do you believe ? ( film )
do you believe? movie event kits include your site license and the do you believe? movie event dvd .
do you believe
will be released in theaters on march 30, 2015 .
wherever you fall on the spectrum of spirituality, the only answer to
do you believe ?
is
no .
' do you believe?' debuts to bad reviews, $ 3. 6 million at box office
' do you believe?' debuts to bad reviews, $ 3. 6 million at box office | urltoken
“belief takes you to your knees, then raises you to your feet, ” says pastor matthew in this film .
here' s what other critics are saying about
do you believe? ,
now playing in wide release .
the author may present a problem and ask you what you think, or might just never come around to saying exactly what you are supposed to believe .
pure flix, the production company behind faith - based hit “god’s not dead, ” is bringing “do you believe? ” to the american film market next week .
“ ‘god’s not dead’ resonated with audiences because it explored and validated the existence of god, ” “do you believe? ” producer david a. r. white said. “‘do you believe? ’ takes christianity to another level…the cross. ”
there are no featured audience reviews yet. click the link below to see what others say about do you believe? !
do you believe? (2015) …review and / or viewer comments • christian spotlight on the movies • christiananswers. net
the film is
do you believe? ,
a movie that follows the lives of a dozen people as they face their own unique challenges in life and must decide what they believe about god – and then what they' re going to do about it .
“do you believe? ” is a powerful, well written and performed, thought - provoking film serving as a testimony and a reminder to all of us… what are you willing to give up for the cross? i strongly recommend this film for viewing by all christian families .
do you believe ,
the follow - up to the hit film
god' s not dead ,
will be released on march 20, pure flix announced on friday .
central messages are that faith has the power to save you and help you out of dark and desperate situations into the light. also presses that you must fight for what you believe in, even if that means going up against people and authorities who will test and doubt you .
this indicates that the adult pirates believe that the children do, indeed, have their own agency .
movies like do you believe? will not appeal to audiences across the board. still you could take out some of the preachiness in the film and still have a movie that entertains. that might be enough to bring some non - christians aboard .
so you’re not a priest? scholar explain what they do to outsiders: natasha l. mikles
this stirring new film from the creators of god' s not dead is in theaters now. more than a movie, it' s a question we all must answer in our lifetimes: do you believe ?
pure flix, the production company behind faith - based hit “god’s not dead, ” is bringing “do you believe? ” to the american film market next week. “do you believe? ” focuses on a dozen different lives that intersect on the streets of chicago, starting with a local pastor (ted mcginley) being moved by the visible faith of an old [ … ]
an interview with writer / director boots riley about his incendiary new film ,
sorry to bother you .
“fairy tale” ending shows that if you are a good child then good things will happen to you .
this past weekend i caught the newly released pure flix entertainment feature do you believe? at my local cinema, which marks the third “christian drama film” to grace the big screen in the last year or so—the fourth if you count son of god, produced by lightworkers media .
for those who enjoy a faith based movie and have been wanting to see one which also entertains ,
do you believe ?
is an answer to prayer .
“‘god’s not dead’ resonated with audiences because it explored and validated the existence of god, ” … “‘do you believe? ’ takes christianity to another level…the cross. ”
it' s a movie made for non - christians and christians alike. it forces non - christians to ask
do i believe ?
but urges christians to consider: i believe, but now what will i do ?
do you believe is a christian movie for a christian audience. it is not mainstream entertainment; it is mainstream sunday school - - which is fine if this is what you want to see at the movie theater .
the text is comprised only fictional scenarios or facts, while the pictures and layout design lead you to believe otherwise .
the digital license only option should be selected if you already own a copy of the film and only need the license to legally show it. when this option is selected, your license will be emailed to you, and nothing will ship to you, as you already have a copy of the film you can use for your event. the price of the license remains the same, as you are paying for the license, not the dvd, but you will not incur a shipping charge .
come out; the bear will do you no harm; he is a good, honest creature. ’”
i can see why you say that. let me tell you why i did it this way .
urltoken projected
do you believe ?
to earn $ 27 million during its run. it' s currently showing in 1, 320 theaters nationwide, 42 of them in michigan .
