2001 : a space odyssey ( film )
you are browsing the archive for 2001: a space odyssey. film and novel .
which is arguably the most famous line from the film 2001: a space odyssey .
interiors: interstellar bedroom from the film “2001: a space odyssey. ” – urltoken
2001: a space odyssey at 50. film and furniture’s paula benson talks with sveriges radio
dullea offers a reason for the enduring appeal of 2001: a space odyssey .
a fairly ill - advised sequel to 2001: a space odyssey ...
m - g - m presents 2001: a space odyssey .
urltoken
2001: a space odyssey: urltoken arthur c. clarke: 9780451457998: books
this is a list of references to 2001: a space odyssey in other media .
tags: 2001: a space odyssey. film and novel, charles darwin, social evolution, themes
title: front projection for
2001: a space odyssey
by herb a. lightman
dan larimer' s a fan of stanley kubrick' s 2001: a space odyssey .
pingback: 2001: a space odyssey | typeset in the future | ...
visual effects legend douglas trumbull on working with kubrick on 2001: a space odyssey .
earth eclipse 2001: a space odyssey, dir. stanley kubrick (1968) 1
to return to my tribute page to 2001: a space odyssey, click here .
2001: a space odyssey (film) essays are academic essays for citation. these papers were written primarily by students and provide critical analysis of 2001: a space odyssey (film) directed by stanley kubrick .
photographs of the original model of the orion iii space plane used in
2001: a space odyssey .
disclaimer: there will be spoilers for both stanley kubrick' s 2001: a space odyssey film and the' space odyssey' collective works by arthur c. clark .
solitary experience … stanley kubrick’s 2001: a space odyssey. photograph: the ronald grant archive
kubrick' s match cut vs. exact match cut (2001: a space odyssey )
discovery one spaceship from the film “2001: a space odyssey”. exhibit at eye filminstitut netherlands, amsterdam photo credit
iconoclastic … stanley kubrick’s 2001: a space odyssey. photograph: mgm / everett / rex features
2001: a space odyssey spans three million years from the dawn of man through to his rebirth as a star child in space .
sexton, timothy .
2001: a space odyssey (film) summary
. gradesaver, 8 september 2016 web .
the prehistoric monolith from stanley kubrick’s film 2001: a space odyssey (1968). photograph: mgm / everett / rex
sexton, timothy .
2001: a space odyssey (film) quotes
. gradesaver, 23 july 2016 web .
the following books, 2010 odyssey 2, 2061 odyssey 3 and 3001 the final odyssey all follow the final, film - based, story .
2001: a space odyssey and over 2 million other books are available for amazon kindle. learn more
a: i don’t really have a favourite. but i hear 2001: a space odyssey got some good reviews .
since 1994, the internet’s original resource for information and insights on the classic science fiction film, 2001: a space odyssey .
( source: moonwatcher' s memoir: a diary of 2001, a space odyssey; p. 110 )
2001: a space odyssey: kubrick’s creepy outer - space opera from 1968 used innovative special effects to create vistas of distant galaxies .
david fincher talking about the first time he saw stanley kubrick’s 2001: a space odyssey at the cinema .
part b: 2001: a space odyssey in retrospect ,
frederick i. ordway, iii ;
one of many iconic scenes from 2001: a space odyssey (1968). photograph: ronald grant archive
you can order piers bizony’s the making of stanley kubrick’s * 2001: a space odyssey at amazon here .
2001: a space odyssey–a look behind the future is a vintage featurette with some amazing behind - the - scenes footage .
sexton, timothy .
director’s influence on 2001: a space odyssey (film )
. gradesaver, 9 august 2016 web .
from 2001: a space odyssey to solaris, telegraph film critic tim robey lists his 10 sci - fi films of all time .
previously on dangerous minds before ‘2001: a space odyssey’: pavel klushantsev’s science - fiction classic ‘road to the stars’ stunning behind - the - scenes images from stanley kubrick’s ‘2001: a space odyssey’ thank you rupert russell .
below is a vintage article from american cinematographer by douglas trumbull on creating the visual effects for 2001 a space odyssey .
2001: a space odyssey - products by arne jacobsen (designophy - newslog, www. designophy. com )
rocket science … stanley kubrick' s timeless classic, 2001: a space odyssey. photograph: ronald grant archive
2001: a space odyssey: clarke' s most celebrated single contribution to mass culture. photograph: kobal collection
' murder, the hominids turn in 2001: a space odyssey, dir. stanley kubrick (1968) 2
what it certainly wouldn’t be is stanley kubrick and arthur c clarke’s epic, ponderous 2001: a space odyssey .
the futuristic space plane orion iii from the science fiction movie epic
2001: a space odyssey
has landed in urltoken' s offices .
just watched 2001: a space odyssey. someone please explain the ending to me like i' m a 5 year old
solaris (1972) is often compared to 2001: a space odyssey (1968). i did not like 2001. will i like solaris ?
the newest film in the top 10 is stanley kubrick' s 2001: a space odyssey, released in 1968, which charts at six .
the moment apes discovered the power of the tool. a still from stanley kubrik' s 2001: a space odyssey. supplied
inspiring governments to invest in space exploration and schoolboys to become astronauts, 2001: a space odyssey convinced the public that science fiction could be taken seriously .
carl sagan advised arthur c. clarke and stanley kubrick on extra - terrestrial life for their masterpiece “2001: a space odyssey”
the making of stanley kubrick' s 200: a space odyssey: how the 1968 film accurately prophesized future technology .
space odyssey: stanley kubrick, arthur c. clarke, and the making of a masterpiece
the question and answer section for 2001: a space odyssey (film) is a great resource to ask questions, find answers, and discuss the novel .
