five corners ( film )
with the headline: film: tony bill' s' five corners,' with foster .
looking for movie tickets? enter your location to see which movie theaters are playing five corners near you .
the name of five corners in turn became the title of a 1987 film set in the east bronx, starring jodie foster, tim robbins, and john turturro .
the old heart of the neighborhood gave it yet another name, “five corners, ” from the confluence of unionport and white plains roads .
five corners film and video is a production company that is specialized on film and video production services in the americas; usa, mexico, chile, brazil argentina; any where on the south / central or north america .
five corners starts out as an affectionate look back at a bronx neighborhood circa 1964 and then about halfway through takes a darker turn into urban violence .
writers often reinvent their adolescence endlessly, and, in
five corners
( selected theaters) john patrick shanley, reshapes his in an amusingly crackpot way .
four corners has obtained a chilling catalogue of videos, images you were never meant to see, recording shocking mistreatment, sustained by dylan voller over five years .
five corners film & video llc is a one - stop production company that specializes in film / hd. our experienced staff in buenos aires / argentina and usa, can provide any production services that you need anywhere in the world, such as film and hd equipment, live events, permits, budgeting, location…
five corners film & video llc is a one - stop production company that specializes in film / hd. our experienced staff in mexico city / mexico and usa, can provide any production services that you need anywhere in the world, such as film and hd equipment, live events, permits, budgeting, location…
— the trailer for five corners which will be released on blu - ray on february 8, 2011. from the academy award - winning writer of moonstruck and doubt co
five corners film & video llc is a one - stop production company that specializes in film / hd. our experienced staff in rio de janeiro, sao paulo / brazil, and the usa, can provide any production services that you need anywhere in the world, such as film and hd equipment, sng / live events, permits, …
the eye in the sky: panthers vs. cardinals (week five) all - 22 breakdown
for the record los angeles times saturday january 23, 1988 home edition calendar part 6 page 4 column 4 entertainment desk 1 inches; 15 words type of material: correction a caption accompanying a review of the film
five corners
misidentified actor todd graff as tim robbins .
review: scripted by moonstruck' s academy award - winning screenwriter, shanley, five corners is an arresting but flawed melange of comedy and melodrama. set in the all - white working - class bronx neighborhood of the title in 1964, the film traces several parallel stor… (more )
now in its eighth instalment, here’s our film - by - film guide to everything you need to know about the series so far .
caro meldrum - hanna: four corners has learnt... the children were being cared for... .
five corners
doesn' t have the glossily lissome stylization of shanley' s
moonstruck
script, but it jumps and lunges with the stabbing profanity and threat that shanley' s plays have: thinly covering up a desperately sweet romanticism .
the'' five corners'' screenplay is both overstuffed and underdeveloped. mr. bill' s direction doesn' t iron out unsightly bumps, but neither does it mute the voice of what often sounds to be a strong and original new screenwriter .
bill presents his story of 5 corners with a delicate mix of passion and humor, satire and devotion. it' s the story of a time in america that became a crossroads for a generation, as well as for a unique neighborhood called 5 corners .
caro meldrum - hanna: on the 16th of august 2014... five days before the boys were tear gassed ...
film productions services in north, and all latin america. from usa to brazil .
wookieepedia has 131 images related to star wars: the clone wars (film) .
scripted by moonstruck' s academy award - winning screenwriter, shanley, five corners is an arresting but flawed melange of comedy and melodrama. set in the all - white working - class bronx neighborhood of the title in 1964, the film traces several parallel stories, revolving chiefly around petstore employee foster; her bartender boyfriend, graff; the psychopathic... read more
roger ebert was born on this day in 1942, and died a little over five years ago. i owe a good part of my success…
wookieepedia has 42 audio files related to star wars: the clone wars (film) .
in making his film on locations around new york city, mr. turturro said he drew on his experiences and discussions with the coen brothers and mr. lee, as well as martin scorsese, who directed him in
raging bull
and
the color of money ,
and john patrick shanley, who wrote another of mr. turturro' s films ,
five corners .
• dead villain han reappears in the fourth film, fast & furious, because the action takes place before tokyo drift. chronologically, this is actually the 6th film in the franchise .
on monday night four corners reveals the shocking truth about the treatment of children behind bars, where young offenders have been stripped naked, assaulted and tear gassed .
• in this film we learn that han' s full name is han seoul - oh .
five corners starts out as an affectionate look back at a bronx neighborhood circa 1964 and then about halfway through takes a darker turn into urban violence. in his first produced script, patrick shanley clearly has drawn from his experience to create the variety of personalities and swirl of influences that make life in the [ … ]
find out how you can be cool and stay cool during high - exertion, high - temperature, high - five - worthy adventures with our gauge collection .
