andrew johnston ( critic )
the online visibility score of andrew johnston is 7. 34. andrew can be caracterized according to the following keywords: talent, singer, britain' s, british, soprano, people, official, update, encyclopedia, critic. people that could be related to andrew are carlisle cathedral, howard goodall. andrew johnston may refer to: andrew johnston andrew johnston andrew johnston, film and tv critic andrew johnston, liberal party member of parliament for southern essex 1868–1874 andrew johnston, english golfer andrew johnston, new zealand poet andrew johnston, whig member of parliament for anstruther burghs 1831–1832 and st andrews burghs 1832–1837 andrew johnston, british boy soprano andrew johnston, politician from new jersey andrew johnst .
andrew johnston may refer to: andrew johnston (american actor) andrew johnston (australian actor) (born 1988) andrew johnston (critic) (1968–2008), film and tv critic andrew johnston (english politician) (1835–1895), liberal party member of parliament for southern essex 1868–1874 andrew johnston (golfer) (born 1989), english golfer andrew johnston (poet) (born 1963), new zealand poet andrew johnston (scottish politician) (c. 1798 – 1862), whig member of parliament for anstruther burghs 1831–1832 and st andrews burghs 1832–1837 andrew johnston (singer) (born 1994), british boy soprano andrew johnston (new jersey politician) (1694–1762), politician from new jersey andrew johnst ...
[... ] film critic andrew johnston died at 40 three years ago: here’s a remembrance from then [... ] posted by film critic andrew johnston died at 40 film critic on 2011 - 10 - 26 09: 35: 42
another birdie putt for andrew johnston but another par, that' s three in the first three holes .
andrew
beef
johnston talks about his final round at the 146th open, and responds to questions about a sports critic' s poll asking if he is a clown or an inspiration .
wo successive bogeys for andrew johnston, after a steady start of five successive pars, means he' s back to one over now .
premiere critic glenn kenny wrote, “andrew was not just a piercing intellect and a first rate writer, he was an absolute mensch. he will be missed. ”
some sad news hit the media community on sunday night when time out new york time in editor andrew johnston passed away at the age of 40 .
condolences on the loss of andrew johnston. he' ll be missed. posted by seeing _ i on 2008 - 10 - 27 14: 30: 00
at the time out blog, here' s a remembrance by andrew' s colleague, film critic joshua rothkopf. posted by matt zoller seitz on 2008 - 10 - 28 22: 46: 00
josh rothkopf, the magazine’s film critic remembers johnston on the tony blog. there will also be a full page in the next issue dedicated to his memory. for information about the memorial service, send an email here .
shaun leane makes jewellery unlike anyone else. andrew bolton examines his fierce, primal work
rickie fowler pulls off shot of the day and andrew' beef' ...
just wanted to say that i became a fan of andrew through this site, and that as an aspiring critic, he was an inspiration. posted by chris on 2008 - 10 - 27 14: 45: 00
andrew was an influential critic in his 20s, when he started writing about movies for time out new york. a lot of men would have been content to enjoy that position and be done with it, but not andrew. he used whatever sway he had to bring other new voices into the fold. just in the past week, mike d’angelo, film columnist for esquire, credited andrew with helping establish him as a working film critic by recommending him as his replacement when andrew left time out for a brief and unhappy stint at us magazine. so did bilge ebiri, who writes for new york magazine and urltoken; andrew gave bilge his first paying job as a critic and continued to send work his way up until the weeks prior to his death, when he asked bilge to review the new dvd box set of budd boetticher westerns for time out .
andrew james johnston. performing the middle ages from
beowulf
to
othello
. turnhout: brepols, 2008. pp. viii, 344. 70. 00; $ 95. 00 .
andrew ‘beef’ johnston is one of the most popular professional golfers on the planet. an everyman in the mold of john daly — a man he considers an idol — and fans everywhere love him for it .
andrew' beef' johnston has hit back at talksport presenters the two mikes after they labelled him a' clown' on their show and posted a poll on twitter to open the debate to their listeners .
johnston, 28, took issue with mike parry as he ranted at co - host mike graham about the golfer' s larger - than - life persona. parry took particular issue with johnston being announced on the tee at the open as' beef' and posted poll on social media asking followers if johnston was a clown or an inspiration .
over the course of five hours johnston repeatedly called for the removal of their poll and even for the hosts' resignations .
and it is more than that. as sydney cockerell, william morris’s secretary, said, johnston’s influence “extended over the whole of the western world”. to see for yourself, if you’re reading this on a computer, click on the font menu. you see gill sans? it was designed by eric gill, a pupil of johnston’s, and was directly inspired by—detractors would say stolen from—the font that bears johnston’s name. gill is world - famous, but johnston, like his great creation, remains largely underground .
