lovely ( 2012 film )
mumbai film festival 2012: ashim ahluwalia, dir miss. lovely and the cast
mumbai film festival 2012: ashim ahluwalia, dir miss. lovely and the cast - youtube
outdoor opening night event screening at the hong kong jewish film festival 2012. live music by amit weiner .
ashim ahluwalia’s movie on ‘c’ grade indian film business has made it to the cannes film festival 2012, but very few know about it. this is your chance to know what miss lovely is all about
for all of our sxsw 2012 coverage, click here. also, here are links to all of my sxsw reviews so far :
best pick of the (new york jewish film) festival... lovely black - and - white photography
filmmaker ashim ahluwalia’s movie miss lovely has been selected to represent india in the non - competitive section of the 65th cannes film festival. the film is based on the fascinating and notorious
x - men character likenesses tm & © 2013 marvel characters, inc. all rights reserved. tm and © 2012 twentieth century fox film corporation. all rights reserved. not for sale or duplication .
miss lovely will be showcased alongside 16 movies from different countries in the un certain regard section of the cannes film fest. the film stars nawazuddin siddiqui, niharika singh and anil george .
i came for the movies, but now i’m hooked on the tlc provided by the t - shirted volunteer army. just like london in 2012, every city needs one
charlotte rampling in the 1975 version of farewell, my lovely. photograph: snap / rex features
a hindi feature film set in the lower depths of bombay' s
c
grade film industry. miss lovely follows the devastating story of two brothers who produce sleazy horror films in the mid - 1980s .
urltoken - a hindi feature film set in the lower depths of bombay' s
c
grade film industry. miss lovely follows the devastating story of two brothers who produce sleazy horror films in the mid - 1980s .
looking for movie tickets? enter your location to see which movie theaters are playing lovely molly near you .
the rom - com was released in march, 2012 and got reception to positive reviews. the hindi version, titled as' vijay meri hai', has gone on to cross this record on you tube, a feat for a telugu film dubbed into hindi .
photo: indonesian actor donny damara receives the best actor award for the film
lovely man
from hong kong actress karen mok at the sixth asian film awards in hong kong on march 19. credit: aaron tam / afp / getty images
heat is a priceless commodity for a film in a festival, where hundreds of movies fight for attention in a very brief time span. at the 36 th annual hong kong international film festival, the indonesian movie “lovely man” is one that is sizzling .
one look at the poster of miss lovely and you can easily make out that director ahluwalia wants to tell a griping yet realistic tale. the image aptly spells what one can expect from the film. don’t make the mistake of interpreting the poster wrongly and thinking that the film is a shady production. miss lovely is not sleazy though it uses the backdrop of the business of sordid and sleazy filmmaking .
the hollywood reporter: miss lovely refers to the underbelly of the mumbai film industry where c - grade sleaze / slasher films cater to a mostly hinterland audience. how were you drawn to this subject ?
, having never been to this lovely city before. perhaps it is an illusion, but some parts of downtown feel the way
it' s been over 13 years since haxan films screened its debut film the blair witch project at sundance. and while the
found footage
format used in the film quickly established its place as a cult classic, the film' s innovative viral marketing campaign that created extensive artifacts insisting on the film' s reality fueled the movie' s rabid fanbase to take over sundance with sold out screenings. last year, haxan films returned to its found footage roots with his film lovely molly, which premiered at the toronto film festival. and if the package i received in the mail earlier today is any indication, the found footage aesthetic won' t be lovely molly' s only common ground with the blair witch project .
the hindi version of b jaya' s' lovely', starring aadhi and shanvi, has set a record on you tube. the film has crossed the two million mark in terms of the number of viewings .
the film is based on the fascinating and notorious c - grade film industry of the 1980s that was known for churning out sleazy horror films and erotic social dramas .
a lovely day
documents nine youths from oakland, california immersed in a six month hip hop music therapy workshop. the film chronicles the youth as they set out to make music that not... see full summary »
hindi short film - salt' n' pepper - ft. nawazuddin siddiqui & tejaswini kolhapure
miss lovely is a story of suspicion and sleaze. the film follows the journey of two brothers, vicky and sonu, who are producers of films in the lower depths of bollywood – lurid horror films, erotic bandit pictures and sleazy flicks. a mysterious girl named miss lovely enters their lives. from that point, the story mainly revolves around how she alters the equation between the brothers .
haxan films, the creators of cult classic phenomenon the blair witch project, are returning to their found footage roots with the promotional campaign for the limited release of their newest film, lovely molly. like its famous predecessor, the film' s website asks visitors to question whether the events of the movie were truly fictional. a cryptic disc covered with satanic imagery and puzzles may hold additional clues to the events captured on film .
ahluwalia: my previous film (2007 docu - drama) john & jane had a lot of international traction so i made connections which came in handy for miss lovely. we raised some funding from producers in france, germany and japan (in addition to the project being awarded a production grant from the global film initiative). so i had total freedom on the film and it' s a good case study for financing .
