etho oru swapnam
etho oru swapnam is a malayalam drama starring jayan, jagathy sreekumar and sheela, directed by sreekumaran thampi. kausalya goes through a divorced after her love marriage fails. she is bent on protecting shobha, her daughter, from falling in love. watch the full movie, etho oru swapnam, online, only on hotstar .
v. v. swami from the movie etho oru swapnam is undoubtedly one of the best performances ever delivered by jayan. he has handled the role of a godly man in the movie with much ease. the movie is an adaptation of the popular novel bhikshamdehi written by k surendran. etho oru swapnam is directed by sreekumaran thampi .
etho oru swapnam is based on the popular novel of the celebrated writer k. surendran. . titled
bhiksham dehi
the movie received high critical acclaim. famous poet kamala das, alias madhavikutty alias kamala surayya wrote a review on etho oru swapnam in the illustrated weekly of india. he assessed sreekumaran thampi as the
most sofisticated filmmaker of kerala, like on: urltoken
however, it was the 1976 film
panchami
, which gave a break for him, following which he became part of hit films
thacholi ambu
( 1978) ,
etho oru swapnam
and
sharapancharam
( 1979) .
dear pradeep, i would ask you to get hold of his early movies and watch them, and the ones that slipped out through the cracks to the background – he was an entirely different actor with a strong screenplay to support him. etho oru swapnam even now surprises me. as far as his ‘legacy’ is concerned, yes, i really have my doubts on how he would be perceived, say 4 generations down the line. . thanks and regards. . cinematters
sanju … you can watch the tamil movie garjanai in youtube. this was the tamil version of garjanam. you can see the dance of rajini for the song —oru ooril oru maha rani. but unfortunately dance performed by jayan for– thampuratee– is not available it was his best dance perfomance. old movies ippozhum sookshikunna tamil people abhinandanam arhikkunnu .
was musing more on what would have happened to jayan’s careee if he was still alive. if he didnt reinvent himself - his career would have become something like that of the present career of baby anthony. there is one more coincidence. jayan became a noteworthy actor after his role of swamiji in etho oru swapnam. before that he was a regular villian. likewise, babu anthony was considered only as a villian prior to vaishali. he became noteworthy as an actor only after this movie. both jayan and babu anthony’s potential have never been used to the fullest by malayalam cinema
dear sanju … the song ‘ –thampurattee– i had heard it only from akashavani during the year 1981. after it i never heard it. that was a good ilayaraja song. i dont know from where we can get this song…. . it may be available in akashavani. but there is another song oru theril oru malar rani with the same music. this song was composed for rajini kanth in garjanam after the death of jayan sir .
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dear m. d. prakash, in addition to snehikkaan samayamilla 1978, puthiya velicham 1979, anupallavi 1979, oru raagam pala thaalam 1979, venalil oru mazha 1979, nayattu 1980, deepam 1980, & kolilakkam 1981 which were remade from hindi films, shakti and meen were the other two jayan films. but not exactly like the above films. i, v, sasi once in an interview said meen was remade from an amitabh bhachan - sanjeev kumar 1978 film trishul (the story of son’s revenge against his father). trishul is made in delhi with construction businees story while meen is made in kollam kerala with fisheries business story. similarly shakthi the vijayanand movie have the shades of muqaddar ka sikandar the climax of both the films are same .
he is a song writer, screenplay writer, film producer, director and musician, but says he is more of a lyricist than a filmmaker. his songs include
chandrikayilaliyunna chandrakaantham
,
hridayasarasile pranayapushpame
and
swonthamenna padathinendhartham
. his films chandrakantham, gaanam, mohiniyattam, maalika paniyunnavar, jeevitham oru gaanam and ambalavilakku became artistic successes. his successful box office films include naayattu, aakramanam and idi muzhakkam .
malayalam actor jayan died at the age of 41 in an accident on the sets of
kolilakkam
in 1980 .
