tribu ( film )
jim libiran, director of the philippine film tribu, with his sound designer mark allen laccay .
nowell - intentioned film festival in the world will dare turn down the film .
pinoy indie film: tribu synopsis: the... - taga bikol ako kaya oragon ako | facebook
in the vortex of violence film review of tribu 8 glasses production inc. , cinemalaya foundation, and independent filmmakers cooperative of the philippines
tribu won several awards, including best actors and best film at the cinemalaya independent film festival, best actor ensemble at the cinemanila international film festival [ 1 ] and the gawad urian awards. tribu also won the pari de l' avenir bet of the future award at the festival paris cinéma – the only non - european film to do so. [ 3 ] [ 4 ]
the film received nine awards and fourteen nominations, including best actors and best film at the cinemalaya independent film festival, best actor ensemble at the cinemanila international film festival and the gawad urian awards. tribu also won the pari de l' avenir' bet for the future award' at the festival paris cinema awards the only non - european film to do so .
notably, tribu was the only non - european film to win at the festival paris cinema. tribu competed with films from france, japan, china, haiti, mexico, great britain and hungary - germany. [ 3 ]
in the vortex of violence film review of tribu 8 glasses production inc. , cinemalaya foundation, and independent filmmakers cooperative of the philippines - plaridel journal
tribu was shot in 12 days and costed approximately ₱ 1. 5 million to produce. [ 8 ]
tribu, along with independent film pisay, were also screened at the 2007 pusan international film festival. [ 14 ] maggie lee of the hollywood reporter praised the film for its live rap music, writing that
each song is a unique voice articulating the rough - hewn vitality of [ the gangster' s ] existence .
[ 16 ]
but you do see a bright future for jim libiran as a filmmaker with his more than competent work here in “tribu”. he and his team deliver one of the finest works in local cinema this year. may your tribu increase !
macadam tribu is a 1996 comedy - drama produced by josé zeka laplaine in the democratic republic of the congo. the film was selected as the democratic republic of the congo' s entry for the best foreign language film at the 70th academy awards, but was not accepted as a nominee .
this however is not the main thrust of the film, life in the slums is .
it’s a very disturbing film. you feel the hopelessness of the people trapped there—without any future .
» agimat: film » the 10 best filipino independent films of 2008 ...
this film is not currently playing on mubi but 30 other great films are. see what’s now showing
tribu (english: tribe) is a 2007 filipino crime drama film directed by jim libiran, released in its home country of the philippines. it stars real life gangs members from the film' s setting in tondo, manila. the tagline is :
every night, juvenile tribes prowl the streets of tondo. an explosive hiphop, freestyle gangsta celebration of inner city manila .
the 71st edition of the cannes film festival which came to a close on 19 may 2018 rewarded a ...
tribu (english: tribe) is a 2007 filipino crime drama film directed by jim libiran, released in its home country of the philippines. it stars real life gang members from the film' s setting in tondo, manila. the tagline is :
every night, juvenile tribes prowl the streets of tondo. an explosive hiphop, freestyle gangsta celebration of inner city manila .
[ 1 ]
tondo has been featured in films before, notably in lino brocka' s 1976 masterpiece
insiang ,
the first filipino film to be exhibited at cannes. as in
tribu ,
the tondo of
insiang
is a cauldron of moral decay, hopelessness and, ultimately, desperation .
catalunya film commission passatge de la banca, 1 - 3. 08002 barcelona + 34 93 552 91 63 cfc @ urltoken
the great british film reception where: the london west hollywood, 4 p. m. who’s expected: chris o’connor, british consul general in los angeles, and a bevy of british oscar nominees why you don’t want to miss it: u. k. film contributions will be feted at this authentic english afternoon event sponsored by the british film commission among others .
the film, a digital production that won several local and international awards this year, has contributed to the excitement in manila over a recent explosion in independent filmmaking, which many here see as the best hope for reinvigorating the moribund filipino film industry .
josep lluís i falcó: “coppola said that film music is the secret influence, which people do not listen to, but do feel” .
tribu won nine awards and several nominations, [ 9 ] and has been praised in its homeland of the philippines. the success of the film sparked an increase in independent filmmaking in the country. [ 5 ] libiran received a gawad balanghai trophy and ₱ 1. 2 million in grants. [ 10 ] the six gangs that collaborated to produce tribu have since expanded on their production of rap music, performing around manila and training local artists, [ 6 ] [ 7 ] and had even considered producing their own album. [ 5 ]
the philippines’ cinemalaya independent film festival has announced its competition line - up of ten features that will make their world premieres this july in manila .
while the film has garnered critical acclamation, the international herald tribune noted that the film failed to address the response from governments and law enforcement regarding street crime, such as police - supported death squads that regularly hunt down and kill suspected gang members. libiran has since addressed these issues in public appearances; following the film' s release, libiran appealed to the police and government of manila at cinemalaya, asking them to
have mercy
and to not kill youth that had been influenced by criminal activity. [ 5 ] the film has also been criticized for its excessive use of violence, to which libiran responded ,
how can it glorify gangs when they all ended [ sic ] up dead ?
