trespass against us
trespass against us is british crime drama about three generations of a traveller family .
‘habitual thief’: michael fassbender in trespass against us. photograph: allstar / film4
arrested development: michael fassbender in trespass against us. photograph: allstar / film4
summary trespass against us is british crime drama about three generations of a traveller family .
cannes: lionsgate acquires u. k. rights to michael fassbender film ‘trespass against us’
british crime drama trespass against us has been kicking about for a while now ...
cannes: lionsgate acquires u. k. rights to michael fassbender film ‘trespass against us’ – variety
trespass against us is currently playing at the toronto international film festival and opens on january 20 .
film credits include trespass against us, summer solstice, no place to go and walking with cavemen .
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a24 has revealed the trailer and poster for trespass against us, the crime drama starring michael fassbender, brendan gleeson, lyndsey marshal, killian scott. check out the trespass against us trailer below, along with the poster in the gallery !
trespass against us is an overwhelmingly forgettable film, telling an unoriginal story with no artistic swagger that can make it feel fresh again .
ezra khan will soon be appearing as jamail in the feature film trespass against us for potboiler producitions alongside michael fassbender and directed by adam smith .
siddons has directed the documentaries “turn it loose” and “inside out: the people’s art project. ” “trespass against us” is his first feature film .
caught between tradition, suspicion and the reality of modern life, trespass against us makes its point about the shackles and constraints of freedom very well .
despite this, trespass against us has some well crafted action to it, but not enough to keep it being any other than a missed opportunity .
despite a few bursts of well - directed action and a strong cast, trespass against us isn' t unique or original enough to get excited about .
trespass against me feels like a missed opportunity. be reassured though, michael fassbender doesn' t let his fans down .
london – michael fassbender is in negotiations to star in trespass against us, a gangster film that will mark emerging u. k. talent adam smith' s narrative feature debut .
trespass against us is a movie starring michael fassbender, brendan gleeson, and lyndsey marshal. a man looks to find a way to escape the criminal ways of his outlaw family .
if palling around with a group of wastrel criminal types whose idea of fun is burning their possessions while running around shirtless chasing rabbits, then trespass against us is the film for you .
trespass against us follows in the tradition of british crime films, wherein it leans heavily into the particular environment it' s set and the language and eccentricities of it. get carter, for example, was all grey skies and geordie accents. lock, stock and two smoking barrels was lahdahn slang and alan ford yarns. with trespass against us, it' s rural gloucester and criminal members of the travelling community. yet, while these other examples drew us in, trespass against us instead makes a point of keeping the audience out - both by making them incredibly difficult to understand not all that likeable, either .
trespass against us began life with screenwriter / producer alastair siddons. several years ago he came across an article in an english newspaper that reported on a family that had been terrorising the cotswold countryside .
written by alastair siddons and directed by adam smith, trespass against us will be available exclusively on directv november 24, and in theaters early 2017. the film features a score by the chemical brothers .
trespass against us is set across three generations of the cutler family who live as outlaws in their own anarchic corner of britain’s richest countryside. chad cutler (michael fassbender) is heir a... more
trespass against us is a british - american film directed by alastair siddons, starring national treasures michael fassbender and brendan gleeson. the film tells the story of an outlaw family and a heist that goes awfully wrong .
exclusive: a24 has acquired u. s. rights to director adam smith’s anticipated feature debut trespass against us, starring michael fassbender (x - men: days of future past) and brendan gleeson (calvary) .
ezra khan has begun filming for feature film trespass against us with potboiler productions. the film will star michael fassbender and brendan gleeson and follows chad cutler trying to find a way to escape the criminal ways of his outlaw family .
a film like this needs sociological credibility, artistic distinction or, at the very least, interesting, engaging characters. lacking all of the above, the thoroughly unpleasant “trespass” does indeed trespass against its audience, ending up more endurance test than entertainment .
the ai also wanted to warn us humans about the dangers of mass surveillance .
cannes — lionsgate has acquired u. k. rights to heist movie “trespass against us, ” which is the debut feature from up - and - coming u. k. director adam smith, and stars michael fassbender (“12 years a slave”) .
though many bad movies are simply depressing, adam smith ’s “trespass against us” is so exceptionally bad that it at least has this bright sidelight: unless 2017 turns into a truly disastrous time for movies, it may be the worst of the year is already here .
unexpected love later in life and a clash against a monolithic corporation... ...