2001: a space odyssey was shown on a new 70mm print with digitally remastered sound at london' s national film theatre on new year' s day .
stanley kubrick elaborate on the subtextual meaning of 2001: a space odyssey. from a rare unearthed stanley kubrick interview with jun’ichi yaoi .
just watched 2001: a space odyssey. someone please explain the ending to me like i' m a 5 year old: movies
portraits of kubrick on set during filming of 2001: a space odyssey. production still photographers: kevin bray & john jay .
gary lockwood and keir dullea try to escape the attentions of the ship' s computer hal in 2001: a space odyssey .
peter howell explores five unexplained mysteries from stanley kurbrick' s sci - fi epic ,
2001: a space odyssey .
i just watched
2001: a space odyssey
, and i didn' t really understand what was happening. how can i understand the film better ?
2001: a space odyssey was written concurrently with the development of the film. this is covered in the development section of the wikipedia article, for example :
' 2001: a space odyssey' & related characters and elements are © 2014 turner entertainment. tema semplice. powered by blogger .
carl sagan advised arthur c. clarke and stanley kubrick on extra - terrestrial life for their masterpiece
2001: a space odyssey
it' s 46 years since 2001: a space odyssey took movie science - fiction to new levels of audacity and technical accomplishment .
not the answer you' re looking for? browse other questions tagged plot - explanation ending 2001 - a - space - odyssey .
2001: a space odyssey is the classic science fiction novel that changed the way we looked at the stars and ourselves... . 2001: a space odyssey inspired what is perhaps the greatest science fiction film ever made - - brilliantly imagined by the late stanley kubrick... . 2001 is finally here... .
not the answer you' re looking for? browse other questions tagged arthur - c - clarke 2001 - a - space - odyssey 2010 - odyssey - two or ask your own question .
“2001: a space odyssey” by arthur c clarke, introduced by michael moorcock, is published by the folio society (£29. 95 )
for filmmakers like george lucas and steven spielberg, stanley kubrick’s 2001: a space odyssey was life changing, redefining what cinema could be .
kolker, robert (ed .), stanley kubrick’s 2001: a space odyssey: new essays, oxford: oxford university press 2006 .
the use of strauss' s ‘sunrise’ theme in 2001: a space odyssey made it one of the most popular pieces of classical music .
stanley kubrick won the best visual effects oscar – his only academy award win – for 2001: a space odyssey. photograph: kobal collection
not the answer you' re looking for? browse other questions tagged 2001 - a - space - odyssey or ask your own question .
now i will share my observations which have led me to believe the eos logo is a representation of the monolith in 2001: a space odyssey .
2001: a space odyssey was very much a joint effort between stanley kubrick and arthur c. clark although clark was overly modest about his contribution .
during the production of 2001: a space odyssey, a specially commissioned short ten - minute promotional film was made that documented the intricate and exacting work involved in the movie’s creation .
almost half a century after it first hit cinema screens, stanley kubrick ’s iconic masterpiece 2001: a space odyssey has been given a brand - new trailer .
2001: a space odyssey (film) study guide contains a biography of director stanley kubrick, literature essays, quiz questions, major themes, characters, and a full summary and analysis .
the clash of wills behind 2001: a space odyssey reminds me that scientific education, not mystery, was always closest to my friend’s heart .
schwam, stephanie and scorsese, martin, eds. the making of 2001: a space odyssey. new york: modern library, 2000 .
2001: a space odyssey symbolically describes the story of mankind' s life. the monolith is the symbol for
truth of life
.
new york philharmonic the conductor alan gilbert leading this orchestra as it played the soundtrack of “2001: a space odyssey, ” as that film was shown at avery fisher hall .
david bowman, lost to the world during his space odyssey, has returned to rule it .
‘the sentinel’ is the starting point of the' space odyssey' series and depicts the monolith that stanley uses in the film .
2001 a space odyssey – a close look at those fabulously futuristic djinn chairs and how kubrick’s vision of the future was brought to life through ‘product placement’ .
and to work with motion picture director stanley kubrick on a space fiction film .
november 21st, 2014 (limited), released as 2001: a space odyssey (re: 2014) (united kingdom) december 9th, 2016 (wide) (argentina) june 2nd, 2017 (limited), released as 2001: a space odyssey (re - release) (netherlands) may 18th, 2018 (limited), released as 2001: a space odyssey (re: 2018) (united kingdom) may 25th, 2018 (wide), released as 2001: a space odyssey (re: 2018) (australia)... show all releases
tags: 2001: a space odyssey, arthur c. clarke, communications satellite, michael shinabery, moon, new mexico museum of space history, nmmsh, science fiction, space, space history, space station, spacecraft, spaceflight, stanley kubrick, wally schirra, walter cronkite, wernher von braun
sci - fi heaven or hal? ... stanley kubrick' s 2001: a space odyssey. photograph: mgm / everett / rex features
2001: a space odyssey has been re - released by the bfi as part of its sci - fi: days of fear and wonder programme .