, and also notes that o. g. sacred, the gangster who played makoy in the film, said that he would not have joined gangs if he had seen tribu as a child. [ 15 ]
as in lino brocka’s social realist dramas, there seems fatalism in “tribu” with its relentless drive toward blood and death, and the viewer may balk at its utter violence, its downright fatalism. but again and again, the movie rises to poetry, energy and vitality. for its perfect marriage of digital technology and social documentary, and for its scale, ambition, and poetry, “tribu” is grand filmmaking at its best, but with an independent spirit .
in a speech at cinemalaya, the independent digital film festival here in august, where
tribu
won the best picture award, libiran appealed to the police and the manila government .
there are other ways to stop the gang riots in tondo and in other tondos of the philippines ,
he said .
please, have mercy. don' t kill these children .
• tax deduction: a $ 5, 000 a - lister pass receives a $ 3, 750 tax - deduction and directly supports our education program. • concierge service • personalized film sponsorship • premium reserved seating • a - list dinner party • meet the cast reception • film industry mixer • vintner circle dinners priority • official nvff gear
in tondo, the gloomiest area of manila, youth gangs dominate the street scene. their lives consist of criminality, drugs, and hip - hop music. in the twilight of the underworld, 10 - year - old ebet observes the members of enemy gangs, whose meeting becomes inescapable and which finally leads to an explosion of raw violence. jim libiran is the first director in 30 years who has been able to film in manila’s notorious tondo district. the majority of his actors were recruited from among the inhabitants of the slum, most of them members of enemy street gangs, whose enthusiasm for their acting is catching. during the shooting of the film deadly hostilities gradually turned into friendships. tribu is not only a film, but also a social project – but most of all a rare cinematic event, spilling over with energy. sex and violence are here not merely the surface, but they function as a vehicle for the realistic illustration of this ignored parallel world. the authentic rap soundtrack was collectively composed by the four main actors. tribu is fragile, edgy, and real – an independent production that is one of the best from a strong year in philippine film .
film independent spirit awards where: a tent on santa monica beach, 2 p. m. who’s expected: co - hosts fred armisen and kristen bell, nominees including julianne moore and j. k. simmons, and spirited guests such as cate blanchett, kerry washington and emmy rossum why you don’t want to miss it: nonprofit film independent, which also produces the los angeles film festival, will be celebrating the momentous 30th anniversary of this casual afternoon awards soiree, which has an anything - goes free spirit .
but just when i thought i’ve seen everything there was to see in those maze - like esquinitas, now comes “tribu, ” written and directed by jim libiran, who has earlier made a name for himself as a tv news reporter for abs - cbn .
jim libiran’s “tribu” has touches of autobiography. a sociologist, poet, and documentary filmmaker and himself tondo - bred, libiran seems predestined to make this ultimate anthem to the tondo of cruel lore and terrible legend, the tondo of both gentle dreams and passionate faith .
in the film' s plot, as in real life, the youths of tondo have few choices, libiran said. the alternatives to joining a tribe are death or self - banishment .
the characters outwit the authorities, make deals with each other and undertake communal projects that bring them together, notably a theatre project. afro - pop music provides a background to the film .
following the exclusive patron circle sneak preview screening, patrons mingle with the filmmakers of our core narrative and documentary film competition at the caldwell snyder art gallery with delicious cuisine coutesy of estate events by meadowood .
shown in robinsons galleria’s indiesine outlet, “tribu” depicts life in gutter tondo and how the gangs there operate. once a genteel place (beloved national artist atang de la rama lived there up to her last breath), some parts of tondo had for the last 50 years or so become gangland .
here in “tribu”, we see the different factions of the notorious gangs, except that they don’t break into song and dance like the gang members in “west side story. ” well, some of them do rap and are good at it, but generally they just brawl and kill without compunction .
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richard kuipers of variety wrote that tribu
[ takes ] the viewer deep inside a manila slum blighted by drugs and gang violence [... ] a disturbing snapshot of a community in chaos .
he also praised the film' s video and sound quality despite the challenging filming locations. [ 12 ] screen international described it as
[ a ] powerful but downbeat portrait of a world ruled by the vicious circle of poverty and crime, focuses on its main victims, the young generation, angrily self - destructing itself out of sheer desperation .
