oh , lady , lady
' s sweetheart, and oh, lady! lady! ! was a roaring hit at the princess theatre. musicals tonight! took us to this glorious past in style with their recent run of oh, lady! lady! ! .
ouvir álbum completo oh! lady be good - vol. 3 ano de lançamento: 2003
regina carter recorded
oh, lady, be good
on her 1999 album rhythms of the heart .
rosenberg' s full discussion of
oh, lady, be good !
is revealing and incisive .
oh, lady! lady! ! is presented by arrangement with tams - witmark music library, inc. 560 lexington avenue, new york, new york 10022
in the romantic - comedy
oh my lady
an ahjumma (older woman) becomes the manager for a popular celebrity .
i love oh my lady so much. . i wish that it will have a part 2... ilove you min woo
oh my lady
will takeover the mon. & tues. time slot previously occupied by sbs drama
pick up the stars
.
contest in 1991. - - if mark recorded
oh, lady, be good !
for an album, it is unknown to us .
oh, lady! lady! ! opened on broadway at the princess theatre, february 1, 1918 and played there, and later at the casino theatre, for 219 performances starring vivienne segal and carl randall as mollie and bill .
this recording of
oh, lady be good !
by the carl fenton orchestra was made during the same month, dec. 1924, that the show, lady be good, starring adele and fred astaire, opened on broadway .
1925 recording of
oh, lady, be good !
by cliff edwards (ukulele ike) who was a member of the original cast of lady, be good! on broadway but did not perform the song in the show .
it is difficult to follow the recording history of
oh, lady be good !
without noting the extent to which jazz musicians of every generation from the time the song was written have taken it up. ted gioia in his the jazz standards offers about as good an overview of
oh, lady, be good !
in the jazz repertoire as there is .
reveal a jaunty joie de vivre reminiscent of stéphane grappelli, best showcased on' lady be good' and tadd dameron' s' our delight' .
- - amazon editorial review. (she is accompanied by kenny barron on the
oh, lady, be good !
track. )
all in all, oh my lady was a sweet, cute series that could be a fun way to spend a breezy weekend with some unchallenging but personable characters, and that will leave you smiling at the end .
preparing for withdrawal symptons now with oml ended and pt ending soon. oh please give us a speedy and nice recap, jb .
oh, lady, be good !
like the rest of the score it comes from, is at once sassy and vulnerable, innocent and seductive, confident, yet insecure - - suggestive, satisfying and very twenties. the phrase
oh, lady, be good !
became the
definitive male invocation
of the decade in the words of the british critic benny green. it was quickly absorbed into everyday speech as well as more esoteric literary language. ezra pound wrote in his # 74 of his pisan cantos ,
. in any case, astaire introduces the track for
oh, lady, be good !
as evidence that the song has evolved as a jazz classic - - which the recordings in this set of selections surely demonstrate. benny green, british jazz saxophonist and writer, describes astaire' s performance here as follows :
when [ astaire ] assumes that expression of mute appeal and requests, with a slight lilt in his voice:' oh, sweet and lovely, / lady be good, oh / lady be good to me,' the listener gets the sense that here is one of those rare occasions when the form and the content, the creator and the interpreter, have fused to produce something not often encountered in popular art, or indeed in anything else - - perfection
( quoted in
in oh, lady! lady! !, mollie and bill are engaged to be married, but preparations are interrupted when bill’s ex - fiancée arrives unexpectedly on their wedding day. bill works to convince his old flame that he was not worthy to marry her, but his clumsy efforts do not make him look good to his new fiancée, whose mother already dislikes bill. a couple of crooks cause further complications .
thanks so much for recapping oh my lady, javabeans! ! i had a good time watching this drama and appreciated your recaps. who can resist choi si won' s smiles? his casting for that role was perfect and chae rim, as always, did the best with her character as well .
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a silent film version of one of the famous
princess theatre musicals
with music by jerome kern and lyrics by p. g. wodehouse, this was never redone as a sound film. the song
bill
, which was later inserted into
show boat
and made into a song classic by helen morgan, originally came from the stage version of
oh, lady, lady !
