goyenda gogol
goyenda gogol (or goenda gogol; english: detective gogol, bengali: গোয়েন্দা গোগোল) is a 2013 indian bengali suspense film, directed ...
goyenda gogol (or goenda gogol; english: detective gogol, bengali: গোয়েন্দা গোগোল) is a 2013 indian bengali suspense film, directed by ...
its better not to think or even compare goyenda gogol with feluda or bomkesh. but the sheer joy of a good children sleuth film makes goyenda gogol earn those extra points. definitely a good holiday watch .
a sequel of the 2013 released film goyenda gogol “gogoler kirti” is the new adventure story of gogol. the music launch of this film took place in the presence of eminent musicians like usha uthup .
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a sequel of the 2013 released film goyenda gogol “gogoler kirti” is the new adventure story of gogol. the music launch of this film took place recently in the presence of the star cast and the musicians at princeton club .
produced by ishanee films gogoler kirti is the debut work by director pompi ghosh mukherjee. it is a sequel to goyenda gogol, a thriller based on two stories from samaresh basu' s gogol series - mahish mardini uddhar and rai raja uddhar .
teenager ahijit ghosh is all set to make his acting debut in the role of a young detective in the upcoming film goyenda gogol. the film is based on a story by samaresh basu .
goyenda gogol is a suspense, children bengali movie, directed by arindam dey, starring ahijit ghosh, payel, saheb chattopadhyay, rachana banerjee along with others. goyenda gogol story goes like this: gogol is no ordinary sleuth. he carries the ‘what not bag’ which includes things like compass, magnifying glass, a tab and other things which come in handy when he goes to solve cases. he is also an expert in karate. though the story was initially written in the 70s, yet it has been' modernized here, on the movie page, you will find every thing that you need to know. get the up - to - date news updates of goyenda gogol, as it happens. then you can see some movie stills and other images too. check out what others are saying about the movie on twitter. check out the goyenda gogol movie review posted by the movie buffs .
goyenda: (colloquial bengali) detective; gumshoe; private investigator; sleuth; one who collects evidence of crimes and usually finds the perpetrator .
enter, the youngest sleuth of tollywood — goenda gogol. a t2 chat with director arindam dey who also revisits his own childhood through goenda gogol ...
goenda gogol (bengali) movie (2013) | reviews, cast ...
saheb chatterjee (gogol’s father), locket chatterjee (gogol’s mother), indraneil sengupta, vikram chatterjee, bhaswar chatterjee will be seen in pivotal roles in the film .
critic reviews for the latest bengali movie goenda gogol (bengali) released in 2013 on bookmyshow .
actors locket chatterje, saheb chatterjee, subhashish mukherjee, mousumi bhattacharya and ahijit ghosh interacted with the media over their upcoming film “gogoler kirti” in kolkata on monday (sept 1, 2014). gogoler kirti is a sequel to goyenda gogol, a thriller based on two stories from from samaresh basu’s gogol series - mahish mardini uddhar and rai raja uddhar. images by avishek mitra / ibns
goenda gogol movie review: critics rating: 3 stars, click to give your rating / review, a perfect film for summer holidays, kids can use this opportunity to join gogol ...
a perfect film for summer holidays, kids can use this opportunity to join gogol on his adventure .
enter, the youngest sleuth of tollywood — goenda gogol. a t2 chat with director arindam dey who also revisits his own childhood through goenda gogol, a film based on samaresh basu’s young sleuth, which releases today .
gogol by samaresh basu geeky child detective gogol dreams of martial arts but uses his brains to solve crimes. gogol is always to be found with a magnifying glass and compass (which i guess are redundant in the world of smart phones). the stories are charming. two film adaptations have been made starring young actor ahijit ghosh .
gogol and his parents set out on a holiday to puri. gogol curious as always stumbles upon an isolated house
basubari
infamous as a ghost hunting ground. thereby starts the story and gogol' s search for the real reason of its abandonment. ashoke thakur is also looking for a clue in the plot to solve a case. both delve deeper with time to solve the mystery .
