sakhavu
aged getup in # sakhavu. . initially scared but very happie for d response. . thank u so much for loving # sakhavu urltoken
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sakhavu is pretty much to say to those who like history of communism and want to be a leader ...
sakhavu fills the theaters with his fans. an extra show at 12 a m was conducted at popular paradise valanchery yesterday 😍😍😍
nivin pauly plays a communist in his new film # sakhavu. it' s time tamil directors took up ideologies seriously .
if u get a chance, watch # sakhavu - you will start liking the idea of communism. totally enjoyed it !
still, there is no question that sakhavu is well intentioned and serves its purpose with the mirror it holds up to politicians and young political aspirants, showing us in sakhavu krishnan and krishna kumar the contrast between the rare idealist and the insincere wannabe .
sakhavu is a 1986 malayalam film stars, directed by k. s. gopalakrishnan & music by. 23 - 02 - 1986
i loved this movie' sakhavu'' tholar'. wonderful acting by nivin pauly in his getups. . good direction .
sakhavu (2017) is a malayalam drama, written and directed by sidharth siva. starring nivin pauly, aiswarya rajesh, and sreenivasan. the film is about comrade krishna kumar who wants to make it big in politics and how things change when his path crosses with that of a veteran comrade, sakhavu krishnan. watch sakhavu, the full malayalam movie, online, streaming exclusively on hotstar .
# sakhavu getting superb reports in kerala box office. . show increase in multiplexes and extra shows will also be added in single screens. urltoken
whattey performance in # sakhavu, u simply stole the show by ur such dedicated acting. . really very impressed, keep it up as always
sakhavu (aka) saghavuu is a malayalam movie with production by b rakesh, direction by sidhartha siva, cinematography by george c williams. the cast of sakhavu (aka) saghavuu includes aishwarya rajesh, althaf, aparna gopinath, gayathri suresh, nivin pauly, santhosh keezhattoor, sreenivasan, sudheesh .
sakhavu is nivin pauly 's first release in 2017 directed by sidhartha siva and produced by b rakesh under the banner universal cinema. the term 'sakhavu 'means comrade and in this film, nivin pauly is seen playing the roles of a yesteryear revolutionary leader named krishnan and a leftist student leader krishna kumar .
if you want to know my caste or religion, it' s not in my surname but in my firstname...' comrade' # sakhavu urltoken
nivin pauly scores with his performance as sakhavu krishnan and krishna kumar. the actor plays the dubious student leader krishna kumar to perfection and pulls off the old sakhavu krishnan with grandeur. but he lacks a profound and intrinsic fire or the x - factor while playing the young sakhavu krishnan. the film has a number of talented names in supporting roles and each one of them remain etched in audience' s memory, especially sreenivasan, aishwarya rajesh, althaf, binu pappu and aparna gopinath .
# sakhavu, can' t able to say that @ aishu _ dil has proven that to be one of the most formidable and skilled actress in the industry .
i am a tamil guy, recently become a follower of malayalam films. every movie i choose to watch impresses me. sakhavu joins my list as one of the brilliantl
throwback to # sakhavu days, an experience filled with memories that will linger in my mind forever. here’s to sidhartha siva' s vision that made everything possible! urltoken
loved # sakhavu loved more the fact that @ aishu _ dil prod it. can' t imagine a film like that being made if it weren' t for her. proud
# sakhavu cochin plexes collection update! ! [ 30 days ] 30th days collection - ₹ 11, 764 occupancy - 83. 01% grand total - ₹ 89. 33lakhs urltoken
# sakhavu 3. 75 / 5: - perfect political leftist movie. @ nivinofficial lived, 1 more feat 4 @ aishu _ dil in malayalam, @ george _ dop excellent filming urltoken
much of the film leans on dialogues, and less on visual storytelling. so it takes on the character of a stage play at times. sakhavu works more effectively as an ‘agitprop’ film .
