akasathinte niram
amala paul starrer' akasathinte niram' has now been selected for the best film category in the oscars .
akashathinte niram (2. akasathinte niram is a 2. malayalam film directed by dr. biju about the relationship of man, nature and life starring indrajith and amala paul in the lead roles .
akasathinte niram is a 2012 malayalam film directed by dr. biju about the relationship of man, nature and life starring indrajith and amala paul in the lead roles .
aakashathinte niram review - malayalam movie aakashathinte niram nowrunning review. the opening sequence of' akashathinte niram' has an old man (nedumudi venu) asking a young boy (govardhan) what the color of the sky is .
aakashathinte niram malayalam movie is selected for shanghai international film festival 2012. aakashathinte niram (colour of sky) is an upcoming malayalam movie. guarda akashathinte niram streaming in italiano gratis urltoken. possiamo osservare ritratto e elaboratore sul .
malayalam film colour of sky (akasathinte niram), written and directed by bijukumar damodaran, has been selected in the top 282 films in the oscar list in the best picture category .
aakashathinte niram (2012) watch online free admin november 1, 2012 0. akashathinte niram is strictly for those who have the appetite for serious, art house movies .
aakashathinte niram
is a good execution of a worthy message in a fresh way .
█► aakashathinte niram ►█ dr. biju ★ indrajith ★ prithviraj █ india' s oscar entry! ! !
akashathinte niram directed by biju has been chosen for the golden goblet competition section of the shanghai international film festival .
note that several of these films (oomakkuyil padumbol, ivan megharoopan, and akasathinte niram) did not get theatrical releases in 2011. oomakkuyil padumbol was released in february of this year. akasathinte niram is slated for release this week, july 20th, and i believe that ivan megharoopan will be released next week, on july 27th. and a note to the makers of all three of these films (and most especially ivan megharoopan) - - if you release your film to dvd without english subtitles you will make me cry .
bijukumar damodaran, known mononymously as dr. biju, is an indian film director and screenwriter. he' s best known for films such as saira (2005), veettilekkulla vazhi (2010), akasathinte niram (2012), perariyathavar (2013), and valiya chirakulla pakshikal (2016 )
aakashathinte niram is a drama movie directed by dr. biju. indrajith, prithviraj and amala paul is playing the leading roles .
malayalam cinema now showcases the most recent works of contemporary filmmakers madhupal (ozhimuri), manoj kana (chayilyam), dr. biju (akasathinte niram), lijin jose (friday), arun kumar aravind (ee adutha kaalathu), ranjith (indian rupee) and k. gopinathan (ithra maathram) .
madhupal’s ozhimuri, anjali menon’s manjadikuru, dr biju’s aakashathinte niram, k gopinath’s ithra mathram and tv chandran’s bhoomiyude avakashikal are the feature films .
43rd international film festival of india (iffi - 2012) - director, dr. biju addressing at the presentation of film (akashathinte niram )
amala paul acted in: neelathamara, veerasekaran, sindhu samaveli, mynaa, ithu nammude katha, vikadakavi, deiva thirumagal, bejawada, vettai, kadhalil sodhappuvadhu yeppadi, love failure, muppozhudhum un karpanaigal, akasathinte niram, run baby run, naayak, iddarammayilatho, thalaivaa, oru indian pranayakatha, nimirndhu nil, velaiyilla pattathari, kathai thiraikathai vasanam iyakkam, iyobinte pusthakam, mili, lailaa o lailaa, janda pai kapiraju, haiku .
overall, “aakashathinte niram” is a good execution of a worthy message in a fresh way. i am giving 3 out of 5 and a thumbs up for this dr biju movie. could have been more engaging .
