text_original: Over this was a dormitory in the shape of a =T=, one part of which  namely, the principal part in the direct line, which was sixty braccia long  was double  that is to say, it had cells on either side, and at the upper end, in a space of fifteen braccia, was an oratory, over the altar of which there was a panel by the hand of Pietro Perugino; and over the door of this oratory was another work by the same man's hand, in fresco, as will be told.
text_transcription: OVER THIS WAS A DORMITORY IN THE SHAPE OF A T ONE PART OF WHICH NAMELY THE PRINCIPAL PART IN THE DIRECT LINE WHICH WAS SIXTY BRACCHA LONG WAS DOUBLE THAT IS TO SAY IT HAD CELLS ON EITHER SIDE AND AT THE UPPER END IN A SPACE OF FIFTEEN BRANCHA WAS AN ORATORY OVER THE ALTAR OF WHICH THERE WAS A PANEL BY THE HAND OF PIETRO PERUGINO AND OVER THE DOOR OF THIS ORATORY WAS ANOTHER WORK BY THE SAME MAN'S HAND IN FRESCO AS WILL BE TOLD
phonemes: ˌoʊvɚ ðɪs wʌzɐ dˈɔːɹmɪtˌɔːɹi ɪnðə ʃˈeɪp əvə ˈiːkwəlz tˈiː ˈiːkwəlz, wˈʌn pˈɑːɹt ʌvwˈɪtʃ nˈeɪmli, ðə pɹˈɪnsɪpəl pˈɑːɹt ɪnðə dᵻɹˈɛkt lˈaɪn, wˌɪtʃ wʌz sˈɪksti bɹˈæksiə lˈɔŋ wʌz dˈʌbəl ðæt ɪz tə sˈeɪ, ɪt hæd sˈɛlz ˌɔn ˈiːðɚ sˈaɪd, ænd æt ðɪ ˌʌpɚɹ ˈɛnd, ɪn ɐ spˈeɪs ʌv fˈɪftiːn bɹˈæksiə, wʌz ɐn ˈɔːɹətˌɔːɹi, ˌoʊvɚ ðɪ ˈɔltɚ ʌvwˈɪtʃ ðɛɹwˌʌz ɐ pˈænəl baɪ ðə hˈænd ʌv pˈaɪətɹoʊ pˌɛɹuːdʒˈiːnoʊ; ænd ˌoʊvɚ ðə dˈɔːɹ ʌv ðɪs ˈɔːɹətˌɔːɹi wʌz ɐnˈʌðɚ wˈɜːk baɪ ðə sˈeɪm mˈænz hˈænd, ɪn fɹˈɛskoʊ, æz wɪl biː tˈoʊld.