the holly and the ivy ( film )
the holly and the ivy by wynyard browne was such a play. it was produced…
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the holly and the ivy was adapted as a successful film starring ralph richardson and celia johnson. among the distinguished cast in this 1971 production are stephen murray, john samson, jane knowles, isobel black and geoffrey beevers .
'... literate and deftly played by the cast of fine performers. .' (from a contemporary review of the holly and the ivy in the new york times )
title the holly and the ivy year 1952 formats dvd, cinema distributor (s) optimum releasing, leisureview ltd. , british lion film corp ltd classified date (s) 22 / 01 / 2010 main language english bbfc reference azf036364
when the family comes together at christmas, with the two maiden aunts - the holly and ivy represented in human form? - secrets tumble out, the family comes together, and peace and understanding comes to pass as it should in the festive season .
9 .
bamboozled
( 2000) can we get away with negative portrayals of race when it' s coming from a black director? that' s the very question that spike lee asked in his provocative 2000 film about a black, ivy league - educated tv writer who accidentally creates a minstrel show featuring characters in blackface. the idea was complex and brilliant; unfortunately, the film was messy and disorganized, leading critics to pan the film .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
a lovely film from the early fifties, none of the sickly sentimentality which hollywood would have made of a family christmas gathering .
we have an annual christmas ritual of watching the movie' the holly and the ivy' every year. it is all about families, christmas, modern life and the place of religion in it. this radio play is the origin of the movie, so i particularly enjoyed hearing the original source. there are some differences, as would be expected, between the movie and the radio play, but the movie is faithful to the play and uses most of the same dialogue. christmas is the' best of times and the worst of times' for families and the play captures this beautifully .
the actresses playing aunt lydia and aunt bridget - margaret halstan and maureen delaney - originated their roles on stage. they are the only performers in the film to have been brought over from the play .
as a fan of the film and of david lynch myself, i found that reading this pamphlet brought about a constant flow of triggered reminders, snap shots of memory of a film that i love and characters and scenes that i felt like i knew long ago. “the opening poem ‘go somewhere with me’ by collin kelley gives us the beginning and the end all at once in the first lines with :
this list collects every film from the starting list that became they shoot pictures don' t they' s 1000 greatest films. this…
this is a wonderful production from 1971 of a delightful and moving play, made into a film starring ralph richardson, celia johnson and margaret leighton. this fully lives up to the film version with all performances just perfect for each role. i wholeheartedly recommend it - particularly at christmas when the play is set .
i was delighted to find the holly and the ivy on dvd and looked forward to seeing it again after an interval of many years. one of the most cherished episodes in the film for me is the children' s performance of the nativity play, which could hardly have been anything other than the real mccoy, so artlessly halting and unpolished is it. to my great disappointment the section has been edited out of the film on this disc: no room at the inn becoming no room on the dvd, clearly. so if, like me, you are after this particular highlight, forget it where this print of the film is concerned. of course, the rest of the production is wonderful, with superb performances from a very reliable british cast, led by ralph richardson. but it' s just a pity that the icing is not on this particular christmas cake, and it' s a bit off to sell an incomplete picture, to say the least. please put the missing scene back in !
what does this say about our society, that the economy can improve and living conditions get worse? i signed away my moral and intellectual rights to planet ivy, whose owner will probably float the company and sail away into the sunset, thanking us all for our “voluntary contribution” .
‘lip synching’ by juliet cook is playful in its form and rhythm and dances around the lip synching theme which is a nod to the ‘this is the girl’ singing audition scene in the film. the lines change around in each stanza, until the reality has shifted to something else entirely .
“p. s. i love you” is rated pg - 13 (parents strongly cautioned). caution: this film may cause sniffles .
the holly and the ivy
is the only realistic christmas movie of the 1950' s. it tells the story of an english minister, ralph richardson, and his three conflicted adult children: margaret leighton, celia, johnson, and denholm elliott. everybody in the cast does a great acting job. this is mr. richardson' s last great role as a leading man in a movie. the story is like riding a roller coaster. christmas should be a calm time for families, but it is not for this english family. this movie is a forgotten gem .
