romance of the western chamber ( film )
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if you’re interested in chinese film and the silent era, romance of the western chamber is a no - brainer .
the film is an adaption of the classic chinese dramatic work romance of the west chamber by wang shifu .
romance of the western chamber (chinese: ; pinyin :) is a 1927 silent chinese film drama directed by hou yao .
romance of the western chamber is a 1927 silent chinese film drama directed by hou yao, it is a story of young lovers consummating their love without parental approval. the film is an adaption of the classic chinese dramatic work romance of the west chamber by wang shifu. (source: wikipedia )
based on wang shi - fu’s (yuan dynasty, 1234 - 1368) famous play of the same title, romance of the western chamber (xixiang ji), the 1927 silent film version is one of the greatest play to film adaptations in early chinese cinema. the film was shown in paris in summer 1928; and released in london the following year. romance of the western chamber swept europe off its feet, receiving acclaimed reviews from local newspapers. this screening of romance of the western chamber features music composed by hong kong composer chan ming - chi and performed live by the hong kong new music ensemble. through contemporary music, this screening will bring audience a new experience of the glorious past of early chinese cinema .
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bob ost of wildly productive productions and xoregos performing company, have announced the complete casting for the n. y. premiere of romance of the western chamber, a musical adaptation (in english) of the fabled chinese classic xi xiang ji .
romance of the western chamber is by far the earliest chinese film i’ve seen, and if it is any indication of the country’s early film output, i wish more films were available. it’s not so much that i loved romance of the western chamber as it is that i was intrigued by it. the film is ostensibly a drama, but the introduction of the villain leads to a couple of martial arts battles, one of which is inside of a dream sequence full of fantasy. according to this write - up, hou yau was an acclaimed director in his day, as well as the first chinese director to utilize special effects. if he only knew what his work would eventually lead to within chinese cinema !
date & time: 17 / 1 / 2013 from 1: 00 pm to 1: 50 pm venue: agnès b. cinema free admission. no reservation required. based on wang shi - fu’s (yuan dynasty, 1234 - 1368) famous play of the same title, romance of the western chamber (xixiang ji), the 1927 silent film version is one of the greatest play to film adaptations in early chinese cinema. the film was shown in paris in summer 1928; and released in london the following year. romance of the western chamber swept europe off its feet, receiving acclaimed reviews from local newspapers. this screening of romance of the western chamber features music composed by local composer chan ming - chi and performed live by the hong kong new music ensemble. through contemporary music, this screening will bring audience a new experience of the glorious past of early chinese cinema. co presenters: hong kong arts centre, hong kong music ensemble
based on wang shi - fu’s (yuan dynasty, 1234 - 1368) famous play of the same title, romance of the western chamber (xixiang ji), the 1927 silent film version is one of the greatest play to film adaptations in early chinese cinema. the film was shown in paris in summer 1928; and released in london the following year. romance of the western chamber swept europe off its feet, receiving acclaimed reviews from local newspapers. this screening of romance of the western chamber features music composed by hong kong composer chan ming - chi and performed live by the hong kong new music ensemble. through contemporary music, this screening will bring audience a new experience of the glorious past of early chinese cinema. directors: hou yao, lai man - wai screenplay: hou yao production company: minxin film company story by: wang shifu cast: cho - cho lam, lee ya - ching, yaoting zhu, cijiang ge, chichang hu, he minzhuang, t. k. kar, tsao yao dein
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if the film is uneven, it nonetheless fills an important void in the appreciation of chinese cinema and the silent movie era .
the content of this programme / activity does not reflect the views of the govemment of the hong kong special administrative region .
unfortunately, like many silent films, only a portion of romance of the western chamber still exists. we have five reels of the film’s ten, and judging from the way the film ends i’m guessing those five missing reels are the last five. there aren’t any specific story jumps throughout the film that would suggest missing footage, until the ending just kinda happens without resolution. the lack of a definite ending doesn’t really concern me — i’m sure everything worked out in the end — but i do wonder what sights we’re missing out on in those five missing, especially considering the strength of the dream sequence. i suppose we’ll just have to be happy any of it remains, and revel in the many films that followed in its wake .
