text_original: It is a very notable thing that Raffaello, studying the manner of Pietro, imitated it in every respect so closely, that his copies could not be distinguished from his master's originals, and it was not possible to see any clear difference between his works and Pietro's; as is still evident from some figures in a panel in S. Francesco at Perugia, which he executed in oils for Madonna Maddalena degli Oddi.
text_transcription: IT IS A VERY NOTABLE THING THAT RAPHAELLO STUDYING THE MANNER OF PIETRO IMITATED IT IN EVERY RESPECT SO CLOSELY THAT HIS COPIES COULD NOT BE DISTINGUISHED FROM HIS MASTER'S ORIGINALS AND THAT IT WAS NOT POSSIBLE TO SEE ANY CLEAR DIFFERENCE BETWEEN HIS WORKS AND PIETRO'S AS IS STILL EVIDENT FROM SOME FIGURES IN A PANEL IN SANRANCISCO AT PERUGIA WHICH HE EXECUTED IN OILS FOR MADONA MARLENA DELIODI
phonemes: ɪɾ ɪz ɐ vˈɛɹi nˈoʊɾəbəl θˈɪŋ ðæt ɹæfˈeɪloʊ, stˈʌdiɪŋ ðə mˈænɚɹ ʌv pˈaɪətɹoʊ, ˈɪmᵻtˌeɪɾᵻd ɪɾ ɪn ˈɛvɹi ɹᵻspˈɛkt sˌoʊ klˈoʊsli, ðæt hɪz kˈɑːpɪz kʊd nˌɑːt biː dɪstˈɪŋɡwɪʃt fɹʌm hɪz mˈæstɚz ɚɹˈɪdʒɪnəlz, ænd ɪt wʌz nˌɑːt pˈɑːsᵻbəl tə sˈiː ˌɛni klˈɪɹ dˈɪfɹəns bᵻtwˌiːn hɪz wˈɜːks ænd pˈaɪətɹoʊz; ˌæzˌɪz stˈɪl ˈɛvɪdənt fɹʌm sˌʌm fˈɪɡjɚz ɪn ɐ pˈænəl ɪn ˈɛs. fɹæntʃˈɛskoʊ æt pəɹˈuːdʒə, wˌɪtʃ hiː ˈɛksᵻkjˌuːɾᵻd ɪn ˈɔɪlz fɔːɹ mɐdˈɑːnə mˈædeɪlnə dᵻɡli ˈɑːdi.