ID stringlengths 6 8 | title stringlengths 3 136 | question stringlengths 33 235 | answer stringlengths 51 15.3k | image_url stringlengths 57 817 | entities list |
|---|---|---|---|---|---|
19151_T | Nike (Kougioumtzis) | In Nike (Kougioumtzis), how is the London discussed? | A version of the statue was installed in the Royal Arsenal, Woolwich, London in 2012. It is made of bronze. | [
"bronze",
"Woolwich",
"Royal Arsenal"
] | |
19151_NT | Nike (Kougioumtzis) | In this artwork, how is the London discussed? | A version of the statue was installed in the Royal Arsenal, Woolwich, London in 2012. It is made of bronze. | [
"bronze",
"Woolwich",
"Royal Arsenal"
] | |
19152_T | Portrait of Minerva Anguissola (Milan) | Focus on Portrait of Minerva Anguissola (Milan) and explore the abstract. | Portrait of Minerva Anguissola is a c. 1564 oil-on-canvas painting by the Italian painter Sofonisba Anguissola, now in the Pinacoteca di Brera in Milan.Its subject is believed to be the artist's sister, Minerva Anguissola, not to be confused with her older sister Elena Anguissola who took the name of "Sister Minerva" u... | [
"Elena Anguissola",
"Sofonisba Anguissola",
"Milan",
"Minerva Anguissola",
"Portrait of Elena Anguissola",
"Pinacoteca di Brera"
] | |
19152_NT | Portrait of Minerva Anguissola (Milan) | Focus on this artwork and explore the abstract. | Portrait of Minerva Anguissola is a c. 1564 oil-on-canvas painting by the Italian painter Sofonisba Anguissola, now in the Pinacoteca di Brera in Milan.Its subject is believed to be the artist's sister, Minerva Anguissola, not to be confused with her older sister Elena Anguissola who took the name of "Sister Minerva" u... | [
"Elena Anguissola",
"Sofonisba Anguissola",
"Milan",
"Minerva Anguissola",
"Portrait of Elena Anguissola",
"Pinacoteca di Brera"
] | |
19153_T | Merry Company with Two Men and Two Women | Focus on Merry Company with Two Men and Two Women and explain the abstract. | Merry Company with Two Men and Two Women, also known as The Visit, is an oil-on-panel painting by the Dutch painter Pieter de Hooch, created c. 1657. It is an example of a Merry Company, a popular form of genre painting in Dutch Golden Age painting showing a group of figures, who are not meant to be identified as portr... | [
"Merry Company",
"Havemeyer collection",
"Sm.",
"Hofstede de Groot",
"Pieter de Hooch",
"genre painting",
"Dutch",
"Secrétan",
"oil",
"New York",
"Dutch Golden Age painting",
"Francois Delessert",
"Gazette des Beaux-Arts",
"Metropolitan Museum of Art"
] | |
19153_NT | Merry Company with Two Men and Two Women | Focus on this artwork and explain the abstract. | Merry Company with Two Men and Two Women, also known as The Visit, is an oil-on-panel painting by the Dutch painter Pieter de Hooch, created c. 1657. It is an example of a Merry Company, a popular form of genre painting in Dutch Golden Age painting showing a group of figures, who are not meant to be identified as portr... | [
"Merry Company",
"Havemeyer collection",
"Sm.",
"Hofstede de Groot",
"Pieter de Hooch",
"genre painting",
"Dutch",
"Secrétan",
"oil",
"New York",
"Dutch Golden Age painting",
"Francois Delessert",
"Gazette des Beaux-Arts",
"Metropolitan Museum of Art"
] | |
19154_T | The Treachery of Images | Explore the abstract of this artwork, The Treachery of Images. | The Treachery of Images (French: La Trahison des Images) is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe and The Wind and the Song. Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art.The painting shows an image of... | [
"André Breton",
"Denis Diderot",
"Alfred Korzybski",
"La Révolution surréaliste",
"Paul Valéry",
"surrealist",
"Los Angeles County Museum of Art",
"This is not a story",
"pipe",
"René Magritte",
"meta message",
"Paul Éluard",
"paralanguage",
"The map is not the territory",
"Les Nouvelles... | |
19154_NT | The Treachery of Images | Explore the abstract of this artwork. | The Treachery of Images (French: La Trahison des Images) is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe and The Wind and the Song. Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art.The painting shows an image of... | [
"André Breton",
"Denis Diderot",
"Alfred Korzybski",
"La Révolution surréaliste",
"Paul Valéry",
"surrealist",
"Los Angeles County Museum of Art",
"This is not a story",
"pipe",
"René Magritte",
"meta message",
"Paul Éluard",
"paralanguage",
"The map is not the territory",
"Les Nouvelles... | |
19155_T | David Vases | Focus on David Vases and discuss the abstract. | The David Vases are a pair of blue-and-white temple vases from the Yuan dynasty.
