honeymoon travels pvt . ltd .
honeymoon travels pvt. ltd. cast list: actors and actresses from honeymoon travels pvt. ltd .
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om shanti om, mangal pandey: the rising, honeymoon travels pvt. ltd .
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t o recap, honeymoon travels pvt ltd is the story of six couples off to goa on their honeymoon .
.. so they dance! : honeymoon travels pvt ltd - fluff and then some .
review - honeymoon travels pvt. ltd. : comedy disturbed because they couldn’t resist having a story
dev. d, you don' t get life a second time, honeymoon travels pvt. ltd .
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this cast list of who was in honeymoon travels pvt. ltd. includes both lead and minor roles. (17 items )
honeymoon travels pvt. ltd. cast list, listed alphabetically with photos when available. this list of honeymoon travels pvt. ltd. actors includes any honeymoon travels pvt. ltd. actresses and all other actors from the film. you can view additional information about each honeymoon travels pvt. ltd. actor on this list, such as when and where they were born. to find out more about a particular actor or actress, click on their name and you' ll be taken to page with even more details about their acting career. the cast members of honeymoon travels pvt. ltd. have been in many other movies, so use this list as a starting point to find actors or actresses that you may not be familiar with .
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twelve newly - weds have booked their first trip as a married couple to goa through honeymoon travels pvt. ltd. their individual stories, the romance and sometimes the lack thereof is all handled mostly in the lighter vein .
s he is javed akhtar' s daughter, farhan akhtar' s sister and a writer herself. inspite of being a creative person as the core zoya akhtar dons the mantle of a producer for the honeymoon travels pvt ltd .
catering to the changing tastes of the audience, movies such as honeymoon travels pvt ltd, bheja fry, life in a... metro, that banked upon a good script, good performances and fresh treatment, found favour with the audience .
what is honeymoon travels about? it is about a package honeymoon to goa. there are 6 couples going for that honeymoon. it basically talks about the different relationships 2 people can have and about how one should never be judgemental about why people are together .
honeymoon travels pvt. ltd. is about married couples on a package honeymoon to goa. exciting and cheerful, this vacation is a subsidized option for a lot of dreamers on the brink of their new life. the film opens with six couples, a guide, a driver and a handyman riding in a bus from bombay to goa. the n read more
the honeymoon travels pvt. ltd. actor and hotel heir was arrested in florida for possession of drugs but is out on bail nowindian - american hotel owner and actor vikram chatwal, who’s reportedly been close to american actor lindsay lohan since 2011, was arrested in florida on drug charges, according to a media report. he has been [ … ]
watch aamir khan, rani mukerji and kareena kapoor in the first teaser of talaashthree of bollywood’s biggest stars, aamir khan, rani mukerji and kareena kapoor star in psycho thriller talaash. the film, khan’s much awaited home production, is directed by reema kagti of honeymoon travels pvt. ltd. fame and co - produced by farhan akhtar and ritesh [ … ]
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kumar taurani, managing director of tips industries ltd, is not averse to big names but agrees that the script plays a pivotal role in the success of a film .
this is a story of six newly wed couples who go on a subsidized honeymoon trip together. the story unfolds the seven different stories of love and human relationships during their journey .
before, and i have to say, honeymoon travels has a definite
close but not cigar
moment with this. the gay storyline is nothing amazing, but it' s pretty believable and not all that badly written. the problem? the actors involved absolutely suck. i mean, goodness gracious. okay, in a cast with boman, kay kay and shabana, it' s not easy to come out on top, but when ameesha patel and even diya mirza out - act you, you' re not cut out for the job .
six couples travel to goa for a group trip honeymoon. the couples are all young, with the exception of naheed (shabana azmi) and oscar (boman irani), who are in the
second inning
( wahey cricket terminology !) of their lives .
story six newly married couples are on their honeymoon to goa. exciting & cheerful, this vacation is a subsidized option for a lot of dreamers on the brink of their new life. the film is woven around these couples, a guide, a driver & a handyman riding in a bus from bombay to goa .