johnston was adamant the row had not affected his preparations at royal birkdale, where he carded a frustrating 71 alongside compatriot paul casey .
a number of figures from golf and beyond came out in defence of johnston, including nick faldo, thomas bjorn and joey barton .
editor’s note: this column is dedicated to the memory of house contributor, time out new york editor and regular mad men recapper andrew johnston, who passed away sunday, oct. 26 at age 40, following a long battle with cancer .
johnston took to twitter to criticise the talksport pair on saturday night, and expanded on his position after his final round at the open .
a more extensive tribute to andrew will run in the time in section of issue 684, out next week .
andrew johnston is a new zealand poet, critic and editor who lives in france. his book fits & starts (2016) won the 2017 ockham new zealand poetry award. his previous books include sol (2007), birds of europe (2000), the open window (1999), the sounds (1996) and how to talk (1993), which won the 1994 new zealand book award for poetry .
as chief film critic for time out —and later, upon his return to the magazine as the editor and chief critic of the tv and dvd section—andrew made a point of farming out reviews and feature articles to talented but largely unknown writers whom he met in online forums, at parties, in bars, waiting on line at film screenings. andrew gave me my first paying job as a magazine editor last year, when he asked me to fill in for him as tv and dvd editor of time out while he was off having yet another round of surgery and chemotherapy .
so many truths only become clear with hindsight. here’s one of them: unbeknownst to nearly everybody, even those closest to him, andrew johnston was a superhero. his influence was as profound as it was largely unseen. like the hero of miller’s crossing, tom regan, andrew managed to re - order large parts of his universe without anyone being the wiser .
“if i' m a clown for enjoying my work then so be it, ” johnston tweeted. “ur a sad person and couldn' t care less wat u think. never been bout money, ur a d * * * head, ” johnston tweeted directly to parry .
beautiful remembrance, victor. thanks for making note of andrew’s passing. we’re feeling his loss deeply at the house .
johnston goes into the final round of the open at even par chasing not for the claret jug but for bragging rights as the top british golfer .
[ … ] my film - critic friends and i got some bad news sunday overnight. andrew johnston died, at the age of 40. his death sunday night was a real surprise and shock. he had been battling cancer for several years, but the last i heard from him on this subject was about a year ago, when he was brimming with optimism that he' d licked it, and the last time i saw him in person, whenever it was, he looked reasonably hail and had good weight on him. andrew was … read more [ … ]
this year, the new york critics chose “lord of the rings” because it’s “a masterful piece of filmmaking, ” chairman andrew johnston said. “it’s just beautifully made, it’s pure cinema, it does everything, ” said johnston, a critic for radar magazine. “it’s got amazing, epic scope to the drama, to the battle scenes, a lot of strong emotional stuff, really complex, well - rendered characters and effective comic relief where it needs it. ”tom o’neil, author of “movie awards” and host of the awards handicapping web site urltoken, said he was “totally stunned” by the group’s choice for best picture .
sarris, andrew. the american cinema: directors and directions, 1929 - 1968. new york: dutton, 1968. print .
ndrew ‘beef’ johnston has launched a second attack on radio presenters mike parry and mike graham for running a show asking if the englishman was an inspiration or a “clown” .
my film - critic friends and i got some bad news sunday overnight. andrew johnston died, at the age of 40. his death sunday night was a real surprise and shock. he had been battling cancer for several years, but the last i heard from him on this subject was about a year ago, when he was brimming with optimism that he’d licked it, and the last time i saw him in person, whenever it was, he looked reasonably hail and had good weight on him .
did johnston mind? we don’t know exactly. “i don’t think there was bitterness, ” says his grandson. though there was no money, either. “he was so lacking in business sense, he never charged a going rate for his work and so couldn’t make ends meet. ” for the underground font, johnston was paid 50 guineas—about £4, 000 in today’s money (he handed 10% of it on to gill). by the time he died in 1944, “the finances were in a terrible state, ” andrew johnston adds. “there had been a fund started by calligraphers in america to help this destitute master craftsman. ”
this column is dedicated to the memory of house contributor, time out new york editor and regular mad men recapper andrew johnston, who passed away sunday, oct. 26 at age 40, following a long battle with cancer. andrew’s burial will take place saturday, nov. 1 at 2 p. m. at the monticello memory gardens in charlottesville, virginia. there will also be a memorial wednesday, october 29 at 5: 30 p. m. ; if you were a friend of andrew’s and would like to attend, email matt at reeling @ urltoken for details .
many, many more working critics have their own versions of these anecdotes. they all end the same way: andrew gave me my start .
