theerthadanam
playlist - urltoken this episode of theerthadanam features journey to coorg from wayanad. theerthadanam is a malayalam travel show on acv. the show takes us to various religious and spiritual landmarks and tells us the significance and history behind each location .
playlists - urltoken this episode of theerthadanam features a journey to kollam in kerala. theerthadanam is a malayalam travel show on acv. the show takes us to various religious and spiritual landmarks and tells us the significance and history behind each location .
jayaram' s' theerthadanam' was nominated for the national awards in the recent year, but has been rejected at the last stage .
theerthadanam movie tells the story of a retired school teacher karunakaran (jayaram) and vinodhini (suhasini maniratnam). karunakaran, occasionally gets letters ...
and mahendra said the awards were dominated by just two movies, '` theerthadanam'' and '` megha malhar''. they shared 13 of the 16 awards announced. jayaram, who endeared himself to the tamil audience with his doctor routine in '` thenali'', has bagged the best actor award for his sterling performance as an aging teacher in love with his student in '` theerthadanam'' .
theerthadanam is one of those book based movies that gives you feel of reading a book when you watch the movie. based on a short story by jnanapith m. t. vasudevan nair, this is a simple and sweet movie .
samyuktha varma bagged the best actress award for her role in another film exploring post - marital affairs, '` megha malhar''. it was the mathrubhumi - asianet co - production, '` theerthadanam'', that bagged the best film award .
theerthadanam movie tells the story of a retired school teacher karunakaran (jayaram) and vinodhini (suhasini maniratnam). karunakaran, occasionally gets letters from one of his old student vindohini. she mentions in the latest letter that she will be going on a pilgrimage to the mookambika temple .
recently i saw the movie adaptation of his short story - “theerthadanam” on t. v - actually i did not find it as brilliant as some of his other works - but then m. t is m. t and there is always a certain aesthetic echelon that is maintained…i had read this story before and feel that full justice has not been accomplished in the adaptation. i am unable to pin point the flaws…and this is not a review… .
employs some classic story telling techniques with theerthadanam. we usually support the protagonist as the story is told from his point of view. what nair does is he tells the whole story from karunakaran' s perspective and you start feeling for his lost love, and you don' t care about the vinodhini character. but when the climax happens it turns the whole table and your whole sympathy goes to vinodhini and all your opinion about karunakaran, changes in a minute. he falls in our eyes, as he had enjoyed a good life and all he was doing was chasing his lost love of youth, whereas vinodhini has lost everything .
the eagerly awaited film' dubai', a six crore venture, which bombed at the box office was the biggest let down for filmbuffs. rakshasarajavu, another mammootty starrer was lapped up by audiences across the state. dileep' s parakkum thalika, thaha' s rib tickler was a runway hit. despite the lack of sibi touch,' ishtam' worked cause the high voltage play off between nedumudi venu and dileep. suresh gopi' s saiver thirumeni and randam bhavam sank without a trace while meghasandesam and sundarapurushan notched up average collections .
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vikas gupta, ridhima pandit, aly goni, shamita shetty, aditya narayan, haarsh limbachiyaa, zain imam, jasmin bhasin and punit pathak have also been finalised for khatron ke khiladi 9 .
sanju box office collection day 10: ranbir kapoor movie earns rs 265. 48 crore
the bjp chief, who met party leaders and workers during day to galvanize the party apparatus before lok sabha polls, said a conference of 1. 25…
today' s peak demand was recorded at 3. 22 pm. the previous record of 6934 mw was created on june 8. in 2017, the peak power demand was 6526 mw ,
a spokesperson of bses discom said .
on sunday, the workers from kalyan dombivli municipal corporation started removing the paver blocks, which led to the accidents .
protests erupted on the varsity campus last week after the executive council (ec) of jadavpur university decided to scrap admission tests for six humanities subjects and announced it would admit undergraduate students on basis of class xii marks .
undeterred by rain or cold or bad roads or passing traffic, they walk together, chant the name of the saints, sing devotional songs, stay in tents en route .
