oru oorla
oru oorla rendu raja review. oru oorla rendu raja tamil movie review, story, rating - urltoken
oru oorla aka oru oorla is a tamil movie with production by p velusamy, direction by ks vasanth kumar, cinematography by arul vincent, ds vasan, editing by mahendran. the cast of oru oorla aka oru oorla includes annapoorani, indrajith, neha patil, venkatesh .
oru oorla rendu raja audio cd standard edition (tamil - d. imman )
oru oorla (original motion picture soundtrack) by j. k. selva on spotify
oru oorla rendu raja (aka) oru oorula rendu raja is a tamil movie with production by sheraphin raya xavier, direction by r kannan, cinematography by p g muthiah. the cast of oru oorla rendu raja (aka) oru oorula rendu raja includes priya anand, soori, vemal .
titled oru oorla rendu raja, the film features vemal, soori and priya anand in the lead .
oru oorla rendu raja is a tedious comedy drama that attempts to highlight the inhumane working conditions of factory workers in our country, says s. saraswathi .
the hackneyed climax, lackluster performances, tiresome comedy, unexciting music coupled with the director’s inept execution makes oru oorla rendu raja a total waste of time .
oru oorla rendu raja tamil movie review, rating the much awaited oru oorla rendu raja released on friday (november 7, 2014) as the dasara slap - up repast for eyes to entertain all the tamil audience. amidst many expectations, the movie was released in many screens across the nation and the world .
movie title - - - oru oorla oru rajakumari unknown facts imdb rating and complete report cast - - nirmalamma surabhi vijayakumar below actors passed away - - kumarimuthu died on 28 - feb - 2016 movie details - - music by - ilaiyaraaja produced by - c. h. venu
oru oorla is a romantic drama directed by vasantha kumar. the movie has venkatesh and neha patil in the lead roles. the music is by ilaiyaraja and this movie is ilayaraja 's 999th movie .
oru oorla rendu raja review – oru oorla rendu raja is a tamil action comedy released in 2014. azhagu and michael are jobless youths who meet doctor priya on a train journey. azhagu instantly falls in love with priya. when they become aware of the social cause priya is fighting for and the danger lurking over her life they decide to go to any lengths to save her and help her succeed in her cause. will they succeed is the plot of the movie .
it is so unfortunate that a profound subject like industrial pollution is trivialised in kanan’s oru oorla rendu raja (two kings in a land) through a train of distracting songs and dances as well as mindless buffoonery that is passed off as comedy .
after settai, a remake of delhi belly it is the turn for an original script from r. kannan who alternates between the two. with his last two outings not exactly hitting the bull’s eye what does kannan have to offer us through oru oorla rendu raja (oorr) ?
prolific director kannan is back with his own script, oru oorla rendu raja (oorr). as the title says, two goodhearted men are the lead players with the comedian (soori) in fact taking center - stage. when the two men are aimlessly travelling on a train journey, they encounter a beautiful and purposeful young woman (priya anand), and obviously one of them (vemal) falls for her .
as far as the story of oru oorla rendu raja is concerned, it is a pass through story about two friends - vemal and soori as azhagu and mike. the duo happens to meet the heroine priya in a train. she is an educated girl hails from madurai. as the movie advances, it turns to be a routine love story with embedded comedy element. vishakha singh appears in a cameo and iniya has done a special number in the film .
oru oorla rendu raja presented by s. michael rayappan is excellently directed by r kannan. as the name it self talks about the movie, it is a story of two friends who consider themselves as the kings, who hail from the same village. vemal in azhagu’s role and soori in mike’s role have given their best in the movie. priya anand is presented so beautifully in excellent costumes. she played the role of priya in this movie. the music scorings by d imman is an added asset to the movie. however, the bgms are not so appealing .
in this short film generation, the youngsters are trying hard to make an impact in whatever way it is possible and sweating out to get an entry to the dream town. but, at the same time, k - town produces n number movies without any motive and the take the audience for granted. ‘oru oorla rendu raja’ falls in the latter category and tests the patience of movie goers. kannan had a terrific debut with ‘jayamkondan’ and carried the tag of, maniratnam’s assistant. unfortunately, after his first movie, he hasn’t done much to keep his graph growing in the positive end .
o ru oorla rendu raja is that inefficient employee in the company you are uncomfortable about firing because he is such a well - meaning fellow otherwise. the film arrives close on the heels of kaththi with its anti - corporation sentiment. to make the package look more appealing, the film has a love angle, a comedy track, and duets, unconvincing, unfunny, and pace - hampering, respectively .
