ice men ( film )
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' ice men' engages, but ultimately is too sketchy for a meaty character study and the dialogue too hedging for any o' neilean verity .
the 20th century fox cinemacon presentation took place at caesar palace ‘s colosseum on thursday, opening with a montage celebrating the studio’s massively - successful ice age franchise. set to a parody cover of vanilla ice ‘s “ice ice baby” (changed to “ice age baby”), the studio then welcomed the rapper to the stage for a live performance. you can check it out in the player at the bottom of this page .
the latest documentary in espn films’ 30 for 30 series, “of miracles and men, ” looks at the miracle on ice from the soviet point of view .
if you don' t set your sights too high, ice men is an okay movie. the tension between john and steve is a major highlight.  michael klemm
lunar cheesecake ice cream and agent 31 sundaes are among the themed - treats set for release on may 1 to promote the sci - fi film .
will smith and tommy lee jones return for men in black 3 in theaters may 25 .
pink surprise cake is among the new menu items. named after a scene from the upcoming film, the new treat features triple layer ice cream cake made of oreo cookies ‘n cream ice cream sandwiched between two layers of devil’s food cake and topped with pink frosting roses .
ice men, a film by queer as folk director thom best, also examines male bonding. i thought that it failed as a drama but on a second viewing i realized that it must be a comedy, or more accurately, a satire, spoofing silly hetero male rituals in the most obvious of settings: a snowy weekend in a cabin .
due to the nature of the film, it was open to interpretation that the whole film might have been the dream of either cobb, or someone else .
in the film' s second epilogue and final scene, nikki was back home in her living room with many characters from the film. she seemed at peace .
“this highly anticipated film is a great way to kick off the busy baskin - robbins summer ice cream season, ” costello added. “we’re delighted to work with sony pictures on this endeavor and celebrate the movie in fun and delicious ways. ”
another reveal that should have x - men fans excited is evan peters’ quicksilver revealing that he now knows michael fassbender’s magneto is his biological father .
lunar cheesecake also serves as the may flavor of the month, loaded with cheesecake bits in green and white cheesecake ice cream and wrapped up in a graham cracker ribbon .
plot: arnold schwarzenegger and his men are recruited by the cia to fight an enemy in a latin american jungle that is not of this earth .
one scene towards the beginning of the film features lorraine taking on several corrupt cops. caught off guard and without a gun, lorraine gets creative. she uses a long rope twisted around her body to choke multiple men by sneaking up behind them .
baskin - robbins and sony pictures have teamed up for the release of several men in black 3 - themed flavors, which will hit stores on may 1 .
plot: disturbingly frightening film about humans being taken over by cold, emotionless pods from outer space .
of miracles and men is more about the men than it is the miracle. the first 45 minutes are spent setting up the upset as fetisov makes his way to lake placid with his daughter anastasia, and the last half hour is all about the struggles he faced in his attempt to play in the nhl with the new jersey devils and the stanley cup he won with the detroit red wings in 1997 as part of the russian five. only the 30 minutes in between are dedicated to the miracle on ice itself .
this was lynch' s first entire digital video film, shot on a handheld sony pd150 recorder. this three hour mystery - horror film was no different than most of lynch' s other works, although there were general outlines to follow about a doomed film project, adultery, and a possibility of pregnancy :
emotions run hot but story blows cold in “ice men. ” tale of five buddies whose lives change during a winter weekend avoids most of the obvious cliches, yet never generates enough tension or rooting interest. privately financed helming debut from d. p. thom best (“ginger snaps, ” the american version of “queer as folk”) sports impressive production [ … ]
and it’s true. in “atomic blonde, ” lorraine doesn’t kill her soviet adversaries by punching them in the face one time and being done with it. and the film doesn’t pretend that a woman of theron’s size would be able to defeat similarly trained, large men with brute force alone .
in one of the film’s first scenes, lorraine takes an ice bath in a swanky white marble bathroom. usually a naked woman in a beautiful bathtub signals sexiness and the male gaze. but in “atomic blonde, ” as lorraine emerges from the ice bath and her body comes into view, the audience sees that her arms and back are covered in bruises, her eye socket is beaten black, and her lips are cracked and bloodied. she fills a glass with vodka on the rocks and takes a swig. there’s nothing sexual about this nude scene .
plot: a film in the travel - to - a - planet - of - scantily - clad - women subgenre .
plot: a terrifying film based on science - fiction author whitley strieber' s alleged real - life encounter with aliens .
for every underdog story, however, there is the favorite’s tragedy. of miracles and men, the latest documentary in espn films’ 30 for 30 series, takes the miracle on ice tale and tells it from the other side. like the recently released red army, it humanizes the supposed robots of the big red machine that were upset by a group of college kids on a friday night in february some 35 years ago .
the tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. it represents the percentage of professional critic reviews that are positive for a given film or television show .
the film' s open - ended conclusion let the viewer decide whether trent was insane or whether what he experienced was actually reality .
as with any david lynch film, making sense of the surrealistic images, unconventional and non - linear plot, overlapping storylines, alternate worlds, hyperlinked events, and changing identities (doubling of characters as doppelgangers) can be dubious. even the title of the film was ambiguous, not referring to a region in socal, but something more interior to the psyche. the film' s main clue was its tagline :
emotions run hot but story blows cold in “ice men. ” tale of five buddies whose lives change during a winter weekend avoids most of the obvious cliches, yet never generates enough tension or rooting interest. privately financed helming debut from d. p. thom best (“ginger snaps, ” the american version of “queer as folk”) sports impressive production values, but will quickly skate to cable and homevid after something less than a championship season at undemanding fests and in limited domestic play .
plot: a remake of the 1953 film, where a boy battles martians who have taken over his parents and threaten to destroy the world .
during one of the first run - throughs of the script, a disturbance was heard backstage in the studio - when devon investigated, he saw nikki' s lurking double seeing herself (at a later point in the film when she entered an alleyway and a door marked axxon n). nikki ran away, into the plain suburban home of another film character named smithy (character sue' s husband in the film ?) .
the film’s plot was fairly convoluted, but by far the coolest part of the whole film ― the part that has stuck with me days after leaving the theater ― was watching a woman fight, not like a man, but like a (highly - skilled, highly - trained) woman would .
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stable. it is more like a survivalist thriller than a superhero film, and signals its wintry quality with the title itself. it’s like seeing a film entitled banner or parker or kent. with the approach of death, maybe super identity is cast off. superpowers start to fade along with ordinary powers .
“this is a wonderful opportunity to bring the buzz and excitement of men in black 3 to baskin - robbins guests, ” said john costello, chief global marketing and innovation officer at dunkin’ brands, parent company of baskin - robbins, in a statement .
film, in which simian roddy mcdowall attempts to peacefully coexist with conquered humanity. but not everyone goes along with the plan, especially with an impending nuclear threat .
“since men are generally stronger than women, how does a woman go about overcoming male attackers? using her brains, mental toughness and the environment, ” hargrave explained. “use elbows, knees and other techniques that use the attacker’s strength and momentum against them. ”
director spike lee' s r - rated film was a typical hollywood retreaded heist - thriller flick, specifically a tense hostage drama. it reflected elements found in serpico (1973), dog day afternoon (1975), the comedy heist film quick change (1990), and die hard: with a vengeance (1995) .
this classic science fiction film by director don siegel involved the fear of a small town doctor that many of his patients, friends and relatives were experiencing fearful paranoia and delusions that their acquaintances were imposters - and were possibly being replaced by doppelgangers. the film was an effective metaphor for the fear of communist infiltration during the cold war 1950s .
the fox cinemacon presentation then led immediately into a new look at next month’s x - men: apocalypse with a special extended trailer, said to be created specifically for the event. among the footage’s highlights were new looks at apocalypse’s (oscar isaac) origins in ancient egypt, a cage match fight between kodi smit - mcphee’s nightcrawler and ben hardy’s angel, and an overall focus on jennifer lawrence’s mystique. it looks like a good portion of the story involves mystique leading the x - men when james mcavoy’s professor charles xavier is out of commission .
the film opened with cunning leader dalton russell (clive owen) and his gang committing the
perfect bank robbery
at the manhattan trust bank in the wall street district .
this is a film about brotherly love and male bonding like you' ve never seen before. many film critics have discussed the underlying homoeroticism in buddy films and westerns. as vito russo wrote in the celluloid closet: who remembers katherine ross in butch cassidy and the sundance kid? this is a hot topic again due to the recent success of brokeback mountain. three dancing slaves takes these themes to unprecedented levels. most of the film celebrates male camaraderie, and the homoeroticism is up front and center where no one could possibly miss it .
for the remainder of the film, simon' s mind was in a confused state regarding the actual year, alarming events with his brother and wife, and his own existence .
director jane campion' s dark feminist sex film was considered a pretentious rip - off of richard brooks' looking for mr. goodbar (1977). it featured the tagline :
writer / director chris d.' s (chris desjardins) first feature - length film was this direct - to - dvd / video low - budget, independent horror film. the over - used plot twist in this film was also seen in carnival of souls (1962), siesta (1987), jacob' s ladder (1990), a pure formality (1994), the sixth sense (1999), the others (2001), soul survivors (2001), stay (2005), and many other films .
