familia rodante
rolling family (familia rodante) | st. louis news and events | riverfront times
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familia rodante - spanish film with near - damn the same plot from little miss sunshine and some grossly boring cinematography, acting and pacing. and after earth is hilarious, shut up .
familia rodante introduces us to grandma emilia on the day of her 84th birthday when her eclectic family comes together to pay their respects to the family matriarch. emilia informs everyone that she’s to be the matron of honour at a wedding thousands of kilometres away. familia rodante is a heart - warming road movie with both a dry sense of humour and a keen understanding of family dynamics .
mi familia
- - con las canciones ,
soñando con p. r. y
patria
a' family guy', trapero always used members of his own' familia' in his movies, most famously his grandmother, graciela chironi, a main character in crane world and familia rodante. the same can be said about the structure of his company and his crew: a group of friends and collaborators who have been working together for more than a decade creating that same sense of' home' their films have .
“films need to be made so that people go to see them. it is a strategy of matching the product with the point of sale, ” says goldbart, who will make his directing debut with “visitor” after picking up experience as an editor on berlin - laureled “el custodio” (the bodyguard), pablo trapero’s “familia rodante” (rolling family) and “el bonaerense. ”
after forming the production company, matanza cine, and starting to work with martina gusman, trapero continued to direct films that showed different facets of his cinematic personality: from the low key comedy of rolling family (familia rodante, 2004) to the tough family drama born and bred (nacido y criado, 2006), a film in which his wife (a professional actress) also started appearing in front of the camera .
another low - budget gem from the new argentine cinema, this vibrant, bitter - sweet film crams four generations of a buenos aires family into an ageing camper van for a 1000 km trip up to the border with brazil. the cramped, stifling conditions and assorted mechanical failures bring domestic tensions and romantic conflicts to the surface. but familia rodante is generous in its sympathies, and is buoyed by the spirited central performance of the filmmaker' s real - life grandmother, the non - professional actress graciana chironi .
surveying the online reviews of pablo trapero' s
familia rodante
, there seem to be two dominant views. some herald it as a masterpiece of rich emotion and imagery. others see it as a cloying and manipulative dramedy; an argentinean
l ittle miss sunshine
. as often is the case, my own opinion lies in the middle. while there was some humor and character development that i found grating, there was fortunately enough to keep me entertained in the film. for every moment of
little miss sunshine
- esque disingenuousness or cornball humor, there was enough real emotion or gorgeous cinematography to make the viewing worthwhile. the image here is one of strongest yet that i' ve come across from artificial eye. the non - anamorphic widescreen presentation of the film preserves its original aspect ratio of 1. 66: 1. the detail is very strong in the images, with all colors looking quite sharp. what' s more, there' s no indication anywhere here of damage or manipulation. overall it' s quite impressive despite not being 16x9 enhanced .
in a land where crusading investigative journalists⸻especially those who concern themselves with the dodgy doings of local and national politicians⸻seem so often to be tragically “accident - prone, ” it’s perhaps surprising, but also encouraging, that many filmmakers unflinchingly detail the grim dysfunctions that have come to define their post - communist, gangster - capitalist world .
the hircine duo trundle slowly out of their hiding - place facing forward, then swivel to confront each other and perform their ceremonial dozenfold butting of heads, before withdrawing back behind closed doors to rest for another 23 hours and 55 minutes .
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a wedding invite from an estranged sibiling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan .
jermaine fowler and omari hardwick of sorry to bother you take us back in time to the worst jobs of their careers .