16 november, 2015 marks the 35th death anniversary of the late malayalam superstar jayan aka krishnan nair, who died in an accident on the sets of the movie
kolilakkam
in 1980 .
jayan, who became a cultural icon of malayalam cinema during the 1970s, was known for his macho image and adventurous stunt sequences in films .
before becoming a superstar, jayan was a master chief petty officer in the indian navy and it was his first cousin and actress, jayabharathi, who introduced him to the industry. he was given the stage name jayan by actor jose prakash on the sets of
shapamoksham
, which is said to be his second film .
his anti - hero role in
sharapancharam
made him the superstar of the industry; the film broke all the collection records of the time, becoming the highest grosser of 1979 .
some of his other notable films include
nayattu
,
love in singapore
,
chandrahasam
,
kannappanunni
,
palattu kunjikkannan
,
mamangam
and
prabhu
.
jayan was also considered as a fashion icon of those days for his dressing style in elvis bell - bottoms .
jayan died during the shooting of the climax scene of
kolilakkam
in sholavaram, chennai. the mishap occurred when he was performing a dangerous stunt sequence with co - star balan k. nair .
for the scene, he boarded a flying helicopter from a moving motorbike. even though the film' s director vijayanand had accepted the shot in the first take itself, jayan insisted on a second shot to get it perfect. however, during the re - take, the helicopter lost its balance and crashed while jayan was hanging on to the landing skids of the vehicle .
malayalam full movie | ariyappedatha rahasyam [ hd ] | ft. prem nazir, jayan, jayabharathi
top 75 songs of salil chowdhury | k. j. yesudas, s. janaki, p. leela | one stop jukebox | malayalam
malayalam superhit movie | nellu [ hd ] | full movie | ft. prem nazir, jayabharathi
karinizhal | malayalam classic full movie | ft; sathyan | premnazir | sheela | k. p. ummer | bhasi others
song: kulirodu kuliredi... . from film: poonthenaruvi (1974) - original
song: vayal varambil... from film: kalpavriksham (1978) - original
khalid - otw (official video) ft. 6lack, ty dolla $ ign
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except
poomanam
all the other songs were first composed in bengali. of course the malayalam versions have different arrangements and they stand out on their own. the hindi version of
poomanam
is kishore and lata' s wonderful version
o mere saathi re
in
aakhiri badlaa
. the arrangement of the hindi version is just incredible .
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song: mukham manassinte kannaadi... from film: sarasayya (1971) - original
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the music was composed by salil chowdhary and lyrics was written by sreekumaran thampi .
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there might have been many superstars in malayalam before and after jayan, but the reality is, no one could occupy the golden throne left by jayan, even in the dream. he is a phenomenal actor who brought the trend of machismo into the malayalam film industry. he literally ruled the malayalam film industry in late 1970s and attained a real life superhero image through his astonishing stunt skills and unique dialogues, which received thunderous response at theatres. it is no surprise that, his films sharapancharam and angadi were become the highest grossers in the years 1979 and 1980 respectively. here we are presenting the list of five jayan movies you should not miss .
angadi is a movie in which, jayan stirred the audience with his firebrand dialogues. the most famous monologue from this movie, “maybe we are poor, coolies, trolley pullers, but we are not beggars! ”, is still powerful to make audience applause. the songs in the movie including “kannum kannum” and “paavada venam
were chartbusters .
chandrasekharan from the movie sharapancharam is one of the most memorable characters of jayan. the movie helps him a lot to achieve the position of the superstar in the malayalam film industry. sharapancharam broke all the collection records of the time and became an industry hit. the movie is written and directed by master director hariharan .
achaaram ammini osharam omana is light - hearted movie directed by popular actor adoor bhasi. the performance of jayan in this movie along with prem nazir was cool. even though the movie is not a super hit at the box office, it was a good movie filled with funny dialogues and one - liners .
kolilakkam, the last movie acted by the actor. as we all know, jayan was killed in a fatal helicopter accident that happened during the shooting of the climax portion of the movie kolilakkam. as the name of the movie suggests that news creates a shockwave in kerala. kolilakkam directed by p. n. sundaram was a super hit at the kerala box office .
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that is less than a decade of celluloid portrayals that jayan has left as his legacy in malayalam cinema. he was lucky to be have been around in the cusp of the transition era, where malayalam cinema graduated from the the finality of its black & white realms into an explosive world of color. not that it made much of a difference to the roles that he got on celluloid, but what saddens me is the fact that no one seemed to have tapped the actor in him, save for its flashes in a handful of films .
