kasi yathirai
kasi yathirai was produced by s. s. sethuraman and is armed with a cast full of strong performers like sreekanth, suruli rajan, and cho ramasami. actress manorama plays a double role, and virtually dominates the film .
trips to the himalayas, gomuk, badrinath and kedarnath, (‘badri kedar yathirai’), varanasi and rameswaram (‘kasi rameswara yathirai’), temples in kerala, karnataka, etc. , were serialised one after the other. as many as 246 holy spots of tamil nadu were discussed elaborately. thus was born ‘arunachala magimai. ’ also he studied the lives of seshadri swamigal, paadagacheri swamigal and muthuswamy dikshitar .
kasi yathirai was a fairly successful comedy, featuring comedian, character actor and producer v. k. ramasami, with a host of supporting actors. interestingly, in the end credits, there is only a collage of faces of the comedians featuring in the film, without any names being mentioned .
kasi yathirai is a symbolic indication that the groom should move from the brahmacharya to grahasthaasramam and not directly to the others. the boy makes his way to kasi, complete with slippers, umbrella, a fan made of bamboo etc. on his way, the bride’s father intervenes and advises him of the superiority of married life to an ascetic life. he promises to give his daughter as companion to face the challenges of life. convinced, the groom returns to accept his life - partner and start life as a grihasta. the umbrella is to remain with the groom, to remind him in the future of this advice. as promised his wife stands by him in his life .
movie title - - - kasi yathirai unbelievable - - - director s. p. muthuraman directs actor v k ramasamy for 1st time. director s. p. muthuraman directs actor v k ramasamy for 1st time. director s. p. muthuraman and music director shankar ganesh joins for 1st time. cast - - sreekanth as ramu suruli rajan as shankar ramu house maid umas lover thengai srinivasan as kanthasamy drama contractor typist gopu as kattakula swamyji paramasivam pillai guruji below actors passed away - - cho ramaswamy srinivasa iyer died on 07 - dec - 2016 gopishantha manorama died on 10 - oct - 2015 suruli rajan died on 05 - dec - 1980 thengai srinivasan died on 09 - nov - 1987 movie details - - directed by - s. p. muthuraman music by - shankar ganesh produced by - s. s. sethuraman running time - 128 mins
later in 1965, sreekanth acted in
naanal
directed by k. balachandar. he received his first negative role in the film
selva magal
in 1967. the image of romantic hero which he acquired in his debut film, was rarely used by him in only few films in his career. aiming for versatility, he accepted supporting roles in various films. he was in directorial ventures of k. balachandar like bama vijayam, poova thalaya, ethir neechal, navagraham, noortuku noor. he played the role of mental patient in raja veetu pillai cast opposite pushpalata. he played the hen - pecked husband who is son of the character played by shivaji ganesan in the film vietnam veedu. after success of the film selva magal in 1967, sreekanth started approaching him for even villain roles and some of his film with him in villainous roles since 1968 include
thanga gopuram
, gnana oli, gomatha engal kulamatha, vairam (1974 film), vasantha maligai, anbu thangai, vani rani. despite the success in films, he and sowcar janaki were part of drama troupes giving live performances in the evening or on weekends. he was part of many comedy films throughout his career like ethir neechal, bama vijayam, yaarukku mappilai yaro, kasethan kadavulada, kasi yathirai, kai naraya kaasu, athaiya mamiya, ilaya thalaimurai. he played the false son of p. bhanumathi in the film edupa kai pillai in 1975 .
karthik has regally arrived at the wedding hall, ostensibly to get married to vyshnavi when he is consumed by second thoughts. and no, it isn' t another woman. with the gita (the holy book of the hindus) tucked under his arm, a walking stick and an umbrella he makes an amusing show of going away to kasi (a holy place in north india) to become an ascetic, far away from the impending life as a householder. vyshnavi' s father intercepts and convinces him (read: puts some sens into his head) to stay back and marry his daughter. a very pliant karthik agrees and returns to the mandapam (mun - duh - pum) .
the film was written by the noted writer of that period, v. c. guhanathan, and directed by s. p. muthuraman, one of the most successful filmmakers of tamil cinema, who began his innings at avm studios and made his way to the top .
