the thirteenth floor
to view floor & conference room detail click floor plans in the righthand column .
thirteenth floor’s co - founder and ph. d of engineering, dr. hegler kim, is currently in charge of developing the core of thirteenth floor’s content creation: 360 vr technology .
looking for movie tickets? enter your location to see which movie theaters are playing the thirteenth floor near you .
the thirteenth floor
opens nationwide on friday, may 28 and is rated r with a running time of 120 minutes .
thirteenth floor is within walking distance from the local attractions such as jonker street, a' famosa, stadhuys, clock tower .
atop the historic belvedere, the 13th floor is an elegant and unique setting to plan your affair or attend a 13th floor hosted affair .
the thirteenth floor, what was i thinking when i watched this movie at first? there is really no point in the movie. this is weird .
jacob, chief marketing officer of thirteenth floor and former cj e & m’s top contents marketer, focuses on executing content producing, sales and publishing .
the thirteenth floor is a 1999 science - fiction crime thriller based on the 1964 novel simulacron - 3 (also known as counterfeit world), by daniel f. galouye .
former cj e & m and sbs’s executive producer, who produced top gear korea and drive club has now joined thirteenth floor as a company’s chief content officer .
thirteenth floor entertainment group is the world’s largest halloween themed entertainment company. with over 15 locations and counting. we bring a premier haunted house experience to markets all across the country .
when seeing the previews for the thirteenth floor, most would say ,
been there, done that .
there have already been a couple of virtual reality movies, including existenz and most notably the big hit the matrix. the thirteenth floor, of course, didn' t copy the formula since it came out around the same time; the problem is that it came out around the same time, and last. after seeing the matrix, with its accelerated action and spiffy graphics, the thirteenth floor may seem amateur, but in truth, the only similarity is the common theme of
questioning reality .
otherwise, they cannot be compared. full movie review »
after starting as film noir the thirteenth floor soon enough turns into something else absolutely different. dark city by alex proyas together with this moody science fiction mystery are my most favourite trips into the virtual reality .
what if our whole world is just an illusion, a concept in our heads? there you have not only a trace of plato' s speculations, but also the premise for
the thirteenth floor .
the thirteenth floor (1999). virtual reality. stars: craig bierko, armin mueller - stahl, gretchen mol. director - josef rusnak. moria - the science - fiction, horror and fantasy film review .
the thirteenth floor entertainment group produces world - class live action, themed, entertainment experiences. as the world’s largest halloween themed entertainment company we strive to produce completely immersive events, leaving our guests with a truly unique experience .
bottom line: even though
the thirteenth floor
has its moments and isn' t a total washout, you can' t help thinking that with the talent involved - - this should have been a much better movie .
thirteenth floor entertainment group hosts a variety of events year round at our haunted houses. special events such as zombie apocalypse live and slasher fest keep our guests coming back for a thrilling experience all year long .
each floor of the downtown conference center has the ability to operate independently, offering our guests a distraction and competitor free environment .
jay cho, who had accumulated experience in various fields as a photographer and video artist, has been producing cinematic vr contents since 2014. based on his experience in various vr production, he is working on creative content of thirteenth floor .
the unforgiving wages of time and the dangers of simulation turn out to be ironic benchmarks for
the thirteenth floor ,
since time - - and movie trends - - have passed it by, while its attempts at conveying a simulated cyber - reality are an extremely mixed bag .
the thirteenth floor was extremely well - received and was seen, by many fans, as the best story of the series. the story won a place on the den of geek website' s top 15 tv episodes of the year, coming no. 11 and beating shows such as arrow, luther, hannibal and being human .
thirteenth floor works to constantly innovate in order to produce superior experiences that our customers have learned to expect. we believe that if we are going to truly entertain we must push the boundaries of what is expected in order to deliver an astonishing experience, every time .
the unforgiving wages of time and the dangers of simulation turn out to be ironic benchmarks for “the thirteenth floor, ” since time — and movie trends — have passed it by, while its attempts at conveying a simulated cyber - reality are an extremely mixed bag. the makers of the pic, quite loosely based on daniel galouye’s [ … ]
thirteenth floor entertainment group produces some of the most immersive live events in the world. each of these events takes an entire team to produce and operate. from finance to operations, and everything in between, it takes a commitment from everyone to deliver each of our products at the quality standards we hold ourselves to .