, a feat that can never be equaled by anyone, ever. in his most prolific years of activity, 1977 – 1980, the way i see it, the majority of the movies were made to get a piece of that ‘action - cake’ that so guaranteed success at the box - office, and as a result, resembled more of clones of the same movie, rather than unique stories. but, i think, his sheer level of screen presence, badassery made up for all of it to ensure reasonable returns for its producers .
, was a economically viable brand in malayalam cinema, till the time he was around. producers and directors were in a mad scramble to get a piece of the pie, and even looked across the borders, borrowed scripts and had it spiced and spruced up, so that jayan could flaunt his pectorals with calf - boots, a lee enfield, a horse and sheer testosterone .
i have always thought about (i’m sure many of you have too) how it would have been, had that fateful day at sholavaram not happened. how would have been the natural progression of an actor and an action dynamo of the malayalam screen, our very own answer to chuck norris and john wayne combined. how would he have progressed, makes up for some interesting evening musings 🙂 i think he would he fared brilliantly in his career curve, opting more towards the exploring the likes of the softer roles that came his way between the whirlwind hormone - capers that he found himself caught in, aging gracefully on screen through the years. lesser known sidekicks and lower rung actors of his time have evolved to show us some of the brilliant abilities and facets of their repertoire we wouldn’t have ever even imagined in those times .
the following compilation is an attempt to put together the ones that clearly stand out for its fond moments, quirkiness and surprising level of emotive / action quotient. maybe these would not the ‘obvious ones’ you would come across his usual ‘blockbuster lists’, but these are memorable in my own personal sort of way. hey, i can, can’t i? 🙂
in the same genre. he would go on to play the lead role (yes, for me it is !) in
in 1980. this was, according to me, the movie that catapulted jayan onto the big league, a force to reckon. though he played the side - kick and rode shotgun (with a grimace, sneer and abundant cockiness) alongside
held his own. though his total screen time hardly clocked more than half an hour, it was enough to let the general public made aware of the enormous potential and onscreen charisma that this fairly new actor had around him like an invincible cloak. though
( which i do love), somehow, this ‘debut’ is the one amongst all of his vadakkan paattukal – based movies i love the most .
i truly believe every jayan fanboy ought to watch this movie. from his early years (before the teeth - gnashing and lee enfield came into his onscreen life), this brings out a delightful. refreshing and often surprising onscreen persona of
, the actor. displaying a level of happy - go - lucky brashness (i don’t know any other way to put it). out of the three films
‘s production wing). jayan was sudhakaran, a rare specimen in the tribe of medical representatives, who is chronically optimistic with everything in life, including the woman of his dreams. his instances of flirting with his ‘police woman lady love’ (
as ammini) has to be seen to be believed :). as i said, there is an enduring freshness about the character that he plays on screen, something that went from stale to insipid in the onslaught of action movies that came rushing in. not that i hated them (the genre had its gems), but i wish there were a reasonable number that represented this too .
, i consider this one amongst his top 5 roles of his career. true, he was a little ‘raw around the edges’, so to speak, and the prosthetics left too much to be desired, but the
from the novel. it was a unique characterisation – here was someone, still in the prime of youth, glowing with vitality and raw charisma, yet in the spartan attire of a yogi, who is trying to stick to his new - found direction in life with all the courage he can summon from his reservoir of youth inside, which in itself was a delicious irony. we find the yogi vacillating between his material caring and his dispassionate assessment of life as it happens to the ones who are close to him, by belief, rather than design, and yet the inevitable happens. of course, there was also the brilliant compositions of
to enrich the narrative, each a melodious cookie that you could sink your teeth into, and a favorite in itself. it was also interesting to watch
play the reel life couple, estranged and bickering, trying to have the swamiji help them find a way out. one of
. jayan, sheela, rifle, horse, promiscuity and its nemesis. end of story. 🙂
‘s rakjashekharan, the stable hand who turns into the lord of the manor left you bristling, but admit it, you were bowled over by the sheer audacity and brash adventurism of this ‘virile upstart’ 🙂 i love his transformation in the first half hour of the movie, and his unapologetic demeanor to anyone who doesn’t seem to accept his ways of life. i think the ‘seduction scene with a poor horse as an involuntary participant’ has to be the only one of its kind in world cinema. director
. the similarities are just there, but threadbare, to me. this was as potent as the country toddy you sat and downed with an endless supply of prawn masala that set you ‘basement on fire. ’ this was full - blooded, powerhouse promiscuity on overdrive. and what a ride it was. 🙂
) whom venu gets acquainted with, in one of his midnight robberies. he stumbles upon her, ailing, bedridden and sinking, in a mansion he breaks into, and takes care of her, and in a peculiar turn of events, ends up taking her and offering her refuge in his bachelor quarters. lily, desperate to leave the crime - ridden life, wants venu to leave it all and walk away. but venu is planning for that final one, the biggest heist of his career, the one that would never even make him want to do another ‘job’, but things take an interesting turn with the new ‘arrival’ at his house. do i really care whether it was a remake of paaji’s
( 1966)? no, sir, i don’t. this was also one where i absolutely loved the
if you still haven’t, check this out. dive straight into 1: 01
. babu was a watershed in the history of action - packed malayalam films. i still know most of the movies dialogues by heart, and am sure there would many who would nod their head in delighted agreement .