do you believe? is another faith based film from the makers of last year' s god is not dead. this time however, they have stepped up production values as well as having a much stronger cast. in this film you have actors such as cybill shepherd, delroy lindo, mira sorvino and sean astin who bring a believability to a story concerning hope for the hopeless .
i' ve thought about what you said and what i' m going to do is ...
from the same writers as
god' s not dead ,
do you believe
follows a dozen different people whose lives unexpectedly intersect, bringing them together by the power of god, whether they believe it yet or not. the film stars mira sorvino, sean astin, and alexa penavega, among many more .
the first look at
do you believe
was released last year, revealing additional stars such as golden globe award - winner cybill shepherd, lee majors, brian bosworth and delroy lindo .
while you cannot charge for tickets, you can take an offering and make your do you believe? movie event a fundraising event! licenses are based on a church' s average weekend attendance (not on the possible size of the viewing audience). all other organizations are covered by the standard license fee .
when even christian film critics are asking “why do christian movies suck? ” one hopes that the time, money and energy expended on these films could go toward works with actual artistic merit that also spread the message that their makers want to share with the world. but wherever you fall on the spectrum of spirituality, the only answer to “do you believe? ” is “no. ”
fresno bee, rick bentley :
' do you believe?' works because it' s equally strong as a family drama and faith - based story .
( read full review. )
do you believe ?
, the faith - based movie shot in northern lower michigan, debuted last weekend to primarily negative reviews, and a modest $ 3. 6 million at the box office .
so i must, reluctantly, say “do you believe” is limited to not only christians, but to very young or very new christians who are not yet ready for the solid food of sophisticated religious films .
in closing, peter pan is a complicated film that displays agency and interpellation .
when the film begins everything seems to be typical when it comes to agency .
much more responsibility and has to learn to believe in himself before others will .
this also leads the audience to believe that she cannot escape on her own .
most of the time when you are tasked with an essay about a book or article you' ve read for a class, you will be expected to write in a professional and impersonal voice. but the regular rules change a bit when you write a response paper .
families can talk about the popularity of faith - based films. do you think these movies are meant for an audience that already embraces their message or a tool for reaching new believers? how do you think the filmmakers' intent impacts the messages they choose to include in their movies ?
welve people. twelve lives. twelve different stories. what do all of these people have in common? a yearning, a desire, a calling to be more than how the world views them. “do you believe? ” takes viewers into the lives of each of these people. an ems worker
the stories all seamlessly fit together by film’s end, and the bridge scene is dramatic and powerful. i was not bored once during the movie and was deeply moved on several occasions. the director did an excellent job. the film is peppered with just the right number of humorous moments to relieve some of the tension the characters face. we are happy to award “do you believe? ” our “faith - friendly” seal for ages twelve plus. see this movie! this film has it all !
” challenges what we deem as a stereotypical normal children’s film and proves to be progressive .
i think that the film wants the audience to walk away with a feeling of possibility .
basically the story of a man forced to finally see the injustice around him. riley’s movie is designed to do the same thing to you. …
clearly encourages his ideas of etiquette when he writes, “everyone should have good manners. do you? i hope so. ” (9) .
society to believe that that is where the power and authority belong in the first place .
the salt lake tribune, sean p. means :
the button - pushing christian drama
do you believe?' credits god with' miracles' that can as easily be explained as bad screenwriting .
( read full review. )
we have anticipated releasing the trailer for' do you believe' to audiences as so many have been looking forward to this project as the follow up release to' god' s not dead,'
white said at the time .
poised to become one of the most provocative films of 2015 ,
do you believe
contains themes of the supernatural and symbolic power of the cross of jesus christ. following the staggering success of
god' s not dead ,
the new pure flix film emboldens christians to be bold in their beliefs and unapologetically share their faith .
delroy lindo stars in director jonathan m. gunn' s faith - based drama' do you believe? ,' about a man who is inspired to action by the visible faith of a street - corner preacher. (howie simon / pureflix )
“do you believe? ” focuses on a dozen different lives that intersect on the streets of chicago, starting with a local pastor (ted mcginley) being moved by the visible faith of an old street - corner preacher, played by delroy lindo .