so blue and hot and doomy with her cream beginning to clot with geriatric insects floating to the top they clink her limbs sting her sickly sweet girl - on - girl mirage balloon the jitters the cryptic jitterbug contest dream in which her fingers spread her blue nails shed like dead sequins in a key - shaped can in another indiscreet screen test desperate suckling of the metal rim’ karen head takes a slightly different approach in her poem ‘amnesia’. instead of referring directly to the film she talks about the experience of watching the film in a cinema with older ladies tutting at the lesbian scenes. the image of watching this film at the cinema is itself a little play on the theme of people playing characters and she gets nicely meta as she refers to the actors themselves as she writes :
ak: i think it & apos; s cool that one of the best and most popular cosplayers is an asian woman, considering how few asian characters there are to cosplay in american comics, film / tv and games .
i love good films of all eras whether they are old and b & w; or more recent and in colour. for me, this is a film that i would play while i' m still in bed early one christmas eve / day or boxing day morning before guests arrive or before going out. though for some people who are used to faster paced movies there might not be enough going on in this film visually. in this respect the fact that there are scenes with snow and an understated christmas background is vital to the success of the film. if it was set at any other time of year it would be a harder film to sell. this is a good english film set at a christmas time and i am surprised that i have not seen it advertised on telly before, or maybe i have overlooked it in the listings. i bought it because there are not enough english old time christmas set films where you can enjoy the feeling of nostalgia, except in well known films such as scrooge. if i have a couple of minor quibles it is that the film ends abruptly and according to previous reviewers, a couple of scenes are missing. the picture and sound quality are good and this dvd is probably the only uk release that is likely to be made .
i work for a magazine called planet ivy. the magazine has a pool of “more than 500 writers” – the majority of whom work for absolutely nothing. this is in our contracts, which state: “in the event that the contributor chooses to provide content to the company, the contributor does so of his own volition and without expectation of payment or compensation. ” and further on: “the contributor hereby assigns to the company all existing and future intellectual property rights. ”
the theme of illusion and dreams is fervent throughout but i cannot stress enough how jam - packed this little pamphlet is with everything in between these dreams too. every line is like a strobe that throws light on a scene you’d forgotten about, but that’s not to say that these poems don’t stand up on their own merit. it’s hard to tell what someone who has not seen the film would make of these poems, i’m quite sure a lot would just go over the head but like the film itself, you don’t necessarily have to understand what’s going on (indeed it took me about 4 viewings to understand the twist) to appreciate the imagery and humour and tension. the film aside, parts of the last poem ‘untitled’ by esther johnson stand up alone :
maureen delaney, hugh williams, margaret halstan and john gregson have major parts, william hartnell, robert flemyng, roland culver and dandy nichols have walk - on roles, and the film is sensitively photographed in black and white by the skilled ted scaife (camera operator on black narcissus and the third man). the director, george more o' ferrall (1907 - 82), worked largely in tv and made only six feature films, most famously the heart of the matter (1953) .
bf: the tron dress that victoria and jinyo created was beautiful, fashion - foward, and looked absolutely wearable, plus i loved the heart - shaped identity disk. and as much as i got stressed out about crabcat splitting up for episode three, i also really loved holly & apos; s liliari costume and alien prop (from galaxy quest) and jessica & apos; s tank girl costumes. i think that it was really cool to see that cosplay (especially as a duo or a group) might not only be about having the proper skills to complete the costume, but finding the right balance of work and play; with holly and jessica, they & apos; re both extremely talented individually, but their relationship as cosplayers really resonated with me (and with my cosplay partner - in - crime, ali kay) .
‘in the movies, everything is illusion. watts and haring play betty and rita, are diane and camilla, and in reality we can be anyone we want –’
it is in this light, perhaps, that russell brand’s recent call for political transformation gains its traction. when this is published, my work will be taken down from planet ivy media, all rights reserved. and i am glad it will be. please, spread the word, and don’t forget to share .
at planet ivy, we offer a way for writers to get exposure on our site as well as sending their work to the huffington post and guardian. we make it as flexible as possible to fit around other jobs – we’ve even had a city lawyer write for us – and offer feedback and constructive criticism so that writers improve while they work with us .
classic post - war drama starring ralph richardson as martin gregory, a clergyman whose commitment to his religious duties leads him to neglect his family. things come to a head at the family' s christmas gathering. the film also stars celia johnson, margaret leighton and denholm elliott .
correction: a previous version of this article referred to
birth of a nation
as the first feature - length film. it was not. a quote from downy cited to entertainment weekly has also been updated .