previously produced in english for the first time in china in 2011, romance of the western chamber is a musical adaptation of one of the country' s most popular and beloved classics. the story of a young couple from different classes, desperate to consummate their love despite the constraints of tradition and family disapproval, and often considered the romeo & juliet of the east, the production features book & lyrics by howard rubenstein and music by max lee, and will be directed by shela xoregos .
this romance is the meat of the film, but it’s the non - romance material in the film that makes it so interesting to me. about 10 minutes in, a bandit leader is introduced, sung fei fu (li huamin) aka the terror of the region, and he soon marches on the temple in order to kidnap cui ying ying for himself. these scenes are great, filled with many extras filing out of the bandit cave or tramping around the chinese countryside in full costume, but it’s when the battles start that everything heats up .
sadly, only five of romance of the west chamber' s original ten reels remain, which makes this silent costume drama rather hard to rate. the story, which revolves around the budding romance between a poor student and a wealthy young noblewoman despite their different stations in life, is based on a famous work by yuan dynasty playwright wang shifu. what does remain of the film is adequately entertaining, including a few decent fight scenes and a rather strange dream sequence wherein the hero flies around on a giant calligraphy brush like a witch on a broomstick. all in all, romance of the west chamber is well worth checking out for fans of early chinese cinema, but likely won' t appeal to many others .
only half of this movie still survives, but i am so grateful for the half that cinema epoch restored, with such a fitting soundtrack by toshiyuki hiraoka. it may be a 4 - star film in its current condensed form, but if this visually arresting film were doubled, i wouldn' t be surprised if it deserved 4. 5 stars, and i like it as much as a 4. 5 - star movie. i really enjoyed every moment of this zippy 43 - minute film, and the story is still perfectly coherent, if reduced. what remains of romance of the western chamber is a simple story line, maybe too simple for most audiences. the romance probably did not get justice due to the missing fragments. however, some poetic touches remain, …
max lee (music) has been performed in the u. s. and china. along with playwright howard rubenstein and the confucius institute at san diego state university, he is a co - winner of a 2011 asian heritage award, honoring work in the performing arts that celebrates asian culture. to create the music for the romance of the western chamber, mr. lee arranged and adapted some of china' s most well - known and beloved folk tunes, as well as composing original material. max lee is a pseudonym. under his real name (which shall remain anonymous), he is the composer of nearly 100 concert works, which have received more than 1, 000 performances in 20 countries and on six continents. the romance of the western chamber is max lee' s first full - length musical theater work .
tickets for the n. y. premiere of romance of the western chamber are available for purchase online at urltoken. tickets for preview performances on september 14 & 15 at 8: 00pm start as low as $ 20, with all other performances offering seats as low as $ 25. for more information about the production, including ticket pricing and complete performance schedule, visit urltoken .
an incomplete film that has some very interesting and quite beautiful visuals and dream sequences .
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towards the end of romance of the western chamber, we are treated to a wonderful dream sequence where chang kung imagines a scenario where sung fei fu kidnaps cui ying ying and he is unable to stop sung because of his lack of swordsmanship. in a moment of inspiration he grabs his calligraphy brush — the pen brush is mightier than the sword — and it transforms into a staff - sized version of itself, which he then rides like a witch’s broom to rescue his love. thankfully his supple brushwork translates to the bigger instrument, and now he can fight the bandit on equal terms. and while we’re talking about this “fantastic” part of the film, i want to point out how fantastic li huamin is as sung fung fei. his face is one of the most expressive and captivating to ever grace a silent film .
terrible quality and incomplete, but what survives of this film is actually pretty good - it' s genuinely funny, and the editing is ahead of its time .