prejudice against the travelling community is a key theme for trespass against us. despite chad and kelly’s intentions, they find that their efforts to integrate into settled society are halted by prejudice at every turn. writer and producer of the film, alastair siddons, explained his desire to tell the travellers’ story without bias, “while there are things that the cutlers do in the film that you’re not supposed to like, i always wanted to approach the subject without judgement or prejudice and let people make up their own minds. ” contrary to common objectification of traveling communities in mainstream entertainment, siddons says trespass against us isn’t about travellers, “it is just about family. ”
subscribe: urltoken blood is a brutal bond. directed by adam smith, starring michael fassbender and brendan gleeson. trespass against us – now available on itunes, amazon, and dvd / blu - ray! (links below) release date: coming soon director: adam smith cast: michael fassbender and brendan gleeson visit trespass against us website: urltoken like trespass against us on facebook: urltoken follow trespass against us on twitter: urltoken now available for rent or purchase! rent or buy it on itunes: urltoken rent or buy it on amazon: urltoken buy it on dvd / blu - ray: urltoken rent or buy it on youtube: urltoken - - - - - - about a24: official channel for a24, the people behind moonlight, the lobster, the witch, ex machina, amy, spring breakers & more coming soon: free fire, a ghost story, how to talk to girls at parties, it comes at night, woodshock, slice, good time subscribe to a24' s newsletter: urltoken visit a24 website: urltoken like a24 on facebook: urltoken follow a24 on twitter: urltoken follow a24 on instagram: urltoken
trespass against us offers us the cutlers, another screwed - up set of relations, this time a crooked father and son played by brendan gleeson and michael fassbender. but it can’t decide if it wants to be about family or about being a felon. and in a movie that sets aside a good proportion of its budget for robberies, car chases and police helicopters, this is a problem that needed resolving .
trespass against us, a british crime drama from first - time director adam smith, pitches fassbender somewhere between these two posts: not dire, but not unforgettable, either. a rickety curio that wavers between whimsy and dour melodrama, it drifts aimlessly, achieving very little – much like the anglo - irish vagabonds the film revolves around .
it’s doubly unfortunate, then, that there’s next to nothing about the wider culture. there’s a blink - and - you’ll - miss - it shot of some bareknuckle brawlers at some sort of carnival, but trespass against us would rather push the crime angle of the story, hoping we’ll root for chad to elude the cops one last time .
from the chemical brothers to little dorrit, the streets to doctor who, adam smith has had an eclectic and distinctive directing career. as his first feature film, trespass against us, is released, we talk to him about working with michael fassbender, making the perfect concert visuals, and the importance of finding projects that speak to you .
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trespass marks his first fiction feature screenplay. siddons and smith joined forced in 2013 to set up production company albert granville .
trespass against us is an original gangster movie set across three generations of the rowdy cutler family, who live as outlaws –hunting hares, ram - raiding stately homes and taunting the police. struggling to retain a way of life fast becoming extinct, chad ends up caught between his father’s archaic principles, trying to do right by his kids and the letter of the law .
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another claustrophobic thriller that joel schumacher can churn out in his sleep, trespass is nasty and aggressive, more unpleasant than entertaining .
it’s clear within the first few minutes of first - time director adam smith ’s trespass against us — as a muddy subaru races after a bounding rabbit in the u. k. countryside, with a young boy at the wheel — that the film to follow will be a disorienting experience. indeed, it’s one that plunges the audience into thematically murky waters. crime thriller or offbeat family drama? darkly funny or way too dreary? trespass has all of these elements, and ultimately, this thick stew is unsatisfying .
cannes — lionsgate has acquired u. k. rights to heist movie “trespass against us, ” which is the debut feature from up - and - coming u. k. director adam smith, and stars michael fassbender (“12 years a slave”). pic is written by alastair siddons, who will also produce, alongside gail egan and andrea calderwood of potboiler prods. it will be executive [ … ]
@ cda0519 i am not a partisan. for gay marriage, against the death penalty, and pro choice. i am for social inclusion, fiscal responsibility
maybe it’s understandable that fassbender looks even more tortured than usual. his indie - cred side has always led him to make some odd choices — like when he played a version of the papier - mâché - headed english musician frank sidebottom in “frank, ” a movie that had no more psychology than a hipster greeting card. in “trespass against us, ” chad has a wife and two kids, but the movie turns him into such a passive agent that it’s impossible to read him. now he’s a reckless thief. now he’s a caring family man. now he will sacrifice himself because he is both. but mostly because fassbender is a big actor who needs a major martyr climax. it’s hard to say what the title of “trespass against us” actually means, but then it’s hard to know what anything in this movie thinks it’s about. even ed wood would have said, “needs work. ”
one likely answer: michael fassbender. though he’s built a formidable career veering between cartoon - franchise blockbusters and far more artistically ambitious projects, including the three films he’s starred in for steve mcqueen, the actor evidently likes to stay busy—or perhaps likes to help untalented filmmakers—because he also lends his talents to projects that aren’t worthy of them. 2015’s “ slow west ” was one. “trespass against us, ” though, may take the cake as the most completely ludicrous .
