samasya
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samasya is a 1976 malayalam film stars, directed by k. thankappan & music by. 15 - 05 - 1976
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conducted by enquire quiz club, the official quiz club of nitc, samasya is an attempt to reach out to schools, presenting them a unique quizzing session where they will test their mettle against each other .
: the samasya quiz conducted as part of the upcoming tathva ’15, an annual techno - management festival of the national institute of technology – calicut (nit - c), at different venues in the state will begin on saturday .
samasya (problem) is a short film animated using stop motion animation technique by students of animation and film design, batch 2013 at national institute of design, india. the interviews were taken casually of random pedestrians in city of ahmedabad, and then story was crafted out of selected interviews. people were asked about any problem they had in their life and the responses we got were very interesting. characters were designed by each student in the batch, depending on the interview they received after shuffling .
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sastrasamasya, the inter school science quiz and science talent hunt competition conducted by vidyodaya school, thevakkal was inaugurated by smt. lakshmi anil, asst. director - polygraph, forensic department, govt. of kerala on 15 / 01 / 2018. programmes like science quiz and role play were the highlights of the event. the science quiz was conducted by dr. rajeev, head, department of anesthesia, kims hospital, kochi. the overall trophy was bagged by bhavans adarsha vidyalaya, kakkanad .
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vaisampayana said yudhishthira, the son of kunti, once more asked the great muni markandeya about the future course of the government of the earth .
and yudhishthira said,' o thou foremost of all speakers, o muni of bhrigu' s race, that which we have heard from thee about the destruction and re - birth of all things at the end of the yuga, is, indeed, full of wonder! i am filled with curiosity, however, in respect of what may happen in the kali age. when morality and virtue will be at an end, what will remain there! what will be the prowess of men in that age, what their food, and what their amusements? what will be the period of life at the end of the yuga? what also is the limit, having attained which the krita age will begin anew? tell me all in detail, o muni, for all that thou narratest is varied and delightful.'
will be inauspicious. and the course of the winds will be confused and agitated, and innumerable meteors will flash through the sky, foreboding evil. and the sun will appear with six others of the same kind. and all around there will be din and uproar, and everywhere there will be conflagrations. and the sun, from the hour of his rising to that of setting, will be enveloped by rahu. and the deity of a thousand eyes will shower rain unseasonably. and when the end of the yuga comes, crops will not grow in abundance. and the women will always be sharp in speech and pitiless and fond of weeping. and they will never abide by the commands of their husbands. and when the end of the yuga comes, sons will slay fathers and mothers. and women, living uncontrolled, will slay their husbands and sons. and, o king, when the end of the yuga comes, rahu will swallow the sun unseasonably. and fires will blaze up on all sides. and travellers unable to obtain food and drink and shelter even when they ask for these, will lie down on the wayside refraining from urging their solicitations. and when the end of the yuga comes, crows and snakes and vultures and kites and other animals and birds will utter frightful and dissonant cries. and when the end of the yuga comes, men will cast away and neglect their friends and relatives and attendants. and, o monarch, when the end of the yuga comes, men abandoning the countries and directions and towns and cities of their occupation, will seek for new ones, one after another. and people will wander over the earth, uttering,' o father, o son', and such other frightful and rending cries .
387: 1 the word in the text is kora - dushakas, supposed by wilson to be the paspalum frumentacea (vide dict .) .
388: 1 the word in the text is mlecchibhutam. the sanskrit grammar affords a great facility for the formation of verbs from substantives. mlecchify may be hybrid, but it correctly and shortly signifies the sanskrit word .
390: 1 pushya is the eighth lunar asterism consisting of three stars, of which one is, the cancer. (vide wilson' s diet .) .
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thus asked by them, markandeya answered,' the royal sage vaka is a great ascetic and endowed with long life. ye need not enquire into the reason of this.'
hearing this, o bharata, the son of kunti, king yudhishthira the just, along with his brothers, then asked markandeya saying,' it hath been heard by us that both vaka and dalvya are of great souls and endowed with immortality and that those rishis, held in universal reverence, are the friends of the chief of the gods. o holy one, i desire to listen lo the (history of the) meeting of vaka and indra that is full of both joy and woe. narrate thou that history unto us succinctly.'
vaka answered,' if without having to associate with a wicked friend, a man cooks scanty vegetables in his own house at the eight or the twelfth part of the day, there can be nothing happier than that. 1 he in whose case the day is not counted is not called voracious. and, o maghavan, happiness is even his own whose scanty vegetables are cooked. earned by his own efforts, without having to depend upon any one, he that eateth even fruits and vegetables in his own house is entitled to respect. he that eateth in another' s house the food given to him in contempt, even if that food be rich and sweet, doth what is despicable. this, therefore, is the opinion of the wise that fie on the food of that mean wretch who like a dog or a rakshasa eateth at another' s house. if after treating guests and servants and offering food to the manes a good brahmana eateth what remains, there can be nothing happier than that. there is nothing sweeter or more sacred, o thou of a hundred sacrifices, than that food which such a person takes after serving the guest with the first portion thereof. each mouthful (of rice) that the brahmana eats after having served the guest, produces merit equal to what attaches to the gift of a thousand kine. and whatever sins such a one may have committed in his youth are all washed away of a certainty. the water in the hands of the brahmana that hath been fed and honoured with a pecuniary gift (after the feeding is over) when touched with water (sprinkled by him that feeds), instantly purges off all the sins of the latter!'
speaking of these and various other things with vaka, the chief of the gods went away to heaven.'