the fights themselves are honestly a lot better than you’d expect from the early days of cinema. they are sped up, and the choreography is basic, but the sense of battle is similar to what it is in later martial arts films. there’s also a couple of recognizable traits of the martial arts genre in evidence here in protozoic form. hong kong action films have distinguished themselves by capturing the full bodies of their actors during fight sequences, and while romance of the western chamber was made in mainland china before hong kong had much of a film industry, this defining factor shows up during a battle between two generals. the performers look legitimately skilled, too; these aren’t just actors becoming amazing fighters through editing. although, speaking of editing, there is a wonderful use of intercutting close - up shots of swords and axes clashing to give the far - away, “extras flailing” battle shots a sense of intensity and urgency .
romance of the western chamber will play a strictly limited engagement of 14 performances, beginning thursday, september 14 at tada! theater (located at 15 w. 28th street, 3rd floor), with an opening night scheduled for saturday, september 16, 2017. performances will take place according to the following schedule: thursdays & friday at 8: 00pm; saturdays at 2pm & 8pm; and sundays at 3pm .
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the early comic romance scenes depict the kind of lush costuming and set design typical of the chinese historical film in all its eras, but the fight scenes are impressively modern, as director hou yao uses overhead shots to emphasize the precise geometry of his actors' opera - inspired movements and double exposures to express the chaos of combat, ghost images of two armies locked in battle, rapidly intercut with close - ups of clashing swords, also in double exposure. the battle scenes are preceded by long shots of soldiers running serpentine through and over hillsides, recalling no less than kurosawa' s ran .
the other proto - hk filmmaking i noticed was when one man wielding a staff faced off against a group of bandits. the camera captures a good portion of the action from above, just as many later films do, including most of the shaw films i’ve covered so far in my chronological series. this could definitely be me looking and reaching for some long lost connective tissue, but i’d like to think that the techniques used on films such as romance of the western chamber actually did influence the later films of hong kong. i don’t see this as too much of a leap of faith, as hou yao emigrated to hong kong in the early ’30s to become part of the new cantonese industry springing up there. the same is apparently true of many of china’s best filmmakers of the era, so to assume that these filmmakers laid the groundwork for hong kong action films as we know them seems like a believable stretch to make. it’s kind of like how the shaw brothers films essentially laid the foundation for the modern martial arts action films that continue to be made to this day .
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based on wang shifu' s famous play of the same name, romance of the western chamber tells the story of a young scholar zhang sheng who goes to the capital city to take the highest imperial examination. during his stay in a temple, he meets cui yingying, daughter of the prime minister and immediately falls in love with her. soon, a group of robbers besiege them. yingying' s mother declares that she will marry off her daughter to whoever saves them. zhang sheng manages to do that with his friend' s help, but yingying' s mother refuses to keep her words because zhang is a poor scholar. however, yingying and zhang sheng' s love is so strong that, with the help of hong niang, yingying' s maid, the couple breaks the barriers of tradition .
the film was originally 10 reels (e. g. 90 - plus minutes) in length. five reels (49 minutes) have survived .
hou yao was a significant figure in chinese cinema throughout the 20s and 30s, he wrote the first chinese film theory book in 1925, had a reputation for progressive activism and was a mentor to director fei mu. when the war broke out, he made a series of anti - japanese propaganda films for the shaw brothers, eventually moving from shanghai to singapore. he was murdered there by the japanese in 1942 at the beginning of the sook ching massacre .
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ying zhang (ensemble) is a graduate of the american musical and dramatic academy. her recent nyc theatre includes: warlovers (theatre row), hireath (13th street repertory theatre), i' con (hudson guild theatre), no exit (american theatre of actors), broadway memorial for sir peter shaffer (american airlines theater). film: the mail box, overcast, antiteater of ten, red plastic bag. concert: pride concert, an evening of jerry herman with naap .
a famous chinese story about a young couple who consummate their marriage without the approval of their parents .
he minzhuang (m. c. noo) - as madame cui, the mother of ying ying
an adaptation of a famous yuan dynasty play itself based on a tang dynasty short story about a young scholar who stops at a picturesque temple to study before taking the imperial examinations. there he meets the daughter of the late prime minister, mourning her father with her mother and a servant girl. the two fall in love, naturally, but when a local bandit hears of the woman' s great beauty, he rushes out with his army and lays siege to the temple, naturally. the scholar, promised by the mother that whoever defeats the bandits will get the girl, sends for his old friend, who just happens to be a general stationed nearby. the two armies fight, and the bandit is defeated. then the scholar dreams he fights the bandit with a giant ink brush. then the mother won' t let the two kids get married until the scholar passes his exams. then the movie ends, because only half of its ten reels survive .
