maanga ( film )
‎maanga (2015) directed by s. r. raja • reviews, film + cast • letterboxd
zaroorat se zyada kabhi usse maanga nahi... zaroorat se kam kabhi usne diya nahi
hindi film film production company: narang films international labels contain song titles in devnagri and roman script .
maanga (2015) tamil movie cd - rip 320kbps mp3 songs music by premgi amaren - starmusiq. com
collection of famous movie dialogue images: zaroorat se zyada kabhi usse maanga nahi... zaroorat se kam kabhi usne diya nahi
the film has been produced by pck shakthivel under the dream zone movies banner and directed by r. s. raja. premji has scored music for the film and r. s. selva has handled the lens. 'maanga' releases in theatres on september 11 .
frontera is a 2014 american drama film directed by michael berry. the film stars eva longoria, michael peña, ed harris and amy madigan .
god help the girl is a 2014 british musical drama film written and directed by stuart murdoch of the band belle and sebastian. the film premiered in - competition in the world cinema dramatic competition at 2014 sundance film festival on january 18, 2014. the film served as the opening night film of the generations section at the 64th berlin international film festival on february 9, 2014. after its premiere at the sundance film festival, amplify acquired the distribution rights of the film. it will be released theatrically and video on demand on september 5th, 2014 in the united states .
maanga is a 2015 tamil comedy, drama film, directed by r. s. raja and produced by dream zone movies. this film stars premgi amaren, advaitha, leema babu in the lead role. the films soundtrack and background score were composed by premgi amaren with lyrics by gangai amaran, snehan .
actor premji amaran who has been acting in comic and character roles in tamil films has acted as a solo hero for the first time in the film 'maanga'. premji reportedly plays dual roles in the film: one is that of a scientist and another one is a bhagavathar (classical musician) .
the satellite rights of the film were sold to sun tv. [ 4 ]
the longest week is an upcoming comedy - drama film, written and directed by peter glanz. the film stars olivia wilde, jason bateman and billy crudup in the lead roles, the film is being produced by uday chopra, along with neda armian. it is the first project of yash raj film' s subsidiary hollywood production house yrf entertainment .
. the film is directed by newcomer rs raja for dream zone movies. premgi will also be composing music for this film which will also have powerstar sreenivasan in an important role .
the predominant aim of the film seems to fun and fun only but making fun is also a serious business. but the makers of this film seem to have taken it for granted .
debutante director r. s. raja has tried to present ‘maanga’ as a film with loads of fun and horror elements though the film cannot be fixed under the ‘horror - comedy’ genre. the film also apparently aims to be considered as a science fiction but everything related to the scientific invention of the lead character is presented in a funny way. so one could not be clear whether the intention of such scenes was dealing with science or making us laugh .
i bet even venkat prabhu don' t have the guts to make film with premji as the lead. i couldn' t figure out how the producer & director confidently make this film .
r. s. raja is what made a spoof film in an awful way. . ?
the film released in june 2009, garnering highly positive reviews. [ 2 ] [ 3 ] budget of film 7 crores gross more than 35 crores and its one huge blockbuster of 2009 .
tracks is a 2013 australian drama film directed by john curran and starring mia wasikowska and adam driver. it is an adaptation of robyn davidson' s memoir of the same name, chronicling the author' s nine - month journey on camels across the australian desert. it was shown at the 2013 toronto international film festival (special presentation) and the 70th venice international film festival 2013 (in official competition). it was the opening film at the adelaide film festival on 10 october 2013. this was the australian premiere. the film has also been shown at several other film festivals, including london, vancouver, telluride, dubai, sydney openair, dublin and glasgow .
maanga (manga) is a tamil comedy movie directon by debut director r s raja. the movie starring with premji, power star, harsha, mano bala and other most ...
ali fazal and zarine khan were snapped at the launch of their music video, 'pyaar maanga hai `, which is a contemporary version of the evergreen classic by the late kishore kumar .
