duel of fists
with the headline: review / film: diggstown; a duel of cynics, with wits and fists .
even without benefit of hindsight, duel looks like the work of an unusually talented young director .
disc # 1 - - sword masters: duel of fists play feature scene selection set up audio mandarin 2. 0 stereo mandarin dolby digital 5. 1 english 2. 0 stereo english dolby digital 5. 1 subtitles english subtitles: on english subtitles: off original trailers play all the battle wizard brave archer and his mate brothers five death duel duel of fists duel of the century the heroic ones holy flame of the martial world journey of the doomed swordsman and the enchantress the trail of the broken blade two champions of shaolin the web of death
duel is great, the tension and cinematography was incredible and i loved it .
although most of it was filmed in thailand and despite its flashy production and groundbreaking ideas, “duel of fists” is probably one of chang cheh’s most halfassed attempts in the early 1970s. it’s hard to believe that this is the same guy and literally the same stars that did the rock solid “vengeance” and “anonymous heroes. ” not that “duel of fists” is a bad movie, but considering its brutal themes, it could have been better .
popular shaw brothers babes ti lung and david chiang star in yet another chang cheh film about fraternal love, duel of fists. this came runner up to the big boss in the 1971 hong kong box office, but it’s much better .
duel of fists is similar to the anonymous heroes in that it’s ultimately a minor chang cheh film, but that doesn’t stop it from being highly entertaining and interesting in its own right. despite having a similar title to the duel, the story in duel of fists is much more straightforward. but where duel of fists breaks ground and offers chang cheh another opportunity to step up his game is in its location shooting, taking the shaw team on the road to bangkok and offering up the exotic sights of 1970s thailand to enthrall viewers. the film also explores the subculture surrounding the muay thai boxing circuit, becoming one of the first, if not the first, film to feature the style. i can’t find any information on any films prior to this that featured muay thai, but as info is hard to come by on these films i think it’s best to say it’s “one of the first” instead of making unfounded, broad claims .
although duel of fists ended up being a bit overshadowed by bruce lee’ coming, its initial success and the riveting fierceness found in muay thai left enough of an impression to have led to the emergence of a minor thai boxing subgenre in its wake. such movies as king boxer, the boxers, greatest thai boxer, maui thai fists, fist of steel, the dark alley and bloody ring (action choreography by sammo hung) were either centred on muay thai or had a kung - fu meets kickboxing angle. actress pawana chanajit was even hired to be one of king boxer’s
for chang cheh, duel of fists is a rather bloodless film, so it’s all the more surprising when david chiang puts his hand into a dude’s stomach during the finale. whoa! didn’t see that coming! chang also utilizes small bits of editing to recall previous martial feats by chiang (breaking wooden posts with his hands, etc .), cutting in shots of these feats upon impact to emphasize the hit chiang just laid down on his opponent. i really loved this technique, and it added a lot of the brutal, wince - inducing “oh shit! ” factor that gouts of blood usually bring, without resorting to those huge gouts of blood. while i’m glad he often chose to go the gory route, i enjoyed the simple and effective artistry of the editing techniques seen in the final fight of duel of fists. and besides, if chang cheh made this film overly bloody it would have robbed david chiang’s final, red - tastic costume change of its visceral impact. 🙂
duel of fist was another hit from the
iron triangle
of director chang cheh and stars david chiang and ti lung. and, as with all the director' s classics, one good hit deserves another, so... see full summary »
for one thing, in real life ti lung was a diligent wing - chung exponent and even after making duel he continued training in muay thai. he may not have been a master or a champion in the way that bruce lee was but he was genuinely adept at martial arts. duel’s big villain chen sing was a seasoned karate practitioner who conveyed a raw and gritty power that more than matched ti lung’s own. while in duel chiang’s fights were done in the conventional swingy arms way, chang cheh’s desire to display both realistic kick - boxing matches and ti lung’s own impressive physicality showed that he was going toward a similar goal of martial art authenticity later solely attributed to bruce lee. if anything, bruce lee’s instant success must have shown chang that with duel he was going in the right direction .
over all then, duel is therefore not overly recommended to anyone who isn’t a ti lung, muay thai or kung - fu cinema dedicated appreciator. for the first the movie shows ti lung at his bare - chested fighting furious best while for the second it offers the rare and offbeat showcase of a muay thai centred k - f movie. finally for the third, beyond an appreciably gritty fighting spectacle duel gives an instructive glimpse into the formative years of h - k made kung - fu cinema at the very threshold of bruce lee’s arrival .
