guru ( 2016 film )
is also getting ready to release his film ���guru���, which is presented by eros international, during january 2016. so, after diwali dhamaka, we hope to see new year bash too, with ���guru��� declaring its release during january 2016 .
book release :
guru dutt - mooru... - bengaluru international film festival | facebook
“surely the most beautiful film at cannes 2016. ” — jonathan romney, sight and sound
tony robbins in action in “tony robbins: i am not your guru. ”
reviewed at sxsw film festival (headliners), march 14, 2016. running time: 115 min .
tony robbins isn' t a guru; he just plays one in your mind .
guru…. . aata countdown suru! the superstar of marathi cinema, ankush chaudhari is back! he’s the heartthrob of the masses, the master of mischief and the guru of swag .
never miss a story from movie time guru, when you sign up for medium. learn more
watch the epic teaser of eros international’s upcoming marathi movie ‘guru’ starring ankush chaudhari & urmila kanetkar kothare .
2016, albert serra, france, 115 min. with jean - pierre léaud .
a young man leaves india to find fame and fortune in america where he unexpectedly becomes a sex guru .
tony robbins: i am not your guru, a feature documentary film about internationally renowned life and business strategist tony robbins, is a revelatory cinéma vérité film that goes behind... see full summary »
copyright © 2015 - 2016 ruhinita media pvt. ltd. all rights reserved. powered by
2016, danièle thompson, france, 114 min. with guillaume canet, guillaume gallienne .
2016, zoltán kamondi, hungary, 105 min. with adél kováts, eszter ónodi .
2016, gianfranco cabiddu, italy, 99 min. with sergio rubini, ennio fantastichini .
2016, stergios paschos, greece, 94 min. with iro bezou, haris fragoulis .
2016, snježana tribuson, croatia, 102 min. with ksenija marinković, renata pokupić .
2016, doris dörrie, germany, 108 min. with rosalie thomass, kaori momoi .
2016, thomas lilti, france, 99 min. with françois cluzet, marianne denicourt .
2016, françois ozon, france, 113 min. with paula beer, pierre niney .
2016, eugène green, france, 113 min. with victor ezenfis, mathieu amalric .
2016, tassos boulmetis, greece, 99 min. with yiannis niarros, themis panou .
2016, zrinko ogresta, croatia, 85 min. with ksenija marinković, lazar ristovski .
2016, kevin meul, belgium, 82 min. with aaron roggeman, romy lauwers .
the team which made ‘duniyadari’ is back with director sanjay jadhav. guru will lock horns with swapnil joshi starrer ‘friends’ .
2016, jameson cucciardi, malta, 80 min. with maria pia meli, aldo zammit .
2016, ivan cotroneo, italy, 102 min. with rimau ritzberger grillo, valentina romani .
2016, ali abbasi, denmark, 93 min. with ellen dorrit petersen, cosmina stratan .
ankush chaudhari is the king of action for some time now in marathi film industry and if that gets mixed with fun, comedy and style, then it becomes an entertainer called as ‘guru’. sanjay jadhav brings yet another stylish movie titled ‘guru’. the official trailer for the movie is out now .
2016, olivier assayas, france / germany, 105 min. with kristen stewart, lars eidinger .
2016, adrian sitaru, romania / france, 100 min. with sorin cocis, andrei gajzago .
2016, maria schrader, austria / germany, 106 min. with josef hader, barbara sukowa .
2016, joachim lafosse, belgium / france, 100 min. with bérénice bejo, cédric kahn .
2016, szabolcs hajdu, hungary, 81 min. with orsolya török - illyés, szabolcs hajdu .
2016, argyris papadimitropoulos, greece / germany, 104 min. with makis papadimitriou, elli tringou .
2016, icíar bollaín, spain / germany, 99 min. with anna castillo, javier gutiérrez .
2016, paula van der oest, netherlands, 100 min. with pierre bokma, rifka lodeizen .
2016, dieter berner, austria / luxembourg, 110 min. with noah saavedra, maresi riegner .
2016, marko sosič, slovenia / italy, 75 min. with marjuta slamic, ivo barisic .
2016, roger mainwood, uk, 94 min. with jim broadbent, brenda blethyn, luke treadaway .
2016, paul negoescu, romania, 86 min. with dorian boguţă, dragoș bucur, alexandru papadopol .
2016, john butler, ireland, 95 min. with fionn o’shea, nicholas galitzine, andrew scott .
2016, joão pedro rodrigues, portugal / france, 117 min. with paul hamy, chan suan .
after duniyadari the dhamakebaaz performance is coming to entertain the audience. ‘ guru ‘ will give you the best and hatke start of the new year because this movie has planned to release in new 2016 year on 22nd january all over maharashtra .
despite the film' s titular claim, robbins is very much allowed to play the guru for the full 116 minutes, with no one willing to separate the sage advice from the snake oil .
i wrote a column on the songs of pyaasa as it’s the hindi film i keep rewatching. it remains an extraordinary film .
