where is the friend ' s home ?
where is the friend' s home ?
- abbas kiarostami (...
looking for movie tickets? enter your location to see which movie theaters are playing where is the friend' s home? near you .
it' s only because so many directors have done more with a similar set - up that where is the friend' s home? feels somewhat lacking .
this says you were inside the structure where your friend lives, and that it is a residential building .
i highly recommend all of abbas kiarostami' s films, but to start with i' d suggest where is the friend' s home, the simplest and most moving of his films .
customize friend' s memoir as per your need, seek more details from friend .
this says you were inside the place where your friend lives, but it' s not necessarily a residential building .
you' re talking about the place where your friend lives. wherever that may be, it is their home. however, not everyone lives in a house .
young hamed tries to return a schoolmate' s notebook he' s unwittingly taken home .
this says you were located where your friend lives, and that it is a residential building. it' s possible you were also inside the structure .
in british english, i would suggest
at my friend' s house
is the most common... whereas many americans i know would probably say
at my friend' s home
.
this says you were located where your friend lives, but it' s not necessarily a residential building. it' s possible you were also inside the structure .
this timeline is where you’ll spend most of your time, getting instant updates about what matters to you .
the film is shot in persian. however the dialogues between the door maker and the stubborn elderly villager is in turkish language which is presumably azerbaijan turkish .
when ahmad prepares to do his homework, he finds that he has accidentally picked up his friend mohammad' s notebook. fearing that his friend will be expelled if he cannot submit his lesson the next day, ahmad defies his parents and sets out to find his friend' s home in the neighboring village .
your friend may relate the same story about the death over and over again. listen attentively each time. realize this repetition is part of your friend' s healing process. simply listen and understand .
manchester - a neighbor watching her friend’s home while she was out of town helped police foil a burglary in progress early wednesday morning on seames drive .
‘where is the friend’s home’ was the first kiarostami film to attract the attention of western critics and was the first of several masterpieces he directed over the next two decades. unlike most directors of his generation, kiarostami’s career began during the reign of the shah. his early films were produced by the institute of the intellectual development of children and young adults, a body that he helped established, which were responsible for education films for children. shortly after, kiarostami moved onto directing films about more serious issues within iranian society, but ‘where is the friend’s house’ remains not only one of this director’s most affecting films but one of the most sympathetic films i’ve ever seen about childhood .
an 8 year old boy must return his friend' s notebook he took by mistake, lest his friend be punished by expulsion from school .
unfortunately for nematzedeh, ahmed accidentally takes his friend’s notebook home, and now he has to return it, lest his mistake lead to someone else’s expulsion. that means venturing to poshteh and hoping that someone can tell him where nematzedeh lives, preferably before dark so ahmad can get home early enough to prevent his mom from being too angry .
abbas kiarostami made a bunch of films in the ‘70s and the early - and mid - ‘80s, but, on some unknown proportion of merit, accessibility, and initial acclaim / visibility (it won an award at the 1987 locarno film festival), where is my friend’s home, the beginning of the informal koker trilogy, is considered his first major work among a great deal of cinephiles .
the iranian cinema is abundant with films about children (the white balloon and children of heaven being the two classic popular examples). where is the friend’s home? in many respects began the trend of iranian child - themed films and is the most culturally significant to date for a number of reasons. foremost, it was the first film in a few decades to garner attention outside iran. it is ostensibly a neorealist film in the style of bicycle thieves: a young boy must return his friend’s notebook or his classmate will be expelled from school. shot on location, using non - actors, featuring an impossible - quest narrative (to reveal the ambiguity of life, no less) the film appears extremely straightforward as a social critique of iranian culture towards the treatment of children. but friend’s home is so much more than a simple rehashing of italian neorealist traditions; it is rich in symbolism and poetic form .
at home ahmed’s mother, busy with housework, continually gives her boy menial jobs and refuses to let him go outside and return mohamad reza’s schoolbook. among the chores, though, is to go fetch some bread from the local bakery, and ahmed seizes this opportunity to rush outside with the schoolbook in search of his friend’s home, whose location he only knows to be in the neighbouring village of poshteh .