bruce lee’s earthshaking arrival broke chiang and ti lung’s blood brothers movies popular momentum. two more were made, including a sequel to duel titled the angry guest (feb. 72), but neither of them added anything new. thus duel of fists had seen the cycle reaching its creative apex. chang cheh, ti lung and chiang therefore moved on, the first to help launch kung - fu medalled champion chen kuan - tai as shaw’s answer to bruce lee but that’s another story. within two years bruce lee died while chiang and ti lung enjoyed lengthy film careers in martial art cinema and beyond. director chang cheh himself continued to be an innovative martial - art director for most of the decade but past the mid - seventies his movies never enjoyed the popularity they had from 1967 to 1972 .
the film pits the awesome talents of richard matheson... with spielberg, delivering one of the best genre films of the past 50 years .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
simply a rivetingly murderous game of cat and mouse that keeps you on the edge of your seat .
disc # 1 - - sword masters: duel of fists 1. chapter 1 [ 13: 12 ] 2. chapter 2 [ 7: 29 ] 3. chapter 3 [ 8: 26 ] 4. chapter 4 [ 9: 50 ] 5. chapter 5 [ 9: 33 ] 6. chapter 6 [ 12: 49 ] 7. chapter 7 [ 6: 38 ] 8. chapter 8 [ 2: 54 ] 9. chapter 9 [ 12: 48 ] 10. chapter 10 [ 8: 18 ]
lei li lost his right - arm in a sword duel with the master of a martial arts school, long ago. now, he is able to defend himself well with just his left arm, and kung fu techniques. that he... see full summary »
. some of the exterior scenes would even be done on location. chang’s series of unprecedented choices was probably led by the desire to both have a nice change of scenery as well as making the martial - art fighting more realistically fierce and brutal than ever, a set of qualities that are found in muay thai kick - boxing. in any case, as nearly all of chang’s movies were dominated by the imagery of muscular young men cutting or gutting themselves with swords, daggers and hatchets, it can be safely assumed that the mere sight of a muay thai match with it’s young boxers in tight, colourful shorts fiercely fighting one another with fists, kicks and knee jambs must have made quite a vivid impression on him .
duel of fists isn’t as good as it could’ve been, but i still enjoyed the hell out of it. it felt like a good mix between chang’s previous non - martial arts focused films such as stuff like dead end, the singing killer, or the anonymous heroes, and his more well - known, action pictures. it’s also interesting to see how he balances the film between the civilized brutality of the sanctioned ring fighting, and the more traditional shaw brothers free - for - all brawls. and no matter if you like this film or not, david chiang’s wardrobe was just killing it in this movie. if i ever go to bangkok, i should be so lucky as to walk off the plane with as much style as he had here .
that being said, some of the fights are a bit lame. even with tang chia and lau kar - leung choreographing everything, there’s still more than this movie’s share of boring group battles. it’s especially sad because they managed to create such iconic, impressive group fights in the duel, so i would have thought that they’d at least be close to that level here. it’s not a big concern because the fights are always fun, but more than a few times they could easily be better. the in - ring fights, though, are a lot more interesting (at least to me). they aren’t going for flashy there either, instead trying to craft realistic, but exciting movie battles that look like real fights. coupled with the rather static filming of these fights, i think they pulled it off really well. and besides, after so many shaw films featuring variations on similar kung fu forms, the muay thai here was fascinating and a real treat. but that’s me, and i imagine many modern viewers will be bored and fail to see the exotic allure that a lot of duel of fists is built upon. after tony jaa, it’s a little hard to go back to this, and i totally understand that .
a post mortem examination had revealed no evidence that former movie star pawana chanachit was murdered, pol col pornchai suthirakhun, deputy chief of the institution of forensic medicine of the police general hospital, said on tuesday .
in this tv movie, dennis weaver is driving down a deserted southern california highway when he passes a large gas trailer truck. moments later, the truck dangerously tailgates weaver before abruptly cutting him off. weaver and the never - seen truckdriver then engage in a motorized duel... to the death .