“easily the most gripping film i saw in melbourne…much as certain novels can be described as page - turners, this film is incontestably a frame - turner. ” — jonathan rosenbaum, film comment
“a dreamlike film that skillfully mixes apocalyptic and mystical elements…a blasphemous, reinvigorating and necessary film. ” — muriel del don, cineuropa
verdict: a funny action movie with a heart sanjay jadhav and ankush chaudhari strike again! after checkmate and duniyadari, comes guru. guru is a feel - good action entertainer, with super comic - timing, and its heart at the right place. sanjay jadhav is really good at making movies that look great. guru is an out - and - out entertainer, that albeit [ ] ...
2016, pernilla august, sweden, 115 min. with karin franz körlof, sverrir gudnason, michael nyqvist .
2016, bruno dumont, france, 122 min. with juliette binoche, fabrice luchini, valeria bruni tedeschi .
2016, ralitza petrova, bulgaria / denmark / france, 99 min. with irena ivanova, ventzislav konstantinov .
2016, amanda kernell, sweden / norway / denmark, 110 min. with hanna alström, anders berg .
2016, jean - françois laguionie, france, 75 min. with dominique frot, jean - françois laguionie .
“this film and its director are going places…the film belongs to vásáryová as her strong performance commands virtually every frame. ” — pat mullen, cinemablographer
first image of ankush chaudhari and sanjay jadhav make people crazy about their coming project and everyone excited to see duniyadaari’s actor - director jodi again in ‘guru’ .
eros international company planning to produce marathi movie again. eros international coming with marathi movie ‘guru’ directed by sanjay jadhav based on a script by ashish parte .
2016, jean - pierre dardenne and luc dardenne, belgium / france, 113 min. with adèle haenel, olivier bonnaud .
this new year ankush chaudhari is coming back with new movie ‘guru’ directed by sanjay jadhav. with ankush, actress urmila kanetkar will be seen in lead role .
venkatesh guru release date confirmed? . # guru film ft. venkatesh and ritika singh. guru telugu movie movie is directed by sudha kp. music composed by santhosh narayanan and produced by sashikanth on y not studios. stay tuned to telugu adda for more latest telugu movie news & updates - urltoken guru telugu movie is the remake of tamil movie irudhi suttru starring r madhavan and ritika singh. this movie was simultaneously directed in hindi as saala khadoos. click here to watch: ▶ ram charan' s invitation for khaidi no 150 pre release function - urltoken ▶ pawan kalyan examines new 500 & 2000 notes - urltoken ▶ rajamouli mahabharata characters - urltoken stay tuned to telugu adda for more latest telugu movie news & updates - urltoken
i limited myself to movies with 2016 timestamps, thus eliminating titles such as knight of cups, cemetery of splendour and cosmos (all 2015). the lodge kerrigan - amy seimetz television series the girlfriend experience (2016) also deserves consideration alongside anything released theatrically .
the best film i saw in cannes this year. kirill serebrennikov’s film creates theatre within cinema, while touching boldly on many of the issues of contemporary russia .
“a spirited coming - of - age story…a stylish and assured film about self - discovery as an on - going adventure. ” — toronto international film festival program
“an insightful teen drama that adroitly tackles a whole slew of issues such as homophobia, bullying and date - rape sex. ” — roger walker - dack, queer guru
2016, peter brosens and jessica woodworth, belgium / netherlands / bulgaria, 94 min. with peter van den begin, lucie debay .
the most awaited moment in just one click. yes! here is the first teaser trailer of guru and our ankush chaudhari is back in the brand new movie. guru is the upcoming marathi movie directed by sanjay jadhav and produced by eros international company. along with ankush chaudhari actress urmila kanetkar will be seem in lead role in this movie .
the film crew taken the next level of advertising by asking the viewers who watch the film by pirated copies to pay the amount to particular bank account number kindly .
2016 has been roundly terrible. even vine, one of the greatest sources of creative expression for young (black) talent, didn’t survive .
anthony hopkins really is a prime example of that rare breed of actor whose magnetic presence can lift a film a few notches. with colin farrell also on board, the film boasts a strong cast that makes you wonder why the film bypassed cinemas here .
sxsw conferences offer the unique convergence of original music, film, and emerging technologies .
on july 15, netflix will release the premiere of “ tony robbins: i am not your guru. ” the feature documentary is the 12th film from joe berlinger (“brother’s keeper”) and is about the acclaimed motivational speaker, best - selling author and personal finance strategist. it will receive its worldwide debut at the sxsw film festival on march 14 .
