chatrapathy ( 2004 film )
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entertainment / film review :
bose. the hindu. 2004 - 10 - 15
along with the movie reviews, stills & photos and chatrapathy movie trailer hd video .
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chatrak was screened at film festivals like the prestigious directors' fortnight in the 2011 cannes film festival, [ 3 ] [ 4 ] the 2011 toronto international film festival and the pacific meridian film festival in vladivostok, russia. [ 5 ]
these days, directors and heroes never tire of saying that their film is different. before chatrapathy' s release both sarath kumar and director sri mahesh said that the movie had a unique treatment .
s a rajkumar is as usual pedestrian. produced by baburaja, chatrapathy, directed by sri mahesh, has nothing much to offer. you can go to this film if you like the popcorn in the theater .
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topic started by 1999 (@ 217. 234. 29. 113) on wed nov 10 08: 22: 51 est 2004 .
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her first film is ‘ye maaya chesave’ directed by gowtham vasudev menon. she played the lead female role opposite naga chanitanya in the film. she has recently okayed to play as the second heroine in the junior ntr’s upcoming film ‘brindavanam’ directed by vamsi paidipally .
she began her acting career in the 2004 hindi film kyun... ! ho gaya na, in which she enacted a minor supporting role as the friend of diya, the film' s lead female, played by aishwarya rai. only 3 years later, she got her next acting offer, which was veteran tamil director bharathiraja' s bommalattam. the film, however, got delayed and released only in late 2008. in the meantime, she made her debut in the telugu film industry and played her first leading role in teja' s lakshmi kalyanam alongside kalyan ram, which did not do well at the box office. later that year, she appeared in the krishna vamsi - directed film chandamama, which became her first major successul film .
bollywood also has seen a shriya with tujhe meri kasam (2003), thoda hum badlo thoda tum (2004), awaarapan (2007) and mission istanbul (2008) .
the soundtrack was composed by yuvan shankar raja and released on 9 august 2004. it features 5 songs with lyrics written by pa. vijay, na. muthukumar, thamarai and snehan .
she became a leading heroine in telugu film industry with the hits of allari priyudu, allari mogudu .
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bose is a 2004 indian tamil action film written and directed by senthil kumar. it stars srikanth and sneha in lead and kalabhavan mani, nagesh,' thalaivaasal' vijay and manicka vinayagam in supporting roles. it did reasonable business at the box - office. upon release, the film was dubbed into telugu as rakshana and released in 2005, the film was also dubbed in hindi as commando - the force. the film was also remade in kannada as yodha and released in 2009. bose follows the path of a soldier after he is fired after an incident where he injures a politician attempting to rape a girl. the politician hires thugs to take him down while the soldier attempts to take down the greedy politician .
is ajith' s most expected attakasam just a low - class action film? source: urltoken by www. tamilmp3tracks. com
the film delves at length into the background of the lead male character as the police investigation is closely interlinked with the courtroom drama .
aarti agarwal (also arti agarwal, arthi agarwal) is a south indian (tollywood, telugu) film actress. she brought up in new jersey, usa. aarti agarwal debuted her film career with a hindi movie paagalpan (hindi) which wasn' t a very big success on the box office. then, she went to telugu (tollywood) films and her first film in tollywood (
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the narrative technique of this film is linear except for one small flashback sequence, and as already mentioned above, this is no courtroom drama .
( 10) the film devolves at length in main character namely the hero cons all the women by changing his name, religion and cheats .
a scene in chatrak with explicit frontal nudity has caused uproar in india, especially in kolkata, where the film was mainly shot. [ 10 ] [ 11 ] [ 12 ] a version without the sexually explicit scene was arranged to be shown in the 2011 kolkata film festival. [ 13 ]
the core of the film is the courtroom drama where the main male lead character is caught and is presented in front of the women he has married .
