sarkarnama
sarkarnama - mother' s day special. according to a chinese proverb ,
there is only one pretty child in this world and every mother has it .
this mother' s day, sarkarnama celebrates motherhood .
sarkarnama is a platform, a catalyst and a guide for those who believes in bringing change for the betterment of the society. maharashtra, india maharashtra, india
sarkarnama helps readers to understand contemporary political scenarios through its quality content, in - depth analysis and huge pool of experts spread across maharashtra. the website has strong engagement with the users through social media platforms as well. sarkarnama has become the first choice of political leaders ranging from member of parliament to grampanchayat member in short - term, to
sarkarnama is a political drama. it is a realistic portrayal of the politics in an indian state which is still feudal at heart and where personal ideals are always in conflict with the larger machinery of the system .
sarkarnama deals with the issue of builders racket and cement scandal which rocked maharashtra in the 80s. it has the quintessential ingredient of the underdog against the system. it may be considered one of those realistic movies that state the truth as is but does not end on a pessimistic tone, like the other movies of this genre such as sinhasan or dombivli fast. unlike these movies where the protagonists begin to lose grip on the situation as it unravels, the protagonist of sarkarnama remains incorrigible .
watch the full length blockbuster classic marathi movie sarkarnama starring ajinkya deo, dilip prabhavalkar, ashwini bhave. yeshwant dutt, music directed by anand modak, directed by shravani deodhar. subscribe to this channel and stay tuned: urltoken regular facebook updates: urltoken join us on google + urltoken
sarkarnama was one of the movies which made a deep impact on me as i was getting interested in indian politics in college. watched it again recently and still liked it (minus songs ,) unlike some movies that lose their sheen as age and reality catches on with you. my reflection on rewatching it .
, in which she portrayed the character of laxmi. then was bhaskar jadhav' s putravati in 1996 where the plot was written to give a tribute to womanhood, and revolved around family values, hope and faith of a woman who believes in sacrifice. subsequent to this, sukanya appeared in another marathi film sarkarnama directed by
the intent is to portray the stratification of power at different levels and the consequential bureaucracy, corruption in the political system and the condition of an ordinary citizen in such state of affairs. as such the director has many balls in the air but the first time director, shravani deodhar has a knack of a storyteller and manages the act of driving many branches of plot and giving weightage to array of characters with adroitness. sarkarnama has an admirable ensemble in its casting of actors to fulfil its vision .
gowariker attended mithibai college in bombay (mumbai), where he earned a bachelor’s degree in chemistry. he developed a love of performance while in school, participating in theatre, dance, and music. he began his career with appearances in commercials and had his big - screen debut in hindi cinema in ketan mehta’s holi in 1984. this was followed by films such as naam (1986; “name”), west is west (1987), gawahi (1989), and kabhi haan kabhi naa (1993; “sometimes yes, sometimes no”). he also acted in tv serials including kachchi dhoop (1987; “morning sun”), and circus (1989). toward the end of his acting career, before pursuing work as a director and screenwriter, he appeared in the marathi - language films vazir (1994) and sarkarnama (1998) .
shrabani deodhar, who has carved a niche with award - winning marathi films, is now ready with her hindi film 'pehchan'. the failure of her first hindi venture 'silsila hai pyar ka' has not deterred her from continuing on the hindi film path .
shrabani deodhar, the famous, award - winning director, presented a different sight. dressed in a cotton kaftan, sans make - up and jewellery, flashing a smile straight from her heart, she was completely down - to - earth. the whole room lit up with that smile as she welcomed one into her world of stories and tales .