an adaptation of a famous yuan dynasty play itself based on a tang dynasty short story about a young scholar who stops at a picturesque temple to study before taking the imperial examinations. there he meets the daughter of the late prime minister, mourning her father with her mother and a servant girl. the two fall in love, naturally, but when a local bandit hears of the woman' s great beauty, he rushes out with his army and lays siege to the temple, naturally. the scholar, promised by the mother that whoever defeats the bandits will get the girl, sends for his old friend, who just happens to be a general stationed nearby. the two armies fight, and the bandit is…
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erich rausch (music director) is a recipient of the rising star award from paper mill playhouse for music direction of once on this island. he has worked on over 500 productions as a composer, arranger, music director, director, stage manager and actor. he most recently music directed a production of spring awakening at johns hopkins university, and composed songs for the new musical mad mel saves the world at the midtown international theater festival. he was the music director for the ny premieres of brecht' s the roundheads and the pointheads, and ray bradbury' s fahrenheit 451, and received excellent notices in newsday, the village voice, and the new york times for productions of a chorus line, my fair lady, and original music for beaumarchais' s the barber of seville. revues include the everly brothers' dream! dream! dream! at the claridge in atlantic city, the carpenters' close to you, and a lorenz hart show. he has played leading roles in over 50 award - winning shorts on the festival circuit, including remember us, everything' s ok, and dinner and a movie at cannes in 2016. urltoken
a rare chinese movie from the silent 20' s. sadly only about half the movie still exist which makes the viewing a little additional difficult to follow on top of the chinese cultural theme. but i loved the short battle scenes. intense and cool. the love story not so interesting. at least not in it' s fragmented form. the evil dude however did get me to smile. what a twisted face !
the confucius institute at san diego state university (producer) was established in collaboration with the office of chinese language international council (hanban). hanban is committed to making chinese language and cultural teaching resources and services available to the public and to the promotion of cultural diversity and harmony. through academic partnership with xiamen university, the ci at sdsu aims to strengthen educational and cultur al cooper ation between china and the united states. this partnership will serve to promote the development of chinese language education in the greater san diego region and baja california as a whole, while continuing to foster historical understanding and cultural collaboration on both sides of the pacific. the ci at sdsu focuses especially on teacher training. by offering both on - site and online classes, while also utilizing the most advanced language teaching pedagogy and technology, the ci at sdsu aims to establish a public face and a central environment for chinese teachers training in southern california and baja california and the greater san diego region as a whole .
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a young scholar who has traveled to the capitol in order to take the highest imperial examination falls in love with the daughter of the prime minister during his stay at a local temple in director hou yao' s adaptation of the famous play by wang shifu. zhang sheng has prepared himself to take the ultimate test, but when a group of bandits besiege the royal family beautiful cui yingyang' s desperate mother pledges to marry her daughter off to any man who successfully rescues her. though zhang eventually succeeds in the task, cui' s mother subsequently reneges on her promise citing that there is no way she will allow her daughter to wed an impoverished scholar. as a result the bond between zhang and cui only strengthens, and with a little assistance from cui' s loyal maid hong niang the couple is eventually able to shatter the traditional societal barriers that bind them. ~ jason buchanan, rovi
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wildly productive productions / bob ost (producer). bob ost is the founder and executive director of theater resources unlimited, an arts organization dedicated to nurturing and educating producers at all levels of experience. an award winning playwright, composer and lyricist, he originally created wildly productive productions to self - produce his work, including cabaret shows love and laughter and the mac - nominated not quite what you expected. he branched out and produced the work of others, including the development and initial production of civil war voices by james harris, which won 8 best of festival awards at the midtown international theatre festival, and went on to a record - breaking production at the barter theatre in abingdon virginia, as well as a tour. the show was published and is licensed by dramatic publishing. he also produced the musical rip by dan furman, also in the midtown festival, and his own musical angel in my heart which was named best musical in the 2014 fresh fruit festival. bob has produced three commercial cd' s: a special place: songs from the heart featuring broadway stars alice ripley, kt sullivan, li llias white, rebecca luker (original cast records), an all - star recording of his off - broadway revue everybody' s getting' into the act (fynsworth alley) with bob cuccioli, nancy opel, mark kudisch, rebecca luker and other broadway stars, and keyes to heaven: the songs of eben keyes starring a stellar lineup of cabaret favorites including julie reyburn and heather macrae .
