dil kya kare
` dil kya kare 'is the saga of three people fighting against fate .
her most noticeable appearance was in dil kya kare, alongside ajay devgn, kajol & mahima chaudhry .
sing along to the love song ‘dil kya kare’ from the bollywood film dil kya kare featuring ajay devgan & kajol. song name - dil kya kare movie - dil kya kare singer - alka yagnik lyrics - anand bakshi music - jatin & lalit director - prakash jha studio - devgan arts producer - veeru devgan, veena devgan music label - sony music entertainment india pvt. ltd. © 2002 sony music entertainment india pvt. ltd. subscribe: vevo - urltoken like us: facebook: urltoken follow us: twitter: urltoken g +: urltoken
mumbai: after the most romantic song ‘yeh raat bheegi bheegi’, sanam puri is back with another new version track of the most famous song ‘dil kya kare’ .
dil kya kare lyrics by sanam is his version of old hit song which was sung by kishore kumar, composed by rajesh roshan and written by anand bakshi .
dil kya kare was directed by prakash jha and co - starred mahima chaudhry, kajol and chandrachur singh. the film was a huge blockbuster hit at box office collecting inr 98. 14 crores .
it is complex, somewhat innovative and very well - acted. yet why is it that one does not feel complete satisfaction having finished watching prakash jha´s dil kya kare? if the devgans´ last production hindustan ki kasam rabbled in asinine immaturity to the
sing along to the love song ‘pyar ke liye’ from the bollywood film dil kya kare featuring ajay devgan & kajol. song name - pyar ke liye movie - dil kya kare singer - alka yagnik lyrics - anand bakshi music - jatin & lalit director - prakash jha studio - devgan arts producer - veeru devgan, veena devgan music label - sony music entertainment india pvt. ltd. © 2002 sony music entertainment india pvt. ltd. subscribe: vevo - urltoken like us: facebook: urltoken follow us: twitter: urltoken g +: urltoken
o mere dil ke chain. . kishore kumar _ majrooh _ r d burman. . a tribute
dil kya kare is a story of three individuals placed on the path of tormented emotions and merciless fate. it' s about unconditional love. love between a child and an adult, the love between a woman and her husband, the love between two lovers and love that knows no parameters or restrictions. anand kishore read more
tere bina zindagi se koi - dil vil pyar vyar - r madhavan - namrata shirodkar - r. d. burman hits
the title song is good. but after stuff like the title song in
kuch kuch ...
and
jadoo hain
in
ghulam
,
dil kya kare
( the song) takes the duo two steps back. it' s sweet and udit and alka are in top form, but it isn' t the
zinger
of a song that a big budget film mandates nowadays .
if you are the type of person that loves listening to the much - hyped bubble gum numbers that become popular through the numerous filmi countdowns and promo' s - by all means - buy
dil kya kare
. it is bound to be up there soon enough. for the more discerning musical ear, however, you might just find yourself putting this album towards the back of your cd rack sooner than you think .
jatin - lalit have some serious waking up to do. hello! ?? !? !? how long can one keep re - hashing their own tunes? well, bappi lahiri tried, anu malik tried (way back before he took the extra
n
out of his first name), and even nadeem - shravan tried in the post -
aashiqui
( pre - murderous) days. all of these people quickly realized that one has to constantly stay on their toes to succeed in big, bad bollyworld. jatin and lalit have yet to learn this lesson, so here they are with their latest -
dil kya kare
. is it bad? well, no. is it different? certainly not .
hum dil de chuke sanam was directed by sanjay leela bhansali and co - starred salman khan, aishwarya rai and zohra sehgal. the film was inspired by bengali novel titled na hanyate. film was made with budget of inr170 million and grossed inr325 million at box office. aishwarya rai falls in love with slaman khan, but her father opposes their marriage and she was forced to marry ajay devgan. after the marriage ajay devgan comes to know about her love and takes her back to salman khan but by that time aishwarya rai finds her soul mate in ajay devgan .
do dilon ki
is moderately better in that it is slightly different, but even this number is nothing to write home about. j - l' s romantic favorite alka is replaced here with anuradha, who surprisingly manages to live up to the number. then again - anuradha' s weak point has always been emoting, and this song merely expresses the usual lovey - dovey sentiment .