, and at a loose end, he had a chance introduction to william lethaby, a friend of william morris and principal of the then - new central school of arts and crafts (now central saint martin’s). johnston showed him some of his work. lethaby said that he was thinking of setting up an “illuminating class” at the school. johnston hoped to be one of its first pupils. “i shall put you in charge of it, ” said leth­aby. johnston was alarmed and delighted. the modern art of calligraphy had begun in britain .
one of the many rewarding aspects of reading all the stuff people are writing about andrew is discovering that he was exactly the same person with everybody .
andrew founded the page, an online digest of the web' s best poems and essays, and edited it from october 2004 until october 2009 .
my condolences to andrew' s family. he will be deeply missed. posted by teka on 2008 - 10 - 29 09: 24: 00
parry said it was' disgraceful' that johnston - who he labelled' a grinning jabbernacker' - should be allowed to detract' from the dignity of golf' with his behaviour .
andrew is the abc' s national security and defence reporter and has covered federal parliament since 2004. he began his career in commercial radio and while at the seven network was a finalist in the walkley young journalist of the year awards. in 2010 he joined the abc and has reported from afghanistan and europe as well as assignments across australia such as the queensland floods. follow andrew on twitter @ andrewbgreene or email him at greene. andrew @ urltoken
russian composer and critic. as a member of the famous
five
( mili balakirev, cui, mussorgsky, alexander borodin, and rimsky - korsakov) he was one of the founders of the nationalist movement in russian music .
andrew—the time out new york film and tv critic and house next door contributor who died oct. 26 at age 40—was, to put it mildly, not a glamorous person. compared to andrew, peter parker was james dean. he was vaguely birdlike—darting eyes; bobbing head; question mark posture with arms akimbo, as if his body was remembering wings. it was possible to speak to him for minutes at a time without making eye contact, and when his eyes did meet yours, the connection was often brief, even furtive .
it wasn’t until he was in his 20s that johnston had any formal education. encouraged by his family, he put aside his childhood enthusiasm for lettering and began studying medicine. but eventually, as his daughter writes in her biography of him—entitled, with sans - serif simplicity, “edward johnston”—“he was dissecting human bodies and he could no longer disguise from himself that he hated it” .
when i saw the film last week, i thought it was even better than before. … [ but ] i didn’t say anything because i found that almost everything i wanted to say had been said, quite worthily, by mr. andrew johnston in post 10626. we should all bow down before his brilliance. dude, you da explosion .
reading andrew in the pages of time out or in the weekly series tv recaps that he did for the house next door was a different proposition. he was an incisive, direct critic who managed to combine baseline assessments of a work’s entertainment value with a wide - ranging, free associative view of the work’s place within the culture—the forces that inspired it, and the message that it hoped to convey .
andrew johnston' s article on jean vigo and'' l' atalante'' ['' rescuing a romantic epic from obscurity,'' june 11 ] is a welcome and sincere attempt to bring to the attention of film lovers an unjustly neglected master and his greatest masterpiece. but by presenting vigo as a creator of'' romantic fluff'' and his father, the radical miguel almereyda, as a merely exotic figure, mr. johnston has obscured the vital psychological connection between father and son that crucially shaped the latter' s work .
a brooklyn - based filmmaker and a former critic for the new york times, the star - ledger and new york press, matt zoller seitz is the editor emeritus of the house next door. he posts videos on youtube under the name insomniacdad .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
johnston, andrew james .
passion and politics in othello .
wissenschaftliches seminar online 1 (2003): 24 - 7. analyzes the contradiction between othello' s romantic construction of himself as a feudal vassal and the pragmatic sentiments of the venetian politicians and observes how iago manipulates the moor' s chivalric passion to deceive him about desdemona' s faithfulness .
and his way of speaking—well, house contributor sarah bunting, who interviewed him for the web site she cofounded, television without pity, told me that transcribing an interview with andrew for her “ask a tv critic” feature was one of the more difficult assignments she could recall. andrew didn’t talk in a straight line. on a good day, he was serpentine. he interrupted himself, qualified himself, questioned himself, reversed course, even argued with himself. he was his own interrogator. there were moments when it seemed as though you were talking to two people—andrew johnston and his questioning subconscious. his sentences had clauses and sub - clauses and sub - sub - clauses. in retrospect it seems not at all surprising that one of his favorite shows was deadwood, a series built around monologues that could go on for a minute or longer, and only when you looked at them on the page did you realize that the whole monologue was one long sentence .
