boogeyman ( film )
the boogeyman is a 1980 horror film directed by ulli lommel. it was followed by boogeyman 2, and return of the boogeyman. it is not to be confused with the 2005 film boogeyman .
this article is about the 2007 horror film. for the unrelated 1983 film, see boogeyman ii .
return of the boogeyman (also known as boogeyman iii) is a 1994 horror film by american director deland nurse. it was released in the us by sony pictures .
boogeyman 2 is a 2007 american supernatural horror film directed by jeff betancourt and starring danielle savre. it is the sequel to the 2005 film boogeyman. despite being a direct - to - dvd release, the film received a very rare theatrical run in some countries including russia, italy, mexico and venezuela. the film was followed by a sequel, boogeyman 3 (2008) .
the film is in color and is not rated, but contains scenes of graphic violence. the film is also mostly made up of stock footage from the boogeyman .
filmed on the budget of $ 4, 500, 000, the film has made $ 2, 333, 673 in domestic dvd revenue and $ 562, 064 in other states since release. despite a financial deficit, the film had been able to make a third installment to the boogeyman film series .
don' t come in my room! !! (boogeyman) ep. 1 !
in a post - credits scene, the boogeyman looks at a picture before it disappears .
if you want to answer the questions ,
who starred in the movie boogeyman ?
and
what is the full cast list of boogeyman ?
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this cast list of who was in boogeyman includes both lead and minor roles. (10 items )
boogeyman cast list, listed alphabetically with photos when available. this list of boogeyman actors includes any boogeyman actresses and all other actors from the film. you can view additional information about each boogeyman actor on this list, such as when and where they were born. to find out more about a particular actor or actress, click on their name and you' ll be taken to page with even more details about their acting career. the cast members of boogeyman have been in many other movies, so use this list as a starting point to find actors or actresses that you may not be familiar with .
boogeyman is one of those horror films that every critic hated and you end up realizing it' s not as bad as what everyone has said it was. this is an average film with a pretty good story, and shouldn' t be viewed as the worst horror film. the film is flawed, but there are far worst flicks in the genre than this one. yes, the film is weak at times, but for the most part, it succeeds at being a mindless horror film, which is what it is. boogeyman is not to be taken so seriously. there' s a decent cast of actors that grace this film but the film does suffer from a somewhat lacking script and relies too much on special effects, which if toned down slightly would have a better scar factor on the viewer. there is tension found within this film, but it never really is truly scary. on a production design standpoint, the film looks excellent and has incredible sets, especially the main characters house. overall boogeyman is a pleasant time waster not to be taken seriously, if you do that you may just have a mindless fun viewing experience. boogeyman is lots of fun from start to finish, and is the perfect film for you to simply shut your brain and have a mindless film night. i really don' t see the hatred towards this film, sure it' s not the best, but it definitely is better than a lot of films that are currently being put out nowadays. never truly scary, boogeyman has plenty of tense moments to keep you interested. a much underrated film, one that should not be quickly dismissed .
the film has a solid grasp on the mutable, but ever - present pain of loss .
sequel to boogeyman, this is a poor attempt at delivering a good, horrifying and fun experience. this is a horrible film, and considering that the first was a good, underrated flick, you' d understand why this one might be bad. i felt that whatever made the first film watchable was absent, and the filmmakers simply took elements of the first film to make this film. unfortunately there' s nothing good at work here, nothing new to thrill or entertain the viewer neither. boogeyman 2 is a pointless and quite frankly unnecessary sequel to a good little horror film. this film is just not what the first film was, and that' s a mindless, entertaining monster flick. i think that there was a lot of potential in delivering a watchable sequel, but with this film, it misses the mark, and ends up being a film with nothing good about it. this is a poorly conceived sequel, and considering this, boogeyman should never have had a follow - up. the acting here is pretty poor and the script is bland and like i stated, relies on ideas explored upon in the first film, thus a sequel was not needed. the studio just wanted more money with a sequel, and it' s the case with this film. no creative effort was put into this film, and the end product is a film that is poorly done, lazy and uninspired with a poor cast to act out stuff we' ve seen in the first flick. if you' ve seen the first film, and haven' t seen the sequels, don' t, you' ll be glad you did, and you' re not missing out on much .
makes a good argument as a slasher film that' s worth spending your time on ...
