text_original: Nietzsche, always under the influence of French models, wrote a German that differs materially from any other German that I know. It is more nervous, more varied, more rapid in tempo; it runs to more effective climaxes; it is never stodgy. His marks begin to show upon the writing of the younger Germans of today.
text_transcription: NIETZSCHA ALWAYS UNDER THE INFLUENCE OF FRENCH MODELS WROTE A GERMAN THAT DIFFERS MATERIALLY FROM ANY OTHER GERMAN THAN I KNOW IT IS MORE NERVOUS MORE VARIED MORE RAPID IN TEMPO IT RUNS TO MORE EFFECTIVE CLIMAXES IT IS NEVER STODGY HIS MARKS BEGIN TO SHOW UPON THE WRITING OF THE YOUNGER GERMANS OF TO DAY
phonemes: nˈiːtʃə, ˈɔːlweɪz ˌʌndɚ ðɪ ˈɪnfluːəns ʌv fɹˈɛntʃ mˈɑːdəlz, ɹˈoʊt ɐ dʒˈɜːmən ðæt dˈɪfɚz mətˈɪɹiəli fɹʌm ˌɛni ˈʌðɚ dʒˈɜːmən ðæt aɪ nˈoʊ. ɪɾ ɪz mˈɔːɹ nˈɜːvəs, mˈɔːɹ vˈɛɹid, mˈɔːɹ ɹˈæpɪd ɪn tˈɛmpoʊ; ɪt ɹˈʌnz tə mˈɔːɹ ɪfˈɛktɪv klˈaɪmæksᵻz; ɪɾ ɪz nˈɛvɚ stˈɑːdʒi. hɪz mˈɑːɹks bɪɡˈɪn tə ʃˈoʊ əpˌɑːn ðə ɹˈaɪɾɪŋ ʌvðə jˈʌŋɡɚ dʒˈɜːmənz ʌv tədˈeɪ.