the leaders in content creation and technology development at thirteenth floor are all industry - leading seniors with more than a decade of experience each. our staff has experience operating portal services accessed by tens of millions of people as well as experience in development and operation of games used by over 100 million users. thirteenth floor is a group of vr experts with vast experience in a variety of fields having previously worked in such capacities as chief producer, art director, mechanical engineer, sound engineer, vfx expert, etc. at companies such as cj, sbs, and nexon .
tom clarke faces his greatest challenge yet, when a mysterious elevator takes him to floor 13 – a destination leading far beyond this world. while benny struggles to understand this ancient trap, the nekross arrive, ready to feast – only to discover that floor 13 has terrible plans for them too…
in that time - honored hollywood tradition, dating back to
frankenstein
and
the invisible man ,
we have a film in which man has created a scientific breakthrough with dire consequences that he can' t control. and the premise for
the thirteenth floor ,
realities within realities, is clever. but the show ultimately fails to deliver .
although the successful sarah jane adventures reunion took place in cardiff a few weeks ago, fundraising for ty hafan is still ongoing. a number of items have been listed on ebay to raise additional money for the children’s hospice. autographs, books and mugs but also some unique artefacts are available to purchase and bid on. the standout item is a script for the unmade story ‘the thirteenth floor’ .
the thirteenth floor was directed by josef rusnak who hasn’t really made too many successful movies, this one could have been his big hit but… too bad. it stars craig bierko (from scary movie 4), armin mueller - stahl (from the game) and gretchen mol (you’d have seen her in a small role in donnie brasco) .
the executive boardroom suite is situated on the top floor of the downtown conference center. this breathtaking boardroom is a stand - alone meeting room on a self - contained floor with all the amenities to make your meeting successful. the boardroom suite provides its own reception space perfect for all day refreshment breaks, private lunches, and cocktail receptions with incredible views of the brooklyn bridge and one world trade center .
since the full - scale renovation in 2012, the 13th floor has become the venue for such special occasions. the moment the elevator doors open, you’re drawn into the well appointed, luxurious surroundings, with a backdrop like none other… views that seem to go on forever .
each of these floor plans offers six configurable meeting rooms per floor, a reception desk and food & beverage service areas. rare to find in new york city, our meeting rooms feature oversized windows that provide an abundance of natural light and fresh air, not to mention built - in technology and panoramic views of downtown manhattan .
for years, douglas hall has been working with his friend and mentor, hannon fuller, to create a simulated world. not merely a computer game, their simulation is a small secluded world where the inhabitants don' t know that they are simulated. they believe that their world is the real world of 1937, not just a simulation in a cluster of supercomputers at the thirteenth floor of some future skyscraper .
donated by writer phil ford, ‘the thirteenth floor’ was scheduled to have been the fifth story of series 5. sadly, the story did not enter production due to the untimely passing of lead actress elisabeth sladen. a doctor who magazine special, the sarah jane companion: volume three, provided an outline to this unmade story. the concept was rewritten by ford and used as a two - parter in ‘wizards vs aliens’. however, fans have a unique opportunity to own a copy of the original version of the story featuring the characters of ‘the sarah jane adventures’ .
following his work on star trek, bauer worked as vfx supervisor on projects such as the action comedy double team (1997), the action thriller knock off (1998), the mystery thriller the thirteenth floor (1999), the thriller frailty (2001), the horror sequel final destination 2 (2003), the fantasy sequel blade: trinity (2004), the comic adaptation 4: rise of the silver surfer (2007), the science fiction film outlander (2008), the comic adaptation get smart (2008), the family movie cats & dogs: the revenge of kitty galore (2010), and the horror remake fright night (2011) .
the first floor meeting space features a state - of - the - art tiered classroom style amphitheater accommodating up to 80 guests set with herman miller chairs for optimum comfort. the amphitheater provides an interactive setting that is great for any year end strategy meeting, team meeting, training conference, or client presentation. the first floor also contains five smaller conference rooms accommodating up to 16 guests each, as well as a food and beverage service area .
the thirteenth floor [ dvd ]: urltoken craig bierko, gretchen mol, armin mueller - stahl, vincent d' onofrio, dennis haysbert, steven schub, jeremy roberts, rif hutton, leon rippy, janet maclachlan, brad william henke, burt bulos, josef rusnak, helga ballhaus, kelly van horn, marco weber, michael ballhaus, daniel f. galouye, ravel centeno - rodriguez: dvd & blu - ray
thirteenth floor produces real - life cinematic vr content based on a variety of special 360 shooting technologies. in addition, we can produce interactive content based on cg and game engines and are capable of grafting engine - based technologies into content. in particular, spatial audio recordings allowing for incredibly immersive experiences, and all mastering - related processes are done in - house to create world - class 360 vr productions .