but this cleverness doesnât help when azmi cries in the shower â you donât know why until you see her back - story â or when a gay angle crops up or when a wayward daughter appears out of nowhere or when you see that, after marriage, things seem to have changed between kay kay menon and raima sen. the minute the script turns serious, honeymoon falls flat. (maybe they should have taken a hint from one of the songs and kept things… halke halke .) the huge (and very appealing) cast makes sure that the film is never less than watchable, but thatâs about all honeymoon is. azmi and irani get a moving moment when they are asked how they got together and they string up some wild take about being in planes flying near one another and floating down in a parachute. (theyâve been brought together by a tragic series of events, and they understandably have no wish to share all of this with a complete stranger, and so they invent this fantasy .) the scene is played for a laugh, but thereâs also romance in the air, thanks to the soaring french music in the background. for a minute here, the film stops trying to be clever, which is probably why the emotion comes across so strongly. sometimes, love stories are better made from the heart rather than the head .
the first half of this movie is really funny. acting is super. i had a few problems with the characterisation. would have been better, if there wasn' t a forced story for every couple .
the first half is hil - larious! there are really funny lines and situations in the second half too, but the compulsion to have a story breaks the flow. nevertheless, all the laughs were the perfect medicine for my horrible cold. yeah - yeah, i know my illness was not on their mind when they were making the movie, just thought i’d let you know because i felt like it. just like, the writer threw in special effects, or her stand on social issues .
comedies like these bring out the dependencies between the dialogues and the comic timing. the great performances wouldn’t mean anything without the witty lines. and as always, funny lines cannot tickle you if they are not delivered right. someone please tell me, why don’t real radio jockeys speak this sensibly? it’s the serious parts (mostly in the first half hour after interval) where things drag. they do not gel with the general tone at all. the side - side story of the driver is out of place too. and the preachy tone in the end – why? why? ? why? ?? also, why does the screenplay slacken in the second half .
acting by one and all is exactly what their characters demand. yes, even amisha patel! when i first heard that she was playing a loud character, i was dreading the time i would see this movie. but, her restraint comes as a pleasant surprise. there are too many artistes to name them all here, but everyone has done their roles full justice. and so have the costumes of at least some of the people. i was really kicked by how the geek was almost always dressed in a solid - colored collared t - shirt .
most of the characters and their idiosyncrasies were dealt a fair hand. i especially liked how the sexual orientation of some of the characters was handled sans the usual snickers associated with such issues in hindi movies. a whole range of honeymooners is covered here, from the chauvinist who is more interested in photography than his wife to the couple who had no use for a camera, from the arranged marriage to the love marriages. while most characters are consistent, there are a few that leave you with questions. since, discussing these would give out a little more than i like, check out the details section (spoilers there !) .
the songs look better than they sound. they are the kind that grow on you because you have seen them. the choreography of “pyar ki ek kahaani” is absolutely breathtaking .
this movie has a very hrishikesh mukherjee feel to it. and that says a lot coming from a huge hrishi - da fan. this is certainly the kind of light movie we needed after a series of serious movies we have seen in the last four weeks. if only, reema kagti had not worried so much about trying to squeeze in an actual story for every couple .
warning: clicking on
full review
will take you to an external website that could contain spoilers .
... nonethless reema kagti' s first directorial venture does manage to make a mark as an above average film which is fairly entertaining ...
... sans a single dull moment, the dialogues by anurag kashyap too keep the momentum going ...
... it won’t reveal the meaning of life, but it’s a fun escape ...
... kudos to the director for leaving no loopholes as far as groping for identification of characters is concerned ...
... debutante director reema kagti manages what nikhil advani could not in his six - couples romantic film, salaam - e - ishq ...
... the film spends a lot of time spoofing hindi film conventions ...
... the story tells about the contrasts and colors of a married relationship and puts the couples in different scenarios and backdrops ...
... the screenplay is intelligently innovative though at instances it even resorts to some cinematic clichés ...
... my thought process is broken by a huge laughter wave that starts from the front row... they are enjoying every scene of the film... .
... everything goes well in the first half, infact first half was simply superb, hilarious ...
... i think the director started off on the right note but didn' t know how to tie it all up... .
... but after the introductions, and a few predictable twists in the middle, the story just does not move forward... .
... it only tries to put its foot in many shoes at the same time ...
