ammavin kaipesi
max enterprises produly presents' ammavin kaipesi' tamil movie directed by thangar. .
that director thangar bachan is making' ammavin kaipesi' starring shanthanoo and i. .
kanakam husband gets bundle of money. . how? - ammavin kaipesi thamizh movie scene
shanthanu bhagyaraj has transformed himself as a rural youth for his forthcoming tamil film' ammavin kaipesi' .
even though its heart is in the right place, too much melodrama brings tamil film ammavin kaipesi down .
iniya is currently expecting the release' ammavin kaipesi', in which she will be seen opposite shanthanu bhagyaraj .
with no big names associated with it,' ammavin kaipesi' hits the right chords and keeps you engaged throughout .
is a tamil family movie, directed by thangar bachchan. the cast of ammavin kaipesi includes shanthanu bhagyaraj, iniya .
' ammavin kaipesi' is an emotional story, which revolves around how a mother and son gets separated from each other .
thangar bachchan is all set to release his ‘ammavin kaipesi’ on 13th of november along with vijay’s thuppakki and simbu’s podaaa podi, on the occasion of diwali. shanthnu bhagyaraj, the hero of ammavin kaipesi is confident about the success of the film .
direcetd by thangar bachan of' azhagi' fame,' ammavin kaipesi' stars shanthnu, iniya and revathy in pivotal roles .
ammavin kaipesi tries to take us back to the last decade. but, the entertainment quotient and emotional connection with the audience are completely missing .
debutant music director rohit kulkarni has composed music and background scores for ammavin kaipesi under the production of thankar thiraikalam maxpro entertainers. thangar bahchan himself has cranked the camera besides writing the script and directing the film, ammavin kaipesi while kishore te. has handled the editing department among the crew .
ammavin kaipesi is a tamil drama film directed and cinematographed by thangar bachchan. shanthnoo bhagyaraj, iniya form the cast. director thangar bachan who gave the most memorable films like azhagi, solla marandha kadhai, pallikoodam and onbadhu roobai nottu, is coming with a new directorial and production venture ammavin kaipesi .
the actor has begun work on her next project titled, “ammavin kaipesi, ” being directed by thankar bachchan, who is known for making family entertainers .
' thupakki',' poda podi',' ammavin kaipesi' and' ajantha' are slated to hit the screens on diwali, november 13 .
for audience who patronize, thankar’s work, ammavin kaipesi does not disappoint. for the main stream entertainment expecting populace, ak will prove to be a different experience .
download kaipesi full video in hd 1080p 720p 3gp mp3 mp4 torrent free - rollbd. com
“jus watched ammavin kai paesi. . shudnt be gabbing about my own film, but its def a treat for the ladies and families… pls do support :), ” said shanthnu in his twitter page. iniya is playing the lady love of shanthnu in thangar bachchan’s ammavin kaipesi .
director thankar bachan is known for his poignant tales of human relationships on celluloid and he follows the same syntax in ammavin kaipesi too which is a cinematic adaptation of his own literary work of the same name .
southern filmmaker thangar bachan, known for his artistic and emotional tamil films such as' azhagi' and' thendral', says his upcoming movie' ammavin kaipesi' will shake up those who' ve disowned their mothers .
nenjil eno indru lyrics ammavin kaipesi is a kollywood movie, music produced by rohit kulkarni. it stars iniya, shanthnoo bhagyaraj in main roles, this movie released in 2012. the soundtrack album is composed by rohit kulkarni. produced by thangar bachan
entertainment value is minimal in ammavin kaipesi (ak) which appears quite lengthy at 152 minutes. close to climax, the director builds his tempo in untangling the knot and if this pace was uniform, ak may have fared better. (more )
director thankar bachan is known for his poignant tales of human relationships on celluloid and he follows the same syntax in ammavin kaipesi too which is a cinematic adaptation of his own literary work of the same name. thankar is identified for his ...