conveniently located near the sandton cbd, this hotel has its registration desk on the 13th floor, which takes a little getting used to. my room on the 15th floor was spacious, comfortable and had a good view towards the northeast. everything you would expect - tv, phone, wifi, minibar, iron, room service. i did not
dine
in the restaurant but the buffet breakfast was excellent, with a wide choice of items and a personal service as required. staff were friendly and helpful. a whistling noise cause by the wind against the window was fixed within an hour after being mentioned to the housekeeping staff .
the eighteenth floor features our configurable dining room which provides an incredible backdrop for a variety of events such as lunches, cocktail receptions and private dinners, as well as town hall meetings. enjoy panoramic views of one world trade center, the brooklyn bridge and downtown manhattan .
the unforgiving wages of time and the dangers of simulation turn out to be ironic benchmarks for “the thirteenth floor, ” since time — and movie trends — have passed it by, while its attempts at conveying a simulated cyber - reality are an extremely mixed bag. the makers of the pic, quite loosely based on daniel galouye’s 1960s sci - fi novel “simulacron 3, ” are clearly entranced with the notion of a supercomputer designed to provide the user with simulated time travel, but never figured out how to build a dramatically intriguing story around the concept. it also comes too late, far surpassed by similar and more visually stunning devices in “the matrix, ” and even by the mind - bending realities of “existenz, ” and will be squashed in general release by the “star wars” express, with the only hope being some overseas coin and promising post - theatrical life .
once the changes is done, click on the “save changes” option to save the changes .
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this story was originally planned to be the fifth story in the fifth series of the sarah jane adventures but was never filmed due to the death of elizabeth sladen, the main actress. the script of the story was modified to fit in the world of wizards vs aliens .
at the 13th floor, we’re not just a “pretty face”. service is what sets us apart. the personalized attention to your unique affair is our business. every client and each and every guest is a vip, and is welcomed with warmth and a smile. our team of event specialists and gifted culinary professionals is here to bring your vision to life .
a glitch in the matrix: the boundary of the simulation is located at the end of a long road, where the rendering of the simulation just fades into wire - frame and its sounds become very artificial .
the construct and the matrix - the gist of it... is - explained by yellow rose for texas
a pop up will open with all listed sites, select the option “allow“, for the respective site under the status head to allow the notification .
press the down arrow key to interact with the calendar and select a date. press the question mark key to get the keyboard shortcuts for changing dates .
rehashes every star trek: the next generation episode where the holodeck goes haywire .
has a minor breakdown when he discovers
the end of the world
.
vessel, that was used for the climatic ramming scene in the last act. (
this response is the subjective opinion of the management representative and not of tripadvisor llc .
the future is noir: as is the present, and the past. it' s safe to say that this is one of the noir - iest movies ever made .
park in lot # 2 or # 3 at the north end of the campus. arrive early for the screening to allow time to walk to the theater. the theater doors will lock after the screening starts as per university security so don' t be late !
the victim' s mind takes over your body instead because it turns out the process is actually a complete mind swap. no one realized this because the real body usually remained completely unconscious during the process. virtual death merely broke the connection and jarred the real world body with the virtual mind inside it awake .
click on the menu icon of the browser, it opens up a list of options .
join the ves new york section for the 2nd annual ves awards after - after party as we celebrate the finest achievements in visual effects artistry - from new york' s vfx community to the ves award winners around the globe .
the sound that can be heard depends on the point of view. interlocking sound technology, iss, increases the feeling of image immersion .
after hall has been shot in the leg in the simulation of la 1937 the hole in his trousers and his injury disappear, as seen in the fight sequence at the pool. hall even uses his leg to hit the bartender in the stomach, what would have made this very painful if he had been shot there .
color wash: douglas hall comments on the colors being
off
in the simulated world .
both movies got crushed into inexistence by the matrix. had they released in the year prior, either movies would have seen the light of day. unfortunately they got lost in the shadow of the matrix, it was hard not to .