oru oorla rendu raja has a social message in its core. it seems to be the trend of voicing against the corporate depleting the environment and causing hazard to lives of people. the social message is the only factor of appeal in the movie. director r kannan has relied on some average comedy sequences to move the screenplay in which the entire social message gets weak. the comedy is also very forgettable but for very few punches. vimal and soori has repeated their template style of movies. soori has played a dominant role while vimal has underplayed his role. he should start trying to come out of his template to explore other areas in acting. priya anand has a good role to play in the movie. sundari penne song has been shot very well. if the director had given more weightage to the social message he wanted to convey rather than fitting the story to the stars it had the potential to become an interesting watch. also certain shots and the detailing of the shots are just below average .
servar sundaram | tamil movie comedy | nagesh | k. r. vijaya | s. p. . muthuraman
the real story is how priya (priya anand), a doctor, discovers the inhuman conditions in a factory, and decides to start legal proceedings against its owner (nassar). the decisive scene that reveals the factory owner’s mercilessness reminds you of the scene in mannan when vijayasanthi refuses to take an accident victim in her car, worried the blood may smirch her car seat. this bit, the crux of the film, is sandwiched between so many bad comedy set pieces that you can’t help but be disappointed, as you’d be when you bite through the flaky crust of a chicken puff to discover that it contains very little meat inside .
the final act has resolutions that leave you baffled. the ending, especially, seems as if the filmmakers suddenly realised that the movie had gone on for too long and decided to bring it to a swift conclusion. when priya is shown subtly indicating her love at the end, you are left shaking your head in disbelief. azhagu has almost sabotaged all her good work and priya falls in love? but by then you are desensitised enough to not let it bother you too much. a message at the end of the film says, “save human”. well, a good start would be to make films with purposeful dialogues, lesser clichés, and not belittle real problems with pointless comedy and unreal solutions .
some parts of this page won' t work property. please reload or try later .
two wastrels discover their purpose in life when a doctor gets into a legal tangle with a factory owner .
the
most anticipated indian movies and shows
widget tracks the real - time popularity of relevant pages on imdb, and displays those that are currently generating the highest number of pageviews on imdb .
each title is ranked according to its share of pageviews among the items displayed. pageviews for each item are divided by the aggregate number of pageviews generated by the items displayed .
go behind the scenes of the mission: impossible movies, check out the latest videos and trailers, and see which spy movies topped the box office in our mission: impossible guide .
want to share imdb' s rating on your own site? use the html below .
see the top 50 tamil movies as rated by imdb users – from evergreen hits to recent chartbusters .
azhagu (vimal) and michael (soori) are on the run from some angry villagers and board a train to chennai. on the way they meet priya (priya anand) a good hearted doctor and our hero falls madly in love with her. priya is a crusader fighting for some workers in a factory run by the unscrupulous selva vinayagam (nasser) and his cruel wife (anupama kumar). priya' s best friend kalpana (visakha singh) had died due to the carelessness of the factory management who are trying to suppress it .
few scenes in train station shot at mayiladuthurai. which is native place of actress priya anand .
check out the indian movies with the highest ratings from imdb users, as well as the movies that are trending in real time .
explore popular sci - fi movies and tv shows available to stream with prime video .
click on the menu icon of the browser, it opens up a list of options .
here click on the “privacy & security” options listed on the left hand side of the page .
a pop up will open with all listed sites, select the option “allow“, for the respective site under the status head to allow the notification .
once the changes is done, click on the “save changes” option to save the changes .
we use cookies to ensure that we give you the best experience on our website. this includes cookies from third party social media websites and ad networks. such third party cookies may track your use on filmibeat sites for better rendering. our partners use cookies to ensure we show you advertising that is relevant to you. if you continue without changing your settings, we' ll assume that you are happy to receive all cookies on filmibeat website. however, you can change your cookie settings at any time. learn more
east raja street, mamallapuram (8, 700. 45 mi) kancheepuram, tamil nadu, india 603104
most searched in null: kishore kumar hit songs dhamaldj. com ajit kadkade tamil movie song bhojpuri item songs nusrat fateh ali khan mp3 mere yaar ki shaadi hai djhungama duroflex mattress ghulam ali ghazals bhajan krishna vivah geet rajasthani geet illayaraja hits kannada folk songs shyam bhajan kumar sanu hits prabhas in mirchi ar rahman tamil hits playboy swing pradeep bhajan designer curtains recron pillow sholay dialogues ayyappa devotional songs devotional songs in tamil lg washing machine cover
this browser doesn' t support spotify web player. switch browsers or download spotify for your desktop .
listen to all your favourite artists on any device for free or try the premium trial .