it' s
just the guys
when vaughn invites his childhood friends up to the family cabin for a winter weekend. as they break out the cards and plan the next day' s hunting trip, it becomes obvious that time and separation has altered the men. kan købes hos urltoken
dazed, she then returned (drenched in blood) to malloy where she had handcuffed him earlier, and laid down next to him in a spooning position, as the film ended .
the film opened with a scene revisited much later in the film - cobb was lying on a beach where he was found delirious. he envisioned his children playing near him. he was taken by an armed guard to a beachside fortress where he was faced by wealthy, aged corporate executive saito (ken watanabe). the japanese businessman had been cobb' s latest employer .
plot: a television series based on the explorations of colonel ed mccauley. the show attempted to show the real qualities of space, instead of the typical characteristics of a science fiction film .
was everything in the film a dream of her ideal and righteous life - a
blue tomorrow
? during the cheerful end credits, nina simone delivered a strong rendition of
sinnerman .
then, she realized he was dead (
miles? miles! miles! oh! oh, no .
). sobbing, she leaned over and kissed him, as the film ended .
is it prurient and self - indulgent or is it art? i' ll be the first to admit that this film isn' t for everyone. even with all its carnal energy, it requires patience - or at least the willingness to just go with the film' s flow. think of it as taking a european vacation; one to be savored. go take a walk on the wild side .
in the film' s first epilogue, the lost girl ran into smithy' s house where she happily embraced her estranged husband and child (a symbol of nikki' s own restored marriage !) .
plot: semi - sequel to the 1956 film. this one is set in san francisco, where the
seeds
from outer space are duplicating and destroying the bay area residents at an alarming rate .
nikki had auditioned and received the part of sue blue, playing opposite womanizing actor devon berk as billy slide (justin theroux). the film was an adaptation of a polish gypsy tale (an adulterous love story) - with a plot about marriage and murder. it was directed by high - profile, pompous kingsley stewart (jeremy irons), with assistance from a broke freddie howard (harry dean stanton). production on the previously - cursed remake (titled vier - sieben: 47) of the film was never finished when the two leads were murdered. there were intimations that the current film would also be cursed .
amusingly, these people have made contact with logan through an x - men comic book, and the movie finesses the existence of these in the superhero world as rumourmongering pulp fiction. they infuriate logan, who says that the world’s bad stuff can’t be tackled by an “asshole in a leotard” and says that comic books are “ice cream for bedwetters”. harsh. as far as other mythologies go, laura, xavier and logan find themselves holed up in a hotel - room watching the old western classic shane on tv, which professor xavier says he remembers watching as a kid at the essoldo. did stewart improvise that line? or do screenwriters james mangold, michael green and scott frank have a connoisseur knowledge of defunct brit cinema chains ?
the film' s last line was uhl' s memory of eisenheim saying :
everything you have seen is an illusion. it' s a trick ,
as he laughed to himself at the recollection .
when the film ended with a slaughter at the asylum by monstrous creatures, trent wandered out into the world that was alarmingly empty after a bloody slaughter and civilization had seemingly been destroyed by cane' s creatures .
the film opened with a view of a creepy old woman (philip friedman) through a window, holding a candle - a major hint, and then the title screen in pulsating, blood - red lettering .
for film time information and ticket booking please call cineworld on 0871 200 2000 mon - sun 09: 00 - 22: 00. calls to this number cost 12 pence per minute plus your company’s access charge .
written by chow and directed by the legendary tsui hark, it concerns palaces, slums, royal figures, bums, monkeys, ice men, and, yes, demons, all of which are either the setting for or focus of huge - scale, cgi - assisted action sequences that, in most cases, would look like far too much. but the noise (visual and aural) is promising when it emanates from these voices — and sometimes you need a giant, gold hand harnessing the powers of the earth, or whatever in the hell happens in those final few seconds. (again: maybe too much! but who cares !) here’s a brand of kitchen - sink blockbuster filmmaking i can look upon with anticipation .
director john carpenter paid convoluted, warped homage to stephen king and h. p. lovecraft in this film that blurred the boundaries of fantasy and reality, fact and fiction, sanity and insanity, and reality and cine - reality .
simon' s' death' in his dream of the year 2000 was mirrored or paralleled with his death in 2002. the film returned to the car accident scene - also shown in the film' s opening - when simon was being treated by emergency personnel. peter told him :
it' s your choice, simon, where you go. it' s your choice .
a time stamp clock showed the time of his death: 20: 02 .
