yenning amadi likla
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best of indian cinema film festival: yenning amadi likla - manipuri film is an event that took place on 13 - jul - 2014 in hyderabad .
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manipuri cinema made a comeback after several years with makhonmani mongsaba' s yenning amadi likla in the feature film section of the indian panorama, along with 20 other films .
some men, of course, are moving with the times. working with women producers is enriching and exciting,  says makhonmani mongsaba, the award - winning director of yenning amadi likla. the six women producers of the film, he says, were very disciplined and focused. their approach towards filmmaking was personal and not commercial. 
‘yenning amadi likla’ is probably the only feature film produced in the state of manipur in 2007. yet, it was selected for the indian panorama section at the international film festival of india (iffi) in 2007. even more remarkably, it is produced by six female producers who had come together to make it at a shoestring budget of rs. 18 lakhs .
manipuri song. . yening amadi liklaa. . (children film) ho telang - ga. . mp4 / h264
but not everyone is in it for a quick buck. six women producers  saroja, shantibala, sunitibala, victoria, survi and umarani  are funding films because they want to focus on serious issues. in 2008, they produced yenning amadi likla (spring and dew), a film that dealt with the life of a poor child and a well - to - do childless couple. the film attempts to understand the mind of a child and underlines the importance of foster care,  says umarani, also a social worker .
male filmmakers used to discourage me saying that this profession was not meant for us,  says the producer of the critically acclaimed ahing amadi houkhrei (night has gone) and kubiba (blessings). i have also received threat calls asking me to leave the industry. 
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into the feature film section of the indian panorama of the international film festival of india (iffi) 2007 .
the last manipuri feature film which entered into the feature section of indian panorama of iffi was a. syam sharma' s
( the grey mare) in 1996. union ministry of information and broadcasting yesterday announced the list of 21 feature films and 15 non - feature films selected for the indian panorama of the international film festival of india 2007 to be held in november this year at goa .
( along the way) were among 15 selected non - feature films. selections were made out of 119 feature films and 149 non - feature films .
the jury of feature film was headed by ks sethumadaram and non - feature by arun khopkar. makhonmani mongsaba said that his film was about a story of a nature loving child who was neglected by his parents .
the film made in 16mm and blown up in 35mm was produced by six ladies namely umarani, saroja, santibala, ibemhal, sunitibala and victoria. in short, survi is the producer. moirangthem inao penned the story. umarani, one of the producers of the film said over phone that the film could not be shown in manipur unless the film was converted into video film .
she lamented over conversion of all the cinema halls in manipur into video halls. she asked how would manipuri films survive without cinema halls. mention may be made that manipur could not produce any feature films for the last many years .
according to the central board of film certification (cbfc), no manipuri feature film was produced in the year 2006. in place of it, 62 manipuri video films were produced during the year as per the record of cbfc. haobam paban kumar said that his manipuri film
produced by the satyajit ray film & television institute, kolkata was made in 35 mm .
the film scripted by m. k. binodini was about the story of a woman who searched for freedom .
shyam sharma' s 35 mm film made in english was produced by the films division, mumbai and scripted by m. k. binodini and shyam sharma. shyam sharma said that the film was about the story of bhagyachandra who was one of the greatest vaishnav kings of manipur .
a versatile person of immense qualities, he was an expert war strategist who wielded his sword to defend his land and people, and yet an artistic genius of divine sensibilities who gave the world the classical dance of manipuri ras .
shyam sharma was also disappointed when his documentary could not be shown to his native people in his home state due to non - availability of cinema halls in manipur where all the cinema halls were utilized as video halls .
* manipur info centre provided this film review to the sangai express. this article was webcasted on october 23rd, 2007
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sanatomba is an imaginative, creative and a nature - loving ten - year old. he has simple wishes, like wanting to sleep beside his father, dine with him. but he cannot, because his father is a drunkard. he always comes home drunk, fights with his mother, and slaps sanatomba for going to school. the father himself doesn’t work, but he wants his son to work in a hotel and bring home some money so that he could waste it on alcohol .
the house runs on the shoulders of his mother, but even she cannot put up with the antics of the father. one day, she leaves them. she hopes that her husband would come to his senses in her absence. meanwhile, sanatomba is distraught at his misfortune and compares it with that of thambol, the daughter of a rich, well - to - do family next door. thambol tells him that she could sleep beside both her mother and her father, and that they both love her very much .
