text_original: Moreover, in those figures that are being dragged to Hell, in the part that was designed but left unfinished, one sees the despair, grief, and shame of everlasting death, even as one perceives contentment and gladness in those that are being saved; although this work remained unfinished, since Baccio was inclined to give his attention more to religion than to painting. For there was living in S.
text_transcription: MOREOVER IN THOSE FIGURES THAT ARE BEING DRAGGED TO HELL IN THE PART THAT WAS DESIGNED BUT LEFT UNFINISHED ONE SEES THE DESPAIR GRIEF AND SHAME OF EVERLASTING DEATH EVEN AS ONE PERCEIVES CONTENTMENT AND GLADNESS IN THOSE THAT ARE BEING SAVED ALTHOUGH THIS WORK REMAIN UNFINISHED SINCE BACCHO WAS INCLINED TO GIVE HIS ATTENTION MORE TO RELIGION THAN TO PAINTING FOR THERE WAS LIVING IN S
phonemes: mɔːɹˈoʊvɚ, ɪn ðoʊz fˈɪɡjɚz ðæt ɑːɹ bˌiːɪŋ dɹˈæɡd tə hˈɛl, ɪnðə pˈɑːɹt ðæt wʌz dɪzˈaɪnd bˌʌt lˈɛft ʌnfˈɪnɪʃt, wˈʌn sˈiːz ðə dᵻspˈɛɹ, ɡɹˈiːf, ænd ʃˈeɪm ʌv ˌɛvɚlˈæstɪŋ dˈɛθ, ˈiːvən æz wˈʌn pɚsˈiːvz kəntˈɛntmənt ænd ɡlˈædnəs ɪn ðoʊz ðæt ɑːɹ bˌiːɪŋ sˈeɪvd; ɔːlðˈoʊ ðɪs wˈɜːk ɹᵻmˈeɪnd ʌnfˈɪnɪʃt, sˈɪns bˈæksɪˌoʊ wʌz ɪŋklˈaɪnd tə ɡˈɪv hɪz ɐtˈɛnʃən mˈɔːɹ tə ɹᵻlˈɪdʒən ðɐn tə pˈeɪntɪŋ. fɔːɹ ðɛɹwˌʌz lˈɪvɪŋ ɪn ˈɛs.