, which won the filmfare, screen and the state award. it was nominated for the v. shantaram awards. this was followed by
which fetched the state award and was nominated for the hollywood awards too. this paved the way for shrabani' s entry into hindi films. the affair began with the karisma kapoor starrer
for sahara films, which stars raveena tandon, vinod khanna, rati agnihotri and sudanshu pandey. it is a film which depicts family values against the backdrop of high - flying careers of two lawyers who are father in law and daughter in law .
the film is about human emotions and emotional black mail ,
says shrabani. as she narrates the story, her involvement with her subject is obvious. the debacle of
has not scared her at all. in fact, she has learnt a lot from that experience. she was nervous on the day it was sent to the censors as she did not want too many cuts. many at the censor table commented that here was a film as powerful as
.
i want to make realistic films and when my audience goes back after watching them i want them to carry something home ,
she says .
wife of famous cinematographer debu deodhar, shrabani has no formal training in films at all. daughter of a doctor in pune, she married at the age of 19 and had her daughter at the age of 20. coming to mumbai and into debu' s world of films, she slowly started getting drawn into the whirlpool of this magical world .
.
working for the palekars was like going to school and doing a crash course. they are an ocean of knowledge from which one can draw out as much as one can ,
says shrabani .
she is now working on two very interesting scripts. what was your biggest moment of victory ?
i was a little nervous when i made my first film. but when i received an award for it, it was an incredible experience. undeterred with the debacle of
she has learnt to carry on with no scope for fear. looks like shrabani has finally found her
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dinkar maruti bhosle, a common marathi man with an identity crisis ends up being the crusader against threats to his existance & identity as a' marathi maanus'. in his battle against all odds & evils, he is assisted by shivaji maharaj .
shreyas discovers the magic of love and friendship in college days; only to be perplexed with the choices to be made .
keshya, a simple villager believes that god has arrived in his village but everyone disbelieves him. later when the politics plays its part things take a drastic change .
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a clash of two musical families, where in the end, music is the winner. when greed takes the front seat, manipulations shift gears. a race starts, a race that kills whatever comes across... see full summary »
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i remember watching this movie as a child. i did not understand it fully back then. but at the age of 15 i had another chance to watch it on the tv and i fell in love with the movie! its story is well - knit, the characters are established very clearly, the music gels well into the story and each of the artistes has acted tremendously well. but above all what appealed to me was the simplicity! in spite of having multiple strands to the main story, it keeps you engaged. i have been trying to find the movie online for many years now. but no luck! everybody who ever gets a chance to watch it, i recommend; must do so !
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the movie takes time to build momentum but once it gains pace it maintains and leads to justified conclusion which is the success of humility against against power .
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the film revolves around day - to - day political issues and corruption, centering on how some leaders make their money and lend support .
vishwas salunkhe (ajinkya deo) is a municipal assistant commissioner who is in charge of a mumbai sub area where lots of chawl are in poor condition and he has posted notices to vacant those
saptatara
where slabs and floors are partly collapsed and chawl - dwellers are not ready to vacant and chawl owners are not responding to the notices .
salunkhe is not giving up on this issue, and chief minister uttamrao deshmukh (yashvant dutt), a chawl owner contact who has strong influence with him as a subscriber for the election fund, takes this issue seriously. deshmukh calls salunkhe and asks for the saptatara file where all notices and documents are kept and hands him a special order to look after civil work in his future daughter - in - law' s village' s power supply. salunkhe accepts the order and takes up duty at the village where he finds some residents, as their ancestral is being sold for electric towers and they become jobless, are opposing the order .
meanwhile, salunkhe receives news that saptatara have collapsed. he immediately returns to mumbai where he learns case file has vanished from the cm' s office, but that the cm kept a copy in the bungalow where his son' s marriage is taking place, as news correspondents vaijayanti patil (ashwini bhave) and subodh gore (ashutosh govarikar) come to cover the story of the event. salunkhe asks his fiancee (sukanya kulkarni - mone) to steal the file from cm' s house and hand it over to him as he is suspended due to negligence of duties and is under depression so she agrees. while at a photo shoot subodh gore discovers something odd – laborers are doing odd work, such as carrying each other from one place to another. he shows this to vaijayanti patil, but she ignores it .
lots of things happen in one night as the cm' s daughter - in - law is kidnapped by her boyfriend and a minister (dilip prabhavalkar), who is the political rival of the cm slaughters sheep near the ganesh mandir in a protest against the cm but salunkhe has footage of the slaughter which he shows to the cm, but as reward the cm kills subodh gore and vaijayanti patil then takes shock of the footage when salunkhe finds his case file and the footage is shown in the film' s final mumbai mantralay scene .
