shikoku ( film )
there are no critic reviews yet for shikoku. keep checking rotten tomatoes for updates !
mr. bertelsen will be walking the 88 ohenro shikoku route, whilst making a documentary on this .
at the end of shikoku, hinako is informed that she will be the one
who lives .
she thus leaves shikoku, gazing back at the mountain which might just be the gateway to another world .
feardotcom (2002) looks and sounds like a remake of a japanese horror film that never was. this 40 million dollar horror film was r ...
13. a release film, comprising a resin composition according to claim 1 .
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( 13) a release film comprising the resin composition for use in a release film according to any one of items (1) to (12) above .
i found this film really boreing. the production quality seems very low as well .
( 1) the release film having a support is laminated onto a substrate, and then cooled to about room temperature and the support is peeled off the release film .
( 14) a release film having a support, comprising the resin composition for use in a release film according to any one of items (1) to (12) above .
and that' s probably a good thing, since shikoku doesn' t trade so much on shocks and suspense as it does powerful human emotions like... love, loneliness and longing. make no mistake, shikoku is a frightening genre film in many ways; but it focuses very intently (and grimly) on the meaning of death; and the things that death can take away from those left behind; those still living .
shikoku' s starting point is a children' s story by masako bando, who grew up in the province' s kochi prefecture. another one of her works, inugami, was adapted for the screen the following year by the same asmik ace entertainment production group behind this film, directed by masato harada. however, it is clear to see where the true roots of nagasaki' s film lie .
jff regional, also known as “jff mini”, is a free regional touring component of the japanese film festival. to learn more about the films on offer, scroll down and click on the film titles. to view the film program, schedule and booking details relevant to your city, click on the city buttons below. *
so already, my expectations for this film were not high. but let' s get started, anyway .
14. a release film having a support, comprising a resin composition according to claim 1 and a support .
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- (theofantastique, 11 / 13 )
kubo & the two strings is not a japanese film, it’s an american film with a japanese heart. the film uses 3d stop - motion animation, and the unique style is something i really fell in love with. i was worried that an american film voiced by such big names as charlize theron, matthew mcconaughey and ralph fiennes might not have the independent cinema feeling that a film like this needs, but i needn’t have worried. the famous voices weren’t at all distracting, because the animated characters were so watchable and full of their own unique charms. in fact, i was so lost in the story that i didn’t even think about it being an animated film most of the time .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
“i don’t believe there is a gap in film between documentary and fiction, ” he said. “what i mean by this is that the camera is documenting what is in front of it. … a film is just the subjective structuring of time. ”
“if you must blink, do it now…” what an opening line! i was captivated from the moment the film started, and kubo & the two strings is without a doubt the best animated film i’ve seen this year, and in a long time .
one of the horror genre' s
most widely read critics
( rue morgue # 68) ,
an accomplished film journalist
( comic buyer' s guide # 1535), and the award - winning author of horror films of the 1980s (2007), the rock and roll film encyclopedia (2007) and horror films of the 1970s (2002), john kenneth muir, presents his blog on film, television and nostalgia, named one of the top 100 film studies blog on the net .
the resin composition for use in a release film of the present invention is preferably used as a release film, and can be used in the form of a release film having a support. further, the resin composition can be used in a wide variety of applications that need a resin composition, such as a prepreg, a solder resist, an under - film material, a die bonding material, a semiconductor encapsulation material, a sealing resin, a part buried resin, a circuit board, a laminate, and a multilayer printed wiring board .
video: shikoku' s video presentation is, overall, good. it' s hard to gauge the accuracy of the colors, or how vibrant they are, during most of this film, as a lot of scenes, in particular the lengthy flashback that the movie opens with, are shown through different color filters. more often than not, though, the colors appeared to be vibrant on this release, although the contrast in general could have done with being increased slightly. the brightness level on this release appears to be set at just the right level, with the film' s many night scenes being very easy to spot details during. as for digital inconsistencies, there is some artifacting apparent, and the film itself could have stood to be a little sharper, but in general they handled well here. in terms of the shape of the print used for the transfer, which is the film' s original japanese version, it appears to be in perfect shape. there is very little grain apparent on this release, with not a single visible scratch during the course of the film. shikoku' s original aspect ratio of 1. 85: 1 is maintained on this dvd .
it is another object of the present invention to provide novel methods for preparing a circuit board by using such a resin composition or release film .