gogol was introduced by the renowned bengali author samaresh basu in 1978 (sarodiya anandamela) ‘goa i gogoler prathom kirti’after ‘goa i gogoler prathom kirti’ he wrote gogol amanibus to fulfill the demand of children audience. gogol amanibus is one of his major thrillers that has many series to it. this film will mainly concentrate the stories mahish mardini udhhar & rai raja udhhar. an adventure story based on popular scenic locales of the bengal village side. a venture of ishanee films producer: supratik ghosh director: pompy ghosh mukherjee script: smaranjit chakraborty / pompy ghosh mukherjee dialogue: smaranjit chakraborty cinematography: shasanka palit cast list gogol: ahijit ghosh gogol’s father: saheb chatterjee gogol’s mother: locket chatterjee ashoke thakur: indraneil sengupta jadab / madhab purut (double role): subhashish mukherjee joy / magic dada: vikram chatterjee rai raja’s son: bhaswar chatterjee
yes, that’s also one of the reasons why i made goenda gogol! it’s the trend now, every director is making a detective film. be it bomkesh or arjun or kakababu. i also wanted to make gogol because he is my favourite character. as a kid i have grown up reading samaresh basu’s books on gogol. that’s why i was so nostalgic shooting it... . it reminded me of my childhood .
rachana banerjee and shaheb chatterjee play gogol’s parents. indraneil sengupta and debdut ghosh play very interesting characters but revealing it will give away the story .
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move over three investigators and the famous five, our very own gogol is here to take on any challenge that comes his way. arindam de’s goenda gogol is an interesting take on samaresh basu’s sonali parer rahashya. the story, written decades ago, has been rendered a contemporary touch for today’s viewers. now gogol, the bespectacled kid, is a student of class vi and happens to be a gadget freak. he carries his entire world inside his backpack — a compass, a magnifying glass and even a tab, which his father had got him from the us. gogol likes to daydream and in his dreams, he kicks the hell out of everyone with his karate moves .
goenda gogol bangla movie 2013 hd print... if you want more bangla movie watch urltoken, bangla movie, kolkata bangla movie, bengali movie, bangla movie online .
gogoler kirti (or gogol - er kirti; bengali: গোগোল - এর কীর্তি) is a 2014 indian bengali film, directed by pompy ghosh mukherjee and produced by ...
ahijit ghosh who plays the role of gogol in the film was visibly excited about featuring in the sequel. the young actor said that he had a great time shooting for the film .
gogol is a student of class vi and happens to be a gadget freak. he carries the' what not bag' which includes things like compass, magnifying glass, a tab and other things which prove useful when he goes to solve cases. he is also an expert in karate. gogol likes to daydream and in his dreams, he kicks the hell out of everyone with his karate moves .
goenda gogol (bengali) (2013), released in bengali language in theatre near you in kolkata. know about film reviews, lead cast & crew, photos & video gallery on ...
ahijit and payel during the premiere of goenda gogol, held at priya cinema, in kolkata. (bccl) see more of: payel, ahijit payel, ahijit ahijit and payel during the ...
teenager ahijit ghosh is all set to make his acting debut in the role of a young detective in the upcoming film goyenda gogol. the film is based on a story by samaresh basu. the film has been directed by arindam dey and has been produced by ishani productions. “i was chosen after going through auditions and then i had a mentor, jeet sir who helped me out for this role, ” ghosh stated. “i am excited to be a part of a film for the first time because it is something new for me and even my classmates, some of whom have appeared with me in this film are eagerly waiting to see their classmate play a young detective on screen, ” he further added. ahijit was present at the press meet of the film which was held on saturday at princeton. besides ahijit, the film also stars saheb chatterjee, rachana banerjee, sumit sammadar, debdoot ghosh, mousumi bhattacharya, ankita, indraneil sengupta and child artist payel. the background score is by indradip dasgupta while the only song of the film has been sung by shilajit. bodhaditya banerjee is the editor while sirsha ray is the cinematographer. noted singer parama banerjee was the anchor at the press meet. goyenda gogol is slated to release on 24th may .