this statement reaffirms the idea of interpellation of typical male and female roles in this film. ”
that is the stance “do you believe? ” takes. powerfully told through good performances, “do you believe” is a film that may shake your soul to the very core (it was created by the same team behind “ god’s not dead ”). as i sat in the theater, i sat on the edge of my seat as i watched each story unravel and intensify. at the end, i felt this pull, this urge inside, to shout, “yes, i believe! ” each of these stories are genuine, every day stories that can happen, and the fact that they can happen and the power that the cross make this movie that much more riveting and powerful .
portrays typical kids, bored by the rain, wanting to do something wild .
if you always think you' re right but don' t get feedback from anyone else, how do you know for sure that what you' re doing is any good? whether you' re selling or performing, whether it' s a product or service, listening and acting on those honest views will tell you precisely what' s good and what can be done better. use that information to change your performance, service, exhibition or event – sometimes it will make for uncomfortable listening but it can make your product stronger as a result .
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listen carefully to criticism - sometimes you can use it to give you a competitive edge, says mark thomas. photograph: inspirestock inc. / alamy / alamy
constructive criticism can guide you away from bad practices and towards good ones. try to be objective and look at what you' re providing as though it' s not yours. this can be particularly difficult when you' re deeply involved in a project but, if you can take a step back, you might see how to improve your way of working and avoid any negative outcomes down the road. did you need a more specific brief? was there something you missed in the early stages of the project? is the performance deadline too unrealistic ?
my wife and i usually disagree on how good a film is, but we both just loved this and would go to see it again. this film raises the bar for all christian films .
alone. a veteran trying to return home. a daughter, abandoned by her own family. a mother and her child fighting homelessness on their own. each of these people will have to ask themselves the ultimate question of all time, “do……you…… believe? ”
scott foundas, variety :
' do you believe?' is agitprop plain and simple, less interested in varieties of religious experienced than in proffering the old televangelical / tent - revival assurances that faith will not just save your soul but also cure cancer, ptsd and whatever else ails you. sometimes, pastor matthew muses late in this overlong (119 minutes) film, it' s difficult for us to understand god' s master plan and that we are all uniquely colored threads in his grand tapestry. but when all its threads are finally pulled into place,' do you believe?' proves about as spiritually enlightening as a kmart throw rug .
( read full review. )
think about it: if you can get a customer to tell you – and just you – how to give them the perfect product or service, that' s information you' ve got that no one else has. that puts you at an advantage over anyone else in your sector and can be used again in the future to get things right, even faster. find ways to squeeze that information from your client or audience and get them to tell you what they really want .
case in point: megamind cost between $ 130 million and $ 145 to make (depending on what source you believe .) but the p & a budget, or the cost of promoting the film, is estimated to be an additional $ 65 million, according to contrino .
producer david a. r. white of pure flix told the christian post that the idea for
do you believe ?
came after the release of
god' s not dead ,
when he and some business partners were praying about their future direction .
the massive profits earned by last spring’s surprise - hit “god’s not dead” have emboldened christian production outfit pure flix to finance an entire slate of faith - based fare coming soon to a theater near you. first out of the gate is “do you believe? , ” another dreary ensemble drama from “god’s not dead” screenwriters chuck konzelman and cary [ … ]
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language: h (as a place) - 2; you fool - 1 .
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“this should have been obvious to you”, is not something a narrator typically says .
on cue, that shift shows up in the critical response to pure flix’s most recent release, do you believe? my friend and (atheist) colleague andrew spitznas concedes in a review at patheos that in comparison to god’s not dead, the film has “many likeable aspects” and “contains improved filmcraft, with better production values and some clever editing of its disparate story elements. ”
or, as sr. rose pacette writes for the national catholic reporter in her mixed but thoughtful and well - reasoned review :
' do you believe' is a christian movie for a christian audience. it is not mainstream entertainment; it is mainstream sunday school - - which is fine if this is what you want to see at the movie theater .
interpellation clearly occurs in the beginning of the film while the children are with their parents and aunt millicent .