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disney, which shelled out $ 4 billion to buy “star wars” creator lucasfilm in 2012, had been trying to downplay expectations for “rogue one. ” executives noted that the film is the first “star wars” movie to exist outside of the main skywalker clan storyline. it’s also a darker, war - themed tale; one that has an unusually high body count for a popcorn flick .
the first movie up is this year’s lovely molly. lovely molly had a quiet release and didn’t get much attention, even within the horror community, but it remains a fascinating character study. the film follows molly (gretchen lodge) and her husband tim (johnny lewis) as they move into molly’s father’s house. molly, a recovering heroin addict, slowly becomes unhinged as memories of her traumatic childhood resurface. the film is unclear on whether or not the scares are supernatural or not, instead choosing to leave the question unanswered for the audience to resolve itself. however, more unnerving than the ghostly whispers and the slamming doors is what lovely molly has to say .
tm and © 2016 twentieth century fox film corporation. all rights reserved. not for sale or duplication
a film with owen wilson, adam sandler and kevin hart must surely be in pre - production .
watch & enjoy lovely telugu latest full hd movie with english subtitles starring aadhi, shanvi. film name: lovely producer: b. a. raju director: jaya. b music director: anup rubens actor: aadi actress: saanvi for more full movies, subscribe to: urltoken for hit & latest music: urltoken for devotional music: urltoken also you can:' like' us on facebook: urltoken' follow' us on twitter: urltoken
gretchen lodge constantly rises above the film and the material. she alone provides good reasons why younger film - goers who are inexperienced in this type of horror might well find it gripping, shocking and enjoyably nasty .
maze runner: the death cure tm & © 2017 twentieth century fox film corporation. all rights reserved .
lovely molly is a mixed bag. it will definitely freak you out in places, but it remains a mostly unsatisfying story with a lot of promise and no follow - through .
just spent a lovely weekend in venice, with h; great food, great boozing, lovely company (of course), much architectural beauty, and also of course much time spent looking at art and (as ever) following ezra pound around. this year’s ezra stalking was particularly successful; our hotel was just round the corner from his and olga [ … ]
( 2012). his style of filmmaking is niche and art - house, which makes him the wrong choice for a solid commercial film like daddy. i didn' t even get a feel of what his den in dagdi chawl must be like and nor is there any fear in any of his or dawood' s scenes. these dreaded gangsters were all about the fear that they created. that' s what ram gopal verma managed to do in
the film’s relatively brief running time (a scant 75 minutes) will make traditional distribution tricky, but lovely man will make its way onto most festival radars. in a perfect world it would see at least an art house release in europe and north america, even though its steady, tolerant hand also desperately needs to be seen in asia. the film could find space in newer outlets like vod and perhaps premium cable .
film streams is a 501 (c) 3 nonprofit organization in omaha, nebraska. our mission is to enhance the cultural environment of the omaha - council bluffs metropolitan area through the presentation and discussion of film as an art form .
it' s hard to hate a movie that escorts us to such lovely locales, but instead of marking the territory as her own, madonna has directed a potentially provocative story like a virgin .
some of the shock effects in lovely molly are successfully disorienting, but too many of its ideas are reductive and histrionic, such as those concerning the male victimization of women, vengeance and mental illness .
anchored by an outstanding turn by asian film award - winner donny damara and bathed in an appropriately seedy neon wash, indonesian indie writer - director teddy soeriaatmadja ’s lovely man is, in a word, lovely. working with well - worn material about family relationships and father - daughter bonds that is never once in danger of falling into cliché this layered two - hander unfolds over the course of one enlightening and bittersweet night. soeriaatmadja’s astute script and damara’s sensitive, nuanced performance grab viewers from minute one and remain compelling throughout .
