the thin yellow line
the title is an obvious reference to the crime documentary the thin blue line .
there are no featured reviews for the thin yellow line (la delgada línea amarilla) at this time .
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a scene from director celso garcia' s
la delgada línea amarilla
or
the thin yellow line
.
la delgada línea amarilla / the thin yellow line saturday, sept. 23 @ 7: 00pm fine arts hall, santa fe college
the thin yellow line
is the twenty sixth episode in the seventh season of adventure time. it is the two hundred twenty fifth episode overall. [ 2 ]
the tucson cine mexico film festival presents
the thin yellow line
on saturday, april 23rd, at the harkins spectrum 18. tickets are free, but online registration is required .
the thin yellow line is the journey of five men who are hired to paint the median line of a road that connects two villages in mexico. on board of an old truck, they do the job: more than 200 kilometers that they have to complete in less than fifteen days under a burning sun. five solitary men that will acknowledge that there is a thin line between right and wrong; between laughter and crying; between life and death. the challenges they face will change their lives forever. the thin yellow line is a story of smooth roads and bumpy rides, with unexpected twists and turns… like life itself .
besides its flaws, the thin yellow line is a movie you can watch easily, has a great sense of humor and also great moments of sincerity and humility from all the characters. [ full review in spanish ]
la delgada línea amarilla
, or
the thin yellow line
, tells the story of a small group of impoverished men who take on the dangerous and backbreaking job of painting the yellow line on more than 100 miles of desert highway in only a few days. mclemore begins by asking director celso garcia why he chose this story to tell in his first feature film…
the thin yellow line is the journey of five men who are hired to paint the median line of a road that connects two villages in mexico. on board of an old truck, they do the job: more than 200 kilometers that they have to complete in less than fifteen days under a burning sun. five solitary men that will acknowledge that there is a thin line between right and wrong; between laughter and crying; between life and death .
after its montreal premiere and rome official selection slot, this small, heartwarming number could paint a thin line beyond its mexican homeland, aided perhaps by guillermo del toro’s involvement as one of three producers. however, the predictability of the story and gentle dramatic pacing will probably confine the thin yellow line to arthouse runs in spanish - speaking territories, plus perhaps a minor small - screen afterlife .
flute spell: jake learns that finn' s been having clandestine meetings with a powerful wizard. but what are they up to? / the thin yellow line: finn and jake infiltrate the banana guard ranks and stumble upon a conspiracy .
for his debut feature called the thin yellow line, writer - director celso r. garcia has bravely tackled this neglected topic. his story is about some of the most humble and least noticed workers you can imagine—the guys that paint the yellow dotted lines down the center of the highway. and along this journey, the film celebrates the people who persevere through poverty and struggle in mexico .
since 2004, the hanson film institute has presented the united states' longest running and most prominent showcase of mexican films, the tucson cine mexico film festival. this year, the festival features the first film from director celso garcia ,
la delgada línea amarilla
, or
the thin yellow line
.
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the film wins when it empties itself of rhetoric and crosses the line into melodrama. [ full review in spanish ]
original title: la delgada linea amarilla produced by guillermo del toro, bertha navarro and alejandro springall synopsis: the thin yellow line is the journey of five men who are hired to paint the median line of a road that connects two villages in mexico. on board of an old truck, they do the job: more than 200 kilometers that they have to complete in less than fifteen days under a burning sun. five solitary men that will acknowledge that there is a thin line between right and wrong; between laughter and crying; between life and death. international sales: latido films urltoken urltoken urltoken latido @ urltoken
five financially strapped men are hired to paint the center stripe along 120 miles of mexican state highway in “the thin yellow line, ” an appealing dramedy from debuting feature helmer - writer celso garcia. the good - looking, movingly thesped, bittersweet tale will strike some as too reminiscent of icelandic helmer hafsteinn gunnar sigurdsson’s road crew pic “either way” [ … ]
setting out with four novices and a rolling spray - paint machine, the men start the job of laying down a dashed yellow line on a 217 - kilometer stretch between two small towns. while on the road, a spectrum of hardships and triumphs will force the unlikely team of misfits to unexpectedly bond .