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year: 1997. producer: prabhavi chitra. director: shrabani deodhar. co - actors: yashwant dutt, ajinkya dev, sukanya kulkarni, yatin karyekar, pratiksha lonkar, nandu madhav, makarand anaspure, ashwini bhave, ashutosh gowarikar, milind gunaji, haider ali, sharad vyas, shrikant moghe. plot: the machinations and underhand dealings in the cesspool of politics is the backdrop of this movie. it revolves around an on - going game of one - upmanship between the state chief minister and his powerful opposition leader. the events relate to current issues so much that they start with the collapse of a cessed building, revealing the politician - builder nexus, as well as the industrialization of a rural area and the conseq - uent displacement of villagers, with a large number of players involved, including the honest, anti - establish - ment cop and nosey reporters. the climax takes place at the chief minister' s daughter' s wedding, where all these threads are woven into a fine web to trap the erring politicos. role: anna sawant .
sukanya kulkarni is an indian theatre, television and film actress, who predominantly works in the marathi entertainment industry. she gained prominence for portraying the lead role of
, a college professor, in the marathi serial' abhalmaya'. she gained further recognition for playing the protagonist' s mother in the star plus television series
completed her schooling from balmohan vidyamandir, dadar. she pursued further education from ruparel college .
, directed by k. vishwanath and rajesh malik. starring anil kapoor, vijayshanti ,
, in which she played the character of rama. this followed with another bollywood film parwane starring
, in which she essayed the role of the assistant commissioner' s fiance. the movie opened to positive reviews and won several filmfare and screen awards .
the actress had two releases in 1999 - the superhit hindi film sarfarosh, in which she played aamir khan' s sister - in - law, and the marathi movie aai thor tuze upkar - a story of an aged mother who is unwanted by his greedy - for - money son. she then featurd in raasta roko (2006) and
' s mother. this film was released in two parts and in three languages telugu, hindi and tamil. her 2016 movie is
sukanya started her small screen stint with playing a rape victim patient in the tv series lifeline (1991), a show that focused on the medical profession, showing the bond shared by patients and doctors. the dd national seires shanti - ek aurat ki kahani, with the main lead shanti essayed by
, saw sukanya play the role of maya - a girl who goes into depression due to her mother' s absence. her major breakthrough was with abhalmaya, in which she played the lead character. this alpha marathi' s first show gained popularity very soon and also made sukanya the first lady to appear on the private marathi channel .
and k. k. raina in the lead, and had sukanya essay the role of satyavati, including her as part of the lead cast. she was then seen as one of the contestants along with her real life husband sanjay mone in the 2005 quiz show kam ya zyaada that aired on zee tv channel. the couple won the show after competing with ram kapoor - gautami gadgil ,
and chawi mittal - mohit hussain. after this, she featured in star one' s rang badalti odhani (2010 - 2011) as gangubai .
s julun yeti reshimgathi (2013 - 2015) was her next, which aired on zee marathi. she featured as the protagonist' s mother in this award - winning show that gained huge popularity among family audiences .
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= = plot = = the film revolves around day to day political issues and how leaders make their money and support. ajinkya dev is a municipal assistant commissioner who is in charge of mumbai sub area where lots of chall which is in ruined condition and he has issued notice to vacant 'saptatara 'which slab and floor are partly collapses but still chal... . .
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like countless directors all over the world, some of whom may admit to the fact and some who may not & apos; i have been deeply influenced by francis ford coppola & apos; s unforgettable movie the godfather, both in technical style and story content .
yes, sarkar has been inspired by the classic film, which offers something new on every repeated viewing. yet at the same time, i would clarify firmly that sarkar is not an imitation or a clone. its story and screenplay have been located in an indian milieu, and particularly so in the context of mumbai & apos; s power superstructure .
