a man called horse ( film )
a man called horse is a mesmerizing film about the experiences of a british aristocrat in 1825 struggling to survive in a sioux tribe .
i' ve not seen the film. musically, does this sound anything like rosenthal' s return of a man called horse ?
if you want to answer the questions ,
who starred in the movie a man called horse ?
and
what is the full cast list of a man called horse ?
then this page has got you covered .
the customs depicted in a man called horse were neither sioux nor crow. they belonged only to the authentic hollywood tribe called' indian' .
looking for movie tickets? enter your location to see which movie theaters are playing a man called horse near you .
this cast list of who was in a man called horse includes both lead and minor roles. (10 items )
richard harris clops back in his second romp, taking up the role of the equine named man called horse .
there was a third film from the trilogy, called triumphs of a man called horse (1983). sadly, it has never been released on dvd, and as such could not be reviewed .
i' ve not seen the film. musically, does this sound anything like rosenthal' s return of a man called horse? [ / endquote ]
a man called horse cast list, listed alphabetically with photos when available. this list of a man called horse actors includes any a man called horse actresses and all other actors from the film. you can view additional information about each a man called horse actor on this list, such as when and where they were born. to find out more about a particular actor or actress, click on their name and you' ll be taken to page with even more details about their acting career. the cast members of a man called horse have been in many other movies, so use this list as a starting point to find actors or actresses that you may not be familiar with .
although rather obscure as a film,' a man called horse' certainly makes for a unique change of pace... the story is very different from what is ...
there are no tennis shoes in “a man called horse, ” but there is a good deal of blood, as well as an emphasis on salvation‐through‐mutilation .
richard harris reprises his role of john morgan in the return of a man called horse. this film takes place a couple decades after morgan was originally captured by the yellow hand sioux .
english aristocrat john morgan (richard harris) is captured by the sioux in america in 1825. subjected to torture he proves to be as brave as his captors, who eventually convert him to their way of life. followed by two sequels' return of a man called horse' and' triumphs of a man called horse' .
in 1890, a down - and - out cowboy and his horse travel to arabia to compete in a deadly cross desert horse race .
during the sun ceremony, john morgan (richard harris) didn' t have any scarring from the first time he underwent the ritual from five years earlier in the original film
a man called horse
.
it' s all very socially aware and nature - friendly, and the tale is a worthwhile one indeed; too bad a man called horse moves so slowly for much of its running time .
this film has a gritty edgier look to it compared to the original. colors are muted, with a palate of drab browns and reds compared to the vibrant greens and deep blue sky in a man called horse. not sure if that was intentional, or just a byproduct of filming locations .
maybe timing is everything. maybe in 1970, seeing native americans this way meant something. a man called horse left a strong impact on those who saw it back in the day and hence is considered some kind of a minor classic .
story about a rapid deployment defense unit that is called into action whenever freedom is threatened .
a superlative restoration of a key film in alfred hitchcock’s evolution as a master explorer of sexual neuroses .
the most obvious examples that the attitude towards natives had changed we find in films like soldier blue (nelson), little big man (penn) and a man called horse (silverstein), all three significantly enough from 1970. each in its own way and possibly with…
in the 1971 film, harris played a character called zachary bass, and legendary film director john huston played captain henry, the character who buried bass alive, supposedly leaving him to die .
the film seems to have struck enough of a chord with audiences back in 1970 to have warranted two sequels. it’s strange that all of the films have drifted somewhat into the realm of forgotten films. i have already gotten hold of a copy of the second film, 1976’s the return of a man called horse, and will be watching and reviewing it soon. the third film, 1983’s triumphs of a man called horse, looks to be a bit harder to find. regardless of how the sequels stack up, the original is a powerful piece of filmmaking. it features skillful performances and striking visuals all in service of a story that both inspires and haunts the viewer .
i guess from the cover you could say he is
hung like a horse .
few movies capture the native american culture as well as a man called horse. based on a five page short story that appeared in the january 7, 1950, issue of collier' s weekly by dorothy m johnson, a man called horse takes place in 1825, only a handful of years after the lewis & clark expedition had forged its way across the unexplored west, yet prior to the huge westward migration that would forever throw the european and native american cultures at each other' s throats .
film score monthly presents another extraordinary, groundbreaking score by film music pioneer leonard rosenman. elliot silverstein’s a man called horse (1970) chronicled the progress of a “civilized” westerner finding purpose among a “primitive” culture. the film starred richard harris (man in the wilderness) as john morgan, an english lord captured, tortured and humiliated by native americans from the sioux tribe in 1825. morgan eventually earns the respect of the tribal chief and even undergoes the brutal sun vow ceremony to become a sioux warrior .