and it’s nice that throughout this pamphlet there’s focus on characters outside of the main storyline such as the director and that scene where he comes back to find his wife in bed with someone else and his revenge is to pour paint into her jewellery box. the poems are playful and thankfully free of pretension. as a piece of fandom it’s spirited and brimming with detail, especially seen in emilie zoey baker’s numbered ‘no hay banda. there is no band’, which charts our way from beginning to end of the film and had me smiling all the way through :
5 .
the king and i
( 1956) despite his penchant for exaggerating his exotic russian background, actor yul brynner was certainly not asian when he took on the role as king mongkut of siam on broadway and, eventually, the original film adaptation of
the king and i .
brynner would go on to reprise his role as king mongkut for the rest of his life, portraying the character over 4, 000 on stage until his death in 1985 .
6 .
breakfast at tiffany' s
( 1961) mickey rooney' s cringe - worthy portrayal of mr. yunioshi, the japanese photographer who lives in holly golightly' s building, mars an otherwise stellar hollywood classic. more than 40 years after the film, rooney revealed that the criticism about his allegedly racist depiction
breaks my heart … never in all the more than 40 years after we made it - - not one complaint. every place i' ve gone in the world people say,' you were so funny.' asians and chinese come up to me and say,' mickey you were out of this world.'
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the website is able to successfully generate advertising revenue by targeting the youth market – guaranteeing companies an audience between 18 and 25, planet ivy sells ad space to peroni, american apparel, universal studios and levi’s, among others, and is hitting a million unique users per month. indeed, it is set to become the “fastest - growing online - only magazine in the country by the end of the year”. and yet its founder, the jet - setting vincent dignan, feels no shame in insisting that “across all boards we have a unique relationship with our writers. they’re highly engaged, and are happy to produce content for us for free” .
“p. s. i love you” won’t win any awards; it isn’t the sort of work that flatters a critic’s taste. it’s preposterous in big and small matters (holly complains about a lower east side apartment that any sane new yorker would kill for), and there are several cringe - worthy set pieces, some involving mr. butler and a guitar. the film is not a beautiful object or a memorable cultural one, and yet it charms, however awkwardly. ms. swank’s ardent sincerity and naked emotionalism dovetail nicely with mr. lagravenese’s melodramatic excesses: together the director and his star create a swell of feeling that helps blunt your reservations about being played as an easy mark, a sap or, worse, a girl, even if that’s exactly what you are .
beware. this is a cut version. two scenes are missing: the children' s nativity and the scene where margaret and mick join carol singers in the village .
10 .
white chicks
( 2004) otherwise known for their uninspired comedy, brothers shawn and marlon wayan flipped their blackface stereotype on its head when they appeared in whiteface drag as two
white chicks
who are actually undercover cops. the critics weren' t convinced; the new york daily news reviewed the film as brimming with
witless racial clichés, stale sexism and homophobia and enthusiastic celebrations of extreme flatulence .
holmes, his friend watson (or his brother mycroft) work to solve the mysteries of the three gables, the dying detective, the golden pince - nez, the red circle, the mazarin stone, and the... see full summary »
bf: right! but it & apos; s tough. holly and jessica regularly assist each other with their costumes, and they helped chloe with creating her sand worm puppet, but the show didn & apos; t include footage of her explicitly giving them credit when questioned about it in the competition. whatever happened, i suspect victoria was definitely put on the spot because she knew that yaya knew that jinyo was instrumental to her tron costume .
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“p. s. i love you” looks squeaky clean and utterly straight and very much removed from the shadow worlds in which ms. swank has done her best work. yet as directed by richard lagravenese, who shares screenwriting credit with steven rogers, it has a curious morbid quality. ms. swank plays holly kennedy, a 29 - year - old new yorker who, shortly after the story takes off, becomes a widow. her husband, gerry (gerard butler), however, doesn’t fully disappear. instead he visibly lingers in her apartment — he seems less like a ghost than like a manifestation of mad grief — and in the letters he left behind. these letters are full of bossy instructions for holly on how to grieve and live. they are, in essence, a primer on how to be a widow .
but the reason this rivalry is in the show at all is for the purposes of a conflict. for dramatic reasons, yaya can & apos; t be the unchallenged matriarch, even if she actually is. we see her protégé monika corrupted by the dark sexy side! the truth is, based on what we & apos; re shown, monika & apos; s poison ivy cosplay wasn’t really that scandalous at all, it just wasn & apos; t a winner. but monika is nevertheless depicted as being punished for being too sexual and loses the contest and becomes despondent and ashamed. that’s the feeling all reality shows want you to have about sex .
