buddhimantudu
how can i put and write and define buddhimantudu in a sentence and how is the word buddhimantudu used in a sentence and examples? 用buddhimantudu造句, 用buddhimantudu造句, 用buddhimantudu造句, buddhimantudu meaning, definition, pronunciation, synonyms and example sentences are provided by ichacha. net .
the film is a remake of 1969 telugu film
buddhimantudu
starring akkineni nageswara rao, krishnam raju and vijaya nirmala .
i do not think so. most probably the director might have got inspired by a telugu movie by title “buddhimantudu - a good guy” .
i do not about hindi movies. i will occasionally view them. however, there was a telugu movie by title “buddhimantudu - a good guy” .
buddhimantudu is a 1969 telugu drama film directed by bapu and produced by n. s. murthy and written by mullapudi venkata ramana. the film stars akkineni nageswara rao, krishnam raju and vijaya nirmala in the lead roles .
paramaatma is a 1994 hindi - language indian feature film directed by bapu, starring mithun chakraborty, juhi chawla, amrish puri and anjana mumtaz. the film is a remake of 1969 telugu film
buddhimantudu
starring akkineni nageswara rao, krishnam raju and vijaya nirmala .
we halted in madras at my mavayya’s house. all five elders discussed the match. my father was not that happy about nanna’s complexion. my athayya expressed her view that if both the couple are short, children also will be short. my mavayya and ammakkayya had made the final decision: all the other things (raised by people) are petty, the boy is qualified and buddhimantudu, family is well known etc etc. i think my mind was set without knowing myself. we three proceeded to tenali .
they said it was inspired by bruce almighty. then, we heard it was similar to the anr starrer buddhimantudu. now that the film has released, we can vouch for the fact that it is not inspired, at least not in total. it is indeed interesting to watch both vishnu and nagarjuna in the same frame, given that they both have a different body language. in fact, both of them look perfectly in sync and appear more like two friends chilling out. their off - screen camaraderie cannot be missed on screen too .
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madhav acharya (akkineni nageswara rao), a temple priest in a village along with his mother (santha kumari), a son, and younger brother, gopi (again akkineni nageswara rao). madhava is a believer of god, he is very much respected by villagers and believed that he encounters mystic experiences whenever he sees lord krishna (sobhan babu) and gopi is a non - believer of god. troubles will plague him after he finds out that gopi has not only been creating problems for seshadri (nagabhushanam) the village head but has also fallen in love and wants to get marry radha, the daughter of seshadri' s sister. taking this as an advantage seshadri separates madhava & gopi and an old ruined house of their grandfather is given to gopi as his share. gopi modifies and establishes a school in it. before madhava could even attempt to resolve these issues, the keys of the temple are taken away from him by seshadri, and he can no longer pray nor converse with lord. things come to a boil after he is told that gopi has forcibly taken the keys, and seshadri has stolen all the temple' s jewelry, when they are searching for it a treasure of madhava & gopi' s ancestors is been found madhava says he will use the treasure for development and gopi argues that the school which will lead to progress and not the temples. rest of the story is who wins the bet .
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known for having conversations with bhagwan shri kishan, madhavayya (akkineni nageshwara rao) lives a poor and simple lifestyle in a village with his wife, young son, and brother, gopalam. due to his brother' s antics, he will not only be thrust into a public and acrimonious conflict, but the mandir' s keys will be taken away from him, thus preventing him from conversing with kishanji. distraught, he will face many more challenges when the village sarpanch and others will accuse his brother of not only stealing the keys but also the jewelery that adorned kishanji .
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is bollywood movie pk inspired from the life of periyar e. v. ramasamy? - quora
is bollywood movie pk inspired from the life of periyar e. v. ramasamy ?
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), and gopalacharya (akkineni again in dual role) are brothers. madhacharya is a believer and gopal is a non - believer. madhava encounters mystic experiences whenever he sees krishna. gopal argues that the schools which will lead to progress and not the temples .
i recently watched pk and queen and found the movies really awesome. what are other inspiring bollywood movies worth watching ?
how did atheist periyar e. v. ramasamy' s politics succeed in a state full of theists ?
