mathilde ( film )
investigators are looking into whether the attack on the rock films studio was linked to a private screening of uchitel' s “mathilde, ” a film detailing the love affair between tsar nicholas ii and ballet dancer mathilde kschessinska, the local urltoken outlet reported. “mathilde” is due for release in late october .
19th sarajevo film festival 19th sarajevo film festival awards jury 2013 guests photo gallery competition programme stars festival themes if you missed it ...
duma deputy natalia poklonskaya and orthodox activists have described the film as offensive to believers .
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“this looks like the result of those earlier threats, ” he said. “today is both mathilde kschessinska’s birthday, and mine. i think these are not simple coincidences. ”
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the ballad of narayama
is a japanese film of great beauty and elegant artifice, telling a story of startling cruelty. what a space it opens…
the french choreographer mathilde monnier and her preparation for her next performance is the main focus of this documentary. the choreography' s practices and the bodies, everything is... see full summary »
a studio belonging to a director whose upcoming film about a tsar' s love affair has drawn sharp criticism from orthodox activists was attacked last night in st. petersburg .
the french choreographer mathilde monnier and her preparation for her next performance is the main focus of this documentary. the choreography' s practices and the bodies, everything is registered in some sort of anthropological way by the filmmaker' s camera .
when colonel pretis of the u. n. falls in love with mathilde, a local girl, during the balkans war, he lets his passion overcome his sense of duty and responsibility in a country torn by... see full summary »
in february, a vigilante group called
christian state — holy russia
sent a letter to dozens of cinema managers, saying “cinemas would burn, maybe people will even suffer” if the film was shown .
aspen film has set the lineup for its 24th academy screenings at the harris concert hall at the aspen music festival and school, opening with “spotlight” on dec. 22 and closing with “carol” on jan. 2 .
as in any fable, there are spires, towers and moats, and it' s a spellbinding saga - a macabre dance choreographed by its romance' s throbbing heart. mathilde and manech' s love left its mark in many places, so why not the grungiest and war - torn ?
an engaging and emotional film, which sweeps you into the world of its characters, and has striking cinematography. in fact the visuals are the best thing about the film. it' s a visual powerhouse of a film, mixing gritty visual conventions of the war genre with scenes of a more romantic visual style, both are done brilliantly. the story and characters are both interesting, and injected with a healthy amount of wit and humour. the writer has managed to perfectly blend various genres, devoting enough viewing time to each. the acting is a mixture of some performance which are almost cartoonishly ridiculous, and some which create deep 3d characters. this film is a brilliant blend of sad realism and enchanting fantasy. it creates its own world and characters, while at the same time reflecting ours. a bittersweet ending just adds to this theme. is it worth watching? yes it is. you' re guaranteed an adventure of mixed emotions, and the challenge that the main character faces will keep you engaged and stop you from getting bored .
paramount pictures and bad robot have today officially revealed the full overlord cast. the film, from director julius avery (son of a gun), is based on an original idea by the hunger games screenwriter billy ray and bad robot’s own j. j. abrams .
finding their faith shaken, however, is a nearly universal concern: “if it happened, that means he wanted it, ” one nun wonders aloud to mathilde. “what does he want me to do with it? ” “the innocents” is the rare film that examines the nature of religious belief in a non - judgmental way; actually, it’s more about strong, brave women protecting each other and doing what they must to survive. the starkness of the setting and the spare, fluid camerawork from cinematographer caroline champetier make the drama of their decisions pop that much more in ways that are both shocking and enlightening .
and that’s essentially it. what these people are like, how they pass the time, how they really feel about each other, what they talk about, where they live, and how they relate to the progress of modern history that is presumably occurring outside their mansion are details of little importance to this film. at one point, almost teasingly, tran begins to sketch a curious sort of relationship between gabrielle and mathilde, who are freely physically affectionate with one another, and visit every single evening. but then a solemn voiceover informs us, “no one knows what they talked about. and they’re all dead now. ”
when colonel pretis of the u. n. falls in love with mathilde, a local girl, during the balkans war, he lets his passion overcome his sense of duty and responsibility in a country torn by civil war. but his emotions and the beautiful croatian seaside blur the tragedies of war... until they all catch up with him in the most fatal manner .