ariadne and fischer fell off the building as their
kick
to get back. cobb woke up again on the shores of saito' s beach house - the film' s opening scene. for cobb' s successful efforts at inception with fischer, saito made a phone call to clear away cobb' s legal troubles with immigration at lax, enter the us, be freed of his guilt, and be reunited with his children - at the film' s conclusion .
director roland suso richter' s enigmatic psychological thriller (direct to video / dvd) was based upon screenwriter michael cooney' s own play
point of death
- a title that gave away the film' s entire plot twist premise .
director jack clayton' s scary, supernatural - psychological horror film was adapted from henry james' novella, the turn of the screw. the setting was in the 19th century in victorian england, at a gothic, bleak english country estate .
viewers really do feel every punch to lorraine’s face, every kick to her knees, every jab to her ribs. it’s excruciating ― and it’s realistic. it gives more depth to theron’s character, forcing the audience to feel her pain, and making it clear that as a woman consistently fighting men she has to be even more steely - eyed and unrelenting than the guy across from her .
along the way, the film shows the development of the soviet program, which began under anatoli tarasov, whose unorthodox, artistic and heartwarming philosophy of hockey is contrasted with the bureaucratic, hardline and heartless approach of the late viktor tikhonov, his successor .
timmy then took control of malcolm' s personality and strangled psychiatrist dr. malick in the front seat of the van as the vehicle lurched to the side of the road. timmy whispered the nursery rhyme (in voice - over) as the film ended :
now on digital hd urltoken now on blu - ray & dvd urltoken cast: hugh jackman, patrick stewart, richard e. grant, boyd holbrook, stephen merchant, dafne keen directed by james mangold subscribe: urltoken connect with logan online: visit logan on our website: urltoken like logan on facebook: urltoken fb follow logan on twitter: urltoken tw follow logan on instagram: urltoken about 20th century fox: official youtube channel for 20th century fox movies. home of avatar, aliens, x - men, die hard, deadpool, ice age, alvin and the chipmunks, rio, peanuts, maze runner, planet of the apes, wolverine and many more. connect with 20th century fox online: visit the 20th century fox website: urltoken like 20th century fox on facebook: urltoken follow 20th century fox on twitter: urltoken logan | official trailer [ hd ] | 20th century fox urltoken
but the heart of the movie is the unexpectedly poignant relationship between xavier and logan: i’d be tempted to call them the steptoe and son of the mutant world, although in fact logan goes into basil fawlty mode at one stage with his own pickup truck, attempting to trash it – perhaps to teach it a lesson. logan is a forthright, muscular movie which preserves the x - men’s strange, exotic idealism .
writer / director neil labute' s disturbing drama (his debut film, a low - budget independent film) had as its thematic premise :
let' s hurt somebody
- a line spoken by corporate ex frat - boy chad (aaron eckhart) out to seek premeditated, retributive revenge on women, after he claimed he had broken up with steady girlfriend suzanne (emily cline) - and she had packed up, leaving him only a futon and his american gigolo poster. chad expressed his vile hatred of the fair sex :
plot: considered to be the worst film ever made. hilariously bad, it attempts to deliver an antiwar message as well as thrills and chills, but does not succeed. i watched the whole thing, and i' m still not sure what the plot is .
at each stage, one member of the team who was creating the dream remained behind while the others fell asleep to travel to the next level. so - called
kicks
would propel the dreamers out of the dream and back toward reality step by step (for example: yusuf driving the van off a bridge and hitting the water, arthur detonating an elevator carrying the entire team to fall down the shaft and simulating free - fall, and the ice - fortress being detonated and collapsing) :
attending hospital physician dr. newman [ revealed as mr. cable - the father of the two sons ] matter - of - factly delivered the news to simon in the film' s final line - with an added final sentence -
you died, mr. cable .
the film concluded by being folded back upon itself - trent entered an abandoned movie theatre that was showing the latest movie adaptation of sutter cane' s book - and slowly changed into a crazed, mutant creature that laughed maniacally as he sat down and watched himself on the silver screen .
director james wan and writer leigh whannell, creators of the
saw
film franchise, created this exceptionally - suspenseful horror film. it was derived from elements of typical haunted house tales, the exorcist (1973), the shining (1980), poltergeist (1982), the cell (2000), and paranormal activity (2007). the supernatural flick posited the existence of an unseen shadowy world known as
the further
( known in many such films as the
other side
), inhabited by creatures ready to possess the souls of humans .
plot: the most highly regarded sci - fi film of the 1950s. a futuristic space mission lands on the planet altair - 4 and finds a doctor and his daughter, who are all that remain from a previous colonization attempt, and an unseen force that does not welcome them .