The vases have been described as the "best-known porcelain vases in the world" and among the most important blue-and-white Chinese porcelains.Though they are fine examples of their type, their special significance comes from the date in th... | [
"blue-and-white Chinese porcelain",
"Percival David",
"Percival David Foundation of Chinese Art",
"British Museum",
"Yuan dynasty",
"blue-and-white"
] | |
19155_NT | David Vases | Focus on this artwork and discuss the abstract. | The David Vases are a pair of blue-and-white temple vases from the Yuan dynasty.
The vases have been described as the "best-known porcelain vases in the world" and among the most important blue-and-white Chinese porcelains.Though they are fine examples of their type, their special significance comes from the date in th... | [
"blue-and-white Chinese porcelain",
"Percival David",
"Percival David Foundation of Chinese Art",
"British Museum",
"Yuan dynasty",
"blue-and-white"
] | |
19156_T | David Vases | How does David Vases elucidate its Provenence? | The vases are Jingdezhen porcelain, commissioned by someone named Zhang Wenjin (張文進) from Yushan County to be presented as altar pieces to a Daoist temple in Xingyuan (星源, present day Wuyuan County, Jiangxi) in 1351. It has been proposed that the vases were manufactured at the Hengfeng Zhen kilns near the temple. Long ... | [
"Jingdezhen porcelain",
"Daoist",
"Mountstuart Elphinstone",
"Wuyuan County, Jiangxi",
"Yushan County"
] | |
19156_NT | David Vases | How does this artwork elucidate its Provenence? | The vases are Jingdezhen porcelain, commissioned by someone named Zhang Wenjin (張文進) from Yushan County to be presented as altar pieces to a Daoist temple in Xingyuan (星源, present day Wuyuan County, Jiangxi) in 1351. It has been proposed that the vases were manufactured at the Hengfeng Zhen kilns near the temple. Long ... | [
"Jingdezhen porcelain",
"Daoist",
"Mountstuart Elphinstone",
"Wuyuan County, Jiangxi",
"Yushan County"
] | |
19157_T | David Vases | Focus on David Vases and analyze the Descriptions. | The shape of the vases is based on bronze vessels. They are painted in underglazed cobalt blue with images of a number of auspicious motifs. On the main body of each vase is painted a four-clawed dragon surrounded by clouds. Above is a band of lotus scroll, and on the neck are flying phoenixes, as well as a band of ove... | [
"dragon",
"cobalt blue",
"phoenixes",
"underglaze",
"chrysanthemum"
] | |
19157_NT | David Vases | Focus on this artwork and analyze the Descriptions. | The shape of the vases is based on bronze vessels. They are painted in underglazed cobalt blue with images of a number of auspicious motifs. On the main body of each vase is painted a four-clawed dragon surrounded by clouds. Above is a band of lotus scroll, and on the neck are flying phoenixes, as well as a band of ove... | [
"dragon",
"cobalt blue",
"phoenixes",
"underglaze",
"chrysanthemum"
] | |
19158_T | David Vases | Describe the characteristics of the Inscriptions in David Vases's Descriptions. | On the neck of the vases are inscribed dedications by Zhang. There are minor differences in inscriptions between the two vases, some characters have been changed in one inscription, but they have essentially the same meaning:信州路玉山縣順城鄉德教里荊塘社奉聖弟子張文進喜捨香炉花瓶一付祈保合家清吉子女平安 至正十一年四月良辰謹記 星源祖殿胡淨一元帥打供
The respectful disciple of the... | [
"dragon",
"Zhizheng era",
"phoenixes",
"Zhang Shicheng",
"Xingzhou Circuit",
"Zhizheng",
"Yushan County"
] | |
19158_NT | David Vases | Describe the characteristics of the Inscriptions in this artwork's Descriptions. | On the neck of the vases are inscribed dedications by Zhang. There are minor differences in inscriptions between the two vases, some characters have been changed in one inscription, but they have essentially the same meaning:信州路玉山縣順城鄉德教里荊塘社奉聖弟子張文進喜捨香炉花瓶一付祈保合家清吉子女平安 至正十一年四月良辰謹記 星源祖殿胡淨一元帥打供