( the lyrics to
bill
, however, were much altered for
show boat
) .
after the greatest love and oh my lady, i' ve wondered if things like that happen for real in korea. . i mean fans and media that dont accept some relationship between famous people and
inappropriate
people (by the eyes of those fans and media). if you live in korea, could you answer me that? does that really happen ?
philip furia and michael lasser elaborate on the significance of ira' s title clause ,
lady be good ,
which of course is key to the titles of both song and show. they note that george gershwin thought of the show
as an opportunity to infuse jazz into the broadway musical .
fred astaire' s, however, was dubious, seeing the script as
hackneyed ,
until he and his co - star sister adele heard the show' s first song ,
oh, lady be good !
which quickly dissipated their doubts. furia and lasser write ,
ira gershwin had wedded his brother' s plaintive, bluesy melodic line to the 1920s catchphrase that implicitly asked a lady not to be good but bad .
this is the first k - drama which i watch while it' s showing, patiently waiting for 2 episodes every week, and faithfully reading your recap after each episode and all the fans' comments. a new experience to me! i must say it' s an enjoyable 2 months with oh my lady, and i' m of course feeling very down now that the drama is over .
though several reviewers made note of the songs they made no mention of the innovative sound, the spare sinewy melodies, the definitely non - operetta rhythms, the wit of the lyrics. a score that scintillated and crackled with the unsentimental contemporaneity... of such songs as
little jazz bird ,
the half of it, dearie, blues, and of course ,
oh, lady be good
and
we now know how modern lady, be good! really was, at least for its time, but apparently most contemporary reviewers did not. gershwin biographer edward jablonski captures the essence of what the critics missed :
yeah, oh my lady wasn' t great, but it was easy to watch, despite the slow plot. i was a little worried about how they would tie up the romantic stuff at the end because there had been almost zero romantic action during most of the drama, but it was amusing to watch min woo win over kae hwa and didn' t feel too rushed. really glad that you stuck with the drama jb, thanks for the recap !
the plot of oh, lady! lady! !, like most musical plots of the period, is merely a loose framework for showcasing pretty girls, snappy gags, and wonderful songs. well - bred molly farringdon (amy bils) is getting married to the dashing but penniless willoughby finch (maxime alvarez detoledo, whose ponderous height matches his elongated moniker), under the disapproving eye of her formidable mother (katherine harber). willoghby is aided by his affable chum hale underwood (christopher corts), who in turn has his eye on willoughby' s former fiancée may (robyn parrish). throw in an ex - con valet spike (roger rifkin) and his sticky fingered sweetheart fanny (jennifer winegardener), an oblivious british detective (john o' creagh), and stir at a scandalous
notes: producer - impresario norman granz presents jazz at the philharmonic (los angeles, january 28, 1946) featuring charlie parker' s first recording for verve. recorded live, the album features a set of expanded renditions of pop and jazz standards, including
a jubilant interplay
on
oh, lady, be good .
players include al killan, howard mcghee (trumpet), charlie parker, willie smith (alto sax), lester young (tenor sax), arnold ross (percussion), billy hadnott (bass), lee young (drums). music - video :
. it consists of 40 tracks of songs associated with astaire, sung by him accompanied by the jazz at the philharmonic all stars (charlie shavers, trumpet; flip phillips, tenor sax; oscar peterson piano and celeste, ; barney kessel, guitar; ray brown, bass; alvin stoller, drums. although astaire did not sing
oh, lady, be good !
when he starred in the original 1924 production, he claims that george gershwin
never dreamed
of his song as a jazz song. it was merely a musical comedy number designed to further the plot. some commentators, however, (see
, it was not the story that made the show so memorable and important in the history of american musical theater. it was the songs. they with
their originality and excellence, their complexity and sophistication in rhythm, harmony and lyric writing raised musical comedy to new heights... .
writing of the show' s title song, the sculptor isamu noguchi, who in 1929, had sculpted a brooding, modernist bust of geroge gershwin, commented how the gershwin brothers had the
rare gift of being able to transfix in such a slender song as
oh, lady, be good !
the timely yet timeless image of an era, poignant still .
she asks, “if you end up marrying my mother and then a prettier lady comes along, are you going to divorce my mom? ” min - woo gapes incredulously, but min - ji points out that he works with beautiful actresses all the time: “if you betray my mother, it’ll be so sad for her. ”
notes: ella first recorded
oh, lady, be good !