with suriya starrer ‘massu engira masilamani’ directed by his brother venkat prabhu, premji amaren proved he is capable of doing more serious roles than his regular comic supporting characters. in ‘maanga’, his first film as a solo lead hero offers scope for comedy and serious acting with the two distinct characters he plays .
reviewed at venice film festival (out of competition), sept. 8, 2016. running time :
premgi says: “i will be doing a dual role in maanga, one of the characters will be present day, while the other will be a 1950 's look. it is a very interesting script and lots of fun
.
the song writer discusses his approach, his take on censorship, and the role of the hindi film song in contemporary cinema .
siva aka maanga is an eccentric inventor and his constant experiments, which often end up in failure, make him a terror to his apartment folk. disheartened, he tries to commit suicide in a decrepit house which holds a couple of secrets .
mardaani added more moolah to its kitty over the second wednesday. the film collected 55 lacs on its second wednesday. the rani mukerji film that has received some rave reviews now stands with a total collection of 31. 15 crores at the domestic box office .
but i get your question. the characters of yesteryear cinema breaking into song, the entire song being part of the film’s run - time, these are disappearing. the filmmakers alone aren’t to blame for this. films have become shorter in length. a film album has five - six songs. now how do you integrate five - six songs in a two - hour or a two - hour, fifteen - minute film? this happens with all my songs. that a really good song has been written, but in the film the second verse has been cut out. this is happening in every film. i don’t know. maybe thirty years from now, the ost format will come into play, where the soundtrack and the film will have their own separate, distinct place .
daawat - e - ishq (english: feast of love) is an upcoming 2014 bollywood comedy drama film directed by habib faisal and produced by aditya chopra under the banner of yash raj films. it features actors aditya roy kapur and parineeti chopra in the lead roles. music of the film has been composed by sajid - wajid. the film is scheduled for worldwide release on september 19, 2014
one of the somewhat troubling trends in songwriting today is that very often two or three lyricists may work on the same film. isn’t it necessary that one songwriter alone should be familiar with the film’s plotline, the screenplay, the characters who he is penning songs for ?
right now the trend of multiple composers and lyricists is very prevalent. consciously people are adapting to it and i have been fighting against it for the last three or four years that “i want to write the entire film, i want to write the entire film. ”
labels: billy crudup, comedy film, hollywood movies, jason bateman, olive wilde, u. s. , uday chopra, usa
mary kom opened with a decent business on its first day. the film collected 7. 5 crores on its opening day. the priyanka chopra film has been on of the most anticipated films of the year. being a biopic on the life of mary kom, the film was not expected to make a smashing opening considering it is not regular commercial cinema. the film showed a good response at the multiplexes, although the single screens remained poor over the first day. also since the film was a normal friday release, the week day collections are good. mumbai, up and gujrat circuits. mary kom will surely benefit from the fact that it is a solo release this week and that the tax exemption will prove fruitful for it. compared to other films with female leads, the collections of mary kom are better than queen and heroine although lesser than dirty picture. considering its genre, the film is not expected to have a massive opening weekend collection, yet it will certainly make decent business over the weekend. mary kom has a good screen count of around 3000 screens and the film should certainly make the most of it .
debutantes advaitha and leema are the lead ladies who will be romancing premji in this film. veteran actors thambi ramiah and mano bala form part of the supporting cast .
i want to ask you about the future of the hindi film song. a lot of contemporary directors are almost embarrassed by song sequences and in an effort to introduce a more realistic element either use songs minimally or don’t use them at all. is there a possibility that 30 years from now, we won’t have the hindi film song at all ?
an aggressively unpleasant all - cg rendering of a bestselling japanese manga that may scrape by as a supplement to the canon, but fails on every level as a standalone film .
the horror sequences of the film that starts in the second half also seem to be intended to make us laugh and the intention succeeds in most parts. the sentiment part, especially the flashback sequence shot in black and white tone has really worked out well and it is this aspect that leverages the film to a different level from a comedy no - brainer .
mumbai: a new song from the movie fukrey returns, ishq di fanniyar has released today. the song released is a romantic number from the film and is a beautifully picturised song .