on wednesday, a section of the media had reported that shanthnu was getting married to keerthi, his childhood friend. but the
ammavin kaipesi
actor has refuted those reports and cleared the air on twitter .
im clearing the air that the news of ...
thangar bachan is known for his artistic and heart melting films, and yet again he is all set to do the same. the audio launch of his next film, ammavin kaipesi happened at the satyam cinemas on 1st october. the guest list included k bhagyaraj ...
iniya has had a superb start to this year. she won three awards for her amazing performances in vaagai sooda vaa and ammavin kaipesi and has been roped in for a women centric film, masani that will be directed by padmarajan. it is touted that the title ...
the film is based on a novel of the same name written by the director. shanthanu and iniya play the lead role while thangar bachan plays a pivotal role. ammavin kaipesi was among 2012 deepavali releases and was released along with podaa podi and thuppakki receiving mixed to positive reviews .
ammavin kaipesi is supposed to be about the distances between members of the same family, and how a cell - phone often takes the place of near and dear ones but even though its heart is in the right place, too much melodrama and an endlessly meandering screenplay brings it down .
k. r. manigandan of the hindu speaks with national award - winning director thangar bachan on his latest,' ammavin kaipesi', based on his novel of the same name. the director talks about the handpicked cast of the film. null. more in cinema multi media ...
but in some ways, the focus is more or less turned on thankar, and he manages to acquit himself reasonably well. rohit kulkarni' s score is passable, while thankar' s camera - work is faultless. kishore te' s editing could have been tauter. ammavin kaipesi ...
director / cinematographer / writer thankar bachan has always had a knack of bringing sensitive stories and characters on celluloid with his distinct touches. this time, he presents tamil film ammavin kaipesi (mother’s cell phone), produced by thankar thiraikkalam, and based on his own novella, of the same name .
it should have taken a lot of guts for the makers of ammavin kaipesi to release their film alongside thuppakki and podaa podi. director thankar bachan, best known for his film azhagi is back with yet another emotional tale (supposed to be so) with family values. does the movie have it in it to face stiff competition from the biggies ?
` ammavin kaipesi 'explores how people are dependent on mobile phones to stay connected to their loved ones. a mother has nine children but is separated from them. the only way she 's in touch with them is via her mobile. this consequently leads her to getting possessive of her mobile. the film also depicts the relation between her and her youngest son, shanthanoo .
watch ammavin kaipesi (அம்மாவின் கைபேசி) tamil movie best scenes cast & crew - - - - - - - - - - - - - - - - - - - - - - directed by thangar bachan produced by thangar bachan written by thangar bachan starring shanthnu bhagyaraj, iniya music by rohit kulkarni cinematography thangar bachan edited by kishore te. production company thankar thiraikalam subscribe for more latest tamil hd full movies, songs urltoken
filmmaker thangar bachchan, known for his offbeat films such as' azhagi' and' thendral', weaves an emotional tale of motherly love and how relationships are distanced by technology. with no big names associated with it,' ammavin kaipesi' hits the right chords and keeps you engaged throughout. of course, there are moments of highs and lows, but in essence, it is an effort and a plot worth special mention .
thankar is identified for his uncompromising styles of film making and ammavin kaipesi is no exception either. ak is about the boundless love of a mom towards her youngest wastrel of a son and his tryst with life to prove a point to the world. the pain that a mom feels on being forced to evict her son out and then suffer his absence are all well etched out by thankar. and a cell phone plays a significant role in the film justifying the title .
ak abounds in maudlin moments and such melodrama on the lines of television soap may prove pure poison at the cash counters and with the contemporary audience. the film certainly has a succulent story line but sadly the narrative style, the premise and the presentation are not in tune with current sensibilities. entertainment value is minimal in ammavin kaipesi which appears quite lengthy at 152 minutes. close to climax, the director builds his tempo in untangling the knot and if this pace was uniform, ak may have fared better .
