¿Y a quién le cuadra mejor esa definición que al autor de Chimes of Freedom o Long and Wasted Years, que ponen vida y música a lo que el crítico Greil Marcus denominó la “república invisible” de la cultura estadounidense?
And to whom does that definition apply better than to the author of “Chimes of Freedom” or “Long and Wasted Years,” which bring to life and to music what the critic Greil Marcus has called the “invisible republic” of American culture?