( 1) a resin composition for use in a release film, comprising (a) an epoxy resin and (b) aluminum hydroxide .
in the vicinity i will automatically take it seriously. so, knowing that this film would be about the so - called
illegal
and gruesome mountain shinto rituals now taking place in shikoku with the
death
kanji, i, like an idiot, fell for it just the way they had planned, and was prepared to be enthralled and even a little frightened for a while .
and the music – what wonderful music! i found out not long before seeing the film that the wonderful hibiki ichikawa had been one of the featured shamisen players on the soundtrack along with kevin kmetz. the shamisen was as much a character as kubo himself, and such an important part of the film. i hope that featuring this traditional japanese instrument in an american film will introduce the wonderful world of shamisen to a larger audience .
unfortunately, nagasaki can do little with this material. shikoku is never really particularly convincing as a horror, and, unable to capitalise on some earlier flesh - crawling moments, falls apart way before reaching its rather underwhelming showdown between makoto sato' s renegade buddhist priest and the forces from the darkside. its greatest asset is perhaps the locale of shikoku itself, shot in bleached out, hazy hues and long twilight shadows in the external scenes, and drenched out in the interiors by the shafts of natural sunlight that stream through the windows of hinako' s deserted property. whilst not the worst offering from the late 90s horror cycle by any means, at the end of the day it' s perhaps only shikoku' s backwater setting that really stands out .
from the viewpoint of improving the handling properties, the thickness of the resin composition layer is preferably in the range of from 5 to 500 μm, more preferably in the range of from 10 to 200 μm further preferably in the range of from 15 to 150 μm, still further preferably in the range of from 20 to 100 μm. the resin composition layer may be protected by a protective film. protection by the protective film can prevent a surface of the resin composition layer from suffering adhesion of contaminants or the like or from being scratched. the protective film is removed before lamination of the release film. as a material for the protective film, the same material as that for the support can be used. with respect to the thickness of the protective film, there is no particular limitation, but the thickness is preferably in the range of from 1 to 40 μm .
this japanese film by director shunichi nagasaki is one of the few post - ringu horrors that hasn' t yet been remade and repackaged in america .
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in lamination of the release film having a support and having a protective film, the protective film is removed, and then the resultant release film having a support is pressed against a substrate while heating and applying a pressure. conditions for the lamination are preferably such that the release film having a support and a substrate are preheated if necessary, the pressure for pressing is preferably from 1 to 11 kgf / cm 2, the temperature for pressing is preferably from 70 to 140° c. , the time for pressing is preferably from 15 seconds to 3 minutes, and lamination is performed under a reduced pressure at a pneumatic pressure of 20 mmhg or less. the lamination method may be of either a batch - wise manner or a continuous manner using a roll .
hard times followed him and his wife after they both left shochiku in protest at the company’s high - handed treatment of his film. they founded their own production company, sozosha. even during a shoot the money might run out, as it did when they were in shikoku making “boy. ” koyama had to approach local shops and businesses to make appearances in ads for them, plowing the fees into the production .
i adored this film, and the two things that captured my heart the most were the animation and the music. looking first at the animation, director and lead animator for laika entertainment travis knight describes kubo as “a stop motion samurai film”. i couldn’t even comprehend some of the animation or imagine how it had been created, but at the end of the film in the credits there was a fantastic little clip showing some of the animators at work. the clip below is a great insight into how the film was made and how the animators captured this very individual japanese style and made such a beautiful film. everything in the movie looks like it is made out of washi (japanese paper) or wood, and some of the effects are absolutely mind - blowing .
“on a cloudless afternoon in the peaceful shikoku city tokushima, twelve - year - old chizuru akitani, japanese - american daughter of acclaimed violinist and living national treasure hiro akitani, walked into the staff room at motomachi elementary, covered with blood and clutching a letter opener. ”
“a director’s joy, ” he said, “comes from creating a new production method for a film and from encountering people different from those you’ve known before. ”
a release film can be produced from the resin composition for use in a release film of the present invention by applying the resin composition in the form of a resin varnish to a substrate to form a layer of the resin composition. further, the release film preliminarily formed on a support can be laminated onto a substrate. the release film of the present invention can be laminated onto various types of substrates and peeled off by a heating treatment for releasing. examples of substrates mainly include substrates, such as a glass epoxy substrate, a metal substrate, a polyester substrate, a polyimide substrate, a bt resin substrate, and a thermosetting polyphenylene ether substrate .