The respectful disciple of the... | [
"dragon",
"Zhizheng era",
"phoenixes",
"Zhang Shicheng",
"Xingzhou Circuit",
"Zhizheng",
"Yushan County"
] | |
19159_T | David Vases | In the context of David Vases, explain the Dating of the Significance. | The inscriptions on the vases that gives the dates are important for the much-discussed question of when the blue-and-white style was introduced. The date has been given as 1351 (11th year of the Zhizheng era), towards the end of the Yuan dynasty. According to the British Museum they are the earliest dated blue-and-whi... | [
"Song dynasty",
"Zhizheng era",
"Ming dynasty",
"Belitung shipwreck",
"Percival David",
"a blue and white stoneware plate with floral motif",
"Zhizheng",
"British Museum",
"Tang dynasty",
"Yuan dynasty",
"Gongxian, Henan",
"blue-and-white"
] | |
19159_NT | David Vases | In the context of this artwork, explain the Dating of the Significance. | The inscriptions on the vases that gives the dates are important for the much-discussed question of when the blue-and-white style was introduced. The date has been given as 1351 (11th year of the Zhizheng era), towards the end of the Yuan dynasty. According to the British Museum they are the earliest dated blue-and-whi... | [
"Song dynasty",
"Zhizheng era",
"Ming dynasty",
"Belitung shipwreck",
"Percival David",
"a blue and white stoneware plate with floral motif",
"Zhizheng",
"British Museum",
"Tang dynasty",
"Yuan dynasty",
"Gongxian, Henan",
"blue-and-white"
] | |
19160_T | David Vases | Explore the Blue and white standard about the Significance of this artwork, David Vases. | As the only firmly dated Yuan dynasty porcelains for many years, the vases have been considered as "one of the main cornerstones in the chronology of blue and white", and "linchpin in studies of the development of Chinese ceramics with underglaze blue decorations", and the standard by which all other Yuan dynasty blue-... | [
"underglaze",
"Chinese ceramics",
"Yuan dynasty",
"blue-and-white"
] | |
19160_NT | David Vases | Explore the Blue and white standard about the Significance of this artwork. | As the only firmly dated Yuan dynasty porcelains for many years, the vases have been considered as "one of the main cornerstones in the chronology of blue and white", and "linchpin in studies of the development of Chinese ceramics with underglaze blue decorations", and the standard by which all other Yuan dynasty blue-... | [
"underglaze",
"Chinese ceramics",
"Yuan dynasty",
"blue-and-white"
] | |
19161_T | David Vases | Focus on David Vases and discuss the Media. | The vases are listed in the BBC programme A History of the World in 100 Objects. | [
"A History of the World in 100 Objects"
] | |
19161_NT | David Vases | Focus on this artwork and discuss the Media. | The vases are listed in the BBC programme A History of the World in 100 Objects. | [
"A History of the World in 100 Objects"
] | |
19162_T | The Father of Columbus Baseball | How does The Father of Columbus Baseball elucidate its abstract? | The Father of Columbus Baseball is a bronze sculpture depicting Harold Cooper by Alan Hamwi, installed outside Huntington Park (whose predecessor stadium was in named in his honor for) in Columbus, Ohio's Arena District, in the United States. The statue was unveiled in 2009. | [
"Huntington Park",
"Arena District",
"Alan Hamwi",
"bronze sculpture",
"Harold Cooper",
"predecessor stadium",
"Columbus, Ohio"
] | |
19162_NT | The Father of Columbus Baseball | How does this artwork elucidate its abstract? | The Father of Columbus Baseball is a bronze sculpture depicting Harold Cooper by Alan Hamwi, installed outside Huntington Park (whose predecessor stadium was in named in his honor for) in Columbus, Ohio's Arena District, in the United States. The statue was unveiled in 2009. | [