thankar is identified for his uncompromising styles of film making and ammavin kaipesi is no exception either. for thankar, traversing in the intricate emotional by lanes is just a sweep and he does that in ak too. the ironical aspect of what happens to mom and son is very interesting and is a typical thankar style. the pace is leisurely but at points, brisk especially in the second half. the director’s passion for nativity is well known and praise points are due to the film’s real feel approach in showcasing the customs and practices of rural tamil nadu .
watch ammavin kaipesi thamizh full movie scene cast & crew - - - - - - - - - - - - - - - - - - - - - - directed by thangar bachan produced by thangar bachan written by thangar bachan starring shanthnu bhagyaraj, iniya music by rohit kulkarni cinematography thangar bachan edited by kishore te. production company thankar thiraikalam supporting cast - - - - - - - - - - - - - - - - - - - - - - - - - - - - revathi thangar bachan meenal nagineedu azhagam perumal thambi chozhan nsk. senthil kumar
filmmaker thangar bachchan, known for his offbeat films such as “azhagi” and “thendral”, weaves an emotional tale of motherly love and how relationships are distanced by technology. with no big names associated with it, “ammavin kaipesi” hits the right chords and keeps you engaged throughout. of course, there are moments of highs and lows, but in essence, it is an effort and a plot worth special mention. based on an eponymous novel written by the director, the story of the film revolves around an ageing mother and her nine children, who are only connected through mobile phones .
casting is one of the highlights of ammavin kaipesi where every artist from the core to the periphery has done their job convincingly. for shanthanoo, ak would be a milestone in his career graph that has essayed the role of annamalai with deep understanding and an apt body language. iniya delivers it right but the young girl is on the road of getting typecast as village belle. thankar as the money crazy and spineless prasad is a good choice and he earns brownie points in the scenes with his wife and also later as the guilt ridden man on a mission. meenal, azhagam perumal and revathy are adequate as support cast .
starring nandita das and parthepan. it was nandita das' first tamil film, and the director had waited for two - and - a - half years to get her nod .
only through a mobile phone. she is most attached to her youngest son (played by shantanoo bhagyaraj) .
was based on a short story of his. revathy, who had acted with the likes of mgr, plays the mother .
the audio launch of the film was unique. thankar bachan had requested invitees to come with their mothers !
many celebrities such as suhasini and a r rahman were accompanied by their mothers .
suhasini said it was the first time that her mother was attending a film function; in fact, she had not attended a single function of hers or kamal haasan' s .
what is a r rahman doing at a dubai mall? reader talib sends us a picture .
my film is about a mother, who is abandoned by her son. those, who have done something similar in their lives, will regret their action if they will watch the movie ,
bachan told ians .
the emotional drama features shanthnu bhagyaraj, iniya, revathy, thangar bachan and meenal in pivotal roles .
talking about shanthnu, he said that the had not seen any of his films .
a close friend showed me some scenes from one of his films and i knew immediately he had it in him to play the character in my film ,
he added .
the 50 - year - old cinematographer - turned - director is known for his offbeat and strikingly unique films. one of his critically acclaimed films is' azhagi' with nandita das .
rohit kulkarni has composed the music for the film which is slated to release on oct 19 .
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will parthepan make it to the guinness book? if all goes well, the actor may soon find his name in the guinness world records. parthepan, who is to remake his national - award winning “pudhiya padhai, ” will be reprising his character from the original .
says parthepan: “the film will be the same, but with a different screenplay. the original was all about how a vagabond outrages the modesty of a girl and how she reacts to the situation. the story will be the same up to a point. however, in the new film, the girl will react to the depressing situation in a completely different fashion. i will be reprising the vagabond' s role; i believe no actor in the world has attempted to play the same role he had played 23 years ago. so, i' ve applied to the guinness authorities in this regard. ”
the idea has already triggered interest in the industry with many calling up the actor to know how he intends to go about the film .
says parthepan: “i am on the lookout for a heroine. once i finalise the heroine, i' ll start work on the film, hopefully by the end of june. ”
the team of “vazhukku en 18 / 9” had one more reason to cheer as the superstar himself took time off his hectic schedule to watch the film .
