lost boys of sudan ( film )
the lost boys of sudan works as both a riveting documentary and scathing indictment of colonialism .
culture shock is hopelessly inadequate to describe the experience of the young subjects of the riveting documentary lost boys of sudan .
the many themes raised by lost boys of sudan can be rich topics for classroom exploration. explore these themes and learn about how teachers have used the film .
the film also doesn' t get across the magnitude of the horror unfolding in the sudan .
an extensive national outreach campaign has brought lost boys of sudan to thousands of community settings to build awareness and support for refugees and the crisis in darfur, sudan. read more
for the last 20 years, civil war has raged in sudan, killing and displacing millions .
lost boys of sudan
follows two young refugees ...
why didn’t the lost boys get more help in the u. s. ?
in the film, witherspoon plays a tough - talking employment counselor who is assigned to find the lost boys jobs when they first reach the us .
the good lie ,
set to be released oct. 3, is inspired by the children' s stories as well as the un program that brought them to the us. the actors playing the lost boys were either lost boys themselves or descendants of lost boys and all of them fled
lost boys of sudan is a feature - length documentary that follows two sudanese refugees on an extraordinary journey from africa to america. orphaned as young boys in one of africa' s cruelest... see full summary »
go here to download the pbs⁄ pov discussion guide for lost boys of sudan. the discussion guide contains background information on sudan as well as ideas for how to set - up screenings of the film and panel discussions in your hometown. you will also find here helpful information about how to lead a meaningful and civil conversation about the themes raised by the film .
the name “lost boys of sudan” was given to the group of southern sudanese youth, by united nations aid workers who were monitoring their flight from sudan. the name stuck and though the youth are no longer “lost” or “boys” it is how the youth often refer to themselves. for some it is a badge of honor. they commonly say we are “lost” from our parents, but we were never lost from god or each other .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
despite good reviews and star backing, warner brothers only opened the film in 500 theaters with minimal publicity. not surprisingly, the film did little business .
provide creative approaches for sharing the story of the “lost boys” and refugee stories in your classes. the study - guide also contains nine
witherspoon' s new movie ,
the good lie ,
tells the story of the lost boys and girls of sudan, orphaned children who walked thousands of miles, without food or shelter, to escape the civil war in 1983 .
witherspoon said that was the message she hoped would hit home in the film .
lost boys of sudan directed by megan mylan and jon shenk, won an independent spirit award and screened theatrically in 70 cities across the u. s. to strong audience and critical praise. the film was broadcast nationally on the pbs series pov in the fall of 2004 and earned two national emmy nominations .
chol, a former senate intern, works for the government of washington, d. c. , and is a leader in the lost boys community, and more broadly as a refugee advocate. awan fled sudan in 1987. he now lives in phoenix, arizona, serving as executive director of the lost boys center for leadership development in phoenix .
fifteen years later, a humanitarian effort brought 3, 600 lost boys and girls to the us to start new lives .
for the last 20 years, civil war has raged in sudan, killing and displacing millions. lost boys of sudan follows two young refugees from the dinka tribe, peter and santino, through their first year in america. along with 20, 000 other boys, they lost their families and wandered hundreds of miles across the desert seeking safety. after a decade in a kenyan refugee camp, nearly 4, 000
lost boys
have come to the u. s. as peter and santino set out to make new lives for themselves in houston, their struggle asks us to rethink what it means to be an american .
the good lie
is not just about where the lost boys started, though; it' s also about how far so many have come .
megan mylan and jon shenk' s award - winning documentary lost boys of sudan examines what happens when a pair of sudanese boys, orphaned due to a civil war in their home country, are allowed to live for a year in the united states. santito and peter must contend with extreme examples of culture shock, while also figuring out how to negotiate a world that is physically safe but emotionally and intellectually foreign to them. unlike many documentaries, the film does not employ a voice - over narration .