as a rookie filmmaker, garcia sometimes falls into predictability in his situations, and a psychology that can sometimes seem a little too pat. but his skill at evoking the lives of poor people, their humor and self - respect, along with an excellent visual sense for the desolate yet beautiful landscape, makes up for any flaws. the thin yellow line is an authentic and down - to - earth portrait of working people .
five financially strapped men are hired to paint the center stripe along 120 miles of mexican state highway in “ the thin yellow line, ” an appealing dramedy from debuting feature helmer - writer celso garcia. the good - looking, movingly thesped, bittersweet tale will strike some as too reminiscent of icelandic helmer hafsteinn gunnar sigurdsson’s road crew pic “either way” and its u. s. remake “prince avalanche, ” but garcia’s underlying theme of economic crisis makes his pic far more poignant. although it may seem overly familiar to arthouse buyers, there’s no denying it is a crowdpleaser. after its world preem at the guadalajara fest, “yellow line” nabbed the audience award and several other kudos, and montreal’s public voted it best latin american film .
garcia, who participated in screenwriter labs at cannes and sundance, started developing his script in 2010 so any resemblance to sigurdsson’s work is purely coincidental. his tight screenplay mirrors both the road and life itself, with straight lines, curves and potholes. as in the best road movies, the journey of the workers changes their way of seeing and understanding life. for them and us, the line they paint comes to symbolize the thin line between right and wrong, laughter and tears, and life and death .
the thin yellow line opens with a melancholy older man named toñio getting laid off from his job as a watchman at a junkyard. to misfortune is added the indignity of being replaced by a dog. toñio then travels around in his chevy truck looking for work. the economy is bad everywhere. finally he manages to get a job pumping gas, but the boss has a habit of being late with the paycheck. at night, sad and reflective, toñio looks through a little box of photos and clippings. we find that at one time, he had a wife and a son, but what happened we don’t know .
a road movie in the most literal sense of the label, celso garcia' s the thin yellow line follows the efforts of a handful of workers to finish painting a long stretch of mexican road before a rainy season makes their work impossible. as straightforward in its action as in its conceit, the film hits very familiar beats but does so in unusually credible fashion, thanks in part to the moral gravity of taciturn leading man damian alcazar, as a washed - up loner for whom even this menial job represents a chance at dignity. modest but affecting, the pic will play very well with spanish - language auds stateside; though not unusual enough to draw much attention from anglophone art house patrons, the film' s reach is enhanced by the presence of guillermo del toro in one of the producers' chairs .
toño (damián alcázar, magallanes) lives an aimless life drifting from one job to the next, but when his gig as a junkyard night watchman quite literally goes to the dogs, he’s really up against it. a chance encounter with a former boss brings a ray of hope: two weeks in charge of a road crew painting the yellow center stripe down 120 miles of harsh desert highway. his team of rookies includes an ex - con, an almost - blind truck driver, a circus stagehand and a rebellious teen, but mile by mile, line by line, the gig becomes an unexpectedly life - changing journey for each of them .
the scene in which the banana guards step forward and claim to be banana guard 16 is a reference to the scene from the 1960 stanley kubrick film spartacus .
it was a waste of time, the movie sucks. bad acting, weak story, boring. for the every day movie watcher this will be a boring movie. the story about a group of guys painting a line has no point, there is nothing interesting about it. i expected to see something good but that never happened. very disappointed .
there is a flyer for lsp' s play summer showers from the titular episode in the alley where the graffiti is .
shot with the delicate precision of a nature documentary, the film plays engagingly on its title and thematic guide by picking out splashes of yellow in gorse, bulldozers and sunsets, while dan zlotnik’s brass - dominated soundtrack marches at the slow pace of the hand - operated road - painting machine, keeping sentiment at arm’s length. not everything works: a romantic interlude in a remote hacienda never rises above the level of cliché, and the dramatic finale is a little too hurried to deliver the emotional closure the script is chasing. but it’s easy to forgive these mis - hits in such a likeable elegy for a time when real jobs existed, and there were lines in the middle of the road against the chaos .