here is the layer cake of the worlds. the real world has many simulated worlds, thousands. the simulated worlds are used for some purpose, mostly experimental i’d imagine, they don’t really explain why thousands of simulated worlds exist. let’s ignore that for now. one of the thousand such worlds is the one the movie is about, the one that we are interested in .
the london section of the visual effects society is delighted to invite you to the inaugural uk visual effects society awards celebration to recognise exceptional artistry in the fields of visual effects and filmed entertainment .
the plot then turns inside out and the results causes everyone to question their perception of existence .
mariana acuña acosta, media & production creative manager, the foundry, will describe the latest set of tools that the foundry is working on to help solve the day to day problems of working with vr .
i quite enjoyed the complexity of this film. somewhat like the matrix in that the question is
what is real ?
. i had the advantage that i recorded it on my pvr, so i could go back over the parts that were most confusing .
this response is the subjective opinion of the management representative and not of tripadvisor llc nor of its partners .
). the mystery deepens with the revelation that the beautiful woman and love interest of the piece is someone who does not exist and may only be a character emerged from a virtual reality simulation. there is also the idea of characters within a virtual reality simulation suddenly becoming self - aware and discovering the limitations of their artificial existence and then  the ingenious twist that nearly turns
right before the credits, the scene is
switched off
with a crt - like effect. just a fancy animation, or a heavy hint that the
real real world
is actually another simulation? the ending is open to the viewer' s interpretation .
was way out in front, leagues ahead of the others  a classic that will define the genre for years to come. coming in at third place, behind the disappointment on the high expectations that one had for
ves members and guests are invited to join the ves bay area section board and the ves outreach committee for social fun, networking opportunities at the game developers conference .
top computer scientist douglas hall (craig bierko) has helped create a groundbreaking virtual world, modelled on thirties los angeles. when the leader of the project is murdered, hall becomes prime suspect. the arrival of the victim' s beautiful daughter adds to the intrigue, and as the line between fantasy and reality becomes blurred, hall begins to wonder if he actually is the killer .
the film starts strong presenting a captivating scenario, then somewhere in the second half dips into a sappy romance .
foreshadowing :
the colorization' s a little off, but none of the units seem to notice .
( coincidentally also his last work for the franchise), without ever being permanently elevated into the position .
a download link is the person within the simulation into which a person from the world - above can download. the person from the world - above can temporarily take control of the download link and do whatever he / she pleases with that control. this duration of control becomes an attack of amnesia for the download link - they find themselves in a place not knowing how they got there .
ashton lurks down in the basement with a gun, and is not very happy about the entire situation. he reveals that the letter told him his entire world is an illusion. there is one way to verify this, which he did: drive as far as you can in one direction, through the desert and outside the city, and eventually you come to the end of the simulation. the world literally turns to computer grid lines, the image used for the poster to this film. he asks douglas “why would you put me through this? ”
people in the present day have counterparts in the 1937 world. when they enter 1937, they inhabit that virtual person’s body, as it were. one major concept [ that is barely explained by the film ] is that when they go back, the present day person and their 1937 counterpart literally switch places. that is, the present day person inhabits the “body” of the virtual person, and the consciousness of the virtual person is brought into the body of the present day person. when the present - day person departs their body, the virtual person wakes up and believes that they just blacked out for a few hours. however, since they literally switch places, if the present day person dies in 1937, their 1937 counterpart wakes up in their body, in the present day, and walks around. okay, go have fun !
founder benjamin is the first generation frontier who successfully launched the country’s first online rhythm game. he is focusing on expanding the business to global with his experience and networks .
although the cinematography is the work of wedigo von schultzendorff, acclaimed cinematographer michael ballhaus is co - executive produce. his visual expertise and attention to minute details show in the final product. the segments of the film set in 1937 are crisp, just slightly otherworldly and a visual treat .
right, let’s get the obvious out of the way. the movie has a plot which involves a simulated world with in the real world. what you will need to know is that there are three worlds. yes, a real world, a simulated world and an inner simulated world. while the movie doesn’t explain further if the real world is indeed real or not, for this explanation i’m going to call it the real world. the people in the simulated world don’t know that they are simulations. they are electronic people living a normal human life inside the simulation .
it' s implied at the ending that what they consider to be the real world is actually yet another simulation .
the
real world
is also a computer simulation. eventually the hero gets uploaded to
the real real world
 unless that world is also a computer simulation .