the punjabi number on this album is not bad. i won' t even insult a. r. rehman by comparing
menu lagan lagi
to any of his
taal
punju numbers, but still - when you have sukhwindara singh and jaspinder narula together - can disappointment really be nearby? hardly... .
the children' s numbers in this album don' t deserve more than a mention .
badal bijli
( abhijeet and children) and
monday bhi ho sunday
( abhijeet, kavita, and children) come and go without making even the slightest impression. (incidentally - can jatin and lalit stop insulting kavita by giving her the stupid songs? ?! !? !? have they forgotten what she did for their
khamoshi
? )
the album ends with a sweet surprise. alka yagnik sounds divine in the sweet and simple
pyar ke liye
- a pleasant ghazal with some terrific anand bakshi lyrics .
yeh raat bheegi bheegi | sanam ft. aishwarya majmudar (valentine' s day special❤ )
romantic song from super hit love story julie (1975), starring vikram, lakshmi, nadira, jalal agha, sridevi, om prakash, utpal dutt, rajendranath. music: rajesh roshan, director: k s sethu mahavan, producer: b. nagi reddy, singer: kishore kumar
mere mehboob qayamat hogi (original) - mr. x in bombay - kishore kumars greatest hits - old songs
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anand kishore (ajay devgan), his wife, kavita (mahima chaudhary), and only child, a daughter, neha (akshita garud), live a happy and serene life in delhi, india. the peace and quiet of this... see full summary »
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anand kishore (ajay devgan), his wife, kavita (mahima chaudhary), and only child, a daughter, neha (akshita garud), live a happy and serene life in delhi, india. the peace and quiet of this happy family is disrupted when a mysterious woman begins to secretly meet neha who develops an instant fondness for her. the woman, nandita (kajol), is revealed to be neha' s biological mother merely wanting to see her daughter. the plot acquires a new tension with the anand meeting nandita, a girl he had shared an intimate night with on a train under strange circumstances a few years ago. nandita reveals neha to be a consequence of that intimacy whom she had to part with under family pressure .
this was ajay devgan and kajol' s first film as a married couple .
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the original song was from ‘julie’ sung by kishore kumar and music directed by rajesh roshan. this new version track is sung by sanam puri in his magical voice and i’m sure that it will make fall you in love once again .
while ‘old is gold’ and sanam puri made all fair with the song and gave right music and tunes which makes the song more beautiful .
some of sanam puri’s popular songs are ‘gulaabi aankhein’, ‘yeh raat bheegi bheegi’, ‘lag jaa gale’ and ‘yeh vaada raha’ .
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some of the hit songs from aadnan' s albums! if you like it do not 4get to leave the comments... .. !! ! !
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anand kishore (ajay devgan), his wife, kavita (mahima chaudhary), and only child, a daughter, neha (akshita garud), live a happy and serene life in delhi, india. their lives are turned upside down when kavita finds out that neha is being stalked by a woman named nandita rai. when she confronts nandita, she is told that nandita is the biological mother of neha .
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was an eagerly - awaited film for several reasons. kajol and ajay devgan were acting together in a film, for the first time after marriage, along with mahima choudhary. not to mention the fact that the story and direction was prakash jha' s who has earlier given us films like
but one canít help being disappointed after seeing the film. you wonder why jha made such a film, or rather what made him treat this film in such a manner .
anyway, this is how the story goes. anand (ajay devgan) and kavita (mahima choudhary) are married, with an adopted daughter neha, (akshita garud) whom they dote on. they canít bear to see the child cry, they hang on to every word of hers like they have got nothing better to do .
their whole life revolves around this child and you sort of get the message that this is not going to last. that something disastrous is waiting to happen .
and it happens. kavita finds out that a nice aunt is visiting neha. she gives her toys and plays with her. we assume that the good aunt, never for a moment, realised that she would be caught doing that and there would be questions to be answered later .
to come back to the story, kavita catches on and finds out that nandita rai (kajol), the good aunt, is actually the mother of the child. so far so good. you think this is the end of the story. but it' s not. she meets anand and realisation dawns. now the story begins .
