i thank you ( film )
thank you for the music – a film about muzak. photo: mika taanila
thank you for the music – a film about muzak. photo: jussi eerola / kinotar
thank you for the music – a film about muzak. photo: pekka mustonen / kinotar
“it’s saying, ’just because i’m going don’t mean i won’t love you. i appreciate you and i hope you do great and i appreciate everything you’ve done, but i’m out of here,' ” she explained in the love songs interview. “ [ that’s ] basically what i was saying. and i took it in the next morning. i said, ’sit down, porter. i’ve written this song, and i want you to hear it. ’ so i did sing it. and he was crying. he said, ’that’s the prettiest song i ever heard. and you can go, providing i get to produce that record. ’ and he did. ”
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“thank you for coming” will have its world premiere at the los angeles film festival on sunday, june 18. check out our exclusive trailer and poster for “thank you for coming” below .
gonzález iñárritu - - well, when i saw that image i was devastated. i was really shaking and i couldn' t stop crying. i was really scared to make this film, but i accepted because of the caliber of the directors that were involved and the freedom that i would have. i thought,'' i have to be humble as a director.'' and so i stepped back and let people just remember the day and cry in the dark without any shame. like therapy .
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gonzález iñárritu - - no. i' m very lazy. and i' m very tired .
+ 1 special extra scene from the film + a personal e - note + thank you on our film' s website and on social media platforms .
gonzález iñárritu - - yeah, but i suffered the same. there' s never enough money, but now i have the perfect situation: i finished the script. i scouted the location and i chose the city, i got the actors. everybody was attached - - and then i said,'' this is the project, who wants it?'' so i said, well, if this is the corrupted hollywood, i want to be corrupted .
gonzález iñárritu - - that' s what i love. that this film obviously obligates you not to have prejudices. you know what i mean? like you have to say,'' uh - oh, sorry, maybe i was wrong.'' and i love that because that' s how the world is, really .
mix - thank you... for everything - joe hisaishi (hana - bi soundtrack )
durbin - - well i can believe you' re tired. it' s hard to believe that you' re lazy .
thank you cast list. this list of the thank you actors’ names (actors in the movie thank you) contains photos of the cast members when available. this fact - based cast roster includes any thank you actresses and all other actors from the film. thank you cast members have done many other films so be sure to check out the filmographies and individual pages of the stars of thank you. this list of who was in thank you can be sorted by any column, but is currently alphabetical and includes photos of who starred in thank you when available. this castmember list includes all major roles and many bit parts for actors in this movie. you may copy this factual list to build your own just like it, re - rank it to fit your opinions, then publish it to share it on facebook, twitter or any other social networks you use on a regular basis. (16 items )
“when i said to whitney, ’you’re gonna sing “i will always love you, ”’ the ground shook, ” costner said. “clive davis and those guys were going, ’what? ! ’
i' m now allowed to reveal i enjoyed wonder woman! it' s really good. has the heart & humanity dceu needed. i' m not reviewing it fyi urltoken
gonzález iñárritu - - i don' t know. it can be spanish or english. i don' t know .
“having spent the last decade in panem, it’s time to move on to other lands, ” collins wrote. “but before i do, i’d like to say a tremendous thank you to everyone associated with the film franchise. i’m thrilled with how this quartet of films, which i find both faithful to the books and innovative in its own right, has been brought to life on the screen. ”
hello! we’re david and malika, we’re independent filmmakers in brooklyn and the directors of “thank you for playing” .
snarky and enjoyable, but it could have been a ferocious black comedy. no thank you for playing it safe .
i' ve been moving towards it my entire life. the minute i was born, every breath that i' ve taken, every action has been leading me to this crack on the out surface .
the film will have its world premiere at the los angeles film festival next month .