alas, the bright gloss at the end (in a poorly realized visualization of a futuristic city in which buildings seemingly pop up out of the ocean) feels like a cheat, and the last gasp of a thoroughly winded plot .
it later turns out the girl has been watching him from the start of the simulation, and has been in love with him for a long time; he, instead, has been modeled on the girl' s husband, and has had regular memory interference from him - hence the familiarity .
douglas hears the answering machine message hannon leaves him on the phone about the “information”, if he is to prove his innocence, douglas needs to go into the vr simulation (1937) to get that message. he decides to go into the vr simulation (1937) with jason whitney’s help .
into a great science - fiction film  the suggestion that this [ our ] reality may be just another virtual simulation that the hero of the story is slowly becoming aware of .
in the first scene of the film, fuller writes the letter with a fountain pen. this is clear in the close - up where the
feed
is visible under the nib. it also has a cap. the pen is dipped into a desk inkwell. fountain pens are never dipped into an inkwell. it is set down in a grove on the desk set, which would be a correct action for a dip pen, which it was not. see more »
douglas hall is david’s download link. jane observes douglas’s personality in the simulation and begins to fall in love with him. the real hannon fuller is jane’s father in the real world .
if you are interested in experiencing the film fresh, here are the key concepts that will help you understand it, while still avoiding spoilers and leaving the plot for you to discover .
the note instructs the reader to drive in a direction that he would usually not, not stop for any sign boards mentioning end of road or otherwise. this will take the person to the end of the simulation. this would let the person know that his world was not real. while all this was intended for douglas, ashton ends up doing this and figures that his world (the vr simulation of 1937) is not real .
douglas now wakes up in david in the real world in 2024. how did this happen? the same as it happened to ashton. david and douglas shared a mind in the late 90s simulation. the active consciousness david was shot and killed, the passive consciousnessof douglas takes control of david’s body in the real world as a result. douglas (in david) meets jane and the real hannon, jane is glad her plan has worked. jane starts to explain more to douglas (in david) about the real world and the film ends with the real world shrinking to a digital line imagery. this leaves us with the doubt – is the real world actually real or yet another simulation? it could be, it’s not answered, that’s the point – real is what your mind makes it whether human or simulation .
1. the movie opens with descartes’ famous quote, “i think therefore i am. ” in the director’s commentary, josef rusnak states that this was the inspiration for the whole film. or, as he states later in the commentary “i think therefore i am – don’t bet on it! ” what’s his point ?
acclaimed visual effects supervisor steve begg will receive the vanguard award for leadership and the advancement of visual effects in the uk. distinguished actor jim broadbent will receive the inspiration award for promoting awareness of visual effects through his body of work. highlights of the 14th annual ves awards held in los angeles will also be shown .
chris healer, founder and ceo of the molecule will talk about the ins and out of the stitching, rendering, and visual effects workflow on doug lyman' s
invisible
, the first episodic action - adventure series created in immersive virtual reality .
douglas now wakes up—in the future. he finds himself in a sunlit room, with jane there as well. it is 2024. one cute touch is that the simulation machine that took up an entire room in the present day is now the size of headphones, and jane drops her into a charger. they go outside, where douglas sees the california coast now lined by a number of shiny new skyscrapers—with hannon, still alive, on the shore. douglas, from the simulation, has been brought into the future and now can live with jane—the implication being that jane arranged to have her husband killed back there precisely in order to bring douglas to live with her in the future. the end !
douglas wakes in the present day, where he tells whitney that the people in the simulation “are as real as you and me, ” and that hannon was going back for the sole purpose of having sex with young girls. not much time is expended on this thread, but the seaminess of it provides a nice undercurrent to the film. downstairs in his building, the bartender from where hannon was killed comes to extort douglas, saying he saw him kill the old man. douglas finds hidden reserves of violence within him and smashes the guy’s head through a car window .
the film, without an a - list cast, pulls off the plot well. the characters, although not really deep, are well structured, and the plot constructed with subtle complexity. the 1930s scenes are dramatically created. i found myself trying to guess the plot twists, but with little success as they unfolded. it was a good film, and richer in substance than the matrix, and left you with a thought provoking afterthought about our own existence. going into a movie, i hope to have avoided any prior information about the plot, and this one was well worth the purchase of the video. this could have made a great 3 hour movie to really develop the characters and the philosophical issues, however, it was reduced down to the 100 minutes time - span. i' d give it 8 out of 10 .
synopsis: douglas works for a company that has created a breakthrough virtual reality simulator modeled after 1930s california, in which the inhabitants are fully conscious. when douglas’s boss is murdered, douglas enters the 1930s world to find clues – essentially hijacking the body of one of the 1930s characters. douglas soon discovers that his 1990s world is itself only a simulation, and that his body was hijacked by a sadist at a higher futuristic level of reality who killed douglas’s boss. the sadist dies while in the 1990s world, and douglas takes over the body of the sadist in the futuristic world .