a fine movie with richard harris as the man. do not have the flick .
in a post - apocalyptic world divided between two groups called the flockers and the ravagers, an adventurer and his
pleasure girl
try to find their way to a rumored safe haven called the land of genesis .
but many film fans will be unaware of the original 1971 film because it was a box - office flop. harris himself thought the film was ‘marvellous’ and blamed bad marketing for its failure .
review: this gory western was inexplicably popular and spawned two sequels (the first sequel, the return of a man called horse, is better than the original). harris stars as an aristocratic englishman captured by sioux indians and integrated into their culture. ba… (more )
they claim the revenant is simply a remake of the star’s 1971 film man in the wilderness and does not deserve all the acclaim being heaped upon it .
by riding a dark horse into the history books, charismatic female jockey, arielle lasalle, spares ...
a man called horse is said to be an authentic depiction of american indian life in the dakota territory of about 1820. authentic it may be, but an absorbing film drama it is not. sandy howard’s durango - lensed production stars richard harris as an english nobleman captured by the sioux. captivity segues to understanding and finally [ … ]
this gory western was inexplicably popular and spawned two sequels (the first sequel, the return of a man called horse, is better than the original). harris stars as an aristocratic englishman captured by sioux indians and integrated into their culture. basically a detailed examination of sioux tribal life, the film tends to be a bit long - winded in spots... . read more
a man called horse is said to be an authentic depiction of american indian life in the dakota territory of about 1820. authentic it may be, but an absorbing film drama it is not. sandy howard’s durango - lensed production stars richard harris as an english nobleman captured by the sioux. captivity segues to understanding and finally to tribal membership .
the revenant is simply a remake of the star’s 1971 film man in the wilderness and does not deserve all the acclaim being heaped upon it. pictured: a scene from the movie
a man called horse is said to be an authentic depiction of american indian life in the dakota territory of about 1820. authentic it may be, but an absorbing film drama it is not. sandy howard' s durango - lensed production stars richard harris as an english nobleman captured by the sioux. captivity segues to understanding and finally to tribal membership .
the late ’60s and early ’70s saw a shift in attitude toward portrayals of native americans and the white people who join them. the change wasn’t always for the better. packaged as an authentic representation of sioux culture, a man called horse seems to exist almost solely for its bloody, psychedelic sun vow sequence, in which star richard harris hangs suspended for hours by hooks in his chest, enraptured and in tremendous pain as part of an initiation ritual. it isn’t really a film about the sioux; it’s a film about whether a white man has the mettle to tough his way into the tribe (and about the masochistic histrionics of harris’ performance) .
the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
o' connor, john e .
the white man' s indian .
i really don' t understand why people submit bad comments about movies. this movie, while not a true sequel of
a man called horse
, was an enjoyable movie in it' s on right. take it for what it is, a western and i think you will enjoy. the few times that richard harris appeared in the movie, is a tribute to an aging star who wanted to finish the third, and last movie in
a man called horse
. while not able to be as much a part of the movie as he wanted to, he nevertheless was there. i think that the movie should be judged on it' s on merit rather than see it as a finish to a series. i enjoyed the movie and would like to see the whole series released on dvd. cowboy
the english gentleman known as horse, returns to the american west to save his adopted indian tribe from extinction .
joe johnston' s adventure film hidalgo arrives on dvd with a sharp widescreen anamorphic transfer that ...
the sun dance ritual
horse
underwent in the film was banned by the u. s. government in the 1800' s was particularly well done by films make - up dept !
an interview with terry gilliam, director of
the man who killed don quixote .
this is a weak sequel: it lacks the interest and light touch of the magnificent
man called horse
in nearly every aspect and when compared to each other they hardly seem to be the same genre. the return is almost a parody of the first and tries to evoke different indian ceremonies but comes across as trying way too hard to bottle the magic of the first. in this film the tribe is lost and abandoned, having lost their homelands, modern life has encroached on paradise and they are living in abject misery and poverty. perhaps this is the point: the first film took us to a place where we would want to be, a simpler time. this takes us to broken indians in a miserable world and the white man is the hero and savior which rather negates the whole idea of the film. the beauty of the first lay in the fact that the white man learnt and discovered that real civilization lies in values rather than western materialism. in the second film this is all but lacking and so we end up with a weak film. a huge disappointment .
