sakkarang
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q. we are privileged to see you within the film fraternity again. what was your inspiration to direct sakkarang
produced by hd premasiri, ‘sakkarang’ is scripted by chamminda welegedera, assistant direction is by sugatha amarajeewa bandara and madhavi lewke bandara .
produced by hd premasiri, ‘sakkarang’ is scripted by chaminda welegedera, assistant direction is by sugatha amarajeewa bandara and madhavi lewke bandara .
sakkarang (සක්කාරං) is about a community of traditional dancers who lived in the hinterland of colonial ceylon (sri lanka) .
q. camera movements of sakkarang are different to ahas gawwa, bambaru awith, soldadu unnahae or mathu yam dawasa directed by you .
q. you made sathuro in 1970 and ahas gawwa followed suit. your ‘left bank’ ideology is seen in all these films and sakkarang is no exception .
returning to filmmaking after a quite a silence, pioneer filmmaker dr. dharmasena pathiraja’s ‘sakkarang’ (a drizzle during a time of drought) will be screened this year .
q. you casted vijeya kumaratunga in most of your films. also you were looking forward to cast gamini fonseka in a film. had they lived today would you have cast them in sakkarang
donald karunarathna handled the cinematography while lal harindranatha did the art direction and imal chanaka the makeup. edited by almo halide, music composition and direction is nadeeka guruge. ‘sakkarang’ will be released in theatres soon .
veteran filmmaker dr. dharmasena pathiraja’s latest film ‘sakkarang’ (a drizzle during a time of drought) which was screened at an international film festival is now being screened at regal colombo and other cinemas around the country .
sakkarang is about a community of traditional dancers who lived in the hinterland of colonial ceylon (sri lanka). their bonded duty is to perform in the annual festival of the temple of the... see full summary »
the cast includes bimal jayakody, prasadini atapattu, gayan wickramathilake, chamila peiris, cyril wickramage, w. jayasiri, sarath kothalawala and pubudu chathuranga. produced by hd premasiri, ‘sakkarang’ is scripted by chamminda welegedera, assistant direction is by sugatha amarajeewa bandara and madhavi lewke bandara .
sakkarang is about a community of traditional dancers who lived in the hinterland of colonial ceylon (sri lanka). their bonded duty is to perform in the annual festival of the temple of the tooth relic. set between two rebellions against colonial rule and in romantic and lyrical tones ,
pathi took vijeya kumaratunga to the helm of his acting career via his films. he introduces the resourceful actress prasadini athapaththu through sakkarang. the film is produced by h d premasiri of nugegoda sarasavi publishers and sarasavi cineru fame, a gentleman who is dedicated to nurture a first - rate cinema .
veteran filmmaker dr. dharmasena pathiraja’s latest film ‘sakkarang’ (a drizzle during a time of drought) which was screened at an international film festival is now being screened at regal colombo and other cinemas around the country. the film which explained the tortuous transformation from feudalism to modernity, was screened at the asia cinema competition of [... ]
pioneer filmmaker dr. dharmasena pathiraja’s latest film ‘sakkarang’ (a drizzle during a time of drought) recently screened at the asia cinema competition of the 7th bengaluru international film festival (biffes). the film explained as the tortuous transformation from feudalism to modernity, was one of the 166 films from 48 countries that were presented. according to the [... ]
sakkarang movie main actors: bimal jayakodi, sarath kothalawala, gayan wickramathillaka, pubudu chaturanga, w. jayasiri, siril wickramage, lakshman mendis main actresses: prasadini athapattu, nita fernando, chamila pieris director: dharmasena pathiraja producer: h. d. premasiri like us on facebook: urltoken circle us on google: urltoken follow us on pinterest: urltoken subscribe us on youtube: urltoken
ahas gawwa, paara digae, eya dan loku lamayek and bambaru awith stand tall as monuments in the cinematic career of dr pathiraja. joe abeywickrama’s character in bambaru awith is monumental. pathi is back with his latest cinematic creation sakkarang after a long hibernation as a filmmaker. screenplay by chamminda welagedera on his own book has provided ample room for pathi to unleash his cinematic power once again. discrimination to browbeaten people in the society and a woman’s chastity being challenged is discussed in cinematic language .