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a young locksmith is forced to leave his home and family to join the buenos aires police force .
in argentina over 8, 000 people die in traffic accidents every year. behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. sosa is a... see full summary »
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the life of two women and their families in a small provincial town of salta, argentina .
a woman in her late - twenties called silvia prieto wants to improve herself. her discovery of a second person also called silvia prieto will change her life forever. maybe not the changes she hoped for .
ras is a construction worker and graffiti artist in his neighborhood of east cali, colombia. after he loses his job he sets off on a journey across the city to find another graffiti artist .
alejandro is a taxi driver about thirty - five years is suddenly in the midst of separations, violent weather changes, sudden wealth and characters who want to return to argentina .
on her 84th birthday, emilia gets a call from her sister in misiones inviting her to be matron of honor at a family wedding. emilia tells her family that all of them are making the trip. her two daughters, their husbands and children, one great - grandchild, and one child' s friend jam into a camper van atop an old chevy pickup. they leave from buenos aires. engine trouble, a toothache, a stray dog, mosquitoes, and the heat complicate the journey. cousins kiss, a melancholy brother - in - law tries to re - kindle an old flame, and the infant' s father shows up uninvited. the screen is full of close ups .
well, that' s life ,
says emilia .
graciana chironi, the woman who plays emilia' s character, is not an actress, is real life' s mother of the director pablo trapero .
its bad, sorry' naturalistic'. a bunch of unlikeable people go on a road trip and you don' t find out anything about them. or maybe you do, its just that we decided we couldn' t last longer than about 45 minutes into the film. we' d have lasted a lot longer if it had just been a film taken by someone poking a camera out of a car window for an hour, because some of the scenery could have looked lovely, and there would certainly have been more action. i had wondered if it was a cultural thing, if it was a problem with the humour not being translated well into the subtitles, but to be honest i really think it really is that dull. there is an issue with the style of movie and the subtitles, in that its often hard to work out which of the characters mumbling in the background the subtitles actually refer to. there have been some comparisons with little miss sunshine but there is no comparison. one has interesting characters well developed in a very economical way, poignant moments and some real humour, the other has a guy swearing at toll booths every few minutes .
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indeed it' s chironi' s 84 - year - old matriarch emilia who kick - starts the story by insisting that her children, grandchildren and great - grandchildren all accompany her to a wedding in her hometown where she has been asked to be a maid of honour. trapero doesn' t provide us with much information about his ensemble cast - we never learn for example about their jobs in the city and we don' t particularly get to know any one individual. the focus is on the present, and how they all cope with the arduous conditions on the journey, and the restless, handheld camerawork and tight framing reflect their collective discomfort .
trapero provides us with various glimpses of rural argentina: the landscapes grow more verdant the further north the family drives, cowboys roam the roads, and a small town is decked out in blue - and - white national flags to celebrate a holiday. and amidst the bickering and disagreements amongst emilia' s relatives - one son - in - law makes a romantic play for his sister - in - law - the film pays tribute to the practical resourcefulness of its characters in the face of numerous obstacles. the rolling family of the title becomes a metaphor for argentinean society as a whole, struggling along but sticking together despite the country' s economic crises .
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an 84 - year - old matriarch (graciana chironi) gathers four generations of her family together for a road trip across argentina to attend a relative' s wedding. traveling in a rickety camper van, they hit a number of bumps in the road as they travel toward their ultimate destination .
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summary: a family drama unfolds as four generations set off on a long road trip in a decrepit campervan to a wedding .
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you suck the blood of the afflicted. those lacking imagination take refuge in reality .
invincible (tv movie not the mark wahlberg movie) starring billy zane, the guy who played lincoln on prison break, some chick and the black cop on true detective that isn' t brother mouzone from the wire. its so bad its not awesome, but its awesomely bad. must be seen .
probably because it' s fresh in my mind. street fighter the legend of chun li. was flipping channels the other night and watched the last 40 minutes of it. just awful .
leprechaun in the hood (horror) freddy got fingered (comedy) catwoman (action) titanic: the legend goes on. . (animation) the roller blade seven (science - fiction) bloodrayne ii: deliverance (western) kony 2012 (documentary )
this chapter claims that inés de oliveira cézar’s cassandra (argentina, 2012) inscribes and subverts the generic conventions of the road movie, the female bildungsroman, and even neorealism. while the road trip favors character development and female independence, the protagonist, a journalist whose job is to denounce the deforestation that deprives indigenous peoples of their ancestral lands in the argentine northeast, does not turn out to be a successful journalist, since she becomes extremely aware of the limitations of language and representation. in this film, cultural critique is represented narratively and the deictic pointers typical of neorealism are ambiguous. instead of the expected overt political messages denouncing the plight of indigenous peoples, cassandra makes us to reflect upon the limitations of objective representation as well as the unfeasibility of speaking for the subaltern .
these keywords were added by machine and not by the authors. this process is experimental and the keywords may be updated as the learning algorithm improves .