struensee rises to a position of almost dictatorial power at court. the film is right that many of the reforms he enacted were remarkably progressive. these included a decree that aristocrats, who had previously been allowed to build up enormous debts without legal penalty, would henceforth be imprisoned for failing to pay back what they owed. ninety per cent of them immediately scurried off into hiding. viewers may find themselves feeling that modern europe could do with a few struensees to take on its bankers. unsurprisingly, the ultra - conservative faction at court has it in for him. the film' s depiction of what happens next is sadly accurate .
previously - announced overlord cast members jovan adepo (the leftovers) and wyatt russell (everybody wants some! !) are being joined by jacob anderson (game of thrones), dominic applewhite (the king’s speech), pilou asbaek (game of thrones), iain de caestecker (marvel’s agents of shield), john magaro (the big short), mathilde ollivier (the misfortunes of francois jane) and bokeem woodbine (fargo) .
audrey tautou shines in a powerful, sepia - toned love story about a woman on a multi - year quest to find her fiancé in the ashes of the first world war. though plodding by times, this is a film with a wonderful aesthetic, lots of greens and golds, much like jeunet' s other famous work, amélie. shot for shot, it' s as beautiful as anything, and you see the story unfold from teller to teller effectively through the eyes of the heroine. a very solid movie. ,, and if you think it' s a chick flick, surprise! marion cotillard and jodie foster turn up, if the war scenes weren' t enough for you... dudes... see this film .
director nina mimica photography phedon papamichael editing raimondo aiello jeremy irons, miki manolojvic, sinead cusack, nutsa kukhianidze when colonel pretis of the u. n. falls in love with mathilde, a local girl, during the balkans war, he lets his passion overcome his sense of duty and responsibility in a country torn by civil war. but his emotions and the beautiful croatian seaside blur the tragedies of war... until they all catch up with him in the most fatal manner .
of course, none of this is accidental. and as the film goes on, one begins to grasp the simple yet ineluctably profound message that the director is sending: birth is always a miracle, no matter how many times we witness it; death is always sudden and often meaningless, no matter how many times it touches our lives; and adding our own tiny entry to the succession of generations may be our only lasting mark on history. perhaps there are few truths more profound than this, and the obvious affection with which tran lingers on footage of infants swaddled in their mothers’ arms can’t help but be affecting in itself. but without any such attention paid to the eventful span in between these two extremes, the gossamer beauty of life that the film clearly wants us to ponder too often goes missing .
one of the more daring sisters dashes into town to fetch a doctor, trekking through forest trails and war - torn streets, and the dusting of snow that accumulates on the hem of her habit leaves a vivid impression of cold and isolation. the no - nonsense mathilde beaulieu of the french red cross (de laâge) initially is reluctant to leave her busy post to help. but once she arrives at the convent, she’s shocked to discover that at least a half - dozen young nuns also are in advanced stages of pregnancy .
fontaine explores this fraught situation from every angle and with great humanity. mathilde, for starters, is a stoic non - believer. she is all business—the voice of reason in a place of sacred mystery. and while she initially accepts the sisters’ blessings and prayers politely, she eventually opens herself up to the powerful role faith plays in their lives. when de laâge smiles or cries even slightly, it’s a revelation, and the vaguely romantic relationship that develops between her and a smart, self - deprecating fellow physician (a heartbreaking vincent macaigne) allows her a few stolen moments of much - needed joy .
as the reverend mother (kulesza) and her right - hand woman maria (buzek) matter - of - factly explain it, soviet soldiers invaded the convent and repeatedly raped the women as the war was ending. they can hide their bulging bellies under their robes, but only for so long. reverend mother views these pregnancies as a source of great shame and seems far less concerned about the psychological trauma these women must be experiencing. as she grudgingly agrees to let mathilde assist with the deliveries and after care, she insists the births must remain a secret, and promises to arrange adoptive homes for all the newborns immediately .
