text: this was the most costly film, when produced. Sir Alexander Korda and H.G. Wells were both distressed by its poor ratings---for good reason. it was and remains far ahead of its time. aside from the seemingly poor direction, probably editing, at the very beginning, the work moves along to a stunning conclusion.<br /><br />whether its Sir Ralph Richardson's 'Boss' role, or even better, his wife's, Sir Cedric's, as adversary to space-faring, Raymond Massey's 'John Cabal' center role---all deliver mind-boggling performances.<br /><br />the scene with mr. Korda's incomparable set, of the small girl-child, running out to an absolutely 'never-to-be-matched' scene, commenting 'Life just keeps getting lovelier and lovelier'? that swiftly brings tears to any parent/grandparent. this is not a film for the young--unless 'experienced' and rather those who have seen 'the horror' it opposes.<br /><br />sure, the 'phony-parachuting', looks hokey---while using a 'magnetic-cannon', now termed 'mass-driver' may be viewed as ridiculous, vs. rockets---give Sir Korda a break--Mr. Wells made that choice. and at +/- $8 million, this film went way beyond 'over-budget'---so he concentrated on what he could manage.<br /><br />the true power of this Greatest of cinema rests in 'John Cabal's' final statement of human destiny---his friend 'Passworthy' doubts the wisdom of space-faring, saying, 'We're such little animals.' John Cabal's proper response is,(paraphrased) 'Yes, little animals, and if that is all we are, we must live and die as such.' they are standing under a large astronomical telescope. he sweeps his hand over the night sky. 'Yet we may have all the Universe, or nothing.'---then the final chorus breaks in---'Which shall it be?'---this is not 'Star Wars', 'Blade Runner'---anything you may consider 'Great'---this is the Real Thing.<br /><br />i remind all of Steven Hawking's most recent address, upon his latest 'Medal of Honor'---'Humanity must leave Earth, or die.'---the very core of this work---i love 'standard entertainment'---yet this 'relic', for the wise viewer, offers far more. 'Which Shall It Be?' be in the proper 'mood'---whatever that takes---this will take your breath away---i 'guarontee'---overall, for humanity? the most significant of cinema. <br /><br />since posting, i note many have commented on the poor 'media-quality' of 'surviving' examples. in the 80's i developed a 'proprietary' 'colorization' process which required a 'clean' original. this led me to Michael Korda, who sadly noted all were gone---so we must relish what remains---'sad but true?'
query: this was the most costly film, when
gen_review:  produced. Sir Alexander Korda and H.G. Wells were both distressed by its poor ratings---for good reason. it was and remains far ahead of its time. aside from the seemingly poor direction, probably editing, at the very beginning, the work moves along to a stunning conclusion.<br /><br />whether its Sir Ralph Richardson's 'Boss' role, or even better, his wife's, Sir Cedric's, as adversary to space-faring, Raymond Massey's 'John Cabal' center role---all deliver mind-boggling performances.<br /><br />the scene with mr. Korda's incomparable set, of the small girl-child, running out to an absolutely 'never-to-be-matched' scene, commenting 'Life just keeps getting lovelier and lovelier'? that swiftly brings tears to any parent/grandparent. this is not a film for the young--unless 'experienced' and rather those who have seen 'the horror' it opposes.<br /><br />sure, the 'phony-parachuting', looks hokey---while using a 'magnetic-cannon', now termed 'mass-driver' may be viewed as ridiculous, vs. rockets---give Sir Korda a break--Mr. Wells made that choice. and at +/- $8 million, this film went way beyond 'over-budget'---so he concentrated on what he could manage.<br /><br />the true power of this Greatest of cinema rests in 'John Cabal's' final statement of human destiny---his friend 'Passworthy' doubts the wisdom of space-faring, saying, 'We're such little animals.' John Cabal's proper response is,(paraphrased) 'Yes, little animals, and if that is all we are, we must live and die as such.' they are standing under a large astronomical telescope. he sweeps his hand over the night sky. 'Yet we may have all the Universe, or nothing.'---then the final chorus breaks in---'Which shall it be?'---this is not 'Star Wars', 'Blade Runner'---anything you may consider 'Great'---this is the Real Thing.<br /><br />i remind all of Steven Hawking's most recent address, upon his latest 'Medal of Honor'---'Humanity must leave Earth, or die.'---the very core of this work---i love 'standard entertainment'---yet this 'relic', for the wise viewer, offers far more. 'Which Shall It Be?' be in the proper 'mood'---whatever that takes---this will take your breath away---i 'guarontee'---overall, for humanity? the most significant of cinema. <br /><br />since posting, i note many have commented on the poor 'media-quality' of 'surviving' examples. in the 80's i developed a 'proprietary' 'colorization' process which required a 'clean' original. this led me to Michael Korda, who sadly noted all were gone---so we must relish what remains---'sad but true?'
