the last rites of joe may
the last rites of joe may: official u. s. trailer - youtube
movie review: the last rites of joe may | birth. movies. death .
looking for movie tickets? enter your location to see which movie theaters are playing the last rites of joe may near you .
the last rites of joe may chronicles the last days in the life of joe may, an aging, short money hustler who always believed that a glorious destiny awaited him around every corner. now in... see full summary »
the last rites of joe may features a stunning performance from dennis farina as an ailing short money man in a world that’s moved on .
the last rites of joe may chronicles the last days in the life of joe may, an aging, short money hustler who always believed that a glorious destiny awaited him around every corner. now in his sixties, his health failing and resources dwindling, joe is presented with one last shot at greatness ...
think richard jenkins in the visitor. or j. k. simmons in the music never stopped. and now dennis farina in the last rites of joe may .
that last plot point is a little old - fashioned, straight out of the good bad man playbook of classic westerns. but in a way, that’s what “the last rites of joe may” is, only transferred to modern times .
despite some glaring dips into formulaic territory, the last rites of joe may offers center stage to a great performer who' s made a career of playing supporting tough guys .
veteran character actor dennis farina gives one of the best performances of the year in a rare lead part as an aging, down - on - his luck small - time hood in
the last rites of joe may.''
you meet guys like joe may. they can get you a price on some merchandise that fell off the back of some truck. in the performance of his career, dennis farina depicts the type flawlessly in
the last rites of joe may .
he looks into the type and sees the man inside: proud, weary, fearful .
' the last rites of joe may' (unrated) tribeca (103 min .) directed by joe maggio. with dennis farina. now playing in new york; also available on demand. three and a half stars
“joe maggio has imagined a character that resonates with subtlety and truth in addressing the realities of the final denouement of one’s life in the last rites of joe may, ” said geoffrey gilmore, chief creative officer of tribeca enterprises. “dennis farina delivers the performance of his lifetime with a realism and vulnerability that we haven’t seen before. ”
every great story is, at its core, a tale of redemption. as its title implies, the last rites of joe may is no exception. the brilliance of this particular story, however, is that maggio does not turn joe may into everyman, ready to avenge wrongdoing and saving himself in the process. instead, joe may is noman, a barely felt ripple in his rapidly shrinking pond of a world .
dennis farina, left, plays an aging hustler who upon leaving a hospital finds strangers, meredith droeger, center, and jamie anne allman, living in his apartment in “the last rites of joe may. ”
watching joe may feels like walking behind tourists on the michigan avenue bridge. come onnnnnn .
there’s already oscar buzz for farina, and it’s well - deserved. a native chicagoan and former police officer, farina’s street smarts show in one of the best big screen performances of the year. as a result, though the last rites of joe may may be a small film about a small guy, it packs a big punch .
after a dramatic climax, the film ends with a mundane conversation and the clinking of forks on a plate as the credits slowly roll over the scene. it’s a poignant reminder of the casual casualty of life. the last rites of joe may is a rousing tale of one man’s redemption, but it’s also a brutal reminder that one man’s redemption means very little to the world at large .
“i' m thrilled to have tribeca handling the release of the last rites of joe may, ” said maggio. “it' s a really personal film and tribeca was so passionate about it, right from the beginning. i couldn' t have asked for a better fit. ”
some of “last rites” is a little stale, like the frequent set - the - mood shots of sneakers dangling from urban telephone wires, or black birds flying across an empty sky. and the climax is predictable .
review: it’s a sure sign that things are not going your way when people keep telling you they were convinced you were dead. that happens at least a half - dozen times to the titular character in joe maggio’s film the last rites of joe may, which focuses on a man who… (more )
showcasing a tour - de - force performance from dennis farina, the last rites of joe may chronicles the final days of an aging, short money hustler clinging to the belief that he' s one scam away from the glorious destiny he' s always deserved. now in his sixties, his health failing and resources dwindling, joe is presented with one last shot at redemption in the eyes of a community that' s all but left him for dead .
small - time chicago hustler joe may (the incomparable dennis farina) always felt like a great destiny awaited him, but with his health ailing and his age advancing, he’s never looked more like a bum. broke and evicted, he’s taken in by a troubled young mother and daughter, in whom he finds one last shot to be a hero. pulsing with the spirit of classic urban dramas, “the last rites of joe may” is a subtle, sophisticated tale of redemption. [ synopsis courtesy of tribeca film festival ] .