the director is known for his many super hits, and is often credited for creating the commercial star power of rajinikanth and kamal haasan in tamil cinema .
in this film, v. k ramasami plays a dedicated and committed bachelor, and finds it difficult to keep up his bachelorhood with so many temptations around him .
he is also a rich man, with people like suruli rajan and m. r. r. vasu going after his money. cho plays an alcoholic in love with manorama. so fond is he of his drink that when starved for alcohol, he doesn’t even mind pouring kerosene into his glass. expectedly, his dialogues are littered with trademark comments on local politics .
the film was produced under the banner of sri devi cinetone and shot at bharani and karpagam studios .
bharani studios was then promoted by top star p. bhanumathi and her husband p. s. ramakrishna, before it was eventually given away on lease to noted film personality a. l. srinivasan .
music was composed by the popular duo shankar - ganesh with lyrics by vaali and panju arunachalam. all four songs in the film are breezy, and sung by many artistes including, s. p. balasubrahmanyam, sasirekha, ponnusamy, manorama, and l. r. easwari .
cinematography was by babu, and the editing was by vittal. art direction was by radha, though not much is known about him today .
choreography was by dance master thangappan and madurai ramu. it is to be noted that kamal haasan worked under thangappan as his dance assistant in this film .
the film did reasonably well, owing its reception mainly to manorama’s splendid double role .
remembered f or: the comedy and fine acting by v. k. ramasami, cho, suruli rajan (as sreekanth’s) assistant, kumari padmini, jaya, isr and others .
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this uploaded movie is dedicated to manoramma aachi. what a versatile actor she is! may her soul rest in peace! !! vasanth
tamil full movie hd | adutha veedu | chandrasekhar, ilavarasi, s. v. sekar, madhuri... realcinemas
all marriages in india involve a lot of rituals as a marriage is more than the coming together of two individuals. it signifies the unification of the couple, parents, families, well - wishers and above all the gods. thus a typical hindu wedding involves vedic rituals as well as social practices. most of the mantras for the wedding ceremony are from the tenth mandala of the rig veda, which describes the marriage of sūrya, the daughter of the sun god, with soma .
before discussing the rituals on the day of wedding, let us see the events that take place before the wedding. the first ritual in the process of marriage is celebration of the nischayartham (settling the marriage). this is a legal contract (with a brief religious ceremony) between the families of the groom and the bride. for arun and ajeeta, this was performed in chennai on 23rd august 2009 .
on the day prior to the wedding, two important rituals take place – one is social and the other religious. the social event is janavasam or barat in which the bridegroom is brought in a procession from a temple. in south india, he comes in a flower - decked car and on a horse’s back in north india. by such a procession, the approval of he public is sought by the bride’s family from their co - villagers. after reaching the venue of the wedding nischayartham is performed .
fire which is one of the five elements (pancha bhootha) plays a major part in all south indian weddings. all the ceremonies described here take place in front of the homam which burns throughout the muhurtham .
rice is also an important part of the whole ceremony as the bride and groom are periodically showered with' akshadai' which is rice mixed with turmeric powder .
dharbai (or dried kora grass) is considered holy and is extensively used in all religious ceremonies including marriages. the groom' s dhoti is dipped in turmeric water and dried earlier and hence is yellow. the bride, wears nine - yard saris in the traditional form known as' madisaar' .
the marriage ceremonies begin separately for the bride and the groom. the bride' s father performs jathakarna & namakarna to the bride. kaappu (thread soaked in turmeric solution) is tied on the hands of both the bride and the groom, to ward off all evil sprits and groom' s prospective mother - in - law applies' mai' (kaajal or eye - shade) to the groom .
nine kinds of presoaked cereals are ceremoniously sown in earthern pots. water is poured into these bowls. the seeds sprout and are immersed in a river or lake later. this ceremony is done to invokes the blessings of the eight guardian angels (ashtadikh paalaks) for a healthy life and progeny to the couple .
for the groom vratham begins with invocations involving the gods indra, soma, chandra and agni. from thereon the groom prepares himself for a new chapter in his life as a householder or grihasta. the days of his bachelorhood or brahmacharya are over now. the acceptance of this is all what the vratham is about .