yes, you could probably say action is what this film is all about, but to me it was all about style. as one of the few shaw brothers films set in the present day, duel of fists has license to be a 70’s film, with all that that entails. david chiang has never looked more comfortable than in the varying succession of groovy threads he gets to wear throughout the film (watch out for the cowboy - pimp outfit he sports at the end of the film). even the henchmen get to dress up, and the group brawls are given a visual boost as our heroes are surrounded by goons in a myriad of brightly coloured shirts, offset by painfully tight looking flairs. if that’s not enough, david chiang also demonstrates the best way to avoid a car and pick up a date at the same time (take note people). ti lung also gets some good outfits, but none to rival david’s. if the fashion isn’t enough, there’s a great funky soundtrack and more whip pans then you can poke a stick at .
over the years ti lung developed a following in the west among hong kong cinema fans, while david chiang on the other hand became one of the most overlooked k - f star - players. some fans it seems even developed a strong deprecating view of him, questioning his looks, acting and screen - fighting skills. they were a bit annoyed by his usually wily and perpetually smirking screen persona and strongly resented that chiang regularly upstaged ti lung in the fights or as the film’s real dramatic focus. duel of fists probably helped to develop such ill appreciation. indeed, while in the film a bare - chested ti lung delivered a fierce, gruelling and authentic looking fighting performance in the ring, swingy arms chiang on the other hand was seen easily besting half a dozen opponents at a time in those stylized whirlwind fights. it was also the slender chiang who was given the film’s final showdown against karate powerhouse chen seng while ti lung was on the sideline. finally, as the film was set in the early seventies, chiang was forced to wear some of period’s most horrendous examples of garish fashion run amok, not the best way to make a good impression .
mr apicha said he was later informed of pawana' s death at about 3am .
pack your beach blanket for a bittersweet tale of love and summer' s magic .
slavery is the daughter of darkness; an ignorant people is the blind instrument of its own destruction; ambition and intrigue take advantage of the credulity and inexperience of men who have no political, economic or civil knowledge. they mistake pure illusion for reality, license for freedom, treason for patriotism, vengeance for justice .
- simón bolívar
as chinese boxer ended up the box office champion of the year, it’s likely the huge success met by wang yu prompted chang to follow suit with a k - f movie of his own. instead of making a film around chinese kung - fu though he hit on the idea of making one centred on thailand’s muay thai. he also decided to set the film in contemporary time as well as outside of china; in thailand’s own capital bangkok
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unusually for a shaw brothers film, much of this was shot in thailand. having the real locations instead of cheap sets (though there are still some in there) really helps this film, and sets it apart from many of the run of the mill efforts that came out that the same time. it also adds an authentic touch that grounds the picture .
two men, one a businessman skilled in kung fu, the other a kickboxer discover they are brothers, and together, both in and out of the ring, they must face a crime syndicate. one of the first films to use the martial art of muay thai .
here' s another fine example of the iron triangle' s early' 70s dominance. not to be confused with the same year' s stunningly bloody the duel, this one revolves around the brutal sport of thai boxing. david chiang is the lead, modeling an endless supply of jaunty hats and kerchiefs as he travels from hong kong to thailand in search of a half - brother he learns about from his dying father. all he knows is that the guy is a boxer and has a certain tattoo. it' s therefore lucky that while hanging around the stadium, he makes fast friends with young muay thai combatant ti lung, who has his own impressive kerchief stash. ti is indeed chiang' s bro, and even if he' s able to…
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...' road rage' taken to new heights of exploitation by the boy wonder .
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unusually for a shaw brothers film, much of this was shot in thailand. having the real locations instead of cheap sets (though there are still some in there) really helps this film, and sets it apart from many of the run - of - the - mill efforts that came out at the same time. it also adds an authentic touch that grounds the picture .
urltoken back in the day before steven spielberg became an enormously acclaimed filmmaker irresponsibly recognized by the oscars for directing epic, arty, classy dramas, he was unrecognized for his talent in the thriller genre. when he began he directed his incredible debut feature, a little monster of an exploitation movie called
duel .
