bharya bhartalu
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movie name: bharya bhartalu – (1961) cast & crew: nageswara rao, krishna kumari music: s. rajeswara rao category: telugu movies
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bharya bhartalu is a 1961 telugu, drama film, produced by a. v. subba rao on prasad art pictures banner and directed by k. pratyagatma. starring akkineni ...
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bharya bhartalu is a 1961 telugu drama film directed by kotayya pratyagatma and produced by prasad art pictures. it is remade in hindi as hamrahi by l. v. prasad starring rajendra kumar and jamuna ramanarao... . more on wikipedia
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bharya bharthalu celebrated 100 day run and bagged the president’s silver medal as the best telugu film at the national film awards. in a rare gesture, producer dukkipati madhusudana rao felicitated producer a. v. subbarao and his unit to celebrate the success of bharya bharthalu .
his debut film was bharya bhartalu in 1961. he has directed about 30 films in telugu and hindi and also produced a few films under atma arts. his film raja aur runk went on to become a silver jubilee. he introduced krishnam raju to the film industry with his nandi award winning telugu film chilaka gorinka in 1966 .
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akkineni nageshwara rao and krishna kumari' s bharya bhartalu movie - jooruga hoosharuga song with hd quality. cast: akkineni nageshwara rao, krishna kumari, relangi venkataramaiah, gummadi venkateswara rao, b. padmanabham, girija, suryakantam, hemalata, ramana reddy, chadalavada kutumba rao, nirmalamma, sandhya, jayanti. directed by: kotayya pratyagatma produced by: l. v. prasad, anumolu venkata subba rao music by: s. rajeswara rao release date (s): 1961 language: telugu more free movies - urltoken
eight years later, after her marriage with bangalore - based businessman ajay mohan khaitan on march 16, 1969 krishna kumari entered bangaluru to start a new life. she was pleasantly surprised to see bharya bharthalu running to 4th houseful week at minerva theatre in its re - run .
bantrotu bharya (translation: wife of peon) is a 1974 telugu drama film directed by dasari narayana rao and produced by allu aravind and dasari narayana murthy under geetha arts. the film stars krishnam raju, chalam, srividya and vijaya nirmala in the lead roles. the music was composed by ramesh naidu. it is the first film produced by geetha arts .
watch bharya bhartalu movie songs starring akkineni nageshwara rao, krishna kumari, relangi venkataramaiah, gummadi venkateswara rao, b. padmanabham, girija, suryakantam, nirmalamma, directed by kotayya pratyagatma, produced by venkata subba rao anumolu, music composed by s. rajeswara rao, t. chalapathi rao. cast & crew: anr / akkineni nageswara rao - manam, sri rama rajyam, sri ramadasu, chukkallo chandrudu, mechanic alludu, annamayya, sitaramayyagari manavaralu, , gundamma katha, mayabazar, missamma, devadasu etc. krishna kumari - antastulu, patala bhairavi, gandharva kanya, bangaru papa, doctor chakravarthy, vara katnam, kula gothralu, vagdanam, ummadi kutumbam etc. relangi venkatramaiah - antastulu, aatma gowravam, navarathri, letha manasulu, aastiparulu, rahasyam, private master, goodachari 116, bhakta prahlada, aada paduchu etc b. padmanabham / b v padmanabha rao - bhadra, chakram, subhamasthu, jeevitha chakram, kathanayika molla, akka chellelu, aada paduchu, bhakta prahlada, goodachari 116 etc. directed by k prathyagatma - bharya bharthalu, kula gothralu, chilaka gorinka, manchi manishi, raja aur runk, bachpan, mugguru ammyilu etc music composed by t. chalapathi rao - illarikam, aalu mogalu, rythu kutumbam, marapurani katha, adrushta jaathakudu, zamindar, pavitra hrudhayalu, manushulu mamathalu, aathmeeyulu etc
achante bharya is a 1971 indian malayalam film, directed and produced by thikkurissi sukumaran nair. the film stars adoor bhasi, k. p. ummer, ragini and thikkurissi sukumaran nair in lead roles. the film had musical score by v. dakshinamoorthy. it was released in 1971 and based on the tamil film chitthi. chitthi was remade in hindi as aurat, in telugu as pinni .