. trans. rushworth kennard davis. oxford: b. h. blackwell. print .
aranda, darío. 2015. los desmontes de la soja (soybean deforestation) .
bernardes, horacio, diego lerer, and sergio wolf. 2002. from industry to independent cinema: are there ‘industry auteurs’. in
, ed. horacio bernardes, diego lerer, and sergio wolf, 119–131. buenos aires: ediciones tatanka, fibresci. print .
. 2012. dir. inés de oliveira cézar. argentina: morocha films, dvd .
. 2005. dir. inés oliveira cézar. argentina: barakacine & morocha films, dvd .
. trans. hugh tomlinson and barbara habberjam. minneapolis: university of minnesota press. print .
trans. hugh tomlinson and robert galeta, 7th ed. minneapolis: university of minnesota press. print .
. 2004. dir. walter salles. brazil: film four, dvd .
2007. dir. inés de oliveira cézar. argentina: morocha films, dvd .
gordillo, gastón, and silvia hirsch. 2003. indigenous struggles and contested identities in argentina: histories of invisibilization and reemergence .
joensen, lilian, and stealla semino. 2004. argentina’s torrid love affair with the soybean .
. ed. paulo gurgel valente. rio de janeiro: editora rocco. print .
2003. dir. albertina carri. argentina: primer plano film group, dvd .
2003. dir. vicente amorim. brazil: luiz carlos barreto produções cinematográficas, dvd .
pengue, walter. 2005. transgenic crops in argentina: the ecological and social debt .
qaim, matin, and greg trexler. 2005. roundup ready soybeans in argentina: farm level and aggregate welfare effects .
. 2010. dir. inés de oliveira cézar. buenos aires, argentina. ajimolido films, dvd .
rodríguez mir, javier. 2009. la apropiación simbólica como forma de poder: la necesaria y temida alteridad entre los wichí del chaco argentino .
, ed. cary nelson and lawrence grossberg, 271–312. urbana / chicago: university of illinois press. print .
. 2001. dir. fito páez. buenos aires: circo beat, dvd .
. 2001. dir. alfonso cuarón. mexico: anhelo producciones, dvd .
( 2012). in: garibotto v. , pérez j. (eds) the latin american road movie. global cinema. palgrave macmillan, new york
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the opening close - ups of gabbling caged birds prove all too apt here: charting an extended family’s cross - country odyssey to a distant relative’s wedding, pablo trapero ’s road movie - cum - domestic saga can feel a bit like being trapped in a cramped, sweaty trailer with an exotic menagerie. under grandma’s matriarchal eye, various siblings and their partners squabble, flirt and bond while the grandkids range from rock chick romantic refugee to horny adolescent to junior dog - lover. keeping track of the myriad (somewhat soapy) plotlines is a challenge but trapero is adept at realising moments of simmering irritation or sexual tension and, despite the often confined quarters, keeps his shots mobile and filled with colour .
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an argentinian family, led by the 80 - something grandmother emilia, set out on a two day trip by camper van to attend a family wedding on the other side of the country. family drama ensues .
director pablo trapero apparently hoped this trans - argentinian odyssey would show both how today' s happenstances become tomorrow' s memories, and how differently the young and the old approach life. however, these laudable intentions have slipped somewhere between his mission statement and the screen – what remains is an overly familiar collection of domestic crises crammed together in a rickety camper van .
even worse, this record of the misadventures of octogenarian graciana chironi and her family en route to a wedding on the brazilian border encompasses so many viewpoints that it' s impossible to get to know the sketchy characters - and when your film is essentially a character study, that' s disappointing .
the cast is as spiritedly naturalistic as guillermo nieto' s cinematography, but there' s no sense of place (let alone insight), and for a road movie that' s a fatal flaw .
the moving road movie by argentinian director pablo trapero is an excruciating yet hilarious depiction of family politics .