. he has written the story, edited the film and directed it. there is nothing wrong with the story, but the direction leaves a lot to be desired for .
the acting is loud and dramatic, and the dialogues lack punch. the whole happy family scene gets on your nerves at times. especially when you see the husband - - an ever - loving man who doesn' t suspect his wife of anything, even though she orders her admirer around .
chandrachud singh as the admirer (somu) is wasted in a role which could have been played by any average actor. all he has to do is being ordered around by mahima - - as if he has nothing better to do - - apart from reciting poems and giving hints to mahima about his love for her. he fancies himself to be a casanova whom the girls drool over, and sports long kurtas and shawls .
mahima choudhary, as the hip and hyper woman is alright. she looks nice, but speaks with an accent which becomes pronounced when she has to scream out her dialogues. though most of the time she does that in the film, and cries a lot too, she is still bearable .
ajay devgan seriously needs a change of image once again. his role of the sacrificial and harried hero is getting stereotyped. there is nothing new to say about him in this film. if anything, he looks quite lost .
the less said about the child the better. jha has tried to make her cute by giving her dialogues, which an adult would otherwise say, and then he has made her act in a theatrical manner. but she ends up irritating you with her constant demands and her brattish behaviour in the film .
the only person who gives her role a semblance of sanity is kajol. she is expressive and despite a film, which wonít do much for her, gives it her best shot .
in fact the only scenes from the film which stand out are the ones that have kajol in them. she lends substance to her character and balances her role of the' other woman' quite well .
is good. there are about five or six songs, of which three are certainly going to do well .
it' s true that a commercial film doesn' t make sense most of the times. but considering this is a prakash jha film, one hoped it would make sense. but then, we suppose, good directors also have to cater to commercial demands .
throughout the film, one gets the feeling that jhaís heart wasnít in this film. it could have been a good film, if it had been treated properly. but all we can say is that it remains a disappointment .
anand kishore (ajay devgan), his wife, kavita (mahima chaudhary), and only child, a daughter, neha (akshita garud), live a happy and serene life in delhi, india. their lives are turned upside down when kavita finds out that neha is being stalked by a woman named nandita rai (kajol). when she confronts nandita, she is told that nandita is the biological mother of neha .
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anand kishore (ajay devgan) is a rich architect who lives with his wife kavita (mahima). they have an adopted daughter neha (akshita garud). they live happily until one fine day a lady by the name of nandita rai (kajol) comes into their lives. nandita happens to be the real mother of neha. but the real twist comes when it is known that anand is actually the father of neha and she is the result of an intimate relationship that anand shared with nandita one night. there is tension in the family and kavita decides to walk out of the relationship. kavita is supported by her friend som dutt (chandrachud singh) who also has a soft corner for kavita. will the broken family come together or will anand stay with nandita forms the remaining part of the movie .
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anand kishore (ajay devgan) is a rich architect who lives with his wife kavita (mahima). they have an adopted daughter neha (akshita garud). they live happily until one fine day a lady by the name of nandita rai (kajol) comes into their lives. nandita happens to be the real mother of neha. but the real twist comes when it is known that anand is actually the father of neha and she is the result of an intimate relationship that anand shared with nandita one night. there is tension in the family and kavita decides to walk out of the relationship. kavita is supported by her friend som ...
the director had a decent story to tell but unfortunately this sensitive tale of an adopted girl is poorly filmed. wonder what the director was thinking while making this movie. the characters and the screenplay is so shabbily treated that one eels cheated ater watching ths movie. the movie stars ajay devgan, kajol & mahima but the most important role was played by the telephone. we see atleast one telephone ring every 10 minutes now that should be a first of its kind. not to forget chandrachur who himself is confused what his profession is in the movie. he is supposed to be a poet ...
the accompanying music video, directed by nameeta premkumar (imagik media) and featuring mallika along with dasu, was shot in goa .
the dusky beauty turns 40 todaykajol has worked with almost every big star in the film industry. the number of awards she’s bagged are suggestive of the fact that she has time and again proved herself to be better than most of her contemporaries. on her birthday, today, we decided to jot down all the [ … ]
the filmmaker is appalled by some reports that have been doing rounds in the media circuitknown to make films on controversial subjects, prakash jha is apparently miffed by some reports that have been doing rounds in the media circuit from quite sometime .