, who is presently in great form, with two successive hits, in the form of ���double seat��� and ���dagadi chawl���. ankush too wants to make it a hat trick with this film, as a successful solo hero. by the way, ���guru��� stars ankush along with
i would have liked to have seen la la land for 2016, but it won’t be released til december in india, where i currently am .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
director, international film festival and awards macao s. a. r. macao, china
academy award® - nominated filmmaker and leading voice in nonfiction film and television for two decades .
i don’t think that 2016 was a great year for film – or anything else, for that matter – but here are the ones i most enjoyed, a - z. i’m happy that my list includes two female directors, an old favourite back on form, a (mostly) b & w subtitled film and a healthy dose of horror .
a netflix original documentary film about life coach tony robbins, i am not your guru follows robbins and his team for six days. joe berlinger and his film crew go behind the scenes of robbins’s annual seminar in boca raton, fla. , to examine the event — from its production to its impact. in addition to helping the seminar’s 2, 500 attendees, robbins counsels more than 200, 000 people a year. the film captures his methods and his approach to achieving success .
“expertly crafted…meticulous…it’s the class struggle in a nutshell. ” — giovanni marchini camia, the film stage
“a film swimming in symbolism, transgressive eroticism and perplexing detail. ” — ben nicholson, cinevue
arnold’s film perhaps most expressly gives vibrant voice to the socially disenfranchised, yet in magnifying and caressing the everyday plight of a middle - aged woman most storytellers would relegate to the sidelines, hansen - løve’s exquisite starting - over study – my favourite film of 2016, though i’m not inclined to rank any further – feels just as pointed and gracefully subversive .
for the year 2015, sanjay jadhav didn���t have a good time, as both his films ���pyaarwali love story��� and ���tu hi re��� not achieving expected success. so, for sanjay, it is very necessary to begin the new year with a bang, as he has two more big projects, to handle during 2016. luckily, for ���guru��� he has his ���duniyadari��� lucky star
watch indian girl telugu short film from the director guru prasad vardham setti. # newtelugushortfilms2016. short film: indian girl cast: jhansi rathod, sushma, anand, karthikesh, vijay, siva teja, pavan, deekshit, nagaraj. production manager: siva aavula music: sri venkat cameraman: vineel, sudheer keerthi story - screenplay - dialogues - producer & direction: guru prasad vardham setti. subscribe for updates - urltoken short films - urltoken full length movies - urltoken daily schedule - urltoken spoof videos - urltoken comedy videos - urltoken and urltoken video juke box - urltoken kids videos - urltoken radio - urltoken devotional - urltoken
also below, the best films from britain, europe, the usa, latin america and asia, those by female directors and those released in the uk in 2016 .
another essential viewing for 2016. beyond his striking and visceral visual accomplishments, director zhao liang tackles the dynamics of exploitation, triggering much - needed wider discussions about sustainability .
the fact that the' 84 version became a phenom is as strange, really, as the 2016 version becoming a war between idiot men and all kinds of women .
if you like sanjay jadhav films post duniyadari, commercial south indian cinema, rohit shetty films and the trailer of guru, this film is exactly what you expect it to be, and you will probably love it. also, you can stop reading here. for the rest of you, there is more .
“a wonderful, refreshing film driven by a pair of excellent performances. ” — pat mullen, cinemablographer
“tony robbins: i am not your guru” opens wednesday at ifc center in manhattan; on friday it begins streaming on netflix and opens in theaters nationally. it is not rated. running time: 1 hour 54 minutes .
a big heart conman guru witness a murder and falls into a scandal. he decides to return to his village to avoid the scandal where he notices his village is under the threat of being... see full summary »
one of my most significant film experiences this year was watching ghostbusters, not because it was an exceptionally good film (it wasn’t), but because it was thrillingly groundbreaking: a mainstream non - romantic comedy sci - fi starring women. growing up in the 80s my movie heroes were the male ghostbusters, marty mcfly, ferris bueller; i’m pleased that the kids of 2016 have more diverse options .
a great year for cinema, and i still haven’t seen albert serra’s new film. in no particular order :
another is eduardo williams’ truly radical and new the human surge, another undistributable film in the most honorable sense .
“continually revealing in its bevy of details…a beautiful, transcendent viewing experience. ” — nick newman, the film stage
while entering the cinema hall to watch guru, one is bound to have apprehensions about the film; firstly because it sees ankush chaudhary and sanjay jadhav collaborating again and more importantly because jadhav 's earlier films have been panned for being repetitive. thankfully, this one isn 't like that although it borrows some trademarks of the director 's style .
running simultaneously with sxsw interactive and sxsw music, film festival attendees have the opportunity to connect with tech and music industry experts, making the sxsw film festival an unparalleled experience at the forefront of discovery, creativity, and innovation .
please note: this trailer does not have english subtitles. our screenings of the film will be subtitled in english .
tony robbins: i am not your guru a feature documentary film about internationally renowned life and business strategist tony robbins, is a revelatory cinema - verite film that goes behind the scene of his mammoth seminar date with destiny, attended by over 2, 500 people in boca raton, florida each year, to give an insider look at how one man can affect millions. granted never before seen access to the behind the scenes machinations of this mega - event, this film captures both the immense effort of producing this live seminar as well as the life changing transformations of the participants in real time .
bafta guru is bafta’s content hub for career starters packed full of inspirational videos, podcasts and interviews. whether you’ve taken your first steps in the industry or are just starting out, you’ll find plenty here to motivate and help you along the way .
this is us (nbc, 2016) is the kind of smart, moving, adult drama that used to be found in us independent cinema but has now found a happy home on network tv .
bafta’s destination for youngsters to come and discover the magical worlds of film, television and games. enter challenges, watch videos, and take part in our annual vote to decide the best film, tv show and game of the year .
sign up: stay on top of the latest breaking film and tv news! sign up for our email newsletters here .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
making films in 2016 helped quench my ongoing thirst for cinema. i was so busy working that i missed arabian nights, son of saul and fire at sea, but i’ll see them some tuesday afternoon in 2019 .