@ keen - thanks for your link, below. all adding it here to draw your attention to it: interpretations of 2001: a space odyssey
a model of the orion iii space plane from
2001: a space odyssey ,
made by professional prop - maker stephen dymszo, with contributions from urltoken' s infographics artist karl tate. background image is from the film .
a conversation with / arthur c. clarke; an author' s space odyssey and his stay at the chelsea
2001 a space odyssey – a close look at those fabulously futuristic djinn chairs and how kubrick' s vision of the future was brought to life through' product placement'. - film and furniture
cinematographer bryan loftus talks with tv store online ’s justin bozung about getting his start with stanley kubrick on dr. strangelove and 2001: a space odyssey .
richter, dan, moonwatcher' s memoir: a diary of 2001, a space odyssey; carroll & graf, 2002 (pp. 137 - 9) ;
this post is a tribute to 2001 - a space odyssey. if nothing else, enjoy the video link at the end of the post
kubrick 2001 the space odyssey explained - video
- - it' s a masterpiece and it' s timeless. this is not a news article - it' s a post about a great film. cheers, casey kazan, editor .
the price of a ticket for the special screening of 2001: a space odyssey in eye is € 15, which includes a surcharge for the 70 mm screening and the length of the film (149’) .
, published soon after the film was released. the film follows a voyage to
the video at the end of the post - kubrick 2001 - the space odyssey explained - is a minor masterpiece in itself and is not to be missed .
2001: a space odyssey is on january 24 and 25 at sydney opera house. symphony in the domain: the sound of kubrick is on january 26 .
stephanie schwam, editor. the making of 2001: a space odyssey (new york: modern library, 2000) [ nonfiction: anth: pb / ]
in 2001: a space odyssey, stanley kubrick showed us what the future might look like. discover how much of kubrick’s vision predicted a world of fantasy—or today’s reality .
it is impossible to discuss 2001: a space odyssey without mentioning the character some regard as its true star - the computer hal, who exists only as a voice .
a sequel was made years later: director peter hyams' 2010 (1984) (from a 1982 published adaptation titled 2010: odyssey two by clarke). other clarke writings are potential film installments: 2061: odyssey three and 3001: final odyssey .
the enigma that is the space odyssey “interstellar” will get solved when the film hits theaters in november, but until then, christopher nolan has revealed a few clues. the director divulged in a cover story for entertainment weekly that the movie is more comparable to the stanley kubrick classic “2001: a space odyssey” than his [ … ]
revisiting 2001: a space odyssey on its 50th anniversary in 70mm is a real trip... it is an enthralling marriage of music, imagery, sound and philosophy .
on the 50th anniversary of 2001: a space odyssey, we fly the flag for homegrown science fiction with a list of 10 of the best british sci - fi movies .
( italian readers: l' articolo in italiano è disponibile qui) the production of 2001: a space odyssey took advantage of some of the b ...
movie stills are credited to 2001: a space odyssey, 1968, metro goldwyn mayer (mgm studios). the author did not profit from this online article .
arthur c. clarke’s 3001: the final odyssey was first published in 1997 (the paperback can be had for around $ 7 on amazon), the fourth and final book in clarke’s space odyssey series. 2010: odyssey two was developed into a 1984 film and 2061: odyssey three was published in 1987 which tom hanks had originally expressed interest in producing a film adaptation for mgm with himself cast in the role of floyd, but it never happened. 3001 follows frank poole, the astronaut killed by the hal - 9000 computer in 2001: a space odyssey. the official book cover describes 3001: the final odyssey as follows :
the monolith, amh - 2, is on saturn in 2001, while on jupiter in the second odyssey .
the academy of motion picture arts and sciences on saturday bought the aries 1b trans - lunar space shuttle from
2001: a space odyssey
at premiere props' hollywood extravaganza auction for $ 344, 000 .
next comes a space journey in 2001, when a scientist flies to the moon to examine another mysterious monolith .
yep, the space exploration of space is good, and space odyssey has shown it unrealisticly nice. we human beeings are doing with space the same thing as with the earth - we make it so unclean that we can hardly live their further. byt this, i presume, is for the next odyssey .
hyams' sequel to kubrick' s big daddy of sci - fi movies may not have the novelty of 2001: a space odyssey, but it is still a better film than anyone could have dared to expect .
the efforts paid off, and 2001: a space odyssey became a success. carl sagan was satisfied with the final output as well, having commented at that period to be pleased to see that he had helped. 2001: a space odyssey was nominated in 13 categories at the 41st academy awards in 1969 and won a single oscar for best visual effects .
i recently re - watched stanley kubrick' s 1968 movie masterpiece
2001: a space odyssey
, and i was struck by how accurate many of the film' s portrayals of the future were .
2001: a space odyssey, originally budgeted at $ 6 million, ultimately cost mgm $ 11 million. and kubrick missed the intended delivery date by two full years .
and, second, the term “pad” (actually, “newspad”) is used in the 1968 novel 2001: a space odyssey, in which arthur c. clarke writes :
2001: a space odyssey gets high marks from cinephiles and scientists alike, with good reason: director stanley kubrick was just as obsessive about making a scientifically plausible film as he was about crafting an epic, mythopoetic narrative .
to coincide with the 50th anniversary of the sci - fi masterpiece 2001: a space odyssey, we are proud to present the djinn chair – one of the most iconic chair designs ever to be featured in a film .
stanley kubrick’s 2001: a space odyssey is rightfully hailed as a milestone in science fiction filmmaking, but even its most ardent fans would have a tough time explaining the final scenes of the movie .