# 94: theatrical release of the documentary film sosei - revival to enlighten people on the new possibilities of microorganisms | dr. teruo higa’s living a dream | emro
he does go on to literally break out a stick and draw in the sand like some country school lesson for hinako, explaining that the pilgrimage consists of visiting each temple designated all around the island of shikoku, of which there are 88. the journey is cyclical; you start at one temple of your choosing and head around the island to each subsequent on in a clockwise order. according to sayori' s father' s folklore book, this journey is meant to seal and ward the island between the world of the living and the dead, and the pilgrims making this trek help to energize this plane separation and bless the island. naturally, while he has his stick and an oblivious student, he explains that, should this circle be broken, the seal between the two worlds would be fractured, and the dead living on the other side would be able to freely enter shikoku. but whyyyy? he draws the kanji for shikoku and explains about the four and the death and the unluckiness and other filler for the uninformed and those unfamiliar with the fine art of kanji plays - on - words that run rampant through japan like dead people in shikoku .
the release film having a support of the present invention is especially useful in the production of a coreless substrate, and an example of the production has the following steps .
21. 30 bar in asta bar (cinemateket' s basement) with performance by string quartet halvcirkel: philip glass' 3. string quartet used in the film .
a pleasant surprise, i actually picked up this dvd for a very reasonable $ 15 new and was fully expecting a slapped together budget release, but was greeted with the contrary. adness' shikoku features a good video presentation, a great audio presentation and a worthwhile collection of extras packaged in .
( 7) the resin composition for use in a release film according to item (6) above, wherein the curing agent (c) is a phenolic curing agent .
( 10) the resin composition for use in a release film according to item (9) above, wherein the thermoplastic resin (d) is a modified polyimide resin .
fumiya heads to the library and finds the ad in one of the folklore books written by oda himself. suddenly all of the pieces fall together in his mind, and he meets with hinako to share his findings. he asks her if she' s familiar with a shikoku pilgrimage. oh, you mean
with respect to the benzoxazine curing agent, there is no particular limitation, but, as specific examples of benzoxazine curing agents, there can be mentioned f - a, p - d (manufactured by shikoku chemicals corporation) and hfb 2006m (manufactured by showa high polymer co. , ltd .) .
the film’s credits were well worth watching, not just for their beauty and creativity, but also for this fantastic version of ‘while my guitar gently weeps’ by regina spektor which includes some shamisen playing. the whole soundtrack is wonderful (yes, i bought is straight after seeing the film), and this theme tune is just the icing on the cake .
( 15) a circuit board which is produced using the resin composition for use in a release film according to any one of items (1) to (12) above .
enquiries: for film and program enquiries please email japanesefilmfestival @ urltoken / for facilities (e. g. parking) and venue access enquiries please contact bcc cinemas at 08 8952 2392 .
but after everything shikoku shows us and reveals to us, it' s not relief the audience feels at her survival. on the contrary, it feels as though hinako is the one who has been left behind. her demons, like fumiya' s, will continue to haunt her. especially if love survives the grave .
( 6) the resin composition for use in a release film according to any one of items (1) to (5) above, further comprising (c) a curing agent .
( 9) the resin composition for use in a release film according to any one of items (1) to (8) above, further comprising (d) a thermoplastic resin .
( 12) the resin composition for use in a release film according to any one of items (1) to (11) above, further comprising (e) a cure accelerator .
today' s movie is a traditional japanese horror film. traditional in the manner of ,
churned out at little to no expense in a thinly - veiled attempt to cash in on the earlier success of
seriously, this is like if friday the 13th spent half the film explaining why friday the 13th is unlucky. we get it, we get it, now let' s see jason cut some people !
the present invention is directed to a resin composition for use in a release film, which comprises (a) an epoxy resin and (b) aluminum hydroxide. the present invention will be described in detail below .
director nagisa oshima often quoted the phrase “the republic of the cinema” as if film was a country and he one of its citizens. he combined the very best stalwart japanese qualities with a forthright and radical international outlook .
he and koyama were asked to appear in a commercial for a manufacturer of curry sauce. they were to be paid ¥10 million together. this enormous sum in the mid - 1960s was enough to finance a film .
as a girl, hinako moved away from her small village to tokyo, leaving behind her two best friends, fumiya and sayori. she returns as a young woman, surprised to find that sayori died when she was a teenager. she reunites with fumiya and they are horrified to learn that sayori is mysteriously being resurrected via the island of shikoku. oh boy. i rented this because i like asian horror and i think chiaki kuriyama a nifty actress. unfortunately, if i had to describe shikoku in one word, it would be
fruity .
