humsaya
humsaya (original motion picture soundtrack) by o. p. nayyar on spotify
jis shakhs ka humsaya (padosi) uske shar... - the golden age of islam | facebook
the long queue of people for the pakistani theater festival # humsaya. rt if you were one of them .
festival of pakistani plays in india meet the actors of # ajoka # humsaya in # humlog tonight at 7. 45. @ ndtvindia
as per indian postal code system the pincode of d 11 126 humsaya apartment flat no 3 zakir nagar okhla new delhi 25 is 110025. are you looking for pincode of any other area, you can find it at urltoken. d 11 126 humsaya apartment flat no 3 zakir nagar okhla new delhi 25 area its under taluk new delhi, district south delhi and state delhi. we have provided the banks that are near to d 11 126 humsaya apartment flat no 3 zakir nagar okhla new delhi 25 and as well as adhar centers near by d 11 126 humsaya apartment flat no 3 zakir nagar okhla new delhi 25. if you are looking for bank' s under this pincode 110025, please check here. and if you are looking for adhar centers under this area d 11 126 humsaya apartment flat no 3 zakir nagar okhla new delhi 25 please click here. . we have provided an option to copy the pincode .
humsaya is a story revolving around two look - alike characters played by joy mukherjee; one indian and another chinese involved in espionage games. mala sinha plays wife to chinese character, while sharmila tagore plays love interest to indian character .
rum, it' s been known to happen, and when it does, believe me, it' s not pretty. doug, i bet you were glad to learn that not only the characters, but also the costumes in humsaya were fictitious .
and happy birthday to you sunita that helped it becoming a big hit. farz not only made jeetendra a start but was also the first big box - office success for the genre. it helped make the next few years extremely conducive for spy thrillers like humsaya (1968), aankhen (1968) and yakeen (1969) .
humsaya was released in the year 1968, some songs of the official soundtrack are aaja mere pyaar ke sahaare abhi abhi by asha bhosle, badi mushqil se kabu mein by mahendra kapoor, dil ki aawaaz bhi sun mere fasaane pe na ja by mohammad rafi, kitna haseen hai yeh jahaan, aankhon se barse mastiyaan by asha bhosle. listen the soundtrack online !
movie: humsaya date published: 1968 - 01 - 01 genre: action, drama, mystery, romance, thriller cast: mala sinha, joy mukherjee, sharmila tagore, rehman, gajanan jagirdar, d. k. sapru, malika, madan puri, jankidas, jagdish kamal, moosa, b. k. mukherjee, jaggu, khurshid bawra, gopal directors: joy mukherjee language: hindi country: india
but stardom is fickle. the actor’s career suffered a major setback after the lavishly mounted spy drama, humsaya (1968), which he both produced and directed, collapsed at the box - office. joy had played the double role of a chinese spy and an indian officer in the film. as another crop of actors — dharmendra, jeetendra and rajesh khanna — gradually made their presence felt, his career went into a tailspin and lurched from one b - grade flop to another .
joy, who is also related to kajol and rani mukerji, was most comfortable in breezy romantic comedies though he worked in family dramas (bahu beti) and spy thrillers (humsaya, inspector) too. his career reached its high point when shagird (1967), with saira bano in the female lead, roared at the cash counters. songs such as dil vil pyaar vyar (binaca geet mala’s no 1 song of the year) and woh hain zara khafa khafa sold records by thousands .
the spy had been around for over a decade since samadhi (1950) where a british agent spied on indian national army operatives but it was the arrival of james bond along with the two wars the country fought in the 1960s that made them stand out. the implausibility of an indian and chinese resembling each other notwithstanding, humsaya' s plot pulled all the stops to make it a rewarding watch. the spy thrillers and the horror films of the 1960s might be thematically different from the regular films of that period but they, too, were blessed with good music that helped them become popular .