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the bollywood movie oh my god is a remake of the australian comedy film, “ the man who sued god ” .
so if you’re looking for an exactly same movie, that’s the one for you .
recent aamir khan starrer pk is a movie along similar lines - help the poor and the needy with the resources that you were going to ‘devote’ to ‘god’ .
yehi hai zindagi is not exactly movie like omg but here also hero encounters with lord krishna. . worth watching movie .
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nagarjuna, vishnu, mamta mohandas, nazar, tanikella bharani, bramhanandam,' ahuthi' prasad, ali, nepolean, sunil, m. s. narayana, venumadhav
but that is about it. while it is not an inspired film, what we end up having is a rehash of many old' 80s films, where we have a doting and totally devoted servant played by the hero and a headstrong, obstinate and arrogant girl who ends up falling for the hero by the second half. so, in this modern version, we have vishnu or arjuna who is the 'i - live - by - you' household help of satya' s (mamata mohandas) family. having been thrown out from his village as his mother delivers him in a temple, he lives with his grandmother who is a cook at satya' s house. it goes without saying that both the grandmother and grandson are looked down upon by satya and her brother, played by nazir. despite being constantly ill - treated, our hero has a heart of gold and is blindly devoted to the family, thanks to satya' s sister - in - law (prema) and simply because he knows no better. ironically, despite his massive six - foot frame, he is as tame as a lamb .
as destiny would have it, or as an astrologer (napolean) would have it, arjuna is cajoled into marrying satya to ward off a dosham in her horoscope. but her sly brother nazir has other plans for her and conspires to get arjuna killed. from here on, the movie catches pace. also because that' s when nagarjuna makes his entry as the sauve and smartly suited modern day version of lord krishna. once he enters the scene, arjuna' s life changes for good and he goes about setting things right. the film ends on a rather expected note .
the film has all the elements, right for a' 80s film. but given that it is made in 2008, you cannot but feel that the characterization and the basic plot are a bit too outdated for the current generation. there are the songs. then, there is mamata mohandas to provide the oomph factor, which she does in ample. yet, you cannot but end up feeling as if there is something missing from the plot. unfortunately, director vasu disappoints a lot by making the film fall into the 'we - have - seen - it - all - before' category. given the cast he had, he could have tried something innovative for the plot, instead of playing safe by hanging on to a time - tested script .
as for the cast, nagarjuna looks like he is on a holiday, totally chilled and at ease. in fact, his look too is smart casual. vishnu tries his best to play his part with enthusiasm. here again, vasu fails to flesh out his character properly and it takes its toll on him. as for the heroine, little said the better. mamata mohandas is dressed to put an extra to shame and surprisingly, her cheap dress sense is passed off as the attitude of a high - society girl. tch tch tch !
as for the rest of the cast, they suffer from the same fate that the lead actors face. none of them have well - etched out characters and the weak plot only messes them up further .
the songs are the only saving grace of the film. they at least match up to the expectations of the gen x. mm keeravani tries a lot of variation in the tracks, which works for the film. from the staple devotional number which is a must - have in any mohan babu film, to the rap number by manoj, he touches the entire spectrum .
but it is the director who really fails to steer his ship. he uses a fair sprinkling of double meaning dialogues, enough raunchy scenes and a foil - thin plot to woo the audience. dr mohan babu too puts in a special role for dea
madhavacharya (akkineni nageswara rao), and gopalacharya (akkineni again in dual role) are brothers. madhacharya is a believer and gopal is a non - believer. madhava encounters mystic experiences whenever he sees krishna. gopal argues that the schools which will lead to progress and not the temples .
newly married couple k. krishnamurthy alias kk (rajendra prasad) works as an art director in mumbai and his wife satyabhama (divyavani) as a stenographer in kerala for a low salary. to solve their financial problems they seek a job in a big company and pretend to be unmarried as their boss sridhar rao (gummadi) would give job only to one member of a family. so the couple lies that they are unmarried and joins in the company. this has the slight resemblance to the 1955 classic movie missamma where couples pretend to be married but here it' s the other way around .
playback singers: vani jairam, s. p. balasubramaniam, p. susheela, s. p. sailaja, rajeshwari
music composed by k. v. mahadevan. lyrics were written by arudra. all songs are blockbusters. music released on akash audio company. [ 3 ]
this page was last modified on 17 may 2016, at 04: 52 .