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select an author simon abrams melissa anderson michael atkinson laura beck sherilyn connelly serena donadoni inkoo kang karina longworth violet lucca calum marsh amy nicholson michael nordine john oursler chris packham nick pinkerton nick schager andrew schenker alan scherstuhl luke y. thompson zachary wigon robert wilonsky chuck wilson stephanie zacharek
the grandmother of a large, extended family is invited to become the matron of honor at her niece' s wedding in her far away, native hometown. and so, the adventure begins as the whole clan hits the road in a mobile home .
synopsis twelve family members travel to a wedding cross country argentina, a land stained in an intense economical and social crisis. the different generations that compose the family will be forced to coexist for a considerable amount of time in an old vehicle that can barely transport that many people .
colour s - 16mm blow up to 35mm 1: 1. 85 dolby digital
future learning and skills – giving everyone the opportunity to build a lifelong relationship with film .
an eighty - four year - old grandmother has been asked to be the matron of honour at a wedding being held in her old home town. wanting to share the thrill of having been chosen, she invites her entire family to accompany her on the trip from buenos aires to a small country town near the brazilian border .
max, a macho, solitary rottweiler police dog is ordered to go undercover as a primped show dog in a prestigious dog show, along with his human partner, to avert a disaster from happening .
tamara is separated of diego since two years. she leaves finally the nest to live the student adventure in paris with his girlfriend sam. in galley apartment, they accept a cohabit with wagner. problem: diego is part of the lot, he is no more single .
dany versavel has problems with his son sullivan, who is on the 15 - year - old age is who wants no father more which the tough hero hang out behind the bars. for dany is his
ket
his life, he would not, under any circumstances to lose him, and so he decided early to escape from prison .
michel has lost the stuffed animal of his daughter at the airport of roissy. he distributed a notice of research with a reward. sofiane, employee at the airport, sees the opportunity to make a little money and claims to have found the teddy bear. the lie revealed, michel and sofiane launch despite... read more ...
four lifelong friends have their lives forever changed after reading 50 shades of grey in their monthly book club .
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den of thieves; suicide mission; ¡qué gozada de divorcio! ; dom; race for glory; scores to settle; died wretched; karishika; dzidzio contrabass; keitai kareshi; operation moscow; the motel life; tada - kun wa koi wo shinai; dr. psycho - die bösen, die bullen, meine frau und ich; bull durham; (mehr... )
completely and totally wrong. like and also argentina, just made the sedan and five - door hatchback. none coupé, cabrio or sw versions .
in a wagon version, can be possible... not a funeral car, it' s the wagon version. and few imported in colombia, not made .
it' s correct. all (or something similar) the cars sold in south america have the amber turn signals .
elsaxo wrote in argentina the weather information are always shown in the bottom of every television broadcast? seems to be really annoying... no, not at all. for the volver movies, and others, i edited several times this info (and few times, the logo of the channel) .
i saw this movie today... looks in the north of south america, but isn' t
real
at all. maybe the north of colombia (la guajira) and some areas of venezuela was the most exactly south american set (desertic with petrol) .
if... you put en google the title of the movie, appears only 1963. no other matches. here not really used the next year (1964 for a 1963 car) for any model like in usa or europe .
no way, cl82. this is the same, dsl. for me, it' s a isard t 700 - > urltoken (goggomobil made under license here )
no, fissore (or any similar) maybe correct, but it' s an anachronism if it' s true .
electra225 wrote none of the two: i think a. ika renault by the side style. you' re kidding, drunk? ?? serious ?