pioneer filmmaker dr. dharmasena pathiraja’s latest film ‘sakkarang’ (a drizzle during a time of drought) recently screened at the asia cinema competition of the 7th bengaluru international film festival (biffes). the film explained as the tortuous transformation from feudalism to modernity, was one of the 166 films from 48 countries that were presented. according to the festival organizers a collection of films that have won awards at major international festivals such as berlin cannes, moscow, venice and toronto will be screened this year .
sakkarang is about a community of traditional dancers who lived in the hinterland of colonial ceylon (sri lanka). their bonded duty is to perform in the annual festival of the temple of the tooth relic. set between two rebellions against colonial rule and in romantic and lyrical tones, the narrative revolves around the story of sube and rathi, the chief dancer and his enterprising wife. their story charts the struggle of this marginal and oppressed caste community for its roots, heritage, for what is rightfully its and for a place in the world, even as the country goes through the tortuous transformation from feudalism to modernity .
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the film which explained the tortuous transformation from feudalism to modernity, was screened at the asia cinema competition of the 7 the bengaluru international film festival (biffes) .
the narrative revolves around the story of sube and rathi, the chief dancer and his enterprising wife. their story charts the struggle of this marginal and oppressed caste community for its roots, heritage, for what is rightfully its and for a place in the world, even as the country goes through the tortuous transformation from feudalism to modernity .
the cast includes bimal jayakody, prasadini atapattu, gayan wickramathilake, chamila peiris, cyril wickramage, w. jayasiri, sarath kothalawala and pubudu chathuranga
donald karunarathna handled the cinematography while lal harindranatha did the art direction and imal chanaka the makeup. edited by almo halide, music composition and direction are by nadeeka guruge .
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a young man fights for his lost bike with courage. honest gangster with his foolish brother who destroyed everything. this is a remake of tamil movie polladhavan aka. ruthless man (2007 )
a group of sad slum residents, living on the limits of society under immense pressure, find an invitation to a handball tournament in bavaria .
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the new year 2016 would be a blessed year for movie fans and those interested in cinema. a number of internationally acclaimed and awarded films are already in line to be screened in various circuits while some much awaited popular films are also added to the list. ‘28’ among those internationally awarded are prasanna jayakody’s [... ]
the new year 2016 would be a blessed year for movie fans and those interested in cinema .
a number of internationally acclaimed and awarded films are already in line to be screened in various circuits while some much awaited popular films are also added to the list. ‘28’ among those internationally awarded are prasanna jayakody’s ‘28’, a movie starring semini iddamalgoda, sarath kothalawela, rukmal nirosh and mahendra perera .
the film won the netpac award (network for the promotion of asian cinema) at the 43rd rotterdam international film festival making it the best asian film in 2014 .
written and directed by prasanna, the film is presented in a form of a road movie and narrates how three men transport the body of a woman (in a vehicle numbered 28 - sri), who had been raped and murdered, in an old van. one of the men will find out that the woman is his estranged wife .
malith hagoda’s debut feature film ‘the strangely familiar’ (dekala purudu kenek) which was selected for the prestigious 58th bfi london film festival organized by the british film institute is another film to be screened during this year .
starring samadahi laksiri and bimal jayakody, the film was in competition at the 8th asia pacific screen awards, at brisbane in australia .
the film also was in competition for the golden zenith at the renowned montreal world film festival in the first films competition in montreal, canada. written by nalin wickramage ‘dekala purudu kenek’ is produced by lal hegoda, rasanga dissanayake, mohamed adamaly and nadira adamaly .
“premaya nam”, the directorial debut of two brothers kalpana and vindana ariyawansa, which was screened and in competition at a number of foreign film festivals will be screened in sri lanka soon .
“premaya nam” participated in the beijing international film festival, shanghai international film festival, 46th international film festival of india in goa, 20th international film festival of kerala and delhi international film festival last year .
it was also screened at the jaffna international cinema festival and international film festival of colombo .
made based on a true story, brothers kalpana andvindana ariyawansa wrote and directed “premaya nam” and stars shyam fernando, samanalee fonseka, suranga ranawaka and dr. sathis wijemanna in the main cast .
it is being produced by kalpana ariyawansa, prem dissanayake, athula mahawalage and sujeewa wijesinghe .