a shadowy silhouette appears from the corner and whispers
i love you
to jake, freaking him out. jake runs after it, but loses sight and asks a banana guard if he saw something. the guard just says himself and the door to the showers are the only thing there. jake enters the shower, while the guard smiles and the shadowy figure creeps out from behind the guard .
he is to go out with four novices and a rolling spray - paint machine to lay down a dashed yellow line for a 217 - kilometer stretch between two small towns. a tedious job (and, with the rainy season due soon, one with a time crunch built in), but antonio takes it very seriously :
your flag is our life ,
he warns the men who will stand a few yards away from the paint machine to wave down cars. but whereas this seriousness doesn' t keep him from being a good boss (he shares the work and reward equally), antonio is strangely short of temper when it comes to 20 year - old pablo (americo hollander), a distracted but generous - hearted kid who doesn' t deserve the grief .
the film has been recognized with 14 nominations in the upcoming ariel awards, presented by the mexican academy of motion picture arts and sciences .
go behind the scenes of the mission: impossible movies, check out the latest videos and trailers, and see which spy movies topped the box office in our mission: impossible guide .
in the shower room, jake hears someone singing. jake enjoys it and asks who' s singing and says that he likes it. the source of the song turns off the shower then rushes out of the shower room with incredible speed. jake chases after him but loses sight, as the previous guard runs into the shower with the shadowy figure and whispers
i love you
again before closing the door. the horse is heard again when jake order the guard out of the shower room. jake freaks out and assumes there is some huge conspiracy afoot .
the slow - burn bonding of a band of hard - up misfits who have been assigned the task of painting the centre line on a 220km - long stretch of rural mexican road makes for an old - fashioned bittersweet buddy trip in celso garcia’s debut feature. moments of melancholic truth, drama and comedy are coaxed out of the contrast between ordinary people and a big landscape, and working - class male emotional reticence drives a plot that dips lightly into a series of slowly revealed backstories .
even before we realise that toño has his own wayward son issues, the potential for father - figure bonding is obvious, like much in a film that uses campfire stories and the metaphor of a life - saving line in the road to tell a tale of lonely men thawing into camaraderie that we’ve seen so often before. but there’s a real satisfaction in the reliable solidity of garcia’s film, which backs up its nostalgic, mexican western glow of nostalgia for simpler times with a firm commitment to the dignity of men who have been cast aside by families, personal failures or the economic downturn .
the road through the harshly beautiful desert landscape becomes an equally important element of the tale. from the oversized bull sign that offers them some relief from the scorching hot sun to the rundown hacienda where they shelter from a storm and receive a welcome meal and a place to bed down, to the sweetly singing religious procession that magically emerges out of the dusk, the road provides some bounty. but it is also a source of danger; of flash floods and drivers who don’t respect the crew’s flagmen .
in an episode dedicated to the show within the show, “glow” illustrates its grand capacity for storytelling, and the very good tv podcast breaks down how .
an honest portrait of five women who go through the night looking for other possibilities of beauty, while discovering the passing of time, lost youth, the mirage that is fame and the chance for happiness .
he gets a break when an engineer from a former construction job stops for gas and recognizes him. eventually the man offers him a job: to paint the yellow lines on a long country highway for 210 kilometers, about 130 miles, and to finish in 15 days, before the rainy season starts. the engineer gathers a motley crew for toñio to supervise: an out - of work truck driver, a former circus handyman, an ex - con, and a sullen teenager. they are walking through the desert of san luis potosi in east central mexico, most of the time in the full sun, performing a dull and repetitive task that wears down their minds as the heat wears down their bodies. and although two of them wave warning flags at each end of the procession, the few passing vehicles often go by at top speed, posing considerable danger .
princess bubblegum allowing the banana guards to express themselves rather than re - write their brains for absolute conformity is a sign that she changed greatly during the time king of ooo was the illegitimate ruler of the candy kingdom .
following several weeks of screenings and voting, this morning the mexican academy of cinematographic arts and sciences announced that the film “ 600 miles ” (600 millas) will represent mexico in the best foreign language film category at the 88th academy awards. the selection was made from a list of 14 tittles that included
the actress and director both love the genre, but as they told indiewire, they also knew it needed to be retrofitted to tell the true story of catherine weldon and sitting bull .