reference_response:   produced. Sir Alexander Korda and H.G. Wells were both distressed by its poor ratings---for good reason. it was and remains far ahead of its time. aside from the seemingly poor direction, probably editing, at the very beginning, the work moves along to a stunning conclusion.<br /><br />whether its Sir Ralph Richardson's 'Boss' role, or even better, his wife's, Sir Cedric's, as adversary to space-faring, Raymond Massey's 'John Cabal' center role---all deliver mind-boggling performances.<br /><br />the scene with mr. Korda's incomparable set, of the small girl-child, running out to an absolutely 'never-to-be-matched' scene, commenting 'Life just keeps getting lovelier and lovelier'? that swiftly brings tears to any parent/grandparent. this is not a film for the young--unless 'experienced' and rather those who have seen 'the horror' it opposes.<br /><br />sure, the 'phony-parachuting', looks hokey---while using a 'magnetic-cannon', now termed 'mass-driver' may be viewed as ridiculous, vs. rockets---give Sir Korda a break--Mr. Wells made that choice. and at +/- $8 million, this film went way beyond 'over-budget'---so he concentrated on what he could manage.<br /><br />the true power of this Greatest of cinema rests in 'John Cabal's' final statement of human destiny---his friend 'Passworthy' doubts the wisdom of space-faring, saying, 'We're such little animals.' John Cabal's proper response is,(paraphrased) 'Yes, little animals, and if that is all we are, we must live and die as such.' they are standing under a large astronomical telescope. he sweeps his hand over the night sky. 'Yet we may have all the Universe, or nothing.'---then the final chorus breaks in---'Which shall it be?'---this is not 'Star Wars', 'Blade Runner'---anything you may consider 'Great'---this is the Real Thing.<br /><br />i remind all of Steven Hawking's most recent address, upon his latest 'Medal of Honor'---'Humanity must leave Earth, or die.'---the very core of this work---i love 'standard entertainment'---yet this 'relic', for the wise viewer, offers far more. 'Which Shall It Be?' be in the proper 'mood'---whatever that takes---this will take your breath away---i 'guarontee'---overall, for humanity? the most significant of cinema. <br /><br />since posting, i note many have commented on the poor 'media-quality' of 'surviving' examples. in the 80's i developed a 'proprietary' 'colorization' process which required a 'clean' original. this led me to Michael Korda, who sadly noted all were gone---so we must relish what remains---'sad but true?'<|endoftext|>
query_reference_response: this was the most costly film, when  produced. Sir Alexander Korda and H.G. Wells were both distressed by its poor ratings---for good reason. it was and remains far ahead of its time. aside from the seemingly poor direction, probably editing, at the very beginning, the work moves along to a stunning conclusion.<br /><br />whether its Sir Ralph Richardson's 'Boss' role, or even better, his wife's, Sir Cedric's, as adversary to space-faring, Raymond Massey's 'John Cabal' center role---all deliver mind-boggling performances.<br /><br />the scene with mr. Korda's incomparable set, of the small girl-child, running out to an absolutely 'never-to-be-matched' scene, commenting 'Life just keeps getting lovelier and lovelier'? that swiftly brings tears to any parent/grandparent. this is not a film for the young--unless 'experienced' and rather those who have seen 'the horror' it opposes.<br /><br />sure, the 'phony-parachuting', looks hokey---while using a 'magnetic-cannon', now termed 'mass-driver' may be viewed as ridiculous, vs. rockets---give Sir Korda a break--Mr. Wells made that choice. and at +/- $8 million, this film went way beyond 'over-budget'---so he concentrated on what he could manage.<br /><br />the true power of this Greatest of cinema rests in 'John Cabal's' final statement of human destiny---his friend 'Passworthy' doubts the wisdom of space-faring, saying, 'We're such little animals.' John Cabal's proper response is,(paraphrased) 'Yes, little animals, and if that is all we are, we must live and die as such.' they are standing under a large astronomical telescope. he sweeps his hand over the night sky. 'Yet we may have all the Universe, or nothing.'---then the final chorus breaks in---'Which shall it be?'---this is not 'Star Wars', 'Blade Runner'---anything you may consider 'Great'---this is the Real Thing.<br /><br />i remind all of Steven Hawking's most recent address, upon his latest 'Medal of Honor'---'Humanity must leave Earth, or die.'---the very core of this work---i love 'standard entertainment'---yet this 'relic', for the wise viewer, offers far more. 'Which Shall It Be?' be in the proper 'mood'---whatever that takes---this will take your breath away---i 'guarontee'---overall, for humanity? the most significant of cinema. <br /><br />since posting, i note many have commented on the poor 'media-quality' of 'surviving' examples. in the 80's i developed a 'proprietary' 'colorization' process which required a 'clean' original. this led me to Michael Korda, who sadly noted all were gone---so we must relish what remains---'sad but true?'<|endoftext|>