sources close to the unit say a special screening of the film was arranged for the superstar, who is busy with “kochadaiyaan” being directed by his daughter, at four frames on saturday .
says a source: “the superstar was visibly impressed with the film. he congratulated the entire team on having done a fine job. producer lingusamy, cameraman vijay milton and actor sri were among those present on the occasion. ”
iniya, who impressed audiences and critics alike with her scintillating performances in sargunam' s “vaagai sooda vaa” and arul mozhi' s “mouna guru, ” is back in the news .
says iniya, who was in chennai on sunday for a photoshoot of the film: “i play a college - goer called selvi who studies in a small town. shanthanoo and i play the lead. the music is to be scored by rohit kulkarni. ”
iniya is also busy with another film in tamil and one each in malayalam and telugu .
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the film is intended to be about a separated son annamalai (shantanoo) and his mother. annamalai is forced to leave his village after he is falsely accused as a thief. after seven years, he tries to reconnect with his mother through a mobile phone (why was he waiting for seven long years ?). also, there is a small love track between him and his uncle’s daughter selvi (iniya). on a parallel track, prasad (thankar bachan) comes to his home with huge sum of money and his wife tells him to give it back to the person who gave it. how is prasad connected with annamalai and what happens to annamalai forms the rest of the story .
shanthanoo needs to improve on his expressions as they look plain and artificial. the scenes where he breaks down do not create the necessary impact on the audience. iniya scores in certain scenes, like the scene in which she reads the letter in the bathroom. the person who plays the mother’s character is overdramatic at times, but good towards the end. thankar bachan, with his rural slang and rustic looks is too loud. one would wonder if his role was stretched a little too much .
rohit kulkarni’s background score is adequate and suits the milieu. but, the songs do not add much value to the film. thankar bachan’s camera work is functional while kishore’s editing is disappointing. many scenes look endless .
going by the title, one might naturally expect the movie to revolve around the son and mother. but for unknown reasons, the movie wanders around more on the sub - plots, thus bringing down the importance of the central theme. there are some heart warming scenes but they are far and few in between. many scenes look pretty unrealistic and overdramatic (like the scene in which annamalai is accused as a thief). the only consolation is thankar bachan’s earnest attempt to make a movie in his trademark style without compromising on his vision. but, in the process, he has made the film look too outdated and draining .
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one more movie has joined the deepavali race, it seems. with three films (' thuppaki. .
director thangar bachan, revathy, nagi needu, heroine iniya, hero shantanoo, lyricist ekada. .
satyaraj, director vasanth, suhasini, parthiban, shanthanoo, bhagyaraj, poornima bhagyaraj. .
irector / cinematographer / writer thankar bachan has always had a knack of bringing sensitive stories and characters on celluloid with his distinct touches. this time, he presents tamil film
( mother' s cell phone), produced by thankar thiraikkalam, and based on his own novella, of the same name .
the story kicks off from the present when prasad (thankar bachan) arrives at his locked home, enters it in stealthy fashion and climbs a loft to open a bag bursting at the seams with money. his wife catches him at it; raves and rants about his stealing habits and begs him to return the loot. slowly, we' re shown the story of the bag, its contents, and a letter, through which we' re introduced to annamalai (shantanoo bhagyaraj), his beloved selvi (iniya), annamalai' s mother and their lives .
it' s simplicity itself: annamalai is a youngster who' s led a pretty happy - go - lucky life with his eight siblings and a doting mother. he' s in love with his cousin selvi, and their marriage has the sanction, more - or - less, of the adults of the family. much - maligned for loafing about for years, annamalai suddenly changes his lifestyle and earns the goodwill of selvi' s father but just when everything seems set for a good life, he' s accused of theft .
the settings and characters are extremely realistic, which is what you only expect of a thankar movie but it' s equally obvious that there' s precious little in the story that can be drawn out for almost three hours. characters change themselves at the drop of a hat, the narration is choppy and you wonder what happened to the finesse that' s usually a part of his work. the story also revolves around a mystery, almost a whodunit - - except that you know what' s going to happen right at the very end. but what truly sinks the movie is the melodrama which drags on and on .