it looks like we don' t have a synopsis for this title yet. be the first to contribute! just click the
edit page
button at the bottom of the page or learn more in the synopsis submission guide .
overall the movie has very few pluses in terms of its social message and songs. apart from that the movie falls into the trap of average comedy sequences which you might get to see in 24 hour comedy channels .
enter your email address to subscribe to this raja reviews and receive notifications of new posts by email .
in 2013, he attempted the remake of the super hit delhi belly with a disastrous settai .
the director has chosen to tackle the issue of the inhumane working conditions of factory workers in our country and the unnecessary loss of life due simple negligence and lack of empathy .
set in the backdrop of a steel factory, the film highlights the total disregard of safety norms and the hazardous work environment in our factories today .
the film opens on a train journey between tuticorin and chennai. two good - for - nothing friends, azagu (vemal) and mike (soori) are escaping to chennai after soori’s plan to elope with his girlfriend fails. also on the train is the lovely priya (priya anand), a medical college student in her internship year .
there is an emergency on the train, a woman in labor. priya efficiently handles the situation, the child is safely born and azagu promptly falls in love with her .
a few songs and several totally boring comedy scenes later, we come to the crux of the matter .
a man wielding a knife attacks priya. azagu saves her and the narrative moves to a flashback mode. priya is travelling to chennai to attend the hearing of a case filed against steel factory owners, nasser and his wife anupama kumar .
the workers of this factory are forced to work without the appropriate safety equipments using decades - old machines causing deafness, infertility issues, heart - related problems and cancer. a determined priya has moved the court and hence the attempt to murder her .
post interval, the film is all about whether azagu and mike can safely deliver priya in court .
the film does have an interesting plot, but the director’s weakly - sketched characters fail to make any impact despite the gravity of the situation. the performances of all the lead actors leave much to be desired .
on the other hand, soori and thambi ramaiah appear overenthusiastic. most of the comedy is completely lame, lots of annoying drinking jokes and innumerable songs, placed at an interval of every 15 minutes .
music by d. imman does nothing for the film. the songs are, however, well - picturized and cinematographer p. g. muthiah does deserve some credit. even at just 2 hours and 11 minutes, the film seems incredibly long and disappointing .
what is a r rahman doing at a dubai mall? reader talib sends us a picture .
html public
- / / w3c / / dtd xhtml 1. 0 transitional / / en
urltoken
soon after the first show, mixed responses about the movie were shared by the audience who got exposed to the first show. but, most of the people felt it as a good comedy / drama movie .
q: define guts. a: christopher nolan. why? he' s got the balls to release # interstellar on the same day as that of vemal' s # oruoorlarenduraja
# oruoorlarenduraja ends up being the film we all thought it would be. a walkover if not for @ priyaanand .
the film will have a rural background with vimal playing an educated youth from a farming family and the troubles he gets into due to his energetic nature. [ 2 ] later in that month, priya anand was signed on to play an
educated girl who hails from madurai .
it is not ethical to reveal the entire story. so, as a one word conclusion, the hans india team reviews this movie as good comedy entertainer with routine stuff that is found in indian cinema .
overall, the movie is worth watching. the hans india team rates the movie 3. 25 / 5. before enjoying the movie on the big screen, just enjoy the trailer placed below :
stay updated on the go with the hans india news app. click for android / ios download it for your device .
© 2018 hyderabad media house limited / the hans india. all rights reserved .
this video embed source from youtube and uploaded by speed malayalam movie talkies on youtube .
rakshasa rajavu (malayalam: രാക്ഷസരാജാവ്) is a 2001 malayalam film co - written and directed by vinayan and starring mammootty in the title role. dileep, meena, kavya madhavan, rajan p. dev, kalabhavan mani, cochin hanifa and sukumari played other major roles
html public
- / / w3c / / dtd xhtml 1. 0 strict / / en
urltoken
two carefree and jobless youngsters meet a girl on a train. just when you think it is going to be a routine love story you come to know that the girl has a noble mission and how she goes about achieving it with little help from our heroes is oorr .
vimal shows improvement with his screen presence and he has grown in leaps and bounds as a dancer. that apart the film as such offers him very little scope. soori gets to mouth most of the dialogues. he comes up with a relatively understated performance. but the humour in oorr is particularly dry. you hardly recollect a couple of scenes that provided genuine laughter. priya anand is quite herself and does a neat job in a rare film that has a meaty role for the female lead. nasser scores again while anupama kumar annoys you with her exaggerated villainy .
