text_original: In Mendelssohn's music we get no sense of Titanic power such as we feel when "Wagner" is being played; no world problems vex us. The delicate, plaintive, spiritual seductions of Chopin, who swept the keys with an insinuating gossamer touch, are not there.
text_transcription: IN MANDELSSOHN'S MUSIC WE GET NO SENSE OF TITANIC POWER SUCH AS WE FEEL WHEN WAGNER IS BEING PLAYED NO WORLD PROBLEMS VEX US THE DELICATE PLAINTIVE SPIRITUAL SEDUCTIONS OF CHOPIN WHO SWEP THE KEYS WITH AN INSINUATING GOSSAMER TOUCH ARE NOT THERE
phonemes: ɪn mˈɛndɪlsˌoʊnz mjˈuːzɪk wiː ɡɛt nˈoʊ sˈɛns ʌv taɪtˈænɪk pˈaʊɚ sˈʌtʃ ɐz wiː fˈiːl wˈɛn "wˈæɡnɚ" ɪz bˌiːɪŋ plˈeɪd; nˈoʊ wˈɜːld pɹˈɑːbləmz vˈɛks ˌʌs. ðə dˈɛlᵻkət, plˈeɪntɪv, spˈɪɹɪtʃˌuːəl sᵻdˈʌkʃənz ʌv tʃˈɑːpɪn, hˌuː swˈɛpt ðə kˈiːz wɪð ɐn ɪnsˈɪnjuːˌeɪɾɪŋ ɡˈɑːsəmɚ tˈʌtʃ, ɑːɹ nˌɑːt ðˈɛɹ.