well, i would like to say that goenda gogol is an adventure film for children with a detective angle. based on samaresh basu’s sonali paarer rahasya, it’s a simple, sweet story that both children and adults can relate to. of course there’s a mystery that gogol (ahijit ghosh) solves in the end, so it’s not really an edge - of - the - seat whodunit. it’s an entertaining film and a travelogue. we shot the film in puri, a very identifiable place for bengalis .
true. detective stories are the most difficult to shoot. it took me eight months to shoot goenda gogol. shooting got stalled many times. sonali paarer rahasya is a three - page story, so i had to build on it. i incorporated a train sequence. i have also modernised gogol, given him specs and a tab. there are long chase sequences in the jungles. plus, the haunted house around which gogol’s adventures take place had to be built on the puri beach. puri has changed a lot since the time samaresh basu wrote the story. i couldn’t find a single house which looked old and worn - out. we were supposed to shoot in konark but couldn’t because of the rains and then i didn’t get the permission, so we had to shoot the konark portions in udayagiri .
this is the most important side. to connect, you need to identify. i have seen i can identify a lot with gogol despite we two apparently belonging to different time zones - 80s and now ,
the 11 - year old boy with matured talks despite his age, reasoned .
gogol is no ordinary sleuth. he carries the ‘what not bag’ which includes things like compass, magnifying glass, a tab and other things which come in handy when he goes to solve cases. he is also an expert in karate. though the story was initially written in the 70s, yet it has been' modernized' to make it more contemporary and appealing to the younger generation. this time gogol goes to puri to spend summer holidays with his mother and u. s returned father and come across mandar villa or ‘hanabari’ as it is better known, a deserted and haunted house which catches ...
having idolised feluda aka sabyasachi chakraborty and roger moore and daniel cliff as james bond respectively, child artist ahijit ghosh feels upset for not squeezing enough time to read gogol' s exploits in books before enacting the ace kid - sleuth, samaresh bose' s most popular child hero in bengali children' s literature .
the summer holidays are here and here is a film for all kids to enjoy. it is not byomkesh, feluda or the others, but the kid sleuth, gogol (a character created by samaresh basu) who is here to entertain you and all the children during this holidays. this film has been released during this time since this is the best time for kids to enjoy such a film when they will be free. gogol is no ordinary sleuth. he carries the ‘what not bag’ which includes things like compass, magnifying glass, a tab and other things which come in handy when he goes to solve cases. he is ...
while indraneil as ashoke lends credibility to his character — that of an undercover cop — with his personality and body language, shaheb and rachna do a good job as gogol’s (child artiste ahijit) parents. the two kids, ahijit and payel, appear convincing for their age. the bad man, debdoot as professor neel, is suitably dislikable and gives an impressive performance .
goenda gogol is a bengali children 's movie. the film is written by arindam dey and produced by supratik ghosh and is an adaptation of samaresh basu 's
sonali parer rahashya
. the film has been shot in kolkata, tajpur, udaigiri and khandagiri. the central character of movie is being played child artiste, ahijit ghosh. the film also stars indranil sengupta who is playing a negative role .
goenda gogol is a bengali children 's movie. the film is written by arindam dey and produced by supratik ghosh and is an adaptation of samaresh basu 's '` sonali parer rahashya '`. the film has been shot in kolkata, tajpur, udaigiri and khandagiri. the central character of movie is being played child artiste, ahijit ghosh. the film also stars indranil sengupta who is playing a negative role .
the film unfolds in a village in bengal. all the members of a once royal family assemble during the durga puja celebrations. series of events take place and gogol with his presence of mind solves them effectively. “the film will take many of us back to the times when joint families were a way of life. moreover the durga puja in the background will also appeal to the children and their parents alike as the durga puja 2014 is just around the corner” said director pompy ghosh mukherjee .