tags: 2011, akam, akasathinte niram, blessy, bobby - sanjay, chaappa kurish, chembakapoonkattile, dileep, fahadh faasil, indian rupee, ivan megharoopan, jagathy sreekumar, kannodu kannoram, kannoram chingaram, kerala state film awards, m. j. radhakrishnan, m. mohanan, malavika, manikiakkallu, naayika, nilambur ayisha, oomakkuyil padumbol, p. balachandran, pranayam, ranjith, rathinirvedam, rathinirvedam, salt n' pepper, sharreth, shreya ghoshal, shweta menon, sudheep kumar, swapna sanchari, thampi, traffic, veeraputhran, vellaripravinte changathi
director dr. biju’s new experiment in the celluloid “aakashathinte niram” is definitely a good attempt on conveying the message of how to live life happily with selfless attitude and positive perspective. even though the movie achieves its goal, the making isnt that impressive from a director who gave a delightful new treatment on terrorism through veettilekkulla vazhi. by that i dont mean that it is a poorly crafted movie. while veettilekkulla vazhi stays in our mind for its freshness and haunting nature, aakashathinte niram ends up in only a positive smile .
filmmaker dr. biju is one of malayalam cinema’s most valuable assets today. right from the days when his debut feature film, saira, paved its way to the cannes international film festival, the talented writer - director’s career has only soared. for ones wondering why kaadu pookkunna neram is called mainstream, the film features two of malayalam cinema’s more popular actors – indrajith sukumaran and rima kallingal. with a fabulous repertoire of films like veetilekkulla vazhi, valiya chirakulla pakshikal, perariyathavar and akasathinte niram backing the filmmaker, it is obvious why kaadu pookkunna neram made its much - deserved entry to the 47 th iffi’s indian panorama. over to you, dr. biju .
best film: ranjith, indian rupee second best film: p. balachandran, ivan megharoopan best director: blessy, pranayam best actor: dileep, vellaripravinte changathi best actress: shweta menon, salt n' pepper second best actor: fahadh faasil, chaappa kurish, akam second best actress: nilambur ayisha, oomakkuyil padumbol best comedian: jagathy sreekumar, swapna sanchari best child artist: malavika, oomakkuyil padumbol best story: m. mohanan, manikiakkallu best cinematography: m. j. radhakrishnan, akasathinte niram best screenplay: bobby - sanjay, traffic best lyrics: sreekumaran thampi, naayika best music director: sharreth, ivan megharoopan (all songs) best male singer: sudheep kumar, rathinirvedam :
chembakapoonkattile
best female singer: shreya ghoshal for rathinirvedam & veeraputhran - -
kannoram chingaram
&
kannodu kannoram
' aaskashathinte niram' will have songs by o n v and adv. v n anil set to music by raveendra jain. nedumudi venu, t g ravi, mamukoya, delhi ganesh and indrans area also part of the cast of the movie which will be produced by ambalakkkara global films. the pooja of the movie will be held tomorrow at thriuvananthapuram .
acclaimed malayalam film “veettilekkulla vazhi” dr. biju set all ready for starting the shoot of his latest film “aakashathinte niram” and it will start shoot from this october 12th. main locations are andaman and nicobar islands featuring indrajith, prithviraj and amala paul in main parts. this film will be a mollywood entry to amala paul. anil ambalakkara produces this movie for ambalakkara global films .
after searching for the way to home of a deserted boy in his last film, award winning director dr biju will try to look for the colours of the sky in the new film. titled as' aakashathinte niram', the movie will have indrajith as the hero. to be filmed at locales in andaman and nicobar islands, the movie will also feature prithivraj in an important role. .
and by few, i mean a very few, that arrive at the fag end of the film. but by then, anyone who has been eying the proceedings attentively could have guessed where it' s all headed. but for the first one and a half hours, the film resembles a ship that is lost in the blue sea that you get to see in abundance, sailing this way and that until the shore comes into view. there have been similar attempts perhaps in world cinema, but what would set apart' akashathinte niram' from a classic like' spring, summer, autumn, winter' is that the emotional density that makes the latter film a delightful watch is missing in the former. while every movement and every moment of silence holds tremendous implication in the kim ki duk film, the extended periods of stillness in' akashathinte niram' add up to the tedium .