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restoration was completed with funding from a gift from the everett family foundation and the national center for jewish film reel funders .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
mr. haynes, who folds words like “text” and “subjectivity” into his perfectly formed sentences, said he first heard about “carol” in 2012 from the costume designer sandy powell, when they were doing an event on “far from heaven, ” his 2002 melodrama. “we’re always talking about what kind of films about women might be coming her way, ” he said, “because they’re always the most fun to design, and she said, ‘oh, there might be a frock film coming up. ’ ” the film was “carol” and it sounded, mr. haynes said, as if “it’s got me written all over it. ”
don' t miss the dubai international film festival diff. download our mobile app android: urltoken ios: urltoken blackberry: urltoken
loosely based on the rock opera of the same name by the who, the film stars phil daniels as jimmy, a 1960s mod who loathes his dead - end job and home life. at the heart of the film are the scenes in brighton – the bank holiday weekend and its aftermath. the film has a cult following and an enduring connection with mod culture and the city .
stylish to the point of being strange. the film seemed lifeless and lacking any significant point or emotion. this film would have made more sense as a photo shoot .
w. e .
should be renamed
w. t. f. ?
i don' t think i' ve ever been so bummed out by a horror flick as i was by writer - director eduardo sánchez' s lovely molly. and i' ve seen every single friday the 13th .
* this post originally stated that a terrorist attack in khobar depicted in the zero dark thirty occurred in 1996, six years prior to the action in the film. in fact, the film depicts an attack in khobar that happened in 2004. we regret the error .
and that' s one of the most important things in a biographical film. but is that enough? here are my six takeaways from
does this make all men bad? no. i certainly don’t see how this movie implies that either. a film such as ‘i spit on your grave’ is a hell of a lot closer to sagging that than this is, and even i don’t think that film saga that .
maybe in the apple store, with the t - shirted apparatchiks at the genius bar, although they are trying to sell you stuff that will need to be upgraded sooner than you think. but then it hit me. the london olympics of 2012. that was the last time i walked past rows and rows of people wearing t - shirts who really were trying to make your life easier. and did. with a smile. i’m tempted to demand some publicly funded programme for year - round t - shirted volunteers in every british city, but the strain of niceness might cause them to crack and kill someone. anyway, this is a lovely novelty .
the film may help downton abbey fanatics looking to kill a little time in that era but holds little cinematic appeal for the rest of us .
bruce mcdonald describes his lovely new film weirdos as a running - away - from - home movie, as a
to be 15
movie, as a blossoming sexuality movie, as a
remember the seventies
movie, as a road movie, as a love - story movie. it is all of those things, and it is none of those of those things .
but the “star wars” pedigree proved irresistible to audiences, and the film seems positioned to play well through the holidays. disney is planning to do more “rogue one” - style spinoffs. the company is already working on a film about the early years of han solo that will star alden ehrenreich .
this film is joyous, but more than that: it' s lovely in its construction. the director, prashant bhargava, born and raised on chicago' s south side, knows what his basic story line is, but reveals it subtly. the story in outline would be simple enough for a made - for - tv movie. but there is nothing simple about
patang .
for the film, the director employed the original make - up artists and set designers who worked on the real life 1980' s sleazy films .
film set in late 80' s, and in one shot we clearly saw a tata sumo car. but tata sumo was launched in 1994 .
globally, the film has earned $ 290. 5 million, after touching down in nearly every major foreign market save for china and south korea .
brighton - born horror and sexploitation director walker delivers a film centred around an anonymous producer who assembles a group of actors to take part in a play, only for them to be killed off one by one. the film takes the gothic darkness of the hammer films and adds a grimy contemporary sensibility .
i just finished watching this film. this was one of the most disturbing films i’ve seen in a very long time. the reviewer has nailed it .
