sathi ( 1938 film )
film: sathi - - e gaan tomar sesh kare dao - - k. l. saigal (1938 )
film: sathi - - e gaan tomar sesh kare dao - - k. l. saigal (1938) - youtube
• on account of world war from 1938 for three years no film was made .
u. jeevarathinam. sathi anusuya. prem chethna. kovai premier cinetone studios .
• the first kannada film ‘sathi sulochana’ released on 3rd march 1934 (but first film made was ‘bhakta dhruva) was made in 40000 rupees .
sathi is a 1972 malayalam - language indian feature film directed by madhu, starring madhu, jayabharathi in lead roles .
film: sathi (1938) e gaan tomar sesh kare dao - - k. l. saigal lyrics - ajay bhattacharya music composition - rai chand boral released by the hindusthan ...
film: sathi (1938) e gaan tomar sesh kare dao - - k. l. saigal katha - ajay bhattacharya sur - rai chand boral released by the hindusthan musical products ...
• in one month duration of release of first kannada movie sathi sulochana ‘bhaktha druva’ was also released .
street singer - 1938 - - lyrics arzoo lucknovi - - music r c boral .
• actress lakshmi directed ‘makkala sainya’. julie lakshmi daughter of yv rao the first director of kannada cinema ‘sathi sulochana’ .
film: sathi (1938) e gaan tomar sesh kare dao - - k. l. saigal lyrics - ajay bhattacharya music composition - rai chand boral released by the hindusthan musical products limited. uploaded for listening pleasure. no intention to infringe copyright .
schoch family home movies summer 1938 music :
subterranean homesick alien
and
exit music (for a film )
by the string quartet .
the song is from the film jailor released in 1938 by minerva movietone production house produced and directed by sohrab modi. , a psychosocial melodrama ...
saathi (1938). lyrics composed by ajoy bhattacharya. music composed by r. c. boral .
sathi sulochana. pammal sambandha mudaliar. babulal sowkani, bharath lakshmi pictures. janarthanam. m. subbaya thevar, nagarkovil sundarambal, t .
the california golden bears defeat the alabama crimson tide in the 1938 rose bowl. final score 13 - 0 .
join today! urltoken title: paaye chalaar pather kathaa ki jaane re vocals: kanan devi film: saathi [ bengali ] year: 1938 music: ...
join today! urltoken title: kyon tu ni ki naadaani vocals: wahidan bai film: secretary year: 1938 music: gyan dutt lyrics: pyarelal ...
waheed murad 2 october 1938 – 23 november 1983) was a pakistani film actor, producer and script writer, famous for his charming expressions, attractive ...
• the first film to screen 100 days was ‘satya harishchandra’. first silver jubilee film was ‘school master’ .
k. subramanyam, madras united artists corporation. jolly kittu iyer, s. subbulakshmi. sathi akalya. t. sundaram, modern theatres .
song credits: sooraj aaye charhe aakaash film: mera ladka year: 1938 singer (s): shanta hublikar music director and composer: keshavrao bhole lyrics: ...
350th upload * join today! urltoken title: jhumar jhumar nupur baaje vocals: k. l. saigal film: saathi [ bengali ] year: 1938 music: ...
join today! urltoken title: ghar je aamaay daak diyechhe vocals: kanan devi film: saathi [ bengali ] year: 1938 music: r. c. boral ...
join today! urltoken title: shonaar harin aaye re aaye vocals: kanan devi film: saathi [ bengali ] year: 1938 music: r. c. boral ...
the song is from the film postman released in the year 1938. directed by zia sarhadi and mahendra thakore. starring kumar, bibbo, yakub, maya devi and ...
m. saraswathi bai. sarangadhara. v. patham. lotus pictures. kothamangalam seenu, g. saradhambal. chandrasaena. v. shantaram. prabhat film company. seshadri sundarrajan, p. pankajam. sathi akalyaa .
join today! urltoken title: raakhal raaja re vocals: kanan devi film: saathi [ bengali ] year: 1938 music: r. c. boral lyrics: ajoy ...
join today! urltoken title: prem bhikhaari premer jogi vocals: kanan devi film: saathi [ bengali ] year: 1938 music: r. c. boral lyrics: ...
an absolute gem. a duet song from 1938 about which almost no information is available. just that the film is' baanke saanwariya' and the name of the music ...
song from the musical film a love triangle by the name of “gramophone singer” directed by v. c. desai and ramchandran thakur in the year 1938. the story is ...
join today! urltoken title: raakhal raaja re vocals: kanan devi film: saathi [ bengali ] year: 1938 music: r. c. boral lyrics: ajoy... .
kali n. chinnappa. chandramohana or samooga thondu. raja chandrasekhar. m. venkatraman. sathi leelavathi. ellis r. dungan. marudachalam chettiar, manorama films .
join today! urltoken title: raakhal raaja re vocals: kanan devi film: saathi [ bengali ] year: 1938 music: r. c. boral lyrics: ajoy bhattacharya country: british india
join today! urltoken title: shuni daake mare daake vocals: k. l. saigal film: jiban maran [ bengali ] year: 1938 music: r. c. boral ...
• amitabh bachchan the big b of indian film industry made his first presence in south indian language kannada film – amrutha dhaare’ .
join today! urltoken title: ae gaan tomaar sheesh vocals: k. l. saigal film: saathi [ bengali ] year: 1938 music: r. c. boral lyrics: ...