alone among assassins, jack is a master craftsman. when a job in sweden ends more harshly than expected for this american abroad, he vows to his contact pavel that his next assignment will be his last. jack reports to the italian countryside, where he holes up in a small town and relishes being away from death for a spell. the assignment, as specified by a belgian woman, mathilde, is in the offing as a weapon is constructed. surprising himself, jack seeks out the friendship of local priest father benedetto and pursues romance with local woman clara. but by stepping out of the shadows, jack may be tempting fate .
the cool, observational style that has marked much of fontaine’s work, including the lush biopic “ coco before chanel ” and the deliciously tawdry “ adore, ” serves her well here. working from a sensitive script by sabrina b. karine and alice vial, fontaine lets the inherent horror of the film’s situation speak for itself, which makes it that much more startling. and she draws finely nuanced performances from her ensemble cast, especially stars lou de laâge, agata buzek and the great agata kulesza (“ ida ”) .
young caroline matilda (alicia vikander) meets her betrothed (mikkel følsgaard) at a crossroads, where he is relieving himself against a tree. according to historian p nors, their real first meeting was
exceedingly romantic
, to the point where 17 - year - old christian
committed a number of awful breaches of etiquette by embracing and kissing her repeatedly in the presence of the whole court
. the film is right, though, that he soon tired of her. christian had suffered a brutally abusive upbringing at the hands of his guardian, ditlev reventlow: regular beatings had often left him writhing on the palace floor in agony .
he' s been difficult since childhood ,
the film' s reventlow explains ,
but i think most of his problems stem from excessive masturbation .
the king' s excesses also included drink, sado - masochism, handsome young men and prostitutes, most famously støvlet - cathrine, or catherine - of - the - boots. the danish court considered it appallingly bourgeois to be in love with one' s spouse .
in the film, struensee and caroline matilda bond over a shared passion for enlightenment ideas. though struensee was a free - thinker, there' s scant evidence of intellectualism in caroline matilda' s biographies. furthermore, in trying to present struensee' s relationship with caroline matilda as a pure, charming romance, a royal affair delicately leaves out court gossip that he was also having an affair with her lady - in - waiting, elisabeth von eyden. it was said that he carried on with both women for quite some time, making them spittingly jealous of each other .
“from star - studded features directed by master filmmakers to the best independent documentaries and foreign films of the year, this big - screen celebration spotlights the highest caliber and most talked about films vying for oscar, ” said aspen film artistic director maggie mackay. when we drink water, every day we have essential habits, so it is very necessary to consider the quality of water. water filter 3 can help people to solve this problem to a great extent, and it can also help people to improve the health of life. whirlpool filter the pure water filter of a brand is more suitable .
tran’s sheer skill as a filmmaker ensures that some of these births and deaths land with great poignancy. for example, shortly after valentine sends her oldest boys, identical twins, off to an unspecified war, we see the arrival of a government communiqué that clearly augers bad news, and as the camera lingers on the letter, we notice that there are two identical ones. yet so often are these sorts of scenes repeated that it becomes safe to assume any child seen bedridden with an artfully applied sheen of sweat, or even lingered upon in closeup longer than the others, will no longer be a part of the film going forward .
in dalarna, sweden, the lonely hit man and craftsman jack has a tragic encounter with two assassins hired to kill him and survives an ambush. jack travels to rome and calls his contact pavel (johan leysen) that meets him in a cafeteria, gives a fiat tempra to him and asks jack to travel to the countryside for a next assignment. sooner a woman called mathilde meets jack and delivers the specification of a sophisticated weapon to be constructed by him. while living in the village and building the weapon, jack befriends the local priest and has sex with the prostitute clara. the distrustful jack gets closer to clara and sooner they date outside the brothel. when jack tells pavel that this work will be his last one and he will retired after delivering the weapon, jack is betrayed and he does not know who can be trusted .
for the first forty minutes or so, “my old lady, ” the film directorial debut of respected playwright israel horowitz, adapting his own play, is a “no problem” proposition. that is to say, because horowitz is a respected playwright for good reason (his 1960s two - hander “the indian wants the bronx” is, i suspect, still a staple for acting workshops and small theater companies to this day), the writing’s no problem. and because the cast is topped by kevin kline, maggie smith, and kristen scott - thomas, the acting is no problem. and because the movie is set in paris, specifically the extremely - suffused - with - conventional - gallic - charm marais section of the city, the views are no problem .