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
2011 restoration © the national center for jewish film producer sharon pucker rivo associate producer lisa e. rivo english titles joseph p. eckhardt technical director rich pontius
there is a lot to be sorted out in writer / director teddy soeriaatmadja’s sixth film. the indie director has been making movies steadily since 2005. but “lovely man” may be the one that finally puts him on the international map; it has certainly emerged as one of the hot tickets in hong kong. his keen eye and intimate storytelling earned him a best director nomination at this year’s asian film awards. (the prize went to asghar farhadi, the iranian writer / director of
a separation ,
which won the foreign language oscar last month. )
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the tale of industrial strife at wc boggs’ toilet factory, culminating in the annual works outing to brighton. the 22nd carry on film to be made, but the first box office failure of the series. this was attributed to the film’s portrayal of the union activists as buffoons, thus alienating its core audience .
one which lovely molly could stand to spend more time developing is molly’s relationship with her sister, hannah (alexandra holden). one of the most telling moments is toward the end of the film, when tim calls hannah over after molly has violently assaulted him. tim wants to call the hospital and have molly checked out for safety’s sake, but hannah stops him by saying, “you have no idea what they did to her there. ” it’s a simple enough line and was probably inconsequentially written in to pad the film, but it calls something greater into question .
as lovely molly progresses, the torment increases. what began as haunting whispers begin to manifest themselves physically and begin to affect molly in every aspect of her life. this haunting can be directly tied to molly’s psyche as her ability to repress crumbles. her inability to process these events, which are never depicted, is destroyed as she finally surrenders herself to the torment of her sexualized past. lovely molly seems to suggest that through rehabilitation and her confrontation of her father’s sexual abuse, molly is made worse rather than better .
as the film explores whether the events of lovely molly are reality or insanity, that small line begs the question of how all the pieces of this film fit together. there are countless references to molly’s father sexually abusing molly and hannah. one could surmise that this would drive someone to unhealthy means of coping, such as substance abuse. so far, the film follows a very standard line of pop psychology to explain its troubled lead. however, when hannah says that, the film pulls another factor into play. it’s common knowledge that in rehab, there’s a good deal of therapy. people are asked to look for elements in their lives and their past behavior that may have driven them to substance abuse. frequently, people are even asked to confront their past traumas. for a character such as molly, this would certainly include the instances of sexual abuse that possibly drove her to heroin .
long thought lost, the world’s only existing print of breaking home ties was discovered by sharon pucker rivo of the national center for jewish film in a berlin archive in 1984. that distribution print with german intertitles had been erroneously produced under a different title. ncjf’s film restoration included 35mm film - to - film restoration, additional digital restoration, and translating (and shooting in 35mm) the intertitles back into english. only 20% of u. s. feature films from the 1910s & 1920s survive. for independently produced works, the percentage is dramatically lower still. as for silent films with jewish content, only a tiny handful survive .
lovely molly doesn’t provide the answers as to what’s in molly’s imagination and what’s supernatural. it instead explores the possibly supernatural through the lens of its main character. characterized by her addiction, molly’s own crimes are informed by her own past. violent and sexual, molly’s childhood and her inability to cope are at the heart of this film, which makes it a deeply troubling and unforgettable study in the horrifying nature of humanity itself .
one of the crucial storytelling points is molly’s history. while the film only alludes to events in her childhood, director eduardo sanchez spells out molly’s addiction. at the heart of the film is a very human story about a young woman’s addiction, her relapse and her subsequent attempts at rehabilitation. make no mistake, supernatural or not, lovely molly is first and foremost concerned with the mental state of its protagonist. lodge gives a standout performance as molly, wavering between meek and outlandish, wild and enraged. however, it isn’t just about her performance, it’s about the character’s core relationships .
sanchez almost always knows how to keep the audience guessing, but his priority is making sure that whatever the “answer” may be, the movie is terrifying. aside from a few cheap jump scares near the beginning, lovely molly is treated like a high - class horror film with deep shadows and stark contrasts. the sound design is even creepier as sanchez employs a constant high - pitched whine that would drive anyone mad if they listened to it long enough. the only points where the movie ceases to scare is when it has to force a plot point or a twist. lovely molly has a perfect closing image, but then sanchez tacks on an epilogue that breaks the carefully - constructed ambiguity of molly’s illness .
i just saw the lovely bones today & having let it set in i thought it was a tremendous film! !! ok, i' ll admit that peter jackson tried a little too much to overpower the film with cgi but that does not take anything away from the heart & emotion this film can generate. firstly the acting is absolutely superb with fine performances all round. saoirse ronan (from my homeland - ireland) is a revelation as susie salmon. i have yet to see such a gifted piece of acting from such a young actress since natalie portman in léon. she has been robbed of a nomination for a truly oscar - worthy performance. rachel weisz, mark wahlberg, susan sarandon & of course stanley tucci (one of the finest supporting actors in modern times) are all convincing here too. i believe that when the nay - sayers saw the level of cgi they lost interest & forgot what this film can really offer you at its core - tension, heartbreak, thrills & joy. if you really make the effort to delve into this film, you will come out with a tear in your eye. if not, then i pity you for not being able to look past the cgi blunders & see a really emotional film .