cinematic spies run the risk of being flashy like bond 303 (1985), gunmaster g - 9 in suraksha (1979) and wardat (1981) but there have been films like sharmilee (1971) and sharara (1981) where the spy was the girl the hero loved. ironically the women have all had interesting roles to play in earlier spy thrillers like humsaya, aankhen and yakeen as compared to agent vinod. agent vinod is an example of how the people who make films imagine their audience. they think that we think a spy needs to be good looking, fast talking, one - liner dropping dude who seems to spend more time trimming his beard than anything else. spy for hindi cinema is a character who can only be imagined in well - cut suits like agent vinod or like sunny ajay chakraborty / arun sharma / major batra / wahid deol in hero - the love story of a spy (2003). so, a hollywood might be still seek its alec leamas in the spy who came in from the cold (1965), or george smiley in the bbc' s tv series or the 2011 film version of john le carre' s tinker, tailor, soldier, spy or jason bourne in the bourne series to balance the extremely suave and highly unreal james bond but we might not be as inspired to do the same. not yet at least. strange as bollywood doesn' t need to look far for inspiration; it just needs to pick up the newspaper and read about real raw agents like surjeet singh who spent 30 years in a pakistani jail .
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few stars could bring such manic energy and uninhibited enthusiasm to the silver screen as joy mukherjee, who passed away after a prolonged illness at mumbai’s leelavati hospital on friday. he was 73 .
acting wasn’t exactly the 1960s star’s strength; he relished doing what he was comfortable with. which included singing and crawling on all fours at the same time and dancing with his back sweeping the floor. such acts earned him many a critic’s wrath but they also endeared him to a legion of fans .
his most popular films were packed with foot - tapping numbers. every song in ek musafir ek hasina, phir wohi dil laya hoon, love in tokyo and shagird was a rage. and they continue to be so, if youtube hits are any indicators. these films were also his most impressive box - office winners .
joy was the son of the illustrious sashadhar mukherjee, who co - founded the filmalaya studio. several of his box - office hits came from his own production stable. he was introduced along with heroine sadhana, as “sensational new stars”, in love in simla (1960), a young - at - heart romance that hit the bull’s eye. in his first scene, he jumped up and down in a train compartment while singing the popular iqbal quraishi composition, dil tham chale, hum aaj kidhar, koi dekhe, koi dekhe. for most of his career, he was to repeat the same thing in different situations and different places .
unlike most bengali males, joy was tall, strapping and a looker. often dressed in bold colours with his long hair gelled and carefully brushed back, he looked a stylish city boy who takes attractive girls out for a date and a dinner. he also looked like a hero who could actually play a guitar though he preferred to carry it on his shoulder; just watch lakhon hain nigah mein (film: phir wohi dil laya hoon) .
but for all his style and antics, the star failed to carve out a distinct screen persona for himself. many saw him as a lesser version of the more popular shammi kapoor, who had a similar style .
nearly a decade later, joy bounced back directing chhaila babu (1977), a slick crime thriller starring rajesh khanna and zeenat aman. the movie fared reasonably well but, ironically, it did not help his career. not even acting as a villain in the b grade dacoit drama, phoolan devi (1985), where rita bhaduri played the bandit queen, did his reputation or star status any good .
joy and his wife neelam have three children: two sons and a daughter. one of his sons, boy mukherjee, also had made his bollywood debut but failed to make headway. after dev anand and shammi kapoor, he is the third hindi film star to have passed away in recent months. but as long as television channels and radio stations play flashback songs, a joy mukherjee number will always be an ode to joy .
avijit ghosh is a senior editor with the times of india. he is addicted to films, music, cricket and football—and not necessarily in that order. he is the author of bandicoots in the moonlight, cinema bhojpuri, 40 retakes, and now, up campus, down campus, a novel set in 1980s jnu. he tweets from the handles @ avijitghoshtoi and @ cinemawaleghosh
avijit ghosh is a senior editor with the times of india. he is addicted to films, music, cricket and football—and not necessarily in that order. he is the ...
really saddend by this news. his onscreen presence was full of life, cheerfulness and vitality .
everyone has to go one day. he was an inspiration to me in the 1960' s and has always remained my favourite screen star. although i have never had the ...
he was superb in the old romantic movies viz phir wohi dil laaya hoon, ishaara, ek musafir ek hasina, ziddi with scintillating music and lovely songs... .