don' t spend thirteen bucks on trespass unless you' re running from the cops and you need a place to hide, wait for it to hit vod .
trespass against us is set across three generations of the cutler family who live as outlaws in their own anarchic corner of britain’s richest countryside. chad cutler (michael fassbender) is heir apparent to his bruising criminal father, colby (brendan gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. but with his own son, tyson (georgie smith) coming of age, chad soon finds himself locked in a battle with his father for the future of his young family .
that love manifests itself most memorably in the film’s rather delightful final 10 to 15 minutes, a series of events featuring a puppy, angry cops, and an epic tree - climb. the whole stretch is a pleasure, and the final moments between chad and tyson are truly moving. if the rest of the film had captured the conclusion’s mix of absurdity, heart, and humor, trespass against us may have proven to be an unexpected winner. instead, it’s a so - so affair offering momentary pleasures .
. both stories are set against the unpredictable outlaw backdrop of a crime dynasty; both explore the near impossibility of escaping from an environment that both supports and suffocates. but what sets
adam smith is an award winning film, television drama, documentary and music video director. in his debut as a feature film director, smith says he wanted trespass against us to illustrate the experiences of the cutler family as distinct from most travellers, “it is not a film about travellers. it is a film about a family of outlaws. in a lot of ways they are not accepted in the traveller community, or in what the travellers call the ‘gorgie’ community, either. they are outside of all community. ”
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it’s fitting that a production company named animal kingdom is one of the forces behind trespass against us, because adam smith’s new crime / family drama often reminds one of david michôd’s 2010 film of the same name—if not strictly in its details, then in its general view of family ties as constricting - bordering - on - deadly. thankfully, smith’s film doesn’t have any heavy - handed animal metaphors to give its fairly mundane plot inflated importance—but, considering how stubbornly uninvolving smith’s film is, despite the considerable acting talent involved, perhaps it could have used some .
but those scenes stand apart from others that seem to promise a reckoning, an ugly climax in which both col and the government' s power will exact some punishment on chad' s immediate family. the movie doesn' t play on the tension between these two moods so much as tread water between them, unsure what it wants to do to the audience. its eventual resolution would be quite satisfying in a certain kind of on - the - run crime picture — but the ominously named trespass against us isn' t really that kind of film .
michael fassbender has been going through a bit of a rough, cinematic patch since “ steve jobs. ” the blockbuster “ x - men: apocalypse ” wasn’t what fans were looking for, disney pretty much gave up on the (underrated) “ the light between oceans, ” the indie “ trespass against us ” didn’t connect, terrence malick fatigue hit (the also underrated) “ song to song, ” while “ alien: covenant ” underwhelmed. continue reading ‘ the snowman ’: first reviews are chilly for michael fassbender ’s thriller at the playlist .
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controversial big - budget drama filthy rich was out - rated by us crime import ncis on the opening night of its second season - according to a crowing rival network, three .
there isn’t much of a traditional plot in trespass against us, but what there is comes when colby tells chad they have to pull off a proverbial “big score”. chad is hesitant, but mostly because it’s on a sunday, and he doesn’t like to work sundays. unless he only said that as a joke. i gotta be honest: it’s really hard to tell, and not just because of the very thick accents to this american’s ears. everything about this picture is at such a deliberate arm’s length that it is hard to know what is meant to be whimsical and what is serious melodrama .
the film will tell the story of richard kylea cowie, aka wiley, and the grime movement. pulse films has announced the production of a new music biopic, wiley, about the life of the successful london - born grime artist. the feature drama, which will be directed by adam smith (trespass against us) and developed with music publishing company bmg, will tell the story of wiley – real name richard kylea cowie – from his early days as an unknown mc and producer on london pirate radio to his career on the world stage. it will also take in the birth of the grime movement ,
set in rural gloucestershire, among criminals who live in a group of caravans on waste land and call each other “jubby dim lad” and “worzel” and “ya proize div”, trespass against us bets as heavily on its own milieu as get carter did on newcastle upon tyne, or hell is a city did with manchester’s backstreets. but these villains are illiterate country bumpkins, and their backdrop does feel promisingly fresh. the characters go hunting and coursing, and during one getaway after robbing a posh manor, fassbender even eludes a police chopper by hiding under a cow, something your city types like jack carter and harold shand would have balked at .