on may 19, 1947, as ted gioia puts it ,
a last - minute addition to a studio date, with an arrangement worked out on the spot and the song captured in a single take, ... a pull - out - the - stops
performance that remains one of her most popular efforts. she also recorded it for the norman granz / nelson riddle gershwin songbook album of january, 1959, which is a
true ballad
performance that includes the brooding verse. music - video 1: same 1947 track as on
decca
album above (and many other albums )
i found oh! my lady to be a refreshing change from the angst, and from the hyper - focus on fated! i - must - have - you! relationships! that abound in kdramaland (not that i don' t love them, too). i really enjoyed seeing min - woo grow as a person, and see his relationships with ye - eun (possibly the cutest child ever) and kae - hwa develop into real, healthy ones. i can imagine kae - hwa, min - woo, min - ji, and ye - eun being a very happy, adorable family from here on out. i personally would love it if mw and kh had a kid together, too, another little girl - that would be fun. : )
the gershwin songs were new and fresh and vital, perfectly attuned to 1924 america. ragtime and jazz had been introduced to broadway before, but the lady, be good songs transcended the popular music of honky - tonks and cabarets. george had combined negro music with his own syncopation. and ira' s lyrics, perfectly cadenced to the complicated music and brilliantly rhymed, gave it a finish of worldly sophistication .
the
lady
referred to in the title of both song and show is susie trevor (adele astaire) sister of dick trevor (fred astaire). the plot, which is far too complicated and melodramatic to render in anything close to its entirety, presents a character named jack who was supposedly murdered in mexico but somehow shows up in new york trying to inherit a large estate claimed by a mexican in the name of
i picked up oh my lady because (1) when it started i had the time, as none of the current wednesday - thursday shows had premiered yet and i had no other recap commitments, (2) i had just finished its timeslot predecessor wish upon a star, which was a happy surprise, and therefore anticipated a similar tone for this one, and (3) i wanted to keep up the watching and recapping momentum. there’s also (4) the matter of loving chae rim (and wanting her to pick a more enjoyable project than her last, good job, good job) and (5) the fact that i had pegged choi siwon as an idol - star - turned - actor to watch out for after story of hyang dan back in ’07. (see? there is some thought that goes into these decisions, however random the choices may ultimately seem! )
its about gae hwa a 30 something year old lady who is having a hard time finding a job and providing for her daughter. she is divorced and due to circumstances has to let her daughter go under her ex husband' s, kim byung, care until she can find a stable job and get a house. she meets a top star sung min woo through one of her temp jobs and later on finds out a secret about sung min woo that even he didn' t know about. this secret brings these two together (not in a romantic way) .
min woo' s growth would not have existed were it not for gae hwa. i too like everyone, wished the chemistry was there early, but min woo had many obstacles yet to overcome and mature, before the relationship between him and gae hwa went to a love - happily ever after relationship. in addition, gae hwa also had to overcome her own luggage and put all that behind her. although, all that finally came about in the last episode, it was all worthwhile to view this warm show. this final episode, showed how much min woo worked so hard to bring everyone to help him woo gae hwa. many of the characters including the ex, the manager as well as the dreaded tabloid reporter, the bff and the boss oh don' t forget min ji' s extraction of min woo' s promise (not to break gae hwa' s heart - -) all helped min woo to finally compose that proposal for gae hwa' s life... .
sister on the grounds that she had married the murdered character while vacationing south of the border. watty watkins, the character played by walter catlett, is not only dick trevor' s lawyer, but has been engaged by the mexican to collect his sister' s share of the inheritance. watty tries to get susie trevor to impersonate the mexican' s sister to help in securing his new client' s share. whether or not susie complies will determine if the lady will be
good
or not - - where
good
can mean either good or bad depending on which character is using the term. the title song is sung by catlett / watkins to adele / susie to get her to be
good
to him by complying with his requests, both literal and implied. susie at first declines despite catlett' s lucrative offer and then suddenly reverses course turning a yacht club party into a riot - - concluding the first act. don' t worry, everything works out and the truly
good
guys and ladies (which include fred' s and adele' s characters) get the inheritance and preserve their virtue .