msp hike is a big blunder. farmers are producers, not objects of charity
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born out of a chinese father and indian mother, chinese army officer lin tan is in love and gets married to sin. on their wedding night, professor tao kai chen summons him, gets him to under plastic surgery in order to look like prince shyam singh, and arrange for weapons for the chinese army so that they can attack india. lin meets an alcoholic and disgraced indian air force squadron leader shyam, who was found guilty for killing vijay khanna. alienated from his sweetheart, leena sen, he had taken to alcohol and had been befriended by tao. lin is then instructed to impersonate shyam, kill him, and take his place - but shyam overpowers him, and instead tao mistakenly kills lin. shyam dons lin' s guise and returns home to delhi - where he hopes to clear his name. this is where he will face many challenges when leena will even refuse to speak with him, the community in general will shun him, and the arrival of sin, along with a peace delegation, will complicate matters even more - as she ...
only in bollywood you can getaway with identical people from different countries. basically the story involves around joy mukerjee' s two characters. one is chinese and the other indian playing the espionage game. the story seems to be ok but the acting and characters are so wooden and you sit through three hours hoping that it will improve. alas it does not. the chinese character even has plastic surgery to look like the indian, but it still was not convincing. mala sinha who plays the wife the chinese character is good and compassionate as for sharmila tagore who was the love interest of the indian character is less convincing. it' s fine bollywood churning out more movies than the world but 80% of them are pointless .
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where would bollywood be if not for the all - too - frequent occurrence of completely unrelated people looking exactly alike? it' s certainly a situation we can all relate to. after all, who hasn' t come face to face with their doppelganger on at least one occasion, and more likely two or three? wait. what' s that you say? it' s not frequent at all? in fact, it pretty much never happens? ha! next you' ll be telling me that women don' t like being stalked, when in reality they take to it like catnip (if they were cats, i mean) .
begins with one of those disclaimers that assures us that any resemblance to any
living personalities or existing parties
is purely coincidental. from watching
and countless other bollywood patriotic films, i' ve learned that what that really means is that the shit is on, and that, as soon as that disclaimer fades from the screen, we' re going to be seeing some real life person, group, or country - - most likely pakistan or china - - having their name thoroughly dragged through the mud .
and, sure enough, no sooner have those words receded from view than we are whisked via relief map to peking, china, where madan puri, sporting offensive - if - it - weren' t - so - ridiculous yellow face, is playing some kind of devilish top level chinese government functionary. in furtherance of some dastardly plan to undermine india, madan - - who' s character, i believe, is named professor tao kai sheng - - puts out a call to lin, a young chinese military officer who, in response, is forced to cut short his leave. bidding a reluctant farewell to his young sweetheart (played by mala sinha, doing her best impression of a gift shop china doll), lin reports for duty, only to learn that he is to undergo plastic surgery in order to impersonate a young indian air force officer by the name of shyam. this surgery, however, will ultimately be less traumatic than one might expect, because shyam and lin are both played by joy mukherjee (who also produced and directed), and so will only involve lin having the putty removed from his eyelids .
for reasons that are mostly too complex and unsubtitled to go into, shyam, having somehow been duped into placing his fate within prof sheng' s hands, is holed up in an isolated cabin somewhere in the himalayas. it seems that back in india, sheng, working behind the scenes, was able to frame shyam for a murder he didn' t commit, and as a result the lad was not only court martialed and stripped of his rank, but also alienated from the affections of his sweetheart, rena (sharmila tagore). in this lowly and dispirited state, shyam, now freed from prison, is putty in the professor' s hands .
that is, until sheng and lin show up at shyam' s cabin and shyam inadvertently overhears the details of their dastardly chinese plan, after which he manages to, without sheng' s knowledge, bring about lin' s death and switch places with him. thus shyam is now impersonating lin impersonating him. under this guise, he returns to india and tells all to his military superiors, after which his rank is reinstated, his conviction overturned, and his warm place in rena' s heart restored. nonetheless, his superiors order him to continue his ruse in order to uncover the full extent of the dastardly chinese' s dastardly chinese plot .