there are some interesting moral issues in where is the friend’s home? . ahmed is always utterly sincere and instinctively honest towards everyone. but sometimes there are higher principles than literal honesty. his ultimate goal is one of compassion: to help his friend, mohamad reza, and this is manifested in part 1 when he helps his friend after he has fallen down and dropped his schoolbook. in so doing, though, he accidentally walked away with his friend’s schoolbook, and now his primary goal is to return the book. this is not just to expunge his own guilt, but represents a continuation of his sincere concern for his friend’s vulnerability of expulsion from school. adherence to this higher goal trumps more mundane rules that one follows. so although he is instinctively honest, ahmed, in pursuit of the higher good, does hesitantly make compromises with literal truth at several turns. in part 1 he is supposed to get bread and pretends to do so, but instead rushes off to poshteh with his friend’s schoolbook. later in part 4 he effectively lies to the old man by implying that he has found his friend’s house and returned the book. and there is still one further lie to come. ★★★
as the film progresses, a deeper theme gradually surfaces: the boy' s sense of “doing the right thing” is almost always in struggle with the complicated world of rules and duties that are forced on the child by the unfair adult world. the film depicts a meaningful truth: a child learns that not all that his elders say is right and that sometimes it is alright to break the convention. ”where is my friend' s home? ” is a perfect example that a story does not need to be exciting to be meaningful, and that the best stories come from the simplest of stories. the movie is one of kiarostami' s finest and surely one of those movies that should not be missed by any film enthusiast .
his notebook, which is apparently a big deal. from the onset, the viewer witnesses the ugliness that is the experience of the iranian child—discipline through humiliation, negativity and corporal punishment. mohammad reza is told his next offense will result in expulsion, a needlessly harsh punishment that is doubtlessly typical in a real iranian schoolroom. having been put in a precarious situation of accidentally taking mohammad reza’s notebook, ahmad must make a series of choices to ensure his friend does not get expelled. first he must obtain permission to leave home; he must then prioritize his other chores; and he must find his friend’s home relying on the spotty directions of neighbors. having failed to find mohammad reza’s residence by film’s end, ahmad makes the best decision of the whole film: to simply do his friend’s homework .
i would normally only say
in my friend' s house
if physically being in the house was particularly important, e. g .
i was in my friend' s house when the ceiling fell in !
or, you can send a donation to an appropriate cause, charity or institution in memory of the friend. the obituary often mentions the family' s suggestions; if not, you can call the funeral home for such information .
schoolteachers in abbas kiarostami’s filmography are almost always intimidating, the first institutional authority figures presented to developing children and their first taste of rigorous punishment and enforced obedience. the first shot of where is the friend’s home? is trained on a door blowing open and closed with the breeze until the frame darkens with the spectre of a teacher (kheda barech defai) who emerges like a monster, returning to his classroom to berate his students. the man’s presence is so unnerving, and he is so furious with one child, mohamed (ahmed ahmedpour) for doing his homework on loose paper instead of his copybook, that the boy in question is rendered almost catatonic with fear .
plot: in order to stop his friend from being punished from school, an 8 - year - old boy must return his friend' s notebook by mistake .
mohamed, a young blind boy, returns to his rural home for the summer and yearns for his father' s acceptance .
' it' s too hot. okay, there i said it' - here’s how ireland is (not) coping with the heatwave
remember that the death of someone loved is a shattering experience. as a result of this death, your friend' s life is under reconstruction. consider the significance of the loss and be gentle and compassionate in all of your helping efforts .
as everybody knows, the one and only santa claus lives in lapland, in the north of finland. there he prepares his presents and answers children’s letters with the help of his elves. near his home is the theme park santa park which is offers great fun for the whole family .
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after attending a friend' s house concert near adelaide, kerry steer decided to host her own at wilmington in south australia' s flinders ranges .
one identifying feature of friend’s home is the repetitive dialogue between children and adults, which at times becomes almost frustrating to watch. ahmad asks strangers, with great frequency and to no avail, if they know where his friend lives, and after a while you get the sense that this is because children and adults do not trust one another. the repetition of the dialogue becomes absurd to the point of being unrealistic, transformed into something more abstract and poetic that represents the complete lack of communication between generations. with this in mind, it’s especially gratifying that the bfi placed friend’s home in the top ten of its 50 films you should see by the age of 14 list. kiarostami teaches children that adults are not always right and that a sense of morality comes from within, not from governing rules or social institutions .
your plan becomes trip post, usable by friends whenever needed. you too get friend' s readymade plan .
kiarostami’s early features tended to focus on child protagonists, orienting didactic social messages around unformed, curious perspectives that rendered what might have otherwise been direct, scolding morales diffuse and unreconciled. where is the friend’s home? is the culmination of this period, and its metatextual sequels would help the director move into his later, more mature era, with its far more complex, ambiguous rumination on adult anxieties and obligations. perched between these two phases, the film is kiarostami’s first masterpiece, finding in the labyrinthine streets and split worlds of children and grown - ups the strains of lyricism he would only develop further with time .
allow your friend to experience all the hurt, sorrow and pain that he or she is feeling at the time. enter into your friend' s feelings, but never try to take them away. and recognize that tears are a natural and appropriate expression of the pain associated with the death .