made in canada / search. php? resultsstyle = aslist & sortby = 0 & make = ford & model = edge
[ u387 ] made in canada / search. php? resultsstyle = aslist & sortby = 0 & make = ford & model = edge
if it' s correct: the enquiry is complete. the vehicle details for a370 wwo are: date of liability 01 03 1996 date of first registration 01 02 1984 year of manufacture 1984 cylinder capacity (cc) 1296cc co2 emissions not available fuel type petrol export marker n vehicle status unlicensed vehicle colour blue
rather germany, not italy, like the rest - > / vehicles _ make - bmw _ model - isetta. html
okay, many thanks. not confirmed the russian - production for the 408 ?
actually, it' s completely chinese origin? the other 408 (made here) was posted with french origin .
die bilder unterliegen dem urheberschutz und sind eigentum der filmgesellschaften oder besitzer der filme. kommentare sind eigentum der jeweiligen autoren .
festival favourite from pablo trapero, the semi - autobiographical rolling family stars trapero’s own grandmother, who won awards for her performance as the family matriarch .
octogenarian grandmother emilia (graciana chironi) squeezes her extended family into a dilapidated motor home for a cross - country road trip teeming with domestic discord in this argentinean comedy. as they travel toward the brazilian border to attend a family wedding, relationships blossom and fall apart, old feuds reignite, and other thorny issues crop up in the camper’s stifling close quarters .
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responsibility distribution company s. a. argentina presenta; buena onda films presenta; una producción de matanza cine; guión y dirección, pablo trapero; productores, pablo trapero, donald ranvaud, robert bevan. language spanish, english, french. in spanish with optional english, french or spanish subtitles. edition widescreen version. imprint san luis [ argentina ]: avh, c2005. physical description 2 videodiscs (103 min .): sd. , col. ; 4 3 / 4 in .
contributor trapero, pablo, 1971 - ranvaud, donald. bevan, robert. chironi, graciana. buena onda films. matanza cine (argentina) avh (firm )
a wedding invitation from an estranged sibling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan .
subject extended families > argentina > drama. families > drama. grandmothers > drama. older women > drama. motor homes > drama. weddings > drama. motion pictures > argentina. genre road films. feature films .
release date 2005 production date 2004 note bonus features: theatrical trailer, synopsis, interview with the director, photo gallery, deleted scenes. originally produced as a motion picture in 2004. production credits cinematography, guillermo nieto; editing, nicolás goldbart; music, león gieco, hugo díaz, juajo soza. participant graciana chironi, liliana capuro, ruth dobel, federico esquerro, bernardo forteza, laura glave, leila gomez, nicolás lópez, marianela pedano, carlos resta, raúl viñales. format dvd (region 4). publisher number dv2081 avh
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the sound is similarly good. presented in dolby digital 2. 0, the audio here makes full use of the best that mono has to offer, with the dialogue and music always sounding crisp and clear. the subtitles are large and white, but never prove obtrusive toward the image. aside from the director' s biography and a short theatrical trailer, the only extra here is a
making of ...
documentary, that blends talking heads with footage from the set. those who enjoyed the film will likely find this to be a worthwhile viewing experience as well. my overall impression of this release is that it' s an impressive package from one of the most important studios operating today, of a decent film. that sounds like a recommendation to me .
on her 84th birthday, emilia gets a call from her sister in misiones inviting her to be matron of honor at a family wedding. emilia tells her family that all of them are making the trip. her two daughters, their husbands and children, one great - grandchild, and one child' s friend jam into a camper van atop an old chevy pickup. they leave from buenos aires. engine trouble, a toothache, a stray dog, mosquitoes, and the heat complicate the journey. cousins kiss, a melancholy brother - in - law tries to re - kindle an old flame, and the infant' s father shows up uninvited. the screen is full of close ups .
well, that' s life ,
says emilia. written by
graciana chironi, the woman who plays emilia' s character, is not an actress, is real life' s mother of the director pablo trapero. see more »
buenos aires — in the quest for stronger sales, argentine production house aeroplano has broken away from the director - driven movement to take on a black comedy .
