business in india, and shivaji is a valuable property. the country has been producing more than three hundred films a year for the last six years, making it one of the largest film producers in the world. they are enormously popular not only among literate city people but among millions of illiterates for whom other mass media are less accessible. the tamil films account for about fifty pictures per year and shivaji accounts for between 10 and 20 percent of these. ”
in the same feature, mgr also makes a cameo appearance because the talk of susan rudolph twists to comparing the movie careers of sivaji ganesan and his older contemporary mgr, among those who were present then. excerpts :
“ ‘mgr sounds like john wayne and shivaji like alec guinness, ’ i said. john wayne and alec guinness were not, in fact, quite right for contrasting mgr and shivaji. mgr, we presently discovered, is more like charlie chaplin with a dean martin face and physique. in petrtaldan pillaya, he plays a cheerful wayward tramp, slightly overwhelmed by the elegance and big city life of madras, and the wily ways of its demimonde of magicians and thieves and fortune tellers. his gait and grin are so much like chaplin’s that the resemblance cannot be entirely accidental. but while this makes him a box - office attraction, it also gives him a bit of a reputation as a light weight. people give their remarks about shivaji a gravity they do not apply to mgr. ”
susan rudolph was partially right and partially wrong, in the above stated excerpt. overall, mgr indeed projected a john wayne image in his tamil movies, which i have indicated in previous chapters. only for the movie petral than pillaiya (supposed to be a marginal adaptation of chaplin’s acclaimed the kid plot), mgr played the chaplin face. but remember, the kid was a silent movie released in 1921 with a running time of little more than an hour; petral than pillaiya (1966) released after 45 years was a talkie with song sequences and other popular attractions to the tamil audience. mgr’s screen persona can hardly be compared to that of ‘chaplin with a dean martin face and physique’. what an insult to both mgr and chaplin ?
between 1948 and 1970, actress - dancer vyjayantimala (born 1932) acted in only 64 movies (majority in hindi). only 10 of her movies were in tamil. among these 10 tamil movies, she was the heroine for 4 of gemini ganesan movies, 2 of sivaji ganesan movies and one of mgr movie. that one movie, released in 1960, was bhagdad thirudan (thief of bagdad). later, vyjayantimala became a politician and represented the south chennai constituency as a congress party mp at the lok sabha. in her 2007 memoirs (20 years after mgr’s death), vyjayantimala had written the following. she mentions one yagamma, her maternal grandmother and guardian .
“then, coming face to face with the screen idol, m. g. ramachandran, i was totally lost to begin with. one had grown with his larger than life image, right from childhood to youth. what all i had heard about him, but when i met him, he came across as a normal person so modest and smiling all the time. he didn’t seem conscious of the stature he enjoyed, for it didn’t show. there was no sense of superiority considering he was put on a pedestal. in bhagdad thirudan (thief of baghdad), i had to play a lively, spontaneous dancer, who’s sold and taken as a slave. mgr rescues me. it was also a good - humoured film with a lot of comic sequences .
one memorable scene was where he had to pick me up, and after lifting me throw me on a couch. look at the
note by sachi: respect ] they had at that time, anybody else would have just done it. but sought yagamma’s due permission and she as usual kept at it, ‘oh, my child should not get hurt. be very careful. ’ she went on giving all her instructions. he did it so graciously after it was enacted by the director’s assistant. all this came naturally to mgr, for he really knew how to behave with his leading ladies. it spoke very high of him. he was so decent and gracious, very gentle and quiet. he wouldn’t talk much and would speak up only when the shot was ready and followed the director. he would even extend the courtesy of asking me, ‘shall i start? ’ and i would just nod my head. it was all very cute .
mgr was the most loved person, for whatever he did on the screen was lapped up. he came up tops. he was a stalwart, for he looked the role, though unlike sivaji [ ganesan ] he had a more swashbuckling style. besides, he also brought in his party ideology through cinema. people would even prostrate, as he was an idol for the masses in tamil nadu. no wonder, he was known as makkal thilagam (people’s king). ”
the expressed opinion of vyjayantimala do not differ from that of many of mgr’s other heroines, but does differ from the characterization of some of mgr’s rivals and critics such as m. karunanidhi, journalist cho ramasamy and writer d. jayakanthan. (i mention only those who are living now). there is no necessity for vyjayanthimala to offer pleasing sentiments on mgr, 20 years after his death, unless she was touched by his attributes .
