text_original: This forcible criticism is worthy of our poetical antiquary; the same feeling was experienced by Pasquier, when Marot, in his _Rifacciamento_ of the Roman de la Rose, left some of the obsolete phrases, while he got rid of others; _cette bigarrure de langage vieux et moderne_, was with him writing no language at all. The same circumstance occurred abroad, when they resolved to retouch and modernise the old French metrical version of the Psalms, which we are about to notice.
text_transcription: THIS FORCIBLE CRITICISM IS WORTHY OF OUR POETICAL ANTIQUIRY THE SAME FEELING WAS EXPERIENCED BY PASSQUI WHEN MARAU IN HIS RIFACHARMENTO OF THE ROMAN D'A ROSE LEFT SOME OF THE OBSOLETE PHRASES WHILE HE GOT RID OF OTHERS SAT BIGA RIO DE LONGAGE VIEUE IN MODAN WAS WITH HIM WRITING NO LANGUAGE AT ALL THE SAME CIRCUMSTANCE OCCURRED ABROAD WHEN THEY RESOLVED TO RETOUCH AND MODERNIZE THE OLD FRENCH METRICAL VERSION OF THE PSALMS WHICH WE ARE ABOUT TO NOTICE
phonemes: ðɪs fˈɔːɹsᵻbəl kɹˈɪɾɪsˌɪzəm ɪz wˈɜːði ʌv ˌaʊɚ poʊˈɛɾɪkəl ˈæntɪkwˌɛɹi; ðə sˈeɪm fˈiːlɪŋ wʌz ɛkspˈiəɹɪənst baɪ pˈæskwɪɚ, wˌɛn mˈæɹɑːt, ɪn hɪz ɹˌɪfɐksˌɪəmˈɛntoʊ ʌvðə ɹˈoʊmən də lˌæ ɹˈoʊz, lˈɛft sˌʌm ʌvðɪ ˈɑːbsəlˌiːt fɹˈeɪzᵻz, wˌaɪl hiː ɡɑːt ɹˈɪd ʌv ˈʌðɚz; sˈɛt bˈɪɡɐɹˌɪɹ də læŋɡˈeɪdʒ vˈiːʌ ˈɛt mˈɑːdɚn, wʌz wɪð hˌɪm ɹˈaɪɾɪŋ nˈoʊ lˈæŋɡwɪdʒ æɾ ˈɔːl. ðə sˈeɪm sˈɜːkəmstˌæns əkˈɜːd ɐbɹˈɔːd, wˌɛn ðeɪ ɹᵻzˈɑːlvd tə ɹᵻtˈʌtʃ ænd mˈɑːdɚnˌaɪz ðɪ ˈoʊld fɹˈɛntʃ mˈɛtɹɪkəl vˈɜːʒən ʌvðə sˈɑːmz, wˌɪtʃ wiː ɑːɹ ɐbˌaʊt tə nˈoʊɾɪs.