exhibitors herald (oct - dec 1920): exhibitors herald co. : free download, borrow, and streaming: internet archive
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princess theatre, (2 / 01 / 1918 - circa. 6 / 1918 )
book by guy bolton and p. g. wodehouse; music by jerome kern; lyrics by p. g. wodehouse and guy bolton; musical director: max hirschfeld; music orchestrated by frank saddler
music by jerome kern; lyrics by guy bolton and p. g. wodehouse
act i debonair but penniless willoughby “bill” finch is set to marry long island society gal molly farringdon, although he has not charmed his formidable future mother - in - law. bill’s sassy former fiancée, may, has met and piqued the interest of his affable friend and best man, hale. hale recognizes bill’s valet, spike, as an ex - convict; spike is guarding the pearls that bill has bought for molly as her wedding gift. spike’s sticky - fingered girlfriend, fanny, tries to persuade him to pocket the wedding gifts, but he wishes that they could put their old prison days behind them .
may calls unexpectedly on bill’s wedding day, to say that she will soon arrive, and she points out that they are still engaged. bill and hale scheme to convince her that he is a ladies’ man, and not worthy to marry her. hale catches fanny trying to pocket the pearls and forces her to agree to help with bill’s charade. may arrives; it turns out that she has been hired as a dressmaker for the wedding by molly’s mother. may admits that she is no longer interested in bill and wishes him well, and she returns hale’s interest. but when molly returns, she is confronted by fanny, who is pretending to be bill’s girlfriend – and the pearls are missing .
act ii that night, hale hosts a party on the roof of bill’s greenwich village apartment. molly’s mother has called of the wedding. may is flirting with various men, making hale jealous. spike and fanny arrive to announce that they are now married. fanny tells spike that she does not have the pearls, but she is very nervous when a british private detective shows up .
molly comes to talk with bill, and they have a romantic moment before her mother shows up. bill awkwardly tries to explain to mrs. farrington what happened, and hale asks may to marry him. but molly and her mother find may at bill’s bedroom door and conclude that bill had been entertaining her in his apartment. finally, the real thief confesses, molly finds out that may and hale are engaged, and a happy ending ensues with a double wedding .
such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star (s) above the title. in the programs, the credits shall appear on the title page thereof .
( in the order of their appearance) parker mollie farringdon mrs. farringdon willoughby finch hale underwood spike hudgins (willoughby finch’s valet) fanny welch may barber cyril twombly william watty miss lettice romayne miss lotta pommery miss della catessen miss hallie butt miss sal munn miss marie schino miss mollie gatawney miss marion etta herring miss c. ella rhy miss barbara o’rhum miss clarette cup miss may anne ayes miss cassie roll miss virginia hamm mr. artie c. hoke mr. b. russell sprout mr. c. ollie flower mr. h. ash - brown mr. stewart prune mr. con kearny
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a silent film version of the kern - bolton - wodehouse
princess theatre
musical .
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kern, jerome, 1885 - 1945; bolton, guy, 1884 -; wodehouse, p. g. (pelham grenville), 1881 - 1975
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urltoken = = = 1 new... contact de david alexandre winter / poulphilippe... . = = = au p' tit bonheur nostalgie... ...... . = = = hello 1 new fan du chanteur... ...... ...... je remercie david alexandre winter qui ma contacter par mail qui me félicite de voir encore des passionner qui font ce qui peuvent pour faire revivre la nostalgie de ses moments passer... .. et faire reviver ses chanteurs qui on marquer la génération de l' époque les 60s... . de leur voix de charme en chantant des mélodie qui reste marquer dans la mémoire de se qui on vécu ses moments et dont la nostalgie restera dans les mémoires... .... .
bebe rexha veja o lyric video de
pillow
, música presente no primeiro álbum da cantora .
mike shinoda veja
promises i can' t keep
, que está no álbum solo do membro - fundador do linkin park .
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another of the celebrated princess theatre shows with a score by jerome kern and p. g. wodehouse, and a book by wodehouse and guy bolton it opened at the tiny theatre ...