‘film news’ anandan: sadhanaigal padaitha thamizh thiraipada varalaru (tamil film history and its achievements), sivagami publications, chennai, 2004 .
ravindar: pon mana chemmal mgr, vijaya publications, chennai, 2009, pp. 56 - 57 .
rudolph, susanne hoeber: from madras – a view of the southern film, yale review, spring 1971, 60 (3): 468 - 480 .
simonton, d. k. cinematic success criteria and their predictors: the art and business of the film industry. psychology & marketing, may 2009; 26 (5): 400 - 420 .
sivaji ganesan: autobiography of an actor, edited by t. s. narayana swamy, english version by sabita radhakrishna, sivaji prabhu charities trust, chennai, 2007 .
vyjayantimala bali: bonding…a memoir, stella publishers ltd, new delhi, 2007, pp. 99 - 100 .
an addendum by sachi to the last paragraph: according to today’s ‘hindu’ (chennai) daily, writer d. jayakanthan had died yesterday (march 8) at the age of 81 .
during my school / college days, jayakanthan was our elite writer: jayakanthan started colloiding with congress…usshh, i wanted to ignore him in all his pages… what to do, people need money and people like jayakanthan accepted it from the toilet parties… .
© 1996 - 2018 ilankai tamil sangam, usa, inc. all rights reserved .
rajarani
comedy scene & song: kalaivaanar n. s. k - t. a. m. - v. r. r. - sivaji - s. s. r - padhmini / /
sirippu
veteran actor ssr (s. s. rajendran) died in chennai - actress manorama emotional cry on ssr
muthal mariyathai 6 / 15 part | sivaji ganesan | radha | ilaiyaraja | p. bharathiraja | tamil movie
manushanai manushan - thaikku pin tharam [ 1956 ] - m. g. r
song: paadaatha paattellaam... from film: veerathirumagan (1962) - original
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second home production and he wrote the script and lyrics for the movie. the movie' s cast is
after the execution of kattabomman in 17 october 1799 at kayattar, chinna marudhu gave asylum to kattabomman' s brother oomadurai (dumb brother). but, the british took this reason to invade and attacked sivaganga in 1801 with a powerful army. the maruthu pandiyars and their allies were quite successful and captured three districts from the british. british considered it as a serious threat to their future in india that they rushed additional troops from britain to put down the maruthu pandiyars' rebellion .
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ella mai – boo' d up (remix) ft. nicki minaj & quavo
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although aairathil oruvan (tamil) movie is nice, but it falls short for becoming an epic movie. so i' d highly recommend arundhati if you haven' t watched it .
baahubali is as much a tamil film as it is a telugu film. why do people refer to baahubali as a telugu film ?
telugu movie industry is particularly famous for it’s portrayal of historical characters in movies and narration. my personal telugu list is as follows :
maya bazaar (1957). when i say there is no such movie even now, it’s not an exaggeration. many praises are written on this movie, so will not get into it’s greatness anymore. and it’s also in tamil .
lava kusa (1963) based on uttara kanda of ramayana, this depicts the lives of lava and kusa, sons of rama .
narthanasala (1963). this historical film is based on virata parva of mahabharatha and focuses on the last year of the pandavas exile .
dana veera sura karna (1977). based on mythological character, karna, this movie presents a different take on the events of mahabharatha. the dialogues and maya sabha scenes are excellent .
rudramadevi (2015) this is based on life of rudramadevi, one of the few ruling queens in indian history. she is a prominent ruler of kakatiya dynasty .
gautamiputra satakarni (2017) the festival of ugadi is celebrated for his ascension to the throne. it is also said that salivahana sakha started with the same date (dates / time / era variations and no conclusive evidence that the era indeed started then )
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like magadheera and baahubali
, you mean the content + acting or the vfx? if it is by vfx, i can' t think of any tamil or telugu movie as such. but if you want to see some historic movies, for their content, try aairathil oruvan (tamil), . its not a period movie, dating back to previous centuries, its plot is like
what if the descendants of cholas and pandyas are still alive, and they decide to wage a war now, where one group is living as tribes with their ancient culture and language, and the other as modern citizens
interesting isn' t it? do watch. next would be karnan. very old movie that you can find it on youtube. still it is grand, and the story is around karnan, and not around krishna or arjuna .
very interesting question. even, if you question me i can say mayabazar z the best forever in india industry without any hesitation .