# sakhavu 1st day kerala gross apprx 2. 47cr! ! share 1. 16cr! ! @ nivinofficial' s biggest & all time 6th biggest opening (mal) in kerala! ! urltoken
sakhavu revolves around a student political leader who fights for his left - wing ideals. when some people try to use him in order to fulfil their intentions he is forced to fight for his ideals .
sakhavu starring nivin pauly in the lead role has made it to the theatres today (april 15, 2017). the film, directed by sidhartha siva is definitely one of the big movies of this summer season .
pauly is surrounded in this film by a strong supporting cast, including many familiar faces in tiny roles. aishwarya rajesh reminds us of her innate charisma in her performance as sakhavu krishnan’s wife sakhavu janaki, although she is poorly served by the make - up team in her senior avatar. the old janaki’s youthful skin is a surprising let - down in a film where another young actor has been rendered almost unrecognisable by intelligent ageing make - up .
it is tempting to look past the follies of sakhavu because so much of what it says resonates in the troubling, divisive times we live in, far beyond a discussion about the loss of communist ideals. i watched the film in a packed west delhi hall where the cheering audience’s love for pauly seemed to rival their love for comrade - ery. they clapped loudly and repeatedly through sakhavu krishnan’s dialoguebaazi. to be honest, i too was tempted to let out a whoop of delight when krishnan refused to reveal his surname to a wealthy landowner, saying that instead of being known by his caste and religion, he wished to be known by what his chosen first name – “sakhavu” – indicated about him .
sakhavu is nivin pauly' s first release in 2017 directed by sidhartha siva and produced by b rakesh under the banner universal cinema. the term' sakhavu' means comrade and in this film, nivin pauly is seen playing the roles of a yesteryear revolutionary leader named krishnan and a leftist student leader krishna kumar. while krishna kumar is a vivacious young man who tries to convert every situation to fuel his political career, krishnan is a true communist who helps the poor and the needy .
balikudeerangale the song that inspired quite a few generations of kerala, opens the film sakhavu. the song was born in an age that set the standards for an ideal comrade, revolutionary or political worker. just as how the present generation is hardly familiar with the songs theme, words or spirit, its also unaware of what a sakhavu should be like what he should stand for, or even work towards. the sidhartha siva film aims at holding a mirror towards the truth and to show what defines a comrade worth his salt .
siddharth siva’s sakhavu, even with all its pandering to popular perceptions, does not limit the red to just its clothing, as seen in a recent ‘mexican’ film. in other words, it does not fake what it is not. rather, it tries to stay true to its label .
the plot of the movie revolves around sakhavu krishnan whose influence transforms krishna kumar from a young leader who always looked for shortcuts to become a successful politician, into a focused and warm - hearted comrade. a large number of movies based on leftist ideology in the malayalam film industry compared to other languages show the strong foothold communism has in kerala .
if you are not disposed to watch films opposed to your views, be warned: sakhavu ’s heart beats for communism and it does not pretend otherwise. what works in its favour is that it does not allow its affection for kerala’s old - time marxists to turn into propaganda and falsehoods. it helps too that pauly gets truckloads of screen time from start to finish .
national award winning director sidhartha sivas latest movie sakhavu (comrade) is purely a political drama that does not dwell too much on the sorry state of the countrys political scenario. but, it reminds us of the true meaning of leadership and celebrates the lost values of the bygone era of activism. actor nivin pauly plays two different characters in three different avatars in this film .
( spoiler alert) one of the highlights of sakhavu is pauly, who slips into two characters and three distinct looks with such ease that after watching the film i went looking for the name of a third actor on the internet, only to be reminded of the magic that can be worked when a talented actor and skilled make - up artist team up. (spoiler alert ends )
sakhavu does not have the natural ease of sidhartha siva’s national award - winning ain from 2014 nor is it as thoroughly consistent as his sweet little kochavva paulo ayyappa coelho from last year, but it has its merits. siva seems to have his heart in the right place, and he does, after all, make the point he sets out to make here, aided by one of the most interesting male stars of the present generation .
the leading man’s charm dominates the first half of sakhavu, which is devoted to krishna kumar’s shamelessly selfish plans that he has no qualms sharing with his friend and associate mahesh played by althaf. the interactions between these two are a hoot, not the least because there is no exaggeration here: their comedy mocks our bizarre and troubling reality, we have all been stung by hypocrites in politics who pretend to serve the people while serving themselves instead .