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“the dangers of social media: child predator social experiment” — i. e. , boogeyman out to get your kids !
boogeyman, stephen t. kay, barry watson, emily deschanel, skye mccole bartusiak, tory mussett, lucy lawless, robyn malcolm
the film revolves around a young woman named annie who has horrible nightmares every time she goes to sleep. she soon realizes that her dreams are predictions of the oncoming slaughter of the boogeyman. she and her friends then set off to stop him .
no matter how you cut it, a supernatural threat named “boogeyman” as the impetus behind the plot poses a cinematic problem. it only sounds frightening on paper. steven king’s the boogeyman is probably one of his most haunting short stories, precisely because of the way it works on our imaginations. when we see grown adults discussing their fear of the boogeyman on screen, though, it sets off our disbelief sensors .
133 responses to “the dangers of social media: child predator social experiment” — i. e. , boogeyman out to get your kids !
the film ends with one last mirror shard, missed by lacey and her husband, glowing red on the ground .
an excruciatingly silent chase scene between laura and the boogeyman, the descent into boogeyman - inspired madness on the part of the hospital’s other therapist dr. ryan (renee o’connor), and a laundry - list of red herrings and revelations finish out the film like a tension - addled classic. appropriately nihilistic in its message, the film leaves us believing that we can face our fears, but that may still leave us completely screwed (which is, in cinematic terms, really more of a european ending) .
“the dangers of social media: child predator social experiment” — i. e. , boogeyman out to get your kids! | free range kids
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
a prime example of how j - horror’s idiosyncrasies can go horrifically wrong in translation, the film aspires to be like so many japanese films in which a bad vibe experienced by a character long ago inexplicably induces a haunting. boogeyman, though, leaves you asking, “why the hell is the boogeyman bugging this guy in particular? ” it makes you feel like jumping on the j - horror bandwagon wasn’t just an excuse to release a lazy film with no real explanations and plot holes the size of a pitch - black, walk - in closet .
the other de niro hit film (in fact, a monster hit), meet the fockers is still enjoying a great run. at the seventh position on the chart, the film is heading for a solid $ 275 million gross in north america .
for a good, healthy pg - 13 scare, boogeyman is fun for the whole family - - just don' t bring kids who are too young .
it was against this unpromising backdrop that screenwriter brian sieve and director jeff betancourt were given the task of making a follow - up boogeyman film. the two first - timers have managed to craft a surprisingly engaging and scary direct - to - dvd sequel that deserves a theatrical release far more than its hackneyed progenitor .
that ghost house pictures was planning to release a sequel to boogeyman was more shocking than any of the cgi shenanigans the original 2005 version had to offer. boogeyman wasn’t the first movie with that title (a quadrilogy of shlocky, early - ‘80s slasher films bore the same name), and by far not the first movie of its kind. amid a sea of j - horror knockoffs and remakes, boogeyman was (for all its genre - appropriate jump - cut driven startles) unremarkable, unmemorable, and boring .
henry was beginning to doubt the boogeyman' s existence, until the boogeyman himself appeared in the closet and entered into him. whist possessing henry, the boogeyman decided to take revenge on those who didn' t believe in him, and this way he would make himself known to the world. henry then chases laura. she hides in a room, but henry finds her and she decapitates him with garden shears. the police arrive and discover that under the boogeyman mask was dr. ryan. between killing dr. allen and laura running and hiding, henry put a delusional dr. ryan in the boogeyman mask and laura decapitated dr. ryan. laura knows that henry is running free as she is about to be arrested after blood is found on her hands. laura then has a breakdown, which prompts a paramedic to send in back up and she is dragged away by the police .
a deftly inventive and psychologically charged horror story that trades on the ways in which the prospect of maternal failure can be just as fearsome a boogeyman as any monster under the bed .
the newly minted hit easily ate into last week' s champ hide and seek' s box - office, pushing the robert de niro and dakota fanning film to fourth position on the chart. no marquee names and yet the $ 7 million boogeyman with its $ 19. 5 million gross would be profitable in less than 10 days .
in 2014, two young girls in waukesha, wisconsin committed an atrocious act compelled by the calling of a fictional internet character. brodsky’s film, the product 18 months of digging, explores the backstory leading up to the event, how the internet created boogeyman come to be, and more importantly, how much do we hold our children …
the scribe who with scream reinvented the slasher film for the nineties also created with dawson' s creek teens who are more eloquently ironic than some ...
like many of the best comedies and tragedies, this weimar - era silent film understands how each mode is often a hair' s breadth from the other .
reached by phone, sean hughes said he had not seen the film and did not want to make a statement but made reference to a “blair witch” - style sensationalism he thought the film was trying to generate. it’s a perception abetted by horror fans online, who have found in “cropsey” a documentary all their own .
journal of popular film & television; washington, d. c. vol. 32, iss. 3, (fall 2004): 98 - 109 .