watch the trailer of the upcoming tamil film titled
maanga
, a complete comedy caper with premji amaran in dual roles, as a bhagavathar and as scientist. advaita and leema plays the female lead characters. cast: premji amaran, advaitha, leema music: premji amaran lyrics: snehan, gangai amaran director: r. s. raja producer: p. c. k. sakthivel banner: dream zone movies for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken follow us on: urltoken
watch the two minutes trailer of the upcoming tamil film titled
maanga
, a complete comedy caper with premji amaran in dual roles, as a bhagavathar and as scientist. advaita and leema plays the female lead characters. cast: premji amaran, advaitha, leema music: premji amaran lyrics: snehan, gangai amaran director: r. s. raja producer: p. c. k. sakthivel banner: dream zone movies for more updates: subscribe to us on: urltoken follow us on: urltoken like us on: urltoken follow us on: urltoken
the comedian actor will be playing solo hero in the film and will have many 50 's and 60 's looks like thyagaraja bhagavathar, mn nambiar, gemini ganesan and a few others .
yuvan shankar raja (born 31 august 1979) is an indian singer - songwriter, film score, and soundtrack composer, singer and occasional lyricist from chennai, tamil nadu. he has predominantly scored music for tamil films. being the youngest son of noted film composer ilaiyaraaja, he began his musical career in 1996, at age 16, as he composed the film score for aravindhan. after initial struggle, he made his big break with the thulluvadho ilamai soundtrack (2001), and evolved as one of tamil cinema' s most sought - after composers by the mid - 2000s @ urltoken tamil
critical reception has been generally very positive, with tracks holding a rotten tomatoes critic rating of 83% . and a metascore of 80. it was often compared to the 2007 film into the wild .
there were five attempts in the early 1980s and 1990s to turn the book into a film. in 1993, julia roberts was attached to star in a planned caravan pictures adaptation. the project eventually fell apart. in may 2012, it was reported that mia wasikowska would play robyn davidson in a john curran - directed adaptation. i n august, adam driver was cast as rick smolan. the screenplay was written by marion nelson. finance was sourced from screen australia, the south australian film corporation, adelaide film festival, deluxe australia, pre - sales and canada' s aver media finance. with a $ 12 million budget, the film began shooting on 8 october 2012. it was filmed in south australia and the northern territory. julie ryan was a co - producer. tracks was released to dvd and blu - ray on 25 june 2014
the film revolves around three characters – karunakaran (sasikumar), paandi (bharani) and chandran (vijay vasanth). the trio eat, sleep and party together in rajapalayam. they also have their individual ambitions in life .
mumbai: t - series on wednesday released a single -' pyaar maanga hai', featuring ali fazal and zarine khan. unfortunately, it seems like a frantic effort to get the viewers to enjoy the ‘soft porn’ type video more than listening to the song. the music is exactly the same as the evergreen classic originally composed by bappi lahiri, but the lyrics, intention and the meaning of ‘pyaar’ has clearly changed from love to lust .
hollywood stunt sequences are always top notch and thus bollywood has now hopped on to roping in international stunt directors for their films. to pull off action sequences of high magnitude, majority of film makers today hire international stunt directors. while recently andy armstrong of the amazing spiderman fame was roped in to design the action sequences for hrithik roshan ’s upcoming film bang bang, now the stunt director of ‘the hobbit ‘ glenn boswell, will be working on the actor’s next mohenjo daro. the stunt director who recently wrapped up working on the popular hobbit series has been pulled in by director ashutosh gowarikar for his period drama. boswell has designed the action sequences for epic action drama’s such as matrix and subsequently of wolverine and hobbit and it would certainly be exciting to see him work for this film. even though the film is a love story based in the indus valley civilization, the script consists of some grave action sequences that impressed boswell and thus he agreed to work on the project .