although it was filmed on a micro budget and was regarded as a throwaway b movie by the studio that backed it' s production, it remains one of the most skilfully crafted television movies ever produced, and to a greater extent it is among spielberg' s greatest films if not the very best of his prestigious cinema legacy. interestingly ever since it' s creation a number of spielberg' s well known films pay homage to duel through similar uses of camera shots and characters originating from this film, including that of close encounters of the third kind, and jaws. needless to say that it is incredibly tense and endlessly terrifying. it it essentially the perfect demonstration that ambition and imagination is superior to massive cgi creations when it comes to making the most skillful and enjoyable horror films for both genre fanatics and the general popcorn audience. not only is dennis weaver' s twitchy, quirky, paranoid performance absolutely terrific, but the direction is absolutely phenomenal for a feature debut. spielberg get' s just about everything in this genre movie correct, it has an opportunist plot, a fantastic lead, endless tension and sets his career up for greater triumphs. it has a marvelous hitchcock meets
the twilight zone
influenced narrative that makes for a great atmosphere enhanced with spellbinding music and sound effects as well as eery voice over work and silent suspense. duel is basically a darkly haunting benchmark in demonstrating how a finely ambitious small screen director can be instantly transformed into hollywood' s most admired, all due to one influential and timeless hit .
an autopsy will be conducted on tuesday to establish the exact cause of her death, police said .
dubbed the
pearl of asia
, pawana' s acting career ran from 1960 to 1979 .
the macho behavior of the characters carries over into the method of the film itself. it has a way of running headlong into situations it never completely resolves. yet in an unexpected way, that is part of the movie' s appeal. like mr. woods' s gabe, a tireless operator ,
diggstown
is a lot cannier than its sometimes rather slapdash manners would seem to indicate .
this is among the most flawless pieces of entertainment [ steven spielberg ] ever put his name to .
when his father, the owner of a respected chinese boxing institute, dies of a heart attack on the eve of a trip to thailand, loyal son fan ko (david chiang) takes over the family business, and travels to bangkok in search of the brother he never met. along the way, fan ko befriends a talented thai - chinese boxer (ti lung) who aids him in his quest .
the indomitable martial arts team of director chang cheh and stunt choreographer liu chia - liang continues the compelling saga of golden swallow from king hu' s come drink with me in this... see full summary »
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my personal collection of east asian movies on plex. apart from a hundred movies and documentaries that currently is not…
what i believe to be the definitive list of martial arts films produced by the shaw brothers studio. let me…
brought a power, grace and authentic “vibe” to his fight scenes that were totally electrifying. nearly overnight he generated a level of excitement among both the viewing audience and the film industry that shook h - k cinema to its foundation and made lee the biggest movie star hong - kong ever had. in the end the bruce lee film not only topped the box office charts but also earned nearly twice as much as its nearest competitor; duel, 3. 2 million to 1. 7. naturally it totally eclipsed chang cheh, david chiang and ti lung’s own respectable achievement .
a group of bandits kidnaps the governor' s son and demands their imprisoned leader to be set free in exchange .
there are plenty of engineers in the world but only a few have martial arts training like you do .
fan ke (david chiang) fulfils his dad’s last wish by travelling to thailand to locate his long lost half - brother, played by wenlie (ti lung). here’s the catch: wenlie is a professional fighter in the deadly underworld of thai kickboxing. not only that, he is hounded by illegal businessmen who wants a piece of his success. with the help of fan ke, the two set out to fight the baddies, both in and out of the ring .
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ying ke - feng, head of peerless manor, is an expert swordsman whose escort business transports 200, 000 taels of silver to the capital each year. this year, however, he is afflicted with an... see full summary »
two men, one a businessman skilled in kung fu, the other a kickboxer discover they are brothers, and together, both in and out of the ring, they must face a crime syndicate. one of the... see full summary »
the golden age of kung - fu film' s first superstar jimmy wang yu (even before bruce lee) wrote, directed and starred in his classic favorite of a noble young martial arts student who won' t... see full summary »
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the final student of a dying martial arts master is instructed to locate the previous five students and defeat any evil ones among them .
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movies and tv shows are certified fresh with a steady tomatometer of 75% or higher after a set amount of reviews (80 for wide - release movies, 40 for limited - release movies, 20 for tv shows), including 5 reviews from top critics .
a young man sworn to an oath of non - violence works with his cousins in an ice factory where they mysteriously begin to disappear .
that doesn' t mean it' s perfect. women may well be put off by it. the heart of the movie is a series of brutal and hilarious ring confrontations that send up the kind of heart - rending nonsense the
rocky
films trade in. (mr. mckay' s next produced screenplay, it' s reported, will be sylvester stallone' s
rambo iv .