2. the plaintiff / applicant is a renowned producer and distributor, having name and fame in film industry and has produced many cinematographic films and also a distributor of films. the plaintiff produced a tamil feature film titled
nan avan illai
, after securing the rights from the creator and producer mr. k. balachander and dr. kamala selvaraj under the agreement dated 30. 11. 2006 and released the film in tamil on 20. 04. 2007, starring jeevan, nameetha, malavika, sneha, keerthi chawla, jothimayi, which was directed by selva. the film proved to be a super - duper hit .
the hollywood reporter commented on mushrooms that ,
the film' s abstract naturalism does create an austere portrait of a crass and careless human society but any larger meaning gets lost amid the film' s many non - events and preening nihilism .
[ 6 ] the variety review noted the
extremely slow - burning story
, saying ,
... the main element uniting jayasundara' s plot strands is a sense of torpor ...
[ 7 ] a review in the online film magazine notebook praised the film, noting that it artistically portrays
... cinematic dreams and nightmares, visible intuitions of the world around, visual understanding of what corruption of the society and corruption of the soul can do .
[ 8 ] sight & sound of the british film institute praised it, stating
disconcerting though the plot may at least initially be, the film has its wild as well as some comic moments that soon win the viewer over .
[ 9 ]
7. where however the question is of the violation of the copyright of stage play by a film producer or a director the task of the plaintiff becomes more difficult to prove piracy. it is manifest that unlike a stage play a film has a much broader prospective, a wider field and a bigger background where the defendants can by introducing a variety of incidents give a colour and complexion different from the manner in which the copyrighted work has expressed the idea. even so, if the viewer after seeing the film gets a totality of impression that the film is by and large a copy of the original play, violation of the copyright may be said to be proved .
among this year’s diwali releases, ajith’s aegan is virtually getting a solo release as it is opening in over 400 screens tomorrow. the film is expected to take the biggest ever opening of the year as ajith and nayanthara, after billa, are considered a red - hot pair, and the ultimate star, according to kollywood trade pundits, has the second biggest opening after the superstar. says raju sundaram, the film’s director, “the film is an unpretentious mass entertainer, which offers sufficient value for the price
3. it is the case of the plaintiff / applicant that in order to remake the above said film in hindi version, the plaintiff also purchased the original rights of the film
woh main nahi
vide agreement dated 03. 01. 2008. the plaintiff, thus, is copy right owner of film
nan avan illai
in tamil and
woh main nahi
in hindi. the plaintiff, after securing the above said copy right, issued a public notice in the leading magazine to bring to the notice of the general public that the plaintiff was the absolute copy right holder of film
nan avan illai
in tamil and
woh main nahi
in hindi .
chatrapathi is a 2005 telugu film written and directed by s. s. rajamouli. prabhas plays the lead role and shriya saran, bhanupriya, and pradeep rawat appear in other roles, chatrapati full length movie, chatrapati full movie, chatrapati telugu movie, chatrapati movie for more latest videos, please check out full movies: urltoken film trailers & events: urltoken breaking news: urltoken film songs: urltoken ilayaraja music: urltoken movies in hd: urltoken health videos: urltoken tv shows: urltoken comedy scenes: urltoken action scenes: urltoken
the actress married noted telugu film director krishna vamsi on 12 june 2003 and has since then settled in hyderabad. she gave birth to a boy, named ritwik on 13 february 2005 .
ladies vs ricky bahl the crux of this film revolves around denial of his identity by one man the crux of this film revolves around a con man who never denies his identity but gets a kick out of continuing the con act. in fact, he even confesses in a particular scene that he is a con man, and has a ring back tone that suggests this .
6. the defendants have filed counter raising objection that the suit is not maintainable, as the suit for copy right infringement can only be maintained upon showing of actual infringement and not on the basis of conjectures and surmises. the stand in the counter is that the suit does not disclose any cause of action and the suit has been filed on the basis of promos of the film to come to the conclusion that the film is based on the plaintiff' s film. it is the case pleaded in the counter that the does not disclose what copy right protection have been infringed .
the police is not ever in the picture in this film, and there is no delving at all into the background of ricky bahl and what prompted him to resort to a life of conning .
normally today' s film start with a formula opening but super good films'
chatrapathi
presented by jj good films has a different opening and this makes the viewers get absorbed in the film right from the first frame. sarath kumar as the driver of a college bus is soft and calm. but one is sure that the character will certainly turn fiery the minute his true self is revealed. the screenplay takes you to a different situation .