‘s babu was the educated, ‘worker on the street’, relying on physical labor at the market place to sustain, along with a host of others, yet managed to reflect an uncommon affability and integrity in that maddening environment. speaking of dialogues, his ” we may be poor. . ” has now attained cult infamy, thanks to the video sharing sites, but i think most got it wrong. please do not expect a person from that level speak to you with a stiff upper - lip, and for that matter, why should an accent bother you in the first place? even the englishman speaks his language with an accent. and i think ,
duo’s multi - starrer format that they would successfully employ to churn out blockbusters in the coming years. the format hit pure gold the first time around! another aspect of this movie that stays with me was this was one of those that reiterated the undeniable popularity and commercial viability of
as a prime ingredient in mainstream films in the 80’s. iv sasi had two songs decided for the movie from its songlist. one went to
, with the evergreen paavaada venam. i think he was just recognising the latter’s unmistakable presence in malayalam films of his time. haven’t watched angaadi yet? begone! 🙂
i absolutely, absolutely, absolutely love this movie. set around the palm - toddy tappers’ community, it was about jayan as muthan, a toddy - tapper, kamalam (
as saheb aka saippu) who has fallen hook, line and sinker for muthan’s body. there is a unique amount of honesty in naivety that jayan brings to his character, and the flirting between kamalam and muthan in the early part of the movie are a chuckle - worthy spectacle. the man has a libido taller than the tallest palm tree in the locality and has no compunctions in letting it out, so to speak. but rather than revulsion, his demeanor only makes you smile with the charming naivete that accompanies along with it. the repartees and the exchanges between him and
( his mentor are a delight to watch. the movie progresses along predictive lines but
, is an absolute treat in this one. the dialogues at times border perilously close to corny, but he rescues each of them with his undeniable, mischievous charisma .
they don’t make movies like this anymore: d. the 80’s answer to the cid genre and amongst all the gangsta movies that jose prakash presided over, this is my favorite. i also see this as the best representation of all those movie - clones that had jayan running around with a bike, a horse, a rifle and pure badassery. please don’t get me wrong. i haven’t forgotten
holds a special place for me amongst them all. there was nothing you didn’t know about the movie as you sat down to watch it. and that was the whole beauty of it. 🙂 our original mccoy (
) looked too portly and clumsy from his early cid days, and i sometimes wonder how it had been if it had been jayan who played the cid officer. but that is just not possible, isn’t it? it would have killed all the fun. as the muscle - for - hire, suresh, in singapore’s underworld (tee hee) who just about appears in the nick of time to save the cid officer’s skin, and a storyline so bizarre and corny that almost had you reaching for a cold beer, this was sheer, manic fun. i would go ahead and say this has to be the worthy successor and answer the 80’s could give to the 70’s madcap cid genre .
i guess the photograph says it all. in a way it somehow even defines the entire onscreen career of the greatest action man that malayalam film industry has ever witnessed. his strength lay in his capability to thrill you, and that’s what he did, within the budget allocations and amongst his portly peers. he was all that we wanted others to be when adventure called onscreen and made good where others left us sadly disappointed and sore. and he also left without a warning. in a blaze of glory, i would add. kolilalakkam was exactly what it promised. a shockwave. the finality was so profound .