: by 1987, thousands of orphaned children began to flee on foot across sub - saharan africa, walking as many as thousands of miles to ethiopia and then kenya. thirteen years later, 3600 refugees would be relocated to the u. s. a. they were known simply as
the lost boys of sudan .
bill nye is on a mission: to stop the spread of anti - scientific thinking. this intimate film features the life and work of tv' s favorite scientist .
the lost boys group the “lost boys” group was resettled all across the u. s. there are sudanese youth in nearly every state. some of the largest groups are in phoenix, atlanta, boston, dallas, grand rapids, lansing, chicago, salt lake, houston, dallas, san diego, kansas city, richmond, nashville and louisville. the “lost boys” are strong individuals rather than a homogenous group, so it is impossible to give an update on them all. but as a whole the group is doing well, connecting more with their communities and finding the educational opportunities they are so focused on. two of the young men who worked with us as translators on the film have enrolled this fall at the prestigious universities, stanford and american. they are among many sudanese youth finding academic success. unfortunately, the successes are accompanied by heart - breaking stories of “lost boys” who have been victims of violence in the u. s. the “lost boys” are survivors and we are convinced that they will make the most of the opportunities america has to offer them and in the process make this a better country .
becker is a director and editor of documentary films. becker is currently directing a film about two migrant mexican musicians; the film has received grants from numerous foundations, including the sundance documentary fund and the jerome foundation. his film jules at eight has been broadcast on pbs, and has won awards from the international documentary association, the student academy awards, slamdance film festival, and the chicago international film festival. becker has edited various films for pbs, the learning channel, and mtv. in addition, he co - edited a feature - length observational documentary about george lucas, which was released on the dvd with star wars, episode i .
the genocide in the darfur region of sudan is the most recent violent episode in a country where a 20 - year civil war has killed an estimated two million people and displaced more than four million. the dinka tribe has been hardest hit. lost boys of sudan follows two young dinka refugees, peter and santino, through their first year in america. as small boys, peter and santino lost their families to the war and were forced to flee their homes. along with 20, 000 other boys, they wandered hundreds of miles across the desert seeking safety. after a decade in a kenyan refugee camp, nearly 4, 000
lost boys
have come to the u. s. as part of a refugee resettlement effort. peter and santino set out to make new lives for themselves in houston and in kansas city. their struggle asks us to rethink what it means to be an american. an independent television service (itvs) co - presentation .
john dau fled sudan in 1987 and remained at the kakuma refugee camp in kenya from 1992 to 2001 .
it might help you understand an unfamiliar face walking toward you on the street, and that' s a great accomplishment for any film .
visit the websites below for additional lesson plan ideas focusing on sudan, human rights, refugee and immigration issues .
for the last 20 years, civil war has raged in sudan, killing and displacing millions. two young refugees, peter and santino, lost their families and set out to make new lives for themselves in america .
they have all become us citizens and are now an essential part of this grand american family ,
said chanoff, who has worked with the lost boys for 15 years .
they show us that against all odds and in the face of impossible hardship and horror, the human spirit is made up of unbreakable matter .
lacking that exotic' foreign' focus and by failing to address the hardships of their early lives, we' re left with a routine film about teenagers making mistakes or growing up too fast .
the government - sponsored militia attacks that destroyed the “lost boys” families and villages and forced them to flee sudan is a near carbon copy of the firebombing, raping, and plunder of darfur— today considered the world’s worst current humanitarian crisis. again government - backed janjaweed militia are devastating villages. there are of course differences. while both populations are ethnically african, the people of the south are predominantly christian and animist while the people of darfur are mainly muslim. but the similarities are strong and again there is a whole generation of children enduring unimaginable horrors and losing their families and their childhoods to war .
peter and santino are in their early 20’s. many of the “lost boys” genuinely don’t know their ages for a series of reasons. first an individual birth date is not given the same importance in their culture as it is in the u. s. additionally, birth records were not kept in most of the villages where the boys were born. since many of the youth lost their parents when they were very young, they didn’t have anyone to keep track of their birthdate. when the group arrived at the un refugee camps, they were assigned ages, the aid workers made their best guess at the youth’s ages and assigned them all the birthdate of january 1st, with whatever corresponding year seemed appropriate .
