pheka pheki
pheka pheki was released in 1990. produced by chelaram bhatia along with lalchand bhatia & directed by bipin varti. the movie is a laughter riot when one lie leads to another resulting in a whole lot of fictitious names and confused people .
pheka pheki is a marathi comedy film, starring ashok saraf, savita prabhune, laxmikant berde, and nivedita joshi. the movie is a laughter riot when one lie leads to another resulting in a whole lot of fictitious names and confused people .
pheka pheki was released in 1990. produced by chelaram bhatia along with lalchand bhatia & directed by bipin varti. the movie is a laughter riot when one lie leads to another resulting in a whole lot of fictitious names and confused people. written by everest entertainment
pheka pheki is a comedy, drama marathi movie, directed by, starring ashok saraf, laxmikant berde, savita prabhune, nivedita saraf along with others. here, on the movie page, you will find every thing that you need to know. check out what others are saying about the movie on twitter .
' golmaal returns' is similar to the 1990 marathi film' pheka pheki' starring ashok saraf and laxmikant berde. it has ajay devgn, tusshar kapoor and arshad warsi reprising their roles, while shreyas talpade replaced the role originally played by sharman joshi. the film also features kareena kapoor, anjana sukhani, siddarth jadhav, amrita arora and celina jaitley in supporting roles .
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ashok saraf, laxmikant berde, savita prabhune, nivedita saraf... more
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swanand gaddamwa comes to a small village kusavde to get hold of a bull who was once considered holy by the villagers .
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a girl from mumbai who comes to pune to meet a prospective groom, with the idea of rejecting him, ends up spending the day with a complete stranger .
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mery liye ikkk' tum' aur bass' tum'... .
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vijaya is very possessive of her husband rajan and doubts him of having an affair one night rajan tries to help rekha in shopping later they decide to take a ride on giant wheel but the power fails and they both are stuck on the giant wheel for the whole night next morning when rajan arrives home vijaya asks him where did he spend the whole night he lies her that he was with his friend anthony gonsalves and also gives his fake address vijaya writer a letter to anthony and asks him to visit their house hours later rajan' s friend sanjay arrives in absence of vijaya where rajan asks his help to act as anthony gonsalves so his wife won' t suspect him but story takes a turn when the real anthony gonsalves arrives in their house and rekha turns out to be sanjay' s wife .
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rohit shetty' s 2006 hit film' golmaal' starring ajay devgn, arshad warsi, sharman joshi, tusshar kapoor and rimi sen in lead roles, was inspired by the marathi play' ghar - ghar' .
in october 2008, the film spawned an sequel,' golmaal returns' which was even more successful than the original. quite interestingly, the story of the sequel was also inspired by a marathi script .
' golmaal 3' released in 2010 which was the third film in the golmaal series. and now there is news of' golmaal 4' being in the making .
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the history of marathi cinema can be traced back to the very first indian film itself. the first film in indian cinema was made by marathi filmmaker, by dr. dadasahed phalke in the year 1913. the film was a silent feature film called “raja harishchandra” .
by the 1920s, a few more marathi silent features came about. namely ,
in 1925 - both directed by baburao painter. but the first ever marathi talkie film came almost a decade later in the form of a film
marathi cinema saw maestros like bhalji pendhalkar, raja paranjpe, acharya atre, master vinayak and more at the forefront of things. during this time, the focus of films remained predominantly on retelling of hindu mythological stories and historical legends, with films such as
in kolhapur, which eventually moved to pune where the present day ftii stands .
, directed by v. g. damle and sheikh fattelal, went on to become the
then came the 1960s, from where began the golden era of marathi cinema. this period (right to the 1970s) saw the rise of filmmakers such as anant mane, datta dharmadhikari and dada kondke. naturally, the new batch of filmmakers also brought along with them a shift in content. three distinct kinds of content became evident in marathi films. anant mane brought to life the folk art of
in his films, reviving the native maharashtrian style of storytelling. datta dharmadhikari became known for his traditional family dramas. and, by 1970, dada kondke made simple comedies rich with double entendre humor popular. interestingly, after his debut success dada kondke used the exact same team that he did in his very first film .