... this film must have looked way more appealing in the script than it ever manages to do during its entire running time ...
... the director can' t seem to decide whether she wants the film to be slice of life reality or comic book absurd ...
this page has additional observations, other than the ones noted in the main review .
warning: this section has some details that could distort your experience while watching the movie. i strongly recommend reading this only after you have seen the movie or if you have decided not to see it .
radio mirchi' s announcer - since it is laced with good dialogue, it doesn' t annoy like most product placement does .
the situation in which aspi (abhay deol) and zara (minissha lamba) meet. the way it is narrated is very comical .
the whole nahid (shabana azmi) - oscar (boman irani) track. it was a
sooo sweeeet
realtionship .
the scene in which partho (kay kay menon) gets drunk. real and funny .
pinky (amisha patel) and her annoying blabber - mouth. and the reactions people listening to her had. some of her lines kept me in splits for some time after the movie was over .
note: this section simply lists the things that i did not like in this movie. this is not the overall impression about this movie. please read the full review here
just because this list is long doesn' t mean i have to hate the movie. my overall rating indicates the general feeling i have while leaving the theatre. there can still be things that i did not like .
the character inconsistency in madhu' s character played by sandhya mridul. what exactly made her change from a simple girl - next - door to a girl who dresses and behaves liberally? also why exactly did she not want a divorce, what was in it for her ?
also partho and milly (raima sen) somehow don' t seem real. if partho is conservative he could never have let milly get away with whatever she was doing. and if milly was really so free - spirited, she could never have been dominated. i won' t talk about how. i don' t think they could be attracted to each other given their base characters because what attracts one person to the other is i think not definable. ok, enough philosophy !
the stand on why women should not be forced to wear a sari and how it is okay to elope when you are in love. this was not the right forum .
the driver' s dark character. please don' t tell me his character existed only so nahid (shabana azmi) could give a speech .
shilpa' s (dia mirza) reappearance - absolutely unnecessary. again, i suspect it was to drill in the point that lovers should not be forced apart .
this section lists things that i think are not important to the overall impact of the movie. in most cases, it could be explained away by something like ,
we noticed the glitch after the scene was shot and there were schedule / budget issues and thus we could not re - shoot it
. i like giving the makers the benefit of doubt, but i am amused nevertheless. hopefully, they will tickle you too .
mehak, i loved the part that it had no particular story in mind. in fact, i did not like the bit where they tried to put a story in forcibly for each couple. addi, yeah, the climax was a let down considering they kept it lively throughout the movie. oh well ...
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six newly - married, diverse, honeymooning couples face marital bliss and discord, finding out more about themselves, their significant others and life in this happy - go - lucky, quirky drama .
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abhay deol and minissha lamba became very good friends during the shoot of. there were rumors that he had a crush on her, but both of them dismissed the allegation laughingly. but abhay admitted ,
minissha is such a lightweight that made it easier for me to do the tango song (pyaar ki ek kahani ...) with her in the film .
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there' s oscar and nahid (boman irani and shabana azmi), the senior citizens in the sextet, both married for the second time and the ones with the most gravitas. there' s the delhi couple of pinky and vicky (amisha patel and karan khanna) where she' s the talkative north indian girl who believes her life is a fairy tale while her husband harbours a secret that makes the trip a chore for him .
partho and milly (kay kay menon and raima sen) are the bengali couple where he is the tightly wound husband and she is his aching - to - be - free - spirited wife. hitesh and shilpa (ranvir shorey and dia mirza) are a couple from surat, theirs is an arranged marriage and she will not let him get anywhere near her when they are alone .
aspi and zara (abhay deol and minissha lamba) are the unbelievably happy parsi couple who have known each other 16 years and never had so much as a disagreement. and finally, there' s bunty and madhu (vikram chatwal and sandhya mridul) playing the expat and his new brideā - - the circumstances of their meeting and marrying are unconventional, to say the least, so naturally both have secrets from each other. add to this the mysterious man on a motorcycle who is trailing the bus on its journey from mumbai to goa and this seems like a film with the promise of a lot of fun and entertainment, right ?