coming into trespass against us, you wonder why the film has flown under the radar as such with well - known names like michael fassbender and brendan gleeson leading the film. unfortunately, it all becomes clear within the space of about ten minutes when you realise that while they both feature strongly in the film, they are both more or less completely unintelligible in what they' re saying. it' s no exaggeration to say that you' ll spend most of the film desperately trying to follow the dialogue - which, sadly, fills a lot of the film' s lean running time - and the other half trying to figure out what' s happening .
adam smith is an award winning film, television drama, documentary and music video director. his filmmaking journey began as a teenager, making visuals for raves and nightclubs in a creative collective, which he co - founded, called vegetable vision. he has since gone on to work extensively with electro music duo the chemical brothers and mike skinner of hip - hop garage project the streets. tv credits include brit teen comedy drama ‘skins’, bbc mini - series ‘little dorrit’, matt smith’s opening episode of' doctor who’ in 2010 and documentaries ‘wot do u call it? ’, ‘a. i. p. s’ and' ghetto on sea'. trespass against us marks smith’s debut as a feature film director .
full financial estimates for this film, including domestic and international box office, video sales, video rentals, tv and ancillary revenue are available through our research services. for more information, please contact us at research @ urltoken .
in trespass among us, fassbender plays chad cutler, the second generation in a small band of irish travellers living somewhere in the west country. he’s the only one in the group who wears a collared shirt (hell, some hardly wear clothes at all) and his is the trailer with plastic covering over the couch cushions. his father, colby (brendan gleeson), loves nothing more than telling tall tales around the campfire, making flat - earth arguments and reminding his grandchildren not to believe anything they learn at school .
a scraggly family of criminals tries to hold things together in the british backwoods in trespass against us, the debut feature by tv and music video director adam smith. as the patriarch of the cutlers, brendan gleeson projects a full - bodied indifference to others' desires that seems to contain bottled - up fury. but that fury never deploys, and instead of exploding into crime - clan war, the picture trickles into a kind of shrugging ,
it is what it is
look at life on the wrong side of the law. gleeson and michael fassbender will ensure attention is paid in the u. s. but stateside auds will have big problems with the thickly accented dialogue (and with lingo that even subtitles mightn' t explain) and many will find the struggle to keep up isn' t all that rewarding .
trespass against us is set across three generations of the cutler family who live as outlaws in their own anarchic corner of britain’s richest countryside. chad cutler (michael fassbender) is heir apparent to his bruising criminal father, colby (brendan gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. but with his own son, tyson (georgie smith) coming of age, chad soon finds himself locked in a battle with his father for the future of his young family. when colby learns of chad’s dreams for another life he sets out to tie his son and grandson into the archaic order that has bound the cutler family for generations. he engineers a spectacular piece of criminal business involving a heist, a high - speed car chase and a manhunt, which leaves chad bruised and bloodied and with his very freedom at stake .
trespass against us is set across three generations of the cutler family who live as outlaws in their own anarchic corner of britain’s richest countryside. chad cutler (michael fassbender) is heir apparent to his bruising criminal father, colby (brendan gleeson) and has been groomed to spend his life hunting, thieving and tormenting the police. but with his own son, tyson (georgie smith) coming of age, chad soon finds himself locked in a battle with his father for the future of his young family. when colby learns of chad’s dreams for another life he sets out to tie his son and grandson into the archaic order that has bound the cutler family for generations. he engineers a spectacular piece of criminal business involving a heist, a high - speed car chase and a manhunt, which leaves chad bruised and bloodied and with his very freedom at stake. with the law cracking down and his father
grime, the british - originated urban music genre, is coming to the big screen with “wiley, ” a biopic of the musical pioneer from pulse films and bmg. wiley is one of the most influential musicians of his generation and is known as the “godfather of grime. ” he has also had several crossover hits, including “wearing my rolex. ” adam smith (“ trespass against us ”) will helm the picture, which will tell the tumultuous life story of wiley, whose real name is richard kylea cowie. it will cover his early days as a struggling producer and performer on pirate radio in london up to when he began making a worldwide name for himself. the film will also trace the growth of grime from its underground u. k. roots to a genre that has resonated around the world. “this is my life, my highs and lows, but it’s not really all about me, ” wiley said .