furthermore, the film goes so far as to characterize her as a product of this violent and sexual upbringing. lovely molly manages to do this in its few death scenes. the film is grounded in its uncertainty, and therefore the body count is significantly less than its slasher counterparts. nevertheless, the depictions of violence are inherently sexualized. when molly first attacks tim, she does so by kissing him and eventually biting his lips. when pastor bobby is killed, they make it a point to show molly naked as she surrenders her body and bobby surrenders himself to his temptations. the next shot is of bobby with bite marks all over his body and a screwdriver in the back of his head. the only other death in the film is of a young girl, who is not killed onscreen, but her body is found towards the end of the film. this could easily be read as the death of molly’s innocence as a young girl .
in the early 1920s american jews looked to undo the damage of the anti - semitic campaigns of the ku klux klan and henry ford. several feature length films with jewish themes were produced and released for general audiences during this period, including hungry hearts and his people (both films restored by the national center for jewish film), and the jazz singer. the film’s jewish producers wished to present “the everyday life of the jew, with emphasis on that human and sympathetic element in his nature too often overlooked. ” breaking home ties was the last film shot at the betzwood motion picture studio in philadelphia, pa. the film premiered in new york city in november 1922 .
a lovely day
documents nine youths from oakland, california immersed in a six month hip hop music therapy workshop. the film chronicles the youth as they set out to make music that not only expresses their thoughts, but also builds a stronger community through widespread change and hope. the resiliency upheld by these teens' voices shows that they cannot be dismissed, that they are in fact some of our most important educators in a critical time of change .
the question of whether
enhanced interrogations
work is separate from whether they' re moral—a distinction kathryn bigelow' s film, but not all of its critics, understands .
i rented this in 1984 when vhr 's were new, it may very well be the film i ever rented. i recently found it online and have only watched it now about 15x. i have always been fascinated with canoes. this film is magical. since, i have retired and moved to wawa, ontario; a paradise, but please don 't tell. this was filmed on my doorstep, hence the new red nova craft prospector is on order and i get to explore some of bill mason 's favourite rivers on the north shore of lake superior. it is jan. 27, 2012 so i have a few months to wait! (please don 't die before the spring !) ps... bill 's daughter becky mason is giving a seminar in london, ontario this weekend at nova craft canoe (the paddle shop) but i am too far away .
there are two ugly interrogation scenes in the opening minutes of zero dark thirty that haunt the rest of the experience, and that have come to haunt critical reception of the film itself .
my favorite film, i remember renting this from the library as a kid, i still love to watch it as much as i did then. makes me eager for canoeing season !
i wanna know what the dead deer is all about. i also really love the weird horse imagery. on checking out the lovely molly website, it appears all this has some strange connection with a horse - headed demon, or deity, that could be possessing her. very interesting, chilling stuff .
dirty weekend offers a british spin on the female revenge story, directed by michael winner (death wish), clearly no stranger to the vigilante genre. the film follows bella who embarks on a killing spree after being plagued by a stalker. the film received a poor critical reception and was banned from video release for several years, due to its violent and sexual content .
. it would be nice if sánchez' s new film lovely molly was a masterclass in this type of chiller, but despite a good performance from newcomer gretchen lodge it' s a bit of a mess, a derivative scary movie with a jumbled plot and pointless added bits of digital video, with the red
rec
sign in the top right of the screen and the date pedantically and redundantly showing in the bottom left. lodge is molly, a troubled young woman who moves with her new husband back into her childhood home now her parents are dead. but the house is haunted with horrible memories. the film presents us with too many unearned revelations, and it unravels .
jeff goldstein, warner bros. domestic distribution president, acknowledged that the poor reviews hurt the film, but stressed that its a - minus cinemascore indicated that audiences were enjoying “collateral beauty. ”
excellent review. few if any movie reviews on lovely molly even hint at the idea molly is molested by her father. this is a sobering fact that today in society we are more concerned about what will entertain us than what we are; as you put so succinctly in your closing statement “nature of humanity itself. ”
“patang” (“the kite”), prashant bhargava’s first feature, has a lovely, unforced quality. that’s because mr. bhargava lets his story, set during the annual kite festival in ahmedabad, india, tell itself, unfolding slowly as he follows filmmaking’s most basic and most sinned - against dictum: show, don’t tell .