am yet to find a copy of either of those in the public domain. it is possible that garjanam could be safe amongst the private collectors / archivists and on “panchpandavar”, narayan’s update on the status of the movie from his brilliant “ canned stories – the unfinished and unreleased films from malayalam cinema ” gives hope :
“moving to the 80’s – the major movie – which still remains in the cans is pancha pandavar – the last movie of the legendary jayan. ambily, a jayan fan from trivandrum has made it his mission to see that this movie finally get released. my prayers are with him. panchapandavar is the story of 5 friends portrayed by jayan, raghavan, poojappura ravi and two others who reach bombay in search of a job. they come into contact with a beautiful nurse (played by saumini) and the movie is about the hullabaloo followed by a pentagular love story. ”
i dont think the jayan version of garjanam is with anyone. regarding panchapandavar - the expert is ambili (who can be reached at 9847934146). his mission in life is to get this film and also the newsreel of jayan’s funeral – which had been shown along with kolilakkam (if my memory is correct) at the time of its release
really, it is a loss, if we don’t get this video…. it was a superb dance performance by jayan…we feel the irreparable loss when we see the scenes in garjanam… he was a multifaceted talented actor… a pain goes in heart…. .
dear sanju… searching that song of garjanam in youtube is sheer waste of time. . there will be plenty of rare tamil - hindi songs available in youtube. . but never malayalam. . the gramophone record of that song (sung by jayachandran) hasnt got released. so how can you get its audio? this song was available in video cassette format of that film. try your luck in that area .
a great irreplaceable superstar of malayalam films. of course, people spoke much about his physique but in my point of view, his smile that is his great attribute .
when jayan died, his funeral procession was shown in the beginning along with his film moorkhan. but later it was not seen. is it available with anybody ?
a bit of trivia. in the famous scene in angadi ravi menon says i dont know what these beggars are doing 1. 41 in the sequence. however when jayan talks he refers to the term as buggers. . wonder how or why it happened this way .
comments? ?? ? nothing…a few tears only…. great legend lives…………………………. nobody to replace jayan…
hello respected members, we some people of jayan fans arranging a memmorial ceremony on jayan’s 33rd death anniversary in peroorkada junction thiruvananthapuram on november 2013. on this occation we help the poor cancer patients who are under the treatment in rcc trivandrum. and also we are going to register ‘ anaswara nadan jayan samskarika samithi’ as a charitable society. hope your blessings .
hi - viju - could you give the exact date and time - shall try to be there for the function. and please also invite ambily the biggest jayan fan i know from trivandrum
i salute the professional in jayan, his dedication to the craft and his penchant for perfection … sadly it cost him his life and a promising actor for malayalam cinema. neverthless, he will be remembered for a long time to come .
yessunil, it was a loss in november…a great loss to the cine world…. he would have made his niche in indian cinema. . but his dedication cost him so dear. who can forget an actor of his calibre? i really replace the actors and place jayan in many international films…it would different if jayan acted in those flims…. . he was blessed with a lot of talents…a macho man with good voice, dancing skill, and acting that got polished after every film…
he truly would be. i personally feel he was the first “youth icon” of malayalam cinema, will ever connotation that comes with it and left in a blaze of glory. precisely the reason, why i think jayan endures across timelines. thanks, cinematters
who can forget jayan sitting on a piano chair and singing january raavil. . from the movie anjali. . although he is the main villain of that film. . it was easily one of the (i’d say the best) performance of jayan in a song sequence… i still remeber the smile… the expression on his face while singing that song. . i always find time to watch that song at least once in a day
dear mr gopalakrishnan, can you please give me the song “january ravil ” from the film anjali released in 1977. or if possible please broadcast it in this site .
if any actor come close to jayan in indian cinema in phisical strature or size, or fights and dance it is chiranjeeve in 90’s afterwards. any way he is not good looking like jayan. but one this sure, if some body watched jayan 2 dance and 2 stunt scene in garjanam knows that what he had in stock. any way jayan was still young in many of us. and by the way he is the only exportable actor ever we had in malayalam cinema so far. \ 9i mean he is capable to give a hit in tamil / teleughu / kannada / hindi his own if he had more time with us .
