text_original: For that is obviously the reason why Richard Wagner all at once went over to Schopenhauer (persuaded thereto, as one knows, by a poet, Herwegh), went over so completely that there ensued the cleavage of a complete theoretic contradiction between his earlier and his later aesthetic faiths — the earlier, for example, being expressed in Opera and Drama, the later in the writings which he published from 1870 onwards.
text_transcription: FOR THAT IS OBVIOUSLY THE REASON WHY RICHARD WAGNER ALL AT ONCE WENT OVER TO SCHOPENHAUER PERSUADED THERE TOO AS ONE KNOWS BY A POET HER WAY WHENEVER SO COMPLETELY THAT THERE ENSUED THE CLEAVAGE OF A COMPLETE THEORETIC CONTRADICTION BETWEEN HIS EARLIER AND HIS LATER AESTHETIC FAITH THE EARLIER FOR EXAMPLE BEING EXPRESSED IN OPERA AND DRAMA THE LATER IN THE WRITINGS WHICH HE PUBLISHED FROM EIGHTEEN SEVENTY ONWARDS
phonemes: fɔːɹ ðæt ɪz ˈɑːbviəsli ðə ɹˈiːzən wˌaɪ ɹˈɪtʃɚd wˈæɡnɚɹ ˈɔːl ɐtwˈʌns wɛnt ˌoʊvɚ tə skˈoʊpənhˌaʊɚ (pɚswˈeɪdᵻd ðɛɹtˈuː, æz wˈʌn nˈoʊz, baɪ ɐ pˈoʊɪt, hˈɜːwɛɡ), wɛnt ˌoʊvɚ sˌoʊ kəmplˈiːtli ðæt ðɛɹ ɛnsˈuːd ðə klˈiːvɪdʒ əvə kəmplˈiːt θiəɹˈɛɾɪk kˌɑːntɹədˈɪkʃən bᵻtwˌiːn hɪz ˈɜːlɪɚ ænd hɪz lˈeɪɾɚɹ ɛsθˈɛɾɪk fˈeɪθs — ðɪ ˈɜːlɪɚ, fɔːɹ ɛɡzˈæmpəl, bˌiːɪŋ ɛkspɹˈɛst ɪn ˈɑːpɚɹə ænd dɹˈɑːmə, ðə lˈeɪɾɚɹ ɪnðə ɹˈaɪɾɪŋz wˌɪtʃ hiː pˈʌblɪʃt fɹʌm wˈʌn θˈaʊzənd ˈeɪthˈʌndɹɪd sˈɛvənti ˈɑːnwɚdz.