2
399: 1 they, therefore, that lead deathless lives can enjoy this bliss from day to day for ever .
399: 2 it is difficult to understand how all that vaka says can be an answer to indra' s question. the chief of the gods enquires: what are the joys of those that lead deathless lives? vaka breaks away unto a confused rigmarole about the merits of independence and the religious merit of entertaining guests and servants. all the printed editions have the passage as rendered here .
markandeya continued,' o lord of men, the beautiful siva endowed with great virtues and an unspotted character was the wife of angiras (one of the seven rishis). that excellent lady (swaha) at first assuming the disguise of siva, sought the presence of agni unto whom she said,' o agni, i am tortured with love for thee. do thou think it fit to woo me. and if thou dost not accede to my request, know that i shall commit self - destruction. i am siva the wife of angiras. i have come here according to the advice of the wives of the other rishis, who have sent me here after due deliberation.'
swaha replied,' thou art always a favourite with us, but we are afraid of thee. now having read thy mind by well - known signs, they have sent to thy presence. i have come here to gratify my desire. be thou quick, o agni, to encompass the object of thy desire, my sisters - in - law are awaiting me. i must return soon.'
markandeya continued,' then agni, filled with great joy and delight, married swaha in the guise of siva, and that lady joyfully cohabiting with him, held the semen virile in her hands. and then she thought within herself that those who would observe her in that disguise in the forest, would cast an unmerited slur upon the conduct of those brahmana ladies in connection with agni. therefore, to prevent this, she should assume the disguise of a bird, and in that state she should more easily get out of the forest .
markandeya continued,' then assuming the disguise of a winged creature, she went out of the forest and reached the white mountain begirt with clumps of heath and other plants and trees, and guarded by strange seven - headed serpents with poison in their very looks, and abounding with rakshasas, male and female pisachas, terrible spirits, and various kinds of birds and animals. that excellent lady quickly ascending a peak of those mountains, threw that semen into a golden lake. and then assuming successively
the other mountains. and the earth was greatly afflicted and bereft of her ornaments on all sides. and in this distress, she went over to skanda and once more shone with all her might. and the mountains too bowed down to skanda and came back and stuck into the earth. and all creatures then celebrated the worship of skanda on the fifth day of the lunar month .
and while the lady of handsome eyes was still engaged in waiting upon her lord, she beheld that brahmana waiting for alms and beholding him, she remembered that she had asked him to wait. and remembering all this, she felt abashed. and then that chaste woman possessed of great fame, took something for alms and went out, o thou foremost of the bharatas, for giving it unto that brahmana. and when she came before him, the brahmana said,' o best of women, o blessed one, i am surprised at thy conduct! having requested me to wait saying,' stay' thou didst not dismiss me!'
markandeya continued,' o lord of men beholding that brahmana filled with wrath and blazing with his energy, that chaste woman began to conciliate him and said,' o learned one, it behoveth thee to forgive me. my husband is my supreme god. he came hungry and tired and was being served and waited upon by me.' hearing this, the brahmana said,' with thee brahmanas are not worthy of superior regard. exaltest thou thy husband above them? leading a domestic life, dost thou disregard brahmanas? indra himself boweth down unto them, what shall i say of men on earth. proud woman, dost thou not know it, hast thou never heard it, that the
dependeth on sruti. but, o foremost of regenerate ones, virtue as exposed in sruti appears to be of various kinds. it is, therefore, too subtle of comprehension. thou, o holy one, art cognisant of virtue, pure, and devoted to the study of the vedas. i think, however, o holy one, that thou dost not know what virtue in reality is. repairing to the city of mithila, enquire thou of a virtuous fowler there, if indeed, o regenerate one, thou art not really acquainted with what constitutes the highest virtue. there liveth in mithila a fowler who is truthful and devoted to the service of his parents and who hath senses under complete control. even he will discourse to thee on virtue. blessed be thou, o best of regenerate ones, if thou likest, repair thither. o faultless one, it behoveth thee to forgive me, if what i have said be unpalatable, for they that are desirous of acquiring virtue are incapable of injuring women!'
at these words of the chaste woman, the brahmana replied, saying,' i am gratified with thee. blessed be thou; my anger hath subsided, o beautiful one! the reproofs uttered by thee will be of the highest advantage to me. blessed be thou, i shall now go and accomplish what is so conducive, o handsome one, to my benefit!'
markandeya continued,' dismissed by her, kausika, that best of regenerate ones, left her house, and, reproaching himself, returned to his own abode.'
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the music was composed by shyam and k. p. udayabhanu and lyrics were written by p. bhaskaran, onv kurup and bichu thirumala.
samasya is a 1976 indian malayalam film , directed k thankappan . the film stars madhu , srividya , kamalahasan and sankaradi in lead roles . the film had musical score by shyam and kp udayabhanu . 
samasya is a 1976 indian malayalam film, directed k thankappan. the film stars madhu, srividya, kamalahasan and sankaradi in lead roles. the film had musical score by shyam and kp udayabhanu.
samasya is a 1976 indian malayalam film, directed k thankappan. the film stars madhu, srividya, kamalahasan and sankaradi in lead roles. the film had musical score by shyam and kp udayabhanu.