the great consoler
the great consoler. dvd release with english subtitles (ruscico, moscow) .
updates, live: where o. henry and kuleshov meet: the great consoler (1933 )
aleksandra khokhlova (a / d / o), the great consoler (1933). pc
the great consoler is lev kuleshov' s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality .
the great consoler is lev kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. it was the only film in the soviet cinema of those years that raised the question of what role a creative person played in society .
when the journey of life becomes dark and difficult, and you seem to have lost your way, you are only a short prayer away from the great consoler. jesus – the way, the truth and the life – invites us to lean on him for strength .
the film takes place in america in 1899, and in its principal plot depicts bill porter, who is the great consoler of the title, in prison. his writing skills earn him privileges from the governor and he is spared the inhumane treatment meted out to other prisoners .
this film is not currently playing on mubi but 30 other great films are. see what’s now showing
the great consoler was done extremely efficiently and did not exceed the budget. the picture was filmed in forty days; editing and soundtrack were completed in sixteen days. the cinematography was done using soviet manufactured film stock. kuleshov when making the film, relied heavily on rehearsals, making sure that the actors would totally replicate the results on screen .
your life will change dramatically — you will experience that life in abundance. god will expand your heart for great things .
there was this little girl' s face in a passing stroller... a thick streaking tear lay on her left cheek. except, her facial expression was now one of utter calm. her eyes were wide with expanse, the great consoler had already dissolved her little problem .
the great consoler (lev kuleshov, 1933) this is a forgotten masterpiece, a landmark of cinema in term of narrative. it is hard to believe a film so fresh could had been made in the 30s. the great consoler is based on two short story by o’henry told three times, once as a realistic and gritty narrative within the film that take part in the real life of o’henry when he was in prison, the second a fictional and lighthearted comedy / adventure / western / gangster in the style of the hollywood filmmaking that reflect the early short story’s of o’henry, and the third is almost the dark side of o’henry that later he became, the real and gloomy side of life that he struggles to achieves in his work .
the cumulative practice and essayistic on film by one of the great founders of the experimentalism and inventiveness of the russian pre - stalin cinema (and that would suffer with him), could only result in this great moment of the early sound cinema, made of several disjunctive layers but interrelated, where the silent parts are an integral input in utopia that the sound ones would freeze with its reality increase .
a five - person team of gold prospectors in the yukon has just begun to enjoy great success when one of the members snaps, and suddenly kills two of the others. the two survivors, a husband... see full summary »
besides, i’m very pleased with the shot of birds flying across the house and the shot of birds flying wildly in the sky, which are not in the original plan. it’s great that we have shot this since these unexpected ‘magic moments’ will in return benefit the edit, thanks to the crew’s being flexible and creative on the set .
the great consoler was based on the life of the american writer o. henry, with a fictionalized narrative of the writer’s struggles with the concept of social obligation in creating art. the film was created at the dawn of the era of socialist realism and drew unwanted attention from the congress due to it subject matter. kuleshov had long had a difficult time creating films with american subject matter, including t he extraordinary adventures of mr. west in the land of the bolsheviks and the death ray, and this film spelled the end of his feature filmmaking career. [ 1 ] director: lev kuleshov writer: o. henry, lev kuleshov cast: konstantin khokhlov, ivan novoseltsev, vasili kovrigin year: 1933 production company: mezhrabpomfilm
democrats assert the exact opposite arguments of what they asserted when barack obama was president. when obama was president, they said the high court absolutely needed nine justices. now that trump is president, unfilled supreme court seats are great again .