bharya bhartalu is a unique film which showcased the acting capabilities of krishna kumari and fetched her great stardom. she acted equally brilliant with a stalwart like anr. in fact, it was a challenging role for anr as well because it has shades of negativity. it is very difficult for a hero with positive image to act in a role which involves him going behind the female lead and being a careless individual. moreover, during the 60s era, hero was supposed to be positive, good looking, sacrificing person and so on. popular director k. v. reddy even warned anr before he chose to act in such contrasting role. nevertheless, anr took it as a challenge and went forward. the script was made in such a way that anr’s character gets high sympathy in the second half by pratyagatma. it is a debut film for director pratyagatma as well. the film was successful in telugu and was also critically acclaimed. it was made in tamil and hindi too .
a. v. subbarao trusted the judgment of dukkipati madhusudana rao. he sent prathyagathma to narrate the story to dukkipati. the annapurna pictures boss listened to the narrative and said, ‘go ahead, you have a winner. ’ that settled the matters. with anr too now convinced, prasad art pictures, bharya bharthalu, went on floors. thus a popular tamil novel found its way to the telugu tinsel world even before the tamil film industry woke up to its potential .
this veteran telegu actor had a career spanning over 75 years and is considered one of the most iconic figures in telegu cinema. his debut was at the age of 17 in dharmapatni. since it was not permissible for women to act on stage, he played female roles as well. nageswar rao is most remembered for playing mythological roles in movies such as maya bazaar, chenchu lakshmi, bhookailash and sri krishnarjuna yuddham. he excelled in the films that were set against a rural backdrop and became the superstar of telegu cinema. some such movies were balaraju, rojulu maraayi and namminabantu. he even played the comic role with great skill in missamma, chakrapani and preminchi choodu. his performance in romantic dramas such laila majnu, anarkali, batasari, devadasu, prem nagar, premabhishekam and meghasandesham made him the ‘tragedy king’. throughout his career he played a variety of roles with great dexterity. some of his other successful movies include samsaram, bratuku teruvu, aradhana, donga ramudu, dr. chakravarthi, ardhaangi, mangalya balam, illarikam, shantinivasam, velugu needalu, dasara bullodu, bharya bhartalu, dharmadata, batasari, college bullodu and sitaramayyagari manavaralu. his last movie was manam. nageswar rao’s greatest contribution to telegu cinema is that he was instrumental in shifting the base of telegu cinema from chennai to hyderabad. he is the recipient of dada saheb phalke award and padma vibushan .
cast & crew: prathyagathma’s forte was his screen writing. the screenplay he wrote for bharya bharthalu was considered one of the best even today. he was ably supported by the dialogue writers sri sri and atluri pitcheswara rao. atluri’s dialogues were at his best in this movie. after her marriage krishna kumari tells anr, ‘ ee pellitho naa sareeram meeda adhikaram sampadincharu kaani naa hrudayam meeda kaadu. kaani hrudayalatho meekempani meeku kaavalasindi sareeramega… ee sareeram meedi ’ (with this marriage you have acquired the right over my body but not on my heart. anyway what do you do with hearts, all you need is the body, this body yours) so saying in anguish she thrusts herself towards him. as his past still haunts him though he is reformed now, in angst anr responds that he will not touch her till she accepts him .
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scouting for a story for his debut directorial, prathyagathma chanced upon reading the review of a tamil novel, ‘ penn manam ’ in the hindu. the story of a playboy falling in love with an upright woman who loathes him and the subsequent events that take place in their life appealed to him. after the novel was read out to him, prathyagathma was fully convinced that with a few changes it can be developed into a good movie script. a medical practitioner by profession, dr. k. tripurasundari wrote the novel under the pseudonym lakshmi. producer a. v. subbarao too liked the subject and bought its filming rights. retaining its soul, prathyagathma tweaked the novel so much and so well that it looked like a new story. one of the elements he had brought in, the homicide instead of forgery to implicate the hero in a crime made a great difference. when he narrated the story to his guru t. prakash rao and to l. v. prasad both discouraged him from taking up such an anti - sentiment subject for his debut film that showed the hero in a poor light. even anr who was signed to play the lead expressed apprehensions about playing the role of a playboy .