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bf: yeah, over the past couple of years i & apos; ve been aware of reality television & apos; s growing interest in tapping into the cosplay market, especially with the success of project runway and face off and the growing popularity of nerd culture and cosplay in the broader popular culture .
8 .
soul man
( 1986) what' s more outlandish: the idea that a white privileged college student could disguise himself as a black man in order to win a harvard law school scholarship, or that a film about that very topic would be financed ?
soul man
is the unfortunate reality of the latter .
michael palin undertakes a journey by the most direct route possible with the most land to cross from the north pole to the south pole .
heroes of cosplay is a docu - series that follows nine cosplayers (yaya han, riki lecotey, monika lee, victoria schmidt, chloe dykstra, jessica merizan, holly conrad, becky young, and jesse lagers) as they work on intricate, ambitious costumes and travel to compete in costume contests at conventions all around the united states. the show is the cosplay community & apos; s most visible representation in the national media so far. unfortunately, heroes of cosplay has garnered a fair amount of criticism from within and outside the fandom, from speculations of
fixed
costume contests to possible copyright infringement of cosplay photography .
but family tensions soon come to the fore, and as skeletons tumble from closets, the vicar finds his christmas spirit sorely tested and is forced to reconsider all the values he holds dear ...
2 .
the jazz singer
( 1927 )
the jazz singer
follows jakie rabinowitz (al jolson), who rejects his jewish heritage in order to pursue his dreams of being a popular jazz singer - - in blackface. the film was generally received positively by white and black critics alike, with harlem' s amsterdam news writing ,
every colored performer is proud of [ jolson ] .
the family come home for christmas and a few chickens come home to roost in this drama about a widowed country parson and his children .
welcome to the post - recession world, where social discourse is subordinated absolutely to advertising and paid work is replaced with “experience”. this is the business model that was pioneered by the huffington post and described by tim rutten of the los angeles times as “a galley rowed by slaves and commanded by pirates” .
comment: complete with perfect disc. cover and insert in superb condition. genuine and original uk release .
the disappearance of a young woman' s father and a mysterious note years later after the strange regular annual delivery of valuable pearls to her puts sherlock holmes on the case .
mr. lagravenese, who last directed ms. swank in the sympathetic drama “freedom writers, ” is in sync with his star from the get - go. he puts her in the middle of the frame and in a succession of mostly flattering outfits, and smartly surrounds her with well - ripened second bananas, notably kathy bates, as holly’s protective mother, and lisa kudrow and gina gershon, as her best friends. harry connick jr. swings in and out as a possible love interest, as does the temperature - raiser jeffrey dean morgan, a television actor (“grey’s anatomy, ” “weeds”) who bears a striking physical resemblance to javier bardem. mr. morgan’s appearance in “p. s. i love you” finishes off mr. butler (last seen slaughtering persians in “300”) far more effectively than does gerry’s terminal illness .
the film stars hilary swank, a square - jawed beauty at once angular and bosomy, vaguely masculine and unequivocally feminine, whose greatest roles — in “boys don’t cry” and in particular “million dollar baby” — have exploited her ambiguous physicality to enormous advantage. like some of the greatest sob sisters of the big screen — think of barbara stanwyck and joan crawford — she has a kind of working - class toughness bordering on hardness that makes the eventual cracks in her armature all the more effective. unlike stanwyck and crawford, though, ms. swank can come across as intensely, almost desperately eager to please, which invests her with tremulous pathos or makes you feel embarrassed on her behalf. stanwyck would have booted her offscreen. crawford would have eaten her for breakfast .
when the latest heir to the baskerville estate seems to be threatened by a family curse, only the master detective, sherlock holmes, can find out the truth .
10. night winds blow the lovers and they land in red velvet. everything is a recording .