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ed. intro produced in england by stevie productions ltd. © 1966 made in germany
it looks like we don' t have a synopsis for this title yet. be the first to contribute! just click the
edit page
button at the bottom of the page or learn more in the synopsis submission guide .
yu - ra (park han - byeol) is the marketing team leader for a fashion brand. she' s also the first love of top star seong min - woo (choi si - won). seong min - woo is very arrogant .
yoon gae - hwa (chae rim) is the 35 year old housewife who will become the manager ...
principle cast members will start reading the scenario together on feb. 5th, 2010 .
choi si - won lost 8 kilograms (17. 6 pounds) to play seong min - woo - a pop star with the perfect body .
really miss this drama! daddy siwon' s so adorable and breathtaking... ♥♡
i strongly recommend it to all of you who haven' t watched yet. and also, siwon' s newest project 변혁의 사랑 (revolutionary love) .
really love this drama! ! unique storyline and although it took me 7yrs later to watch this, i must say this belongs to my top 10kdramas of all time! heartwarming, funny, at times thrilling... i fell in love with choi si won! u just nailed my heart right there with ur bright smile! saranghae oppa! : )
loved it. . nice teamed up with chae rim. . funny and cute. . finally, i get to see choi si - won did th dancing and the singing in a drama. . nice story, he did it well. . im in love with you again, choi si - won! ! you never failed to amazed me < 3 < 3 < 3
guys if u r going through the comments and rating before watching than let me tell you dnt check the rating because this is one of the few must watch drama, i cried my heart out, the lead guem bi (heo jung - eun) she did a fab acting, so young but still so good bless her hope to see more of her dramas .
very very very loved this drama, already many many times i watched this drama. love the plot and the actor / actress
ye - eun is an angel. . she' s super duper cute. .
fantasic drama, , yu vill b addicted fa sure. . dont miss this drama! ! chemistry btw the leads were really good. . and em sure, yu wont get bored. . it has lot of comedy stuff toooo ...
wheen i saw this drama, at first i thought che ream is a marride woman and she must have children to perform such great play but then i found out that she is not a mother at all and i can' t express my feeling because she did a great job to play such mother and i really love her. fighting dear one... ah and as mr. siwon... he was very good too. especially his funny side that of course is a part of his real character! !! !! !! !! !! !! ! !
omg! !! ! its such an amazing drama! ! the plot was unique and very entertaining. . the writer is a genius. . congrats on the awesome drama. . i loved it: )
one of the best dramas ever! !! (and i' ve watched 60 + dramas) loved every episode from beginning to end! ... especially all the shirtless scenes w / siwon (and there were plenty :) ) it' s a great story... so light hearted and funny. the writer did a super job... truly well written and unpredictable. the 2 main leads characters was so likable. highly recommend! ! !
ohh my god... it was such a funny drama. . there was not single episode where i didn' t laughed... i am amazed by the fantastic performance of chae rim. . the way she acts in this is totally something. choi si - won performed good as well. i really liked every episode and watched with full interest. i am glad i watched this series. i will give it 10 / 10 no doubt (for great casting and storyline )
i really like this drama a lot. i think the story is very good. choi si - won and chae rim were both great! i liked many other actors in this drama as well. this drama was completely enjoyable to watch. it was fun, light, very romantic... just perfect! the happy smiles of choi si - won and chae rim while they played their roles left a strong, lasting impression. and now, just thinking of the drama brings a cheerful, happy feeling to my heart. choi si - won is a wonderful actor and he was very charming and handsome. i couldn' t help but be affected whenever i saw the muscles on his chest, too. wow! chae rim was just perfect! she' s a wonderful actress. the two little girls, bang joon - seo and kim yoo - bin were darling. i especially liked kim yoo - bin. this was a perfectly wonderful drama! ! !
what a movie... .. i luv yun gae hwa and sung min woo. more grease to your elbows
this is the best drama i' ve ever watched so far :) nice plot and it' s hella funny too ^ ^ the acting was also very good. . don' t want to sound like an hysterical fan girl but i have to admit that choi siwon is the most handsome man i' ve ever seen in my life < 3 he' s a hunk. . got my eyes glued on him < 3 anyway, a must watch drame. i fell in love with this drama, especially si won and chae rim... so romatic and very interesting to watch, even i miss my bus to work this morning, coz ive watch the full episode thru the night. . aijoo! !! ! love you guys... .. fighting! i love this movie so much! !! choi si won is so amazing... love you guys! !
