text_original: As it was the old playhouse and the old standing audience that was being represented, the stage nianagenient was essentially as simple as that of the play scene in IlavUet. So soon, however, as yon come to represent the very different modern " picture " stage and the modern seated audience you see at once that the j)robIem becomes immensely more dillieult. Accord  ingly you find a revolution in the method of treating a play within a play.
text_transcription: AS IT WAS THE OLD PLAY HOUSE AND THE OLD STANDING AUDIENCE THAT WAS BEING REPRESENTED THE STAGE MANAGEMENT WAS ESSENTIALLY AS SIMPLE AS THAT OF THE PLAY SEEN IN HAMLET SO SOON HOWEVER AS YOU COME TO REPRESENT THE VERY DIFFERENT MODERN PICTURE STAGE AND THE MODERN SEATED AUDIENCE YOU SEE AT ONCE THAT THE PROBLEM BECOMES IMMENSELY MORE DIFFICULT ACCORDINGLY YOU FIND A REVOLUTION IN THE METHOD OF TREATING A PLAY WITHIN THE PLAY
phonemes: æz ɪt wʌzðɪ ˈoʊld plˈeɪhaʊs ænd ðɪ ˈoʊld stˈændɪŋ ˈɔːdiəns ðæt wʌz bˌiːɪŋ ɹˌɛpɹᵻzˈɛntᵻd, ðə stˈeɪdʒ nˈaɪənˌeɪdʒniənt wʌz ᵻsˈɛnʃəli æz sˈɪmpəl æz ðæt ʌvðə plˈeɪ sˈiːn ɪn ˈɪlæv jˈuːət. sˌoʊ sˈuːn, haʊˈɛvɚ, æz jˈɑːn kˈʌm tə ɹˌɛpɹᵻzˈɛnt ðə vˈɛɹi dˈɪfɹənt mˈɑːdɚn " pˈɪktʃɚ " stˈeɪdʒ ænd ðə mˈɑːdɚn sˈiːɾᵻd ˈɔːdiəns juː sˈiː ɐtwˈʌns ðætðə dʒˈeɪ)ɹˈɑːb ˈiːm bɪkˌʌmz ɪmˈɛnsli mˈɔːɹ dˈɪluːlt. ɐkˈɔːɹd ɪŋɡlˈaɪ juː fˈaɪnd ɐ ɹˌɛvəlˈuːʃən ɪnðə mˈɛθəd ʌv tɹˈiːɾɪŋ ɐ plˈeɪ wɪðˌɪn ɐ plˈeɪ.