with the advent of 1970s, new age cinema came into existence through the works of one of the most noteworthy marathi playwrights, vijay tendulkar. vijay tendulkar dived deep into the angry anti - establishment mood for his screenplays, plays such as
cut to the 80s, and we saw yet another shift in content. comedy became the highlight of marathi films. the 80s brought into spotlight two of the most memorable and noteworthy comedy actors: ashok saraf and laxmikant berde. on the director’s chair we also saw two fresh faces in the form of mahesh kothare and sachin pilgaonkar, both of who can be credited to making marathi films more appealing to a younger audience .
mahesh kothare shot his film dhadakebaaj in the anamorphic format, making it the first marathi film to have done so. he’s also responsible for bringing a number of technical innovations to the industry, one among which include making
in 2004 – the first ever marathi film with digital special effects. he later went on to make
in 3d in 2013 – once again, the first marathi movie to have done so .
almost simultaneously, as an echo of the prevalent social and economic sentiment in maharashtra, new wave cinema seemed to be on the rise once again. but this time, the storytelling had moved from hard - hitting content to social commentary via children’s stories or with children as a key driver in the story. this was in a bid to make social subjects more palatable to a larger audience. we saw
directed by paresh mokashi, became india’s official entry to the oscars under the best foreign language film category .
although the marathi film industry has a long way to go in terms of financing, technical innovations and more alternative content, more and more hindi film producers are seen taking an interest in marathi films. small budget, coming of age teen film
was produced by utv films. marathi films too now carry high production value and are marketed rigorously like any major bollywood film .
while we are yet to see a marathi sci - fi film or an epic drama equivalent to bahubali, we’re sure those days are not too far. fortunately – whether it’s screenplay, acting or directing – there seems to be no dearth of talent in this industry. moreover, with marathi filmmakers actively realizing that the market is already saturated with over the top movies with no story or quality content to speak of, we can rest assured of the constant supply of meaningful marathi films .
the multi - instrumentalist, komorebi is creating her first stop - motion, live action video. the song, little one is a childhood memory in sound .
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atul kulkarni (born 10 september 1965) is an indian film actor who has acted in multiple - language films. kulkarni won the national award for the best supporting actor for the films hey ram and chandni bar. he is also the president of quest, a research - action organization concentrating on enhancing quality of education .
kulkarni was born on 10 september 1965 in belagavi, karnataka, india. he completed his secondary education from haribhai deokaran high school, solapur, maharashtra. he completed his junior college from belgaon and completed his graduation in english literature at d. a. v. college, solapur. he is married to theater actress geetanjali kulkarni, whom he met at national school of drama .
kulkarni' s first stint with stage was during his high school days. later during his college days he actively participated in cultural gatherings. while studying, atul joined natya aradhana, an amateur theatre group from solapur. atul kulkarni holds a postgraduate diploma in dramatic arts from national school of drama, new delhi .
atul is a first name used in india for people, places and companies. it is a first name used for males. the word originates from sanskrit, meaning' incomparable' or' matchless' or' unique' .
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sagarika (born sagarika mukherjee on 4 september 1970) is an indian singer and actress. before going solo, she was half of a popular indian duet with her younger brother shaan with whom she released albums such as q - funk, roop inka mastana and naujawan .
she released the album maa after going solo. her album it’s all about love was released in 2006 by universal distribution .
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pheka pheki is a marathi movie released on 28 december 1989 . produced by chelaram bhatia along with lalchand bhatia and directed by bipin varti . the movie is a laughter riot when one lie leads to another resulting in a whole lot of fictitious names and confused people . the storyline is similar to the 1973 movie aaj ki taaza khabar and went on to be remade in hindi as golmaal returns . 
pheka pheki is a marathi movie released on 28 december 1989. produced by chelaram bhatia along with lalchand bhatia and directed by bipin varti. the movie is a laughter riot when one lie leads to another resulting in a whole lot of fictitious names and confused people. the storyline is similar to the 1973 movie aaj ki taaza khabar and went on to be remade in hindi as golmaal returns.
pheka pheki is a marathi movie released on 28 december 1989. produced by chelaram bhatia along with lalchand bhatia and directed by bipin varti. the movie is a laughter riot when one lie leads to another resulting in a whole lot of fictitious names and confused people. the storyline is similar to the 1973 movie aaj ki taaza khabar and went on to be remade in hindi as golmaal returns.