omlady! lol i loved this drama. wish could have seen further down the road, like the wedding but the report min - woo did was good too. i never thought of choi si - won as hot, just boyish cute but now... oooooooo, wow. oppa si - won, i acknowledge your hotness. (^ _ ^ )
i love this movie so much! !! choi si won is so amazing... love you guys! !
i fell in love with this drama, especially si won and chae rim... so romatic and very interesting to watch, even i miss my bus to work this morning, coz ive watch the full episode thru the night. . aijoo! !! ! love you guys... .. fighting !
much as i might love choi si - won as my brother in christ, his acting here wasn' t all that stellar. the real star of the show was the adorable kim yu - bin, and she barely had any lines .
chae rim is a good actress, for choi siwon although ist time as a leading man, he did his best to this drama .
omg i didn' t know that csw is a good singer... ta ge chang de hen haoting !) ) )
wow... choi siwon kisses chae rim! ~ very romantic! !! ~ ^. ^
i wish this kind of situation had happened in real life. unfortunately, it' s just an imaginary soap opera (
this is the best drama i' ve ever watched so far :) nice plot and it' s hella funny too ^ ^ the acting was also very good. . don' t want to sound like an hysterical fan girl but i have to admit that choi siwon is the most handsome man i' ve ever seen in my life < 3 he' s a hunk. . got my eyes glued on him < 3 anyway, a must watch drame
hi. does any of you know what' s the name of the guy in the hotel where min woo lives? i think he' s a security guard or something. well, i found him kinda cute. xd
this movie not bad at all... ...... .. ! it' s nice n quitly funny★ charim always look that pretty... .. < 3 < 3 < 3 i' ll always love u
wher is jessica? why its say got jessica and soo young in it? din saw them? !! ? o. o
this story such an funny and i really enjoy it... . give 100% point to this drama... .... thnkz for making all k - drama fans happy wacthing the drama... . hope all there will be lots of best korean drama in future... .... . gomao and hwaithing... .. go. . go. . go
i like chae rim and choi siwon. i watched this for almost 3x .
me too... . really really can' t wait that drama... .. i like both si won and chae rim yet
lol is it just me or does the main guy look like siwon? especially in certain angles .
a spunky 35 - year - old housewife, yoon gae hwa, takes on the job of manager to prickly top star sung min woo in order to earn enough money to regain custody of her child from her ex - husband. romantic hijinks and hilarity ensues when they find themselves in an awkward living situation as min woo pays gae hwa to take care of his daughter, ye eun .
this page was last modified on 6 may 2017, at 14: 11 .
stage in fully choreographed staged readings with bare bones production values and top notch performers at startlingly reasonable prices. in their seven year history, the group has garnered much praise, including a recent obie award. they have produced numerous lost gems by the likes of rodgers and hart, the gershwins, and victor herbert, all under the leadership of enthusiastic founder and producer mel miller. unlike another respected staged reading institution across the avenue, they have ardently stuck to obscure titles. i married an angel, let it ride! , so long
and that' s the ticket! , to name a few (the company seems to have an affection for exclamatory titles). they also have a successful concert series called at this performance! , which features broadway understudies .
i am thrilled to say that i have rarely heard such uniformly superb singing on a stage. musical director and vocal arranger richard hip - flores deserves a multitude of kudos for his leadership of the pitch - and - period perfect voices. although some of the choreography was a bit repetitive, director - choreographer thomas mills doesn' t let the fluffy plot become too wacky or too melodramatic, and shows his knowledge of and affection for the era .
the cast is rife with great performances; nearly every one is worth comment. mr. detoledo brought back the debonair leading man of yore, handsome and full voiced. robyne parrish was beautiful and sassy as may, and shared a very funny duet called
wheatless days
with mr. corts. there are brilliant comedic turns aplenty in the show. mr. rifkin as spike and ms. winegardener as fanny brought the perfect touch to their roles as lovable, runyon - esque criminals who long to put their
dear old prison days
behind them. katherine harber gleefully relished her every snarky punch - line, and mr. o' creagh was delightful as the clueless sleuth twombly, making the trio
it' s a hard hard world for a man
memorable. as sad - sack building superintendent watty, trip plymale gamely earned belly laughs with admittedly dated one - liners about the woes of matrimony. as molly, amy bils is radiant. her voice and manner reminded me of opera star and show - tune recording artist dawn upshaw (and those who know me know i can bestow no higher compliment to a singer). singing
bill
, especially in this unfamiliar context, is not and enviable task, but ms. bils made it a new thing. her performance in what could have been a forgettable ingénue role made her a name i' ll be watching out for in the future .
