text_original: Florence: Pitti, 164_) _Anderson_] Returning at length to this Pietro, I have to say that of the works that he made in the said convent none have been preserved save the panels, since those executed in fresco were thrown to the ground, together with the whole of that building, by reason of the siege of Florence, when the panels were carried to the Porta a S. Pier Gattolini, where a home was given to those friars in the Church and Convent of S. Giovannino.
text_transcription: INO RETURNING AT LENGTH TO THIS PIETRO I HAVE TO SAY THAT OF THE WORKS THAT HE MADE IN THE SAID CONVENT NONE HAVE BEEN PRESERVED SAVE THE PANELS SINCE THOSE EXECUTED IN FRESCO WERE THROWN TO THE GROUND TOGETHER WITH THE WHOLE OF THAT BUILDING BY REASON OF THE SIEGE OF FLORENCE WHEN THE PANELS WERE CARRIED TO THE PORTA AS SAN PIERRE GATOLINI WHERE A HOME WAS GIVEN TO THOSE FRIARS IN THE CHURCH AND CONVENT OF SAN GIO VANNINO
phonemes: flˈɔːɹəns: pˈɪɾi, wˈʌnhˈʌndɹɪd sˈɪksti fˈɔːɹ) ˈændɚsən] ɹᵻtˈɜːnɪŋ æt lˈɛŋθ tə ðɪs pˈaɪətɹoʊ, aɪ hæv tə sˈeɪ ðæt ʌvðə wˈɜːks ðæt hiː mˌeɪd ɪnðə sˈɛd kˈɑːnvənt nˈʌn hɐvbɪn pɹɪzˈɜːvd sˈeɪv ðə pˈænəlz, sˈɪns ðoʊz ˈɛksᵻkjˌuːɾᵻd ɪn fɹˈɛskoʊ wɜː θɹˈoʊn tə ðə ɡɹˈaʊnd, təɡˌɛðɚ wɪððə hˈoʊl ʌv ðæt bˈɪldɪŋ, baɪ ɹˈiːzən ʌvðə sˈiːdʒ ʌv flˈɔːɹəns, wˌɛn ðə pˈænəlz wɜː kˈæɹid tə ðə pˈɔːɹɾə ɐ ˈɛs. pˈɪɹ ɡˌæɾəlˈiːni, wˌɛɹ ɐ hˈoʊm wʌz ɡˈɪvən tə ðoʊz fɹˈaɪɚz ɪnðə tʃˈɜːtʃ ænd kˈɑːnvənt ʌv ˈɛs. dʒɪˌɑːvɐnˈiːnoʊ.