4. the further case of the plaintiff is that he was shocked and surprised to see the promos in tv and advertisement of the defendants' forth coming film
ladies v / s ricky bahl
. the case of the plaintiff is that the very promos itself reveals that the said film is nothing but a remake of the plaintiff' s film
nan avan illai
in tamil and
woh main nahi
in hindi .
ladies v / s ricky bahl
. it is pleaded case of the plaintiff that it has been reliably learnt that the story pattern, sequences, narration and other incidents are similar to the plaintiff' s copy right version films and that the defendants were attempting to release the film
ladies v / s ricky bahl
on 09. 12. 2011 to get unjust enrichment, which will cause heavy loss to the plaintiff and would amount to infringement of the copy right .
the core of the film is the courtroom drama where the main male lead character is caught and is presented in front of the women he has married there is no court room drama and the lead male character does not get caught .
the characterisation of the hero in this movie is as a con man with no physical desire for the women he cons, but he is not shown using might (no action sequences at all in the film) or doing charitable activities .
chatrapathy movie tells the story of saravanan (sarathkumar) who works as the bus driver for a ladies college and nikitha, one of the college students, has fallen for him. when four goondas belonging to a caste - based political party get off easy after causing the death of a young woman, saravanan takes justice into his own hands and kills them. eventually we learn of his past as chatrapathi, a decorated major in the army and the reason behind his enmity with chakravarthy (mahadevan), the leader of the same political party .
13. it is also pleaded case of the defendants that the plaintiff in the garb of suit for copyright is claiming the absolute monopoly over any story line where a main cheats one or more women using his charm, which is a common enough them and there cannot be any copyright protection over its theme. reliance of this pleading is placed on the hon' ble supreme court in the case of r. g. anand vs. m / s. delux films, air 1978 sc 1613 and also judgment of this court in chatrapathy shanmugham vs. s. rangarajan, s. a. no. 114 of 2004, decided on 28. 09. 2011, laying down that there is no copyright protection for themes, plots and story lines. the protection is only for the expression and this is in copyright theory known as the idea - expression dichotomy. it was due to this reason that on the same story line, number of films / plays has been made in several languages .
director jayasundara admitted that there are several versions of chatrak, and some do not contain the sex scene. he also admitted that he was surprised to witness negative feedback due to the inclusion of such sex scene in his film. [ 12 ]
with venkatesh is a very big hit in the tollywood. atleast the next 5 or 6 she acted with the alltime great telugu (tollywood) actors megastar chiranjeevi, nandamuri bala krishna, akkineni nagarjuna and ofcourse her first film with victory venkatesh .
11. it is pleaded case that in order to succeed, the plaintiff is required to show that literary work alleged to have been infringed must have been reproduced verbatim or substantially, resulting in an impression in the minds of the viewers that the original and the reproduction are the same. it is also pleaded case that there is no averment that any actual copy right or script of the original tamil film has been copied. it is also stand of the defendants / non applicants that the plaintiff is guilty of suppression of various material facts and that the plaintiff' s film
nan avan illai
as well as the earlier film
nan avan illai (1974 )
are based on a marathi play titled
toh mee navhech
authored by acharya prahlad keshav atre, therefore, in absence of plaintiff, showing how the makers of the original film had obtained from acharya prahlad keshav atre in the literary work being script of the play titled
toh mee nahvech
and the present suit is not maintainable .
16. that defendant no. 1 has invested rs. 28 crores in making and marketing the film and various third party rights, including satellite, extra - terrestrial rights, overseas theatrical rights, vcd / dvd rights have been created and in case any injunction is granted, it would cause irreparable loss to the defendants. it is also the case that no evidence has been led to show the attempts made by the plaintiff to remake the film in hindi. on facts, the averments made in the plaint are denied .
the film has love, sentiment, and heroism as the title suggests. the dialogue is crisp and director srimahesh who makes his debut is also in charge of story, screenplay and dialogue. he should have worked a little more, mainly in the second half .