telugu film' mayabazar' has topped the poll conducted by television news channels to find out india' s greatest film till date. following malayalam film' manichitrathazhu' came 2nd while another malayalam film' oru vadakkan veeragatha' grabbed the 3rd spot .
almost every big name of telugu, tamil and kannada film industry was associated with kadri venkata reddy' s film' mayabazar', which was released in 1957. be it cinematography or be it music, this film was a pioneer in every sense. the theme of the film threw a new light on the events of mahabharata .
there are many movies directed by vitalacharya by blending mythological and historical aspects. most of them are supernatural in genre. for bahubali type of movies i would recommend some movies but i am afraid there will be no subtitles as they are pretty old movies in late 1950' s. 1) raja makutam which story was inspired from shakespeare' s hamlet
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this film is about telangana rebellion against nizam dominion and feudal system in 1940' s ...
ntr classic' daana veera sura karna' mahabharath from karna point of view ...
shankar' s classic film deals mainly with corruption. this film portrays the freedom movement. . and rebellion against british to modern corruption .
chandralekha is a 1948 indian tamil historical fiction film directed and produced by s. s. vasan. starring t. r. rajakumari, m. k. radha and ranjan in the lead roles, the film follows two brothers named veerasimhan and sasankan, who fight with each other over ruling their father' s kingdom and for marrying the village dancer chandralekha .
the development of chandralekha began in the early 1940s when, after two successive box office hits, vasan announced that his next film would be titled chandralekha. however, when he launched an advertising campaign for the film, he had only the name of the heroine from a storyline by gemini studios' story department he had rejected. veppathur kittoo, one of his storyboard artists, eventually developed a story based on a chapter of george w. m. reynolds' novel robert macaire: or, the french bandit in england (1848), which impressed vasan. the original director t. g. raghavachari directed more than half of the film, then left the project because of disagreements with vasan, who took over the film in his directorial debut .
chandralekha was a mammoth production, never ever before attempted in india — fantastic sets like palaces, a moat and draw - bridge strong enough to withstand the weight of horses, riders, crowds and all (art director a. k. sekhar) .
and the drum dance, the highlight of the film, the first of its kind in indian cinema. so artistic, so fabulous and so brilliantly choreographed (choreographer jayashankar) .
if you are interested in tamil movies and if you are not merely looking for vfx, then here is a good list in no particular order .
a movie that chronicles the life of the sage agathiyar, who wrote a book on tamil grammar .
a movie that is based on the lives of 4 of the 63 nayammars (tamil shaivite saints) .
a chronicle of the life saint karaikal ammaiyar, one of the sixty three nayamars .
a movie based on the life (a handful of events) of raja raja chola 1 .
a chronicle of the life of veerapandiya kattabomman, a chieftain who fought the british in 18th century .
a chronicle of the lives of marudhu brothers who fought against the british in the 18th century .
. the novel itself if based on real life incodents. it accurately portrays 7th century cholas and pallavas .
this is a film based on one of the five great epics of tamil literature silapadhigaaram .
there are a lot more historical and mythological movies in tamil than the list here. i will include them at another time .
they aren' t weighted historically, you can credit them with lavish production values, excellent vfx and top notch performances. same line of movies include arundathi, a well made horror drama related to a zamindari family .
its not tamil or telugu, its only telugu movies in which you can find historical movies like magadheera. telugu movies are best among all other language films. magadheera arundhati baahubali 1 - nenu okadine (ek ka dum in hindi) telugu movies are always overshadowed by tamil movies. many north people thinks both tamil and telugu are same. that was the sad thing .
the below movies are not great in vfx but, the artistic elements are good. aravaan madarasapattinam hey raam
you will not get something like magadheera that easily but anyways try watching
aayirathil oruvan
. i think it' s worth watching .