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a number of women are in court claiming that the same man, in various disguises, cheated them. but the accused man vehemently denies their accusations, claiming that he is simply a look - alike .
recently remade in hindi as' paramatma' with mithun chakravarti in the lead .
anjana mumtaz is an indian actress, who is known for her supporting roles in over a hundred hindi and gujarati - language films .
ganga ki kasam is a 1975 bollywood film starring anjana mumtaz and johnny walker .
balmaa is a 1993 bollywood film directed by lawrence d' souza. the film was avinash wadhavan, ayesha jhulka, saeed jaffrey and anjana mumtaz .
shaktiman is 1993 hindi movie directed by k. c. bokadia and starring ajay devgn, karishma kapoor, mukesh khanna, kulbhushan kharbanda. other cast members include gulshan grover, ajit khan, parikshat sahni, tiku talsania, anjana mumtaz, beena, and mahavir shah .
other cast members include laxmikant berde, seema deo, ajit vachhani, anjana mumtaz, rajeev verma, dan dhanoa, priya arun, rajesh puri and viju khote. this movie was supposed to be akshay kumar' s debut movie however saugandh was released as debut movie for akshay kumar .
khuddar is a 1994 hindi movie directed by iqbal durrani and starring govinda, karishma kapoor, kader khan. other cast include shakti kapoor, shreeram lagoo, anjana mumtaz, raju shrestha, mahesh anand, vikas anand, anil dhawan. it includes the controversial number
sexy sexy mujhe log bole
, which was censored to
baby baby mujhe log bole
.
qatil is a 1988 hindi crime mystery thriller film directed by ashok gaikwad and produced by shama akhtar and nasim hijazi. the film stars aditya pancholi and sangeeta bijlani in the lead roles. shakti kapoor plays the antagonist. kiran kumar, amjad khan, raza murad, vikram gokhale and anjana mumtaz play supporting roles. the soundtrack is composed by laxmikant - pyarelal with lyrics by sameer .
sangraam is 1993 hindi movie directed by lawrence d' souza and starring ajay devgn, karishma kapoor, ayesha jhulka, amrish puri. other cast members include danny denzongpa, reema lagoo, asrani, laxmikant berde, anjana mumtaz, tej sapru, vikas anand, satyendra kapoor, avtar gill and dinesh hingoo .
mr. pellam or mister pellam (english translation: mr. wife) is a 1993 telugu, comedy film produced by gawara partha sarathi on sri chamundi chitra banner and directed by bapu. starring rajendra prasad, aamani in the lead roles and music composed by m. m. keeravani. the film recorded as hit at box office. the film won the national film award for best feature film in telugu. [ 1 ] [ 2 ] [ 3 ]
music composed by m. m. keeravani. all songs are hit tracks. music released on akash audio company. there is misinformation about the lyrics credits for this movie with most songs attributed to arudra. musicologist raja spoke to the movie crew and found out the proper credits with proofs. [ 4 ] it is concluded that arudra wrote only 2 songs (adagavayya ayyagaari & mayadari krishnayya), rest all are written by veturi. the surprise being that in the song
sogasu chooda tarama
, mullapudi venkata ramana contributed a charanam (
pasipaapaku paalistuu ...
) as confirmed by his son .