. it is a frustratingly corny cop - out  the same equivalent of horror films where the protagonist wakes up and the preceding events are revealed to be a dream. up until that point ,
so we see jane’s eyes crackle with electricity, the movie’s signifier that someone else is entering them via the simulation. it is now jane inhabiting tasha’s body, and she calls douglas and asks to meet him. she tells him that there are hundreds of simulations in the future, but this is the only one that created a simulation within itself. she also tells him that she watched him, from the future, and fell in love with him. she also tells him—and here comes the identity of the killer, tossed off in an easy - to - miss but crucial line of dialogue—that doulas is the counterpart of jane’s husband in the future, david. just as hannon inhabited harry in 1937 to have sex with young girls, david loved the power of killing, and came back into the present - day world, inhabiting douglas, and used him to kill hannon and the bartender. this would imply that the hannon now living in the future is the hannon douglas knows .
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he steps outside—further amazed by the scope of the simulation—and hires a cab to the used bookstore of harry, hannon’s counterpart in the simulation. this is the first of two standout sequences in the film, in which douglas meets someone he loves in the present day, but they don’t know him. they are both quiet and moving in a strange way, as douglas stares at harry with affection and wonder at seeing someone who died in the flesh again. he probes harry for a message, but the older man knows nothing of it, although he asks if he and douglas have met before .
we open with an older man writing a letter. one thing the film doesn’t tell us is that there is much more to this letter than we are privy to: it explains the secret of the film, although we don’t see that part and the letter looks too short to contain such information. still, there it is. the man, harry, speaks of discovering a crucial secret. he leaves money for a young girl sleeping in the bed, and goes downstairs, to the opulent ballroom of the 1937 hotel he is in. he entrusts the letter to the bartender, ashton, saying that it is very important that he hold onto it for a man who will come calling for it: douglas hall. he leaves the hotel, and ashton opens the letter and reads it .
now someone or something has murdered fuller, and seem to be trying to pin the blame on hall. the answer to the mystery is somewhere in the world they created together... but their world is not safe anymore. simulated humans are awakening to the terrible truth of their existence, wanting revenge on their deceitful creators .
this film is based on a 1964 book ,
simulacron - 3
- - also known by the title
counterfeit world
- - by the late journalist and writer daniel f. galouye. the german theater and film experimentalist rainer werner fassbinder made a television film from the work, the 1973
welt am draht .
happens when ashton, a bartender from the 1937 simulation, finds a letter that leads him to suspect his world is not real. he goes homicidal when he encounters one of the creators of the simulation .
hall’s identity in the past is changed to that of a lowly bank clerk named john ferguson, but his quest brings him to stahl as pasadena bookseller grieirson and d’onofrio as the threatening barkeep. while grieirson is plagued by blackouts, the barkeep (having read the secret letter) has uncovered the truth that he exists within a simulated reality. this inflames the barkeep, leading to some distracting, violent fight scenes .
is exactly what one expects of a roland emmerich film as it conducts its conceptual play in the most dramatically bombastic way possible without any subtlety. the idea of characters within a virtual simulation waking up to the artificiality of their existence was conducted better and with far greater poignance in the
former nexon’s are director who challenged the new world of vr is now contributing to the creation of art assets that can provide sensual pleasure in a virtual space that is simultaneously unrealistic yet reminiscent of the real world .
when david in the simulation is shot and killed, douglas wakes up into the real world. from this link: urltoken, i gather that the
alive
consciousness comes up and controls the body. but simulation data would never be enough to operate a real functional brain. does this mean that the so called real world is also only virtual ?
computer scientist hannon fuller has discovered something extremely important. he' s about to tell the discovery to his colleague, douglas hall, but knowing someone is after him, the old man leaves a letter in the computer generated parallel world his company has created (which looks like the 30' s with seemingly real people with real emotions). fuller is murdered in our real world the same night, and his colleague is suspected. douglas discovers a bloody shirt in his bathroom and he cannot recall what he was doing the night fuller was murdered. he logs into the system in order to find the letter, but has to confront the unexpected. the truth is harsher than he could ever imagine ...