laura porter (danielle savre) and her brother henry (matt cohen) have lifelong fears of the boogeyman. why? because at a young age they witnessed the boogeyman disembowel their parents. fair enough. henry meets up with laura on his way out of the psych ward. laura has a nightmare and her brother suggests that she check herself in to deal with her fear .
revolving around a young man' s attempt to solve the mystery of a childhood incident that has given him countless nightmares, boogeyman stood at the top spot on the us box - office .
austin might look like the scariest boogeyman, but he' s actually the funniest. over the years, he has sharpened his hilarious routines and gags. all he needs is an audience .
t he hunger for horror films seems to be so huge that it doesn' t worry the audiences if a film has no stars or a big name director .
laura goes to the basement when she hears nicky scream and finds her on a table. nicky has hoses attached to her, filling her with bile until she explodes. laura runs away in shock, and the boogeyman attacks her. he chases her through the hospital, where she finds gloria dead and dr. ryan barely alive and mumbling, in some sort of trance. laura begins a cat and mouse game with the boogeyman, who chases her through the underground storage area, finally running into dr. allen, who thinks laura committed the killings. he tries to sedate her, but the boogeyman stabs dr. allen and shoves two needles in his eyes. the boogeyman is revealed to be henry, laura' s brother. dr. allen abused henry, locking him in a closet .
irene taylor brodsky’s diverse films have earned her numerous awards, including an oscar nomination for best documentary short for the final inch (2009) and a peabody award for hear and now (2007). her latest film, one last hug, is an unflinching documentary short film set at camp erin—a sleepover summer camp where grieving children of …
you’d be hard - pressed to find an adult employing that kind of juvenile lingo. someone might cop to a fear of the dark, a fear of the unknown that lurks therein, or even the fear of some creepy supernatural fellow living in said closet, but the term ‘boogeyman’ sounds almost onomatopoetically goofy. sieve and betancourt revamp the film’s titular antagonist into something almost plausible. they have characters make fun of the cringeworthy idea of boogeyman - o - phobia, while introducing a killer who slashes his way through teenage mental patients like an inventive michael meyers (or a conspicuously silent freddy krueger. )
that the director and screenwriter of boogeyman 2 were able to spruce up a concept that fell flat on its face in 2005 into an above average horror movie speaks volumes about their talent and their love of the genre. a film that bucks the stigma of direct - to - dvd sequels, this unyieldingly dark and bloody feature will surprise you, especially if you were unfortunate enough to catch the first one. this flick’s ‘80s - slasher - pic - on - gornographic - steroids - appeal is something horror fans will be surprised to find themselves talking about and praising. “ boogeyman? seriously? ”
helming the asylum is hospital supervisor dr. mitchell allen, who doles out therapeutic advice and demands that patients face down their fears. allen is played by tobin bell of saw, and his being cast for the role is no accident. as the body count starts to rise, it becomes clear that this film not only eschews all things j - horror, it skews closer to the 00s’ other horror trend, gore - no. boogeyman 2 is home to plenty of splattery flourishes, like a latter - day friday the 13th film with saw¬¬ - style special effects .
it is then that henry realized that by becoming the boogeyman, he would no longer be afraid, because the boogeyman isn' t afraid of anything. henry manages to kill everyone in the asylum, except laura and chrissy who is just mumbling to herself in terror. as he is sneaking up behind her, laura catches a glimpse of him in a toaster and thrusts some hedge clippers through his neck, ultimately decapitating him .
a young woman with a long - term phobia of the boogeyman voluntarily checks herself into a mental health facility with the hope of conquering her overwhelming fear. however, much to her... see full summary »
families can talk about the legend of the boogeyman, who appears in many cultures as a warning to misbehaving children. the psychologist discusses how children might turn to supernatural explanations as a coping mechanism for feelings of loss or powerlessness. how do modern stories use scary characters or the supernatural to guide behavior now? urban legends often have an element of the supernatural, how might they derive from older tales, like those of the boogeyman ?
calling wedding date' a witless, stale and half - hearted rehash of clichés,' lou lumenick of the new york post wondered what kind of appeal the film would ever have .
part of the problem with boogeyman was that its plot had already been executed much more successfully a little over two decades earlier in a nightmare on elm street. nancy’s standoff off with freddy krueger is a canonical image of a protagonist facing her fear, and in doing so, causing it to dissipate. boogeyman flaccidly attempts to re - explore this theme (and this scene) without the fleshed - out krueger myth there to make any sense of it .
the police come soon after and start the body count, except they can' t find nicky (played by chrissy griffith). they unmask the boogeyman and... .. it' s nicky! !! !