this sequel to a man called horse focuses much more on the spirituality of the native indians. i didn' t mind that aspect at urltoken' s very interesting. the problem i had with the movie is there just didn' t see to be a point. i didn' t feel there was much of a story to urltoken me, it felt like they made a sequel just for the sake a making a sequel. the first movie had much more thought put into it. i did really like the musical score, though. i thought it was very majestic and poetic. if you' re expecting a lot of action, you' ll have to look elsewhere. this isn' t that kind of picture. adding everything up, i liked the first movie more. but this one isn' t so bad. for me, return of a man called horse is a 5 / 10
an englishman, john morgan, lives 30 years as a sioux named man called horse. in 1874, gold is discovered in the black hills, on tribal land guaranteed to the sioux in the laramie treaty of 1868. settlers pour in and white provocateurs try to prompt the sioux to break the treaty (so that all - out war with the us forces will result in the land no longer being under sioux control). they murder and make it look like indians were responsible. man called horse helps maintain calm among the tribe, but when tragedy befalls him, it' s left to his son koda and koda' s lover, a crow named red wing, to devise a strategy to keep the argonauts at bay and the black hills sacred .
a man called horse” is lord john morgan (richard harris), an english aristocrat who is captured by sioux indians in the course of a hunting trip through the dakotas in the early 19th century. lord john not only survives his initial captivity but he goes on to prove his manhood so well that he eventually becomes a great white chief, the sort of superhero exalted by ameri can romantics from james fenimore cooper to edgar rice burroughs .
to boil the plot down, the premise is
white man gets bored with european life, goes to visit red brethren, only to find they' ve lost their spirit and wildness. said white man then shows red man way back to former ways .
realistic? seriously doubtful .
graduating to films in the 1960s, chambers built a reputation as a specialist, often working uncredited to produce ears and fingers for chopping off in dramatic scenes. he created false teeth for marlon brando in several films, a false chest for richard harris for the famous indian initiation ceremony in a man called horse (1970), in which the actor is hoisted into the air with pins in his chest, and a whole series of disguises for kirk douglas in the list of adrian messenger (1963) .
georgakas, dan .
they have not spoken: american indians in film .
i remember this being a very popular film, you’re right about how it seems to have slipped off the radar .
a story of an art dealer who, leads a double life as a martial arts warrior .
the booklet includes detailed notes on the film and its music by jeff bond and lukas kendall, film stills selected by designer joe sikoryak, and the original lp liner notes .
sandos, james and larry burgess .
film as mirror, film as mask: the hollywood indian versus native americans in' tell them willie boy is here.'
american popular film generally focuses on two indian stereotypes - the warrior and the shaman. in
young, theodore robert .
three views of the amazon in international commercial film .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
this is not the first time an oscar - nominated film has been at the centre of a copycat controversy. in 2013, film fans pointed out the story behind 12 years a slave was previously told by the 1984 tv movie solomon northup’s odyssey .
excellent placement of the story in the vastly underused pre - civil war trapper / mountain man historical period .
one of the film' s main scenes is a return to the sacred sun dance ceremony. this version is a lot longer than in the first film and includes a very bloody end that will definitely leave some viewers squeamish. (what' s ironic is this film drew a pg rating despite being more violent. the original was r, probably due mainly to several scenes of harris' exposed backside) .
music from a man called horse was originally issued on a columbia records lp, featuring six long underscore suites arranged, not in film order, but for home listening. this premiere cd release of the complete score includes the entire lp sequence in stereo (from the original album masters) plus bonus tracks of previously unreleased rosenman cues—some transferred from 1” 8 - track masters and the rest taken from monaural masters archived at ucla (home of the cbs music archives). the cd also features a number of percussion and ambient sioux source cues recorded by both sioux performers and hollywood musicians .
a fan responding to an interview with british actor tom hardy, who also stars in the new movie, wrote: ‘tell tom that the revenant is a remake of a richard harris film. ’
this guy named john morgan is a suitable case for treatment. in the 1969 film
a man called horse
( faithful readers will recall), he was an englishman who joined a hunting expedition into the unexplored territories of the american west. his party, alas, was set upon by indians and mostly wiped out - but morgan managed to win the tribe' s trust. he also learned their language, mastered their skills, survived their grueling test of manhood, was made a blood brother, led them to victory over their enemies and married the chief' s daughter. he would have done well in business .
in the new film, dicaprio’s character is buried by john fitzgerald, played by tom hardy .
unforgiven brought the revisionist revenge film into the 1990s and, by extension, the 21st century .