# wonderwoman is hands down the best dceu film to date! film is so good. i absolutely loved it! bravo @ pattyjenks @ galgadot @ geoffjohns 👏🏽⚔️
“she said something to me off the record, so i won’t ever repeat it, but it was so beautiful, and it was so dolly, ” costner said. “it was generous and it was funny — everything that she is — but it was a big thank you. it was a big, fat thank you. ”
durbin - - well, by jumping back and forth in time, the narrative has the effect of a series of wrong impressions. i felt as if i was constantly making snap judgments that i would then have to revise .
“i said, ’this is a very important song in this movie. ’ i didn’t care if it was ever on the radio. i didn’t care. i said, ’we’re also going to do this a cappella at the beginning. i need it to be a cappella because it shows a measure of how much she digs this guy — that she sings without music.' ”
gonzález iñárritu - - i was first a musician. then i became a d. j. i had a three - hour radio show, talking and creating characters and getting the city crazy. it was very successful, very provocative. after five years, televisa, the big tv company in mexico, invited me to write promos and i decided to direct a couple. and that' s how i started. i was making comedy and drama and melodrama. we broke the rules. it was great. after that my partner and i created an advertising company. i started writing things for coca - cola or for volkswagen. and i began to hate that, so i did a pilot for a tv series. and then in' 97 i read a script by guillermo arriaga and said:' wow. o. k. , let' s do this. i want to make a film.' and we started to work on'' amores perros.''
durbin - -'' 21 grams'' was the first film you two worked on in english. will your next film be in english ?
we have hit our goal! thank you so much to everyone who has backed our campaign so far - you are all individually responsible for ensuring that we' ll be able to bring thank you for playing to theaters and communities worldwide in the coming months, and we are humbled and so​, so​ grateful for your crucial support .
durbin - - did you know that you would end up making something so rough and violent? i mean it' s a frightening portrait of urban life, among other things .
thank you for your service
observes, tactfully, the wounds that battle leaves on the human soul. [ full review in spanish ]
dolly parton was listening to her car radio the first time she heard whitney houston ’s version of “i will always love you, ” a song actor and film producer kevin costner insisted she record for the 1992 film, the bodyguard .
i’m a fashionable adventure seeker, sunshine chasing, professional band - aid accessorizer, who loves life. you can read more about me
gonzález iñárritu - - no. he writes but he allows me, fortunately, to be involved, and i feel honored to work with him. i sometimes can be very difficult. i express what i love and my concerns and my doubts. we discuss for hours and hours. and we fight, like a good marriage .
for those who pledge or have pledged at $ 195 or more: you will also receive a copy of the video game, that dragon, cancer. with this copy, you can demo the game at your screenings of thank you for playing !
gonzález iñárritu - - when'' amores perros'' played at the tokyo film festival, the mexican ambassador never showed because he was embarrassed that i was showing mexico like that. and i said,'' well, nobody' s paying me to be a secretary of tourism in my country.'' i' m just making a film .
gonzález iñárritu - - no. no. i feel very comfortable being a world director. but people from my country sometimes say'' oh, you go to hollywood, you get corrupted.'' well, i did this film with the same kind of creative control and freedom of'' amores perros.''
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gonzález iñárritu - - i' m not a negative person - - i try to be very positive. it' s just that i think in the awareness of death, if you can deal with that, if you can talk about that, if you can understand that, i think then we will appreciate life more, because we will know that it' s unique, that it' s very fragile. so we can say,'' how lucky i am that i' m alive now.'' people who are rejecting death, they don' t want to deal with that, who don' t talk about that, they are not really seeing how beautiful life is .
houston’s dramatic rendition of “i will always love you” sold more than 4 million singles and won two grammys. the bodyguard soundtrack sold 17 million copies .
hall takes a similarly lackadaisical approach to the facts in thank you for your service, inventing characters and scenes as he tries to create a story arc moviegoers will recognize .
whoa. we received news from gathr, the film’s distributor, that, after its first week in theaters, minimalism is officially the number one documentary of 2016 (the largest u. s. box office opening for an indie documentary so far this year). yay! thank you for your eagerness, enthusiasm, and support. and thank you for sharing this film with the people you care about most. with your help, our simple - living message will continue to change many lives. we are grateful .