' it' s too hot. okay, there i said it' - here’s how ireland is (not) coping with the ...
a really simple and lovely film that' s a good place to start with kiarostami. the untrained child actors are marvelous here. a young boy has taken his friend' s notebook by mistake and must return it to keep his friend from being expelled, but he doesn' t know where the friend lives. the boy is blocked at every turn in his quest to do the right thing by adults who won' t listen or help. nerve wracking suspense! and i am only half joking: p
that good - natured guy, seemingly appreciative of small and simple joys, matched the person described by friends on monday — the man who made the mansion neighborhood his home, though he had no home of his own .
the fastest way to share someone else’s tweet with your followers is with a retweet. tap the icon to send it instantly .
when the whole world is celebrating love finland has it’s unique interpretation of the 14th of february. valentine’s day in finland is celebrated as ystävänpäivä, friend’s day. finns decided to include everybody in this day. friends, family, neighbors, colleagues – and of course the sweethearts too! – may all receive cards, flowers and chocolates on this day .
this response is the subjective opinion of the management representative and not of tripadvisor llc .
the price you found is 15% lower than this hotel' s average rate of $ 85 / night .
along the way, ahmad shows us that child cruelty is not limited to the schoolroom. it is not unreasonable to ask a parent to return a friend’s belongings, especially given mohammad reza’s particular circumstances, but ahmad’s mother refuses to listen to her son, thinking instead he wants to skip out on his chores to play. his other elders are equally condescending; adults are purely contemptible in this film, with one exception: a carpenter ahmad befriends along the way who knows where his friend lives. as the two make their way through the labyrinthine village of poshteh, the carpenter gives ahmad some great life advice—some of it useful, some hilarious. when ahmad describes his tedious journey in finding mohammad reza, the carpenter says, “you should have come seen me immediately. ” as mentioned earlier, the film is rich in symbolism, with ahmad’s impossible quest to find his friend’s home mirroring the quest of life—wherein one must sometimes break the rules to do what’s right—and the flower that the carpenter gives ahmad to put in the notebook representing altruism and friendship. the closing shot of this film is of the teacher’s point of view as he marks mohammad reza’s homework. he sternly flips through the pages, ignoring the now - pressed flower lying in the notebook. only ahmad and the viewer understand its significance .
the first is most idiomatic in the us, though all might be used, depending on the circumstances .
more than that, though, where is my friend’s home is a perfect piece of evidence that a plot need not be eventful to be worthwhile, and that sometimes the simplest stories are the most touching. at the beginning, we see a schoolteacher scold mohamed reda nematzedeh because he did his homework on a sheet of loose - leaf instead of a newspaper. this is now the third time he has been told to use a notebook and the next one comes with expulsion. a rather hefty penalty to impose on someone who does their homework, one might think .
hobart' s old zoo is famous as being where the last thylacine in captivity died, but in its heyday people could view elephants, zebras, monkeys and even see a girl walking her pet leopard. what happened to the beaumaris zoo ?
a christmas sauna is a must for many a finn, as is a family excursion to the church to sing christmas carols .
not alone did ballymote native gary milmoe travel all the way home from australia to best man for his best friend, he also found the time to create and perform a witty song inspired by the music luke kelly and christy brown .
it is a setting ms steer is particularly proud of, and wanted to show off to some travelling musicians .
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as hot licks says, it depends. what you wish to convey will set which fits best. when you want to emphasize intimacy of the event, say,'... in... home' tops the chart. when you' re simply seeing a scene where the details of the friend' s place are incidental, the'... at... house' construction ranks high. et cetera .
in a strictly plot - driven sense, all that really happens is that ahmad asks people where nematzedeh’s house is and receives marginal help at best. what is happening beneath the surface is that ahmad is discovering some form of civic obligation to help. he must correct his own mistake and he must go the extra - mile to help out a classmate, because that’s what good people do for one another. nematzedeh does his homework. his being expelled for not doing it in a notebook is silly. morality, ahmad learns, comes from within oneself, not from the rules someone else imposes on you .