mumbai: the first video song ‘tu hai toh main hoon’ from the upcoming movie ‘waiting’ is already out. the makers of the film released the song on youtube on 4 may, and urltoken did a quick review. song: tu hai toh main hoon
the film score and soundtrack for naadodigal was composed by sundar c babu. the song sambho siva sambho was later used in the hindi remake rangrezz as well, albeit with a little modifications. another song in hindi yaaro aisa hai was loosely based on ulagil yentha kathal
shiva on his way to commit suicide comes to know about a bungalow where 49 people have died mysteriously. he goes to that place, risking his life to see whether he can continue his research over there. his experiences in the bungalow forms the rest of the film .
mumbai: akshay kumar and ileana d' cruz starrer ‘rustom’, a film based on real life story of a naval officer km nanavati not just has an interesting storyline to narrate, but also an appealing album. the jukebox of rustom is out and it is a beautiful one .
i grew up in lucknow. i have heard the right lehja (diction, pronunciation). i have lived 15 - 16 years in mumbai and so my language may have got slightly corrupted, but i have heard the right hindi dialect. also, being an aspiring singer, i have only heard film songs. the yesteryear film songs are a library by themselves, a kind of source material. so lehja, usage, metaphors, idioms, they are all within me. when i get the right tune, the right project, the right characters, they all find their way into my songwriting .
the comedy portions manage to tickle our funny bones here and there, but they are replete with double meaning dialogues justifying the ‘a’ certificate for the film. the ‘iyer’ episode can be defined as complete crass and it could have been done away with as it does not have anything to do with the main story .
( sonu nigam) teekhi teekhi adaa se teri chatakne lage, atakane lage iraade mere lehki lehki laton se teri ulajhane lage, sulajhane lage hain waade mere (x2) dariyaa na sahi tu chaahat ka de de na mujhe bas ik qatra tinka - tinka mere dil ka karta hai tujhse duaa. . meri mannat tu, tujhko hai tujhse maanga meri mannat tu, tujhko hai maula maana (x2) meri mannat tu. . meri mannat tu. . meri mannat tu... (keerthi sagathia) ahaa ahaa ahaa ahaa jhatak jhatak zulfon ki gujariya (gujariya. . gujariya. .) jhatak jhatak zulfon ki gujariya maare re maare re phatkaare jhat jhatak matak naino se bijuriya maare re maare re jhatkaare (jhatkaare jhatkaare) (shreya ghoshal) ghan ghan ghanghor ghata mera joban ang ang angaara! lapton se lipat jaana meri har rang ke rasiya ko hai pyara haan. . jal - jal tap - tap bas aanch nahi mere boond - boond thandai jhar - jhar bhar - bhar gaagar mein saagar chhanak - chhan chhanan - chhan preet barsaai. . (sonu nigam) tu hai thumri, daadra main raag main, tu raagni hai sur se mere sur mila le, gaaye jahaan kaala gora, har rang mora kaala gora, har rang mora karta hai tujhse duaa mari manat tu. . meri manat tu mari manat tu. . meri manat tu aankhon mein laakhon ishaare tere palkon mein aaja chhupa loon mere apni nazar ka main tika karoon sabki nazar se bachaa loon tujhe chhup chhup ke chanda jo taade tujhe mud - mud ke taare jo taake tujhe cheer ke raaton ki aawaargi til til jalaa doon main aage tere meri mannat tu, tujhko hai tujhse maanga meri mannat tu, tujhko hai maula maana meri mannat tu, tujhko hai tujhse maanga meri mannat tu, tujhko hai maula maana meri manat tu, meri mannat tu
premji has worked hard to uplift, the film with his music also. his introduction song ‘genius’ is foot tapping while the songs that come in the second half have been composed in the style of 1950s and most of them are pleasant to listen. but the number of songs make it redundant. re - recording is apt .
aamir khan’s pk has created a huge stir since the launch of its first poster so much so that amul has already come out a communication on the film. amul as a brand is very creative and is known for their print ads since decades. their creative depicts current affairs, be it politics, sports, judiciary or bollywood. however, what’s interesting here is that usually amul incorporates their communication with topical films post the release. but this time amul has taken out a communication on pk post the launch of the 1st poster itself. with a lot of buzz around the posters and the release, pk is the most anticipated film of the year clearly .