joe may’s life ended a long time ago. it’s just no one remembered to tell him .
the last rites of joe may first and foremost boasts a tremendous performance from dennis farina. he plays joe may as down but not out, pissed at the world but with a plan. everyone he runs into after he leaves the hospital offers the same line, “joe may. i thought you were dead! ” joe wears a leather blazer like a uniform, sits on the same stool at the same bar every day and orders the same shot and a beer. but when he prepares for a minor scam, the audience sees a glimpse of the younger joe from another time, when the rules were different and he knew how to play the game. he’s charming and wily, with a glimmer in his eye and a swagger in his step .
official facebook page: urltoken official site: urltoken showcasing a tour - de - force performance from veteran dennis farina, the last rites of joe may chronicles the final days of an aging, short money hustler clinging to the belief that he' s one scam away from the glorious destiny he' s always deserved. now in his sixties, his health failing and resources dwindling, joe is presented with one last shot at redemption in the eyes of a community that' s all but left him for dead .
maggio said that audiences are responding very well, particularly chicago audiences who feel that the film is tremendously representative of the city. he said he never wanted to be too sentimental, but he wanted the emotion to feel authentic and to resonate with audiences. he struck that tone perfectly in the last rites of joe may; watch the trailer below and tell me what you think .
it' s a soulful and moving performance, one that makes the film worth watching. maggio' s story and plotting can be predictable, but he gets a real feel for the life of a small - timer, not just from farina but from the others who populate joe' s strata of chicago life. it' s a cold world out there for guys like joe - and maggio and farina let you feel that chill in the last rites of joe may .
that doesn’t make the movie particularly fresh, but maggio (upping the production standards from his last few efforts) keeps a steady handle on the formula. as joe becomes invested in jenny’s troubles even more than his own, he becomes a legitimate figure of empathy. although the story is slight and filled with predictable ingredients (joe even has an estranged son, as if he weren’t pathetic enough), it does right by them. a final showdown between joe and jenny’s male oppressor contains a masterful tension, made possible by joe’s evolution into a tragic hero with nothing to lose. “the last rites of joe may” luxuriates in clichés, but also reflects an understanding of how they can actually work .
maggio' s film may be small, but it' s full of texture .
the title character in “the last rites of joe may, ” played by dennis farina, is a hustler of a particular breed: a small - time idealist who always believes he’s one score away from the big time. joe wears (sports) a pinkie ring, leather coat and ankle boots, and if this were a mafia movie, he would be the third wiseguy from the left. when the writer and director joe maggio is in a lighter mood, the character could have stepped out of one of elmore leonard’s lowlife comedies, though mr. maggio isn’t often in a light mood .
from the new york times. you may opt - out at any time .
dennis farina is a marvelous actor. this is a keeper in my film collection. joe may is unforgettable .
excellent rental - - if you wanna see a great actors last performance. .
it’s a sure sign that things are not going your way when people keep telling you they were convinced you were dead. that happens at least a half - dozen times to the titular character in joe maggio’s film the last rites of joe may, which focuses on a man whose life is quickly going to hell in a handbasket. it’s a story that could easily have been depressing... read more
the basic joe may story – a past - his - time man’s man trying for one last hurrah – is a good one, and infinitely flexible. tweak it here and there and it can be the tale of a cowboy, a movie star, a boxer .
dennis farina was always one of my favorite actors. he died too young. especially if you grew up in chicago, or any
big city
, you will have known a guy like joe. hell, you yourself may even be joe may. there is a bit of joe may is in all of us, some more than others. in my opinion, this film represents some of the finest work of a great actor, dennis farina. i believe this was his last film. buy it, and watch it every year or so. you' ll be glad you did .