this film must have looked way more appealing in the script than it ever manages to do during its entire running time. most of the above - stated characteristics of the couples are pretty much the only characteristics exhibited during the entire film. no major character development is achieved that could help the audience fall in love with any of them .
the secrets, as and when they are revealed, do very little to further the plot or the action. everything happens, nothing evolves. there is a fantasy element to one of the couple' s stories that comes off as so far - fetched that it makes the whole exercise laughable rather than genuinely funny. with the marked exception of kay kay, none of the other cast members are playing against type and it shows in the fact that the audience will be left feeling like they' ve seen it all before, and done better .
the pacing of the film as well as the delivery of the multi - strand storyline seems to have been developed along the' oh we haven' t seen that couple in so many minutes so let' s drop in one of their sequences here' line of reasoning. even the setting, goa, is made to look as unappealing as it did in bride & prejudice .
beyond giving various characters phrases to define their ethnicity, little has been done to authentically place them in the skin of their characters. neither deol nor lamba come off as parsi, patel does not feel punjabi, neither shorey nor mirza are convincing as gujaratis and the less said about irani' s senior catholic citizen the better (in fact it would be wonderful to have to watch a film where the man is not required to emote in a bad wig) .
as a debutante it must be wonderful for director reema kagti to have the backing of major industry players like farhan akhtar and ritesh sidhwani. nothing about the film serves as proof of that faith .
the score by vishal - shekhar is forgettable, the surprise cameo is neither surprising nor welcome and the movie ends as it began .
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i love a good film with a big cast, but it' s often sad to admit that the bigger the gallery of characters, the tougher it is to keep the film solid in every aspect. i liked
but there were definitely problems with some of the characters not getting their story properly told, or some characters feeling a bit redundant. with
, you can see a lot of care was put into the script and the story, making all of the couples stand out in their own way, their stories told very neatly. unfortunately, some of the performances are lacking .
not all couples are happily in love. hitesh (ranvir shorey) and shilpa (diya mirza) were arranged, and especially shilpa has a tough time adjusting to married life .
others couldn' t be happier, like partho (kay kay menon) and milly (raima sen), a more traditional couple, or ...
.. the absolute adorable aspi (abhay deol) and zara (minissha lamba), who are in harmony with one another to the point of the absurd .
it took me a long while to watch this movie. i always meant to, as it looked like a servicable little film, the cast was interesting enough (no huge favourites but people i always enjoy seeing more of), and
. when i finally watched it, i was glad. it' s definitely a lovely film, flaws and all. it has those edges of realism, and of fantasy, and overall it' s a fluffy, yet grounded film about love. sometimes i have a hard time pinning down what a director was attempting to do with a film - here, i think i completely understood director reema kagti' s vision (yes, female director; not something you see every day) .
the soundtrack is nothing too memorable but very nice all the same, and i really warmed toward some of the characters. they all get their story told, and i really appreciated that. in fact, i was disappointed when the film ended. i would' ve gladly watched about 30, 40 or even 50 minutes of their escapades in love and life .
yes, ameesha is actually good in this. she plays the bubbly, spoiled, oblivious pinky to perfection, actually making the character very likable .
but watching this movie, and this dreadfully acted gay storyline, i couldn' t help but wonder if it was a simple case of stigma being too great to get somebody of actual talent. like the moment you mention that the role is not 100% heterosexual, the pool of talent slims down to almost nothing, you take your pick, and end up with nothing as good as you might' ve hoped .
my favourite couple is without a doubt partho and milly, because their journey is interesting and heart - warming, and because i unabashedly girlcrush raima sen. the other stand - outs are naheed and oscar (with her teaching him urdu, and their memorable backstory) and aspi and zara (with their cutesyness and secrets) .
would i recommend it? absolutely. it' s fluff, but it' s also a bit more, and i' m willing to forgive its flaws for the sheer watchability. sometimes the films you find yourself wanting to rewatch are far, far from perfect. this is one of those cases .
this was such a perfect ensemble piece and all the characters were fairly believable stereotypes. like you, my favorite couple was partha and mili. they were such a realistic couple, and reminded me so much of some of my own friends! and of course shabana and boman irani were great, though the same cant be said of boman' s wig .