a man called horse is a movie that i always wanted to see... and i now i have accomplished that feat. richard harris spends the first 10 minutes of the movie naked... they do a good job of not showing his junk but his rear end gets lots of screen time. as for the movie... an interesting look at the lifestyle of the indians that capture harris. not sure i will be rushing out to see the sequel to this movie anytime soon .
basically the story of a man forced to finally see the injustice around him. riley’s movie is designed to do the same thing to you. …
receive a free * exclusive' ant - man and the wasp' poster with ticket purchase (* shipping & handling not included). buy tickets
in these details, “a man called horse” is convention ally absurd. however, silver stein has elected to tell the story of lord john' s survival largely in terms of sioux rituals relating to such things as wars, weddings, deaths, and even. spiritual spiritual deliver ance. i must admit that found all this interesting, al though i' m the sort of indian buff and tourist who gets a kick out of watching con temporary navajos do their rain dances in tennis shoes .
a man called horse, directed be eilidt silverstein; screenplay by jack dewitt, based en an original story by dorothy m. johnson; cinematographer, robert hauser; music by leonard rosenman; produced by sandy howard; a cinema center films presentation; national general p; ctures release. at the astor theater, broadway and 45th street, and loew' s orpheum, 86th street and third avenue. running time 114 minutes. (the motion pic ture association of america' s pro duction code and rating administra on classifies this film “gp—all ages admitted, parental guidance sug gested. ” )
was highly celebrated at the time of release because it made film history and because big names like redford and weinstein supported it. but, the film lived up to its accolades, and it is more than a footnote in cinema history .
this film is aftermath of the film
a man called horse
, starring seven years earlier by the same richard harris. the return of lord morgan to the land of the indians called
yellow hands
with the aim of passing with them a few months intended to recover their friendship several years before constitutes the start of the script. this story develops with the care, the correction and visual quality of the works produced by the united artists. the soundtrack includes a band, laurence rosenthal, who noted for its brightness and its adaptation to the development of the action. the interpretation of richard harris, in the role of
lord morgan
, moves at a level rather than worthy. the director takes the opportunity to be offered to arrange a staging and a movement of players that exceed the limits of what conventional to achieve some moments of great brilliance narrative. despite this be a western of the time twilight of the genus retains the seriousness, the sense epic, the rigor and emotion that characterized the films of adventures of the old western .
leonard rosenman’s music for a man called horse is a remarkable achievement, written in the composer’s distinctive modernist voice. throughout the score, rosenman employs sioux chanting and quasi - native american instrumentation (percussion, recorders and flutes) for a far more authentic sound than typically heard in hollywood westerns. in 1970, bowdlerized “indian” clichés were all that most audiences had heard in hollywood productions; in this context, rosenman’s score is a breath of fresh air, representing a sincere attempt to do justice to sioux culture. he uses the orchestra to drive and shape the native american - flavored vocals and percussion in a way that had virtually no antecedent in mainstream american films .
western picture following the plight of a horribly wronged tribe of sioux indians - and the quest of the one man who would lead them to victory. lord john morgan (richard harris), disillusioned with the' civilised' aristocracy of england, returns to the american west in search of the vital and rugged life he once led. but finding only destruction, the only way for the yellow hand tribe to fight back lies with morgan, a man they call horse .
touted at the time of its release as a comparatively enlightened western, a man called horse now looks like well - researched sensationalism—and is, admittedly, all the better for it. after all, despite the plethora of savage inaccuracies to be imposed on north american natives in film (the dubious scalping motif among them), tribal violence and mutilation were certainly not absent from these cultures. but what’s dramatically omitted in the average ford, hathaway, or boetticher are the reverential niceties that might give the bloodshed context; even the complexly explored motives of the searchers ‘s comanches are tethered to european concepts of property ownership and vendetta .
many critics believe dicaprio’s performance as glass in the new film will bag him his first best actor oscar .
benson, melanie r .
the native screen: american indians in contemporary southern film .
in :
i found a man called horse to be a very intriguing film. i can’t say how accurate it is in its depiction of the sioux and their rituals, but it is still fascinating. i appreciated that we as the audience are left to decipher and interpret things right along with harris’ character. once morgan is captured, the only english we get is the conversations between morgan and baptiste. there are no subtitles for us to understand the sioux language. we also don’t get any of the sioux characters being able to miraculously speak and comprehend english in a very short time. in many ways we are discovering and learning to understand the sioux right along with morgan .