uperpowers are one thing, but no - one said they were immortal. what happens when superheroes get old? actually, what happens when, like many non - superheroes, they arrive at late middle - age without a partner, in ill health, and with an ageing parent to look after? or parent - figure anyway. you find yourself asking these questions watching this surprisingly engaging, but downbeat – and also violent – x - men movie from the
plot: the third film in the alien trilogy. ripley (sigourney weaver) crash - lands on a planet where an old mining facility is used as a penal colony for madmen and rapists. the evil alien has once again stowed away on ripley' s ship, and battles ensues .
at the same time, billy' s crazed wife doris (julia ormond) in the film was interrogated by a detective, when she confessed she was hypnotized by the phantom (krzysztof majchrzak) to murder someone with a screwdriver (although the screwdriver was stuck in her own bloody side) .
it’s difficult to see the bonds of friendship among these generally self - absorbed men, which may be best’s point. but, absent genre cliches along the lines of an accidental death or deranged killer, there’s no deliverance from two hours of five unpleasant guys drinking and yelling at each other. of the quintet, david hewlett (who had a recurring role on “stargate atlantis”) is best as the eccentric bryan. the cold menace with which tracey plays trevor suggests a plot path never taken .
“atomic blonde” is a highly stylized action film, complete with non - stop fighting, classic bad guys and ’80s music. but putting the merits of its storytelling aside, the charlize theron vehicle got one thing right: if a woman was an ass - kicking international spy, she would fight exactly like this .
just before a movie audition for a remake of a film titled on high in blue tomorrows, aging yet privileged la actress nikki grace (laura dern), hoping for a comeback role, was visited in her luxury home by a heavily - accented polish neighbor lady (grace zabriskie). she related two old world folktales about an evil and lost girl. like a bizarre flash - forward, nikki was abruptly told that there was a
brutal f - - king murder
in the film' s plot, and prophetically told she would get the part in the film :
i definitely hear that you have it... actions do have consequences and yet there is the magic .
nikki also was told some hinted foreshadowings about things being non - linear :
i can' t seem to remember if it' s today, two days from now, or yesterday ,
and
evil was born .
the first three quarters of the film was basically a flashback to explain events occurring before the opening scene. it was narrated (in voice - over) by the dogged and determined chief police inspector walter uhl (paul giamatti) to describe why he was arresting stage performer eisenheim (edward norton) (aka eduard abramovich) .
dr. newman :
simon, this is the 29th of july. the year is 2002. and your wife, whose name is anna, is waiting outside .
( the doctor left off four crucial additional words, revealed in the film' s ending .) (spoiler: simon had died and was not resuscitated! )
the film' s plot, told in flashback, was about insurance fraud investigator john trent (sam neill) - now a violent and delusional asylum inmate in a padded cell (
i am not insane
), who had been institutionalized after axe - murdering a reader of a popular horror novel, in the mouth of madness .
the film revealed that the charming eisenheim and the serenely - beautiful duchess, who was increasingly reluctant to marry, had again reignited their love for each other during a secret love - making rendezvous. when the duchess determinedly told the drunken and jealous prince that she wouldn' t marry him and was leaving permanently, it appeared that she was murdered .
director james mangold' s psychological thriller was similar to a popular concept of many plot twisters, a combination of fight club (1999) and agatha christie' s novel and then there were none, adapted into many film versions. in the familiar thematic plot, a group of individuals in a remote location were being killed off, one by one .
the film ended ambiguously, however. as cobb tested out his top' s spinning on a table top, to see whether it would topple or not (and to find out whether he was dreaming or not), the screen turned to black. what was clear was that cobb walked away from the top in order to be with his children .
crew: camera (color, widescreen), gavin smith; editor, mike munn; music, michael shields, russell broom; production designer, melanie gordon, michael turner; sound (dolby digital). reviewed at montreal world film festival (cinema of the americas - - panorama canada), aug. 29, 2004. running time: 108 min .
the fox cinemacon presentation then delivered a first look at the studio’s christmas day comedy release, why him, introduced by stars bryan cranston and james franco (showing off a fantastic chemistry that looks like it could really make the film something special). the plot is fairly straightforward and plays sort of like meet the parents meets what about bob? , told from the father’s (cranston) perspective. in the film, his daughter (played by zoey deutch) is getting ready to marry franco’s character, an eccentric but well - meaning man of wealth who goes out of his way to please his financee’s family in some strange ways. in one scene, franco has had tattooed on his back the family’s most recent christmas card .
a few weeks later, after they returned to their hometown, a sickened howard visited chad at about 1 am, and learned that chad had no regrets about his actions, and that girlfriend suzanne had never left him (
she never left. she' s always been right there
) - the film' s plot twist. he boldly and amorally declared why he had devised the game :
because i could .