— despite all evidence to the contrary, aging short - money hustler joe may (dennis farina) always believed he had a glorious future ahead of him. now in
despite all evidence to the contrary, aging short - money hustler joe may (dennis farina) always believed he had a glorious future ahead of him. now in (more… )
this article is issued from wikipedia - version of the 10 / 13 / 2016. the text is available under the creative commons attribution / share alike but additional terms may apply for the media files .
he plays the title character - joe may, a guy who has outlived his time as a small - time hustler on the fringes of chicago' s underworld. indeed, the film begins with a raft of symbols of just how long joe has overstayed his welcome, as he comes out of a hospital stay for pneumonia into a blustery winter setting. he has so few human connections in the world that his lengthy hospital stay has led the few people who do remember him to the conclusion that joe must have kicked off .
straus said in order to make this film–or any film–he always maintains the attitude of “we’re a go. ” he said it’s easy to wait for the right actor or for a certain amount of money, but if you act as if the film is going to be made at any moment, it can be. he said that the last rites of joe may was made for under $ 500k. straus said that after he met with maggio and heard the story, he was very interested in the film (it was the third or fourth pitched to him by maggio), but it wasn’t until involving stephanie striegel in the project that the film really got going .
dennis farina became an excellent actor and this one is among his finest as well as his last .
how could you not like this one? what is there not to like? excellent movie, great end, unfortunately also last danny farina' s movie. at last he gone out with a bang !
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
the usual – financing. i’ve made feature films for as little as $ 6, 000, but on “the last rites of joe may” i wanted enough money to be able to really show what i could do as a filmmaker. we weren’t asking for much, but there was a period of a few years, say from 2007 to 2010, nobody wanted to put any money into serious, adult dramas. money came and went several times, but once dennis farina came on we moved things to chicago, hooked up with a group of chicago - based investors, cobbled the budget together and took full advantage of the illinois tax credits .
farina is terrific, getting the pathos of the character while avoiding the self - pity, and leavening the tragedy with some occasional sputtering humor .
joe gets a shave at a barbershop, and then gets a ride to another part of the city to see lenny. while he' s talking with lenny, we see that joe needs a shave .
how will it play? too slight for widespread acclaim, “joe may” will probably find a home with a small distributor. its best hopes for attention in limited release will depend on the level of acclaim for farina’s dedicated performance .
hustling the hot merchandise doesn' t work out so well. without his planning it that way, jenny and angelina become the most important thing in joe' s life — not in terms of romance, but in terms of the responsibilities of being stand - up guy .
joe maggio' s expectedly bleak tale of an aging, world - weary hustler is striking in almost every aspect. underrated actor denis farina is finally given a well - written character to work with, and the result is a touching, brilliantly understated performance that works as the film' s main selling point. as well, maggio' s down - to - earth direction complements the film' s grim tone, which is captured excellently through the use of dark lighting and gritty camerawork .
the last rites of may
isn' t outstanding due to its being routinely - written and sluggishly - paced, but it' s nevertheless an unquestionably well - made character study and the obvious high points of both maggio' s and farina' s careers .
despite joe’s inability to hold down a job or avoid burying his sorrows in alcoholism, maggio makes it clear that his subject harbors a legitimate desire to clean up his act — something that underlines the pervasive sadness of his deteriorating state. maggio puts the conclusion of joe’s downhill journey in focus, and lets farina’s commitment to the role take the lead .
i shall dearly miss the late mr. farina. this, his last movie, was a touching story of a desperate man beautifully done by a wonderful actor who never seemed to be acting .
and both are essential for this chi - town story, as an aging and ailing joe begs the mob to throw him one last score – and, also, tries to protect a young single mother with an abusive cop boyfriend .
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
i thought you were dead ,
is the refrain he keeps hearing. in fact, joe may may be dead - he just doesn' t know it. nor is he going to accept that verdict. if he' s going out, he' s going out on his own terms .
joe and angelina, the daughter, get along right away. they feel natural together. you hardly ever see a bad performance by a child actor, but young meredith droeger is especially good in this role. joe also encounters stanley buczkowski (ian barford), jenny' s boyfriend, who is a cop and who sometimes hits her. that goes down wrong with joe may .
you can read about the first day of the tribeca film festival and reviews of janie jones and mr. stache here. tune in tomorrow for a review and q & a of vincent d’onofrio’s slasher musical don’t go in the woods !
by placing your order or playing a video, you agree to our terms of use. sold by amazon digital services llc. additional taxes may apply .
dennis farina gets the enviable opportunity to humanize the kind of character he has sometimes exaggerated comically in glossier films .