by riding a dark horse into the history books, charismatic female jockey, arielle lasalle, spares her father from financial ruin, but in turn brings a killer to his door. bred true, former dubai racing celebrity, napoleon, should have been a prolific ...
arrived on time and as described. a long time since i saw this film and i wasn' t disappointed on seeing it again. wonderful .
ant - man and the wasp soars to $ 76 million on opening weekend... beating its prequel by $ 19 million
with unprecedented cooperation between the production and members of the rosebud sioux reservation, producer sandy howard tried to give the film an authentic cultural presentation (although the lack of native american records prior to 1870 made it a challenging task). a corresponding attempt at authenticity was made in the film’s musical score .
both movies were inspired by the real - life story of 19th century trapper and frontiersman hugh glass. pictured: a scene from harris' s movie man in the wilderness
still, while the horse becomes a man, the man never becomes anything more than a fleshy construct for our pleasure. this crowd - appeasing simplicity, however, obscures how the male body is religion for a man called horse —and how this piety often involves pain without practical purpose. when harris’s character knifes and scalps a warrior from an enemy tribe, he takes no joy in it; it’s a survivalist mechanism. when he’s raised to heaven by the manboobs, it’s sublime exultation; he “blacks out” and then wakes up, sated, as through from an orgasm coma. (the sex scene with his squaw wife moments later is flaccid by comparison .) and it’s not the pain itself that’s crucial to this ritual but the manner in which it underscores both the durability and pliancy of human flesh. harris will heal, but he’ll always have grisly markings across his bare and otherwise supple chest—like little loving and reminding bites from nature’s dust - to - dust cycle. all self - flagellating and seemingly pointless feats of endurance quite ironically, and quite blissfully, celebrate the body’s incontrovertible weakness .
every film on the program at the new beverly cinema since quentin tarantino took over as programmer. feel free to…
caught this by accident on a t. v. showing - and could hardly believe how utterly awful the whole experience was. by comparison, the original
a man called horse
was spell - binding because it held one' s interest throughout. but this piece of nonsense - words fail me. it was bad enough to have some kind of a
story
presented with all the impact of a wet loaf of bread, but that error was compounded by the obvious lack of subtitles throughout whenever the so - called
sioux
spoke. for goodness sake, couldn' t the film - makers have found enough north american indians who were also actors and near - actors to perform as
indians
in this farrago instead of the imposters they actually used? i also found it quite embarrassing watching richard harris cavorting all around the countryside at the obvious behest of the director standing just behind camera, telling him to run and jump from pointless point a to pointless point b just to make up film footage and minutes. absolutely terrible in all respects !
arthur penn’s 1970 film little big man makes no claims to authenticity, but ends up feeling real anyway. adapting thomas berger’s rollicking, tragic picaresque novel, penn keeps the focus on the humanity of everyone involved. dustin hoffman stars as jack crabb, otherwise known as little big man. first seen under mounds of unusually believable old - man makeup, crabb recalls his days in the old west, beginning with his adoption by a cheyenne tribe and ending with the battle of little bighorn, of which he claims to be the sole white survivor .
a tribute to the late tab hunter, a gay matinee idol and hollywood trailblazer .
man, 52, fatally shot by police in florida refused multiple orders to put down eight - inch knife and charged ...
this is really just a metaphor about how far the typical man would go to get a woman to come into his teepee. but what a woman! wankatanka! this is a pretty good film, a sort of cowboys and indians thing but without any cowboys. it does have a more shots of richard harris' s ass than you' re likely to see in any other film, the possible exception being that second harry potter movie. wankatanka! harris' s performance is a solid, physical one. dame judith anderson gave what was likely the performance she was most proud of as buffalo cow head. nope, that' s not a name i made up. this is a fascinating look at native american culture although i wonder if…
enjoyed it the second time of watching not as good as the first film but they never seem to be. i fell that if you are a member then perhaps paying for films is a bit much
fans of the original film have posted pictures of harris’s character online to reinforce their argument that he created the role .
that same year is acknowledged as the first to be based on twelve - tone music. his other film projects include
harris reprises his weak and tepid role of an 1800' s gentleman who can' t stomach modern life in england so he goes back to the plains to find his adopted tribe of sioux indians. he finds them on the verge of extinction, starvation and he is there to lead them to new hope, which means bowing to his leadership. why the sioux didn' t kill him in the first film goes beyond reason. more silly stuff from hippies in the 1970' s in this second installment of the wildly popular but empty
a man called horse
saga. look for a psychedelic scene where harris is butt naked while emerged in color shots of eagles flying in the sky .