it seemed that all along, the motivation of the venomous and controlling chad was a subtle hatred of the submissive and vulnerable howard, who was appointed ineffectual team leader (in retrospect, chad had cleverly sabotaged howard' s work throughout the film). when howard left the building, he vomited on the staircase .
nikki' s possessively jealous and intimidating husband piotrek (peter j. lucas) warned devon that his wife was out - of - bounds for an affair. however, as the film was being made, nikki did begin an affair with devon, in the role of her character - simultaneously, her loss of identity and its fragmentation started when she paranoically feared she would be discovered .
in the persona of nikki (now dead as sue and reborn), she escaped from the trap of the film (after the shooting was completed). she entered into a nearby cinema, where she viewed on high in blue tomorrows, and some of the events of the film. she entered the theater' s projection room - and found herself in the
axxon n
apartment building. she shot and killed the phantom with a gun in a hotel hallway (as he died, his face displayed a hideous view of nikki' s own clown - face). she eventually wandered into hotel room 47 (which held the anthropomorphic rabbits in the tv sitcom), where she kissed the lost girl and freed her. nikki and the rabbits faded away .
the film follows slava fetisov as he retraces his steps to the sight of where one of the most famous silver medals in sports history was won. fetisov isn’t quite as candid and colorful as he is in red army, but his moments of reflection and recollection reveal a man in his mid - 50s still stung by a loss suffered as a 21 - year - old soviet prodigy .
the host is vaughn, a macho but anal felix unger type who makes everyone remove their wet shoes and provides knitted booties for their cold feet. amongst the guests are john, a closeted gay man, and steve, a hunky gym instructor whom john pines after. when the two men share a bed, john finally gets his wish - with predictable results (
we were drunk last night !
). this only adds to the already tense vibes caused by the unexpected arrival of vaughn' s estranged brother. secrets are told, betrayals are made, and there' s horseplay in an outdoor hot tub .
everything in the film then became very stylistic, hallucinatory' alice down the rabbit hole' images, seemingly - unrelated. nikki, as a white - trash, hardened, abused working - class housewife who confessed her hatred of men to a glasses - wearing psychiatrist, also spoke to a gaggle of lascivious prostitutes (fragments of her own shattered ego ?). she presumably was a prostitute herself (allegorically) for allowing sex with her co - star. one of the prostitutes salli (wendy rhodes) pulled up her black t - shirt to show off her breasts - after one of the others was told :
there' s always a chance with tits like yours, kari .
salli bragged :
these are gonna bring up' in - like - flynn' .
she was complimented about her shapely chest :
they' re pretty, baby. nice. sweet .
suddenly, the group, functioning as a greek chorus, burst into a choreographed version of
the loco - motion .
the serial killer also murdered and mutilated a medical student co - ed whose body parts were found in the school' s laundry room, and toward the film' s end, frannie' s half - sister pauline (jennifer jason leigh) who worked as a stripper / go - go girl at the baby doll lounge, was also found bloodied and decapitated in her apartment' s bathroom .
in this high - concept film with a well - constructed plot twist, each of the strangers that was being murdered, one - by - one (each victim had a room key placed on or near their body, with each room number connected to the order of the deaths), was not a real person. they were specific personalities of the' host' malcolm rivers (pruitt taylor vince) .
[ the method of entering a dream state was by injection, using portable technology cases. one of the film' s major premises was that each person was required to have a totem - to help identify if one was in the dream world or in the real world. cobb' s totem was his wife' s spinning top, which would keep spinning around if he was in a dream world. ]
in the film' s frenzied conclusion, first in the hot and humid greenhouse, she kept urging and suspecting that the ghost of quint was causing miles to frighten his schoolmates with vulgar language and behavior, and was teaching him to do and say things. behind miles, she saw an apparition of quint reflected in a window. but miles denied her assertions, screamed at her, and accused her of being mad :
although fetisov is the centerpiece of the film, the supporting cast is its true stars. tretiak, boris mikhailov, vladimir petrov, sergei makarov, alexei kasatonov and vladimir myshkin (tretiak’s replacement) all shine in their honesty. not to be missed among the interviews are russian journalists vitali melik - karamov and, especially, vsevolod kukushkin whose ho - hum account of the game dismisses the disney fairytale in stereotypical soviet style .
european cinema often travels the roads where american films fear to tread. submitted for your approval is three dancing slaves, a new film by french actor - turned - auteur gael morel. while not a household name in the states, he starred opposite stephane rideau in wild reeds, andre techine' s 1994 gay coming - of - age classic set against the french - algerian conflict, before turning his gaze behind the camera .