“he not busy being born is busy dying. ” bob dylan’s oft - quoted 1965 lyric could well serve as a plot summary for vietnamese director tran anh hung ’s first french - language feature, “éternité, ” which trains a painterly eye (and a fetish for immaculate production design) on three generations of an enormous aristocratic family that stays busy doing little else. featuring an embarrassment of great actresses (audrey tautou, mélanie laurent, bérénice bejo, irène jacob) near - silently emoting for the camera as their characters process constant birth and death for the better part of two hours, “éternité” is a meditative, gorgeous - looking film imbued with such gentle sensitivity that it’s difficult to dislike. yet the experience of watching it is much like sitting in an opulent garden café on a glorious spring morning, waiting for a meal that never arrives .
there is the devil to pay in denmark ,
wrote horace walpole .
the queen has got the ascendant, has turned out favourites and ministers, and literally wears the breeches, actual buckskin .
sadly, the film does not show caroline matilda' s famous penchant for transvestism, which outraged copenhagen even more than her extramarital affair. she was often seen walking through the city arm in arm with struensee, both of them wearing tight - fitting leather breeches and scarlet coats. the effect particularly alarmed her ladies - in - waiting, for the real caroline was more sturdily built than the one in the movie .
if only she were well made, i could understand her walking about in that costume ,
wailed mme von gramm ,
but just think of her hips, her – quarters !
yes, her royal bum looked big in that .
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australia is about edouard pierson, a belgian - born wool dealer who emigrated to australia after world war two. the movie actual takes place in belgium as he returns to his homeland to... see full summary »
elegant and educated bachelor, charles swann, moves in the most powerful and fashionable circles of paris in the 1890' s. when he falls in love with odette de crecy, a courtesan, his friends... see full summary »
pinter' s semi - autobiographical play examining the surprise attraction, shy first steps, gradual flowering, and treasonous deception of a woman' s extramarital affair with her husband' s best... see full summary »
a man new to a smallish british town joins an amateur theatre company. once there, he discovers that the drama on stage is quite often nothing compared to what' s happening behind the scenes... see full summary »
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a fire broke out at filmmaker alexei uchitel' s studio at around 3: 30 a. m. on thursday morning after unknown assailants threw molotov cocktails at the building, a spokesperson for the local branch of the interior ministry was cited as saying by the state - run ria news agency thursday .
in comments to the bbc’s russian service on thursday, uchitel said authorities had ignored repeated calls to take action in response to the intimidation .
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an emotionally cold man leaves the safety of his alpine home to seek a heart transplant and an estranged son .
dah and jocelyn come from benin, africa, to coach their rooster ,
s' en fout la mort
, for an illicit cock - fight in the basement of a restaurant .
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les tetes brulees play bikutsi music, an ancient rhythm from the rain - forest region of western cameroon. bikutsi is the music of the beti tribe, traditionally played on a
balafon
and... see full summary »
marco returns to paris after his brother - in - law' s suicide, where he targets the man his sister believes caused the tragedy - though he is ill - prepared for her secrets as they quickly muddy the waters .
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amidst turmoil and racial conflict in a francophone african state, a white french woman fights for her coffee crop, her family and ultimately for her life .
after he survives an ambush beside a remote swedish lake, an american hit man goes to rome and contacts his control, pavel, who sends him to an abruzzian town with the warning ,
no friends .
he takes one look and goes instead to nearby castelvecchio where he poses as a photographer and waits for his control to take care of the swedish problem. while waiting, his control gives him a job constructing a special weapon for a belgian assassin, he converses with the town' s priest, and he spends the occasional night with clara, a local prostitute. after the priest calls him out on his profession and the swedes get a line on his whereabouts, is it time to get out ?
matthew broderick goes out on a limb in this surprising adventure about a financial whiz who takes a wild detour to come to the aid of his kid sister in the small logging town of buzzsaw .
for a special mission to destroy drug dealers in nice, hardcore bachelor inspector campana has to don the role of a married man with a child. he adjusts himself well but will have to fight a lot before being able to achieve final victory .