)
導演：張徹 director: chang cheh 國術社負責人范勤廉擬往泰國尋找舊情人兩母子，不幸心臟病猝死，其子范克（姜大衛）僅憑一張褪色相片與其同父異母兄之臂上有梅花刺青為線索代父搜尋此未曾謀面之母子二人。青年拳手汶烈（狄龍）為母籌集治病費用打拳而引出一番是非，最後范終於找到右臂有刺青的人。 another triumph for the
iron triangle
of director chang cheh and stars davie chiang and ti lung - not to mention action choreographer liu chia - liang. chiang is a chinese boxer who travels to bangkok in search of his lost brother, who may (or may not) be the thai boxer played by lung. in any case, this kung - fu / thai boxing combo was one of the mega hits of 1971, second only to bruce lee' s the big boss. * dolby digital * aspect ratio 1: 2. 35
diggstown
isn' t overtly chauvinist, but it exemplifies a kind of macho fiction that is usually no less tawdry than the male characters it tries to canonize. like don siegel' s
escape from alcatraz
and robert aldrich' s
emperor of the north pole
and
all the marbles ,
this new film somehow transcends its rather parochial roots to become a first - rate work of legitimate if eccentric order .
this 1971 made - for - tv movie was one of steven spielberg' s auditions for jaws, and the same slickly impersonal shock effects prevail .
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one thing’s for certain, this film is trendsetting. it is one of the earliest attempts at making action packed “tournament” films like “rocky” and the “karate kid. ” more importantly, it was also one of the first films to showcase thai kickboxing, a sport that was made a household name by van damme over a decade later. even lo wei’s “the big boss” (also filmed thailand around the same time) didn’t take advantage of this brutal thai martial art .
during chiang’s initial time in thailand, the film has something of a travelogue - like quality, showing us the sites as he travels around. eventually he finds himself at the boxing arena, and here the allure of a foreign culture continues to take precedence over story for chang cheh. the first muay thai match is
set in contemporary bangkok, it' s partly a proto - kickboxer, partly a tourism promotional film, and partly standard chang revenge fare. the other two sides of the
iron triangle
, david chiang and ti lung, play long - lost brothers reunited on the thai fight circuit but few of the fights stand out .
the film' s rusted, growling tanker truck is an obvious predecessor to the man - eating great white of jaws. and it' s every bit as terrifying .
at 24, spielberg demonsrated his technical virtuosity with his first made for tv feature, a nail - biting suspenser of a salesman pursued on the roadby a mad trucker .
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i’m not a practitioner or a scholar of muay thai or anything, so i can’t comment on the accuracy of the depiction here, but the movements felt true and i was impressed with how well both ti lung and ku feng were able to make their fighting look believable. neither actor looked like they were performing anything close to the kung fu seen in previous shaw bros films, which is mighty impressive. we often place our barometer of acting quality on an actor’s ability to convey realistic drama, but this type of psychical acting should not be discredited. at this point it’s probably unnecessary to say, but i don’t think chang cheh could have made this film a few years earlier with jimmy wang yu. while i have come to respect and enjoy a good wang yu film, he just didn’t have the martial ability necessary to make something like this believable. this also hammers home how different martial arts films had become at the time, just six short years after temple of the red lotus kicked off the modern era of fight films .
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mr apicha, 21, said one of the workers phoned him and told him that pawana had mysteriously disappeared. he then called pawana' s relatives to go to her house .
there were several bruises, which could have been caused by body contacts with any object, on the bodyand minor minor injuries at the nape of her neck and on her limbs .
she was initially believed to have falled into the pond and drowned, but police said on monday they had not ruled out the possibility of murder, as alleged by her brother .