‘motor bicycle’ debut direction of sameera rangana which won the main awards at last year’s saarc film festival in colombo will also be released during 2016 .
produced by suranga jayasuriya and starring dasun pathirana, samanalee fonseka, veena jayakody, mahendra perera and kumara thirimadura, the film won the best film and the best direction awards .
the film was screened at the asia cinema competition of the 7 the bengaluru international film festival (biffes) .
it explained as the tortuous transformation from feudalism to modernity, was one of the 166 films from 48 countries that were presented .
‘sawara’ (seven notes), a movie which discusses the hiv infected in sri lanka and their pathetic and traumatic journey is also in the line for 2016 .
starring sachini ayendra mahipala, anusha rajapakse, damitha abeyrathne, w. jayasiri, diluni mallawaarchi, danu innasitamby and nita fernando, the film was selected to represent sri lanka at a special section of the jaipur international film festival in 2013 and was nominated for the green rose award for a film with a global message at the 5th jaipur international film festival .
screen play written by yolande weerasinghe, the direction of ‘swara’ is by sanjaya nirmal and the film is co - produced by manohan nanayakkara, chairman of asia digital entertainment and nita fernando herself .
prof. sunil ariyaratne’s latest film ‘paththini’ starring uddika premaratne, aruni rajapaksa and pooja umashanker will also be released in 2016. it is a film produced by milina sumathipala for sumathi films .
based on a love affair between kannagi and kovalan or goddess paththini, the film also stars minu udani, sanath gunatillake, ravindra randeniya, lucky dias, nita fernando, ama wijesekara, daya alwis, wijeratne warakagoda, chitra warakagoda, ramani siriwardena, wasantha vittachchi, anura bandara rajaguru and madura ramasinghe .
another directorial debut of young filmmaker chathra weeraman ‘aloko udapadi’ - light arose which is a depiction on an important chapter of sri lanka’s history will also be released this year .
produced by thusitha wijayasena, the film which revolves around the story of the recording of the buddha’s dispensation, in written form, after long centuries of oral tradition in a turbulent historical backdrop, has completed its production and is ready for release .
the film screenplay written by saman weeraman is about the leading sri lankan buddhist monks, who recorded the sacred word of the supreme buddha in writing, while the land was aflame with war and famine, in the days of the sri lankan king walagamba, 2100 years ago .
a musical movie ‘adaraneeya kathawak’ (a melody of love) directed by priyantha colambage is a much awaited popular genre move that would be screened this year .
starring aruni rajapaksa, bimal jayakody, udari warnakulasuriya and hemal ranasinghe, the film is produced by chaminda gamage and priyantha colambage for c2 creations .
screenplay written by uwani chamika and priyantha colambage, camera for ‘adareenaya kathawak’ is by ruwan costa, make up by nalin prematillake, art direction manjula ayagama and music direction is by udara samaraweera .
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bimal jayakodi couldn' t identify sujani menaka - hiru gossip (www. hirugossip. lk )
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dr dharmasena pathiraja was branded as a left bank (wam ivura) filmmaker in the 70s decade. his cinema mainly revolved around urban middle - class youth who challenge a prevailing capitalist socio - political system .
a clan of then youthful actors comprising vijeya kumaratunga, wimal kumar de costa, daya tennakoon, w jayasiri, amarasiri kalansooriya and malini fonseka in pathi’s films portrayed staggeringly, distressed youth who are deprived of many privileges let alone sex .
a. prasanna vithanage has suggested h d premasiri to entrust the project with me. when premasiri approached me, i read the book by chamminda welagedera and was fascinated by it .
the story revolves around ‘rajakari’ system prevailed in the colonial era in this country. it has many ingredients that are in harmony with my political ideology. thus it stimulated the passion in me to indulge in another film direction .
i told chamminda to write a screenplay on his story. we had two to three drafts written and i was happy with the final outcome .
producer premasiri is very different. he was too good. he gave me fullest freedom to select my cast, handle finances and direct the film. he is a person who respects one’s professionalism .
q. prasidini athapaththu portrays the role of rathi exceptionally well in the film. how did you find her
a. i wanted to cast in the lead role of rathi, a romantic and sexy looking female who also possesses traditional intellectual looks .
we came to know about prasadini athapaththu while interviews were progressing and we screen tested her. kelaniya university has bestowed her with intellectual looks and she proved well for the character. in chamminda’s novel, rathi is a very romantic yet somewhat tamed character .
a. i wanted to project this cinema as a historical social drama. thus the veteran donald karunaratne handled the camera to blend with the flow of the story being told .
rhythm was set according the narrative. from the very first shot we maintained this rhythm of camera .
if you noticed the end scene, the gunman with the gun in his hand walks towards an unknown destination while the pererahera is on its procession .