this movie is silly, boring, poorly filmed, unimaginative, and most of all, unscary. kuriyama has minimal screen time as the resurrected sayori, and her character is given little to work with .
the resin composition for use in a release film of the present invention can be preferably used in the form of a release film having a support such that a layer of the resin composition is formed on a support. the release film having a support can be produced in accordance with a method well known by those skilled in the art, for example, a method comprising dissolving the resin composition of the invention in an organic solvent to prepare a resin varnish, and applying the resin varnish to a support and drying the resin varnish by heating, hot - air blow, or the like to remove the organic solvent, forming a layer of the resin composition on the support .
adapted from the helmer’s novel of the same title, “0. 5 mm” mirrors the book’s chapter - like form and is unusually lopsided in structure by most film standards. starting with three light episodes before delving into one that takes up more than an hour, the film subtly shifts into a serious historical - political tenor, revealing the insidious damage that wartime errors and trauma have caused japan’s collective psyche. however, even as the final episode revisits characters we met earlier, it actually takes the film in a new and distractingly open - ended direction, away from its theme of the aged — thus dissipating the rousing momentum which the narrative has so assiduously built up to this point .
reviewed at nippon connection (vision), frankfurt, june 6, 2015. (also in shanghai film festival; japan cuts .) running time: 196 min. (original title :
0. 5 meri
)
( 11) the resin composition for use in a release film according to item (10) above, wherein the modified polyimide resin has in the molecule thereof a polybutadiene structure, an urethane structure, and an imide structure .
i will admit, however, that there are parts of shikoku that i enjoyed. regardless of whether you' re a fan of the new wave of asian horror or not, it would be hard for anyone to disagree with how beautiful most of these movies are. despite it' s flaws, shikoku is another beautiful asian horror movie. and if you' re a fan of ju - on style horror, some of the movie might appeal to you. the few subtle moments of horror are beautifully filmed and genuinely creepy. finally, although it' s underdeveloped, the whole subplot of the mother trying to bring her dead daughter back to life is interesting. there' s a good, entertaining movie here somewhere. it' s too bad we didn' t see it .
there are many ring knocks off around and i bet there are even more in asia i bet. but i got along to watching this flick without knowing nothing about it but i feared what it might be. so i put it on and from the opening i knew this film was different. it was more than a horror movie, it' s more a classic ghost story and drama about 3 people. it' s a weird mix because a lot of the film is about faith and the question of
when you die do your feelings die too ?
so through out the film, it plays out more standard, there are no boo scares, and limited killing. this isn' t about a killing ghost it' s about a ghost that still wants to live and a mother who won' t let go. you can' t help but to be dragged into the film and care about the characters because you understand them and why they are they way they are. warning: if you one those moderen hollywood horror movie fans than this movie isn' t for you. but if you want something new than watch this film .
jan. 15 marks the third anniversary of the renowned film director’s death. roger pulvers, who knew him for more than 30 years and was his assistant on “merry christmas, mr. lawrence, ” discusses the man and his work
on the night before the first day of principal photography on “merry christmas, mr. lawrence, ” he came up to me in the restaurant of the hotel on the pacific island of rarotonga, the film’s location, put his hand gently on my knee, and said: “roger, the coming weeks may be very gruelling, and i’m sorry if there will be difficult moments for you. but, you know, it’s no big deal being a film director. ”
had the movie actually followed this plot description, shikoku might have been a much better movie. instead, we are treated to one of the dullest, most inane love stories i' ve had the misfortune to see (i suppose a love - triangle story would be a more appropriate description). what little horror there is in shikoku comes from the fact that one of the participants in the love - triangle is dead. but, any real scenes of horror are too few and far between. and the other characters' reactions to the moments of horror are totally unbelievable. once the two non - dead characters see the ghost of their dead friend, do they seem alarmed, surprised, or frightened? - no! based on their reactions you would think that seeing ghosts was just another part of their incredibly boring existence .