gogoler kirti is a film which is aimed to bring back the old flavor of durga puja, puja special food and adda and also about family bonding. the music of the film has been composed by surojit chatterjee who said that the music has been composed keeping in mind the fact that this is essentially a film for the children. this is also the first time that the music director will be making usha uthup sing the theme song of the film go gogol go. he had earlier worked with usha uthup for small screen shows. sriradha bandopadhyay, usha uthup, rupankar and surojit o bondhura have lent their voices to the songs in the film .
like all other directors, i too want to make films on various subjects. ajob prem ebong... was a very serious film about an accident, so i had decided that my second film would have a subject that i should be comfortable with and people should enjoy watching. gogol is a character that every child is familiar with and to watch their favourite character on screen would be a lot of fun. my next film chaya manush is about a writer (parambrata chattopadhyay) and a recluse (raima sen). my fourth film will be a biopic on the singer geeta dutt, starring paoli dam. variety is the spice of life, after all .
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the times of india, tnn, updated: may 17, 2016, 04. 51 pm ist
primarily targeted at children, the introductory scene of the film has been smartly packaged, which sets the ball rolling. for a change, the haunted house really seems scary! the director has used all the necessary ingredients — from sound effects to visuals — to shape this into a proper adventure flick. however, with the entry of too many characters, the plot loses its grip in the second half. the chase sequence where ashoke tries to catch the villains on his bike is a tad comical; the poor special effect diluting the impact .
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���i always wanted to be part of a detective film as that gives you enough scope to play around with the background score. there will also be a couple of songs. the best part is that the makers have chosen my surajit o bondhura number
for the film. in the movie, the song is featured on me. it���s a
sequence, where i perform the song as surajit. we had a lovely time shooting in baruipur, recently. ���
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the bengali detective is box office manna in kolkata, and producers are snapping up rights for some of the most memorable characters .
winter is open season for detective movies in kolkata. the mandatory feluda or byomkesh christmas flick is now synonymous with a nip in the air, snaking queues outside flury’s at breakfast and that inexplicable feeling of buoyancy that comes with the advent of christmas. it is time to believe in fairy tales once again, or in their modern counterpart, the detective story – where we are assured that justice will prevail, if only on celluloid .
as the mercury dips, i spy an array of bengali thrillers lined up for the holidays – antarleen, a murder mystery set in kasauli; double feluda by sandip ray, a twinning of ray’s shorter feluda mysteries samaddarer chaabi (the key) and golokdham rahasya (the mystery at golokdham) and arindam sil’s byomkesh pawrbo, an adaptation of amriter mrityu (the death of amrito) .
the bengali detective is box office manna in kolkata today. not surprisingly, producers are snapping up rights for some of the most memorable characters .
feluda by satyajit ray fifty years since the first stories made an appearance in print, the translations have ensured feluda’s popularity in the rest of india and the world. released in 1974, satyajit ray’s sonar kella brought to life rajasthan’s medieval architecture, a six feet - tall handsome young detective with a teenage sidekick, hypnotism and reincarnation in one magical package. in sonar kella, as well as in joi baba felunath, ray introduced the audience to the villains early on, making for a snappier climax and a shorter denouement, which typically slows the genre down in its final stages. many actors have played feluda, including shashi kapoor in a doordarshan series, but soumitra chatterjee retains an iron grip on everyone’s imagination till this day .
feluda’s quirks include writing in the greek alphabet in his notebook and a working knowledge of most trivia that could take surprising twists and turns – from hindustani classical music to renaissance art to elliptical curves. his monastic existence in the stories, which do not feature women in pivotal roles, demand a foil in the enchantment of trivia. ray’s feluda films are the richer for the way in which he brought in little nuggets of information into the script, seemingly with a careless sleight of hand. surprisingly, this light touch has been lacking so far in the later adaptations, which choose to focus on telling the story straight – but the plot of samaddarer chaabi is nothing but a riff on trivia, and i confess i am looking forward to the film .
byomkesh bakshi by saradindu bandyopadhyay in spite of making his film debut under ray’s direction way back in 1967, byomkesh owes his blockbuster status and universal acceptance in a large part to basu chatterjee’s tv adaptation with rajit kapur in the lead. kapur seemed to own the role of byomkesh bakshi more than any other actor; there was something in the natural sharpness of his face matched with the familiar middle class appeal of his persona that summed up the professional detective solving cases for a living .