by the 1930s sergie eisenstein, for his film alexander nevsky, constructed an elaborate scheme to correlate the visual images with the score by prokofiev. in this film as in a number of others, such as 2001: a space odyssey, music often determines images .
the academy of motion arts and sciences purchased the aries 1b trans - lunar space shuttle from stanley kubrick' s
2001: a space odyssey
at premiere props' hollywood extravaganza auction on saturday. (the mesulam group )
the 2015 music video for
doom dada” by big bang (south korean band) features apes discovering a microphone in a pile of bones, paying a homage to stanley kubrick’s 2001: a space odyssey intro scene .
for a more detailed account of the production history of 2001: a space odyssey see my 50 min video kubrick' s cover story and my 60 min video 2001: behind the propaganda. both can be ordered from my digital download store .
the enigma that is the space odyssey “ interstellar ” will get solved when the film hits theaters in november, but until then, christopher nolan has revealed a few clues .
i thought it was all nonsense, but then my agent rang out of the blue to tell me i' d been offered a role as an astronaut in 2001: a space odyssey .
q. what' s a space warp? a. a warp in space, and therefore in time, thanks to einstein .
we asked author piers bizony some questions about the experience of writing the book, as well as 2001: a space odyssey’s lasting contributions to cinematic design. here’s what he told us .
[ note: one sly cameo is that of douglas rain as an evil computer near the end of the film, gently spoofing his role as hal from 2001: a space odyssey (1968), and mike myers' austin powers series owes a debt to this film. ]
the wheels were in motion for their alliance on what would become perhaps the finest science fiction film in the history of cinema – 2001: a space odyssey, which was released four years later, in the april of 1968 .
format of the film, the less depth of field. for instance, 16mm film has a
a conversation with / arthur c. clarke; an author' s space odyssey and his stay at the chelsea - the new york times
we all chortled at the astronaut who recently dropped their tool - kit whist on a space walk, but
2001: a space odyssey
captures the dull intricacy of doing space repairs in the sequence during which dr. david bowman is outside to retrieve the' faulty' ae - 35 circuit .
robert kolker, editor. stanley kubrick' s 2001: a space odyssey. new essays (oxford, oxfordshire: oxford university press, 2006) [ nonfiction: anth: pb / ]
all these years later, it’s strangely reassuring to learn that astronaut dave bowman, a. k. a. actor keir dullea, still communicates with hal 9000, the bonkers computer from 2001: a space odyssey .
wow this really made me think. i' m gonna have to go back and watch 2001 space odyssey again! hehe at least until avatar comes out on blu - ray .
the making of stanley kubrick’s 2001: a space odyssey documents in nearly scientific detail exactly that: the story of how the iconic science - fiction film came into existence and how it predicted much of the technology we take for granted today .
it’s hard to find a space suit design that’s more iconic than the one from stanley kubrick’s 2001: a space odyssey. these suits appear a couple of times in the film in a couple of different environments: first when the characters go into tycho crater to explore an anomaly, and later, on the ship discovery one .
in the course of the year, the two of them continued to read other books on science and anthropology to develop the film’s plot. they would spend two years transforming “the sentinel” into a novel, and then into a script for 2001: a space odyssey .
michel chion. kubrick' s cinema odyssey (london: british film institute, 2001) [ nonfiction: trans by claudia gorbman of un' odissea del cinema. il «2001» di kubrick (2008 italy): hb / ]
2001: a space odyssey (1968) [ paramount ] directed by stanley kubrick; screenplay by arthur c. clarke and stanley kubrick; based on the story “the sentinel” by arthur c. clarke
2001: a space odyssey (1968) from man’s origins to his rebirth, kubrick concentrates on technology – the primitive weapon of a femur bone becomes a space station in cinema’s most famous match - cut, and ai reaches a point where hal 9000 is more human than the humans .
stanley kubrick’s epic opus of evolution, space travel, and the dangers of programming computers with lip - reading capabilities, 2001: a space odyssey remains every bit as stirring, maddening, and divisive today as it was on initial release in 1968 .
later scenes with the human spaceship' s automatic pilot, named auto, were reminiscent of hal in 2001: a space odyssey. in a gesture of recognition to the 1979 film alien, the producers cast sigourney weaver as the ship' s computer .
fantastic article, i’m both a huge 2001 fan and also a type geek .
the making of stanley kubrick’s ‘2001: a space odyssey’ documents in nearly scientific detail exactly that: the story of how the iconic science - fiction film came into existence, and how it predicted much of the technology we take for granted today .
sometimes life really does imitate art. in the battle to compete with apple' s ipad, samsung has channeled the spirit of stanley kubrick, the director of
2001: a space odyssey .
stanley kubrick did not deserve the only oscar he ever won, the prize for best visual effects he received in 1969 for 2001: a space odyssey, according to hollywood special effects giant douglas trumbull .
2001: a space odyssey is a stand - along monument, a great visionary leap, unsurpassed in its vision of man and the universe. it was a statement that came at a time which now looks something like the peak of humanity’s technological optimism .
the british film institute’s days of fear and wonder science fiction season has brought these questions into focus. one of the highlights has been a digitally remastered 2001: a space odyssey, now showing in selected cinemas – including the curzon soho in london on thursday .
from one master to another. a telegram received in 1968 by stanley kubrick shortly after the release of his cinematic tour de force, 2001: a space odyssey; sent to him by fellow filmmaker, federico fellini .