‘prompt response and redressal of any grievance related to women or girls would be ensured’: panchkula dy. commissioner
bjp sources said that the decision to induct bavaliya into the bjp and the cabinet was taken at a meeting held by bjp president amit shah immediately after the party’s two - day chintan shivir in ahmedabad on june 25 .
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, the animals were allowed to stay there but the authorities have asked them to take the glass wall down in three months time .
the ioes are proposed to have greater autonomy compared to other higher education institutions. the manipal academy of higher education, bits pilani and jio institute granted institution of eminence tag .
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you slowly come to know that karunakaran is actually hiding everything about vinodhini to his wife. he lies to his wife and sets off to the mookambika temple .
from flashbacks we come to know that karunakaran had a love interest with vinodhini when he used to be her teacher. what happens to them, when they meet at mookambika is the rest of the story .
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this is the story of a retired school teacher karunakaran (jayaram) and vinodhini (suhasini maniratnam). karunakaran, occasionally gets letters from one of his old student vindohini. she mentions in the latest letter that she will be going on a pilgrimage to the mookambika temple. you slowly come to know that karunakaran is actually hiding everything about vinodhini to his wife. he lies to his wife and sets off to the mookambika temple. from flashbacks we come to know that karunakaran had a love interest with vinodhini when he used to be her teacher. what happens to them, when they meet at mookambika is the rest of the story. this is kind of 10% of the whole story there is a lot more to it than this .
the movie is kind of slow and meanders as it follows these two old people on the pilgrimage, but all those scenes adds up at the end, making the climax richer .
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he was born into an agricultural, aristocratic family. his stories are mostly based on his personal experiences and the characters he grew around with .
there is this retired school teacher - karunakaran…who is leading a reclusive life with his wife…kind of aloof - into his own world of unresolved thoughts and memories. most of the time he spends reliving the past especially those which revolved around one of his students from years ago. this girl - vinodini drops in a letter, card once in a while - and always signs as respectfully vinodini…that she was much more than just another student is shown in intermittent flashes into the past…both the sir and the student had a special soft corner for each other, but left it unsaid…
when the movie begins, we find the aged teacher reading the latest last from his student, in which she has “carelessly” mentioned that she would be visiting the mukambika temple when she was coming on a few days leave in the next few days .
the master who is not exactly bubbling with health tells his wife he would like to visit the mukambika temple in the following days. the wife is worried about his ill health and suggests he take with him the young boy in the neighbourhood - also a relative. the master agrees half heartedly. the master and the boy take leave of his wife and proceed to mukambika. here, we see that the master is of a melancholic dispositon, and his relationship with his wife of many years is a bit hollow - in the sense that while they care for eachother, there is really no “soul mate” - thinking alike kind of relationship – just a very functional, mutually beneficial kind of sharing. the master languishes in his own world - as if stuck to the past, while the wife is a practical, down to earth person. it is not mentioned if their early years where different…she reminds him to take his medicines regularly as he leaves…he is in a hurry to reach the station. .
the master arrives at the temple - he prays at the sanctum sanctorium, he is doing his perambulations around the temple - while his eyes are searching for someone in the crowd. the boy dutifully reminds the master to take his medicine - and is only too happy to stay back in the hotel room and eat …
the sauparnika lake – the surroundings are all beautifully picturised - but i am afraid i did not notice the song that was running in the background…the temple precincts, the crowds - distracted me…and i too was eagerly looking out for somebody…almost as eager as the master himself .
on the second day, the master emerges from the temple tank after his bath, he is climbing up the steps…and suddenly he stops - the woman who just passed by…he slowly turns back and she was also just pausing to have a second look - they look at eachother’s eyes…first recognizing the other - both had changed almost beyond recognition - time had caused irreparable ravages on their countenace - first there is disbelief, then there is a unique joy, and finally the shock after having assessed the changes that time had wrought upon the other’s face…we have already seen how different they looked in the flashback clips. life had been obviously harsh to them and perhaps harsher for vinodini .