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fair use
for purposes such as criticism, comment, news reporting, teaching, scholarship and research. fair use is a use permitted by copyright statue that might otherwise be infringing. non - profit, education or personal use tops the balance in favor of fair use .
pol col pornchai said it was possible that pawana had fainted and drowned, since she had a medical record of treatment for diabetes, heart disease, high blood pressure and high blood cholesterol .
i suspect that the thai government or the thai tourism dept. had a role in making this movie happen. it was noticeably generous and fair in it' s depiction of thailand and bangkok, with several scenes of straight tourism from the hong kong hero. the plot was very slight. the fights were frequent, unspectacular, and unbelievable. people magically heal overnight. does the long time muay thai champ called
killer
really have a title fight every day? best part of movie were the increasingly gay outfits worn by the hk hero on vacation. forgettable .
the static in - ring footage is finally pushed to the side for the climactic battle between ti lung and ku feng. the camera gets inside the ring (at times), and actively tries to deliver both a stunning action sequence and a realistic portrayal of a heart - pounding fight. i don’t think it fully succeeds at this, especially with so many of the blows clearly not hitting the other fighter, but it still works despite the flaws. the choreography here is noticeably more movie - like too, making this one of the most exciting moments in the film .
yes, you could probably say action is what this film is all about, but to me it was all about style. as one of the few shaw brothers films set in the present day ,
doctors had gathered some samples from her body for a dna test to establish if anyone else was involved in her death. results of the tests would be known in two weeks, pol col pornchai said .
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gabe' s intended mark is john gillon (bruce dern), the soft - spoken, politely menacing mr. big of diggs town, who came into his position some years before as a result of a legendary bout that is still spoken about in hushed, somewhat embarrassed tones. everybody knows that the bout was crooked, but not to what degree. gabe and gillon are perfectly matched in their sparring outside the ring .
the film opens at songkran, the thai new year festival traditionally held from april 13th–15th and celebrated by throwing water on random strangers. we are given a taste of things to come, before being quickly whisked back to hong kong, where david chiang plays a civil engineer. one day, his father confesses on his deathbed that he once had an affair with a thai girl during one of his business trips, and he asks david to find his half - brother that he never knew he had. so off chiang goes, and we go with him to experience the exotic culture and country, as well as a different breed of martial arts film .
this is more memorable for its lurid' 70s fashions than anything else - far from chang' s best and outdone by another thai - set hong kong movie of that year: the altogether more auspicious the big boss .
the shaolin temple is the last place to resist defeat by the manchu dynasty, mostly because of their unique fighting style. men from far and wide come to wait outside the temple, hoping... see full summary »
apicha laosaengtong, pawana' s adopted son, told investigators that pawana had been living with nattapong luangsirikul, aged 57, for more than 10 years. they opened a grapefruit shop in front of their house and hired two workers .
chang cheh’s direction in non - action scenes have never been a problem, but this one drags. at one point, i wanted it to end. there was enough action, it just wasn’t hard - hitting enough. the bad editing (or lack of) didn’t help either. a lot of the bullshit could have been toned down, for example: the two ugly wenches – one did nothing but cry and the other was like a giddy filipina mail order bride on heroin .
the former movie star, know as the
pearl of asia
. her body was found around 3am on sunday in a pond near her home in nakhon chaisi district ofnakhon pathom. pawana was her stage name. she was born aranyaporn laosaengthong .
another thing that sets this film apart is the fight choreography. it' s some of the best i' ve seen, and it should come as no surprise that it was done by the legendary lau kar leung. lau has always taken care to showcase the real martial art where possible and you can see that here are some very accurate muay thai bouts. ti lung makes a credible thai boxer, showing why he was one of the shaw brothers best screen fighters. the action outside the ring is purposefully less pure: it' s not kung fu, it' s brawling, and there are some really well staged group battles. there' s a lot of action in this film; the two distinct styles (and inventive choreography and camerawork) keep the film from getting repetitive. you could argue that there would probably be more guns around at the time, but when we get to see chiang and lung kicking and punching their way through hordes of goons, we can' t complain .
the scam takes him to diggstown, a small georgia town that seems to be as fantastic as brigadoon but far less benign. gabe has learned of the place through his cellmate. halfway between nowhere and nowhere, diggstown looks like any other sleepy, utterly corrupt speed - trap, but it' s different. it' s the center for what' s known as cash fighting, epic boxing matches that are supervised by no one except the high rollers who arrange and bet on them. they aren' t the kind of matches that are recorded in the almanacs .
pol lt - col pinyo muksiksarn, the duty officer at nakhon chaisri station, said on monday that he received a report about 3am that pawana' s body had been found on the ledge of a pond near her house on nakhon chaisri - pinklao road, near the thai human imagery museum .