3. you haven’t lost till you quit trying the film’s music itself is enough to make you pick yourself up after a fall and push harder than you did before. one of the greatest life lessons we learn from ‘ mary kom ’ is that winning isn’t just about scoring the most points; it is also about getting up and going on
according to the maharashtra and up government, the story of mary kom is an inspiring tale and so that it reaches far and wide, the film will be exempted from tax. the film revolves around the struggle of boxer mary kom from manipur who not only became a five - time world amateur boxing champion, but also gave up the sport at the pinnacle of her career and embraced motherhood. the story is about her journey of getting back into the ring and then winning the olympics bronze medal for the nation. both the maharashtra and uttar pradesh governments feel that women should be encouraged more and thus the attempt to make the movie more popular it has been already declared tax free .
“but that’s what it’s like in the source material! ” is a frequently used defense of subpar film adaptations, but here’s hoping keiichi sato and yasushi kawamura’s computer - generated “gantz: o” represents a departure from the original “gantz” comic (written by hiroya oku, adapted for screen by tsutomu kuroiwa). otherwise it suggests strongly that all copies of the hugely popular manga [ … ]
in dilwale ’s manma emotion jaage, the line “dil hua milkha” has been taken from the character’s behaviour in the film whereas, perhaps, gerua, may not be the character’s language. but that is a dream sequence. you are among the glaciers in iceland and so you can take that liberty and use the word gerua irrespective of whether the character has heard that word or not .
i always used to think that my first draft itself was the best, but when it eventually came out, it worked, not because it became popular, it really worked with the film, it connected with the audiences, then i recognised that there is a brighter side to it, too. when someone compels you to push the envelope, it’s only then that you will do so .
tell us also about grammatical liberties a songwriter can take. for instance, majrooh sultanpuri used ‘kabhi aar, kabhi paar’ whereas most literary critics point out that “ aar paar ”, like the title of guru dutt’s 1954 film, can only be used in tandem. you use mannmarziyaan, which isn’t really a word. in ‘tuney maarey entriyaan’, irshad kamil uses entriyaan, warrantiyaan, guarantiyaan – all for phonetic purposes .
it may not be the right example, but my national award - winning song ‘isi baat pe’ [ i am, 2011 ], nobody knows of that song. basically, the story is that the character played by nandita das, a woman who decides to leave her boyfriend or her husband, i don’t remember now, decides to have a child. it was about artificial insemination. so hence the thought that “agar zindagi ho khud mein kahin, phir kyun rahe kisi ki kami, bojh ban ke rahe kyun subah kisi raat pe, aa badal dalein rasme sabhi isi baat pe, ” that let’s set a new trend. why not? so the antara, “‘maanga nahin hai kabhi aasmaan, haan magar ik jharoka khula toh rakho, jeet dum tod dena kahin kisi maat pe, haan badal daalein rasme sabhi isi baat pe, ” is quite a simple, clean thought, but nobody knows about the song .
following its success, the film was remade in kannada, telugu, malayalam, bengali, and hindi. the kannada version, titled hudugaru is directed by maadesh and stars puneeth rajkumar, yogesh, srinagar kitty, radhika pandit, and abhinaya. the telugu version, titled shambo shiva shambo, named after a hit song from the original film, is directed by samuthirakani himself, and stars ravi teja, allari naresh, siva balaji, priyamani, abhinaya, and sunil. the malayalam version, titled ithu nammude katha, is directed by rakesh kannankara, and stars asif ali, abhishek, nishan, ananya, nimisha suresh, and amala paul. [ 11 ] the bengali version, titled run, is directed by swapan saha, and stars rahul banerjee, arnab, abhiraj, priyanka sarkar, and pamela mondal. the hindi version, titled rangrezz, is directed by priyadarshan, and stars jackky bhagnani, vijay verma, amitosh nagpal, priya anand, rajpal yadav, and akshara gowda .
