a real vermeer
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a real vermeer is a film that will definitely please because of its story, even though the filmography and sound aren’t always very conventional. the acting is pretty decent, making this a very interesting film to watch. only loosely based on a true story, you shouldn’t expect too much of a history lesson, but nonetheless, you’ll not be bored watching this one .
a real vermeer was realized with support from the netherlands film fund, netherlands film production incentive, and a contribution from the film fund’s suppletion, the belgian tax shelter, film fund luxembourg, abraham tuschinski fund, creative europa media, eurimages, rinkel film, fu works and cadenza films .
first of all, the
lost vermeer
painting in susan vreeland' s novel girl in hyacinth blue is not a copy of an extant painting by vermeer. it is an imagined work by vermeer, created in the mind and heart the author. thus, it is a painting with its own persona and not a copy. and herein lay both the challenge and stimulus for me as a professional painter and above all as a long time devotee of vermeer' s art. my
job ,
if making such a painting can be called a job, was to bring to life the vermeer which is at the heart of the novel .
young and talented han van meegeren is a rebel in the early 1920’s amsterdam art - scene. because he paints in the style of his idols rembrandt and vermeer, critics find his work old - fashioned and they call him a copycat. just to prove a point, he produces a fake vermeer and tries to pass it off as a real one. it works. instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. soon he is caught in a web of lies and deceit, and his life spins out of control. then, one day, high ranking nazi hermann göring knocks on his door, looking for a vermeer for his private collection…
young and talented han van meegeren is a rebel in the early 1920' s amsterdam art - scene. because he paints in the style of his idols rembrandt and vermeer, critics find his work old - fashioned and they call him a copycat. just to prove a point, he produces a fake vermeer and tries to pass it off as a real one. it works. instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. soon he is caught in a web of lies and deceit, and his life spins out of control. then one day, high ranking nazi hermann göring knocks on his door, looking for a vermeer for his private collection ...
the real story is also much more interesting than chevalier' s fiction. i believe that seven paintings now accepted as vermeer' s work were actually painted by his eldest daughter, maria, who was not only his model for girl with a pearl earring and other works, but also his secret apprentice .
difficult times are ahead for han van meegeren, but he’s out for revenge. together with his brother theo (roeland fernhout), he already managed once to pass off a fake painting as real, but now the stakes are higher. to humiliate bredius completely, he plans to paint a completely new painting, but have it authenticated by bredius himself as a real vermeer. what starts as a one - time thing, soon ends up getting way more complicated. by this time, world war two is raging on, and reichsmarschall göring is looking to add a vermeer to his collection, one that theo and han happily sell him. once the war is over, trouble really starts, as van meegeren is on trial for high treason, for collaborating with the germans .
since the time of vermeer' s
discovery
as an unknown genius by the french art critic théophile thoré around 1860, we have gradually refined our constructions of vermeer' s oeuvre and learned progressively more about his circumstances from the archives .
other than the trailer, there are no extras on this dvd release, which feels a bit like a missed opportunity. seeing the film is based on true facts, it would have been nice to have a bit more info about the real van meegeren, or some hints as to where the film differs from the true story. despite the lack of extras, the film still stands really well on its own though .
during wwii, a member of the jewish council of amsterdam finds a way to spare children from deportation to the death camps .
i later met with the film' s staff in amsterdam to shoot the final photographs of the recently - cast actress who would play the part of vermeer' s daughter magdalena, the sitter of the painting girl in hyacinth blue. i also had the chance to pass long hours in front of the four vermeer' s in the rijksmuseum and absorb some of their miraculous light which i was determined to convey in my own
vermeer .
talented young artist, han van meegeren, is a rebel in the 1920’s dutch art scene; not because his work is avant garde, but because it is in the style of old masters like rembrandt and vermeer. when he falls madly in love with jolanka, the wife of holland’s most important critic, he makes a powerful enemy who destroys his career. to take revenge, he sets out to produce a perfect fake vermeer to fool the art world and humiliate his enemy. however, presented with the choice of revealing the truth and, thereby, getting his revenge or keeping quiet and winning the heart of jolanka, he chooses for the latter. soon he is making a fortune from his forgeries, but when a high - ranking nazi, hermann göring, knocks on his door, looking to get hold of a vermeer for his own collection, han finds himself caught in a web of betrayal and deceit with his life spinning out of control. (based on a true story )
after a stroke, the flamboyant mother of a famous writer loses her speech. confronted with her decay he starts tearing down his own life .