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: my mother is a late adopter of the internet. in the pre - internet era, she used to write the loveliest of long letters to her children. the letters stopped after i returned to india. in the past year, after she got comfortable with connectivity and gmail, the letters resumed as emails to her children. she’s harvesting from the oldest tendrils of her memory which is making the reading so so enjoyable. in this email (aug 4), she’s relating the story of her marriage in the winter of 1962. if i were to design the wedding brochure, i’d title it as ooty ki kali weds a guntur boy. the email has gone through a minor editing lens without changing my mom’s tone and voice. i’ve italicized all the telugu names (and there are many). my mom’s sub - text / commentary is “italicized within quotes. ” editor’s comments are within “ [ ] ”. the bare boned telugu cheat sheet is here: tatayya (grandfather), ammumma (maternal grandmother), mamma (paternal grandmother), kakki (mom’s younger sister), pellichoopulu (seeing the bride), akkaya (elder sister), nanna (father – my father in this case), guruvagaru (my father’s spiritual guru), mavayya (uncle). rest of the glossary is at the end. ]
some interesting flashback. i just finished my final b. a. exams. my ammakkayya, her daughter (satyavati akkayya), and her family visited us for vacation in jun 1962. ammakkayya stayed back and others went back to guntur. satyavati akkayya sent nanna’s match on savitri ammumma’s suggestion. communication went on between both the tatayyas. it was decided that pellichoopulu will take place in tenali where my grandfather was staying with viswapati babai. the three of us (tatayya, ammumma & i) along with ammakkayya started for tenali. kakki had to stay back with our neighbours as her 11 th standard classes had started .
the day came. ambu kakki and satyam kakka came from kolluru on my father’s request. they made me wear pinni’s blue pattu sari with big border (“i don’t like big borders ”). ambu kakki made my jada – i was not satisfied that much. i was used to ammumma’s jada (i used to take papidi and hold the hair and she would braid). moreover i missed kakki very much. on top of it there was no big mirror. [ mirror in the ooty house is a story for a different day ]
mamma and nanna arrived. tatayya suddenly called me to come out. i didn’t know what to do next so i went to my grandfather, bowed down and touched his feet. he made me sit by his side. this gesture made a great impression on nanna. i liked his face (“ if you like somebody’s face other things will not come in the way”). neither of the two (nanna or mamma) asked me any questions. ambu kakki sat near nanna and conversed comfortably. we were just listening. i don’t remember about the snacks but something was given. finally i went inside. the event was over .
next day myself and tatayya had planned to go to guntur. on finding out nanna requested tatayya to drop mamma in savitri ammumma’s house so that he could proceed to his work place (rourkela). i travelled with mamma to guntur. i was comfortable in my checked sari. most of the time she spoke about the time spent with her cousins in her childhood, what songs she learnt from ammumma (ammumma and she were cousins) .
she asked me 2 personal questions. first one was very funny, second one not exactly .
“do you have 2 pairs of gold bangles? ” i nodded this way and that way. [ the great indian head shake ]
we didn’t have gold bangles till then. on the previous day drama, either pinni or ambu kakki had given me 2 pairs of bangles, which meant that she had noticed them .
we came back to ooty. it took quite some time to say “yes” because nanna had to show my horoscope to guruvugaru and get his consent. the two tatayyas were not particular about jatakams. ammakkayya expressed her doubt about guruvugaru but my father okayed it saying “what is wrong? i too have baba (sathya sai baba) as guru. ” so marriage day was fixed for 18 th oct with a muhurtam time of 4 am. two months time for preparations – it was quite a tough time for my father as he had not made any plans till then. he had to gather 10, 000 rupees – a very big amount in those days – somehow he managed with my grandfather’s help whose chief complaint against my father was how much money he spent on travels .
our marriage shopping was very simple – one pattu sari (parrot green) for ammumma, one pattu sari (sky blue) for me, parikini onis (not pattu) for kakki. we usually bought our clothes from a brahmin’s shop called seed depot. his main business was selling seeds. because of my foolish criss - cross nodding [ aka “great indian head shake” ], my parents had to make two pairs of bangles (instead of one). one should be very careful before nodding .