might be. there is a possibility. fortunately, there is still a division. there is this group of young filmmakers who still want songs to be part of their narrative. like ayan mukerji. karan malhotra, agneepath ’s director, belongs to the school of thought that my song should appear this way in my film. even imtiaz ali really celebrates his songs very well on screen. and before anyone else, there is anurag kashyap. he manages to integrate songs somehow into his films .
there is one situation where you write songs as per the character, according to the moment he is placed in, according to his lingo. then there is another particular situation where you can take liberties because that situation is like that. for example, in band baaja baaraat, ”ainvayee, ainvayee, ainvayee” comes from the language used by shruti’s and bittoo’s characters. it is the language used in delhi’s streets. but in that same film there is a song, adha ishq or rather mitra, which is the most under noticed song from the film. mitra is very dear to me. i sang that song. now i have taken liberties there because they don’t lip [ sync ] that song. it’s a dream sequence. in a dream sequence, when it’s a third person’s perspective of the situation, then it can be your voice as well. it can be the audience’s language. there you don’t need to worry about the character’s lingo. there you can use rumi’s poetry as well .
as far as creative liberty is concerned, it totally depends on the team with which you are working. since you mentioned aiyyaa, sachin kundalkar, the director, gave us full freedom. he used to say, “amit, amitabh tum humaarey sher ho (you are my strength). ” but that liberty doesn’t always come, especially when you are working on a more mainstream, more commercial, bigger film, with a bigger canvas. then it becomes more difficult. there are more filters there, more limitations .
now when i write something quirky, the moment that it comes to the point that it can be objectionable, that if someone sings it or listen to it, or that it forms a particular image in impressionable minds, i do think twice about writing it. but also having said that, sometimes there is a word or a line or a phrase in a song, that is very essential for that song, very essential for that film, very essential for that character. then one has to take a decision .
songwriting must take cognisance of the screenplay, the syntax used by the characters. at the same time, there may be a certain metaphor or idiom that the songwriter uses that may be alien to the character, but is necessary to bring out the poetic flavor of the song. a good example of this is aga bai from aiyyaa (2012) where rani mukerji’s character uses words like hirni and sandhali, which she may not necessarily use as part of her character’s syntax in the film. how do you explain such creative liberties ?
shah rukh khan’s sole focus is currently happy new year. with the announcement of slam and promotional activity beginning for the farah khan film, srk hasn’t begun work on both his next projects. in king khan’s kitty is yrf’s fan and excel entertainment’s raees, both of which will go on floors only next year. blocked till this diwali, khan will then begin looking into the research for fan. bulk dates have been allotted for both fan and raees. but sources close to yash raj films have revealed to koimoi that srk will begin work on fan first, given shah rukh’s prior commitment to yrf. raaes will only begin early next year. a leading paper had also mentioned that king khan was actively involved in both projects all through its scripting stage as well. while both films seem enticing to the superstar’s teeming millions of fans, it is fan that is in news more as the film’s pre production work is all already on in full swing. it is expected that king khan will have two massive releases next year if the films are wrapped up as per schedule and on time .
naadodigal opened to positive reviews. a critic from sify gave 5 / 5 and wrote that
nadodigal is not great cinema, but enjoyable and a welcome change in these hard days. it is eminently watchable .
[ 5 ] bhamadevi ravi of the times of india rated the movie 3. 5 / 5 and called the movie
a good show .
[ 6 ] pavithra srinivasan of rediff gave the film 3 out of 5, calling
naadodigal is in its realistic feel, mostly logical screenplay and cast go a long way in making it a worthwhile watch .
[ 7 ] aravindan di from urltoken rated the movie 3 / 5 stating that
the film does carry an appealing message for today' s jet - age society - it' s shocking yet powerful .
another reviewer mythily ramachandran from urltoken gave 3 out of 5 and wrote that
nadodigal entertains and is thought provoking. told in simple narrative style it is presented most realistically and is a treat for lovers of good cinema .
[ 8 ] a critic from top10cinema wrote that
as a team and a team work, nadodigal is a definite entertainer .