the episode starts off with finn and jake walking in the dead of night in the candy kingdom after a get together. jake is upset over a game they played called
pilgrims of the land ,
as well as people not eating his homemade guacamole. finn remarks that he is probably upset because peppermint butler kept beating him, and then tries to comfort him by expressing his love for jake' s guacamole. as the two continue walking through the city, they begin to notice graffiti painted on the buildings. jake thinks the art is beautiful while finn expresses concern that the art is disrespectful. as finn touches the art he notices that it is still wet, and then the two hear noises from around the corner. they discover that the painter is a banana guard, but when they try to confront him he runs into the guard barracks and they lose track of him .
the director and dp emiliano villanueva are appreciative of the hard, often desolate landscape this road winds through, and paired with dan zlotnick' s not - quite - sentimental score, the movie' s sense of place convinces thoroughly. it' s the perfect setting for antonio, who long ago had stopped looking for anything good in life, to achieve the kind of small satisfaction that might nudge him back into the company of the living .
during the scene where banana guard 16 shows finn the room where he does all of his art, it shows a certain piece of art that highly resembles uboa from the game
yume nikki
.
a tiffany graffiti implies he survived the battle against the queen worm during
dentist
. this is later confirmed in
preboot
.
the ensemble of veteran mexican thesps and newcomer hollander evince credible chemistry, while the tip - top tech credits, led by emiliano villanueva’s gorgeous wide screen lensing, make the film a palpable pleasure to watch .
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directed by gabriel ripstein the film stars tim roth as an american atf agent that gets kidnapped by a young mexican man who works smuggling weapons across the u. s. / mexico border. the odd friendship that develops between them attempts to humanize the complicated relationship between the two countries. ripstein’s debut feature won the best first feature award at this year’s berlin international film festival and has screened at numerous other festivals to great reception .
the emotional journeys of two women victimized by corruption and injustice in mexico and of the love, dignity and resistance that allowed them to survive .
the pilgrims of the land
is probably a reference to strategy boardgame
settlers of catan
, a complicated game devoted to resource management .
her own brother neddy, she imprisoned him beneath the great tree
- this fact is false, as in the beginning and end of
bonnie and neddy ,
both times neddy was never chained down beneath the tree, instead willingly staying there to provide life to the candy kingdom .
chris dashiell has been writing about movies for twenty years, serving as the editor of the online film lovers' guide cinescene for ten of them .
in the main office, finn sees jake run down the hall babbling and writes an arrest report for jake, the reason being jake is
being a wiener .
finn doodles a crude dog - like cartoon character with a crown on the report. another guard notices and suggests to finn that he should shade it better, make sure the light source is obvious to the viewer. finn does so and the dog / wolf with a crown is now significantly more realistic and well sketched. finn suspects that this guard might be the culprit and tries to pry more info from him, asking if he has any of his own work to show him to draw inspiration off of. the guard says his name is banana guard # 16. the guard asks finn to follow him. he leads finn to a vent which ends up leading to a cavernous area full of paintings of pb, lemon grab, the gumball guardians, and various other characters on the wall done by banana guard # 16. finn embarrasses him by revealing to know about the paintings outside in the candy kingdom and suggests he put it up in a gallery. # 16 is horrified by the idea since it would mean pb would take him apart and dissect him in order to find out why this guard deviates away from the rest of the guards. the guards are under the notion that pb is a warlord of sorts who turned the first candy peoples into horrible monsters and imprisoned neddy against his will when they rebelled. finn assures # 16 that pb is nice, but # 16 is still uneasy. jake enters, tackling the guard and telling finn that they can now turn him into the princess .
even though it has its fails, this film works thanks to an amazing production and the chemistry between the cast members. [ full review in spanish ]
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naturally, the five men get to know each other well, and there are conflicts. at times there are breaks in the work, for instance when they go to town for supplies and end up at a little carnival, or when they ask for shelter at a hacienda during a rainstorm. in these scenes we learn the back story of each character. these are ordinary, decent men, with wounds from the past that have brought them to this point in their lives. the film creates a special dramatic tension between toñio and the rebellious teen pablo—the older man’s strict demeanor towards the boy reflecting a secret grief .