the groom enters the wedding hall where the bride joins him. the two garland each other thrice (assisted by their respective uncles). a special tune for the occasion is played on the nadaswaram. in the shastras, the exchange of garlands symbolizes their unification, as one soul in two bodies .
the bride and groom are made to sit on a swing and are treated like radha and krishna while the bridesmaids and the female relatives sing beautiful love songs around them. they are given a sweet concoction of milk, sugar and bananas to eat. water and lighted lamps are circulated around the swing in order to guard against demons and ghosts. while sitting on the oonjal their feet are washed with milk and they are protected from the evil eye by circling a handful of coloured rice around their head and then throwing them away in all the four directions
kanniga dhaanam literally means gifting the bride. before kanniga dhaanam a few other dhaanams are also made. kanniga dhaanam is made by getting the bride seated on the lap of the father who gives away the daughter to the groom. on the bride’s head, a ring made of darbha of kusa grass is placed. and over it is placed a yoke. the tirumangalyam or thali is placed on the aperture of the yoke. and water is poured through the aperture. the mantras chanted at this time say :
“let this gold multiply your wealth, let this water purify your married life, and may your prosperity increase. offer yourself to your husband. this ritual means that just as a two bulls have to work in harmony, the success of the marriage needs both the wife and husband .
the bride is then given an auspicious ablution. a new sari, exclusive for the occasion, called the koorai is chosen. the colour of the koorai is ‘arraku’ i. e. red, the colour associated with mahalakshmi. a belt made of reed grass is then tied around the bride’s waist .
thanksgiving vedic hymns follow, to the celestial caretakers of her childhood, the dieties of soma, gandharva and agni. the girl is now free to be given over to the care of the human - - her man .
“i offer ye my daughter: a maiden virtuous, good natured, very wise, decked with ornaments to the best of my abilities. with all that she shall guard thy dharma, wealth and love”
the bridegroom returns his assurance to the bride’s father saying three times that he shall remain forever her companion in joy and sorrow, in this life and the life after .
the tying of the mangal sutra or thali takes place at exactly the pre - determined auspicious hour. the bride is seated over a sheaf of grain - laden hay looking eastward while the bridegroom faces westward. thirumangalyam (also known as thali in tamil and mangalsutra in hindi) is blessed by the acharya, the priests, elders and the assembled guests. it is tied to a yellow (turmeric powder - coated) thread, which is tied around the neck of the bride by the groom to signify that the bride becomes his wife. thirumangalyam is tied with three knots. the first two knots are tied by the bridegroom and the third knot is tied by his sister. as he does so the nadaswaram is played loud and fast so as to muffle any inauspicious sounds at the critical hour. ladies. the vedic hymn recited by the bridegroom when he ties the knot is :
i tie this knot around your neck. oh soubhagyawati, may providence bestow on you a fulfilling life of a sumangali for a hundred years to come !
next is ‘paanigrahanam’ when the groom and the bride hold their hands in public. by holding the hands in public, they indicate to the world that their hearts are set to live together in harmony .
saptapadhi, which literally means seven steps, consists of circumambulating the homam (fire) seven times while reciting mantras (invocations) one made by the bride and another made by the groom with each step .
“i. may the lord narayana, who pervades the entire universe, satisfy your physical hunger by feeding you in response to the first step you are taking .
ii. may your second step give you physical strength by the grace of the lord narayana .
iii. may he follow your third step and help you fulfill your good actions .
v. may he bless you with the wealth of cattle by following your fifth step .
vi. may he confer happiness on you during all the six seasons by following your sixth step .
vii. by following the seventh step of yours, may he bless you to perform the soma - sacrifice by the worship of the seven ritwaiks .
after crossing these seven steps together, we are now eternal companions and are totally committed to love, compassion, fidelity, duty and mutual respect. we shall remain as one, and together we shall truthfully perform all our duties sincerely. we shall remain steadfast and faithful to each other and never desert one another. unity in thought and action will be our life' s mission. now i am the sama veda and you are the rig veda. i am the expansive sky and you are the merciful and bountiful earth. i am the mind and thoughts and you the words and expressions. i salute you, the angel of virtues and serenity. please walk with me and you shall realize all your aspirations, flawless progeny and enormous wealth and health. i welcome you, the goddess of beauty and wisdom with devotion and deep love. let us live in harmony and attain both bliss and peace .