later in the movie, the problems associated with adoption are shown, when a childless couple come across sanatomba and wish to adopt him. not only is the acceptance of both the mother and the father sought, but more importantly, of that of the child, sanatomba, who wants to see his mother .
it is a simple movie which shows how domestic violence can trouble a child, and shows it from the child’s point of view. i personally feel that because the movie has been produced by women, it does show its effect on the final product. for once, in a movie, women take up center stage, and men are put behind. this movie kind of shows how it would be if women take up filmmaking .
considering the peculiar state of film production in manipur, women coming forward to produce films is all the more remarkable. there is no state support for filmmaking, and there are no cinema halls that project on celluloid in manipur. many of them have turned into shopping malls and schools. so, to actually make a movie, in a place where there are no cinema halls, is quite daring and for women to come together and do that is totally something .
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urikhinbam devita devi is home after a week - long shoot in tripura. but the manipuri superstar cant put her feet up yet. she has to get up at the crack of dawn for another bout of filming at kakching, 60 kilometres from imphal. devita, 25, is racing against time to finish work on her second home production  gobrindage sarikmakhal (sound of bells) .
there is a reason devita would rather make her own films than work in others productions. i want to make meaningful cinema with women - centric roles,  says devita who shot into fame as an actor in the 2008 film lakhipurgee lakhipyari (lakhipyari of lakhipur) .
like devita, more and more manipuri women are producing films. the manipuri film industry  locally known as mollywood  has so far been dominated by men. but in recent times, women have been seeking a toehold  and they are doing so by becoming producers .
in most of our films, the protagonist is a man,  says devita. as a film producer, she feels she can change that. her 2008 hit echan, produced by her banner, ibhudhou thangjing film productions, also had a woman lead .
more than 20 of the 65 producers registered with the all manipur video film makers and producers association (amvfmpa)  a federation of filmmakers  are women. and most of them are also successful actors .
some of the actors believe that film production is financially more viable than acting. new faces pop up every day and the bitter truth is that lead roles dont come after a point of time,  says actor - producer saikham kamla, 24. the best option is to become a producer to keep the cash registers ringing,  says kamla, who formed her production house  sai media productions  two years ago after starring in over 120 films in five years. her debut production  nagsu mouni (you are a woman too) collected rs 6 lakh  almost double the sum she invested .
in some cases though, production is the way to finding fame as an actor. marina laihingbam was only 20 when she borrowed rs 4 lakh from her father to produce radha rani, six years ago. the film was a big hit and i earned six times the sum i had invested,  says laihingbam, who has played the lead in eight other films she has produced so far .
another reason women are turning producers is that it doesnt take much to fund a film. compared to the big brothers  tollywood or the much bigger bollywood  the rs 4 - crore manipuri film industry runs on a small scale .
local film production picked up after the outlawed revolutionary peoples front banned the screening of bollywood films in 2001 by branding them obscene. more than 150 manipuri films are released every year. most are shot on digital tapes with budgets as low as rs 3 - 6 lakh .
in the initial years after the ban, manipuris focused on producing music albums. but in 2004, a similar ban was imposed on music albums. since then, film production has boomed,  says cinematographer l. surjakanta. though a large number of movies flop, youngsters still want to try their luck as even a moderately successful film can fetch them a profit of 20 to 30 per cent. in this poverty stricken state, filmmaking has become an option for earning quick fame and easy money. 
the rs 18 - lakh film was critically acclaimed but a commercial dud. we couldnt earn more than rs 1. 5 lakh,  sighs saroja .
many of the women producers deal with issues that trouble manipuri society. sunitibala points out that the six producers future projects include films on issues such as militancy, drug abuse among youngsters and aids .
devita is planning a film on manipuri activist irom sharmila, who has been on a fast for the past 10 years demanding the repeal of the armed forces special powers act. but the film forum, a regulatory body that vets every project, has not given her permission yet for the film, she says .
another woman producer, bandana, complains that the state doesnt encourage filmmakers to focus on real issues. i wanted to make a film on growing prostitution in manipur but i didnt get permission to shoot in the red light area,  she says .
