tuxedo junction ( film )
©2009 - 2018 tuxedo junction fine art. all rights reserved. questions? email us at info @ urltoken
in 1940, glenn miller and his orchestra recorded
tuxedo junction
for rca victor' s bluebird label .
tuxedo junction fine art offers two fast paced, hands - on, immersive (and fun !) seminars that challenge students to experience what it’s like to work in a professional scenic studio and on a feature film location .
all the hits of the band are represented – moonlight serenade, in the mood, tuxedo junction, chattanooga choo - choo, pennsylvania 65000. some artistic licence has been taken but the whole is funny, celebratory, and at the end fairly touching .
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
every film that has ever been nominated for an academy award in any category. enjoy !
this list collects every film from the starting list that became they shoot pictures don' t they' s 1000 greatest films. this…
motion picture | feature film (over 60 minutes) .
singing down the road
by raymond scott. (songs). motion picture (form) .
the collection consists primarily of kern' s show music, some holograph sketches; most are manuscript full and vocal scores of kern' s orchestrators and arrangers, especially frank saddler and robert russell bennett. film and ...
what more is there to say really except, if you' re
in the mood
for a
moonlight serenade
, then
beat me daddy, eight to the bar
crosstown
to catch the
chattanooga choo choo
at
tuxedo junction
cause
i' m headin' for california
, where we' ll be
doin' the jive
and the
community swing ,
while listening to the
jukebox saturday night
. but, it won' t stop there and
i know why and so do you ,
because
tomorrow' s another day
and the
skylark
will be singing the
sunrise serenade .
for, with glenn miller ,
every day' s a holiday .
: )
recent tv / film includes scott and bailey (itv) spooks (bbc) monarch of the glen (bbc) the iron lady, passage, angel cake, casualty. recently won 2 awards for his audio book of wolf hall .
jazz on the screen is a reference work of filmographic information and does not point to digitized versions of the items described. the library of congress may or may not own a copy of a particular film or video. to request additional information ask a librarian .
motion picture | feature film (over 60 minutes) .
sophisticated lady
by mitchell parish, irving mills, duke ellington ;
forever and ever
by malia rosa, franz winkler. (songs). jerry colonna as himself. (personnel on ...
this seminar covers the scenic artist’s role in working in the film and television. topics covered are the job market, safety, materials, tools, the working environment and preparing each student to work in the film industry. students participate in painting styles and techniques including: aging, wood grain, wallpapering, temporary painting, texturing, marbling, chromakey, and much more. with each project, donna shows samples from the many films and tv shows she has worked on. the seminar length is 40 hours and it can be adjusted to fit your time frame and budget .
motion picture | feature film (over 60 minutes) .
i' ve never forgotten
,
i was silly, i was headstrong and impetuous
,
what makes you beautiful, beautiful ?
,
lady with a mop
by sammy cahn, jule ...
motion picture | feature film (over 60 minutes) .
chiquita from santa anita
,
is there anyone here from texas ?
,
i guess i' ll have that dream right away
,
couldn' t be more in love
,
the ...
motion picture | feature film (over 60 minutes) .
i' ve heard that song before
,
you' re so good to me
,
if it' s love
,
man
,
gotcha too ta mee
,
you got to study, buddy
by ...
admittedly there is not a lot of depth given to the people characterized here, but this works wonderfully as a celebration of the life and career of glenn miller. those who recently had their perspective on jazz change due to la la land should check this out, as i find this shares many similarities to the second half of that film (dare i say this was a major influence ?), and the music here is the real thing .
the weaver brothers and elviry have migrated from their usual hard - scrabble digs in the ozarks and have taken up truck - farming (raising fruits, vegetables and flowers) on some more - bucolic farm land outside the city - limits sign of pasadena, california. there small farm is adjacent to the estate of a wealthy snob and it stands to reasons that he and the weavers are not going to the same social functions. things get worse when the weavers start taking migrant youths off of the streets, feed them, bed them, and employ them in their gardens. one of the migrants is a tough little cookie, sock, of the type usually played by frankie darro (and is played by frankie darro here), and he makes some problems because he isn' t totally convinced the weavers aren' t just out to exploit him and his fellow vagabonds. the film also has time for the budding romances between sock and pansy, and between bill bennett, a juvenile probation officer, and joan, the daughter of the rich snob. the climax comes when ...