the story: a philanderer, anand falls in love with sarada (krishna kumari) daughter of a lawyer’s clerk sivakamaiah (ramana reddy) and manages to marry her even though she loathes him. as things are getting better between them, his ex - girl friend the play girl hemalatha (girija) reappears. she cons anand to visit her. anjaneyulu (padmanabham) whom hemalatha ‘married on paper, ’ kills her for cheating on him. anand is implicated in the murder. as public prosecutor anand’s father dharmarao (gummadi) argues against him while anand’s elder brother lawyer ramanandam (relangi) defends him. to elicit the truth from anjaneyulu, ramanandam, sarada and sivakamaiah’s father - in - law kutumbaiah (chadalavada) enact a ‘mask’ drama. anjaneyulu confesses to the crime. anand is absolved .
this scene was a fine example of prathyagathma’s ability to conceive a delicate situation without a trace of vulgarity. the actors must also be complimented for their brilliant expressions caught equally brilliantly by cinematographer c. nageswara rao with slick editing from a. sanjeevi .
it was krishna kumari’s first full length role with anr after she played one of his two heroines in pellikanuka. relangi, suryakantham, chadalavada, ramana reddy and sandhya (as his young wife) created ripples of laughter. girija and padmanabham who sported a jerry lewis crew cut showed the ability to portray different characters beyond their comic image .
saluri rajeswara rao made great contribution with his music. the super hit songs include – sri sri’s lyrics, joruga husharuga shikaru podama (ghantasala), yemani padedano ee vela (susheela) and madhuram madhuram ee samayam (ghantasala, susheela), kanakama chitti kanakama (kosaraju; madhavapeddi, swarnalatha) .
trivia: the word prathyagathma means ‘above the supreme being. ’ he had directed a few hindi films including raja aur runk under the assumed name – k. p. athma .
interestingly, l. v. prasad who discouraged prathyagathma from taking up this story for his debut film bought its tamil and hindi remake rights. while he directed the tamil movie, iruvar ullam (1963) with sivaji ganesan and b. saroja devi in the lead, with screenplay and dialogues by mu. karunanidhi, the other person to discourage, t. prakash rao, directed the hindi version hamrahi (1963) starring rajendra kumar and south star jamuna. both the versions ran for 25 weeks .
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shekhar is a lothario. he' s also the son of the public prosecutor. after his philandering has exhausted his parents' patience, he takes a fancy to saradha and contrives to put her in a... see full summary »
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shekhar is a lothario. he' s also the son of the public prosecutor. after his philandering has exhausted his parents' patience, he takes a fancy to saradha and contrives to put her in a compromising position. she cannot escape from marrying him after her father accepts the public prosecutor' s proposal of a union between their offspring. shocked by his bride' s contempt for his behaviour, shekhar resolves to wait until his wife accepts him of her own volition. when she contracts pneumonia he gains the opportunity to win her love. however, an encounter with an old flame lands him in jail and shekhar finds himself facing his father across a courtroom, charged with murder .
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akkineni nageshwara rao krishna kumari gummadi venkateswara rao relangi venkata ramaiah girija b. padmanabham nirmalamma ramana reddy suryakantam
anand (akkineni), son of a public prosecutor (gummadi) finds his exorbitant and casanova - like lifestyle. sharada (krishna kumari) is a beautiful school teacher. anand likes her, but she refuses his affection. she is compelled to get married to him by her parents. she initially dislikes, but subsequently falls in love with him. all appears to be fine, until his father finds out that anand is leading a double life. hema (girija) past girlfriend of anand tries to blackmail him. she invites him to her house. while returning from her house, someone kills her. anand was arrested on the benefit of doubt. lawyer ramanandam takes up the case and with the help of sharada proves that anjaneyulu (padmanabham) murdered hema. finally the wife and husbands unite happily .
emani padedano eevela (singer: p. susheela; cast: krishna kumari )
madhuram madhuram ee samayam (singers: ghantasala venkateshwara rao and p. susheela )
o sukumara nanuchera ravoyi (singers: ghantasala venkateshwara rao and p. susheela )
naati 101 chitralu, s. v. rama rao, kinnera publications, hyderabad, 2006, pp: 169 - 70 .