[ … ] the most authoritarian piece of work directed by the maverick filmmaker stanley kubrick, ‘2001: a space odyssey’ could aptly be described as a crazy rendezvous with mayhem and uncertainty. with themes ranging [ … ]
rolls of 70 mm film on which they took the images. this large format film is
palmer, r. barton, ‘ 2001: the critical reception and the generation gap’, in robert kolker (ed .), stanley kubrick’s 2001: a space odyssey: new essays, oxford: oxford university press 2006, pp. 13 - 27 .
the most obvious one, discovery one travels to saturn in 2001, whereas in the second odyssey they say that it went to jupiter .
solaris is amateur hour compared to 2001. 2001 is considered one of the greatest films ever, a top 10 film of all time. solaris is nowhere near that .
the 2001 file is a fascinating guided tour of lange' s thought and design process that led to the realization of the iconic film. among its hundreds of sketches, drawings and illustrations, from early concepts to the final designs, are many of the central elements that figured in 2001: a space odyssey, including :
the climax of
2001: a space odyssey
might be equal parts baffling and stimulating depending on how chemically enhanced you are, but there is one section that leaps off the screen at me as a british thirtysomething .
kubrick employed these pieces of music because each one conveys a separate aspect of the film’s theme without reference to words. zarathustra introduces the metaphysical questions of the film, the blue danube translates space travel into an elegant dance, and ligeti suggests at the existence of an unknowable mystery without revealing a single clue. truly, kubrick’s use of music in 2001: a space odyssey is masterful .
new delhi: stanley kubrick’s epic adventure drama 2001: a space odyssey completes 48 years of release on wednesday. still remembered for its scientifically accurate depiction of space flights and innovative special effects, the film remains the benchmark as far as science fiction movies are concerned. here are 10 interesting facts about the classic :
a. well, there won' t be a hilton in orbit by 2001 .
it is this part of the story, where dullea' s character appears to travel beyond time, which has won 2001: a space odyssey its lasting reputation as an adventure with an edge of the hallucinogenic .
mgm’s contract with kubrick stipulated that 2001 would wrap in 1966. (it missed the deadline, but critics and fans alike would probably agree it was well worth the wait .) 2001: a space odyssey hit theaters in april 1968—a year before apollo 11 landed on the moon and provided another glimpse of what space travel might look like .
kubrick intended 2001 to be a non - verbal film, appealing directly to the subconscious, and music was a key to that .
on april 3, 1968, a sci - fi epic premiered in new york, paving the way for decades of projects to follow in the footsteps of the title, 2001: a space odyssey. the hollywood reporter' s original review is below, which was headlined
kubrick' s' space odyssey' one of mgm' s all - time hits .
mgm' s contract with kubrick stipulated that 2001 would wrap in 1966. it missed the deadline, but critics and fans alike would probably agree it was well worth the wait .) 2001: a space odyssey hit theaters in april 1968—a year before apollo 11 landed on the moon and provided another glimpse of what space travel might look like .
did any of you actually see tarkovsky’ solaris? 2001 is a play in a sand in comparison…. while i like 2001, solaris is a different league .
hey, sorry, this is only a short answer forum space. we can' t review essays on this short space .
of 2001, kubrick said: “those who “don’t believe their eyes” are incapable of appreciating this film. ”
krämer, peter, ‘finding an audience: the marketing, reception and box office performance of 2001: a space odyssey, 1968 - 1972’, unpublished paper presented at the 2009 meccsa conference, bradford, january 2009 .
another 2001 book was published about the time of the film but the film' s ending was changed. then a third book published matching the film ending. these are all explained in the forewords of the relevant publications
a new book, the making of stanley kubrick’s ‘2001: a space odyssey’ chronicles the creation of the epic sci - fi movie. here, actor keir dullea poses in the equipment storage corridor to one side of discovery’s pod bay .
reds, nukes, waste... how space films reveal our earthly fears | film | the guardian
proving the academy is serious about getting top - drawer content for its new academy museum of motion pictures, ampas has added a biggie by successfully bidding $ 344, 000 yesterday for a rare visual - effects model of the aries 1b trans - lunar space shuttle used in shooting 2001: a space odyssey .
astronauts frank poole (gary lockwood), left, and dave bowman (keir dullea) talk about disconnecting their malfuctioning supercomputer hal 9000, while the malevolent machine lip - reads their conversation in 2001: a space odyssey .
but the film was right about a manned international space station - in reality, the international space station could be seen from the uk on christmas day as it orbited the earth .
the orange space suits phineas and ferb wore in
out to launch
are likely influenced by the space suits .
on this day in 1968, 2001: a space odyssey was released (watch the original trailer). even though not everyone might agree (phil, i’m looking at you), 2001: a space odyssey is one of the greatest science fiction movies of all time, both for it’s ambitious story and its groundbreaking visuals. even after four decades the special effects are holding their own (mostly — there are a few obvious cardboard cut - outs in orbit), and the movie still sets the bar for its realistic depiction of space hardware, and life in space .
a famously exacting filmmaker, stanley kubrick continuously honed and re - edited his sci - fi opus 2001: a space odyssey both before and after its 1968 premiere. one of the major changes was a 10 - minute introduction in which scientists talked about their predictions about what life in space might be like, which was removed after kubrick screened 2001 for executives at mgm .
arthur c. clarke’s 3001: the final odyssey was a main selection of the science fiction book club and selected by the literary guild and doubleday book club. the estates of both clarke and 2001: a space odyssey director stanley kubrick are offering “their full support” for this mini series adaptation, but the extent of their involvement is not known at this time. the 3001 the final odyssey miniseries is aiming for 2015 .