hai, i had seen garjanam, but at that time (1981) i was only 6 years. but in my dull memory i can remember one stunt scene and a dance scene - thamburatti nin kottarathil - performed by the greatest superstar jayan. i think garjanam was a flop because no one can even imagine rajinikanth in the place of jayan .
he was (still. .) an international level star…tried to see the dance scene in garjanam once more. . but …. . nobody can replace the legend jayan…. a loss forever in malayalam cinema…jayan lives
he truly was, and will always remain that ramanath. thanks for writing in, regards, cinematters
irumbazikal, nayattu, kolilakkam, deepam, manushyamrugam, angadi, meen were excellent movies of jayan .
padayani was produced by sukumaran…under the banner of” indraraj” creations. . names after indrajith and you know who. .
one of jayan’s best performances was in the remake of thappu thalangal, starring rajini. it was a tough act to follow, as rajini himself had surprised everyone with his searing portrayal of a reformed hooligan in love with a prostitute .
i’d also rate his only tamil film appearance in mahendran’s poottatha poottukkal among his best. here was a mallu superstar playing an impotent man in a tamil arthouse film. now that required guts .
it’s wonderful that he’s rememebered for lines like daridravaside idi…. kollamalloda…but sad that people forget everything else he did .
hello cram! what a wonderful surprise, this is 🙂 your youtube channel has always been a source of delight and sheer nostalgia. ti think i have ‘borrowed’ quite a few from your channel here at omc. glad that you could relate to jayan’s life and times. i thought hard at the time of writing whether to mention in detail about poottaatha poottukal, but then again thought of keeping it for a separate post. glad that your insights are here. 🙂 and the remake of thappu thaalangal is news to me. i haven’t watched thappu thaalangal, and now that you have said it, have already deputed someone to hunt it down in chennai. what was it named in malayalam? have i missed it? thanks so much again. . regards. . cinematters
hey. . that jayan acted in a tamil movie is news to me…and could you tell us more about the rajni movie remake. a coupel of days back i saw an article in vellinakshtram about an effort of a jayan devotee to find out the print of the movie jayan was working on (along with kolilakkam). the effort ended in a failure. i think the working title of the movie was pancha pandavar. only gave a casual glance to the said article. will try to read the same again, and give further details with details of the jayan devotee ,
hi kannan, thank you for that. also saw the images from my post being shared as an album on the jayan love you all facebook account. i presume it is common courtesy to atleast credit the source of your content before you display it in your account. i have seen content from this blog shamelessly passed off as others’ own, including images lifted off the web and again repopulated with their site watermark. this very same blog post that you have lifted off the images also have two images that i have taken from the urltoken with due credit and courtesy accorded, and i don’t think i have lost anything in the process. the least you could do, and i presume you are in charge of that website which has not been updated since the time it went live, replete with spelling mistakes and disjointed grammar. have send in a friend request to the facebook account so that i could access “all the details”. regards. . cinematters
c. v. hariharan directed “garjanam” and already two stunts and two songs scences of jayan were shooted and after one week jayan was died. then this movies was completed by rajanikanth the tamil superstar. the two stunts and songs were reshooted again. the co - cast were ravikumar, balan. k. nair. madhavi, geetha etc…. this film was realeased in 1981 and was a hit movie. in all theatre wherever this movie was played, jayan’s two songs and stunts were shown as an introduction. the tamil remake of this movie is named as “garjanai” is available online .
dear reji, thank you for that wonderful piece of trivia. am sure movie fans would have rushed in just to watch the intro reels you mentioned than the actual movie 🙂 will need to look out for a copy of this now. my list is growing far too long…thanks. . cinematters
dear narayan, jayan has acted in a tamil movie”poottatha poottukal” released in 1980. the movie is available in youtube. please watch .
the dance scene in garjanam was super and b’ful. but it seems those reels are missing now. . it is a loss. . if. anyone can get it from archives or any reliable source it would be great……
the remake of thappu thaalangal in malayalam was named ‘ kazhukan’. the actress was subha. apart from jayan, the film also featured sukumaran .
is this the same cramsingapore from youtube? ? i an your fan. . sibi
will require a leap of faith for me to appreciate jayan as an actor. from whatever little i have seen (and i confess to have seen very little), it’s difficult for me to imagine as an actor who will be remembered even after years (not the caricatured version). maybe over a period of time, if he would have acted in movies that we cannot forget, he could have staked a claim but otherwise, for me, he’s just an actor who sparked briefly as an action icon who may have not sustained his popularity over a larger period of time, unless he managed to re - invent himself .