while film production has become a career for young women in a state plagued by unrest and unemployment, the government has not been of much help to the industry. the 30 - year - old manipuri film industry, which has produced such gems as matam gee manipur, supports at least 10, 000 families. but the film sector has been striving for a studio, film laboratory and post - production equipment. the lack of support from the government has led to a fall in the quality of films. more than 58 cinema halls are defunct now,  says filmmaker salam birendra .
the women filmmakers also complain of gender bias. in this male dominated and conservative film industry, the sudden surge of women filmmakers is not welcomed,  says diana potsangbam, a producer and the sole woman director in mollywood .
sociologists say it will be a while before female producers are accepted by their male counterparts as able professionals. even though women from all economic strata step out of their homes to earn a livelihood, there is barely any respect for them in our society. the film industry is no exception,  says n. vijaylakshmi brara of the centre for manipur studies at manipur university .
amvfmpa chief ningthouja lancha says steps are being taken to encourage participation of women in filmmaking. we are organising special workshops. we would also like to propose to the state government that it provide them financial aid,  he says .
for the present, the women are happy with the promises  and hope that they will lead to bigger dreams. i want to produce a bollywood film one day and get national recognition,  says devita .
bollywood had better look out. in manipur, dreams often merge with reality .
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panaji, dec 3: chinese film' the wall', directed by lin chih ju, has won the golden peacock award for the best film at the 38th international film festival of india (iffi), which came to a close today .
the awards were announced in the presence of the distinguished jury which comprised of hungarian filmmaker marta meszaros, noted argentinian filmmaker pablo cesar, new zealand director robert sarkies and one of india' s most respected filmmakers shaji n karun .
noted bengali filmmaker buddhadeb dasgupta was the chief guest at the 11 - day festival which was inaugurated by bollywood superstar shah rukh khan here on november 23 .
though this year iffi had its share of controversies, it was still acknowledged as a smooth event and marked improvement over the previous years, both in terms of the arrangements and quality of films selected for various sections of the festivals and overall atmosphere .
the directorate of film festival received praise from no less a person than celebrated filmmaker adoor gopalakrishnan for giving' a sort of character' to it .
he, however stressed the need for handling it more professionally and promoting it more intensively to give it an international reputatiion .
in this context, it was learnt from official sources that the government was actively considering floating a body with members drawn from the dff, esg and other bodies concerned like the nfdc and films division, to handle the affairs of iffi throughout the year .
the new computerised ticketing system for delegates introduced this time was a success and helped in avoiding large queues .
however, friction betwen the dff, which is under the union ministry of information and broadcasting and the state government backed goa entertainment society in certain spheres, was evident .
the festival began with the screening of palme d' or winning romanian film'' four months, three weeks and two days'' by c istian mungiu. malyalam film' ore kadal' directed by shyamaprasad had opened the feature films section of the indian panorama while' bagher bacha' (bengali) directed by bishnu dev halder was the inaugural film of the non - feature section of the festival .
during the festival, films by celebrated filmmakers from all over the world were screened .
among the highlights of the festival was the premiere of the amitabh starrer' the last lear' (english) dircted by noted bengali filmmaker ritupurno ghosh. the film has already been premiered in the toronto film festival .
pakistani film' khuda kay liye' in which naseeruddin shah makes a guest appearance, also evoked great interest among the delegates .
directed by shoaib mansoor, the thought - provoking drama focused on the dilemma of progressive muslims in the country because of their modern approach towards life .
apart from the first pakistani entry in the iffi in the competition section, georgia also made its debut in the prestigious event with its film' svani' .
this time 14 films, including two indian, from 13 countries, competed for the prestigious golden peacock award, which carries a medal and rs 10 lakh. the best director award went to pongpat wachirabunjong of thailand for his film' me myself'. a special jury award was shared by bangladesh film director golam rabanny biplab for his film' on the wings of dreams' and child artiste urbili for' more than anything in the world' .
the competition section had films from asian, african and latin american countries. they were' on the wings of dreams' by golam rabbany biplab (bangladesh),' me myself' by pongpat wachirabunjong (thailand),' the debt' by assaf bernstein (israel),' the satanic angels' by ahmed boulane (morocco),' a ton of luck' by rodrigo triana (columbia),' the postmodern life of my aunt' by ann hui (china),' the wall' by lin chin ju (taiwan),' olga, victoria olga time without time' by mercedes farriols (argentina),' mas que a nada en el mundo' by andrs leon becker (mexico),' cruel embrace' by anuradha jaisinghe (sri lanka),' svani' by soso and badri jachvliani (georgia) and' ek nadir galpo' by samir chanda and' rathrimazha' by lenin rajendran (both from india) .