meanwhile, the new tenant in joe' s place - - no stranger to hard times, or abusive boyfriends - - has taken him in to help with the rent. here the script' s reliance on cliché (the way joe starts gruff but goes soft with the child he must sometimes care for; the pigeon coop the lonely old man keeps on the roof; the sensitive side that only emerges when he listens to opera lps) is impossible to ignore .
for those of you who know dennis farina, this movie is one that you will truly appreciate and treasure. when i heard of it, i was so glad that he got the opportunity to be the lead in a film. it is a marvelous movie and dennis' performance is stunning. actually, it always has been; from crime story to midnight run... .... every movie he is in, he steals the scene and i can never take my eyes off of him. i miss him terribly, but now that i have the last rites of joe may (and soon to purchase crime story to complete my collection of his movies), he will never be forgotten. at least not by me. dennis... ...... .... we love you and miss you .
may returns to his chicago apartment to find, shades of the visitor, that somebody else is living there. a single mom (jamie anne allman) and her daughter (meredith droeger) have rented the place from a landlord who assumed joe was dead. the movie never explains how joe forgot to call his landlord to explain his long absence, but the failed wiseguy couldn' t have paid the rent anyway: he has just over 400 bucks in the bank, a car impounded and sold as abandoned and no prospects .
unfussy cinematography by jay silver captures the chill of a chicago winter ...
basically the story of a man forced to finally see the injustice around him. riley’s movie is designed to do the same thing to you. …
the film, written and directed by joe maggio, only has this handful of characters and looks at them carefully. the dialogue is right, the conflicts are simple and sincere, the hopes are touching. joe talks lenny into letting him move some stolen lamb chops and has dreams even at his age of somehow becoming a big - time hustler. he carries himself as if he' d once been a bigger man in the neighborhood .
the ups and downs of joe' s post - hospital existence - and the increasingly limited prospects he faces - are of less interest than the depth farina brings to this character. his still - alert eyes, his craggy - handsome face and his touching blend of bravura and vulnerability all contribute to a finely etched portrait of a man forced to put the best face on some hard choices - mostly to convince himself .
© 2018 advance local media llc. all rights reserved (about us). the material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of advance local .
with: dennis farina (joe may), jamie anne allman (jenny), ian barford (stanley), meredith droeger (angelina), chelcie ross (billy) and gary cole (lenny) .
an interview with terry gilliam, director of
the man who killed don quixote .
this movie takes place on the west side of chicago, without a single
beauty shot .
not a skyscraper in sight. only gray, cold streets, shabby bars and forlorn bus stops. joe may has just been released from cook county hospital after a siege of pneumonia that nearly killed him. before he goes home, he goes to a bar .
jeez, i thought you was dead ,
the bartender says. nothing about how he' s glad to see joe is alive .
joe may is a small man in a small world, and that world is getting smaller by the minute. after spending seven weeks in the hospital, may (dennis farina), a dapper, small - time hustler, dons his treasured leather jacket along with his carefully cultivated persona as a player, and steps out into a winter chicago afternoon. and that’s when life begins to crumble, for may has no family to speak of and no friends. his apartment has been rented during his absence to a young single mother and her daughter. his car has been towed and sold at auction. his whole life is contained in one small duffel bag, and he’s got less than $ 500 to his name. the shrewd guy working the street has turned into the guy who is simply on the street .
farina is terrific, getting the pathos of the character while avoiding the self - pity, and leavening the tragedy with some occasional sputtering humor. (his increasingly frustrated attempts to unload some fell - off - the - truck meat make for great profane comedy. )
for all the things he does well, maggio makes a classic writer’s mistake, as well, overpopulating the film with important literary symbols. (maggio’s symbolical use of trained racing pigeons is eye - rollingly obvious .) as a result, his film risks underestimating viewers who have grown in size and sophistication as streaming video and pay - per - view cable options have put more independent films within the reach of larger audiences in the last decade or so .
i was so glad that he got the opportunity to be the lead ...
the actress and director both love the genre, but as they told indiewire, they also knew it needed to be retrofitted to tell the true story of catherine weldon and sitting bull .