check out doc nyc, america’s largest documentary film festival at http: / / www. docnyc. net​. phil donahue interviews director tom donahue about his film
thank you for your service
at doc nyc 2015. joining them are film subjects commander mark russell, m. d. , and brigadeer general loree sutton, m. d .
the sober, nuanced, and deeply affecting thank you for your service covers old ground with a fresh take and finds something new to say about it at the same time .
despite its many strengths, thank you for smoking hovers around mediocrity, and its lasting impression is like a puff of smoke that is dissipated by a strong gust of wind .
gonzález iñárritu - - the reason is simple. my wife and i lost a child, our boy, who was called luciano, when he was two days old. i dedicated'' amores perros'' to him. and this film i dedicate to maría eladio because we went through that. and because without her, i would never have had the strength to make this film happen. the dedication is'' pues cuando ardió la perdida / reverdecieron sus maizales,'' which is something like,'' for when the loss burns, the green corn is born again.'' i don' t know if you understand this, but - - - -
durbin - - i guess there' s more than one way for an artist to be corrupted .
gonzález iñárritu - - yeah, an emotional experience. if the film becomes an intellectual game then it' s boring. i' d rather watch chess. one of the big challenges is how to maintain the emotional heart of the film. i' m trying to create an atmosphere rather than a journalist piece; i' m very aware of the emotional order of the facts instead of the chronological order of the facts .
gonzález iñárritu - - no, really, i don' t have anything. i' m just a one - woman man. my brain is little, so i cannot have a space for so many things. guillermo and i are talking of maybe making the last piece of a trilogy about the kind of coincidences that occur in'' amores perros'' and'' 21 grams.''
alejandro gonzález iñárritu - - all my life it was mexico city. and then when i started making'' 21 grams'' my family and i moved to l. a. , because it was very difficult for me to leave my kids so long. i have a daughter, maría, who is an 8 - year - old, and who tragically has just stopped believing in santa claus, which is heartbreaking. she took her mom and said:'' i will never talk to you again if you don' t tell me the truth. does santa claus exist or not?'' what can you say? you cannot lie. and i saw in a moment how her eyes changed forever. like the last days of innocence. but anyway, i was traveling a lot and i thought it would be better that she and eliaso my son, who is 6, came with me. with their mother, my wife, maría eladia .
thank you offers a window into lives that most americans never see, providing an almost visceral sense for what it was like to fight in iraq and then come home to your afterwar .
however, if your film is sold for theatrical release, the price of your license will go up. ascap recommends negotiating a step deal in advance. in a step deal, you would negotiate several different license prices that depend on where you end up showing your film. if the film is only shown at festivals, you will pay a low rate. but if it is optioned for theatrical release or shown on tv, you will pay more .
hello. this time the rat doesn’t scuttle off. yeah, what am i doing here? good question. in all of the places in all of the world. huh. did all the routes, all the big descents. not good enough. not hard enough, right? right. got what i wanted. got what i asked for. everyone else is out there. and i’m in here. dying. real cool .
thank you for your service movie soundtrack - thank you for your service movie trailer song music - thank you for your service 2017 soundtrack trailer song music - thank you for your service 2017 movie theme song - thank you for your service song music - thank you for your service official ost - thank you for your service background music by gamer4ever - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 2nd channel (mobile gaming): urltoken play with me: urltoken facebook: urltoken twitter: urltoken instagram: urltoken - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - please hit that like button, subscribe and comment, show your support for more gameplay videos and as always thanks for watching .
though i knew how the film was going to end, it made no difference. it had me from the beginning. it never lags. james franco as ralston is brilliant .
to find out who can grant you a master use license, you can usually simply check the liner notes on a cd or record .
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durbin - - it' s a peculiarly humbling experience for a viewer. most conventional films reduce you to a kind of passivity. you just lie back and the movie kind of washes over you. in this movie you can' t lie back. you keep getting brought up short and made conscious of the limitations of your own understanding .