the first half an hour of the film drags slightly but is worth sticking with. the story is hugely based on a white man being accepted into a sioux indian tribe during his capture. im not sure what percentage of the cast were true native american indians, but no doubt a good percentage were not. worthy watching just for the build up to one particular honour proving scene .
a man called horse [ dvd ]: urltoken richard harris, judith anderson, jean gascon, manu tupou, corinna tsopei, dub taylor, james gammon, william jordan, eddie little sky, michael baseleon, lina marín, tamara garina, terry leonard, iron eyes cody, tom tyon, jackson tail, manuel padilla jr. , lloyd one star, james never miss a shot, frank raiter, samuel white horse, justin thin elk, lawrence old cross, ardene turning bear, aloysius eagleman, ross kills enemy, ben black bear, richard fool' s bull, bruce pretty bird, ben eagleman, sonny skyhawk, vince st. cyr, lee schaff guardino, edward little, phillip clark, elliot silverstein: dvd & blu - ray
crazy horse (1996) directed by john irvin. cast: michael greyeyes, irene bedard, jimmy herman, august schellenberg, ned beatty, peter horton, wes studi. tells the true story of crazy horse, the oglala warrior who relentlessly resisted the white man' s attempt to take over indian lands and fought general custer and his forces at little big horn. originally produced for television by turner broadcasting. 93 min. 999: 3606 credits and other information from the internet movie database
q & a with sheldon lettich by marco a. s. freitas (guest post )
fans of rosenman will probably like this for how he took his non - romantic style even further into his film music .
selena gomez is seen with same mystery man she was with in may... after news her ex justin bieber is engaged to hailey baldwin
jay, gregory s .
' white man' s book no good': d. w. griffith and the american indian .
one fan wrote ‘richard harris is the revenant’, and another said: ‘i want to see that new richard harris movie the revenant. ’ a third added: ‘the revenant is very similar to man in the wilderness, richard harris 1971 film which is much better. why is credit given to this movie? ’
directed by john ford. nine passengers board a cheyenne - bound stagecoach, each with an urgent reason for the journey, each determined to live through the dangerous trip through indian territory. geronimo (chief white horse), informed by yakeema, the indian wife of a mexican, attacks a stagecoach. 98 min .
aside from some b - grade cinematographic poetry in the
sun vow
scene, a man called horse' s strengths are not precisely visual, but the occasionally stirring 1080p transfer amplifies the movie' s visceral potency. unfortunately, the print doesn' t seem to have been cleaned up much; there' s a lot of specks and lines, and weird jump cuts apropos of nothing that, much as i' d like to, i can' t quite buy as arthur penn or sam peckinpah homage. the screen becomes overwhelmed with filthy grain during most crossfades (where second - generation stock was traditionally used). i doubt this is a proper high - definition remaster, which is a shame given the film' s rather picturesque b roll, but it does look slightly more vibrant than the average dvd .
for anyone with even a remote interest in native american culture, this is a must - see film. producers were absolutely meticulous in setting up scenes, especially those of sacred ceremonies, such as the sun dance .
while trying to escape from the soviet union, a soviet jewish man is locked in a mental institution, where he gets brutally tortured for several years. after his release, he' s able to... see full summary »
. rosenman made no apologies for his modernist style and was outspoken about using his film projects as testing grounds for concert works .
scratch the surface of an elliot silverstein film and you' re likely to find a decent but untested protagonist having his or her mettle tested, if not forged outright, by an especially grueling trial by fire. this is true of the long - time tv director' s 1965 feature film debut ,
jay, gregory s .
' white man' s book no good': d. w. griffith and the american indian .
cinema journal, vol. 39, no. 4, pp. 3 - 26, summer 2000. uc users only the mission (uk, 1986) directed by roland joffe. cast: robert de niro, jeremy irons. this film is a powerful epic about a man of the sword and a man of the cloth who unite to shield a south american indian tribe from brutal subjegation by 18th century colonial empires. special dvd features (disc 1): cast & crew, commentary, awards, theatrical trailer. (disc 2); bonus documentary, omnibus, visits the waunana indians who portrayed the film' s guarani indians. 125 min. dvd 9109; vhs 999: 1128 credits and other information from the internet movie database
limited - time only: buy a season 1 colleggtible & get 50% off a second .
this list collects every film from the starting list that became they shoot pictures don' t they' s 1000 greatest films. this…
fantastic film, a bit retro as it is old, but still telling the story very well. richard harris was a great actor, indeed. and the story of the native american is so sad too... sigh !