it isn’t too bad, at first, because both the characters and actresses are appealing. and, again, the scene speaks volumes: the dingy walls adorned hopefully with children’s drawings and the plastic containers of orange juice in the fridge (jenny sneaks them from the hospital where she works) tell a hard story fast .
there’s nothing inviting about the dingy bar, but there’s nothing obviously attractive about joe, either (they’re made for each other), which is partly what makes him intriguing from the get go. the other reason is mr. farina. a naturally watchable screen presence, with a scoop of silvery white hair and a mustache that’s as lovingly groomed as a show poodle, he looks as if he had been born to play men like joe, though he’s equally comfortable working on the other side of the law. toughness may have been bred into mr. farina, a former chicago cop. (he was memorably tender as jennifer lopez’s father in “out of sight, ” never more so than when his character, an investigator, handed his baby girl a new sig sauer. )
lane and schoenbrun discuss how her interest in morgellons disease patients (“the pain of others”) and his exploration of the slenderman myth (“a self - induced hallucination”) led them to make archival films from youtubes .
it’s not that he’s some sort of undead monster. actually, joe’s a very dapper guy, with a slick leather coat, some flashy jewelry and grey hair he keeps perfectly styled .
meredith is the editorial director of birth. movies. death. and the alamo drafthouse, and the social media director for fantastic fest. she loves smallville, and she' s through apologizing for it .
so even though joe seems to own only one set of clothes (including a garish but thin leather jacket in an acidic shade of tan), he rarely presents himself to the public looking less than his best. farina finds the pride that keeps this guy going, the crumbling sense of self - esteem that can be bolstered by carefully manicuring his mustache (or his nosehairs) with a small scissors, or putting a mirror - shine on his shoes .
the story gets close to its goal but winds up lost, leaving farina holding the bag .
joe maggio (“paper covers rock, ” “bitter feast”) writes and directs this simple and affecting drama with an assured focus on farina’s archetypical lost soul. despite numerous formulaic developments, maggio makes the story work by beginning where many would end: joe’s already at his wits’ end. virtually everyone in his community says they thought he was dead and farina’s downtrodden expression makes it clear that joe has started to share their belief .
in an episode dedicated to the show within the show, “glow” illustrates its grand capacity for storytelling, and the very good tv podcast breaks down how .
sign up: stay on top of the latest breaking film and tv news! sign up for our email newsletters here .
and he’s well partnered by a number of lesser - known chicago talents, including a fragile jamie anne allman as the battered mom and the elfin meredith droeger as her grave child. (in a nice bookend to his awful “office space” boss, gary cole shows up as joe’s equally infuriating gangland connection. )
offers farina the chance to demonstrate his range. . a finely etched portrait of a man forced to put the best face on some hard choices - mostly to convince himself .
use of and / or registration on any portion of this site constitutes acceptance of our user agreement (updated 5 / 25 / 18) and privacy policy and cookie statement (updated 5 / 25 / 18) .
it’s just that joe’s world – old - school, slightly shady, but fiercely honorable, in its own way – is out of style. “times change, ” as his old friends tell him with a shrug .
from the title and opening scene i was so engaged to see what lay ahead for the main character, joe may. i also felt several strong and differing emotions and was reminded that this is how film (/ art) should make you feel. every component that made up this film; acting, soundtrack, setting, cast, etc, seemed to merge together perfectly to make it
real
. so real that at least a portion of the characters reminded me of people i' ve known. in addition, one or two themes really struck home and have me thinking about life a little differently today. i expect everyone will relate / connect to certain aspects of this don' t miss film .
luckily for joe, the single mother who now lives in joe' s old apartment, a nurse named jenny (jamie allman), takes pity on him and lets him stay with her until he can get back on his feet. he gradually grows closer to her and her young daughter, angelina (meredith droeger) - and takes a protective interest when he discovers that jenny suffers physical abuse at the hands of her boyfriend, a cop named stan (ian barford) .