a film that bucks the stigma of direct - to - dvd sequels, this unyieldingly dark and bloody feature will surprise you, especially if you were unfortunate enough to catch the first one .
dropped sharply, by 59 percent, surprising industry observers. though horror and sci - fi movies drop by about 50 percent in the second week, box - office analysts had thought the presence of de niro might produce a smaller decline. the film psyched $ 8. 9 million over the weekend and its gross reached $ 35. 8 million. for a $ 30 million film ,
mr. zeman and ms. brancaccio, a deputy commissioner of the new york city human resources administration, have found supporters of their film. “i think it’s done very well, and i think it tells the truth, ” said donna cutugno, a staten islander who founded the volunteer search group friends of jennifer for missing children during the schweiger case. “we still have those other missing children. the boogeyman wasn’t a myth. ”
for the lowly protagonist, david mann, spielberg hand - picked character actor dennis weaver because he loved his performance as the jittery and feeble hotel night manager in orson welles’s 1958 film touch of evil .
did not have to worry about critical reaction. the reviews started coming out only on saturday as there were no screenings for film critics. the movie was made by ghost house pictures, which also made
‘it is one of the very, very few horror movies that does jump off of racial fears’ … jordan peele on his new film get out, which stars daniel kaluuya, above. photograph: youtube
jordan peele doesn’t want to make things easy for his audience. like the greatest sketches from his co - authored comedy central show key & peele, his new film get out is designed to lift the facade of post - racial america and showcase the ugliness that lies beneath. what’s quite astounding is not only how sharply he manages this but that he does so while also crafting a terrifying horror film .
director alexander payne needed a star of jack nicholson' s stature to guide his previous film about schmidt to a hit status. the acclaimed film cost about $ 30 million and grossed $ 65 million in north america in 2003. but sideways, which cost about $ 15 million and has no stars, could be a bigger success, not just by way of the gross but also the number of admissions .
believe it or not, the wizard of oz was a box office bomb when it was released in 1939. at the time, it was metro - goldwyn - mayer' s most expensive film ever with giant sets and state - of - the - art special effects. mgm had high expectations for the film, however, audiences weren' t keen on making the journey to the wonderful land of oz .
most big starrers have to wait for at least a month to break even because of their higher production and marketing costs. even if boogeyman were to suffer a big fall the next week, it could still end its run with $ 50 million .
many people are afraid of the boogeyman, but tim takes his fear to the extreme. during a traumatic childhood event, tim learned he had to protect himself against creatures such as the boogeyman in order to survive. the boogeyman had taken someone he cared about, and he never forgot about the incident or healed the wounds that came from it. in fact, he spent his childhood in a mental health facility from the damages of losing someone he loved. despite all his precautions to stay safe from his childhood nemesis, he runs into someone else who must make efforts to escape the creature of the night. two people need tim’s help, and he struggles with whether to fight this creature, or give in to the idea that it may not be real .
despite very positive critical response and academy award recognition in 1994, the shawshank redemption failed to find an audience in theaters. the general public started to notice the shawshank redemption when warner bros. released it on vhs the following year, and it quickly became one of the top video rentals across the country. in 1997, the cable network tnt bought the rights to air it, and this helped the film find a larger audience with frequent and repeated airings. the shawshank redemption is currently on the american film institute' s best 100 movies of the past 100 years and is the # 1 film on urltoken' s top 250 list .
due to its critical success, mgm re - released the wizard of oz in 1949 for its 10th anniversary and it eventually became a profitable film for the studio, and it added $ 1. 5 million to its box office. throughout the years, mgm (and later warner bros, who now own the film rights) re - released the wizard of oz in theaters and home video, and it became an iconic piece of cinema and pop culture .
as the truck rams the car over the cliff and falls off in the final film, there is a low roar sound effect that the filmmaker included to emphasize the death of the truck. spielberg, who wanted the truck to seem
next week, look for
hitch
to debut on the box - office top 10. also opening in theaters are the children' s animated film
pooh' s heffalump movie
and the slightly less kid - friendly
inside deep throat .
the final sequence' s sheer terror makes up for a couple of flaws throughout. the babadook is a suspenseful, clever horror film that is driven by its ominous mysterious & shrouded figure which is inventive and modern for today' s genre. 4 / 5
like boogeyman, wedding date was also made on a low budget ($ 15 million). the movie, starring debra messing - - the emmy - winning star of will & grace - - is about a woman who gets attached to a male escort (dermot mulroney) she had hired to impress her family .