21. learned counsel for the applicant referred to the assignment agreement dated 30. 11. 2006 with regard to tamil, telugu & kannada re - make & dubbing rights of
naan avan illai
. he also referred to the assignment deed with regard to the film
woh main nahi
, to assert that the plaintiff has absolute copyright to maintain the film. it was vehemently contended by the learned counsel for the applicant that number of situations shown in the movies are identical, which shows that the applicant is entitled to injunction prayed for .
ramyakrishna' s first telugu film was bhalae mithrulu. kasinadhuni viswanath’s masterpiece suthradharulu, released in 1987 have given first major break to ramya as a actress. under the direction of k. raghavendra rao, and she acted with all best actors in telugu like balakrishna, chiru, venkatesh, nagarjuna .
15. the plea is that the contention raised includes serious complicated question of fact, which can be gone into at the time of trial and not at the stage of interim injunction. it is also the stand in the counter that underlying them of the film
ladies v / s ricky bahl
is the original idea conceptualized by mr. aditya chopra, who is a story and script writer of this film, which is an independent creation, thus, it is pleaded that there is no prima facie case in favour of the plaintiff / applicant. reliance is placed on the judgment of the hon' ble delhi high court in the case of biswaroop roy choudhary vs. karan johan, 2006 (33) ptc 381, holding therein that when the defendant has completed the production of the film and is ready to release it for commercial exploitation is a factor, which would always deter the court from granting injuctory relief .
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the film is full so many gaping holes and logic - less ideas that you feel like screaming' enough'. the screenplay is something like that has been filched from kindergarten student' s rough note. a major portion of the movie reminds one of vijayakanth' s ramana, the rest is more on the shades of rajnikanth' s baba .
14. that a case of infringement cannot be made out unless upon showing of substantial similarity between the original work and the allegedly infringing work. the plaintiff has failed to show any such similarity. it is also pleaded that contrary to popular notion, the art of writing a script is highly structured with emphasis on a few key points. as a thumb rule, in the initial portions of the script will be found the hook, being that part of the script that grabs the attention of the viewer and pull him into the film. this is followed by the
mini crisis
and leading into the
dilemma
. dilemma is followed by the reaction to the dilemma, then the
first reversal
, at which point the characters are drawn deeper into the dilemma, the
tent pole
where passive characters become active or vice versa, the
second reversal
where it is reaffirmed as to what the story is all about, and finally the low point of action, being the place from where the main character has to rise up. even to arrive at a finding of prima facie infringement, an expert comparison between the script of the original work and the script of the allegedly infringing work is a prerequisite. if there are considerable dissimilarities between each of these ingredients as found in the original, and the allegedly infringing work, then there is no question of infringement even on a prima facie basis. this also explains why it is imperative that the plaintiff should have filed before this hon' ble court the script of its tamil film
naan avan illai
and the hindi film
woh main nahi
. the plaintiff is disentitled from demanding that the defendant may preview its film without the plaintiff first coming out clean with the script of its film. the nuances of the plaintiff' s script are absolutely essential when undertaking a comparison between the two works .
31. consequently, no other conclusion than the one that the applicant / plaintiff has failed to make out prima facie case, can be arrived at. the applicant / plaintiff, in the event of success finally, can always claim damages, therefore, the balance of convenience is certainly in favour of the defendants / non applicants, as he has already produced the film and is ready for release .
ramya krishnan was born in a tamil brahmin iyer family in madras now chennai. she had initial training in bharathanatyam and kuchipudi dance forms, and had given many stage performances. ramya started her acting career at the age of 13 and has an acting career spanning over 25 years. she first played the lead role in vellai manasu in tamil opposite y. g. mahendran. she was studying in 8th standard when she acted in her first film .
shriya broke into movies with a telugu movie ishtam in 2001. though the movie was not a success, the industry noticed her. this was followed by the 2002 film santosham with nagarjuna, which did extremely well. the other two films released the same year nuvve nuvve and chennakeshava reddy also did well. she got the opportunity to work with some of the major stars and came out with several hits like tagore (2003) and chatrapati (2005) .