when ameesha patel and even diya mirza out - act you
unfair to diya mirza! i thought she was pretty good in dus kahaniyan and tehzeeb .
my apologies! i clearly haven' t seen very much with diya, but the little i' ve seen were just kind of. . blah. no, wait, actually i quite liked her in lage raho munnabhai. what' s with my judgmentalness these days? oh dear. aww, boman' s wig. i agree, not a good decision. he looks quite fine without it .
a hindi movie buff from finland nice! me myself discovered hindi film with a little help from cheap airfare from finnair. how did you happen to come across the wonderfull world of song and dance when living so far away from the holy ganga or anything else hindi related? dink from denmark
btw considering you taste in movies you should watch
sorry bhai
. i couldn' t find it on your review list and i think you would like it .
ohhh, it' s been so long since i' ve seen this movie, but i remember having a very similar reaction as you did. i thought it was sweet, cute, fluffy and not half - bad, but i thought it ended a little too abruptly for my liking. obviously all of the stories weren' t going to be tied up in a nice little package... but i wanted just a bit more! i should give it a re - watch sometime soon. : )
dink - long version here: urltoken short version: music class in senior high school. thanks for the rec! anita - it' s pretty rare that i feel like an indian movie ends too soon but this was definitely one of those cases .
i really liked this film. and i found that statement more unfair to amisha, she is very underrated as an actress. she has delivered some flawed performances but she has also given solid performances in films such as gadar, humraaz, and ankahee (which i beleive is her most understated performance to date). i wish she gets to do something beyond that, i find her face very beautiful and amongst one of the most beautiful that has graced in bollywood. other girls i find beautiful are rani mukerji, kareena kapoor and dia mirza. don' t really bother about the rest, most of them are plastic .
a blog on indian cinema by a 20 - something finnish lady. i have the following objects of filmi fondness; dishoom - dishoom, awesome ladies, meta - gags, 70' s masala, lavish sets, comedy, bickering couples, actors singing themselves, classical dancing, filmi rock and pensiveness. :: about this blog: :: : film review index: :
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i loved this movie, the bad acting, the weird plot twists, the terrible english spoken in such plummy accents and the dancing and music is just brilliant! ! good for a girls night in .
a movie that had to be made better... spoiled as a typical bollywood movie ...
i didn' t hate the movie that' s for sure i even bought a copy of it (on sale of course). it' s a simple movie, exploring every possible disastrous relationship with a twisted fun. it' s actually kinda cute in a very silly way. : )
this is one of my most favourite movies, because in recent times i haven' t seen such well defined characters. i love it - and its not just a funny movie - its a really really good script. the director (reema) has portrayed the characters in such a great way. . each story has something special abt it and (almost all) the performances are great. . it is one of the most enoyable movies i have ever seen. . always puts a grin on my face
an interesting concept, , but i wish the end product cud ve been more interesting, , yes it addresses a few imp things but doesnt hold much to keep the audience glued, , inconsistent at times .
reema kagti (director), please dont make your second movie... . get a new vocation... . puhleezz
this flick is easliy one of the best movies made for the lighthearted viewer. a very low - budget movie, considering there are nobig stars and no big sets involved, its a through and through comic act with its own share of emotional moments. boman and shabana rock as the old age couple, and sandhya mridul and minishha lamba were presented quite nicely! overall, a great entertaining watch !
saw a bit. . abhay deol was like ssshhhiitt ...
never seen before
type of film, sure it has couples, but it delves into the strengths and weaknesses of these relations, where as other multi - starers such as salaam - e - ishq only focused only on the problems of each character throughout the movie and made sure that in the end love conquered all
the script is another of
no smoking
director anurag kashyap' s postmodern hotchpotches, full of baffling diversions (two of the characters turn out to have superpowers), dead - ends (the couple in the arranged marriage - the film' s sole source of dramatic conflict - disappear after a half - hour, and the unifying idea of the coach trip shortly thereafter) and signs of evident desperation in the scene where the male half of the square couple (kay kay menon) unknowingly ingests hallucinogenics .