"Huntington Park",
"Arena District",
"Alan Hamwi",
"bronze sculpture",
"Harold Cooper",
"predecessor stadium",
"Columbus, Ohio"
] | |
19163_T | Yo, Picasso | Focus on Yo, Picasso and analyze the abstract. | Yo, Picasso (English: I, Picasso), is an oil-on-canvas painting by Pablo Picasso, which he painted in 1901. It is a self-portrait of the artist that depicts him in his youth, aged 19. The painting was created at the beginning of Picasso's Blue Period. On 9 May 1989, the painting sold at Sotheby's, achieving a price of ... | [
"most expensive paintings",
"Picasso's Blue Period",
"Blue Period",
"Sotheby's",
"oil-on-canvas",
"Pablo Picasso"
] | |
19163_NT | Yo, Picasso | Focus on this artwork and analyze the abstract. | Yo, Picasso (English: I, Picasso), is an oil-on-canvas painting by Pablo Picasso, which he painted in 1901. It is a self-portrait of the artist that depicts him in his youth, aged 19. The painting was created at the beginning of Picasso's Blue Period. On 9 May 1989, the painting sold at Sotheby's, achieving a price of ... | [
"most expensive paintings",
"Picasso's Blue Period",
"Blue Period",
"Sotheby's",
"oil-on-canvas",
"Pablo Picasso"
] | |
19164_T | Yo, Picasso | In Yo, Picasso, how is the Description discussed? | Yo, Picasso depicts the artist as he appeared in his youth. The painting is a brightly coloured, flamboyant portrait, reminiscent of Van Gogh, which depicts the artist wearing a white shirt and a bright orange cravate around his neck, set against a blue background. The title of the painting is derived from the inscript... | [
"Raphael",
"Van Gogh",
"Evening Standard",
"Raphael portrait of Castiglione",
"Raphael’s",
"Louvre"
] | |
19164_NT | Yo, Picasso | In this artwork, how is the Description discussed? | Yo, Picasso depicts the artist as he appeared in his youth. The painting is a brightly coloured, flamboyant portrait, reminiscent of Van Gogh, which depicts the artist wearing a white shirt and a bright orange cravate around his neck, set against a blue background. The title of the painting is derived from the inscript... | [
"Raphael",
"Van Gogh",
"Evening Standard",
"Raphael portrait of Castiglione",
"Raphael’s",
"Louvre"
] | |
19165_T | Yo, Picasso | Focus on Yo, Picasso and explore the Other self-portraits. | Picasso created many self-portraits throughout his life, many of which he kept in his possession and passed to his heirs. These self-portraits offer a wide variety of self-representations using different styles, including:
Self Portrait (Yo), 1901, oil on cardboard painting mounted on wood, 51.4 cm x 31.8 cm, MoMA.Sel... | [] | |
19165_NT | Yo, Picasso | Focus on this artwork and explore the Other self-portraits. | Picasso created many self-portraits throughout his life, many of which he kept in his possession and passed to his heirs. These self-portraits offer a wide variety of self-representations using different styles, including:
Self Portrait (Yo), 1901, oil on cardboard painting mounted on wood, 51.4 cm x 31.8 cm, MoMA.Sel... | [] | |
19166_T | Pitsa panels | Focus on Pitsa panels and explain the Motifs. | The tablets depict religious scenes connected with the cult of the nymphs.
One of the two near-complete examples shows a sacrifice to the nymphs. Three or more females, dressed in chiton and peplos, are approaching an altar to the right. They are accompanied by musicians playing the lyra and aulos. The person nearest t... | [
"libation",
"Corinthian alphabet",
"peplos",
"lyra",
"sacrifice",
"chiton",
"Corinthia",
"aulos",
"nymphs"
] | |
19166_NT | Pitsa panels | Focus on this artwork and explain the Motifs. | The tablets depict religious scenes connected with the cult of the nymphs.