imman is an asset to oorr with all the songs striking a chord. as standalones they rock. but they are badly placed in the film. editing seems shoddy with abrupt cuts at more than one occasion. the stunt sequence involving vimal, soori and stunt silva is nicely done. for a change the heroes get beaten up. more refreshing is that all the three involved in this sequence are actively involved in the fight all the time, in contrast to all those films where one person is always passive and at the receiving end of the blows .
kannan has taken up an important issue. for a few minutes you even get reminded of kaththi with the theme having a little similarity to it. another notable aspect of the film is that priya anand is actually the protagonist and the film actually travels with her. even the help that vimal and soori do are not exaggerated and it is priya anand who does most of the job. but why this title then? probably a commercial compulsion. the film never really grips your attention. the initial scenes are uninspiring and bore you. when the main plot takes centrestage, the dubbing and accent of vishaka singh strikes a fatal blow. when such an important character is given such a careless treatment oorr begins to lose it’s credibility. ultimately the film neither entertains you nor convincingly drives home the message .
privacy policy | | sitemap | | advertisment plans | | contact us copyright @ 2017 moviecrow, inc. all rights reserved .
you can update your channel preference from the settings menu in the header menu .
priya anand is a doctor, who visits a village near tuticorin and finds out many people are becoming deaf, and percentage of women complaining about miscarriage are alarming. priya and her team eventually get to know the steel factory which owned by nasser is the reason behind all this. the factory produces more than 130 decibels sound and the people who works in the factory leads a miserable life without proper safety measures. how priya anand saves the lives of people with the help of vemal and soori forms the rest of the story .
there’s no doubt on kannan’s ability on penning a story, but, his screenplay had let him down big time. talk about screenplay, an intro song for vemal & soori – check. force an unnatural comic episode to convince the audience that there is actually some logic – check. a sentiment scene to create a love angle between the lead pair – check. and, the list just goes on and on till the interval, and it keeps continuing after the interval as well .
soori scores much better than vemal & priya anand with his natural dialogue delivery and not over the top facial expression. priya anand is one dimensional and doesn’t make the needed cut while delivering some powerful one liners. apart from adding one more movie to his career, vemal hasn’t achieved anything big in this role. nasser and thambi ramiah too did not make any difference to the story .
music – imman’s songs neither made an impact nor pulled the movie down. actually, to an extent, a couple of songs, save the bland narration and there is no scope for elevating the movie with bgm’s. so, imman gets a pass mark here .
cinematography – muthiah’s camera evokes the sad state of factory workers and presents the songs in a colorful manner. both priya anand and vemal look beautiful in the song sequences, and that deserve a special mention .
action – stunt silva made an impressive cameo only to die in the hands of vemal and soori. though, the stunts don’t excite you much, at least it doesn’t ask you to take your mobile and check notifications .
dialogues – kannan had penned some wonderful dialogues to highlight the corporate greediness, but, that has been overshadowed by the below par screenplay. priya anand must work on her expressions and so does vemal too .
apart from few gripping moments in the first half, say 10 - 15 minutes while explaining the exploitation of workers at the steel factory, the rest of the movie falls short. on a positive note the movie’s run time is just above 2 hours and one must be really thankful to the editor, surya. at the end credits, the movie carries ‘save humans’. the obvious question is, who will save the audience ?
verdict: a spiritless commercial movie made with a tinge of social message to convince the viewers that there is something called story in it .
unwanted by the other members of his family, theri, a scrap yard worker, turns an alcoholic after the death of his mother. however, his life undergoes a sea change after his sister - in - law... see full summary »
unwanted by the other members of his family, theri, a scrap yard worker, turns an alcoholic after the death of his mother. however, his life undergoes a sea change after his sister - in - law delivers a girl child. he turns a new leaf, the reason for his transformation being his belief that his mother has reborn as his niece. he promptly assumes the responsibility of protecting and providing for the child. it is under these circumstances that his brother ends up having a fight with a sex worker. the spat turns ugly and results in a tragedy .
* setting channel preference will take you directly to the respective channel when you come in next time .
supported browsers: internet explorer: version 7. 0 and above, chrome, firefox and safari. best viewed at 1024 x 768 resolution and above .
sorry! none of the critics have had a chance to review this movie yet .
by using www. bookmyshow. com (our website), you are fully accepting the privacy policy available at urltoken governing your access to bookmyshow and provision of services by bookmyshow to you. if you do not accept terms mentioned in the privacy policy, you must not share any of your personal information and immediately exit bookmyshow .
copyright 2018 © bigtree entertainment pvt. ltd. all rights reserved. the content and images used on this site are copyright protected and copyrights vests with the respective owners. the usage of the content and images on this website is intended to promote the works and no endorsement of the artist shall be implied. unauthorized use is prohibited and punishable by law .