- filmmaker and theorist, lev kuleshov, is known today as the grandfather of soviet montage theory. his works include the extraordinary adventures of mr. west in the land of the bolsheviks (1924), death ray (1925), the great consoler (1933) and we from the urals (1943). kuleshov’s life work has had a profound influence on the filmmakers around him and filmmakers today. one of his greatest triumphs was cofounding the moskow film school, the world’s first film school. in a time when filmmaking was still in its infancy, kuleshov was perhaps the first to theorize about the power of this new story telling medium... . [ tags: cinema ]
now about the movie: it follows two distinct plots in parallel. in one of them we find dulcie, as nice, romantic, enthusiast, naive and poor as we already know her. the novelty is that in the movie dulcie is reading (with great delight) the stories of
<... > the film takes place in america in 1899, and in its principal plot depicts bill porter, who is the great consoler of the title, in prison. his writing skills earn him privileges from the governor and he is spared the inhumane treatment meted out to other prisoners. porter is very much aware of the brutality around him but, mindful of his better conditions, refuses to write about prison life. he prefers to console his less - well - treated friends, and indeed all his readers, with excessively romantic fantasies in which good invariably triumphs. <... > source: urltoken
the extraordinary adventures of mr. west in the land of the bolsheviks (1924 )
an ugly, grim, uncompromising and ultimately powerful film, lev kuleshov' s the great consoler overcomes surface aesthetic crudeness with a richly complex meta - narrative structure in which hard questions are posed about the prison of compromises that undermine our dignity and worth, as well as the challenges artists face in the struggle for justice, authenticity and self - realization. the movie is a curiosity not just among soviet films but in all of film history. it is not a fun watch, often abrasive and unpleasant, and its hopeless world is a spartan grey one of unremitting cruelty and predation. it took me two views to get beyond my initial distaste for it, but on the second go…
isn’t the season of lent a great time and season to fall in love with god? and isn’t this what the life of a disciple is meant to be, a love relationship with god, our father, who has given us everything; with jesus, our savior who has given his life away for us; with the holy spirit the great consoler and healer? i wonder how many are deeply in love with the lord, where he is the focus of their whole life. i know that god is deeply in love with each of us and desires us, more than we can possibly imagine. jean corbon wrote in the the wellspring of worship, “the most fruitful activity of the human person is to be able to receive god. ” god created us for union. this is what the eucharist is about — receiving the deep love of god in christ jesus. it is he who offers us this abundant life. jesus said, “i came so that you might have life and have it more abundantly, ” (john 10: 10) and not “i came so that you may cope with life. ”
velikii uteshitel' / the great consoler. prod. / dir. : lev kuleshov, sc. : a. kurs, l. kuleshov, assist. dir. : a. khokhlova (mezhrabpomfilm ussr 1933) cas. : k. khokhlov, a. khokhlova, i. novosel’tsev, v. kovrigin, a. fait, d. vvedenskii, v. rodd, o. raevskaia, s. sletov, g. kravchenko, p. galadzhev, v. lopatina, m. doronin, a. gorchilin, b & w, si, 35mm. archive: atm, rur .
kuleshov cleverly created a film that seems to satirize the
varnishing of reality
that rapp vilified, yet he also used his scenario to continue his experiments with film form, and to indulge his well - known taste for americanism. the film takes place in america in 1899, and idepicts bill porter (based on american writer o. henry), who is the great consoler of the title, in prison. his writing skills earn him privileges from the warden and he is spared the inhumane treatment meted of other prisoners. aware of the brutality around him but, porter is mindful of his privileges and refuses to write about prison life. he prefers to console his less - well - treated friends with fantasies in which good triumphs over evil. in this scene the writer uses his tales to console a fellow prisoner dying of tuberculosis .
odessa - 1905. enraged with the deplorable conditions on board the armored cruiser potemkin, the ship' s loyal crew contemplates the unthinkable - mutiny. seizing control of the potemkin and raising the red flag of revolution, the sailors' revolt becomes the rallying point for a russian populace ground under the boot…
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however, the shot turned out to be shaky and hesitant at times, so i chose another medium shot of the tv screen where we see the dead boy’s picture lying in the graveyard, with the lit candles in the background, and cut to the down - the - line shot of the sisters sitting on the sofa watching tv and then going over to the tv screen one after another, which is the latter part of the dolly shot, when the dolly ...
in america in 1899, bill porter - the' great consoler' of the title, is in prison. his writing skills earn him privileges from the governor and he is spared the inhumane treatment meted out to other prisoners. porter is aware of the brutality around him but, mindful of his better conditions, refuses to write about prison life, preferring instead to console his less - well - treated companions with excessively romantic fantasies in which good invariably triumphs over evil. the film was denounced at the 1935 communist party conference, effectively ending kuleshov' s career. the film is presented as a 2 - disc' hyperkino edition' which features the standard film, with subtitles, on one disc, with the second disc featuring numerous scene - specific annotations, clips and documents (in russian and in english) that can be viewed on screen and which contextualise the film and enhance the viewer' s understanding. it is one of the most exciting developments in dvd for years, and especially valuable for important works of world cinema whose historical contexts crave further exploration .
