text_original: I choose these instances because the final test of a critic is in his reception of contemporary work; and Lamb must have found it much easier to be right, before every one else, about Webster, and Ford, and Cyril Tourneur, than to be the accurate critic that he was of Coleridge, at the very time when he was under the 'whiff and wind' of Coleridge's influence.
text_transcription: I CHOOSE THESE INSTANCES BECAUSE THE FINAL TEST OF A CRITIC IS IN HIS RECEPTION OF CONTEMPORARY WORK AND LAMB MUST HAVE FOUND IT MUCH EASIER TO BE RIGHT BEFORE EVERYONE ELSE ABOUT WEBSTER AND FORDE AND CYRIL TURNUUR THAN TO BE THE ACCURATE CRITIC THAT HE WAS OF COOLERIDGE AT THE VERY TIME WHEN HE WAS UNDER THE WHIFF AND WIND OF COOLERIDGE'S INFLUENCE
phonemes: aɪ tʃˈuːz ðiːz ˈɪnstənsᵻz bɪkˈʌz ðə fˈaɪnəl tˈɛst əvə kɹˈɪɾɪk ɪz ɪn hɪz ɹᵻsˈɛpʃən ʌv kəntˈɛmpɚɹˌɛɹi wˈɜːk; ænd lˈæm mˈʌstɐv fˈaʊnd ɪt mˈʌtʃ ˈiːziɚ təbi ɹˈaɪt, bᵻfˌɔːɹ ˈɛvɹi wˈʌn ˈɛls, ɐbˌaʊt wˈɛbstɚ, ænd fˈɔːɹd, ænd sˈɪɹəl tʊɹnˈʊɹ, ðɐn təbi ðɪ ˈækjʊɹət kɹˈɪɾɪk ðæt hiː wʌz ʌv kˈoʊlɹɪdʒ, æt ðə vˈɛɹi tˈaɪm wɛn hiː wʌz ˌʌndɚ ðə wˈɪf ænd wˈɪnd ʌv kˈoʊlɹɪdʒᵻz ˈɪnfluːəns.