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a reformed bank robber is taken hostage by a desperate man during a bank hold up, but is forced to go on the run with his captor when they' re both mistakenly thought to be in cahoots .
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this is actor pierre mondy' s only movie as a director; this is based on a play and it does not show too much. a tycoon' s wife is abducted by two - bit kidnappers who will run into difficulties when it comes to get a hefty ransom. the far - fetched story involves a cosmonaut, a fighter pilot, a cow, a listless husband, a wife who finally comes to dominate her abductors, and a false alarm, where the whole neighborhood ends up in the place where the hoodlums keep their prisoner. jacqueline maillan, who was an extremely funny actress on stage, would lose some of her appeal on the screen; michel serraut, guy bedos and jacques dufilho have a tendency to overact, in a heavy - handed plot. however, dufilho plays his game well, as a
scarecrows inventor
which does not sell well ,
because the peasants do not understand them, and, to make the matters worse, neither do the birds
. robert hirsh a french fighter pilot who passes himself off as a russian rocket man, gives a more restrained performance. all in all, this is a moral story in which ill - gotten gains seldom prosper. for the
good
husband and for the villains .
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tran anh hung’s first french - language feature is a procession of births and deaths in a family whose actual lives remain largely mysterious .
audrey tautou, melanie laurent, berenice bejo, jeremie renier, pierre deladonchamps, irene jacob, arieh worthalter. (french dialogue )
set to the dulcet tones of birdsong and classical piano (bach and debussy especially), the overwhelming majority of “éternité’s” dialogue is delivered via an omniscient voiceover — half an hour has elapsed before anyone has a conversation of more than two sentences, and it’s longer still before anyone makes any sudden movements or loud noises. and while that robs the story of much urgency or conflict, it’s hard to imagine it would be possible to keep track of the central family’s exponentially - expanding numbers without it .
reviewed at tiff bell lightbox, toronto, ontario, sept. 9, 2016. running time: 115 min .
( france) a pathé (in france) release of a nord - oest presentation. (international sales: pathé, paris .) producers: christophe rossignon, philip boeffard. executive producers: eve francois machuel, stephane quinet .
director, screenplay: tran ahn hung, based on the novel “l’elegance des veuves” by alice ferney. camera (color): mark lee ping bing. editor: mario battistel .
“he not busy being born is busy dying. ” bob dylan’s oft - quoted 1965 lyric could well serve as a plot summary for vietnamese director tran anh hung’s first french - language feature, “éternité, ” which trains a painterly eye (and a fetish for immaculate production design) on three generations of an enormous aristocratic family that stays busy doing little [ … ]
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basically the story of a man forced to finally see the injustice around him. riley’s movie is designed to do the same thing to you. …
roger ebert' s speech on empathy for the
11th hour
series on april 9th, 1994, being republished here in honor of his birthday june 18 .
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an interview with terry gilliam, director of
the man who killed don quixote .
the ebert club is our hand - picked selection of content for ebert fans. you will receive a weekly newsletter full of movie - related tidbits, articles, trailers, even the occasional streamable movie. club members also get access to our members - only section on urltoken
rated pg - 13 for disturbing thematic material including sexual assault, and for some bloody images and brief suggestive content .
veteran french director anne fontaine approaches a spiritually and emotionally complex real - life slice of history with deftness and understated drama in “the innocents. ”
“the innocents” begins at the end of world war ii in poland, december 1945. serene, austere benedictine nuns sing sweetly in the quiet stillness of morning—until a piercing scream echoes through the stone hallways, sending a chill. turns out, it’s coming from an extremely pregnant, young nun who’s on the verge of giving birth—and she’s not alone .
but the nuns themselves also get the opportunity to evolve in unexpected ways. they may all look alike at the start with their uniformly plain appearance, but each reacts to the prospect of being a mother differently—especially given the devastating way they became pregnant. most were virgins before they were violated; others had known men before coming to the convent and speak longingly of the freedom of their previous lives. one nun giggles nervously during her examination while another recoils in fear and shame .
and although the ending wraps things up in a quick and tidy way that’s jarring, given everything that preceded it, “the innocents” still represents a welcome change: a war movie by women, about women .