... the title character is not an underworld don. rather he is a man who has rewritten the law. he has risen with time and circumstance, to wield unchecked and autocratic authority over the people living in a so - called democratic form of governance. by nature, he possesses the ability, the charisma, the intelligence and the machiavellian cunning to control the working of the city, in all its various aspects. sarkar is a volatile film dealing with crime, greed, love, family relationships and retribution. while acknowledging my lifelong debt to francis ford coppola & apos; s the godfather, this is my extremely personal and original take on the mario puzo novel, which continues to have a universal resonance .
finally, i would state that satya and company were just preparatory blue prints for the film sarkar. with this film, i hope that my trilogy on crime and punishment; within the reality of our country, our city and our neighbourhood; has come a full circle .
amitabh bachchan plays subhash nagare, a powerful patriarch inspired by marlon brando & apos; s vito corleone, who believes in: & apos; there are no rights and wrongs... only power. & apos ;
& apos; amitabh bachchan & apos; s persona in sarkar is built on the vijay character developed by writers salim - javed in the 1970s. my childhood hero, i would always like to see him larger than life & apos; & apos; ram gopal varma
kay kay menon plays subhash & apos; s elder son, vishnu, quite in character with the hot - headed santino & apos; sonny & apos; corleone, played by james caan in the coppola classic .
& apos; the godfather intent is there in sarkar definitely but the content is different. i just loved working with mr bachchan on the scenes and mulling over them & apos; & apos; kay kay menon
abhishek bachchan plays the younger nagare who, like al pacino & apos; s michael, is abroad in the initial reels before being forced to become part of the family plot .
& apos; sarkar, my next release with dad, has a very serious theme. it is totally different from the fun bunty aur babli & apos; & apos; abhishek bachchan
the ladies reportedly play a bigger part in the varma film than in the puzo - coppola screenplay. while supriya pathak plays big b & apos; s wife, rukhsar is kay kay & apos; s other half. katrina kaif plays abhishek & apos; s foreign love interest and tanishaa his desi sweetheart .
manish gupta has written the script, amit roy (fida) has done the camera, amar mohile (mumbai se aaya mera dost) the background score, and nipun gupta and amit parmar (naach) the editing .
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the fiwm revowves around day - to - day powiticaw issues and corruption, centering on how some weaders make deir money and wend support .
vishwas sawunkhe (ajinkya deo) is a municipaw assistant commissioner who is in charge of a mumbai sub area where wots of chaww are in poor condition and he has posted notices to vacant dose
saptatara
where swabs and fwoors are partwy cowwapsed and chaww - dwewwers are not ready to vacant and chaww owners are not responding to de notices .
sawunkhe is not giving up on dis issue, and chief minister uttamrao deshmukh (yashvant dutt), a chaww owner contact who has strong infwuence wif him as a subscriber for de ewection fund, takes dis issue seriouswy. deshmukh cawws sawunkhe and asks for de saptatara fiwe where aww notices and documents are kept and hands him a speciaw order to wook after civiw work in his future daughter - in - waw' s viwwage' s power suppwy. sawunkhe accepts de order and takes up duty at de viwwage where he finds some residents, as deir ancestraw is being sowd for ewectric towers and dey become jobwess, are opposing de order .
meanwhiwe, sawunkhe receives news dat saptatara have cowwapsed. he immediatewy returns to mumbai where he wearns case fiwe has vanished from de cm' s office, but dat de cm kept a copy in de bungawow where his son' s marriage is taking pwace, as news correspondents vaijayanti patiw (ashwini bhave) and subodh gore (ashutosh govarikar) come to cover de story of de event. sawunkhe asks his fiancee (sukanya kuwkarni - mone) to steaw de fiwe from cm' s house and hand it over to him as he is suspended due to negwigence of duties and is under depression so she agrees. whiwe at a photo shoot subodh gore discovers someding odd – waborers are doing odd work, such as carrying each oder from one pwace to anoder. he shows dis to vaijayanti patiw, but she ignores it .