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leonard maltin classic movie guide, copyright 2005, 2010. used by arrangement with penguin group (usa) inc .
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the weaver brothers and elviry have migrated from their usual hard - scrabble digs in the ozarks and have taken up truck - farming (raising fruits, vegetables and flowers) on some more - bucolic... see full summary »
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
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the library of congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. the written permission of the copyright owner and / or other rights holder (such as holder of publicity and / or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions .
the content of jazz on the screen: a jazz and blues filmography by david meeker is copyrighted by david meeker and used here by permission of the author .
jazz on the screen reflects the opinions of its author, david meeker, and not the views of the library of congress .
citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate .
filmography. pdf document | 2146 leaves; 30 cm. | by david meeker. (statement of responsibility). pdf document (form). pdf document (form). pdf document (form). print (form) .
sheet music | 1 score | by william g. dietrich. (statement of responsibility). also available through the library of congress web site as facsimile page images. sheet music (form). sheet music (form) .
sheet music | 1 score | by carl heinemann. (statement of responsibility). also available through the library of congress web site as facsimile page images. sheet music (form). sheet music (form) .
the world famous glenn miller orchestra under the direction of larry o' brien. japan tour 1983. rare homemade video by one of the band members catches the orchestra in concert as well as in rehearsal and travel. japan tour included 28 cities in six weeks. this clip features the trumept section: from left to right - mike ruth, larry newman, dave scott, barry springer .
the weaver brothers take charge of three delinquent boys who eventually win first prize at the carnival with their own roses .
this seminar covers the usage of nine foams that are commonly used in scenic studios. topics covered are the job market, safety, materials, tools, working with each foam and preparing to work in the themed environment industry. students participate in sculpting and working with each foam. lots of information and projects to take home. the seminar length is 40 hours and it can be adjusted to fit your time frame and budget .
each school will need to provide materials for each student (materials list is provided) .
students working on their projects in the all about foam seminar. brigitte, on right, holding up the apple she sculpted and painted .
all aboard for a toe - tapping ride across america in the company of an eclectic band of musicians. it’s the 1940s, hollywood’s booming, gasoline and nylon stockings are rationed, women are wearing their hair in victory rolls, putting on red lipstick and jitterbugging with gis. the music scene is booming with swing, jazz, crooners and everything in between and we’re on a train heading for… who knows? but wherever we’re going, it’s going to be one helluva ride !
following last year’s sell - out show, the devil and the deep blue sea, a company of watermill trade - mark actor - musicians, including simon slater and julian littman, take us on another musical journey featuring songs of the period including chatanooga choo choo, take the a train, you’d be so nice to come home to and is you is or is you ain’t my baby .
opera includes: l’elisir d' amore, lucia di lammermoor, the merry widow, the magic flute, don carlos, the barber of seville (pavilion opera); mozart' s impressario, cavalleria rusticana, don giovanni and the marriage of figaro (zeist festival, amsterdam) .
hedwig & the angry itch, pump boys and dinettes, pilgrim, fire angel .
julian is is a member of folk / rock pioneers steeleye span and has written songs for sheena easton, sister sledge, gerry rafferty, charlie dore, toto coelo and philip bailey. he has played with gerry rafferty, dexy’s midnight runners, pete townshend .