[ 13 ] many viewers noted the film' s similarities with city of god and amores perros, [ 14 ] although libiran has denied this comparison. [ 15 ]
six years ago, libiran, one of the philippines' s most respected television journalists, produced a television documentary on youth gangs. the gangs were still on his mind when he returned to school to study filmmaking, and he wrote the script that formed the basis of his debut movie ,
tribu .
the main story is about an adolescent found dead, with a knife in his backand the attempted revenge of his pals, who organiserevenge that bythe end of the film turns into a general blood bath with no winners .
as howie severino, another television journalist, noted in a blog ,
tribu
is a bleak reminder of how little life in tondo and other philippine urban centers has changed in the last 30 years .
dead ends then are dead ends today ,
he wrote .
that' s the real tragedy .
tribu is a movie starring karl eigger balingit, charena escala, and havy bagatsing. in the darker side of manila - by - night, tribes of youthful gangsters roam the streets in search of quick fixes and precarious thrills. world - weary tondo throbs to the beat of of hiphop and... see full synopsis »
hyderabad: telugu film critic and dalit activist kathi mahesh has been banned from entering hyderabad for six months by the telangana police for allegedly making
derogatory comments
on ramayan and lord ram and hurting the religious sentiments of people .
anjan dutta’s debut film bada din, starring mark robinson and shabana azmi, is the first film after aparna sen’s 36, chowringhee lane to try and grasp the lives of anglo - indians in calcutta in the changed, crime - ridden, lumpen - filled scenario of the 1990s. the link of the underworld mafia with the police, both of which try to brutalise and victimise an innocent bystander, forms the crux of the film. there is a sub - plot of love between the beer - guzzling, drunken landlady (shabana azmi) and her much younger tenant (mark robinson). commercial films like basu chatterjee’s baton baton mein depicted the loves, adventures and problems of a middle - class anglo - indian family with a down - to - earth sweetness characteristic of the basu chatterjee stamp—neither cloying nor annoying. lovely songs and lively performances by the late pearl padamsee and ranjit choudhry made the film an enjoyable experience .
the advance screening of the latest harry potter film benefited urban prep academies and was a sellout at imax navy pier theatre. as 450 excited fans poured in, many in costume as wizards, urban prep founder tim king was there in his official capacity as the head wizard of
hogwarts in the' hood ,
as urban prep is lovingly called .
harry potter and the deathly hallows: part 2 ,
the last film in the potter franchise, provided 2 hours and 11 minutes of sheer delight, but it was after the screening that the events' supporters got their biggest surprise. matthew lewis, who played neville longbottom in all eight of the films, made an unexpected appearance and was interviewed by film critic richard roeper. after the film, there was a private vip reception in navy pier' s crystal gardens. to learn more about the
harry potter
screening read candace jordan' s column
candid candace .
most of the actors were residents of tondo, and most were still active in street gang activities in the area during the making of the film. fifty - two members of seven rival clans agreed to work together to finish the movie .
• tax deduction: a $ 25, 000 movie mogul pass receives a $ 20, 000 tax - deduction and directly supports our education program. • dedicated luxury car & driver • upgraded dedicated concierge service • premium reserved seating • personalized film sponsorship with filmmaker meet & greet. • green room meet - and - greet with celebrity tribute honorees and framed photo. • a - list dinner party priority seating with celebrities. • opportunity to participate on the film festival board of directors .
except for malou crisologo, an assistant director who also does acting parts on tv and in the movies, the cast members of “tribu” are non - actors and are supposed to be real - life gang members in tondo. they apparently do such a fantastic acting job out of it that they were hailed best actors for their ensemble performance in the last cinemalaya .
busan, south korea - - if you' ve seen the recent spate of philippine indies doing their festival rounds, you might walk into
tribe
( tribu) wondering if you' re still navigating the set of
kubrador ,
slingshot
or even
the blossoming of maximo oliveros .
there' s nothing wrong with your cinematic compass .
le monde said that in this lively but disenchanted street the director josé laplaine brings his characters to life with humor and affection. there is no real story... la tribune desfosses said that
with macadam tribu, the zairian josé laplaine directs a story of a warm african city punctuated by the music of papa wemba, the zairian rumba king .
