text_original: In this scene Raffaello made S. Peter and S. Paul in the air, with swords in their hands, coming to defend the Church; and while the story of Leo III says nothing of this, nevertheless it was thus that he chose to represent it, perchance out of fancy, for it often happens that painters, like poets, go straying from their subject in order to make their work the more ornate, although their digressions are not such as to be out of harmony with their first intention.
text_transcription: IN THIS SCENE FRAPHEELO MADE SAINT PETER AND SAINT PAUL IN THE AIR WITH SWORDS IN THEIR HANDS COMING TO DEFEND THE CHURCH AND WHILE THE STORY OF LEO THE THIRD SAYS NOTHING OF THIS NEVERTHELESS IT WAS THUS THAT HE CHOSE TO REPRESENT IT PERCHANCE OUT OF FANCY FOR IT OFTEN HAPPENS THAT PAINTERS LIKE POETS GO STRAYING FROM THEIR SUBJECT IN ORDER TO MAKE THEIR WORK THE MORE ORNATE ALTHOUGH THEIR DIGRESSIONS ARE NOT SUCH AS TO BE OUT OF HARMONY WITH THEIR FIRST INTENTION
phonemes: ɪn ðɪs sˈiːn ɹæfˈeɪloʊ mˌeɪd ˈɛs. pˈiːɾɚɹ ænd ˈɛs. pˈɔːl ɪnðɪ ˈɛɹ, wɪð sˈɔːɹdz ɪn ðɛɹ hˈændz, kˈʌmɪŋ tə dᵻfˈɛnd ðə tʃˈɜːtʃ; ænd wˌaɪl ðə stˈɔːɹi ʌv lˈiːoʊ ɹˌoʊmən θɹˈiː sˈɛz nˈʌθɪŋ ʌv ðˈɪs, nˌɛvɚðəlˈɛs ɪt wʌz ðˈʌs ðæt hiː tʃˈoʊz tə ɹˌɛpɹᵻzˈɛnt ɪt, pɚtʃˈæns ˌaʊɾəv fˈænsi, fɔːɹ ɪɾ ˈɔfən hˈæpənz ðæt pˈeɪntɚz, lˈaɪk pˈoʊɪts, ɡˌoʊ stɹˈeɪɪŋ fɹʌm ðɛɹ sˈʌbdʒɛkt ɪn ˈɔːɹdɚ tə mˌeɪk ðɛɹ wˈɜːk ðə mˈɔːɹ ɔːɹnˈeɪt, ɔːlðˈoʊ ðɛɹ daɪɡɹˈɛʃənz ɑːɹ nˌɑːt sˈʌtʃ ɐz təbi ˌaʊɾəv hˈɑːɹməni wɪð ðɛɹ fˈɜːst ɪntˈɛnʃən.