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chico (charles farrell) is a poor parisian sewer cleaner who aspires to work his way out of his dead - end job and into the middle class. when he meets diane (janet gaynor), an abused prostitute, he sympathizes with her plight and tells the police she' s his wife to prevent them from arresting her. to keep up the appearances of marriage, he invites diane to live with him, and a real romance blossoms until chico is drafted in the army at the start of world war i .
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princess caroline matilda, sister of mad king george iii of great britain, was married off to mad king christian vii of denmark at the age of 15. she later began an affair with his chief minister, johann struensee .
christian' s mental illness is soon so severe that a full - time physician must be engaged. enter johann struensee (mads mikkelsen), who vigorously encourages the king' s carousing and whoring. christian and struensee roll in late from a brothel excursion, earning a ticking - off from caroline matilda .
the world' s full of princesses, and i got stuck with the grumpy one ,
christian complains. struensee expertly diagnoses that the queen is
in a bad mood
. in fact, she had a serious illness at this point – one whose details have not been recorded, but which apparently nearly killed her. court gossip plausibly suggested it was a venereal disease: probably an unwelcome gift from her husband .
a royal affair is a watchable and historically respectable retelling of caroline matilda' s extraordinary story – but what a pity we didn' t get to see her in drag .
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other notable titles include “amy, ” “bridge of spies, ” “concussion, ” “the danish girl, ” “room, ” “sicario” and “where to invade next. ”
voting members of ampas, bafta and the associated guilds can receive a complimentary pass to the screenings .
based on the investigation that lead to the boston globe’s pulitzer prize - winning expose on the catholic church abuse scandal, veteran filmmaker tom mccarthy’s latest, and arguably his best, stars an incredible ensemble cast led by michael keaton, mark ruffalo, rachel mcadams, brian d’arcy james, john slattery and liev schreiber .
carey mulligan, helena bonham carter and meryl streep star in a powerfully realized historical drama about a struggling young mother who hesitantly joins the suffrage movement only to become one of its most powerful advocates. deeply moving and surprisingly timely, suffragette is more than a movie, it is a call to arms .
on the eve of their 45th anniversary, a couple makes a startling discovery from their past that forces them to face hard truths about their marriage and themselves. starring two beloved brit actors, silver - screen grand dame charlotte rampling and tom courtenay, 45 years is an emotionally gripping love story unlike any we’ve ever seen .
shaun the sheep movie, 3: 00pm (86 min. , u. k. / france) *
shaun the little sheep, seeking respite from his humdrum country routine, hatches an ill - advised escape plan that lands him and his flock dangerously far from home. from the masterminds behind wallace & gromit comes an animated romp to delight kids and grownups alike .
the end of the tour, 5: 30pm (106 min. , usa )
jason segel, cast against type, delivers a knockout performance as beloved american author david foster wallace in this poignant and warmly funny road movie about two young scribes waging a duel of wits over art and life. jesse eisenberg shines as the rolling stone writer tasked with covering wallace on the book tour for his epic novel “infinite jest. ”
director: james ponsoldt writer: donald margulies producers: james dahl, matt deross, david kanter, mark c. manuel, ted o’neal cinematographer: jakob ihre editor: darrin navarro cast: jason segel, jesse eisenberg, anna chlumsky, joan cusack, ron livingston, mamie gummer, mickey sumner
tackling a timely controversy with bracing clarity and sensitivity alike, peter landesman’s thriller stars will smith as dr. bennet omalu, a nigerian neuropathologist forced to speak truth to no less an american power than the nfl when he discovers the link between football and brain trauma. a powerhouse supporting cast includes alec baldwin and albert brooks .
where to invade next, 5: 00pm (119 min. , usa )
in a tradition that stretches back to his first hit, “roger & me, ” academy award - winning documentarian michael moore sets out on an eye - opening trek across europe to investigate, with his signature warmth and humor, everything from healthcare to prison reform to women in politics. on a mission to help save america from itself, moore asks us to consider how things might be done differently .