five men are hired to paint the lines of a road. painting 1 km / hour is slow enough to learn the lines between good and evil, laughter and despair, life and death. the challenges they face will change their lives forever .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
finn and jake discover a conspiracy after infiltrating the banana guard ranks. [ 3 ]
this is the first appearance of uncle gumbald, although it is in a flashback .
when they go to meet the banana guards at night, finn and jake' s mouths don' t move as they talk before the spotlights are turned on them .
five men try to paint over 200 kilometers of road before the rainy season starts .
mirrors both the road and life itself, with straight lines, curves and potholes .
according to banana guard 16, in the past princess bubblegum abused her power on the candy people, essentially being a cold - hearted dictator hiding behind the façade of a benevolent princess. this is further proven by her admitting she has done things in the past that she is not proud of. although some of the recollections from banana guard 16' s story aren' t true, possibly due to general fear of his creator .
this is the second episode to show a dedication card at the end. the first being the season 5 episode ,
shh! .
this episode was dedicated to mandy long, a talented musician and artist, and a student of bridgewater - raritan high school. she passed away on september 24, 2015 after a long battle with brain cancer .
want to share imdb' s rating on your own site? use the html below .
eventually, the rookies learn the work and as they share more of their backstories, they develop a genuine admiration for each other’s skills, wisdom and judgment. garcia illustrates this beautifully in a scene where a rattlesnake glides over mario’s legs and atayde comes to the rescue .
but for no - nonsense loner antonio, the responsibility for the crew — and the job — weighs heavily, especially because of an incident in his past. moreover, he finds himself frequently locking horns with young pablo, who continues to challenge his authority and advice .
the banana guard rumors of pb are technically true, though overly embellished to the point of being innacurate. the first candy people (uncle gumbald, cousin chicle, and aunt lolly) did rebel against her, as shown in
bonnibel
, to which she transformed them into
monsters
, the low - intelligence candy people. her brother, neddy, is underneath the candy kingdom, though not as a prisoner, but by choice. and the rattleballs were, in fact, destroyed en masse for being too violent. [ 4 ]
two banana guards deliver finn and jake, still in disguise to princess bubblegum. she sends them off as she tells finn and jake to be more subtle. jake thinks that the guards will be onto them since they know their faces. pb introduces them as new recruits to the guards posted outside and they let them right in. this time, they split up to look for clues, going around offices and different halls to investigate. jake heads down a hallway and hears a horse neighing. he enters the office he heard it from to see a banana guard closing a drawer. the guard says he heard nothing. jake turns away for a second and hears the horse again, and when he turns around he sees the guard closing a file cabinet, who still denies a horse being in the office. he sits down and asks the disguised jake to leave. jake exits and hears the horse again as the door closes behind him .
he currently reviews films for flicks, a weekly program on tucson' s community radio station kxci, and makes regular appearances with essays about films and the topics that surround them for arizona spotlight, and is a regular contributor to the podcast let' s all go to the lobby! .
in the next scene, finn is now dressed as and jake uses his powers to morph into banana guards and are waiting in bushes for the guard change to take place. as the guards are changing, the guards all slip and end up in a massive pile while finn and jake just walk right into the barracks. they fit in, following the orders of colonel candy corn. they try to find out which guard could have done it in the gym. jake suggests that they lure the culprit out with enticing suggestions to commit crime. he approaches two buff guards working out, and wraps his arms around them. one is smiling while the other appears uncomfortable. he suggests that they commit a crime to know what true crime is. he points to a wall and says to meet there with a couple of buckets of paint. finn and jake tiptoe around the wall and jake assures finn that the plan will work. suddenly, a spot light catches them as a whole company of banana guards surround them. they two buff guards point them out, saying they wanted to commit crimes while a normal banana guard approaches jake and punches him in the face .
this episode is considered to be the season 7 finale (and all the episodes in season 7 after this are considered season 8) by the adventure time: the complete seventh season dvd, urltoken [ 5 ], and hulu. it is unclear if it is an error on cartoon network' s behalf since
preboot
and
reboot
are actually the season finale (according to adam muto [ 6 ]). despite this ,
preboot / reboot
( along with several episodes between) do not appear on the dvd and are listed as season 8 on urltoken .