“they started out with it a cappella, ” parton said in 2011 when the bittersweet ballad grabbed the peak position on the cmt 40 greatest love songs special. “and i thought, ’that sounds familiar. … and it didn’t hit me. it was just one of those things where [ you think ], ’what is that? ’ and, then all the sudden, when she started singing, ’i will always love you, ’ i just about wrecked the car. ”
hello. this time the rat doesn' t scuttle off. yeah, what am i doing here? good question. in all of the places in all of the world. huh. did all the routes, all the big descents. not good enough. not hard enough, right? right. got what i wanted. got what i asked for. everyone else is out there. and i' m in here. dying. real cool .
since the film premiered at the tribeca film festival in april of 2015, it has been touring the festival circuit and has played to packed theaters at over twenty film festivals on five continents. we get community screening requests every week and have been thrilled by the overwhelmingly positive audience response to the film. here’s what some reviewers have said about the film :
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​ + a one - year subscription to the full gnomon workshop library (gnomonworkshop. com), which offers professional training for visual effects and video game artists. generously donated by the gnomon workshop! + digital download of the game + digital download of the film for personal use + film' s original soundtrack as digital download + 1 special extra scene from the film +
thank you
on social media and website
reviews. finally, if you’re interested in what other people are saying about the film, you can check out its reviews in the washington post, boston globe, and toronto star. and our friends jess & melissa had an hour - long conversation about the film here. you can also search the # minimalismfilm hashtag on twitter and instagram to explore audience reactions .
protecting our families today is more vital than ever. and by partnering with clearplay and net nanny, focus on the family hopes to point you to resources and tools that can help you navigate the entertainment world around you .
if this film were to go anywhere from being a green - light, it would be very difficult for it go to green without going to red at certain points of the film. thank you for your service attempts to create a strong, interesting message that executes pretty rough. depending on the result, it may or may not be worth a second watch .
thank you for playing follows indie video game developers ryan and amy green over 18 months as they build an unusual and poetic video game about their emotional journey raising joel, their young son who was diagnosed with brain cancer .
durbin - - yes. i grew up on a farm. we burned certain fields so that they would produce new growth .
st. louis international film festival st. louis, mo november 14, 2015
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thank you is a movie starring aishwarya devan, jayasurya, and kailash. the film is shown to be a reflection of the current socio - political system, based on the violence against women. it revolves around a person who arrives in trivandrum city who takes a ride... see full summary »
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gonzález iñárritu - - i trust the audience. i think the audience wants to be entertained, and for me entertaining is not schwarzenegger. for me entertaining is proactivity, to be part of the show, to be part of the creation. different people will construct different stories. i think the great novels in the world always hide the truth, reveal it little by little. that' s beautiful. but how many films stupidly reveal things and inform people before they need to, because they don' t trust them? i think that this film really trusts the audience. another thing: i' m always very conscious that if the intellectual exercise doesn' t allow the people to have an emotional ride, then we failed .
once you’ve found out who owns the rights to the song that you want to use, you need to submit a proposal. ascap has some recommendations about the sort of information that you should include in a proposal. make sure to provide a brief synopsis of your film. then explain the ways in which you are going to use the song. will it be used over the opening credits or the closing credits? how many times will you use it, and for how long? will it play in the background of a scene, or will it feature prominently ?
or perhaps the film functions as a kind of ph test for humanness: as you feel the film needling away at your soul, you can at least be reassured that you probably have one to needle. there are, of course, no easy answers, although amid its scorching, fractured images, there is one certainty, brought into crisp focus. this is, very simply and straightforwardly, a masterpiece .
the foreigner soundtrack: trailer song / music / theme song [ big k. r. i. t. - saturdays = celebration ]
australia. we’re working with gathr on an australian theatrical release—likely in july. details coming soon. if you’re on our email list, you’ll be the first to know .