each chapter is lengthy, digressive, generally rewarding, and offers as much perspective on the critical reception of the texts as on the texts themselves. this is why i call it a courteous book, because andrew james johnston has read his comrades carefully and thoroughly, displaying a scholarly generosity in doing so. rarely does one find this type of close reading of critical material any more, since single - sentence generalizations have become almost normalized. johnston follows the argument of even the most thorny and unwieldy secondary scholarship closely, and, with adeptness, locates the lacunae to allow him to situate his own critical intervention. in this way, he pays great respect to the discipline, ensuring that he is not repeating former arguments but in fact is building upon them. and since he is working with some of the most canonical texts of the discipline, his task in sorting through the critical tradition is huge and his achievement in doing so impressive. any critic cited in this text might consider herself or himself fortunate to have such an interlocutor as johnston .
andrew was a booster of great tv, closely following mad men, breaking bad, the wire, the sopranos, deadwood, buffy the vampire slayer, battlestar galactica, rescue me, the office, the shield, friday night lights and other series worth watching and arguing about. one of his proudest achievements was his championing of donnie darko, a film that got lukewarm to baffled reviews when it was released in fall of 2001, soon after the attacks of 9 / 11. andrew believed it was a future classic and a present - tense masterpiece, a film whose virtues would eventually be recognized. by writing a rave review for time out, then mentioning it again in print every chance he got, andrew did more than any working critic to usher that film into the modern pantheon .
stalin might not have approved of the speed at which the tube font was produced. having decided that the underground needed its own typeface, one that would “belong unmistakably to the 20th century”, pick met johnston, and gill (who had been one of his first pupils), in 1913. it would be another three years before johnston delivered the final lettering—about as long as it took the moscow metro to build its first line .
but probably my favorite andrew post on the group, which i’ll take the liberty of pasting in after the jump, was over apocalypse now redux, which andrew and i were virtually alone in thinking was an improvement on the original (the vote was 5 better / 19 worse). i wrote the following then in lieu of defending the changes myself .
the man whose eye still guides millions of journeys every day has hardly done better in terms of recognition. but his name is there if you know where to look. on the chest in the depot the paper labels in the brass plates read “12 line johnston bold caps” or “8 line johnston”, the creamy paper blackened by years of inky fingers. open the drawers and there are lines of stammering wooden letters: ppppp, nnnnn, dddd, their backs beetle - black and glistening with printers’ ink. soon, this chest will be roped into the johnston centenary celebrations. for the moment, it stands here, by the trains and the bins, forgotten .
andrew’s taste was defiantly his own. he didn’t take his cues from anybody—no mean feat for a guy who landed a high - profile job as a new york film critic in the 1990s, when critics of earlier generations dominated the profession and insisted, explicitly or implicitly, that younger critics acknowledge the works they enjoyed during their youth in the ’60s and ’70s as the be - all and end - all. andrew’s taste in film and tv was eclectic; he loved classic horror films, the signposts of mid - century european art cinema, and yes, the high watermarks of american film that made pauline kael’s heart go pitter - pat .
higson, andrew. “the limiting imagination of national cinema. ” transnational cinema: the film reader. ed. elizabeth ezra and terry rowden. london: routledge, 2006. print .
uropean ryder cup captain thomas bjorn wrote a tweet supporting johnston. he stated: “if anyone has any doubt about @ beefgolf & his intentions – you only have to spend a little time with him to understand his true commitment. ”
yet parry suggested that johnston has no place in golf, ranting:' he forms himself like a clown, stays as a clown, looks like a clown, performs like a clown and is referred to as a clown' .
those of us who could see andrew’s work unencumbered by space, formatting and audience - targeting considerations knew how good a critic he was. i unfortunately didn’t read much of his work the last couple of years mostly because he began writing more about television, which i gave up a couple of years ago and so couldn’t even follow. everyone i know says this was when he best found his public voice. according to this piece at the house next door, even on his deathbed, he was watching and writing about mad men, for which he was beating the drum very early (as i say, andrew was an enthusiast first and last). “mad men mondays” was a regular feature there. i think i owe it to him to pick up and start watching mad men from the start after the election to see what was andrew’s final love .
andrew robb says american efforts to contain china' s rise are
a futile and counterproductive approach
but the struggle to do so is the biggest threat to australia' s economic prosperity .