two songs are superlative but otherwise movie is bad and pretentious. a few good moments. boman irani is one of them - he rarely if at all disappoints. the script attempts something different but loses its way in many places. some threads go nowhere. the tango song pyar ki ik kahani is one element of this song that aims to be different from typical bollywood and succeeds resoundingly. it is composed, sung and danced on with panache. world class. the vari vari song exudes an infectious energy. in both javed akhtar reiterates his position as a true songwriter of class. cant fault any of the actors or director. screenplay was conceived out of inspiration but looks like completed without it. its worth a watch but dont kill yourself getting to it. if you do get around to seeing it, the two songs and a few stray moments will make it worth it .
pretty entertaining and quirky take on relationships. i liked how all (well, most of) the characters were so free - spirited. it' s a fun date flick .
i couldn' t understand 95% of the words they said but the movie was pretty entertaining and easy to follow .
a fun movie following a bunch of package - tour honeymooners. some bad acting is made up for by some serious subject matter. jovial and off - the - wall with a dark edge .
not bad, something different from the usual predictable bolly fare. some really believable acting. would recommend it, even if arjun rampal wasn' t in it: )
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the bachna ae haseeno actress said her decision to enter the house wasn’t very difficult to makebollywood actress minissha lamba says she won’t be using fake drama to bring in viewers on bigg boss 8 .
cineswami takes a closer look at bollywood’s reel and real gay love storieswe live in liberal times. 2014 is almost upon us and we like to believe that we are free of prejudice. which is why we applaud fearlessly and openly a gay love story that we witnessed with our own eyes at the
the race 2 babe is using every possible trick in the pr book to stay in the business of movies. but will it work? we wonder…you don’t mention ameesha patel and successful films in the same breath, do you? even though her debut film kaho naa... pyaar hai was a sensational hit and we all [ … ]
the actor insists she never left the industry and that race 2 does not signal a return for her. she also sheds light on her new role as a producer“comebacks are for the actresses who get married and have kids and then plan to come back. i never left this industry. i have always been [ … ]
the pretty lady turns 28 years old today. wanna know what her plans are? read on…minissha lamba was born on january 18, 1985 .
the actor who insists that she is too young for a comeback will be seen playing the role of a desi blonde in race 2. why her, we wonder…ameesha patel started her bollywood career as sonia saxena in kaho naa…pyaar hai opposite hrithik roshan. and a walk down the memory lane reminds us how the [ … ]
the sexy bollywood actor turns 38 todayborn on june 9, 1975, ameesha patel, after studying economics at tufts university in the us, joined noted theatre director satyadev dubey’s group in mumbai. the sexy siren acted in a few plays and modeled for leading brands before getting into bollywood with kaho naa… pyaar hain opposite hrithik [ … ]
madha gaja raja is an upcoming tamil masala film directed by sundar c. it stars vishal krishna, anjali and varalaxmi
vaalu (english: naughty) is an upcoming tamil action comedy film directed by debutant director vijay chander. the film will
ameesha patel had a dream debut opposite hrithik roshan in kaho naa... pyaar hai. she is originally from mumbai and hails
raima sen has acted predominantly in bengali films. sen made her debut in the film godmother, which was a critically
kay kay menon (born, 2 october 1966) is an indian film actor who works in hindi cinema. he is considered to be one of the
ranvir shorey is an indian actor and former vj. since making his debut in ek chhotisi love story (2002), he has starred in a
minnisha lamba is an indian actress who has worked in many famous films. she is an upcoming actress in bollywood film
dia mirza was born dia handrich and she is a model, actor and producer. after winning the miss asia pacific international
a film and theatre actor, a voice artist and a photographer, boman irani is the beloved dr j. asthana from munnabhai mbbs .