‘where is the friend’s house’ is an early indication of kiarostami’s talents, which would be confirmed by the likes of ‘close up’ (1990) and the palme d’or winning ‘a taste of cherry’ (1997). a deceptively simple tale of friendship, the film functions on many more levels than this, demonstrating the everyday life of rural iran, a world that certainly not many in the west will have seen. showing the influence of the italian neo - realists, it would go on an influence numerous iranian film makers, many of whom would be under the patronage of kiarostami himself .
the film that established director abbas kiarostami' s reputation outside his native iran, where is the friend' s home? tells a simple story in such a spare fashion, many critics found its impact to be almost subliminal. as the film opens ahmed (ahmed ahmed poor), a grade schooler, watches as his teacher (kheda barech defai) berates a fellow student, mohammed (babek ahmed poor), for repeatedly failing to use his notebook for his homework, threatening expulsion on the next offense. when ahmed returns home, he realizes he' s accidentally taken mohammed' s notebook. against his mother' s orders, he sets out in search mohammed' s house, encountering false leads, dead ends, and distractions as he attempts to enlist adults in his search. ~ keith phipps, rovi
this woman' s story of learning her boyfriend was cheating from a delivery man is confounding ...
lászló nemes' s acclaimed debut feature re - creates the awful plight of the sonderkommandos .
monick johnson, a friend of homicide victim marc douglas, 47, who died after being stabbed early sunday morning on grand street in albany, holds a sign she made to memorialize her friend' s passing. (chris
( the other two variations substitute the word
house
for
home
in the two translations above). it' s an important distinction .
the friend
implies more of a journey of responsibility while
my friend
implies something more personal. using
my
implies a real friendship and one that would obviously necessitate ahmed finding mohamed to return his notebook. still a moral and ethical act but one more expected of a true friend .
the friend
implies more of the actual situation in the film, a school friend that sits behind ahmed and has inter - school interaction but little else. risking all to help out a school acquaintance means more in this case, as it' s a risk for someone not as close to ahmed .
keep in mind that your friend' s grief is unique. no one will respond to the death of someone loved in exactly the same way. while it may be possible to talk about similar phases shared by grieving people, everyone is different and shaped by experiences in their own unique lives .
kiarostami’s cinematography is straightforward and intuitive in the film. the focalization is almost entirely that of the boy, ahmed, and we see everything from his anxious perspective, where things that may seem trivial for adults can have considerable magnitude. to maintain this sense of immediate involvement, kiarostami doesn’t employ the long, fixed - camera takes that characterize his later films. here instead, the visual continuity is well motivated, and even the many shots of ahmed running across the countryside are smoothly and naturally executed .
shrove sunday, or the finnish version of mardi gras, is celebrated in february seven weeks before easter on a tuesday. the finnish sleigh carousel or pole sledge, napakelkka, is not so common anymore but it is the quintessential laskiainen sledge .
the belmont rocks was one of the city' s most significant public lgbtq destinations. now author owen keehnen is assembling an oral history of the dearly departed lakeside cruising spot .
review: like many of kiarostami' s previous works, the movie is about a child' s story, presumably due to the fact that such subjects are unlikely to include social constraints than would stories about more adult men and women. kiarostami' s cinematography in the film is honest and innate, with the entire focus put on the boy, ahmed, showing the movie from his anxious perception .
in finland, that magical christmas experience is not just something you see on television, it is something you truly experience .
finland’s independence day on 6 december is all about commemorating those who lost theirs lives fighting for the country’s independence, both in wwi and wwii. friends and family get together for a dinner at home or in a restaurant. watching the presidential independence day reception live from tv and critically examining the guests’ clothes and demeanor is a much loved tradition these days. people also take part in a torch light procession or visit the soldier’s graves at the cemeteries. white - blue candles are placed on the window sills .
there' s a certain pleasure to life, the surroundings and the architecture that always comes across in kiarostami' s work. it' s difficult to put a finger on, but much of the reason it resonates is there aren' t any big scenes to distract the audience from its presence. a hollywood picture is like taking a run on a nearly shoulderless main road with your diskman blaring, while a kiarostami picture is like taking a stroll on a nature trail. perhaps the best thing about iranian cinema is its calming and relaxing nature. there is no less urgency, in fact there' s usually more, it' s simply put across through more naturalistic means rather than an assault on one' s senses .
wow, he' s really good ,
douglas said of the musician .
this is cool to have live music .
use the name of the person who has died either in your personal note or when you talk to your friend. hearing that name can be comforting, and it confirms that you have not forgotten this important person who was so much a part of your friend' s life .
in some ways one might compare kiarostami to luis bunuel. both of them were obliged to work in conventional commercial formats (in bunuel’s case, as an expatriate in mexico), and then both subsequently received accolades that gave them the latitude to try more intellectually adventuresome and personally expressive works. and yet, for both, those early constraining production circumstances may have somehow contributed to their producing their best work. in the case of where is my friend’s home? , what we have is a deceptively simple little story that seems trivial: an eight - year - old schoolboy has mistakenly taken his friend’s schoolbook and has to return it to him. but this film benefits from not straying far from its straightforward goal that everyone can understand; and that is what carries the narrative along. as the film progresses, though, we gradually detect a deeper theme: this boy’s sense of “doing the right thing” is almost continually in conflict with the confusing world of rules and duties that are imposed on him by the adult world. the film narrative proceeds in five parts .