the next project for musicals tonight! is the 1941 porter / fields military musical farce lets face it! (which, oddly enough, had a cut song called
you can' t beat my bill
). you' re sure to find me in the audience, and if you' re smart, you' ll be there too .
margaret cross was born in ohio, raised in florida, and currently resides in new york city, where she is a singer and actress. she is
the greatest b - movie ever told: guys and... dolls ?
kevin zak and marissa rosen complete the cast of r. r. r. e. d
st. louis: backstage bite: deluca celebrates the muny' s 100th season w / ooey gooey st. louie bars
this drama was absolutely cute! i loved watching them argue and fight. they fight and argue in the most cutest way ever. i really enjoyed, laughed, and cried throughout this drama. i love romantic comedies and this was one of the most hilarious of them all. i plan to rewatch the drama all over again. this is a really funny, heartwarming drama as min woo falls for her and realizes that he needs her more than ever. i definitely recommend this drama! 5 stars ★★★★★... ...... ...... ...... ...... hope you will enjoy ^ ^
ye eun so so fcking cute. she is the cutest child i have seen in a drama .
ending to me was decent not good. it didn' t satisfy me enough .
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editor' s note: larry fuller is the pianist on both performances - - over a decade apart .
for a complete listing of songs used in the original production of this show, see ibdb song list .
george gershwin: his life and work berkeley: univ. of california press 2006
edward jablonski and lawrence d. stewart, the gershwin years - george and ira, new york: doubleday, 1958
the gershwins robert kimball and alfred simon, eds. new york: atheneum, 1975
wilfred sheed, the house that george built: with a little help from irving, cole, and a crew of about fifty, new york: random house, 2007 (paper - bound ed. 2008 shown )
gerald mast. can' t help singin' the american musical on stage and screen. woodstock, ny: overlook press, 1987 .
fred astaire steps in time: an autobiography new york: harper & brothers 1959 (paperback ed. , 2008 )
michael feinstein (with ian jackman), the gershwins and me: a personal history in twelve songs, new york: simon and schuster, 2012 .
,
1924 was a pivotal year both for the gershwin brothers as well as for broadway itself. it was the year george ceased writing songs for
musical, what later became known as the musical comedy, the form that dominated american musical theater for the remainder of the century. it was also the year that george and ira took up writing as a team on a permanent basis. these changes culminated in the writing of the score for the show
, which opened on broadway at the liberty theater on december 1, 1924, a date by which the year had seen some forty other musicals open on the great white (and by 21st century standards, unimaginably busy) way. furthermore, george gershwin' s fame had burst forth in 1924 as much from his performances of his
- - both in concert halls and in private salons (where he played it by request seemingly endlessly). and, as walter rimler sums up gershwin in 1924 ,
his worldwide fame had begun - - only to be compounded when, [ at the end of that magical year ], he had a huge triumph on broadway - - the musical
even though changes taking place in the american musical theater were making it modern in several profound senses, the influence of the past was still deeply felt on broadway. this was evidenced by the fact that
, was one of the few shows, and certainly the most successful, that could claim to be on some level a modern musical comedy. gerald mast characterizes the qualities that distinguished
as modern: it was
bright and breezy... with topical themes (like bootlegging) and topical settings (from a long island mansion to the wild west), small casts, amiable jokes, flippant themes, astaire dancing, and songs, songs, songs
(
kathleen riley in her biography of the astaires (fred and adele) elaborates on the show' s contemporary qualities and provides fred' s own sense of the show' s modernism .