all goes more or less swimmingly until professor sheng shows up in india as part of a
dancing delegation
with lin' s sweetie, the delegation' s star dancer, in tow. of course, like sheng, she also thinks that shyam is lin impersonating shyam, and so comes to him on the sly expecting all of the benefits. thus does shyam' s charade, not to mention his love life, become even more complicated, as rena, like lin' s sweetheart, is unaware of the double role he' s playing, which means that he must keep up appearances with the both of them while leaving neither of them the wiser about his relationship with the other. spicy !
of course, while professor sheng' s dancing delegation is disguised under a cloak of peaceful diplomacy, it is in reality a festering web of virulent chinese lies, intended only to facilitate his and his minions' trespass into india' s brave but vulnerable heart. in hope of getting to and exposing the operation' s real mr. big - - an especially circumspect soul who appears to his underlings both in a hood and silhouetted behind a screen - - shyam must hit the road with the delegation, acting as their personal pilot, and race against the clock to complete his mission before the spies are able to do any irreparable chinese damage .
leaves no orientalist cliché unturned. boiled down to its essence, it would consist of nothing more than the serial sounding of gongs, the deferential shuffling of petal - like chinese maidens, and sleeves creeping up to surreptitiously reveal previously unseen dragon tattoos as madan puri arches one brow and narrows his eyes in an attempt to convey inscrutability. thankfully, all of this nonsense imbues the film with a level of entertainment that is far out of proportion to what the meat and potatoes of its story might otherwise provide, as, by all appearances, its a fairly rote hitchcock - aspirant espionage thriller .
of course ,
by all appearances
is an important qualifier in this case, because, armed only with a typically breathless and garbled song booklet plot synopsis and exactly zero understanding of hindi, appearances were all i had to go by. thus any judgment of
i might make would be based on an incomplete understanding. still, the degree to which it seems to conform to countless other nationalistic bollywood potboilers that i' ve seen gives me the sneaking suspicion that, were i to have a complete understanding of its dialogue, it probably wouldn' t have added that many additional layers of meaning to the movie as i experienced it .
that would prompt me to give it a re - viewing were it to come out in an english subtitled version (especially if it were released on a dvd free of the sound distortion that plagues the priya vcd release, which sadly renders o. p. nayyar' s song score impossible to assess). primary among those is the performance of mala sinha, who, over the course of the film, goes from china doll to full - blown tragic figure. it' s a performance that threatens to crumple under its own bigness, but you sure can' t accuse the woman of holding back. the fact that her agonized and quite lengthy third act monologue nearly brought me to tears myself, despite the fact that i didn' t have the least clue what she was saying, is a real testament to the emotional power she brings to the role .
wraps up with a sequence that would make sunny deol proud, in which joy mukherjee flies a helicopter over the himalayas and, armed only with a machinegun and some hand grenades, single - handedly defeats an invading chinese horde. such a display of patriotism should serve as a humbling lesson to those us who gave ourselves a big pat on the back for merely dragging our sorry asses off the couch to go and vote back in november. this is true love of country, people! and joy didn' t even need paris hilton to tell him it was cool .
so, if the costumes are fictitious, people are running around naked? how un - hindi of them! i' ve somehow been able to avoid films with evil chinese stereotypes from india up to now and am only informed about the evils of that neighboring country. i should probably fill that hole in my knowledge of evilness. it' s a little bit disappointing for me as a german that there aren' t many nazi evildoers to find in bollywood. always a good target .
i love bollywood' s anti - china films. this sounds a bit like aankhen (or maybe it' s just the mala sinha thing)... but i will wait for a better quality (subtitled) version: - )
ps mard also had that disclaimer, which i found completely hilarious (and unnecessary) .
it' s a little bit disappointing for me as a german that there aren' t many nazi evildoers to find in bollywood. allow me to introduce you to a little film called hitler, starring mithun chakraborty. and todd, that last screencap - - for some reason, all i can imagine it saying is ,
i don' t need the gun, john! i don' t need the gun !