while the script gives hardly any redeeming quality to the young krishna kumar’s character, the opposite is the case for the old ‘sakhavu, ’ treated almost like a mythical character who can do no wrong. the younger one gets the light - hearted scenes, while the older one is all intensity. the contrast is just upped so many levels so that no one misses it. this gives nivin a lot of scope to perform, which he uses to the hilt too .
a month after tom emmatty’s oru mexican aparatha saluted communism with a tale of the violent rivalry between student political organisations in kerala, sidhartha siva’s sakhavu (comrade) comes to theatres to tell us what makes a true comrade. this one stars nivin pauly in a double role – as krishna kumar a. k. a. kichchu, whose membership of the student outfit sfk is solely driven by his ambitions for himself; and as the younger version of a veteran communist leader called krishnan, willing to give up his life for workers’ rights .
the film also reveals a prejudice evident in many malayalam films where the outsider, especially the north indian outsider, is viewed through a lens of othering if not outright suspicion. the one significant north indian character in sakhavu, a tea plantation and factory manager played by the attractive tony luke kocherry, is a nasty piece of goods with no redeeming qualities. (aside: the factory signboard bears the surname “mehta” but the spelling “mehatha” is used on a document the owner is shown signing – if this was not an instance of casualness and there is a deeper meaning here instead, i confess it was lost on me. )
at an edited length of almost 2 hours and 45 minutes, sakhavu keeps the viewers glued to their seats in the first half with the well - handled comic numbers by nivin pauly and althaf. even though the theme has nothing new to offer, the movie like its predecessors, uphold the merits of communism. the screenplay succeeds in inducing the comic effect involving the main characters to create ludicrous circumstances but falls short when it comes to instilling the fire of revolution and revolutionary ideas. if the screenplay had taken a road less traveled and had more remarkable circumstances and dialogues soaked in the fire of communism, it would' ve have had an enhanced impact on the viewer. but still, it provides a good experience and sheds light on the changing attitude in politics of the new era .
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a student political leader who fights for his left - wing ideals. when some people try to use him in order to fulfill their intentions he is forced to fight for his ideals .
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saghavu malayalam full movi ...
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ght process behind the screen. movies like this should come more which has values to be passed on and of course the creativity
of cinema comes anew. everyone done justice to the roles. kudos (y )
i felt the movie if made a little short may be by 15 - 30 mins would have a serious tone impact. the in between comedy and dragging first half has definitely
great movie... guys it' s not like the other movies... don' t you dare step out of the theater after the name of the director name have been seen... .. the real action starts after that... .. one of the m
ost beautiful movie seen in the past few months... ♥ loved it! !
the movie have a nice story. . but the movie got lagging in some parts and they have a great opportunit
. they have got some good actors but didn' t utilized them well. .
there is a girl nurse. . he says its his collegue but nothing more about his past life or nothing. . 1
f to the director siddharth shiva, and a big hug to the super star nivin pauly for giving life and thrust to the film .
overall the filim is above average and epic filim of communist party of india. no words to say about acting. its the best filim in nivin pauly career life. but the problem is commedy of the filim is t
fantastic movie, nivin acted in class touch... he handling comedy, action, mass, heroism and all in a natural way ...
superb acting from nivin. the flashback part and all are very good. great music and background
h great msg. . to live life in a greater way... this
is not communist film a film 4 all. . but these excepts are explained under the view of a communist leader
oru sakavu
...
awesome movie... . nivin acted so well... ...
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siva’s smooth writing of these passages is bolstered by pauly and althaf’s spanking on - screen chemistry and comic timing. althaf in particular is roflmao - worthy (yes, that is a word) each time he opens his mouth to speak .
sadly though, he virtually disappears in the second half, which goes back in time to the younger krishnan’s battles on behalf of workers. this part is often thoughtful and thought - provoking, yet loses its way for various reasons. first, it stretches itself especially with the needless insertion of full - length songs in a narrative that could have done without them (the problem is not with prashant pillai’s numbers but that they have been used in their entirety) .
besides, the tone and politics of the second half contrast too sharply with the preceding portion .