One of the two near-complete examples shows a sacrifice to the nymphs. Three or more females, dressed in chiton and peplos, are approaching an altar to the right. They are accompanied by musicians playing the lyra and aulos. The person nearest t... | [
"libation",
"Corinthian alphabet",
"peplos",
"lyra",
"sacrifice",
"chiton",
"Corinthia",
"aulos",
"nymphs"
] | |
19167_T | Pitsa panels | Explore the Function and context of this artwork, Pitsa panels. | The tablets are votive offerings, connected with the rural cult of the nymphs, which was widespread throughout Greece. Stylistically and technically, they probably represent rather low quality panel paintings of their time. This, as well as references to wooden painted or inscribed votives at other Greek sanctuaries (e... | [
"Epidaurus",
"panel painting",
"votive offering",
"Greece",
"nymphs",
"Greek"
] | |
19167_NT | Pitsa panels | Explore the Function and context of this artwork. | The tablets are votive offerings, connected with the rural cult of the nymphs, which was widespread throughout Greece. Stylistically and technically, they probably represent rather low quality panel paintings of their time. This, as well as references to wooden painted or inscribed votives at other Greek sanctuaries (e... | [
"Epidaurus",
"panel painting",
"votive offering",
"Greece",
"nymphs",
"Greek"
] | |
19168_T | Lady Cockburn and Her Three Eldest Sons | Focus on Lady Cockburn and Her Three Eldest Sons and discuss the abstract. | Lady Cockburn and Her Three Eldest Sons (1775) is an oil on canvas portrait by Joshua Reynolds. Work began on the picture in 1773, and, in Grand Manner fashion, Reynolds exploited two classical paintings: the attitude of the child on the left was modelled on Cupid in Velázquez's Toilet of Venus whilst the general compo... | [
"Francis Ayscough",
"Governor of Bermuda",
"William",
"Scottish English",
"James",
"Anthony van Dyck",
"Columbia District",
"Francis",
"Langton",
"Toilet of Venus",
"Sir George Lyttlelton",
"Joshua Reynolds",
"George",
"Württemberg",
"Admiral of the Fleet",
"oil on canvas",
"plenipot... | |
19168_NT | Lady Cockburn and Her Three Eldest Sons | Focus on this artwork and discuss the abstract. | Lady Cockburn and Her Three Eldest Sons (1775) is an oil on canvas portrait by Joshua Reynolds. Work began on the picture in 1773, and, in Grand Manner fashion, Reynolds exploited two classical paintings: the attitude of the child on the left was modelled on Cupid in Velázquez's Toilet of Venus whilst the general compo... | [
"Francis Ayscough",
"Governor of Bermuda",
"William",
"Scottish English",
"James",
"Anthony van Dyck",
"Columbia District",
"Francis",
"Langton",
"Toilet of Venus",
"Sir George Lyttlelton",
"Joshua Reynolds",
"George",
"Württemberg",
"Admiral of the Fleet",
"oil on canvas",
"plenipot... | |
19169_T | Kindred Ties | How does Kindred Ties elucidate its abstract? | Kindred Ties is a work of public art by Evelyn Patricia Terry located near the intersection of Fond du Lac Avenue, North Avenue and 21st Street on the north side of Milwaukee, Wisconsin, United States. The artwork, a bus shelter of painted metal and glass, was commissioned by the Spirit of Milwaukee Neighborhood Millen... | [
"Milwaukee",
"bus shelter",
"Evelyn Patricia Terry",
"Wisconsin",
"public art"
] | |
19169_NT | Kindred Ties | How does this artwork elucidate its abstract? | Kindred Ties is a work of public art by Evelyn Patricia Terry located near the intersection of Fond du Lac Avenue, North Avenue and 21st Street on the north side of Milwaukee, Wisconsin, United States. The artwork, a bus shelter of painted metal and glass, was commissioned by the Spirit of Milwaukee Neighborhood Millen... | [
"Milwaukee",
"bus shelter",
"Evelyn Patricia Terry",
"Wisconsin",
"public art"
] | |
19170_T | The Fathers | Focus on The Fathers and analyze the abstract. | The Fathers is a conceptual and performative work of critical and biographical content by artist Abel Azcona. The Fathers was first performed in 2016 in Madrid with the final performance, also in Madrid, in 2017 in an exhibition format. The durational piece included dozens of female survivors of prostitution who gave a... | [
"composite artists",
"mental illness",
"biographical",
"child abuse",
"client",