yeah, i' ll say it. racist bollywood movies are awesome. damn those chinese, with their intelligence, sophistication and discipline! really, could there be any more loathsome a combination of qualities? (not that india was alone in this, of course - - see, for instance, battle beneath the earth .) and, memsaab, regarding mard, those costumes were indeed about as fictitious as they come. i haven' t yet seen hitler. i' m counting on keith to fill me in. i' m hoping that it' s basically the same story as valkyrie but with mithun and lots of crappy miniatures. house, it is indeed shocking that they never got around to putting bob christo in an ss uniform. such a missed opportunity .
famous monsters # 270: special lucha issue with articles by me, dan madigan, keith j. rainville & august ragone
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agent vinod (2012) has convinced me that much like an anomaly called the indian road, the hindi spy thriller isn' t going to save the day. indian cinema might be going global and all that but some genres that just don' t work in their current debased state. gautam chintamani writes ...
agent vinod (2012) has convinced me that much like an anomaly called the indian road, the hindi spy thriller isn' t going to save the day. indian cinema might be going global and all that but some genres that just don' t work in their current debased state .
bollywood' s spy game started way back in 1967 with a surprise hit called farz. a remake of a telugu film, feroz khan refused the lead convinced that the film wouldn' t strike a chord with the audience. or maybe he didn' t fancy the idea of a superspy, agent 116, being called gopal. written by arudra and directed by ravikant nagaich, farz was blessed with some great songs like
looking at agent vinod one can' t help but feel disappointed. agent vinod tries to be a good looking film where the master spy races across the former soviet union to outsmart some bad guys who have a nuclear bomb at their disposal but doesn' t have anything beneath the surface. in the four decades since farz nothing much seems to have changed for the hindi film spy and that' s a shame. what is about the genre that demands the hero to be nothing less than a good looking, smooth talking cool guy? of course, agent vinod can' t escape the burden of being the future custodian of the james bond lineage but must he jump, shoot and dodge a million bullets in pants tighter than jeetendra' s in farz? right from the opening sequence where vinod or whatever his name is, outsmarts the taliban to the time he struts his way in and out of trouble across russia, morocco, pakistan and many more exotic places there isn' t a single scene where the raw agent looks like he knows what the hell is happening. to me it seemed like agent vinod was trying to locate the nearest men' s room for the entire 150 minutes of the film' s screen time .
gautam chintamani is an award - winning writer / filmmaker with over a decade of experience across print and electronic mediums .
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humsaya ( neighbour ) is a 1968 hindi romantic spy thriller film produced and directed by joy mukherjee . the film was made under the newly established joy mukherjee productions banner . the music direction was by o. p. nayyar with lyrics by shevan rizvi , s. h. bihari and hasrat jaipuri . the cast included joy mukherjee , mala sinha , sharmila tagore , rehman , sapru , polson , malika and gajanan jagirdar . the story revolves around joy mukherjee playing the double-role of an indian army officer and his look-alike chinese officer , with mala sinha and sharmila tagore providing the romantic angle . 
humsaya (neighbour) is a 1968 hindi romantic spy thriller film produced and directed by joy mukherjee. the film was made under the newly established joy mukherjee productions banner. the music direction was by o. p. nayyar with lyrics by shevan rizvi, s. h. bihari and hasrat jaipuri. the cast included joy mukherjee, mala sinha, sharmila tagore, rehman, sapru, polson, malika and gajanan jagirdar. the story revolves around joy mukherjee playing the double-role of an indian army officer and his look-alike chinese officer, with mala sinha and sharmila tagore providing the romantic angle.
humsaya (neighbour) is a 1968 hindi romantic spy thriller film produced and directed by joy mukherjee. the film was made under the newly established joy mukherjee productions banner. the music direction was by o. p. nayyar with lyrics by shevan rizvi, s. h. bihari and hasrat jaipuri. the cast included joy mukherjee, mala sinha, sharmila tagore, rehman, sapru, polson, malika and gajanan jagirdar. the story revolves around joy mukherjee playing the double-role of an indian army officer and his look-alike chinese officer, with mala sinha and sharmila tagore providing the romantic angle.