this review is the subjective opinion of a tripadvisor member and not of tripadvisor llc .
the lutheran church who is commemorated. every year, on december 13, a new saint lucia is crowned and she starts her parade through downtown helsinki at the main cathedral in the senate square. this kind of lucia tradition is also found in turku .
this is just my basement, pretty much almost everything here is getting recycled or tossed, i can’t wait to feel the liberation. can’t wait for the after photos .
ahmed travels to poshteh to find mohammed. a classmate only knows the approximate area mohammed lives in. he finds mohammed’s cousin, who provides only basic details. arriving in the khanevar district, no - one knows where mohammed’s house is. learning that mohammed and his father have traveled to koker, he follows but discovers it’s a different mohammed altogether. aided by a slow, old man, ahmed finally returns home after dark, upset. at school the next day, mohammed expects to be expelled but as the teacher begins to mark his pupils’ work, ahmed arrives in time with mohammed’s notebook, in which ahmed has done his homework for him. mohammed finally wins the teacher’s approval .
justin martin, left, and kristina gosselin are charged with burglary of a seames drive home. (courtesy )
monick johnson, a friend of homicide victim marc douglas, 47, who died after being stabbed early sunday morning on grand street in albany, holds a sign she made to memorialize her friend' s passing. (chris churchill / times union )
friends views your lifetime trip post as where, how many days, stayed at, activities done, attractions visited, tips, experience .
finland’s national poet johan ludvig runeberg (1804 – 1877) is celebrated february 5 with a runebergintorttu, runeberg’s torte, a jam - topped muffin with almonds and rum or arrack .
the mood of oppression conjured in this opening scene explains the urgency of a plot that, out of context, appears banal. ahmed (babek ahmedpour) returns home from school that afternoon to discover that he accidentally took mohamed’s notebook home with him instead of his own, a fault of his own that will nevertheless get his friend expelled. immediately, ahmed’s urgency is clear, and the film matches his perspective, but the adults in the boy’s life have no such sense of the trouble that could erupt from this honest slip - up. the grown - ups in ahmed’s community, when faced with a child seeking to do his duty to a friend, can only launch into autopilot rants about kids these days, oblivious to the fact that this boy embodies all the attributes of responsibility that they claim to never see anymore. even ahmed’s own mother is unable to process her child in good faith, instead assuming that he wants to trek over to mohamed’s village solely to get out of doing his own homework. worked into a fit, the mother can only scream “obey! ” at the boy, sanding away all other nuances into pure command .
are you grieving the loss of a close friend? find comfort in others today by joining our private grief support group .
because the grief experience is also unique, be patient. the process of grief takes a long time, so allow your friend to proceed at his or her own pace. don' t force your own timetable for healing. don' t criticize what you believe is inappropriate behavior. and while you should create opportunities for personal interaction, don' t force the situation if your grieving friend resists .
located 3. 7 km from majorda beach, this is an offering of a two - bedroom homestay. the rooms on offer can accommodate up to six people and is ideal for a group getaway. ample parking space is available for those bearing a vehicle. your space tucked away in a quiet corner of the city, the homestay is painted in an aesthetically - pleasing millennial pink and is lined with towering palm trees. the living room is furnished with a comfy sofa, coffee table and a television for entertainment. the dining room houses a six - seater dinette for mealtime convenience. the hallway features two loungers, where you can bask in the goan sun. the kitchen is equipped with a gas stove, a refrigerator and other essential amenities to facilitate basic cooking. the master bedroom is furnished with an wrought - iron double bed, a cushioned chair for added comfort, ...
finns themselves prefer to be at home with their family for christmas, preparing their traditional meal which often includes mashed rutabaga, carrot and potato casseroles. salmon is very common and some people have turkey or ham. at midday on christmas eve the peace of christmas is broadcasted on tv and radio, straight from finland’s “second capital” turku .
the story is about the world of a small family with familiar dreams and not so remarkable problems. the mother is trying to lead everything to save her family, but small events disarrange all her plans .
historically this day has been tied to the swedish speaking finns. saint lucia is one of the very few saints of
[ and ] it' s an amazing kind of relationship that happens between the punters, the artists, and the hosts .
this year marks the 6th annual national hot rod association' s new england nationals .
manchester - a man who barricaded himself in a pinebrook place home surrendered peacefully after a brief standoff sunday, police said .
back at home, ahmed’s parents are occupied with their own routines and again pay no attention to him, and he still hasn’t done his own homework or managed to do the right thing by his friend mohamad reza. but a schoolboy who has spent the whole day trying to solve a problem is not just going to give up just like that. you can see the film, yourself, to find out how things turn out the next day in school .