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this was i think ajay' s and kajol' s first movie together after marriage .
i saw this when i was living alone. so, my ability to consume even movies like hello brother was higher. having said that, i did find this movie quite interesting .
it does not have stereotypes. it is masoom, in a very different context .
ajay and mahima are married and dote on their daughter. when suddenly, a lady starts visiting their daughter in school and even takes her away for a short outing. mahima cries herself hoarse as she is unable to locate her daughter and spends an agonising afternoon searching around the city. she reaches home in desperation and disappointment, only to find her daughter playing happily, unscathed .
finally, she does catch the culprit, who is none other than kajol .
we come to know that mahima has adopted this girl from an orphanage. and, it so happens that kajol is the mother. as it was not born in a marriage, k' s father wants the baby killed but the aunt saves her and leaves her in the orphanage .
so, kajol, on finding this after several years, traces her daughter here. but, not wanting her daughter' s life to be sullied, she promises mahima that she is leaving the very next day, as planned, and will never return. she has even valiantly not told her daughter that she is the real mother .
mahima is a softy at heart and feels for kajol. she insists that k stay with her for the day .
ajay devgan, who is out of station, returns. the scene where he reluctantly meets the real mother (he is uncomfortable with her having come in this way) is beautifully taken. k and a are stunned. and, a is now uncomfortable abt being intimate with his wife! !
he pretends that k' s train is delayed and detains her. though k finds this out, she doesnt let anyone on. then follows a brief cat and mouse tale of a trying to catch k alone and not being able to corner her. m meanwhile is busy plotting a knot bet. chandrachur singh (who had wanted to marry m) and k .
one day, a does corner k - in the middle of the night, in his house. and, as he secretly suspected, the daughter is his, born of a chance encounter bet. k and him. neither knows the other, and there is no relationship there. just that one night .
m catches them together and mistakes it. and when a tries to tell her that the daughter is really his, she mistakes this further and thinks that the two of them have been having a liasion behind her back for 6 years! !
she walks out of the house. a, though miserable, does not throw k out. and k secretly starts dreaming of marrying a .
finally, she leaves after finally getting a chance to speak to m. all she asks for in return is her daughter .
some more screams from m, but the daughter is left behind anyway. a manages to reach the station just as k' s train leaves .
the affair is not made light of or justified. ajay is guilty on two counts and he looks it. he has cheated m, and so he squirms. he has hurt k unwittingly and doesn' t know how to atone. the only way is to let her spendtime with her daughter .
k is not virtue all over. what happened was not love, she is aware. but, she is not above the temptation of wanting to marry a. she carries this role with aplomb. especially the scene where she narrates her pain on discovering pregnancy and delivery. the longing every time she sees a, and the fact she lets a easily convince her to stay on are done very convincingly .
dialogues are natural and flow logically. though the song in the fort and a couple of'' comedy'' scenes are out of place, it is best forgotten .
m was good, but loud. she contrasts the silence and dignity of a and k, and shabana in masoom. but, given her predicament and the misunderstanding that her marriage is too suddenly on the rocks, she is convincing .
what i liked best? the feelings are subtle and there are no solutions. it does not end with k dying or m dying, as would have happened in a run - of - the - mill story. k has to go her way and carry the burden of the love she has developed for a in her heart. the last scene is very pregnant and poignant. a may also be in love with k, but he loves his wife and that' s where his loyalties lie. the station very appropriately communicates their relationship - one of two passengers who have to go their own way .
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zipless
sexual encounter. that is, a short, anonymous encounter in, say a train. you get on, make love with a handsome stranger without saying a word, he / she gets off at the next station, end of story .
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this popular child actor has grown up to be quite the diva. bollywood, cast her already !
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if you grew up in the 90s, chances are, you' d remember this child actor .