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with jurassic world: fallen kingdom now in cinemas, we take a look at how imdb users rated the films of the franchise. plus, browse exclusive lego® jurassic world playsets, presented by lego .
lane and schoenbrun discuss how her interest in morgellons disease patients (“the pain of others”) and his exploration of the slenderman myth (“a self - induced hallucination”) led them to make archival films from youtubes .
when princess bubblegum is shown the graffiti, she remarks that it is
very interesting
, and tells finn and jake to go back to the barracks to find out which guard did it. finn asks why she doesn' t just ask them to which she responds that she thinks the guards are secretly afraid of her. she then gives finn a banana guard costumes and says they can slip in during the guard change .
mexico was last nominated in the category in with alejandro gonzalez iñarritu’s “biutiful. ” the latin american nation has never won the award, though it’s been nominated a total of 8 times. despite this, mexican talent has been recognized at the oscars with wins for iñarritu (“birdman”), alfonso cuaron (“gravity”), emanuel lubezki (“gravity, ” and “birdman”), and eugenio caballero (“pan’s labyrinth”), in recent years .
during the changing of the guard scene, a banana guard walks through announcing that he is carrying
10 whipped cream pies
and then falls down. this is quite possibly a reference to an original, iconic & often parodied, series of sesame street sketches called
numerosity
in which a baker would announce what baked goods he is carrying (example: 9 coconut custard pies) and then prat fall down the steps dropping the baked goods .
a darkly poetic fable that begins with a little girl drawing figures of people with chalk on the cement of a playground. she takes notice of an unusual crack in the pavement that is seeping... see full summary »
a road movie in the most literal sense, celso r. garcía’s dialogue fosters an easy, earthy camaraderie between the men, delivering both sadness and pure joy, and making this an irresistible journey in which audiences will delight .
la delgada línea amarilla is a movie starring damián alcázar, joaquín cosio, and silverio palacios. five men are hired to paint the lines of a road. painting 1 km / hour is slow enough to learn the lines between good and evil, laughter and despair, life and death. the challenges they face will change their lives forever .
the road will explain this friction eventually, of course, but well before that happens, it will dish out some hardships that force the unlikely team to bond. garcia' s dialogue fosters an easy, earthy camaraderie between them, with enough jokes to make this a believable low - wage workplace but not enough to make the film a comedy .
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in the alley with the graffiti, by the flyer for summer showers, there is a flyer with a picture of a hat reading ,
have you seen my hat ?
this may be a reference to the
hat
trilogy of children' s picture books by jon klassen (i want my hat back, this is not my hat, and we found a hat), which are darkly - humored tales about animals dealing with hats that are lost, stolen or found .
we know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime .
the enigmatic damián alcázar is antonio, a onetime construction foreman who fell off the grid decades ago and is now a night watchman living in a junkyard. well, not any more: business is bad, and the scrapyard’s owner just replaced him with a guard dog. jobs are scarce in this corner of rural mexico, and antonio has to settle for pumping gas for pittance; but when an old co - worker stops by for a fill - up, antonio once again gets the chance to lead a team .
for most of us, work takes up the majority of our lives—forty hours a week or more. and yet, it is rare for a film to focus on this pervasive reality. the general opinion is that there’s not enough drama or excitement there, which is what we usually look for in an entertainment. no doubt there is also a desire to avoid the painful aspects of work .
a film that will make you come out of the movie theater with a smile on your face. [ full review in spanish ]
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a romantic thriller about a construction worker in hiding for killing his foreman who hides in the mansion where his girlfriend works as a maid .
its original story and valuable message makes it one of the best films of mexican cinema in recent times. [ full review in spanish ]
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eric kohn and anne thompson discuss their favorite films of the year so far. they also debate several new releases and share some streaming recommendations .
the story shines on its own because it has something very hard to find: a simple and honest tale. [ full review in spanish ]
garcia potently expresses the tough economic climate that his characters must survive in the very first scene as antonio (damian alcazar), a melancholy blue - collar worker, is dismissed from his night watchman’s job at a junkyard and replaced by a ferocious dog. left with only his 1976 chevy truck and a box of well - thumbed photos and clippings, the aging antonio finds work hard to come by and payment for honest labor even more so. luckily, he crosses paths with an engineer (fernando becerril) who remembers him as the best construction crew chief he ever had .