kuol awan fled sudan in 1987 and resettled from kenya' s kakuma refugee camp in 2001 to salt lake city, utah .
a beautiful movie, taken out of the pages of recent events. the inspiring and true story of the
the lost boys
trekking hundreds of miles across africa to save their lives. the photography of the african scenes is great. a story of dedication, loyalty and the deepest meaning of family and friendship. it is well acted, engaging, and funny as well as surprising. while dancing at the edge of some clichés, it manages to stay fresh. the ending really took me by surprise. sadly the movie is still very relevant. there is a continuing genocide in sudan and part of the intent of the movie is to raise awareness about what is happening right now, it is succeeds in doing that, it will have done what few movies do: it might save lives .
by leading journalists and scholars working in fields related to issues that arise in the documentary. these essays provide valuable background material on the civil war in sudan, the current crisis in sudan’s darfur region, information on refugees and refugee resettlement in the united states, and much more .
ninety - one year old howard' louie bluie' armstrong has two great loves: his music and artist barbara ward. their stories are captured in mahan' s engaging film .
a plunge into the fire of tultepec, mexico, the site of the national pyrotechnic festival .
on wednesday night, former lost boys thon chol, kuol awan, john dau and moses ajou, as well as several others, were honored during a special gala and congressional screening of the movie. the gala also helped raised nearly $ 400, 000 for the good lie fund, with all monies going to the kakuma camp .
raised in mud huts in the kenian desert after fleeing the war in sudan, moses and his young friends are suddenly invited by the us government to start a new life in the' land of the free'. never having turned on a light switch, the boys arrive in suburban boston... uk, 2002, 77min director: clive gordon
officially, refugees can become permanent residents after a year and apply for citizenship after five years. every “lost boy” has a different answer to the question of whether they’ll go back to sudan. some say they will go back as soon as there is peace. others say that they left sudan so long ago and have no family to go back to. most of the youth say that they will return, but not for good, the u. s. is their home now and they recognize that they have opportunities here that will enable them to support their family and their country .
dau fled sudan in 1987 and resettled in syracuse, new york, in 2001, and is now the president of john dau foundation. and ajou joined the u. s. air force and served tours in iraq and
: in 1983, a brutal civil war broke out in sudan between the north and the south over religion and resources, leaving villages destroyed by northern government armies and militia .
there are numerous ways to get involved. you can donate to the lost boys education fund to help support the youth’s pursuit of education. you can volunteer to be a mentor to a newly arriving refugee. you can help build awareness and advocate for an end to the crisis in darfur. visit the take action page to learn more about effective steps you can take to make a difference .
peter nyarol dut graduated from olathe east high school in june of 2003. he is currently a student at green mountain college in vermont with a full scholarship. along with his studies, peter is happily playing basketball again. since the film’s release peter has participated in meetings with the congressional refugee and human rights caucuses, the state department’s bureau of population, migration and refugees, the kansas state board of education and care .
this startling expose unravels a history of abuse of suspects by the chicago police. for more than a decade, the press and authorities turned a blind eye to allegations of torture — including the use of electric shocks — until persistent grass roots organizations exerted enough pressure to prompt an official investigation, and eventually the dismissal of a ranking police commander .
this is the story of my home ,
jal said .
this is the voice of those who was not heard .
frances reid has been producing, directing, and shooting documentary films for over 30 years. her most recent production is long night’s journey into day on south africa’s truth and reconciliation commission. the film, co - directed with deborah hoffmann, received a 2000 academy award® nomination and won the sundance grand jury prize. her film, skin deep, is a documentary exploring race relations on college campuses, it was broadcast nationally on pbs and is now in use by nearly 2, 000 colleges and universities nationwide. in 1994, she received an academy award® nomination for her documentary short straight from the heart. her producing and directing credits include such films as the groundbreaking documentary in the best interests of the children and the faces of aids awarded first place by the black filmmakers' hall of fame .