the marriage is sanctified and complete after saptapadhi. the couple offer their prostration to the parents and elders. they then take their seat near the fire and pay their respects to the gods as husband and wife .
since the bride and the groom are to begin their life as householders, there is an introduction of the concept by the ritual of ammi midhitha. the groom places the foot of the girl on the grinding stone and requests her to maintain the reputation of the house and the family. with this it can be said that the bride takes over the kitchen .
there are a number of activities where attempt is made to impart in the couple traditional values. arundati and dhruva partal (watching the arundati star). is one such ritual. during the course of this ritual the groom takes the girl out in the open and shows her the' arundati' and dhruva stars on the horizon. arundati was the wife of sage vashista who became immortal as a star due to her devotion to her husband. dhruva is the north star who had attained immortality through single - minded devotion to narayana .
this comprises the bride’s own offering into the sacrificial fire. her brother gives her a handful of puffed rice grains which she hands to the bridegroom, who on her behalf, feeds it to the fire. through this food offering, the bride seeks a long life for her husband and for propagation of her family. participation of the bride’s brother indicates the continuance of links between the two families even after marriage. the couple circles the fire three times. the feeding of puffed rice to the fire is also repeated thrice .
sambhavanai literally means blessings. first of all the blessings are invoked from the ‘acharya’ the guru or the priest. the blessing of the priest is followed by blessings by the maternal uncle and all other relatives and friends .
vilaiyadal (which literally means playing games) is the social and entertaining part of a wedding. this also serves to introduce the relatives on both sides to each other. the ladies from the groom' s side bring trays in which all the items of daily need for the bride (such as hair oil, comb, cosmetics etc. as well as the traditional wooden doll for playing known as marappaachi). these items are known as vilaiyadal seer (gift for playing) to the bride. then the ritual of' thengai urutal' takes place in which coconuts covered with turmeric are rolled at each other by the bride and the groom. while doing so the women from the both sides of the family sing songs .
grihapravesam is the formal entry of the newly - married bride to her in - laws’ place. in any marriage hall, the bride’s party and the groom’s party stay in different parts of the kalyana mandapam. so the newly - wedded wife enters her husband’s ‘house’ escorted by her parents amidst the chanting of mantras. she is welcomed with aarthi (tray filled with water with turmeric and the lime which makes the water turn red), flowers and sweets by her in - laws .
be the queen of your husband’s home. may your husband glorify your virtues! conduct yourself in such a way that you win your mother - in - law’s love. and be in the good books of your sister - in - law .
this ritual is done a number of times during the wedding ceremony. it is done to ward off any evil and as a protection .
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and produced by s. s. sethuraman under sri devi cine tone. the film' s script was written by
( played dual role in the film one is stage - drama actress andal and another is dr. dhamodran daughter lalitha), m. r. r. vasu and
audiography (song): kodieswara rao (gemini) and t. s. rangasamy (saradha )
audiography (dialog): s. rama rao (barani), p. v. nathan and g. kanthasamy (karpagam )
rajendra krishna, s. p. balasubrahmanyam,' kovai' sundarrajan, b. s. sasirekha
s. p. balasubrahmanyam,' kovai' sundarrajan, l. r. eswari, b. s. sasirekha
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life of a blind person and his sufferings because of cruel people who exploit his weakness .
500. 000 + full movie torrents downloads & 62. 000 + movies online
lakshmi (manorama) is an extremely domineering second wife to sivaswamy (vennira aadai moorthy) and controls all his money treating him with scorn and disdain. when sivaswamy' s son ramu (muthuraman), son of his first wife, requires a sum of rs. 3000 for his sister' s husband, she refuses instantly. ramu and his cousin mali hatch a plot with appaswamy (thengai sreenivasan) who pretends to be a fake swamiji in order to get to her money safe and steal a sum of rs. 50, 000 .
the music composed by m. s. viswanathan. elements of the song
jambulingame
was borrowed by s. thaman in the song
pudhu punal
from the film
mouna guru
( 2011) .
