text: One used to say, concerning Nathaniel Hawthorne, that his failures were more interesting than his successes. I believe that the same remark could suit to McDonald-Eddy's pictures. And especially this one. <br /><br />It apparently possesses many characteristics of a failed movie: it's kitsch, the script, because of censorship, sounds inconsistent Yet, this movie gets also some good points: good Rodgers-Hart's music ("I married an angel", "Tira tira tira la"), good acting with E.E.Horton and Reginald Owen. <br /><br />Anyway, if you may dislike it, you can't forget it. This strange movie actually leaves a very strong, dreamlike, impression, and you are very likely to keep it in mind for days, maybe for weeks. Why? In the thirties and the beginning of the forties, movies didn't have the same mean than today: it aimed, like a dream, to divert the public in order to make it forget a difficult reality. Of all the the dream-movies that was made, in that time, this one stands as particularly powerful.<br /><br />In short, let's say that the better way to appreciate this movie, is to watch it without wondering whether it's good or bad. To watch it, like you would watch a dream.
query: One used to say, concerning Nathaniel Hawth
gen_review: orne, that his failures were more interesting than his successes. I believe that the same remark could suit to McDonald-Eddy's pictures. And especially this one. <br /><br />It apparently possesses many characteristics of a failed movie: it's kitsch, the script, because of censorship, sounds inconsistent Yet, this movie gets also some good points: good Rodgers-Hart's music ("I married an angel", "Tira tira tira la"), good acting with E.E.Horton and Reginald Owen. <br /><br />Anyway, if you may dislike it, you can't forget it. This strange movie actually leaves a very strong, dreamlike, impression, and you are very likely to keep it in mind for days, maybe for weeks. Why? In the thirties and the beginning of the forties, movies didn't have the same mean than today: it aimed, like a dream, to divert the public in order to make it forget a difficult reality. Of all the the dream-movies that was made, in that time, this one stands as particularly powerful.<br /><br />In short, let's say that the better way to appreciate this movie, is to watch it without wondering whether it's good or bad. To watch it, like you would watch a dream.
reference_response:  orne, that his failures were more interesting than his successes. I believe that the same remark could suit to McDonald-Eddy's pictures. And especially this one. <br /><br />It apparently possesses many characteristics of a failed movie: it's kitsch, the script, because of censorship, sounds inconsistent Yet, this movie gets also some good points: good Rodgers-Hart's music ("I married an angel", "Tira tira tira la"), good acting with E.E.Horton and Reginald Owen. <br /><br />Anyway, if you may dislike it, you can't forget it. This strange movie actually leaves a very strong, dreamlike, impression, and you are very likely to keep it in mind for days, maybe for weeks. Why? In the thirties and the beginning of the forties, movies didn't have the same mean than today: it aimed, like a dream, to divert the public in order to make it forget a difficult reality. Of all the the dream-movies that was made, in that time, this one stands as particularly powerful.<br /><br />In short, let's say that the better way to appreciate this movie, is to watch it without wondering whether it's good or bad. To watch it, like you would watch a dream.<|endoftext|>
query_reference_response: One used to say, concerning Nathaniel Hawth orne, that his failures were more interesting than his successes. I believe that the same remark could suit to McDonald-Eddy's pictures. And especially this one. <br /><br />It apparently possesses many characteristics of a failed movie: it's kitsch, the script, because of censorship, sounds inconsistent Yet, this movie gets also some good points: good Rodgers-Hart's music ("I married an angel", "Tira tira tira la"), good acting with E.E.Horton and Reginald Owen. <br /><br />Anyway, if you may dislike it, you can't forget it. This strange movie actually leaves a very strong, dreamlike, impression, and you are very likely to keep it in mind for days, maybe for weeks. Why? In the thirties and the beginning of the forties, movies didn't have the same mean than today: it aimed, like a dream, to divert the public in order to make it forget a difficult reality. Of all the the dream-movies that was made, in that time, this one stands as particularly powerful.<br /><br />In short, let's say that the better way to appreciate this movie, is to watch it without wondering whether it's good or bad. To watch it, like you would watch a dream.<|endoftext|>