sayyida shaban azmi is a well - known film and theatre personality as well as a social activist. she is an alumnus of the film
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a lot of these young ideas do work. i loved the cheeky cut from a full - bladdered ranveer shorey unzipping in front of a urinal to wine being poured out of a bottle. and delhi - ites are probably going to hate the stereotyping, but the filmâs most hilarious creation is the barbie doll - incarnate from the capital city, played by amisha patel. (sheâs dressed perpetually in bubblegum pink and she calls her husband âlollypopâ? .) the abhay deol - minissha lamba track too works wonderfully. (they look so wholesome and freshly scrubbed, itâs as if weâre watching a pair of the bobbsey twins all grown up .) thereâs a scene where he puckers his lips and blows lightly at her, and flowers from an overhead branch drop down on her; itâs only later that you see the reason this happens, and that revelation is kagtiâs sweetest, nuttiest conceit. theyâre made for each other, these two, and when weâre shown their flashback, tum aa gaye ho plays in the background. thatâs a running gag, that each of these couples gets a flashback underlined by one old film song that best sums up the situation. the only exception is in the story of shabana azmi and boman irani, who marry late, and the song that they get is part of their present, not their past. theirs is a strange tale, and what better number to highlight this than ajeeb dastaan hai yeh â sung on a boat no less! (a big salute to kagti for acknowledging these tracks â and their composers / songwriters â during the closing credits. )
ah! after all the heavy - duty discussions following ns, oso, and slb, we pick up the “light romance” thread where we left off — at jwm. i think the “transportational” transition is spot on — from a railroad romance, we cruise lightly into romance on four wheels !
such silly observations aside, “that one - dimensional chauvinist - pig of a fiancé”…you mean that perfectionist guy who rolled off the bmw assembly - line? ok, ok, i’ll stop. 🙂
i haven’t seen this one yet, but going back to heavy - dutiness for a second, “. . we’re actually asked to swallow a big, fact lecture about, yes, the nature of love” reminded me of a similar heavy - dutiness you’d cringed over in an earlier review: om puri in mangal pandey “threaten [ ing ] to transform the film from historical fiction to the history channel. ”
now, mangal ostensibly wasn’t “light” in any way, shape, or form (ok, except factual accuracy), so let’s put it aside for a moment as we pick up where we left off, with “light romances”. i too have often wondered — given the audience’s collective readiness to lap up light romances, formula and all — why wind them down with such “clever” heavy - dutiness? so i’m right on board the bus with you to mandate (oh if only we could !) that all moviemakers treat eschewing such make - you - fall - flat - on - your - face - just - as - you’re - merrily - cruising - along heavy - dutiness as the sine qua non of light romances .
> > ”sometimes, love stories are better made from the heart rather than the head. ” touche !
p. s: > > ”they’ve been brought together by a tragic series of events, and they understandably have no wish to share all of this with a complete stranger, and so they invent this fantasy. ” it’s the kind of stuff that, to me, makes formulaic light romances ring true. a movie that this reference promptly dredged up from long - term memory is “rhythm” (the vasanth flick from 2000 with some to - die - for tunes by ar rahman). that movie is the antithesis to the “bogus moment” you refer to in mangal (and, by extension, most movie romances): “they’ve had one song, two bits of dialogue – suddenly they’re soul mates! ”
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just before her film' s release, zoya talks to komal mehta about the film, her writing and future plans for their production house, excel .
why did you decide to produce the movie instead of directing it? firstly, because i' ve known reema for sometime. she has also worked with farhan. she is my best friend and i' ve been with her on this movie since the scripting stage. so it was a good script and we decided to produce it. also i' ve never really directed anything myself .
was it tough handling such a large cast? no it wasn' t. actually, managing huge starcasts is always tough, but we were very lucky that we didn' t really have any problems. we had the coolest cast, who were happy to be with each other. i think everyone knew it was a small film and didn' t really have issues of any sort. they were all like a part of the crew .
what is the worst part about being the producer of a movie? well, it' s a thankless job. no matter how many things / problems you solve there are more just waiting to be addressed. also ours is a low budget film, and we didn' t really have money to throw at a problem, so it was tough.
honeymoon travels ltd. is a 2007 indian comedy drama film . it was produced by farhan akhtar and ritesh sidhwani through excel entertainment and marked the debut of reema kagti as a director . the movie has six different parts in it . 
honeymoon travels ltd. is a 2007 indian comedy drama film. it was produced by farhan akhtar and ritesh sidhwani through excel entertainment and marked the debut of reema kagti as a director. the movie has six different parts in it.
honeymoon travels ltd. is a 2007 indian comedy drama film. it was produced by farhan akhtar and ritesh sidhwani through excel entertainment and marked the debut of reema kagti as a director. the movie has six different parts in it.