"Abel Azcona",
"Madrid"
] | |
19170_NT | The Fathers | Focus on this artwork and analyze the abstract. | The Fathers is a conceptual and performative work of critical and biographical content by artist Abel Azcona. The Fathers was first performed in 2016 in Madrid with the final performance, also in Madrid, in 2017 in an exhibition format. The durational piece included dozens of female survivors of prostitution who gave a... | [
"composite artists",
"mental illness",
"biographical",
"child abuse",
"client",
"Abel Azcona",
"Madrid"
] | |
19171_T | Statue of Sidney Herbert, London | In Statue of Sidney Herbert, London, how is the abstract discussed? | The statue of Sidney Herbert, 1st Baron Herbert of Lea is an outdoor sculpture in London, England. Created by J. H. Foley, it was erected by public subscription in 1867 and was originally placed in the courtyard of Cumberland House, Pall Mall (which at the time was the headquarters of the War Office). It moved with the... | [
"Pall Mall",
"Cumberland House",
"Florence Nightingale",
"Whitehall",
"Crimean War Memorial",
"Sidney Herbert, 1st Baron Herbert of Lea",
"War Office",
"War Office building",
"J. H. Foley"
] | |
19171_NT | Statue of Sidney Herbert, London | In this artwork, how is the abstract discussed? | The statue of Sidney Herbert, 1st Baron Herbert of Lea is an outdoor sculpture in London, England. Created by J. H. Foley, it was erected by public subscription in 1867 and was originally placed in the courtyard of Cumberland House, Pall Mall (which at the time was the headquarters of the War Office). It moved with the... | [
"Pall Mall",
"Cumberland House",
"Florence Nightingale",
"Whitehall",
"Crimean War Memorial",
"Sidney Herbert, 1st Baron Herbert of Lea",
"War Office",
"War Office building",
"J. H. Foley"
] | |
19172_T | Man Proposes, God Disposes | Focus on Man Proposes, God Disposes and explore the abstract. | Man Proposes, God Disposes is an 1864 oil-on-canvas painting by Edwin Landseer. The work was inspired by the search for Franklin's lost expedition which disappeared in the Arctic after 1845. The painting is in the collection of Royal Holloway, University of London, and is the subject of superstitious urban myth that t... | [
"Edwin Landseer",
"superstitious",
"urban myth",
"Arctic",
"Royal Holloway, University of London",
"London",
"Franklin's lost expedition"
] | |
19172_NT | Man Proposes, God Disposes | Focus on this artwork and explore the abstract. | Man Proposes, God Disposes is an 1864 oil-on-canvas painting by Edwin Landseer. The work was inspired by the search for Franklin's lost expedition which disappeared in the Arctic after 1845. The painting is in the collection of Royal Holloway, University of London, and is the subject of superstitious urban myth that t... | [
"Edwin Landseer",
"superstitious",
"urban myth",
"Arctic",
"Royal Holloway, University of London",
"London",
"Franklin's lost expedition"
] | |
19173_T | Man Proposes, God Disposes | Focus on Man Proposes, God Disposes and explain the Description. | The painting adopts the dark tones of Landseer's later works. The scene shows two polar bears among the scattered wreckage of the expedition – a telescope, the tattered remains of a red ensign, a sail, and human bones, which William Michael Rossetti called "the saddest of membra disjecta". The image shows humanity an... | [
"William Michael Rossetti",
"red ensign",
"nature, red in tooth and claw",
"membra disjecta",
"polar bear"
] | |
19173_NT | Man Proposes, God Disposes | Focus on this artwork and explain the Description. | The painting adopts the dark tones of Landseer's later works. The scene shows two polar bears among the scattered wreckage of the expedition – a telescope, the tattered remains of a red ensign, a sail, and human bones, which William Michael Rossetti called "the saddest of membra disjecta". The image shows humanity an... | [
"William Michael Rossetti",
"red ensign",
"nature, red in tooth and claw",
"membra disjecta",
"polar bear"
] | |
19174_T | Man Proposes, God Disposes | Explore the Background about the Description of this artwork, Man Proposes, God Disposes. | The painting depicts an imagined Arctic scene in the aftermath of Sir John Franklin's expedition in 1845 to explore the Northwest Passage.