2016 felt like a solid year, especially since my hope at the beginning of each year is to be inundated by films that are both able to inspire and to take a risk or and to challenge mainstream cinematic languages .
though it premiered in 2015, roberto minervini’s the other side (which appears to have only had theatrical runs starting in 2016) is both startlingly formally accomplished and a rarely insightful film on angry, economically dispossessed white americans at the nexus of severe drug abuse, racism and anti - government paranoia – it’s essential, explanatory viewing for the vile trump era .
oh yeah they were also all made by women, first feature or first mid length film. but first they are great films .
my preferred films from 2016 are all great essay films (of one kind or another). these days i’m not remotely systematic when it comes to contemporary film viewing generally. but i do keep a relatively close cinephile eye on new essay film production, perhaps especially as someone interested in the essayistic forms of audiovisual expression increasingly being produced in and around academia. i particularly loved the illinois parables, a brilliantly made work by experimental documentarian deborah stratman, who is also associate professor in the school of art
we all know ankush chaudhari for his versatile acting and in this film also audience will get treat of his different look and new dialogues .
it was announced a few weeks ago that srk and rohit shetty are producing a marathi film to be helmed by sanjay jadhav. after watching
tony robbins' clients swear by his unorthodox life coaching methods. a revealing film goes behind the curtain at his annual mega - event .
the odd one out in the women - themed group is la la land, arguably the most dazzling film of the year. accomplished in every aspect, it’s both a homage to and a rewriting of hollywood’s classic musicals. while in whiplash damien chazelle explored the dark side of artistic virtue, in his second film he denies his characters a conventional happy ending. only the harshest cynics will resist this film’s bittersweet charm .
constantly impressive in its ability to seamlessly weave footage exposing views of the political spectrum, a german youth offers perhaps the strongest narrative experience of the entire [ 2016 art of the real ] festival .
— eric barroso, mubi notebook
napoleon’s digital reincarnation was undoubtedly the archive film event of the year, followed by a new box set of films by african - american cinema pioneers. as a silent film advocate, i am intrigued to hear reports that hollywood blockbusters are cutting back on dialogue. the execs over there should look to studio ghibli’s the red turtle as an example of how to make a modern, and excellent, film without speech at all .
the trailer is filled with lots of fun, comedy, style, music, dance and action. guru played by ankush is a conman, earning his livelihood by manipulating rich people but is also the king of hearts in his neighbourhood along with his lady love mango dolly aka urmila kanitkar - kothare .
for here or to go? movie review: ali fazal and omi vaidya' s film has potential to touch a nerve but ...
2016 was the year of the woman and so on this occasion it was important for me to focus in on five outstanding films made by female filmmakers at various stages of their careers. an honourable queer mention must go to cemetery of splendour by apichatpong weerasethakul. my festival highlights were listening to lizzie borden tells us about the making of born in flames at the london film festival and donna deitch present desert hearts at bfi flare. my film season highlights were dissent and disruption: the complete alan clarke at the bfi and laura mulvey
spielberg’s the bfg may be the funniest, spookiest, most exquisitely crafted children’s film since the wizard of oz. even its farting scenes are witty .
this outstanding icelandic debut feature film is a coming - of - age / family drama work that excels in its narrative arch, acting and cinematography .
it aims to be a good family film for the summer movie season, and it fits right in with the buttery popcorn i ate while watching it .
special events live soundtracks, cult re - issues & much more. our special events section offers unusual, unexpected & unique one - off film events .
i have smuggled on to the list one film revived from the past: the brick and the mirror (1965), which is by far the most stylistically daring film i have revisited (and occasionally presented and screened) in 2016. golestan’s bleak masterpiece, arguably the best of iranian pre - revolutionary cinema, captures an atmosphere of political anxiety and paranoia and transforms it into a timeless image of any society governed and manipulated on the basis of fear of the other – more or less a mirror held in front of us at this troubled moment in the 21st century .
honourable mentions: in television, orange is the new black and louis c. k. ’s web - series horace + pete. on film, lemonade !
the film plays a lot like too - little - too - late, a sometimes - clever thriller with a couple of performances that rise above the material .
the sxsw film festival celebrates raw innovation and emerging talent from both behind and in front of the camera. featuring provocative dramas, documentaries, comedies, genre standouts, and more, the festival has become known for the high caliber and diversity of films presented, and for its smart, enthusiastic audiences. submit your film
headliners big names, big talent: headliners bring star power to sxsw, featuring red carpet premieres and gala film events with major & rising names in cinema .