.
women in film’s 8th annual pre - oscar party where: hyde sunset kitchen + cocktails, 5 p. m. who’s expected: oscar - winning co - hosts jennifer hudson and cathy schulman why you don’t want to miss it: this annual ode to femmes in the film world will honor guests and all 44 oscar - nominated ladies by way of perrier - jouet champagne, chauffeured bmw cars, mac cosmetics gift boxes (curated by oscar - nominated makeup artists), tiffany & co. support and max mara fashions .
most of the actors were residents of tondo, and many were active in street gang activities in the area during the making of the film. fifty - two members of six rival gangs [ note 1 ] agreed to work together to finish the movie. [ 2 ]
the movie depicts, in graphic detail, the gang culture of tondo, a manila slum notorious for its chaos, filth, poverty and violence. the story is told from the point of view of a 10 - year - old boy who witnesses the violence as a gang avenges the death of one of its members. the gangs call themselves
tribes ,
thus the title
tribu .
perhaps because libiran grew up in the neighborhood and knew it well, he managed to bring together members of six rival gangs to make the film. libiran said they began collaborating on their rap music. they are now performing in shows in manila and are considering cutting an album .
in libiran' s view, the tondo in
tribu
could represent any urban center in the philippines, a relatively poor country of more than 80 million people. in the cities, shanty towns are common, people live alongside open sewers, and women and children scrounge for food in garbage dumps. it is a dog - eat - dog world and an ideal breeding ground for crime and gangs .
director jim libiran was born and raised in tondo, where his initial fascination with street gangs began. while working as a highly respected television journalist, he produced a documentary involving youth gangs .
as a journalist, gangs were my obsession ,
he said in an interview. [ 5 ] after returning to school to study filmmaking, libiran drafted a script that would later evolve into tribu. [ 6 ]
what libiran' s film does not explore is the authorities' response to gangs and street crime. in many parts of the country, death squads roam the cities at night, hunting down suspected gang members, with tacit approval of the police. but the director has addressed this issue in his public appearances .
libiran' s knowledge of the neighborhood enabled him to recruit six rival gangs to collaborate together for the film, promoting it as a tool for
conflict resolution
and to foster peace between the gangs. [ 5 ] his style of filmmaking involved working with local communities in order to establish lasting effects after the film' s release. [ 7 ] he often had to deal with the fact that some of his cast members were being pursued by rival gangs or the police, and production was occasionally interrupted by incarcerations or shootings. several members showed up at the acting workshop held by libiran armed with weapons. [ 5 ]
celebrate opening night of nvff with the filmmakers and subjects from the opening night films, vip film industry guests, celebrities, and top sponsors. expect great food, over - the top varietals from the valley’s most exclusive vintners, lively conversation and entertainment. this event is always a great kickoff to each year’s festival .
snub: will smith, “concussion” smith stretched — and adopted a nigerian accent — to play dr. bennet omalu, who discovered a link between nfl players and permanent brain trauma. although he hosted many academy q & as to support the sony pictures release, the lukewarm reviews for the film may have hurt him .
hollywood domino & bovet 1822 pre - oscar gala & tournament where: sunset tower hotel, 8 p. m. who’s expected: the competitive host committee includes patricia arquette, adrien brody, kevin jonas, maria bello and gina rodriguez. why you don’t want to miss it: enjoy caribbean beats by pirulo y la tribu and xxiv karat champagne while watching celebs battle it out in the eighth annual domino match to benefit haiti through artists for peace and justice .
neutrogena hydro boost, myhabit and ok! tv oscar viewing party where: w hollywood, 3 p. m. who’s expected: neutrogena ambassadors, and an assortment of film, blog and tv stars why you don’t want to miss it: dine, sip cocktails, watch the show and receive neutrogena hydro boost skin treatments in a dolled up lounge environment .
some turkish critics (male, of course) have objected to
mustang' s
portrayal of modern provincial turkey, and to erguven' s depiction of muslim men as unbending authority figures. i can' t speak to the film' s accuracy in that regard. besides, this is narrative fiction. and it' s an efficient yet expansive feature debut .
snub: michael b. jordan, “creed” at 28, michael b. jordan is one of hollywood’s most promising young stars. the academy overlooked his breakthrough role in 2013’s “fruitvale station, ” and also didn’t give him any love for “creed, ” despite the film’s $ 105 million box office take and an impressive physical transformation to play a professional boxer in the “rocky” reboot .
oscar celebrates: animated features where: samuel goldwyn theater at the academy, 7: 30 p. m. who’s expected: hosts chris buck and jennifer lee, who shared an oscar for animated feature film “frozen” why you don’t want to miss it: learn the tricks of the animation trade as this year’s nominees discuss how their films were made and show clips that illustrate their inventive techniques .
