text: Although this film put Davis on the map due to her brilliantly intense performance as the illiterate guttersnipe waitress/prostitute Mildred Rogers, this film is strangely unsatisfying to me as a whole. The acting is indeed fine in most every respect. What I cannot fathom for the life of me is just how or why Phillip, a sensitive, well-bred young man would take the constant abuse this tramp constantly dishes out towards him: I find his naive tolerance quite ridiculously unbelievable in certain respects. Yes, I know he is a sensitive club-footed, introverted intellectual. But Davis is such a venomous witch that nobody that cultured would tolerate her attitude or actions and make it believable. Davis is astounding in her role: yes, she may go overboard in her histrionics now and then, but it's a vividly creative portrayal any which way you look at it. Too bad she wasn't playing a gangster's moll. Her character would have been completely believable as a tramp among low-lifes!
query: Although this film put Davis on the map
gen_review:  due to her brilliantly intense performance as the illiterate guttersnipe waitress/prostitute Mildred Rogers, this film is strangely unsatisfying to me as a whole. The acting is indeed fine in most every respect. What I cannot fathom for the life of me is just how or why Phillip, a sensitive, well-bred young man would take the constant abuse this tramp constantly dishes out towards him: I find his naive tolerance quite ridiculously unbelievable in certain respects. Yes, I know he is a sensitive club-footed, introverted intellectual. But Davis is such a venomous witch that nobody that cultured would tolerate her attitude or actions and make it believable. Davis is astounding in her role: yes, she may go overboard in her histrionics now and then, but it's a vividly creative portrayal any which way you look at it. Too bad she wasn't playing a gangster's moll. Her character would have been completely believable as a tramp among low-lifes!
reference_response:   due to her brilliantly intense performance as the illiterate guttersnipe waitress/prostitute Mildred Rogers, this film is strangely unsatisfying to me as a whole. The acting is indeed fine in most every respect. What I cannot fathom for the life of me is just how or why Phillip, a sensitive, well-bred young man would take the constant abuse this tramp constantly dishes out towards him: I find his naive tolerance quite ridiculously unbelievable in certain respects. Yes, I know he is a sensitive club-footed, introverted intellectual. But Davis is such a venomous witch that nobody that cultured would tolerate her attitude or actions and make it believable. Davis is astounding in her role: yes, she may go overboard in her histrionics now and then, but it's a vividly creative portrayal any which way you look at it. Too bad she wasn't playing a gangster's moll. Her character would have been completely believable as a tramp among low-lifes!<|endoftext|>
query_reference_response: Although this film put Davis on the map  due to her brilliantly intense performance as the illiterate guttersnipe waitress/prostitute Mildred Rogers, this film is strangely unsatisfying to me as a whole. The acting is indeed fine in most every respect. What I cannot fathom for the life of me is just how or why Phillip, a sensitive, well-bred young man would take the constant abuse this tramp constantly dishes out towards him: I find his naive tolerance quite ridiculously unbelievable in certain respects. Yes, I know he is a sensitive club-footed, introverted intellectual. But Davis is such a venomous witch that nobody that cultured would tolerate her attitude or actions and make it believable. Davis is astounding in her role: yes, she may go overboard in her histrionics now and then, but it's a vividly creative portrayal any which way you look at it. Too bad she wasn't playing a gangster's moll. Her character would have been completely believable as a tramp among low-lifes!<|endoftext|>