text_original: This composition Raffaello painted over the window, where the wall is darkest; and thus, when you look at the picture, the light strikes you in the face, and the real light conflicts so well with the different lights of the night in the painting, that the smoke of the torch, the splendour of the Angel, and the thick darkness of the night seem to you to be wholly real and natural, and you would never say that it was all painted, so vividly did he express this difficult conception.
text_transcription: THIS COMPOSITION RAPHAELLO PAINTED OVER THE WINDOW WHERE THE WALL IS DARKEST AND THUS WHEN YOU LOOK AT THE PICTURE THE LIGHT STRIKES YOU IN THE FACE AND THE REAL LIGHT CONFLICTS SO WELL WITH THE DIFFERENT LIGHTS OF THE NIGHT IN THE PAINTING THAT THE SMOKE OF THE TORCH THE SPLENDOUR OF THE ANGEL AND THE THICK DARKNESS OF THE NIGHT SEEMED TO YOU TO BE WHOLLY REAL AND NATURAL AND YOU WOULD NEVER SAY THAT IT WAS ALL PAINTED SO VIVIDLY DID HE EXPRESS THIS DIFFICULT CONCEPTION
phonemes: ðɪs kˌɑːmpəzˈɪʃən ɹæfˈeɪloʊ pˈeɪntᵻd ˌoʊvɚ ðə wˈɪndoʊ, wˌɛɹ ðə wˈɔːl ɪz dˈɑːɹkɪst; ænd ðˈʌs, wˌɛn juː lˈʊk æt ðə pˈɪktʃɚ, ðə lˈaɪt stɹˈaɪks juː ɪnðə fˈeɪs, ænd ðə ɹˈiːəl lˈaɪt kˈɑːnflɪkts sˌoʊ wˈɛl wɪððə dˈɪfɹənt lˈaɪts ʌvðə nˈaɪt ɪnðə pˈeɪntɪŋ, ðætðə smˈoʊk ʌvðə tˈɔːɹtʃ, ðə splˈɛndɚɹ ʌvðɪ ˈeɪndʒəl, ænd ðə θˈɪk dˈɑːɹknəs ʌvðə nˈaɪt sˈiːm tə juː təbi hˈoʊli ɹˈiːəl ænd nˈætʃɚɹəl, ænd juː wʊd nˈɛvɚ sˈeɪ ðˌɐɾɪt wʌz ˈɔːl pˈeɪntᵻd, sˌoʊ vˈɪvɪdli dˈɪd hiː ɛkspɹˈɛs ðɪs dˈɪfɪkəlt kənsˈɛpʃən.