“in the realm of the senses, ” his 1976 film that takes the actions of love between a woman and a man to an extreme, leads on to “merry christmas, mr. lawrence, ” which depicts what he called “the unbreakable bond between victim and victimizer, ” all of them men. and though he told me many times how profoundly he disliked sentimentalism in the cinema, “merry christmas, mr. lawrence” is, in its own tough way, a very sentimental film .
i adored this film as well. granted, i haven’t seen a whole bunch of films this year but nonetheless, kubo and the two strings is definitely my favourite of 2016 thus far. i don’t imagine anything else is going to top it .
when hinako was only a child she was separated from her two best friends, fumiya and sayori, as she moved to tokyo. now, many years later, hinako has returned to the small village of shikoku to meet her childhood friends, but it turns out that sayori drowned many years ago. when hinako starts seeing sayori in her dreams and such, she seeks help from fumiya, thinking that sayori wants to hurt her .
i' d like to imagine that it' s immediately after that scene, but hinako and her family are moving away to tokyo, and she and sayori promise to keep in touch. fumiya waves goodbye to her, watching her go, but sayori is too busy glaring at this display to wave goodbye to hinako as well. i wonder where this is going? flash - forward 15 years later, and hinako is hot, styled in her 80s tokyo fashion best, and on her way back to shikoku. her mobile phone rings to let her further explain that she is going back to shikoku and had been in tokyo and is the older version of hinako now, and crap any idiot would have deduced already, and all the old people riding the bus with her give her dirty looks for being dressed all urban and having modern technology and disturbing their naps .
( 5) the resin composition for use in a release film according to any one of items (1) to (4) above, wherein the aluminum hydroxide (b) has an average particle size of from 0. 01 to 5 μm .
... demonstrating once again the difference between mere reaction to a genre film and actual criticism that brings out things in it we haven' t seen ourselves... .
( patrick murtha' s diary, 2 / 28 / 10 )
urltoken harmonium - cinemateket' s film of the month is screened on 10 consecutive days. the japanese drama' harmonium' by director koji fuukada was awarded with the un certain regard jury prize in cannes 2016. it is part family drama, part thriller .
speaking of him, his crazy wife visits him in the hospital and tells him she' s finished the reverse pilgrimage ritual. she gleefully exclaims that she is victorious over him, and that sayori will come back and continue to be a hiura priestess against his wishes. he grabs her, but unfortunately that weird stain on the ceiling has morphed into the shape of the island of shikoku, so his wife takes even more joy that all is lost .
sayori goes into a diatribe to hinako' s idiocy, how she would always tag along to sayori in hopes to be as interesting and / or attractive as she is, and that fumiya only feels sorry for her, and her love for him is foolish and useless since he really only cares for sayori and wants to leave shikoku with her, anyway. he does, and wrenches his hand away from hinako to go to sayori and kisses her .
got to leave and sayori didn' t, sayori thought hinako was a snob and burned all of the letters hinako sent her, and hinako shouldn' t interact with people in town since she was a stranger from tokyo now, and the hiura family was bad news, and she seems like a slut for hanging out with fumiya so much because shikoku is not like tokyo and is a very isolated and haunted scary scary insular place, so ...
as such, each film of his is a departure point to the ones that come later, and they are often marked by discontinuities of style. in some films he uses prolonged shots, only to break such a filmic pattern down into a choppy edit in another .
4 parts of a liquid bisphenol a epoxy resin (epoxy equivalent: 180; “jer 828el”, manufactured by mitsubishi chemical corporation), 0. 1 part of an imidazole cure accelerator (“2p4 mz”, manufactured by shikoku chemicals corporation), 10 parts of mek, 6. 8 parts of a dicyclopentadiene epoxy resin (epoxy equivalent: 280; “hp 7200h”, manufactured by dic corporation), and 37 parts of aluminum hydroxide (“h - 43s”, manufactured by showa denko k. k. ; average particle size: 0. 7 μm) were mixed together and uniformly dispersed by means of a high - speed rotary mixer to prepare a resin varnish. then, a release film having a support was obtained in the same manner as in example 1 .
the priest fumiya and hinako visit explains that the summit of the mountain is where people of shikoku who have died will ascend to go to the next world. vengeful spirits who are too strongly attached to unfinished business in their lives linger near the hell entrance instead of ascending, in hopes that the seal will be broken so that they may pass through and take human form once more in the world of the living. he explains that it won' t just be sayori coming back, but
by incorporating an epoxy resin and aluminum hydroxide into a resin composition, there can be provided a resin composition for use in a release film and a release film, which retain high bond strength after a build - up layer is cured, and which have excellent peel strength after subjected to heating treatment for releasing. further, these can be used to provide electric products, such as computers, mobile phones, digital cameras, and televisions, and vehicles, such as motorcycles, automobiles, trains, ships, and airplanes, and they are of great commercial significance .
kubo & the two strings has everything: amazing animation, a captivating story, interesting characters and fantastic music. and, to top it all off, it’s set in an ancient and magical japan that feels real and makes you want to pack up your bags and go travelling. there is already a gorgeous book out of the artwork from the film (which is on my wishlist !) and the dvd is available for pre - order, due to be released in january. watch this film now whilst it’s still at the cinema – you won’t regret it !
actress kirin kiki wants an ending with no twists when life gave her lemons, film star kirin kiki didn' t make lemonade, but wild grass enzyme juice. it' s the only thing that has satisfied her taste buds since her advanced - stage cancer caused he ...
by incorporating an epoxy resin and aluminum hydroxide into a resin composition, there can be provided a resin composition for use in a release film, which retains high bond strength after a build - up layer is cured, and which has excellent peel strength after subjected to heating treatment for releasing .