lots of dings happen in one night as de cm' s daughter - in - waw is kidnapped by her boyfriend and a minister (diwip prabhavawkar), who is de powiticaw rivaw of de cm swaughters sheep near de ganesh mandir in a protest against de cm but sawunkhe has footage of de swaughter which he shows to de cm, but as reward de cm kiwws subodh gore and vaijayanti patiw den takes shock of de footage when sawunkhe finds his case fiwe and de footage is shown in de fiwm' s finaw mumbai mantraway scene .
text is avaiwabwe under de creative commons attribution - shareawike license; additionaw terms may appwy. by using dis site, you agree to de terms of use and privacy powicy. wikipedia® is a registered trademark of de wikimedia foundation, inc. , a non - profit organization, uh - hah - hah - hah .
is based on a novel by ajay shankar. he has been a close friend of mine for 15 years. after he wrote the novel, he was keen that it be made into a film. we have also been thinking of making a film on it for a long time too, but we were waiting for the right time. also, this type of canvas has never been tried in marathi cinema. when we found enough finance available for such a film, we went ahead .
has been made at a time when marathi cinema is going through a crisis, with just ten films having been made this year in comparison to the 30 films at one time. why did you take this risk ?
gave me a national award and the recognition i needed. it also gave me a break in hindi films - - n n sippy saw the film and asked me to work with him on his forthcoming
so, if you make films with conviction then people will appreciate your work .
the film is a political thriller, what happens within political circles ...
another film with a political theme, was released. why didn' t that do well ?
i am very proud to be associated with the marathi film industry. and as i told you i am a very positive thinker. so, i don' t give a thought to other marathi films that don' t do well .
marathi movie - makers have not been able to attract audiences after the advent of satellite television and due to the high prices of movie tickets ...
there are other things too. one is that we are technically weak. no importance is given to the scripts and the quality of theatres. everyone is pointing fingers at others. i don' t know why one man does not stand up and say he will revive marathi cinema. this situation is sad since, at one time, the marathi film industry was one of the most vibrant, most progressive, film - making units in india. if good films could be made then, why not now ?
there aren' t good theatres and the many marathi - speaking people who understand hindi go to see hindi films. the south indian film industry does not face this problem .
most theatres are in a bad condition. i won' t go with my child to see a marathi film. one cannot go to a rotten cinema hall. film - makers are also not interested because they want to cut corners. they don' t want to make an effort because they feel the film, in any case, is not going to run. and direction too has shown the effects of this attitude .
which has broken records for the second week running. we spent many months on the script and completed the film in just five months. my husband cinematographer deboo deodhar had everything ready. if it was a shot of the insides of mantralaya, it looked like that, a minister' s bungalow looked like the real thing... we did not compromise anywhere in the making of the film. the objective was to make a good film, irrespective of whether it would do well or not .
lacked theatres here, but it had 22 housefull shows in america. till this day, i get letters from america by people who have seen the film. people there travelled 100 kms to see the film. it was possible due to the film' s producer, ajay shankar, who has an advertising background and the rest of the unit .
i think it will do well in bombay because there are many maharashtrians there. what is important about
is that any class can relate to it. politics is something that every person understands, right from a farmer to a businessman. it is a subject which every one can relate to .
no, not at all. i was very confident from the very first day .
from some places in bombay to a small village in kolhapur. i have even put in a building collapse, which has not been shot so far in marathi cinema .
the film ends showing that democracy still rules in our country. we conducted a poll and people felt that the chief minister ought to be arrested. that was yashwant dutt' s last shot (
shravani deodhar on the sets of billa no 1. click for bigger pic !
does well, other producers will step in. and when the audience gets used to good films, things will get moving. once that happens, still more producers will consider putting in their money into technically sound movies. that could draw the directors back... i am also trying to make a marathi film with sachin now .
i think everyone wants to reach out to a larger audience. even south indian film - makers are moving to hindi cinema. it takes lot of energy to make a film and you feel it deserves a larger audience .
this day, the country renews its abiding faith in the importance of maritime zone as well as sea route for an all - round development of the nation .