i was chosen by kuruganti family 70% on account of ammumma. i was ratnamala’s [ same as ammumma ] daughter! nobody thought much about her eyesight [ ratnamala was nearly blind when she got married ]. my mother - in - law gave points to my complexion and roundness (“i was not this fat then”). my father - in - law was impressed by our lineage – my grandfather and great grandfather were both great scholars in their times. the latter was called yerra panditudu [ red complexioned pandit ] in bandar. moreover, he was impressed by my b. a. degree. my husband was happy because my jatakam was approved by his guruvugaru. [ the stars had all aligned. ]
our house was in the 18 th cross road. savitri ammumma fixed an accommodation in the 14 th cross road for kurugantis. they had planned for satyanarayana vratam in guntur itself. cook also was arranged as they stayed for 10 days .
baba’s big portrait was kept on a decorated chair. guests started coming from 16 th onwards. there was 100% attendance on both sides of the family. after the muhurtam was over we went inside. ammumma broke down all of a sudden. we had never seen this before. all these years she never complained or grumbled about her defect [ she was fully blind within a few years after her marriage to tatayya ]. she held my husband’s hand and cried like anything. she said “i can’t see anything. i don’t know anything. look after my daughter. ” it was too heavy a scene for everybody .
i changed my sari & wore the white sari for mangalyadharanam. i came out and saw my father standing under the bogada tree in our compound. now that kanyadanam was over he was quite relaxed. on seeing me he was so happy! till today i remember those sparkling eyes full of contentment and appreciation. he was my mother too .
our guruvugaru purposely didn’t attend the marriage. he was staying in a nearby peetham. instead guruprasad (his elder son) represented him and was well taken care of by bhaskar babai (my brother - in - law). later, with my father’s permission, nanna took me to the peetham. we got his blessings. (laughing) he said “kurugantis don’t need tube - light anymore. ” [ referring to her white complexion ]
by god’s grace everything went off well. we started for puttaparthi. my ammakkayya and sudheer babai accompanied us. we got interview with baba – he materialized a locket and gave to nanna and asked us to return with the baby child [ the one who would be my older brother ]. we proceeded to secunderabad. guntur tatayya (nanna’s father) was still in service (with central bank). the house was near general bazaar. we celebrated first diwali amidst athayyas, babais, pedananna, and doddamma. mamma very happily took us to kali temple, to her brother’s place, sister’s place, and other relatives .
our marriage was given good report, notable quote being “bride’s sister is more good looking than the bride! ” proposals came for kakki but tatayya brushed them aside. our next destination was guruvugarus place – it was a very small village narendrapuram in east godavari district. mamma came with us. after getting down at rajahmundry we had a dip in the godavari river on mamma’s wish. we crossed the river by boat, then took a bus and finally reached their house on a bullock cart via a kacha muddy road. we were given a warm welcome. since it was a village, all the people gathered. next day was 16 th day so they prepared special items (kandabachali koora was a must for newly married couple it seems). seetamma (guruvagaru ’s eldest daughter) was very friendly and lively, others were too young .
by the end of nov 1962 we were in rourkela. i was impressed by neat well laid roads and similar looking houses. mamma used to cook for us. nanna took us to his friends’ houses. mamma knew a friend’s daughter in rourkela. mamma and i used to go to the nearby market – it was so strange walking without holding her hand. [ context: my mother or her sister would always hold their mother’s hand while walking since she was blind ]
on receiving first letter from tatayya i read it out to mamma and immediately cried. she consoled me by stroking my back – those were the innocent days .
three of us went to calcutta where ramudu babai was staying in shared accommodation. he took us to ramakrishna mutt, birla planetarium, new market, and other well - known places. babai found it very funny when i started crying on m amma’s return journey. she also advised nanna on so many things .
marriages are made in heaven it is already planned by him. happiness and success depends on one’s partner. it is one’s own luck and destiny. i thank god for everything .