• ‘singapuradalli rajakulla’ is the first film to shoot abroad in kannada. the first film to shoot outside the four walls is ‘belli moda’ .
image: master vinayak and meenakshi shirodkar in' brahmachari' (1938) join today! urltoken title: raat din dariya mein gote ...
• ‘samsara nauke’ the first south indian social film in kannada film investment was rs. 33000 but it earned rs. 2. 5 lakhs .
• the first hero of kannada screen was subbainaidu. this film was directed by yv rao in the banner south india movietone. the producer of this film was shah chamanmal dungata was from rajasthan. r. nagendra rao who played ‘ravan’ in that was paid rs. 3000. this film was shot in kolhapur. in sathi sulochana murthy rao, lakshmi bai, tripuramba, ct seshashalam also figured in the cast .
• the first film journalist is h. r. krishnamurthy of ‘chitra samachar’. the first film magazine ‘cinema’ was started in 1936 from gadag. ‘prajamatha’ magazine in kannada published film articles first in 1931. kannada prabha was the first to come out with film supplement ‘chitraprabha’ that was later followed by others .
sathi (saathi or sathee or saathee) (english: companion) is a bengali movie was released in 2002. directed by haranath chakraborty, the movie featured jeet, priyanka trivedi, . this film is jeet' s cinematic debut. is a remake of tamil film thulladha manamum thullum. singer s. p. balasubramanyam sang all of the songs .
• bangaradha manushya – the highest number of days running film. directed by siddalingaiah the film starred dr rajakumar, bharathi, vajramuni, srinath and others .
• the first cinema scope film was ‘sose thanda showbhagya’ produced by ankalagi brothers .
• the first bond film in kannada is ‘jedara bale’. gejje pooje is the first film to get best screenplay award at the national level for puttanna kanagal .
• dr jayamala was the first woman president of karnataka film chamber of commerce .
• the first novel based kannada film is ‘karuneye kutumbada kannu’ was made in 1962 .
• the first novel based kannada film is ‘karuneye kutumbada kannu’ (novel dharmadevathe) .
• ‘samskara’ is the first ever kannada film to get the president’s gold medal. the
• shabana azmi acted in kannada film ‘kanneshwara rama’ opposite ananthnag – the film was directed by m. s. sathyu. the doyen of hindi cinema prithviraj kapoor acted in ‘sakshatkaara’ – a film starring dr. rajkumar and jamuna directed by sr puttanna kanagal .
and
ogo bolo keno sakhi nayan jhare
. her film songs were recorded later .
• the famous kumar trios – rajakumar, kalyankumar, udayakumar acted in ‘bhoodana’ kannada film .
• a film with only two artistes was ‘shringara maasa’. a film with only one artiste bhavana was ‘shanthi’ made by baraguru ramachandrappa. ‘shanthi’ got guinness recognition and un recognition too .
• the first national recognition to kannada film was dr. rajakumar starring ‘bedarakannappa’ in 1954 .
• one of the best of 100 world films kannada film ‘ghatashradda’ is also in the list .
boral is often credited to be the pioneer of indian film music. along with pankaj mullick, he was in charge of new theatres' music department. new theatres set standards in film music which have rarely been approached since. they also shaped film music in its early days and their format was followed for the most part for first 20–30 years in hindi film music. he was also responsible for shaping saigal' s budding career. anil biswas called boral' bhishma pitamah of film music' .
prem chethna. pioneer film company. s. venkatraman, mangal rajeshwari. nala thangkaal. p .
• literary personality devudu took leadership of ‘chiranjeevi’ kannada film – the first one from uttar kannada belt .
• the former chief minister of tamil nadu jayalalithaa was introduced as actress from ‘chinnada gombe’ kannada film .
wave of new cinema started from then on. girish karnad made debut as an actor in this film .
today is the 110th birth anniversary of... - imprints and images of indian film music | facebook
p. v. sivabagyam, sivaramalingam pillai, s. jayaraman. dampaachchaari. manik lal tandon. pioneer film company, variety hall talkies. m. murugesan. dhuruvaa sarithram. pioneer film company, variety hall talkies .
ramayanam. east india film company. t. mani. harichandra (sampoorna harichandra) sarvottam badami, t. vadivelu naicker. sagar film company. chimanlal desai. raja chandrasekar. v. rajalakshmi. dharma (kaviyam) title .
• the first color film in kannada is ‘amarashilpi jakannachari’ starring kalyankumar and b saroja devi was directed by bs ranga .
. hamilton, who was cast in the role of the
wicked witch
, leaves the film for six weeks .
apart from features, new theatres also produced a number of documentaries and newsreels, including a film on the aicc kolkata session in 1939 .
title. director. production. music. cast. kalava (galavarishi) sarvottam badami, t. vadivelu naicker. sagar film company. g. muthulakshmi. paarijaatha pushpaha ragam. p. raja sandow. imperial film company. r. rukmani, leela, narasmimma rao .
• bollywood actress rekha made debut in kannada film operation jackpot cid 999. ace singer latha mangeshkar’s first kannada song bellane belakaithu. . is for the film ‘sangolli rayanna’. mohammad rafi only song in kannada was neenelli nadave dhoora… from ‘amrutha dhare’ amitabh bachchan made his first appearance in kannada cinema .
jayavani film company. sakkubai. sundar rao nadkarni. paruva pictures. madurai asari, k. saradhambal. sakuntala. p. velammal, santhadevi .
• rajkumar, bharathi starring ‘bangaradha manushya’ is the first film to run successfully for two years. raghavendra rajakumar’s ‘nanjuindi kalyana’ almost came near to it .