1918 rebellion was unsuccessful. but our struggle for freedom evolved with time and we won the freedom struggle in 1948. the perahera continues to be held. rest is food for thought .
a. some call my films ahas gawwa, paara digae and mathuyam dawasa a trilogy. a filmmaker does not necessarily have to stick to one particular genre to position him .
what is important is to use the most appropriate rhythm to make a particular cinema. the political ideology or vision is a deep thought which is part and parcel with the creation as a whole. when you enjoy the cinema these values are automatically inculcated within you .
q. your cinema discusses politics in its deepest sense and never is political slogans. how was this filmmaker nurtured within you over the decades
a. at the time we started making films, critiques used to categorize filmmakers to their whims and fancies. that’s how i was branded as a left - bank (wam ivura) filmmaker. yet my political ideology too was socialist oriented .
i was a leftist from my schooling days. when i was studying for my university entrance at dharmaraja college, i used to listen to speeches of dr n m perera, dr colvin r de silva and bernad soyza with much interest. while in the university my batch mates used to call me a trotskyite .
however i studied english and sinhala literature and western classical drama thus associated closely with highly respected intellectuals as prof sarachchandra and prof siri gunasinghe .
a. actually i wanted to take forward the trend created by them and produce more realistic cinema that give wisdom to people .
their cinema did not showcase socialist realism but had a kind of penetration into deep issues in the society and reality .
my cinema was similar to this genre. indian filmmaker ritwic ghatak too was engaged in making similar cinema .
a. sex is grossly misinterpreted in this country. we should be aware that sexuality is part of reality and an essential part of life .
so - called moralists would say sex should take place within closed doors and should not be discussed openly. it is a mere psychosis .
you read child abuse, rape and extra marital affairs in paper. why not see them in cinema
it is a reductive attitude to say local filmmakers include sex in their films to get recognition in the international sphere .
if someone says that he is insulting filmmakers. we have a problem with critiques. most of them do not have proper background or education to indulge in film criticism .
a. i do not believe in censorship. the word censorship is not used in many countries and they do not have censor boards. there could be a kind of clarifying or rating system for films. we had the fifth circuit sometime back .
a. technology took its toll and brought us to a digital era. now there is no turning back. we can make digital films up to 4k level here and also cut down on costs. but our theatres are not digitalized to facilitate this and that is a crisis .
the government should interfere and do this. however for restoration purposes movies can be kept on tape .
now there is a trend to shoot in negatives and convert via digital intermediate to release the film digitally .
that way we can restore the film in negative and preserve it. restoration power is with the tape .
a. i don’t think there were characters for either of them in the film .
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their bonded duty is to perform in the annual festival of the temple of the tooth relic. set between two rebellions against colonial rule and in romantic and lyrical tones, the narrative revolves around the story of sube and rathi, the chief dancer and his enterprising wife. their story charts the struggle of this marginal and oppressed caste community for its roots, heritage, for what is rightfully its and for a place in the world, even as the country goes through the tortuous transformation from feudalism to modernity .
ehelapola wijayasundara wickremasinghe chandrasekara amarakoon wasala ranamuka mudiyanse known as ehelapola nilame was a courtier of the kingdom of kandy. he was the 1st adigar (maha adikaram) from 1811 to 1814 under the reign king sri vikrama rajasinha. following the brutal execution of his entire family by the king, he aided the british in launching an invasion of the kandy kingdom and was instrumental in the kandyan convention that followed which led to the annexed the kandy kingdom to the british empire .
a great sinhala movie
drama
, of a father (m ...