a big heart conman guru witness a murder and falls into a scandal. he decides to return to his village to avoid the scandal where he notices his village is under the threat of being forcefully evicted to make way for a' mega city. the murder he witnessed is part of a big conspiracy and has connection to his village .
anyone who’s wanted to take a plunge into motivational speaking superstar tony robbins’ “life performance coaching” without surrendering a larger chunk of time or cash now have the option of watching “tony robbins: i am not your guru, ” which condenses one of his trademark seminars down to two - hour form. those expecting insight into robbins’ life [ … ]
serra’s film doesn’t mock or make heavy weather of the notorious layers upon layers of ritual and protocol that distinguished the royal court at versailles. but throughout we are sharply aware of the stark dichotomy between the corporeal presence of the king – a dying, rotting body which will be dissected and dismantled by royal surgeons at the end of the film – and the idealised nature of the ‘royal body’ as pure symbol… for his latest ‘sacred monster’ study, serra has made a film in a somewhat classic mode – ‘classic’ in the sense of contained, stately, solemn – and a film that is extremely beautiful and even moving, in a rigorously detached way .
toni erdmann is another film that takes genre and drags it, kicking and screaming, somewhere else. its ‘flaws’, or rather, foibles, are what gives it some kick. seeing that in a packed 1, 600 - seat house at the vancouver international film festival was a highlight of the year, no question .
the film event of the year was the complete retrospective of the films of jean - marie straub and danièle huillet at the museum of modern art, new york .
all lists are provisional, but this one includes variety at least. the albert serra film shown at the london film festival was an incredible delight, an unexpected and inventive response to constraint, and a chance for actors to show what they could do with not much at all, and what they could do was very good .
warm human drama... gay shows that it' s possible to entertain a crowd and say something significant .
— amber wilkinson, eye for film
my selection of five films is more of a cake slice than a ‘best of 2016’. it shows the dense abundance of reality that we occupy as a narrative source, from data to diaries, and the pictorial and temporal frames through which these layered sources can be represented on screen .
and finally cameraperson… kirsten johnson discovers a profound, personal and political nonfiction cinema in discarded and unwanted images, odds and ends, widows and orphans. if i had to shoot one movie into space to sum up this crazy, chaotic, hurting world in 2016 it would be this one .
a buoyant, summery tale... green is a master, and this may be his most pleasurable film to date .
— kieron corless, sight and sound
for nine days in march, creatives of all stripes gather for the acclaimed sxsw film program to celebrate raw innovation and emerging talent both behind and in front of the camera .
one of my other choices here stands for the two lav diaz films i saw in 2016, the other being the flawed, wayward a lullaby to the sorrowful mystery, but my vote for his venice prize - winner is also a vote for an exemplary continuing adventure in filmmaking as passionate mission. other films that made 2016 for me included: the untamed, the son of joseph, personal shopper, elle, fire at sea, paterson, ivo ferreira’s underrated letters from war, nele wohlatz’s joyously deadpan comedy about language the future perfect, bertrand bonello’s dazzling if contentious nocturama, and the first marvel film i’ve cared about in a long time, doctor strange – which, like jeff nichols’s midnight special, represented a vote of faith in the screen possibilities of the digital sublime .
no film this year was more formally enlivening than fraud. once its central characters began to set fire to their own house, i had absolutely no idea what i was watching .
finely chiseled and superbly played... the film bristles with humor, mostly drawn from life, and illuminating moments of irony .
— boyd van hoeij, hollywood reporter
these were the films i saw in 2016 that made my heart beat faster (in a good way) than any of the others i saw. these films made me come away from the cinema with my head buzzing, offering the cinefile’s favourite sensation of having seen a film that gives you food for thought for days afterwards. craft and hard graft. yep. ambitious texturing and layering. yep. editing ellipsis to create story. yep. gripping to the last frame. totally .
most of the film is bits of action cut together in flashy fashion. it was clear the filmmakers got scared of the lack of success of batman v superman and started cutting and re - shooting, turning this film is something completely different from what it should have been. character depth and story got lost to make way for pretty action and forced comic relief .
the hateful eight would have been no 6 – a major admission from a tarantinophobe like me. elsewhere, the barrier between film and television seems increasingly arbitrary, and not just because of the big netflix originals: a four - parter such as c4’s national treasure is a film in all respects – script, direction, camerawork, performances – except means of delivery .
i’ve restricted my five to 2016, and there are a lot i haven’t yet seen. revelations from the past were two silent films by frank borzage: back pay and the pride of palomar (both 1922). they make you understand once again why those who’d known only silent cinema resisted the coming of sound .
other than being completely predictable, there is no major fault with the graph of the film. in fact, it could have been enjoyable for a larger audience bracket if presented on a lower key. but that’s not the directorial intent. the film is designed to imitate the current crop of south indian (action - comedy - masala) films, or their bollywood counterparts like
an examination of the ethics of nonfiction filmmaking by way of a first - person diary film, featuring outtakes from 25 years’ worth of documentaries shot by fahrenheit 9 / 11 cinematographer kirsten johnson .
wilder and freer than the more classical stranger by the lake, the film literally reinvents itself from scene to scene, and yet somehow feels all of a piece. brilliantly, blackly comic .