) from the sideboard, it' s a different one. the close up shot of the photo shows him in uniform as opposed to civilian dress on the sideboard .
bf: yeah, i saw a lot of people who were really upset about what was
said
in regards to cosplay pet peeves and body types, and yaya and riki getting a lot of flack for voicing the harsher view. i think that it was clear that that the cosplay pet peeves discussion was artificially prompted and edited to create a rift between cosplay elite and cosplay amateurs .
at christmas, a vicar' s family gathers, ostensibly for a warm reunion, but long - simmering problems and conflicts rise up to drive away any holiday cheer. this is, on some level, the granddaddy of the dysfunctional family plot as it came to be used in soap operas, tv - movies, and film. i' m sure it' s not the first (gone with the wind might well count as one) but it feels like it set a template that is still followed. based on a play, it' s very stagy but the acting is superb all around, and i enjoyed seeing a remarkably young denholm elliott as the youngest son. in some ways, christmas isn' t really all that crucial to the plot, but there are several lovely holiday…
david attenborough discusses the biomass and life in a variety of eco - systems spanning many of the environments found on earth (from tropical to polar) .
ak: the crucial difference between heroes of cosplay and other reality series is that cosplay is a creative pursuit. the talents of these people are manifest and the focus necessarily remains on the costumes - - much more than i would have expected based on 51 minds’ track record. the competition format makes it more of a reality show / game show hybrid .
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at critical points, those hostages to fortune seemed about to be called in: notably when the brutal phoenix park assassinations (by a fringe fenian group) jeopardised his just - formed alliance with the liberals in 1882. that the political entente survived the politics of the last atrocity was essentially a victory for parnell' s and gladstone' s leadership and imagination. the current relevance of this story for anglo - irish relations need not be spelt out, and robert kee tells it with a combination of passion and control which appropriately echoes his hero .
ak: the fear and awe with which the other cosplayers talk about yaya is also really intriguing. in episode two, monika lee even talks about becoming yaya & apos; s apprentice and being
discovered
by her .
ak: finally, there was a doctor doom cosplayer in the first contest that was the best doom i’ve ever seen. the costume was spot - on kirby and he even screamed, “richards! !! ”
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
ak: jessica’s tank girl was also fabulous and, as she explained, took tank girl cosplay to a new level by stripping out the cute and focusing on the badass qualities of the jamie hewlett character. victoria and jinyo’s tron dress was also a favorite of mine. i really like cosplays that are cute twists on a familiar character or look but that still express the essential idiom of the source. in this case, victoria looked like a woman at a formal event or posh nightclub in the grid. great stuff .
unemployed graduates are termed “job snobs” by the same party that tripled university fees, and a truly vicious circle is engendered: forced to work for free in return for their jobseeker’s allowance, the unemployed are corralled back and forth, adding value to transnational corporations without the hope of ever securing a job .
ak: by a wide margin my favorite is riki’s rocketeer. as longtime ca readers know, we are huge dave stevens fans and have been really supportive of idw publishing’s rocketeer adventures anthology, which is the source of riki’s cosplay. cartoonist darwyn cooke came up with the maddeningly simple yet manifestly brilliant idea of having the rocketeer’s girlfriend betty - - modeled by stevens after bettie page - - finds herself in the positioning of wearing the famous jacket and rocket pack herself and rescuing the rocketeer for a change. because this is a rocketeer story it naturally plays out in such a way that she happened to be wearing nothing but vintage lingerie at the time, which riki bravely made part of her costume along with the custom jacket, buttons and homemade helmet and jetpack. i can just imagine riki reading that story and getting struck by a lightning bolt of inspiration, and it really shows in her cosplay. it’s one of the best cosplays of any character i’ve ever, ever seen .
katharine (never' kitty' except in the yellow press) was a well - connected liberal englishwoman whose charm, vivacity and intelligence captured the ostensibly icy parnell from an early stage. through the 1880s they lived in domestic seclusion at eltham, while her husband willie came and went from his london flat, and her vastly wealthy aunt across the park subsidised the household. the latter' s fortune provided the main reason for keeping the shaky menage on the road; recent biographers have assumed that willie' s connivance was a fait accompli from an early stage. kee presents the relationship as much more ambiguous, and the husband' s resentment of his rival as correspondingly more vehement. letters often bear him out, though the evidence in katharine' s bombshell memoirs in 1914 may have been doctored in the o' shea interest (very few of the letters therein are given in facsimile). but kee has, among many other adjustments, re - established o' shea' s political credentials more convincingly than any other biographer .