the novel version, therefore, is fuller and more explained than the film. we are told what is happening and why. but the film, with its sparse dialogue, lack of explanation and imagistic transitions still works better. 2001, a space odyssey marked the mid - point of clarke’s career; from this point on he was better known (and 2001, a space odyssey is undoubtedly the best known of all of his books), but i can’t help feeling that in some way he was a lesser writer than in some of those early novels .
find out about two of the most iconic pieces of music in film – strauss’s also sprach zarathustra and ligeti’s atmosphères – and how they came to be included in stanley kubrick’s 2001: a space odyssey. we perform both works live at royal festival hall on friday 10 february .
all those who don' t think 2001 a space odyssey is an awesome and groundbreaking sf film, and that its pace is just right, please return your geek cards. your scifi. stackexchange login will be revoked when you cross the door. thank you! : )
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
syfy has ordered a television miniseries adaptation of arthur c. clarke ’s novel 3001: the final odyssey. the 2001: a space odyssey sequel will be adapted by screenwriter stuart beattie of pirates of the caribbean and collateral fame. beattie will also serve as executive producer alongside ridley scott and david w. zucker (numbers, the good wife). more details on the 3001 the final odyssey miniseries, after the jump .
herrmann has said:'' it shows vulgarity, also, when a director uses music previously composed. i think that 2001: a space odyssey is the height of vulgarity in our time. to have outer space accompanied by the blue danube, and the piece not even recorded anew!''
yeah! it' s 2001: a space odyssey theme song remade in 1968 by alex north. the real name of this song is
also sprach zarathustra
composed in 1896 by richard strauss! thx for you comment !
more than thirty years after its initial release, stanley kubrick’s 2001: a space odyssey still inspires those who see it. like a piece of fine art or a classical symphony, its appeal has only grown over time. a strikingly unique film, it captivated a generation of young people in the late 1960s, who accepted its visual message with religious fervor. initially rebuffed by leading film critics, 2001 is today considered one of cinema’s greatest masterpieces .
is the only film in mgm history where the executives who funded the movie never scrutinized the film .
clarke’s own novel, 2001, a space odyssey, followed a little while after the release of the movie. it is probably the book for which he is now best known (though it is not by any means his best book) .
the restored 70mm print premiered at a widescreen theatre in los angeles on 9 december 2016. the brand new 70mm print of 2001: a space odyssey was produced at fotokem, the last full service 65 / 70mm lab in the united states .
and the film was so heavily over budget? i had a slightly uncomfortable feeling that the considerable investment in establishing the reality of interplanetary space travel might produce a film more documentary than fiction .
3. a space - probe with a landing and exploration of the moon and mars .
james p. hogan, author of inherit the stars and 30 other hard science fiction novels, passed away yesterday. he talked in a 2004 interview about how 2001: a space odyssey made him a science fiction author... because it frustrated him .
‘ 2001: in 35mm version’, variety, 15 january, 1969; unpaginated clipping in press clippings file on 2001: a space odyssey, performing arts research centre, new york public library; ‘back to 70m [ sic ], six - track stereo, 2001 displays fast legs with young mob’, variety, 8 april 1970, p. 6 .
universe, a 26 - minute masterpiece about astronomy that heavily inspired stanley kubrick’s 2001: a space odyssey. in fact, kubrick was such a huge fan of the film that he even solicited the talent of the artists who worked on universe to work on 2001. although co - director colin low declined the invitation, wally gentleman, the special effects creator, directed some of the most spectacular scenes in 2001: a space odyssey. another, lesser known (but incredibly cool) connection between the two films: the narrator of universe, douglas rain, is also the voice of hal 9000, everyone’s favorite sentient computer villain. — the movie that influenced kubrick’s 2001
it' s the quintessential classic of sci - fi cinema: stanley kubrick' s 2001: a space odyssey. the film continues to inspire generations of filmmakers today, and now ahead of the film' s digitally remastered release in u. k. cinemas, a brand new trailer for the 40 + year old motion picture has been released .
the pair’s first working title for the movie was project: space, which is listed in their first outline. other temporary titles included across the sea of stars, universe, tunnel to the stars, earth escape, jupiter window, farewell to earth, and planetfall. the official mgm press release for the movie from february 1965 lists the title as journey beyond the stars, though two months later kubrick selected 2001: a space odyssey for the final title, as an homage to homer’s odyssey. “stanley selected 2001: a space odyssey, ” clarke said in his book, the lost worlds of 2001. “as far as i can recall, it was entirely his idea. ”
the 2008 pixar animation wall - e is a robot - in - space fable for my son’s generation. the film (like most space films, including moon and gravity) pays tribute to 2001, down to the details of red - eyed spaceship computer otto as antagonist and sequences of robots dancing in space .
in its day 2001: a space odyssey was one of the most talked - about films. the film divided audiences over all aspects of mise - en - scène and narrative: dialogue, sets, use of technology, music  and silence, not to mention the enigmatic ending .
kubrick was so taken by the short film that he hired douglas rain, the narrator of universe, to be the voice of the evil computer hal 9000 in 2001: a space odyssey, and also hired universe ’s optical effects artist wally gentleman to do special effects for the movie .
krämer, peter, ‘journey beyond the stars: science fiction, cinerama and the financing of 2001: a space odyssey ’, unpublished paper presented at ‘widescreen cinema: an international conference’, sheffield hallam university and the national museum of photography, film and television, bradford, july 2003 .