meanwhile, rama (lakshmi) is an orphan whose only friend is the doctor of a mental institution. when rama wants a conduct certificate, the doctor bungles and hands over the certificate of a mad girl. rama arrives at parvathi' s house to work as a secretary and parvathi sees the certificate and decides to keep rama at her house to humour her fearing her insanity. the film leads to plenty of humorous situations .
kasethan kadavulada
was based on the stage play of same name. av meiyappan who saw the play decided to adapt it into a feature film and insisted gopu to direct the film thus made his directorial debut. thengai srinivasan was selected to appear in the character of madras tamil speaking tea seller masquerading as a saint. gopu recalled that producers put up a huge cut - out for srinivasan in the saint get - up. srinivasan who was pleased did not want the lead actor muthuraman to misunderstand so he and gopu went to muthuraman and explained that it was the role that became popular and even apologised to muthuraman who smiled it away .
randor guy of
the hindu
stated that the film was remembered for
the excellent comedy sequences, humorous dialogue, fine direction of chitralaya gopu and excellent performances
.
behindwoods
included the film in their list
top ten comedy movies
and noted that the film
employs almost all known staples of comedy movies and throws them together to generate a hilarious film
. thirumalai titled his 2011 comedy film as
kasethan kadavulada
which had no similarity with this film .
kasethan kadavulada () is a 1972 tamil language comedy film directed by chitralaya gopu who made his directorial debut. the film stars muthuraman, thengai srinivasan, srikanth and lakshmi in the lead roles and manorama and venniradai moorthy in supporting roles. the film was a low - budgeted film of the time and is perhaps best known for thengai srinivasan dressing up as a fake saint, making a lot of situational comedies along with it .
kasethan kadavulada
was made available for viewing on amazon prime video when it was launched in india in december 2016 .
kasethan kadavulada is a 2011 comedy film written and directed by thirumalai, starring sharan, kamna jethmalani, karunas, pandiarajan, divya padmini, sathyan, manobala, delhi ganesh, paravai muniyamma, and singamuthu playing the main characters. the film, directed by thirumalai, has music scored by comedian and singer karunas. it is a remake of telugu film
blade babji
. the film got negative reviews, it had a poor opening and was a flop .
madras bashai is used in many tamil movies after the 1950s. actors such, manorama, j. p. chandrababu, loose mohan, thengai srinivasan, janagaraj, cho ramaswamy, kamal haasan, vijay sethupathi, dhanush are known for using it. representative films are
maharasan
,
michael madana kama rajan
,
thirumalai
,
vasool raja mbbs
,
pammal k. sambandam
,
chennai 600028
,
attakathi
,
idharkuthane aasaipattai balakumara
,
ai
,
madras
,
kasethan kadavulada
and
anegan
.
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cover all your wedding planning bases with these expert tips no to - be - wed should be without .
when planning your wedding, there are things that are nice to know, and there are things you need to know—advice so essential any bride who' s lucky enough to hear it thinks ,
i' m so glad someone told me that !
if you' re wondering whether there' s something you may have missed (or even if you' ve got everything under control), check out our indispensable planning secrets below .
get a grip on the approximate number of guests you' ll invite before settling on a venue. this will ensure there' s ample space for your crew. as a rule of thumb, allow for 25 to 30 square feet per guest. that may seem like a lot, but it' s really not if you count the space you' ll need for the tables, bustling waiters, the band and a dance floor .
know ahead of time if your wedding date falls on the same day as a trade conference, charity walk or other local event that could affect traffic and hotel room availability. here' s a handy list of potentially problematic wedding dates coming up in the calendar .
heed the weather and other potential annoyances. guests have been known to skip out early from hotter - than - hot summer tent weddings and improperly heated winter loft receptions. bugs (gnats, deer flies and mosquitos) also swarm in certain areas during certain seasons. consider renting pest control tanks to alleviate the problem or including bug repellent in guests' gift bags. and if you want a sunset ceremony, make sure you know when to say your vows by checking urltoken. oh—and always, always have a plan b for unexpected weather snafus .
take advantage of the high cost of weddings and sign up for a credit card with a rewards program. whether it gives you airline miles or great shopping deals, consolidating all wedding - related purchases to this card will help you accumulate thousands of rewards points (which could be used for your honeymoon) .