2000 publishes shopgirl, a novella later turned into a film in which he stars with claire danes .
five corners
was the first screenplay written by shanley, the playwright - turned - screen writer who' s recently captured much acclaim (and an oscar nomination) for his script for
moonstruck ,
and it' s so emphatically, doggedly literary that you almost expect it to be projected on onionskin rather than a screen .
we' ve come from all corners of the world - italy, mexico, australia, the uk, germany - and of course a smattering of new zealanders as well .
the film represents a collaboration between mr. bergman and bille august, the danish director of
pelle the conqueror ,
the 1988 movie that captured an academy award as that year' s best foreign film .
a shot of the giant green screen and water tank used for the meg movie at kumeu film studios .
film crews stayed in harry goulding' s two stone cabins, which expanded into a motel in 1953 .
directed by tony bill, the film is based on john patrick shanley' s first screenplay. mr. shanley' s second screenplay serves as the basis for norman jewison' s slickly homogenized current hit,'' moonstruck.'' this is worth noting, for although'' five corners'' often strains credulity (and patience), it almost always seems far more authentic than the saga of the lovelorn cher in'' moonstruck.''
five corners has thousands of stock footage clips in our archives. all the clips are royalty - free footage. they might be utilized as moving images of cities and landmarks, wildlife in their natural environments and historical footage. stock footage can be used to integrate news footage or notable figures into a film. television series and movies also often recycle footage taken from previous installments. stock footage is used in commercials when there is not enough money or time for production .
the crazy stunts. the ripe dialogue. the huge box office. the comraderie. as fast & furious 8 comes roaring down the road, here' s our film - by - film guide to the franchise so far
equally intelligent are mr. graff, mr. robbins and elizabeth berridge, as a bubble - headed glue - sniffer who longs to settle down with a wedding ring and a husband. in their own separate category are mr. turturro and miss gregorio, who give'' five corners'' a larger - than - life, melodramatic dimension that ultimately makes the rest of the movie look small. the old neighborhood five corners, directed by tony bill; written by john patrick shanley; director of photography, fred murphy; edited by andy blumenthal; music by james newton howard; production designer, adrianne lobel; produced by forrest murray and mr. bill; released by cineplex odeon. at baronet, third avenue at 59th street ;
the routine figured in gossip blog gawker' s top five moments of this year' s academy awards and, as well as confirming fey' s midas touch, reminded the world that there is more to martin than
not as funny as he used to be
swipes from film critics .
i' m standing in the middle of an old factory in kumeu and facing me is a huge, disembodied shark' s head, about three metres high by five metres long .
supported by scaffolding against a bank of shipping containers stacked five high and eight or nine wide, at 920 square metres it' s purportedly the largest green screen in the southern hemisphere .
'' five corners,'' opening today at the baronet and other theaters, is about coming of age in the bronx in the autumn of 1964, when student activists were listening to the rev. dr. martin luther king jr. , young women were still doing their darnedest to look like jacqueline kennedy and glue - sniffing was an acceptable way to attain a high .
behind - the - scenes footage from best buy canada and the five great canadians filmed with drones at their favourite places in canada. singer / songwriter jann arden, champion skier alexandre bilodeau, mrs. universe 2015 ashley callingbull, man in motion rick hansen and toronto raptor cory joseph take us on a journey to their special corners of canada. # captureyourcanada like never before. urltoken
banaji, s. (2006) reading ‘bollywood’: the young audience and hindi film, basingstoke: palgrave macmillan .
staiger, j (2000) perverse spectators: the practices of film reception, new york: new york university press .
a mammoth prop whale co - stars in the film with jason statham, ruby rose, cliff curtis and li bingbing .
he and five others, aged between 14 and 17 locked in the cells behind him... have been deprived of the most basic human necessities, no natural light, kept in appalling conditions .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
caro meldrum - hanna: prior to going to air... four corners presented some the material we' ve obtained to the national children' s commissioner megan mitchell, and human rights lawyer ruth barson .
in tony bill' s new movie ,
five corners ,
a high school math teacher in the bronx is struck down on his way to class by a red arrow smack in the middle of his back. that arrow comes straight from the pen of screen writer john patrick shanley, and the question it answers, once and for all, is ,
has anyone ever died of a bad literary device ?
writer john patrick shanley, himself nicknamed “the bard of the bronx, ” based the film on his own youth in van nest .