the hindi cinema was represented by' dharm' directed by bhavna talwar and' gafla' directed by sameer hanchate .
as a special tribute to noted film directors tapan sinha and vijay anand special retrospectives of their films titled' lest we forget' and' an eternal romantic - - vijay anand', were screened, besides retrospectives of ingmar bergman and three landmark kannada films by a generation of filmmakers inspired by a literary movement' navya movement' in kannada languages, also called the' literary modernism will' .
the festival also screened films as a homage to veteran music director op nayyar, marathi actress vanamala devi, renowned cinematographer k k mahajan and veteran manipuri director aribam syam sharma' s film' ishanou' .
celebrated malyalam director adoor gopalakrishnan' s films featured in the master classes section of the festival .
in addition, three films curated by the goa government and four by the films division were screened in celebration of the 60th anniversary of the country' s independence .
the festival also had four films on aids awareness directed by noted filmmakers mira nair, vishal bhardwaj, santosh sivan and farhan akhtar in the film india worldwide sectiion introduced in the festival for the first time .
apart from this, aribam syam sharma' s 58 - minute documentary'' rajarshi bhagyachandra of manipur'' and haobam paban kumar' s 19 - minute short fiction'' ngaihak lambida'' were among the 15 non - feature films .
similarly, the absence of bollywood megastar amitabh bachchan at the special screening of his first english film' the last lear' also raised eyebrows renewing speculations about the continuing reported confrontation between the legendary actor and the central government. however, information and broadcasting minister priya ranjan dasmunsi wondered why the issue was raised in the media .
'' amitabh is an icon and the face of the indian film industry in india and abroad. he was honoured with a national award for his performance recently,'' he said .
while the dff maintained that the cast and crew of participating films in the festival were always welcome and did not need special invitations .
the festival passed off peacefully except for a women organisations' demonstration in goa against the sale of liquor on the festival premises including setting up of a media lounge by a well known liquor brand for making available hard drinks free of cost to journalists. the media lounge was closed after protests from the goa union of journalists (guj) .
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yenning amadi likla ( english : spring and dew ) is a 2007 manipur film directed by mankhonmani mongsaba and produced by survi ( santibala , sunitibala , umabati , saroja , victoria and ibemhal ) , under the banner of nongin films . it stars muru and reshmi samom in the lead , with olen , laimayum ( o ) seema , mangoljao , daisy , hamom sadananda , lilabati , hemanta and abok pishak portraying supporting roles . the story of the film was written by moirangthem inao . the film was made in 16 mm and blown up in 35 mm . yenning amadi likla got entry into the feature film section of the indian panorama of the international film festival of india ( iffi ) 2007 . it was among 21 selected feature films . 
yenning amadi likla (english: spring and dew) is a 2007 manipur film directed by mankhonmani mongsaba and produced by survi (santibala, sunitibala, umabati, saroja, victoria and ibemhal), under the banner of nongin films. it stars muru and reshmi samom in the lead, with olen, laimayum (o) seema, mangoljao, daisy, hamom sadananda, lilabati, hemanta and abok pishak portraying supporting roles. the story of the film was written by moirangthem inao. the film was made in 16 mm and blown up in 35 mm. yenning amadi likla got entry into the feature film section of the indian panorama of the international film festival of india (iffi) 2007. it was among 21 selected feature films.
yenning amadi likla (english: spring and dew) is a 2007 manipur film directed by mankhonmani mongsaba and produced by survi (santibala, sunitibala, umabati, saroja, victoria and ibemhal), under the banner of nongin films. it stars muru and reshmi samom in the lead, with olen, laimayum (o) seema, mangoljao, daisy, hamom sadananda, lilabati, hemanta and abok pishak portraying supporting roles. the story of the film was written by moirangthem inao. the film was made in 16 mm and blown up in 35 mm. yenning amadi likla got entry into the feature film section of the indian panorama of the international film festival of india (iffi) 2007. it was among 21 selected feature films.