what also happened was that they both shared a similar concept with another movie which too released in the same year of 1999 – the matrix .
my father and i stayed for a few days. the location is wonderful - only a few short blocks from the gautrain and mandela square. the hourly shuttle is also a plus - though we wished the distance they traveled was a little further than 3km. the pool was lovely and bar lobby was a great stop after a day tour or shopping. the rooms are very modern, large and had a great view of the surrounding city. staff were polite and willing to assist. thank you !
gawain lilliard, vfx supervisor, the mill and his team, will present the methodology and techniques they used to deliver the google spotlight live action vr project “help”, directed justin lin, of “fast and furious” fame .
so suddenly douglas finds himself behind the teller window of a bank in 1937. one of the successful conceits of this movie is that when you enter the simulation you just drop in your counterpart’s life in progress, rather than appearing off to the side and having time to process your surrounding, a la the matrix. douglas is shocked at how real the simulation is, and looks around amazed as he stumbles to the bathroom. as far as the 1937 people know, john, douglas’ counterpart in the simulation, is having some sort of breakdown. the movie does a good job of expressing how incredible the simulation is through douglas’ experience of it, especially in little details such as running his hands under water and feeling how real it seems. his bank manager comes in and tells him to take the day off, since he looks awful. there’s a good moment as douglas looks at himself in the mirror like: “i do? ”
so douglas goes in to work, where he meets whitney, played by paul d’onofrio… who also plays the 1937 bartender ashton. whitney has straggly blond hair and is sort of a stoner / programmer. he tells douglas that hannon was entering the system, although this is supposedly quite dangerous and life - threatening. douglas knows that hannon left a message for him there, however, and demands to go in. he does. by the way, the graphic below, seen for just a moment, is really the only way the movie explains the whole key insight i explained at the beginning about how the two people’s consciousnesses exchange places. if you are the average moviegoer, quite used to ignoring such diagrams as just so much sci - fi movie filler, you could easily miss this—which still isn’t really an adequate explanation—and be confused for the entire second half of the movie .
computer scientist hannon fuller has discovered something extremely important. he' s about to tell the discovery to his colleague, douglas hall, but knowing someone is after him, the old man leaves a letter in the computer generated parallel world his company has created (which looks like the 30' s with seemingly real people with real emotions). fuller is murdered in our real world the same night, and his colleague is suspected. douglas discovers a bloody shirt in his bathroom and he cannot recall what he was doing the night fuller was murdered. he logs into the system in order to find the letter, but has to confront the unexpected. the truth is harsher than he could ever imagine... written by danny rosenbluth
a game designer on the run from assassins must play her latest virtual reality creation with a marketing trainee to determine if the game has been damaged .
david from the real world notices that hannon (from the late 90s simulation) has found out that the simulation world is, well, a simulation. suspecting that hannon would do something about it, david downloads into douglas and kills hannon by repeatedly stabbing him. this is the scene we see outside the bar but we are not shown that it is douglas / david. the bar keeper sees hannon leave but doesn’t know who’s killed him .
this film came out in 1999 and flopped hard, the third film that year to be about a virtual reality space after the matrix and existenz. this may be partly due to virtual reality fatigue, the paradox that while this is a futuristic sci - fi thriller, a great deal of the action takes place in the distant past, or most likely: it is virtually impossible to understand upon first—or second—viewing. put it this way: i have just watched it for the fifth time, and this was the first time i feel i could fully follow it from beginning to end. and i am happy to report that not only is the film intriguing enough to watch five times, it was actually the most enjoyable on the fifth .
and now, dear reader, to help you understand the film on your first viewing, as well as for the greater good of mankind, i will explicate the film from beginning to end. donations are not necessary .
meanwhile, whitney, who can’t stand to have the simulation shut down without having tried it, goes back to 1937. he is not there long before he is killed, at which point ashton, the bartender from 1937, wakes up in the present day. douglas finds him and they have a little existential discussion. while going up to the room that houses the simulation machine, david enters the body of douglas. he kills ashton .