[ indiewire invited directors with films in the tribeca narrative, documentary and viewpoints sections to submit responses in their own words about their films. these profiles are being published through the beginning of the 2011 tribeca film festival. to prompt the discussion, indiewire asked the filmmakers about what inspired their films, the challenges they faced and other general questions. they were also free to add additional comments related to their projects. ]
the ebert club is our hand - picked selection of content for ebert fans. you will receive a weekly newsletter full of movie - related tidbits, articles, trailers, even the occasional streamable movie. club members also get access to our members - only section on urltoken
in a particularly affecting sequence, he musters all the dignity he has to visit a kingpin (gary cole, withering in his bored disdain) in hopes of stolen goods he might fence (
some fuggezeh watches or somethin'
). he gets a 50 - pound hunk of lamb instead, and joe' s daylong attempt to sell the blood - dripping loot is a study in slow - crumble humiliation .
after heading back to his cluttered apartment, joe finds that the place has been rented to single mother jenny (jenny rapp) and her young daughter angelina (meredith droeger). after an awkward introduction, jenny allows joe to crash at his old place until he can find a new home. dividing his time between caring for pigeons on the roof and bugging his old connections to loan him some cash, joe gradually becomes more involved in his new roommates’ lives, defending jenny from her crude, power - hungry boyfriend and keeping an eye on her impressionable daughter .
dennis farina' s best performance. he' s a jerk for the most part but does the right thing .
but good as pacino could have been, the great news is that this time the role went to dennis farina .
after the film, we were treated to a q & a with director joe maggio and producers bill straus and stephanie striegel. maggio said the film was originally set in brooklyn, but after casting farina, “you just don’t buy dennis farina as anything but chicago. ” they rewrote the film and moved it to chicago, doing a lot of research to get it right. maggio said farina was a chicago cop for twenty years (? !), so he had access to a lot of local resources for the film, in addition to the rebate and tax incentives offered for filming in chicago .
written and directed by joe maggio and shot in chicago, this film - which debuted on vod oct. 28 and opens nov. 4 in new york and chicago - offers farina the chance to demonstrate his range, beyond the wiseguy - bluster and world - weary authority that' s been behind so many of his roles in films like get shorty and out of sight, as well as crime story and law & order .
eric kohn and anne thompson discuss their favorite films of the year so far. they also debate several new releases and share some streaming recommendations .
the opener, set in a hospital and announced with the sounds of electronic beeps and human breathing, establishes a funereal tone and, like the title, announces the mortal stakes. there’s one patient in a bed, but another man, joe, is standing, and he’s ready to leave. nearly dressed, he slides on a ring and a watch that slip, now too loose for his thinned body. he says so long to the other patient, jokes about his waiting limo and disappears into chicago alone, hunching against the cold. his ride turns out to be a city bus. when he stops for a drink, the bartender says “i thought you were dead. ” he isn’t the only one who does .
wrapped in a thin leather jacket that offers faded panache but little protection from the chicago winter (captured effectively in dp jay silver' s wintry hues), joe canvasses old haunts that have forgotten him in record time .
own all of the previous' mission: impossible' movies to watch at home for just $ 3. 99 each with ticket purchase. buy tickets
maggio said he was inspired to write the film after an ex - girlfriend told him in 1991 that he was “going to die a lonely and broken old man. ” maggio said, as a screenwriter, he connects to joe may in that he’s “always convinced that something great is around the corner. ” maggio’s uncles and grandfather were all short money con - men, with no real jobs but with trunks full of stuff to sell. he said they were these larger than life men, always well - dressed and clean - shaven with a great haircut. he was fascinated by them as a kid and wanted to write a movie about what happens to those men when the world has moved on and the rules have changed .
some parts of this page won' t work property. please reload or try later .
now begins the final act of joe' s life. he hunches his shoulders inside his coat, which is too thin against the chill. he goes to visit his old pal billy (chelcie ross) in a retirement home, tapping on the ground - floor window to announce his arrival. he goes to visit a man named lenny (gary cole), whose office is a back table in a bar and who knows about stuff that falls off trucks .
but then, on the first day of principal photography, a car picked me up and brought me to the set, and as we pulled up i was seized by panic. an entire chicago block on both sides of the street was taken up by our production vehicles. teamsters were maneuvering the trailers and honey wagons; each department had their own five ton truck; electrics were busy running thick power cables along the gutters between the apartment where we were shooting and an enormous mobile generator. in a vacant lot beside our set an enormous heated tent had been erected and inside i found an elaborate video village that looked like a mobile rocket lab out of a james bond movie .