this list collects every film from the starting list that became they shoot pictures don' t they' s 1000 greatest films. this…
ingmar bergman said a long time ago that he was retiring from film making. and he has kept his word. sort of .
austin, t. (2002) hollywood, hype and audiences, selling and watching film in the 1990s, manchester university press .
most of the images secured by four corners in this investigation have never been seen publicly. they are shocking - but for the sake of these children who are desperate for the truth to be known, we cannot look away .
cctv obtained by four corners shows some of the boys literally climbing the walls... repeatedly carving their names into the concrete... in some cells, two boys crammed in... unable to walk around at all .
in a period of approximately 24 hours,'' five corners'' tells the stories of linda (jodie foster), her sometime boyfriend james (todd graff) and harry (tim robbins), who' s about to go off to register voters in mississippi. their comparatively placid lives are thrown into chaos with the arrival back in the neighborhood of heinz (john turturro), a young psychotic who has been serving time for the attempted rape of linda .
• the race wars driving contest at the centre of the film saw 1500 car enthusiasts head to san bernardino international airport to populate the scene .
• walker drives his own car, a nissan skyline g - tr in the film, and did some of his own stunt driving too .
visual anthropologists now pay serious attention to the politics of ethnographic film representation and spectatorship… wilton martinez has shown how individuals’ readings of ethnographic films are embedded in complex sets of existing power relations and cultural narratives that ‘conventional’ ethnographic film narratives and pedagogic strategies do not challenge…. (2001: 145 )
macdougall, d. (1995) ‘the subjective voice in ethnographic film’, in devereaux, l. and r. hillman (eds .), fields of vision: essays in film studies, visual anthropology and photography, berkeley: university of california press, pp. 217 - 56 .
tel aviv, like israel, is not planed ahead – that’s her beauty. i try to find the right corners from which that beauty reappears, where the unplanned becomes an organism, like you inside your surroundings – your city, your culture .
michael jackson ghost, haunting new york subway caught on film. when i shot this pic didnt have image on the train. only saw during editing
there' s only one explanation for such a tonally deaf film: screenwriter john patrick shanley and director tony bill huffed glue in their formative years .
at metacritic, users gave the film a
mixed
score of 5. 3 / 10 with 192 reviews, 94 of them positive. [ 76 ] on rotten tomatoes, only 38% are listed as liking the film, with an overall rating of 3 / 5. [ 77 ]
the director and star happen to be one and the same: the talented john turturro, who has just completed his first feature film as a director .
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
it was a “flippy man, the idea of him cartwheeling, ” johnstone recalled. “it took [ harvey ] four or five seconds to utter, but it’s taken the better part of a year to figure out how to engineer and build it. ”
mr. august traced the origins of
best intentions
to a time two and a half years ago, when he was preparing to film
the house of the spirits ,
based on the isabel allende novel about a chilean family. problems arose with financing, and one day, mr. august said, he received a call from a woman in swedish television asking if he would be interested in a project intended to yield both a television film and a feature film .
the clone wars served as an introduction to the animated series of the same name that premiered on cartoon network on october 3, 2008. george lucas was inspired to make the movie while reviewing footage from the show and described the film as
almost an afterthought .
[ 4 ] the film was released august 15, 2008 .
the verdict: with a title that falls firmly under so - bad - it' s - good, it' s disappointing that the rest of the film doesn' t follow suit. 2 fast is paper - thin and full of highly questionable racial and gender stereotypes, and the while the original film is hardly shakespeare, we could forgive the film its flaws if the race sequences were any good. they’re not, though – they’re overly cartoony, and it’s almost impossible to tell what’s going on .
here, the film’s supposed lack of authenticity is cast as residing both artistically in its pornographic (crude, almost sadistic) representations of poverty and also in its lack of national loyalty, its supposedly insidious implication that india has a seedy underbelly of poverty, crime and resentment. but responses to the film in india were by no means all of the same character. many indian reviewers and critics saluted what they termed the novel techniques and the subject matter of the film, eschewing nationalist discourses and decrying what they termed the ‘insecurity’ of indians who always wanted india to be depicted in a ‘good’ light. there were, however, also avowed ‘insiders’ who, like soutik biswas reviewing the film for the bbc, noted that the film’s popular critical reception might come at the expense both of an understanding of real poverty, real indian children and other cinemas in india :
the film' s music was composed by kevin kiner. [ 18 ] steward lee is a storyboard artist. [ 8 ] when it was decided to produce the film, lucasfilm contacted all the major film star wars actors to see who was interested in voicing their characters for the clone wars. [ 19 ] in the end, anthony daniels, matthew wood, christopher lee and samuel l. jackson returned to voice their respective characters. [ 20 ] several voice actors also reprised their roles from the 2003 series .