The 134 men of Franklin's expedition left Greenhithe in May 1845 on two steam-powered ironclad icebreakers, HMS Erebus and HMS Terror. After five left the ship, the remaining 129 m... | [
"John Rae",
"Hudson's Bay Company",
"Frederic Edwin Church",
"Greenhithe",
"Leopold McClintock",
"expedition in 1845",
"Lancaster Sound",
"The Sea of Ice",
"Francis Leopold McClintock",
"Inuit",
"Caspar David Friedrich",
"Arctic",
"Northwest Passage",
"cannibalism",
"The Icebergs",
"Lo... | |
19174_NT | Man Proposes, God Disposes | Explore the Background about the Description of this artwork. | The painting depicts an imagined Arctic scene in the aftermath of Sir John Franklin's expedition in 1845 to explore the Northwest Passage.
The 134 men of Franklin's expedition left Greenhithe in May 1845 on two steam-powered ironclad icebreakers, HMS Erebus and HMS Terror. After five left the ship, the remaining 129 m... | [
"John Rae",
"Hudson's Bay Company",
"Frederic Edwin Church",
"Greenhithe",
"Leopold McClintock",
"expedition in 1845",
"Lancaster Sound",
"The Sea of Ice",
"Francis Leopold McClintock",
"Inuit",
"Caspar David Friedrich",
"Arctic",
"Northwest Passage",
"cannibalism",
"The Icebergs",
"Lo... | |
19175_T | Man Proposes, God Disposes | Focus on Man Proposes, God Disposes and discuss the Origin of the title. | The phrase "Man proposes, but God disposes" is a translation of the Latin phrase "Homo proponit, sed Deus disponit" from Book I, chapter 19, of The Imitation of Christ, a 15th-century book by the German cleric Thomas à Kempis. A few modernized and paraphrased Bible translations use it as a translation of Proverbs 19:21... | [
"Lucian",
"The Imitation of Christ",
"Thomas à Kempis",
"Spanish Armada",
"Bacchae",
"Euripides",
"Andromache",
"Alcestis",
"Helen"
] | |
19175_NT | Man Proposes, God Disposes | Focus on this artwork and discuss the Origin of the title. | The phrase "Man proposes, but God disposes" is a translation of the Latin phrase "Homo proponit, sed Deus disponit" from Book I, chapter 19, of The Imitation of Christ, a 15th-century book by the German cleric Thomas à Kempis. A few modernized and paraphrased Bible translations use it as a translation of Proverbs 19:21... | [
"Lucian",
"The Imitation of Christ",
"Thomas à Kempis",
"Spanish Armada",
"Bacchae",
"Euripides",
"Andromache",
"Alcestis",
"Helen"
] | |
19176_T | Vocation of the Apostles | How does Vocation of the Apostles elucidate its abstract? | The Vocation of the Apostles is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the Gospel narrative of Jesus Christ calling Peter and Andrew to become his disciples. | [
"Sistine Chapel",
"Jesus",
"Andrew",
"Italian Renaissance",
"Jesus Christ",
"his disciples",
"Rome",
"Domenico Ghirlandaio",
"Christ",
"Gospel",
"Peter"
] | |
19176_NT | Vocation of the Apostles | How does this artwork elucidate its abstract? | The Vocation of the Apostles is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1481–1482 and located in the Sistine Chapel, Rome. It depicts the Gospel narrative of Jesus Christ calling Peter and Andrew to become his disciples. | [
"Sistine Chapel",
"Jesus",
"Andrew",
"Italian Renaissance",
"Jesus Christ",
"his disciples",
"Rome",
"Domenico Ghirlandaio",
"Christ",
"Gospel",
"Peter"
] | |
19177_T | Vocation of the Apostles | Focus on Vocation of the Apostles and analyze the History. | In 1481 a group of Florentine painters left for Rome, where they had been called as part of the reconciliation project between Lorenzo de' Medici, the de facto ruler of Florence, and Pope Sixtus IV. The Florentines started to work in the Sistine Chapel as early as mid-1481, along with Pietro Perugino, who was already ... | [
"Biagio d'Antonio",
"Sistine Chapel",
"Florence",
"Old",
"Jesus",
"Moses",
"bishop of Rome",
"Rome",
"Pope Sixtus IV",
"Christ",
"Pietro Perugino",
"New Testament",
"Peter",
"Lorenzo de' Medici",
"Cosimo Rosselli",
"The Crossing of the Red Sea"