subscribe to our free newsletters to be the first one to know about all things entertainment .
the phone number associated with your bms account has been verified via a different account. please reverify your phone number .
you are about to change your phone number for my wallet. verify otp to confirm
“i have a good faith belief that the use of the material in the manner complained of is not authorized by the copyright owner, its agent, or the law. ” and “the information in this notification is accurate, and i am the owner, or an agent authorized to act on behalf of the owner, of an exclusive right that is allegedly infringed. ”
step 2. on receipt of your smart band, register and activate the band online through the link that will be emailed to your registered email id .
step 3. arrive at the event and walk in without waiting in the queue .
in case of any unavoidable circumstances, like an issue in receiving inventory from the concerned / taxation authority, you will have to pickup your smart bands from bookmyshow box office at the venue on the event day .
in case of office address if courier person is not allowed inside than please note that bands might be delivered at reception or mail room .
on receipt of your entry band, register and activate the band online through the activation link that will be sent to you along with your band .
in case of any unavoidable circumstances, like an issue in receiving inventory from the concerned / taxation authority, you will have to pickup your entry bands from bookmyshow box office at the venue on the event day .
due to some technical issues your address has not been updated. we request you to please try again .
linga business breaks record - rajinikanth, k. s ravi kumar, a. r. rahman - tamil talkies
yaan tamil movie review | jiiva, thulasi nair, ravi k. chandran - tamil talkies
26 years ago for kamal... now raja does it for mysskin !
we learn about her profession and the ominous task at her hand, through a flashback sequence which works well due to the inherent social interest angle and priya anand' s earnest performance. vishakha singh' s special role in this segment shapes the course of the movie. from here on, the film takes a predictable course with villains in pursuit, regularly placed hummable songs, some comedy involving thambi ramaiah as well, a needless segment of melodrama and finally the positive finish .
priya anand is the biggest plus point in the movie. when she isn' t at her glamorous best in the songs, she just sports a simple black' salwar' suit all along. her fluency in english serves her role well. vemal' s trim makeover is a clincher but he plays second fiddle all through the movie. he seems to have enjoyed the much - needed spotlight in imman' s song sequences which have been filmed well by dop p. g. muthiah. but his picturesque' helicam' shots have been overdone, one feels .
mazhakaatha is easily the best among the songs and possibly a big crowd favorite, thanks to imman' s peppy composition and priya anand' s ravishing screen presence. kukkuru sung by lakshmi menon has been filmed as a highway number featuring iniya and is bound to be another hit number. but all the songs might work better when seen standalone on music channels, than when seen along with the movie, due to their unimaginative placement. imman' s background score adds depth to the emotional scenes .
soori shoulders yet another movie and his quick mention of the ice bucket challenge is really funny. his viability and pull at the box - office is proven yet again by the magnitude of his role in oorr. nasser eases through his role as the villainous and self - centered industrialist, while anupama kumar as his equally evil wife, appears out of her comfort zone. the actor playing the hindi speaking railway police shines in a small role thanks to his spontaneity .
in all, oorr springs a surprise thanks to the social interest factor and the characterization of the lead heroine. aside from that, it is a regular commercial fare targeted at the mass audiences. the run - time is crisp too !
is old wine in new bottle. it' s a story that has been told a hundred times, this time with new set of actors. kannan must have written his script on the sets and changed it according to the packaging .
it follows the formula and there are no twists and turns and even camera movement of hero and heroine introduction has been repeated in earlier films! added to that the film also has a message about how
noise pollution
has become a health issue among those working in factories .
the only silver lining in the film is priya anand, who is the real hero of the film. the script revolves around her and she looks glamorous in song sequences. d imman' s music is decent, but there are too many songs, and placement is jarring. among the songs
mazhakaatha ...
is the pick of the lot. vimal just sleeps walks through the movie, soori' s comedy is irritating while nasser hams it up as the villain and anupama kumar is miscast as the villie !
on the whole kannan has come out with a film which is targeted at b and c audiences. there is no logic, but the major plus is that the film has a running time of 2 hours and 5 minutes. phew!
oru oorla is a 2014 tamil-language indian feature film directed by k. s. vasanthakumar for producer p.velusamy , starring venkatesh , neha patil and indrajit . 
oru oorla is a 2014 tamil-language indian feature film directed by k. s. vasanthakumar for producer p.velusamy, starring venkatesh, neha patil and indrajit.
oru oorla is a 2014 tamil-language indian feature film directed by k. s. vasanthakumar for producer p.velusamy, starring venkatesh, neha patil and indrajit.