common sense media, a nonprofit organization, earns a small affiliate fee from amazon or itunes when you use our links to make a purchase. thank you for your support .
i believe this is true, because the text of a book is far more important than the pictures .
for a response paper, you still need to write a formal assessment of the work you' re observing (this could be anything created, such as a film, a work of art, a piece of music, a speech, a marketing campaign, or a written work), but you will also add your own personal reaction and impressions to the report .
what' s the best evangelistic movie ever? by that, i mean the best film that has, at its core, the gospel – and one that makes the message of christ the film' s theme .
the pirates do not indicate for a moment that these are only children and easily defeated .
when they see information that is true, they do not remember that they are learning .
if you really liked a particular movie, and you' re hoping it made enough money to warrant a sequel, then the wealth of box - office news can be confusing. how can you tell when a movie' s a hit? we asked the experts .
while it is odd to think of a film having both interpellation and agency, i am suggesting just that .
imagery. the entire film is centered on a movie the children go see, called “asses of fire. ”
is continuously viewed as being “practically perfect in every way” which makes people believe that she is the ideal women .
—i loved this movie. i hold pureflix in high regard. i admire their desire to produce and / or distribute christian entertainment. this film is a follow up to “god’s not dead, ” in that now that god exists, what are you going to do about it? 12 lives intersect in this film, and i love how you see one storyline playing out as a character from another storyline walks right through the shot. unbeknownst to them, god is working in them and through them .
while there are several indications in the film that boys are better rescuers, and that women are just emotional and have to have the assistance of a male, i don’t feel that this is the main message of the film .
books clearly do not hold the listed assumptions as truth, instead presenting the strong, smart baudelaire children to prove each generalization false. right from the first line – “if you are interested in stories with happy endings, you would be better off reading some other book. ” –
all of these injustices build up and annabelle finally has it out with her mother and says: “you are not letting me have any fun and i am sick of it. you are always pushing me around and telling me what to do. how come nobody ever gets to tell
we, as readers, have grown to trust the narrator so much in stories, that when he says something like “you should have already known and believe this completely false fact”, we second guess ourselves .
taking criticism can be a difficult thing. at some point in this arts world so dependant on reviews and opinions, you will encounter a customer or audience member – maybe even a reviewer – who wants to tell you how to do things better. it can be hard to deal with; after all, nobody likes to be told they' re wrong. but it' s not all bad news because sometimes you can use criticism to give you a competitive edge .
, children live with no parents, do as they please, and fight their own battles .
before they can decide what to do, the three are again captured by the horned king .
if you like what you' re reading, follow @ scottmendelson on twitter, and
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the ticket booth on facebook. also, check out my archives for older work here .
also, i will explain how the film is adult - centered in spite of the agency the child characters possess .
after all, a young lady should not think of adventure, but marriage according to the interpellation in this film .
however, i am also suggesting that there are two separate worlds in this film in which the two issues occur .
another form of interpellation is the idea of class, which i believe is used a lot in the movie. when
after you have established an outline for your paper, you need to craft the first draft of the essay using all the basic elements found in any strong paper, including a strong introductory sentence .
the power that wendy felt at the beginning of the film seemed repressive to her; however, it has become ideological .
you might have noticed that studios are pushing a lot harder lately to make a film as big a hit as possible in its opening weekend. and films tend to open on more screens right away — a typical big film will open on 4, 000 screens, instead of the hundreds of screens it would have opened on in the 1980s .
not only can speak his mind, but he also can do it articulately, like an adult .
the text does not wish for children to challenge the things that their mother tells them to do .
i would rank do you believe’s cinematic qualities at the same level of the everyday hollywood film. as i said the performances by each and every character are powerful and impressive. the camerawork is excellent as well, providing appropriate angles for each of the different scenarios. the pacing of the story is well done, not too fast and not to slow. in fact, i didn’t even notice 90 minutes go by, a rare occurrence indeed .
and how a didactic book strongly pushes a lesson onto the reader, telling them that they should believe this or that .