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for three consecutive years, english language films from mexican directors including gravity, birdman, and the revenant have scored big at the academy awards. mark mclemore talks with celso garcia, a mexican filmmaker whose debut feature film is getting a lot of attention in his home country, and here in tucson .
a pewter water jug and a hummed song in the opening scene, set in a wrecker’s yard, neatly establish the film’s credentials as a low - key contemporary western. ageing protagonist toño, lent a quiet strength by damian alcazar’s magnetic performance, is a private man of few words who pretty much sleeps in his straw stetson. when he’s laid off from his job as custodian of the scrapyard – to be replaced by a guard dog – he drives off in his battered pickup truck and begins a job search that takes him into the dusty, desertified heart of the state of san luis potosi. a fortuitous meeting with a civil engineer he knew years before reveals what’s gnawing at toño’s soul: his failure to prevent a fatal accident when he was foreman of a road gang .
rules weren’t meant to be broken when it comes to tv episode lengths, but these 10 examples — introduced on the very good tv podcast — are clear exceptions .
the guards and the colonel gather as finn and jake hold # 16 in order to turn him into the princess. finn has a change of heart and trips, causing jake to let go of # 16 and pushes a different guard for jake to hold. jake says it' s the wrong guy but pb enters and asks # 16 to emerge. finn says he made a mistake and was confused but # 16 cuts him off and proclaims he is # 16, and ready for punishment. finn is worried but then another guard steps up to say he is # 16. more step up as pb steps down to them, and says she is not there to punish him, she wants him to paint a mural in the banquet hall. the banana guards are surprised that their brother was spared and all bow down as colonel candy corn brings forth a shrine of pb in order to thank her. she says that she' s just a person who has a past she' s not proud of but today she is there to celebrate. one guard approaches her and shows her his ventriloquist doll and says
i love you
while another guard is shown riding a jelly bean horse. pb is amazed at the guards, and another one approaches her with crop he grew
hydroaplonically .
a different guard who has a trumpet plays it very well as the singing banana guard begins to sing along with the tune. another guard walks up to her and says he has no special talent, to which she says
that' s ok, too .
that banana guards cheers right before the end card
in memory of mandy long
fades in and out .
an employee about to retire and the young man who is to take over share five days on a work site, an enormous empty warehouse where apparently nothing ever happens .
conquest of cuteness • morituri te salutamus • memory of a memory • hitman • too young • the monster • still • wizard battle • fionna and cake • what was missing • apple thief • the creeps • from bad to worse • beautopia • no one can hear you • jake vs. me - mow • thank you • the new frontier • holly jolly secrets part i • holly jolly secrets part ii • marceline' s closet • paper pete • another way • ghost princess • dad' s dungeon • incendium
when the first candy people rose up against her, she transformed them into hideous monsters
- this fact is later revealed to be partially correct in
bonnibel bubblegum .
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alcazar is antonio, a onetime construction foreman who fell off the grid decades ago and is now a night watchman living in a junkyard. well, not any more: business is bad, and the scrapyard' s owner just replaced him with a guard dog. jobs are scarce in this corner of rural mexico, and antonio has to settle for pumping gas where he' s not even sure he' ll be paid; but when an old coworker stops by for a fill - up, antonio once again gets the chance to lead a team .
and the rattleball boys; she iced all those guys !