• gejje pooje, sharapanjara, chakrateertha, samskara, uyyale and shubba shastri are the films screened for the first time in international film festival held abroad .
• ‘samskara’ that heralded a new wave cinema by pattabhirama reddy got swarnakamal award at the national level. in the state level it got second best film award .
• the cancellation of 32 international film festival in bangalore on account of wtc crash and drought in the state and half a dozen conflicts created room for controversies .
morey baalapan ke saathi chhaila ...
by k. l. saigal & khursheed. film: tansen - 1943. music: khemchand prakash .
• dr. rajakumar is the first hero on kannada screen to complete 100 films as hero. he is the first hero in kannada to appear in bond film .
• the first silver trophy won kannada film was ‘mahakavi kalidasa’. m. v. vasudevarao is the first one to get national award for his acting in ‘chomana dudi’ .
join today! urltoken title: janam janam ka saathi mora pawan ke sang sang aaye vocals: surendra film: service limited a. k. a... .
list of tamil films of the 1. from wikipedia, the free encyclopedia. a list of the films produced in the tamil language film industry in india in the 1 .
, was re - staged in kolkata. sircar invited tagore to direct a film version of the play. the screenplay was written by tagore’s nephew, dinendranath, who also composed the background music, while tagore played the role of upali, a major character. nitin bose shot the film, which resembled a stage production, within four days with a static camera .
bidyapati (1938) bangla movie: lyrics composed by kazi nazrul islam, jayadeva & sailen roy music composed by r. c. boral. even though the movie was in bengali, the song lyrics seem to be a mixture of bengali and other hindi based dialects. also, it seems to be the same movie was made in hindi as vidyapati since the songs seem very similar .
chandra bharathi cinetone. siruthonda naayanaar. c. raman. radha films, malik pictures corporation. t. sundarappa, sornambal. subhadra parinayam. pioneer film company, variety hall talkies .
from the news: veteran indian film industry stalwart shashi kapoor has died at the age of 79, it has been confirmed. his nephew randhir told the press trust of ...
• the subsidy for kannada films on the basis of quality was raised from 30 films to 50 films annually. the subsidy amount of government to kannada films is rs. 10 lakh per film .
• from the royal family kemparaj urs acted as hero in gubbi company film “jeevana nataka’. shantha heblikar was one of the heroines. well known literary personality aa. na. krishna rao penned lyrics .
nagaiah - wikipedia. chittoor v. nagaiah (born vuppaladadiyam nagaiah) was a multilingual indian film actor, thespian, composer, director, producer, writer and playback singer from chittoor, andhra pradesh, india. indian film journalist and the editor of film india, baburao patel, described nagiah as the paul muni of india. he performed and directed several stage plays, such as sarangadhara, viswamithra chitra nilayam, savitri, bruhannala and ramadasu. he staged the roles of telugu saint - poets pothana, vemana, ramadasu, and tyagaraja. nagaiah developed a life - time association with b. reddy, at this juncture h .
m. gnanaambal. gnanasounthari. a. narayanan. srinivasa cinetone. srinivasa rao, sarojini. harichandra. prafula ghosh. t. ramachandran iyer. kausalya. south india film corporation. p. chellam. gopalakrishna .
• a film in 24 hours ‘september 8’ was made in tulu by dr. richard castellino. tulu is one of the four recognized languages of karnataka. dr. shivarama karanth played a guest role in ‘september 8’ .
nagaiah: a monograph, by k. nagaiah, rk books, hyderabad, 2. the new indian express. nagaiah, rk books, hyderabad, 2. nagaiah: a monograph ^ national film awards (1 .
• producer, exhibitor and distributor also a politician h. d. kumaraswamy became the chief minister of state on february 3rd. in the history of karnataka a film related personality occupying the helm of position is for the first time .
• innovative group, the pioneers in the multiplex business in the state of karnataka today unveiled the first phase of the much awaited “innovative film city, ” the country’s first - multi crore fully integrated entertainment concept came up in bidadi .
the film' s story tells of two childhood friends, bhulwa (saigal) and manju (kanan devi), who grow up to become street singers in calcutta. bhulwa dreams of becoming a stage star but it is... see full summary »
• in the annals of kannada film history of 67 years the year 2000 was unforgettable for the kidnapping of dr. rajkumar by the forest brigand. dr. rajkumar kidnap from his native village in gajanur on july 30 night at 9. 30 pm has blocked the kannada film industry for three and half months. the result the industry faced rs. 250 crores worth of activities coming to halt. it was after 108 days on november 15, the matinee idol dr. rajkumar was released from forest by dreaded killer, smuggler veerappan .
• in 1964 satya harischandra starring dr. rajkumar pandari bai, udaykumar was made in rs. 5 lakh. when the same black and white film was transformed in to color with dts, cinemascope and re - recording recently it cost rs. 3. 5 crores .
the studio’s lustre started dimming by independence. its productions were increasingly limited to the bengali film industry. the economic decline of west bengal coupled with the shrinking of the market for bengali films produced in kolkata caused by the creation of east pakistan in 1947 deeply wounded new theatres’ finances. although some films like
( 1959) in the scene in which his character, director suresh sinha, stands under the film’s hoarding. that’s hardly surprising, since guru dutt was heavily inspired by new theatres productions and pc barua during his formative years in kolkata. apart from the nod to vidyapati, the dream project that his character in
• dr. rajkumar did not get any national award for his acting in 206 films but he was the only one to get dadasaheb phalke award the highest award of this country given to film personality. for his singing nadamaya yee lokavella nadamaya…in jeevana chaitra he got the best playback singer award at the national level. the
• the demise of icon of kannada cinema dr. rajkumar turned out to be major blow to the kannada filmdom in the year 2006. dr. rajkumar who had taken the kannada film industry to the great heights died on april 12 has been shocking. 8 persons were killed in his funeral procession to kanteerava studio .
beedhalapatlu. in 1. nagaiah essayed 1. kancharla gopanna in ramadasu for which he won the national film award. his parents were ramalinga sarma and venkata lakshmamba. the family moved to kuppam and later to tirupati, in chittoor district. he took up studies with a scholarship provided by the tirupati devasthanam and took his degree in chittoor .