its always awesome to watch as talents in the film - making business step out of their comfort zone to attempt a more demanding role in the process. in this case, visual effects artist torey haas (known for his work in v / h / s / viral and angry video game nerd: the movie) will take the reigns as director in a neon - blasted take on the zombie horror sub - genre, appropriately titled ,
the neon dead
. read the official press release below for more details :
some items, such as autographs and bannerman road mugs, are available to ‘buy it now’ on ebay. autographs from those who couldn’t attend the event are available to purchase including prints signed by daniel anthony, joss agnew, joseph millson and alexander armstrong. tommy knight has also donated a ‘bubble shock’ t - shirt worn during the production of ‘invasion of the bane’ and an order of service prop from sarah jane smith’s wedding. fans who couldn’t attend the event can still order a copy of the dvd or bluray. this release will include footage from around the venue, the talks, behind the scenes of the event and bonus interviews with guests. this can be ordered now from
what the users of the simulation are unaware is that when they are downloaded into their link and get killed when still jacked in, the consciousness from the simulation ends up taking control of the body one level above. when whitney is downloaded into ashton, ashton’s simulation has two consciousness – the active one - whitney and passive one - ashton. when whitney (in ashton) gets killed, the active consciousness dies – i. e. whitney dies. the passive consciousness of ashton comes up one level above and takes over whitney’s body. therefore ashton now has come up one level and whitney has died .
computer scientist hammnod fuller has discovered something extremely important. he' s about to tell the discovery to his colleague, douglas hall, but knowing someone is after him, the old man leaves a letter in his computer generated paralell world that' s just like the 30' s with seemingly real people with real emotions. fuller is murdered in our
real
world the same night, and his colleague is suspected. douglas discovers a bloody shirt in his bathroom and he cannot recall what he was doing the night fuller was murdered. he logs into the system in order to find the letter, but has to confront the unexpected. the truth is harsher than he could ever imagine .
the movie opens with this. hannon has been downloading into grierson and living his fantasy of being a rich guy in 1937 and indulging in young girls. the secret note that hannon leaves for douglas is by downloading into grierson, writing the note that explains that douglas’ world is not real and leaving this note with ashton the bartender. however, ashton opens the note and reads it .
make the budget of this movie 200 million dollars instead of the original 16 million dollars, then change the original cast completely, by putting in more experienced actors, and finally, make some radical changes in the original graphics. then, what you will have is one of the best sci - fi movies ever! without all these changes, well, i don' t give a fuck! it still is one of the best sci - fi movies ever !
unceremoniously dumped at the table by the person who got him there, who then never returns. so grierson is left in the middle of the place where his alter ego used to go to have sex with the girls and everyone knows him and what
he
does, but he doesn' t know anyone - though he has faint memories of what his alter ego used to do .
dramatic thunder: rolls during the climactic bait - and - switch gunshot scene .
douglas hall discovers he' s really in a vr simulation of the 90s created in 2024. at the ending he gets to see what 2024 looks like, and the buildings are all bizarre
futuristic
things out of buck rogers .
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this 3rd draft of the story is dated 4th january 2011. the cover page for the script also comes complete with a number of signatures. these include phil ford, gary russell, scott handcock, joe lidster, sam watts and katy manning, all of whom were in attendance at the attic event. starting at £99. 95 the auction ends shortly after 2pm next sunday and can be foun
the thirteenth floor is a 1999 science fiction crime thriller film directed by josef rusnak and loosely based upon simulacron-3 ( 1964 ) , a novel by daniel f. galouye . the film stars craig bierko , gretchen mol , armin mueller-stahl , vincent d'onofrio , and dennis haysbert . in 2000 , the thirteenth floor was nominated for the saturn award for best science fiction film , but lost to the matrix . 
the thirteenth floor is a 1999 science fiction crime thriller film directed by josef rusnak and loosely based upon simulacron-3 (1964), a novel by daniel f. galouye. the film stars craig bierko, gretchen mol, armin mueller-stahl, vincent d'onofrio, and dennis haysbert. in 2000, the thirteenth floor was nominated for the saturn award for best science fiction film, but lost to the matrix.
the thirteenth floor is a 1999 science fiction crime thriller film directed by josef rusnak and loosely based upon simulacron-3 (1964), a novel by daniel f. galouye. the film stars craig bierko, gretchen mol, armin mueller-stahl, vincent d'onofrio, and dennis haysbert. in 2000, the thirteenth floor was nominated for the saturn award for best science fiction film, but lost to the matrix.