american black film institute’s academy awards post - gala where: metropolitan nightclub who’s expected: hot new representatives of young black hollywood as well as past oscar legends why you don’t want to miss it: boasting a “vivre en noire” theme, abfi’s annual academy awards afterparty — and guests john legend, angela bassett and lupita nyong’o — will celebrate and promulgate the cinematic legacy of african - american films .
ok! magazine’s pre - oscar event where: the argyle hollywood, 7: 30 p. m. who’s expected: ellan coltrane (“boyhood”), ben reed (“american sniper”), haviland stillwell (“selma”), maddalena ischiale (“unbroken”) and more why you don’t want to miss it: the celebrity weekly hosts its annual oscar kickoff with help from hot young film and television talent .
snub: kristen stewart, “clouds of sils maria” the critically acclaimed role from the “twilight” star made her the first american actress to take home the cesar award (the french equivalent of the oscar), and nabbed her a new york film critics circle prize. but in the end, not enough oscar voters saw this small drama directed by olivier assayas that premiered at cannes nearly two years ago .
sanjay leela bhansali’s black, generously lifted from the hollywood film the miracle worker, is a celluloid exploration of the real - life relationship of hellen keller and her mentor - teacher - and - guide anne sullivan, transformed in the film into the relationship between michelle mcnally (rani mukherjee) and her teacher, the ageing, frustrated, once - alcoholic debraj sahai (amitabh bachchan .) the film is set against the backdrop of an anglo - indian family, the mcnallys, covering a 50 - year span opening in the 1950s. michelle is the severely handicapped elder daughter of the mcnallys who could belong to any extremely westernised indian family in the country. their very affluence overshadows their ethnic roots. the vast mansion in which the mcnallys live, the clothes they wear, the servants they employ, do not really represent the average anglo - indian family in the country. except for the extreme arrogance of the head, mr mcnally (dhritiman chatterjee), there is nothing specifically ‘anglo - indian’ about them. the mcnallys may perhaps be of british origin who did not leave india after independence. they do not fit into the clich 'e9d celluloid stereotype of the indian christian character in indian cinema either .
oscar celebrates: documentaries where: samuel goldwyn theater at the academy, 7: 30 p. m. who’s expected: hosts rob epstein and tabitha jackson, and avid documentarians why you don’t want to miss it: oscar - winning director epstein and sundance institute documentary program director jackson — along with a series of panelists — will have much to impart on the short and feature - length documentary film forms .
vanity fair & chrysler toast to richard linklater and “boyhood” where: cecconi’s west hollywood, 6 p. m. who’s expected: the oscar - nominated director and celebrated cast why you don’t want to miss it: ethan hawke, patricia arquette and crew, who’ve grown to be seasoned pros at doing the awards party circuit, will be relishing in oscar nominee - hood at this toast benefiting the austin film society .
making a film with gang members on their competing turfs meant libiran had to contend with the problem that some members of his cast were being hunted by rival gangs or the police. in fact, he said, production was interrupted every now and then by the news that one of his actors had been arrested or shot. during the acting workshop libiran held for the cast, several of them showed up with weapons .
nothing else in the film quite lives up to this knockout, visceral prologue. the catalyst for the main action is the murder of one totoy turat, from the sbt gang. the cops for want of a culprit, arbitrarily arrest memey, a member of thugz angels. both gangs blame the diablos. on the night of totoy' s funeral, thugz angels supply sbt with ammo to mow down their common foe. the cycle of vendetta repeats itself .
in the opening sequence of the film, the 10 - year - old boy explains the genesis of the tribes. they exist, he says, because the children are poor. they are poor because they or their parents lack jobs. in tondo, the boy says, you have to be tough or you die. even a child needs to be tough. but in the hell that is tondo, he says, even a child can be god .
while
kubrador
is anchored by gina pareno' s virtuoso performance and
blossoming
by its crowd - pleasing gay theme ,
tribe' s
trump card is its live rap music. ad - libbed by the cast of real gangster rappers, each song is a unique voice articulating the rough - hewn vitality of their existence. hip - hop or freestyle, that' s the film' s true soul and protagonist, not the faceless, overexposed slum .
mercedes - benz and the african american film critics association’s viewing party where: four seasons los angeles at beverly hills, 5 p. m. who’s expected: cinema advocates from the aafca, and celebrity guests including david oyelowo, gina rodriguez, anthony anderson, lily allen, josh gad, kat graham and more. why you don’t want to miss it: don “oscar chic” attire and enjoy the awards show from this lavish hotel in the company of a diverse group of stars and execs .
