text_original: Panel_)] Afterwards he painted in fresco the whole of the Audience Chamber of the Cambio,[4] adorning the compartments of the vaulting with the seven planets, drawn in certain cars by diverse animals, according to the old usage; on the wall opposite to the door of entrance he painted the Nativity and Resurrection of Christ, with a panel containing S. John the Baptist in the midst of certain other saints.
text_transcription: ENCE CHAMBER OF THE COLOMBIO END NOTE NUMBER FOUR EXCHANGE OR BANK END END NOTE ADORNING THE COMPARTMENTS OF THE VAULTING WITH THE SEVEN PLANETS DRAWN IN CERTAIN CARS BY DIVERS ANIMALS ACCORDING TO THE OLD USAGE ON THE WALL OPPOSITE TO THE DOOR OF ENTRANCE HE PAINTED THE NATIVITY AND RESURRECTION OF CHRIST WITH A PANEL CONTAINING SAINT JOHN THE BAPTIST IN THE MIDST OF CERTAIN OTHER SAINTS
phonemes: pˈænəl)] ˈæftɚwɚdz hiː pˈeɪntᵻd ɪn fɹˈɛskoʊ ðə hˈoʊl ʌvðɪ ˈɔːdiəns tʃˈeɪmbɚɹ ʌvðə kˈæmbɪˌoʊ,[fˈɔːɹ] ɐdˈɔːɹnɪŋ ðə kəmpˈɑːɹtmənts ʌvðə vˈɔltɪŋ wɪððə sˈɛvən plˈænɪts, dɹˈɔːn ɪn sˈɜːʔn̩ kˈɑːɹz baɪ daɪvˈɜːs ˈænɪməlz, ɐkˈɔːɹdɪŋ tə ðɪ ˈoʊld jˈuːsɪdʒ; ɔnðə wˈɔːl ˈɑːpəzˌɪt tə ðə dˈɔːɹ ʌv ˈɛntɹəns hiː pˈeɪntᵻd ðə nɐtˈɪvᵻɾi ænd ɹᵻsɚɹˈɛkʃən ʌv kɹˈaɪst, wɪð ɐ pˈænəl kəntˈeɪnɪŋ ˈɛs. dʒˈɑːn ðə bˈæptɪst ɪnðə mˈɪdst ʌv sˈɜːʔn̩ ˈʌðɚ sˈeɪnts.