- duvvada jagannadham movie is a romantic action entertainer written and directed by harish shankar and produced by dil raju under sri venkateswara creations banner while devi sri prasad scored music for this movie stylish star allu arjun playing the title role .
duvvada jagannadha sastry alias dj is a traditionally raised brahmin guy from vijayawada who runs a catering business. he doesn’t hold back from taking things into his hands for the greater good, thanks to ethics instilled in him by his grandfather. now, dj, with help from a unassertive cop (murali sharma), is hot on the heels of royyala naidu, the backbone of an ‘agro diamond’ scam, and is set to meet him through a series of twists in tale .
the visuals are well - shot and pooja hegde looks stunning. the character of rao ramesh as royyala naidu is definitely the highlight of the first half. the first half comes across as a wholesome commercial pot boiler that makes you want to sit for the rest of the film .
for the foot tapping music and a thumping background score, musician devi sri prasad deserves applause. songs, might on the other hand disappoint the fans for their picturisation and also for not having their favorite actor doing some twerks to the music. it is only in the song' seetimar' does the actor gives you away some kickass dance moves. the action sequences are quite well done. on the whole, duvvada jagannadham will entertain not just die - hard fans, but also the average moviegoer for serving up a heady mix of comedy, action and drama .
duvvada jagannadham has received good ratings from the audiences. from the morning itself, fans of allu arjun thronged rtc cross roads where most of the movie theaters are located in hyderabad. allu arjun' s brother allu shisish and mega star chiranjeevi' s daughter srija also came to watch the movie .
the film seems to be unique from starting to the end with many twists. the first half is total entertainment with fun sequences of allu arjun and pooja hegde. the love tracks are also nice. allu arjun has presented good looks and good dancing moves. the songs are well - placed. thus, he has mesmerized the audience .
the twists hold viewers' attention. the first part is extremely good and excites the viewer to watch the second part as well. the movie' s climax is the major part of the film in which allu arjun chases the villain. it is all awesome .
dj aka duvvada jagannadham has an interesting story that is about a police officer, who disguises himself as a brahmin cook to investigate a case. the first half of the movie is entertaining and some songs, comedy and romance engage you. last 20 minutes before the interval are just brilliant. the second half is also good with intense action, say the audiences .
# duvvadajagannadham is without question india' s official entry to oscars. note my word. you can cry later. amazing movie .
@ hegdepooja # duvvadajagannadham movie is the turning point for u & u r acting in the movie peaks. . u r looking so glamorous in the movie
first half completed # duvvadajagannadham racho rachasya rachobya... # alluarjun as usual ga kummesadu... waiting4 2nd half. . ❤💪👍
# duvvadajagannadham morning shows have an occupancy of about 60 - 70% in south terriric @ alluarjun craze is just insane. . earth shattering
# duvvadajagannadham is pretty average stuff. there are no wow elements or bad elements in the movie. safe game for summer! !
# duvvadajagannadham is combination of action & comdey 👍 1st of was good & 2half was avg 👏 rating 3. 5 / 5 😎 hit... urltoken
blockbuster sir cinema, bhuktayasam vachindi. . asala climax thought ki 🙏🙏 dj👌 @ harish2you
# duvvadajagannadham # aa action konchem over anipinchindhi, apart from that 1st half is gud. . mechuko mechuko song boring. . waitng for 2nd half
unlike the twitter talk. . 2nd half of dj was much much better imo # duvvadajagannadham @ harish2you
pre climax fight, dances, comedy, allu arjun, rao ramesh extraordinary assaalu... don' t miss the movie # duvvadajagannadham
# duvvadajagannadham is avg at best. @ alluarjun you are better than this. please don' t waste your time .
# dj / # duvvadajagannadham is an average fare. . liked it till last 30 minutes but the climax & penultimate sequences have spoiled the impact
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sakkarang is a 2016 sri lankan historical film drama directed by daramasena pathiraja and produced by h. d. premasiri for cine sarasavi . it stars bimal jayakody and prasidini athapaththu in lead roles , accompanied by pubudu chathuranga and nita fernando . music composed of nadeeka guruge . 
sakkarang is a 2016 sri lankan historical film drama directed by daramasena pathiraja and produced by h. d. premasiri for cine sarasavi. it stars bimal jayakody and prasidini athapaththu in lead roles, accompanied by pubudu chathuranga and nita fernando. music composed of nadeeka guruge.
sakkarang is a 2016 sri lankan historical film drama directed by daramasena pathiraja and produced by h. d. premasiri for cine sarasavi. it stars bimal jayakody and prasidini athapaththu in lead roles, accompanied by pubudu chathuranga and nita fernando. music composed of nadeeka guruge.