, for it changed the american musical, carrying with it a new sound, a new verve and sophistication, and a new spirit, boldly and authentically twentieth - century. as fred maintained :
this was no hackneyed ordinary musical comedy. it was slick and tongue in cheek, a definite departure in concept and design
( the best plot summary including placement of songs is found in michael feinstein' s book the gershwins and me: a personal history in twelve songs - - pp. 52 - 54 )
( steps in time, pp. 126 - 127, hard - cover, ed. )
( see kimball and simon, the gershwins, p. 39, hard - cover ed. )
philip furia and michael lasser, america' s songs: the stories behind the songs of broadway, hollywood, and tin pan alley, new york: routledge, 2006 .
bob thomas astaire, the man, the dancer the life of fred astaire new york: st. martins press, 1984
when she [ adele ] left [ new york for london ] she was a graceful dancer - - and she has returned not only with all her glorious grace but as a first - rate comedienne in her own right. miss astaire in the new piece is as charming and entertaining a musical comedy actress as the town has seen on display in many a moon. fred astaire too makes a good account of himself .
deena rosenberg fascinating rhythm: the collaboration of george and ira gershwin, ann arbor: university of michigan press, 1991, 1997 (soft cover ed. )
gioia attributes the songs success both to george' s
ear for the innovations of jazz
as well as to ira' s for the
new vernacular twists in the spoken language of the day .
gioia' s account of the song' s performance history acknowledges the big bands
hard - swinging
versions but emphasizes the small combos from the mid - thirties as the basis for the song' s eventual mantle of jazz standard. these include lester young' s performance with count basie from 1936 (which includes
one of his most studied and emulated sax solos
and led to his performance with charlie parker in 1946), coleman hawkins' london recording from 1934, and the benny goodman trio version from 1936. (gioia, pp. 306 - 308 )
robert kimball, ed. the complete lyrics of ira gershwin, new york: alfred a. knoph, 1993; reprinted as paperback by da capo press, 1998 .
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( all record / video cabinet entries below include a music - video of this page' s featured song. the year given is for when the studio track was originally laid down or when the live performance was given. )
: whiteman' s 1924 victor recording 19551b reached # 2 on the charts in april, 1925 .
:
although benny goodman came to fame as leader of a big swinging orchestra, from nearly the beginning he always allocated some time to playing with smaller groups. on july 13, 1935, the benny goodman trio debuted (featuring drummer gene krupa and pianist teddy wilson) and 13 months later vibraphonist lionel hampton made the unit a quartet. the first interracial group to appear regularly in public, this outlet gave bg an opportunity to stretch out and interact with his peers. the cd
contains the first ten trio recordings and the initial twelve studio performances by the quartet. helen ward contributes two fine vocals but the emphasis is on the close interplay between these brilliant players .
: same track as on album above but without the astaire intro. above quoted .
: the track on the above album is similar to but not the same as the one on the video .
notes: apparently the group arrived in copenhagen late and had to perform as they came. not bad! ruby braff cornet, barney kessel guitar, red norvo on (borrowed) vibes, george wein piano, larry ridley bass and don lamond drums .
and kessel and herb ellis in a guitar duet - - c. 1994 :
notes: this is early john pizzarelli, over two decades before the performance on the cafe songbook main stage (above) - - featuring john pizzarelli (guitar and vocal; milt hinton (bass); dave mckenna (piano); bucky pizzarelli (guitar); clark terry (trumpet); connie kay (drums). one imagines these musicians, part of bucky pizzarelli' s generation, being fixtures in the musical world of john' s youth.
oh , lady , lady is a lost 1920 american silent comedy romance film directed by major maurice campbell and starring bebe daniels . it is based on a popular 1918 broadway stage musical , oh , lady ! lady !! maurice campbell was the husband of actress henrietta crosman . he usually worked on broadway as a director or producer . oh , lady , lady is his first feature length directorial silent film effort . 
oh, lady, lady is a lost 1920 american silent comedy romance film directed by major maurice campbell and starring bebe daniels. it is based on a popular 1918 broadway stage musical, oh, lady! lady!! maurice campbell was the husband of actress henrietta crosman. he usually worked on broadway as a director or producer. oh, lady, lady is his first feature length directorial silent film effort.
oh, lady, lady is a lost 1920 american silent comedy romance film directed by major maurice campbell and starring bebe daniels. it is based on a popular 1918 broadway stage musical, oh, lady! lady!! maurice campbell was the husband of actress henrietta crosman. he usually worked on broadway as a director or producer. oh, lady, lady is his first feature length directorial silent film effort.