byomkesh has been played by many actors, notably uttam kumar, but none of them have the cult status that rajit kapur commands. the bengali adaptations have got the period details right but have yet to find the perfect byomkesh, in my opinion .
dibakar banerjee’s detective byomkesh bakshy! spiffed up the character and brought a fresh narrative style to the film, byomkesh on acid, if you will. many people were uncomfortable with the treatment. i enjoyed it thoroughly and am eagerly waiting for a sequel .
kakababu and shontu by sunil gangopadhyay srijit mukherji’s note perfect casting of prosenjit chatterjee as kakababu is as close to a coup as we will ever get in bengal. historian; bachelor; crippled in an accident; ex - director of the archaeological survey of india and frequently sought after by indian intelligence – kakababu’s real name is raja ray chowdhury. shontu is his nephew (hence the kakababu) and the narrator. refreshingly, the kakababu series have girls as major characters, both as shontu’s friends and collaborators .
the first kakababu adventure to be filmed was shobuj dwiper raja (the king of the emerald isle) by tapan sinha. there have been a few tv adaptations, but srijit mukherji’s recent kakababu film, mishawr rohosyo (the egyptian mystery), starring prosenjit chatterjee in the lead, is a far superior attempt to bring the crippled adventurer to life. like rajit kapur, prosenjit owns the role, which is half the battle won in this genre. there are 39 kakababu adventures in all, so i wish the srijit mukherji - prosenjit chatterjee duo a long innings .
kiriti roy by nihar ranjan gupta nihar ranjan gupta had quite a few film adaptations under his belt – meri surat teri aankhen, mamta, do anjaane and uttar phalguni. therefore, it comes as a bit of a surprise that his most popular character, the dapper detective kiriti roy, debuted only in 2016 on bengali screens in an adaptation of his book, kalo bhromor (the black wasp). a second kiriti film has just been released, based on the story setarer sur (the sitar’s melody) .
kiriti’s character was etched on holmesian lines – he smoked a pipe, carried a magnifying glass, preferred a kimono and tatami slippers over the standard pyjama kurta at home – but the plots were often rather simple. his stories remind me of the fu manchu series instead – fantastical, enjoyable, fast pulp. i did feel the first film needed more noir and pace in its style to work. anglophile kiriti ray needs to come into his own as a unique character on celluloid and not as a clone of his more popular counterparts on film to succeed .
shabor dasgupta by shirshendu mukhopadhyay police officer, not a private eye. honest. loner. shabor brings a touch of realism to the genre and is definitely not a detective series for children. the films feature saswata chatterjee in the lead. the stories are murkier, the lines between right and wrong can be blurred, but shabor dasgupta is a refreshing change. he is a contemporary detective devoid of nostalgia .
arjun by samaresh majumdar a single arjun film (kalimpong e sitaharan) made its unremarkable debut in 2013, but arjun and his mentor inspector amol shome are distinctly different from many fictional detectives and ripe for a re - imagination. arjun is a young adult who is the adventurer - detective hero and not a sidekick of the older detective, for one thing. secondly, he is a small town boy from north bengal. as the series evolves, arjun matures, unlike adult detectives who are already evolved. however, as a relatively less known character, especially when compared to byomkesh and feluda, arjun would fare better on television, until he is familiar enough to audiences to take the leap onto the big screen .
colonel niladri sanyal by syed mustafa siraj the raja sen - directed colonel, starring chiranjeet chatterjee in the eponymous role, released in 2013. his lazy sidekick, jayanta, was played by actor shaheb chatterjee. the ex - colonel is bearded, jovial, an ornithologist, butterfly collector and sleuth and follows a large fan following among the older generation. but the colonel might need to be reintroduced to younger audiences via television first – he has yet to reach the wide recognition that feluda and byomkesh enjoy. these two series have been filmed since 1974 and 1967 respectively, and have decades of viewing behind their mass appeal .
