jazz boat
jazz boat, prague: hours, address, jazz boat reviews: 4. 5 / 5
jazz boat cruise with live jazz music is a perfect way to spend an evening in prague .
also. . acid jazz have a boat trip happening on 16 sept. . link here for tix. .
meet by the boat at gate 2 under the cechuv bridge. the boat' s name is kotva, prague boats .
a jazz band entertains throughout the cruise with a music programme which can vary from traditional jazz, latin, cuban, brazilian and ethno jazz, to swing and blues .
the prague jazz boat is a popular river cruise if you like to relax and enjoy a full jazz entertainment programme, with the option of dining if it suits on the night .
listen to czech jazz musicians on moving jazz stage. professional sound, great atmosphere. three sets of traditional or latin jazz as well as blues and swing nights. popular prague night event .
we don' t have enough data to suggest any movies based on jazz boat. you can help by rating movies you' ve seen .
as indicated by its name, the jazz boat is a boat devoted to jazz in all its forms: traditional jazz, latin, cuban or brazilian influences, ethno jazz or pure swing and blues. the program changes every night but the chosen bands are always excellent and will satisfy even the most demanding jazz aficionados. the jazz boat is an entertainment venue much appreciated by visitors who enjoy its relaxed atmosphere, the quality of the music and the possibility of an unusual dinner in the heart of prague. note that the price of the dinner is not included in the ticket and we recommend that you book your tickets in advance, so as to be able to choose your seats .
jazzboat prague. unique moving jazz stage. dinner + live jazz concert + boatcruise. best value concept. daily 8. 30 pm all year .
lock in a great price for florentina boat - rated 8. 8 by recent guests .
lock in a great price for florentina boat – rated 8. 8 by recent guests !
enjoyed the jazz boat cruise. food was very nice and the alcohol was all reasonably priced. it was lovely just to sail the river and listen to the jazz band. staff were very attentive and obviously have this cruise down to a fine art .
the jazz boat cruise is the perfect way to spend an evening: with great live jazz music and an a la carte dinner menu as your backdrop, you’ll be able to admire picturesque prague sights like the charles bridge and prague castle from the vltava river .
florentina boat accepts these cards and reserves the right to temporarily hold an amount prior to arrival .
always great musicians and a full band – trio, quartet, sometimes even quintet. forget about one keyboard - man show! many popular jazz standards are played with some latin jazz and blues. jazz specialists will not be disappointed with the high quality of the musicians, and even non jazz fans will enjoy the pleasant music and atmosphere .
the location of this boat hotel is just beautiful. i’d never stayed in a boat before so didn’t know what to expect - but this boat is located in such a beautiful place, you will love staying there! the staff are all great too! anything you need they are happy to help !
“the location of this boat hotel is just beautiful. i’d never stayed in a boat before so didn’t know what to expect - but this boat is located in such a beautiful place, you will love staying there! the staff are all great too! anything you need they are happy to help! ”
눇 the location of this boat hotel is just beautiful. i’d never stayed in a boat before so didn’t know what to expect - but this boat is located in such a beautiful place, you will love staying there! the staff are all great too! anything you need they are happy to help !
the jazz boat is the only boat in prague offering an a la carte menu served at your table, with fresh ingredients and great food. the jazz boat restaurant is considered to be the best river catering in prague. there is a full three course menu available for a special price (gourmet three course pork menu czk 390, delicious three course chicken menu czk 350, salmon menu czk 490 or vegetarian menu czk 350), and of course a large selection of wines and cocktails .
discover prague at the pace of jazz with a music cruise on the vltava river ...
“i never experienced any racial barriers in jazz other than from some members of the audience. ”—bill evans
can be enjoyed in the restaurant or on the deck of the florentina boat. a breakfast is served every morning .
the jazz boat is never going to break the water speed record but then again you wouldn' t want it to. it is a very pleasant way to spend an hour with a beer whilst the city gently floats past .
bravo! !! this is one of the best recent essays i’ve read about race and jazz in a long time. eugene successfully touches upon the many complexities regarding race relations and jazz without devolving into “kumbaya” nonsense .
jazz solo excerpts: fly me to the moon. mp3 summertime. mp3 all the things you are. mp3
while, as an african american i have some sympathy for payton’s views, i have the same reservations about his conclusions as i do sandke’s views. payton suggests that black jazz musicians cannot change the status quo of their current stature if they call their music jazz. payton also ignores or diminishes the fact that, as i stated earlier, everyone in the jazz infrastructure acknowledges blacks as the creators of jazz. yes, jazz artists are hampered by market - driven definitions, but that is nothing special to them. every musician regardless of genre complains about this .