what if jayan were alive…. ?? ?? i dont think he would have lasted as an action hero. rememeber what happened to ravikumar and and sathar. they sort of fizzled out. (so too did lover boys ragahavan, jose sudheer, ravi menon, rajkumar, shahnavas, rajkumar, shankar, ratheesh et al). he might have had to reinvent himself as (cochin haneef and janardhanan did and more recently what bheeman raghu is doing). malayaleess welecomed only the original jayan. jayan cronies and jayan wannabes were given the clean goby. ajayan - jayan’s real life brother and bheeman raghu (who blindly follws the jayan trail in rajavembala) all couldnt make a mark. i think if jayan were alive today he might have graduated to those sort of roles which soman and sukumaran took in the later stages of their career .
hi narayanji, i too do not for a moment believe that he would have lasted as an action hero. and its not that he couldn’t act. its just that his significant faculties were more ore less drowned out in the ‘loudness’ that was being expected of him. his early films have some great examples of what was possible with him with a great screenplay and an able director. agree with you on the ‘organic evolution’ that he would have gladly embraced. and it would have been a reality too. as far as kolilakkam ii is concerned, i can only smile bemusedly at the stupidity of the moneybags who nodded to the project :). . regards. . cinematters
kolilakkam - 11? ? we still cherish the jayan moments in each and every frame…. . jayan is jayan…. it is impossible to imagine somebody lives up to that caliber……the great loss! ! let it be a loss for ever… !
japan would have lasted till late 80’s as a star with all plum projects going to him. mohanlal would have risen still but not mamooty. imagine thusharam, athirathram etc with jayan in the lead. rajavinthe magan with him as vincent gomez and lal as the villain 😍 .
he’s not someone i’ve grown up watching 🙂 but i have watched his movies sitting along with my grandmother in my childhood. a very talented actor he was indeed in that small time that he spent in malayalam cinema .
nice blog. . was just browsing through at indiblogger randomly, and came across it. will come by again some time when free. thank you 🙂
hi leo, thank you for writing in. isn’t watching his movies in your childhood, in your wonder years, essentially the same? 🙂 hope to see more of you in these parts. . thanks. . cinematters
dear sibi, absolutely agree. and there is something else that has always intrigued me. how would two generations from now see jayan? what would he represent to them of malayalam cinema? the current generations alive are the ones who knew him by virtue of belonging to the same or being around along with him, growing up on his movies. to my nephew, jayan, “our action man” always brings a puzzling smile. he has been weaned on the best in action cuts there is, from around the world – jackie chan, jet li are some of his ‘standards. ” when i put on the kolilakkam dvd and start waxing eloquently, he asks with puzzlement writ all over. ” this was action to you? ” i look for a place to hide. thanks. . cinematters
i dint know these were remade from other language movies. . well but who cares. . jayan was in it. . i saw all my jayan movies from kazhakootam mahadeva, krishna (now new krishnadts, earlier krishna olappura), and vetturoad sreekala. the only one i went to town to watch was chandrahasam in newtheaters. angadi was the biggest hit .
i am too young to have seen or appreciated jayan movies in the theatre. i noticed his movies only during my school days when jayan impersonations were quite a rage… and of course his dialogue “may be we are poor, coolies, trolley pullers…. ” classic! 🙂
dear vinjk, it sure was. what most seem to forget is the fact that, he was faithfully expressing in those words, what any fairly educated trolley - puller / daily wages laborer would, in english. thats all there is to it. . imho. . regards. . cinematters
woosh! you brought back great memories! angadi, i still remember the ceetees in the theatre following jayan’s dialogue in angadi. sarapanjaram (i was too young to comprehend the whole movie, but watched it nevertheless), puthiya velicham — the list goes on .
hi anu, the seetees never stopped 🙂 about the list, i was looking out for movies remade from other languages, exclusively for jayan 🙂 thanks. . cinematters
the movie nayattu is a remake of amitabh bachchan’s janjeer. so is puthiya velicham – a remake of phool aur pathar acted by dharmendra .