prasanna kumar basu by narayan sanyal around the time ray introduced feluda, there was also narayan sanyal’s lawyer detective – pk basu, an indian perry mason, who debuted on film. the first pk basu novel, nagchampa, was published in 1968 and made into a film in 1974 called jodi jantem (if only i knew) starring uttam kumar as pk basu. the stories were “inspired closely” by agatha christie and erle stanley gardener, which is probably why adaptations were not considered a possibility .
bengali detective fiction could be a lonely place if you wanted women, except for a few notable exceptions, who have yet to make their way to the screen. rituparno ghosh famously had to reinvent miss marple as an inquisitive aunt in shubho muhurat (if you haven’t seen it, please do – one of rakhee’s best performances). but for home - grown talent, i would recommend two – mitin mashi series and the lu quartet .
mitin mashi by suchitra bhattacharya mitin mashi, aka pragyaparamita mukhopadhyay, is a personal favourite. a resident of south calcutta, mitin is known by her nickname (which bengali isn’t ?) she is a smart, contemporary bengali woman, a wife, a mother, an aunt (mashi) to her niece tupur and also a consulting detective. the series has a view of calcutta as a multicultural, constantly evolving city and mitin mashi navigates her adventures and mysteries in this milieu with great aplomb. there was some talk of a film adaptation with rituparna sengupta, but nothing has been announced so far. a tv series would be a fun watch too .
the lu quartet by nalini das way back in the ’80s when i was a scrawny schoolgirl, i used to devour nalini das’s adventures featuring kalu, malu, bulu and tulu as middle - school students from the same hostel who would bust gangs and solve mysteries with aplomb. every time i read a nancy drew and felt a pang about there not being enough girls in detective stories, the lu quartet brought a smile to my face. i cannot recommend the books enough for a screen adaptation, although television would be the best medium, in my opinion. disney has had its moana moment; so can our detective films .
jayanta manik by hemendra kumar roy hemendra kumar roy’s detective jayanta and his friend manik are supported by the comic police inspector, sundarbabu. hemendra kumar roy’s oeuvre merits an entire article. suffice it to say that jayanta - manik firmly established the very indian contemporary detective operating in an indian milieu for the first time in bengali fiction. they were modern, nationalistic, scientific in temperament and distinct in their indigenousness. it is a great pity that we have not yet had the pleasure of seeing the trio on screen .
parashar barma by premendra mitra a detective and a poet, most often compared to hercule poirot, parashar barma is possibly the most underrated of all the goyendas on my list. his methods are lackadaisical, whimsical even, and cause his friend and chronicler, krittibas, much agony – until they make sense in the end and reveal parashar’s genius with a flourish. but the beauty of the series is in its writing. the books are a joy for any reader of the language. perhaps it is just as well that parashar is still waiting in the wings. a great detective film needs a nuanced treatment of the character and in barma’s case, also a delicate touch with language. parashar barma needs a director who is also a poet .
this was my list for those who would like to dip a toe into the genre. but it comes with a statutory warning: many of the adaptations aren’t great films as such, usually tripping in the second half when they fail to sustain the pace of the plot. quite a few have shoddy production values. a few shine. but then, if you are obsessive about the genre, as i am, you know you will watch them all, pulp, noir, classic crime, slick or shoddy. you will appreciate a few, long after the film has ended, and some will make you weep with frustration .
jash sen writes and thinks about detective fiction whenever she has a moment. she is the author of the young adult fantasy adventures the wordkeepers and its sequel, skyserpents. she swears she is working on the third book, soul army .
brand reality and brand values have never been more important for the bottom line .
on a typical saturday morning, roaming the isles of your regular grocery store, you pick up a bottle of, let’s say, fresh juice from the refrigerated section. without a second look, you place it in the shopping cart, like you do every week, making that particular cold - pressed juice an essential part of your diet. that confidence in a product comes from knowing exactly how it’s made and what it’s made up of. in other words, that confidence comes from a transparent brand .