the only difference is that they have been set on an island this time around. solid performances from the lead actors (which include a surprise cameo by prithviraj) do try to drop in the anchor to this ship that has gone adrift in the ocean. m j radhakrishnan' s beautiful frames and a resplendent background score by isaac thomas kottukapally serve as life savers as well.' akashathinte niram' thus ends up a visually spectacular film that lacks something very vital - life! and there are too many voids lying all around it that thwart its attempts to come across as a believable experience .
aakashathinte niram color of sky malayalam movie trailer exclusive for more videos: urltoken banner - ambalakkara global films. , director - dr. biju, producer - k. anil kumar, story and script - dr. biju, cinematography - m. j. radhakrishnan, editor - manoj, art director - santhosh raman, makeup - pattanom rashid, costume designer - aravind k. r, production control - noble jacob, cheif associate director - shijith purushothaman, lyrics - onv kurup, v. n. anil, music director - rabindra jain, designs - collins. , background music - isaac thomas kottukapally .
aakashathinte niram song: thayaro... (exclusive) for more videos: urltoken banner - ambalakkara global films. , director - dr. biju, producer - k. anil kumar, story and script - dr. biju, cinematography - m. j. radhakrishnan, editor - manoj, art director - santhosh raman, makeup - pattanom rashid, costume designer - aravind k. r, production control - noble jacob, cheif associate director - shijith purushothaman, lyrics - onv kurup, v. n. anil, music director - rabindra jain, designs - collins. , background music - isaac thomas kottukapally .
“aakashathinte niram” is the story about a thief (pick pocket, robber wateva you say). one day he tries to attack an old man for money. the old guy who lives in a lonely island smartly takes the young fellow to is house in his boat. even though the young man is offered all the comforts in that house by the old man and his companions, the life he lived and the humiliation of the present life frustrates the young guy badly. he tries almost all the possible way to get out of the island. during his days in the island, he knows that there is a purpose behind the old man who is living a strange life in that lonely island. the soul of the movie lies in the portion where the young blood realizes the secret behind the man and how it makes him think and live positively .
five malayalam films have been selected for the in - competition panorama segment at the international film festival of india to be held in goa .
kerala can also stake claim to films such as byaari by suveeran, unni vijayan’s lesson in forgetting and kamal’s id, which have been selected for the festival .
id, incidentally, was one of the films hand - picked by the abu dhabi film festival, and had earned rave reviews .
the times of india, tnn, updated: jul 19, 2017, 05. 32 pm ist
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color of sky is a movie about the relationship of man, nature and life .
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a 60 - year - old man who lives on a lonely island comes to the nearby harbor in his small motorboat once a month, with lots of handicrafts to sell. a young 30 - year - old burglar notices the old man and one day he jumps into the old man' s boat and threatens him to hand over the money. the old man remains calm and unexpectedly starts the boat and drives towards the island. the young man is trapped on the lonely island. he realizes that no other boat comes to that island other than the old man' s boat. a 7 - year - old boy, a 20 - year - old beautiful but deaf and dumb lady, and a middle - aged stammering man live in the house along with the old men. the young man is compelled to live with these peculiar four people in that wooden shore house. the mystery begins. the young man sees the rare life situations which he has never seen in his entire life. his thought and concept about the life changed, he now begins to realize true meaning of life and how nature blends with the life. color of sky is color of ...
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t is only once in a while that we get to see an internationally recognised film that has a commercial release. so, there is some excitement as one settles down to watch
the film is directed by dr biju with indrajith and amala paul in the lead and nedumudi venu playing a pivotal roll as an old man .
the film tells the tale of the transformation of petty pickpocket (indrajith). he tries to rob an old man (nedumudi venu) in his boat. the shrewd old man asks him whether he knows how to pilot a motor boat or to swim. he then takes off with him in the boat to an isolated island where he has a house .
there live a child played by master govardhan, a domestic help (anoop chandran) and a mute young girl (amala paul) who does the cooking and other household chores .