“confident, unflinching filmmaking…secures a place for papadimitropoulos alongside yorgos lanthimos, alexandros avranas, and athina rachel tsangari on the list of emerging film talent from greece. ” — wendy ide, screen daily
tony robbins: i am not your guru, a feature documentary film about internationally renowned life and business strategist tony robbins, is a revelatory cinéma vérité film that goes behind the scenes of his mammoth seminar
date with destiny ,
attended by over 2, 500 people in boca raton, florida, each year, to give an insider look at how one man can affect millions. granted never before seen access to the behind the scenes modus operandi of this enormous event, this film captures both the immense effort of producing this live seminar, as well as the life - changing transformations of the participants in real time. embedding with tony robbins and his team over the course of six days, academy award nominated filmmaker joe berlinger turns an unflinching eye on tony robbins' powerful and uncompromising approach to achieving success, ensuring the attendees leave
date with destiny
with new perspective on the forces, thoughts, and feelings that motivate their behavior and help them take ...
tony robbins: i am not your guru, a feature documentary film about internationally renowned life and business strategist tony robbins, is a revelatory cinéma vérité film that goes behind the scenes of his mammoth seminar
date with destiny ,
attended by over 2, 500 people in boca raton, florida, each year, to give an insider look at how one man can affect millions. granted never before seen access to the behind the scenes modus operandi of this enormous event, this film captures both the immense effort of producing this live seminar, as well as the life - changing transformations of the participants in real time. embedding with tony robbins and his team over the course of six days, academy award nominated filmmaker joe berlinger turns an unflinching eye on tony robbins' powerful and uncompromising approach to achieving success, ensuring the attendees leave
date with destiny
with new perspective on the forces, thoughts, and feelings that motivate their behavior and help them take control of their lives. pulling back the curtain on tony robbins, a man that traverses the globe and counsels over 200, 000 people annually, including world leaders, pundits, entrepreneurs, ceos, athletes and celebrities, through interviews and unprecedented access, tony robbins: i am not your guru is an emotional tour de force that unveils the inner - workings of this mega event, the zealous participants and the man himself .
those are topics for another film to pursue, however — definitely not the one berlinger is making here. the occasional questions he asks robbins during seminar breaks, or at the subject’s palm beach home, are pointed enough but lack depth or follow - through. near the end, robbins himself shrugs that no one would be interested in a movie about him — i. e. , his life and career off the podium. that may well be a faux - humble evasion, and is wrong besides. but it deftly acquits “i am not your guru” of any responsibility in peeking behind the wizard’s curtain .
, this film is exactly what you expect it to be, and you will probably love it. also, you can stop reading here. for the rest of you, there is more .
at best, the film is a rorschach testimonial, lionizing its subject while offering enough objectivity to allow non - believers to opt out. at worst, it' s a very long infomercial .
as powerful an experience as the theatrical version of notes on blindness was, the virtual reality experience was doubly so. whether 2016 stands as ‘the year that vr broke’ (however you wish to interpret this) or not, here is a project that lays down a real marker for its potential to tell meaningful stories – including documentary ones .
i don’t like to take an elitist position, and firmly believe that a fair review must consider the target audience the film is made for. every reader who bothers to read the review is a potential audience member and expects the reviewer to clue him in about the experience. to achieve this, one needs to keep a clear mind and a neutral point of view when watching anything. with a film like
for its rich layers and hypnotic sensuousness. based on a deeply personal play by tarell alvin mccraney, barry jenkins’ film is a brilliant exploration of the relationships that have a profound impact on protagonist chiron’s destiny .
dog eat dog and elle were the most flagrant, entertaining films of the year. both elle and things to come proved that all you need to make a great film are isabelle huppert and a cat .
a thought - provoking film that plays with its storytelling tools to delve into human psychology, the aftermath of disaster, and how we can survive through small everyday ways .
— sarah jilani, filmdoo
my favourite film of the year contained many such moments, not least its lightning - in - a - bottle opening title sequence, in which the entirety of human existence seemed effortlessly distilled into a single sneeze .
finally, the moment laurent lafitte pulled isabelle huppert from a totalled car in elle, paul verhoeven declared himself ready to answer the questions laid out in his most unfairly maligned film, the enduringly provocative hollow man .
a lovely portrait of the past... ritesh batra' s second film finds the simple beauty in julian barnes' novel, with the help of a stellar cast .