4 parts of a liquid bisphenol a epoxy resin (epoxy equivalent: 180; “jer 828el”, manufactured by mitsubishi chemical corporation), 0. 1 part of an imidazole cure accelerator (“2p4 mz”, manufactured by shikoku chemicals corporation), 40 parts of a modified polyimide resin varnish a, 20 parts of mek, 6. 8 parts of a dicyclopentadiene epoxy resin (epoxy equivalent: 280; “hp 7200h”, manufactured by dic corporation), and 18 parts of aluminum hydroxide (“h - 43s”, manufactured by showa denko k. k. ; average particle size: 0. 7 μm) were mixed together and uniformly dispersed by means of a high - speed rotary mixer to prepare a resin varnish. then, a release film having a support was obtained in the same manner as in example 1 .
4 parts of a liquid bisphenol a epoxy resin (epoxy equivalent: 180; “jer 828el”, manufactured by mitsubishi chemical corporation), 0. 1 part of an imidazole cure accelerator (“2p4 mz”, manufactured by shikoku chemicals corporation), 40 parts of a modified polyimide resin varnish a, 20 parts of mek, 6. 8 parts of a dicyclopentadiene epoxy resin (epoxy equivalent: 280; “hp 7200h”, manufactured by dic corporation), and 56 parts of aluminum hydroxide (“h - 43s”, manufactured by showa denko k. k. ; average particle size: 0. 7 μm) were mixed together and uniformly dispersed by means of a high - speed rotary mixer to prepare a resin varnish. then, a release film having a support was obtained in the same manner as in example 1 .
by incorporating an epoxy resin and aluminum hydroxide into a resin composition, it is possible to achieve a resin composition for use in a release film, which retains high bond strength after a build - up layer is cured, and which has excellent peel strength after being subjected to heating treatment for releasing .
4 parts of a liquid bisphenol a epoxy resin (epoxy equivalent: 180; “jer 828el”, manufactured by mitsubishi chemical corporation), 0. 1 part of an imidazole cure accelerator (“2p4 mz”, manufactured by shikoku chemicals corporation), 40 parts of a modified polyimide resin varnish a, 20 parts of mek, 6. 8 parts of a dicyclopentadiene epoxy resin (epoxy equivalent: 280; “hp 7200h”, manufactured by dic corporation), and 37 parts of magnesium hydroxide (“kisuma 5”, manufactured by kyowa chemical industry co. , ltd. ; average particle size: 0. 6 to 1. 0 μm) were mixed together and uniformly dispersed by means of a high - speed rotary mixer to prepare a resin varnish. then, a release film having a support was obtained in the same manner as in example 1 .
s to be. but even though it seemed like something had been left out and many things were needlessly explained and rehashed over and over so as to bring you into the realm of the film from a foreign place, the fact is that it was unnecessarily bad for no reason. i guess it really
be creepy, but then eventually forgot about them or just gave up altogether. it seems like it would be the american remake of a japanese film based on a better book or game or legend. the plot is just confusing and lost, like it didn' t translate well to someone, like i imagine all the
( 4) the resin composition for use in a release film according to any one of items (1) to (3) above, wherein the content of the aluminum hydroxide (b) is from 5 to 85% by mass per 100% by mass of the non - volatile component in the resin composition .