: this is my mom’s signature two words to indicate that the long story just related has finally come to an end. when we were young (before we had started reading classics), i have memories of her storytelling victor hugo’s les miserables. every night she would relate the content of whatever she had read that day. she’d always end those episodes with “that’s it! ” on my parents’ 28th wedding anniversary, i presented them with a copy of the same book .
[ … ] i’ve italicized the telugu names – fewer references compared to the first story – a marriage in the winter of 1962. my mom’s sub - text / commentary is “italicized within quotes. ” my comments are within “ [ [ … ]
[ … ] and gmail, the letters resumed as emails to her children. this is email # 3, you can read email # 1 and email # 2 in [ … ]
[ … ] opus spanning her summer vacation spanning madras, vijayawada and guntur. the earlier ones were a marriage in the winter of 1962, ravi varma in a vijayawada home, and anatomy of a pilgrimage (sringeri edition). this letter was [ … ]
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) standing in the court facing charges of cheating four beautiful women and the public prosecutor (siddaraj kalyankar) heaping more and more charges against him. panchamrutham who speaks in a typical local accent denies having any links with these beautiful women and also argues his case to prove that he is innocent. much to the dismay of the girls, police department and the pp, the judgement goes in favor of panchamrutham and the judge (
) sets him free. as fate would have it, panchamrutham again ends up in the court and this time it is due to cheating the beautiful daughter of the judge herself. the lawmakers are bent upon getting him convicted and they rope in his brother but then the smart man that he is, panchamrutham gives his logic and yet again he emerges successful. the list of women (
) are helpless but then the time for truth comes. apparently, panchamrutham is the man who donned the roles of zakir hussain, samarasimha reddy, ashok mittal, shyamprasad, rajneesh and all this he does with only one mission - to teach these arrogant and haughty women a lesson and cut them down to size. there is a very strong flashback connected to it that leads to the death of his sister in law and that' s when the peace loving panchamrutham becomes a skilled conman for greedy women. what is that link? how are the women associated with it? all this forms the rest of the story .
the director has come out with a beautiful plot and he has kept enough fuel through his slick presentation and gripping narration. the dialogues were meaningful, the script was tight to the spot, the screenplay was brilliantly executed. music was grand and the cinematography was equally a treat that one could relish. editing was perfect and the pace of the movie gets going at every point .
has come out with a flamboyant performance and has shown why he is loved by the masses. all the girls - pooja, suman, brinda ,
did their bits with ease and each song that they had, they came out with their glamour .
was dignified, sridhar was apt choice. the others did their bit with required standards .
the film has come out with some really thoughtful message to the women audience and the scenes at the courtroom are really well done. the entire length of the film goes around the schedule of how the greed is brought to its knees through an intelligent man and the inclusion of songs and other sequences provided delight for the mass audience .
has a strong mass appeal and though the film has got the kannada flavor in it, this might get accepted by the b and c centres in a big way.
buddhimantudu ( english : good boy ) is a 1969 telugu , drama film , produced by n. s. murthy on chitra kalpana banner and directed by bapu . starring akkineni nageswara rao , vijaya nirmala , sobhan babu , krishnam raju in the lead roles and music composed by k. v. mahadevan . the film is remade as hindi movie paramaatma ( 1994 ) . the film recorded as super hit at the box office . 
buddhimantudu (english: good boy) is a 1969 telugu, drama film, produced by n. s. murthy on chitra kalpana banner and directed by bapu. starring akkineni nageswara rao, vijaya nirmala, sobhan babu, krishnam raju in the lead roles and music composed by k. v. mahadevan. the film is remade as hindi movie paramaatma (1994). the film recorded as super hit at the box office.
buddhimantudu (english: good boy) is a 1969 telugu, drama film, produced by n. s. murthy on chitra kalpana banner and directed by bapu. starring akkineni nageswara rao, vijaya nirmala, sobhan babu, krishnam raju in the lead roles and music composed by k. v. mahadevan. the film is remade as hindi movie paramaatma (1994). the film recorded as super hit at the box office.