santino majok chuor has left the factory night shift and texas and recently relocated to san jose, ca. he has enrolled full - time in community college with a generous scholarship from one of the film' s viewers. santino did successfully pass his drivers test. since coming to the u. s. , he has discovered that siblings he had not heard from for many years are still alive and living in other african refugee camps. with santino’s financial support, one of his brothers has gathered the family and is working to take them back to their home village in yirol. santino has traveled a great deal with the film participating in media interviews, school screenings and panel discussions in new york, los angeles, san francisco, indianapolis and dallas .
shot on video, and with the look of a pbs entry, it nevertheless manages to function on several levels - - all of them complex and sophisticated .
jon shenk, director / cinematographer, is a documentary filmmaker, cinematographer, and founder of actual film s in san francisco. he was a director of photography for the academy award - winning smile pinki (2009). he was awarded an emmy for blame somebody else (2007), a feature story he wrote, produced and photographed for the pbs series, exposé. the film recounts chicago tribune reporter cam simpson' s investigation into the kidnapping and execution of 12 nepalese workers in iraq, in which he exposed a vast international human trafficking network. shenk co - directed and photographed democracy afghan style (2004, 80 minutes), a pbs / itvs / arte film about the post - war constitutional process in afghanistan. in 2005, he directed and photographed segments for the new heroes, a pbs series about social entrepreneurs he directed and photographed the beginning (1999), an observational chronicle of george lucas complex creative process during the making of star wars: episode i that some reviewers consider to be the best dvd behind - the - scenes documentary ever made. jon has produced and photographed dozens of documentaries for pbs, the bbc, a & e; , bravo, cbs, nbc, and national geographic. he has been nominated twice for emmys for his cinematography. he earned his masters degree in documentary filmmaking from stanford university in 1995 and his b. a. from yale in 1991 .
mylan and shenk discuss the new realities of immigration in the 21st century and their hope that people will want to know the stories of immigrants in their own communities across the country .
a humorous, sad and uncomfortable look at the tragic limbo of adults with down syndrome .
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a group of sudanese refugees given the chance to resettle in america arrive in kansas city, missouri, where their encounter with an employment agency counselor forever changes all of their lives .
2009 emmy nominee: militarized border patrol leads to the tragic death of a young ...
lakeith stanfield and his sorry to bother you director boots riley discuss the stress of filming sex scenes .
an unflinching look at the hard choices and destructive consequences of the u. s. - mexico drug war .
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a co - production of actual films and principe productions in association with itvs and pov ⁄ american documentary, inc .
made possible with support of sundance documentary fund pacific pioneer fund fleishhacker foundation den - mat, inc. nu lambda trust
some of witherspoon' s costars lived that hardship, including emmanuel jal, a hip hop artist and former child soldier .
movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
“it was very illuminating for a kid from america, seeing people sleep on concrete slabs and children running around, trying to find food. ” witherspoon told abc news’ anchor amy robach. “they don' t have their churches, they don' t have their schooling, they don' t have their community, and many people have lost their entire family .
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the scenes of peter and santino' s adjustment to life in houston - - a garbage disposal does what? - - are at once quotidian, poignant and absurd .
it was one of those things where i was like,' i can' t not do this movie' cause it' s so important to me ,
witherspoon told abc news .
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reese witherspoon' s latest campaign has taken the famous actress who has appeared in such movies as
legally blonde
and won an oscar for
walk the line
far from the glamor of hollywood .
four sudanese children are orphaned after their village is massacred in the second sudanese civil war. consequently, they make an arduous and dangerous trek through the plains, enduring hardship, death and sacrifice all the way until they reach safety in a refugee camp in kenya. years later, these youths are among 3600 selected for resettlement in america, only to have the one girl among them sent to boston, while the three boys must to make a new life in kansas city. together, these young men must adjust to an alien culture even as the emotional baggage of their past haunts them. however, these newcomers, and their new friends like employment counselor carrie davis, strive to understand each other in this new home, as they make peace with their histories in a challenge that will change all their lives .
through the eyes of volunteer rescue workers called the white helmets, last men in aleppo allows viewers to experience the daily life, death, and struggle in the streets, where they are fighting for sanity in a city where war has become the norm .