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this is how i came to my day today, waiting patiently for jay’s junk to arrive and begin the process of getting my house in order so that the only things that are left here are the things that have a story i could tell to him by what is left .
finns have a strong sense of celebration even if the country’s long and dark winters put limits to outdoor activities. on the other hand, precisely because of winter many of the country’s major celebrations and traditions occur during this season. winter celebrations within finland’s annual cycle include saint lucia’s day and shrove sunday, which in finland is celebrated on a tuesday. these celebrations have strong roots in finnish culture .
victorious cast' s official music video for' best friend' s brother' featuring victoria justice. click to listen to victorious cast on spotify: urltoken as featured on victorious (music from the hit tv show). click to buy the track or album via itunes: urltoken google play: urltoken amazon: urltoken more from victorious cast you' re the reason: urltoken freak the freak out: urltoken make it in america: urltoken more great noughties videos here: urltoken follow victorious cast facebook: urltoken twitter: urltoken subscribe to victorious cast on youtube: urltoken - - - - - - - - - lyrics: i call you up when i know he' s at home i jump out of my skin when he picks up the phone why can' t i tell if he' s looking at me? should i give him a smile? should i get up and leave? i know it' s strange i don' t know what i' m thinking but is it wrong if i see him this weekend? i really hope i can get him alone i just don' t, don' t want her to know yeah my best friend' s brother is the one for me yeah a punk rock drummer and he' s 6 foot 3 i don' t want to but i want to' cause i just can' t get him out of my mind! yeah my best friend' s brother is the one for me bfb my best friend' s brother
the title of the film has been translated four different ways on different prints and dvds and the translations make a difference. its most common translation is
the mansion neighborhood, on the southern edge of downtown, is known for the elegant row homes that slope downward from eagle street, the executive mansion and the cathedral of all saints toward grand street .
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back in poshteh, ahmed finally finds the tradesman’s son, but it is not mohamad reza. by this time it has become dusk, but ahmed does manage finally to find a man who will talk to him and who promises to show him his friend’s house. but it turns out that this is an old man who just seems to be looking for anyone to listen to his tales about the virtues of his former craft, making traditional wooden doors, which, he complains, are now everywhere being foolishly replaced by the more “modern” iron doors, even though the traditional wooden doors (a symbol for the traditional iranian ways that are being replaced by imported modernity) are more beautifully crafted. although this old man is friendly, ahmed begins to suspect that the man just wants a listener and doesn’t really know where his friend lives. he finally discontinues his quest and runs all the way back to koker in the dark .
as the name implies, this party - hearty pocket of lake michigan is notorious for juvenile behavior .
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he was a good dude ,
said monick johnson, a friend .
he might have been full of s - - - sometimes, but ...
as ahmed makes his way over to the next town to find his friend, he finds aid from his peers, who sidestep the adults’ irascible obstinance to provide assistance. the thematic implications are obvious; the same hard system glimpsed at the start of the film ultimately produces adults who talk endlessly about the idle of children while the kids themselves prove to be open, empathetic and driven in ways that should be praised. kiarostami complicates this dichotomy toward the end of the film when ahmed receives help from an elderly man whose infirmity makes him as much a liability as a help, but whose own status as member of an age group simultaneously picked apart and ignored by the middle - aged makes him an engaging guide even as he slows down ahmed’s progress. but despite the largely firm roles of the characters, kiarostami’s camera occasionally drifts away from ahmed’s perspective throughout the film to settle on some of the mean adults to show inklings of deeper reflection. for example, ahmed’s grandfather is much like the majority of grown - ups with whom he interacts, but the old man’s friend gently chides his pal’s stubbornness to disarm his rhetoric .
what is extraordinary about this exchange is that it is happening while everyone is ignoring ahmed' s pleas for help in finding mohamed to give him back his notebook. happening right in front of the grandfather' s face is an act of discipline and personal responsibility by ahmed that far outweighs the actions of all the adults around him. ahmed takes responsibility for taking the notebook by accident and endeavors to correct the situation no matter what the cost and trouble. if the grandfather and other adults took notice of this, they' d realize ahmed was already learning, through his own intellect and self - awareness, the very values that the others believe can only come through punishment. although ahmed may not find mohamed, he feels no less responsible and will not stop trying until every possibility has been pursued. in the end, his solution is as selfless as it is truly adult; responsible, humane, and practical .