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8. the audition. there was so much breath in the room it would relax an asthmatic. ’
bf: a lot of the show has felt very scripted, like it’s deliberately creating drama between certain cosplayers. there has been some criticism of the editing of the show in terms of truncating quotes out of context. as both a fan of cosplay and as someone who has a major fascination with reality television and some insight into that business, how do you feel about the show in relation to the fandom ?
at 23, and writing for an online - only magazine, i am a part of this landscape of exploitation, an atavistic “internship” culture that has been able to thrive in large part because of the global financial crisis, but that has been crucially aided in the uk by the conservative party’s conclusive establishment of great britain plc. among the worst hit by welfare reforms are those between 18 and 25. there are approximately 7. 5 million neets across the eu, nearly 1 million of whom are in the uk, and it is to the young unemployedthat these exploitative media sites appeal most .
from the early 1880s, much as parnell' s domestic life revolved round eltham, his political life centred itself in britain; he removed himself from continuing land agitation in ireland (where the outcome of the land war had been to the advantage of strong farmers rather than subsistence tenants). the liberal commitment to home rule tied his hands; he could no longer look for tory counter - bids (more likely at the time than they appear in retrospect), and the treacly rhetoric of a' union of hearts' replaced confrontation politics. parnell continued to cast a cold eye on both british opportunism and irish sentimentality: kee conveys perhaps better than anyone the quality of royal remoteness that made him a great leader and eventually an icon for yeats and joyce. but he also analyses the irrationality of his passions, and his' masterful talent for making the truth what he wanted it to be' .
perhaps because of this masculine - feminine ambiguity, ms. swank has not often been cast as a romantic foil opposite men. she wooed another woman beautifully in “boys don’t cry, ” and in “million dollar baby” played the adoring daughter to a surrogate father, a symbolic romance conducted principally inside the confines of a boxing ring. one reason she was so good in brian de palma’s convoluted noir “the black dahlia, ” in which she crept around like poison ivy, is that her performance as a femme fatale is set inside quotation marks. she didn’t register as a toxically dangerous woman but as an idea of that irresistible sexist cliché. she filled out her character’s snug gown as a drag queen would .
it is christmas eve and the family are gathering at reverend martin gregory' s norfolk vicarage. a soldier son destined for oxbridge, two elderly aunts with a passion for chatter, a cousin with a military background and a pair of daughters who are both hiding secrets join the vicar to celebrate the festive season .
bf: yaya is someone who was at the forefront of bringing the cosplay scene more into the public eye. she & apos; s someone who has created a lifestyle and a career out of this hobby. she & apos; s someone who has clearly worked to perfect every costume that she creates, probably because she is so aware of her role in the cosplay community. to be judged and critiqued by someone like that in the community, whose attention to detail and craftsmanship is admirable and meticulous, i can see why some of these cosplayers were extremely intimidated .
ak: well, the primary function of a reality show is to create conflict and make people look like a - - holes. 51 minds, the company that makes this show, is one of the all - time bests at this. they did all the great vh1 “celebreality” shows like the surreal life, flavor of love, rock of love, charm school and i love money. the whole point is to take people from certain lifestyles or scenes - - in the case of those shows, z - list celebrities, groupies, strippers, juiceheads - - and throw them in a thunderdome and make them fight for fame and / or money. that is essentially what & apos; s gone on in heroes of cosplay, but with cosplayers .
7 .
trading places
( 1983) this hit eddie murphy comedy (an' 80s take on
the prince and the pauper
) couldn' t have been more un - pc by featuring a scene with dan aykroyd in blackface and dreadlocks .
3 .
swing time
( 1936) this is widely considered the best dance musical by legendary acting partners fred astaire and ginger rogers. inspired by real - life tap dancer bill
bojangles
robinson, astaire mimicked the actor' s style and appeared in blackface for the musical number ,
bojangles in harlem .
as the curator of comicsalliance & apos; s weekly best cosplay ever feature and a cosplayer myself, i & apos; ve been approached for my thoughts on the show and its depiction of my community. with three of heroes of cosplay & apos; s six - episode run now out there for all to see (you can watch them on syfy & apos; s youtube channel if you missed them), ca editor and reality tv obsessive andy khouri joined me for a discussion about the controversial show, the current state of cosplay fandom, and the nature of geek - centric reality television .
it would be easy to dismiss “p. s. i love you, ” about the agonies visited on a young married couple, as the big - screen equivalent of a paperback romance. certainly the refined critical mind understands that this is the kind of artful emotion machine that the movies have been making since the very first tear slid down an actress’s face, the droplet seen — and experienced — around the world by audiences who answered that bead of dew with a grateful flood of their own. cry us a river, mary pickford !
michael palin embarks on another epic journey of exploration and adventure, this time 15, 000 miles through 18 countries around the pacific rim .