let one vendor lead you to another. your wedding photographer can tell you which florist' s blooms really pop, and your reception manager should know which band consistently packs the dance floor .
the easiest way to trim your wedding budget? cut your guest list. remember, half of your wedding expenses go to wining and dining your guests. if it' s costing you $ 100 per person, eliminating one table of 10 can save you $ 1, 000 .
request an extra hour for cocktails or for your band to throw in that frank sinatra sound - alike before you sign on the dotted line. most vendors would rather secure the reservation than nickel - and - dime you early on (which might turn you off of them). later on, though, they may be less inclined to meet you halfway .
another unforeseen expense? feeding your wedding day crew. before you sign the contracts, make sure you' re not required to serve the same meal to your vendors that guests will receive. otherwise, you could be paying for 20 additional lobster tails. choose a less expensive (but equally hearty) meal for them instead. you will have to let your wedding caterer know a couple of days before the wedding exactly how many vendors you need to feed (don' t forget photography assistants and band roadies) and what you want them to serve .
in a three - ring binder, compile all your correspondences with vendors, notes you make during meetings, and photos or tear sheets from magazines you want vendors to see. set up a special email address dedicated to your wedding, and store important vendor numbers in your cell phone. for on - the - go planning that keeps everything in one place, download the the knot all - in - one wedding planner app to keep all of your planning info digitally on - hand at all times .
typically, you need one bartender per 50 guests to keep the line at a minimum. but if you' re serving a signature cocktail that cannot be made ahead of time (or in large quantities), consider adding an extra server designated to this task .
your wedding budget should follow this formula: 48 to 50 percent of total budget to reception; 8 to 10 percent for flowers; 8 to 10 percent for attire; 8 to 10 percent for entertainment / music; 10 to 12 percent for photo / video; 2 to 3 percent for invites; 2 to 3 percent for gifts; and 8 percent for miscellaneous items like a wedding coordinator. it' s essential to allocate an extra 5 to 10 percent of your money for surprise expenses like printing extra invites because of mistakes, additional tailoring needs, umbrellas for a rainy day and ribbons for the wedding programs .
your wedding vendors should be your go - to, most - trusted experts during the planning process. when working with them, you should feel free to really explore what it is you want—maybe it' s serving a late - night snack instead of a first course or doing a bridal portrait session rather than an engagement session. the bottom line is that you should feel like you can have an honest conversation with them about what it is you want. their job will be to tell you what you can and can' t make work given your wedding budget .
sometimes, last - minute planning can work in your favor. the closer your date, the more bargaining power you have. since most people book their wedding venues at least six months in advance, calling for open dates two months prior to your desired time can save you up to 25 percent. and, friday and sunday weddings should cost about 30 percent less than saturday weddings .
of course you want the perfect stamps for your wedding invitations. but not all stamps are widely available at every post office, especially in large quantities. save yourself scouting time by ordering them online at usps. com. and be sure to weigh your invitation and all the additional paper products before you send them out so you can attach the right amount of postage. ask your stationer about the need for additional postage for oddly shaped envelopes .
know that as a rule, about 10 to 20 percent of the people you invite won' t attend. naturally, this depends on the location of your wedding (destination weddings are harder to attend), how many out - of - towners are on your list, and the timing of the event (some guests may have annual holiday plans) .
you have four choices: you can welcome children with open arms; you can decide to have an
adults only
wedding; you can include immediate family only; or, you can hire a child care service to provide day care either at the reception space, in a hotel room or at a family member' s home. to prevent hurt feelings, it' s wise to avoid allowing some families to bring children while excluding others (unless, of course, the children are in your bridal party) .
pare down your guest list with the
tiers of priority
trick. place immediate family, the bridal party and best friends on top of the list; follow with aunts, uncles, cousins and close friends you can' t imagine celebrating without. under that, list your parents' friends, neighbors, coworkers and so on. if you need to make some cuts, start from the bottom until you reach your ideal number .
put together a wedding planning schedule and do things one by one, in a logical order, so you don' t take on too much too fast and end up with everything snowballing around you. don' t hire any vendors before you' ve confirmed your date; don' t design your cake before you' ve envisioned your flowers; and don' t book a band before you' ve settled on a space .