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kajol looks beautiful in this movie and ajay devgan has reached a new high in acting. he might not be a pretty boy of the big screen but he sure can exude empathy to his audience. the girl playing nehu is one to watch out for in future films too. the film has a more than decent gharelu storyline with a tear - jerky type ending. it was shocking to see mahima cry so much, she probably broke a record for most litres of water shed in one film. definitely a recommended film and though it has no outstanding songs, the settings for two of them are the best i have seen for a while. its a good thing i saw this on dvd as video probably won' t do the songs justice. i gave it 7 / 10 overall .
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anand kishore (ajay devgan), an architect, his wife, kavita (mahima chaudhry), and their only child, an adopted daughter, neha (akshita garud), live a happy and serene life in delhi, india. their happy and lovely life together is turned upside down when kavita finds out that neha
it was directed by kuku kohli and co - starred madhoo, aruna irani, jagdeep and amrish puri. it was made with budget of inr3 crore and grossed inr11. 75 crore at box office, becoming super hit of the year. it was ajay devgan’s debut film. ajay devgn won filmfare best male debut award for his performance. phool aur kaante was inspired from malayalam film parampara released in 1990 .
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the legend of bhagat singh was directed by rajkumar santoshi and co - starred amrita rao, sushant singh, d. santosh, farida jalal and raj babbar. the film was based on indian freedom fighter bhagat singh. it was made with budget of inr 3 crores and grossed inr 6 crores at box office. ajay devgan won filmfare critics award and national award for best actor for his role .
bhoot was directed by ram gopal varma and co - starred urmila matondkar, rekha, fardeen khan, nana patekar and seema biswas. the film did not contain any songs unlike rest of bollywood films. story deals with married couple buying a nice apartment at a very low price, without knowing that it was haunted by a ghost! urmila matondkar won filmfare critics award for best actress for her role .
qayamat was directed by harry baweja and co - starred sunil shetty, arbaaz khan, sanjay kapoor, isha koppikar, neha dhupia and riya sen. the movie ran 100 days on several theaters in mumbai, delhi, bhopal, indore, ujjain etc. story deals about cbi officials dealing with three terrorists planning attacking in major cities .
gangaajal was directed by prakash jha and co - starred gracy singh, mukesh tiwari, mukesh tiwari and akhilendra mishra. the film was made with budget of inr70 million and grossed inr142. 5 million at box office. story deals with sincere police officer, ajay devgan fighting the notorious criminal gangs .
zameen was directed by rohit shetty and co - starring bipasha basu, abhishek bachchan, mukesh tiwari and d. santosh. the film was a super hit collecting inr560 million at box office. film tells the story of indian army officials fighting the terrorists .
loc kargil was directed by j. p. dutta and co - starring sanjay dutt, armaan kohli, puru raajkumar, saif ali khan, nagarjuna and sunil shetty. the film was made with budget of inr40 crore and grossed inr68. 93 crore at box office. though the film was moderate hit it was much appreciated by the critics. it is one among the longest bollywood films running 255 minutes in total .
khakee was directed by rajkumar santoshi and costarring akshay kumar, amitabh bachchan, aishwarya rai, tusshar kapoor and jaya pradha. the film was made with budget of inr250 million and grossed inr380 million at box office. film tells story of police authorities transferring a notorious pakistani spy who bribed few of the police officials to escape. khakee was remade in telugu in 2004 as satyameva jeyathe starring dr. rajasekhar, sai kiran, shivaji and neetu chandra .
masti was directed by indra kumar and co - starred vivek oberoi, aftab shivdasani, ritesh deshmukh, amrita rao and lara dutta. film was made with moderate budget of inr5 crore and earned inr26. 75 crore at box office. due to its popularity and success its sequel was made in 2013 as grand masti .
yuva was directed by tamil legend mani ratnam and co - starred abhishek bachchan, rani mukerji, vivek oberoi, kareena kapoor and esha deol. the film was remake of tamil film aaytha ezhuthu released in the same year. the film was made with budget of inr120 million and earned inr172. 5 million at box office. the film deals with the life of three young men who are of same age but from different upbringing. mani ratnam won filmfare best screenplay award .
raincoat was directed by rituparno ghosh and co - starred aishwarya rai, annu kapoor adn surekha sikri. raincoat was shot in record time of just 13 days. the film tells the story of two true lovers separated for a long time and who meet again to realize their lives without each other. the film went on to win national award and several filmfare awards .