in the beginning, the young man is anxious and feels claustrophobic in the new environment. he doesn' t know why he is being held captive on the island .
he vents his frustration in violent ways by breaking things and even hurting himself and others physically. when he doesn' t get any reaction, he is reconciled to the situation and actually starts liking
the way of life in this self contained world with no real contact with the outside world .
is shot on the picturesque neil island in andaman and nicobar and has won m j radhakrishnan the kerala state award for best cinematographer. the photography gives the film a lavish feel .
the film is almost silent, with characters not speaking for long stretches of time. it depends on the actions of the characters and the movement of the visuals to hold the viewer' s attention .
this somewhat meditative treatment runs the risk of distancing the viewer. one can see the influence of the japanese master akira kurosawa' s
since this movie has no dialogues, the actors have to communicate to the audience through their expressions. we can see the transformation happening in indrajith' s character in every scene and the monk - like behaviour of nedumudi venu. prithviraj appears in a cameo, but that is not surprising as the audience is aware of his presence beforehand .
in the end, we can say that this visually grand film is meditative in nature and silently attractive .
what is a r rahman doing at a dubai mall? reader talib sends us a picture .
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there are too many voids lying all around the film that thwart its attempts to come across as a believable experience .
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, which was in the news when it was premiered at this year? s shanghai international film festival and later, when it won a couple of awards at the recent kerala state film awards, is only aimed at the lovers of serious cinema .
the film has a backdrop, which is similar to the new age movies of the kind, but the absence credible storyline is always felt. dr. biju has succeeded in creating the right mood with beautiful visuals by m j radhakrishnan and nice music by isaac thomas kottukappilly, which has evidently been inspired by several modern day filmmakers including south korean director kim ki duk .
but what lacks here is genuine content or the philosophical angles that are synonymous with such bona fide art house movies .
the film narrates the story of a burglar played by indrajith, who comes to an island where an old man (nedumudi venu), his confidant (anoop chandran), a young girl (amala paul) and a not yet in his teens boy (master govardhan) lives peacefully. the characters have no names and they talk not much either. and when they talk, it is mostly obscure .
if you are ready to get into a world of your own and give meanings to the curious dialogues and sequences on screen, this one could work for you in parts. in fact, the actors seem to be clueless about what is happening or where the film is heading. prithviraj appears in a brief role that has no real consequence to the story. amala paul has nothing much to do either .
is strictly for those who have the appetite for serious, art house movies. even then, with the lack of an interesting storyline, the film may not be an engaging affair after all. watch it if it suits your taste .
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jr ntr (krish) hails from a rich family in hyderabad. he is in love with samantha (indu), who has a friend kajal (bhoomi) living in a village. kajal' s father prakash raj wants her to get married to her cousin (ajay), but kajal is against the marriage. to help kajal get out of this situation, samantha sends jr ntr to her village. reaching kajal' s house, jr. ntr realizes that there are differences in their family. he soon changes the attitudes of her family members and is loved by everyone. watch to know what interesting turns take place in the lives of jr. ntr, samantha and kajal .
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here you will find one or more explanations in english for the word perariyathavar. also in the bottom left of the page several parts of wikipedia pages related to the word perariyathavar and, of course, perariyathavar synonyms and on the right images related to the word perariyathavar .
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this is the place for perariyathavar definition. you find here perariyathavar meaning, synonyms of perariyathavar and images for perariyathavar copyright 2017 © urltoken
director: dr. biju, producer: k anil kumar, story: dr. biju, music: cj kuttappan, ravindra jain, lyricist: onv kurup, traditional
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filmmaker dr. biju has been known for making socially conscious films. be it
his latest film perariyathavar (names unknown) that deals with the issue of waste management has won unanimous acclaim across film festivals and also won a couple of national film awards. the film is releasing today (9th january 2015) through the pvr directors rare initiative .
we recently interviewed dr. biju. published below are excerpts from the interview .