roger ebert was born on this day in 1942, and died a little over five years ago. i owe a good part of my success…
however, if your film simply won’t be complete without, say, “bohemian rhapsody”, or “sergeant pepper’s lonely hearts club band, ” then you will need to get a license .
both sides of the political fence will feel royally skewered. all that' s lacking is a warning from the surgeon general: this film will make you laugh till it hurts .
durbin - - you made one of the 11 segments in last year' s commemorative film,'' september 11.'' your use of video of people jumping from the burning towers was discreet, but it still caused an uproar. what did you intend ?
thank you for playing explores the very personal experiences of a family battling cancer and the beauty and hope that can be found in the artistic process, while also examining the age - old question of where the boundaries lie in representing difficult emotional experiences in art .
gadot and pine have great, funny banter together. the backdrop of wwi is bleak, but the characters never are. i rooted for them .
thank you for your service follows a group of u. s. soldiers returning from iraq who struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they' ve left the battlefield .
you can find some of the photos from our tour on instagram, and you can listen to a few of the live, post - movie q & a sessions on our podcast .
in fact, its gaze is even more unsettling than you at first realise: everything you see in under the skin comes filtered through that ultimate outsider’s perspective, which glazer achieved by shooting much of the film undercover, out in the real world, with a disguised johansson weaving her spell over unwitting members of the public. (of course, professional actors were used in some key sequences, including a scene on a beach that ends with one of the most devastating shots i have ever seen in a fictional film. )
out on screen is the driving force behind the vancouver queer film festival and out in schools. our mission is to illuminate, celebrate and advance queer lives through film, education and dialogue .
out on screen is the driving force behind the vancouver queer film festival and out in schools .
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gonzález iñárritu - - exactly. the same themes are in'' amores perros,'' and they are for me so primitive, so basic, so ordinary. i don' t agree when somebody says it' s a very philosophical, spiritual film. i don' t want to judge my characters. they are not bad or good or heroes or not, they are just people like you and me. sometimes we are weak and we do bad things thinking that we are doing good things .
yes you can! among our rewards on the right is the opportunity to book the film for a screening for your community. typically, if you' re screening a film to a club or organization, you need what' s called a public performance license (read more about that here). during the time of our kickstarter campaign, we' re offering a unique discounted deal: 1 screening with a public performance license and a filmmaker skype q & a for $ 195 for non profits, and $ 295 for other organizations. or an educational copy of the film - yours to keep and screen as often as you like, for $ 350. all three of these will allow you to use a screening of the film in any way you choose - as a fundraiser, a community event, etc. this is significantly cheaper than standard rates, and available only during our kickstarter campaign, so worth snapping up now! and of course, if you have any questions about any of this, feel free to email us: info @ thankyouforplayingfilm. com .
lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .
+ screen the film a group at your non - profit organization with this one - time public screening license + your own q & a with the filmmakers (in - person for nyc, via skype outside nyc). this discounted rate is for any non - profit organizations, including hospices, churches, etc +
thank you
on social media, urltoken and website (more info on the public screening license can be found to the left, under
can i host a screening at my school, gamer group, church or company ?
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wonder woman is the dc movie i' ve been waiting for. it' s exciting, inspiring, funny, and has some truly awe - inspiring action scenes .
there are times when inspiration can arise from the strangest of situations or moments, that can lead us to creation not only for one' s self, but even possibly find' redemption' or else' destruction' for another. a film set in modern times,' thank you for now' is a tribute to strangers who silently co - exist amongst us searching for a meaning to live .
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adam is a film editor working in documentary and fiction. since graduating from the national film and television school in 2011 he has edited award winning feature documentaries, television, commercials and shorts. he is based in london .