vinodini says that while she had mentioned that she would be visiting mukambika, she was hoping that the master would perhaps make a trip too at the same time…she asks him to wait so that they could pray at the temple together. after offering prayers they have breakfast at a nearby hotel. they catch up with incidents of the past - the master notices that vinu is very finance conscious - that her attire is very simple, her slippers were worn out…it haunts him - he remembers she used to belong to a rather well off family. vinu expresses her wish to visit kudajadri - a nearby sacred place which is uphill and difficult to reach - the hotel manager informs them that jeep service was available, but for vinu, the rates were exorbitant. the master offers that he could make arrangements to go there and she could join him. vinu is hesitant at first but agrees later .
again in between we are taken into the past through the master’s and vinu’s memories - friends of the master and vinu used to tease them about their obvious affection for eachother…but they do not ever express it to eachother themselves. we get to know how the master gets transferred to another school in another place, how vinu’s father does not approve of the polite, affectionate letters from the master and finally the master stops writing to his student. vinu however sends a few lines, a new year card once in a while which the master treasures and keeps reading time and again .
the next day, the master persuades his young companion to stay back at mukambika, and leaves for kudajadri with vinu. during the trip uphill, vinu talks to the master about her difficulties, she was a teacher working in chennai, how it was very difficult for her to make ends meet - she had to send money home to her ailing mother. she also says that she would be entitled to a better pay if she could do a course equivalent to b. a but is unable to do so because of financial constraints .
the master asked her why she never got married…she said that there was some “dosham” - flaw in her horoscope and so a suitable alliance never materialized and eventually her father fell ill and died, and the years passed unnoticed in the sheer effort of living a daily life. the master talks about his wife “ammutty”, children who were living elsewhere. vinu informs him that she had always updated herself with his news. the master remains silent. they reach kutajadri by dusk, avail lodgings at a small home in the place - run by a priest and his family and provided shelter and food to pilgrims. the driver guides them along the hilly trek, and thus the two pilgrims make the pilgrimage of their life together for a brief snatch of time -
the master offers prayers in his name and vinodini’s and she is amazed that he still remembered her birth star. the priest conducts a puja and offers prayers to the deity on their behalf. the hosts have naturally assumed that the two were a couple and the two don’t deny it either. later at dinner time, the hosts relate the story of their hardships and vinu tells the master afterwards that her hardships paled in comparison .
after dinner, the two pilgrims sit by the lake nearby. . for some time they share a companionable silence and eventually the master asked vinu why she had rejected his proposal for her hand in marriage many years ago. vinu is taken by surprise and she says she never knew he had ever proposed! then the master explains that a mutual friend had talked to her father many years ago on his behalf seeking vinu’s hand in marriage. vinu’s father had rejected the proposal outright and the master had naturally assumed that vinu knew about it. a shattered vinu reveals that she never knew about it and she utters vehemently - the only moment when the otherwise softspoken vinu explodes involuntarily in suppressed fury - “dushtan” - meaning - “the cruel one” incriminating her dead father. it was now the turn of the master to be shocked…it had never occurred to him that she had no inkling about his proposal. after this startling disclosure, followed a stunned, wistful, forlorn silence…vinu is unable to suppress her sobs and the master has no words of comfort to offer .
the host soon comes to call them inside to retire for the night. they realize that they have been offered a single room. at first, the two pilgrims are awkward, but eventually they accept the situation, and settle down to sleep on the single mat maintaining a polite distance between them .
the next morning, the two piligrims return to their respective homes, but before leaving the master asks vinu if he could help her to secure her b. a degree, that he was willing to sponsor her course fees, but vinu declines…they go their ways…it was a pilgrimage for the two of them not just in the religious sense - they had to make this pilgrimage to bring a closure to the blanks in their past…to come to terms with the “if only’s” and the “had beens”…
the master was played by the south indian actor jayaram and vinu was played by actress, director, social activist, suhasini - (also manirathnam’s wife). jayaram was quite good - effectively underplaying the pathos - however his make up was jarring…suhasini was tolerable - i usually do not enjoy watching her mannerisms, the way she moves her hands, her crinkly smile, and a tendency to be carefully “natural” …however her voice over did not suit her…my opinion only…
i enjoyed the unspoken silences in the movie…m. t. has this way of making silences speak…he has written another novel _ randaamoozham _ – meaning the second turn alluding to bheema’s turn in his marital life with draupadi, in this novel, m. t. admits to have taken creative liberty to elaborate on certain blanks in the mahabharatha epic…certain incomplete insinuations - loud silences…and he has achieved that beautifully. . the entrie story unfurls from the pov of bheema…and is very interesting and intriguing. .