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a richman (gummadi) has two sons. his elder son ramanand (relangi) a practicing lawyer and younger son prasad (anr) is a student. ramanand gets married to a woman (suryakantham). prasad is a happy go lucky guy who doesn’t attend classes or take career seriously. he goes around women and passes time in his own style. meanwhile a vamp (girija) goes behind prasad. meanwhile, another guy (padmanabham) follows the vamp with determination because he loves her. in this juncture prasad meets a poor lady sarada (krishnakumari). she comes to prasad’s house to teach tuitions. her father (ramana reddy) and step mother (sandhya) plan to get her married and send her off. prasad goes behind sarada and tries to woo her but the latter doesn’t respond. prasad plans to trap her and achieves his goal by marrying her. but on the first night, sarada expresses her opinion in straightforward manner to prasad. prasad realizes his fault and understands the individuality of his wife. he decides not to touch her until she realizes about him and really starts admiring him. he tries to transform his qualities to a good person and when sarada falls ill, he does lot of service to her. sarada understands that prasad has changed and falls in love with him. when things become happy, suddenly a twist happens in the story. prasad’s ex lover (girija) blackmails him because she is unable to forget him. she calls him to his house but the latter warns her. meanwhile, she gets killed in mysterious circumstances and the crime falls on prasad. but prasad’s brother ramanand takes up the case and gets his brother out by the help of sarada. ramanand proves that the vamp was killed by her stalker (padmanabham) with strong evidence. prasad is proved innocent and the story ends on happy note with prasad and sarada staring a new life .
anr excels as prasad with contrasting shades. his performance as a care not guy in the beginning and a changed person later is admirable. krishna kumari gets a memorable role as sarada, a woman with individuality. she adds grace and poise to the film with her unique acting skills. ramana reddy is very good as the father of sarada and sandhya does a good job as the step mother. girija does a challenging role as the vamp and padmanabham is equally good. relangi is wonderful as the lawyer and brother of prasad .
story by dr. k. tripura sundari it at the dramatic best and very gripping. s. rajeshwara rao’s melodious music adds as a strong pillar for the success of the film. ‘emani paadedano ee vela’, ‘joruga husharu ga’, ‘o sukumara nanu chera’, ‘madhuram madhuram ee samayam’, ‘choochi choochi kallu kaayale kaachayi’ became all time hits. partagatma’s direction is very skilful despite being a debut film .
anand, the spoiled son of a public prosecutor finds his exorbitant and casanova - like lifestyle curbed by his disapproving father and maternal uncle. he is more or less compelled to get... see full summary »
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anand, the spoiled son of a public prosecutor finds his exorbitant and casanova - like lifestyle curbed by his disapproving father and maternal uncle. he is more or less compelled to get married to a woman, sarada, who he initially dislikes, but subsequently falls in love with. all appears to be fine, until his father finds out that anand is leading a double life, and has been seeing other women on the sly. before he could initiate any corrective steps, he finds that his son has been arrested by the police for allegedly killing a pregnant girlfriend .
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girija = = the plot = = anand (akkineni), son of a public prosecutor (gummadi) finds his exorbitant and casanova - like lifestyle. sharada (krishna kumari) is a beautiful school teacher. anand likes her, but she refuses his affection. she is compelled to get married to him by her parents. she initially dislikes, but subsequently falls in love with him... .
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in a variety of different perspectives. krishna is recognized as the complete and eighth
in his own right. krishna is one of the most widely revered and popular of all
krishna is known by many names such as kishan, makhanchor, and kanha. krishna is often described and portrayed as an infant eating butter, a young boy playing a flute as in the bhagavata purana, a young man along with radha or as an elder giving direction and guidance as in the bhagavad gita. the stories of krishna appear across a broad spectrum of hindu philosophical and theological traditions. they portray him in various perspectives: a god - child, a prankster, a model lover, a divine hero, and the supreme being. the principal scriptures discussing krishna' s story are the mahabharata, the harivamsa, the bhagavata purana, and the vishnu purana .
challagalilo yamuna | | s rajeswara rao private song | | s. p. balu | | mmg
missiamma (1954) - therinthu kollanum penne - a. m. raja, p. leela - s. rajeswara rao
this video embed source from youtube and uploaded by studio one tv on youtube .