[ 9 ]
shiva (premji) is an amateur scientist aiming to send a rocket to cement the hole in the ozone layer. but his crazy attempts bring so many problems to his family members as well as neighbors. his school friend cum neighbor jothila (advaitha) is smitten by shiva' s innocence and is ready to marry him. but on their marriage day a big problem occurs due to shiva' s rocket invention attempt and that makes everyone abandon him. shiva on his way to commit suicide comes to know about a bungalow where 49 people have died mysteriously. he goes to that place, risking his life to see whether he can continue his research over there. his experiences in the bungalow forms the rest of the film .
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shiva (premji) is an amateur scientist aiming to send a rocket to cement the hole in the ozone layer. but his crazy attempts bring so many problems to his family members as well as neighbors. his school friend cum neighbor jothila (advaitha) is smitten by shiva’s innocence and is ready to marry him. but on their marriage day a big problem occurs due to shiva’s rocket invention attempt and that makes everyone abandon him .
the first part is entirely filled with mindless comedy sequences, including double meaning dialogues and one has no clue of where things are heading to. the second half has the comedy intact with horror and sentiment elements added up .
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shiva (premji) is an amateur scientist aiming to send a rocket to cement the hole in the ozone layer. but his crazy attempts bring so many problems to his family members as well as... see full summary »
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ore naal unainaan with lyrics | kamal haasan, rajinikanth, ilaiyaraaja, vaali, s. p. balasubrahmanyam
singer (s): premji, ramya nsk & t. l. maharajan
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simba is a tamil movie starring bharath srinivasan and premgi amaren in prominent roles. it is a drama fantasy movie directed by arvind sridhar, forming part of the crew .
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the video starts with the visual where ali and zarine visit a so - called ‘fantasy land’ to learn about the art of making love. but within a few minutes of the video, one can start feeling awkward by the kind of “love making” enacted. this continues throughout the video, and the only difference one can see is in the characters. ali and zarine, who in the first few minutes are mere spectators later, show us their moves .
but amidst the erotic visuals, is the song lost? well, it is indeed, so much to the extent that one might not even get the hint of the new lyrics penned by manoj muntashir. besides the music and the first line, this new single is not anywhere close to the old kishore kumar classic. the issue with this new release is the production itself. it is quite confusing to understand whether t - series’ intention was to attract the audience by watching the video or listen to the song itself. there is so much action in the video that one might enjoy watching it rather than focusing on the singers and the music .
unlike the new release, t - series’ previous launches have done well musically. what went wrong with the strategy for this video is unknown yet, but is it just a desperate effort to monetise by all means? unfortunately, the makers have crossed the line a bit too much and thoroughly failed in their effort if they expect this release to be ‘musically’ liked (refer to the image below) .
mumbai: the second song from baadshaho, piya more featuring sunny leone and emraan hashmi is out now. this situational track shows hashmi entering a brothel to find the sultry leone, who communicates with him musically .
mumbai: himesh reshammiya is back with the first song from his ambitious album' aap se mausiiquii', and it is completely worth the wait. for, the ones who truly appreciated reshammiya' s work this song is going to be an absolute treat, both to the ears and eyes .
album review: rustom' s soundtrack lives up to the hype; well. . almost
mumbai: do you want a little taste of what it’s like to experience a show at ushuaïa ibiza this year? well here’s your chance, the world’s number... read more
mumbai: rapper timothy mozzy patterson, popularly known as mozzy, was arrested for illegal gun possession here. the rapper was pulled up by the... read more
mumbai: singer charli xcx, who is currently supporting singer taylor swift on world tour, says she is a really good performer and that she can get... read more
mumbai: be it tarefaan or kala chashma, almost every badshah song has become a rage. and, now the rapper - turned - singer’s recently released song, tere... read more
mumbai: the blockbuster song, swag se swagat, featuring bollywood superstar salman khan and katrina kaif has crossed 500 million views to become the... read more
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pehle pehle pyar ki mulakate - neetu singh - amitabh - the great gambler - hindi songs - r. d. burman
natpudan apsara - yuvan shankar raja, aishwarya dhanush ep08 31. 08. 2013 thanthi tv
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some say he’s half man half fish, others say he’s more of a seventy / thirty split. either way he’s a fishy bastard. google
hello and welcome to my movie diouldge blog. i am blogger from mars. if you are looking for movie dioulges than this is best blog for you! you also request the movie diouls i will arrange... have a nice day enjoy .
