kaviya thalaivan ( 1992 film )
kaviya thalaivan or kaaviya thalaivan (english: epic ruler) may refer to: kaviya thalaivan (1992 film), starring vijayakanth, bhanupriya kaaviya thalaivan ...
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watch kaaviya thalaivan full tamil movie here! kaaviya thalaivan is a 2014 tamil historical film. kaaviya thalaivan tamil movie stars prithviraj and .
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kaaviya thalaivan (english: epic hero) is a 2014 tamil historical fiction film written and directed by vasanthabalan. set in early 20th century, the film is about the ...
the film' s success inspired similar subjects about manliness of protagonist. notable films were maru piravi (1973) and kanni paruvathile (1978). [ 5 ] the film established ks gopalakrishnan as a famous director and went on to direct several films with the theme of family drama. [ 6 ] the film received national film award for best feature film in tamil - certificate of merit for the third best feature film. [ 7 ]
the distributors expressed their doubts over the film after watching the film and sought refund of their advances. al srinivasan returned the advance and released the film on his own and became successful. the film was successful even its second release. [ 2 ] the film was remade in hindi as suhagan (1964) with guru dutt and in telugu as sumangali (1965) with akkineni nageswara rao. [ 2 ]
award. bela shende next crooned for a. r. rahman in the tamil film
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kaviya thalaivan is a tamil movie, directed by k. s. gopal krishnan, starring along with others. here, on the movie page, you will find every thing that you need to know. get the up - to - date news updates of kaviya thalaivan, as it happens. check out what others are saying about the movie on twitter .
nov 28, 2014 - tamil film kaaviya thalaivan is a thoroughly enjoyable experience, says s saraswathi. after the spectacular success of the national ...
movie title - - - kaviya thalaivan its ranked number 10 tamil movie in the year 1992 in imdb. cast - - manorama as vellaiamma mottai seetharaman nassar as pradeep guest appearance r. neelakantan as ranga bashyam below actors passed away - - manjula vijayakumar died on 23 - jul - 2013. . died on 19 - nov - 2008 gopishantha manorama died on 10 - oct - 2015 movie details - - running time - 170 mins imdb rating - - 6. 7
karnan and r. devarajan handled cinematography and editing respectively. the film was released on 16 march 1962 and became successful at the box office. the film was remade in hindi as suhagan (1964) and in telugu as sumangali (1965) .
the film received positive reviews from critics. g. dhananjayan in his book pride of tamil cinema mentioned
both ssr and vijayakumari performed their roles well. the subject was a delicate one and had a danger of bordering on vulgarity. however ksg walked skillfully on razor' s edge and made it a fine family sentiment film earning the goodwill of family audience who made it a grand success
. tamil magazine ananda vikatan appreciated the film stating that
the film had several interesting elements and innovations. . it is a must watch film and make us all proud that tamil films are progressing well
. [ 5 ] b. kolappan of the hindu mentioned that the film
powerfully portrays the agonising moments after the protagonist becomes impotent
. [ 6 ]
k. s. gopalakrishnan who earlier worked as a scriptwriter for films like deivapiravi and padikkadha medhai made his directorial debut with this film. he approached a. l. srinivasan to produce the film based on the concept of protagonist' s sexual potency. srinivasan liked the script and agreed to produce despite warned by friends not to produce the film on such bold concept. [ 2 ]
pesum dheivam (tamil: பேசும் தெய்வம்) is a 1967 indian tamil film, directed by k. s. gopalakrishnan and produced by r. balasubramaniam. the film stars sivaji ganesan, padmini, s. v. ranga rao and s. v. sahasranamam in lead roles. the film had musical score by k. v. mahadevan. [ 1 ] [ 2 ] [ 3 ]
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the film is about the lives of two theatre artistes played by siddharth and prithviraj. siddharth) and prithviraj grow up together ...
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sarada is a 1962 indian tamil drama film directed by k. s. gopalakrishnan in his directorial debut. the film was produced by a. l. srinivasan under als productions and stars s. s. rajendran and c. r. vijayakumari in the lead roles, while m. r. radha, s. v. ranga rao and asokan play pivotal roles. the film' s soundtrack and background score were composed by k. v. mahadevan, while the lyrics for the songs were written by kannadasan .
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all about kaaviya thalaivan - tamil movie, directed by vasanthabalan, starring siddharth... haricharan pudipeddi (nowrunning) | read full review .
the film focuses on a tamil drama troupe in the pre - independence period. led by thavathiru sivadas swamigal (nassar), it throws the spotlight on two of his best students - kaaliappa (siddharth) and gomathi (prithviraj), and the rivalry between them .
watch the trailer of vasantabalan' s' kaaviya thalaivan', a saga of drama, romance, friendship, music & more starring siddhar ...
nov 30, 2014 - kaaviya thalaivan is a 2014 tamil movie starring siddharth, prithviraj, vedhicka, anaika soti and directed by vasanthabalan - watch kaaviya ...
think of vasanthabalan, you' re reminded of the dialogue where vedhika asks siddharth after they perform together for the first time on stage - did i act well? siddharth, nonchalantly, replies ,
you' re beautiful. isn' t that enough for a woman to impress audiences ?
of course, the context of this dialogue is different but somehow it felt like the director was asking us how we liked his film? to which, you only have words like' beautiful',' grand' and' inspiring', but you' d never say it' s a great film, at least the majority won' t .
in the second half, siddharth' s character is partly based on his own role from rang de basanti. he turns into a nationalist, for reasons not quite well explained, and he uses the theatre medium to stage nationalist dramas. in fact, he goes on to play the same role (bhagat singh) from his hindi film .