still having a hearty laugh, the ice cube hit are we there yet? grossed $ 10. 4 million, its three week' s earnings reaching $ 51. 1 million. this is another film that flew past the modest expectations of box - office analysts .
dr. ryan goes to the basement to check on gloria and is electrocuted when the boogeyman throws an electrical cord into a puddle of water she is standing in. laura finds a file on her brother and ones on other patients with bogyphobia (what laura has). she finds out that all bogyphobia patients including tim jensen (the protagonist from the first film) have committed suicide after being treated by dr. allen. darren and nicky have sexual intercourse in the locker room as laura finds alison. she gets darren and nicky to where alison was, but the blood and the maggots have been cleaned up. darren and nicky think she' s crazy. darren and nicky go to darren' s room, where they have an argument. darren thinks they shouldn' t have a relationship. darren forces nicky out of the room and is killed when the boogeyman painfully cuts him open and takes out his heart .
it is always a wonderful surprise to see an intelligent horror film with such profound psychological and emotional scope, making use of a rich symbolism to tell the story of a woman who succumbs to her own inner shadow and is forced to confront it as it takes over her sanity .
eagle - eyed viewers will catch the word “flammable” scrawled across the back of the truck, yet when it careens off the cliff at the end of the movie it doesn’t go boom. the studio wanted a big explosion, but the director wanted a slower demise for his film’s villain .
as a result, that “cropsey” is being shown at the college of staten island on june 5, as part of the staten island film festival has taken on a perhaps inflated significance: the college is on the grounds of the old willowbrook state school. (the film will also be shown on video on demand july 2; opens theatrically june 4 at the ifc center in manhattan; and will be broadcast on investigation discovery aug. 13 .) add all the unresolved aspects of the case, and what might have been a straight crime story is now something more volatile .
the snakerama gas station seen in the film also appears in spielberg' s 1979 world war ii comedy, 1941, with actress lucille benson again appearing as the proprietor. the two elderly people weaver tries to flag down in a car also appear as helpless motorists in close encounters of the third kind .
loose sequel to the mind numbingly drab original. it also seems like a remake of nightmare on elm street 3. bunch of headcases in a hospital start to get killed off. this film eliminates the supernatural elements and goes for a slasher approach. this does allow them to save money and get rid of that horrible cgi thing from the first film. it isn' t enough though. bell is a nice addition but plays it pretty much as he does in the saw movies. the twist may have though it was being brave and dangerous, but this tactic has been used in other slasher series .
eight - year - old tim jenson is scarred for his life before boogeyman' s title sequence rolls. he went to bed one night jumping at shadows in his rural, gothic home and watched in horror as his closet violently swallowed his father. fast - forward 15 years and tim (barry watson), now a twitchy lygophobic with a tendency to stand staring at dark closets, returns home for a funeral. he alone sees that all dark places - - under the bed, in the closet, behind the pantry door - - are potential lurking spots for the boogeyman. at the off - hand recommendation of his psychologist and to further the plot, he must face his childhood fears, including that of his supernatural closet .
terry gilliam earned plenty of good faith from general audiences and movie studios after the success of the monty python films. however, after he finished brazil in 1985, universal pictures refused to release the film because of its anti - corporate undertones and strange narrative. terry gilliam screened brazil privately without universal' s approval and took a full - page ad in variety to address studio chairman sid sheinberg that simply read, “when are you going to release my film, ‘brazil’? after universal re - edited brazil and tacked on a happy ending, it came out to little fanfare and only grossed about $ 10 million .
“cropsey, ” named for the mythic boogeyman of hudson valley campfire stories, is the cinematic version of peeking under the bed and not breathing a sigh of relief. two parts true crime and one part folklore, the documentary examines a string of child disappearances on staten island during the ’70s and ’80s, including two for which the onetime willowbrook worker andre rand is serving time .
the quirky comedy sideways grossed $ 4. 8 million and with a $ 47 million total gross, it has firmly set its eyes on a $ 60 million prize. for a film that cost about $ 16 million, sideways is on its way to become one of the most profitable films of the past year .
nearly 50 years after a vaccine for polio was developed in the united states, the polio virus still finds refuge in some of the world’s most vulnerable places. in india and afghanistan’s impoverished neighborhoods, the final inch follows the massive—and yet highly personalized—mission to eradicate polio from the planet. the film challenges our most basic …
every character, one for one, is dispensed with a satisfyingly revolting reflection of his or her deepest fear, with no small helping of smirking literalism. the boogeyman, meanwhile, clad in a black robe and metal cast death’s head mask of unknown origin, is re - invented as a real - live killer, and a concept you could actually see carrying a horror franchise .
while it' s a wonderful life is a staple of the holiday season, it received little attention from general audiences at the time of its release in 1946. this was mainly due to its dark narrative and subject matter. rko pictures lost $ 525, 000 on the film, despite its five academy award nominations .