if your guest list is bursting at the seams, assess the plus - one scenario. do a faux seating chart in your mind, and imagine whom your single pal would sit with. if it' s a table of singles that she knows pretty well, then you' re all set. if it' s a table of couples (making her the odd one out) or if it' s a table of singles where she won' t know anyone, consider bending the rules. if asked why you' re not allowing single friends to bring guests, size or budget constraints or your parents' never - ending guest list are always good reasons .
as soon as you' ve picked a date, start to look for hotels in a wide variety of price points. many hotels allow you to reserve rooms for guests under a special wedding block and a reduced rate. you can then release any unbooked rooms a month prior to your wedding. if the hotels you contact insist upon contracts with cancellation penalties, just say no—you don' t want to be responsible for rooms you can' t fill .
make sure guests know where they' re going. as easy as online map programs are to use, sometimes the directions are wrong or there' s a quicker, less traffic - prone route to take. ask your ceremony and reception sites for printouts or digital copies of recommended driving directions and even test out the routes yourself. then include the best directions on your wedding website or email them to your guests to print out if they' d like .
get any nonstandard changes to your agreements in writing or send the vendor a confirmation email saying ,
hello, just confirming that you' ll keep the venue open until 2 a. m. versus midnight .
don' t just assume everything' s all set—sometimes, by the time the actual day rolls around, your contact for a certain may no longer be working there to vouch for you .
you must make sure there' s ample time for setup. if you' re renting a venue and bringing in outside help, ask what time people can come in to start setting. see if they can do it the day before, or at the very least the entire wedding day, before the event starts .
you can check your state' s license requirements online, but confirm with a call to the county clerk' s office to see when they' re open. even if it' s open from 9 a. m. to 5 p. m. , they may issue marriage licenses only during slower times like, say, thursdays from 2 p. m. to 3 p. m. give a copy of your marriage license to your mom or your maid of honor (just in case you lose yours during the final days before your wedding) .
be prepared—ask the manager of the house of worship or site where you' ll be married for the list of restrictions (if any). for instance, is flash photography or bare shoulders prohibited? or, if you' re exchanging vows outdoors, are you allowed to plant tent stakes in the lawn (which is often not allowed) ?
wedding budgets are all about balance. start your budget planning by making a checklist of the crucial details, like the music, your wedding gown, the invitations, the flowers and the photographer, and assign a number to each—one being the most important and three being the least. invest your money in all your number ones and cut corners on your number threes. (but everything can' t fall into the number one category !) for example, if a designer gown and fabulous food are what really matter, you may have to choose simple invitations and smaller floral arrangements .
make sure your guests can both see and hear from their seats. if people are seated farther than 15 rows back from your ceremony altar or podium, consider renting a mic and a riser. this could range anywhere from $ 50 to $ 100, depending on the equipment used. you' ll need to coordinate the delivery and setup with your ceremony space, so put your wedding planner or best man in charge of this task .
keep an emergency contact sheet or phone with your vendor contacts on you on your wedding day—it may come in handy in case your limo driver gets lost or you decide you' d like your photographer to take some behind - the - scenes shots .
don' t go dress shopping on your own—all the gowns will start to look the same after a while and it will be harder to recall which style you really loved. but be careful about who you do bring. if your mom or sibling can' t make the trip, ask a friend who is truly honest. this is the time when you really need to know which dress looks best .
when it comes down to the last month of your planning (and when you' re particularly harried) look at your mile long to - do list and cut three things. yes, cut three things. not crucial things you just don' t feel like doing, such as picking a processional song or confirming final details with all of your vendors. eliminate only the over - the - top tasks like hand - painting
just married
signs, or baking cookies for all of the welcome bags. cross them off and make a pledge not to think about them again .
not sure where to begin with your wedding planning? take our style quiz and we' ll pull together a custom wedding vision and vendors to match, just for you .
prolific: a sample from the author’s collection. it is paramacharya whom t. s. sridharan alias bharanitharan alias marina repeatedly thanks during the conversation. incidentally, not many are aware of cheeli, the cartoonist, yet another hat that marina donned and sridhar, writer of political jokes. on the whole, it is time well - spent talking to this multifaceted personality, octogenarian, who has chosen to spend the evening of his life in spiritual activities. he is guiding the affairs of the sri kamakoti seshadri swamigal mantap committee .