the second ― and by far the most violent fight scene of the film ― takes place toward the end of the movie. lorraine is trying to sneak an informant and his family into west berlin when she finds herself up against two huge soviet dudes. so, what does she do? she uses her elbows, knees, fingers, legs and whatever else she can find to kick the living shit out of the bad guys .
the film' s twist was an illusion all its own - in the concluding sequence, uhl was given a book with eisenheim' s detailed drawings of the solution to the
orange tree
trick, signifying that eisenheim' s magic was completely illusionary. at the same time, the locket in uhl' s possession was pickpocketed by a disguised eisenheim, who hurriedly boarded a train for the country, to cheerfully reunite with sophie .
sexuality is no mere subtext here, it is the driving force behind the film and director morel has outdone bertolucci with his loving images. look for the moment, pastoral in its innocence, where the three brothers all lay nude and intertwined, sleeping peacefully in the same bed. this is not incest; they simply connect in ways that defy convention. such images, rather than words, make it easier to understand why these three young men tolerate each other despite the drama each brings to the mix. though beautifully filmed and acted, this is nonetheless a very unconventional movie. the fractured narrative demands the viewer' s full attention. there are three acts, each titled after a different brother and a different season. gaps in the storyline are often left unexplained; one gets lost in their aimless lives and i think this was the point. three dancing slaves is hypnotic, like a dream. occasionally the dream erupts into nightmare - the fate of marc' s beloved dog will haunt me forever, there is heartbreak and there is euphoria. for joy, look to olivier and hichon, wildly in love, windsailing against a backdrop of the alps .
the film' s main plot was about the murder of a prominent and wealthy industrialist from chicago named philip colbert (uncredited jack teter) who was found beaten to death (a massive head wound) in a town alleyway. colbert had come to sparta from the north to build a new factory. his surviving widow leslie (lee grant) insisted that detective tibbs stay on the case to find her husband' s killer, causing ripples of racism in the small town .
if you like drama, you came to the right place because this will give it to you. no the acting is not great but not awful either. characters are easy to identify with but story can be a little weird at times. worth the time. left me wanting to know more. without ruining anything the main character has a bug up his but about the past. his brother ignores the past. two people get it on that should have but didn' t want to - two people who shouldn' t have didn' t and wanted to. the weaknesses and fears of men are exposed and stomped on in this movie. it reminded me of my straight brothers and how weak they can be when they proclaim toughness. drama, drama, drama
the exciting premise of the film was that the cop, a possible murderer, might kill her next, and she was mugged on the street and roughed up. with sexual tension building, she became engaged in a torrid, risky sexual liaison with the married (but estranged) cop after a date, although she was nervous about malloy being the killer of angela (and others), thinking that he was lying about the basement - sex incident and other aspects of his life .
director michael bay' s futuristic action - adventure thriller faced major legal problems when the producers of the low - budget independent film parts: the clonus horror (1979) filed a legal suit in 2005 (settled out of court in 2006) claiming that the dreamworks / warner bros. production was an unauthorized, cloned, scene - by - scene remake. it also combined elements of thx 1138 (1971), logan' s run (1976), and blade runner (1982) .
the trailer begins with fassbender’s character, callum lynch, waking up in some kind of a cell. marion cotillard’s character is there and tells him that he was executed yesterday and, officially, no longer exists. then we see lynch enter the animus which, in the film, features a large mechanical arm that holds its user in place and seems to move as lynch does allowing his body to go through the same jumps, flips and other parkour moves that he utilizes while in the past .
one of the more touching moments in the film is when fetisov and his daughter first walk into the dressing room the soviets were in for their game against team usa. with her father standing in the middle of the room, anastasia randomly selects a stall to sit down in. it just happens to be the one fetisov dressed in all those years ago. she’s 21 years old, the same age as her father when he lost to one of the most underdog teams of all - time .
what was this about? ?? ?? too many characters running in too many different directions to follow and all held together with a rather weak premise. lots of hints of drama but nothing developed. most of these guys cannot act and most likely were selected because they would act in this film. i had no idea who the direction thom what his name is is as i have never watched queer as folk but knew the film was in trouble when it was revealed he also wrote it and produced it (i do believe). a man is 30 + years old and never had a girlfriend and no one suspects he' s gay? who when he finally scores needs to discuss it with his trick? ? please. and anal retentive brother versus the drifter brother? another cliché. the closeted gym bunny? ! did anyone notice brian brings an assortment of liquours but they only drink glenfiddich and beer? perhaps if i had been drinking glenfiddich and beer i might have enjoyed this .