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hell no! no way. it was only a $ 6 million film, but it was made in a studio. they would never do this. they' re not in that business anymore. it would be hard to get it made indie. it would be hard to raise the money and do it .
a young woman attempts to cure her phobia of the boogeyman by checking herself into a mental health facility, only to realize too little too late that she is now helplessly trapped with her own greatest fear. editor - turned - director jeff betancourt takes the helm for this ghost house pictures shocker scripted by brian sieve and starring tobin bell, danielle savre, david gallagher, michael graziadei, and mae whitman .
the shift in focus shown in the trailer for get out and the exploration of racial identity suggests that the horror genre might finally be ready to push a new boundary. there’s so much to unpack in the 150 - second preview, giving us a mere glimpse of themes we’re not used to seeing in horror. the timing of the film also mirrors romero’s efforts in the 60s to reflect america’s struggle with race, a nation still plagued by ongoing, institutional injustice. while get out will act as entertainment predominantly (it’s from blumhouse, the production company behind insidious and the purge), with daily reports of black men killed for the color of their skin, it’s also a vital reminder that racism remains a more terrifying force than any supernatural boogeyman .
the film focuses on laura porter (danielle savre), who as a child witnessed both her parents being brutally murdered by a hooded man, along with her brother henry (matt cohen). henry, who was in the same therapy group, seems to be doing fine and is seemingly cured. henry goes off to a job interview. laura gets comfortable with the group which consists of scotophobic mark (david gallagher), germaphobic paul (johnny simmons), masochistic alison (mae whitman), agoraphobic darren (michael graziadei) who is scared of commitment and relationships, and nicky (chrissy griffith), a bulimic girl who fears extreme weight gain. laura struggles in facing her fear of the boogeyman, the entity that laura believes killed her parents .
get out is a provocative, button - pushing shocker that buries itself under your skin and lingers, its genre trappings serving as devious delivery for a scathing takedown of liberal white suburbia. it’s rare for a studio horror film to feel this fresh and daring and it’s arrived at a frighteningly topical moment for a country where racism is scarier than ever .
it’s a fair statement, but it won’t be the first time that racial fears have been encoded within the genre. in george a romero’s seminal night of the living dead in 1968, the african american lead ben, played by duane jones, and his grim fate (40 - year - old spoiler: he gets killed at the end after a posse mistakes him for a zombie) eerily coincided with the assassination of martin luther king. it was a landmark film even for having a black lead, but its bleak climax made a depressing statement on american sociopolitical progress. there are moments throughout the film that imply hostility towards ben’s race and his power but issues surrounding his racial identity aren’t overtly explored .
the modestly budgeted film (about $ 15 million) has another extraordinary performance by sophie okonedo as the conscience - keeper wife of the hotel manager. though it has performed respectably so far, it has a long way to go before it breaks even. it has to earn about $ 40 million in ticket and video sales before it makes a profit .
touches of humor, some genuinely spooky moments, and the occasional flash of decent acting keep this movie a notch above straight - to - video caliber. watching tim at the child counseling center offers a hint that this movie could be richer, more interesting fare, but then the next scene - - a possible boogeyman lurking behind a ceiling tile - - tugs us back to the over - the - top forcedness of it all .
something i' ve noticed lately is that horror movies make for great previews. when i saw the trailer for boogeyman i was thinking ,
this film is gonna rock !
wrong! this is another terrible hollywood scare flick that couldn' t scare a 12 year old. i jumped more at the preview than the movie. the worst part is the story is so heavy handed that it steals any fun out of this convoluted mess. let' s remember what were making here, guys, it ain' t no oscar contender. too bad the movie wasn' t just a shade worse so it could enter that so - bad - it' s good realm. this one is just bad. there are a lot of great horror movies out there these days so skip this one !
the prop recreators at chronicle collectibles have collaborated with universal studios to make the canisters as faithful to the original as possible. just like the prop used in the film, the vessel resembles an unassuming can of shaving cream from the outside. but screw off the bottom and you' ll find a secret compartment filled with vials the perfect size for storing prehistoric genetic material .
jurassic park (1993) is known for having some incredible props. the fake shaving cream can dennis nedry uses to smuggle dinosaur dna out of the cold storage unit may not be as iconic as the life - sized t. rex, but it still plays a colossal role in the film. now, io9 reports that an official replica of the prop can soon be yours .