17. the basic stand is that there is no violation of copyright and that there is no similarities between two movies. it is also case that there is no violation of copyright in the cinematographic film under section 14 (d) r / w section 51 of the copyright act, 1957, being not a remake. thus, it is asserted in the counter that the plaintiff has neither prima facie case nor balance of convenience is in favour of the plaintiff .
her tamil film padayappa (narasimha in telugu), has brought her recognition and fame not only in south india but also internationally in japan, singapore, london and paris. her role (neelambari) in padayappa was perhaps the best role of her career and disproved her critics who said that she was a mere glam doll. recently she has given performance in some stage shows in new york, dallas, san jose, and cincinnati along with nagarjuna and tabu .
and when you see the film, the only thing that is different is the new low of absurdity that the movie has plunged. the liberties they have taken with facts, especially relating to military affairs, is baffling. in these days of information overflow, how can filmmakers show siachen glacier as luxuriantly green grassed? just because the hero has to be shown as all - conquering, the director has gone to the extent of showing the hero as a one - man army .
some action scenes were picturised on srikanth, jasper and some stuntmen at a factory in ennore. it took eight days to shoot the scene involving 23 stunt artistes, it was choreographed by stunt master peter hayen. srikanth, for the role of a commando, had trained under major ravi, who supervised the army scenes. some of the locations for the film are chennai, thalakolam, bangalore, delhi and kerala. two of the songs have been picturised in russia. [ 1 ]
( vijaya lakshmi) is an indian film actress. she has acted in over 100 south indian films and also in bollywood films. she had done several successful films in telugu, tamil, malayalam, hindi, kannada, bengali and bhojpuri films. she paired up with popular heroes like chiranjeevi, rajnikanth, salman khan, anil kapoor, akshay kumar, ajay devgan, sunil shetty, kamal hassan, govinda etc. she appeared as a judge in kalaingar tv' s maanada mayilada .
aarti agarwal is a bubbly girl. she did two films with tarun which did well on the box office. however, some rumours began with her affair with her costar tarun. because of this, on march23, 2005, aarti agarwal attempted suicide by drinking bathroom cleaning liquid. however, it is not a serious one. aarti discharged from the apollo hospital (hyderabad) on the same day. again, on february 15, 2006, aarti agarwal fell down climbing the stairs while she was coming back from dinner to her apartment. her father, took her to the hospital the next day and she underwent surgery in banjara hills (hyderabad). aarti agarwal have one younger sister. her name is adithi agarwal, she also did a few films in the tollywood. her first film was' gangotri' with the stylish tollywood film actor' allu arjun'. agarwal was married to ujjwal kumar at secunderabad on 22 november 2007 and had subsequently applied for divorce in october 2009 and announced her re - entry into tollywood .
of a ticket. enjoy! ” the trade feels mass director hari’s family, action formula film seval with bharath turning into an action hero may emerge as the dark horse when it releases on the festival day (oct 27). they point out how hari’s last diwali release with surya — vel, after a slow start went on to become the diwali hit of 2007. if the rains do not dampen the diwali spirit, expect some fireworks at the box - office, though there is hardly much choice for the viewers .
9. it is the case of the defendants that the assignment deed relied upon by the plaintiff is confined to the remake and dubbing rights in languages tamil, telugu and kannada, which does not give right in hindi. whereas assignment deed dated 03. 01. 2008 shows that the plaintiff has been given right to remake / reproduce the film one time in hindi, therefore, it is not open to the plaintiff to claim that he is the absolute copyright owner of the film
woh main nahi
. it is further stated in the counter by placing reliance on the judgment of the hon' ble supreme court in the case of r. g. anand vs. m / s. delux films, air 1978 sc 1613, that there can be no copyright in an idea, subject matter, themes, plots or historical or legendary facts and violation of the copyright in such case is confined to the form, manner and arrangment and expression of idea, by the author of copyrighted work, therefore, plaintiff cannot claim copyright over story matter of the films .
