text: Claire Denis' debut is both a brave and self-assured one. In this depiction of life towards the end of French colonialist Cameroon, she explores the relationships between men and women, black and white.<br /><br />With the black servant 'Protée' as the film's primary object of desire and oppression, the film enters taboo territory from the beginning. Denis builds a picture of life through a series of character relationships that keep the informed viewer fixed to the screen. The mood of the film is captured perfectly by the camera-work and (lack of) lighting.<br /><br />A great discourse.
query: Claire Denis' debut is both a
gen_review:  brave and self-assured one. In this depiction of life towards the end of French colonialist Cameroon, she explores the relationships between men and women, black and white.<br /><br />With the black servant 'Protée' as the film's primary object of desire and oppression, the film enters taboo territory from the beginning. Denis builds a picture of life through a series of character relationships that keep the informed viewer fixed to the screen. The mood of the film is captured perfectly by the camera-work and (lack of) lighting.<br /><br />A great discourse.
reference_response:   brave and self-assured one. In this depiction of life towards the end of French colonialist Cameroon, she explores the relationships between men and women, black and white.<br /><br />With the black servant 'Protée' as the film's primary object of desire and oppression, the film enters taboo territory from the beginning. Denis builds a picture of life through a series of character relationships that keep the informed viewer fixed to the screen. The mood of the film is captured perfectly by the camera-work and (lack of) lighting.<br /><br />A great discourse.<|endoftext|>
query_reference_response: Claire Denis' debut is both a  brave and self-assured one. In this depiction of life towards the end of French colonialist Cameroon, she explores the relationships between men and women, black and white.<br /><br />With the black servant 'Protée' as the film's primary object of desire and oppression, the film enters taboo territory from the beginning. Denis builds a picture of life through a series of character relationships that keep the informed viewer fixed to the screen. The mood of the film is captured perfectly by the camera-work and (lack of) lighting.<br /><br />A great discourse.<|endoftext|>