krishna kumar’s story works because it takes a critical view of politics per se and communist politicians in particular. krishnan’s saga, however, is uncritical and one - dimensional, inhabiting a world divided simplistically between good workers and horrible bosses. the former are all unequivocally saintly folk whose actions must never be questioned, the latter are tarred with one stroke of the writers’ brush as exploitative, evil and cruel .
these are issues particularly worth raising in a film that wears its conscience on its sleeve .
it’s the summer of red in malayalam cinema. young stars, quite often blamed for being part of ‘apolitical new - generation’ films, are all now marching with raised fists and fiery slogans .
some of the makers of such films are obviously looking just at the market, at the prospect of reaping quick bucks by making products based on the dominant ideology. such market - dictated products exposes itself, in one way or the other .
for this, siddharth employs tropes that have been used before in malayalam films on left politics. the one such main trope that runs through the story is that of the ideal communist of yesteryear as opposed to the present ones, who are shown as corrupt and crooked. krishna kumar (nivin pauly), a member of the left students’ group is someone who will go to any lengths to clear his way to the top. he is asked by the party to donate blood to an old comrade, who is admitted to a local hospital. for krishna kumar, it is just another occasion to hog some free food, until he starts hearing the life story of comrade krishnan (nivin pauly in a double role), through a former police officer, through the comrade’s daughter, and his wife .
where the film lags is in spending more time on the sepia - tinted sequences of yesteryear, of how he brings rebellion to the tea plantations, where workers are facing exploitation. these extended sequences, with predictable outcomes, are interesting only in parts. like, the scene where he speaks to the principal of his daughter’s school on the meaning of education, his reply to someone asking his surname to guess his caste and his line to comrade janaki (aishwarya rajesh), a play on the famous misogynistic dialogue from narasimham .
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nivin pauly, aishwarya rajesh, sreenivasan, maniyanpilla raju, binu pappu, gayathri suresh, aparna gopinath, k. p. a. c. lalitha, renji panicker, sudheesh, joju george, p balachandran, santhosh keezhattoor, seema g. nair, musthafa, aristo suresh, sreelakshmi
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george c williams' s cinematography is decent and prasanth pillai' s music help create the punch at the right places .
a good watch for comrades, but a more engaging screenplay would have satisfied everyone .
red hot: another tamil leading heroine roped in for dhruva n ...
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thayyum thindaka written by sooraj s. kurup produced by prashant pillai performed by shreekumar vakkiyil, sreerag saji, niranj suresh, sachin raj, ranjith ram, rahul lexman, mithun jayaraj, haritha balakrishnan and radhika narayanan
the two songs that sound closest to the movie’s seemingly retro theme are the soundtrack’s winners though. the sprightly udhichuyarnne sounds almost like a naadaka gaanam the way it is arranged. while the composer makes a splendid move by assigning vocal duty to sithara krishnakumar and vaikom vijayalakshmi (both of whom shot to fame by singing retro - themed songs in celluloid), the backdrop too teems with energy thanks to the harmonium - clarinet - tabla combination leading the proceedings. madhumathiye on the other hand has an outstanding old - worldly melody wrapped in a contemporary - ish arrangement in the composer’s trademark style. the arrangement comes out best in the long second interlude highlighted by paulson ’s fabulous sitar solo. pillai gets his two most trusted singers shreekumar vakkiyil and preeti pillai to render shabareesh varma ’s well - written lines, neither of whom disappoints .
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arun kamath, shabareesh varma, gagan baderiya, k. s. krishnan, sankar sharma, rahul r govinda
sakhavu is a 1986 indian malayalam film , directed by ks gopalakrishnan and produced by edappazhinji velappan nair . the film stars unnimary , anuradha , bheeman raghu and ramu in lead roles . the film had musical score by v. d. rajappan . 
sakhavu is a 1986 indian malayalam film, directed by ks gopalakrishnan and produced by edappazhinji velappan nair. the film stars unnimary, anuradha, bheeman raghu and ramu in lead roles. the film had musical score by v. d. rajappan.
sakhavu is a 1986 indian malayalam film, directed by ks gopalakrishnan and produced by edappazhinji velappan nair. the film stars unnimary, anuradha, bheeman raghu and ramu in lead roles. the film had musical score by v. d. rajappan.