prashant bhargava went to grade school and the kenwood academy in chicago. how did his background produce such a lovely and successful indie film in india? he told me ,
the seeds for the movie were based on the memories of my uncles' dueling kites ,
he said .
in india, kite flying transcends boundaries. rich or poor, hindu or muslim, young or old — together they look toward the sky with wonder, thoughts and doubts forgotten. kite flying is meditation in its simplest form .
is too bland, so one doesn' t understand what the big deal about gawli is. this film only works because the magic is in the story and the lead actor' s performance .
having gone to painstaking lengths to ensure this film assigns [ madonna ] oh - so - serious directorial cred that she has sadly forsaken the very energy that makes her a megastar to this very day .
“i’m disappointed, ” he said. “but the film plays well with an older audience, and we hope that over christmas, they’ll have more free time available to go out and discover it. ”
the actor, who earned his own asian film award nomination for his turn in
lovely man ,
is mesmerizing as he flirts with potential johns and fights with his daughter. words are the main weapons he’s been given to defend himself in a world that is exceedingly cruel to transgender people. but you see his vulnerability in the toss of that long hair courtesy of a wig, or the way he runs his finger under his eye, as if making sure the makeup is just right. these small gestures let you glimpse all the turmoil inside .
the package i received contained dozens of photographs depicting four riders sitting astride horses with blotted out heads, and a large carved disc. the disc prominently displays the film' s insignia, a dagger with twin horse head quillons surrounded by symbols that resemble everything from cuneiform glyphs and norse runes to the more modern braille cells. on the back of the disc, a link pointed to a personalized invitation to argnet, stating that
lovely molly invites you to descend into depravity. rewards like this await the first five. simple symbols await a score .
greater brighton has always been a magnet for film production companies from all over the world. the city provides diverse architecture, landscapes and a welcoming, can - do approach from statutory services, businesses and residents .
i have looked for this film on and off on dvd for several years and only ever seen region specific copys, not for the uk where i am based. accidentally stumbled on your website love it watched online am currently downloading in hd having purchased mp4. a truly fantastic film bill mason what a ledgend its dark here but i want to get my canoe out even more than usual. thanks nfb for a great resorce .
the dominance of the madcap side of the film' s split personality lays an airy veneer over dolly and joseph' s woes, making them seem inconsequential - as unsubstantial as an observation about wedding - day weather .
ben wheatley and his brighton team came back to film free fire in their home town. set in boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival
i have just watch this film and i have so many doubts and i have more doubts after read this review the principal doubt that i have is a personage that is has not a referece in this review that is th molly mother, the molly mother is the most subtil personage in the narrative, is the molly mother the woman that apears to make oral sex in the sofa? and who is the guy that is with the molly mother the envagelic priest? my first theory after watch the movie is that molly is fascinated by the father and revange the mother incest by personificate ther personallity of the father by killing the two guys in the film… and another doubt is why the husban of molly tells that is sorry? what he makes of wrong to say sorry? but is a very strong emotional and pertubate film a deap film very intelegent…. sorry for my english gretings from portugal
with the critical narrative information delayed until the film' s final moments, it' s a waiting game for the audience, not unpleasurably spent watching the gorgeous costumes and eccentric behaviour of the family and friends of an anxious bride .
despite its flaws, prometheus is a visually stunning film (well worth the extra expense of 3 - d) that leaves the viewer pondering its themes of creation' s longing to know its creator long after the credits have rolled .
the film is stylishly shot. and, in weaving the stories of wally and wallis, madonna trusts viewers to move from mood to mood, era to era without overexplanation, the way music - video editing long ago trained us to .
ashim ahluwalia: if you talk about indie cinema, it' s really these guys working in the underbelly that are the indie players even if sometimes their films are terrible. they shoot films with no resources in five days. they use whatever they have, kitchen utensils – everything - and make films and recover their money. they are confident and are saying “f - - - you” to bollywood (the mainstream hindi film industry). for 20 to 30 years these kind of films have been watched not just in remote rural cinemas but also in cities. audiences are watching cheap sex - horror films with titles like maut ka chehra (the face of death). so these kind of filmmakers are quite ballsy. they are not intimidated by bollywood stars. i could identify with their rebellion. also, this film is not a parody. (while researching for this subject initially as a documentary), hanging out with these guys i knew that i was not going to make fun of them. miss lovely is a very indian film and yet it is not typical bollywood or so - called parallel cinema .
