text: While a 9 might seem like an unusually high score for such a slight film, however, compared to the hundreds and hundreds of series detective films from the 1930s and 40s, this is among the very best and also compares very favorably to Powell's later "Thin Man" films. Now this does NOT mean that the film is that similar to the Thin Man movies, as THE KENNEL MURDER CASE is not a comedy but more a traditional mystery-detective film. Now you'd think that not having Nora Charles or Asta or a traditional comic sidekick (something found in practically all series detective films) along for fun would be a detriment, but I didn't miss them at all because this was such an exceptionally well-written film--having a genuinely interesting case as well as uniformly excellent performances by all.<br /><br />The film begins at the dog show and is called The KENNEL Murder Case, though this Philo Vance film actually spends little of the time at the dog show and dogs are not a super-important part of the film. Instead, a thoroughly hated man is killed and left in a completely sealed room--an idea repeated in quite a few other detective films (such as CRIME DOCTOR'S STRANGEST CASE). However, how all this is explained seems pretty credible and fit together very well--keeping my interest throughout. I sure wish other detective films of the day had as intelligently written plots and exceptional acting as this one. This one is definitely a keeper.
query: While a 9 might seem like an unusually
gen_review:  high score for such a slight film, however, compared to the hundreds and hundreds of series detective films from the 1930s and 40s, this is among the very best and also compares very favorably to Powell's later "Thin Man" films. Now this does NOT mean that the film is that similar to the Thin Man movies, as THE KENNEL MURDER CASE is not a comedy but more a traditional mystery-detective film. Now you'd think that not having Nora Charles or Asta or a traditional comic sidekick (something found in practically all series detective films) along for fun would be a detriment, but I didn't miss them at all because this was such an exceptionally well-written film--having a genuinely interesting case as well as uniformly excellent performances by all.<br /><br />The film begins at the dog show and is called The KENNEL Murder Case, though this Philo Vance film actually spends little of the time at the dog show and dogs are not a super-important part of the film. Instead, a thoroughly hated man is killed and left in a completely sealed room--an idea repeated in quite a few other detective films (such as CRIME DOCTOR'S STRANGEST CASE). However, how all this is explained seems pretty credible and fit together very well--keeping my interest throughout. I sure wish other detective films of the day had as intelligently written plots and exceptional acting as this one. This one is definitely a keeper.
reference_response:   high score for such a slight film, however, compared to the hundreds and hundreds of series detective films from the 1930s and 40s, this is among the very best and also compares very favorably to Powell's later "Thin Man" films. Now this does NOT mean that the film is that similar to the Thin Man movies, as THE KENNEL MURDER CASE is not a comedy but more a traditional mystery-detective film. Now you'd think that not having Nora Charles or Asta or a traditional comic sidekick (something found in practically all series detective films) along for fun would be a detriment, but I didn't miss them at all because this was such an exceptionally well-written film--having a genuinely interesting case as well as uniformly excellent performances by all.<br /><br />The film begins at the dog show and is called The KENNEL Murder Case, though this Philo Vance film actually spends little of the time at the dog show and dogs are not a super-important part of the film. Instead, a thoroughly hated man is killed and left in a completely sealed room--an idea repeated in quite a few other detective films (such as CRIME DOCTOR'S STRANGEST CASE). However, how all this is explained seems pretty credible and fit together very well--keeping my interest throughout. I sure wish other detective films of the day had as intelligently written plots and exceptional acting as this one. This one is definitely a keeper.<|endoftext|>
query_reference_response: While a 9 might seem like an unusually  high score for such a slight film, however, compared to the hundreds and hundreds of series detective films from the 1930s and 40s, this is among the very best and also compares very favorably to Powell's later "Thin Man" films. Now this does NOT mean that the film is that similar to the Thin Man movies, as THE KENNEL MURDER CASE is not a comedy but more a traditional mystery-detective film. Now you'd think that not having Nora Charles or Asta or a traditional comic sidekick (something found in practically all series detective films) along for fun would be a detriment, but I didn't miss them at all because this was such an exceptionally well-written film--having a genuinely interesting case as well as uniformly excellent performances by all.<br /><br />The film begins at the dog show and is called The KENNEL Murder Case, though this Philo Vance film actually spends little of the time at the dog show and dogs are not a super-important part of the film. Instead, a thoroughly hated man is killed and left in a completely sealed room--an idea repeated in quite a few other detective films (such as CRIME DOCTOR'S STRANGEST CASE). However, how all this is explained seems pretty credible and fit together very well--keeping my interest throughout. I sure wish other detective films of the day had as intelligently written plots and exceptional acting as this one. This one is definitely a keeper.<|endoftext|>