born on christmas day in 1925, marina had an eventful adolescence, the interesting phase neatly chronicled in his autobiographical book, ‘chinna vayadhinilae. ’ graduating in commerce in 1947, he found himself interested in freelancing and cartooning. dailies such as swadesamithran encouraged him in the endeavour. he preferred working in the editorial department of ananda vikatan to a job in the reserve bank of india. after about three decades of significant contribution, he retired in 1985 as the journal’s joint editor .
sridharan describes those three decades as the golden period. coming close to paramacharya was a great fortune that paved the way for successes on several fronts, according to him. sridharan thanks s. s. vasan, editor of ananda vikatan, who encouraged him and with equal reverence remembers his father, t. n. seshachalam, mentor and a perennial source of inspiration .
association with ananda vikatan proved enriching. he got opportunities to meet religious heads and political leaders such as kamaraj and rajagopalachari. reviewing the films of sivaji ganesan, k. balachander and sridhar was an interesting experience .
poornam viswanathan (right) who made thani - k - kudithanam an immortal classic; and bharanitharan .
seshachalam, a scholar, was also associated with a tamil literary journal of kalanilayam, between 1928 and 1935. “my father had mastered kamban and shakespeare and firmly believed that it was life that got enacted on stage. he translated othello and julius caesar and r. p. sheldon’s play pissaro; the translated tamil version was staged in 1937 .
“during the numerous rehearsals at home (i was around 12 and memorised the entire dialogue), i used to do the prompting even for senior artists. perhaps, the seeds were sown then, ” says sridharan .
what brought about the pilgrim series? again bharanitharan attributes it to the sage of kanchi (while drawing his attention to a discussion on chakkiyar koothu, on an early morning exclusive customary talk with him). “and it was paramacharya, who prompted me to document the experiences of my pilgrimages (1968 - 85). these were published in aalaya dharisanam and ananda vikatan. later they were published as books. writing plays became a pastime. ”
kasi yathirai ( தமிழ் : காசியாத்திரை , english : pilgrimage to kasi ( or ) journey to kasi ) is a 1973 tamil language comedy film directed by s. p. muthuraman and produced by s. s. sethuraman under sri devi cine tone . the film 's script was written by v. c. guhanathan . soundtrack was composed by shankar ganesh . the film stars v. k. ramasamy , sreekanth , suruli rajan in lead roles with kumari padmini , jaya , manorama ( played dual role in the film one is stage-drama actress andal and another is dr. dhamodran daughter lalitha ) , m. r. r. vasu and cho ramaswamy portraying supporting role . kamal haasan worked under thangappan as his dance assistant in this movie . 
kasi yathirai (தமிழ்: காசியாத்திரை, english: pilgrimage to kasi (or) journey to kasi) is a 1973 tamil language comedy film directed by s. p. muthuraman and produced by s. s. sethuraman under sri devi cine tone. the film's script was written by v. c. guhanathan. soundtrack was composed by shankar ganesh. the film stars v. k. ramasamy, sreekanth, suruli rajan in lead roles with kumari padmini, jaya, manorama (played dual role in the film one is stage-drama actress andal and another is dr. dhamodran daughter lalitha), m. r. r. vasu and cho ramaswamy portraying supporting role. kamal haasan worked under thangappan as his dance assistant in this movie.
kasi yathirai (தமிழ்: காசியாத்திரை, english: pilgrimage to kasi (or) journey to kasi) is a 1973 tamil language comedy film directed by s. p. muthuraman and produced by s. s. sethuraman under sri devi cine tone. the film's script was written by v. c. guhanathan. soundtrack was composed by shankar ganesh. the film stars v. k. ramasamy, sreekanth, suruli rajan in lead roles with kumari padmini, jaya, manorama (played dual role in the film one is stage-drama actress andal and another is dr. dhamodran daughter lalitha), m. r. r. vasu and cho ramaswamy portraying supporting role. kamal haasan worked under thangappan as his dance assistant in this movie.