uncomfortably aping paul haggis' oscar - winning crash to the point where it ends with, yes, a crash, do you believe? presents the interconnected stories of twelve souls, i mean characters, whose lives are affected by a pastor, matthew (ted mcginley), who hands out tiny wooden crosses during his sermon and advises his parishioners to do good deeds. he was inspired to do so by an encounter with a street - corner preacher (delroy lindo) carrying a large cross who asks him the titular question .
rogerebert. com, peter sobczynski :
clearly wishing to strike while the proverbial iron is hot, the producers and writers of (' god' s not dead') have now returned with' do you believe? ,' a film that starts off on a reasonably restrained note but which quickly grows so ridiculously ham - fisted that it almost makes its predecessor seem reasonable and open - minded by comparison .
( read full review. )
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
though there may be some sarcasm meant by the writers of the film it still says to society that it is okay to have your own opinions as a women but when it comes to her husband she better be obedient and believe what he says .
parents need to know that do you believe? is a faith - based film from the makers of god' s not dead; like that film, it has a christian storyline and overtly politically conservative messages. while there' s no sex or language, you can expect disturbing scenes of violence, including several gun shots, a murder, a chase scene between criminals, and a fatal car accident that kills or injures people. while viewers who agree with the filmmakers' beliefs may enjoy the film, others could be uncomfortable with the movie' s political agenda and the stereotypical portrayal of atheists and people of color (every young person of color in the film is either a criminal or suffering in some way: a pregnant teen, gang members, and a violent former marine suffering from ptsd). the violence makes the movie inappropriate for young viewers, but teens in church - going families should be mature enough to handle the content .
anastasia is different then a lot of the disney princesses because she has a lot of agency over her life. she does dangerous things throughout the movie which some would believe a woman should not do. at the end of the movie
tip: a common mistake in personal essays it to resort to insulting comments with no clear explanation or analysis. it' s ok to critique the work you are responding to, but you still need to back up your feelings, thoughts, opinions, and reactions with concrete evidence and examples from the work. what prompted the reaction in you, how, and why? what didn' t reach you and why ?
—if you’re a fan of film and are always hoping for christian - produced movies that rise above the level of a jack chick tract, well… “do you believe” does a good job—not perfect, but very good. the production values are fine, with good direction and cinematography, and the acting is certainly above average for the genre. while the script - writing keeps things interesting, the dialog occasionally dips into cliché, but is saved by the quality of the acting. mira sorvino, in particular, turns in a an affecting, nuanced performance as a recently - homeless single mother with a young child. she never over - acts and elevates the level of the whole film when she’s on - screen .
and in some cases, a studio will actually have less money at stake than the film' s production budget — sometimes, the distributor will just acquire an already - made film for a small fee, plus marketing costs, says gitesh pandya with boxofficeguru. com. in those cases, the studio can make a profit even if the film doesn' t make back its production budget .
you have torn my thin little coat all to shreds, useless, awkward hussies that you are! ’” the girls have saved his life three times and yet the dwarf can only be ungrateful and mean to them .
don' t take it personally if someone doesn' t immediately like your work. even if you feel you' re being criticised unfairly, don' t retaliate with an extreme knee - jerk reaction or else you can irreparably damage your prospect of working with that client or audience and can even harm your reputation as well .
the views expressed by the author do not necessarily reflect the editorial opinion of the christian post or its editors .
although i like typical children’s books, it makes me also interested in books that don’t do what we expect .
however, parts of the story do embody typical ideas about children’s literature (though sometimes with a twist) .
meta - textual sources do not offer the experience in which one gets lost in what they are watching or reading, instead it causes the audience to do the opposite and remember exactly what it is that they are doing .