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sivaji ganesan - sarojadevi | weekend classic radio show | t. m. soundararajan | rj mana | hd song
en manasukulla - song making | d. imman, surmukhi | maniyaar kudumbam | thambi ramaiah | umapathy | hd
siruponmani asaiyum song with lyrics | ilaiyaraaja, gangai amaran, malaysia vasudevan, s. janaki
after the execution of kattabomman on 17 october 1799 at kayattar, chinna marudhu gave asylum to kattabomman' s brother oomadurai. but, the british took this reason to invade and attacked sivaganga in 1801 with a powerful army. the maruthu pandiyars and their allies were quite successful and captured three districts from the british. british considered it as a serious threat to their future in india that they rushed additional troops from britain to put down the maruthu pandiyars' rebellion .
the soundtrack features 16 songs composed by viswanathan ramamoorthy. lyrics were by kannadasan. singer is s. varalakshmi. playback singers are t. m. soundararajan, seerkazhi govindarajan, c. s. jayaraman, v. n. sundharam, t. s. bagavathi, p. leela, k. jamuna rani, jikki, radha jayalakshmi, p. suseela and a. p. komala .
labels: kannadasan, s. varalakshmi, t. s. bagavathi, viswanathan ramamoorthi
film: sivagamiyin selvan music: msv singer: spb எத்தனை அழகு கொட்டிக்கிடக்குது எப்படி மனதை தட்டிப்பறிக்குது அம்மம்மா உடலெங்கும் சிலிர்க்குது அங்கங்கே இளம ...
the soundtrack features 16 songs composed by m. s. viswanathan - t. k. ramamoorthy .
kanavu kandaen (happy) - t. m. soundararajan & t. s. bagavathi
francesco guccini - cinema... which featured two of guccini' s songs in its soundtrack ,
eskimo
and
canzone di notte n°2
musica per vecchi animali, a 1989 movie directed by umberto... guccini wrote the soundtrack of the 1977 movie nenè, directed by salvatore samperi, and his song
acque
featured in the soundtrack of nero, the 1992 movie directed by ...
book soundtrack s... see also categorybook soundtracks only a few cases exist of an entire soundtrack being written specifically for a book... a soundtrack for j... this was an eccentric, experimental project, in contrast to all other soundtracks, as the composer was allowed to convey general moods and themes, rather than having to write music to flow ...
karen o - career - soundtrack work... o was featured in the track
cut me up
by har mar superstar for the soundtrack to the 2005 horror film house of wax... contributed vocals to a version of bob dylan' s
highway 61 revisited
for the i' m not there movie soundtrack... ross on a cover version of led zeppelin' s
immigrant song
for the soundtrack to the english - language version of the film the girl with the dragon tattoo, for which ...
the matrix revolutions - production - soundtrack... although davis rarely focuses on strong melodies, familiar leitmotifs from earlier in the series reappear... for example, neo and trinity' s love theme—which briefly surfaces in the two preceding movies—is finally fully expanded into
trinity definitely
the theme from the zion docks in reloaded returns as
men in metal
, and the energetic drumming from the reloaded tea house fight between neo and seraph opens
tetsujin
, as seraph, trinity and morpheus fight off club hel' s three doormen ...
ben folds five - discography - soundtrack s and compilations... wrong soundtrack (1996) - contributed
song for the dumped
the truth about cats dogs soundtrack (1996) - contributed
bad idea
kcrw rare on air, volume 3 (1997) - contributed
al ...
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s. s. rajendran s. varalakshmi kamala lakshmanan t. k. bhagavathi m. n. rajam
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dear friends, as shri shankar said elsewhere, it will be more appropriate if you follow the evolution of mellisai mannar. to start with, we shall discuss the songs composed from the early 50s. our first melody comes from the film vaira maalai, vanchamidho, vanjaiyidho, sung by the legendary tiruchy loganathan and m. l. vasantha kumari. though koovaamal koovum kokilam was the popular number, this one is a class of its own. listen: urltoken raghavendran _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ visit my website for viswanthan - ramamurthi urltoken my blogs: urltoken urltoken urltoken urltoken
sivagangai seemai is a 1959 tamil feature film directed by k. shankar . this was kannadasan ’s second home production and he wrote the script and lyrics for the movie . the movie 's cast is s. s. rajendran , s. varalakshmi , kamala lakshmanan and m. n. rajam in lead roles . 
sivagangai seemai is a 1959 tamil feature film directed by k. shankar. this was kannadasan ’s second home production and he wrote the script and lyrics for the movie. the movie's cast is s. s. rajendran, s. varalakshmi, kamala lakshmanan and m. n. rajam in lead roles.
sivagangai seemai is a 1959 tamil feature film directed by k. shankar. this was kannadasan ’s second home production and he wrote the script and lyrics for the movie. the movie's cast is s. s. rajendran, s. varalakshmi, kamala lakshmanan and m. n. rajam in lead roles.