these days, mr. turturro is editing
mac
in the hope that he has built something worthy of display at the cannes international film festival this spring. tanner retrospective
rechtshaffen, michael (august 10, 2008). film review:' star wars: the clone wars'. the hollywood reporter. retrieved on august 17, 2008 .
about you and slumdog – specific - can you describe your reactions as you watched the film and just after you finished viewing. - were these reactions similar to those of the people watching it with you? did you discuss the film? - did you feel differently about the film (if you watched it more than once) - can you describe how you feel about the film now, on reflection: o the plot o the main characters o the stars / actors o the cinematography and style o the music o the depiction of india as a location o the use of slum children as actors o the representations of children / o the representations of gangsters o the representations of religious pogroms / riots o the representations of poverty and wealth o key moments in the film that you focus on when recollecting it o the first twenty minutes o the last twenty minutes o the ‘who wants to be a millionaire’ format. o the romance o language use and dialogue in the film o gender issues o the director o anything else… about you and your response to slumdog millionaire :
in this new documentary, produced by fact tv, directors ofir peretz and indy hait bring garden city movement’s sounds to live, and contextualise them in their hometown. their five - track ep modern west recently came out through bldg5 records and the vinyl factory. click here to order your copy .
lucasfilm animation used autodesk software to animate both the film. the maya 3d modeling program to create highly detailed worlds, characters and creatures. [ 15 ] the film' s animation style was designed to pay homage to the stylized looks of both japanese anime and manga, and the supermarionation of the british 1960s series thunderbirds. at a cartoon network - hosted discussion, lucas said did not want the clone wars film or television series to look like such movies as beowulf because he wanted a stylized look rather than a realistic one, and he did not want it to look like the popular pixar films such as the incredibles because he wanted the film and characters to have a unique style. [ 16 ] lucas also decided to create the animated film and series from a live - action perspective, which winder said set it apart from other cgi films because it
meant using long camera shots, aggressive lighting techniques, and relying on editing instead of storyboards .
[ 10 ] animators also reviewed designs from the original 2003 clone wars series when creating the animation style for the film and the new series. [ 17 ]
at toyfare 2008, a lego official announced that an animated feature film would be released in the uk in september 2008, [ 24 ] and would be made up of the first three episodes of the series, with regular episodes airing later on television on an at - the - time unrevealed channel. [ 25 ] it was officially announced on february 12, 2008 that the feature film would be released in theaters on august 15, 2008, with the tv series debuting in the fall. [ 2 ] warner bros. showed a preview of the film in las vegas, nevada on march 13, 2008. [ 26 ] lucas attended the event and held a question and answer session. [ 7 ] the first theatrical trailer debuted on may 8, 2008 on five separate turner network channels. [ 27 ] a second trailer was released in june 2008. [ 28 ]
a true hidden gem. i don' t think i have heard a soul talk about this film but it is truly a good one. a great performance by turturro. . truly frightening .
autodesk maya software serves as animation platform for new star wars: the clone wars animated feature film and tv series. urltoken (august 26, 2008). retrieved on september 3, 2008 .
further, and in particular, notions drawn from critiques of ethnographic film, now circulating in visual anthropology (martinez 1992; macdougall 1995; pink, 2001), provided an interesting lens for examining some of the anxieties caused by the film around notions of representation, class politics, nation and authenticity. while slumdog millionaire had no overt pretensions to being an ethnographic account of life in indian slums, and was, in fact, openly touted by its makers as a ‘feel - good film’, many of its re / viewers implicitly used criteria from ethnography or realist criteria from social science to evaluate, understand and comment on its qualities and their reactions to it. sarah pink’s discussion of current scholarship on audiences of ethnographic film and video is illustrative of why this approach can prove fruitful :
the film premiered at grauman' s egyptian theatre on august 10, 2008, [ 29 ] and was later screened on august 14, 2008 at los angeles' s nokia theater accompanying a lucasfilm vip party with special guests john knoll and dave filoni. spiketv producer terry minogue speculated that his channel would debut the film on television at some point after its theatrical release. [ 30 ] the film had its canadian broadcast premiere on september 5, 2009 on the canadian tv station teletoon, [ source? ] and in the us on cartoon network on november 20, 2010. [ 31 ]
initially much of the negative feedback roused by the film was from primarily middle - class indians apparently incensed that the film was depicting india in a negative light as a country of gangsters, riots, child prostitutes and filthy slums. one blogger wrote: ‘having seen the movie the indian within me is raging [ 2 ]. ’ the times online [ 3 ] ran a piece in january 2009 which explored some of the mixed responses to the film in india, starting with ‘ [ c ] ritics, led by amitabh bachchan, the veteran bollywood star, [ who ] denounced it as “poverty porn” that perpetuated western stereotypes about india’. others claimed that the term “slumdog” was offensive [ 4 ]. various reports emerged of slum - dwellers attacking cinema theatres showing the film in north - east india because of a misunderstanding of the term ‘slumdog’, which they read in a derogatory light (sic). in response to praise for the film by shekhar kapoor on his blog, one ‘indian’ writes :
by the way, about those penguins. there' s a note at the end of the film that states the following :
many thanks to the penguins in this film. they were treated most respectfully and no harm ever came to them in their work .