16th annual children uniting nations awards celebration and viewing dinner where: the storied jack warner estate in beverly hills, 5 p. m. who’s expected: a star - studded list of film, sports and entertainment leaders why you don’t want to miss it: this viewing, dinner and after - party gala has congregated foster child benefactors from halle berry to mike tyson to prince, in years past. (for tickets, call 818 - 905 - 9831 or email cunevent @ aol. com )
reception in honor of the german oscar nominees where: villa aurora in pacific palisades, 11 a. m. who’s expected: the consulate general of the federal republic of germany, teuton filmmakers, and german oscar nominees and other international film greats why you don’t want to miss it: from the picturesque garden of this historic landmark estate (former home to novelist - playwright lion feuchtwanger), prized filmmakers like wim wenders and the teams behind “citizenfour” and “the grand budapest hotel” will be honored by their own .
canada stars in awards season where: four seasons los angeles at beverly hills, 5 p. m. who’s expected: the consulate general of canada; select canadian screen awards nominees; and canadian oscar nominees including craig mann (best sound mixing for “whiplash”) and chris williams (best animated feature film for “big hero 6”) why you don’t want to miss it: telefilm canada, the academy of canadian cinema & television and the consul general of canada celebrate awards season with cocktails, camaraderie and goodies by skin guru .
it is also quite touching to see how an older brother would be so thoughtful and bring home little treats like “chicken de pagpag” to his younger siblings. chicken de pagpag is actually discarded chicken parts collected in the trash bins of fast food centers, with the dirt dusted off (which is why it’s called pagpag), washed and refried. while there are sanitary issues here, the point being driven in the film is that even the tough guys of tondo can also be quite sweet, thoughtful and caring to family members .
today icon mann industry panels where: l. a. sag - aftra office, 11 a. m. who’s expected: moderators david p. white of sag - aftra and the black list founder franklin leonard, plus panelists david oyelowo, robi reed, charles king and jeremy kleiner why you don’t want to miss it: industry vets will examine the evolution of black male characters throughout film history and how black actors are valued across international markets at this panel discussion presented by variety, sag - afra and the black list .
, where it arrives having made an appearance at critics’ week in cannes. it is perhaps open to charges of gimmickry, but surely no one could deny its fascination. i can’t stop thinking about it. this is a grimly compelling, explicit and violent film which is also a silent movie. it is set in a crumbling state boarding school for deaf adolescents in kiev, ukraine: a new student (grigoriy fesenko) shows up and from his very first day he is inducted into a secret world of teenage gangs and crime .
the point, i think, is that their silence underscores their alienation from us. they are a different tribe: outside the law, below the salt. and their silence has something to do with the criminal code of omerta: you don’t talk. like any group that is isolated and treated as basically inferior, the students here have been left to incubate their own microbes of violence and pain. it is a bleak but simple picture – at times it looks like slaboshpytskiy draws on samuel beckett or peter brook to create a universal language of anxiety. what an intriguing film .
manunuri ng pelikulang pilipino pointed out the gritty portrayal of the tondo district in the film :
[ libiran' s ] tondo reeks of the true effluent of human sewage, pulsing with the din and blare of its noise and confusion, to the howl of animals led to their slaughter in vitas [... ] gangs foster fellowship though the brutality of hazing and the camaraderie of drinking sessions. they celebrate life in and out of season, even as they seem bent on a bloodbath for the killing season. there’s no let - up to life and passion .
[ 11 ]
snub: jacob tremblay, “room” “room” performed surprisingly well — with nominations for best picture, best director (lenny abrahamson) and best actress (brie larson) — but it’s hard to understand how the academy failed to recognize the film’s central performance by astonishing newcomer jacob tremblay. the decision by a24 to campaign him in best supporting actor, although he appears in almost every scene, may have confused voters. if he had been nominated as best actor, he would have been the youngest actor ever to appear in the category — tying jackie cooper (1931’s “skippy”) — at age 9 .
director jim libiran, who won best feature at the third cinemalaya film festival for this debut, participated in scriptwriter
bing
lao' s real time writing workshop, also attended by some crew members of the above - mentioned films .
bing
decrees that indie films should depict
reality
in the philippines (if poverty is pervasive, so be it), in a condensed but virtual time - frame, and make the location or milieu (not the cast) the main character. that' s why these gritty, slum - centric dv films employing grassroots nonpros all look the same - - poverty cannot afford any makeovers .
but all the rows and confrontations are conducted in sign language, and this is what accompanies the fistfights – there are no subtitles, no intertitles, no explanations. and there is no orchestral soundtrack or incidental music. the whole thing happens in eerie quiet, as if on another planet: it is like a nature documentary with the sound turned down. the film unfolds to the continuous accompaniment of shoes squeaking and shuffling on lino floors, in squalid institutional dorm corridors where the doors open outward, like animal cages. there are inchoate non - verbal whispers, or grunts and gasps of anger and pain. i couldn’t help remembering the quotation attributed to nietzsche about dancers being thought insane by those who can’t hear the music .