hi prakash, thank you for writing in. i believe i have mentioned these in my list in the post. . regards. . cinematters
is kolilakkam a remake of waqt - barring the story of brothers lost in childhood - finding each other as adults there is no similarity b / w these two movies. the tale of lost brothers has been the subject of yaadon ki baarat, amar akbar anthony (john jaffer janardhan in malayalam) and another movie with mammootty, mohanlal and devan in the lead - forgot the name of the movie. .
agree with you on that, on hindsight. the lost - and - found theme has been done to death (my favorite has been kamal’s vengeful spoof on this – michael madan kamarajan – he is reportedly said that after this, no one should ever think of reusing this theme again in indian cinema 😀 what a screwball ride it was !). i watched waqt again last night and yes, other than the premise there ain’t much to compare it with waqt. mammootty, mohanla and devan? hmmmm. . need to check. . cinematters
did a check on the movie starring devan, mammootty and mohanlal. the movie is padayani a direct remake of yaadon ki baarat. actor indrajith played the yong mohanlal in the said movie .
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@ jeswin _ jj can' t seem to recall offhand. let me ask around too. will get back to you. thank you @ jeswin _ jj 9 months ago
the times, are a - changing! and, delightfully how. # malayalamcinema # malayalamfilmindustry urltoken 9 months ago
heartwrenching! if true, quite a legacy v leave fr our future cinephiles. @ sloganmurugan @ nfaiofficial # indiancinema urltoken 10 months ago
@ vishnu _ somebody just saw dis @ vishnu _ somebody bn out o d a circuit f r a while. thank u for them kind words. :) tht… urltoken 10 months ago
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thampi was introduced to the malayalam film industry in 1966 by p. subramaniam as a lyricist in the film kaattumallika. he has produced 22 films, directed 29, and written scripts for 78 films in malayalam besides writing thousands of songs. he is also the author of the well - known literary work prem nazir enna prema ganam. his film kanakkum kavitayum won the national award while his films gaanam and mohiniyattam won state awards. [ 2 ]
thampi is widely known as
hrudaya ragangaluday kavi
( poet of love songs), as the majority of his songs invoke romantic moods. he is known for his obstinate and uncompromising attitude to his work and strives to make his songs blend with the scene .
thampi has written four novels (kakkathampuraatti, kuttanad, kadalum karalum and njanoru kadha parayam) and collections of poems engineerayuday veena, neelathaamara, en makan karayumpol, sheershakamillatha kavithakal, achante chumbanam and ammakkoru tharaattu). his collection of selected songs, titled hridaya sarassu, had three editions in two years .
thampi was born in haripad, alappuzha district, on 16 march 1940 to kalarikkal krishna pillai (from thonnackad near mavelikara) and karimpalayathu bhavaniamma thangachi (related to haripattu koikkal, the royal house). [ 3 ] he completed his schooling from haripad government school. he is a civil engineer by education graduated from govt. engineering college, thrissur. [ 4 ]
his siblings are the renowned novelist late p. vasudevan thampi [ 5 ] who wrote novels like sreekrishnaparinthu (which became a hit malayalam film), advocate p. gopalakrishnan thampi, the former director general of prosecutions (kerala), thulasi gopinath and prasannavadanan thampi, former vice president of oracle financial systems software ltd. [ 6 ] thampi is married to raji; they have a son (rajkumaran) and a daughter (kavitha). his wife and daughter have also dabbled in the arts. [ 7 ] his son, rajkumaran (also known as raj aditya) was an erstwhile associate of priyadarshan and later directed some movies in the telugu film industry, until his death in secundarabad in march 2009. [ 8 ]
etho oru swapnam is a 1978 indian malayalam film , directed and produced by sreekumaran thampi . the film stars jayan , sheela , jagathy sreekumar and sreelatha namboothiri in lead roles . the film had musical score by salil chowdhary . 
etho oru swapnam is a 1978 indian malayalam film, directed and produced by sreekumaran thampi. the film stars jayan, sheela, jagathy sreekumar and sreelatha namboothiri in lead roles. the film had musical score by salil chowdhary.
etho oru swapnam is a 1978 indian malayalam film, directed and produced by sreekumaran thampi. the film stars jayan, sheela, jagathy sreekumar and sreelatha namboothiri in lead roles. the film had musical score by salil chowdhary.