say we were to find some gal... this person' s just vulnerable as hell. you know, young thing, wallflower type, or whatever. or like, disfigured in some way. just some woman who is pretty sure that life, and i mean a full, healthy sexual life, romance, stuff like that, is lost to her forever... anyhow, we take a girl of that type, just some corn - fed bitch who' d practically mess her pants if you sharpen a pencil for her, and we both hit her. small talk, a dinner date, flowers... we just do it, you know, you and me, upping the ante all the time. and suddenly she' s got two men. she' s calling her mom. she' s wearing makeup again. and on we play, and on and on. and then one day, out goes the rug, and us pulling it hard, and jill - she just comes tumbling after... trust me, she' ll be reaching for the sleeping pills within a week, and we will laugh about this until we are very old men... . is that not ideal? restore a little dignity to our lives? ... it' s really just the same crap we used to play in school, only it' s better because we get a little payback on all this messy relationship s - - t we' re dealing with... i think it would be refreshing. i really do. and very therapeutic coming off the women we just have .
the most controversial portion of the film was its adult - like, intimately passionate, unsettling on - the - lips kiss between miss giddens and the wise - beyond - his - years miles after she escorted him to bed. she was horrified that miles was keeping a pigeon with a broken neck under his pillow (
yes, poor thing, i' ll bury it tomorrow
). and then he suddenly sat up and put his arms around her neck, asking :
kiss me goodnight, miss giddens .
from there, the fox cinemacon presentation moved on to dreamworks animation and, specifically, their november 4 release, trolls. star anna kendrick introduced the world of the film, explaining that the characters live in a happy society with special watches that go off every hour on the hour, reminding them to hug each other. the only trouble is that there’s another race of creatues, the bergens, who like to eat trolls and who wind up forcing kendrick’s bubbly troll poppy to have to work alongside justin timberlake’s pessimistic troll, branch .
the mind - warping film opened with a hospital patient simon cable (ryan phillippe) awakening in a hospital with little knowledge (amnesia perhaps ?) of what had happened, and why he was there, etc. he was told by attending dr. jeremy newman (stephen rea) that it was july 29, 2002 (simon thought it was the year 2000 - he was confused - he heard a doctor say 20: 00 hours !) and that he had died for two minutes from cardiac arrest following the near - fatal accident - - but he had been revived (
you' re as good as new
) .
stephen chow ‘s journey to the west: conquering the demons quickly took off upon its international release in early 2013, earning praise for and winning audiences with its (typical of the multi - hyphenate) inventive action sequences, soon going on to become the highest - grossing chinese - language film of all - time. it has since been surpassed by chow’s follow - up feature, the mermaid, and, if the trailer for journey ‘s sequel, subtitled the demons strike back — that’s how life works: first you conquer the demons, then they strike back — is indicative of what we’re to get, he may hit the seemingly impossible three - peat .
and then in the film' s most memorable and frightening moment, he took her in his arms to kiss her, and then drew away from her unresponsive lips. in a tight closeup shot of her face, he looked into the blank, dark, expressionless and staring eyes of his fiancée, realizing with a look of utter fright, shock, and fear that she was now one of
them
- her body had been invaded and snatched by the clones. he knew instantly that this was not becky, his sweetheart of a moment ago, but a treacherous imposter and victim. she confirmed the truth, and traitorously screamed to the pod - people searchers :
sue wandered the streets and found herself as a battered and tawdry prostitute on hollywood boulevard and vine, where she was stabbed with a screwdriver in the stomach (and creating a hole from her intestine into her vaginal wall) - thereby killing her baby. she slowly perished on a sidewalk next to a black homeless woman (helena chase) and a japanese girl (nae) who talked about taking a bus from hollywood to pomona to visit a friend named niko. niko represented the archetypal fallen victim of the film itself - a woman who aspired to be an actress, but failed and became a hard drugs - taking prostitute with a blonde wig (
she looks very good in her blonde wig just like a movie star
).
ice men is a 2005 canadian film written by michael maclennan and directed by thom best . the film stars david hewlett as bryan , martin cummins as vaughn , greg spottiswood as jon , james thomas as steve and ian tracey as trevor . the movie gained considerable recognition through gay and lesbian film festivals . 
ice men is a 2005 canadian film written by michael maclennan and directed by thom best. the film stars david hewlett as bryan, martin cummins as vaughn, greg spottiswood as jon, james thomas as steve and ian tracey as trevor. the movie gained considerable recognition through gay and lesbian film festivals.
ice men is a 2005 canadian film written by michael maclennan and directed by thom best. the film stars david hewlett as bryan, martin cummins as vaughn, greg spottiswood as jon, james thomas as steve and ian tracey as trevor. the movie gained considerable recognition through gay and lesbian film festivals.