in a famous scene, the movie flashes forward four million years from the dawn of man to near earth space in 2001. this occurs as a newly intelligent ape throws a bone into the sky. we then see a space station, a shuttle and a flight to a large moon base .
mcaleer, neil, sir arthur c. clarke: odyssey of a visionary: the biography; rosettabooks, 2013
2001 was not so much a watershed as a reflection of his times. the beatles were splicing takes together on strawberry fields forever while kubrick was cutting 2001 .
kubrick was always a visual director, obsessed with composition since his early days of working as a still photographer. but the way he used cutting - edge special effects and classical cinematography techniques to suggest complex ideas in 2001: a space odyssey may be his greatest achievement .
perhaps the most significant single technique utilized in m - g - m' s
2001: a space odyssey
- considered in terms of its potential value to the film industry as a whole - is stanley kubrick' s extensive use of a completely new departure in the application of front - projection for background transparencies .
even 13 years after the titular date, stanley kubrick’s 2001 remains a monolithic presence in film history. imposing, inscrutable, iconoclastic – the film casts a long shadow over the sci - fi genre .
picture that howling monkey man at the beginning of 2001: a space odyssey, the one who discovered that a bone could be used as a weapon. well, what he did to the bones of one of his ancestors - bashing in skulls and changing mankind forever - serves well as a metaphor for what stanley kubrick did to film music in the first 25 wordless minutes of that film .
when stanley kubrick' s 2001: a space odyssey hit theaters in 1968, it was rightfully hailed as a masterpiece. it was technically and thematically unprecedented, and thanks to kubrick' s collaboration with arthur c. clarke, it was also the most scientifically accurate film ever made about space travel (based on what was known about the universe at the time) .
a match cut is a cut that joins two unrelated shots together in a way that makes them seem related. often this means cutting between two moving objects with similar trajectories — famously, a spinning bone cuts to a spinning space station at the start of 2001: a space odyssey (1968) — or between two objects with similar shapes, or between shots with similar composition .
pavel klushantsev’s 1957 film, road to the stars, features astoundingly realistic special effects that were an inspiration and obvious blueprint for stanley kubrick’s 2001: a space odyssey ten years later. the film is an extended form of science education, building upon existing 1950s technology to predict space exploration of the future. the sequences with astronauts in zero gravity are incredibly realistic. the second excerpt from the film features the construction of and life aboard a space station in earth orbit that is not only convincing but also beautiful. there are several scenes with space station dwellers using videophones that anticipate the famous kubrick videophone scene .
: a good source for screen captured images from the film and a great number of links to pages and resources relating to the film .
if there was a space race between kubrick and nasa, the director won. but as the many, many pages in bizony’s book show, 2001 wasn’t just a journey through space. it was a carefully wrought prediction for the future .
in the film, the orion iii spaceship carries passengers from earth to a handful of nearby destinations, including the space station v .
kubrick’s stunning use of classical music for the soundtrack, the art direction and the theme (‘what is man’s place in the universe’) turned the 70mm film into a mind - blowing experience and an irresistible mix of science fiction, technology criticism and adventure film. nominated for four oscar awards, 2001: a space odyssey ultimately received an oscar for special visual effects .
although many will find it more than difficult to interpret upon first viewing, it cannot be denied how much of a visionary tale it was for a 1960s film. 2001: a space odyssey revels in its audacious score, groundbreaking imagery and a notorious allegory that' s ambiguous to the audience even to this present - day. 4 / 5
a good - looking, sharp - edged, entertaining, exciting space opera .
the single thing that i think the film gets most wrong about the future is the video call sequence. in fact, although on present day earth mobile phones are more prevalent than toothbrushes, in
2001: a space odyssey
there are no personal mobile communication devices on display at all .
cinema is probably the most manipulative art form ever — it uses basic human emotions to evoke a response from the viewer. but stanley kubrick, through his non - verbal style in ‘2001: a space odyssey’, manages to break any barrier there is in art; the movie connects directly with your subconscious, both metaphysically and philosophically. there is no pretense, no artistic flourishes; everything is stripped down, displaying art at its purest. when ‘2001: a space odyssey’ released, nobody had ever seen anything like it before. 48 years have passed; and we are yet to see anything like it since. art is subjective; so as such there can never be one greatest film. but i don’t have any qualms in proclaiming ‘2001: a space odyssey’ as the most important film ever made. i don’t think anybody can argue with that !