i did not undergo any academic training in cinema and neither was i associated with films in any way before i became a director. film festivals have a played major role for inspiring me to be a filmmaker. while watching international movies, i realized that cinema is such a powerful medium. i also realised that cinema is not only meant for entertainment, but it is also a powerful medium for depicting social issues, politics and artistically honest and real issues. it is these things that make me passionate about the medium of cinema and inspires me to make different movies .
i choose the subjects based on my observations of the contemporary society. i always try to make films on issues i want to react to. i have always believed in giving importance to subjects that deal with reality and humanity. the script writing is the most important part of my film making process. i usually take several months to complete my script. after getting an idea, i let it develop in my mind for a month or two before i pen the script. if i develop confidence about the theme, only then i research and start working upon collecting all the data regarding the subject. excessive reading and newspaper references are needed for this, following which i start writing the script .
a realistic mind, self - confidence, good observation, imagination without limitations, social commitment and artistic honesty are the essential skills that are required to be a good filmmaker .
i like watching several films made by different filmmakers. kim ki duk, roman polanski, alejandro innarittu and majid majidi are some of the filmmakers who have had the biggest influence in my life .
filmmaking is not an easy vocation. never forget that you have a social commitment and try to retain your artistic honesty as a filmmaker. you can become a filmmaker easily by considering films only as a means of entertainment. or you have to take the tough decision of being an artistic filmmaker with a social responsibility. the choice is yours. the former gives you money, glamour, celebrity status etc. the latter makes you suffer and struggle as a filmmaker. but the world will always accept you as an artistic filmmaker, if you are able to make some changes in the society through your films .
to stick to my ideologies and not compromise for my films. i also consciously try to make movies that are entirely different from my previous films .
film festivals are very importance for art house movies. the art house movies made in india rarely get a chance for a wide theatrical release. the viewers get a chance to watch these movies mainly at film festivals. these movies get a wider audience globally only through film festivals. also the critical acceptances at film festivals create wider global marketing avenues for such art films .
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straddling between different genres - malayalam cinema director dr. biju and his films by mr. lalit rao [ fipresci ] | urltoken
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mr. lalit rao is a film critic from bangalore, india, fipresci india member. he is the associate editor of the quarterly magazine
cinematography art
. years before imdb appeared, lalit rao created kinema, a database with information on 25, 000 world cinema films. his articles in french and english have appeared in cinematography art, deep focus, kinoglaz, objectif - cinema, sancho does asia, urltoken and séquences .
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home > > blogs > > lalit rao' s blog > > straddling between different genres - malayalam cinema director dr. biju and his films by mr. lalit rao [ fipresci ]
straddling between different genres - malayalam cinema director dr. biju and his films by mr. lalit rao [ fipresci ]
the world of cinema is full of surprises. one needs to learn the intricacies involved with this art in order to transform words into images. hence, it is not so often that an ordinary layman can think of embarking on a creative journey in order to become a filmmaker merely by watching some good iranian and turkish films shown at film festivals. however, bijukumar damodaran is a very strong exception to this rule. in his native kerala, south india, he is more commonly known as dr. biju. as a self taught filmmaker and a practicing homoeopathic doctor, he has made 7 films in a career which started in 2005 with his début film “saira”. it was in 2016 that he directed his latest film “kaadu pookkunna neram” (when the woods bloom) .
director bijukumar damodaran began his cinematic journey in 2005 with his début feature “saira” which was the first chapter of his trilogy of films about terrorism. based on events which took place in kerala, saira is a humane, poignant tale about a music maestro belonging to the minority community who loses his daughter, a television reporter, due to communal riots. in saira, dr. biju depicted how innocent people especially children and women become victims of internecine strife. despite its simple narrative structure, saira managed to capture viewers’ interest both in india as well as abroad. secular aficionados are likely to take a valuable lesson from “saira” especially from a scene in which the musical maestro declares his unconditional love for his country at the cost of saving his beloved daughter’s life. apart from having featured in indian panorama section during 38th iffi 2007, ‘saira’ was shown in “tous les cinemas du monde” section during 60th cannes international film festival 2007 .