] | |
19177_NT | Vocation of the Apostles | Focus on this artwork and analyze the History. | In 1481 a group of Florentine painters left for Rome, where they had been called as part of the reconciliation project between Lorenzo de' Medici, the de facto ruler of Florence, and Pope Sixtus IV. The Florentines started to work in the Sistine Chapel as early as mid-1481, along with Pietro Perugino, who was already ... | [
"Biagio d'Antonio",
"Sistine Chapel",
"Florence",
"Old",
"Jesus",
"Moses",
"bishop of Rome",
"Rome",
"Pope Sixtus IV",
"Christ",
"Pietro Perugino",
"New Testament",
"Peter",
"Lorenzo de' Medici",
"Cosimo Rosselli",
"The Crossing of the Red Sea"
] | |
19178_T | Spain Asks for Forgiveness | In Spain Asks for Forgiveness, how is the abstract discussed? | Spain Asks for Forgiveness is a conceptual and performative work of critical and anti-colonial content by recognized artist Abel Azcona. Created and started in Bogotá in November 2018 through a conference and a live performance by Azcona at the museum of contemporary art of Bogotá. | [
"anti-colonial",
"contemporary art",
"Bogotá",
"Abel Azcona"
] | |
19178_NT | Spain Asks for Forgiveness | In this artwork, how is the abstract discussed? | Spain Asks for Forgiveness is a conceptual and performative work of critical and anti-colonial content by recognized artist Abel Azcona. Created and started in Bogotá in November 2018 through a conference and a live performance by Azcona at the museum of contemporary art of Bogotá. | [
"anti-colonial",
"contemporary art",
"Bogotá",
"Abel Azcona"
] | |
19179_T | Big Bambú | Focus on Big Bambú and explore the Metropolitan Museum installation. | The installation on the roof of the Metropolitan Museum of Art was conceived as a giant wave cresting over the rooftop. Art critic Karen Wilkin wrote that the experience of walking on the roof terrace under the sculpture felt like "wandering through a bamboo grove." She described the piece as not a "significant sculptu... | [
"bamboo",
"Karen Wilkin",
"Metropolitan Museum of Art"
] | |
19179_NT | Big Bambú | Focus on this artwork and explore the Metropolitan Museum installation. | The installation on the roof of the Metropolitan Museum of Art was conceived as a giant wave cresting over the rooftop. Art critic Karen Wilkin wrote that the experience of walking on the roof terrace under the sculpture felt like "wandering through a bamboo grove." She described the piece as not a "significant sculptu... | [
"bamboo",
"Karen Wilkin",
"Metropolitan Museum of Art"
] | |
19180_T | Big Bambú | Focus on Big Bambú and explain the Israel Museum installation. | Big Bambu: 5000 arms to hold you, constructed in the sculpture garden of the Israel Museum in Jerusalem in 2014, is 16 meters (52.5 feet) high and covers an area of over 700 square meters (7,500 square feet). Visitors are invited to climb on the framework of 10,000 bamboo poles bound by rope, which forms a labyrinth of... | [
"Big Bambu",
"Israel Museum",
"bamboo",
"Jerusalem"
] | |
19180_NT | Big Bambú | Focus on this artwork and explain the Israel Museum installation. | Big Bambu: 5000 arms to hold you, constructed in the sculpture garden of the Israel Museum in Jerusalem in 2014, is 16 meters (52.5 feet) high and covers an area of over 700 square meters (7,500 square feet). Visitors are invited to climb on the framework of 10,000 bamboo poles bound by rope, which forms a labyrinth of... | [
"Big Bambu",
"Israel Museum",
"bamboo",
"Jerusalem"
] | |
19181_T | Big Bambú | Explore the Ordrupgård Museum, Denmark of this artwork, Big Bambú. | In 2018 a Big Bambú installation was made at Ordrupgård Museum in Denmark. | [
"Ordrupgård Museum"
] | |
19181_NT | Big Bambú | Explore the Ordrupgård Museum, Denmark of this artwork. | In 2018 a Big Bambú installation was made at Ordrupgård Museum in Denmark. | [
"Ordrupgård Museum"
] |
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