text_original: Having returned to Florence, Giuliano found that his brother Antonio, who worked for him on his models, had become so excellent, that there was no one in his day who was a better master in carving, particularly for large Crucifixes of wood; to which witness is borne by the one over the high altar of the Nunziata in Florence, by another that is kept by the Friars of S. Gallo in S.
text_transcription: HAVING RETURNED TO FLORENCE GIULIANO FOUND THAT HIS BROTHER ANTONIO WHO WORKED FOR HIM ON HIS MODELS HAD BECOME SO EXCELLENT THAT THERE WAS NO ONE IN HIS DAY WHO WAS A BETTER MASTER IN CARVING PARTICULARLY FOR LARGE CRUCIFIXES OF WOOD TO WHICH WITNESS IS BORNE BY THE ONE OVER THE HIGH ALTAR OF THE NONZIATA IN FLORENCE BY ANOTHER THAT IS KEPT BY THE FRIARS OF SAN GALLO IN S
phonemes: hˌævɪŋ ɹᵻtˈɜːnd tə flˈɔːɹəns, dʒɪjˈuːliˈɑːnoʊ fˈaʊnd ðæt hɪz bɹˈʌðɚɹ æntˈoʊnɪˌoʊ, hˌuː wˈɜːkt fɔːɹ hˌɪm ˌɔn hɪz mˈɑːdəlz, hæd bɪkˌʌm sˌoʊ ˈɛksələnt, ðæt ðɛɹwˌʌz nˈoʊwˈʌn ɪn hɪz dˈeɪ hˌuː wʌzɐ bˈɛɾɚ mˈæstɚɹ ɪn kˈɑːɹvɪŋ, pɚtˈɪkjʊlɚli fɔːɹ lˈɑːɹdʒ kɹˈuːsɪfˌɪksᵻz ʌv wˈʊd; tə wˌɪtʃ wˈɪtnəs ɪz bˈɔːɹn baɪ ðə wˈʌn ˌoʊvɚ ðə hˈaɪ ˈɔltɚɹ ʌvðə nˌʌnzɪˈɑːɾə ɪn flˈɔːɹəns, baɪ ɐnˈʌðɚ ðæt ɪz kˈɛpt baɪ ðə fɹˈaɪɚz ʌv ˈɛs. ɡˈæloʊ ɪn ˈɛs.