- this fact was previously confirmed in
rattleballs ,
as princess bubblegum killed them all since they were too violent .
esmeralda is a lonely teenager with a strange obsession: she gathers lost or left behind objects and keeps them in a box underneath her bed. this story tells the backgrounds of these objects .
when don servando villegas gets expelled from his retirement home, his younger son francisco takes him in. don servando is about to find out the truth about his son and his way of living .
me estas matando susana
takes us on eligio' s quest to find and recover his wife, susana, who without a word, left mexico city behind for a writer' s conference held in the chilly u. s. heartland .
the engineer puts antonio in charge of a highway maintenance project in san luis potosi that needs to be completed in 15 days and gives him a crew of four vastly different rookies. there’s short, stocky atayde (silveiro palacios), a motor - mouth former circus stagehand; hulking gabriel (joaquin cosio), whose failing eyesight forced him to stop driving big rigs; rebellious teen pablo (americo hollander), who is saving to join his brother in chicago; and cynical ex - con mario (gustavo sanchez parra), who turns out not to have left his thieving ways behind .
international sales are being handled by ndm. u. s. rights are still available .
after studying under cinematographer ed lachman, shevaun mizrahi forged her own unique filmmaking path with its own set of rules .
this episode was censored in some countries. see censorship of adventure time for more information .
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a man chris riedell and woman carrie keagan wake up with burlap sacks over their heads in an unknown mansion .
three friends have a special mission: find some keys lost in a pile of dead leaves .
teenagers' leisure at full swing: a group of friends spend their holidays at parties, having sex, boozing, and partaking in any adventure that brings them a boost of adrenaline. as they use... see full summary »
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explore popular sci - fi movies and tv shows available to stream with prime video .
a good - looking, movingly thesped, bittersweet tale that should go over like gangbusters with spanish - speaking audiences .
damian alcazar, joaquin cosio, silveiro palacios, gustavo sanchez parra, americo hollander, fernando becerril .
reviewed at montreal world film festival (competing), aug. 30, 2015. (also in guadalajara, chicago international) running time: 95 min. (original title: “la delgada linea amarilla” )
production: (mexico) a springall pictures production in association with fidecine, eficine, mexichem derivados, mexichem amancho holding, aeropuerto de cancun comex, gobierno del estado de san luis potosi, estudios churubusco azteca. (international sales: latido films, madrid .) produced by guillermo de toro, bertha navarro, alejandro springall .
crew: directed, written by celso garcia. camera (color, hd, widescreen), emiliano villanueva; editor, jorge garcia; music, daniel zlotnik; production designer, ariel margolis; costume designer, gabriela fernandez; sound, gabriel coll, sergio diaz .
with: damian alcazar, joaquin cosio, silveiro palacios, gustavo sanchez parra, americo hollander, fernando becerril .
movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
a definitive, supportive and hopeful love letter to mexico... [ full review in spanish ]
a traditional film that tries to moralize with a nice message. [ full review in spanish ]
this conventional road - movie benefits on a quartet of veteran actors who can even make a phone - book reading interesting. [ full review in spanish ]
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lakeith stanfield and his sorry to bother you crew reveal their most soul - crushing jobs in our freewheeling interview .
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mexico, 2015 (95 min) spanish with english subtitles • rating: 18 + director: celso garcia cast: damián alcázar, joaquín cosio, silverio palacios, gustavo sánchez parra, américo hollander, fernando becerril, tara parra, sara juárez, enoc leaño, fermín martínez film introduction and follow up q & a with dr. emily hind dr. rebecca janzen and film director celso garcia.
the thin yellow line ( spanish : la delgada línea amarilla ) is a 2015 mexican drama film directed by celso r. garcía . it was one of fourteen films shortlisted by mexico to be their submission for the academy award for best foreign language film at the 88th academy awards , but it lost out to 600 miles . 
the thin yellow line (spanish: la delgada línea amarilla) is a 2015 mexican drama film directed by celso r. garcía. it was one of fourteen films shortlisted by mexico to be their submission for the academy award for best foreign language film at the 88th academy awards, but it lost out to 600 miles.
the thin yellow line (spanish: la delgada línea amarilla) is a 2015 mexican drama film directed by celso r. garcía. it was one of fourteen films shortlisted by mexico to be their submission for the academy award for best foreign language film at the 88th academy awards, but it lost out to 600 miles.