theatre credits include: fiddler on the roof (music & lyrics ltd .); master class (english theatre frankfurt); the susan boyle story i dreamed a dream (michael harrison entertainment / no. 1 tour); sleeping beauty (new wolsey ipswich); alice in wonderland, the lion, the witch and the wardrobe and animal farm (all for the west yorkshire playhouse and birmingham rep .); the talented mr ripley, sense & sensibility, cabaret and face (queen’s theatre, hornchurch); extensive work for the watermill theatre including copacabana, martin guerre, hot mikado, spend, spend, spend, moonlight & magnolias, gondoliers, fiddler on the roof and sweeney todd .
credits include: much ado about nothing (royal exchange theatre); the color purple (menier chocolate factory); the pyjama game (chichester festival theatre); ragtime and a midsummer nights dream (both regents park theatre); aladdin and cinderella (both lyric theatre); antony and cleopatra (nuffield theatre); grimm tales (library theatre); england people very nice (royal national theatre); our house (cambridge theatre); the drowsy chaperone (gatehouse theatre); footloose (uk tour / mark goucher); fame (aldwych theatre) .
a vibrant tribute to one of america' s legendary bandleaders, charting glenn miller' s rise from obscurity and poverty to fame and wealth in the early 1940s .
an unhurried, loving tribute to a man and his music and the people he surrounds himself with; the most crucial of which is helen, his unfailing wife and dearest friend .
james stewart in one of his best roles of the 1950s playing the late bandleader in the embellished story of his life; june allyson plays his wife – one of her best roles and i believe one of her personal favourites .
watching the real miller in ‘orchestra wives' and then watching this, stewart is really a revelation in this role .
one of the best hollywood biopics, right in the middle of a glut of them (love me or leave me, with a song in my heart, the eddy duchin story, night and day, words and music, three little words …) .
even as a jazz fanatic with romantic penchant for the 40s and glenn miller, this drags quite a bit. the romance angle is really boring. but there are great moments, like when miller finally nails “the sound” during that performance of moonlight serenade, right on cue with mann’s push - in on stewart’s face .
as far as i' m concerned, american music is defined by glenn miller. seeing jimmy stewart, an american icon, portray another american icon was a pleasure to watch, and the music is pure bliss .
i didn' t really know anything about glenn miller and watched these purely because i love james stewart. and while i have to admit that stewart has a very definitive style of performance (so can' t speak to how accurate his portrayal was) the fact remains that he is always charismatic and works really well with june allyson who plays miller' s college sweetheart helen .
there’s the beatles, elvis, mozart, nirvana and then there’s glenn miller. musicians that changed the course of music in their time, genius’s .
what a delightful biopic. the chemistry between jimmy stewart and june allyson is so fun and heartwarming .
love glen miller’s music, but i never knew anything about his life. it was fascinating and jimmy stewart and june allyson are some of my favorites !
when my jazz theory teacher was sick, the sub would just put this on for us to watch. our class would compete to see who had the best james stewart impression. i usually won .
pese a que, hasta que la música te atrapa, cuesta un poco entrar en ella, es una película filmada con mucho amor, algo que se evidencia en los primeros planos de los personajes, en las miradas, en el tratamiento de los mismos con orgullo por ellos y siempre desde el cariño. lo dicho, preciosa y triste hasta decir basta. sencillamente encantadora .
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tuxedo junction is a 1941 american comedy film directed by frank mcdonald and written by dorrell mcgowan and stuart e. mcgowan . the film stars leon weaver , june weaver , frank weaver , thurston hall , frankie darro and sally payne . the film was released on november 25 , 1941 , by republic pictures . 
tuxedo junction is a 1941 american comedy film directed by frank mcdonald and written by dorrell mcgowan and stuart e. mcgowan. the film stars leon weaver, june weaver, frank weaver, thurston hall, frankie darro and sally payne. the film was released on november 25, 1941, by republic pictures.
tuxedo junction is a 1941 american comedy film directed by frank mcdonald and written by dorrell mcgowan and stuart e. mcgowan. the film stars leon weaver, june weaver, frank weaver, thurston hall, frankie darro and sally payne. the film was released on november 25, 1941, by republic pictures.