chris hemsworth kicks off filming for the star - studded men in black spin - off as he cuts a sharp figure in london... 21 years after the first film hit screens
there were other noteworthy films in the 1970s, like a man called horse. but then we had to wait until the early 1990s for kevin costner' s dances with wolves, that had a modern take on american indian people and how the lakhota people of the plains might have lived. some claim kevin' s story showed the indians as too uniformly benevolent and white folks as simply evil. after all, though in real life indian nations suffered much ill treatment at the hands of the government, not all real white people were bad and not all real indians were angelic. but the overall message of the movie was a good one. graham greene, with his brilliant performance as kicking bird, joined the ranks of oscar nominees with a best supporting actor nomination .
the second of the george lucas / steven spielberg indiana jones epics is set a year or so before the events in raiders of the lost ark (1984). after a brief brouhaha involving a precious vial and a wild ride down a ...
my family and i often enjoy visiting the denver art museum. they have a large and ever - changing collection of art from all over the world. my favorite section of the museum is the section devoted to western art. one painting that always draws my attention is one that is pretty small, but depicts an unusual image. it shows native american warriors suspended from the ceiling of a ceremonial hut by ropes which have been hooked into their chests. it’s very painful looking. the description of the artwork points out that this may be one of the most controversial paintings in museum’s collection. there was always something familiar to me about the image, though. i pictured a similar scene on the cover of a vhs box. the movie that was tucked in the back of my mind was 1970’s a man called horse .
these sorts of jealous conflicts between ethnic or national groups can happen anywhere. the city of beijing banned the film memoirs of a geisha when both the chinese and japanese were offended by chinese actresses playing traditional japanese geishas. the actresses, gong li and zhang ziyi, were called traitors by both japanese and chinese people. i somehow think this reaction had little to do with the quality of their performances .
after a cavalry patrol is ambushed by the cheyenne, the two survivors, a soldier and a woman, must reach the safety of the nearest fort .
without a lot of understandable dialogue, the film does a lot with the visuals…which are both beautiful and brutal. of course, the centerpiece moment of the film is the sun vow ritual. though not particularly gruesome in its depiction, it’s fair to say that it’s not for the squeamish either. the atmosphere of the scene is quite haunting…a dark, hazy room lit only by small blades of sunlight coming through slivers in the roof. even more ominous are the glances shared between harris and iron eyes cody (yep, the crying chief from the keep america beautiful commercials) in the sequence. that man had a very accurate name. somehow without speaking a word his amazing face seems to be communicating both comfort and foreboding to harris. then, as harris twirls suspended mid air, the film turns slightly psychedelic as he has a series of visions. strangely, this journey into a lava lamp doesn’t feel at all out of place .
i saw this film when it was first released and have watched it a number of times since then. gripping in it’s story telling and very close to the heart. this is not s cowboy and indian story, it’s a life story .
meanwhile, natty—called throughout the film by his nickname, “hawkeye”—looks on, rooting for chingachgook, who raised him as his own son alongside uncas. natty has been educated in the ways of the settlers, speaking both english and delaware, but chose to live with his mohican family, making a living as a hunter and trapper. in cooper’s novel, he describes himself as “a man with no cross. ” no world is his by birth, which makes him believe all the more intensely in the one he’s chosen. looking model - handsome and behaving with sensitivity and lofty principles to match his strength in combat, daniel day - lewis turns him into an example of perfected humanity, a blend of cultures that improves on both contributing vintages .
credit must also go to cinematographer owen roizman for the acclaimed look of the film. roizman earned a lifetime achievement award from the american society of cinematographers in 1997 for his work on such films as
cut to the present day. though his raspy voice has provided the film’s narration, we haven’t seen aged jack crabb since the beginning of the film. he reappears looking even more exhausted than usual from his storytelling, and angry at having to relive it for a condescending academic looking for stories of life amongst the “primitive” plains indians. “get out, ” he rasps. and then the film shows him sitting there, amid the tile and metal of a nursing home, in a civilized world made possible by the military campaigns and broken promises of men who share his skin color, remembering again a lost moment of connection on the american frontier .
thirty - five years ago, few a - list movie stars had the unbridled chutzpah of richard harris. one of eight children born to a limerick, ireland flour miller, harris made a splash in the united kingdom (and was nominated for an academy award®) for playing the angry young leading man of lindsay anderson' s
a great step in that direction is that today, more american indian film makers are finding ways to tell their stories from their unique perspectives. a superb forum for these films is the american indian film festival, headed by the tireless and talented michael smith, which has been running for almost 40 years. it' s the oldest and largest festival of it' s kind in the world .