best first book award for music makes me: fred astaire and jazz, society for cinema and media studies. 2012
in 2013 he released his debut album compás to critical acclaim, uniquely mixing flamenco with jazz and other world styles .
the jazz boat is pure magic. superbly organised with outstanding professional service. the food is delicious and one if the best meals around - certainly worth every penny with reasonably priced drinks. atmosphere is priceless and the view spectacular. a wonderful lifetime experience !
actually, pi is the lone human survivor. he shares his boat and its dwindling food supplies with a man - eating bengal tiger .
the music policy is strictly rare mod – british r n b and blues, jazz, psyche, freakbeat and pop .
“‘do you want to hear a mammy song? ’: a historiography of show boat” in contemporary theatre review 19 / 1, february 2009 .
neat essay. the reank and file afro - americans were not strong jazz fans. the church - going population did not favor it. from the first it was white audiences that supported jazz, first as audiences and then as record buyers. so naturally jazz evolved in response to the audience. billy holiday was a great artist but her records show her recognition of the marketplace .
yes, it is necessary to reserve this boat cruise in advance as number of places on the boat is limited. we will confirm your reservation within 12 hours. if you cancel this cruise at least 2 hours in advance, we will not charge you any cancellation fees (full refund) .
1936' show boat': a multiracial, musical melodrama, now out on dvd with an unforgettable story and score, the 1927 musical tackled complex racial issues. music critic lloyd schwartz says the 1936 film version of show boat is the best — and it' s now out on dvd .
“cozy and comfortable with a great location. rooms are small - it is a boat, after all - but large enough. good restaurant. ”
music and dinner in prague. jazz, classical, traditional. some great prague event venues. exquisite meal. choice is yours .
for a really jaded (but funny) take on the whole scene check out bill anschell’s essay “careers in jazz” on his website .
‘handful of keys: a century of jazz piano’ jazz at lincoln center opens its fall concert season with this centennial survey of jazz piano, featuring more than a half - dozen practitioners of the art. the oldest pianist on the program, at 89, will be the stride and ragtime authority dick hyman; the youngest, at 13, will be the postbop prodigy joey alexander. helen sung and aaron diehl are among the other accomplished guests, all performing with the jazz at lincoln center orchestra. rose theater. sept. 22 - 24. (chinen )
“sandke’s views are ironic, because many black jazz musicians and writers complain that african americans—who, according to the 2010 census, are 12% of the population—do not frequent jazz venues in sizable numbers. ” for your next fine essay, could you try to explain why that is ?
so no question jazz flowered in new orleans but new orleans was not the same as the racist / fascist communities in the deep south such as birmingham, shreveport, or columbia sc. it was a multicultural mixed racial community. so as you say, jazz has a black core but is a delightful mishmash. i can understand but do not feel that is healthy that jazz has become a racist symbol for many blacks .
more great prizes with signed rifles vinyl and cds from rob bailey plus another pair of modfest vip tickets for modcast / acid jazz curated room .
fortunately, jazz is a cultural sponge – in spite of the cultural elitism (sincere or insincere) and ignorance of some of its practitioners .
unlike our other evening cruises, dinner is not included in the price on the prague jazz boat. instead, choose from a selection of hot and cold meals on the night, which will be served to your table by your waiter. it is not obligatory to eat, you can just order drinks .
allan jones plays debonair leading man gaylord ravenal and irene dunne is the enchanting magnolia in the 1936 film version of show boat, which has just been released on dvd .
european classical music, especially 20th century music and the european immigration to america (jewish / broadway composers especially) gave jazz the harmonic, emotional and melodic vehicles that made it relevant. without it, jazz would have been well on its way to becoming a mundane cliche of blues licks and predictable rhythmic and harmonic structures .
tip: book this cruise through prague experience and receive a premium table by the window, inside the boat, with good views of the sights along the river and of the musicians .
show boat is still first and foremost entertainment, of course; it' s spectacle, with joyous dancing, aching romance and the pathos of love found, lost, and found again .
military jazz quartet accompanying trump' s paris pull - out announcement at wh :
surreal... its like the titanic band ,
1 guy here says urltoken
the team talk to mark maidment – creative director at ben sherman about their collaboration with acid jazz and their pop up vinyl store at 108 commercial street shoreditch london e1 6lz. the acid jazz pop - up vinyl store is open until the second week in november and features a large selection of new and pre - owned mod - friendly vinyl records !