fine. fine. i' m glad somebody was thinking about the penguins. but what about us? what about our feelings ?
at last month' s oscars pitched arguably america' s hottest comedian alongside a 63 - year - old whose latest film, the pink panther 2, looked painfully like a ticket to early retirement .
about you and cinema - are you an experienced film viewer? what’s your preferred style of cinema? - what do you look forward to most in a movie? - have you ever been to see hindi popular films (bollywood)? if yes, can you describe a few of your experiences of film viewing. if no, could you give me an idea of what you think about ‘bollywood’ and where you got those impressions from? about you and slumdog general (if you remember, of course !) - had you heard about the film before you saw it? what had you heard / read / seen ?
nearly at the end of the credits there is the following paragraph:' many thanks to the penguins in this film. they were treated most respectfully and no harm ever came to them in their work.'
ain' t it cool news, a movie review site, posted two reviews of the film during the week before its release, but pulled them down due to an embargo placed on those attending the screening its writers attended. the same reviews were reposted on the site the day of the film' s release. the retraction prompted some readers to allege a conspiracy by lucasfilm to keep negative press out of circulation until the release of the film, but although the review by site creator harry knowles was negative, drew
moriarty
mcweeny pointed out to readers that his review was positive and that no such conspiracy existed. [ 50 ]
given his lack of pro - ready technique and the crowded depth chart ahead of him, the smart money was on moncrief taking a few years to put out effective nfl film. you would have lost that bet .
• this was the most expensive film in the series so far. the train heist sequence alone cost $ 25 million to make, and involved buying a stretch of railway in mexico and an actual train to blow up .
paying attention, then, to power relations, to pleasures, to individual self - narratives and to the groups of discursive readings emerging from viewings of the film, the following section presents a snapshot of the data collected .
then there' s what looks like a bathysphere with wings, which is actually something referred to as a' glider' in the film - sort of like a mini personal hovercraft as near as i can make out .
when it comes to the five boroughs of new york, the bronx usually receives a bad press. no matter that its 42. 5 square miles embrace everything from lovely mansions and expansive parklands to alluring retreats like city island and exciting venues like yankee stadium; no matter its ethnic and cultural diversity, the bronx is usually described in terms reserved for combat zones .
a violent and psychotic rapist is released from prison and returns to his old neighborhood to terrorize the locals. a few of the neighbors find their lives turned upside - down by his return, and this film is their story .
a strange film. i kind of liked it. good acting, especially in an early role by john turturro. excellent acting by the penguins too. quirky, unconnected stories that connect up in the end. kind of .
this film is rated r. linda... jodie foster harry... tim robbins james... todd graff heinz... john turturro mrs. sabantino... rose gregorio melanie... elizabeth berridge
mr. bergman has remained very much in the background of
best intentions ,
preferring to let mr. august discuss the film, which tells the story of mr. bergman' s parents over a decade beginning in 1908 .
despite its flaws, prometheus is a visually stunning film (well worth the extra expense of 3 - d) that leaves the viewer pondering its themes of creation' s longing to know its creator long after the credits have rolled .