shela xoregos (director) is a freelance director as well as the artistic director of the xoregos performing company. she has discovered and premiered one acts by f. scott fitzgerald, oscar wilde, sarah bernhard t and many works by harlem renaissance playwrights. she directs for regional theaters as well as for new york companies. her productions have played at museums including the smithsonian institution, sf moma, the bronx museum of the arts and the brooklyn children' s museum. performances have been seen in many festivals, both indoor and al fresco. in the near future: a play by racine and a program of short commissioned plays psychic fare - - comedies about fraudulent fortune - tellers and humbugs .
producer bob ost said today ,
given the current controversy about building walls, i am particularly passionate about offering a show that builds bridges. this work draws deeply on chinese culture, yet our goal is to present a beloved 13th century tale through a modern filter that will make it accessible to western audiences. and how wonderful to provide an opportunity to showcase a very talented all asian cast .
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tony romero * (superior) off - broadway: tokyo can can, triplets starring ruth brown and babes in toyland at lincoln center. regional credits: mame starring christine ebersole, paper mill playhouse; anything goes, st. louis rep; my fair lady, cleveland playhouse; the wizard of oz, actors theatre of louisville; scrooge starring gary beach, theatre under the stars; the king & i starring lou diamond phillips, kansas city starlight theatre and the radio city christmas spectacular. proud aea member .
jessica wu * (ying - ying): feels honored to help bring this beloved chinese tale to the ny stage. credits include: broadway' s a chorus line, the radio city spring spectacular, shakespeare in the park, lincoln center, bam, signature, paper mill, goodspeed, sacramento music circus, tuts, pclo, kc starlight, muny, baltimore centerstage, nat' l tours of dr. dolittle, the king and i, miss saigon, wizard of oz, and a chorus line. jessica is composer / book - writer for brass heart the musical. urltoken
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mark andrew garner (flying tiger), a graduate of @ bdcnyc # prosemnation, was most recently neleus in mary poppins at alabama shakespeare festival and swing / young max u / s in the grinch who stole christmas at the grand ole opry. faves: seymour in little shop of horror; angel in rent, ching ho in thoroughly modern millie, n. a. a. p.' s oliver! with baayork lee. urltoken
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chang kung (ge cijiang), a young scholar, comes to stay at a temple on his way to taking the imperial exams. also staying there is cui ying ying (lin chu - chu), the beautiful daughter of the late prime minister, and her mother. as soon as chang kung catches sight of cui ying ying he’s hopelessly smitten. his studies suffer as all he can focus on is how to see her again, even resorting to eavesdropping on her conversations and climbing atop a roof to steal a glance .
partners in business and rivals in love .
not with each other, of course (not in 1913, anyway). two gentlemen have an interest in the same woman. one wins, one doesn' t .