as a white canadian jazz musician, i am acutely conscious of jazz’s origins. i revere the, in your apt words, “history, geography, social conditions, and, most importantly, the will to create something of artistic human value” that gave us tatum, monk, oscar peterson and the many others who informed and inform my musical being .
music makes me: fred astaire and jazz (university of california press, 2011) received the best first book award from the society for cinema and media studies. music makes me locates fred astaire’s film and television career in the histories of popular song and jazz and explores astaire’s dances accompanied by african american musicians in the segregated world of the film musical .
the právnická fakulta tram stop is 150 yards away and the staromeska tube stop is 350 yards from the boat. the charles bridge and the old town square can be reached within a 5 - minute walk .
lying at anchor on the vltava river in the centre of prague, 1 km from the charles bridge and a 10 - minute stroll from the charles square, boat hotel matylda offers free wi - fi .
one problem with exclusionary practices or beliefs based on race is they cause blowback and increase divisiveness. i do not believe said practices or beliefs represent what jazz is all about in any way whatsoever. in fact, jazz is completely the opposite. jazz is about blending different cultural styles. i do not support payton’s bam labeling just as i would not support the idea of changing the name of baseball to “white ball game. ” payton’s attitude that he’s not disenfranchising white’s with his labeling just doesn’t look at this kind of labeling for what it is—which quite simply is an exclusionary practice. it also fails to distinguish jazz from other primarily african american generated musical idioms such as r & b, soul / gospel and hip - hop .
today, the themes of show boat are more painful than shocking for a modern audience. but then history is painful; the actions and attitudes dramatized in this american classic remain part of our national genetic code .
i think, with all due respect, sandke overdramatizes the plight of the white jazz musician. yes, the young lions phenomenon was overwhelmingly black and young, and sandke is partially right about the market - driven motives of record executives who wanted to hype black musicians to an extent, but their actions pale in comparison to how whites have promoted musicians of a paler shade for centuries. in the end, there is a big difference between the jazz intelligentsia’s attempt to right an historical wrong and the willful promotion of a reverse apartheid for white musicians. sandke’s views are ironic, because many black jazz musicians and writers complain that african americans—who, according to the 2010 census, are 12% of the population—do not frequent jazz venues in sizable numbers .
allan jones plays debonair leading man gaylord ravenal and irene dunne is the enchanting magnolia in the 1936 film version of show boat, which has just been released on dvd. courtesy of warner bros. digital distribution hide caption
crowded with a cast of 100 and awash in circus - bright colors, the washington national opera' s show boat revival is a vivid reminder that the classic is first and foremost entertainment — despite its darker themes .
hear and see the delights of prague, all in one evening! listen to quality jazz as you cruise through the center of the city, and tantalize your tastebuds with a delicious meal .
“having once been in the vanguard, jazz has fallen prey to the same racial divisions that have plagued the rest of american society, ” sandke writes. “the overwhelming racialization of jazz has not only denied outside musical influences, stifled creativity, and pitted group against group: it has also overlooked the crucial role that white audiences and presenters have played in disseminating and promoting the music. ”
the právnická fakulta tram stop is 500 feet away and the staromeska tube stop is 950 feet from the boat. the charles bridge and the old town square can be reached within a 5 - minute walk of the property .
lying at anchor on the vltava river in the center of prague, just over half a mile from the charles bridge and a 10 - minute walk from the charles square, boat hotel matylda offers free wi - fi .
todd decker has published four books on commercial popular music in the united states from the 1920s to the present (broadway, hollywood film and television, the recorded music industry, jazz before 1970) .
i believe the wisest and most humble among us are those who conclude that jazz was created out of a co - mingling of various cultural influences during a unique and special time within the maturation of america .
there are enough examples of this in jazz history. paul whiteman was the king of jazz. benny goodman was the king of swing. duke ellington knocked on dave brubeck’s hotel door, to show the white pianist that he made the cover of time magazine in 1954 before he did. (brubeck, for the record, was hurt and embarrassed .) then there was the 1965 pulitzer prize snub of ellington. in the ’70s, president carter presented jazz on the white house lawn, with dizzy gillespie and stan getz as featured artists. president carter asked getz about how bebop was created, with gillespie standing right there .
it was a meaning that was all too apparent to the first audience that saw show boat in 1927. those patrons sat in stunned silence when the final curtain came down; only after a moment or two did they begin to applaud .