i' ve been catching up with mad men, and reading mad men mondays as i get through the episodes - so i just now learned of andrew passing away. these articles have been so full of insight and ideas about the show. such a loss... my condolences to andrew' s family and friends. posted by anonymous on 2008 - 11 - 16 22: 20: 00
but johnston had the last word. “i have been called a bushy big teeth clown by u. u think i’m not gonna defend myself. i give my absolute best on course and u call me that. i’m no clown it’s out of order. ”
very nice tribute, victor. i’ve only met andrew a few times, but online and in e - mail he was always brimming with enthusiasm. he was never one to get down on things. rip .
mr. johnston had been writing the weekly re - cap and analysis column since the first season of the critically - aclaimed amc series and had a devoted following among readers who looked to his insights and erudition to make sense of matthew weiner’s layered, novelistic show .
on the way out, i said goodnight to him and told him that one of the great pleasures of this time was seeing how his mother, martha, doted on him, doing everything she could to make his ordeal as comfortable as possible. “you’ve got a hell of a mom, andrew, ” i said. andrew blushed a little, then grinned at me. “yeah, ” he said. “i know. ”
i can’t say if, in his multi - year battle with cancer, andrew experienced real change beyond, obviously, the physical; i tend to think he didn’t experience change in the simplistic, formulaic sense—becoming a different person, a better person. if anything, andrew’s stubborn fight against his own mortality amplified the man he was—made his fighting spirit, his generosity, his life force not just more visible, but impossible to ignore .
rip to andrew johnson, who did some excellent work on this site bringing great television to the masses. he will be dearly missed. posted by joel e on 2008 - 10 - 28 05: 04: 00
andrew was one of the circle of internet pro - critic friends i have. he was most recently an editor at time out new york and had been previously been a critic for tony, us weekly and other magazines, and served for a time as chairman of the new york film critics circle. i won’t pretend to be closer to him than i was. because he was based in new york, i only saw him in person the five or so years we were both at the toronto film festival. but before we’d ever met in person, when i mentioned summer 2001 in our super - secret discussion board that i’d be coming to the next tiff, he e - mailed me with the words “thank god — that means there’ll be at least one [ guy ] i can drink with! ” since most of the rest of our circle was one - or - none types .
johnston is yet to win on tour this season, but believes he is capable of regaining his best form over the coming weeks. qualification for next month’s us pga championship is far from secure and his next few appearances will dictate if he makes it to quail hollow .
even later asking for johnston to call into the show:' mg and i have a mid - morning show on @ talksport tomorrow. . sunday. . we love @ beefgolf. . beef. . we never put you down beef. . so call us' .
andrew has lectured across the united kingdom, taught at the ie school in madrid and was external examiner at the portsmouth school of architecture from 2010 - 2016. he is currently a visiting professor at the university of navarra .
a terrible loss. andrew was an invaluable contributor to the house and truly the kindest of men. godspeed. r. i. p. posted by keith uhlich on 2008 - 10 - 27 03: 14: 00
thanks for the personal obit. i never met andrew, but he always seemed like… yeah, a mensch. he was one of the guys i would have definitely looked forward to meeting if i’d ever made it to tiff .
even though our time in editor, andrew, had been living with cancer for years, the end is not easy for us. he died yesterday—a passing that his mother tells us was “peaceful as could be. ” that' s ironic. feisty until the end, andrew was a fighter. i remember his polymath’s curiosity, his enthusiasm that often spilled over into rage but also effusive emotion. he had a big heart. i choose to recall him on a summer afternoon in 2006. andrew was about to enter the hospital for his first operation, but beforehand, he wanted to go see a scanner darkly. i was happy to oblige. we had lunch. as the lights dimmed in the theater, andrew leaned over and whispered, “check it out. ” he rolled up his sleeve to reveal a new tattoo on his shoulder, the colors still hot and flush. looking closely, i saw it was a quote from clint eastwood’s unforgiven: “deserve’s got nothing to do with it. ” squinting his eyes, andrew had the resolve to go wherever this disease would take him. and in my heart, i feel that he beat it .
even though our time in editor, andrew, had been living with cancer for years, the end is not easy for us. he died on october 26—a passing that his mother tells us was “peaceful as could be. ” that’s ironic. feisty until the end, andrew was a fighter. i remember his polymath’s curiosity, his enthusiasm that often spilled over into rage but also effusive emotion. he had a big heart. i choose to recall him on a summer afternoon in 2006. andrew was about to enter the hospital for his first operation, but beforehand, he wanted to go see a scanner darkly. i was happy to oblige. we had lunch. as the lights dimmed in the theater, andrew leaned over and whispered, “check it out. ” he rolled up his sleeve to reveal a new tattoo on his shoulder, the colors still hot and flush. looking closely, i saw it was a quote from clint eastwood’s unforgiven: “deserve’s got nothing to do with it. ” squinting his eyes, andrew had the resolve to go wherever this disease would take him. and in my heart, i feel that he beat it. — joshua rothkopf .