• government of karnataka announced rs. 25 lakh each for two children films made in the year. it has given three years tax free holiday for multiplex theatres, piracy act announcement, special honor to national award films, setting up of film academy; it has withdrawn the 50 percent outdoor shooting order. service charge re introduced in karnataka .
sircar was born in bhagalpur in 1901, the son of the advocate - general of bengal. he studied civil engineering at the university of london and was bitten by the film bug after being asked to build a cinema theatre upon his return to kolkata. sircar produced two silent films before launching new theatres in 1931. the studio hit the ground running with its first bengali production ,
reddy formed rohini pictures with the association of b. the firm started its first venture in telugu through the film gruhalakshmi in 1. nagaiah played a significant role. later, the association worked through several films with vauhini studios including social films such as; vande matharam (1. sumangali (1. 94. devata (1. 94. 1), swarga seema (1 .
• the first color cinema in kannada was ‘amarashilpi jakkanachari’. the first cinema scope cinema was ‘sose thanda sowbhagya’. the first 70mm cinema was ‘sharavegadha saradara’ starring kumar bangarappa. for lyrics in the cinema k. s. narasimhaswamy the ‘jasmine poet’ got the national recognition. south india’s first woman producer is m. v. rajamma. the first woman director of the country is t. p. rajalakshmi for directing tamil film ‘kamala’ .
the film' s story tells of two childhood friends, bhulwa (saigal) and manju (kanan devi), who grow up to become street singers in calcutta. bhulwa dreams of becoming a stage star but it is manju who succeeds. at the height of her fame manju almost forgets bhulwa until at the end - in an obviously symbolic landscape (literally showing a boat washed ashore in a storm) the two are united .
a film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. this optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. a film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of cgi and computer animation; or by a combination of some or all of these techniques and other visual effects. the word
cinema
, short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. the contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations .
( 1937), the story of the pacifist court poet of mithila who is invited to the royal court by the king, only to have the queen fall in love with him. the film’s music was wildly popular, especially the songs sung by kanan devi. to quote critic krishna chaitanya, “kanan devi has the marvelous gift of smoothly carrying over to the melodic elaboration, the intimate expressiveness of speech – occasional aspiration of vowels, accented speech rhythms, and sensitive manipulation of volume. ”
gipsa list of nsp gipsa (2) nsp id nspname nspaddress nspstate nspcity nspregion mittal surgical and maternity hospital ambala road haryana kaithal north. a list of the films produced in the tamil language film industry in india in the 1930s. sheet1 27central bank of india 27. 1 nodal officer: name: mr. vineet bansaj designation: manager address: capital market services branch, telephone: 22623148, 22623149. the soul of club itc is green at heart. faq’s; terms & conditions; privacy; sitemap; www. itcportal. com; www. itchotels. in .
in bengali and hindi and in 1936 in tamil. while pv rao directed the tamil version and played the title role, the hindi and bengali films were directed by pc barua and shot by bimal roy, who would make his own version of the film in 1955. barua played the lead in bengali, but it was the hindi version, starring singing star kundan lal saigal, which took the country by storm. saigal’s brooding looks and soulful voice created the popular archetype of the tragic hero. he remains the definitive devdas even though the role has been played by dilip kumar, a nageshwara rao, soumitra chatterjee and more recently, shah rukh khan and bengali star prosenjit .
please accept my apologies in advance for any errors made in the bengali songs listed here. unfortunately the songs are old and not the best audio quality. on top of that my bengali is very rusty so i am sure i made mistakes in what i wrote .
bideshini (1944). lyrics composed by premendra mitra. music composed by kamal dasgupta
jogajog (1943). lyrics composed by premendra mitra & sailen roy. music composed by kamal dasgupta .
mukti (1937). lyrics composed by sajanikant das. music composed by pankaj mallik. this song seems similar to the version from the hindi movie of the same name released in the same year which also had music composed by pankaj mallik .
parajoy (1944). lyrics composed by ajoy bhattacharya. music composed by r. c. boral .
sapurey (1939). lyrics composed by kazi nazrul islam. music composed by r. c. boral .
shesh uttar (1942). lyrics composed by pronob roy & sailen roy. music composed by kamal dasgupta .
the bengali version of toofaan mail is very similar to the hindi version from the movie jawab. kamal dasgupta composed the tune so he used the same in both languages and kanan devi sang both .
the following is a private song kanan devi sang in hindi. i had to add it here since the hindi page is already full .
lahore 1949: ham ne circus mein naukari kar li o na mile rozgaar jhootthe se (g. m. durrani )
kanan devi. . aye chand chup na jana. . madhubala. . dilip kumar
kanan devi. toofan mail (bengali). jawab1942. music. kamal dasgupta
ye duniya toofan mail. . jawab1942 _ kanan devi _ pt madhur _ kamal dasgupta. . a tribute
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the music was composed by r. c. boral with lyrics by ajoy bhattacharya. songlist :
as the
scarecrow
. at bolger' s insistence, the roles are switched between the two actors. on july 25, mgm announces
the new constitution of estonia enters into force, ending the era of silence and the authoritarian regime .
sir alexander cadogan succeeds sir robert vansittart as permanent under - secretary at the british foreign office; vansittart is
kicked upstairs
by being given the new and unimportant office of chief diplomatic advisor to the government .
the merrie melodies cartoon short daffy duck & egghead is released, being the first cartoon to give daffy duck his current name, as well as his second appearance .