slowly but surely, my perceptions about jazz and race began to evolve and change. as my jazz historical studies deepened, i learned that music is a cultural, not a racial phenomenon. black americans at the turn of the 20th century created jazz by combining elements of european classical instruments, harmonies, and song forms with african, afro - caribbean, and american rhythms and melodic structures. as ralph ellison noted, “blood and skin don’t think. ” or to put it a different way: jazz didn’t come into existence because black people were simply black. its creation was the result of history, geography, social conditions, and, most importantly, the will to create something of artistic human value. to believe anything else plummets us into the foul abyss of pseudo - racist demagoguery that still plagues us on so many levels today .
it is possible to order a taxi transport to / from boat departing pier to hotel. we charge czk 300 for a party of 1 - 4 people (one way), and 400 czk for a party of 5 - 8 people .
it was bill evans’s love of, and application of, european classical styles, approaches, and motifs into jazz that was so attractive to my ears, as evidenced by the azure impressionism of “blue in green” on kind of blue, the intoxicating melodicism of “israel” from explorations, the lyrical logic of “peace piece” from portraits in jazz, and the chamber timbre of “time remembered” from the 1966 album bill evans trio with symphony orchestra .
thank you for some thoughtful time in the middle of an ike quebec and little jimmy scott afternoon while searching for swedish jazz. i am getting ready to walk through a different musical door as i move to sweden .
“the place was amazing even i don' t want to leave the top of the boat where you can see the secret of nature, the scene of prague castle and breath a fresh air, really i hope to book this property again. ”
i remember on my jazz undergrad, we had a new york trumpet player / singer visit for a workshop. he was a polished performer to be sure, but he had some pretty… abrasive, shall we say, views on who “should” be playing jazz, or rather who can really pull it off. definitely seemed like he was in with the marsalis crowd. it elicited a certain amount of derision from a number of my lecturers .
' show boat' steams on, eternally american a revival of the hammerstein - kern classic showcases once again the rich tapestry and timeless themes of an american saga that changed the course of musical theater — and confronted audiences with painful truths about our history .
if anything, jazz at the beginning of the 21st century is appropriately black, brown, and beige; with every global musical / cultural ingredient embellishing, extending, and enriching it. this is a good thing. more importantly, youth around the world—white youth included—want to play it, despite the fact that in the united states you barely see jazz on tv, radio stations that play it are shrinking, and print coverage of it is dwindling .
the guide is not included in the price but can be arrange at extra cost. this option is recommended if you wish to make your cruise even more enjoyable, as a tour guide will explain interesting facts about the sights you will see from the boat .
show boat was the first great serious broadway musical. jerome kern and oscar hammerstein ii, who wrote the songs, and florenz ziegfeld jr. , who produced it, departed from typical musical comedy material, with its chorus lines and songs showcasing star performers .
daring as the racial issues in show boat were, its glory has always been its music, and my only major regret about this film — one of the most important movie musicals ever made — is that it doesn' t include more of the score .
crowded with a cast of 100 and awash in circus - bright colors, the washington national opera' s show boat revival is a vivid reminder that the classic is first and foremost entertainment — despite its darker themes. scott suchman / washington national opera hide caption
the plot twists and turns and at one point a chase occurs in a seaside amusement park that includes a knife fight in the
house of ghouls
complete with funhouse mirrors and menacing monsters! songs :
jazz boat ,
someone to love ,
i wanna jive tonight ,
take it easy ,
oui, oui, oui .
anthony newley, anne aubrey, leo mckern, bernie winters, james booth, lionel jeffries, ted heath .
a boy, a boat, a tiger: reflecting on' life of pi' ang lee' s meticulously controlled style makes a perfect fit for life of pi, a passionately overcontrolled adaptation of a wondrous adventure story with a surprisingly harsh sting in its tail .
this subject has become profoundly boring…i’m tired of it. “jazz” came through black people. it is the musical and cultural response of african people to european colonization. that said it came through black people but no longer belongs to black people. it belongs to the world. everyone has contributed to it. forget white people…everyone. just like islam came thru arabs but doesn’t belong to them and hasn’t belonged to them for a millennium. so “jazz” came thru black folks but doesn’t belong to us anymore. btw i agree with payton. i have no emotional or sentimental connection with the word “jazz”. i don’t care about it. musical categories exist for the convenience of promoters and pr people…. not the musicians
the interior of the boat is heated in the winter and air - conditioned in summer. you can choose to dine at the table reserved for you inside or move to another up on the sun deck. this is a river cruise for all seasons and weather conditions .