a monumentally important screenplay. screenwriter must - read: stanley kubrick & arthur c. clarke’s screenplay for 2001: a space odyssey [ pdf1, pdf2 ]. (note: for educational and research purposes only). the dvd / blu - ray of the film is available at amazon and other online retailers. absolutely our highest recommendation. cannes classics will host the world premiere of an unrestored 70mm print of kubrick’s groundbreaking science fiction epic, 2001: a space odyssey. set for saturday, may 12, 2018, the screening will be introduced by filmmaker christopher nolan, who will be attending the festival de cannes for the first time. 2001: a space odyssey will return to select u. s. theatres in 70mm beginning may 18, 2018. “warner bros. will continue the celebration later this year when warner bros. home entertainment releases 2001: a space odyssey for the first time in 4k resolution with hdr. also produced in close collaboration with nolan, the home entertainment release will be available in the fall of 2018. ”
2001 : a space odyssey is a 1968 epic science-fiction film produced and directed by stanley kubrick . the screenplay was written by kubrick and arthur c. clarke , partially inspired by clarke 's short story " the sentinel " . clarke concurrently wrote the novel 2001 : a space odyssey , published soon after the film was released . the film follows a voyage to jupiter with the sentient computer hal after the discovery of a mysterious black monolith affecting human evolution . it deals with the themes of existentialism , human evolution , technology , artificial intelligence , and extraterrestrial life . it is noted for its scientifically accurate depiction of space flight , pioneering special effects , and ambiguous imagery . it uses sound and minimal dialogue in place of traditional narrative techniques ; the soundtrack consists of classical music such as also sprach zarathustra , the blue danube , and pieces from then-living composers aram khachaturian and györgy ligeti . 2001 : a space odyssey was financed and distributed by american studio metro-goldwyn-mayer , but it was filmed and edited almost entirely in england , where kubrick lived , using the studio facilities of the mgm-british studios and those of shepperton studios . production was subcontracted to kubrick 's production company , and care was taken that the film would be sufficiently british to qualify for subsidy from the eady levy . 2001 : a space odyssey initially received mixed reactions from critics and audiences , but it garnered a cult following and slowly became the highest-grossing north american film of 1968 . it was nominated for four academy awards and received one for its visual effects . the sequel 2010 was released in 1984 , directed by peter hyams . today , 2001 : a space odyssey is widely regarded as one of the greatest and most influential films ever made . in 1991 , it was deemed " culturally , historically , or aesthetically significant " by the united states library of congress and selected for preservation in the national film registry . the critics ' polls in the 2002 and 2012 editions of sight & sound magazine ranked 2001 : a space odyssey sixth in the top ten films of all time ; it also tied for second place in the directors ' poll of the same magazine . in 2010 , it was named the greatest film of all time by the moving arts film journal . 
2001: a space odyssey is a 1968 epic science-fiction film produced and directed by stanley kubrick. the screenplay was written by kubrick and arthur c. clarke, partially inspired by clarke's short story " the sentinel ". clarke concurrently wrote the novel 2001: a space odyssey, published soon after the film was released. the film follows a voyage to jupiter with the sentient computer hal after the discovery of a mysterious black monolith affecting human evolution. it deals with the themes of existentialism, human evolution, technology, artificial intelligence, and extraterrestrial life. it is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. it uses sound and minimal dialogue in place of traditional narrative techniques; the soundtrack consists of classical music such as also sprach zarathustra, the blue danube, and pieces from then-living composers aram khachaturian and györgy ligeti. 2001: a space odyssey was financed and distributed by american studio metro-goldwyn-mayer, but it was filmed and edited almost entirely in england, where kubrick lived, using the studio facilities of the mgm-british studios and those of shepperton studios. production was subcontracted to kubrick's production company, and care was taken that the film would be sufficiently british to qualify for subsidy from the eady levy. 2001: a space odyssey initially received mixed reactions from critics and audiences, but it garnered a cult following and slowly became the highest-grossing north american film of 1968. it was nominated for four academy awards and received one for its visual effects. the sequel 2010 was released in 1984, directed by peter hyams. today, 2001: a space odyssey is widely regarded as one of the greatest and most influential films ever made. in 1991, it was deemed " culturally, historically, or aesthetically significant " by the united states library of congress and selected for preservation in the national film registry. the critics' polls in the 2002 and 2012 editions of sight & sound magazine ranked 2001: a space odyssey sixth in the top ten films of all time; it also tied for second place in the directors' poll of the same magazine. in 2010, it was named the greatest film of all time by the moving arts film journal.
2001: a space odyssey is a 1968 epic science-fiction film produced and directed by stanley kubrick. the screenplay was written by kubrick and arthur c. clarke, partially inspired by clarke's short story " the sentinel ". clarke concurrently wrote the novel 2001: a space odyssey, published soon after the film was released. the film follows a voyage to jupiter with the sentient computer hal after the discovery of a mysterious black monolith affecting human evolution. it deals with the themes of existentialism, human evolution, technology, artificial intelligence, and extraterrestrial life. it is noted for its scientifically accurate depiction of space flight, pioneering special effects, and ambiguous imagery. it uses sound and minimal dialogue in place of traditional narrative techniques; the soundtrack consists of classical music such as also sprach zarathustra, the blue danube, and pieces from then-living composers aram khachaturian and györgy ligeti. 2001: a space odyssey was financed and distributed by american studio metro-goldwyn-mayer, but it was filmed and edited almost entirely in england, where kubrick lived, using the studio facilities of the mgm-british studios and those of shepperton studios. production was subcontracted to kubrick's production company, and care was taken that the film would be sufficiently british to qualify for subsidy from the eady levy. 2001: a space odyssey initially received mixed reactions from critics and audiences, but it garnered a cult following and slowly became the highest-grossing north american film of 1968. it was nominated for four academy awards and received one for its visual effects. the sequel 2010 was released in 1984, directed by peter hyams. today, 2001: a space odyssey is widely regarded as one of the greatest and most influential films ever made. in 1991, it was deemed " culturally, historically, or aesthetically significant " by the united states library of congress and selected for preservation in the national film registry. the critics' polls in the 2002 and 2012 editions of sight & sound magazine ranked 2001: a space odyssey sixth in the top ten films of all time; it also tied for second place in the directors' poll of the same magazine. in 2010, it was named the greatest film of all time by the moving arts film journal.