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the massive success of' god' s not dead' proved that audiences want to rally together with their friends and family to see movies that will edify them on compelling issues ,
said david a. r. white, producer and founding partner of pure flix .
with' do you believe,' we wanted to create a film whose message will encourage, but at the same time convict, audiences concerning one of the most critical faith questions they will ever be asked .
a frequently ridiculous stew of straw man arguments, stacked decks, an overwhelming persecution complex and an oddly peripheral subplot involving a liberal blogger out to really do a number on those duck dynasty guys—and it received largely terrible reviews. however, it clearly struck a chord with its core audience of evangelicals and kevin sorbo enthusiasts and went on to make upwards of $ 62 million worldwide on an investment of about $ 2 million. clearly wishing to strike while the proverbial iron is hot, the producers and writers of that film have now returned with
do you believe? ,
a film that starts off on a reasonably restrained note but which quickly grows so ridiculously ham - fisted that it almost makes its predecessor seem reasonable and open - minded by comparison .
budgeted at $ 2 million ,
god' s not dead
was directed by michigan filmmaker harold cronk, and shot in louisiana. cronk was originally slated to direct
do you believe ?
- which filmed primarily in manistee, ludington and north muskegon, on a $ 2. 3 million budget - but he handed the reins to director jon gunn .
“do you believe? ” instead spews its venom upon trade unions, the medical establishment and the american legal system — all variously depicted as secular strongholds hostile to anyone who dares to reveal him / herself as a true believer. … [ it ] is agitprop plain and simple, less interested in varieties of religious experience than in proffering the old televangelical / tent - revival assurances that faith will not just save your soul but also cure cancer, ptsd and whatever else ails you .
the language you use in response to criticism is vitally important. try to avoid getting into an argument. instead, turn the exchange into a discussion about how to resolve the problem. this way you' re still in a position to get paid and you' ll waste less time guessing how to put things right. consider phrases like :
is free to say and do what he pleases, to whomever. this scene depicts the role reversal of authority .
mr. banks is the man of the house and tells everyone what to do and everyone in return obeys him .
she seems very rule - oriented and unable to function unless she knows what it is she is expected to do .
now, i remember having this conversation with my own mother, and her response was something similar to ellen andrews’ reply of “…when you’re grown up people don’t tell you what to do; you have to tell yourself, which is sometimes more difficult” (6) and it really never answered the question satisfactorily then for me, and in this instance, neither did it do so for annabelle. the argument ends with ellen marching out of the room after annabelle says she just wants to be responsible for herself and her mother responds “we’ll just see about that! ” (7) .
most adults wouldn’t tell what happened themselves, but the question is there anyway, and it seems to be really asking children what they believe .
this entry was posted in film reviews, matt sheedy, religion and popular culture, religion and society, religion and theory, theory and method, uncategorized and tagged american humanist association, cybill shepherd, darren aronofsky, do you believe? , exodus: god’s and kings, god' s not dead, heaven is for real, james 2: 17, mira sorvino, national catholic reporter, noah, pure flix entertainment, scott foundas, sean astin, son of god, sr. rose pacatte. bookmark the permalink .
the writers of the terrible, profitable “god’s not dead” are back with “do you believe? ” which takes its cues from paul haggis ‘ oscar - winner, making a bunch of disparate characters cross paths while spouting the most on - the - nose dialogue imaginable. the result is another movie that will please some christians, mortify others and utterly fail in its clear attempt to proselytize .
riding on the coattails of the surprising box office success of god’s not dead, which grossed over 60 million domestically in the us, do you believe? has been marketed as a follow - up of sorts, and was co - written by the same writers, chuck konzelman and cary solomon. as pure flix producer david a. r. white put it in a recent interview :
home alone does a great deal of displaying typical child case prototypes throughout the film. adult perceptions of children are especially construed through the two burglars ,
it may be helpful to imagine yourself watching a movie review as you' re preparing your outline. you will use the same framework for your response paper: a summary of the work with several of your own thoughts and assessments mixed in .
it stumbles the most with the emt' s subplot, which stretches the boundaries of believability by stereotyping atheists, unions, and prosecutors. the messages about race are particularly mixed. although pastor matthew' s congregation is multicultural, the movie' s central steadfast christians are all white men, and the people of color almost all end up redeemed but dead. bottom line? yes, do you believe? has an actual narrative, but if you aren' t the kind of person who likes seeing literal sermons (as in, actors playing pastors delivering messages from a pulpit), this isn' t the movie for you .
that sort of success also made it inevitable that we' d be seeing more such films at the box office. this week, we get one. the evangelical drama
do you believe? ,
which is from the same writer, producers and studio as
god' s not dead ,
arrives in theaters, hoping to offer moviegoers a touch of salvation with their popcorn .
