text_original: I do not know whether the Guitrys invented it or Reinhardt or whoever, but certainly the most conspicuo\is illustration we have had of it has been presented by the Guitrys. It is something much more than a mechanical change ; it is psychological as well. The mimic stage, the stage of the i)lay within the |)lay, now occupies the whole of the actual stage, and the mimic audience is identi  fied with the real audience.
text_transcription: I DO NOT KNOW WHETHER THE GREEK TREES INVENTED IT OR RHEINART OR WHOEVER BUT CERTAINLY THE MOST CONSPICUOUS ILLUSTRATION WE HAVE HAD OF IT HAS BEEN PRESENTED BY THE GREEK TREES IT IS SOMETHING MUCH MORE THAN A MECHANICAL CHANGE IT IS PSYCHOLOGICAL AS WELL THE MIMIC STAGE THE STAGE OF THE PLAY WITHIN THE PLAY NOW OCCUPIES THE WHOLE OF THE ACTUAL STAGE AND THE MIMIC AUDIENCE IS IDENTIFIED WITH THE REAL AUDIENCE
phonemes: aɪ duːnˌɑːt nˈoʊ wˈɛðɚ ðə ɡˈɪtɹiz ɪnvˈɛntᵻd ɪt ɔːɹ ɹˈaɪnhɑːɹt ɔːɹ huːˈɛvɚ, bˌʌt sˈɜːʔn̩li ðə mˈoʊst kənspˈɪkjuːˌoʊ bˈækslæʃ ɪz ˌɪləstɹˈeɪʃən wiː hæv hæd ʌv ɪt hˈæzbiːn pɹɪzˈɛntᵻd baɪ ðə ɡˈɪtɹiz. ɪɾ ɪz sˈʌmθɪŋ mˈʌtʃ mˈɔːɹ ðˌænə mᵻkˈænɪkəl tʃˈeɪndʒ ; ɪɾ ɪz saɪkəlˈɑːdʒɪkəl æz wˈɛl. ðə mˈɪmɪk stˈeɪdʒ, ðə stˈeɪdʒ ʌvðɪ ˈaɪ)lˈeɪ wɪðˈɪn ðə)lˈeɪ, nˈaʊ ˈɑːkjʊpˌaɪz ðə hˈoʊl ʌvðɪ ˈæktʃuːəl stˈeɪdʒ, ænd ðə mˈɪmɪk ˈɔːdiəns ɪz aɪdˈɛnti fˈaɪd wɪððə ɹˈiːəl ˈɔːdiəns.