golmaal was directed by rohit shetty and co - starred arshad warsi, tusshar kapoor, sharman joshi and paresh rawal. the film was made with budget of inr110 million and grossed inr699 million at box office. the film was loosely based on marathi play titles ‘ghar - ghar’. the popularity of film lead to its sequel golmaal returns released in 2008 .
omkara was directed by vishal bhardwaj and co - starred vivek oberoi, saif ali khan, kareena kapoor, konkona sen sharma and bipasha basu. omkara won seven filmfare awards and three national awards. film tells the story of ajay devgan, a gang leader who works for local politician naseeruddin shah. ajay devgan won bollywood movie award for best actor for his performance .
golmaal returns was directed by rohit shetty and co - starred arshad warsi, kareena kapoor, shreyas talpade and tusshar kapoor. the film was made with budget of inr240 million and earned inr1. 8 billion at box office. it was sequel to golmaal: fun unlimited released in 2006. the success of this film led to another sequel named golmaal 3 released in 2010. there were legal disputes regarding copyright violation when wife of rajendra bhatia filed a case alleging that the film was a copy of her husband’s film aaj ki taaza khabar released in 1973 .
all the best was directed by rohit shetty and co - starred sanjay dutt, bipasha basu, fardeen khan and mugdha godse. the film was made with budget of inr250 million and earned inr599. 3 million at box office, becoming the ninth highest grossing film of 2009. ajay devgn won stardust award for best comedy actor for his role .
atithi tum kab jaoge was directed by ashwni dhir and co - starred paresh rawal, konkona sen sharma and satish kaushik. film tells the story of a writer and his wife inviting their uncle to their house. despite of several days uncle he was reluctant to leave and starts to meddle with their career and personal lives .
once upon a time in mumbaai was directed by milan luthria and co - starred emraan hashmi, kangna ranaut, randeep hooda and prachi desai. the film was made with budget of inr280 million and grossed inr785 million at box office. ajay devgn received nomination for filmfare best actor award. the film tells the story of mumbai underworld and loosely based on the lives of dawood ibrahim and others .
golmaal 3 was directed by rohit shetty and co - starred mithun chakraborty, kareena kapoor, tusshar kapoor and arshad warsi. film was made with budget of inr400 million and earned inr1. 6 billion at box office. ajay devgan won star screen award for best performer .
singham was directed by rohit shetty and co - starred kajal aggarwal and prakash raj. the film was made with budget of inr20 crore and collected inr140 crore at box office, becoming one of the biggest hits of the year. it was remake of tamil hit singam starring suriya. the film faced ban from karnataka due to some derogatory statements in the film .
bol bachchan was directed by rohit shetty and co - starred abhishek bachchan, asin and prachi desai. the film’s success led to remake in telugu as masala starring venkatesh. in indian market itself movie grossed over inr 1 billion .
son of sardaar was directed by ashwni dhir and co - starred sonakshi sinha, sanjay dutt, juhi chawla and mukul dev. film was remake of telugu movie maryada ramanna released in 2010. film was made with budget of inr300 million and grossed inr1. 50 billion at box office .
satyagraha was directed by prakash jha and co - starred amitabh bachchan, kareena kapoor, manoj bajpai and arjun rampal. film was made with the budget of inr50 crore and earned inr163. 19 crore at box office. film tells the story of retired teacher, amitabh bachchan fighting against the system .
singham returns was directed by rohit shetty and co - starred kareena kapoor khan, anupam kher, amole gupte and dayanand shetty. film was sequel to sequel released in 2011. the film was made with budget of inr1. 15 billion and grossed inr2. 03 billion at box office .
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dil kya kare is a 1999 indian hindi drama film , directed by prakash jha and produced by veeru devgan and veena devgan . the film was acclaimed critically and was an average at the box office . 
dil kya kare is a 1999 indian hindi drama film, directed by prakash jha and produced by veeru devgan and veena devgan. the film was acclaimed critically and was an average at the box office.
dil kya kare is a 1999 indian hindi drama film, directed by prakash jha and produced by veeru devgan and veena devgan. the film was acclaimed critically and was an average at the box office.