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the legendary production company was a laboratory for technical innovation and a nursery of talent .
. until then, songs, like dialogue, were recorded live in front of the camera, often with entire orchestras playing just out of the camera’s view .
new theatres was only four years old in 1935 but it had already earned a reputation for blazing trails. set up by aristocrat and visionary birendra nath sircar, new theatres lived up the promise of freshness and novelty contained in its title. it created a vital hub for filmmaking in kolkata in the thirties, not just in terms of production but also distribution. new theatres operated two cinemas in kolkata, chitra and mitra, which helped the studio control the films it produced .
( 1931), based on a novel of the same name by sarat chandra chatterjee .
unlike other studio owners, sircar had no ambition of making films or acting in them, and gave his directors a free hand. the opportunity for creative freedom made new studios a talent magnet for directors, actors and technicians, with such names as pc barua, debaki bose, phani majumdar, kundan lal saigal, pahadi sanyal, kanan devi, lila desai, prithviraj kapoor, nitin bose, mukul bose, bimal roy, rai chand boral and pankaj mullick on their roster .
new theatres quickly became reputed for its high - quality adaptations of the novels of sarat chandra chatterjee and rabindranath tagore. in 1931, on the occasion of tagore’s 70th birth anniversary, his dance - drama on buddhist themes ,
was released at chitra theatre on march 14, 1932, but it was a box office failure .
. the studio produced films in both bengali and hindi that are deemed as classics due to their screenplays and innovative technical qualities. some important titles include the bilinguals
well before it became the indian national anthem, is an early example of social realist cinema .
( 1952) were popular, the glory days already seemed to have left far behind. many of its alumni, including bimal roy, migrated to mumbai. sircar retired from the movie business in 1955 after completing
( 1935) are two films by debaki bose that are fine examples of documentaries made in the pre - independence period. the studio also made animated films, among the earliest such productions in indian cinema. apart from the one - reelers
after its closure in 1955, new theatres was taken over by various business concerns, but its decline continued due to mismanagement and labour problems. in the early 1980s, the west bengal government took control of the studio. its lots are now used to shoot bengali movies and television serials .
brand reality and brand values have never been more important for the bottom line .
on a typical saturday morning, roaming the isles of your regular grocery store, you pick up a bottle of, let’s say, fresh juice from the refrigerated section. without a second look, you place it in the shopping cart, like you do every week, making that particular cold - pressed juice an essential part of your diet. that confidence in a product comes from knowing exactly how it’s made and what it’s made up of. in other words, that confidence comes from a transparent brand .
several brands across industries have initiated transparency programs that give consumers depth of information, from brand communication and product description to production methods and company policies. for instance, maiyet, a new - york based luxury brand, weaves stories about its collaboration with artisans in varanasi, india and shares them with its loyal customers through its communication channels. waleda, a 93 - year old beauty firm, shares information on its commitment to fair trade, wages guidelines and a list of environmental standards on its website. these brands were featured as the top 10 brands in refinery29’s transparency awards that looked at various transparency criteria - like sharing information with employees and the public and consistently improving transparency practices .
an example closer to home can be seen in maggi. the brand has shared the entire production process of maggi masala noodles, from making the noodles to sourcing ingredients for the tastemaker, in a two - part video series. the first video, shot in the tahliwal nestle factory in himachal pradesh, breaks down the production process of the noodles, covering details such as how the grains are sourced, how they are kneaded into dough and then cut into thin noodles. the second video focuses entirely on the fresh ingredients that go into making the maggi masala tastemaker. this is a crucial step taken by the brand to increase its transparency .
so, why are brands trying to be more transparent? as customers make more informed purchase decisions, they increasingly want to know more about the brands they buy. according to hbr, “by giving people a window into its workings, a company can show it has a sound process it’s adhering to. it can avoid asking customers to have faith in a black box. the greater the transparency, in other words, the greater the trust. ” this trust gained from consumers can also have an impact on the bottom - line. as per this study in brand transparency, up to 94% of customers surveyed were more likely to be loyal to a brand that offers transparency, while 73% said that they are willing to pay more for a product that offers complete transparency .
people’s distrust in companies has grown in line with the rise of social media, rating and review sites and the online market. the demand for transparency was further escalated by a few events that had a global impact. the rana plaza tragedy in 2013 exposed the ugly truth behind the fast - fashion industry. 5 years hence, big fashion brands have pledged to adopt good industry practices and be transparent by publishing their supplier list and the type of products made in the facility. more recently, a slew of large data scams brought the world’s attention to the misuse of personal information shared on social media accounts. the resulting outrage pushed social media behemoths to share transparency reports with the public at regular intervals .
moreover, an entire generation of evolved, sophisticated and discerning consumers, known as gen y or more popularly as millennials, pushed companies to realise the importance of building trust through transparency. millennials, being digital natives, don’t go by the traditional path to purchase but consider various other aspects before making a decision. kira karapetian, vp of marketing for label insight, in an article written for forbes points out that “when millennials make purchasing decisions, they’re considering more than the traditional drivers of taste, price and convenience. ” she goes on to explain the millennial tenets of self, society and planet: “how is the food i’m buying enhancing the quality of life for my family and myself? ” and “how are brands adding good to the world in which we live. ”
like in any relationship, building trust can take years. by adopting transparent communication and practices, brands can deepen their connection with their customers, building brand loyalty and love. despite its presence across indian homes, dorm rooms and even the highest mountain peaks, maggi has entrusted its loyal consumers with information about their production, packaging and ingredients, showing them that the reality of the brand matches its promise. the brand teamed up with the highway on my plate duo, rocky and mayur, for the videos that give us a how - it’s - made glimpse of our favourite maggi .
this article was produced by the scroll marketing team on behalf of maggi and not by the scroll editorial team .