several brands across industries have initiated transparency programs that give consumers depth of information, from brand communication and product description to production methods and company policies. for instance, maiyet, a new - york based luxury brand, weaves stories about its collaboration with artisans in varanasi, india and shares them with its loyal customers through its communication channels. waleda, a 93 - year old beauty firm, shares information on its commitment to fair trade, wages guidelines and a list of environmental standards on its website. these brands were featured as the top 10 brands in refinery29’s transparency awards that looked at various transparency criteria - like sharing information with employees and the public and consistently improving transparency practices .
an example closer to home can be seen in maggi. the brand has shared the entire production process of maggi masala noodles, from making the noodles to sourcing ingredients for the tastemaker, in a two - part video series. the first video, shot in the tahliwal nestle factory in himachal pradesh, breaks down the production process of the noodles, covering details such as how the grains are sourced, how they are kneaded into dough and then cut into thin noodles. the second video focuses entirely on the fresh ingredients that go into making the maggi masala tastemaker. this is a crucial step taken by the brand to increase its transparency .
so, why are brands trying to be more transparent? as customers make more informed purchase decisions, they increasingly want to know more about the brands they buy. according to hbr, “by giving people a window into its workings, a company can show it has a sound process it’s adhering to. it can avoid asking customers to have faith in a black box. the greater the transparency, in other words, the greater the trust. ” this trust gained from consumers can also have an impact on the bottom - line. as per this study in brand transparency, up to 94% of customers surveyed were more likely to be loyal to a brand that offers transparency, while 73% said that they are willing to pay more for a product that offers complete transparency .
people’s distrust in companies has grown in line with the rise of social media, rating and review sites and the online market. the demand for transparency was further escalated by a few events that had a global impact. the rana plaza tragedy in 2013 exposed the ugly truth behind the fast - fashion industry. 5 years hence, big fashion brands have pledged to adopt good industry practices and be transparent by publishing their supplier list and the type of products made in the facility. more recently, a slew of large data scams brought the world’s attention to the misuse of personal information shared on social media accounts. the resulting outrage pushed social media behemoths to share transparency reports with the public at regular intervals .
moreover, an entire generation of evolved, sophisticated and discerning consumers, known as gen y or more popularly as millennials, pushed companies to realise the importance of building trust through transparency. millennials, being digital natives, don’t go by the traditional path to purchase but consider various other aspects before making a decision. kira karapetian, vp of marketing for label insight, in an article written for forbes points out that “when millennials make purchasing decisions, they’re considering more than the traditional drivers of taste, price and convenience. ” she goes on to explain the millennial tenets of self, society and planet: “how is the food i’m buying enhancing the quality of life for my family and myself? ” and “how are brands adding good to the world in which we live. ”
like in any relationship, building trust can take years. by adopting transparent communication and practices, brands can deepen their connection with their customers, building brand loyalty and love. despite its presence across indian homes, dorm rooms and even the highest mountain peaks, maggi has entrusted its loyal consumers with information about their production, packaging and ingredients, showing them that the reality of the brand matches its promise. the brand teamed up with the highway on my plate duo, rocky and mayur, for the videos that give us a how - it’s - made glimpse of our favourite maggi .
this article was produced by the scroll marketing team on behalf of maggi and not by the scroll editorial team .
directed: arindam dey written by: samaresh basu cast: ahijit ghosh, indraneil sengupta, rachana banarjee run time: 111 minutes strength: child actors weakness: not for adults star showbiz rating: 1 / 5 plot: during the holiday, a child sleuth comes across a haunted house. he comes to know that people, once they go inside the house, disappear mysteriously. the curious kid sets out on a mission to seek the real story. review: giving a thought of apprehension, the movie kicks off with a family' s visit to puri' s beach, where the raging wind compels their pestilent entrance to a house known to the locals as the hana bari. ultimately, they consecutively disappear within the house. this haunted effect runs over the veins of the movie. the enactment of an adolescent detective was alluring and the charismatic depiction of the detective connected us to the character further. all through the movie, the kid had the anxious excitement of comprehending unresolved situations. it might seem a bit unnerving seeing the kid eyeing on the hana bari and his chase of exploring it. this could be interesting to some, while others might seek for maturity in this conscious role. swinging with the flow of the movie, the antagonist couldn' t really throw the vicious effect in comparison to the child, who spawned the suspense at every sequence. there were characters that drifted their existence in almost every sequence, which wasn' t a treat to the eye. the protagonist and the antagonist had many scenes together, which gave a feeling of instant revealing of suspense. the torch being the instrument and the child being the victim, carrying it all through made the movie somewhat thought - provoking. science fiction, detective books have always been a geek' s passion, which brought a geeky child into the role. this movie will definitely enchant kids, but it might be interesting to elderly people who maintain interests for children' s movies at heart .