in the beginning of the industrial revolution, the paris commune was established in 1871 against the rich and the powerful, and violently repressed by the army that remained faithful to a... see full summary »
the extraordinary adventures of mr. west in the land of the bolsheviks (1924) is streaming online via kanopy
the knowledge of truth is an abiding consolation. when all else fails, the truth does not fail. when a heart is desolate, and the world affords no shelter, truth provides a peaceful refuge and a quiet rest. the cares of life are many, and its path is beset with difficulties; but truth is greater than care, and is superior to all difficulties. truth lightens our burdens; it lights up our pathway with the radiance of joy. loved ones pass away, friends fail, and possessions disappear. where then is the voice of comfort? where is the whisper of consolation? truth is the comforter of the comfortless, and the consoler of them that are deserted. truth does not pass away, nor fail, nor disappear. truth bestows the consolation of abiding peace. troubles come to all. even the wise cannot escape them. but the wise have a sure and safe refuge in the eternal good. they have a comforter, even truth, who removes the sting from affliction, and disperses the clouds of trouble. night descends upon the pure as upon the impure; but it holds no terrors for the pure, for the light of truth shines in the darkness with assuring radiance. sweet is the sleep of the innocent. and they that rest upon the bosom of truth repose in peace. day lights up the way both of the wise and the foolish; but the foolish are enveloped with the darkness of error, they stumble and are bruised, and have no comforter. but the wise walk in the light of truth; and should they stumble they are lifted up; lo! they are healed and comforted. they that have the knowledge of truth have the satisfaction of peace. they are not immune from the vicissitudes of life; they are not released from the cares and responsibilities of worldly duties; they are not unassailed by external foes; but they are restful at heart; their minds abide in the great calm .
the old dark house (james whale, 1932) boris karloff seems to duplicate his character of frankenstein a year after the popular success of the film, in this marvelous horror / comdey film which represent the pre - code hollywood and a good example of universal’s horror genre. it has a brilliant script with a humorous dialogue and a horror plot that was way ahead of its time, and let us not forget a marvelous cast and a great cinematography .
by the bluest of seas is a 1935 soviet film directed by boris barnet. two workers are shipwrecked on an enchanted island in the caspian sea, rescued by the benign sirens of the beach kolkhoz known as beacon of communism. the men compete for the affections of the same vivacious…
moonrise (frank borzage, 1948) i cannot believe that it took me this long to watch my first film from the great frank borzage, and what a film, one of the best noir of the 40s. dane clark play danny hawkins, the son of a murderer, he is haunted by his father’s past, from a young boy to a young man, he is been made fun and laughed at for his father’s crime. beautifully and masterful shot with acting and cinematography that are resemblance of the silent era .
aleksandra khokhlova (a / d / o) as the countess, the extraordinary adventures of mr. west in the land of the bolsheviks (1924). pc
tagged a time for dying, about elly, adjective, aerograd, al yazmalim, arkadas, best dvd of 2010, best films of 2010, breathless, bright star, broken lullaby, by the bluest of seas, certified copy, city girl, close - up, criterion collection, dillinger e morto, dillinger is dead, el patrullero, film socialisme, giorgobistve, good sam, goodbye solo, hollywood or bust, illusion travels by streetcar, liverpool lisandro alonso, masters of cinema, merry christmas mr. lawrence, metropolis, modern times, moonrise, no one knows about persian cats, non, o sangue, opfergang, ou a vã glória de mandar, police, red desert, selvi boylum, she was like a wild chrysanthemum, sonatine, still life, tabiate bijan, the ghost writer, the girl with the red scarf, the great consoler, the man i killed, the night of the hunter, the old dark house, the only son, the sound of fury, the thin red line, the three crowns of the sailor, true heart susie, twilight’s last gleaming, two films by yasujiro ozu, uncle boonmee who can recall his past lives, vincere, vivre sa vie, welcome, westfront 1918, white material, wild grass, will success spoil rock hunter ?
the new proposal by the trump administration addresses inherent inefficiencies and promotes logical organizational reforms .