shantanoo, given that he' s presented with an opportunity to actually prove himself in a rustic role, does work hard, but can' t rid himself of hamming .
iniya looks very pretty and cries well too - - in fact, all the characters do, at some point .
but in some ways, the focus is more or less turned on thankar, and he manages to acquit himself reasonably well .
rohit kulkarni' s score is passable, while thankar' s camera - work is faultless. kishore te' s editing could have been tauter .
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urltoken
for thankar, traversing in the intricate emotional by lanes is just a sweep and he does that in ak too. the ironical aspect of what happens to mom and son is very interesting and is a typical thankar style. the pace is leisurely but at points, brisk especially in the second half. the director’s passion for nativity is well known and praise points are due to the film’s real feel approach in showcasing the customs and practices of rural tamil nadu .
rohit kulkarni’s background score is neat and ‘enna senju pore’s melodious rhythm is soothing. a few songs appear quite forced like the one which involves thankar and his wife meenal. even the item number types in the initial scene are also unwarranted. thankar’s cinematography is functional and his frames are good .
based on an eponymous novel written by the director, the story of the film revolves around an ageing mother and her nine children, who are only connected through mobile phones. the mother, who is forced to stay away from her children in isolation, creates a strong liking for her mobile phone, which she guards and protects with much care as she believes it' s her only way to stay connected with her family. will the mother forever maintain her relationship through the mobile phone or not forms the rest of the story .
thangar presents the story in such a way that two interpretations can be drawn from it. firstly, the focus is on how technology helps people to be connected irrespective of the places they are in. secondly, it also focuses on how technology has paved the way to the distance in a relationship. for instance, since there are mobile phones and internet, people seldom take out time to meet their family members or even parents, for that matter. of course, as a viewer you' re free to choose what' s right from your perspective, but the director needs special mention for giving the audience the opportunity to put on their thinking hats and ponder over the story. brilliant !
yes, the film is relatively slow and patience - testing, but it is definitely worth the time and money spent. the director keeps everything as real as possible, but doesn' t attempt to tamper with the setting of the film or its characters .
the actors have played their part quite well, and especially shantanoo and thangar have excelled in their respective roles. iniya, after her award - winning performance in' vaagai sooda vaa', shows maturity in overall acting .
kishore' s editing is crisp and reminds us why he walked home with a national award for his work in' aadukalam', while rohit kulkarni' s music was poignant and melodious .
thangar' s screenplay, which is slow at times, maintains high emotional quotient throughout the film. having called the film an emotional tale, let me also clarify that it isn' t tear - jerking. if you find moments that may give work to your tear glands, then please know that it is completely based on the person who is watching it, and not intentional .
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after being accused of theft, annamalai leaves his house. his mother ranganayaki desperately tries contacting him using a cell phone in order to ask him to return to save their house .
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story the film is intended to be about a separated son annamalai (shantanoo) and his mother. annamalai is forced to leave his village after he is falsely accused as a thief. after seven years, he tries to reconnect with his mother through a mobile phone (why was he waiting for seven long years ?). also, there is a small love track between him and his uncle’s daughter selvi (iniya). on a parallel track, prasad (thankar bachan) comes to his home with huge sum of money and his wife tells him to give it back to the person who gave it. how is prasad connected with annamalai and what happens to annamalai forms the rest of the story .
thangar presents the story in such a way that two interpretations can be drawn from it. firstly, the focus is on how technology helps people to be connected irrespective of the places they are in. secondly, it also focuses on how technology has paved the way to the distance in a relationship. for instance, since there are mobile phones and internet, people seldom take out time to meet their family members or even parents, for that matter. of course, as a viewer you 're free to choose what 's right from your perspective, but the director needs special mention for giving the audience the opportunity to put on their thinking hats and ponder over the story. brilliant !