— steve greene, indiewire
“tony robbins: i am not your guru” goes behind the scenes of tony robbins’ annual seminar, date with destiny. every year in florida, over 2, 500 people attend robbins’ most intimate and intensive event, which last six days and nights. robbins gave the crew access to the event itself, as well as its production, daily regimen and the inner workings of the creative team. berlinger stated that his goal “was to share a profound experience that i myself underwent. while the event itself may not be for everyone, i hope my approach will help audiences think about the nature of their own lives as they witness the transformations of the characters in the film. ”
the accountant should be a straight - ahead thriller, but the film keeps tripping over its own incompetent feet. maybe it was made for adults, but it sure doesn' t feel like it was made by them .
the first edge - of - my - seat western i’d seen since the 1970s – literate, harrowing, masterfully melding puckish humour and scalding horror; a film, like deliverance, that one leaves feeling like a survivor .
very enjoyable... this film is not just for foodies (although it’s totally for them), but also for those who just enjoy watching people do what they love .
— adelaide blair, the macguffin
tony robbins is a # 1 new york times best - selling author, entrepreneur, and philanthropist. for more than 38 years, mr. robbins has empowered more than 50 million people from 100 countries through his life training programs and live events, like date with destiny, as featured in the film tony robbins: i am not your guru. he created the # 1 personal and professional development program of all time, and more than 4 million people have attended his live seminars. as the nation' s # 1 life and business strategist, his expertise has been called upon by some of the world' s finest athletes, entertainers, fortune 500 ceos, and even presidents of nations .
the hero is autistic, a wizard at math, an expert at martial arts and an ultra - skilled sniper who is leading a double life. but all this is not enough to make the accountant a film worth seeing .
my two favourite film events of the year both happened in the first week of november: john carpenter playing his scores live at the troxy and carl davis conducting the bfi’s digital restoration of napoleon live at the royal festival hall .
so we have a couple of highly inventive, beautiful documentaries; sarah pucill’s second adaptation of claude cahun’s writings, capturing the fragmented poetry of its source; and tscherkassky’s exquisite corpus, which (like morrison’s) is a film about film, using archive material. i don’t know if i can conclude from this that conventional narrative is, at this point, one of the least interesting approaches, or if it’s just one of the least interesting to me .
two sights in christine epitomised that film’s examination of the precarious ties that bind us to this world: the anguish on rebecca hall’s face mid - argument, and the loneliness of maria dizzia’s final singalong in the face of death .
among the other highlights of my cinema - going year was a season of ozu films at flagey cinematek in brussels: calm, humane and exquisitely crafted – just the thing to offset the horrors of 2016 and remind one of the better, more civilised world that does still exist, even if it’s only on the screen. if anyone needs me, i’ll be drinking kirin in the luna bar .
all’s well that ends well in this good - hearted romantic comedy that kicks off malta’s current tenure in the presidency of the european union. when sophie (meli), a career woman focused on making her fledgling pr firm thrive, gives her gold - digger fiancé the boot, her imperious granny, who holds the wealthy family’s purse strings, sets the 30 - year - old a deadline to get married or forfeit her inheritance. it’s a rollicking plot that mixes it up with a gardener with a secret plan, a cheating bombshell of a sister, a weak - willed dad, and a bumbling matchmaker priest. the film represents an early step in fostering an indigenous maltese film industry; it was produced through a training program initiated by the malta film commission and made possible through funds awarded by the european social fund. in english and maltese with english subtitles. courtesy of the malta film commission. dcp digital. (bs )
it' s all about father and son. a father who nurtures his son and makes him a good man in this society. he teaches many fathers about fatherhood and their responsibilities. this film shows... see full summary »
tom ford’s second film, based on the book tony and susan by austin wright, follows a los angeles gallery owner who is shaken by the arrival of a novel by her ex that imagines a couple who come to a violent end .
sadly, however, the year’s most memorable event was the shocking, perhaps wholly avoidable death of abbas kiarostami, for me and many others the greatest artist working in film over the last few decades. what a terrible loss to cinema .
an award - winning film that has been called
a must watch
by nobel laureate muhammad yunus and director of the hunger games, gary ross. living on one dollar follows the journey of four... see full summary »
similarities and connections are one thing, but solace seems to grasp at straws and force - link everything when it isn' t necessary. solace is this damaged and lackluster film that sometimes tip - toes in the category of a beautiful disaster .
manchester by the sea is as flat and grey as boston – the palette of grief is unchangingly colourless. yet no matter how it looks from the outside, lonergan takes care to show the many shades of emotion that bereavement encompasses… the way affleck, hedges and williams inhabit his characters in all of their complicated, uncomfortable sadness is the film’s strength, making the time spent with them an exercise in human grace – and as pleasurable a viewing experience as a film about death could hope to be .
and how’s this for a magic moment: i watched chimes at midnight in welles’s daughter’s house, then she made me leftovers frittata. as justice shallow says in the first line of the film, “jesus, the days that we have seen. ”
my most cinematic moment of the year has to be a restoration of the 1922 version of nosferatu accompanied by its original score played by the regional symphonic orchestra of the city i was born in, during the local film festival of seminci. haunting .