ust in time for halloween and after a notably devastating year for race relations in the us, the first trailer for jordan peele’s directorial debut get out has hit, causing an understandable stir. given peele’s emmy - winning comedy central show key & peele, it’s perhaps no surprise that his first film as director would involve racial commentary (one of his most famous skits revolves around the
the thriller flick
boogeyman
took the # 1 spot on the box - office top 10 this weekend with $ 19. 5 million, according to early estimates. the sam raimi (
spider - man
) project finds a young man (barry watson) facing his childhood fear that there was a monster hiding in his closet by spending a night in the home where he grew up (see
barry watson' s boogey nights
) .
before alfonso cuarón dazzled audiences with gravity in 2013, his dystopian science fiction film children of men didn' t make much of an impact on general audiences in the united states in 2006. although it received positive reviews and an academy award nomination for best adapted screenplay, children of men didn' t find financial success at the domestic box office, only taking in $ 35. 5 million .
that story goes back to the 1890s when daniel robatille, a black, wealthy socialite is commissioned to paint a portrait of a white landowner’s daughter. but when the two fall in love and their relationship is discovered by her father and his peers, daniel is lynched and his tortured soul is doomed to wreak havoc on anyone saying the name candyman five times in a mirror. the film delivers a powerful commentary of the brutal manifestation of racism and its lingering effect on a community, but it focuses its sympathetic eye on a contemporary white female protagonist, played by virginia madsen. her personal and professional turning points became focal and the film leaves little to no room for investigating the horrors of racism from the point of view of the black characters. candyman is not the center, she is .
today, fight club is considered a modern - day classic and one of david fincher' s best movies. however, when it was released in october 1999, twentieth century fox didn' t know how to sell a movie about consumerism and misguided masculinity to general audiences. fight club' s early reviews didn' t help pack theaters either, as it garnered a mixed response from film critics .
spielberg got his start directing for tv at the age of 21, helming episodes of such shows as night gallery and marcus welby, m. d. but the aspiring filmmaker was desperately searching for a property he could turn into a feature film. it was spielberg' s secretary, nona tyson, who found matheson’s story in playboy and first sent it to her boss to potentially adapt into a movie .
audiences re - discovered blade runner on vhs and later dvd throughout the' 80s and' 90s, as warner bros. re - released it with a director' s cut and later a final cut, which ridley scott currently stands by as the definitive version. in 1993, the library of congress picked it for the united states national film registry for being
culturally, historically, or aesthetically significant .
but peele isn’t interested in purely making a point, he’s also determined to make a genuinely scary horror film and doesn’t disappoint. there’s a refreshing lack of tired jump scares with peele instead utilizing a queasy atmosphere of dread and a terrifically choreographed escalation of suspense and crowd - pleasing thrills. it’s an artfully framed and remarkably accomplished debut film, and peele has carefully cast an ensemble of skilled actors who effortlessly conjure up a believably fraught dynamic. there’s a successful piece of stunt casting with williams, a star of hbo’s girls, but her white privilege isn’t over - egged and instead, her character seems even more shocked at what unfolds around them. it’s in smart opposition to the british actor kaluuya, who, in a star - making role, calmly and glumly accepts the insidious racism around him before letting rage take over .
ulli lommel directed this rancid little horror film about a couple of kids who kill their neglectful mother' s abusive boyfriend. years later the now grown kids, the boy now a mute man, the girl now a somewhat hot woman, return to their childhood house to find that the bedroom mirror has become possessed by the evil that it witnessed all those years ago. poor poor ulli, he' s to horror films as uwe boll is to video game adaptations and while this film is miles above the utter drivel he' d later churn out, that' s a sad testament to how awful he' s gotten at writing rather than a praise of this one. as apart from one bizarre yet amusing death sequence, this movie is simply unwatchable. my grade: d - where i saw it: fearnet on demand
there were some genuinely good ideas that they touched on in boogeyman, but they just didn’t get fleshed out enough to do the story justice; maybe i can convince syfy to let me write the novelization for boogeyman to do the story justice. but there were some things that were just perfect. cain’s face is usually a mask, a brown, desiccated face that looks like a mummy’s. however, cain’s head periodically turns cgi so that he can contort his face to growl. i don’t know why they thought cain needed to emote since his mummy - face should be stiff and his only lines are howls, but what are you going to do? this wasn’t the only piece of unnecessary cgi. inexplicably, there are shots of houses from the outside that look completely unreal. it was hard to put my finger on it, but the houses looked computer - generated and the skies didn’t like they gelled with the house in terms of lighting. i don’t know why sci fi pictures can’t afford to film the outside of real houses for throwaway shots that establish setting, but i’m willing to lend them footage of my house if they want some. and any worthwhile horror movie has to have teens and characters introduced for the sole purpose of killing them. an obnoxious blonde woman living next to the skinner house is introduced and then dies at the hands of cain. a group of teens in the woods sits around a campfire drinking beers and passing around a joint. of course, this spells their doom. the only survivor is an extremely inebriated young man who thought a lesbian was making eyes at him and not the cute young girl sitting next o him; sadly, the lesbian makeout session was ended abruptly by an evil several millennia old. i think that’s one more theme this film could have further explored. oh well .