yes, the film is relatively slow and patience - testing, but it is definitely worth the time and money spent. the director keeps everything as real as possible, but doesn 't attempt to tamper with the setting of the film or its characters .
the actors have played their part quite well, and especially shantanoo and thangar have excelled in their respective roles. iniya, after her award - winning performance in “vaagai sooda vaa”, shows maturity in overall acting .
kishore 's editing is crisp and reminds us why he walked home with a national award for his work in “aadukalam”, while rohit kulkarni 's music was poignant and melodious .
thangar 's screenplay, which is slow at times, maintains high emotional quotient throughout the film. having called the film an emotional tale, let me also clarify that it isn 't tear - jerking. if you find moments that may give work to your tear glands, then please know that it is completely based on the person who is watching it, and not intentional .
synopsis / plot: technology helps us be connected with our near and dear ones, but doesn�t it also distance ourselves from our family and friends physically, form the crux of the film .
going by the title, one might naturally expect the movie to revolve around the son and mother. but for unknown reasons, the movie wanders around more on the sub - plots, thus bringing down the importance of the central theme. (more )
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southern actress iniya has been roped in by thiru for his next, naan sigappu manithan. the actress is now a part of the cast that includes vishal and lakshmi menon. the film will be produced by vishal, ronnie screwvala and siddharth roy kapoor .
tamil nadu' s favourite and one of the most celebrated comedians, goundamani is likely to return to cinema. we hear the veteran actor will be making an appearance in vaaimai, directed by senthil kumar, a former associate of director vasantha balan .
thankar bachan, well known tamil cinematographer, made his debut as a director with the much acclaimed azhaki starring nandita das and parthepan. it was nandita das' first tamil film, and the director had waited for two - and - a - half years to get her nod .
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the story kicks off from the present when prasad (thankar bachan) arrives at his locked home, enters it in stealthy fashion and climbs a loft to open a bag bursting at the seams with money. his wife catches him at it; raves and rants about his stealing habits and begs him to return the loot. slowly, we’re shown the story of the bag, its contents, and a letter, through which we’re introduced to annamalai (shantanoo bhagyaraj), his beloved selvi (iniya), annamalai’s mother and their lives .
it’s simplicity itself: annamalai is a youngster who’s led a pretty happy - go - lucky life with his eight siblings and a doting mother. he’s in love with his cousin selvi, and their marriage has the sanction, more - or - less, of the adults of the family. much - maligned for loafing about for years, annamalai suddenly changes his lifestyle and earns the goodwill of selvi’s father but just when everything seems set for a good life, he’s accused of theft .
the settings and characters are extremely realistic, which is what you only expect of a thankar movie but it’s equally obvious that there’s precious little in the story that can be drawn out for almost three hours. characters change themselves at the drop of a hat, the narration is choppy and you wonder what happened to the finesse that’s usually a part of his work. the story also revolves around a mystery, almost a whodunit — except that you know what’s going to happen right at the very end. but what truly sinks the movie is the melodrama which drags on and on .
shantanoo, given that he’s presented with an opportunity to actually prove himself in a rustic role, does work hard, but can’t rid himself of hamming .
iniya looks very pretty and cries well too — in fact, all the characters do, at some point .
rohit kulkarni’s score is passable, while thankar’s camera - work is faultless. kishore te’s editing could have been tauter .
nw1w. after a decent start in porkkalam (2009, tamil) and a non - descript single in chalo dilli (2011, hindi), this is a shocking turn for the worse from rohit .
wondering, in the first place why thangar bachan went to a hndi composer, considering the kind of films he makes. vidhyasagar would have worked well
exactly my wonder too – he was getting good music from vidyasagar and raja. i have heard that even bharadwaj gave him superb music for his now - stuck - in - the - cans ‘kalavaadiya pozhudhugal’ (starring prakash raj, prabhu deva and bhumika chawla). strange choice for composer, this time !