“i believe in order to do the kind of adventures we all do—skiing, climbing, kayaking, surfing, whatever—it stuck to me that those five principles have to be imbedded in our adventures, otherwise there’s no real reason to do them—because really, they’re what it’s all about. ” if you’ve had your finger on the pulse of outdoor film at all in the past few years, y ou’ve probably seen a film that was somehow supported by 5point. like cold, directed and edited by anson fogel; the wolf & the medallion by jeremy collins; or 14. c about climber kai lightner. “we try to spread the love to different filmmakers, ” says julie kennedy. “and if we don’t have the money, we’ll fit them with a particular brand that might have chemistry. we like to help be the networking agent to connect the filmmaker with the appropriate brands. ” “it used to be that the film festivals were the main channel for a filmmaker to get a film out and that isn’t the case now, ” cahall says. “the filmmakers aren’t as beholden to the festivals. i think 5point realized and decided that their mission wasn’t to be the biggest festival; they wanted to be best. for them, it meant fewer films, more collaboration with the filmmakers. that’s enticing as a filmmaker. ”
but movie makers know better. and while they don' t shy away from some of its grittier reality, neither do they fail to appreciate the borough as a backdrop for drama and comedy. take nancy savoca, for instance, who grew up in the bronx and used the sociology of its italian - american community and its mating rites as the substance of true love (1989, mgm / ua home video, $ 89. 95), newly released on videcassette. this funny and poignant film about an altar - bound couple (annabella sciorra and ron eldard) won the jury prize for best dramatic film at last year' s united states film festival and went on to significant critical acclaim .
‘the most interesting and satisfying section of the film treats jamal’s early childhood in the mumbai slums. one aerial shot, in particular, makes a strong impression as the camera pulls back revealing an impossible number of shacks with rusted tin roofs. one is staggered by the wretched conditions, the number of the dwellings and how close each one is to the next. in another of the film’s stronger moments, the predominantly muslim community is invaded by hindu - chauvinist thugs. the horror of the moment is communicated with feeling, although the film lacks social and historical context regarding hindu extremism in the country. these images, and others showing an orphaned jamal and his brother salim living in makeshift tents on a landfill or sleeping in empty railroad boxcars to avoid a rainstorm, are significant and valuable. they have clearly made an impact on many viewers, despite the serious limitations of the film’s approach. ’ (hiram lee, world socialist website, urltoken )
• neither michelle rodriguez or jordana brewster had a driving license prior to working on the film. rodriguez – who’s been caught speeding and dui since – says that learning for the fast and the furious probably gave her some bad driving habits .
but the valley’s isolation, in one of the driest and most sparsely populated corners of the southwest, helped protect it from the outside world. there is no evidence that 17th - or 18th - century spanish explorers ever found it, although they roamed the area and came in frequent conflict with the navajo, who called themselves diné, or “the people. ” the navajo lived in an area today known as the four corners, where utah, arizona, colorado and new mexico meet. they called monument valley tsé bii ndzisgaii, or “clearing among the rock, ” and regarded it as an enormous hogan, or dwelling, with the two isolated stone pinnacles to the north—now known as gray whiskers and sentinel—as its door posts. they considered the two soaring buttes known as the mittens to be the hands of a deity .
though critical reception was negative, the film was a box office success, and grossed $ 68. 3 million worldwide against an $ 8. 5 million budget, [ 5 ] and earned $ 14. 6 million dollars during its opening weekend .
‘the fairytale power of the film is the way boyle manages to capture the evolution of the city through the eyes of a child. it’s visually astonishing. the film gets under the skin of the city on every imaginable level. the cinematographer anthony dod mantle is an insouciant genius with a camera. you could hang his lush stills of garbage heaps, frowning waifs and skeletal tower blocks in any respectable art gallery. by the same token the film must have been murder to edit…. . the director has never been shy of manipulating emotions and characters to crank out the maximum screen emotion. the scented backdrops and flavours of mumbai dilute the crude liberties that boyle occasionally inflicts on the melodrama. ’ (the times, james christopher, urltoken) .
or at least one movie anyway - meg, that giant shark film starring jason statham that you probably heard something about last year when every glad - rag and women' s mag was running pictures of the action star as he gadded about auckland .
mr. shanley and mr. bill set their scene and introduce the characters with a good deal of humor and insight. there' s a very funny early sequence in which a bored neighborhood romeo pays two strangers five bucks to take his girlfriends off his hands. the movie hits just the proper note of comedy mixed with melodrama when two couples find themselves trapped, possibly fatally, in an elevator shaft .
because
best intentions
was intended as a 6 - hour television mini - series to be shown in 4 90 - minute segments before its release as a 2 - hour 45 - minute feature film, mr. august spent 9 months filming it .
many print reviewers writing at the time of the film’s release seemed to take an ‘outsider’ perspective, reading the film’s brilliance in its ability to entertain cinematically and to educate about a particular place or historical moment in india [ 1 ]. they write: ‘one is staggered by the wretched conditions, the number of the dwellings and how close each one is to the next’; ‘the film gets under the skin of the city on every imaginable level’; ‘the type of movie experience that inspires moviegoers to become movie snobs’. the discourses in such reviews shift back and forth from 1) praise of the novelty and proficiency of the film’s technical expertise through 2) comments on the plausibility and entertainment value of the plot to 3) discussions of more philosophical and political themes. the language of emotion is clearly at play here – to be awed, staggered, inspired, disturbed are some of the pleasures on offer. to learn about something that is authentic, ‘under the skin’, so to speak, about the lives of bombay’s poor is another of the pleasures described by reviewers. positive reviews also pay attention to a fourth category of discourse – critical or less than enthusiastic responses to the film – and attempt to undermine such critiques while continuing to maintain the reviewers’ own place as cinematic sophisticates .