i think the racial profiling historical arguments get tired pretty fast when one allows oneself to ponder questions such as: could jazz have been developed in africa without any ‘white / western’ musical influences? why didn’t jazz originate first from south africa or other areas where whites and blacks co - mingled? what was special about the mississippi delta co - mingling of various cultural backgrounds which sparked the creation of jazz? even amidst a segregated, oppressive and divisive culture, what glimmer of hope for a free - and - equal society came out of the civil war (and specifically the emancipation declaration) which led to the creation of an art form which clearly blended different cultural styles? i think an honest reckoning of issues behind many of these questions supports the “american cultural phenomenon” argument and frames the analysis from a cultural vs a racial perspective. to me, that seems to be a represent a more accurate historical approach to the narrative on the evolution of jazz .
next, jazz as played by black artists who grew up in the deep south sound differently than those from northern solid middle class backgrounds like miles davis. similarly white musicians from, say, new orleans, sound different than bix beiderbeck .
it' s been more than eight decades since show boat - - the seminal masterpiece of the american musical theater — premiered on a stage in washington, d. c. now the sprawling classic is back, in a lush production put on by the washington national opera .
take in the most beautiful sights in prague on this 2. 5 - hour cruise on the vltava river. listen to quality jazz while drifting through the center of prague, and indulge in authentic czech cuisine with an optional 3 - course meal. you' ll be welcomed onto the boat with a drink as you relax into the party atmosphere. after boarding, the concert begins. there are 3 sets of music performing a variation of jazz styles, with 2 breaks. alongside the music, there is also a sightseeing tour included as you pass through the center of this historical city. this is the most relaxing and unique way to tour prague. please note that due to limited capacity, you may be seated with other participants outside of your party .
so what does my former bill evans problem say about jazz and race today? for one thing, it is firmly and correctly established in music education, and in society in general, that jazz is an african - american art form: blacks have gotten their due as the art form’s primary creators. no credible critic, musician, or music curriculum would state otherwise. at the same time, it is equally true that white musicians have made and continue to make great contributions to jazz. while the role evans and other whites have played should not be exaggerated to move the music’s black known and unknown bards to the back of the bus, giving caucasians appropriate acknowledgment does not threaten the african - american creation of the music .
the jazz boat welcomes guests every evening. it is moored under the cechův bridge, at the end of the very chic avenue pařížská (paris avenue). get on board and enjoy a night cruise while admiring some of prague’s most amazing sights, which display an almost surreal beauty at night time. from charles bridge to prague’s castle via the malá strana district, the national theater and its golden roof or the fortress of vyšehrad... all these sites will reveal their charm in the coziness and peacefulness of an evening .
well, now i know what essay will be a companion piece to payton’s for my senior seminar class in american studies at rowan university! eugene, i’d love for you to get in touch as i’m organizing a series of discussions on jazz and race .
mr. holley jr. should adopt richard waldo ellison’s attitude about race. it has zero to do with art and creative jazz improvisation. it’s the quality of the artist’s message and his technique / experience and the originality of his ideas. period! !
we really loved everything, the location, easy walking distance to everything, very fun being on the river, the breakfast was delicious, staff friendly and accommodating, we enjoyed a beautiful sunset on the top deck of the boat. the beds we' re comfortable. very fun experience .
“we really loved everything, the location, easy walking distance to everything, very fun being on the river, the breakfast was delicious, staff friendly and accommodating, we enjoyed a beautiful sunset on the top deck of the boat. the beds we' re comfortable. very fun experience. ”
눇 we really loved everything, the location, easy walking distance to everything, very fun being on the river, the breakfast was delicious, staff friendly and accommodating, we enjoyed a beautiful sunset on the top deck of the boat. the beds we' re comfortable. very fun experience .
broadway had never seen anything like it when show boat arrived at the ziegfeld theatre in 1927. the score was unforgettable and the story tackled complex racial issues. there have been three movie versions, but the best one — james whale' s 1936 production — has only just been released on dvd .
heavenly’s jeff barrett and broadcaster pete mitchell join eddie and dean for chat about all things northern soul, mod, kinks, rolling stones and caught by the river and more. also. . tickets now on sale for our modcast boat trip on sunday 26 may. . buy tix here. . urltoken
so it was in that hot - house atmosphere of well - meaning—but ultimately immature and xenophobic attitudes about music and race—that my bill evans problem existed. the problem manifested itself in many ways. i would often hide bill evans albums when talking about jazz musicians with fellow black jazz fans for fear of being “outed” as a sellout, given a look of disapproval, or asked, “why are you listening to that white boy? ” the fact that evans was lauded by white critics because he was white and his classical pedigree didn’t help .