the opening sequence in the edge of love starts from a static close - up of vera phillips singing a melancholy song with the camera then slowly pulled back, to reveal the tunnel where her performance takes place. it’s a successful example of establishing the tone of the film as well as introducing the protagonist while also providing essential information about the time and the period. additionally, the static close - up at the beginning helps to hook the audience’s interest by creating a mysterious atmosphere. likewise, a dolly shot was planned, starting from a static close - up of the graveyard on a tv screen, with the camera then pulled back to reveal the lit candles, the picture of the dead boy, and three sisters sitting in a row on the sofa in a gloomy living room .
the worldly - minded have no comforter; but if they forsake the world, and fly to truth, they will receive the sweet gift of consolation the world is the place of pleasure and pain; the truth is the abode of joy and peace. they that relinquish the excitements and dissatisfactions of the world for the sake of truth, will find an unfailing companion and friend, even the eternal. distress is in the world. yea, grief and sorrow abound. but the truth is calm; it allays grief, and soothes away all sorrow. hear ye the lamentations of the world! wilder are they than the tempest; deeper than the ocean’s roar. truth alone can still the tempests of passion and the storms of grief. come ye up into the calm. resort ye to the great silence. men are swept along by the force of turbulent passions; but when, sorrow arrests them they cry out in anguish. love of worldly pleasure has brought them low, and the world can offer them no comfort. the world distresses, but the truth consoles. they whom the world has destroyed and deserted, who are cast down by pain and sorrow, even they are befriended by the truth when they turn to truth. none are despised by truth; none are turned away; none are left comfortless. ye that are weary with pleasure - seeking; ye that are pain - stricken; ye that are lonely and desolate– come ye to the truth. the truth is above pleasure and pain. be ye lifted up; be ye rested; be ye healed; be ye befriended and comforted .
it was the only film in the soviet cinema of those years that raised the question of what role a creative person played in society .
certified copy (abbas kiarostami, 2010) kiarostami’s tribute to rossollini’s journey to italy. a film that make you think about the nature of filmmaking itself, reality vs fiction, the real and the fake, the original and the copy .
the sound of fury (cy endfield, 1950) the last 15 minute of the sound of fury aka try and get me has to be among the most psychotic and explosive brutal emotional climaxes of any film that portray the mob violence .
aleksandra khokhlova (a / d / o), the extraordinary adventures of mr. west in the land of the bolsheviks (1924). pc
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the ghost writer (roman polanski) an explosive film that get deep into the root of the tony blair presidency, the corrupt collaboration between him and the bush administration, a film that explore the corrupt nature of politic and its secrecy. a thrilling mystery that is among best of polanski since chinatown .
this article is issued from wikipedia - version of the 11 / 15 / 2016. the text is available under the creative commons attribution / share alike but additional terms may apply for the media files .
twilight’s last gleaming (robert aldrich, 1977) burt lancaster play an escaped military general who takes over a nuke base and threaten to unleash 9 atomic bomb if the us president does not go on live tv and tell the world what the real reason was behind the vietnam war, a provocative film that tackle the real issues that even today the main stream media hide from the public; the fact the the wars are for not what they appear but for military muscle exercise and interest of few over many .
opfergang aka the great sacrifice (veit harlan, 1944) a melodramas in style of sirk way before sirk made any, a story about a married man who fall in love with a wild girl, an over - woman in nietzsche’s term who alway swims and ride horses, a wild spirit, but she is dying, it is her last days and falling in love with a married man does not make thing better. the film is a like a mystical folk german story mixed with a tragic love story, the acting is subtle almost dryer like and transcendental .
- editing, cinematography, and sound in gladiator the film that i have chosen to analyse is gladiator. i have chosen to analyse the scene where the gladiators are battling in the middle east. the scene contains many features and editing techniques which make the fight sequence exciting and thrilling. the scene begins with a medium high angle shot of a goat with blood dripping down its body. this shot frames the body of the goat and gives it a sense of vulnerability. the shot creates meaning to the viewer who can predict that the scene might contain violence or bloodshed of some sort... . [ tags: papers ]
trust in god’s abiding presence. the noise of the day or the darkness of night will not keep him from coming to you with his love and comfort .
sonatine (takeshi kitano, 1993) imagine a mix of godard, peckinpah and ozu and you’ll have the cinema of kitano, an abstract poetry in violence. among the best of the japanese cinema of the 90s .