a flashback shows that henry went to nicky and convinced her (not hard with how nuts she was at this point) to simply put on the boogeyman mask, hold a knife, and walk around. laura, thinking it was her brother, attacked him while he was calmly walking out of the hospital. the end is laura screaming that the real killer was still there, but the police were taking her away, either thinking she was crazy, or thinking she was actually responsible for the killings .
in this syfy saturday premiere, a group of young boys are doing things that young boys aren’t supposed to do but yet do anyway (of course) and one decides to throw our young hero boy’s cell phone through the top window of the local “spooooooky old house” to, of course, make him prove his worthiness by sending him in to get it. he goes in, and on his way up to the top floor to retrieve his phone, he accidentally sets loose the boogeyman of the movie’s title .
well i always check under my bed. there are far worst creatures than boogeyman. this was scary indeed. there were some moments that made me jumped literally. though i would say my scare level wasn' t high enough as i could go to sleep peacefully after watching this at mid night. i would say this was decent. mysterious. confusing. frightening. everything i could think of (except humor). can' t wait to see the second part. hope that will be better than this .
soon, the therapy group begins to get murdered, one by one. all of their deaths relate to their fears. mark falls down the elevator shaft, trying to escape from the darkness when the lights go out, and is torn in half. the next is paul, who accidentally eats a cockroach after finding them in his bag of chips. the killer, a mysterious man wearing a boogeyman mask and cloak, then hands him a bottle of cleaning solution, which paul drinks and burns a hole in his throat. laura begins to suspect these were not accidents. the lights go out at the hospital and all that' s left is laura, alison, darren, nicky, dr. ryan and gloria, the receptionist. gloria (lesli margherita) goes to the basement to check the lights. alison is killed when the boogeyman ties her to the bed and places maggots on her arms, which crawl into alison' s skin using the cuts, forcing her to cut them out, killing herself in the process .
the latest in a series of horror movies with the exact same plot but different titles ,
boogeyman
tells the story of a troubled young man who witnessed his dad die at the hands of an evil ghost when he was little and now has returned to face his demons - only to realize that the ghost really exists. if this doesn' t sound like
darkness falls
and a dozen others i don' t where you' ve been, but the results are about the same. full movie review »
boogeyman is a 2005 new zealand-american supernatural horror film , directed by stephen t. kay and starring barry watson , emily deschanel , skye mccole bartusiak , and lucy lawless . the film is a take on the classic " boogeyman " , or monster in the closet , who is the main antagonist of the film . the plot concerns a young man , tim jensen , who must confront the childhood terror that has affected his life . the film was generally panned by critics , often citing a generic and unoriginal plot as the main criticism . despite receiving negative reviews from critics , the film was a financial success , and was followed by two direct-to-video sequels , boogeyman 2 ( 2007 ) and boogeyman 3 ( 2008 ) . 
boogeyman is a 2005 new zealand-american supernatural horror film, directed by stephen t. kay and starring barry watson, emily deschanel, skye mccole bartusiak, and lucy lawless. the film is a take on the classic " boogeyman ", or monster in the closet, who is the main antagonist of the film. the plot concerns a young man, tim jensen, who must confront the childhood terror that has affected his life. the film was generally panned by critics, often citing a generic and unoriginal plot as the main criticism. despite receiving negative reviews from critics, the film was a financial success, and was followed by two direct-to-video sequels, boogeyman 2 (2007) and boogeyman 3 (2008).
boogeyman is a 2005 new zealand-american supernatural horror film, directed by stephen t. kay and starring barry watson, emily deschanel, skye mccole bartusiak, and lucy lawless. the film is a take on the classic " boogeyman ", or monster in the closet, who is the main antagonist of the film. the plot concerns a young man, tim jensen, who must confront the childhood terror that has affected his life. the film was generally panned by critics, often citing a generic and unoriginal plot as the main criticism. despite receiving negative reviews from critics, the film was a financial success, and was followed by two direct-to-video sequels, boogeyman 2 (2007) and boogeyman 3 (2008).