the cinematic canvas increased manifold for bijukumar damodaran when he directed his third feature film veettilekkulla vazhi (the way home) in 2011. shot in a road movie format at exotic locales in kerala, rajasthan and ladakh, it was the last part of his ‘terrorism’ trilogy. it was also the first film in which the leading role was played by a ‘star’ contrary to ‘actors’ working in his previous two films. in this film, malayalam cinema’s superstar prithviraj plays the role of a doctor who puts his life at risk in order to reunite a little boy with this father. although he has lost members of his dear family in a tragic incident, his faith in humanity hasn’t waned at all. ‘the way home’ is capable of winning viewers’ hearts as suspense is maintained till the very end. there are moments in this film where ordinary human beings are shown doing extraordinary things in order to restore their faith in humanity. it is not so often that one sees a kerala film crew in rajasthan. this film would enable all viewers to appreciate the beauty of rugged terrains which have now become a common feature of modern indian cinema .
there are various reasons which suggest that ‘perariyathavar’ (names unknown) is dr. biju’s best film. it is one of the brutally frank yet honest depictions in the recent indian cinema of poor, nameless, marginalized people who don’t have any voice. although it is a pure work of fiction, incidents dealt in the film such as dumping of garbage in villages, prosecution of tribal people in the name of development have all become commonplace in kerala for a long time. ‘names unknown’ has been shot through the naïve perspective of a kid who goes on to observe innumerable vignettes of daily life with his father. watching this docu - drama, one learns that life is not a bed of roses for ordinary people especially outsiders in kerala by observing how most workers in construction business are not from kerala. ‘names unknown’ bagged best film on environment conservation / preservation award at the 61st national film awards of india, 2013. actor suraj venjaramoodu was awarded the best actor award. he is ably supported by young actor master govardhan who has acted in many of his father’s films .
it is with his sixth film, “valiya chirakula pakshikal” (birds with large wings) that dr. biju proved that cinema can also be used as an effective medium to voice the concerns of the people who have become victims of government apathy. this film portrays the involvement of a photojournalist who captures pictures to highlight the ill effects of endosulfan pesticide on the inhabitants of kasargod, kerala. he uses these photographs on an international level to enforce a complete ban on endosulfan usage in india. apart from good performances by famous malayalam cinema actors kunchako boban, prakash bare and anumol, actual victims of endosulfan tragedy played their own roles with great maturity .
in the context of dr. biju’s films, it can be said that he has a natural flair for inventing new forms of narration. however, as he combines social messages with his films, his films achieve a higher status than merely being visual stories. this distinction is aptly visible in his latest film “kaadu pookkunna neram” (when the woods bloom). in this film, a valiant attempt has been made to answer a tough yet fundamental question related to the maoist movement in india. “how does one define a maoist”? is a question for which there is hardly any concise, straight answer. this is the dilemma faced by a policeman when he arrests a suspected maoist woman in a forest. it gives rise to a whole series of connected themes such as power of the gun, male versus female relationship and the role of police in dealing with a common man .
dr. biju aims to broaden cinematographic horizons for his eight film which he plans to shoot in a saudi arabian desert. it can be surmised that it would be as interesting and pertinent as his previous works .
cat. : bijukumar damodaran birds with large wings dr. biju fipresci kunchako boban lalit rao malayalam cinema names unknown padma pillai prithviraj raman saira the way home weekend blockbusters when the woods bllom independent
mr. lalit rao (member - fipresci) writes for this website on a regular basis as a film critic publishing reviews on his profile .
in february 2017, he participated as jury member during 9 th bangalore international film festival 2017 .
in 2014, he attended 19th international film festival of kerala 2014 as a member of film critics’ jury .
as a film critic, mr. lalit rao has attended film festivals in india as well as france namely international film festival of india (iffi), international film festival of kerala (iffk), festival international de films de femmes de créteil, paris: cinéma du réel - festival international de films documentaires, est - ce ainsi que les hommes vivent? saint - denis, rencontres internationales du cinéma de patrimoine, vincennes & festival international des cinémas d' asie, vesoul .
