Again, who better than this collage artist, this chameleon of citation and intertextuality, this laconic lyricist, this verbal alchemist who spent his life reinventing others’ words and his own, uncovering the embers of the era beneath the ashes of the day’s defeats, and transmuting into gold the lead he heard on the radio?
É igualmente tentador concordar com Mallarmé, que nos instou, usando mais ou menos os mesmos termos, a "dar um sentido mais puro às palavras da tribo".