bhatti vikramarka (telugu: భట్టి విక్రమార్క) is a 1960 telugu film directed by jampana chandrasekhara rao and produced by p. v. v. s. murthy. written by anisetty and music by pendyala. stalwarts like ntr, svr, anjali devi and relangi enacted the key roles. courtesy: gold moviez
manchi manasulu is a 1962 telugu movie starring akkineni nageshwara rao and savitri directed by adurthi subba rao. produced by c. sundharam and music composed by k. v. mahadevan. ► subscribe us urltoken ► like us on facebook urltoken ► follow us on twitter urltoken click here to watch more entertainment: ► full movies: urltoken ► hd video songs: urltoken ► comedy videos: urltoken ► action videos: urltoken ► telugu classical movies: urltoken ► old video songs: urltoken ► hyderabadi movies: urltoken ► devotional movies: urltoken
watch and enjoy atha okinti kodale telugu full movie on v9 videos starring: jaggaiah, girija, ramanamurthy, prameela, ramana reddy, hemalatha, suryakantham, p. lakshmikanthamma, perumallu, chadalavada, sita. m. l. narasimham ✹ subscribe to our youtube: urltoken ✹ g +: urltoken ✹ fb: urltoken ✹ twitter: urltoken
anand (akkineni nageswara rao), son of a public prosecutor dharma rao (gummadi) leads an exorbitant and casanova - like lifestyle. sharada (krishna kumari) is a beautiful school teacher daughter of a lawyer’s clerk sivakamaiah (ramana reddy). anand likes her, but she refuses his affection. she is compelled to get married to him by her parents. she initially dislikes him, but subsequently, starts loving him after he changes himself into a righteous human being, out of affection towards sharada. as things are getting better between them, anand' s ex - girlfriend the playgirl hemalatha (girija) reappears and tries to blackmail him. she invites him to her house. while returning from her house, anjaneyulu (padmanabham) whom hemalatha ‘married on paper, ’ kills her for cheating on him. anand is implicated in the murder. lawyer ramanandam (relangi) elder brother defends him. to elicit the truth from anjaneyulu, ramanandam, sarada and sivakamaiah’s father - in - law kutumbaiah (chadalavada) enact a ‘mask’ drama. anjaneyulu confesses to the crime. anand is absolved. finally, the wife & husband reunite happily .
music composed by s. rajeswara rao. all songs are blockbusters. music released on audio company .
the film won national film award for best feature film in telugu in 1962 at 9th national film awards. [ 4 ]
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anand (akkineni nageswara rao), son of a public prosecutor dharma rao (gummadi) finds his exorbitant and casanova - like lifestyle. sharada (krishna kumari) is a beautiful school teacher daughter of a lawyer’s clerk sivakamaiah (ramana reddy). anand likes her, but she refuses his affection. she is compelled to get married to him by her parents. she initially dislikes him, but subsequently, starts loving him. as things are getting better between them, anand' s ex - girlfriend the playgirl hemalatha (girija) reappears and tries to blackmail him. she invites him to her house. while returning from her house, anjaneyulu (padmanabham) whom hemalatha ‘married on paper, ’ kills her for cheating on him. anand is implicated in the murder. lawyer ramanandam (relangi) elder brother defends him. to elicit the truth from anjaneyulu, ramanandam, sarada and sivakamaiah’s father - in - law kutumbaiah (chadalavada) enact a ‘mask’ drama. anjaneyulu confesses to the crime. anand is absolved. finally, the wife & husband reunite happily .
music composed by s. rajeswara rao. all songs are blockbusters. music released on audio company .
the film won national film award for best feature film in telugu in 1962 at 9th national film awards .
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ever since mahanati' s release on may 9th, the movie has been a topic of discussion. this biopic on yesteryear actress -
the last bit of sheen, cinema could boast of has been wiped off in cruel twist of faith. on february 24th, the film
renowned yesteryear actress krishna kumari passed away at 85. as per reports, she was suffering form cancer and was
in a shocking incident, nagarjuna' s renowned annapurna studios was caught in a serious fire incident last evening. the
the 82 year old breathed his last on january 12 popular telugu filmmaker v. b rajendra prasad, who was undergoing
missamma (english: miss madam) is a 1955 telugu comedy film directed by l. v. prasad and produced by b. nagi reddy and aluri
a veteran actor of the malayalam film industry, mohanlal’s name is mohanlal viswanathan nair. known for his versatility
brahnanadam (full name brahmanandam kanneganti) is a telegu film actor and comedian. prior to getting into films
charmi kaur (also spelt as charmee or charmy) is an indian film actress, who has predominantly appeared in telugu films. she
after completing his studies mohan (akkineni nageshwara rao) comes back to his village, where he has an extended family his wife susheela (krishna kumari), 5 - year - old daughter, mother jayamma (hemalatha) 3 sisters & 2 brothers. mohan comes to know they have the lot of debts which they have made for his studies. desperate to earn money to support his family, mohan becomes entangled in a web of deceit when he tells a lie that he isn' t married in order to obtain a secretarial job in the city with the wealthy raja rao (gummadi). raja rao has a daughter radha (jayalalitha) with a heart problem. in the beginning, of the film she uses a wheelchair, but mohan has more than a mild therapeutic effect on her. she is soon up and running - running after him. meanwhile, back in the village, the money he has been sending home is being filched by his greedy sister kanaka durga (suryakantham). soon mohan' s mother, wife and a flock of children come looking for him and mohan finds himself leading a double life in an increasingly desperate effort to avoid all parties learning the truth .