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has license to be a 70' s film, with all that that entails. david chiang has never looked more comfortable than in the varying succession of groovy threads he gets to wear throughout the film (watch out for the cowboy - pimp outfit he sports at the end of the film). even the henchmen get to dress up, and the group brawls are given a visual boost as our heroes are surrounded by goons in a myriad of brightly - colored shirts, offset by painfully tight looking flares. if that' s not enough, david chiang also demonstrates the best way to avoid a car and pick up a date at the same time (take note people). ti lung also gets some good outfits, but none to rival david' s. if the fashion isn' t enough, there' s a great funky soundtrack and more whip pans then you can poke a stick at .
, without any flourish to the filmmaking. it simply allows us to take in the battle as an audience member would, also capturing the fighters’ ritualistic praying and dancing prior to the match. this isn’t a real match, though, so some of the illusion is broken when that becomes apparent, but it doesn’t hurt the film too much .
chang cheh keeps things very simple in terms of plot, leaving as much room as possible for the action—on his fathers dying wish, fan ko (david chiang) goes to thailand to find his brother wen leih (ti lung), a thai boxer. the boxing world is rife with crime, and it’s not long before the boys get caught up in the mess .
chang cheh’s films are often, for no readily apparent reason, more enjoyable than they should be. the hokiness seems only to add to the films. many elements of this film are quite strange: for example, the photo chiang has by which to identify his brother with shows his distinguishing tattoo, although he’s only about 10 years old. the plot manages to be simple while still not making much sense. the sound effects guy must have been trying something new when they shot this, because all punches and kicks sound like bits of wood smashing together. yet somehow all these elements come together to make the film a really fun experience. it also provides more than enough reason for a jaded moviegoer to fall in love with the 70’s again .
chang cheh' s films are often, for no readily apparent reason, more enjoyable than they should be. the hokeyness seems only to add to the films. many elements of this film are quite strange: for example, the photo chiang has by which to identify his brother shows his distinguishing tattoo, although he' s only about 10 years old. the plot manages to be simple while still not making much sense. the sound effects guy must have been trying something new when they shot this, because all punches and kicks sound like bits of wood smashing together. yet somehow all these elements come together to make the film a really fun experience. it also provides more than enough reason for a jaded moviegoer to fall in love with the 70s again .
while shaw leading lady ching li would play ti lung’s. her own real life father, character actor cheng miu, would play david chiang’s dying old man. thai boxers were also hired to serve as fight - extras and most likely fight trainers and advisors as well. the role of ti lung’s big ring opponent though was to be played by shaw’s chameleon - like character - actor ku feng
chang cheh keeps things very simple in terms of plot, leaving as much room as possible for the action - on his father' s dying wish, fan ko (david chiang) goes to thailand to find his brother wen leih (ti lung), a thai boxer. the boxing world is rife with crime, and it' s not long before the boys get caught up in the mess .
opens in bangkok in mid - april during song kran, a festival where the entire country gets into public waterfights. then cuts to hong kong, where fan ko' s dying father wants his son to quit his civil engineering job to take over his boxing school. then father tells him a secret - he had another son with a thai girl. to honour his father' s dying wish, fan ko goes to thailand to seek his half - brother wun li. wun li is in trouble. he' s a good fighter who hates gamblers, but the gamblers are trying hard to rope him in. as part of their plan, they' ve matched him against the killer, the national champion, two of whose opponents have died in the ring. wun li explains to his girl, yu lan, that he simply must win .
diggstown
is acted with immense style by mr. woods, mr. dern and mr. gossett, as well as by some members of the supporting cast. these include oliver platt, who plays a card - sharp and pool hustler, the decoy gabe sends into diggstown to set up the scam, and heather graham, best remembered as the unhappy nadine in
drugstore cowboy ,
who somehow manages to be memorable in a movie that scarcely recognizes women .
his choices made, chang and his usual writing partner i kuang then cranked up a script, while lead star ti lung went on to daily training in kick - boxing. a local thai film crew was hired to help shaw’s own team and the movie exterior scenes were shot in april 1971 during thailand’s water - festival and the few shots of many water - fights inserted later on captured the local ambience quite well. a thai actress pawana chanajit was cast to play david chiang’s love interest
not since
smile
and
semi - tough ,
both released in the mid - 1970' s, has michael ritchie directed anything quite as entertaining as
diggstown ,
a funny and vulgar fable about con artists so cynical that signs of simple skepticism can be taken for religious epiphanies. adapted by steven mckay from a novel by leonard wise ,
diggstown
is rough and improbable, its plotting sometimes opaque; yet it moves with such speed and cheerful nerviness that it' s almost as irresistible as its fast - talking hero is reputed to be .