nicolas goldbart will helm the $ 1 million laffer “visitor” about an argentinean who is detained by u. s. immigration and thrown in jail by airport officers who suspect him of criminal activity .
daniel hendler of hits like berlin - laureled “lost embrace” and “family law” will star .
the move is aimed at securing wide distribution in argentina, where multinational chains dominate exhibition and hollywood imports command 85% of ticket sales. most homespun pics — argentina produces 60 - 70 features a year, the most in latin america — fail to break even at the box office .
now, more directors and producers are working closer together on genre films and other projects that may grow admissions .
audiences in argentina hunger for homemade films with strong and entertaining stories, says aeroplano’s sebastian aloi .
pampa films is producing car - racing comedy “la leyenda” (the legend) and disney - backed patagonik film group is doing an adaptation of “high school musical” and the horror pic “white coffin. ”
k & s films, another top producer, is prepping “cimarron, ” a horror film directed and written by israel adrian caetano, who wrote and directed 2006 cannes entry “cronica de una fuga” (buenos aires 1977); as well as the sci - fi thriller “el extranjero” directed by damian szifron (“on probation”); and alien - invader action pic “el eternauta” helmed by lucrecia martel (cannes entry “the woman without a head”) .
aeroplano has raised financing from private investors and the argentine state film institute incaa. it’s planning to start lensing in december and january for a third quarter 2009 release of “visitor. ”
buenos aires — in the quest for stronger sales, argentine production house aeroplano has broken away from the director - driven movement to take on a black comedy. and it’s not the only production house in search of commercial hits. nicolas goldbart will helm the $ 1 million laffer “visitor” about an argentinean who is detained by u. s. [ … ]
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alvaray, luisela. 2013. hybridity and genre in transnational latin american cinemas .
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garibotto v. , pérez j. (2016) introduction: reconfiguring precarious landscapes: the road movie in latin america. in: garibotto v. , pérez j. (eds) the latin american road movie. global cinema. palgrave macmillan, new york
a wedding invite from an estranged sibling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan .
this film is not currently playing on mubi but 30 other great films are. see what’s now showing
well done slice of life. why is it always the uncles who are the jerks? certainly true in my family .
a family drama heightened by close quarters as the family of the title travels to a wedding in a rather old rv (it looks like it' s from the 1950s or 1960s). why is this important? because the creaky, rattling, stifling vehicle is a metaphor for the dynamics of the family. they experience multiple mishaps, and a crisis or two, but in the end they persevere together. more or less. no special effects, just human drama .
this was actually one of my favorites on mubi so far. i found it be hilarious and at the same time beautiful. the film captures the strong - standing relationship latino families share for one another. the director pablo trapero is known for his family orientated work and gorgeous scenes that give justice to the beauty of his nation. the film is a must - see in my opinion .
while the camera work nicely depicted the feeling of a real road trip, and the background music was nice for the atmosphere, that' s about where the praises stop. this movie encounters the same problem that most other family - central movies do where it mostly depicts the characters encountering mundane problems and people complaining about either the problems or each other. it makes the film noisy and grating to watch .
loved this movie! not a fast paced movie but it really made you feel as if you were on a long road trip with family. the actors were so good at their job it made me feel as if they were my own family. lets not forget the scenery. great locations to film the landscapes were very nice. very interesting movie, the director really knew what he was doing. great at explaining things without going into the boring zone .
a manic south american road movie. trapero stuffs a lifetime of experiences into a rattling claptrap of a truck / camper. love. lust. jealousy. rage. the longing for a past that can never return and perhaps never really existed. discovery. realization. acceptance. at the end you want to take the trip back .
beautiful family portrait - road - trip. it' s just bumpy enough to rattle loose all sorts of skeletons and sexuality. at the heart of it, the matron who has an enigmatic agenda we learn in the last moments .
nice camera work, with a lot of close - ups. great movie !
