text_original: However, another construction was given to her friendly demonstrations. The story told both by Knowles, the biographer of Fuseli, and by Godwin, is that Mary was in love with the artist ; and that the necessity of suppressing, even if she could not destroy. VISIT TO PARIS. 109 her passion — ^hopeless since its object was a married man — was the immediate reason of her going to France alone.
text_transcription: HOWEVER ANOTHER CONSTRUCTION WAS GIVEN TO HER FRIENDLY DEMONSTRATIONS THE STORY TOLD BOTH BY KNOWLES THE BIOGRAPHER OF FUZELLI AND BY GODWIN IS THAT MARY WAS IN LOVE WITH THE ARTIST AND THAT THE NECESSITY OF SUPPRESSING EVEN IF SHE COULD NOT DESTROY HER PASSION HOPELESS SINCE ITS OBJECT WAS A MARRIED MAN WAS THE IMMEDIATE REASON OF HER GOING TO FRANCE ALONE
phonemes: haʊˈɛvɚ, ɐnˈʌðɚ kənstɹˈʌkʃən wʌz ɡˈɪvən tə hɜː fɹˈɛndli dˌɛmənstɹˈeɪʃənz. ðə stˈɔːɹi tˈoʊld bˈoʊθ baɪ nˈoʊəlz, ðə baɪˈɑːɡɹəfɚɹ ʌv fjˈuːsɛli, ænd baɪ ɡˈɑːdwɪn, ɪz ðæt mˈɛɹi wʌz ɪn lˈʌv wɪððɪ ˈɑːɹɾɪst ; ænd ðætðə nəsˈɛsɪɾi ʌv səpɹˈɛsɪŋ, ˈiːvən ɪf ʃiː kʊd nˌɑːt dᵻstɹˈɔɪ. vˈɪzɪt tuː pˈæɹɪs. wˈʌnhˈʌndɹɪd nˈaɪn hɜː pˈæʃən — hˈoʊpləs sˈɪns ɪts ˈɑːbdʒɛkt wʌzɐ mˈæɹid mˈæn — wʌzðɪ ɪmˈiːdɪət ɹˈiːzən ʌv hɜː ɡˌoʊɪŋ tə fɹˈæns ɐlˈoʊn.