“do you believe? ” is the best faith - based film i have ever seen! i have seen a lot of them, so this is certainly a compliment. the superlatives will flow from the faith - based community regarding this film. the stories are wonderful, the characters are rich, the acting is terrific, and several characters’ stories meet at the climax on the same bridge during a stormy night. the overriding theme of the film is that god can take things that are not good and weave them into something that is. it is the “god’s eye view, ” according to pastor matthew (ted mcginley), that must be kept in perspective. to anyone who has ever faced death, lost a loved one (especially a child), been at a crossroads or crisis of some kind, this movie will resonate .
a dozen different souls—all moving in different directions, all longing for something more. as their lives unexpectedly intersect, they each are about to discover there is power in the cross of christ, even if they don’t yet believe it. when a local pastor is shaken to the core by the visible faith of an old street - corner preacher, he is reminded that true belief always requires action. his response ignites a faith - fueled journey that powerfully impacts everyone it touches in ways that only god could orchestrate. this stirring new film from the creators of “god’s not dead, ” is more than a movie. it’s a question we all must answer in our lifetimes: do you believe ?
michael foust has covered the christian film industry for a decade and has been a full - time editor and writer for 20 years. he blogs at urltoken
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
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to believe that the main centers of power and authority in our society, i. e. the government, our parents, the president, are inherently good and always right—they (the powers that be) do this to try and keep us in our place. they want to keep power in the hands of those who have always had it, and usually on of the only ways to do that is to
to work from this same quote, (because i feel it encompasses many of the book’s themes in this one quote) the sheer statement, “this should be obvious to you”, makes the reader second guess whether what you are reading is true or not .
john serba is film critic and entertainment reporter for mlive and the grand rapids press. email him at jserba @ urltoken or follow him on twitter or facebook .
when watching the film and trying to figure out who has agency over whom it seemed difficult because of the fact that there are several characters that are involved .
the book overtly teaches the things adults believe small children should learn; like distinguishing the four seasons and naming body parts (13 - 20, 11) .
the author is not challenging children to do anything; but rather teaching them that if they are obedient then they will be happy .
however, her desire to fly could also be attributed to interpellation—she wants to be able to do what everyone else is able to .
, a female should not have a mind of her own. in the song “learn to do it” some of the lyrics say ,
annabelle has had enough and is ready to just go ahead and give up. she doesn’t want to do this anymore, she is overwhelmed, and her brother is missing. in her moment of greatest need, she is in her mother’s room, lying on the bed, and admitting her mother was right. “that’s what you wanted, isn’t it? you wanted to teach me a terrific lesson ?
no character in “do you believe? ” can ever commit an act of kindness or charity or empathy or compassion without someone stopping and mentioning jesus as often and earnestly as possible. even for a movie with a distinctly apparent point of view, these lines of dialogue grind what little dramatic momentum there is to a halt; rather than allow the plot to unfold, the writers keep interrupting the story to remind viewers what it’s about .
, not only does the narrator do too much or too little, the lines between the fictional world and the real world are blurred .
i would especially encourage you to notice that most of them don’t have obvious organization; most of them let their ideas develop and wander .
turn your words into action to show that you can listen to feedback, respond in the correct way and still get the job done .
in the 2003 universal pictures version of “peter pan, ” the children are depicted as strong, independent individuals with their own agency throughout a great portion of the film .
christian post, michael foust :
what' s the best evangelistic movie ever? by that, i mean the best film that has, at its core, the gospel - and one that makes the message of christ the film' s theme. i have a new nomination, and it comes out in theaters march 20. the film is' god' s not dead.'... the majority of movie critics will likely give it poor reviews, partially because it is more overtly evangelistic than any successful faith - based theatrical movie in recent history. but i' m guessing those who see the film will like it .