more than a year and a half into the blood - brothers cycle, chang cheh had yet to make a fully - fledged kung - fu movie. meaning by this a film really centred on the martial arts themselves not just in its fighting displays but in its narrative as well. this had just been achieved by chang’s own former protégé martial art cinema super - star wang yu the star and director of the chinese boxer (nov 1970), widely considered today as the very first modern kung - fu movie. produced by shaw, the film’s kung - fu fights had been handled by the very same action choreographers and stunt - crew that chang used in his own movies .
diggstown ,
which has been rated r (under 17 requires accompanying parent or adult guardian), has vulgar language, brutality and sexual situations. diggstown directed by michael ritchie; screenplay by steven mckay, based on the novel
the diggstown ringers
by leonard wise; director of photography, gerry fisher; edited by don zimmerman; music by james newton howard; production designer, steve hendrickson; produced by robert schaffel and youssef vahabzadeh; released by mgm. running time: 97 minutes. this film is rated r. gabriel caine... james woods honey roy palmer... louis gossett jr. john gillon... bruce dern fitz... oliver platt emily forrester... heather graham wolf forrester... randall (tex) cobb
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urltoken
pawana chanachit, a former movie star, was found dead in unusual circumstances at a pond near her home in nakhon pathom, and police are investigating whether her death was an accident or murder. she was 69 .
when he and pawana' s relatives arrived, mr nattapong angrily told them not to enter the house and to leave immediately because he was the house owner. mr nattapong also threatened him by firing a gunshot into the air, according to mr apicha' s statement .
mr nattapong told police that pawana regularly paid respect to holy spirits near the pond and that she might have passed out and fallen into the water .
another witness whose name was not given told police that pawana and mr apicha had traded heated words prior to the incident .
mr nattapong was believed to be present at the pond where the former actress died and there were some conflicting issues to be resolved, police said .
pawana, whose real name was aranyaporn laosaengthong, nicknamed yin, was born on dec 20, 1943 to a mandarin chinese family .
she began her acting career in 1960, taking a leading role in the film
saeng soon
, along with late actor mitr chaibancha and actress amara assavanonda. she won an award for the film .
pol col pornchai said minor scratches were found on her face and body, but they were unlikely to have caused her death .
water was found in the lungs, and this was an important indication that she drowned .
at this stage, there were no indications that pawana, 69, was killed, he said .
waipot laosaengthong, pawana' s younger brother, said he still believed his sister had been murdered by a person close to her .
he said that person might have hired a burmese worker in the house to kill her and dump the body in the pond .
mr waipot said he had evidence to back his assumption, but would rather allow police to complete their investigation before revealing it .
water was found in the lungs, and this was an important indication that she drowned
isn' t thailand lucky to be blessed with such talented and skillful forensic specialists... . .
she had scratches and bruises, but they didnt cause her death ...
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trippy indie madeline' s madeline is the movie that lakeith stanfield and boots riley from sorry to bother you want to see the most .
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china 1925, a man returns to track down a kill the men who murdered his brother.
duel of fists ( chinese : 拳擊 ; quan ji or kuen gik ) is a 1971 hong kong martial arts film directed by chang cheh and starring david chiang and ti lung . filmed on location in bangkok , the story concerns a hong kong engineer ( chiang ) who goes to thailand to find his long-lost half-brother ( ti lung ) , who is a muay thai boxer . 
duel of fists (chinese: 拳擊; quan ji or kuen gik) is a 1971 hong kong martial arts film directed by chang cheh and starring david chiang and ti lung. filmed on location in bangkok, the story concerns a hong kong engineer (chiang) who goes to thailand to find his long-lost half-brother (ti lung), who is a muay thai boxer.
duel of fists (chinese: 拳擊; quan ji or kuen gik) is a 1971 hong kong martial arts film directed by chang cheh and starring david chiang and ti lung. filmed on location in bangkok, the story concerns a hong kong engineer (chiang) who goes to thailand to find his long-lost half-brother (ti lung), who is a muay thai boxer.