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this exciting n. y. premiere will feature an ensemble of asian - american actors including charles pang and jessica wu (a chorus line) as the beleaguered lovers, philippine - born soprano joy abalon - tamayo as the disapproving mother, mari uchida as the classic chinese matchmaker hong - niang, plus mark andrew garner, albert hsueh, jee heng liao (anything goes off - broadway), tony romero (tokyo can can off - broadway), musa hitomi (the little mermaid off - broadway), takashi hosoi (the king and i) and ying zhang (warlovers at theatre row) .
the 2007 usa dvd release by cinema epoch has an additional original musical score composed by toshiyuki hiraoka .
albert hsueh (hui, cheng - heng) is thrilled to be a part of the production. originally from taiwan, albert (ting - chou hsueh) has been working for several years as a professional actor both in taiwan and abroad. he was cast in numerous musicals and worked with theater companies throughout asia. his most recent credit was anything goes at the mac haydn theatre .
this silent movie was my first silent movie and i was fortunate enough to see it in a classical movie theater accompanied by live classic music (debussy). the movie was played during the china - amsterdam festival in amsterdam. i really liked the story and the way it was played. the facial expressions are obvious and humorous (and you don' t need' sub' titles). there are some' special effects' in the movie which i really enjoyed. i didn' t know they could perform such effects in 1927. for me it was a great way to experience chinese cinema and see a silent movie. add the classical music and you have a super experience. great movie, so if you got a chance: go see it .
musa hitomi (ensemble) is an actor, singer, dancer and choreographer based in nyc, originally from tokyo japan. her favorite credits includes, off broadway: the little mermaid, the jackie mason musical, siren' s den: a new rock musical. regional: avenue q (christmas eve), spring awakening (martha), west side story, miss saigon, white christmas and mamma mia. national tour: alvin and the chipmunks the musicaland more. urltoken
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charles pang (chang) is thankful to be a part of this production. he hails from hong kong and has appeared in pasek and paul' s a christmas story (national tour), made in china (59e59), anything goes (phoenix theatre), the king and i (maltz jupiter theatre) and other musicals. urltoken
the production will feature music direction by erich rausch, scenic design by sal perrotta, lighting design by joyce liao, costume design by jessa - raye court, choreography by mandarin wu, and stage management by mary - cate mangum. casting by robin carus casting .
takashi hosoi (ensemble) is a dancer, singer and actor based in new york. originally from japan. since he moved to new york he has performed the king and i, jesus christ superstar and several dance performance in jazz roots dance company and japanese performing arts .
joy abalon - tamayo (lady tsui), philippine - born soprano, has been performing in ny since 2012. recent roles include premiering calf in kento iwasaki' s beloved prey and barbarina in mozart' s le nozze di figaro with dell' arte opera ensemble. she currently sings with the salvatones under daniel brondel. lady tsui marks her debut in musical theater .
jee heng liao (general du) is delighted to join this production. off - broadway: anything goes at musicals tonight. ny theater: when you' ve got a gift (june havoc theater), immortal (new york theater festival), foreign exchange (the poet' s den theater). international theaters: anything goes (with asian pop star evonne hsu), daylight (taiwan national theater). @ jeeliao
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mari uchida (hong - niang). a recent graduate from northwestern university in evanston, illinois, mari is making her nyc debut! chicago credits include: tonya and nancy (kristi yamaguchi), side show (half - man half - woman), etc. represented by meg pantera agency .
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romance of the western chamber ( chinese : 西廂記 ; pinyin : xīxiāngjì ) is a 1927 silent chinese film drama directed by hou yao . the film is an adaption of the classic chinese dramatic work romance of the west chamber by wang shifu . originally consisting of ten film reels , only 5 reels have survived . the 2007 usa dvd release by cinema epoch has an additional original musical score composed by toshiyuki hiraoka . 
romance of the western chamber (chinese: 西廂記; pinyin: xīxiāngjì) is a 1927 silent chinese film drama directed by hou yao. the film is an adaption of the classic chinese dramatic work romance of the west chamber by wang shifu. originally consisting of ten film reels, only 5 reels have survived. the 2007 usa dvd release by cinema epoch has an additional original musical score composed by toshiyuki hiraoka.
romance of the western chamber (chinese: 西廂記; pinyin: xīxiāngjì) is a 1927 silent chinese film drama directed by hou yao. the film is an adaption of the classic chinese dramatic work romance of the west chamber by wang shifu. originally consisting of ten film reels, only 5 reels have survived. the 2007 usa dvd release by cinema epoch has an additional original musical score composed by toshiyuki hiraoka.