what a great movie that nobody ever heard of. as dennis farina fan i bought this without knowing much about it. it' s an excellent melodrama about life in the seedier part of chicago. it will give all your emotions a workout too .
when he gets to his apartment, joe moves cautiously. farina is a former chicago cop and knows how to enter an apartment you' re not sure about. it' s been entered, yes — by jenny rapp (jamie anne allman) and her daughter, angelina (meredith droeger). they live there now. joe lived there for years, but the landlord thought he was dead and rented it out .
roger ebert' s speech on empathy for the
11th hour
series on april 9th, 1994, being republished here in honor of his birthday june 18 .
urltoken is a property of mandatory, an evolve media, llc company. ©2018 all rights reserved copyright
but maggio, whose' 70s - sourced, matter - of - fact urban vision leaves little room for mawkishness, doesn' t lean too hard on these elements. instead he uses the familiar framework as a showcase for his star - - calmly watching farina' s magnificently unhandsome face as the actor easily transmits the mixtures of honor and dishonesty, persistence and disappointment, that keep this would - be big shot ticking .
i begin every project with the same vow – that i will execute my vision without compromise; that come hell or high water, i’m going to stick to my guns and not chicken out. and of course, i always compromise and hate myself later. this is the greatest challenge i find as a director. by its very nature, filmmaking is a communal art form. as a director, you must work in conjunction with so many people – producers, production designers, directors of photography, actors, editors, etc, etc. – and each of these people has their own idea of the way things should go .
to take advantage of the wish list, you must have a my tribeca account. creating a my tribeca account gives you access to more features and services, like wish lists .
if only he had left town, lost his keys, anything but entered his old apartment, where jenny and angelina and a thicket of clichés wait. but joe, it emerges, has little left after his long hospital stay (for pneumonia), including friends. and so, after scowling at the daughter in the hallway, murmuring about brats (she gives him a dead - eyed look in return), he enters his old flat where jenny and angelina now live .
downbeat vision of a small - time crook' s final days offers a plum role for dennis farina. twitter
25 of 38 people found this review helpful. was this review helpful to you? yes no | report this
choose 1 of 2 free * posters with ticket purchase (* shipping & handling not included). buy tickets
if you like dennis farina, this is the ultimate film for you... .. dennis farina became my favorite actor when i saw him first in
law and order
, after that, i was hooked on dennis farina. another part farina played in was the film
get shorty
. a great character part as dennis farina pulled it off with great finesse. a great and final last film for a great actor as dennis farina was. i wish farina could have lived longer as to give us more of his great talent on film. god bless you dennis farina for what you had time for to give to the world as an actor and a great person. dennis farina (1944–2013 )
a tribute to the late tab hunter, a gay matinee idol and hollywood trailblazer .
tap here to turn on desktop notifications to get the news sent straight to you .
after studying under cinematographer ed lachman, shevaun mizrahi forged her own unique filmmaking path with its own set of rules .
what a great tribute, now that this legend has passed away. i believe he was a cop before getting full time acting work, and you can' t fake the temperament and
street
that this guy has. the movie may not be action packed, it might even seem slow to some, but i discovered it as a thoughtful, introspective, even retrospective exercise for a man who didn' t amount to as much as he thought he would and finally has to face that reality. i caught it on netflix some years ago, it stuck with me, and i bought the dvd recently to revisit it. i love the story and dennis farina is simply perfectly cast as the main character .
you want to get rid of a loser, you give him five bucks and you' ll never see him again .
want to share imdb' s rating on your own site? use the html below .
he returns to the apartment he' s occupied for 40 years to find that the landlord has rented it out and thrown away his belongings. when he goes looking for his car, he' s told that it was towed, impounded and then sold at auction. his best friend and scam partner has moved to an assisted - living facility where he is content to spend his days playing cards. and when joe tracks down the small - time crime boss who usually throws him some work, the boss (gary cole) says ,
why don' t you retire to florida ?
don' t expect a lot of action for a crime film but it' s to be rated, i ...
we' re introduced to farina' s title character as he prepares to leave the hospital after a long stay for pneumonia: through his precise grooming and crisp farewells, we quickly understand a lot about a man who knows how to comport himself even when things aren' t going his way. sadly, what awaits outside will test may' s self - image more than a hospital gown did .