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well done! very well handled family drama that is perhaps darker and more cynical than expected but balanced by an ending that, while pat, is appropriate given the hopeless of the middle section .
each of them has a little secret to tell, even if, in the case of his son it' s that the entire family felt as if they could never tell his the unvarnished truth about themselves. one daughter wants to get married and move away but can' t bear to leave the old man and can' t even tell him that she' s in love, while the other has had an affair with a now dead american airman and had a son by him who has also died, all of which she…
but i am not happy to continue participating in the condescending game of part - time service sector cultural capitalism, where i am told that it is a luxury to be able to “choose” when i “want” to work, and when i don’t. i am far from unique. the zero - pay contract may be the jewel in the new - media crown, but almost every industry is exploiting those crippled by the cruel and post - digital economic pattern .
but his life was replete with ironies. an apparently ignorant young squire from a protestant ascendancy background, he commandeered the irish home rule party at westminster in the late 1870s; he subsequently achieved national dominance by heading the struggle of tenant against landlord and delivering fenian - style language from parliamentary platforms. the home rule formula which he forced on to the british political agenda was far from separatist republicanism, but still radical enough to split the liberal party when gladstone accepted it. the controversial alliance between ex - revolutionary young turk and grand old man collapsed when parnell refused to stand down after being cited in the o' shea divorce case in 1890; opposed by the majority of his party, he died very suddenly in 1891, aged 45. still, the magic remained; and as an old opponent remarked long afterwards,' if we had the voters, parnell had their sons' .
ak: we mentioned this part before with the chloe
hero edit ,
but we should get into the big, bloggable wtf moment of the whole show so far: the discussion about body types and how cosplayers should be conscious of how they will be judged online. the editing here is very obviously manipulative because nobody really says a complete thought. here & apos; s how the conversation was cut together, including the one - on - one setups that are intercut as it happens :
bf: yes and no. i think that a lot of people in the fandom (whether they cosplay or not) are naturally competitive due to the nature of geek culture, but with cosplay it & apos; s a bit skewed and complicated. on the show, they emphasize the competition because all the contestants are entering
weekly
contests at conventions, which of course will naturally lead to pitting the cosplayers against one another. however, i think it & apos; s important to note that the majority of cosplayers at conventions aren & apos; t entering costume contests or masquerades - - they & apos; re just strutting around and taking photos .
movies that make you bawl were sometimes called five - hankie weepies, a sneery label calculated to insult the film and the teary filmgoer alike. there aren’t a lot of these made anymore in america, mainly because most of our movies now are about men and not women. even so, there are plenty of covert male weepies, films that transform emotions into actions, including acts of violence. “michael clayton” is a male weepy, as is “american gangster, ” which turns a duel between tough guys into a veritable drum circle of two. “p. s. i love you” is more obviously a weepy, but because it leavens sorrow with laughter, it probably requires no more than three hankies. i wouldn’t know: i just used the back of my hand .
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andy khouri: from the non - cosplayer & apos; s perspective, i think there was a point in history where cosplay was this derisive, undignified thing that people associated with comic book and sci - fi / fantasy conventions. those cheap cardboard costumes, the infamous
tron guy
in spandex. and then cosplay seemed to shift into the domain of seriously creative people who looked like models and created professional quality costumes. the biographical content of heroes of cosplay puts yaya han at the forefront of this shift. what & apos; s her deal ?
after the other reviews, i came to this hopeful, but finished bored. this flat adaptation betrays its stage origins badly. the christmas setting is totally superfluous to the plot - it could be a wet sunday in april for all the atmosphere it adds. i know it is a different era, but would somebody be able to keep
the big secret
from their family for four years? the only plus was any chance to watch margaret leighton and celia johnson. one for the charity shop i think .