8. the stand of the defendants is that the plaintiff / applicant does not allege violation of any of the above said right. in the pleadings, reliance is placed on the judgment of the hon' ble bombay high court in the case of star india pvt. ltd. vs. leo burnett (india) pvt. ltd. , (2003) 2 bcr 655, wherein it has been held that infringement of a cinematographic film per se reproduced such as is the case with video / cd / cable piracy etc. thus, there is no prima facie case of infringement, which may entitle the plaintiff to interim injunction .
for the first time in the history of tamil films, only two commercial star - studded films are opening worldwide for diwali — ajith’s aegan and bharath’s seval. apart from these two, a little known film titled megham, with newcomers in the cast, will have a limited release. normally, anywhere between four and six films get released during this festival. however, this time, even three days before tamil nadu’s second biggest festival, the usual buzz generated by big - ticket diwali releases is conspicuously missing. one of the leading exhibitors in the state abirami ramanathan says, “most tamilians, after having their traditional oil bath and performing pooja on the festival day, make it a point to watch at least one new tamil release without which their diwali is not complete. it is a part of our custom which ensures that a festival release gets a decent opening. some of the biggest hits of stars like mgr, sivaji ganesan and rajinikanth have been their diwali releases. ” diwali has become a metaphor for big movies. the
indiaglitz wrote :
director senthilkumar manages to hold your interest for most part. but lets slip his guard towards the end and the climax peters on predictability
. [ 2 ] bizhat wrote :
the film is an action entertainer without any sluggishness
. [ 3 ] sify wrote :
story is pure balderdash. perhaps to compensate for the lack of a coherent script, the director tries to pack in as much commercial elements like songs, crass comedy and lots of action into the storyline. the first half is crisp while the latter half drags a bit. still the high - octane action drama is watchable
. [ 4 ] behindwoods wrote :
the first half of the movie is good, and takes phase with decent action, but the story line sags in the second half of the movie, as unnecessary violence is let loose on the goon squad
. [ 5 ] hindu wrote :
the first half just whizzes past. it is the second half that stretches a little and also has scenes ending rather abruptly
. [ 6 ]
postponed at the last minute due to various reasons. says trade analyst g sekharan, “you cannot say ajith’s aegan versus bharath’s seval is a clash compared to last year’s battle royale fought at the box - office between bigbudget vijay’s azhagiya tamizh magan (atm), surya’s vel and dhanush’s polladhavan. ” the competitive spirit is missing. trade circles also admit that since “it is like india playing bangladesh in a one - dayer, the fans will lose interest and this might impact box - office fortunes. ” what’s worse is that this year, so far, star - studded big movies have really failed to brighten the box - office. small movies like subramaniapuram, kathalil vizhundein, anjatheey and santosh subramaniam have raked in the moolah at the box - office. a film like dasavatharam, due to its big budget, just covered its cost and made a very small profit, while films like kuselan and sathyam did not bring any cheer to the trade which bet big on them. to a certain extent, diwali has lost its lustre due to the invasion of satellite channels. this diwali, tamil tele
, where the hero secretly kills antisocial elements while carrying on a regular life. the movie throws patriotism into the mix by making the hero an ex - army officer. the basic likeability of the theme carries the movie forward though the unbelievability of the basic story and the outlandish action sequences make the movie less effective than the aforementioned entries in the same genre .
saravanan (sarathkumar) works as the bus driver for a ladies college and nikitha, one of the college students, has fallen for him. when four goondas belonging to a caste - based political party get off easy after causing the death of a young woman, saravanan takes justice into his own hands and kills them. eventually we learn of his past as chatrapathi, a decorated major in the army and the reason behind his enmity with chakravarthy (mahadevan), the leader of the same political party .
in the ridiculousness of its basic setup. we are expected to believe that an army officer who has won the highest possible award for an armyman, who has been on the cover of all major tamil magazines and has earned the respect of the president and the prime minister, is leading a life of complete anonymity as a bus driver in madras! but the movie maintains sarathkumar' s respect by making him the strong and silent type and also making the dances, duets, etc. , the product of nikitha' s imagination. there are a couple of strong dialogs (like sarathkumar' s mention of mother teresa' s opinion about wasting and his reasoning for why saving up does not make a lot of sense) that add to his character' s respectability .