brad mehldau earlier this month, mr. mehldau, the standard - bearing modern jazz pianist, released “nearness, ” an album that ratified his longtime bond with the saxophonist joshua redman. for the first of his two concerts in jazz at lincoln center’s main hall, mr. mehldau re - enlists mr. redman for a similar menu of introspective duos; the second night will be solo piano, the format in which mr. mehldau’s gift finds its most extravagant outlet. sept. 30 - oct. 1. rose theater. (chinen )
phish concise songwriting takes precedence on phish’s “big boat, ” which is the band’s 13th studio album and happens to include 13 songs. like phish’s 2014 album, “fuego, ” it was produced by bob ezrin, who brought theatrical breadth to pink floyd and lou reed. jemp records. oct. 7. (pareles )
based on edna ferber' s epic best - selling novel, show boat was nothing like the frothy musicals and scantily clad broadway revues of its time. sure, the story is about a traveling showboat that plays to audiences along the mississippi river, but the plot focuses on serious subjects: racial injustice, alcoholism, abandonment .
sarah vaughan celebration one of the finest jazz singers in history was a native of newark, a fact that motivates two days of programming at the new jersey performing arts center there. a marquee concert on nov. 19 will feature the christian mcbride trio in support of several star - caliber vocalists: sheila jordan, dianne reeves and lisa fischer. then the fifth sarah vaughan international jazz vocal competition will take place on nov. 20, with performances by an array of young hopefuls and a judges’ panel that includes ms. jordan and mr. mcbride. urltoken. (chinen )
boat departing point is next to čechův bridge (10 minute walk from old town square). the pier is right next to intercontinental hotel. the closes underground station is staromestska station on line a. the closest tram station is pravnicka fakulta station (tram no. 17). detailed information will be provided in the confirmation email .
brooklyn raga massive tribute to john coltrane on john coltrane’s birthday, the ensemble brooklyn raga massive, directed by the percussionist sameer gupta and including the harpist brandee younger, will interpret his music at littlefield through a hybrid aesthetic of jazz and indian music. sept. 23. urltoken. (ratliff )
yo eugene, tough stand you took, and well done. i just think that jazz today is black, brown, beige…and white. and really has been all along, given the influence of european song forms and harmonies. clearly, the african - american gift of field hollers, the blues, and gospel gave jazz its unique sound, but that sound was often employed on top of songs created by european immigrants; gershwin’s “i got rhythm” is just one example. and let’s not forget that louis armstrong was influenced by the music he heard while living in a jewish household and that frankie trumbauer was lester young’s primary model. so to call jazz solely an african - american creation misses the mark, but it is obviously primarily so. i mean, almost all my heroes are blacks, and i’m white. again, well done; took some guts to say it, and glad you did .
dee dee bridgewater the capacity to dazzle is something that dee dee bridgewater, more than any other jazz singer of our time, has fashioned into a work ethic. she’ll touch on a century of song in the season opener for singers over manhattan, the jazz at lincoln center concert series. on sept. 23, her purview runs roughly from the 1920s to the ’50s, and she’ll be joined by the young vocal dynamos brianna thomas and vuyo sotashe. on sept. 24, she’ll pick up at midcentury, with help from the vocalists theo bleckmann and alicia olatuja. appel room. sept. 23 - 24. (chinen )
that’s silly. musicians use generic labels all the time to help them navigate, understand and play different musics. labels have been useful to musicians long before jazz. willful ignorance of them is as foolish as ignoring the accent of the person you’re speaking to and any useful information that may convey. it’s no different than the conceit of “i don’t see race”. it’s hollow posturing no one believes. “it’s not jazz, it’s _ _ _ _ ” is utter nonsense. the hubris needed to relabel a hundred year old musical genre is extraordinary. i’ll bet a guy like that is a pretty good musician but surely a lousy linguist and myopic cultural commentator .
rosa passos don’t sleep on this one; ms. passos, from brazil, who tends to sing from the tradition of samba and bossa nova, is low - key but one of the greatest singers alive. she’ll play two nights at jazz at lincoln center’s appel room. urltoken. dec. 9 - 10. (ratliff )
the incandescent torch singer helen morgan, who made very few films and died of cirrhosis of the liver at the age of 41, re - creates her original role of julie laverne, the show boat' s tragic mixed - race leading lady. we hear her tremulous soprano in two of show boat' s greatest hits :
can' t help lovin' dat man
and
bill ,
the one song in the show originally written not by hammerstein but by p. g. wodehouse, for a different show. i love the musical opening, an ironic quotation from beethoven' s leonore overture no. 3, a phrase that depicts a noble hero. but in the song ,
bill
is just
an ordinary man .
