text: Lavish production values and solid performances in this straightforward adaption of Jane Austen's satirical classic about the marriage game within and between the classes in provincial 18th Century England. Northam and Paltrow are a salutory mixture as friends who must pass through jealousies and lies to discover that they love each other. Good humor is a sustaining virtue which goes a long way towards explaining the accessability of the aged source material (which has been toned down a bit in its harsh scepticism). I liked the look of the film and how shots were set up, and I thought it didn't rely too much on successions of head shots like most other films of the 80s and 90s do. Very good results.
query: Lavish production values and solid performances
gen_review:  in this straightforward adaption of Jane Austen's satirical classic about the marriage game within and between the classes in provincial 18th Century England. Northam and Paltrow are a salutory mixture as friends who must pass through jealousies and lies to discover that they love each other. Good humor is a sustaining virtue which goes a long way towards explaining the accessability of the aged source material (which has been toned down a bit in its harsh scepticism). I liked the look of the film and how shots were set up, and I thought it didn't rely too much on successions of head shots like most other films of the 80s and 90s do. Very good results.
reference_response:   in this straightforward adaption of Jane Austen's satirical classic about the marriage game within and between the classes in provincial 18th Century England. Northam and Paltrow are a salutory mixture as friends who must pass through jealousies and lies to discover that they love each other. Good humor is a sustaining virtue which goes a long way towards explaining the accessability of the aged source material (which has been toned down a bit in its harsh scepticism). I liked the look of the film and how shots were set up, and I thought it didn't rely too much on successions of head shots like most other films of the 80s and 90s do. Very good results.<|endoftext|>
query_reference_response: Lavish production values and solid performances  in this straightforward adaption of Jane Austen's satirical classic about the marriage game within and between the classes in provincial 18th Century England. Northam and Paltrow are a salutory mixture as friends who must pass through jealousies and lies to discover that they love each other. Good humor is a sustaining virtue which goes a long way towards explaining the accessability of the aged source material (which has been toned down a bit in its harsh scepticism). I liked the look of the film and how shots were set up, and I thought it didn't rely too much on successions of head shots like most other films of the 80s and 90s do. Very good results.<|endoftext|>