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gillu (hindi story) by mahadevi verma. mahadevi varma best known as an outstanding hindi poet, was a freedom fighter, woman' s activist and educationist. check out train coach seat map layout & numbering, to know about your reseved seat in indian railway. the beatles: eight days a week - the touring years. the light between oceans. paying branch link branch nodal branch; 1: 0331602 garacharama via port blair, garacharama andaman 744101 and: 0332440 central pension .
imperial films. r. rukmani, leela. sathyavaan savithiri. m. rajalakshmi. nanthanar. new theatres. subbaiah thevar, angamuthu .
prahalaathaa. new theatres. prahalaathaa. east india company. valli. p. v. rao. national movietone .
b. khemka, east india films. sri krishnaleela. p. v. alagappa chettiar, meenakshi cinetone. papanasam sivan. m. thyagaraja bhagavathar, s. subbulakshmi, sundarambal, s. mani bhagavathar .
bama vijayam. manik lal tandon. pioneer films. m. angamuthu. srinivaasa kalyaanam. a. narayanan. srinivasa cinetone, a. srinivasa rao, serukulathur sama, r. kamalaveni. sangeetha lava kusa. s. soundararajan & kv .
alagappa chettiar, tamil nadu talkies. harikesanallur muthiah bhagavatar. vidvan srinivasan, narayanan, seethalakshmi. draupadhi vastrapaharanam .
r. padmanaban. angel films. v. sivabagyam. draupadhi vastrapaharanam. r. narayanan, sreenivas cinetone. t. saradhambal. title. director. production .
music. cast. alli arjuna. a. meiyappan, saraswathi sound productions .
abdul khadar, k. ananda narayana iyer, k. narayana rao. athirupa amaraavathi. c. raman. sundaram talkies. sivakozhundu, p. velammal, ranganayaki. bhaktha dhuruvan .
s. rajam, gowri. kulepakaavali. s. soundararajan, tamil nadu talkies. v. rajalakshmi, rajeswari, rani bala. lanka dhakanam. chellam talkies. a. gnanambal. lalithangi. royal talkies. t. ramachandran iyer, kamala .
maayaa bajaar. r. padmanaban. serukulathur sama, vidwan seenivasan, s. rajam, bala mani, kamatchi. markandeya. murugadasa, k. sundaram, rajapalayam kuzhandaivelu bhagavathar, k. srinivasan, lady bhagavathar m. kannamani. nala thamayanthi .
baktha nandanar. manik lal tandon. kishinchand chellaram, hassandas classical talkies. k. sundarambal, maharajapuram viswanatha iyer. naveena sadharam. k. subramanyam, madras united artists corporation. papanasam sivan. vidhwan sankaralingam, g. mani bagavadhar, kunjidha padham, s .
parvati bai, indubala, m. mohideen, sri shanmuganandha talkies. t. ramaswamy, friend ramasamy, t. sivadhanu. mohini rukmangadha. s. soundararajan, tamil nadu talkies .
k. santhanakrishna naidu. p. krishnasamy iyengar, vidhwan seenivasan, v. susheela devi. pattinaththaar. v. patham. lotus pictures. c. sundara moorthi oduvar, k. sarathambal, kothamangalam seenu .
nott annajirao, s. rajalakshmi, nott annajirao, rangabashyam, m. narayanan. coimbatore talkies. s. krishnasamy iyengar, k .
rajalakshmi. baktha ramadas. murugadasa. parameswari sound pictures. nawab t. rajamanikkam pillai, k .
kalyanam. radha kalyanam. c. sathasivan) sri meenakshi cinetone. sri harikesanallur muthiah bagavadhar. s. krishna moorthy .
raja bhoja. new theatres. t. krishnasamy iyengar, rajayee. rathnaavali. a. meiyappan, saraswathi talkie producing company .
s. subbaiah bhagavathar, bufoon shanmugam, karaikudi ganesh iyer, kasi viswanatha iyer, ramasamy pillai, t. rukmani ammal, thooku thooki .
r. prakash. royal talkies. c. panthulu, clown sundaram, k. kamalam, devaki. menaka .
p. rajasandow. sri shanmuganandha talkie company. t. bhagavathi. title. director. production. music. cast. ali badhusha .
c. selva rathnam, pangajam. indra sabha. a. narayanan, sreenivasa cinetone. m. ranga nathan. iru sahodarargal. ellis r. dungan. parameshwar sound pictures. parur s anantharaman & gopalaswami. k. chakrapani. usha kalyanam .
chidambaram vedhanayagam sharma. m. mohanambal, serukulathur sama, vidwan srinivasan, t. subramania mudaliar. krishna arjuna. royal talkies. k. srinivasa bhaghavatar, m. janaki bai. krishna narathi .