the music was composed by v. dakshinamoorthy and lyrics was written by thikkurissi sukumaran nair and irayimman thampi .
music composed by k. v. mahadevan. the song
aakulu pokalu
is a blockbuster. lyrics were written by acharya aatreya. music released on audio company .
anand (akkineni), son of a public prosecutor dharma rao (gummadi) finds his exorbitant and casanova - like lifestyle. sharada (krishna kumari) is a beautiful school teacher. anand likes her, but she refuses his affection. she is compelled to get married to him by her parents. she initially dislikes, but subsequently falls in love with him. all appears to be fine, until his father finds out that anand is leading a double life. hema (girija) past girlfriend of anand tries to blackmail him. she invites him to her house. while returning from her house, someone kills her. anand was arrested on the benefit of doubt. lawyer ramanandam (relangi) elder brother to anand takes up the case and with the help of sharada proves that anjaneyulu (padmanabham) hema' s husband murdered her. finally the wife and husbands unite happily .
kotayya pratyagatma (born kolli kotayya pratyagatma), also known as k. p. atma (b: 31 october 1925 - d: 8 june 2001) was an indian film journalist, director and producer known for his works in bollywood and telugu cinema. he has garnered three national film awards .
he was born on 31 october 1925 in gudivada, andhra pradesh, india. director k. vasu is his son. he is also survived by his wife satyavati, a daughter tejo latha in bangalore and a son kalidas in the united states. he died on 8 june 2001 in hyderabad, india .
before entering film industry, he worked as a journalist for magazine prajashakti in 1952 and as an editor for the magazine jwala.
bharya bhartalu ( telugu : భార్యాభర్తలు ; english : wife & husband ) is a 1961 telugu , drama film , produced by a. v. subba rao on prasad art pictures banner and directed by k.pratyagatma . starring akkineni nageshwara rao , krishna kumari in the lead roles and music composed by s. rajeswara rao . the film was adapted from tamil novel pennmanam by lakshmi tripurasundari . it was remade in tamil as iruvar ullam ( 1963 ) by l. v. prasad starring sivaji ganesan and hindi as hamrahi ( 1963 ) by t. prakash rao starring rajendra kumar , jamuna in pivotal roles . 
bharya bhartalu (telugu: భార్యాభర్తలు; english: wife & husband) is a 1961 telugu, drama film, produced by a. v. subba rao on prasad art pictures banner and directed by k.pratyagatma. starring akkineni nageshwara rao, krishna kumari in the lead roles and music composed by s. rajeswara rao. the film was adapted from tamil novel pennmanam by lakshmi tripurasundari. it was remade in tamil as iruvar ullam (1963) by l. v. prasad starring sivaji ganesan and hindi as hamrahi (1963) by t. prakash rao starring rajendra kumar, jamuna in pivotal roles.
bharya bhartalu (telugu: భార్యాభర్తలు; english: wife & husband) is a 1961 telugu, drama film, produced by a. v. subba rao on prasad art pictures banner and directed by k.pratyagatma. starring akkineni nageshwara rao, krishna kumari in the lead roles and music composed by s. rajeswara rao. the film was adapted from tamil novel pennmanam by lakshmi tripurasundari. it was remade in tamil as iruvar ullam (1963) by l. v. prasad starring sivaji ganesan and hindi as hamrahi (1963) by t. prakash rao starring rajendra kumar, jamuna in pivotal roles.