the film begins with a slideshow narrated by ebet, a ten year old boy who resides in the tondo district of manila. he describes the poverty and crime in the city and explains how children have an opportunity to make a name for themselves in such an environment. after witnessing his mother having sex with a man during the lakbayaw festival, he leaves the house and follows three adolescents: memey and brothers pongke and dennis. dennis expresses his desire to join the thugz angels, a gang centered around freestyle rapping, but is warned by his brother, who is concerned for his safety. while out tagging graffiti later that night, the gang comes across totoy turat, a member of the sacred brown tribe who had been murdered on the street. plainclothes police officers promptly arrive and arrest memey while the rest of the gang flees, believing him to be responsible for the murder .
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world - weary tondo throbs to the beat of hip - hop and freestyle ‘gangsta’ rap and to the scents and sensations of drugs and sex and violence. we witness this crepuscular underworld through the eyes of ten - year - old ebet. we follow him as he ...
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winner of this year' s cinemalaya top award and bound for a solid festival career around the world, jim libiran' s vibrant debut goes back to the manila slums, which have become lately the favourite spot for cinema in the philippines. thispowerful but downbeat portrait of a world ruled by the vicious circle of poverty and crime, focuses on its main victims, the young generation, angrily self - destructing itself out of sheer desperation .
moving to the hip - hop beat which pumps its way through the entire picture and establishes its pace, libiran is less concerned with itscore plot and far more with the climate in which such a story is not only possible but very probable .
gangs of kids in their early teens battle other gangs of similar age, while their harassed parents are impotent to do anything about it, except watch and weep .
tribe is shot with a handheld dv camera and rudimentary lighting, which helps create a lively, spontaneous feeling of action. the intense cast seem entirely oblivious of the camera looking down their throat and go about their business as usual .
it is told through the eyes of ebet, a 10 - year - old from the derelict tondo neighbourhood, a warren of dilapidated lodgings separated by narrow streets inhabited almost as much as the houses themselves .
libiran' s camera chases one character down a filth alley to his home, squirms its way in, spends some time with the family, then comes out again to follow another character that was met on the way, and so on .
the relentless rap beat on the soundtrack never lets off except when it is covered by for the shrill cacophony of people speaking, all of them, at the same time .
the picture wastes no time rubbing the viewers' nose into the tondo slime .
little ebet (karl eigger balingit), whose mother fornicates with a vengeanceevery night with a variety of partners, goes out in the late hours to join what he considers his real family, a gang of teenagers calling itself thugz angels .
he watches them use drugs and indulge freely in sex, witnesses the brutal initiation rites to which novices are submitted and follows them when the body the dead boy is found and one of the angels is unjustlyarrested .
from ebet, the focus of attention moves to makoy (o. g. sancred), the teenage son of a slaughterhouse worker, who may act the dutiful son at home, carry water from the well (for there is no running water in tondo) and calming his parents' fear for his safety, but once outside, he reverts to his role as gang leader and sets out to settle his accounts with a rival gang, the demons, who were most likely responsible for the murder .
libiran and his editor, lawrence s. ang, tie together his restless camerawork into one seamless fluid continuity, sucking the audience into this strange and often senseless vortex where religious passion rubs elbows naturally with blatant promiscuity .
respect for the family goes together with disrespect for human life, where sex, drugs, violence, crime and death are accepted at any age without qualm as inevitable .
the fuzzy quality of dv night shots, of which there are plenty, addsto the atmosphere. and no professional actor could match the authenticity of the performances, most of them by people libiran found in tondo itself .
theaccusing finger is pointed only atthe state of things as they are in tondo, where, to quote ebet' s voice - over narrative' people are bums because they are poor' .
in most cases, he manages to find something affecting in almost of all the characters rushing through the picture and even to introduce here and there, moments of levity .
true, libiran isn' t the first to reveal the terrible face of the manila slums, but that does not detract one bit from his achievement. sadly enough, however, it most probably isn' t going to change the face of the slums, either .