profulla ghosh. v. subramania mudaliar, k. kalyanasundaram iyer, d .
sundhara vadhyar. m. thyagaraja bhagavathar, trichy thyagaraja films. papanasam sivan. m .
thyagaraja bhagavathar, m. madhuram. seemanthini. ellis r. dungan. national movie tone .
thiruchi t. sundaram, chinnasama iyer, natesa sastri, kulathu mani, krishna iyer, sivarama iyer, kalyanam, seenivasa rao. dharma pathini. m. ramachandran iyer, gomathi, c. samanna. dhara sasangam. a. narayanan, sreenivasa cinetone .
naveena sarangadhara. k. subramanyam. murugan talkies. papanasam sivan. m. thyagaraja bhagavathar, s. pattu iyer, indubala. baktha kuchela. k .
subramanyam, madras united artists corporation. papanasam sivan, s. balasaraswathi devi. pathi bakthi. b. mangalam. pattinathar (1. 93. murugadasa (muthuswami iyer) m. muthulakshmi, jaya lakshmi, k .
sundaram. bama parinayam. y. rao. royal talkies. serukulathur sama, t. rangnayagi, raja thandapani .
pathuga pattabishekam. murugadasa, k. shekar, karthigeya films. parvathi kalyanam. b. aldekar. matheri mangalam nadasa iyer. p. durai sami desikar, s. damayanthi. moondru muttalkalin sangeetha koshti .
aralkar kabuli sahib. p. rukumani. beeshma prathikgna. mahathma kabeerdhas. a. narayanan. sundaram talkies. p. naidu. madayarkalin santhippu. manohara. srimath mahabaratham. s. soundararajan, tamil nadu talkies .
miss kamala. t. rajalakshmi, sri rajam talkies. t. rajagopal, stunt rajoo .
meera bai. a. rajsundari bai, gopal rao, joker ramudu, k. sandhanam. madras mail. k. amarnath. raja desingu. raja chandrasekhar. rajeswari talkies. m. saradambal. rukmini kalyanam .
bhalji pendharkar. s. vijayal, matheri mangalam nadasa iyer, sreemathi, panchu bhaghavatar, kamala. leelavathi sulochana. p. raja sandow. viswamithira. a. narayanan, sreenivasa cinetone. m. gopala iyengar, rajasundari, t. duraisami iyer. veera abimanyu .
profulla ghosh. nagatha. m. mana singh. srimathi parinayam. mannarsami. title. director. production. music. cast. ambikapathy. ellis r. thottana chettiar, salem shankar films. papanasam sivan & k .
thyagaraja bhagavathar, m. santhanalakshmi, serukulathur sama, t. raja mani. arunagirinathar. aandal thirukkalyanam. baktha arunagiri. s. chokkalingam, mayuraa films .
basmasoora mohini. kavirathna kalidass. m. sandhanam. krishna thulabaram. kutti. kowsalya parinayam. k. subramanyam, madras united artists corporation .
thyagaraja bhagavathar, serukulathur sama, k. narayana rao. sundara murthy nayanar. murugadasa. murugadasa, k. shekar, karthigeva films. v. sundaram. sethu bandanam & aasai. r. padmanaban, oriental films. m. rangachari, nott annaji rao, m .
sandow, kulathu mani, m. angamuthu, bhagirathi. danger signal. shree thiagaraja. devadoss. t. rao. nava yuvan or geethaa saaram. michael omalov. kishinchand chellaram, hassandas classical talkies. v. sadagopan, bikshavathi, m .
rajamani. naveena nirupama. t. sundaram, modern theatres. padma jothi. t. sundaram, modern theatres. t. muthukrishnan, padma, t .
k. rao. pakka thirudan. balayogini. k. subramanyam, madras united artists corporation. moti babu & maruti seetharammaiah. k. chellam, baby saroja, c. panthulu, bharathan, k. balasaraswathy devi, baby rukmini, salem sundaram. minnal kodi. k. amarnath .
miss sundari. s. soundararajan, tamil nadu talkies. minor rajaamani. p .
v. gopalratnam, chellam talkies. b. saraswatibai, pattabiraman, r. lakshmidevi. raja mohan. prem chethna. national movietone .
m. sahadevan, aathmanathan, janakam, kanakam. vallala maharaja. m. rajan, vel pictures. vikrama stri sahasam .
later, he became a journalist with andhra patrika. mahatma gandhi and nehru influenced him and he participated in the freedom struggle (dandi satyagraha) in 1. he worked with gramophone companies like hutchins .
he attended the gowhati congress conclave with s. he then married girija, and girija too died due to miscarriage in the eighth month. his first daughter died of an un - diagnosed illness. he then participated in long stays at ramana maharshi ashram. retrieved 2. 1 september 2 .
write something about yourself. no need to be fancy, just an overview .
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kannada movie industry also known as sandal wood, has a 80 years of histroy and today every year 100 + movies are released. production of both commerical and art movies (parallel movies) is the speciality of kannada movie land. kannada movies have won several national awards and also recent time movies are popular among non - kannadigas also .
total movies released so far in kannada are 3500 +. we have 3100 + kannada movies collection in dvd / vcd formats .
• the first theatre of karnataka is paramount – that was later named parimala talkies in city market. the first cinerama theatre in asia is kapali situated in subedar chatram road, bangalore .
• when the lion roaring sound was heard in the theatres the people mistook it and ran away from the theatres in early stages of cinema .
• mv rajamma is the first woman producer of kannada from radha ramana in the 1940’s .