siddons thought that the family would prove an interesting subject for a documentary film and, subsequently, for a full - length feature. “it would allow us to really explore family dynamics and different prejudices, and also to tell a story that would resonate with all audiences, whatever their own backgrounds. ”
the director is adam smith, letting loose after some work in television (he directed three “doctor who” episodes), and he creates an annoying kitchen - sink - of - the - absurd nether zone that’s halfway between sitcom and samuel beckett, as staged by guy ritchie with a broken motor. the basic mood of “trespass against us” is one of extreme stasis (people sitting around grousing at each other, the filmmaker poking you in the ribs to admire the absurdity of it all), but stasis can work if it holds out the possibility of something to discover. in this case, it doesn’t. fassbender’s chad is dimly trying to break the destructive chain that connects him to his father, who’s played by gleeson at his most tediously ill - tempered…which signifies that he’s cool! the torpor is interrupted by several “car chases” — it’s actually just one car — which smith shoots as if he were suddenly making his action - film audition reel. only set in the tall weeds .
a traditional launchpad for awards season, toronto will see indies and studios go up against each other as they send their eagerly anticipated fare into the marketplace for the first time. last year’s big winner was lenny abrahamson’s room, starring brie larson. in addition to winning the coveted audience award, the film also went on to earn larson an academy award for best actress and noms for best film .
a sign of a good movie is when it makes you forget about social barriers and sympathise with the characters. trespass against us approaches the ostracised traveller community and presents their dynamics, their ways of making a living and their relationships in a way that makes the viewer see the underlining goals that we all share: difficult relationships with our parents, wanting to fit into society, a better future for our children. it is true that the characters are built in a cinematic way to tell a certain story of family bonds, living outside the law, living as a second class citizen. but nonetheless, it makes you think of the chad cutlers out there, who are not given a chance to overcome their condition and background, and are trapped in a loop of criminality that is going to be transmitted generation to generation. by showing universal things like family love, hopes for a better future and even the difficult dialogue that arises between generations when priorities change, the film makes you see beyond ethnicity and social status and opens the viewer up, even if only for the short duration of the film, to a world they would not have otherwise accessed .
take, for instance, “ trespass against us, ” which is without a doubt the worst film i’ve seen at this year’s toronto international film festival. when you hear about it, it seems to have the elements of a watchable movie, beginning with its gifted stars, michael fassbender and brendan gleeson. they play father - and - son criminals who live, along with other family members, in a kind of makeshift domestic trailer camp. it seems a haphazard arrangement, even for grimy outlaws, and the movie gives you very little sense of how they wound up there. but that’s because of the ed wood factor: they live in this arrangement because the director thought it would be cool. what other explanation is needed? the second awkward / childish idea is the fassbender character’s brother, a nut job who skulks around in bare chest and tight pants, setting things on fire because…the director thought that would be cool. i’m not suggesting a mentally ill movie character shouldn’t exist, only that this one’s craziness is played for stunted shock value and “laughs, ” so that we never know what to think about him. he’s a real character, but he’s not really a character .
yet the film, which made its long - delayed world premiere at the 2016 toronto international film festival, is no complete miss, either. stars michael fassbender and brendan gleeson see to that, aided by music - video vet smith’s often striking visuals and a unique setting. trespass just never quite gels into a successful whole. fassbender fans will enjoy his role as a tough but loving family man, but it’s a hard sell for everyone else .
the musical score from the chemical brothers is a standout, and, in addition to fassbender and gleeson, marshal must be acknowledged; her kelly is the closest thing to a “normal” person in the cutler clan. and it’s nice to see a different type of family structure onscreen. but that’s not quite enough to make the film a must - see. trespass is a watchable, rather strange thing, but, next time, let’s see michael fassbender and brendan gleeson in a project more worthy of their talents .
these after effects also take trespass into a more predictable, much - less - interesting place. if there is anything here that works in the storytelling department it’s the moments involving the ramshackle cutlers lying about, messing around, sitting by fires, and waiting for nothing. chief to the occasional successes of these scenes is the physically overwhelming, emotionally overbearing presence of gleeson’s colby. the larger than life character needed the actor’s authoritative voice and narrow - eyed paranoia. it also needed gleeson’s inimitable charm, a facet that’s most evident in his sweet scenes with chad’s son tyson .
perhaps it’s just a british thing. in a nation with unarmed police, strict gun - control laws and no death penalty, crime will always look like a small - stakes endeavour. the shadow of the electric chair is a great motivator, tending to favour an all - guns - blazing type of resolution. british crime pictures might do well to stop poorly imitating us crime cinema’s gunplay and start borrowing some of its perversity. incest (scarface) and fratricide (the godfather) may not put holes in your head but they sure do keep things popping .