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in one of my other lives, i’m the administrator of a playwriting competition. every year, anywhere between 200 and 300 scripts are submitted. of these, i would estimate (since i don’t actually read all the plays myself – i parcel them out among a dozen or so readers) that at least 30% have the same basic plot line: a group of people, frequently members of the same family, are brought together for some occasion – a wedding, a funeral, a holiday, something plausible – and, in the course of their gathering, long - held secrets and grievances are finally aired and brought to some sort of conclusion .
the o' shea relationship was one tightrope parnell walked for a decade, oblivious to gossip, dempsteresque newspaper paragraphs and the mounting disquiet of his own party. there were other balancing acts, too, notably involving his apparent endorsement of separatist language in the early part of his career. kee has resurrected little - noticed speeches and shows parnell' s adept use of fenian - speak for british as well as irish audiences; it fits well with the theory, often reiterated but never proved, of a concordat between the fenians and the home rulers, in 1873, which gave the parliamentarians three years to show what they could do. parnell' s speeches from 1875 seem calculated to show the' advanced men' that one mp at least was keeping the faith. it conferred a heroic aura, distanced him from his background and helped him displace his leader butt; yet it delivered vulnerable hostages to fortune .
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michael palin owns what must be the most - used passport in britain. now it has been taken out of the drawer once again for the making of his new one - off documentary, around the world in 20... see full summary »
in fact, rather a lot. this book stems from decades of obsession, and a vast trawl of contemporary newspapers: for kee shows, better than anyone, just how far parnell' s reputation was made by journalists. he also brings to the subject a genius for forceful narrative and dramatic effect. and he has made the decision, simple but very effective, to centre parnell' s career where his priorities (rightly or wrongly) lay: his private life with katharine o' shea, wife of a parliamentary colleague. thus the mounting excitement of the land war, and the speed with which parnell came to terms with gladstone, are related to this secret obsession. unintentionally, this replays many of the criticisms of his colleagues after the split; but it is psychologically very convincing .
betty felon: yaya han is one of the biggest names in the cosplay world. she & apos; s been cosplaying for over a decade and was one of the first cosplayers to develop a major web presence with her cosplay work. in fact, yaya han was one of the first people i looked up to when i started getting involved in the cosplay / convention scene when i was a teenager, so i totally understand if people also look up to her with both awe and pure intimidation .
intelligently written and well acted, only marred by an ending that' s too pat .
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“i suppose people who fall asleep in the snow feel like this. they know they’ve got to keep awake but just for a moment they give up the struggle because cos the snow is so warm and cosy. ” “i’ve never heard yet of anybody freezing to death from a kiss. ”
i really loved that amazing galactus cosplayer who won best in show in the first episode - - his costume was outstanding! i think one of the downsides of this show is that they don & apos; t include any information on the other contestants of the contests. i would love more footage about some of the other cosplayers .
i really enjoyed this audio cd similar in vein to dear octopus. family arrive for christmas and secrets are revealed and family values affirmed. a nice feel good ending, i liked it so much i bought the dvd which is still available on amazon .
nothing provides more historiographical mileage than an enigma, and the 19th - century irish home ruler charles stewart parnell comes ready - made for immortality: a charismatic leader of irish nationalism who nearly brought off peaceable independence (or at least autonomy), a man who stood for everything and nothing; finally, a moses who was cast out by his people in sight of the promised land, and lost the world for love. no wonder that he subsequently' deviated into literature', as conor cruise o' brien put it (an ironic fate for a man whose reading was largely limited to alice in wonderland and youatt' s the horse) .
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the holly and the ivy is a 1952 british drama film directed by george more o'ferrall and produced by anatole de grunwald . adapted from a play by wynyard browne , it is about an english clergyman whose neglect of his grown offspring , in his zeal to tend to his parishioners , comes to the surface at a christmas family gathering . ralph richardson , celia johnson , and margaret leighton star , while margaret halstan and maureen delany reprised their roles from the stage . it had its u.s release in 1954 . 
the holly and the ivy is a 1952 british drama film directed by george more o'ferrall and produced by anatole de grunwald. adapted from a play by wynyard browne, it is about an english clergyman whose neglect of his grown offspring, in his zeal to tend to his parishioners, comes to the surface at a christmas family gathering. ralph richardson, celia johnson, and margaret leighton star, while margaret halstan and maureen delany reprised their roles from the stage. it had its u.s release in 1954.
the holly and the ivy is a 1952 british drama film directed by george more o'ferrall and produced by anatole de grunwald. adapted from a play by wynyard browne, it is about an english clergyman whose neglect of his grown offspring, in his zeal to tend to his parishioners, comes to the surface at a christmas family gathering. ralph richardson, celia johnson, and margaret leighton star, while margaret halstan and maureen delany reprised their roles from the stage. it had its u.s release in 1954.