ofir: my first stint in filmmaking was when i joined the army eight years ago. i was a cameraman in the film unit. after my release in 2010, i started working on documentaries and music videos until i got my first break as a cinematographer for israeli tv. this was a great opportunity to pay my bills and to also develop my own cinematic language, it was almost like being at film school. in 2014 i lived in new york for a while, i buried myself in cinema .
the plot: teen tearaway sean boswell has a run - in with the law due to his love of reckless driving, and is sent to live with his father in tokyo. falling in with the local drift - racing scene, sean vies with yakuza - connected rival takashi for the title of drift king. (drift racing, it seems, is a driving style that involves skidding around corners, mario kart - style. )
ridley scott, director of alien and blade runner, returns to the genre he helped define. with prometheus, he creates a groundbreaking mythology, in which a team of explorers discover a clue to the origins of mankind on earth, leading them on a thrilling journey to the darkest corners of the universe. there, they must fight a terrifying battle to save the future of the human race. - - (c) official site
in short, a very impressive feat of building and engineering in a desert location where there is no power, no lighting, no water, no nothing, except during burning man when 70, 000 people from all corners of the planet will flock here for a week to create one of the most vibrant urban environments on earth–black rock city–and then, not long after the man is burned to the ground, disappear with nary a trace .
in b’s description of his viewing and his own history, the fact that he watches and enjoys hindi films stands out. he positions himself as an ardent film fan, but claims no authority further than that of knowing which films he likes and which do not merit a second viewing. he names his wife as a viewing companion and speaks about her also in his description of responses to the film (we saw it but we didn’t go back…; we found the children very good…). however, at one point he clearly distinguishes his wife’s opinion – and her feeling that the film smudges out important distinctions between different strata and lives amongst those who are poor in urban india. he goes on to support his wife’s opinion about slumdog ’s clichéd reduction of urban slum poverty to a gangster - victim binary by referring to his own experience: ‘the worst we do is drink a bit we don’t join in a gang’. here both knowledge of films and of life work to de - exoticise the narrative and techniques of slumdog. here also another common discourse emerges that views the director as ‘inauthentic’ in a way that, perhaps, even the most elite hindi film directors might not be regarded. and this, as atticus nairn points out, is a complex matter, however one feels about the film itself :
such ridiculously grandiose claims, and such ‘poverty tourism’ as it has been labeled, worked for some to further discredit the film’s claims to represent something authentic about india and for others to do exactly the opposite [ 8 ]. no study can assume that viewers’ interactions with such a popular film take place in a vacuum, uncontaminated, so to speak, by the debates, values and animosities outlined in this section. it was, therefore, with this wider media context in mind that this study was designed and carried out .
martinez, w. (1992) ‘who constructs anthropological knowledge? towards a theory of ethnographic film spectatorship’ in crawford, p. i. and d. turton (eds), the construction of the viewer, aarhaus: intervention press, pp. 131 - 61 .
warner bros. also has the home video rights, and had planned a dvd release of the film and tv series as early as february 2008. [ 8 ] star wars: the clone wars was released on home video on november 11, 2008, as a single - disc dvd, a two - disc special edition dvd set, and a two - disc blu - ray set. the single and double - disc standard - definition versions both include the widescreen film with dolby digital 5. 1 surround ex sound, and the feature - length audio commentary .
when mr. august first visited mr. bergman in stockholm, he wanted to know if mr. bergman planned to impose any conditions on their collaboration .
it was important for me to trust myself and not to try to do an ingmar bergman film ,
mr. august said .
the verdict :
even low - born, trash cinema like this can cheat time and beat death ,
wrote robbie collin .
that’s the movies’ single greatest power – and why i found myself unexpectedly shedding a tear at the film’s perfectly judged, sunbathed, final fade to white .
since its release in january, the crow: new songs for the five - string banjo has had a warmer critical reception than the pink panther 2, a second failed bid to escape the shadow of peter sellers in the role of inspector jacques clouseau. martin, it seems, can handle it .
i' m used to bad review for movies because people like to attack them, but i' d be sad if the reviews were bad for this album ,
he has said .