on this day in 1919, navigation history was created when the first ship of the scindia steam navigation company ltd .
ss loyalty
journeyed to the united kingdom .
an imprisoned eritrean - swedish journalist ‘dawit isaakhas’ will receive the 2017 unesco / guillermo cano world press freedom prize .
isaak was chosen for the prestigious award in recognition of his courage, resistance, and commitment to freedom of expression .
the prize will be awarded on 3 may 2017, world press freedom day, to be hosted in jakarta, indonesia .
the union government has approved rs 5. 24 crore e - governance project for himachal pradesh (hp) under good governance and best practices in india .
the project approved by the department of electronics and information technology (deit), union ministry of communications and it .
himachal pradesh public service commission (hppsc) is all set to launch e - governance project to start paperless functioning, making it the first psc of the country to do so .
the gunotsav program has been launched in 8 districts of assam to improve elementary education .
over 9 lakh students in 2, 000 schools will be covered under the programme in the next 3 days in the first phase .
amazon india has launched an initiative a virtual training programme
amazon classroom
to help teach them the nuances of online selling .
the program focusses on areas such as order processing, adding products and managing returns that are required to operate a successful online business .
new sellers can now perform demos of their seller account dashboard through interactive courses at their own pace .
noted filmmaker and scriptwriter ajey jhankar (57 - years) passed away in a private hospital .
hollywood movie ‘singularity’ by filmmakar, roland joffe was based on jhankar’s novel ‘drohparv' .
the national hockey league (nhl) will not take part in the ‘2018 pyeongchang winter olympics’ .
it would finalize its 2017 - 18 season schedule without a winter games break .
the nhl had participated in every winter olympics since the 1998 nagano winter games .
the decision brings an end to years of tense bargaining between the international olympic committee, international ice hockey federation and the nhl over the league' s continuing participation in the winter games .
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[ now mumbai ], india), indian actor, director, and screenwriter .
films as well as contributing to their writing. his first directorial venture was the mystery drama
( 1995; “the game”), which enjoyed average success. however, his magnum opus was the epic period drama
for best foreign - language film and earned acclaim worldwide for its direction. his next film ,
( 2004; “our country”), though not a box - office success, roused the interest of critics. four years later gowariker released his next film, the epic romance
academy award, any of a number of awards presented annually by the academy of motion picture arts and sciences, located in beverly hills, california, u. s. , to recognize achievement in the film industry. the awards were first presented in 1929, and winners receive…
aishwarya bachchan rai, indian actress whose classic beauty made her one of bollywood’s premier stars. rai was raised in a traditional south indian home and was pursuing an education in architecture when she was crowned miss…
mumbai, city, capital of maharashtra state, southwestern india. it is the country’s financial and commercial centre and its principal port on the arabian sea. located on maharashtra’s coast, mumbai is india’s most - populous city, and it is one of the largest and most densely populated urban areas in…
india, country that occupies the greater part of south asia. it is a constitutional republic consisting of 29 states, each with a substantial degree of control over its own affairs; 6 less fully empowered union territories; and the delhi national capital territory, which includes new delhi, india’s…
bollywood, hindi - language sector of the indian moviemaking industry that began in bombay (now mumbai) in the 1930s and developed into an enormous film empire. after early indian experiments in silent film, in 1934 bombay talkies, launched by himansu rai, spearheaded the growth of indian cinema. …
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sarkarnama ( marathi : सरकारनामा ) is a marathi film directed by shrabani deodhar released in india in 1998 . this movie is famous for the powerful performances of dilip prabhavalkar and yashwant dutt as political rivals . 
sarkarnama (marathi: सरकारनामा) is a marathi film directed by shrabani deodhar released in india in 1998. this movie is famous for the powerful performances of dilip prabhavalkar and yashwant dutt as political rivals.
sarkarnama (marathi: सरकारनामा) is a marathi film directed by shrabani deodhar released in india in 1998. this movie is famous for the powerful performances of dilip prabhavalkar and yashwant dutt as political rivals.