it' s tough to understand why vasanthabalan brings the independence struggle angle into the story. is it just because the film is set in the pre - independence era? instead, he should' ve concentrated on avoiding some extremely predictable moments towards the end - like that twist in the story, which explains the opening scene why we see prithviraj staring into the mirror with a gun in his hand .
what if the tables were turned? what if drona had trained both arjun and ekalavya together? what if arjun and ekalavya were pitted against each other due to jealousy? the answers to these questions can be found in the film. just like how ekalavya belonged to the lower caste, here, siddharth is shown as a beggar who gets into nassar' s drama group because of his impeccable singing skills .
nevertheless, kaaviya thalaivan makes you want to cheer for vasanthabalan for extracting some of the best performances from actors whose talent we' ve always underestimated. you also want to cheer for the makers for being gutsy and backing this offbeat attempt .
with great music and a competent cast, kaaviya thalaivan promises a great feast but fails at the final hour. the story that burrows liberally from the epic mahabharata and weaves in the independence movement into its narrative, doesn' t offer much .
kaaviya thalaivan works in parts like rahman' s music, which doesn' t do full justice to the period in which the story is set. in a beautiful scene, vedhika' s mother requests nassar to take his daughter as one of his mentees. nassar explains that there' s no room for a woman in his all - boys' company. but he' s subsequently impressed by the girl' s singing and dancing skills. she joins the troupe and becomes its crucial member. in this scene, vasanthabalan' s intent was to show that this (cinema) is not a male - dominated industry, and occasionally, even a highly talented woman is welcomed. scenes like these are a treat to watch in the film, which is otherwise let down by its writing and the urge for a melodramatic end .
there' s heavy reference of mahabharata in kaaviya thalaivan, which is the story of drona (nassar) and his gifted students arjun (prithviraj) and ekalavya (siddharth). in the epic tale, ekalavya never learnt under the mentorship of drona. he learnt by secretly watching drona (who was also his spiritual guru) teach his students .
at the end of kaaviya thalaivan, there' s a side in you that wants to laud the effort of auteur g vasanthabalan, who has always strived to give us good cinema, especially for recreating a bygone era in grand style on screen. then, there' s another side that will ask why all his films with great potential don' t get their due .
the life of a human being is examined in this film. from the beginning of life, humans have needs and wants. a baby wants toys, a child wants playmates, a teen wants a partner, an adult wants a spouse... the wants never ends. the human here is padmini who after getting married to sivaji ganesan, yearns for a child. barren for a long time, they make special arrangements with their maid to adopt her unborn child. but their happiness is short - lived when the new born baby dies. their sadness is overtaken soon, when padmini becomes pregnant. the child is born and is healthy. does padmini' s wants end there? no, the child has a special problem... . and the wants continue .
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ks gopala krishnan, the director of films like sarada, karpagam and kulama kunama, k s gopalakrishnan died aged 86 at a private hospital .
the director of films like sarada, karpagam and kulama kunama, k s gopalakrishnan died aged 86 at a private hospital .
golapakrishnan had his roots in tamil theatre and was a popular writer, director and lyricist as well. he directed over 50 films and many had women as the central character. he has worked with tamil movie legends like jayalalithaa, gemini ganesan and sivaji ganesan .
as a lyricist, the song ‘un azhagai kanniyarkal sonnathinaley’ in uthamaputhiram showed how good a lyricist he was as it’s a classic in kollywood. as a dialogue writer his work in films like ‘padikkadha medhai’, ‘annai’ and ‘per sollum annai’ are spoken about even today .
when lyricist kannadasan was very popular, he started to work with vaali for his films. and this is said to have ensured his continued success in tamil cinema .
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this page was last modified on 20 may 2016, at 01: 58 .
this article' s content derived from wikipedia, the free encyclopedia (see original source) .
you' d salute the effort that has gone into its making, but never the final product .
but ekalavya was never allowed to be the best archer because he belonged to the lower caste (and archery was meant for kshatriyas). that' s why drona asks for his thumb as guru dakshina .
when nassar picks siddharth over prithviraj for a lead role, the latter asks his guru if the former is his ekalavya .
similarly, vedhika' s role is inspired from meerabai. in fact, there' s a shot where we see vedhika posing as the popular poetess. like how meera, although married, believed that she belonged to lord krishna, vedhika believes she belongs to siddharth and she abandons her family to settle down with him .
drama two theater artists compete in a small drama troupe... .. see full summary... . left in the theatre as everyone left early without watching the full movie .
‎kaaviyathalaivan (original motion picture soundtrack) by a. r. rahman on apple music
the soundtrack was composed by k. v. mahadevan and lyrics were written by kannadasan. [ 3 ] the audio was released under the label saregama. [ 4 ] the songs
manamagale marumagale
and
oruthi oruvanai
were well received. [ 2 ]
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this page was last modified on 2 february 2016, at 10: 48 .
of kochadaiiyaan, which was composed by a. r. rahman and released in 2014
( 2014). in july 2007, s. r. ashok kumar of the hindu asked eight tamil
kaviya thalaivan is a 1992 tamil drama film directed by k. s. gopalakrishnan . the film features vijayakanth and bhanupriya in lead roles . the film had musical score by aravind siddhartha and was released on 25 october 1992 . 
kaviya thalaivan is a 1992 tamil drama film directed by k. s. gopalakrishnan. the film features vijayakanth and bhanupriya in lead roles. the film had musical score by aravind siddhartha and was released on 25 october 1992.
kaviya thalaivan is a 1992 tamil drama film directed by k. s. gopalakrishnan. the film features vijayakanth and bhanupriya in lead roles. the film had musical score by aravind siddhartha and was released on 25 october 1992.