kashti lehron se takrayegi... to hi kinare naseeb honge. : )
bekaar aadmi kuch kiya kar... kapde udherkar siya kar - jolly llb 2 movie dialogues
samundar aur aasmaan bhi mil jaate hai hamari tarah... aur jahan woh milte hai wahan duniya khatam ho jaati hai
but bhattacharya’s great - grandfather, too, did this purely as a hobby since, professionally, he was a jailor. “interestingly, he was a jailor in the british times, toh woh angrezon ke zamaane ke jailor thay, ” bhattacharya told me, quoting the popular line from the movie sholay when i met him for a conversation at a composer’s studio in mumbai’s juhu suburb .
forget background in lyric - writing. normally, someone who writes lyrics may keep a diary where he writes some kind of poetry. i had never written anything before coming to mumbai. i had read some hindi poetry in school, that was my only connection with hindi literature. i don’t consciously do any homework to enhance my vocabulary. also, i am not a very sustained or avid reader. as far as my information is concerned, my source is media in general, the people we meet .
i only write to melodies. i have never written anything for myself. tunes inspire me – the composers who are doing good work, or the interesting projects, which have interesting characters, which give me the feeling that there can be good songs .
there is a discernible contemporary flavor to your songwriting, be it ‘chai mein dooba biscuit ho gaya’ or ‘khooni monday kyun aaya khoon choos ne’ or ‘dil hua milkha, badi tez bhaagey re’ from your latest hit ‘manma emotion jaagey’. does this come from observation of daily language ?
again, this happens unknowingly. over the years, i have realised that i have a knack for something that is phonetically interesting. in a particular tune, a certain chand (metre), there may be a word or phrase that may be very catchy to listen to. like [ starts singing ] ‘oh meri jaan, oh meri jaan, mere ko majnu bana kar, kahaan chal di, kahaan chal di, pyaar ki pungi baja kar…’ that pungi has a sound that i can hear in my head .
what we find in everyday usage, what we speak, if that comes in the song, i feel that creates a connection. for example, ‘chai mein dooba biscuit ho gaya’ is not owing to its phonetic usage, but the fact that it actually happened. when i was working on ‘ ainvayee ainvayee lut gaya ’ [ band baaja baaraat, 2010 ] with salim - sulaiman, a couple of weeks before that we were working on ‘ bari barsi khatan gaya si ’. i was at their studio. there was a tea break and biscuits had been served. i thought that this habit of dipping biscuits in tea, as far as i know, is a rather british thing. ‘where else does one do this? do only indians do this? ’ they also didn’t know but said that yes, this is a very indian thing. that stayed on in my head. and so when i was writing this song, i don’t know why, but i thought “chai mein dooba hua biscuit. ” every indian from kashmir to kanyakumari, or indians anywhere in the world, can relate to this.
maanga is an indian tamil comic science fiction film directed by debutant rs raja and produced by sakthivel . the film features premgi amaren and advaitha in the lead roles , while leema babu and srinivasan appear in supporting roles . the music was composed by premgi amaren.it was released on 11 september ,2015 . 
maanga is an indian tamil comic science fiction film directed by debutant rs raja and produced by sakthivel. the film features premgi amaren and advaitha in the lead roles, while leema babu and srinivasan appear in supporting roles. the music was composed by premgi amaren.it was released on 11 september ,2015.
maanga is an indian tamil comic science fiction film directed by debutant rs raja and produced by sakthivel. the film features premgi amaren and advaitha in the lead roles, while leema babu and srinivasan appear in supporting roles. the music was composed by premgi amaren.it was released on 11 september ,2015.