is embedded in the structure of the movie: it starts with the moment when the author begins writing it, it ends with the moment when dulcie arrives at the end of it. so it is flowing between the two parallel plots of the movie, and it is made as a silent film (all the rest being sound movie - an exquisite cinematic choice: the epoch of sound paying here an accolade for the silent !). the story comes as based on a real case from prison, only exactly opposite: what happens in real life is that one of the inmates is ordered to break a safe where some documents got locked by accident. apparently he hopes to be freed after that, but instead he is brought back to jail, where he soon dies. the writer had changed the outcome just to cheer up his readers !
the night was dark and frightful. as the thunder clapped and the lightning lit up the sky, i held my daughter firmly on my lap. i too was a bit overwhelmed by the drama, but we rocked and sang and whispered words of love. there was comfort and peace within us and as a result, we were not shattered by the noise of the night all around us .
, translit. velikiy uteshitel) is a 1933 soviet drama film directed by lev kuleshov and starring konstantin khokhlov. the film is based on the facts from the biography of the american writer o. henry and on his two novels .
after all, i truly enjoy the experience of editing the film and i’m very proud of being part of the production team and what i’ve learnt from working with my colleagues .
an impoverished artist discovers he has purchased a winning lottery ticket at the very moment his creditors come to collect. the only problem is, the ticket is in the pocket of his coat... which he left at his girlfriend' s apartment... who gave the coat to a…
these are terrific editions of rare films. the unique notes programmed into the disc offer context and insight into the film and the era of its making. aimed at film studies students and institutions, every film school should own a copy .
the author puts his dream suddenly on hold and passes to the story of dulcie, to leave it equally sudden and come back to the dream. but now he understands who those
extraordinary adventures of mr. west in the land of the bolsheviks. dvd release with english subtitles as part of the landmarks of early soviet film (flicker alley us 2011) .
while the nation was distracted by the political theater around immigration before the july 4 recess, the senate cast a critical vote killing a very modest attempt offered by president trump to rein in spending. if trump plays his cards right, this will not be the end of a fight but its start .
el patrullero (alex cox, 1991) imagine a film that is mix from luis bunuel, sam pickinpah and john ford and you will get the patrolman, one of the best film of the 90s. it is a nostalgic tribute to bring me the head of alfredo garcia, even the main character looks like warren oates (and the dark glasses he is wearing is the exact same), a western / surelasstic thriller about a young man who decide to become a highway patrolman, the film span about six year in the live of him .
hitori musuko aka the only son (yasujiro ozu) the only son is about a relationship between a son and a mother whom both think they failed each other in their obligation and regret their past, ozu does not take politically the issue of being poor in a capitalist society, rather he tackle the simple story of a son in a poor family with a single mother going to a big city college to become somebody but turns out to become just another average joe, that is the plot. what ozu does is put the emotion and the heart - break of the mother and son into the screen with such sincerity and lyricism that breaks one’s heart at the end of the film, the mother becomes everybody’s mother and the son everybody’ son, for parents always want best for their children. ozu is the closest thing that come to tolstoy in cinema .
soon, however the successful writer has to face the obvious injustices going on in the prison. in particular, the writers friend, jim valentine is severely beaten for politically motivated reasons. however, once valentine is offered freedom in exchange for help in opening a safe. this proposal allows porter to think about the imminent departure of his friend from prison. fantasies on this topic become the basis for a new story for the writer .
himself, staying in prison and writing there his stories, embellishing in them the life, making life look nice, and keeping this way the illusions in his readers. readers like dulcie, readers like the inmates from the prison. he is their
sergei eisenstein' s first full - length feature film. unrest starts at a factory. the last straw was the suicide of a worker accused of stealing a micrometer. an inevitable fine and a many - month payment of the debt for the lost instrument would have ended in his death from hunger anyway. the dead…
- in an article in the new york times (“the condemned art of soviet filmmakers”, published on 13th october 2011), journalist dave kehr states that “for a time in the mid - to - late 1920s, the art of the cinema meant only one thing to the serious - minded film critics of america and europe: soviet - style montage, or the art of cutting shots together in a way that would produce ideas and emotions beyond those expressed in the images” (kehr 2011, p. 6). this opening paragraph effectively sums up the integral role some soviet filmmakers played in the development of cinema and in particular the art of editing... . [ tags: film ]
before he turned to the story of joan of arc, the danish cinema genius carl theodor dreyer fashioned this ahead - of - its - time examination of domestic life. a deft comedy of gentle revenge, it is the story of a housewife who, with the help of a wily nanny, turns the tables on her…
take the recent women' s march on washington. the official facebook page for the event advertised the march as an
inclusive
production where
everyone
who
supports women' s rights
was welcome. the organizers then promptly refused to
include
women' s groups that did not support abortion rights .