• in the 1950’s ‘navajyothi studio’ was started in mysore. another studio premier studio also came up in this decade .
• one of the heroes of ‘sri srinivasa kalyana’ (one of the saptharishi) rajakumar came to filmdom .
• 1954 debut of rajakumar in ‘bedara kannappa’. rajakumar was picked by director hln simha when he was standing in a bus stand at nanjangud. ‘bedara kannappa’ won the certificate of merit at the national level in 1955. rajakumar later acted in 206 films and won awards like karnataka rathna, dadasaheb phalke etc. dr. rajakumar was in the captivity of fugitive veerappan for 108 days and all these days there was no activity in kannada filmdom .
• playback singer pb srinivas, music director vijaya bhasker came to cinema field in mid 50’s .
• in the 60’s the unforgettable chi. udayashanker as writer came to industry became part and parcel of kannada cinema for over four decades .
• in the 1970’s – the prostitute based ‘gejje pooje’ became a big hit .
• the new wave cinema was ‘samskara’ based on novel of dr u r ananthamurthy was directed by pattabhirama reddy .
• prithvi raj kapoor acted in ‘sakshatkaara’ starring rajakumar, jamuna directed by sr puttanna kanagal .
• from nagarahavu – dr vishnuvardhana, ambarish, aarathi were introduced to kannada cinema by sr puttanna kanagal .
• the first hero of kannada cinema subbai naidu’s son lokesh was introduced from ‘boothayyana maga ayyu’ by director siddalingaiah .
• sv rajendra singh babu came to cinema field as director from ‘nagara hole’ .
• noted hindustani singer shyamala g bhave from ‘parivarthane’ became the first woman music director .
• shanker nag made debut from ‘ondanondu kaladalli’ and prior to his entry his elder brother ananthnag made debut from ‘sankalpa’ .
• prema loka of v ravichandran and hamsalekha created a new wave and broken all records in the box office. juhi chawla was the heroine .
• puttanna kanagal award of rs. 1 lakh was instituted by state government to a director and dr rajakumar award of rs. 1 lakh to actor fraternity .
• 50 years of kannada cinema the golden jubilee was attended by akkineni nageshwara rao, rajanikanth, v shantharam and others .
• sharavegadha saradara starring kumar bangarappa was the first 70mm cinema in kannada. it was directed by kv jayaram .
• master puneeth now the no. 1 hero of kannada cinema won the best actor at the national award for his role in ‘bettada hoovu’. his cousin master vijaya raghavendra also famous actor today won the national award as best actor for ‘ganayogi panchakshara gavai’ that gave national award to music director hamsalekha and best playback singer award to dr sp balasubramaniam .
• movieland theatre is the first theatre to start the queue system in bangalore .
• master kishen is the nation’s youngest director of ‘care of footpath’ also got guinness recognition .
• subsidy of rs. 50000 to kannada films was introduced in the year 1966. it was increased later to rs. 10 lakh for 20 quality films every year. very recently it was increased to 30 films. in 2005 - 2006 rs. 25 lakh subsidy to two children films was announced .
• karnataka government is the first one to introduce 100 percent entertainment tax exemption to kannada films .
• g. v. iyer who achieved direction in 1975 for ‘hamsageethe’ later went on to make films in sanskirt on the three philosophers dwaita, adwaitha and vishistadwaitha proponents .
• ‘savira mettilu’ of puttanna kanagal who directed 23 films in kannada, six in malayalam, three in telugu and three in tamil one in hindi unfinished project was released after 37 years. puttana’s another unfinished project was ‘masanadha hoovu’ that was directed by ksl swamee later. the maximum of 22 artistes were introduced by puttanna kanagal the doyen of kannada cinema. puttanna’s name was s. r. sharma when he directed films in telugu .
• rajakumar earlier name was muthuraj. jayamala’s original name is jayanthi. arathi’s real name was bharathi. actress leelavathi’s earlier name was leela kiran.
sathi ( the companion ) is a 1938 indian bengali film directed by phani majumdar and produced by new theatres . it was the bengali version of street singer and the film was the debut of phani majumdar as a director . the film was one of saigal ’s " most famous films " and a " classic " as far the music and songs of the films were concerned . the music was composed by r. c. boral with lyrics by ajoy bhattacharya . the cast of the film included k. l. saigal , kanan devi , boken chatto , amar mullick , sailen chowdhury and shyam laha . the story involved two young street children growing up together singing on the streets and hoping to make it big in show world . 
sathi (the companion) is a 1938 indian bengali film directed by phani majumdar and produced by new theatres. it was the bengali version of street singer and the film was the debut of phani majumdar as a director. the film was one of saigal ’s " most famous films " and a " classic " as far the music and songs of the films were concerned. the music was composed by r. c. boral with lyrics by ajoy bhattacharya. the cast of the film included k. l. saigal, kanan devi, boken chatto, amar mullick, sailen chowdhury and shyam laha. the story involved two young street children growing up together singing on the streets and hoping to make it big in show world.
sathi (the companion) is a 1938 indian bengali film directed by phani majumdar and produced by new theatres. it was the bengali version of street singer and the film was the debut of phani majumdar as a director. the film was one of saigal ’s " most famous films " and a " classic " as far the music and songs of the films were concerned. the music was composed by r. c. boral with lyrics by ajoy bhattacharya. the cast of the film included k. l. saigal, kanan devi, boken chatto, amar mullick, sailen chowdhury and shyam laha. the story involved two young street children growing up together singing on the streets and hoping to make it big in show world.