“it was a great spot right in the middle of prague, with a splendid view upon the hrad / castle by night and by day. if you love to stay near the water, it is a perfect accommodation, possibly better on the side of the boat with a view upon the river. breakfast was lavish, personnel smart, rooms tidy. a great location! ”
u. k. film. documents the sights and sounds of saturday night in a jazz club in wood green, north london. what you' ll see: pompadours, pints of ale, tight sweaters, lindy and jive dancing. priceless footage of 1950s uk teenagers and twenty - something' s socializing and having a good time .
eugene, couple of other thoughts. how about jazz as an african - american synthesis, following the buddhist idea of dependent - arising, how all things are made up of a variety of parts, all dependent on the others for the appearance of the whole? creation is such a strong word; at least it is to me .
are the boats heated or air - conditioned? all river cruises are done on comfortable, well - maintained boats that are air - conditioned in summer and well heated in winter. you can also choose where to sit depending on the weather (in the winter you might prefer sit on deck and in the winter inside the boat) so taking a cruise is nice regardless of the weather .
jazz 100: the music of dizzy, ella, mongo & monk the title of the concert — presented by jazz at lincoln center, which rarely lets a good centennial go to waste — tells you much of what you need to know. but this tribute to the trumpeter dizzy gillespie, the singer ella fitzgerald, the percussionist mongo santamaría and the pianist thelonious monk is also notable for the present - day personnel. besides the pianist danilo pérez, serving as musical director, it includes the saxophonist chris potter; the trumpeter avishai cohen; the trombonist wycliffe gordon; and the singer ledisi. rose theater, frederick p. rose hall, urltoken. oct. 14 - 15. (chinen )
andy bell and gem archer. . both band members of oasis and beady eye joined eddie and dean for a chat on the first ever soho radio pre - recorded show. . future shows will be going out live as well streaming on our sound cloud and downloadable from itunes as usual. . a copy of smiler’s book is up for grabs too. . see you on the the boat party on sunday !
the thing i’d like to add from a musician’s perspective is that while many jazz musicians (both black and white) feel that they are being discriminated against based on race, it’s a pretty small percent of the b. s. that we all endure as creative artists. it certainly happens, but is more likely a “marketing” decision based on money and numbers .
there are no u. s. laws against interracial marriage anymore; they were struck down in 1967 by the supreme court' s decision in loving vs. virginia. but as show boat plays at the kennedy center this month, the court — just a couple of miles away — is considering questions of same - sex marriage, affirmative action and voting rights, while congress focuses on how we as a nation treat immigrants .
show boat: performing race in an american musical (oxford university press, 2013) was recognized as an honorable mention for the woody guthrie award for outstanding book on popular music by the international association for the study of popular music–us. the book uses extensive archival research to consider how performers—both black and white—shaped this landmark work in its original 1927 broadway version and in subsequent versions produced in new york, london, and hollywood. ​
the creation of jazz exemplifies the melting pot that is america. it was born out of cultural phenomenon where americans of african descent took the music of the day (marches, fox - trots, songs, etc) and started ragging them up and adding a unique flavor that could have only been achieved via a blend of various cultures at that place and time in history .
shop girls and teddy boys. an awkward fancy - pants couple arrives via chauffeured limo to dig on the jumpin' jivin' festivities. an uptight
toff
won' t dance with his girl. the chris barber jazz band fires on all cylinders and drives the crowd into a jivn' frenzy. a twisting, shaking, bouncing twirling, flailing, joyous good time .
it’s interesting to consider the effect that media (tv in particular) would have on this issue. i often wonder how the great jazz artists of the golden age would have been perceived if there was a visual outlet such as ‘mtv’ etc. would it have changed the perception of the miles’ quintet in the 50’s – where everybody can now see a white musician in the band ?
who should sing “ol’ man river”? : the lives of an american song (oxford university press, 2015) traces the performance history of this very well - known song across eight decades and a wide array of genres—jazz to rock, opera to gospel, doo wop to reggae—with an ear to how the history of race relations in the us has played out in the realm of popular music .
nice accommodation in the heart of prague, just a few walking minutes from charles bridge and the rest of the centre. the boat is nice and clean, with the upper deck available to enjoy sun and fresh air. the rooms are obviously quite small but well organized, with all the necessary amenities and comforts. the breakfast included is a great value, as it is rich and pretty good. staff is helpful and kind. absolutely recommended !
