text_original: Nor did Raffaello fail to do as well in the figure of S. Francis, who, kneeling on the ground, with one arm outstretched, and with his head upraised, is gazing up at the Madonna, glowing with a love in tone with the feeling of the picture, which, both by the lineaments and by the colouring, shows him melting with affection, and taking comfort and life from the gracious sight of her beauty and of the vivacity and beauty of her Son.
text_transcription: NOR DOES RAFAELLO FAIL TO DO AS WELL IN THE FIGURE OF SAINT FRANCIS WHO KNEELING ON THE GROUND WITH ONE ARM OUTSTRETCHED AND WITH HIS HEAD UPRAISED IS GAZING UP AT THE MADONNA GLOWING WITH A LOVE AND TONE WITH THE FEELING OF THE PICTURE WHICH BOTH BY THE LINEAMENTS AND BY THE COLORING SHOWS HIM MELTING WITH AFFECTION AND TAKING COMFORT IN LIFE FROM THE GRACIOUS SIGHT OF HER BEAUTY AND OF THE VIVACITY AND BEAUTY OF HER SON
phonemes: nˈɔːɹ dˈɪd ɹæfˈeɪloʊ fˈeɪl tə dˈuː æz wˈɛl ɪnðə fˈɪɡjɚɹ ʌv ˈɛs. fɹˈænsɪs, hˈuː, nˈiːlɪŋ ɔnðə ɡɹˈaʊnd, wɪð wˈʌn ˈɑːɹm aʊtstɹˈɛtʃt, ænd wɪð hɪz hˈɛd ʌpɹˈeɪzd, ɪz ɡˈeɪzɪŋ ˌʌp æt ðə mɐdˈɑːnə, ɡlˈoʊɪŋ wɪð ɐ lˈʌv ɪn tˈoʊn wɪððə fˈiːlɪŋ ʌvðə pˈɪktʃɚ, wˈɪtʃ, bˈoʊθ baɪ ðə lˈɪniəmənts ænd baɪ ðə kˈʌlɚɹɪŋ, ʃˈoʊz hˌɪm mˈɛltɪŋ wɪð ɐfˈɛkʃən, ænd tˈeɪkɪŋ kˈʌmfɚt ænd lˈaɪf fɹʌmðə ɡɹˈeɪʃəs sˈaɪt ʌv hɜː bjˈuːɾi ænd ʌvðə vɪvˈæsᵻɾi ænd bjˈuːɾi ʌv hɜː sˈʌn.