in my view she painted young woman seated at the virginals, which sotheby' s sold to las vegas casino owner steve wynn as a vermeer in april 2004 - jenkins apparently made the first bid - as well as girl with a red hat, an early self - portrait study, widely identified as one of her father' s masterpieces. i believe she even forged some of vermeer' s paintings to pay off the family' s debts to the baker. is this story exciting and promising enough for hollywood or the west end? i hope so. more importantly, it should interest anyone who cares about vermeer .
a real vermeer, the new film by rudolf van den berg, will have its world premiere on the night of saturday 24 september, at the netherlands film festival. crew and cast, including jeroen spitzenberger, lize feryn, porgy franssen, roeland fernhout and mingus dagelet, will attend the story of master forger van meegeren at the stadschouwburg in utrecht. the 36th edition of the film festival will be held from wednesday 21 to friday 30 september. the film, distributed by cinéart, will reach dutch cinemas on 3 november .
yet the most fundamental work remains to be done. in fact, it may not be the sex that attracts people to the novel, film or play, but rather the fascinating relation between vermeer' s art and life, which modern scholars have refused to address, leaving the issue to novelists or astute journalists like jenkins. the impact of vermeer' s family life on his paintings matters a great deal .
click here for a high - resolution image of the girl in hyacinth blue .
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talented young artist, han van meegeren, is a rebel in the early 1920’s amsterdam art scene; not because his work is avant - garde, but because it is in the style of the dutch golden age paintings. – critics even call him a copycat. when he falls madly in love with the wife of holland’s most important critic, he makes a powerful enemy who destroys his career. to take revenge, he sets out to produce a perfect fake vermeer to fool the art world. however, presented with the choice of revealing the truth and, thereby, getting his revenge or keeping quiet and fighting for his love, he chooses for the latter. when high - ranking nazi officer hermann göring knocks on his door, looking to get hold of a vermeer for his own collection, han finds himself caught in a web of betrayal and deceit .
a real vermeer is a film by director rudolf van den berg (tirza – golden calf best director and best editing, 2010 and süskind – 2012). he wrote the script, inspired by true events, together with jan eilander (andré hazes: she believes in me, road duster). the film was produced by reinier selen of rinkel film (accused, süskind, cool kids don’t cry, backslide), san fu maltha of fu works (süskind, black book, winter in wartime) and jeroen koolbergen of cadenza films (süskind, tirza), with international co - producers donato rotunno of tarantula productions (luxembourg) and martin dewitte of living stone (belgium) .
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the 1920’s. it’s love at first sight for great painting talent han van meegeren (jeroen spitzenberger), when he meets beautiful actress jólanka lakatos (lize feryn). however, it turns out she is the wife of abraham bredius (porgy franssen), the pre - eminent art critic of the day. a merciless bredius takes his revenge by publicly ripping han’s work apart. when next his own wife and son leave him, van meegeren is at his wits’ end. he moves to france where he devotes all his time and effort to creating a perfect ‘new’ johannes vermeer; one that bredius will mistake for the real thing. but when the moment for vengeance has finally come, han faces a complicated dilemma. will he humiliate his enemy or choose the love of his life ?
johannes vermeer was a dutch painter during the golden age. up until this day, he is very well known, and has been the inspiration for books and films such as ‘girl with the pearl earring’. also to painters he was, and probably still is a huge inspiration. han van meegeren, for example, looked up to him and studied his techniques very closely. nonetheless, it’s a thin line between learning one’s art, and forging it .
nor did the painter' s wife whine
jan, why have you never painted me ?
, let alone become a
frigid, jilted canvas - slasher
. vermeer painted her repeatedly. as jenkins insists, she was instead
a beautiful woman, one of the most beguiling in all art
, who now
lie [ s ] sacrificed on the altar of theatrical sex
.