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tribe
ferries us into the stygian slum of tondo through the voice of a child, ebet .
only the tough survive... . here, a child can be a badass ,
he asserts. he gives us a guided tour with a gang initiation rite as bonus. a boy not even in his teens is blindfolded and thwacked with a wooden plank while muttering
i love thugz angels
between clenched teeth. a girl not much older is given the option of consensual beating or nonconsensual sex .
tribe
has been compared with
city of god ,
for want of a transatlantic equivalent. yet while the latter' s superior aesthetic and technical prowess borders on stylistic ostentation ,
tribe' s
threadbare production values offer cinematography of mostly nocturnal shots on a shaky handheld in alternating flashes of monochrome and harsh dayglo colors. while
city of god
has a unified character - driven center ,
tribe
scours its location like a greedy scavenger, giving as much prominence to sweaty sex or a squabble over electric bills as to the slack buildup to the clumsily choreographed turf war .
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libiran presents tondo’s seemingly innate violence in the context of inner - city gangs that raise their industrial pipes and flick their switchblades and go on a tribal - war rampage as easily as they rap or wax poetic about their city, their personal aspirations and frustrations, like the minstrels of more bucolic, less violent times .
libiran thoroughly knows his geography. his tondo reeks of the true effluent of human sewage, pulsing with the din and blare of its noise and confusion, to the howl of animals led to their slaughter in vitas. but amid the racket are also humanity and tenderness, as shown by the warm interaction during family dinners of the gang members .
this is tondo in all its singeing but lyrical heights, in all its ballast and flare. housewives pounce on a meralco inspector, who uses binoculars to read the meters perched on extraordinary heights beyond human tampering, to protest high power rates. gangs foster fellowship though the brutality of hazing and the camaraderie of drinking sessions. they celebrate life in and out of season, even as they seem bent on a bloodbath for the killing season. there’s no let - up to life and passion .
but alas, their passion is inexorably a bloodlust. even when they take part in the pagan revelry that characterizes the feast of the santo nino, a celebration of the child jesus in his infancy and budding promise, the gangs can’t help but be drawn to crucifying one another in the golgotha of the streets, snuffing out one another’s lives with one whack of machetes and ice - picks, one angry eruption of their improvised shotguns. for all of their death wish, one wonders how they could have reached their young adulthood at all. or why they have to reach this far only for them to cut each other to pieces .
libiran seems to imply that even if they’re hell - bent on gory deaths, these gangs have the fire of art and poetry—their rap - verses not only scorching protest songs of the inhumanity of their condition, but also assays at creation that are some sort of a reverse affirmation of life. much like the old vendor of “pagpag, ” leftover fried chicken scavenged from the garbage dump that’s dusted off (“pagpag” literally means to dust off the dirt) for another frying and selling; he recites grand verses to sell his recycled goods—his poetic lines endowing his dumped and dead chicken with new life.
tribu ( english : tribe ) is a 2007 filipino crime drama film directed by jim libiran , released in its home country of the philippines . it stars real life gang members from the film 's setting in tondo , manila . the tagline is : " every night , juvenile tribes prowl the streets of tondo . an explosive hiphop , freestyle gangsta celebration of inner city manila . " most of the actors were residents of tondo , and many were active in street gang activities in the area during the making of the film . fifty-two members of six rival gangs agreed to work together to finish the movie . tribu won several awards , including best actors and best film at the cinemalaya independent film festival , best actor ensemble at the cinemanila international film festival and the gawad urian awards . tribu also won the pari de l'avenir bet of the future award at the festival paris cinéma – the only non-european film to do so . 
tribu (english: tribe) is a 2007 filipino crime drama film directed by jim libiran, released in its home country of the philippines. it stars real life gang members from the film's setting in tondo, manila. the tagline is: " every night, juvenile tribes prowl the streets of tondo. an explosive hiphop, freestyle gangsta celebration of inner city manila. " most of the actors were residents of tondo, and many were active in street gang activities in the area during the making of the film. fifty-two members of six rival gangs agreed to work together to finish the movie. tribu won several awards, including best actors and best film at the cinemalaya independent film festival, best actor ensemble at the cinemanila international film festival and the gawad urian awards. tribu also won the pari de l'avenir bet of the future award at the festival paris cinéma – the only non-european film to do so.
tribu (english: tribe) is a 2007 filipino crime drama film directed by jim libiran, released in its home country of the philippines. it stars real life gang members from the film's setting in tondo, manila. the tagline is: " every night, juvenile tribes prowl the streets of tondo. an explosive hiphop, freestyle gangsta celebration of inner city manila. " most of the actors were residents of tondo, and many were active in street gang activities in the area during the making of the film. fifty-two members of six rival gangs agreed to work together to finish the movie. tribu won several awards, including best actors and best film at the cinemalaya independent film festival, best actor ensemble at the cinemanila international film festival and the gawad urian awards. tribu also won the pari de l'avenir bet of the future award at the festival paris cinéma – the only non-european film to do so.