( 8) the resin composition for use in a release film according to item (6) or (7) above, wherein when the epoxy group number of the epoxy resin (a) is taken as 1, the reactive functional group number of the curing agent (c) is from 0. 05 to 1 .
when i was working as literary editor of the mainichi daily news back in the early ’80s, i asked him to write a regular column of film criticism. he produced brilliant pieces of incisive logic, totally devoid of the syrupy waffle seen in domestic journalistic criticism. he was always very correct in dealings of a professional nature .
this has an interesting story based on the shinto - religion. the island shikoku has 88 temples and every year the priest go to each one of them in a certain order to make sure the people will prosper the following year (or similar), one priestess who lost her daughter walks the route the opposite way the same number that her daughter was old in order to resurrect her. it begins very creepy when a woman returns from the city to visit her childhood village. it then turns into a mystery investigation delivering something else than what was promised. recommended for horror fans .
mai mai miracle director, katabuchi sunao, adapts kono fumiyo' s comic to an animated feature film. it depicts a young girl who married into a family in hiroshima during the war resolutely living amid the escalating intensity of wartime destruction. in 1944, 18 - year - old suzu goes to kure city in hiroshima prefecture ...
on oct. 12, 1960, inejiro asanuma, leader of the japan socialist party, was run through with a sword by a right - wing terrorist while his speech was being televised. naturally, the nation was shocked. shochiku responded the very next day, in a display of typical japanese terror of causing any form of controversy, by pulling “night and fog in japan” from screens on what was the film’s fourth day after release. in even more blatantly typical japanese fashion — masters that people wielding power in japan are of the mealy - mouthed excuse — they claimed that they were withdrawing the film because it wasn’t reaching box - office expectations … after three days of release !
along with conveying to everyone what is most vitally important in these books, i believe this documentary film provides hints of further evolutionary use of microorganisms, of a higher, more hopeful future society in which we can live in a sustainable, healthful environment where the products we consume are safe and satisfying, of low cost and high - quality .
another film dealing with the life of a little boy made with great sensitivity and compassion is “shonen” (“boy”). the boy in the title is little toshio. toshio, who moves around the country with his unemployed parents, is pushed against moving cars by his father then used as fodder in a scam to extort cash on the spot from unsuspecting terrified drivers. believe it or not, the story is based on the experiences of a real family. i saw “boy, ” a film from 1969, long before i met its director and have always considered it one of his best films, along with “in the realm of the senses” and “merry christmas, mr. lawrence. ”
i really enjoyed kubo, and my appreciation for its art deepened tremendously when i realized it was created using models and stop motion, rather than cgi made to look like stop - motion animation. i am really looking forward to the japanese release, as although i am japanese american, and speak very limited japanese, the voice acting kept pulling me out of the world, in the same way that a miyazaki film loses something magical when dubbed to english. i know the irony is that this is an american film, but the world that laika has crafted is so beautifully japanese. the filmmakers have captured that essence in so many amazing and nuanced ways. thanks for the wonderful review .
with respect to the conditions for drying the resin composition in the form of a resin varnish, there is no particular limitation, but, for permitting the resultant release film to retain lamination properties, it is important that the resin composition being dried is cured to an extent as small as possible. on the other hand, when the resultant release film contains the remaining organic solvent in a large amount, a blister is caused on the release film after being cured, and therefore the resin varnish is dried so that the organic solvent content of the resin composition becomes 5% by mass or less, preferably 3% by mass or less. specific drying conditions vary depending on the curing properties of the resin composition or the amount of the organic solvent in the resin varnish, but, for example, a resin varnish containing an organic solvent in an amount of from 30 to 60% by mass can be dried at 80 to 120° c. for 3 to 13 minutes. those skilled in the art can appropriately select preferred drying conditions from a simple experiment .
i just finished this movie and really enjoyed it. i have never been a fan of american horror movies, however the latest batch of of horror movies from asia such as the eye, phone, a tale of two sisters etc. have been great. if you want a scary movie do not get shikoku go watch phone or something else, this movie was a good drama dealing with the death of loved ones, and tragic love the supernatural aspects of this movie were mearly a back ground to provided loss and broken dreams. in my opinion this movie and the eye are not horror but dramas with supernatural aspects
4 parts of a liquid bisphenol a epoxy resin (epoxy equivalent: 180; “jer 828el”, manufactured by mitsubishi chemical corporation), 0. 1 part of an imidazole cure accelerator (“2p4 mz”, manufactured by shikoku chemicals corporation), 40 parts of a modified polyimide resin varnish a, 20 parts of mek, 6. 8 parts of a dicyclopentadiene epoxy resin (epoxy equivalent: 280; “hp 7200h”, manufactured by dic corporation), 18. 5 parts of aluminum hydroxide (“h - 43s”, manufactured by showa denko k. k. ; average particle size: 0. 7 μm), and 18. 5 parts of spherical silica (“so - c2”, manufactured by admatechs co. , ltd. ; average particle size: 0. 5 μm) were mixed together and uniformly dispersed by means of a high - speed rotary mixer to prepare a resin varnish. then, a release film having a support was obtained in the same manner as in example 1 .
yet nothing could be farther from the moral sop of hollywood’s triumph - over - pseudo - evil - by - synthetic - good than this film from 1965. (oshima’s films are much closer in spirit to european, particularly french, cinema than american, attesting to the fact that their reception has always been far better in europe than the united states. )
with respect to a method for preparing the resin composition for use in a release film of the invention, there is no particular limitation, and, as an example of the method, there can be mentioned a method in which the components to be incorporated and a solvent or the like optionally added are mixed with each other using a rotary mixer or the like .