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han van meegeren (jeroen spitzenberger) is a young dutch painter, and in the 1920s, he proves to have quite a promising talent, as he paints very likeable paintings, based on those of great masters such as johannes vermeer. also bredius (porgy franssen), the most influential art critic of that time in the netherlands, thinks that van meegeren might achieve considerable success in the future. one day, at an exhibition, van meegeren meets jolanka lakatos (lize feryn), a woman he immediately falls in love with. unfortunately, she’s the wife of bredius, and thus completely out of his league .
born 1949 in rotterdam, rudolf van den berg is a dutch scriptwriter and director who has been making films for ...
the film' s director, the art director, the director of photography and i met on the set to discuss final touches of the scene. long hours were spent composing the various objects and finding their exact position which hopefully would convey some of the sublime order which is such a fundamental part of vermeer' s work and at the same time respect the novel' s description of the painting. the following day, the set was appropriately illuminated, the final posed of the sitter was decided and multiple photographs were taken from which i would paint. having to work from photographs was not as limiting as might be thought because once i had interacted with the reality of set and sitter, the photographs provided me with an image that in a way paralleled with the image produced by the camera obscura that vermeer is known to have used as an aid to his painting .
after returning to rome where i live and work, the actual painting was begun. it was important to me to respect as much as possible vermeer' s particular techniques which i have studied for years and incorporated into my own work taking into account the limited time available. the painting was finished in eight weeks .
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in the 1920’s han van meegeren, a very talented painter, meets the actress jólanka lakatos and he is fascinated on the spot by her ravishing appearance. however, she turns out to be the wife of abraham bredius, the most important art critic of his day. consumed by jealousy, bredius ruthlessly takes revenge on han by vilifying his work in public. when on top of that, his wife and son leave him, van meegeren is at his wit’s end. han van meegeren moves to the south of france, concentrating on one thing only: revenge on bredius. he pulls out all the stops to paint a perfect johannes vermeer painting, which is to be judged authentic by bredius. however, when the big moment comes, han must make a decision: avenge himself on bredius or turn to the love of his life .
i beg to differ. my book is the first to examine vermeer' s paintings in light of his biography: his early obsession with his wife as his model; the domestic attacks by her psychotic brother; the growing influence of his wealthy and zealously catholic mother - in - law; and the coming of age of his elder daughters as his models .
after i had provided hallmark with a number of preparatory sketches based on the novel' s description, it was decided, given the complexity of the painting and its primary role in the film, to reconstruct an accurate scale mock up of a room similar to the those seen in vermeer' s paintings to be used as the model for the painting. this model was built in cinecittà, rome, where by chance, i live and work. the whole set was afterwards dismantled and transported to holland and used to shoot the final scenes of the film. furnishings of the times including turkish carpet, an aged map of europe, lions head chairs, tiles, and various other props which were either found or made expressly. for the first shoot, a sit - in actress posed with period costume, make - up and hair style .
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jeroen spitzenberger really manages to present you every aspect of his character han van meegeren. van meegeren evolves quite a bit throughout the course of the film, thus wasn’t an easy character to play, yet we can only commend spitzenberger for his achievement. lize feryn at first came across as a bit too reserved and too nicely speaking, to the point where she didn’t come across very genuine. this might have something to do with the character she played, but still it bothered us a bit. nonetheless, this got less prominent further into the film, making her performance still very likeable .
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something must have spurred between the two though, as jolanka suddenly shows up in han’s painting class. the two get to know each other better, and han makes a portrait of her. when he showcases it at his new exhibition, things turn sour though. bredius is not a fool, and thus when he sees the painting, he immediately knows what is going on. he uses his influence as an art critic to completely destroy van meegeren’s reputation, stating that his art has no soul, no originality, and is simply amateurish .
although he remains
unnerved by fiction' s relentless abuse of history
, jenkins assumes that
a picture of the historical man
would be too
boring and hopeless for hollywood or the west end
. his conclusion :
does any of this matter? not really .
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netherlands, luxembourg, belgium, 2016 / 105 min / in dutch with french and english subt. / historical drama
jan eilander, rudolf van den berg – based on true events. / inspiré de faits réels. / nach wahren begebenheiten
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a real vermeer ( dutch : een echte vermeer ) is a 2016 dutch biographical film about art forger han van meegeren directed by rudolf van den berg . it was listed as one of eleven films that could be selected as the dutch submission for the best foreign language film at the 89th academy awards , but it was not nominated . 
a real vermeer (dutch: een echte vermeer) is a 2016 dutch biographical film about art forger han van meegeren directed by rudolf van den berg. it was listed as one of eleven films that could be selected as the dutch submission for the best foreign language film at the 89th academy awards, but it was not nominated.
a real vermeer (dutch: een echte vermeer) is a 2016 dutch biographical film about art forger han van meegeren directed by rudolf van den berg. it was listed as one of eleven films that could be selected as the dutch submission for the best foreign language film at the 89th academy awards, but it was not nominated.