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zac efron, miles teller, and michael b. jordan play
how well do you know your bro
gonzález iñárritu - - i believe truly that this film is about hope. in'' amores perros,'' those characters are more exotic, but these people are like you and me. and they represent how many times we have lost a family member or how many times we have lost our dreams or believed in something and it' s gone. or we can lose our health in a minute .
gonzález iñárritu - - exactly. to obey that kind of thing. or to say:'' are you making a film in english? oh my god. you are corrupting your nationality.'' in those terms, hemingway would never have written in cuba. and shakespeare - - why did he set something in venice if he was an english guy? art would be reduced to local stories. and then we would be reduced. but don' t misunderstand me. i would love to shoot in mexico again .
as an adult, documentary filmmaker sara lamm discovered that she was conceived via sperm donor. she’s spent years trying to track down her biological dad, using her skills as an investigator to dig ever deeper to uncover where half of her dna comes from. it’s a fraught premise — and one that threatens to upset her seemingly very happy and loving family — but it’s one she embraces fully in her latest film, “ thank you for coming. ”
video games and interactive media are emerging as a wildly innovative art form. at the same time, society is questioning our dependence on technology more than ever: it seems to be bringing us closer together and yet farther apart. we are fascinated by this tension, which is why we set out to make thank you for playing .
directed and co - written by danny boyle in a style that travels from ecstatic to nerve - wracking and back, this is a film about perseverance, strength and the importance of always letting people know where you' re going .
“kevin costner and his secretary are the ones that loved the song, ” parton said. “they had another song that was going to go in that place, and someone had recorded the song they were going to use. they were just in a panic at the last minute. and so they asked me about the song. i sent it. i didn’t hear anything more. ”
* * * press update * * * did you see some of the fantastic press the film and the video game have received during the kickstarter campaign? read about them in the new york times, forbes, vice and kill screen .
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based on a book by christopher buckley, thank you for smoking follows the unapologetic naylor as he spins for cigarettes in the major media, including an appearance on the joan lunden show in which he defends the industry before a hostile studio audience while seated next to a bald teen dying of smoking - related cancer—and wins at least some of them over .
releasing a film is expensive, and $ 35, 000 is the minimum amount we need to raise to make it happen. if we manage to raise more than that, we’ll be able to bring the film to even more locations. we’re working with indie film distributor filmbuff to book theaters, and manage the digital release of the film. and we’re excited to be launching a grassroots screening tour (often free to the public) in community centers, churches and campuses around the world .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
award - winning film about ryan & amy green, who created an unusual and poetic video game about their son with cancer .
it became a hit yet again when houston recorded it for the bodyguard, a film costner produced and co - starred in .
collect bonus rewards from our many partners, including amc, stubs, cinemark connections, regal crown club when you link accounts .
we know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime .
once you have your licenses, you are free to use the song in your movie. bear in mind, however, that while some licenses are permanent, festival use licenses are often temporary and expire after a certain period. if your movie becomes commercially successful and is going to be distributed over a wider range, you will need to renegotiate and pay a higher price to use the song permanently .
nick naylor is the chief lobbyist for
big tobacco ,
and he' s the best in the business. in his own words ,
michael jordan plays ball. charlie manson kills people. i talk .
parton has always praised houston’s version of the song, noting, “i will always be grateful and in awe of the wonderful performance. ” she has also expressed her gratitude to costner for including the song in the bodyguard .
trippy indie madeline' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
* * * tax deductible update * * * we are now accepting tax deductible donations! email us directly (info @ thankyouforplayingfilm. com) if you would like to make a tax deductible donation, and you can still receive any of the rewards listed on this page .
so, what should you do if the song that you want is not part of public domain? don’t just go ahead and use it anyway; under us copyright law, the holder of the copyright will have every right to sue within a year of use. one option is to forego preexisting music and to instead hire a composer to create original music. you can then negotiate for the rights directly with the composer .
while hall’s oscar - nominated american sniper script certainly delved into the toll that post traumatic stress disorder took on navy seal sniper chris kyle, thank you for your service puts a growing issue of national concern in the spotlight. the film follows a group of u. s. soldiers returning from iraq who struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they’ve left the battlefield. foxcatcher ‘s jon kilik is producing and love & mercy ‘s ann ruark is executive producer .