“yesterday’s films for tomorrow” by p. k. nair = an indispensable book for anybody who considers cinema as an art form .
documentary film review - “when the sun didn’t rise” directed by teena kaur pasricha .
masala republic malayalam movie to be directed by debutant v s vishakh will feature indrajith sukumaran in lead. the movie will be a social satire creamed with all essence to keep the audience intact. shritha sivadas, srinda ashab, balachandran chullikkadu, vinay forrt, captain raju, mamookkoya, tinu and soubin will give life to other prominent characters in the movie. the movie will start rolling very soon with locations set at perumbavoor, aluva and ernakulam .
cartoon malayalam movie, the directorial debut of saheed arafath will feature fahadh faasil in lead. fahadh faasil is having a bright year with a number of movies in kitty. anchu sundarikal, olipporu, artist, north 24 kaatham and a couple of unitited projects are on line for the actor. prasanth pillai who composed the hit songs of fahadh' s last film, amen will tune the songs of cartoon too. in the banner of red rose international,' cartoon', is being produced by haneef muhammed .
little superman 3d malayalam movie directed by vinayan will feature debutant child artist deny playing the title role. after getting huge response for his previous venture dracula 3d, vinayan is heading up to take up his new project which will be shot in afgha¬nistan, kochi and alleppy. the music composed by m. jayachandran would an audio extravaganza. little superman 3d will boast of having graphics of international standards with 2 crores exclusively to be spend for it .
lucifer' is the upcoming malayalam movie of mohanlal. the actor is teaming up with the director rajesh pillai and script writer muraly gopi for' lucifer' wihch will be a pure entertainer. it will start rolling from 2014 january and will be a festival malayalam release for mohanlal. read this article to know more about mohanlal' s malayalam movie' lucifer' .
happy singh malayalam movie featuring mohanlal in lead is directed by v m vinu. scripted by deepu karunakaran, mohanlal will don the character role of happy singh, a wrestler in this out and out comedy entertainer. set in the backdrops of 1980' s, the movie revolves around the life of a wrestler named happy singh. the movie planned to start rolling in 2014 will be shot in punjab, bangalore and thirunelveli. mohanlal who wishes to do experimental characters would be playing a full - fledged role of a sardar .
waka waka africa, as titled for an upcoming malayalam movie would be sunish kumar' s directorial debut which will be shot entirely in west africa. produced by guerilla film factory, this movie would carry a fresh theme which would zoom into the hearts of west africa. sunish kumar who is having an experience of working behind the camera as an associate with rajiv menon and suraj varma will start the shooting of his movie in march 2014.
akasathinte niram ( english : colour of sky ) is a 2012 malayalam film written and directed by dr. biju . the film was shot entirely on the andaman and nicobar islands with a cast that includes indrajith , nedumudi venu , amala paul and prithviraj . the film revolves around a burglar who is trapped on a scarcely populated island and his getting to understand how nature blends with life . it premiered at the shanghai international film festival in june 2012 . it was subsequently screened at various film festivals where it received several honours . 
akasathinte niram (english: colour of sky) is a 2012 malayalam film written and directed by dr. biju. the film was shot entirely on the andaman and nicobar islands with a cast that includes indrajith, nedumudi venu, amala paul and prithviraj. the film revolves around a burglar who is trapped on a scarcely populated island and his getting to understand how nature blends with life. it premiered at the shanghai international film festival in june 2012. it was subsequently screened at various film festivals where it received several honours.
akasathinte niram (english: colour of sky) is a 2012 malayalam film written and directed by dr. biju. the film was shot entirely on the andaman and nicobar islands with a cast that includes indrajith, nedumudi venu, amala paul and prithviraj. the film revolves around a burglar who is trapped on a scarcely populated island and his getting to understand how nature blends with life. it premiered at the shanghai international film festival in june 2012. it was subsequently screened at various film festivals where it received several honours.