since september 11th, the number of refugees admitted to the u. s. has slowed dramatically. learn more about the u. s. refugee program, refugee related policy issues before congress, the 12 agencies contracted by the u. s government to support refugees and what you can do to support them :
kim roberts has written, directed and edited a number of award winning documentary and narrative films. her editing credits include daughter from danang, 2002 sundance grand jury prize, academy award® nominee, for pbs - american experience; daddy and papa, sundance 2002, pbs; the wolf, nightline; great wall across the yangtze, pbs .
in the section of the movie where the refugees travel to the us, there is a scene that shows a delta aircraft (767 - 300er) landing. the livery shown on the aircraft is the current livery used from 2008 - present, also known as the
upward and onward
scheme, changed because of the merger with northwest airlines. the time that the refugees would have been traveling to the us is before the merger, so that livery should not have been used. the proper livery would be the either the
colors in motion
scheme, used from 2000 until the merger with northwest airlines, or the ron allen scheme, which was the livery used before 2000 .
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produced in association with american documentary, inc. and independent television service with funding provided by the corporation for public broadcasting
there are currently 14 million refugees in the world. learn more about who refugees are, why they’ve had to flee their homes and the organizations that work to support refugees internationally :
collected from several middle school, high school, and college instructors who have successfully used the documentary in their classrooms. the
. these lesson ideas were collected from several high school teachers and college professors who have successfully used the documentary in their classrooms .
. these thematic essays have been prepared by leading journalists and scholars working in fields related to issues that arise in the documentary .
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emmanuel jal, an escaped sudanese child soldier, is an acclaimed hip - hop artist and human rights advocate. he stars in
the good lie ,
which features songs from his album
the key .
the good lie
producers launched a fund this month to help raise monies for those in the kakuma refugee camp, which witherspoon visited in 2013 with her daughter during the filming .
ger duany' s journey has taken him from child refugee to international fashion model and the lead in
the good lie .
he recently returned to africa to search for his family in refugee camps .
moses ajou resettled from the kakuma refugee camp in kenya in 2001 to chelsea, massachusetts .
at the kakuma refugee camp in kenya, thon chol worked as a counselor and teacher .
they' ve been through so much as little children and that they had an opportunity to come to america and that they will work three and four jobs just to pay for an education that we take for granted every single day... . it' s incredible, you know? it really makes you appreciate the opportunities that we have as americans ,
she said .
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offers an opportunity to see a good movie and learn something about an issue that has received far too little attention in the u. s. press .
a documentary about two refugees who come to the united states, it offers a detailed look at the hurdles they face but makes no attempt to analyze, explain or advocate changes that would help them .
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lost boys of sudan is a documentary film by megan mylan and jon shenk about two dinka boys from sudan , santino majok chuor and peter nyarol dut , who reached the united states after fleeing the civil war in their country . " orphaned as young boys " in the second sudanese civil war they " survived lion attacks and militia gunfire to reach a refugee camp in kenya along with thousands of other children . " the documentary 's title “ lost boys of sudan ” was originally the name given to the group of southern sudanese youth by united nations aid workers who were monitoring their flight from sudan . 
lost boys of sudan is a documentary film by megan mylan and jon shenk about two dinka boys from sudan, santino majok chuor and peter nyarol dut, who reached the united states after fleeing the civil war in their country. " orphaned as young boys " in the second sudanese civil war they " survived lion attacks and militia gunfire to reach a refugee camp in kenya along with thousands of other children. " the documentary's title “ lost boys of sudan ” was originally the name given to the group of southern sudanese youth by united nations aid workers who were monitoring their flight from sudan.
lost boys of sudan is a documentary film by megan mylan and jon shenk about two dinka boys from sudan, santino majok chuor and peter nyarol dut, who reached the united states after fleeing the civil war in their country. " orphaned as young boys " in the second sudanese civil war they " survived lion attacks and militia gunfire to reach a refugee camp in kenya along with thousands of other children. " the documentary's title “ lost boys of sudan ” was originally the name given to the group of southern sudanese youth by united nations aid workers who were monitoring their flight from sudan.