there’s an unexpected turn in the final section that really pours on the quirk (the music cues become more noticeable) but by this time it’s too little too late. the film wants us to fall in love with this extended band of outcasts, but really, there isn’t all that much to love. they aren’t even doing anything with the money they steal! but gleeson and fassbender, given plenty of space in what are ultimately meandering scenes, are still somewhat electrifying. there is a lot of roughhousing and physical intimacy with the cutler family, and this lived - in quality goes a long way toward making everything believable .
earlier friday, new york financier and entrepreneur anthony scaramucci was appointed the new white house communications director. much like the early days of sean spicer — may he rest in peace — folks, us included, were quick to follow and note scaramucci’s twitter presence. notably, the mooch is among the most prominent white house members of # teamfollowback: he follows an absurd 168, 000 people (including yours truly). maybe more to the point: his feed is filled with tweets that directly disagree with the president. he has since deleted a few of them, namely ones that blatantly criticized president trump, but for the most part, scaramucci’s twitter remains a museum full of relics that seem to fly in the face of key tenets of the trump administration .
“ dunkirk ” is finally upon us after months of anticipation, and it’s clear the long wait has been worth it. indiewire has named the wwii epic the best movie christopher nolan has ever made and a certain oscar contender in the months ahead. as audiences nationwide get to discover why the film is such a monumental war epic, questions as to who exactly is in the cast are bound to come up. read more: ‘ dunkirk ’ review: christopher nolan ’s monumental war epic is the best film he’s ever made unlike nolan’s recent star - driven efforts like “ inception ” and “ interstellar, ” “ dunkirk ” features an eclectic mix of relative newcomers, oscar winners and the director’s reliable collaborators. getting a blend of known and unknown talent was crucial for nolan, as including too many stars would’ve distracted from the urgent nature of the story. in following mostly fresh faces, nolan is
every week we dive into the cream of the crop when it comes to home releases, including blu - ray and dvds, as well as recommended deals of the week. check out our rundown below and return every tuesday for the best (or most interesting) films one can take home. note that if you’re looking to support the site, every purchase you make through the links below helps us and is greatly appreciated. 45 years (andrew haigh) andrew haigh ’s third feature as a director, 45 years, is an excellent companion piece to its 2011 predecessor, weekend. the latter examined the inception of a potential relationship between two men over the course of a weekend, whereas its successor considers the opposite extreme. again sticking to a tight timeframe, the film chronicles the six days leading up to a couple’s 45th wedding anniversary. though highly accomplished, weekend nevertheless suffered from a tendency towards commenting
author: andy psyllides ending with a ludicrous freeze - frame straight from an eighties - tastic us sitcom, this debut feature from director adam smith is all over the shop. with little rhyme or reason it veers uncomfortably between gritty family drama, whimsical comedy and full - blown heist thriller. smith – a frequent collaborator with the chemical brothers – never seems to get a complete handle on what he wants the film to be. it’s a shame, as this lack of a clear, concrete vision means powerful moments and committed performances from a cast that includes michael fassbender and brendan gleeson largely go to waste. fassbender is chad cutler, a prominent member of a close - knit travelling community currently camped somewhere in the west country. their accents are thick as molasses, they call everybody “mush” and afternoons are wiled away by piling into a beat - up station wagon and chasing rabbits through open fields. it’s not all fun and games ,
[ last lines ] chad cutler: i' m not gonna see you for a while. i want you to be strong. this is for you, okay? you keep this. things are gonna be different now, ty. you understand? yeah? look after your mammy and do what she says. and you look after your sister. i' m relying on you now, ty. i always knew i could. it' s all right, ty. it' s all right. no crying, not in front of them. look at me. i' m sorry, ty. i love you so much. you' re gonna have to be the man now. you hear me? [ pause ] chad cutler: you' re the king now, my son. [ pause ] chad cutler: now, tyson... we' re cutlers. we gelling. you ready? [ pause ] chad cutler: the gavvas can' t think they' ve beaten us, no way. don' t be scared, mush. i' ve got you, all right? all right? [ pause ] chad cutler: we' re gonna do this? tyson cutler: yeah. [ pause ] chad cutler: on three, okay? [ pause ] tyson cutler: no, no! [ pause ] chad cutler: one... two... three! see more »
ezra is a versatile actor and teaches movement, voice and theatre both nationally and internationally. he is an accomplished martial artist too. further to acting, he has also worked proficiently as a movement director with several well - established theatre companies and venues .
performance credits include untied colours of frustasian for southbank / cast, the kite runner for nottingham / liverpool playhouse, macbeth for song of the goat / rsc, lord of the flies and unsuitable girls for pilot theatre company, twelfth night for the national theatre and the caucasian chalk circle for complicite .