director / writer / producer: michael moore producers: tia lessin, carl deal cinematographers: richard rowley, jayme roy editors: pablo proenza, t. woody richman, tyler walk featuring: michael moore
steven spielberg delivers a crackling cold war - era thriller starring tom hanks, in original form as an all - american man - of - the - law who risks everything when called upon to defend an accused soviet spy. an incredible supporting cast and a near perfect script from matt charman and joel and ethan coen position “bridge of spies” as a new american classic .
featuring riveting performances from paul dano and john cusack, “love & mercy” recounts the turbulent life of tortured beach boys mastermind brian wilson with compassion and honesty. centered on the making of “pet sounds, ” the group’s seminal album, bill pohlad’s touching portrait is a musical delight that packs a deeply emotional punch .
indie darling brie larson and wildly talented young newcomer jacob tremblay deliver two of the year’s most talked - about performances in this alternately harrowing and touching adaptation of a best - selling novel, which explores the strength of parental love under the worst of circumstances .
director: lenny abrahamson writer: emma donoghue producers: ed guiney, david gross cinematographer: danny cohen editor: nathan nugent cast: brie larson, jacob tremblay, joan allen, william h. macey, tom mccamus, sean bridgers
supported by an a - list cast including helen mirren (brilliant as infamous gossip columnist hedda hopper), louis c. k. , john goodman and diane lane, bryan cranston delivers an electric, nuanced performance as blacklisted hollywood screenwriter dalton trumbo in jay roach’s engaging, quick - witted biopic, which doubles as a moving exploration of hollywood’s tarnished golden age .
director: jay roach writer / producer: john mcnamara producers: michael london, janice williams, shivani rawat, monica levinson, nimitt mankad, kevin kelly brown cinematographer: jim denault editor: alan baumgarten cast: bryan cranston, michael stuhlbarg, diane lane, helen mirren, louis c. k. , john goodman
the danish girl, 5: 30pm (120 min. , u. k. / germany / usa )
two oscar winners — director tom hooper and actor eddie redmayne — join forces in this extraordinary period biopic, at once a tender love story and a raw portrait of self - discovery. redmayne astounds as einar wegener, an artist in 1920s denmark whose gender transition sends his wife, fellow artist gerda, on a transformational journey of her own .
acclaimed “senna” director asif kapadia returns with another stunning archival portrait - this one documenting the meteoric rise and tragic fall of the late 27 - year - old musical genius amy winehouse. emotionally wrought and deeply engaging, “amy” asks us to consider the demands we place on those graced by fame .
the concept of politics as televised blood sport was born at the 1968 democratic national convention, when william f. buckley and gore vidal went full contact in a series of nationally televised debates. this electrifying documentary by robert gordon and academy award - winning documentarian morgan neville returns to that watershed moment as we gear up for another national election in a deeply divided country .
directors / producers: morgan neville, robert gordon producer: julie goodman cinematographers: david leonard, graham willoughby, mark schwartzbard editors: eileen meyer, aaron wickenden featuring: william f. buckley, gore vidal
france’s official oscar submission happens to be turkish: full of heartbreak and hope alike, deniz gamze ergüven’s gorgeous and refreshingly original coming - of - age tale details the adventures and struggles of five adolescent sisters exploring life in their small village as best they can under their vindictive uncle’s lock and key as their grandmother grooms them for marriage .
a rock - star cast at their best (emily blunt, benicio del toro and josh brolin) drives denis villeneuve’s blistering thriller about an fbi agent navigating the geographical and moral gray area that is the u. s. - mexico border, where the ceaseless drug wars take their pyrrhic toll against a harsh desert backdrop captured by legendary cinematographer roger deakins .
director: denis villeneuve writer: taylor sheridan producers: basil iwanyk, edward l. mcdonnell, molly smith, thad luckinbill, trent luckinbill cinematographer: roger deakins editor: joe walker cast: emily blunt, benicio del toro, josh brolin, victor garber, john bernthal, daniel kaluuya
youth, 2: 30pm (123 min. , italy / france / u. k. / switzerland )
by turns delirious and devastating, italian auteur paolo sorrentino’s visually dazzling follow - up to his academy award - winning “the great beauty” is generating oscar buzz of its own. supported by an incredible cast that includes jane fonda, paul dano and rachel weisz, michael caine and harvey keitel captivate as old friends looking back on their lives while the future unfolds around them .
