text_original: In the composition of this work, Raffaello imagined to himself the sorrow that the nearest and most affectionate relatives of the dead one feel in laying to rest the body of him who has been their best beloved, and on whom, in truth, the happiness, honour, and welfare of a whole family have depended. Our Lady is seen in a swoon; and the heads of all the figures are very gracious in their weeping, particularly that of S.
text_transcription: IN THE COMPOSITION OF THIS WORK RAPHAELLO IMAGINED TO HIMSELF THE SORROW THAT THE NEAREST AND MOST AFFECTIONATE RELATIVES OF THE DEAD ONE FEEL INLAYING THE BODY OF HIM WHO HAS BEEN THEIR BEST BELOVED AND ON WHOM IN TRUTH THE HAPPINESS HONOUR AND WELFARE OF A WHOLE FAMILY HAVE DEPENDED OUR LADY IS SEEN IN A SWOON AND THE HEADS OF ALL THE FIGURES ARE VERY GRACIOUS IN THEIR WEEPING PARTICULARLY THAT OF S
phonemes: ɪnðə kˌɑːmpəzˈɪʃən ʌv ðɪs wˈɜːk, ɹæfˈeɪloʊ ɪmˈædʒɪnd tə hɪmsˈɛlf ðə sˈɑːɹoʊ ðætðə nˌɪɹɪst ænd mˈoʊst ɐfˈɛkʃənət ɹˈɛlətˌɪvz ʌvðə dˈɛd wˈʌn fˈiːl ɪn lˈeɪɪŋ tə ɹˈɛst ðə bˈɑːdi ʌv hˌɪm hˌuː hˈæzbiːn ðɛɹ bˈɛst bᵻlˈʌvd, ænd ˌɔn hˈuːm, ɪn tɹˈuːθ, ðə hˈæpɪnəs, ˈɑːnɚ, ænd wˈɛlfɛɹ əvə hˈoʊl fˈæmɪli hæv dᵻpˈɛndᵻd. ˌaʊɚ lˈeɪdi ɪz sˈiːn ɪn ɐ swˈuːn; ænd ðə hˈɛdz ʌv ˈɔːl ðə fˈɪɡjɚz ɑːɹ vˈɛɹi ɡɹˈeɪʃəs ɪn ðɛɹ wˈiːpɪŋ, pɚtˈɪkjʊlɚli ðæt ʌv ˈɛs.