what kind of a review is this? have you heard all the songs? instead of dissecting the songs you have just given a one line statement demeaning the man’s work! i just heard all the tracks and each one is unique and shows the versatality of the music director. it is music which touches the soul and will be proven once the music releases .
w. r. t the comment below, music has no language! just like how rehman has scored for other languages other than tamil, why can’t someone else score for a tamil film? it is time we got out of this narrow minded mentaility and opened our minds in this changing world .
sorry – i should have added some context to thangar roping in a new composer and my comment on it. thangar bachan has always been a staunch supporter of tamil artists and tamil pride. so it is rather surprising that he actually someone from outside tamil nadu for this project. not that there’s anything wrong with it – just surprising, given his past utterances on this subject .
on the other point – about my opinion on this soundtrack… it remains the same. not demeaning it, but i can’t wax eloquent on it either, since that would be against my conscience. you just have to live with the fact that there is at least one person whose soul has not been touched with this soundtrack / these songs .
porkkalam was purely director’s show. bandi sarojkumar is a one man army. you can sense his style of cinematography and music in asthamanam too similar to his 1st movie porkalam, with a different set of technical crew for his 1st movie. i also follow bandi’s interviews which are very informative and knowledgeable, which express his strength towards technical aspects. so i strongly feel rohit will have nothing to get compared with porkkalam. this must be his actual potential though. but i respect thangar bachan sir for his off - beat message oriented stuffs. lets wait for the movie to come out .
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200 300 akshay kumar amit trivedi anirudh ankit tiwari anup rubens arjun janya a r rahman deepika padukone devi sri prasad d imman g. v. prakash kumar ghibran gopi sundar gopi sunder gv prakash kumar harris jayaraj himesh reshammiya ilayaraja joshua sridhar kajal agarwal kareena kapoor manikanth kadri manisharma mani sharma meet bros anjjan mickey j meyer mithoon pritam priyanka chopra rahul raj sachin - jigar sajid wajid salim sulaiman salman khan santhosh narayanan shaan rahman shankar ehsaan loy thaman thaman s vidyasagar vijay antony vishal shekhar yuvan shankar raja
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916 ends up just being preachy at the cost of telling a good story .
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ammavin kaipesi ( english : mother 's cell phone ) is a tamil drama film directed and cinematographed by thangar bachchan . shanthnoo bhagyaraj , iniya form the cast . director thangar bachan who gave the most memorable films like azhagi , solla marandha kadhai , pallikoodam and onbadhu roobai nottu , is coming with a new directorial and production venture ammavin kaipesi . the film is based on a novel of the same name written by the director . shanthanu and iniya play the lead role while thangar bachan plays a pivotal role . ammavin kaipesi was among 2012 deepavali releases and was released along with podaa podi and thuppakki receiving mixed to positive reviews . 
ammavin kaipesi (english: mother's cell phone) is a tamil drama film directed and cinematographed by thangar bachchan. shanthnoo bhagyaraj, iniya form the cast. director thangar bachan who gave the most memorable films like azhagi, solla marandha kadhai, pallikoodam and onbadhu roobai nottu, is coming with a new directorial and production venture ammavin kaipesi. the film is based on a novel of the same name written by the director. shanthanu and iniya play the lead role while thangar bachan plays a pivotal role. ammavin kaipesi was among 2012 deepavali releases and was released along with podaa podi and thuppakki receiving mixed to positive reviews.
ammavin kaipesi (english: mother's cell phone) is a tamil drama film directed and cinematographed by thangar bachchan. shanthnoo bhagyaraj, iniya form the cast. director thangar bachan who gave the most memorable films like azhagi, solla marandha kadhai, pallikoodam and onbadhu roobai nottu, is coming with a new directorial and production venture ammavin kaipesi. the film is based on a novel of the same name written by the director. shanthanu and iniya play the lead role while thangar bachan plays a pivotal role. ammavin kaipesi was among 2012 deepavali releases and was released along with podaa podi and thuppakki receiving mixed to positive reviews.