4 parts of a liquid bisphenol a epoxy resin (epoxy equivalent: 180; “jer 828el”, manufactured by mitsubishi chemical corporation), 1 part of a phenolic novolak resin (phenolic hydroxyl equivalent: 105; mek solution of “td 2090”, manufactured by dic corporation, having a non - volatile content of 60% by mass), 0. 1 part of an imidazole cure accelerator (“2p4 mz”, manufactured by shikoku chemicals corporation), 40 parts of a modified polyimide resin varnish a, 20 parts of mek, 6. 8 parts of a dicyclopentadiene epoxy resin (epoxy equivalent: 280; “hp 7200h”, manufactured by dic corporation), and 37 parts of aluminum hydroxide (“cl - 301r”, manufactured by sumitomo chemical co. , ltd. ; average particle size: 1. 5 μm) were mixed together and uniformly dispersed by means of a high - speed rotary mixer to prepare a resin varnish. then, a release film having a support was obtained in the same manner as in example 1 .
, talking about japanese hell and jizo and how the stones are important? they are stacked by grieving parents of children who have died before them in order to help them in the other world, and coincidentally we see that sayori' s mother has been collecting and purifying stones at each temple she visits. but that obviously doesn' t hold bearing here, so oda desecrates one of the stone piles and comments how this area belongs to the hiura family, and how he once saw an announcement for a book on the history of shikoku written by sayori' s father. we never see oda again. what was the point of his character, again ?
with respect to the content of the thermoplastic resin (d) in the resin composition for use in a release film, there is no particular limitation, but, from the viewpoint of increasing the release film in flexibility to improve the handling properties, achieving excellent appearance of the peel interface after peeling the release film off, the lower limit of the content of the thermoplastic resin (d) is preferably 1% by mass or more, more preferably 5% by mass or more, further preferably 10% by mass or more, still further preferably 15% by mass or more, and especially preferably 20% by mass or more, per 100% by mass of the non - volatile component in the resin composition. on the other hand, from the viewpoint of preventing the releasability after the heating treatment for releasing from becoming poor, the upper limit of the content of the thermoplastic resin (d) is preferably 60% by mass or less, more preferably 55% by mass or less, and further preferably 50% by mass or less, per 100% by mass of the non - volatile component in the resin composition .
bringing life and purpose into the popular vengeful evil priestess character, but instead we had kuriyama chiaki in a little star vehicle crashing into the wall as yui did the best job of playing a convincing leading heroine whose characterization she saw as without purpose, just like all the other useless characters and nonsensical plot points in this stupid, stupid film? fuck this movie, i' m done .
so obviously, what this entire experience is needing to complete the urban legend effect is a creepy old town - centric festival. and of course they' re having one today! it really is pretty frightening, with the performers doing a ritual dance wearing disturbing animal masks and costumes. it' s reminiscent of the terrifying animal costume festival during the entire second half of the much scarier and better done film
most urban legends in japan, modern and ancient dating back to the ghost stories of edo and heian capital, usually have a focus on terrifying rituals and occurrences happening in haunted or backwoods country places, in the mountains, in near - abandoned seaside towns, and here in the off - the - mainland and barely populated country prefecture of kochi in shikoku. the reason is that these places were and remain in the collective conscious to be seen as wild, untamed, uncivilized and very different than what the majority of people who live in the capital are used to. so when someone starts a scary story in japan, it will usually take place or be focused around some odd thing that happened or came from these removed and strange villages.
shikoku ( 死国 , " land of the dead " ) is a 1999 japanese supernatural thriller film directed by shunichi nagasaki and written by kunimi manda and takenori sento . 
shikoku (死国, " land of the dead ") is a 1999 japanese supernatural thriller film directed by shunichi nagasaki and written by kunimi manda and takenori sento.
shikoku (死国, " land of the dead ") is a 1999 japanese supernatural thriller film directed by shunichi nagasaki and written by kunimi manda and takenori sento.