ahmed defies a series of adults who wittingly and unwittingly attempt to prevent his journey; first his mother who suggests he forgets the entire plan and those who accidentally misdirect or misinform him. ahmed’s mind is purely logical. he has to return the notebook. a boy this young doesn’t comprehend the potential issues; of not knowing where mohammed lives or how long it will take. his stubbornness is his virtue. of sole importance is the debt he owes his friend for getting him into trouble. the long shots of ahmed making his journey between villages, scaling a zig - zag path represent its nature – difficult to navigate, not straight - forward, but ultimately a journey that must be made .
once ahmed' s journey begins, the audience is taken outside his school and home and into the rural areas of iran where traditions and cultural identity are strong. he finds help along the way but not enough to solve his problem. kiarostami uses these many meetings to illuminate the world of these rural communities. in one scene, ahmed' s grandfather speaks with a friend about ahmed' s need for discipline. he elaborates on how he himself was raised. he explains that his father beat him once every fortnight whether he had done something wrong or not. his friend questions the effectiveness of this and why it should be done if he' d done nothing wrong. the grandfather claims it taught him discipline and obedience and, in turn, makes demands of ahmed to teach him discipline and obedience as well (he has ahmed go get his cigarettes for him knowing ahmed will never find them since he actually has them on him) .
the grand irony in the end is that when ahmad can’t find his friend, he does his homework for him in the journal and arrives just in time to have it checked by the teacher. “good boy, ” he says, not because he did it but because it’s in the journal. it works out better to cheat than to do things in a slightly less organized fashion .
once they are dismissed from class, ahmed and mohamed play briefly and ahmed goes home to his village only to realize he has accidentally taken home mohamed' s notebook with his own. he tells his mother that he has to go find the boy in the neighboring village. his mother says no but, eventually, after ahmed has done his chores, he heads out in the hopes of finding mohamed before it' s too late for him to get his work done .
grandfather' s friend: what i mean to say is, suppose the kid did nothing wrong. what would you do? what then? grandfather: i' d find an excuse and give him a beating every other week. so he wouldn' t forget. see more »
most viewers will note the friendship between ahmed and mohammed, and the sacrifices and effort made by ahmed to protect his friend. it’s an incredibly natural and remarkable relationship the two boys show, first seen to devastating effect when mohammed weeps when the potential consequences of losing his notebook are made apparent. kiarostami constantly cuts between mohammed and ahmed, looking on with great empathy. babek ahmed poor (who only seemed to appear again in film as himself in ‘through the olive trees’), a non - professional, conjures up a stunning performance, but this is the boy at his most affecting. even before he discovers the notebook, ahmed is shown tending to his friend when he injures himself in the playground, cleaning his bleeding knee. at the moment when ahmed discovers the notebook, the look on his face reveals the entire story. there’s no need for words. it’s a scene set solely in silence .
victorious cast - all i want is everything (video) ft. victoria justice
essentially the only thing conventional about the work, which uses non professionals and doesn' t exactly have a script, is the persistence and resilience of the boy. and even that is shown in out of the ordinary ways that do treat him with uncommon respect but neither judge nor aggrandize him. this is a very humanistic work that gives you the child' s perspective, but maintains enough distance that we never feel he' s larger than life, that he is the world rather than a very small part of it. the barren landscape is ever present and there aren' t many other characters or much dialogue, yet this slow moving quasi documentary
real time
film manages to sustain our interest throughout largely because we are discovering the world along with the boy. it' s a day in iranian life through the eyes of a child, showing how separated they are from the adults, among many other things .
it' s really growing, particularly in the eastern states, but there' s a lot of room in sa for more hosts ,
she said .
while the above guidelines will be helpful, it is important to recognize that helping a grieving friend will not be an easy task. you may have to give more concern, time and love that you ever knew you had. but this effort will be more than worth it. by' walking with' your friend in grief, you are giving one of life' s most precious gifts - - yourself .
this launched kiarostami onto the world stage, heralded the arrival of iranian neo - realism, and set the prototype for iranian
kid quest
movies. nominally the story of a young boy who must return his friend' s notebook he took by mistake, lest his friend be punished by expulsion from school. on one level this reveals a society rooted in authoritarian demands, but on another this reminds us how kids can be easily damaged by the responsibilities of the grown - up world. this deceptively simple gem has the rigour and haunting resonance of kiarostami’s best work .
wilmington is a town of about 500 people, known in the region for its annual night rodeo and proximity to the picturesque alligator gorge .