this critically acclaimed documentary charts 24 hours in the (fictional) life of australian - born, brighton - based troubadour nick cave. laced with the joy and darkness of his music and writing, the film finds cave interacting with famous faces from his past such as his one - time contributor kylie minogue, and actor ray winstone. shot entirely in brighton, the film is as much of a love letter to the seaside city as it is to the man that inhabits it .
this has been my favorite film of all time. i have about worn out my video and now view it on line. as a painter and canoeist, i find bill mason' s master piece both therapeutic for my mind and heart .
ahluwalia: the primary thing i want them to take away is that indian cinema is not all bollywood. that' s the misconcepetion. my film wants to break that perception that we are under - educated about films. we are actually the laughing stock in terms of cinema internationally. it' s important for us to have the language and vocabulary of cinema and be very confident. and that is what cannes seems to have picked on (with respect to the un certain regard selection of miss lovely). i am already getting international feedback from observers who are now seeing that we are getting to be more confident about a new kind of cinema .
this film juxtaposes the romance between wallis simpson and king edward viii with a neglected woman in the twentieth century who entertains an obsession with the story. this is one of the worst films i' ve seen in a long time. madonna is a horrid director. there is absolutely no restraint, subtlety, or character development. it' s just bad, bad, bad. but let' s try to take the film on its own terms. the thesis is that history remembers edward' s abdication of the throne and lauds or judges him based on what he gave up for wallis simpson. but, the film wonders, what about what she gave up for him? well, what did she give up? this film doesn' t answer its own question. some may judge simpson as a home - wrecker, but the most accurate reading of history judges british royal mores, not the actors. and because madonna has no feeling for british customs, we don' t get to see these social pressures in action. and i still have no idea how the modern day plot informs the british plot. overall, anyone with any taste should see any other film, maybe the king' s speech, which overlaps w. e. .
and that' s what happened. his film took three years of research, was seven years in the making, stars mostly non - actors and the cast improvised its takes based on the script. it flies as free and colorfully as a kite .
despite it' s shortcomings, the chemistry is so strong between felicity jones and luke treadaway, that even though they spend a majority of the film apart, the connection between them carries the film. felicity is gorgeous as always, performing in such a lyrical beauty that radiates through her lack of dialogue. she is the star and even though most of her actions are mirrored off of the rest of her family, she still shines. treadaway also mostly uses his expressions to portray his character and the highlight of the film is a moment where he kindly dances with jones' younger sister, gazing at felicity the entire time. no words are spoken, but the emotion is strong. apart from these performances ,
cheerful weather for the wedding
is an average dramatic comedy, with a dry, british humor and a lack of ingenuity. had the director pushed nuanced feel, the film could have been so much more impacting. instead it relies too heavily on its bright cast and too list on its substance and direction .
ahluwalia: that' s true. for instance, (one of the actors in miss lovely) nawaazuddin siddiqui is playing his first lead role. i was never interested in stars and when i saw him i gave him the lead. if he becomes another irrfan khan (acclaimed indian actor whose international credits include slumdog millionaire), that' s fine, but new talent should be getting roles for what they can offer .
in limited release, “fences” picked up $ 128, 000 in two theaters. paramount is backing the adaptation of the august wilson play, with denzel washington directing the film and co - starring opposite viola davis. it cost just over $ 20 million to make .
and this is where things get interesting in lovely man. soeriaatmadja plays with our expectations and perceptions of who cahaya and ipuy are while systematically dismantling those perceptions. both are on a steep learning curve, and as the night wears on assorted buried truths and insecurities and come to light. each makes their own specific sacrifices in order to connect with the other, however briefly, and each subtle revelation lends itself to reinterpretation of the characters .
watch & enjoy lovely theatrical trailer - aadi, anchal, shanvi subscribe to our youtube channel - urltoken enjoy and stay connected with us! ! like us: urltoken follow us: urltoken circle us: urltoken subscribe aditya music channels for unlimited entertainment: aditya movies: urltoken aditya musicnmovies: urltoken aditya devotional: urltoken aditya kids: urltoken director: jaya. b producer: b. a. raju cast: aadi, anchal, shanvi. .