at no point did andrew tell me of the good works he did for other people. it’s an aspect of his life that we’re all very slowly discovering as we talk about him, about his life and work and what it meant .
andrew' s burial will take place saturday, nov. 1 at 2 p. m. at the monticello memory gardens in charlottesville, virginia. there will also be a memorial service in manhattan wednesday, october 29 at 5: 30 p. m. ; if you were a friend of andrew' s and would like to attend, email matt at reeling @ urltoken for details. posted by matt zoller seitz on 2008 - 10 - 28 23: 36: 00
shit, shit, shit, shit. andrew was not just a piercing intellect and a first rate writer, he was an absolute mensch. he will be missed. posted by glenntkenny on 2008 - 10 - 27 03: 31: 00
still, it was worth waiting for. along the way gill had dropped out, too busy sculpting the stations of the cross in westminster cathedral. today gill is perhaps more famous as a sculptor than as a typographer—and more infamous than either for his incestuous relationships with his daughters and sisters. there are hints, says andrew johnston, edward’s grandson, that his grandmother “had a pretty good idea” what was going on. she banned gill from the house, and “one reason for being very dubious about him was possibly having three nubile daughters on her hands. ”
- - - - - - .
this is a revenge served up too cold .
times, london (17 october 2003): 29. offers a mixed appraisal of rupert goold' s 2003 revival of othello. while the critic esteems the director' s world war ii setting, he points out that
the production sometimes [ lacked ] the vital ingredient of passion .
he two mikes presenters defended themselves on twitter by pointing out that “inspiration” won their poll and that parry argued in johnston’s favour during the show. the golfer responded on social media: “if i’m a clown for enjoying my work then so be it. ur a sad person and couldn’t care less wat u think. ”
really sad news. i didn' t know andrew and wasn' t terribly familiar with his wider body of work, but i very much enjoyed these write - ups. posted by karina. longworth on 2008 - 10 - 27 04: 14: 00
since 1997 andrew has lived in france. he is married to christine lorre, an english lecturer at université paris 3 - sorbonne nouvelle, and they have three children, emile (born 2002), oscar (born 2007) and louise (born 2010) .
just discovered andrew' s reviews on mad men today, only to find out that he died. a damned shame for someone so good and passionate about what he did. my condolences. posted by anonymous on 2008 - 11 - 03 19: 50: 00
the note kinda typified what defined andrew — a combination of menschness and enthusiasm. and that was him both personally and in his writing. in fact, the thing i remember best about andrew was the enthusiasm he projected as a writer. he had more of a fan’s sensibility and a populist taste than many of us. (the year he was chairman, lord of the rings 3 won the new york critics top honor — which helped it build the momentum that ended with a historic oscar sweep .) andrew was the kind of guy who loved gushing to you about what he loved, rather than ranting to you about what he didn’t. that sort of personality was a welcome and sometimes needed antidote to the worldwise sang - froid that some of us are prone to, myself definitely not excluded .
what a tragic loss - my sincerest condolences. to lose andrew and david foster wallace, two amazing minds and writers in such a short time, is beyond words. he will be missed. posted by audrey on 2008 - 10 - 27 14: 41: 00
this course will locate sggk within contemporary english culture, with a special focus on aristocratic and royal politics, religion and gender. but we will also consider the text’s specifically literary aspects, especially its aesthetic traditionalism, and in the latter third of the semester we will attempt to see the poem through the eyes of the era’s most brilliant literary critic, geoffrey chaucer, by comparing sggk to the squire’s and the franklin’s tales .
here’s one brief passage from andrew writing about one of his favorite series, mad men, for the house next door —reviewing an episode entitled “the benefactor”, he segues from a summary of the episode and its function within the show’s ongoing storyline into a discussion of narrative itself .
several critics offered their condolences in the comments to mr. seitz’s column, including slant magazine’s keith uhlich (who also edits the house next door) who called this, “a terrible loss. andrew was an invaluable contributor to the house and truly the kindest of men. ”
andrew phillips founded a p in 2013. he has over 20 years of experience as a studio leader, developing major projects in close collaboration with a range of complex public and private institutions, a significant number of which have gone on to be awarded national and international awards .
it didn’t matter [ … ] that the films arrived on the world market carelessly dubbed [ … ], stylistically hampered further by repeated use of back projections and studio lots which the set - dresser barely had time to alter from film to film; or that the characterizations were minimal, relationships one - dimensional, [ or that ] the plots, as one critic put it, ‘dozed in their traces’” (glaessner, 1974: 10) .