the names of 49 heroes are etched on the plaque of the bladensburg world war i veterans memorial—erected by gold star mothers and the local post of the american legion. for nearly 100 years, it has stood in honor of 49 men of prince george’s county, maryland, who gave their lives fighting for freedom in wwi .
uragan / hurricane, 1916; iola / ved’ma / iola / the witch, 1918; zheleznaia piata / the iron heel, 1919; na krasnom fronte / at the red front, 1920 .
and bill porter comes to the conclusion that he is not able to resist the existing order but that someday another one will come .
based on the classic emile zola novel, jean renoir' s la bete humaine was one of the legendary director' s greatest popular successes - - and earned star jean gabin a permanent place in the hearts of his countrymen. part poetic realism, part film noir, the film is a hard - boiled and suspenseful journey into the…
-... then the camera moves back to the jazz pianist. quickly after that the shot is cut back to bacall as the man she is sitting with puts his hand on her arm. she is clearly uninterested in him because she moves his hand away. as he tries again, she gets up and walks to the piano. the shot then cuts to her leaning on the piano then cuts to the jazz pianist as he tells her to sing. she starts singing in the same shot and then she glances across the room. the shot cuts to bogart and we know that she was looking at him because hawks used eyeline match to make it clear... . [ tags: movie making processes, techniques ]
new york — on wednesday afternoon during the height of the fourth of july festivities at the statue of liberty, therese patricia okoumou began scaling lady liberty and held a t - shirt up with “trumpcare makes us sick” on one side and “rise and resist” on the other .
the way of self is the way of sorrow; but truth refreshes the weary, and lifts up the oppressed. there is gladness for the grief - stricken, and healing for them that are afflicted with the sorrows of the world. there is a place of freedom where the chains of sin are broken, where weeping is not, and lamentation is no more heard. there is a friend for the friendless, and consolation for them that have no comforter come, see, and receive. truth meets all needs, and is ready to receive all who come. the righteous rest there; they have received the fullness of joy. let also the unrighteous come; yea, let them that are weary of sin, come; and they that are burdened and oppressed with the sorrows of self, let them enter and be glad. there is a home for the homeless, and a country for the exiled; for the wanderer there is a happy way, and the lost have a city of refuge. whosoever will turn, let him turn and come. truth brings joy out of sorrow, and peace out of perturbation; it points the selfish to the way of good, and sinners to the path of holiness. its spirit is the doing of righteousness. to the earnest and faithful it brings consolation; upon the obedient and skilful it bestows the crown of peace. i take refuge in truth: yea, in the spirit of good, in the knowledge of good, and in the doing of good i abide, and i am reassured and comforted. it is to me as though malice were not, and hatred had vanished away. lust is confined to the nethermost darkness, it hath no way in truth’s transcendent light. pride is broken up and dissolved. and vanity is melted away as a mist. i have set my face towards the perfect good, and my feet in the blameless way; and because of this i am consoled. i am strengthened and comforted, having found refuge in truth .
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- - - - -. “mr. kuleshov in the land of the modernists. ” the red screen. ed. anna lawton. london and new york: routledge, 1992. 132 - 147 .
true heart susie (d. w. griffith, 1919) a favorite of both rivette and rohmer, true heart susie is one of the best work of griffith and a forgotten masterpiece from the silent era. a story about innocent love and sacrifice that almost a century later still has the power to move us emotionally. lillian gish’s sensitive and beautiful performance is among the best of the silent era. it is a simple story about two simple people in a simple town, full of simple events, that could describe the whole cinema of rivette and rohmer, no wonder they admired the film so much. the first inter - title of the film tell the viewer that the film is made of everyday incidents. griffith never force or try to manipulate the audience, rather he take his time with slow pace story telling, simple set - ups, cross - cutting and subtle acting, he manages to build up emotions and bring the audience to the edges of tears .