by contrast, the sioux of a man called horse hack off their fingers and lance their muscle - y midriffs out of uncanny respect for their material selves; both of these are grieving rituals that enforce the body as one’s most holy and valuable possession, and thus the only object one can manipulate in order to express extreme emotion. granted, director elliot silverstein and writer jack de witt aren’t exactly hip to the spiritual dimension of these acts. (rather than invoking the great mystery, these sioux pray to the sun like druids .) but there’s something accurate all the same in their flimsily pornographic rendering of male - physique torture. the sioux gauntlet becomes an eerily hallowed, corporeal - for - the - sake - of - corporeal experience, one that perhaps mistakenly nails the vague, energetic dichotomy of body and spirit in native worship. (and the myriad of creative ways the film finds for obstructing richard harris’s man junk from view doesn’t hurt the teasing rhythm either. )
an old squaw acknowl edges the death of her son by slicing off several fingers. harris, whose performance is mostly one of endurance, shows himself worthy of an indian bride, by allowing himself to be suspended by ropes attached animal bones that are, in turn, stuck through the skin of his chest. i would thus hesitate to rec ommend “a man called horse, ” which opened yester day at the astor and loew' s orpheum theaters, to small children, the audience for whom it was probably in tended. on second thought, the children of my generation played with tomahawks, and i can' t remember that we ever actually succeeded in scalping
skinwalkers (tv, 2002) directed by chris eyre. cast: wes studi, adam beach, saginaw grant, michael greyeyes, jon proudstar, alex rice, shiela tousey, misty upham, noah watts. the navajo tribal police investigate the murder of a medicine man. at the crime scene is a partially completed pictograph. one clue sends a chill through a young officer: the arrow used in the killing has a tip of human bone, a sign that a navajo spirit - - a
skinwalker
- - is at work. 97 min. dvd 2974 credits and other information from the internet movie database
dreamkeeper (tv, 2003) directed by steve barron. cast: august schellenberg, eddie spears, gil birmingham, sheila tousey, nathan chasing horse, chaske spencer, gloria eshkibok, kimberly norris guerrero, sean wei mah. teenage shane chasing horse is a member of the dog soldiers gang on the pine ridge reservation. his mom asks him to take his grandpa old pete chasing horse to the all nations storytelling powwow in santa fe, nm. as they drive across south dakota in a beat - up old ford, grandpa tells stories about magical lakota legends which are re - enacted with the help of computer - generated images. 180 min. [ includes original television soundtrack on compact disc; 54 min. ] dvd 2968 credits and other information from the internet movie database
rendleman, tood .
' evil' images in at play in the fields of the lord: evangelicals and representations of sexuality in contemporary film .
side # 1 - - 1. captured 2. warriors return 3. attempted escape 4 .
i am a man
5. a lot to learn 6. survival 7. proving loyalty 8. marriage tests 9. the union 10. marital bliss 11. battle 12. new freedom
personally, it is what i bank on. i am a man of mixed blood and i have been extraordinarily blessed to be able portray many people from all over the world in my films. this is why i love what i do... i get to walk a thousand paths.
a man called horse is a 1970 american western film starring richard harris and directed by elliot silverstein . based on a short story by dorothy m. johnson , " a man called horse " , published in 1950 in collier 's magazine and again in 1968 in johnson 's book indian country . the basic story was used in a 1958 episode of the tv show wagon train titled " a man called horse " . partially spoken in sioux , the film tells the story of an english aristocrat who is captured by the sioux people . 
a man called horse is a 1970 american western film starring richard harris and directed by elliot silverstein. based on a short story by dorothy m. johnson, " a man called horse ", published in 1950 in collier's magazine and again in 1968 in johnson's book indian country. the basic story was used in a 1958 episode of the tv show wagon train titled " a man called horse ". partially spoken in sioux, the film tells the story of an english aristocrat who is captured by the sioux people.
a man called horse is a 1970 american western film starring richard harris and directed by elliot silverstein. based on a short story by dorothy m. johnson, " a man called horse ", published in 1950 in collier's magazine and again in 1968 in johnson's book indian country. the basic story was used in a 1958 episode of the tv show wagon train titled " a man called horse ". partially spoken in sioux, the film tells the story of an english aristocrat who is captured by the sioux people.