contains quite a bit of action. but the action is so completely over the top that it simply serves to undo some of the positive things the movie has going for it. for instance, the scene where the foursome are brought to sarathkumar is picturised well. but the subsequent fight is so full of flying and leaping stunts that it destroys the seriousness the movie had managed to build until then. the same is the case of the military mission sarathkumar takes on in the flashback. just when we are starting to think that the sequence has been picturised well, he turns into a one - man army performing unbelievable stunts, which pushes the movie right back into the
vadivelu has a separate comedy track which mostly consists of him earning the public' s ire after selling some dubious products. some of the sequences, like the revelation of the modern machine for killing bedbugs, earn some chuckles. but the credit for most laughs in the movie goes to ilavarasu and his constable / buddy. as the dc who listens to the politicians while secretly yearning for their downfall, he has the best lines in the movie and his accent increases the effect of the lines. his constable, who was also his classmate in school, provides good support with some funny
sarathkumar looks a bit old but shows vigor in the action sequences. we feel sorry for nikitha who seems to have less to do than heroines usually have in action movies. after initially professing love for sarathkumar, she completely disappears till she is needed to make him open up about his past. mahadevan is adequate with his usual low - key villainy. rajesh has an interesting character of an ex - military man who never fails to respect the national anthem. s. a. rajkumar surprisingly comes up with tunes that dont bear his usual touch. ragasiyamaai... is a catchy number .
the hero is a bus driver in a catering college where the heroine is also studying. he is also running an orphanage. he is in love with the heroine but she does not know it. rowdies tease a girl student of the college. chatrapathi murders the rowdies. one day the heroine enters the hero' s room and comes to know about his past life including the murder of the rowdies. the heroine knows about his kindness and other good activities and is thrilled that the hero is not an ordinary man. she requests him to tell her his life story and he narrates it to her .
the president of india honours the hero with the highest award 'paramveer chakra' for his exemplary action of annexing a portion of siachen glacier from the neighbouring country. after getting the award the hero goes to his native place, where a political leader has annexed the land belonging to the hero. the man who got back a portion of the land from the neighbouring country is unable to get back his own land. he knows that a political leader is behind all this. this provokes him to eradicate political leaders who are acting against religion and community. because of this he is arrested by the police and brought to court. chatrapathi says that his act is justified and he always wanted to destroy anti - social elements that disturb the society. the court hands over the hero to the military forces .
sarath kumar as the hero has done justice to his character and has shown restrained acting in the first half and is full of vigour and action in the second. nikita ably supports him. pooja in a negative role is promising. rajesh as the man who gives respects to the national flag plays a brilliant character. vadivelu makes us laugh occasionally. a. karthik raja' s camera work is noteworthy. s. a. raj kumar' s music is significant. two songs, 'ragasiyamai' and 'ore oru raathiri' (a dance by rambha) will certainly be on the lips of the viewers .
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the story is so simple that it could be written at the back of a stamp. the movie begins with sarath kumar working as a bus driver in a women' s college in chennai. he takes a group of men to a remote village and bumps them off for killing a young girl after eve - teasing her .
he also kidnaps a local dadha and murders him besides giving a warning to all goondas operating in the city. this upsets dadha' s master and mentor is a politician, mahadevan, and he raises suspicion over the sarath' s past .
the rest is all flashback where sarath is shown as an honest military officer and a winner of param vir chakra for his heroics in getting back siachen glacier (stupidly filmed in ooty or kodaikanal) from pakistan. he returns to his village from the war field, only to face the wrath of local dadhas for denying to sell his piece of land to them.
chatrapathy ( tamil : சத்திரபதி ) is a 2004 tamil language indian film directed by srimahesh . the film features r. sarathkumar and nikita thukral in lead roles whilst vadivelu , mahadevan and rajesh play supporting roles . the film was released in february 2004 and later re-released in hindi under the dubbed title of the great chatrapathy . 
chatrapathy (tamil: சத்திரபதி) is a 2004 tamil language indian film directed by srimahesh. the film features r. sarathkumar and nikita thukral in lead roles whilst vadivelu, mahadevan and rajesh play supporting roles. the film was released in february 2004 and later re-released in hindi under the dubbed title of the great chatrapathy.
chatrapathy (tamil: சத்திரபதி) is a 2004 tamil language indian film directed by srimahesh. the film features r. sarathkumar and nikita thukral in lead roles whilst vadivelu, mahadevan and rajesh play supporting roles. the film was released in february 2004 and later re-released in hindi under the dubbed title of the great chatrapathy.