“the charming, rousing wwii romance their finest is a film that openly stumps for two causes: the value of women in the workplace, and the power of cinema to tell stories that people need to hear. ” — noel murray, the playlist
2016: year of the unedifying spectacle. brexit in the uk, trumpism in the us, turkey’s dissent - crackdown, brazil’s five - ring circus of vicious inequality, russia’s hydra - headed poisoning of the global body - politic… and lav diaz landing main - jury prizes at both berlin and venice. diaz’s trophies – small beer in the wider scheme of things, of course – consecrate artistic narrative cinema’s blind dance into moribundity .
the accountant is bolstered by its intricate character played by affleck as well as its sophisticated tropes and reveals. while its plot may be a bit too extensive and prolong the film still supplies the drama and efforts of being more than solid. 4 / 5
in “tony robbins: i am not your guru, ” an immersive look at his 2014 seminar in boca raton, fla. , so much is lobbed that this almost fawning documentary plays at times like a horror movie. there is something almost vampiric about this public siphoning of hurt, from the self - loathing of a suicidal young man to the devastating anguish of a woman who survived a childhood of sex slavery. is she on the road to being healed, we wonder, or has she just exchanged one possible cult for another ?
also to note for 2016 is the red spider (marcin koszałka), an impressive story of a young man fascinated by the impulse of evil. curumim (marcos prado) is a shocking documentary about champion paraglider and drug dealer marco ‘curumim’ archer. in the last days of the city (tamer el said) beautifully captures the mood of a city, cairo, and of its people during such a troubled historical period for egypt .
jarmusch’s taste for ordinary vibrant things – such as a perfect box of matches – is here the launchpad for a droll and lovely diary film that captures a week in the life of our couple. it’s an exquisitely modest, heartfelt film with a quietly moving way with gags – pure jarmusch, yet reminiscent too of aki kaurismäki’s tributes to working stiffs. if there’s more than a hint of manic pixie dream girl about laura, it’s offset by her growling english bulldog marvin, to whom paterson is just as much married .
the more i think about it the more i admire the surprise winner of the golden lion at venice. the woman who left is a film that lives in the memory as a moral, political and cultural statement as well as a fine piece of filmmaking .
at date with destiny, tony robbins spends six days tearing down peoples' walls in order to build them up again into their authentic selves. witness the first - ever inside look at this monster event, the methodology behind the workshop, and the life changing, transformational experiences the attendees have under tony' s guidance in netflix' s i am not your guru .
giants
performed by savoir adore subscribe: urltoken about netflix: netflix is the world' s leading internet television network with over 83 million members in over 190 countries enjoying more than 125 million hours of tv shows and movies per day, including original series, documentaries and feature films. members can watch as much as they want, anytime, anywhere, on nearly any internet - connected screen. members can play, pause and resume watching, all without commercials or commitments. connect with netflix online: visit netflix website: urltoken like netflix on facebook: urltoken follow netflix on twitter: urltoken follow netflix on instagram: urltoken follow netflix on tumblr: urltoken tony robbins: i am not your guru | official trailer [ hd ] | netflix urltoken
guru ( marathi : गुरू ) is a 2016 marathi language action film directed by sanjay jadhav and produced by sunil lulla , deepak pandurang rane and bagpiper soda . the film stars ankush choudhary and urmila kanitkar in lead roles . film marks the fourth collaboration of actor-director duo ankush choudhary and sanjay jadhav and first after their blockbuster outing duniyadari . film has a planned release of 22 january 2016 . film is a one of a kind content partnership between united spirits ’ bagpiper soda and eros international . through a unique association , bagpiper soda will be an integrated partner across the film ’s content , promotions and performance . official teaser of the film is released on 18 november 2015 . first official poster of the film designed by sachin gurav was unveiled in an event while official trailer went online on 30 december . 
guru (marathi: गुरू) is a 2016 marathi language action film directed by sanjay jadhav and produced by sunil lulla, deepak pandurang rane and bagpiper soda. the film stars ankush choudhary and urmila kanitkar in lead roles. film marks the fourth collaboration of actor-director duo ankush choudhary and sanjay jadhav and first after their blockbuster outing duniyadari. film has a planned release of 22 january 2016. film is a one of a kind content partnership between united spirits ’ bagpiper soda and eros international. through a unique association, bagpiper soda will be an integrated partner across the film ’s content, promotions and performance. official teaser of the film is released on 18 november 2015. first official poster of the film designed by sachin gurav was unveiled in an event while official trailer went online on 30 december.
guru (marathi: गुरू) is a 2016 marathi language action film directed by sanjay jadhav and produced by sunil lulla, deepak pandurang rane and bagpiper soda. the film stars ankush choudhary and urmila kanitkar in lead roles. film marks the fourth collaboration of actor-director duo ankush choudhary and sanjay jadhav and first after their blockbuster outing duniyadari. film has a planned release of 22 january 2016. film is a one of a kind content partnership between united spirits ’ bagpiper soda and eros international. through a unique association, bagpiper soda will be an integrated partner across the film ’s content, promotions and performance. official teaser of the film is released on 18 november 2015. first official poster of the film designed by sachin gurav was unveiled in an event while official trailer went online on 30 december.