i was shocked to read that andrew passed away. my husband and i truly admired his articles about mad men (my husband translates the show into french, which is why i stumbled upon one of his articles a few months ago while searching the net for info - these gems made us see the show in a different light). it seems that the world has lost a most insightful and brilliant mind. all our condolences and much respect to andrew' s loved ones. rebecca (from paris, france) posted by rebecca on 2008 - 10 - 29 20: 10: 00
andrew was one among several pro critics who accepted me (and several other non - pros; the group was about 50 - 50 pros / nonpros) into their circle and the super - secret group based on my postings in the late - 90s on usenet. and the thing i prized most about that was that never was i talked down to or ever treated as an inferior, an amateur interloper, etc. — not by andrew or any of the others. without their everyday - implicit approval i certainly would never have started this site and / or would have packed it in several times .
andrew was a wholehearted geek, and while we may have had nothing else in common, we shared that, and it was enough. we became work friends, then actual friends. we saw x - men 3 together, and the descent, the latter right after his first round of chemotherapy. we went to hipster hamburger restaurants and watched the initial presidential debate (the night after the sarah palin pick was announced, andrew was the first person to tell me that mccain had just blown the election). he tried to teach me to play xbox games that i was way too video - game illiterate to grasp .
the underground didn’t commission a font to look different from commercial ones simply to sell it straight back to the commercial world. but that world wanted the font nevertheless. and so johnston’s pupil eric gill obliged, creating gill sans, which would go on to be used on everything from the classic penguin books design to the bbc logo (since 1997) —and, later, many a word document .
i' ve been thinking about the similarities between the sopranos and mad men also, although mine have been mostly on a superficial level in terms of plot. duck is kind of a more civilized richie aprile or ralphie cifaretto. and so on. even the incident where don tells the man in the elevator to take off his hat is an echo of a scene in the second episode of the sopranos, where tony does the same thing to a nascar - esque guy at vesuvio' s. anyway, always more food for thought. and though i didn' t know andrew johnston, i thought his writeups here were fantastic. he' ll be missed. posted by mark on 2008 - 10 - 29 18: 43: 00
logan, sandra .
domestic disturbance and the disordered state in shakespeare' s othello .
textual practice 18, no. 3 (2004): 351 - 75. analyzes othello within the social and political contexts of the emerging modern nation state. the critic argues that shakespeare' s tragedy exposes a fundamental contraction of this system, observing that the modern state reinforces the subversive intrigues of alienated individuals such as iago while it destroys virtuous figures such as othello who
embody the very values it claims to uphold .
i' d only become familiar with andrew' s writing through this blog, but it was a weekly highlight and i' m incredibly saddened by this news. apologies for backtracking the conversation; off to watch the mm season finale on demand... posted by bill c on 2008 - 10 - 27 14: 18: 00
i only knew him through his wonderful writing (i have been a devoted reader of his mad men re - caps), but i can only offer my condolances to andrew' s family. what a bit of shocking, sad news. rest in peace. posted by ckoh71 on 2008 - 10 - 27 03: 52: 00
i only knew andrew from his writing - always eloquent, always fun to read - even if i hadn' t seen the tv show in question. i am really sorry to hear of his passing. my deepest condolences to his family and friends. posted by sheila o' malley on 2008 - 10 - 27 11: 22: 00
andrew gave other people permission to be themselves. he believed comic books, video games and series tv deserved to be evaluated as thoughtfully as feature films at a time when even suggesting such a thing marked one as unserious—as a geek. he encouraged critics his age and younger to stop mindlessly genuflecting to their fathers’ and mothers’ movies and embrace the new, the now .
five years later, as chairman of the nyfcc, andrew pushed hard to give peter jackson’s lord of the rings movies recognition. the final entry in the trilogy, return of the king, won best picture—a stunning upset that made many of his fellow nyfcc members furious. “i can’t believe we gave best picture to a movie about hobbits, ” one complained. andrew considered the award not just a deserved accolade for a mammoth and unexpectedly well - executed project, but a bouquet tossed to fantasy and science fiction buffs whose enthusiasms were more often mocked by the critical establishment. the nyfcc award paved the way for return of the king to sweep the oscars that year, and for other critics to proclaim their love of the trilogy openly, without the usual qualifiers .