( read full review. )
in addition, the parents do not have the ability to direct their children’s lives; instead their children are directing their lives. much like “
as phil contrino, editor of boxoffice. com, says ,
the mainstream media is guilty of this. they look at the opening weekend — and instantly a movie is a success or a failure .
but the truth is way more complicated than that. sometimes, a film can do well in its first weekend and then stumble in later weekends. or a film can develop
legs ,
like christopher nolan' s inception, and win a few weekends in a row .
alissa wilkinson is christianity today' s chief film critic and assistant professor of english and humanities at the king' s college in new york city. she lives in brooklyn .
—excellent movie and inspiring biblical message clearly portrayed. would hope that all churches promote this film, so that we can continue to have good family movies at our local theatres .
there are some genres of film that do especially well on dvd — like horror films, which are often cheaper to make than other genres to begin with, says dergarabedian. a horror movie might or might not break even at the theaters, but it' s sure to make lots more money when it hits dvd .
a dozen different souls, all moving in different directions, all longing for something more. as their lives unexpectedly intersect, they each are about to discover there is power in the cross of christ, even if they don' t yet believe it. when a local pastor is shaken to the core by the visible faith of an old street corner preacher, he is reminded that true belief always requires action. his response ignites a faith - fueled journey that powerfully impacts everyone it touches in ways that only god could orchestrate. more than a movie, it' s a question we all must answer in our lifetimes: do you believe ?
if someone has a criticism it means they want to give you feedback on what you' re doing for them – that means an opportunity to learn more about the person who you' re working for and how to convert them into a satisfied customer or audience member. take a moment to think before you respond to what they' re saying – in business, working with someone who is patient and able to receive and act on criticism means both parties can work towards a better outcome. for a play or production, it might mean getting to know what your audience actually want .
even the national catholic reporter said the film should surprise no one :
it is what it sets out to be and what christian audiences have come to expect and celebrate .
the percentage of revenues that the exhibitor takes in depends on the individual contract for that film — which in turn depends on how much muscle the distributor has, according to stone .
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a great movie for the family about what christians really believe and sharing your faith. recommend for older kids cause of some scary violent scenes. the movie... continue reading
mr. feeney sits down with cory and asks if there is anything he wants to share. he explains that cory will be transferred to an advanced school where the school is committed to giving children all that they deserve. mr. feeney then says, “i think you deserve everything you are going to
she addresses the “problems” of wendy’s need for adventure and desire to become a novelist, neither of which will do for a young lady in high society .
he felt that it was his duty to give commands and do everything in the exact order that they were supposed to be done in a stereotypical sense .
this does not have much to do with that page’s text (it does, however, pertain the slightest bit) but it accurately labels the fish .
also supports the contention that books should teach a lesson or moral. while it is not didactic to the point that it specifically says, “eat whatever your parents tell you to eat or whatever they give you, ” that lesson is made perfectly clear when the unnamed main character eats the green eggs and ham and is rewarded by having something new that is good to eat. this lesson is also not given as a directive that should be obeyed without question. rather the lesson is you shouldn’t be stubborn. you should be reasonable—“try them! and you may (like them). ” (53) i think this aspect of the book, despite the simple words and pictures, makes the book very adult centered. it is also very adult centered in that the book has a happy ending. in the beginning of the book, the unnamed character very specifically states, “i do not like that sam - i - am”
do you believe ? is a 2015 christian ensemble drama film directed by jon gunn and stars an ensemble cast featuring ted mcginley , mira sorvino , andrea logan white , lee majors , alexa penavega , sean astin , madison pettis , cybill shepherd , and brian bosworth . it was released on march 20 , 2015 . 
do you believe? is a 2015 christian ensemble drama film directed by jon gunn and stars an ensemble cast featuring ted mcginley, mira sorvino, andrea logan white, lee majors, alexa penavega, sean astin, madison pettis, cybill shepherd, and brian bosworth. it was released on march 20, 2015.
do you believe? is a 2015 christian ensemble drama film directed by jon gunn and stars an ensemble cast featuring ted mcginley, mira sorvino, andrea logan white, lee majors, alexa penavega, sean astin, madison pettis, cybill shepherd, and brian bosworth. it was released on march 20, 2015.