when rumors of her boyfriend’s infidelities reach a just - out - of - jail working girl, she sets off on a mission to hunt him down, traversing tinseltown on christmas eve with her best friend in tow. this gritty, groundbreaking, outrageous tale, shot entirely on an iphone 5s, is the most talked about indie of the year and the first oscar contender lead by a transgender cast .
as deeply moving as it is wildly original, this fantastic feat of stop - motion animation from duke johnson and acclaimed filmmaker charlie kaufman introduces us to a sales guru in midlife crisis — and the one woman who can pierce the dull roar in his head .
a chance meeting sparks a forbidden love affair between two women from different worlds in this adaptation of patricia highsmith’s groundbreaking 1952 novel “the price of salt. ” stunning cinematography, brilliant direction by todd haynes and epic performances from oscar familiars cate blanchett and rooney mara make “carol” a cinematic masterpiece .
the third year of the kinoscope programme comprise 21 inspiring films directed by great authors as well as new talented filmmakers. this programme brings us films from around the world, both narrative and documentary, excluding the territories which compose the festival’s competition strand .
boyhood usa, 2013, colour, 164 min. director and screenplay: richard linklater cast: patricia arquette, ethan hawke, ellar coltrane, lorelei linklater
concerning violence sweden, usa, denmark, finland, 2014, colour and b & w, 91 min. director and screenplay: göran hugo olsson narrated by: lauryn hill
eat your bones / mange tes morts france, 2014, colour, 94 min. director and screenplay: jean - charles hue cast: jason francois, mickael dauber, frederic dorkel, moise dorkel, philippe martin
güeros mexico, 2014, colour, 106 min. director: alonso ruizpalacios screenplay: alonso ruizpalacios, gibrán portela cast: tenoch huerta, sebastián aguirre, ilse salas, leonardo ortízgris
ida poland, denmark, 2013, b & w, 80 min. director: pawel pawlikowski screenplay: pawel pawlikowski, rebecca lenkiewicz cast: agata kulesza, agata trzebuchowska, dawid ogrodnik and special guest appearance joanna kulig
leviathan russia, 2014, colour, 140 min. director: andrei zvyagintsev screenplay: oleg negin, andrey zvyagintsev cast: alexey serebryakov, elena lyadova, vladimir vdovitchenkov, roman madyanov, anna ukolova, alexey rozin, sergey pokhodaev
li' l quinquin / p' tit quinquin france, 2014, colour, 200 min. director and screenplay: bruno dumont cast: alane delhaye, lucy caron, bernard pruvost, philippe jore, corentin carpentier, julien bodard, baptiste anquez, lisa hartman, frederic castagno, stephane boutillier, philippe peuvio, celine sauvage, jason cirot
love hotel uk, france, japan, 2014, colour, 80 min. directors and screenplay: philip cox, hikaru toda
maidan ukraine, netherlands, 2014, colour, 131 min. director: sergey loznitsa
still the water / futatsume no mado japan, spain, france, 2014, colour, 119 min. director and screenplay: naomi kawase cast: nijiro murakami, jun yoshinaga, miyuki matsuda, tetta sugimoto
the night / ye china, 2014, colour, 95 min. director and screenplay: zhou hao cast: zhou hao, liu xiao xiao, li jin kang, zhou feng qi
mathilde is a 2004 drama film written and directed by nina mimica and starring jeremy irons , nutsa kukhianidze and sinéad cusack . it was a co-production between several different countries . the screenplay concerns a young girl who attempts to kill a un peacekeeper after the war in croatia . 
mathilde is a 2004 drama film written and directed by nina mimica and starring jeremy irons, nutsa kukhianidze and sinéad cusack. it was a co-production between several different countries. the screenplay concerns a young girl who attempts to kill a un peacekeeper after the war in croatia.
mathilde is a 2004 drama film written and directed by nina mimica and starring jeremy irons, nutsa kukhianidze and sinéad cusack. it was a co-production between several different countries. the screenplay concerns a young girl who attempts to kill a un peacekeeper after the war in croatia.