best part of ‘wonder woman’ is the film has really funny parts and an optimistic and heroic protagonist. great step forward for dc films. urltoken
you can find out who owns the synchronization rights to music through an agency or a database. for $ 150 an hour, the us copyright office will conduct a search to find out who owns a copyright. but if you’re looking to save money, the internet is home to a multitude of databases where you can search for copyright information for free. the american society of composers, authors, and publishers (ascap) has a database called the ace that allows you to search for music written by composers who are members of ascap. broadcast music, inc. (bmi) and the society of european stage authors and composers (sesac) offer similar services. when you search for a song in one of these databases, they will provide you with the name of the writer and publisher of the song, as well as a phone number and mailing address .
the film revolves around two families hailing from the south indian state of kerala who have spent some important years of their lives in the middle east .
wonder woman: easily my favorite dceu film. has the humor and heart the franchise so desperately needs. gadot and pine are charming as hell .
basically the story of a man forced to finally see the injustice around him. riley’s movie is designed to do the same thing to you. …
in most cases, you will have to get two types of licenses in order to use a specific song in your film. one is called the synchronization or “synch” license. this license allows you to use the actual composition. the publisher of the song grants this license. the other license is called the master use license. it is granted through the record company and gives a filmmaker the right to use a specific recording or arrangement of a song .
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
these anguished performances go a long way, as does the film' s peripheral vision of a banal, depressed america that threatens to forget its warriors .
[ jason ] hall had the opportunity to make an uncomfortable film, but opted to take the comfortable path of redemption. [ full review in spanish ]
hugh hartford is a producer / director whose credits include ping pong, a feature film co - produced by britdoc and film 4 and released in cinemas worldwide. hugh’s films have been screened in cinemas and public broadcasters worldwide and have been used as advocacy tools in un, the hague, rwandan and uk parliaments .
we' re also inviting community organizations, game development groups, universities and others to book their own screenings through this kickstarter. if you represent one of these groups, you can do a screening as an educational or fundraising tool, and simultaneously help bring this remarkable story to wider audiences through the theatrical release .
the result is a game called
that dragon, cancer
- an astoundingly honest and innovative work of art about the universal complexity of grief. our documentary, thank you for playing combines footage from ryan and amy' s real and animated worlds to offer an intimate and thought - provoking glimpse into how the fusion of art and technology - in this case, a video game - can be used to document profound human experiences in the modern age .
so, please watch our video and read below to learn more about what we’re doing and how you can help. then reserve your personal copy of the film, or book a public screening copy for your school, community, or company, and take a look at the other rewards for backers who join us !
naylor says drinking a particular wine will
make you believe in god .
he' s regularly referred to as satan or the devil for protecting big tobacco and selling cigarettes to the american public. a man says that even jesus christ would describe a certain action as being
mighty white of you boys .
if you have questions regarding your donation or your reel patrons benefits, please contact us directly. email: donorservices @ urltoken phone: 604. 844. 1615
original abba member benny andersson not only produced the film, but he also played piano and keyboards on the album (both andersson and fellow abba member björn ulvaeus have cameo appearances in the film). rutger gunnarsson, who played bass and bouzouki on some of abba' s original hits, also contributed to the soundtrack .
- amanda seyfried, ashley lilley & rachel mcdowall 9) the name of the game - amanda seyfried 10) voulez - vous - full cast, including philip michael, christine baranski, julie walters & stellan skarsgard 11) sos - pierce brosnan & meryl streep 12) does your mother know - christine baranski & philip michael 13) slipping through my fingers - meryl streep & amanda seyfried 14) the winner takes it all - meryl streep 15) when all is said and done - pierce brosnan & meryl streep 16) take a chance on me - julie walters, stellan skarsgard, colin firth, philip michael & christine baranski 17) i have a dream (inc. thank you for the music) - amanda seyfried
gonzález iñárritu - - yeah, yeah. and everybody' s waiting there and everybody' s happy. i think this film is very metaphoric. it' s not about the plot, it' s what these people represent. and so we started to work on that. but it was a very difficult project to achieve. the question was not what we shoot, it' s how we can say things without saying it .