directed by: joseph gordon - levitt written by: joseph gordon - levitt cast: joseph gordon - levitt, scarlett johansson, julianne moore run time: 90 minutes strength: strong acting, bold expressions, engaging storytelling weakness: centred around addiction to pornographic films; only for adults and not a family movie star showbiz rating: 3. 5 / 5 plot: jon martello (joseph gordon - levitt) is a strong, handsome, good old fashioned guy. his buddies call him don jon due to his ability to
pull
a different woman every weekend, but even the finest fling doesn' t compare to the bliss he finds alone in front of the computer watching pornography. wrestling with good old fashioned expectations of the opposite sex, jon against a media culture full of false fantasies to try and find true intimacy in this unexpected romantic comedy. review: no longer a taboo, the subject of sex / porn addiction has provided the driving force for a diverse array of movies recently. gordon - levitt plays jon, who has his life and his priorities neatly figured out, one of which is his daily obsession of watching pornographic films. when he finally meets the girl of his dreams (scarlett johansson), he promises to put aside the porn, but can' t do so any more than she can renounce the dopey hollywood love stories that fuel her own self - centred dreams. only when he starts to connect with a night - school classmate (julianne moore) who has experienced both the pleasure and pain of genuine human interaction does jon begin to understand what it means to lose yourself in someone else. refreshingly frank about the perils of commodification and objectification, don jon is a snappily directed affair that benefits hugely from moore' s terrifically grounding presence. in other hands, her crucial role could be as trite and cliched as the macho rituals that define the first act. in the end, the movie is a heartwarming tale about twenty - something guy lost in sex, who is finally awakening to the feelings of true love for the first time in life .
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goyenda gogol ( or goenda gogol ; english : detective gogol , bengali : গোয়েন্দা গোগোল ) is a 2013 indian bengali suspense film , directed by arindam dey and produced by supratik ghosh under the banner of ishani films . based on the story sonali parer rahashya by samaresh basu , the film features child actor ahijit ghosh and indraneil sengupta in the lead roles . it boasts of being the first film to feature a tattooed bengali private detective ( indraneil sengupta ) . saheb chatterjee and rachana banerjee also play parents for the first time in this film . the film was released on 24 may 2013 . 
goyenda gogol (or goenda gogol; english: detective gogol, bengali: গোয়েন্দা গোগোল) is a 2013 indian bengali suspense film, directed by arindam dey and produced by supratik ghosh under the banner of ishani films. based on the story sonali parer rahashya by samaresh basu, the film features child actor ahijit ghosh and indraneil sengupta in the lead roles. it boasts of being the first film to feature a tattooed bengali private detective (indraneil sengupta). saheb chatterjee and rachana banerjee also play parents for the first time in this film. the film was released on 24 may 2013.
goyenda gogol (or goenda gogol; english: detective gogol, bengali: গোয়েন্দা গোগোল) is a 2013 indian bengali suspense film, directed by arindam dey and produced by supratik ghosh under the banner of ishani films. based on the story sonali parer rahashya by samaresh basu, the film features child actor ahijit ghosh and indraneil sengupta in the lead roles. it boasts of being the first film to feature a tattooed bengali private detective (indraneil sengupta). saheb chatterjee and rachana banerjee also play parents for the first time in this film. the film was released on 24 may 2013.