1. using a computer with a high speed internet connection, please download the full setup of legacysetup. exe and save it to a jump drive, memory stick or burn it to a cd. (you can use a networked computer at a friend' s home, a library, family history center, work place. etc. to download and save the full setup. )
in the small northern village of koker (kiarostami would later situate some other films in this village), ahmed ahmadpoor and mohamad reza nematzadeh are two boys sitting in the local schoolroom (not surprisingly, boys only) and listening to the stern admonitions of their strict schoolteacher. mohamad reza again hasn’t written his homework into his school workbook and is warned that one more such violation and he will be expelled from the school. when the school bell rings and the boys run outside, mohamad reza drops his workbook, and in the ensuing commotion, ahmed mistakenly goes home with both his and his friend’s workbook .
mehdi is an orphan who lost his father in a car accident and his mother too passed away in giving birth to her second child. he thinks that mrs. fahimy who is a social worker is very look... see full summary »
about 1: 15 a. m. the neighbor contact police after she noticed suspicious activity. officer robert harrington went to the home, walked the perimeter and found a screen pulled from a basement window, according to police .
dr. bill galen, 93, founder and dir. emeritus of the camerawork gallery, celebrated the opening of this gallery, the country’s oldest, continuously exhibiting fine art photography gallery. new location legacy emanuel’s lorenzen conf. center
monick johnson, a friend of homicide victim marc douglas, 47, who died after being stabbed early sunday morning on grand street in albany, holds balloons purchased to mark the man' s passing. (chris churchill /
be absolutely certain that you only download and save the full setup of legacysetup. exe, as this is the only one that will work .
shave your head and save a life! join us at randall children' s hospital on july 21 for the st. baldrick' s shave to save a life event !
this was my first kiarostami' s movie. there could not be a better one. some trademarks of his movies are minimal dialogs, slow pace, purposeful and realistic acting. many conversations happen during the ride on a car moving at gentle speed. a stark contrast of what we are used to. yet, his movies touch you right in the heart. you get very involved with the characters. his movies never get overtly sentimental. he remarked in an interview that he doesn' t like to cheat with the audiences .
where is the friend' s home ?
offers an insight into the simplistic and innocent world of childhood. adults do not really see and appreciate that world. watching this movie is a completely different experience. and writing a lot about this movie does not make a lot of sense. you can hardly wait to watch
and life goes on
. a must watch if you are into the art of beautiful cinema.
where is the friend 's home ? ( persian : خانه دوست کجاست , khane-ye doust kodjast ) is a 1987 iranian film directed and written by iranian director abbas kiarostami . the title of the film was derived from a poem by sohrab sepehri . it is considered the first film in kiarostami 's koker trilogy , followed by life , and nothing more ... and through the olive trees , all of which take place in koker , iran . the film tells a deceptively simple account of a conscientious schoolboy 's quest to return his friend 's notebook in a neighboring village , since , should his friend fail to hand it in the next day , it is likely he will get expelled . hence this film has been seen as a metaphor for the sense of civil duty , about loyalty and everyday heroics . the traditional beliefs of iranian rural people are also shown in many parts of the movie . the film is among the top ten in the bfi list of the 50 films you should see by the age of 14 . 
where is the friend's home? (persian: خانه دوست کجاست, khane-ye doust kodjast) is a 1987 iranian film directed and written by iranian director abbas kiarostami. the title of the film was derived from a poem by sohrab sepehri. it is considered the first film in kiarostami's koker trilogy, followed by life, and nothing more... and through the olive trees, all of which take place in koker, iran. the film tells a deceptively simple account of a conscientious schoolboy's quest to return his friend's notebook in a neighboring village, since, should his friend fail to hand it in the next day, it is likely he will get expelled. hence this film has been seen as a metaphor for the sense of civil duty, about loyalty and everyday heroics. the traditional beliefs of iranian rural people are also shown in many parts of the movie. the film is among the top ten in the bfi list of the 50 films you should see by the age of 14.
where is the friend's home? (persian: خانه دوست کجاست, khane-ye doust kodjast) is a 1987 iranian film directed and written by iranian director abbas kiarostami. the title of the film was derived from a poem by sohrab sepehri. it is considered the first film in kiarostami's koker trilogy, followed by life, and nothing more... and through the olive trees, all of which take place in koker, iran. the film tells a deceptively simple account of a conscientious schoolboy's quest to return his friend's notebook in a neighboring village, since, should his friend fail to hand it in the next day, it is likely he will get expelled. hence this film has been seen as a metaphor for the sense of civil duty, about loyalty and everyday heroics. the traditional beliefs of iranian rural people are also shown in many parts of the movie. the film is among the top ten in the bfi list of the 50 films you should see by the age of 14.