“nice accommodation in the heart of prague, just a few walking minutes from charles bridge and the rest of the centre. the boat is nice and clean, with the upper deck available to enjoy sun and fresh air. the rooms are obviously quite small but well organized, with all the necessary amenities and comforts. the breakfast included is a great value, as it is rich and pretty good. staff is helpful and kind. absolutely recommended! ”
눇 nice accommodation in the heart of prague, just a few walking minutes from charles bridge and the rest of the centre. the boat is nice and clean, with the upper deck available to enjoy sun and fresh air. the rooms are obviously quite small but well organized, with all the necessary amenities and comforts. the breakfast included is a great value, as it is rich and pretty good. staff is helpful and kind. absolutely recommended !
show boat made musical - theater history, pioneering the merging of music and plot, integrating them for the first time to provide a seamless transition from scene to song. lyricist oscar hammerstein ii, just 31 years old, worked closely with composer jerome kern to replicate ferber' s sweeping narrative. in a 1958 interview released on vinyl by mgm records, he explained how he used the mississippi itself as the thread that would hold all the plot elements together .
well written, sir. bill evans is one of my favorite jazz pianists, and, as a white guy, sometimes when i’m talking with my black friends, i won’t include him in my list of favorites, if we’re talking influences. i usually lead with bud powell, follow up with oscar peterson, and then top it off with keith jarrett. truthfully, these are my biggest influences. besides bill .
i hope you got from the essay, that i do indeed come down on the side of ralph waldo ellison on matters of race and art. my delving into racial matters regarding jazz and culture, was to deal with them to move beyond them. that’s why i choose bill evans – a masterful musician who still holds me in awe nearly four decades after first hearing him – to be the avatar for this piece .
wolfgang muthspiel the austrian jazz guitarist wolfgang muthspiel has won many prominent admirers with his lyrical and painterly style. on “rising grace, ” he mobilizes some of them into an all - star band. the album features the trumpeter ambrose akinmusire and the pianist brad mehldau, along with the sterling rhythm team from mr. muthspiel’s previous release: larry grenadier on bass and brian blade on drums. ecm. oct. 28. (chinen )
back at the hospital, eddie, emery, and evan are back from their dad - sanctioned trip to the vending machine, and louis has to face his parenting fears head on. it turns out that his kids don’t think he’s a bad dad. they don’t need the jazz hands and the jokes, either. at the end of the day, he’s just their dad, and they’re psyched to have him around at all .
hi all! i' m planning on going to prague this april as part of a group of six and was considering this as an option for our last night. is it still worth doing if you book a spot on the upper deck? is it a good middle ground for getting a great view of your surroundings and being able to appreciate the jazz playing down below? or is the lower deck the better option all round? thanks! frank
jonathan finlayson and sicilian defense mr. finlayson is a trumpeter who has been the imperturbable sidekick in a few of the most consequential bands in the current jazz avant - garde. with “moving still, ” he furthers his case as a composer - bandleader, exploring the possibilities of a subtle, weblike counterpoint with the pianist matt mitchell, the guitarist miles okazaki, the bassist john hébert and the drummer craig weinrib. pi recordings. oct. 14. (chinen )
robert glasper experiment after winning two grammy awards with a starry array of guest vocalists, this new - groove jazz unit, led by the pianist robert glasper, has doubled down on its purpose as a band. “artscience” mainly consists of pop - leaning new originals, with auto - tuned vocal contributions by all its members: mr. glasper, the saxophonist casey benjamin, the drummer mark colenburg and the bassist derrick hodge. blue note. sept. 16. (chinen )
kris davis the jazz pianist kris davis has a gift for spontaneous rapport. she puts it front and center on “duopoly, ” an album of duets with partners including the guitarists bill frisell and julian lage, the saxophonist tim berne, the clarinetist don byron, and the pianist craig taborn — with whom she’ll promote the album with a cross - country, two - piano tour that reaches roulette in brooklyn on oct. 2. pyroclastic. sept. 30. (chinen )
in the first film version of show boat, partially silent, the whole issue of race was dropped. but in the next movie version, released in 1936, director whale, whose previous films include frankenstein, the invisible man and the bride of frankenstein, restored the prickly racial issues. as the stevedore joe, paul robeson — long before he was blacklisted for his pro - soviet politics — sings the show' s most memorable anthem: about how the mighty mississippi river, that unstoppable force of nature, is completely indifferent to human suffering.
jazz boat is a 1960 british musical comedy film directed by ken hughes and starring anthony newley , anne aubrey , lionel jeffries and big band leader ted heath and his orchestra . 
jazz boat is a 1960 british musical comedy film directed by ken hughes and starring anthony newley, anne aubrey, lionel jeffries and big band leader ted heath and his orchestra.
jazz boat is a 1960 british musical comedy film directed by ken hughes and starring anthony newley, anne aubrey, lionel jeffries and big band leader ted heath and his orchestra.