gonzález iñárritu - - but it' s very truthful. i was born in a middle - class family in a very tough neighborhood. it' s a portrait of one part of my city, which is very complex, very electrifying. very beautiful but very human .
happy — no, relieved — to report that # wonderwoman is truly good. funny, stirring, kick - ass, romantic. a solid, entertaining superhero film .
this film was made independently of the game and its creators, by a completely separate creative team. however, throughout the process, we' ve had the pleasure of getting to know ryan and amy, and their developer partner josh larson extremely well. we have been inspired by their story, and we hope you will be too .
what happens when you throw 2 guys who hate each other together? add for good measure a beauty and a gangster and the trouble is no one can be trusted .
the video game that ryan, amy and josh created was released in january. it’s incredible. learn more at urltoken and you can get a copy through our rewards !
160 million people around the world listen to anonymous background music, i. e. muzak, every day. muzak is ”scientifically researched” urban background music. it has a schizophrenic function: it is supposed to be unnoticed and as undramatic as possible. at the same time, it should be stimulative enough, to increase the efforts of workers and shoppers. it is meant to be heard, but not listened to. the film resembles muzak in style. it combines and mixes different types of material (film, video, computer animation…) to underline muzak’s esperanto - like nature. there is no strict storyline; music plays the key role throughout the film. in fact, many scenes are minimalist music videos. their visual look is true to muzak’s econimical, wryly surrealistic and sterile spirit .
wanja emily is a film and tv producer based in nairobi, kenya. an alumni of cinemart mroducers lab netherlands, she is the producer of several tv shows including the environmental series seeds of gold on ntv. she is the supervising producer for docubox (east africa documentary film fund) - which takes documentaries across east africa with a mobile cinema .
there' s a scene in # wonderwoman that made me cry tears of joy – so rare to see a (literal) army of women acting so competently on film .
more tickets = more points = more movies on us! rack up vip + points for every ticket you buy to score streaming movies and discounts on tickets and movie gear .
a move that' s somewhat spectacularly backfired: it' s become one of only a dozen or so movies to be branded with the dreaded f cinemascore grade by us moviegoers, the most violently negative reaction any film can have. which may say less about the film itself, and more about cinemagoers feeling deceived by the film' s marketing, since the f - grade is shared by several weirdo horror films which were sold as something far more conventional, including william friedkin' s bug and richard kelly' s the box .
the soundtrack of a film is an integral part of its interpretation. it not only helps to create a polished final product, but it can help an audience understand what the characters are feeling. picture dustin hoffman and katharine ross running out of the church, laughing, her wedding dress trailing behind them. they jump on a bus, brushing past disapproving passengers until they reach the back seat. as their giddiness subsides, they realize what they’ve done and their smiles fade. they glance at each other and as the bus pulls away, simon and garfunkel sing, “hello darkness my old friend / i’ve come to take to you again. ”
a most interesting film that, despite accumulating too many dramatic elements, maintains at all times a subtle tone... it deserves a chance. [ full review in spanish ]
a devoted fan of the hunger games film franchise took to facebook on tuesday to express her appreciation for the cast and crew behind the blockbuster series. her name? suzanne collins.
i thank you is a 1941 black and white british comedy film directed by marcel varnel and starring arthur askey , richard murdoch , graham moffatt and moore marriott . it was produced by edward black at gainsborough pictures . 
i thank you is a 1941 black and white british comedy film directed by marcel varnel and starring arthur askey, richard murdoch, graham moffatt and moore marriott. it was produced by edward black at gainsborough pictures.
i thank you is a 1941 black and white british comedy film directed by marcel varnel and starring arthur askey, richard murdoch, graham moffatt and moore marriott. it was produced by edward black at gainsborough pictures.