trying to reach a consensus between the perceived me and the real (?? ?) me ...
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malayalam full movie | kaliveedu [ full hd ] | exclusive movie! !! | ft. jayaram, manju warrier
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movie based on noted writer m. t. vasudevan nair' s short story' vanaprastham' .
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won 2001 mathrubhumi - medimix film award for best malayalam film. won 2001 mathrubhumi - medimix film award for best actor - jayaram. won 2001 kerala state film award for best singer - k s chithra .
for a long time now, chennai' s film industry was the epicentre of technical finesse. the best technicians for the celluloid medium got their breaks here, the responsibility for which was shouldered by directors like k. balachander, balu mahendra and maniratnam .
but when it came to '` meaningful'' cinema, malayalam scored heavily. malayalam movies were known for their substance, innate sense of regionality and spellbinding performances even if they were made on shoestring budgets. directors like adoor gopalakrishnan, aravindan and bharathan led from the front .
however, things are changing. '` if recent trends of the malayalam film industry are taken into account, there seems to be a role reversal. there is more good cinema coming out in tamil than malayalam today,'' balu mahendra says .
he is unhappy with some trends. as the chairman for the third mathrubhumi - medimix film awards 2001 jury, he sat through the top ten malayalam movies of last year as selected by the readers of the malayalam daily. and the end of it, mahendra was disappointed .
` 'it was absolutely easy to judge the best films, because there were hardly any quality movies. i remember the time when every year, at least ten movies used to compete for each award. i wonder where the quality movies have gone,'' he said. the other jury members, music director m. s. viswanathan, actress vidhubala, film critic sreevaraham balakrishnan and short story writer sreekumari ramachandran agree .
the malayalam film industry was adrift in a sea of debt, with almost all the big budget movies failing to set the cash register rolling. further, the soft - porn movies have begun to dominate the scene, the jury members said .
it would be another feather in the cap of playback singer chitra, while in the male singer category, jayachandran has bagged top honours. he was recently heard by tamil audiences in maniratnam' s, '` kannathil muthamittal'' .
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the 61st national film awards were announced yesterday and the suraj vanjaramoodu has obtained the best actor award, while north 24 katham has bagged the best malayalam movie award .
but the results were a big disappointment for jayaram. his film swapaanam has also been nominated for the awards. but the juries has rejected swapaanam in comparison to other movies .
suraj and rajkumar has been named as the best actors. eventhough this is a huge disappointment for jayaram, he didn' t worried about it and congratulated the winners of the award winning suraj .
he has posted on his facebook page
congratz dear suraj for the national award. another proud moment for all malayalees. way more to go dear .
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theerthadanam ( 2001 ) is a malayalam film directed by g. r. kannan and written by m. t. vasudevan nair based on his story vanaprastham . the film stars jayaram and suhasini . the film met with critical acclaim but became a failure in the box office.suhasini , k s chithra got state award for the movie
theerthadanam (2001) is a malayalam film directed by g. r. kannan and written by m. t. vasudevan nair based on his story vanaprastham. the film stars jayaram and suhasini. the film met with critical acclaim but became a failure in the box office.suhasini, k s chithra got state award for the movie
theerthadanam (2001) is a malayalam film directed by g. r. kannan and written by m. t. vasudevan nair based on his story vanaprastham. the film stars jayaram and suhasini. the film met with critical acclaim but became a failure in the box office.suhasini, k s chithra got state award for the movie