is kind of a modern morality, one of those nice stories that are fit for christmas period: a safecracker is released from prison and what follows is that a few banks around are robbed. naturally he is the first suspect and a detective is on his traces. meanwhile the guy falls in love for a rich banker' s daughter and decides to become a honest citizen. when everything seems to turn finally well, an accident happens with the banker' s granddaughter: she gets trapped inside the bank' s new safe and someone has to break the locks. a dramatic dilemma for our ex - robber: if he opens the safe, everybody will realize who he really is (or rather who he was); if not, the little girl will die suffocated inside the thing. add to all this that the detective is also there, waiting for the outcome. the guy takes the noble choice and breaks the locks, saving the girl. then he gives himself up to the detective. fortunately this one also changed himself into a nice person, so nobody gets harmed and everybody' s happy. the thing is that the words and sentences are put in such a way that you can read the story in two different keys: a nice tale to emphasize all that' s good and noble, or a grotesque farce where each player mocks the public and impersonates just the opposite of who he really is (probably the reading key you choose depends on your mood) .
- since the creation of films, their main goal was to appeal to mass audiences. however, once, the viewer looks past the appearance of films, the viewer realizes that the all - important purpose of films is to serve as a bridge connecting countries, cultures, and languages. this is because if you compare any two films that are from a foreign country or spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universally understanding or interpretation... . [ tags: film analysis ]
he who clings to his delusions, loving self and sin, he cannot find the truth, cannot receive the consolation of truth. all that demeans and defiles must be abandoned. truth is not found if the love of self is not renounced. they who lie or deceive; who hate or envy; who lust or covet; who think only of their own pleasure; whose aims are for self and the glory of self in all that they do, – from such truth is hidden by a veil of darkness, even they thick veil of error; from such the consolation of truth is withheld because they seek for self only, and not for truth. they who are truthful and sincere; who love men and rejoice in their success; who are pure and generous; who seek the good of others in all that they do, – to them truth is revealed; such stand face to face with good, and receive the consolation of truth. the foolish seek satisfaction in sensual pleasures; the vain are pleased with the flatteries of the world; the one leads to misery and emptiness; the other to disappointment and humiliation. the wise abide in the joy of truth; and there are no pitfalls for the humble, their feet are steadfast in the way of peace. we have cancelled our compact with the world. its pleasures are put away, abandoned, renounced. we perform the necessary uses of the world, but we no longer rest upon its forms, no more seek satisfaction in its thirsty desires. our hearts are set upon the good of all. thus have we found the abiding sweetness of religion. we have found a quiet trust and a patient happiness. we have resorted to the faithful one, the ever - present comforter, even the spirit of holiness. we have taken shelter in his high abode. and no temptation shall draw us back into the tempestuous ways of the world, for our refuge is a refuge indeed .
sovetskii ekran [ the soviet screen ], “khokhlova as a film director. ” rev. of an affair of the clasps (1929). pc
the kind of idealistic commitment typical of the early twentieth - century russian intelligentsia. later in her memoirs she wrote that working in cinema was for her “the most important thing in life” (kuleshov and khokhlova 1975, 62). perhaps this commitment fortified her against the daunting challenges of soviet state cinema work
a time for dying (budd boetticher, 1969) every film that i had seen so far by boetticher has been a masterpiece and a time for dying is no different. under 70 minutes, it is a film that one wished never to end and when it does we are left with a sadness and a nostalgia for the loss the two characters that are both doomed at the end of the film, the two that we laugh so much with and fall in love. this was boetticher’s last film, a film about a man that we spent all the film with and at the end we don’t even know who he was. the old west is a cruel one, the good loses and evil triumph, and memory erases the trace of those who were good and the few that become legend are not all that nice .
words of hope is an international media ministry working to build the church throughout the world. we focus on areas that are hard to reach with the gospel, either because of poverty, geography, or social antagonism toward christianity .
konstantin stanislavsky, director of the moscow art theater and close friend of aleksandra’s parents (1975, 54). stanislavsky taught how to approach the actor’s work as a search for authenticity, for ways to convey the irreducible complexity of the character’s inner world. alexandra’s relationship with the stanislavsky school, however, is often overlooked because her career as a film actress evolved under the banner of soviet avant - garde, which cut ties with established theater traditions. yet, kuleshov’s desire to revolutionize cinema was fueled by the same hatred of stage clichés and bad acting that compelled stanislavsky to search for new forms in the theater. echoing her husband’s disdain for the histrionic acting in film dramas of the past, aleksandra wrote: “i absolutely agree with stanislavsky, who said that the best film actors are animals; they move in a way that pertains to them
though, let me tell you this: for committing a murder, one gets a punishment here on earth, plus it could be some circumstances, while for exploiting the workers one is praised here on earth, there is a whole bunch of idiotic yesmen and sycophants who praise the exploiters and blame the exploited, so at least make the fucking bondsman punished sometime at the end of time .