deals with the life and times of mumbai - based gangster arun gawli who is currently serving a life sentence. arjun rampal and filmmaker ashim ahluwalia collaborated for the first time for this ambitious film on gawli. from the first poster itself, one thing was clear - that
so, how true is it? it was a mistake for those involved in the film to suggest that zero dark thirty is
journalistic ,
and to have touted their access to seal team members and cia field officers. no matter how remarkable their research and access, the film spills no state secrets. no movie can tell a story like this without aggressively condensing characters and events, fictionalizing dialogue, etc. boal' s script is just 102 pages: fewer than 10, 000 words, the length of a longish magazine article .
a newly - wed couple move to a new home. this place was the childhood house of the wife, molly. she experienced some trauma there as a child. immediately on arrival strange frightening things begin to occur. as a recovering heroin addict, the terrifying events are put down by some to be the result of her returning to drugs. her husband is mostly away from home because of his work, leaving molly on her own. she films many things on a hand - held camera. the latest film from eduardo sánchez, one of the co - directors of the blair witch project, is a different kind of horror film from that one but with similarities. the film opens á la blair witch with a close up of a woman who is filming herself; she is in terror for reasons not yet understood. the videotaped material which appears throughout is generally a clear nod to that famous film. but that' s where the similarities end, as lovely molly is a much more traditional supernatural horror movie. it' s one of those films where the set - up allows for several possible answers to the unknown terror. is the source of molly' s trauma the supernatural? her inner demons? is it drug - induced? by the end of the movie there are answers of sorts, although there remains an enigmatic quality. the audience are allowed to piece things together themselves. it' s one of those pictures that you want to watch again after a first viewing to try to put together all the pieces of the puzzle. gretchen lodge is excellent in the central role. it' s a part which demands some emotionally fraught moments. lovely molly is all about the central character, most of everything is told from her perspective. another significant contributing factor is the soundtrack. it' s very eerie but it isn' t typical horror music. the score is by the band tortoise who are one of the pioneers of post - rock. the atmospherics they help create are pretty significant here; discordant humming and threatening sounds. add to this the little weird details such as the horses' heads, the disconnected scenes of the neighbouring family or the weird shrine in the cellar. there are a lot of things to spook you out. this has to go down as an excellent return to the horror genre by sánchez. it has a good balance of suspense, mystery, weirdness and dramatics to ensure that lovely molly is one of the more interesting horror efforts of late .
while pursuing a career as a noted commercials director, ashim ahluwalia, 40, made a name with his award - winning 2007 docu - drama john & jane revolving around india' s call center industry servicing overseas customers. ahluwalia now tackles mumbai filmdom' s sleazy underbelly with his latest outing miss lovely which unspools in the un certain regard section. in an interview with the hollywood reporter, ahluwalia explains how india' s indie scene is still finding its feet .
written by acclaimed novelist neil gaiman from a story developed with director dave mckean (the gospel of us) and featuring rob brydon, and gina mckee among the cast. the film’s story revolves around a young girl from a family of circus performers who finds herself trapped in a fantasy world.
lovely is a 2012 telugu film written and directed by b. jaya . the film was produced by b. a. raju and anoop rubens has composed music for the film . the film stars aadi and shanvi in lead roles . the film was a joint production between r. r. movie makers and rj cinemas . alongside direction both editing and screenplay were also handled by b. jaya . the movie was released on 30 march 2012 and was a hit at the box office . it was dubbed in to hindi as vijay meri hai . 
lovely is a 2012 telugu film written and directed by b. jaya. the film was produced by b. a. raju and anoop rubens has composed music for the film. the film stars aadi and shanvi in lead roles. the film was a joint production between r. r. movie makers and rj cinemas. alongside direction both editing and screenplay were also handled by b. jaya. the movie was released on 30 march 2012 and was a hit at the box office. it was dubbed in to hindi as vijay meri hai.
lovely is a 2012 telugu film written and directed by b. jaya. the film was produced by b. a. raju and anoop rubens has composed music for the film. the film stars aadi and shanvi in lead roles. the film was a joint production between r. r. movie makers and rj cinemas. alongside direction both editing and screenplay were also handled by b. jaya. the movie was released on 30 march 2012 and was a hit at the box office. it was dubbed in to hindi as vijay meri hai.