don’t get us wrong, after the plot and character vacuum of tokyo drift, fast & furious is an improvement (even if it does criminally miss out on the punning potential of calling itself fast and four - ious). but considering its name, the film’s a bit … well, dull & angsty. vin diesel’s gravel - meets - charcoal mumbling makes a welcome return and there’s a proper plot with characters and everything, but the final chase through an awfully - rendered cgi mining tunnel already looks more outdated than the temple of doom. and several of the film’s chase sequences involve the characters being directed by satnavs. how rebellious .
the verdict: fast & furious 6 is equally loud, dumb and fun as the previous film, this time throwing a tank, a cargo plane, and a car that can flip other cars over into the mix. the majority of the action takes place in london, meaning a fun game of
spot the landmark before it’s smashed to smithereens
for uk viewers. most exciting of all is the closing sting, which not only ties in han’s death from tokyo drift, but also teases the next film’s villain: jason statham. starring alongside vin diesel and the rock. that’s three for three on the tally of bald punching machines .
the film' s title is
mac ,
and mr. turturro, the star of the coen brothers'
barton fink
and a featured player in spike lee' s
do the right thing
and
mo' better blues ,
among other films, started writing it about 10 years ago .
for those intent on the borough' s bleaker side, there is fort apache, the bronx (1981, vestron video, $ 29. 98), the daniel petrie film about the lot of policemen assigned there. the notable cast includes paul newman, danny aiello, edward asner, ken wahl and rachel ticotin .
dwayne' the rock' johnson hasn’t earned the nickname “franchise viagra” for nothing, and pitting him against dom, brian and the crew is fast & furious 5' s greatest strength. where previous instalments seemed to question themselves (“will people care if we don’t bring vin diesel back? shall we just ditch the other films and do one in tokyo? how little plot is too much plot? ”), fast five is an exercise in glorious, unrestrained excess. really, really stupid, but really, really good .
despite low box office and negative critical reviews, audience response over time to the film has proven favorable in some aspects. as of november 13, 2014, the film carries an overall rating of 4. 0 / 5 user - reviewed stars at amazon. com, with 145 / 284 reviews giving it a rating of 5 stars and only 43 giving it less than 3 stars. [ 73 ] amongst reviewer statements were that it' s
good for what it tries to do
[ 74 ] and that it
offers a subpar story but sort of makes up for it with pretty cool battle sequences and decent animation .
[ 75 ]
i said:' no. not now,'
he said .
she said,' ingmar bergman wrote a wonderful story, and he wants you to direct it.' and i said i was extremely moved and very honored. ingmar bergman is maybe one of the few legends left in the film world .
his mercurial spirit, expansive curiosity and introspective corners are seldom glimpsed by followers of his movies. among his friends is geoff dyer, the british author of books such as but beautiful and out of sheer rage, who recalled :
he sent me a letter via my publisher which said:' just wanted to tell you what i' ve told so many people - out of sheer rage is the funniest book i' ve ever read.' we met after that and became friends. he' s incredibly funny and fantastic company to be with .
my generation grew up mourning the death of bambi' s mother. now comes
the lion king ,
with the death of mufasa, the father of the lion cub who will someday be king. the disney animators know that cute little cartoon characters are not sufficient to manufacture dreams. there have to be dark corners, frightening moments, and ancient archetypes like the crime of regicide .
the lion king ,
which is a superbly drawn animated feature, is surprisingly solemn in its subject matter, and may even be too intense for very young children .
as impressive as he was to take in as a physical specimen, his film coming out of college was not as kind. moncrief had flashes of that integrated technique, but it came and went in waves. his final year was marred by inconsistencies and an inability to string it all together on a route - to - route basis .
to further complicate matters the off - screen life of the indian slum child stars and of the slum - dwellers of dharavi, the shantytown where some of the film was shot, began to make headlines. in an article for the sydney morning herald entitled ‘slumdog reality’, kay o sullivan interviewed a man conducting tours of india’s largest slum:
five corners is a 1987 american low budget crime drama film starring tim robbins , jodie foster , john turturro , and rodney harvey . it was directed by tony bill . it depicts 48 hours in the lives of a group of young new yorkers in the 1960s . 
five corners is a 1987 american low budget crime drama film starring tim robbins, jodie foster, john turturro, and rodney harvey. it was directed by tony bill. it depicts 48 hours in the lives of a group of young new yorkers in the 1960s.
five corners is a 1987 american low budget crime drama film starring tim robbins, jodie foster, john turturro, and rodney harvey. it was directed by tony bill. it depicts 48 hours in the lives of a group of young new yorkers in the 1960s.