non, ou a vã glória de mandar (manoel de oliveira, 1990) a mix between bitter victory and alexander nevsky. the story is set among a group of portuguese soldiering during portuguese colonial war (1961 - 1974) in africa, among the group is luís miguel cintra, a pessimistic soldier who tells the other about the sad history of failure and colonization of portugal, the film is like a fable / thatrical narrative, at times actors takes the roles of historical figures in their stories and talks to the audience directly. it is anti - war film because it deals with the failures of war rather than the glory of it. a mix of fantasy, realism, naturalism and surrealism imagery .
khokhlova has, of course, a talent for acting that is perhaps the only one of its kind that is worthy of serious mention…america is possessed by the ideal of the petty - bourgeois “ bathing girl. ” [ … ] khokhlova frustrates that ideal. the firm grip of her toothy grin shreds the hackneyed formula of ‘the woman of the screen = the woman of the bedroom. ’ [ … ] khokhlova can create an entirely new genre…khokhlova has to be provided with sharply soviet roles and a proper interpretation to match her essential qualities. firmly rejecting demonic women, adventuresses and the rest, i would plait her hair, dress her in a sarafan and release a cycle of grotesque comedies on a “town and country” theme with a screen’s first female eccentric–khokhlova… (2010, 71 - 72) .
a married couple have a small apartment in moscow. when an old friend of the husband' s arrives in the city, he is unable to find lodgings. kolia, the husband, invites his friend to move in with them .
michel simon gives one of the most memorable performances in screen history as boudu, a parisian tramp who takes a suicidal plunge into the seine and is rescued by a well - to - do bookseller, edouard lestingois (charles granval). the lestingois family decides to take in the irrepressible bum, and he shows his…
raise the red lantern (1991, mainland china, dir. zhang yimou )
previewing her act, gaga told reporters at pre - game presser late last week ,
the only statements that i' ll be making during the halftime show are the ones that i' ve been consistently making throughout my career .
as usual, though, lady gaga was different. she took her own pledge literally and delivered a performance that actually honored the definitions of the words she used .
but the prison administration does not keep the promise and valentine soon dies. his death is marked by a revolt of prisoners who are dissatisfied with the existing order. dulcie' s pipe dreams are also destroyed and she ends up killing her roommate .
film technique; and film acting: the cinema writings of v. i. pudovkin
socially - conscious banker thomas dickson faces a crisis when his protégé is wrongly accused for robbing the bank, gossip of the robbery starts a bank run, and evidence suggests dickson' s wife had an affair... all in the same day .
aerograd aka frontier (alexander dovzhenko, 1935) if there is such a thing as poetic propaganda, then dovzhenko’s aerograd has to be the father of them all. it is a poetic masterpiece with imagery that are equal to his lyrical film, earth. the only flap in the film could be its patriotic drum beat for the soviet, take that away and you got a film that is gold from its first frame to the last. it has a mystical power that is comical and tragic at the same time. according to rosenbaum, the film was a favorite of elia kazan and james agee .
welcome (philippe lioret) a heart breaking story about a friendship between a kurdish immigrant trying to swim across the english channel into england and a french swimming teacher (vincent lindon), beautifully acted, the film slowly builds its pace toward the heartbreaking end.
the great consoler ( russian : великий утешитель , translit . velikiy uteshitel ) is a 1933 soviet drama film directed by lev kuleshov and starring konstantin khokhlov . the film is based on the facts from the biography of the american writer o. henry and on his two novels . 
the great consoler (russian: великий утешитель, translit. velikiy uteshitel) is a 1933 soviet drama film directed by lev kuleshov and starring konstantin khokhlov. the film is based on the facts from the biography of the american writer o. henry and on his two novels.
the great consoler (russian: великий утешитель, translit. velikiy uteshitel) is a 1933 soviet drama film directed by lev kuleshov and starring konstantin khokhlov. the film is based on the facts from the biography of the american writer o. henry and on his two novels.