my condolences to andrew johnston' s family and friends. i had the strange fortune to discover him at his last piece for this site. better late than never? it' s a sorrowful situation. two years after the time - frame of season two, i had my first summer job, with a bank on wall street that later merged with bony. i started â€” where else? â€” in the mail room. that took me all around the bank, which wasn' t quite as sharp at sterling cooper but nearly. i' m flabbergasted by the ability of actors who weren' t even alive at the time to remind me of how people moved. if nothing else, mad men is a corrective to the way in which the era photographed itself. posted by r j keefe on 2008 - 10 - 27 22: 59: 00
gill’s absence left johnston free to do just as he wished in creating this “20th century” font; and so he turned straight to the second century and to trajan’s column in rome. he used the capitals from the column for the proportions of his letters, while the dot of the i and the j came from medieval calligraphy, which, thanks to the blunt end of the quill pen, gave the font’s characteristic diamond shape. “the alphabet”, he said, “designed itself. ”
dear msz and the rest of thnd, my deepest condolences on this great loss. i was desperately trying to catch up with mad men to join the discussions i loved so much with the wire and the sopranos here, of which andrew was an instrumental part of and insightful voice in television / film discussion. posted by a. mccann on 2008 - 11 - 04 22: 06: 00
it is one of those family tales that are cherished partly for their whiff of irony. johnston not only knew where to stand for a bus and where it was going; he was the man who ensured that the rest of london did too. it was he who created the london underground font, and honed its roundel, the circle with a line through it that appears on london buses, taxis, souvenir mugs and t - shirts. the font is now a symbol for london itself .
angered by what he viewed as a disrespectful, personal attack, johnston said: “i had a few people message me and said, ‘maybe you should listen to the show. ’ and it was actually worse listening to it. i don’t mind being criticised. it’s good taking people’s opinions, to see what i can do better, and if they put a poll out saying, maybe i spend too much time with the fans or i don’t concentrate, would he play better, i’d understand that .
i always find it hard to write about mad men and now even harder to express anything about andrew, whose passing came as a shock to me. i always admired that he could write about a show as elusive and complex as mad men, and did so with eloquence and an eye for detail every week. he' ll be missed. posted by craig on 2008 - 10 - 28 10: 31: 00
been in london on a monday afternoon in the 1920s, you might have spotted a dark - haired man with an elgar moustache and a “remote, lost look in his eyes” standing near a bus stop. the man was edward johnston and his dreamy look, combined with his tweed coat and cherrywood walking stick, led people to take him for a hapless countryman, lost in the city. as his daughter said later, “the bus stop, he was told kindly, was further on; it was no use waiting there. ”
bartels, emily c .
othello and the moor .
in early modern english drama: a critical companion, edited by garrett a. sullivan, jr. , patrick cheney, and andrew hadfield, pp. 140 - 51. new york: oxford university press, 2006. asserts that othello' s unique appeal is largely due to the audience' s inability to fix their own preconceived cultural and racial impressions on the character .
it' d be great if, at the same time, we could talk about
mad men
too - - it' s what andrew would have wanted. â€ i' m so glad you said this, because my first â€” well, third â€” thought upon reading of andrew' s death (after ,
oh, how awful! â€ and
now i feel like a jerk for being annoyed by no updates the past few weeksâ€) was
i really, really hope he got to see the last episode of the season. â€ i' ve long felt that the key to immortality â€” at least for me â€” is always to be reading something really, really good. i can' t imagine leaving this world without first finding out how everything all turns out. posted by skyline on 2008 - 10 - 27 19: 30: 00
andrew was the co - editor, with robyn marsack, of twenty contemporary new zealand poets, published in 2009 by carcanet, uk, and victoria university press, new zealand. he also edited moonlight: new zealand poems on death and dying (random house, 2008). in 2007 he was the j d stout research fellow at victoria university of wellington. this site has a selection of his poems, essays, articles and reviews .
there is some suggestion that even gill, not a man to be easily abashed, may have felt uneasy about this. he sent johnston a letter that manages to turn, in a moment, from humility to boastful defiance. “i hope you realise”, he wrote, “that i take every opportunity of proclaiming the fact that what the monotype people call ‘gill’ sans owes all its goodness to your underground letter. it is not altogether my fault that the exaggerated publicity value of my name makes the advertising world keen to call it by the name of gill. ”
andrew johnston ( 1968 – 2008 ) was a film and tv critic . he wrote primarily for time out new york and us weekly and was also editor of the " time in " section of time out new york . 
andrew johnston (1968 – 2008) was a film and tv critic. he wrote primarily for time out new york and us weekly and was also editor of the " time in " section of time out new york.
andrew johnston (1968 – 2008) was a film and tv critic. he wrote primarily for time out new york and us weekly and was also editor of the " time in " section of time out new york.