based in the heart of shoreditch, sainou represents a select list of actors including international industry award winners, household names and some of the finest, young british talent working today .
clients are represented by agents david marsden, paul martin & james davies, with assistance from hermione halpin & sophie rozycka. we work together as a close team covering all media with particular focus on film, television and theatre in both the uk and overseas .
the 41st edition of the toronto film festival will open with sony and mgm’s the magnificent seven, as deadline predicted last night. the antoine fuqua - directed remake of the classic 1960s western stars denzel washington, chris pratt, ethan hawke, vincent d’onofrio, haley bennett and peter sarsgaard. it marks latest collaboration between fuqua and toronto. fuqua brought training day and leading man washington to tiff 15 years ago .
the announcement was made this morning at a news conference presided over by tiff director and chief executive piers handling and artistic director cameron bailey. the 41st edition of the festival runs september 8 - 18 .
the closing - night film will be kelly fremon’s the edge of seventeen, starring hallee steinfeld and woody harrelson. other films selected for this year’s festival include oliver stone’s snowden, david oyelowo - lupita nyong’o starrer queen of katwe, amma asante’s a united kingdom, jeff nichol’s loving, gemma arterton starrer their finest and much - anticipated musical lalaland, starring ryan gosling and emma stone .
denis villeneuve’s alien invasion thriller arrival, peter berg’s disaster drama deepwater horizon, and rob reiner’s historical biopic lbj will all bow at the traditional awards season launchpad .
also selected are tom ford’s nocturnal animals, his sophomore feature as director, rooney mara - starrer una, cannes sensation paul verhoeven’s elle, starring isabelle huppert and ben younger’s boxing drama bleed for this with miles teller .
the weinstein co’s lion, with dev patel and rooney mara, also world preems at the festival. the film, produced by the king’s speech producers see - saw films, has very strong buzz and is already being touted as a strong contender. sundance hits nate parker’s a birth of a nation and kenneth lonergan’s manchester - by - the - sea will also play for canadian auds .
arrival (denis villeneuve) deepwater horizon (peter berg) the headhunter’s calling (mark williams) the journey is the destination (bronwen hughes) jt + the tennessee kids (jonathan demme) lbj (rob reiner) lion (garth davis) loving (jeff nichols) a monster calls (j. a. bayona) planetarium (rebecca zlotowski) queen of katwe (mira nair) the rolling stones olé olé olé! : a trip across latin america (paul dugdale) the secret scripture (jim sheridan) snowden (oliver stone) strange weather (katherine dieckmann) their finest (lone scherfig) a united kingdom (amma asante )
wga west exec director david young got “significant bonus” to earn $ 1. 1 million last year
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here you can peruse the schedule of films for release in the uk over the recent and coming months. please note that future release dates are subject to change and that this schedule is updated weekly. general enquiries: info @ urltoken
you can view the information by date, distributor and film title, you can search for a specific film, and you can print off a hard copy of the full schedule .
starring: holly hunter, craig t. nelson, sarah vowell, huck milner, samuel l. jackson
starring: sterling k. brown, sofia boutella, jeff goldblum, brian tyree henry, jenny slate, dave bautista, and zachary quinto
starring: david a. r. white, jennifer taylor, tatum o' neil, john corbett
starring: chloë grace moretz, john gallagher jr. , sasha lane, forrest goodluck, jennifer ehle
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daily box office (sun .) | weekend box office (jul. 6–8) | # 1 movie:' ant - man and the wasp' | showtimes
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there is occasional use of very strong language (' c * * t'). there is also strong language (' f * * k') throughout .
other issues include infrequent crude sex references, mild violence, natural male nudity, a scene of hare coursing, and the implied killing of two dogs .
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alastair siddons to produce, alongside gail egan and andrea calderwood of potboiler prods .
pic is written by alastair siddons, who will also produce, alongside gail egan and andrea calderwood of potboiler prods. it will be executive produced by tessa ross of film4, zygi kamasa at lionsgate, frederick w. green and joshua astrachan of animal kingdom, and nigel williams .
pic was developed and is being co - financed by film4 with backing from the bfi and lipsync, and is scheduled to shoot in the u. k. this summer. protagonist pictures is handling global sales .
fassbender stars opposite brendan gleeson (“gangs of new york”). the cast also includes lyndsey marshal (“the hours”), rory kinnear (“skyfall”), sean harris (“prometheus”) and killian scott (“love / hate”) .