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pablo trapero is not yet 40 years old but has already directed six films and produced even more, an unusual feat not only in argentina, where he lives and works with his wife - actress and coproducer martina gusman -, but worldwide .
since the beginning of his career and, later, when he started working with gusman, trapero showed a particular talent for making personal films, filled with his own themes and obsessions, that also had commercial appeal. carancho, his latest film, was the most successful of his career and is, from beginning to end, a rough and tough' trapero' film, with no concessions to the so - called' market', even when the main actor is argentina' s top star ricardo darín .
as the official story already goes, trapero was a big part of the seismic generation change that took place in argentine cinema during the second part of the 90' s. his first movie, crane world (mundo grúa), gave him international visibility, winning awards in venice, rotterdam and havana, among many others. crane world, a small film shot over weekends with friends, was also a surprise commercial hit in argentina, allowing him to create a bigger, more dense, story about police corruption in el bonaerense (2002), a film that was shown in cannes .
with lion' s den (leonera, 2008) and carancho (2010), trapero reconfirmed his place as one of latin america' s top filmmakers. both were very well received in cannes — lion' s den was his first in competition for the palme d' or — and became hugely successful at home. and both, of course, showed the considerable strength and talent of gusman as a lead actress, confirming the great instinct of trapero with his characteristically unusual choice of actors. her performance in lions' den has been bestowed the high accolade as one of the greatest in the history of argentine cinema .
carancho marked a new level of risk and exposition for trapero: working with a well known star (with very few exceptions, his films always used little - known or non professional actors) such as darín. and he handled it very well, creating a film that can be watched as a companion piece to el bonaerense: another incursion into the dark world of crime in the buenos aires province. carancho is a film noir with a realistic streak. and, as lion' s den before it, a story about the pursuit of love even in the most difficult circumstances. you can say the same about all his movies. as different as they may look from the outside, at the core there are films about fighting moral corruption and finding a place in a tough world, with the help of the very few people who you trust and love .
pablo trapero and martina gusman are one of the biggest creative forces of the last decade in argentine cinema and will doubtless be a great inspiration for future generations of latin american directors and producers .
rulo, a 50 - year - old bass player in a famous rock group of the seventies, finds work as a crane operator at a building site. but before he actually gets the job, he has to pass a number of tests. meanwhile, he embarks on a love affair with adriana, the owner of a kiosk, and along with her we learn of the tumultuous past of rulo and his band. rulo has to provide for his mother and 19 - year - old son claudio, who wants to follow in his fatherís footsteps and form a band of his own. then one day, a crane operator appears and takes ruloís job, who is forced to leave buenos aires for a secure job and steady pay 2, 000 kilometers away. however, after a long period of adjustment, work on the new building site stops, and rulo returns home, to start all over again. the film was a competition entry at the 40th thessaloniki international film festival and received numerous awards at international film festivals, including the tiger and fipresci awards at the rotterdam film festival 2000.
familia rodante ( english : rolling family ) is a 2004 comedy drama film , written and directed by pablo trapero , and produced by various countries , including argentina . the film 's executive producers were hugo castro fau and martina gusman , and it was produced by pablo trapero , robert bevan , and donald ranvaud . the picture is about a large argentine family that takes a northern 1000 plus kilometer road trip in an old cramped motor-home to attend a wedding . the family takes part in many adventures along their way to the wedding . 
familia rodante (english: rolling family) is a 2004 comedy drama film, written and directed by pablo trapero, and produced by various countries, including argentina. the film's executive producers were hugo castro fau and martina gusman, and it was produced by pablo trapero, robert bevan, and donald ranvaud. the picture is about a large argentine family that takes a northern 1000 plus kilometer road trip in an old cramped motor-home to attend a wedding. the family takes part in many adventures along their way to the wedding.
familia rodante (english: rolling family) is a 2004 comedy drama film, written and directed by pablo trapero, and produced by various countries, including argentina. the film's executive producers were hugo castro fau and martina gusman, and it was produced by pablo trapero, robert bevan, and donald ranvaud. the picture is about a large argentine family that takes a northern 1000 plus kilometer road trip in an old cramped motor-home to attend a wedding. the family takes part in many adventures along their way to the wedding.