we had a suite of production offices at fletcher / chicago and i even had my own office with a big desk and comfy couch should i feel the need for a nap. there were several weeks of pre - production, which was surreal for me – all these people buzzing about in the service of a story that just weeks earlier was nothing more than a few half - baked ideas in my head. but pre - production went on long enough that eventually i got used to being pampered and treated like a big shot, and before long it started to feel quite normal .
movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
mr. farina has never been more in control of his
instrument ,
as actors like to say, or more convincing .
tribeca film is a comprehensive distribution label dedicated to acquiring and marketing independent films across multiple platforms, including theatrical, video - on - demand, digital, home video and television. it is an initiative from tribeca enterprises designed to provide new platforms for how film can be experienced, while supporting filmmakers and introducing audiences to films they might not otherwise see. american express continues its support of tribeca and the independent film community by serving as the founding partner of tribeca film .
such great performances, especially by the late great dennis farina. an interesting story, well told .
my first impulse – truly and without exaggeration – was to run away. it was just too much and i felt i would be crushed beneath the weight of the production. i took a walk around the block, calmed down and promised myself i would take it slowly, one set up at a time, which i did, and in this way, little by little, i survived. another thing that helped was every morning i went to the wardrobe department and was issued a sport coat and tie. for some mysterious reason, all buttoned up like that and with a vintage tie cinched around my neck, i somehow felt like i was wearing a protective armor, a suit of respectability .
roger ebert was born on this day in 1942, and died a little over five years ago. i owe a good part of my success…
you agree to receive occasional updates and special offers for the new york times' s products and services .
still, it takes him a few days to figure out just how far out of his depth he is. not that there aren' t clues .
sign up for a fanalert and be the first to know when tickets and other exclusives are available in your area .
it' s the rare film that offers a long - time character actor the opportunity to take center stage - to play a full - bodied lead role that allows him to use his entire palate and show just what he can do .
click here to start your six - month trial to get unlimited access to thousands of movies and tv shows, including award - winning prime original series and movies .
we know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime .
guarantee the perfect movie night with tickets from fandango. find theater showtimes, watch trailers, read reviews and buy movie tickets in advance .
receive a free * exclusive' ant - man and the wasp' poster with ticket purchase (* shipping & handling not included). buy tickets
creating an account with urltoken gives you access to more features and services, like our weekly newsletter and other special features just for the film community .
i was not a kid who loved going to movies or was obsessed with making movies, as so many of my filmmaker friends were. i loved to draw. in fact i was obsessed with drawing. my father is an artist and also taught art so we always had plenty of pencils and paints and fine paper in the house and when i got home from school i’d throw myself into my drawing. my subjects varied – usually hockey players or super heroes – but also presidents, animals and family members. i was obsessed with drawing “realistically, ” and when i failed to achieve a suitable likeness, i’d throw a fit, rip the paper to shreds, and often cry with rage and frustration .
exclusive: watch m. ward sing
sad sad song
in elvis presley' s car in the king clip by ellen johnson july 6, 2018
rules weren’t meant to be broken when it comes to tv episode lengths, but these 10 examples — introduced on the very good tv podcast — are clear exceptions .
we' re making it easier than ever for you to stock up on tribeca film festival tickets. our revamped wish list will save you time and effort in singling out the festival titles you cannot wait to see .
i actually ordered this before farina had passed. growing up in the chicagoland area and being a farina fan, i was immediately interested in this movie. after i watched it, i had to own a copy. it is a great drama about personal redemption. give it a try i think you' ll enjoy as much as i have.
the last rites of joe may is a 2011 american drama film written and directed by joe maggio . the film stars dennis farina , jamie anne allman , ian barford , meredith droeger , chelcie ross and gary cole . the film was released on november 4 , 2011 , by tribeca film . 
the last rites of joe may is a 2011 american drama film written and directed by joe maggio. the film stars dennis farina, jamie anne allman, ian barford, meredith droeger, chelcie ross and gary cole. the film was released on november 4, 2011, by tribeca film.
the last rites of joe may is a 2011 american drama film written and directed by joe maggio. the film stars dennis farina, jamie anne allman, ian barford, meredith droeger, chelcie ross and gary cole. the film was released on november 4, 2011, by tribeca film.