the story is set across three generations of the rowdy cutler family, who live as outlaws — hunting hares, ram - raiding stately homes and taunting the police. as the letter of the law finally catches up with chad (fassbender), he is torn between the archaic principles of his father (gleeson), and what he believes is best for his children .
music for the film will come from electro duo the chemical brothers, who will write and perform the original score .
smith has directed music promos for the streets and the chemical brothers, most recently directing music - related documentary “the chemical brothers — don’t think. ” he has also directed tv episodes of “doctor who, ” “little dorrit” and “skins. ”
london - based potboiler is one of europe’s most successful production outfits, which in the last year has finished shooting anton corbijn’s “a most wanted man, ” biyi bandele’s “half of a yellow sun” and alan rickman’s “a little chaos. ”
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the in - demand actor is eying the lead in u. k. director adam smith' s gangster drama, which will feature a score written and performed by the chemical brothers .
written by alastair siddons, the project is set across three generations of a rowdy family who live as outlaws - - hunting hares, ram - raiding stately homes and taunting the police. but defying the expectations of his father, one gang member (fassbender) is looking for a way out of the criminal life .
siddons will also produce with gail egan and andrea calderwood of u. k. indie production giant potboiler productions .
protagonist pictures will begin pre - selling the film at the upcoming american film market .
the project was developed by and is being co - financed by film4, and is scheduled to shoot in the u. k. in 2014 .
music for the film will come from the chemical brothers, who will write and perform the original score .
smith has made his name directing music - related films such as the chemical brothers'
don’t think
and promos for the streets (
blinded by the light
,
the irony of it all
) in addition to key tv episodes of doctor who, little dorrit and skins .
siddons has directed three features, including the documentaries turn it loose and inside out: the people’s art project .
fassbender is currently shooting slow west for director john maclean in new zealand and will take on the leading role in macbeth for justin kurzel in january of 2014 .
he is represented by troika talent in the u. k. and caa in the u. s .
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he plays chad cutler, the clear second - in - command to his domineering, hard - nosed, but undeniably caring father. the latter is colby, perfectly embodied by the great gleeson. the large family lives together in a series of trailers seemingly dropped from the sky on an idyllic tract of land in the country. father and son are joined by a motley crew — chad’s wife, kelly (lyndsey marshal), the couple’s young son and daughter, a “simple” (enormously unnecessary) character called norman, and various other hangers - on .
“second - in - command” is a rather misleading classification for fassbender’s chad, as it implies the cutlers are the type of crime family we’ve seen in films, one with a recognizable structure. make no mistake: we have not seen a family quite like the cutlers before — unkempt, uneducated, unrefined in every way. their crimes are barely understandable. initially, we see just dodgy pranks — for example, recklessly driving a message - bearing beater through town, a trail of annoyed police in their wake. there’s hardly even talk of criminal activity, in fact, until colby orders chad to lead a poorly planned job. the results detonate the relatively quiet life the cutlers had enjoyed .
gleeson is less present in the film’s second half, and we feel his absence. the further away from cutler - land we get, the weaker the narrative. still, there is michael fassbender, a welcome figure in virtually any movie. here, he plays an illiterate layabout seeking to finally break away from his father. it’s not the meatiest part, but he makes chad believably weak — a tough guy who just can’t stay out of trouble, or figure out exactly how to change his life. fassbender is undeniably a tad miscast; his looks don’t quite fit here. but we buy chad’s love, especially as a parent.
trespass against us is a british-american crime drama film directed by adam smith and written by alastair siddons . the film stars michael fassbender , brendan gleeson , sean harris , lyndsey marshal , rory kinnear , and killian scott . it has been selected to be screened in the special presentations section at the 2016 toronto international film festival . it was released in the united states on 20 january 2017 , by a24 before being released in the united kingdom on 3 march 2017 by lionsgate . 
trespass against us is a british-american crime drama film directed by adam smith and written by alastair siddons. the film stars michael fassbender, brendan gleeson, sean harris, lyndsey marshal, rory kinnear, and killian scott. it has been selected to be screened in the special presentations section at the 2016 toronto international film festival. it was released in the united states on 20 january 2017, by a24 before being released in the united kingdom on 3 march 2017 by lionsgate.
trespass against us is a british-american crime drama film directed by adam smith and written by alastair siddons. the film stars michael fassbender, brendan gleeson, sean harris, lyndsey marshal, rory kinnear, and killian scott. it has been selected to be screened in the special presentations section at the 2016 toronto international film festival. it was released in the united states on 20 january 2017, by a24 before being released in the united kingdom on 3 march 2017 by lionsgate.